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'Venice, one of the most stunning cities on Earth. | 0:00:05 | 0:00:09 | |
'Over 50,000 tourists arrive here each day | 0:00:09 | 0:00:13 | |
'for Carnival, culture and canals. | 0:00:13 | 0:00:16 | |
'But what they don't see is how this city works. | 0:00:16 | 0:00:20 | |
'This is Venice from the inside. | 0:00:20 | 0:00:22 | |
'Around the clock, emergency teams fight to keep a city built on water | 0:00:24 | 0:00:28 | |
-'safe and working.' -ALARM BELL | 0:00:28 | 0:00:32 | |
'With unprecedented access to police, fire and medical teams, | 0:00:32 | 0:00:35 | |
'we come face-to-face with unique challenges | 0:00:35 | 0:00:38 | |
'and life-and-death drama.' | 0:00:38 | 0:00:41 | |
Up to yesterday, she was all right. This morning she was not responsive. | 0:00:42 | 0:00:46 | |
'This is Venice 24/7, where the ordinary becomes extraordinary.' | 0:00:46 | 0:00:51 | |
'As Venice emerges from an especially harsh winter, | 0:01:01 | 0:01:04 | |
'those living here gear up for the first major event of the year. | 0:01:04 | 0:01:09 | |
'In two days, Carnival begins. | 0:01:09 | 0:01:13 | |
'Carnevale meaning "meat is allowed" is a 1,000-year-old tradition | 0:01:13 | 0:01:17 | |
'of indulgence before the abstinence of Lent. | 0:01:17 | 0:01:20 | |
'Leading up to Easter, thousands of revellers are about to descend | 0:01:22 | 0:01:26 | |
'on St Mark's Square, in the heart of the historic city. | 0:01:26 | 0:01:31 | |
'Venice earns over £2 billion a year from tourism | 0:01:31 | 0:01:35 | |
'and owes half of its jobs to the industry. | 0:01:35 | 0:01:37 | |
'Carnival is one of the city's most important events of the year. | 0:01:37 | 0:01:41 | |
'It starts high above the square. | 0:01:41 | 0:01:44 | |
'It's from the 16th-century St Mark's Campanile | 0:01:44 | 0:01:47 | |
'that Carnival is officially launched. | 0:01:47 | 0:01:51 | |
'Here, riggers are preparing the flight of the angel, or "colombina". | 0:01:53 | 0:01:58 | |
'A young woman is lowered over the crowd to signal the start of the ten-day Carnival. | 0:01:58 | 0:02:05 | |
'In charge of the spectacle is chief engineer Niccolo Ferrari.' | 0:02:05 | 0:02:10 | |
The flight of the angel is a tradition. | 0:02:10 | 0:02:12 | |
It's something like, er... | 0:02:12 | 0:02:14 | |
It's a tradition that comes from many...yeah, hundreds of years ago. | 0:02:14 | 0:02:19 | |
'The event is said to date back to a 16th-century spectacle. | 0:02:21 | 0:02:24 | |
'A young acrobat wowed the crowds by walking on a tightrope | 0:02:24 | 0:02:28 | |
'strung high across the square. | 0:02:28 | 0:02:30 | |
'In the 18th century, | 0:02:30 | 0:02:32 | |
'the acrobat fell from the wire and plummeted to his death. | 0:02:32 | 0:02:36 | |
'The spectacle was abandoned until a safer version was revived in 2001. | 0:02:36 | 0:02:41 | |
'The safety of the structure used to reenact the spectacle | 0:02:41 | 0:02:45 | |
'rests with Niccolo.' | 0:02:45 | 0:02:47 | |
This is the hanging point. | 0:02:47 | 0:02:49 | |
The cable will be secured in this position. | 0:02:49 | 0:02:54 | |
So this is the main important part of the stage for our purpose. | 0:02:54 | 0:02:59 | |
So this is important to be tested before the launch of the angel. | 0:02:59 | 0:03:05 | |
'The cable used to make the descent is fastened to the scaffold | 0:03:05 | 0:03:09 | |
'100 metres below the Campanile. | 0:03:09 | 0:03:12 | |
'At the other end, the job is complicated by the need to safeguard this protected historic monument.' | 0:03:12 | 0:03:18 | |
'They must rig a massive pulley system weighing over 1,000kg | 0:03:26 | 0:03:32 | |
'without making any holes in the building. | 0:03:32 | 0:03:34 | |
'It must perfectly support the angel during her descent.' | 0:03:34 | 0:03:38 | |
'Across town, the fire station is on standby. | 0:03:53 | 0:03:56 | |
'Massimo Pierre Federici, | 0:03:58 | 0:04:00 | |
'a fireman with over 20 years' experience, is covering the shift. | 0:04:00 | 0:04:05 | |
'The first call-out is from a hotel on the other side of town.' | 0:04:05 | 0:04:09 | |
'Hurrying to get there, | 0:04:34 | 0:04:36 | |
'the fire brigade are allowed to break the 3mph speed limit. | 0:04:36 | 0:04:39 | |
'But Venice's complex numbering system can add extra minutes. | 0:04:39 | 0:04:44 | |
'With a little local help, the fire team manages | 0:04:44 | 0:04:48 | |
'to locate the hotel with the trapped Italian tourists.' | 0:04:48 | 0:04:52 | |
'The group has been inside the lift for almost half an hour. | 0:04:53 | 0:04:57 | |
'It's stuck just below floor level and the door has jammed.' | 0:04:57 | 0:05:00 | |
'It's a simple matter of finding the right switch to open the door.' | 0:05:04 | 0:05:08 | |
GASPS OF RELIEF | 0:05:13 | 0:05:15 | |
'The city's 400 gondoliers are taking their first Carnival tourists. | 0:05:52 | 0:05:57 | |
'For the daughter of one, this Carnival is special. | 0:05:57 | 0:06:00 | |
'Beatrice Coloru will be competing in the Maria festival, | 0:06:04 | 0:06:08 | |
'a version of a 14th-century tradition.' | 0:06:08 | 0:06:11 | |
'The 12 girls taking part in the Maria beauty pageant | 0:06:44 | 0:06:49 | |
'have been selected from a shortlist of 60 hopefuls from the region. | 0:06:49 | 0:06:53 | |
'The girl who wins will be crowned Queen of the Carnival, | 0:06:53 | 0:06:56 | |
'and may also become next year's angel. | 0:06:56 | 0:07:00 | |
'For Beatrice's father, whose family has been here for over 1,000 years, | 0:07:00 | 0:07:04 | |
'it would be a huge honour.' | 0:07:04 | 0:07:06 | |
I can say that I'm proud of this situation | 0:07:06 | 0:07:10 | |
where Beatrice is going through. | 0:07:10 | 0:07:12 | |
Because it is happening once in the life. | 0:07:12 | 0:07:15 | |
And...I'm glad that this happened | 0:07:15 | 0:07:19 | |
because I'm a gondolier and a real Venetian, | 0:07:19 | 0:07:24 | |
and this has something to do with this wonderful culture. | 0:07:24 | 0:07:28 | |
'As one girl hopes to be crowned Queen this Carnival, | 0:07:46 | 0:07:50 | |
'the girl who won last year is about to find out what's in store | 0:07:50 | 0:07:53 | |
'for her flight.' | 0:07:53 | 0:07:55 | |
'Tomorrow, 23-year-old Silvia Bianchini, this year's angel, | 0:08:09 | 0:08:15 | |
'will be suspended 400 feet above the ground.' | 0:08:15 | 0:08:19 | |
'With only a day to go, the team work into the night | 0:08:32 | 0:08:35 | |
'to get everything ready in time. | 0:08:35 | 0:08:37 | |
'It's the big day, and Carnival is hours away | 0:08:56 | 0:08:59 | |
'from being officially launched. | 0:08:59 | 0:09:02 | |
'Police are holding a briefing at the back of St Mark's Square to plan exit routes for the crowds.' | 0:09:04 | 0:09:10 | |
'Thousands of people are expected to watch the flight of the angel.' | 0:09:14 | 0:09:19 | |
'The body was found in a canal | 0:10:03 | 0:10:05 | |
'right next to St Mark's Square by a hotel concierge.' | 0:10:05 | 0:10:10 | |
'It looks like the victim has been dead some hours. | 0:10:25 | 0:10:28 | |
'It's up to the police to try and identify the young man.' | 0:10:28 | 0:10:33 | |
'Police remove the body before the area is flooded with tourists. | 0:10:45 | 0:10:49 | |
'He is loaded into a special casket and taken to the city's morgue. | 0:10:49 | 0:10:54 | |
'The police will begin investigating restaurants and hotels | 0:10:57 | 0:11:01 | |
'to try and shed light on what might have happened.' | 0:11:01 | 0:11:05 | |
'The body will be held by police, and if unclaimed, | 0:11:22 | 0:11:25 | |
'it will be returned to the Chinese embassy.' | 0:11:25 | 0:11:29 | |
'St Mark's Square, said to have been described by Napoleon | 0:11:44 | 0:11:49 | |
'as the finest drawing room in Europe. | 0:11:49 | 0:11:51 | |
'For locals and tourists, the square personifies the city. | 0:11:51 | 0:11:56 | |
'For Silvia and the team, now is not the time to take in the view. | 0:11:56 | 0:12:00 | |
'These are critical moments.' | 0:12:00 | 0:12:02 | |
'Up on the belfry, the team does its final checks.' | 0:12:23 | 0:12:28 | |
CHEERS AND APPLAUSE | 0:13:45 | 0:13:48 | |
'Niccolo and his team have planned and executed these flights for over a decade.' | 0:13:58 | 0:14:04 | |
This was the best flight of my 11 | 0:14:04 | 0:14:07 | |
because of the distance from the cables and for her. | 0:14:07 | 0:14:11 | |
She was very kind. She was very charged. | 0:14:11 | 0:14:14 | |
And the flight was very beautiful. | 0:14:14 | 0:14:17 | |
'Carnival is officially, and safely, under way. | 0:14:26 | 0:14:30 | |
'One of the most spectacular masquerades in the world begins. | 0:14:30 | 0:14:34 | |
'For most, Carnival is about dressing up and having fun. | 0:14:36 | 0:14:41 | |
'The masks were originally to break down class barriers, | 0:14:41 | 0:14:45 | |
'entitling the wearer to anonymity, equality and freedom during the party season. | 0:14:45 | 0:14:50 | |
'They still embody the spirit of Carnival, | 0:14:50 | 0:14:53 | |
'but for criminals, they can create a golden opportunity. | 0:14:53 | 0:14:57 | |
'Camouflaged amongst a sea of distracted tourists, | 0:14:57 | 0:15:01 | |
'pick-pockets hope to do good business. | 0:15:01 | 0:15:05 | |
'The police forces are spread across the historic centre, | 0:15:05 | 0:15:09 | |
'some immediately recognisable, | 0:15:09 | 0:15:11 | |
'others less so.' | 0:15:11 | 0:15:14 | |
'Paolo has worked in the force for over ten years. | 0:15:20 | 0:15:23 | |
'He's been paired with Giovanni for the last four. | 0:15:23 | 0:15:26 | |
'As experts in covert surveillance, working in Venice gives a new meaning to "going undercover".' | 0:15:26 | 0:15:33 | |
'The plan is to get into position and catch the thieves in the act. | 0:15:42 | 0:15:47 | |
'The police are also looking for any other hands that wander.' | 0:15:50 | 0:15:54 | |
'No-one is above suspicion, | 0:15:56 | 0:15:59 | |
'not even Napoleon and Josephine. | 0:15:59 | 0:16:02 | |
'The police scan the crowd, focusing on groups of young men.' | 0:16:02 | 0:16:06 | |
'Finding criminals amongst the crowds can be tough for the police. | 0:16:40 | 0:16:44 | |
'It never hurts to have help from ANOTHER force.' | 0:16:44 | 0:16:47 | |
'In the district of Santa Croce, to the west of the centre, | 0:16:59 | 0:17:03 | |
'Beatrice and her family gather to wish her luck in the Maria festival.' | 0:17:03 | 0:17:09 | |
-This is mine. -No! | 0:17:19 | 0:17:21 | |
CORK POPS | 0:17:24 | 0:17:26 | |
'After the party, Beatrice gets into her mediaeval competition costume | 0:17:30 | 0:17:35 | |
'and makes her way across the city to join her fellow brides.' | 0:17:35 | 0:17:40 | |
To win or not to win is the same thing for us. She is there. | 0:17:40 | 0:17:45 | |
It doesn't matter. I hope for her, but for us, she is the Maria. | 0:17:45 | 0:17:50 | |
Yes, for me, too. | 0:17:50 | 0:17:52 | |
THEY CHUCKLE | 0:17:52 | 0:17:54 | |
SIREN BLARES | 0:17:55 | 0:17:58 | |
'The 118 paramedic team have been called out. | 0:17:59 | 0:18:02 | |
'It seems the patient is in the heart of the party, | 0:18:02 | 0:18:06 | |
'St Mark's Square.' | 0:18:06 | 0:18:09 | |
'During Carnival, fancy dress can be a hindrance in an emergency. | 0:18:17 | 0:18:21 | |
'When they arrive, there is no sign of the injured man. | 0:18:36 | 0:18:40 | |
'He's on the terrace of the 11th-century Basilica, | 0:18:40 | 0:18:44 | |
'20 feet above the square.' | 0:18:44 | 0:18:46 | |
'The injured person is a Japanese doctor on holiday with his wife. | 0:18:56 | 0:19:01 | |
'He slipped and split his face open while taking a picture. | 0:19:01 | 0:19:04 | |
'He doesn't want to go to hospital.' | 0:19:04 | 0:19:06 | |
'But this man's concern isn't so much his departure, but how much his accident will cost.' | 0:19:19 | 0:19:25 | |
'The doctor is persuaded to follow the team to hospital, | 0:19:38 | 0:19:42 | |
'where his injury can be fully investigated. | 0:19:42 | 0:19:45 | |
'Among the crowds, the police are struggling to remain undercover.' | 0:19:48 | 0:19:52 | |
'With so many people around, it can be difficult to get about.' | 0:19:56 | 0:20:01 | |
'Believing they're on the trail of a criminal, they step up their pursuit and plan to arrest him.' | 0:20:22 | 0:20:28 | |
'When the moment is right, they decide to close in.' | 0:20:34 | 0:20:38 | |
'On this occasion, the officers were following the wrong gang. | 0:21:00 | 0:21:05 | |
'Giovanni and Paolo don't get their man...' | 0:21:05 | 0:21:08 | |
'..this time.' | 0:21:09 | 0:21:11 | |
'The quest to find the Queen of the Carnival is under way. | 0:21:25 | 0:21:28 | |
'In the 16th-century casino, the 12 get ready.' | 0:21:28 | 0:21:32 | |
'Gondolier's daughter Beatrice has high hopes of winning the prestigious Venetian title.' | 0:21:50 | 0:21:57 | |
'The girls take part in a series of events across the city. | 0:22:06 | 0:22:10 | |
'They are judged by a ten-strong panel of experts from the worlds of art, politics and literature - | 0:22:10 | 0:22:18 | |
'although some of the rounds owe more to modern Italy than old. | 0:22:18 | 0:22:22 | |
'After a final round of preening and parading, the judges vote. | 0:22:29 | 0:22:35 | |
'Italy's TV networks and the Venetian glitterati are out in force.' | 0:22:35 | 0:22:40 | |
'The winner comes from 20 miles outside of Venice's city centre. | 0:23:08 | 0:23:12 | |
'Beatrice's local status hasn't swayed the judges.' | 0:23:12 | 0:23:17 | |
'As evening draws in, party celebrations crank up a notch. | 0:23:42 | 0:23:47 | |
'It's a busy night for the emergency services. | 0:23:48 | 0:23:52 | |
'Paramedic Anna Scarpa has worked in the city for 15 years, and has seen it all.' | 0:23:52 | 0:23:59 | |
SPEAKS IN ITALIAN | 0:23:59 | 0:24:01 | |
'The majority of call-outs are during the day, but during Carnival, the nights can be even busier. | 0:24:04 | 0:24:11 | |
'A young man has been found lying on the street in the district of Cannaregio.' | 0:24:23 | 0:24:28 | |
'Anna injects a drug into the man's neck to try to bring him round.' | 0:24:51 | 0:24:55 | |
'The patient is conscious but completely disorientated.' | 0:25:05 | 0:25:09 | |
What's your name? | 0:25:11 | 0:25:13 | |
'The young American has been injecting drugs, but the paramedics have got to him in time.' | 0:25:20 | 0:25:26 | |
'The young man joins the Japanese couple, who are still waiting to be seen.' | 0:25:43 | 0:25:49 | |
'The fire team are called out on another emergency.' | 0:25:58 | 0:26:02 | |
'It's not Carnival tourists this time, | 0:26:05 | 0:26:08 | |
'but an elderly man who hasn't been answering his phone. | 0:26:08 | 0:26:11 | |
'His son is worried there's something seriously wrong.' | 0:26:11 | 0:26:15 | |
'The paramedics are already at the scene, | 0:26:18 | 0:26:21 | |
'but with no sign of life inside, they have to force their way in.' | 0:26:21 | 0:26:25 | |
'While tourists celebrate, | 0:26:38 | 0:26:40 | |
'this Venetian has slept through the whole thing.' | 0:26:40 | 0:26:43 | |
'Venice is on red alert. | 0:27:35 | 0:27:37 | |
'For the first time in 26 years, the Pope pays a visit. | 0:27:37 | 0:27:43 | |
'The Grand Canal is to close, | 0:27:44 | 0:27:47 | |
'and security services put the city on lock-down.' | 0:27:47 | 0:27:52 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:06 |