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RUSSIAN MUSIC PLAYS | 0:00:03 | 0:00:05 | |
I really like it, the fact that it's all sparkly, and all. | 0:00:08 | 0:00:10 | |
Liggered in meal, aren't you? | 0:00:15 | 0:00:17 | |
Liggered in meal. Liggered means you're covered! | 0:00:17 | 0:00:20 | |
You're covered in stuff. | 0:00:20 | 0:00:21 | |
This one's Wednesday Addams from the Addams family. | 0:00:26 | 0:00:29 | |
I got her last Halloween. | 0:00:29 | 0:00:30 | |
This is my cat. | 0:00:30 | 0:00:32 | |
Big fan of cats. | 0:00:32 | 0:00:33 | |
BAGPIPES PLAY | 0:00:36 | 0:00:39 | |
There's 120 players going to Russia - pipers, drummers, bass. | 0:00:39 | 0:00:44 | |
The biggest part of them are coming from Ireland - Dublin, Belfast, | 0:00:44 | 0:00:47 | |
Raphoe and Castlederg, | 0:00:47 | 0:00:48 | |
then we're meeting ones from England and Germany, | 0:00:48 | 0:00:51 | |
and none of us are going to meet each other | 0:00:51 | 0:00:53 | |
until we're there in Russia. | 0:00:53 | 0:00:55 | |
There's about 14 in our band going to join the 120, | 0:00:56 | 0:00:59 | |
so that's most of our band's going over to Russia from Raphoe. | 0:00:59 | 0:01:03 | |
SINGING IN RUSSIAN | 0:01:05 | 0:01:08 | |
Raphoe's a very small town. | 0:01:18 | 0:01:19 | |
Everyone kind of knows everybody, | 0:01:19 | 0:01:21 | |
and it's also very easy to get to Derry, Strabane, Letterkenny, | 0:01:21 | 0:01:25 | |
it's a very accessible place. | 0:01:25 | 0:01:27 | |
There's a lot of culture here. It's a plantation town, | 0:01:27 | 0:01:30 | |
an old Ulster-Scots area. | 0:01:30 | 0:01:32 | |
We've got a castle, we've the stone circle. We're a Protestant family. | 0:01:32 | 0:01:35 | |
That's the way we were brought up, | 0:01:35 | 0:01:37 | |
and Raphoe is a very | 0:01:37 | 0:01:39 | |
cross-community town. | 0:01:39 | 0:01:41 | |
And I'm kind of glad of the mix, | 0:01:41 | 0:01:42 | |
so that you're not just, you know, seeing things one way, | 0:01:42 | 0:01:45 | |
"This is the way." | 0:01:45 | 0:01:47 | |
Me and Robyn get on well. We can, like, annoy each other at times. | 0:01:49 | 0:01:52 | |
But in the end, like, we're sisters. | 0:01:52 | 0:01:54 | |
There's not much we can do about that, | 0:01:54 | 0:01:56 | |
so we have to like it or lump it. | 0:01:56 | 0:01:59 | |
I can't imagine my life, actually, without her. | 0:01:59 | 0:02:01 | |
It's a seasonal thing, | 0:02:05 | 0:02:06 | |
but I work as a part-time model for the wedding dress company, | 0:02:06 | 0:02:09 | |
and we get fitted into the new stock. | 0:02:09 | 0:02:11 | |
There's two seasons, it runs from January until March, every Sunday, | 0:02:11 | 0:02:14 | |
and then from September through to October. | 0:02:14 | 0:02:18 | |
I'm very showboaty. I like to be out there. | 0:02:18 | 0:02:21 | |
While we live in Raphoe, quite close to the border, | 0:02:23 | 0:02:25 | |
Victoria lives in Castlederg, which is on the other side. | 0:02:25 | 0:02:28 | |
But, like, to us, it's not, like, "Oh, she lives in the North," | 0:02:28 | 0:02:31 | |
or, "She lives over the border." | 0:02:31 | 0:02:32 | |
She lives 25 minutes away by car. | 0:02:32 | 0:02:36 | |
I like to think Castlederg is the back end of nowhere. | 0:02:36 | 0:02:39 | |
You're two hours from everywhere, | 0:02:39 | 0:02:41 | |
no matter if you're going to Dublin or Belfast. | 0:02:41 | 0:02:43 | |
Castlederg was the most bombed town in Northern Ireland, I think, | 0:02:45 | 0:02:48 | |
during the Troubles, and... | 0:02:48 | 0:02:50 | |
You know, there has been a lot of violence here. | 0:02:51 | 0:02:54 | |
But it's a peaceful wee town, more or less. | 0:02:54 | 0:02:56 | |
SHEEP BLEAT | 0:02:57 | 0:03:00 | |
We're just outside Castlederg, between Castlederg and the border. | 0:03:00 | 0:03:04 | |
So I come past the sheep every time I'm going to Raphoe. | 0:03:04 | 0:03:07 | |
A country girl at heart. I don't think I could ever live in the city. | 0:03:09 | 0:03:12 | |
I enjoy the outdoors too much and... | 0:03:12 | 0:03:14 | |
..spending time with these eejits. | 0:03:15 | 0:03:17 | |
-Oh! -SHE LAUGHS | 0:03:17 | 0:03:19 | |
That's my granny's writing. Cos she'd always tell me, like, | 0:03:20 | 0:03:24 | |
"Keep your head down, work hard, say nothing to no-one, | 0:03:24 | 0:03:26 | |
"don't let on you're doing well, say nothing." | 0:03:26 | 0:03:29 | |
I'm not a confident person, | 0:03:30 | 0:03:32 | |
I'm actually very shy and very introverted. | 0:03:32 | 0:03:34 | |
The only statements I would make would be with my dress, my make-up, | 0:03:34 | 0:03:38 | |
what I look like, but I wouldn't be | 0:03:38 | 0:03:40 | |
a very over-the-top person in general. | 0:03:40 | 0:03:43 | |
The first time I met Robyn, she had green hair, and she was dressed | 0:03:43 | 0:03:45 | |
in black, from head to toe. | 0:03:45 | 0:03:47 | |
So, your head automatically goes, "All right, OK, | 0:03:47 | 0:03:51 | |
"she must be into heavy metal music," which I think she is, | 0:03:51 | 0:03:54 | |
and, "She must be very artistic," which she is. | 0:03:54 | 0:03:58 | |
Victoria, she's quite different from me and Robyn, | 0:03:58 | 0:04:01 | |
because we would gladly sit in front of a mirror for hours and do our | 0:04:01 | 0:04:04 | |
hair and make-up, whereas she'd rather just slap her hair up and get | 0:04:04 | 0:04:08 | |
-on her way. -My time is too valuable to be running about, putting on | 0:04:08 | 0:04:13 | |
ten layers of foundation. | 0:04:13 | 0:04:15 | |
Chloe's hard to judge, because you'd think, looking at her, she wouldn't | 0:04:17 | 0:04:20 | |
have any time for somebody like me. | 0:04:20 | 0:04:23 | |
But she's down-to-earth, and good craic. | 0:04:23 | 0:04:25 | |
Since we are all so different, I think it's a well-rounded, | 0:04:25 | 0:04:29 | |
a well-rounded friendship, I think. | 0:04:29 | 0:04:31 | |
-Yeah. -Yeah. | 0:04:31 | 0:04:32 | |
Always been a big football fan. | 0:04:34 | 0:04:37 | |
When I was in primary school, I was always sort of the tomboy. | 0:04:37 | 0:04:41 | |
I'm sure that would shock you very much, but... | 0:04:41 | 0:04:45 | |
it was always break-time and lunchtime, I always went out with | 0:04:45 | 0:04:48 | |
the boys and played football with them, whereas the girls went | 0:04:48 | 0:04:51 | |
and played kissy catch, or some stupid thing like that. | 0:04:51 | 0:04:54 | |
I joined pipe bands when I was five. Started Drum Major. | 0:04:57 | 0:05:00 | |
I done that until I was about 16 or so. | 0:05:00 | 0:05:03 | |
This was sort of the go-to place to practise. | 0:05:03 | 0:05:06 | |
Usually Dad would've came up with me, | 0:05:06 | 0:05:08 | |
to make sure that I was doing things right and staying in a straight line | 0:05:08 | 0:05:12 | |
and I got several placings around Northern Ireland | 0:05:12 | 0:05:16 | |
and Scotland. | 0:05:16 | 0:05:18 | |
Could have met someone up at the shop, | 0:05:18 | 0:05:21 | |
usually it would have been Mum or Dad, they'd have met them and | 0:05:21 | 0:05:23 | |
they said, "Oh, how'd the cutty do at the contest on Saturday?" | 0:05:23 | 0:05:27 | |
Cutty is one of many Ulster-Scots words. | 0:05:27 | 0:05:30 | |
Usually paired along with cub, | 0:05:30 | 0:05:32 | |
cutty is the Ulster-Scots word for girl. | 0:05:32 | 0:05:36 | |
And cub is the Ulster-Scots word for boy. | 0:05:36 | 0:05:39 | |
Along with many, many words that I quite regularly use. | 0:05:40 | 0:05:44 | |
Cannae - can't. Dunnae - don't. | 0:05:44 | 0:05:47 | |
-I mean, every fifth word that I use is usually "aye" or "naw". -SHE LAUGHS | 0:05:47 | 0:05:51 | |
So it's quite, it's quite difficult to be posh at times, | 0:05:51 | 0:05:56 | |
if you're in for a job interview or something like that. | 0:05:56 | 0:05:59 | |
It's part of your culture, part of your tradition. | 0:05:59 | 0:06:02 | |
That's the way you speak, | 0:06:02 | 0:06:03 | |
and if people don't like it, they can lump it, so... | 0:06:03 | 0:06:06 | |
COUNTRY GUITAR MUSIC PLAYS | 0:06:08 | 0:06:11 | |
When I first joined the band, I was one of the only girl bass drummers. | 0:06:18 | 0:06:23 | |
You'd hear them going past, "Oh, that's a girl bass drummer!" | 0:06:23 | 0:06:26 | |
You're getting rid of the stereotype that it's big tough men | 0:06:26 | 0:06:30 | |
has to carry the big scary drum. | 0:06:30 | 0:06:32 | |
RADIO: Wagon Wheel performed by Nathan Carter | 0:06:32 | 0:06:35 | |
I had the drumsticks in my hand, and the drum pad, | 0:06:35 | 0:06:37 | |
and was just messing around, and Wagon Wheel came on, | 0:06:37 | 0:06:40 | |
and I just started drumming to it. | 0:06:40 | 0:06:43 | |
I just videoed it, and within half an hour had it on Facebook, | 0:06:44 | 0:06:47 | |
and I think it got over 500 likes. | 0:06:47 | 0:06:50 | |
I've been listening to country music now for a long time. | 0:06:50 | 0:06:52 | |
It's something that I've grew up with. | 0:06:52 | 0:06:55 | |
I'm really looking forward to Moscow, to be involved in something | 0:06:55 | 0:06:58 | |
so big, such a prestigious tattoo. | 0:06:58 | 0:07:01 | |
It'll be my first military tattoo, | 0:07:01 | 0:07:03 | |
so I'm really looking forward to the experience | 0:07:03 | 0:07:05 | |
and seeing what it's like. | 0:07:05 | 0:07:07 | |
I went and studied journalism, | 0:07:08 | 0:07:10 | |
so I've been writing about country music and pipe bands, | 0:07:10 | 0:07:12 | |
and I'm hoping to do a review of Moscow, | 0:07:12 | 0:07:15 | |
and then send it in to all the papers, | 0:07:15 | 0:07:17 | |
because I want people to realise that pipe bands isn't just standing | 0:07:17 | 0:07:20 | |
in a wet field on a Saturday. | 0:07:20 | 0:07:22 | |
At the end of the day, judging is only one person, | 0:07:22 | 0:07:25 | |
or a couple of people's opinions. | 0:07:25 | 0:07:27 | |
You know, you shouldn't let your ability be measured by that. | 0:07:27 | 0:07:31 | |
And, therefore, I think you should be involved in things like tattoos | 0:07:31 | 0:07:34 | |
and concerts, and enjoy the musicality of it. | 0:07:34 | 0:07:37 | |
There's about 14 players travelling to Moscow from Raphoe. | 0:07:39 | 0:07:44 | |
To play in a military tattoo in Moscow, | 0:07:44 | 0:07:46 | |
walking out in front of all those people, | 0:07:46 | 0:07:48 | |
it is a once-in-a-lifetime experience. | 0:07:48 | 0:07:50 | |
We're just up at the Ulster-Scots summer school, | 0:07:57 | 0:07:59 | |
and we're in doing some arts and crafts. | 0:07:59 | 0:08:01 | |
We get 120 kids every year. | 0:08:01 | 0:08:04 | |
It's been running for 11 years now, | 0:08:04 | 0:08:07 | |
and I've been a leader for nine years, | 0:08:07 | 0:08:09 | |
cos I started going to the camp, and I worked my way up the ranks. | 0:08:09 | 0:08:13 | |
So there's an Ulster-Scots connection with planes, to Harry Ferguson. | 0:08:13 | 0:08:17 | |
Little painted, little wooden aeroplanes. | 0:08:17 | 0:08:20 | |
We're making little pipers and drummers, like these, | 0:08:20 | 0:08:23 | |
so that's what everyone's working on now. | 0:08:23 | 0:08:26 | |
BAGPIPES AND DRUMS PLAY | 0:08:26 | 0:08:28 | |
Today is the first time I've been at Raphoe summer camp. | 0:08:31 | 0:08:34 | |
We were doing a wee workshop with all aspects of pipe bands. | 0:08:34 | 0:08:37 | |
So I was doing Drum Major. | 0:08:37 | 0:08:39 | |
So it's nice to see Ulster-Scots being taught to all these | 0:08:40 | 0:08:43 | |
young people, and, you know, getting involved in it. | 0:08:43 | 0:08:45 | |
Why don't we get another colour, just...? Here, what about this one? | 0:08:45 | 0:08:48 | |
We'll be teaching them the alphabet here, the Ullans alphabet. | 0:08:50 | 0:08:52 | |
The Ulster-Scots. | 0:08:52 | 0:08:54 | |
Just showing them, this is what this language is. This is what it means. | 0:08:54 | 0:08:57 | |
-It isn't rubbish. -I suppose the point I would make is, | 0:08:57 | 0:09:00 | |
if you look up an Oxford English dictionary, them words aren't in it, | 0:09:00 | 0:09:04 | |
so it can't be English. | 0:09:04 | 0:09:05 | |
It does get ridiculed a bit, the language, and... | 0:09:07 | 0:09:09 | |
it is quite unfair, but, like, for our surroundings and our, like, | 0:09:09 | 0:09:12 | |
town and our area, this would be the normal. | 0:09:12 | 0:09:15 | |
We're teaching them not to be ashamed of what the culture is. | 0:09:15 | 0:09:18 | |
And I don't think that any of us would be, | 0:09:18 | 0:09:20 | |
would be ashamed of it, to be honest. | 0:09:20 | 0:09:22 | |
COUNTRY MUSIC PLAYS | 0:09:22 | 0:09:24 | |
This is definitely a very familiar road. | 0:09:27 | 0:09:29 | |
I'd be on this road if I was travelling from Castlederg to | 0:09:29 | 0:09:31 | |
Raphoe, which I do, sometimes twice a week, sometimes more. | 0:09:31 | 0:09:35 | |
It is a different country, whether people like it or not, | 0:09:37 | 0:09:40 | |
it doesn't matter, it is a different country. | 0:09:40 | 0:09:42 | |
Some day it might be the same country, | 0:09:42 | 0:09:44 | |
although it might never be the same country. | 0:09:44 | 0:09:46 | |
You know, who can tell? | 0:09:46 | 0:09:48 | |
There's a lot of talk about a border, you know, border | 0:09:49 | 0:09:52 | |
patrol and stuff here, a lot of talk about Brexit. | 0:09:52 | 0:09:55 | |
Listen, a hard border won't affect my friendship with anybody. | 0:09:55 | 0:09:57 | |
It's nothing to do with me. I'm not bothered, like. | 0:09:57 | 0:10:00 | |
Unless Donald Trump builds a wall over there, | 0:10:00 | 0:10:02 | |
and I have to climb it to get to band practice, then so be it. | 0:10:02 | 0:10:05 | |
We'll, we'll deal with that. | 0:10:05 | 0:10:07 | |
DRUMMING | 0:10:08 | 0:10:11 | |
So we're up at one of our band practices on a Thursday night, up at | 0:10:20 | 0:10:23 | |
the local Orange Hall, and we're planning a birthday surprise | 0:10:23 | 0:10:26 | |
for Victoria. It was her 21st yesterday. | 0:10:26 | 0:10:29 | |
-BAGPIPES PLAY -We've sent her upstairs there now, | 0:10:29 | 0:10:31 | |
just to have a go over with the drummers, as a ruse. | 0:10:31 | 0:10:34 | |
PIPING AND DRUMMING | 0:10:34 | 0:10:37 | |
BAGPIPES PLAY "HAPPY BIRTHDAY" | 0:10:37 | 0:10:40 | |
CHEERING AND APPLAUSE | 0:10:40 | 0:10:42 | |
# Happy birthday, dear Victoria | 0:10:47 | 0:10:51 | |
# Happy birthday to you. # | 0:10:51 | 0:10:55 | |
CHEERING | 0:10:56 | 0:10:59 | |
We are part of an Orange Hall, with an Orange Lodge. | 0:11:00 | 0:11:03 | |
Most people, when you say, "Oh, I'm in a band with the Orange Lodge," | 0:11:03 | 0:11:07 | |
people associate it with, like, a flute band, or even an accordion | 0:11:07 | 0:11:10 | |
band, but there's us pipe bands that go out, too, | 0:11:10 | 0:11:13 | |
and we go out and do the 12ths. | 0:11:13 | 0:11:14 | |
The parades on the 12ths are only a small part of what we get to do, | 0:11:16 | 0:11:19 | |
like, with the pipe band, we get to travel, we get to compete. | 0:11:19 | 0:11:23 | |
You shouldn't stereotype anyone, because then you're wrong, | 0:11:23 | 0:11:26 | |
and you're just showing a lot of prejudice. | 0:11:26 | 0:11:28 | |
I mean, just because you rehearse in an Orange Hall doesn't mean | 0:11:30 | 0:11:33 | |
you're a bigot. As I keep trying to stress to people, | 0:11:33 | 0:11:37 | |
pipe bands, it's a musical band. | 0:11:37 | 0:11:39 | |
You're there to make music. You're not there to... | 0:11:39 | 0:11:41 | |
..to make other people feel bad or, you know, to try and... | 0:11:42 | 0:11:46 | |
you know, make a political point or anything like that. | 0:11:46 | 0:11:49 | |
So, it's nice to go out to Moscow and meet with other people from | 0:11:49 | 0:11:52 | |
different countries, religions. I think that's important. | 0:11:52 | 0:11:55 | |
So, we're just up at my grandad's bog, at Brockagh, in Donegal. | 0:12:02 | 0:12:06 | |
She's a long way from wedding dress model now. | 0:12:08 | 0:12:11 | |
She's knee-deep in the bog and muck. | 0:12:11 | 0:12:12 | |
My own children used to come up with me, | 0:12:16 | 0:12:19 | |
and then...now the grandchildren come. | 0:12:19 | 0:12:21 | |
Couldn't do it without them. | 0:12:21 | 0:12:23 | |
We're what you call Irish Protestants. | 0:12:25 | 0:12:27 | |
You'd be the same. | 0:12:30 | 0:12:32 | |
I'd be Irish. I think if I said anything else, | 0:12:32 | 0:12:34 | |
Grandad would kind of slap me if I said I wasn't Irish. | 0:12:34 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:38 | |
It would be something that comes up a lot when I'm down in Dublin. | 0:12:39 | 0:12:42 | |
People are confused. Like, where am I from? | 0:12:42 | 0:12:44 | |
I'm from the north of Ireland, but am I Northern Irish? | 0:12:44 | 0:12:48 | |
Someone asked me, "I have a question for you, but I don't want you to get offended." | 0:12:48 | 0:12:51 | |
And I was like, "Oh, God, what are you going to ask me?" They're like, | 0:12:51 | 0:12:54 | |
"Do you have Opal Fruit sweets?" | 0:12:54 | 0:12:56 | |
-And I was like, "What on earth are you on about?!" -LAUGHTER | 0:12:56 | 0:12:59 | |
The North's always been a really big part of our lives. | 0:13:01 | 0:13:04 | |
It's literally just miles down the road, | 0:13:04 | 0:13:06 | |
and we would go to Derry as often as we would go to Letterkenny. | 0:13:06 | 0:13:11 | |
The nearest town to us is Strabane. | 0:13:11 | 0:13:14 | |
It's in Tyrone. | 0:13:14 | 0:13:15 | |
And our competitions are all in the North, so we'd always be going | 0:13:15 | 0:13:20 | |
to the band competitions. | 0:13:20 | 0:13:21 | |
The band won it in 2013, in grade four B. | 0:13:28 | 0:13:31 | |
There's a big banner up in our Orange Hall. | 0:13:31 | 0:13:33 | |
They've all the trophies and everything that we've won. | 0:13:33 | 0:13:36 | |
But since we moved up the grades now, it's tough, trying to get | 0:13:36 | 0:13:39 | |
the trophies when there's other bands that's already been in it, | 0:13:39 | 0:13:41 | |
winning every year. | 0:13:41 | 0:13:43 | |
We're sort of part-time pipe-banders here. | 0:13:43 | 0:13:46 | |
You know, we sound the way we sound, | 0:13:46 | 0:13:48 | |
and, you know, we're trying to get better. | 0:13:48 | 0:13:50 | |
That's our aim, to be better than last week, | 0:13:50 | 0:13:52 | |
and that's all you can really do. | 0:13:52 | 0:13:54 | |
I think, up until recently, | 0:13:57 | 0:13:58 | |
the pipe band world was mostly male-dominated, | 0:13:58 | 0:14:01 | |
and it's nice to see there's more females in it now. | 0:14:01 | 0:14:05 | |
You always keep seeing, like, the older generation going, "Oh, the bass drummer's a girl?" | 0:14:10 | 0:14:14 | |
Or they'll try to carry the bass drum for you out around the place. | 0:14:14 | 0:14:16 | |
I'm like, "No, I'm grand." Like, "I can do it." | 0:14:16 | 0:14:19 | |
Playing competitions, it's fairly important, cos it keeps you | 0:14:21 | 0:14:23 | |
interested during the rest of the year, rather than doing | 0:14:23 | 0:14:26 | |
one or two concerts or tattoos. | 0:14:26 | 0:14:28 | |
Like, some grade one players wouldn't do any tattoos or would | 0:14:28 | 0:14:31 | |
somewhat turn their nose up at it. | 0:14:31 | 0:14:33 | |
But like, I don't see why you can't do a competition this week, and then | 0:14:33 | 0:14:36 | |
go to Russia next week and play a tattoo. | 0:14:36 | 0:14:39 | |
So, we didn't win anything today. | 0:14:49 | 0:14:51 | |
We didn't come in the top. We're waiting on the results sheet now, | 0:14:51 | 0:14:54 | |
to see where, just where we placed in our grade. | 0:14:54 | 0:14:56 | |
We've had enough now of playing competition stuff. | 0:14:56 | 0:14:58 | |
We're ready to get into tattoo stuff now. | 0:14:58 | 0:15:00 | |
We've all gathered up today for a practice for Moscow. | 0:15:10 | 0:15:14 | |
It's pretty much just people from around this area. | 0:15:14 | 0:15:17 | |
There's some travelling from further up the country as well. | 0:15:17 | 0:15:20 | |
I think there's around 70 pipers going from this island, so... | 0:15:23 | 0:15:27 | |
You know, it's impossible to get everybody together and practise | 0:15:27 | 0:15:30 | |
together, so we're trying our best | 0:15:30 | 0:15:32 | |
to try to get as many people as we can together in one place. | 0:15:32 | 0:15:34 | |
-That's good now. -Andy McGregor's taking these classes. | 0:15:36 | 0:15:39 | |
I think everyone appreciates that Andy is able to have a wee bit of | 0:15:41 | 0:15:44 | |
craic with everybody and, you know, he's like a big kid himself. | 0:15:44 | 0:15:47 | |
I definitely do like his style of teaching. | 0:15:47 | 0:15:49 | |
Everybody tends to join a band. | 0:15:51 | 0:15:53 | |
Most of the bands compete, and if | 0:15:53 | 0:15:55 | |
you're not good enough to compete, | 0:15:55 | 0:15:58 | |
you don't get a chance to play. | 0:15:58 | 0:15:59 | |
I teach people that want to learn, want to enjoy to play piping. | 0:16:01 | 0:16:04 | |
It's just piping for piping's sake, | 0:16:04 | 0:16:07 | |
rather than to win a trophy on a Saturday. | 0:16:07 | 0:16:09 | |
If they want to go to a grade two or a grade one band, | 0:16:11 | 0:16:13 | |
we'll give them all the support and help that we can to achieve that | 0:16:13 | 0:16:16 | |
dream. If they want to go to the World Pipe Band Championships and | 0:16:16 | 0:16:19 | |
win the World's, and if that's their ambition, then that's brilliant. | 0:16:19 | 0:16:22 | |
That's great. But if they want to go to Moscow and play in the Red Square | 0:16:22 | 0:16:26 | |
and Kremlin, you know, and be somewhere where very few people have | 0:16:26 | 0:16:29 | |
been to, I mean, that's also great. | 0:16:29 | 0:16:32 | |
You're not going to get a prize for doing it, but you're going to get an opportunity of a lifetime. | 0:16:32 | 0:16:36 | |
-Is that not right? -No, G gracenote first. | 0:16:36 | 0:16:38 | |
Is that not what I did, no? | 0:16:38 | 0:16:40 | |
No, you did an F bass note first. | 0:16:40 | 0:16:41 | |
Go again, then. | 0:16:41 | 0:16:43 | |
I think I would rather be no ability and enjoying myself than be really | 0:16:43 | 0:16:47 | |
high ability and, you know, just dread lifting my bagpipes every day. | 0:16:47 | 0:16:52 | |
What you've got here, when you enjoy being part of that racket that | 0:16:52 | 0:16:55 | |
you're making in Red Square... I mean, that's an exciting prospect. | 0:16:55 | 0:16:59 | |
Less than a week now, we're going... | 0:17:09 | 0:17:10 | |
-Friday, Saturday, Sunday, Monday, Tuesday... Five days. -Five days. | 0:17:10 | 0:17:13 | |
There's such a thing as being over-rehearsed. | 0:17:17 | 0:17:20 | |
It's just getting to the point where you just want to get out there and experience it. | 0:17:20 | 0:17:24 | |
So there's 72 from all over Ireland, | 0:17:41 | 0:17:44 | |
going, congregated here at Belfast City. | 0:17:44 | 0:17:46 | |
Well, most of us. There's 27 missing. There's 27 on the bus. | 0:17:46 | 0:17:50 | |
-RADIO NEWS PRESENTER: -Eglinton and Drumahoe were among the areas | 0:17:52 | 0:17:55 | |
worst hit by some of the heaviest rain seen here in years. | 0:17:55 | 0:17:58 | |
The main Victoria Road between Derry and Strabane remains closed | 0:17:58 | 0:18:01 | |
due to the flooding and... | 0:18:01 | 0:18:03 | |
There was a storm last night, up on the north coast. | 0:18:03 | 0:18:05 | |
The roads were all flooded, and they couldn't get through. | 0:18:05 | 0:18:08 | |
The rest of the flights are all booked up today, | 0:18:08 | 0:18:10 | |
so it's not looking good if they do miss this flight. | 0:18:10 | 0:18:13 | |
Jesus, that's heavy! | 0:18:15 | 0:18:17 | |
-All right. -Right, lads! -Good luck! | 0:18:23 | 0:18:26 | |
Bad news. | 0:18:29 | 0:18:31 | |
Anybody who hasn't checked in now isn't going to make this flight. | 0:18:31 | 0:18:35 | |
Since we left home, we've been stuck in floods. | 0:18:39 | 0:18:42 | |
Every road we go was closed. | 0:18:42 | 0:18:44 | |
Finally got here, and we're really, really late, | 0:18:44 | 0:18:47 | |
so we've missed our flight, | 0:18:47 | 0:18:49 | |
and it's looking like we've missed our connecting flight to Moscow. | 0:18:49 | 0:18:52 | |
EVOCATIVE RUSSIAN MUSIC PLAYS | 0:19:03 | 0:19:05 | |
Oh! Hello. | 0:19:17 | 0:19:19 | |
We've been on the go from about three o'clock this morning, | 0:19:26 | 0:19:28 | |
but the Raphoe guys have been on the go longer than us, | 0:19:28 | 0:19:31 | |
and they're not even here. | 0:19:31 | 0:19:32 | |
It's really disheartening. Like, I just want to go. | 0:19:37 | 0:19:40 | |
And now we're being told it might be Friday before we can go, | 0:19:40 | 0:19:43 | |
and that means missing all the rehearsals and all, so... | 0:19:43 | 0:19:46 | |
everyone's just gutted. | 0:19:46 | 0:19:48 | |
We've been asked for six of the young players | 0:19:55 | 0:19:58 | |
to perform here now, and then onto the coach and to the hotel. | 0:19:58 | 0:20:01 | |
Welcome to Moscow. | 0:20:10 | 0:20:11 | |
You're going to experience one of the best tattoos ever. | 0:20:11 | 0:20:16 | |
I know that we are at least 27 people missing. | 0:20:16 | 0:20:20 | |
These 27 people will be | 0:20:20 | 0:20:21 | |
flying out in different flights | 0:20:21 | 0:20:23 | |
over the next few days. | 0:20:23 | 0:20:25 | |
Eight of us were lucky enough to get a flight over, which means we're not | 0:20:47 | 0:20:50 | |
going to get any sleep, but we are going to get a full day of practice. | 0:20:50 | 0:20:53 | |
But we still have 22 people stuck in Belfast. | 0:20:53 | 0:20:56 | |
They are going to join us eventually, but they're going to | 0:20:56 | 0:20:58 | |
miss a full day of practice. | 0:20:58 | 0:21:00 | |
We've made it! | 0:21:15 | 0:21:16 | |
Just look at that, that's fantastic! | 0:21:18 | 0:21:20 | |
To be playing bagpipes in somewhere like this... | 0:21:22 | 0:21:24 | |
Right, hold on, hold on, hold on. Erin McGee's here. | 0:21:31 | 0:21:34 | |
Move that way, darling. Erin McGee and Joe Gallagher. | 0:21:34 | 0:21:37 | |
We've only got the two-hour timeframe to do our rehearsal. | 0:21:37 | 0:21:40 | |
This is the first time we've actually formed up as a band together. | 0:21:40 | 0:21:43 | |
We need to get everybody into their correct positions. | 0:21:43 | 0:21:46 | |
Victoria Catterson! Victoria Catterson? | 0:21:46 | 0:21:49 | |
DRUMS AND PIPES PLAY | 0:21:51 | 0:21:53 | |
There was a double tap at the end of that part - that means halt. | 0:22:08 | 0:22:11 | |
There were still people marching away. | 0:22:11 | 0:22:13 | |
Halt and stand still, concentrate on your playing. | 0:22:13 | 0:22:17 | |
Right, let's go! | 0:22:17 | 0:22:18 | |
It's the tenth anniversary of the Tower Festival, | 0:22:22 | 0:22:26 | |
so it's a big year, | 0:22:26 | 0:22:27 | |
so we're going to be attempting to march into a giant number ten. | 0:22:27 | 0:22:31 | |
Everybody will start on the rolls... | 0:22:31 | 0:22:33 | |
Alan McBride's here as Senior Drum Major, | 0:22:33 | 0:22:37 | |
so he's in charge of formation and | 0:22:37 | 0:22:39 | |
things like that. He's from Kilkeel. | 0:22:39 | 0:22:42 | |
They're too far out, compared to these ones here. | 0:22:43 | 0:22:45 | |
They need to come in a wee bit that way, and these ones need to come in a wee bit, to make it closer. | 0:22:45 | 0:22:49 | |
The ten's too spaced out. | 0:22:49 | 0:22:50 | |
It's my hobby that's got me here. | 0:22:55 | 0:22:57 | |
It's amazing that this bag full of air and a few drillings has got me | 0:22:57 | 0:23:02 | |
to this beautiful place, to participate in an event like this. | 0:23:02 | 0:23:06 | |
It's...it's amazing. | 0:23:06 | 0:23:07 | |
Well, I think it's nice being able to go and explore a bit | 0:23:17 | 0:23:20 | |
and see...see the city. | 0:23:20 | 0:23:22 | |
There was all these mosaics on the roof, | 0:23:25 | 0:23:28 | |
they were 24 hours in a Soviet day. | 0:23:28 | 0:23:30 | |
It was so cool seeing how much time and effort they spent in, like, | 0:23:32 | 0:23:35 | |
decorating these train stations back in Soviet times. | 0:23:35 | 0:23:39 | |
Yeah, I'm always really interested in history, and Russian history was | 0:23:45 | 0:23:49 | |
the one that I would have been interested in the most, and I did it | 0:23:49 | 0:23:51 | |
for my Leaving Cert, I did a whole project on it. | 0:23:51 | 0:23:54 | |
I'm loving all this. | 0:23:54 | 0:23:56 | |
Inception, you know the film, dream within a dream within a dream. | 0:23:57 | 0:24:01 | |
Lenin with Lenin with Lenin. | 0:24:01 | 0:24:02 | |
No? Leninception? | 0:24:04 | 0:24:06 | |
-Len-inception. -Ah! -Oh, there we go. | 0:24:07 | 0:24:11 | |
I'm amazed by the sites. | 0:24:13 | 0:24:15 | |
I mean, they're fond of their statues. | 0:24:15 | 0:24:17 | |
They don't want to forget their history, you know, | 0:24:17 | 0:24:19 | |
and they want people to know about it. | 0:24:19 | 0:24:21 | |
BAND PLAYS CEREMONIAL MUSIC | 0:24:21 | 0:24:23 | |
I was asked if I would like to be involved in a ceremony | 0:24:28 | 0:24:31 | |
at the walls of the Kremlin, | 0:24:31 | 0:24:33 | |
so there was about 20 of us came and laid a wreath | 0:24:33 | 0:24:36 | |
at the tomb of The Unknown soldier. | 0:24:36 | 0:24:38 | |
BAND PLAYS RUSSIAN NATIONAL ANTHEM | 0:24:38 | 0:24:41 | |
It was an honour to be part of it. | 0:24:42 | 0:24:45 | |
Like many towns, Castlederg has | 0:24:45 | 0:24:47 | |
a war memorial, and I mean, I've done stuff for that before at home, | 0:24:47 | 0:24:52 | |
so it was nice to be involved at this here. | 0:24:52 | 0:24:55 | |
Rubbing shoulders with the generals of the military, | 0:24:55 | 0:24:58 | |
saluting the Army going past, we're paying respect to the fallen. | 0:24:58 | 0:25:01 | |
How could it not be an honour, you know? | 0:25:01 | 0:25:03 | |
And to get a chance to do that when there's not many people doing it. | 0:25:03 | 0:25:06 | |
I mean, the amount of people that's involved in this festival, and I was | 0:25:06 | 0:25:09 | |
one of the people that got to be part of that, | 0:25:09 | 0:25:11 | |
so that was pretty special. | 0:25:11 | 0:25:12 | |
On our first show tonight, I really hope that we go out there and prove | 0:25:22 | 0:25:25 | |
ourselves as being just as good as any of these military bands. | 0:25:25 | 0:25:29 | |
They march, day in, day out, all year round. | 0:25:29 | 0:25:31 | |
We wouldn't march in formation as much. | 0:25:31 | 0:25:33 | |
There's a certain amount of expectation. | 0:25:36 | 0:25:39 | |
You're standing there with a bag of air, making a racket, and people | 0:25:39 | 0:25:43 | |
have paid to come and watch you stand there, making a racket. | 0:25:43 | 0:25:46 | |
My bass drum, it has a black and white photo of the Raphoe Castle | 0:25:52 | 0:25:56 | |
on it, so I'm going out into the Red Square with this drum that | 0:25:56 | 0:25:59 | |
represents where I'm from. It is a proud feeling. | 0:25:59 | 0:26:01 | |
BAND PLAYS UPTOWN FUNK | 0:26:06 | 0:26:08 | |
Pipes and drums! Quick! March! | 0:26:20 | 0:26:23 | |
BAGPIPES AND DRUMS PLAY | 0:26:23 | 0:26:26 | |
You get a big rush of adrenaline as you come off the stage. | 0:27:27 | 0:27:29 | |
You're just, like, hopping up and down, like, "I want to go on again!" | 0:27:29 | 0:27:32 | |
When you think about it, | 0:27:34 | 0:27:36 | |
we left the most western part of Europe, wee Donegal, | 0:27:36 | 0:27:39 | |
to come to the most eastern side of Europe in Russia. | 0:27:39 | 0:27:42 | |
Making music with that amount of people as well, | 0:27:44 | 0:27:47 | |
in a strange country | 0:27:47 | 0:27:49 | |
and people watching you... | 0:27:49 | 0:27:52 | |
To put something like this into words is genuinely really difficult. | 0:27:52 | 0:27:55 | |
We only had two hours in that arena to practise, and it was really | 0:27:59 | 0:28:03 | |
impressive that, like, we pulled that out after a two-hour practice. | 0:28:03 | 0:28:07 | |
I always imagine, if you're sitting at your deathbed, you'd be thinking, | 0:28:11 | 0:28:14 | |
you know, "Where did I travel?" and I'll be thinking, | 0:28:14 | 0:28:17 | |
"Well, I travelled here with my bagpipes," | 0:28:17 | 0:28:19 | |
and that's an achievement in its own, I think. | 0:28:19 | 0:28:21 | |
SINGING IN RUSSIAN | 0:28:23 | 0:28:26 |