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Life is never the same | 0:10:21 | 0:10:22 | |
whenever you're introduced to the funeral business. | 0:10:22 | 0:10:26 | |
I think when you're young | 0:10:30 | 0:10:32 | |
and suddenly you have this huge culture shock | 0:10:32 | 0:10:34 | |
where you see things that nobody else sees... | 0:10:34 | 0:10:38 | |
The whole thing about seeing someone that has died | 0:10:38 | 0:10:41 | |
is the whole lack of animation that a human body has. | 0:10:41 | 0:10:44 | |
People look very, very different. | 0:10:44 | 0:10:47 | |
To be surrounded by death on a daily basis, | 0:10:48 | 0:10:50 | |
I think it's something that you get used to over a period of time. | 0:10:50 | 0:10:54 | |
To me, it's a very natural thing. | 0:10:54 | 0:10:57 | |
I don't think you can be in the funeral business for 25 years | 0:11:02 | 0:11:05 | |
and not be affected by it. | 0:11:05 | 0:11:07 | |
I probably lost a bit of my youth. | 0:11:11 | 0:11:14 | |
It was just one of those sacrifices that you have to make. | 0:11:14 | 0:11:19 | |
Embalming is an essential part of the funeral profession. | 0:11:23 | 0:11:27 | |
It provides a lasting memory picture. | 0:11:28 | 0:11:31 | |
No-one wants to be left with a bad memory. | 0:11:31 | 0:11:35 | |
The first time that I experienced the embalming theatre, | 0:11:38 | 0:11:41 | |
I said that I'd never come back. | 0:11:41 | 0:11:43 | |
I mustered up enough courage a few days later and back I came | 0:11:43 | 0:11:48 | |
and then I gradually built up my constitution from there on in. | 0:11:48 | 0:11:52 | |
I would have handled around about 5,000, I suppose, | 0:11:54 | 0:11:58 | |
give or take a few here or there. That's a lot of people, actually. | 0:11:58 | 0:12:02 | |
If they paraded out past the front of the office there, | 0:12:02 | 0:12:05 | |
I suppose it would take a long time. | 0:12:05 | 0:12:07 | |
I'm interested in the funeral business and I'm interested in art. | 0:12:09 | 0:12:11 | |
I started as a collector and I started to collect paintings | 0:12:11 | 0:12:14 | |
and I couldn't get enough of them and then I ended up owning a gallery. | 0:12:14 | 0:12:17 | |
People will ask the question, | 0:12:17 | 0:12:19 | |
"Do you see any comparison between the funeral business and art?" | 0:12:19 | 0:12:23 | |
From the embalming aspect of it, | 0:12:23 | 0:12:26 | |
we'd be very particular about how someone is placed in the coffin, | 0:12:26 | 0:12:29 | |
how they look in the coffin, how they're positioned. | 0:12:29 | 0:12:32 | |
I mean, every aspect of it has to be into perfection, you know, | 0:12:32 | 0:12:35 | |
and I feel the same particularly about art and the gallery | 0:12:35 | 0:12:38 | |
that I have - that everything has to be 100%, everything has to be right. | 0:12:38 | 0:12:43 | |
It's allowed me to become part of people's lives | 0:12:56 | 0:12:59 | |
in a very intimate and stressful time and distressful time | 0:12:59 | 0:13:03 | |
and share with them something that was very important to them. | 0:13:03 | 0:13:08 | |
There's that moment that's very hard to describe, you know, | 0:13:13 | 0:13:18 | |
that you get your head round where someone is in this scene and time | 0:13:18 | 0:13:21 | |
and then they're taken away from it. | 0:13:21 | 0:13:23 | |
It makes you think of prioritising in life and what you need to do | 0:13:25 | 0:13:29 | |
and what you want to do. | 0:13:29 | 0:13:30 | |
"Will I end up in a nursing home? Will I lose my mind? | 0:13:32 | 0:13:37 | |
"Or will I take an illness?" | 0:13:39 | 0:13:40 | |
I've often thought what it'd be like to transport my mind | 0:13:44 | 0:13:47 | |
into somebody else's mind that has no experience of death. | 0:13:47 | 0:13:50 | |
Would they have a much happier, | 0:13:50 | 0:13:52 | |
carefree sort of a life than what I have? | 0:13:52 | 0:13:55 | |
I don't know, but I wouldn't want to be anybody else. | 0:13:55 | 0:13:58 |