Browse content similar to Engines Must Not Enter the Potato Siding. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BBC Four Collections - | 0:00:02 | 0:00:04 | |
archive programmes, chosen by experts. | 0:00:04 | 0:00:06 | |
For this collection Gary Boyd-Hope has selected programmes | 0:00:06 | 0:00:10 | |
celebrating Britain's steam railway legacy. | 0:00:10 | 0:00:13 | |
More programmes on this theme, and other BBC Four Collections | 0:00:13 | 0:00:16 | |
are available on BBC iPlayer. | 0:00:16 | 0:00:18 | |
MILITARY BAND PLAYS | 0:00:20 | 0:00:24 | |
APPLAUSE Thank you. | 0:00:44 | 0:00:46 | |
Sheffield Railwaymen's Club, Saturday night. | 0:00:46 | 0:00:49 | |
We'd just like to, before we carry on, we'd just like to say | 0:00:49 | 0:00:52 | |
we arrived yesterday, by the way, to make sure we were on time! | 0:00:52 | 0:00:56 | |
Not like the British railways, always late. | 0:00:56 | 0:00:59 | |
LAUGHTER | 0:00:59 | 0:01:00 | |
We'd also like to say that you may think that we're getting | 0:01:00 | 0:01:03 | |
a lot of money tonight, but we're not. | 0:01:03 | 0:01:04 | |
We're getting a free pass on the railways. | 0:01:04 | 0:01:07 | |
It's how it goes. Yes. | 0:01:07 | 0:01:10 | |
They've all got free passes in here, anyway, haven't they? | 0:01:10 | 0:01:12 | |
# Jezebel... # | 0:01:14 | 0:01:21 | |
A steam locomotive is the nearest approach a man-made machine | 0:01:24 | 0:01:32 | |
will ever be to a human being. | 0:01:32 | 0:01:36 | |
Every driver and fireman looks upon this machine as a female. | 0:01:41 | 0:01:49 | |
He always calls it "she". | 0:01:50 | 0:01:52 | |
Never "it", never "he". | 0:01:53 | 0:01:56 | |
And he has to pander to its whims. | 0:01:59 | 0:02:03 | |
And a steam locomotive has whims. | 0:02:03 | 0:02:06 | |
More so than what a diesel or an electric has. | 0:02:07 | 0:02:10 | |
Once a steam man, always a steam man. | 0:02:14 | 0:02:16 | |
Good on you. | 0:02:16 | 0:02:17 | |
Nothing to touch 'em. | 0:02:17 | 0:02:19 | |
You don't know what you're talking about. | 0:02:19 | 0:02:22 | |
- You're an electric man. - I don't. I've never been on it! | 0:02:22 | 0:02:26 | |
There's two or three of us here, | 0:02:26 | 0:02:28 | |
we've worked steam, electric and diesel. | 0:02:28 | 0:02:30 | |
And for the best engine of the lot is the electric. | 0:02:30 | 0:02:33 | |
MUSIC: "The Arrival Of The Queen Of Sheba" by Handel | 0:02:33 | 0:02:36 | |
The Royal Scot leaving Euston in the 1930s, | 0:03:25 | 0:03:29 | |
when railways were still heroic. | 0:03:29 | 0:03:31 | |
They had been heroic since the beginning, since 1825. | 0:03:32 | 0:03:35 | |
When they opened a new line | 0:03:35 | 0:03:36 | |
and the first train steamed into the first station, | 0:03:36 | 0:03:39 | |
they played See The Conquering Hero Comes. | 0:03:39 | 0:03:42 | |
The Royal Scot, only a generation ago, was still a conquering hero. | 0:03:42 | 0:03:47 | |
And in those days, the railway had its part in many remembered moments. | 0:03:47 | 0:03:51 | |
When you parted, it was at Euston, or Liverpool Lime Street, | 0:03:51 | 0:03:53 | |
or Edinburgh Waverley that you said goodbye. | 0:03:53 | 0:03:55 | |
People travelled less, but remembered it more. | 0:03:55 | 0:03:59 | |
ORCHESTRA PLAYS MELLOW SWING | 0:03:59 | 0:04:01 | |
But this film is not only about railways. | 0:04:49 | 0:04:52 | |
It's also about the men who work on them. | 0:04:52 | 0:04:55 | |
In particular, about the men who run, or used to run, | 0:04:55 | 0:04:59 | |
two lines in the North of England, where railways were first built. | 0:04:59 | 0:05:03 | |
One line, the old Midland line from Birmingham New Street, | 0:05:14 | 0:05:17 | |
by way of Derby, Belper, Ambergate and Chesterfield to Sheffield. | 0:05:17 | 0:05:22 | |
And the former Great Central line from Sheffield Victoria | 0:05:23 | 0:05:26 | |
across the Pennines by way of Penistone and Woodhead | 0:05:26 | 0:05:29 | |
to Manchester. | 0:05:29 | 0:05:31 | |
TRAIN HOOTER SOUNDS | 0:05:33 | 0:05:35 | |
The hourly Manchester train pulls out from Sheffield | 0:05:36 | 0:05:39 | |
for a journey of 41 miles, | 0:05:39 | 0:05:41 | |
running across high moors, or cutting through them. | 0:05:41 | 0:05:44 | |
The engineer who designed this line | 0:05:46 | 0:05:48 | |
said it would join the east and west seas. | 0:05:48 | 0:05:50 | |
He meant you would be able to sail from the Baltic | 0:05:50 | 0:05:52 | |
to a port on the English east coast, | 0:05:52 | 0:05:54 | |
come by rail to Sheffield, | 0:05:54 | 0:05:56 | |
then travel his line to Manchester, continue to Liverpool | 0:05:56 | 0:05:59 | |
and there catch the Atlantic packet to New York. | 0:05:59 | 0:06:02 | |
And just about here, his grand railway began, on December 22, 1845, | 0:06:05 | 0:06:11 | |
when the first through train | 0:06:11 | 0:06:12 | |
on the Sheffield, Ashton-under-Lyne and Manchester Railway | 0:06:12 | 0:06:16 | |
left Bridgehouses Station. | 0:06:16 | 0:06:17 | |
For many years past, the old station has been used as a goods depot | 0:06:17 | 0:06:21 | |
and now they're pulling it down. | 0:06:21 | 0:06:24 | |
It was at Bridgehouses | 0:06:26 | 0:06:27 | |
that they had the potato siding engines must not enter, | 0:06:27 | 0:06:30 | |
because the warehouse floor wasn't strong enough to take them | 0:06:30 | 0:06:33 | |
and they would have fallen 30ft into the road. | 0:06:33 | 0:06:36 | |
But five years before the first train ran, | 0:06:40 | 0:06:43 | |
the first men on this line were navvies like these, | 0:06:43 | 0:06:45 | |
who built it with their picks and shovels. | 0:06:45 | 0:06:49 | |
In the 1840s, there were 200,000 of them working all over England | 0:06:49 | 0:06:52 | |
and a tough and rowdy lot they were. | 0:06:52 | 0:06:54 | |
# In 1841 | 0:06:54 | 0:06:59 | |
# My corduroy breeches I put on | 0:06:59 | 0:07:03 | |
# My corduroy breeches I put on | 0:07:03 | 0:07:06 | |
# To work upon the railway | 0:07:06 | 0:07:08 | |
# The railway | 0:07:08 | 0:07:10 | |
# I'm weary of the railway | 0:07:11 | 0:07:17 | |
# Oh, Paddy works on the railway | 0:07:17 | 0:07:20 | |
# In 1842 | 0:07:20 | 0:07:23 | |
# From Hartlepool I moved to Crewe | 0:07:23 | 0:07:25 | |
# And found myself a job to do | 0:07:25 | 0:07:26 | |
# A-working on the railway | 0:07:26 | 0:07:28 | |
# I was wearing corduroy breeches | 0:07:28 | 0:07:31 | |
# Digging ditches Dodging hitches | 0:07:31 | 0:07:34 | |
# Pulling switches # I was working on the railway. # | 0:07:34 | 0:07:37 | |
Tunnel building was the hardest task. | 0:07:37 | 0:07:39 | |
An artist of the time saw it like this. | 0:07:39 | 0:07:42 | |
The most notorious tunnel of all | 0:07:42 | 0:07:44 | |
was on the Sheffield-Manchester line at Woodhead, | 0:07:44 | 0:07:47 | |
where 1,500 men hacked and blasted three miles, 20 yards | 0:07:47 | 0:07:50 | |
through millstone grit, shale, slate and clay. | 0:07:50 | 0:07:53 | |
When he saw the plans, George Stephenson said | 0:07:53 | 0:07:55 | |
he would eat the first train through the tunnel. | 0:07:55 | 0:07:58 | |
CHOIR SINGS HYMN | 0:07:58 | 0:08:01 | |
These are the moorland churches where they never went alive, | 0:08:11 | 0:08:14 | |
but only to be buried. | 0:08:14 | 0:08:16 | |
Their deaths are recorded in the parish registers at Penistone | 0:08:17 | 0:08:21 | |
and in the Chapel of St James at Woodhead. | 0:08:21 | 0:08:23 | |
They died when falling rock caught them, | 0:08:24 | 0:08:27 | |
or they fell 600ft down a ventilating shaft, | 0:08:27 | 0:08:29 | |
or stood too close to the blasting. | 0:08:29 | 0:08:31 | |
John Young, killed on the railway, aged 59. | 0:08:41 | 0:08:44 | |
Robert Blackburn, aged 38. | 0:08:48 | 0:08:51 | |
John Thorpe, aged 24. | 0:08:51 | 0:08:53 | |
And their children died, too, in the shanty camps. | 0:08:54 | 0:08:57 | |
John Henry Newton, aged nine months. | 0:08:57 | 0:09:00 | |
And then there was cholera. | 0:09:00 | 0:09:02 | |
They suffered cramps, their fingers shrivelled, their eyes sank, | 0:09:02 | 0:09:05 | |
they turned blue. | 0:09:05 | 0:09:07 | |
A doctor from Manchester prescribed port wine as a remedy and they died. | 0:09:07 | 0:09:11 | |
The others, when they saw a load of coffins, | 0:09:12 | 0:09:14 | |
brought up to Woodhead to supply the expected need, | 0:09:14 | 0:09:17 | |
ran away and spread the infection over Lancashire and Cheshire. | 0:09:17 | 0:09:20 | |
28 died in one brief epidemic. | 0:09:20 | 0:09:23 | |
The last was Rachel Foulkes, who came to nurse the men on a Friday, | 0:09:23 | 0:09:27 | |
was afraid from the first and died on the Monday. | 0:09:27 | 0:09:30 | |
The navvies' greatest memorial is the tunnel they built, | 0:09:41 | 0:09:44 | |
which was, at the time, the longest in the world. | 0:09:44 | 0:09:46 | |
Under steam, it was always quite a task keeping to time. | 0:09:57 | 0:10:02 | |
A lot depended on the conditions of the engine | 0:10:02 | 0:10:06 | |
and these varied considerably. | 0:10:06 | 0:10:07 | |
Much more so than the diesel and electrics. | 0:10:09 | 0:10:11 | |
There was probably much more margin for error, let's put it that way, | 0:10:11 | 0:10:17 | |
both human and mechanical. | 0:10:17 | 0:10:19 | |
With the electrics and dieselisation, of course, | 0:10:23 | 0:10:26 | |
it was a different world altogether for locomotive men. | 0:10:26 | 0:10:28 | |
I think we look back on steam with a small sigh of nostalgia | 0:10:28 | 0:10:33 | |
and a great big sigh of relief. | 0:10:33 | 0:10:35 | |
MUSIC: Prokofiev's Piano Sonata No 2 | 0:10:36 | 0:10:38 | |
We're approaching Penistone now. | 0:11:16 | 0:11:18 | |
Penistone, I should think, | 0:11:22 | 0:11:23 | |
is one of the coldest places in England in the winter. | 0:11:23 | 0:11:26 | |
During snow and frost, conditions can be rough, with the electrics. | 0:11:26 | 0:11:31 | |
We get quite a lot of slipping. | 0:11:31 | 0:11:34 | |
We have to take great care not to get the resistances of the engine hot - | 0:11:37 | 0:11:41 | |
they burn out and the engine is a failure. | 0:11:41 | 0:11:44 | |
And that means probably someone has got quite a long walk, | 0:11:44 | 0:11:48 | |
possibly the driver! | 0:11:48 | 0:11:49 | |
The Midland line. Now, the Midland was a solid railway, | 0:11:57 | 0:12:01 | |
which flourished by carrying coal and iron | 0:12:01 | 0:12:03 | |
and by looking after its passengers. | 0:12:03 | 0:12:05 | |
In 1872, it admitted third-class passengers to all its trains, | 0:12:05 | 0:12:09 | |
not just the slow ones. | 0:12:09 | 0:12:11 | |
In 1875, it upholstered all third-class carriages, | 0:12:11 | 0:12:15 | |
which was unheard of. | 0:12:15 | 0:12:16 | |
The other companies scoffed at first, but then were forced to do the same. | 0:12:16 | 0:12:21 | |
The Midland always paid. | 0:12:21 | 0:12:23 | |
Leaving Birmingham, | 0:12:27 | 0:12:28 | |
the express from Poole and Bournemouth to Sheffield and York. | 0:12:28 | 0:12:32 | |
At the controls, Arthur Lindsay, aged 50, | 0:12:32 | 0:12:34 | |
33 years on the railway, basic pay, £19 a week. | 0:12:34 | 0:12:37 | |
Ken Morgan, second man, aged 27, | 0:12:37 | 0:12:40 | |
basic pay £14 a week. | 0:12:40 | 0:12:41 | |
Every loco man, his object is to do time, as we term it. | 0:13:26 | 0:13:30 | |
That is to leave on time and arrive on time | 0:13:30 | 0:13:33 | |
and there is nobody fumes more than the driver | 0:13:33 | 0:13:37 | |
if he is delayed by signals. | 0:13:37 | 0:13:39 | |
But even then, you have to do your best and abide by it. | 0:13:39 | 0:13:42 | |
The other week, in thick fog, we left Pancras on time | 0:13:43 | 0:13:47 | |
and arrived at Sheffield Midland two minutes late - | 0:13:47 | 0:13:49 | |
which I don't think is so bad, really, in dense fog - | 0:13:49 | 0:13:53 | |
and waited six minutes outside for the signals | 0:13:53 | 0:13:56 | |
and arrived eight minutes late. | 0:13:56 | 0:13:59 | |
Probably a points failure, something like this. | 0:13:59 | 0:14:02 | |
At least, you feel more satisfied when you've got to time. | 0:14:02 | 0:14:04 | |
Ticket, sir. | 0:14:10 | 0:14:11 | |
Thank you. | 0:14:14 | 0:14:17 | |
Ten minutes to four, we're due in. Thank you. | 0:14:17 | 0:14:20 | |
Thank you. | 0:14:25 | 0:14:26 | |
Darlington. Change at York, madam. | 0:14:30 | 0:14:32 | |
- Thank you. - Thank you. | 0:14:32 | 0:14:35 | |
I've had occasions when we've run into Pancras on time | 0:14:45 | 0:14:49 | |
and someone's come up and said, "Thank you, driver," | 0:14:49 | 0:14:52 | |
and it's really appreciated. | 0:14:52 | 0:14:53 | |
If you are on time, probably no-one will speak. | 0:14:53 | 0:14:57 | |
If you're a little minute before time, they will acknowledge it. | 0:14:57 | 0:15:00 | |
If they're late, | 0:15:00 | 0:15:01 | |
they all walk by with their heads down, sort of business. | 0:15:01 | 0:15:04 | |
Particularly, elderly people will thank you. | 0:15:04 | 0:15:07 | |
Old ladies, particularly. | 0:15:07 | 0:15:09 | |
HE LAUGHS I don't know whether we look | 0:15:09 | 0:15:11 | |
as if we need some sort of sympathy! | 0:15:11 | 0:15:13 | |
TRAIN HOOTER SOUNDS | 0:15:19 | 0:15:21 | |
I like the life. You get about, you know, meet different people. | 0:15:33 | 0:15:39 | |
It's not a job where you're stuck in one place all the time. | 0:15:39 | 0:15:44 | |
The newspapers have run this job down something terrible. | 0:15:46 | 0:15:48 | |
That's my own opinion. | 0:15:48 | 0:15:50 | |
There has never been a true picture put over as to what this job | 0:15:50 | 0:15:55 | |
actually involves and the time, the apprenticeship more or less, | 0:15:55 | 0:15:58 | |
what you've got to serve to get into, you know, your top post. | 0:15:58 | 0:16:02 | |
Some of the older drivers beyond my days were really... | 0:16:04 | 0:16:07 | |
I think they took the place of the jet pilot of today. | 0:16:07 | 0:16:12 | |
They'd gone from the stagecoach to the steam engine | 0:16:12 | 0:16:15 | |
and I think they've gone from the steam engine now | 0:16:15 | 0:16:18 | |
to the internal combustion engine. | 0:16:18 | 0:16:20 | |
We're bound to have found | 0:16:20 | 0:16:22 | |
a deterioration in the glamour of the job, I think. | 0:16:22 | 0:16:25 | |
These people, they were little tin gods, really, | 0:16:27 | 0:16:30 | |
in the old days of driving. | 0:16:30 | 0:16:32 | |
People used to approach an engine driver with awe. | 0:16:32 | 0:16:37 | |
Today, we approach pilots of airlines, I should imagine, | 0:16:37 | 0:16:40 | |
in the same manner. | 0:16:40 | 0:16:41 | |
This line, the Sheffield-Manchester, though it never paid, | 0:17:00 | 0:17:03 | |
was the first in the country to be electrified | 0:17:03 | 0:17:05 | |
for both passenger and goods trains. | 0:17:05 | 0:17:07 | |
But the change to overhead electrification | 0:17:07 | 0:17:10 | |
started before the war, | 0:17:10 | 0:17:12 | |
long before today's inter-city electrification out of Euston. | 0:17:12 | 0:17:15 | |
We've left Penistone now, on the road to Dunford. | 0:17:28 | 0:17:33 | |
That is the eastern end of Woodhead Tunnel. | 0:17:33 | 0:17:36 | |
MUSIC: Prokofiev's Piano Sonata No 2 | 0:17:46 | 0:17:49 | |
After Penistone, the country is wild, with more sheep than men. | 0:18:21 | 0:18:24 | |
It's a place where nothing much has happened | 0:18:24 | 0:18:27 | |
since they first built the line. | 0:18:27 | 0:18:28 | |
There's still a vague tradition about the cholera epidemic of 1849, | 0:18:28 | 0:18:32 | |
only they talk about it as "the plague". | 0:18:32 | 0:18:34 | |
This is the new Woodhead Tunnel, built for the electrification. | 0:18:45 | 0:18:49 | |
The old tunnels, which are closed now, had an evil reputation. | 0:18:49 | 0:18:52 | |
The train smoke gathered so densely and hung around so long, | 0:18:52 | 0:18:55 | |
that the gangers maintaining the line often had trouble | 0:18:55 | 0:18:58 | |
feeling their way through, even with lamps. | 0:18:58 | 0:19:01 | |
Many got silicosis | 0:19:01 | 0:19:03 | |
and some became invalids after as little as six years. | 0:19:03 | 0:19:06 | |
It's always been damp and smelly. | 0:19:07 | 0:19:09 | |
Railwaymen called it "under the hill" | 0:19:09 | 0:19:12 | |
and said you could get an idea of the tunnel taste | 0:19:12 | 0:19:14 | |
by drinking bad port wine | 0:19:14 | 0:19:16 | |
and savouring the taste it left in your mouth afterwards. | 0:19:16 | 0:19:19 | |
Sometimes, the drivers were half suffocated. | 0:19:19 | 0:19:22 | |
The footplate was smothered in steam and dirty smoke | 0:19:22 | 0:19:25 | |
and the driver and fireman had to crouch low down | 0:19:25 | 0:19:28 | |
to get some breathable air. | 0:19:28 | 0:19:29 | |
I used to try to have a good fire on | 0:19:29 | 0:19:31 | |
and keep the smoke down as much as possible, | 0:19:31 | 0:19:34 | |
because it was terrifying in the tunnel, | 0:19:34 | 0:19:36 | |
because it hit the chimney and came back onto you. | 0:19:36 | 0:19:38 | |
You couldn't sometimes see your mate at the other side, | 0:19:38 | 0:19:41 | |
you didn't know what he was doing. | 0:19:41 | 0:19:42 | |
You were sometimes gasping for breath | 0:19:42 | 0:19:44 | |
and you were damn glad to get through in anything like reasonable time. | 0:19:44 | 0:19:49 | |
It was terrible to breathe, it was just like breathing carbon. | 0:19:53 | 0:19:56 | |
It's like putting your head in a firebox and breathing. | 0:19:56 | 0:19:59 | |
What we used to do, | 0:19:59 | 0:20:00 | |
we used to have a bucket of water on the footplate, | 0:20:00 | 0:20:03 | |
have a handkerchief or a white rag, as the company used to give us, | 0:20:03 | 0:20:07 | |
dip it in the bucket and wrap it around your mouth | 0:20:07 | 0:20:10 | |
and get in the corner. | 0:20:10 | 0:20:11 | |
TRAIN HOOTER SOUNDS | 0:20:23 | 0:20:26 | |
Woodhead signal box, and signalman Michael Gatenby, aged 21. | 0:20:35 | 0:20:38 | |
When he left school, he worked in a shop, then a factory, then a mill. | 0:20:39 | 0:20:43 | |
But he'd been interested in railways since he was five | 0:20:43 | 0:20:45 | |
and when he was 18, he decided to train as a signalman. | 0:20:45 | 0:20:49 | |
His is one of the loneliest boxes on the line, but a busy one. | 0:20:49 | 0:20:54 | |
His basic pay is £17 7s. | 0:20:54 | 0:20:56 | |
BELLS RING | 0:20:56 | 0:20:59 | |
It's one of the most responsible jobs there is, signalman, | 0:21:02 | 0:21:05 | |
no doubt about it, come to think of it. | 0:21:05 | 0:21:08 | |
It is more important than a pilot's. | 0:21:09 | 0:21:12 | |
A pilot has got the life of the people on the plane in his hands. | 0:21:12 | 0:21:16 | |
A signalman has got the lives of two passenger trains coming up. | 0:21:16 | 0:21:21 | |
Look at all those lives. | 0:21:21 | 0:21:23 | |
One wrong move, there's no element of mistake in this job. | 0:21:23 | 0:21:27 | |
It's a job where you can't make mistakes. | 0:21:27 | 0:21:29 | |
Although they do happen and we've seen the consequences. | 0:21:29 | 0:21:32 | |
Control's ringing. | 0:21:32 | 0:21:34 | |
Woodhead. Hello, David. | 0:21:37 | 0:21:39 | |
Er, Z70 down at 47. | 0:21:39 | 0:21:43 | |
Two coupled for Penistone at 12:13. | 0:21:43 | 0:21:46 | |
That's it. TRAIN HOOTER | 0:21:48 | 0:21:49 | |
Just coming out now. Train engine section. | 0:21:51 | 0:21:53 | |
Tell Dunford it's gone. | 0:22:02 | 0:22:04 | |
BELLS RING | 0:22:04 | 0:22:06 | |
That's the driver ringing in from that train | 0:22:14 | 0:22:16 | |
to tell me that he's arrived. | 0:22:16 | 0:22:18 | |
Hello. Yeah. | 0:22:18 | 0:22:20 | |
Yeah. | 0:22:23 | 0:22:25 | |
Er, aye, yeah. OK. Thank you. | 0:22:26 | 0:22:29 | |
Yes, I can't go before he gives me the tip. | 0:22:33 | 0:22:36 | |
The Poole-York express. | 0:22:38 | 0:22:39 | |
Keith Foster, aged 40, born in Calcutta, | 0:22:45 | 0:22:47 | |
the son of a district signals engineer | 0:22:47 | 0:22:49 | |
on the Eastern Bengal Railway. | 0:22:49 | 0:22:52 | |
He's been a cleaner, fireman and shunter, | 0:22:52 | 0:22:54 | |
but is now a passenger train guard on the Midland run | 0:22:54 | 0:22:57 | |
to Sheffield and York. Pay - £15 13s. | 0:22:57 | 0:23:00 | |
WOMAN: Smile for the birdie! | 0:23:07 | 0:23:09 | |
I was one of those youngsters who felt that I'd like to play | 0:23:17 | 0:23:20 | |
with a toy train and I've continued playing with them ever since. | 0:23:20 | 0:23:23 | |
About four years since, I left it, | 0:23:28 | 0:23:30 | |
due to all this modernisation and what have you, | 0:23:30 | 0:23:33 | |
because I felt uncertain in my position. | 0:23:33 | 0:23:36 | |
But, having left it, I had that period of separation for two years | 0:23:36 | 0:23:39 | |
from the railway, and I felt completely like a fish out of water. | 0:23:39 | 0:23:44 | |
I couldn't settle anywhere. I had a host of jobs. | 0:23:44 | 0:23:47 | |
Till, eventually, the calling was so strong. | 0:23:47 | 0:23:50 | |
You know the old saying, | 0:23:50 | 0:23:52 | |
you get sawdust in your veins when you work in a circus. | 0:23:52 | 0:23:56 | |
The same with the railway. | 0:23:56 | 0:23:58 | |
So the calling was strong again. | 0:23:58 | 0:24:00 | |
I decided to swallow a bit of pride because, believe you me, | 0:24:00 | 0:24:03 | |
there's a tremendous amount of pride involved | 0:24:03 | 0:24:05 | |
when you have to start back afresh on the railways. | 0:24:05 | 0:24:08 | |
But now that I've made the move and I've made the grade | 0:24:08 | 0:24:11 | |
in this particular department, I'm not a bit sorry. | 0:24:11 | 0:24:15 | |
I'm more than satisfied now. I'm a very satisfied man today. | 0:24:17 | 0:24:21 | |
Dedication to a particular type of industry, | 0:24:27 | 0:24:30 | |
that seems to have gone from the railways. | 0:24:30 | 0:24:32 | |
You don't get that feeling among youngsters nowadays. | 0:24:33 | 0:24:37 | |
They look on the railways as an oddity, a museum piece. | 0:24:37 | 0:24:40 | |
Something to be studied from a museum point, | 0:24:40 | 0:24:42 | |
to go and see at Clapham or at York. We don't like this. | 0:24:42 | 0:24:46 | |
We thought that when we started working in the industry, | 0:24:48 | 0:24:52 | |
we wanted to make it progressive to the point where everybody | 0:24:52 | 0:24:55 | |
appreciated travelling on the railway and would like to travel. | 0:24:55 | 0:24:58 | |
But this, what with the increased fares on the railways, | 0:24:58 | 0:25:02 | |
discouraging passengers one way or another, | 0:25:02 | 0:25:04 | |
they've made things a bit difficult. | 0:25:04 | 0:25:06 | |
Some people seem to be of the opinion | 0:25:07 | 0:25:10 | |
that all you have to do is to make the railways pay | 0:25:10 | 0:25:13 | |
and everybody's happy. I'm afraid they're disillusioned. | 0:25:13 | 0:25:17 | |
They haven't seen that in the majority of the railwaymen, | 0:25:17 | 0:25:19 | |
morale is very low. | 0:25:19 | 0:25:21 | |
Past years, we've had butchers, bakers, candlestick makers. | 0:25:26 | 0:25:29 | |
They've all had a go at running railways | 0:25:29 | 0:25:31 | |
because they've justified themselves as good economists | 0:25:31 | 0:25:34 | |
in their particular field. You don't have that today. | 0:25:34 | 0:25:37 | |
On the railways today, you can have anybody you like, | 0:25:38 | 0:25:41 | |
you'll never satisfy the people unless you get a railwayman | 0:25:41 | 0:25:44 | |
who infuses that feeling into the people that are working under him | 0:25:44 | 0:25:47 | |
that he understands what they're doing. | 0:25:47 | 0:25:50 | |
And Mr Johnson, who is our present chief, | 0:25:50 | 0:25:53 | |
he is about the nearest we've had to a railwayman | 0:25:53 | 0:25:55 | |
come into the industry now. | 0:25:55 | 0:25:57 | |
We're hoping that he'll give us a squarer deal. | 0:25:57 | 0:26:01 | |
Northwards towards Sheffield, | 0:26:01 | 0:26:03 | |
where the principal commodities carried are steel and coal in trucks | 0:26:03 | 0:26:06 | |
and businessmen in first-class coaches. | 0:26:06 | 0:26:09 | |
One tenth of all freight on British Rail | 0:26:09 | 0:26:11 | |
starts in the Sheffield division, | 0:26:11 | 0:26:13 | |
where more than £11 million have been spent to bring things up to date | 0:26:13 | 0:26:17 | |
in the last few years, and where 7,300 railwaymen work and live. | 0:26:17 | 0:26:22 | |
# Ob-la-di Ob-la-da | 0:26:22 | 0:26:24 | |
# Life goes on Whoa! | 0:26:24 | 0:26:26 | |
# La-la la-la Life goes on | 0:26:26 | 0:26:30 | |
# Ob-la-di Ob-la-da | 0:26:30 | 0:26:32 | |
# Life goes on Whoa! | 0:26:32 | 0:26:34 | |
# La-la la-la Life goes on... # | 0:26:34 | 0:26:38 | |
The Sheffield club is a place where any railwayman can come | 0:26:38 | 0:26:42 | |
and bring his wife and children, if he likes. | 0:26:42 | 0:26:45 | |
# Takes it back to Molly Waiting at the door... # | 0:26:45 | 0:26:48 | |
The younger men of British Rail drink, | 0:26:48 | 0:26:50 | |
play darts or billiards, | 0:26:50 | 0:26:52 | |
while the older men of the LNER and LMS, | 0:26:52 | 0:26:54 | |
or, still further back, of the Great Central or Midland Railways - | 0:26:54 | 0:26:58 | |
and they still think of themselves like that - | 0:26:58 | 0:27:01 | |
drink and talk in the back rooms, | 0:27:01 | 0:27:03 | |
remember their old distinctions with pleasure | 0:27:03 | 0:27:06 | |
and argue the toss. | 0:27:06 | 0:27:07 | |
There was more art, there was more skill, there was more, | 0:27:07 | 0:27:11 | |
what shall I say, there was more harmony | 0:27:11 | 0:27:14 | |
between the two men. The two men there, you had a job to do. | 0:27:14 | 0:27:17 | |
That was where the pride of craft... | 0:27:17 | 0:27:19 | |
- There's none of that today! - The pride of craft was there. | 0:27:19 | 0:27:22 | |
Well, listen, you've had your... | 0:27:22 | 0:27:24 | |
You've had your say, Jack. Just a minute. | 0:27:24 | 0:27:26 | |
A steam engine is out of date. | 0:27:26 | 0:27:28 | |
THEY TALK OVER EACH OTHER | 0:27:29 | 0:27:32 | |
And they don't expect to come through. | 0:27:32 | 0:27:35 | |
It may be out of date... | 0:27:35 | 0:27:36 | |
ALL SPEAK AT ONCE | 0:27:36 | 0:27:38 | |
Steam engines will come back. | 0:27:39 | 0:27:41 | |
A diesel, if it stops with a defect, it's a dead duck. | 0:27:41 | 0:27:44 | |
But a steam engine that stops with a defect, | 0:27:44 | 0:27:48 | |
even a side rod, you could get out of the way with it in the sidings. | 0:27:48 | 0:27:53 | |
There wasn't the delay there is today - two and three hours. | 0:27:53 | 0:27:56 | |
You had to clear the main line and you could do, | 0:27:56 | 0:27:59 | |
because you'd still got some power. | 0:27:59 | 0:28:02 | |
The steam engine is obsolete and I'll give you a case in point, Jack. | 0:28:02 | 0:28:05 | |
You take a heavy coal train from Sheffield, a single load, about 41. | 0:28:05 | 0:28:09 | |
Today, the electric will take more. | 0:28:10 | 0:28:12 | |
There's not the skill. I don't care a bugger what you say, | 0:28:12 | 0:28:15 | |
there's not the skill in driving an electric or a diesel engine | 0:28:15 | 0:28:19 | |
as there is in driving a steam train. | 0:28:19 | 0:28:21 | |
You've got nearly an unlimited power. | 0:28:21 | 0:28:25 | |
When they argue the superiority of steam, | 0:28:35 | 0:28:38 | |
they don't mean at all that it was more efficient, | 0:28:38 | 0:28:40 | |
because they know it wasn't. | 0:28:40 | 0:28:42 | |
But steam to them is better because it was a more demanding thing. | 0:28:42 | 0:28:47 | |
It was a difficult thing to do well | 0:28:47 | 0:28:49 | |
and they take pleasure in remembering how they did it. | 0:28:49 | 0:28:52 | |
We used to walk in the shed at Millhouses | 0:28:57 | 0:28:59 | |
when I was a young engine cleaner. | 0:28:59 | 0:29:01 | |
The smell of locomotives, it used to be like a bit of ozone, you know? | 0:29:01 | 0:29:07 | |
The smell of a locomotive, it's like the smell of ozone. | 0:29:07 | 0:29:11 | |
Beautiful. | 0:29:11 | 0:29:13 | |
Yes, I've had some happy times on the old steamers. | 0:29:13 | 0:29:17 | |
Especially when we used to go down the West of England. | 0:29:17 | 0:29:20 | |
You'd get the other side of Bromsgrove, | 0:29:20 | 0:29:22 | |
it was like a different country. | 0:29:22 | 0:29:23 | |
Especially spring of the year, | 0:29:24 | 0:29:27 | |
approaching Ashchurch and all the blossom was on the trees. | 0:29:27 | 0:29:32 | |
The apple blossom. | 0:29:32 | 0:29:33 | |
You could smell it miles away when the wind was in the right direction. | 0:29:33 | 0:29:36 | |
Really marvellous. | 0:29:36 | 0:29:38 | |
Yes, those days will never come back again. Not for me, anyway. | 0:29:39 | 0:29:43 | |
Lovely. | 0:29:43 | 0:29:45 | |
I think if I had my time to come over again, I'd do it again. I loved it. | 0:30:11 | 0:30:16 | |
I loved the steam engines. They were smashing. | 0:30:16 | 0:30:18 | |
Euston, Britain's newest mainline station | 0:30:37 | 0:30:39 | |
and full of the latest architectural textures. | 0:30:39 | 0:30:42 | |
White mosaic, black polished granite, aluminium, glass, | 0:30:42 | 0:30:46 | |
reinforced concrete and blue-black stove-enamelled steel. | 0:30:46 | 0:30:50 | |
And people off to see friends this weekend. | 0:30:50 | 0:30:52 | |
23 acres in all and, in the concourse, | 0:30:57 | 0:30:59 | |
plenty of room for 30,000 passengers a day | 0:30:59 | 0:31:02 | |
to hurry to and from trains, but no room for anybody to sit. | 0:31:02 | 0:31:06 | |
There are no seats, | 0:31:06 | 0:31:07 | |
because British Rail says they would only attract vagrants. | 0:31:07 | 0:31:10 | |
The seats in the bars are plastic and hard | 0:31:20 | 0:31:24 | |
and the superloo is sixpence. | 0:31:24 | 0:31:25 | |
The only old things are the statues, | 0:31:28 | 0:31:30 | |
saved from the famous great hall of the old station. | 0:31:30 | 0:31:32 | |
The power box. All electric, with buttons to push and little switches. | 0:31:35 | 0:31:38 | |
Not so real, somehow, as the heavy signal levers of the Great Central. | 0:31:38 | 0:31:42 | |
More like playing with toy trains. | 0:31:42 | 0:31:44 | |
The 9 hours to Manchester will leave from platform 13. | 0:31:50 | 0:31:55 | |
Calling at Rugby, Stafford, | 0:31:57 | 0:32:00 | |
Crewe and Manchester Piccadilly. | 0:32:00 | 0:32:05 | |
Meals, light refreshments and drinks are available on this service. | 0:32:05 | 0:32:11 | |
Platform 13 for the 9 hours to Manchester. | 0:32:11 | 0:32:16 | |
It is not nearly so dramatic or so heroic | 0:32:22 | 0:32:24 | |
as the Royal Scot of 40 years ago, | 0:32:24 | 0:32:26 | |
but it's a lot cleaner and it's faster. | 0:32:26 | 0:32:29 | |
And this is the way railways are going. | 0:32:29 | 0:32:31 | |
Today's top expresses can do the 188 miles from Euston to Manchester | 0:32:46 | 0:32:50 | |
in as little as 150 minutes | 0:32:50 | 0:32:53 | |
and that, city centre to city centre, is faster than flying. | 0:32:53 | 0:32:57 | |
MUSIC: "Good Morning Starshine" | 0:32:57 | 0:32:59 | |
# L-a-a-a-a-a-a-a-a-a-a | 0:32:59 | 0:33:03 | |
# La-da da da-da da Da-da da da-da da | 0:33:03 | 0:33:07 | |
# Ba-ba da ba-ba da Ba-ba da ba-ba da | 0:33:10 | 0:33:17 | |
# Good morning, starshine | 0:33:17 | 0:33:21 | |
# The Earth says hello. | 0:33:21 | 0:33:24 | |
# You twinkle above us | 0:33:24 | 0:33:28 | |
# We twinkle below | 0:33:28 | 0:33:32 | |
# Good morning, starshine | 0:33:32 | 0:33:35 | |
# You lead us along | 0:33:37 | 0:33:40 | |
# My love and me as we sing | 0:33:40 | 0:33:45 | |
# Our early-mornings singing song | 0:33:45 | 0:33:49 | |
# Gliddy gloop gloopy | 0:33:49 | 0:33:51 | |
# Nibby nobby nooby | 0:33:51 | 0:33:53 | |
# La la la Lo lo | 0:33:53 | 0:33:56 | |
# Abba dooby sabba | 0:33:57 | 0:33:59 | |
# Dooby abba nabba | 0:33:59 | 0:34:01 | |
# Le le lo lo | 0:34:01 | 0:34:03 | |
# Dooby ooby walla | 0:34:05 | 0:34:06 | |
# Dooby abba dabba | 0:34:06 | 0:34:08 | |
# Early morning singing song | 0:34:08 | 0:34:10 | |
# Song song song Singing sing sing song | 0:34:10 | 0:34:15 | |
# Song song song Singing sing sing song. # | 0:34:18 | 0:34:23 | |
The old goods train can be modern and glossy, too. | 0:34:39 | 0:34:41 | |
Twice a day, the Freightliner ships from Zeebrugge | 0:34:41 | 0:34:44 | |
come into the Harwich terminal. | 0:34:44 | 0:34:46 | |
The containers are pulled out of the hold, lowered onto lorries | 0:34:46 | 0:34:49 | |
and driven off to be lowered onto Freightliner trains. | 0:34:49 | 0:34:52 | |
"Containerisation" is a mighty big word. | 0:34:56 | 0:34:58 | |
But what it means is that goods are packed into containers | 0:34:58 | 0:35:01 | |
all the same size, which can be handled by the same cranes | 0:35:01 | 0:35:04 | |
and the same lorries | 0:35:04 | 0:35:05 | |
and loaded onto long trains of the same size trucks. | 0:35:05 | 0:35:09 | |
Freightliners only started in 1965, but by next year, | 0:35:09 | 0:35:13 | |
they hope to have 80 Freightliner routes, | 0:35:13 | 0:35:15 | |
carrying a million containers a year. | 0:35:15 | 0:35:17 | |
Five nights a week, around midnight, a Freightliner train leaves Harwich | 0:35:19 | 0:35:23 | |
for Manchester. | 0:35:23 | 0:35:25 | |
It travels at 75 miles an hour and gets in by breakfast time | 0:35:25 | 0:35:28 | |
and there are no stops on the way. | 0:35:28 | 0:35:30 | |
# No more will I go | 0:35:34 | 0:35:36 | |
# To Blandford Forum | 0:35:36 | 0:35:38 | |
# And Mortehoe | 0:35:38 | 0:35:41 | |
# On the slow train | 0:35:42 | 0:35:44 | |
# From Midsomer Norton And Mumby Road | 0:35:44 | 0:35:50 | |
# No churns, no porter | 0:35:51 | 0:35:53 | |
# No cat on a seat | 0:35:53 | 0:35:56 | |
# At Chorlton-cum-Hardy Or Chester-le-Street | 0:35:56 | 0:36:00 | |
# We won't be meeting again | 0:36:00 | 0:36:03 | |
# On the slow train | 0:36:03 | 0:36:06 | |
# On the slow train. # | 0:36:08 | 0:36:13 | |
Sheffield, too, has a new way with freight. | 0:36:23 | 0:36:25 | |
At the new electronic marshalling yard at Tinsley, | 0:36:30 | 0:36:32 | |
the points change by computer tape | 0:36:32 | 0:36:35 | |
and the trucks are guided into one of 53 different sidings. | 0:36:35 | 0:36:38 | |
From the spot where they are automatically sorted | 0:36:38 | 0:36:40 | |
to the time they enter the right siding, | 0:36:40 | 0:36:43 | |
trucks have a quarter of a mile to run. | 0:36:43 | 0:36:45 | |
Tiny devices at the side of the rails sense how fast the truck is moving | 0:36:45 | 0:36:49 | |
and either brake it or give it a boost. | 0:36:49 | 0:36:52 | |
Tinsley covers 145 acres. | 0:36:56 | 0:36:58 | |
Everything here has been built since 1961. | 0:36:58 | 0:37:01 | |
It is one of the most modern and complex marshalling yards | 0:37:01 | 0:37:04 | |
anywhere in the world. | 0:37:04 | 0:37:06 | |
All this is a long, long way from the railways of 20 years ago. | 0:37:16 | 0:37:20 | |
From the railways of 50 years ago, it is an age. | 0:37:20 | 0:37:23 | |
I started on the railway at six shillings a week as a van boy. | 0:37:23 | 0:37:28 | |
Time I was 20, I was getting £2 a week. | 0:37:28 | 0:37:32 | |
I got married and raised a family up on 50 shillings a week. | 0:37:32 | 0:37:36 | |
The most you could get as a shunter or guard was 65 shillings a week. | 0:37:36 | 0:37:42 | |
You know, you're living on the poverty verge all those years. | 0:37:42 | 0:37:46 | |
It's only just this last few years it's got a lot better | 0:37:46 | 0:37:51 | |
and it's worth having now. | 0:37:51 | 0:37:53 | |
I will say it. A railway career is worth having today. | 0:37:53 | 0:37:56 | |
As a railwayman, I enjoyed every minute of it. | 0:37:56 | 0:38:00 | |
The bad hours, they had their compensation. | 0:38:00 | 0:38:04 | |
I, er, enjoyed them to the full. | 0:38:04 | 0:38:08 | |
But there's only one thing, one disagreeable part of this life, | 0:38:08 | 0:38:11 | |
it spoilt your social life | 0:38:11 | 0:38:13 | |
and, in consequence, the wife's life was spoilt, as well. | 0:38:13 | 0:38:17 | |
I think they're damned good women who stick to locomotive men. | 0:38:17 | 0:38:24 | |
You know, I think they are the salt of the earth, | 0:38:24 | 0:38:26 | |
for the simple reason their social life's ruined as well as ours. | 0:38:26 | 0:38:30 | |
I've had a good time, you know. | 0:38:30 | 0:38:32 | |
I've had a good wife to look after me and that kind of thing. | 0:38:32 | 0:38:36 | |
See to me when I get home and keep the kids quiet in the street, | 0:38:36 | 0:38:39 | |
that's one of the main things. | 0:38:39 | 0:38:40 | |
"Go out to the rag-and-bone man, have a row with them." | 0:38:40 | 0:38:43 | |
"Clear off, get off!" | 0:38:43 | 0:38:44 | |
"Rags and bones," they're shouting | 0:38:44 | 0:38:46 | |
Oh, gosh, I'm woke up again. | 0:38:46 | 0:38:48 | |
"Keep the kids quiet." The kids will come home. | 0:38:48 | 0:38:51 | |
"Is my dad at work, or is he in bed?" You know, that kind of thing. | 0:38:51 | 0:38:53 | |
That's how you were in those days. All these chaps know. | 0:38:53 | 0:38:56 | |
They're the same, they've had the same rotten hours as us. | 0:38:56 | 0:38:59 | |
A fellow came up one day selling fish on his fish cart. | 0:38:59 | 0:39:03 | |
I just hardly got to sleep and he's shouting. | 0:39:03 | 0:39:05 | |
And I got up to the window and I said, | 0:39:05 | 0:39:08 | |
"I'll come and break your so-and-so neck, if you don't shut up!" | 0:39:08 | 0:39:12 | |
HE LAUGHS | 0:39:12 | 0:39:13 | |
Nicely gone off to sleep, perhaps in the middle of the morning. | 0:39:13 | 0:39:16 | |
Fancy getting home, on some of those jobs, at ten in the morning, | 0:39:16 | 0:39:20 | |
missus would be washing. | 0:39:20 | 0:39:22 | |
What could you do? If you went to bed, everybody was making a row. | 0:39:22 | 0:39:24 | |
Kids were in the yards, shouting and screaming and playing about. | 0:39:24 | 0:39:28 | |
After all, I think we all enjoyed ourselves. | 0:39:28 | 0:39:31 | |
I think railwaymen, they're a community of their own. | 0:39:31 | 0:39:34 | |
There's no other job, really, | 0:39:34 | 0:39:36 | |
that had the rotten hours to put up with as we had. | 0:39:36 | 0:39:40 | |
But, by and large, I've had a good time and I've done very well. | 0:39:40 | 0:39:42 | |
We used to come from Gloucester | 0:39:48 | 0:39:50 | |
with the seven o'clock from Gloucester in the morning | 0:39:50 | 0:39:53 | |
to Birmingham New Street. | 0:39:53 | 0:39:55 | |
I used to couple off the train, drop into the siding. | 0:39:55 | 0:39:58 | |
We used to call that sidings the parlour. | 0:39:58 | 0:40:00 | |
My mate's job, approaching New Street, was to swill the shovel out. | 0:40:01 | 0:40:05 | |
Get in the parlour, | 0:40:05 | 0:40:06 | |
bacon, a couple of Gloucester eggs in the shovel and have a good fry up. | 0:40:06 | 0:40:11 | |
Believe me, you can't get a better feed | 0:40:11 | 0:40:14 | |
than bacon and eggs fried on a shovel. | 0:40:14 | 0:40:16 | |
I've cooked steak, kippers, the lot on the old shovel. | 0:40:17 | 0:40:21 | |
In fact, the company got a bit old-fashioned to it after a bit. | 0:40:21 | 0:40:24 | |
They started drilling holes in the shovel, | 0:40:24 | 0:40:26 | |
so you couldn't use it as a frying pan. | 0:40:26 | 0:40:29 | |
Ah, yes. | 0:40:29 | 0:40:30 | |
Yes, I used to enjoy my breakfast at Birmingham New Street | 0:40:32 | 0:40:35 | |
at that time of day. | 0:40:35 | 0:40:38 | |
Sheffield Bridgehouses, | 0:40:38 | 0:40:39 | |
the first terminus of the Sheffield Manchester Railway, is in ruins. | 0:40:39 | 0:40:44 | |
The navvies are smashing it up and burning the rubbish | 0:40:44 | 0:40:46 | |
and bits and pieces. | 0:40:46 | 0:40:47 | |
There aren't any potatoes here any more. | 0:40:51 | 0:40:54 | |
Or any engines. | 0:40:54 | 0:40:56 | |
Only the bulldozers of the demolition men. | 0:40:56 | 0:40:59 | |
This was Bridgehouses in its glory, with lorries and clutter | 0:41:01 | 0:41:06 | |
and cramped, tiny buildings. | 0:41:06 | 0:41:08 | |
The potato siding in the background | 0:41:08 | 0:41:10 | |
and the long canopy of the goods station on the left. | 0:41:10 | 0:41:14 | |
Bridgehouses was one of four old goods yards in Sheffield. | 0:41:24 | 0:41:28 | |
They have all vanished now. | 0:41:28 | 0:41:30 | |
The old engineers built to last. | 0:41:48 | 0:41:51 | |
They said their works would last 100 years and, even after 125, | 0:41:51 | 0:41:55 | |
the bulldozers have a hard time tearing it all down. | 0:41:55 | 0:41:59 | |
The Poole to York express approaches Sheffield. | 0:42:32 | 0:42:36 | |
For years, the old Midland Railway was deadly enemies with | 0:42:40 | 0:42:43 | |
the patrician London North Western, which called itself the premier line. | 0:42:43 | 0:42:48 | |
To which the Midland, | 0:42:48 | 0:42:49 | |
which didn't have the fastest trains or the biggest engines, | 0:42:49 | 0:42:52 | |
but generally ran to time, replied that the London North Western | 0:42:52 | 0:42:56 | |
might call itself what it pleased, | 0:42:56 | 0:42:58 | |
but that the Midland was the best way. | 0:42:58 | 0:43:00 | |
This line will remain | 0:43:12 | 0:43:14 | |
as one of the railway's profitable north-south routes, | 0:43:14 | 0:43:17 | |
serving the South Coast, the Midlands, the North and Scotland. | 0:43:17 | 0:43:21 | |
Its future is assured. | 0:43:21 | 0:43:23 | |
But the future of the Sheffield-Manchester line, | 0:44:05 | 0:44:08 | |
the old Great Central route through Woodhead, isn't so assured. | 0:44:08 | 0:44:12 | |
For some years now, | 0:44:12 | 0:44:13 | |
there has been talk of closing the line to passenger trains. | 0:44:13 | 0:44:16 | |
What do the men who work the line think of this prospect? | 0:44:29 | 0:44:31 | |
Well, if they close this line to passenger traffic, | 0:44:32 | 0:44:35 | |
of course, it will be a blow to my depot... | 0:44:35 | 0:44:41 | |
..which will lose several jobs. | 0:44:42 | 0:44:44 | |
But I think it would be a crying shame, | 0:44:44 | 0:44:47 | |
because I think this is one of the best inter-city services there is. | 0:44:47 | 0:44:52 | |
Nearly an hourly service from each way | 0:44:52 | 0:44:55 | |
and we do the journey in about an hour. | 0:44:55 | 0:44:57 | |
I just think it would be a crying shame. | 0:44:58 | 0:45:02 | |
In fact, it's now been decided. | 0:45:02 | 0:45:04 | |
The passenger service which has run on this line | 0:45:04 | 0:45:06 | |
since the first ceremonial train of December 1845, is closing. | 0:45:06 | 0:45:10 | |
Freight trains will continue | 0:45:11 | 0:45:13 | |
and a passenger service by another route will still link the two cities. | 0:45:13 | 0:45:17 | |
But, by January 1970, the last passenger train will have run from | 0:45:17 | 0:45:21 | |
Sheffield Victoria through Penistone and Woodhead to Manchester. | 0:45:21 | 0:45:26 | |
We're approaching Manchester Piccadilly now. | 0:45:32 | 0:45:35 | |
It used to be called Manchester London Road, | 0:45:35 | 0:45:38 | |
this station, by the way. | 0:45:38 | 0:45:39 | |
Dropping down in speed now. | 0:45:44 | 0:45:46 | |
It's a dead-end station, this, so we have to drop in pretty carefully. | 0:45:46 | 0:45:50 | |
A slight touch on the stock locks could probably cause | 0:45:51 | 0:45:54 | |
quite a few injuries. | 0:45:54 | 0:45:56 | |
Coming into the station now. | 0:45:58 | 0:46:00 | |
That's it, now, just about on time. | 0:46:00 | 0:46:03 | |
MUSIC: "See The Conquering Hero Comes" by Handel | 0:46:03 | 0:46:06 |