A Life of Death True North


A Life of Death

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Life is never the same

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whenever you're introduced to the funeral business.

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I think when you're young

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and suddenly you have this huge culture shock

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where you see things that nobody else sees...

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The whole thing about seeing someone that has died

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is the whole lack of animation that a human body has.

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People look very, very different.

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To be surrounded by death on a daily basis,

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I think it's something that you get used to over a period of time.

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To me, it's a very natural thing.

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I don't think you can be in the funeral business for 25 years

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and not be affected by it.

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I probably lost a bit of my youth.

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It was just one of those sacrifices that you have to make.

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Embalming is an essential part of the funeral profession.

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It provides a lasting memory picture.

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No-one wants to be left with a bad memory.

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The first time that I experienced the embalming theatre,

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I said that I'd never come back.

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I mustered up enough courage a few days later and back I came

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and then I gradually built up my constitution from there on in.

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I would have handled around about 5,000, I suppose,

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give or take a few here or there. That's a lot of people, actually.

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If they paraded out past the front of the office there,

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I suppose it would take a long time.

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I'm interested in the funeral business and I'm interested in art.

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I started as a collector and I started to collect paintings

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and I couldn't get enough of them and then I ended up owning a gallery.

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People will ask the question,

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"Do you see any comparison between the funeral business and art?"

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From the embalming aspect of it,

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we'd be very particular about how someone is placed in the coffin,

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how they look in the coffin, how they're positioned.

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I mean, every aspect of it has to be into perfection, you know,

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and I feel the same particularly about art and the gallery

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that I have - that everything has to be 100%, everything has to be right.

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It's allowed me to become part of people's lives

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in a very intimate and stressful time and distressful time

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and share with them something that was very important to them.

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There's that moment that's very hard to describe, you know,

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that you get your head round where someone is in this scene and time

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and then they're taken away from it.

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It makes you think of prioritising in life and what you need to do

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and what you want to do.

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"Will I end up in a nursing home? Will I lose my mind?

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"Or will I take an illness?"

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I've often thought what it'd be like to transport my mind

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into somebody else's mind that has no experience of death.

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Would they have a much happier,

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carefree sort of a life than what I have?

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I don't know, but I wouldn't want to be anybody else.

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