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Don't you think it's astounding that our planet | 0:00:03 | 0:00:06 | |
supports seven billion of us... | 0:00:06 | 0:00:08 | |
BABY CRIES | 0:00:08 | 0:00:11 | |
..and counting? | 0:00:11 | 0:00:14 | |
Learning to survive in a crowded world is our biggest challenge. | 0:00:20 | 0:00:24 | |
But there's one corner where we're already | 0:00:27 | 0:00:30 | |
well on our way to adapting... | 0:00:30 | 0:00:33 | |
HE SHOUTS IN BENGALI | 0:00:33 | 0:00:35 | |
Welcome to India. | 0:00:36 | 0:00:39 | |
Over one in six in the world live here. | 0:00:41 | 0:00:44 | |
And do you know what? We are thriving on it. | 0:00:44 | 0:00:47 | |
We're resourceful... | 0:00:50 | 0:00:51 | |
Steve Jobs. | 0:00:51 | 0:00:52 | |
We're ambitious. | 0:00:52 | 0:00:54 | |
We're the ultimate pragmatists. | 0:00:54 | 0:00:58 | |
And do you know one of our most basic ideas? | 0:01:02 | 0:01:05 | |
SHE LAUGHS | 0:01:05 | 0:01:06 | |
Take that thing you call "waste". | 0:01:06 | 0:01:09 | |
Around here, it's one of our top opportunities. | 0:01:09 | 0:01:13 | |
So, if you think you're doing well with your recycling, | 0:01:18 | 0:01:23 | |
come and take a look over here. | 0:01:23 | 0:01:24 | |
We'll let you in on how we, with so little, can do so much. | 0:01:27 | 0:01:31 | |
This programme contains some strong language. | 0:01:33 | 0:01:37 | |
TRAIN HORN BLARES | 0:01:37 | 0:01:41 | |
MUSIC: "Coppelia Valse" by Leo Delibes | 0:01:41 | 0:01:44 | |
Let me introduce you to one of our millions of backstreet entrepreneurs. | 0:01:52 | 0:01:56 | |
Johora lives and works on a railway embankment | 0:01:57 | 0:02:00 | |
on the outskirts of Kolkata. | 0:02:00 | 0:02:02 | |
Johora has built her home, | 0:02:15 | 0:02:17 | |
and a thriving business, from sorting this stuff - | 0:02:17 | 0:02:21 | |
what you'd call "waste". | 0:02:21 | 0:02:23 | |
She started out as a rag picker here 23 years ago, | 0:02:24 | 0:02:28 | |
when she married her husband, Hanan. | 0:02:28 | 0:02:30 | |
Three years ago, Johora took a punt | 0:03:36 | 0:03:38 | |
and started specialising in plastic bottles. | 0:03:38 | 0:03:41 | |
HORN BEEPS | 0:03:47 | 0:03:49 | |
She bought her eldest son, Nawab, a rickshaw to collect them. | 0:03:49 | 0:03:54 | |
As head of "acquisitions", he's built up a network of suppliers | 0:03:55 | 0:03:59 | |
who collect bottles from local rubbish tips, shops and restaurants. | 0:03:59 | 0:04:04 | |
MUSIC: "Jaan" by Jassi Sidhu | 0:04:04 | 0:04:07 | |
It is a highly-competitive market, | 0:04:14 | 0:04:16 | |
with demand for bottles consistently outstripping local supply. | 0:04:16 | 0:04:21 | |
HE LAUGHS | 0:04:29 | 0:04:32 | |
Back at base, Johora and four employees strip off the labels | 0:04:44 | 0:04:48 | |
and sort the bottles by colour. | 0:04:48 | 0:04:51 | |
They're sold on by weight. | 0:04:51 | 0:04:53 | |
And Johora has a little trick to make sure she gets the best price. | 0:04:53 | 0:04:57 | |
SHE LAUGHS | 0:04:57 | 0:04:59 | |
The bottles are crammed into huge balls weighing up to 100 kilos. | 0:05:36 | 0:05:40 | |
Each of these fetches around £50 when sold on to the next | 0:05:42 | 0:05:45 | |
link in the recycling chain. | 0:05:45 | 0:05:48 | |
Johora relies on this income to support her seven children, | 0:05:50 | 0:05:53 | |
pay her four full-time employees £2 a day, AND make her a profit. | 0:05:53 | 0:05:59 | |
The opportunism of our backstreet entrepreneurs | 0:06:13 | 0:06:17 | |
means we recycle over 60% of our plastic bottles. | 0:06:17 | 0:06:19 | |
Now, that's a stat you in the UK hope to achieve by 2020. | 0:06:21 | 0:06:26 | |
MUSIC: "Dying City" by Johann Johannsson | 0:06:26 | 0:06:29 | |
Where YOU see trash, WE see a livelihood... | 0:06:32 | 0:06:36 | |
and we don't just confine ourselves to the small stuff. | 0:06:36 | 0:06:41 | |
Kanhaialal's one of 6,000 workers in Mumbai | 0:07:04 | 0:07:07 | |
who butcher discarded ships from around the world...by hand. | 0:07:07 | 0:07:11 | |
Kanhaialal was 14 when he started working here, 18 years ago. | 0:07:59 | 0:08:03 | |
He's worked his way up to the role of cutter | 0:08:03 | 0:08:06 | |
and uses a blowtorch to carve these corroding hulls into manageable chunks. | 0:08:06 | 0:08:11 | |
This will supply India's construction boom with cheap, recycled steel. | 0:08:11 | 0:08:16 | |
Today, he's on the team cutting a large bow section | 0:08:20 | 0:08:23 | |
off a 12,000-tonne cargo ship, built 32 years ago in Japan. | 0:08:23 | 0:08:27 | |
The team climb on board. | 0:08:38 | 0:08:40 | |
They'll make their incisions from inside the hull. | 0:08:40 | 0:08:44 | |
Every section of this beast must be dismantled... | 0:09:00 | 0:09:03 | |
..including the oil bunkers, which can contain highly-explosive gases. | 0:09:04 | 0:09:10 | |
Just an hour into the job, a blaze breaks out | 0:09:14 | 0:09:16 | |
on the bridge of a neighbouring ship. | 0:09:16 | 0:09:19 | |
They say ship breaking kills around 20 people a year in India... | 0:09:51 | 0:09:54 | |
and that's the official figures. | 0:09:54 | 0:09:58 | |
But Kanhaialal's got a wife and two kids to feed. | 0:10:01 | 0:10:04 | |
By mid afternoon, the bow section of the ship is ready to come off. | 0:10:07 | 0:10:12 | |
Kanhaialal knows his boss likes to keeps things | 0:11:00 | 0:11:03 | |
as "flexible" as possible by hiring short-term, freelance staff. | 0:11:03 | 0:11:08 | |
They've been doing a good job on the Japanese ship, | 0:11:08 | 0:11:10 | |
but if there's to be more work, | 0:11:10 | 0:11:12 | |
it's vital another vessel arrives in the next few days. | 0:11:12 | 0:11:16 | |
Now, we might be the world's largest ship recycler, but if you think | 0:11:42 | 0:11:46 | |
this appetite for the fruits of recycling is a one-way deal, my friend, think again. | 0:11:46 | 0:11:51 | |
Next time you put on your lipstick, or lather up with soap, | 0:11:51 | 0:11:56 | |
bear in mind that some of the ingredients may have started life | 0:11:56 | 0:11:59 | |
somewhere like this - Mohammed Ashique's fat-processing workshop. | 0:11:59 | 0:12:05 | |
MUSIC: "Otto E Mezzo" by Nino Rota | 0:12:05 | 0:12:07 | |
His raw material is prepared by a team of cutters. | 0:12:19 | 0:12:22 | |
It's beef suet, the fat from around the kidneys and loins, | 0:12:22 | 0:12:26 | |
which he renders down at high temperature. | 0:12:26 | 0:12:30 | |
Ashique sources his fat from Kolkata's main abattoir, | 0:13:03 | 0:13:07 | |
where he barters with the slaughtermen for their daily suet pile. | 0:13:07 | 0:13:12 | |
Yesterday, he bought up over 200 kilos of the fat | 0:13:17 | 0:13:20 | |
and must work flat out to process it before it rots in the heat. | 0:13:20 | 0:13:24 | |
His employees seem less concerned. | 0:13:28 | 0:13:31 | |
Once he's pressed them into action, | 0:13:34 | 0:13:37 | |
the rendered fat can be ladled into salvaged tin cans, to cool. | 0:13:37 | 0:13:41 | |
And, of course, there's value in the by-products. | 0:13:43 | 0:13:48 | |
It's the solidified oil, or "tallow", | 0:14:11 | 0:14:14 | |
that earns Ashique his real income. | 0:14:14 | 0:14:16 | |
It's sold to a local company that turns it into stearic acid, | 0:14:17 | 0:14:22 | |
a key ingredient for many soaps and lipsticks the world over. | 0:14:22 | 0:14:26 | |
Ashique's hardly made an impression on his pungent stock | 0:14:30 | 0:14:34 | |
when he's interrupted. | 0:14:34 | 0:14:36 | |
A local party representative is taking issue with the sacks of fat. | 0:14:36 | 0:14:42 | |
Ashique seems oblivious to the stench of his workshop. | 0:15:36 | 0:15:40 | |
But at the end of an especially tough day he treats himself | 0:15:40 | 0:15:43 | |
to a full pampering at his favourite barbershop. | 0:15:43 | 0:15:46 | |
Fresh-faced and transformed, | 0:16:13 | 0:16:14 | |
Ashique heads for home sweet home. | 0:16:14 | 0:16:17 | |
With 30% of us under 15-years-old, | 0:17:01 | 0:17:05 | |
and our under fives numbering twice the population of the UK, | 0:17:05 | 0:17:09 | |
our kids are one of our most important assets. | 0:17:09 | 0:17:12 | |
At Johora's, while Nawab works full-time collecting bottles, | 0:17:15 | 0:17:19 | |
the younger kids are put to good use as a cheap, convenient water supply. | 0:17:19 | 0:17:24 | |
This evening, they're off to the standpipe a couple of hundred metres up the road. | 0:17:30 | 0:17:33 | |
After her 14-hour day sorting bottles, | 0:17:48 | 0:17:51 | |
Johora's struggling to get dinner ready for her large family. | 0:17:51 | 0:17:54 | |
But there's a knock at the door. | 0:17:54 | 0:17:56 | |
A local mobster has sent round a couple of his henchmen. | 0:17:58 | 0:18:02 | |
They're keen to get hold of her husband. | 0:18:06 | 0:18:08 | |
The 2,000-rupee payment might "protect" the business, | 0:18:33 | 0:18:36 | |
but Johora's spending is already maxed out. | 0:18:36 | 0:18:38 | |
She pays 4,000 rupees, or £50, a month | 0:18:38 | 0:18:43 | |
to send her two daughters to a religious boarding school | 0:18:43 | 0:18:47 | |
and term starts tomorrow. | 0:18:47 | 0:18:49 | |
-Good night. -BOTH: Good night! | 0:20:05 | 0:20:09 | |
While the children finally get to sleep, | 0:20:17 | 0:20:20 | |
Johora and Hanan are up, worrying about the gangsters. | 0:20:20 | 0:20:24 | |
Whether we like it or not, there IS a system around here. | 0:21:48 | 0:21:53 | |
It's this which allows business to prosper. | 0:21:53 | 0:21:56 | |
And the mob are an integral part of it. | 0:21:56 | 0:21:58 | |
Take Coco here - | 0:22:02 | 0:22:03 | |
a mobster who's semi-retired | 0:22:03 | 0:22:05 | |
but, in his day, was as big a fish as they come. | 0:22:05 | 0:22:10 | |
We make a demand. A demand - cash demand, | 0:22:10 | 0:22:13 | |
that if you're going to do this, you have to look after us. | 0:22:13 | 0:22:17 | |
Then we take care of you. | 0:22:17 | 0:22:20 | |
It's like "protection money", you call it. | 0:22:20 | 0:22:22 | |
Because they are under our guidance and our protection. | 0:22:22 | 0:22:26 | |
So we're basically providing them social service. | 0:22:26 | 0:22:31 | |
Is it? Right! | 0:22:31 | 0:22:32 | |
HE LAUGHS | 0:22:32 | 0:22:34 | |
If he doesn't pay up, | 0:22:34 | 0:22:36 | |
then we know what to do to him, or how to settle him, after that. | 0:22:36 | 0:22:40 | |
That's the important thing. | 0:22:40 | 0:22:41 | |
The mob's enterprise extends well beyond social welfare. | 0:22:41 | 0:22:46 | |
They've also branched out into utilities. | 0:22:46 | 0:22:50 | |
No-one wants to live in darkness. | 0:22:50 | 0:22:52 | |
This guy, he supplies electricity... | 0:22:52 | 0:22:55 | |
He tabs the government's line, | 0:22:55 | 0:22:57 | |
and he takes about 100 for fan, 50 for light... | 0:22:57 | 0:23:00 | |
..another hundred for TV. | 0:23:01 | 0:23:03 | |
At least 200, 300 apiece... one room. | 0:23:03 | 0:23:06 | |
So it's more than 300, 400 a house. | 0:23:06 | 0:23:09 | |
If he's got 600 houses, my God! | 0:23:09 | 0:23:12 | |
A few cops will come, | 0:23:12 | 0:23:14 | |
they take a little money. Corporation guy may come. | 0:23:14 | 0:23:17 | |
They take some money and they carry on. | 0:23:17 | 0:23:19 | |
They don't care a hoot about what you are doing. | 0:23:19 | 0:23:22 | |
As long as my hands are greased, my palms are greased, | 0:23:22 | 0:23:26 | |
I don't care what you are doing. It's like that. | 0:23:26 | 0:23:29 | |
Johora's bottles are ready for delivery | 0:23:38 | 0:23:41 | |
and, with the gangsters on her back, she needs the income more than ever. | 0:23:41 | 0:23:45 | |
All she requires is a man with a van. | 0:23:45 | 0:23:48 | |
As ever, she keeps it in the family by using her son-in-law... | 0:23:48 | 0:23:52 | |
..but reliability isn't one of his strong points. | 0:23:54 | 0:23:58 | |
HORN BEEPS | 0:24:01 | 0:24:03 | |
Johora's come a long way | 0:24:15 | 0:24:16 | |
since she started working for Hanan as a young girl of 12. | 0:24:16 | 0:24:19 | |
He was married with two kids | 0:24:19 | 0:24:21 | |
but it wasn't long before he succumbed to her adolescent charms. | 0:24:21 | 0:24:25 | |
Johora's son-in-law, Tinku, | 0:25:43 | 0:25:46 | |
finally turns up, hours late. | 0:25:46 | 0:25:48 | |
But he's not fussed. He holds the key contacts Johora needs. | 0:25:51 | 0:25:55 | |
When Johora began specialising in plastic bottles, | 0:26:14 | 0:26:17 | |
she quickly married one of her daughters to Tinku, | 0:26:17 | 0:26:21 | |
craftily bagging both his van and his bottle industry connections. | 0:26:21 | 0:26:24 | |
But working with your mother-in-law isn't always easy. | 0:26:24 | 0:26:28 | |
Tinku's certainly useful, for now. | 0:26:49 | 0:26:52 | |
But Johora has an idea for tackling her new cash flow demands | 0:26:53 | 0:26:56 | |
that he may not be so happy about. | 0:26:56 | 0:26:59 | |
Kanhaialal, the shipbreaker, has been given a rare afternoon off. | 0:27:11 | 0:27:17 | |
His job may be dangerous, but the extra pay for such work | 0:27:17 | 0:27:20 | |
provides a better life for his family. | 0:27:20 | 0:27:22 | |
He spends almost half his income on renting a family apartment, | 0:27:22 | 0:27:26 | |
here in the suburbs of Mumbai. | 0:27:26 | 0:27:28 | |
Half of what is left of his earnings | 0:27:43 | 0:27:45 | |
are spent on sending his three daughters to school. | 0:27:45 | 0:27:49 | |
But it not's just Kanhaialal's pay that worries Radha. | 0:28:40 | 0:28:44 | |
Kanhaialal's dangerous job is a calculated gamble | 0:29:10 | 0:29:13 | |
against his daughters' future. | 0:29:13 | 0:29:15 | |
PHONE RINGS | 0:29:56 | 0:29:57 | |
It's Kanhaialal's boss... | 0:30:03 | 0:30:05 | |
with the call that every employee dreads. | 0:30:05 | 0:30:08 | |
The job that Kanhaialal's been doing for the last three months | 0:30:24 | 0:30:28 | |
is no longer his. | 0:30:28 | 0:30:29 | |
It's true, we Indians don't have any of your unemployment benefits, | 0:31:02 | 0:31:07 | |
but search the city, and you'll find there is always work available... | 0:31:07 | 0:31:11 | |
..if you want it badly enough. | 0:31:12 | 0:31:15 | |
The conditions at Ashique's fat- rendering factory are getting worse. | 0:31:15 | 0:31:19 | |
With over 100 kilos of fat still to process, | 0:31:19 | 0:31:23 | |
his stock's in danger of rotting. | 0:31:23 | 0:31:25 | |
And today of all days, there's no sign of his workers. | 0:31:25 | 0:31:28 | |
MUSIC: "Summertime" by George Gershwin | 0:31:28 | 0:31:30 | |
Ashique is resorting to rounding them up himself. | 0:31:34 | 0:31:38 | |
Ashique faces competition | 0:32:27 | 0:32:28 | |
in recruiting staff from other "fragrant operations", | 0:32:28 | 0:32:32 | |
such as the one using the cramped space of his workshop's veranda. | 0:32:32 | 0:32:36 | |
Cow's intestine from the abattoir is given a thorough cleaning, | 0:32:43 | 0:32:46 | |
before being carefully inflated. | 0:32:46 | 0:32:48 | |
Once dried, it may well be headed your way via the international | 0:32:58 | 0:33:01 | |
sausage casing market. | 0:33:01 | 0:33:04 | |
One of our best customers are the Germans, | 0:33:04 | 0:33:06 | |
who import 2,000 tonnes of our animal guts and bladders a year. | 0:33:06 | 0:33:13 | |
Ashique's day is going from bad to worse. | 0:33:16 | 0:33:20 | |
Not only is he short-staffed | 0:33:20 | 0:33:22 | |
but the rows of cow's intestine is limiting space | 0:33:22 | 0:33:25 | |
to deal with his fat mountain. | 0:33:25 | 0:33:26 | |
By mid morning, a new kind of opportunist has moved in. | 0:33:26 | 0:33:32 | |
It's the local heavies asking Ashiq to clean up or move out. | 0:34:19 | 0:34:25 | |
When you're working off the books, there's no point turning to | 0:34:25 | 0:34:27 | |
the official legal system for help in disputes. | 0:34:27 | 0:34:31 | |
Instead, most turn to these guys, the local political bosses. | 0:34:31 | 0:34:36 | |
We might be out of sight of tax collectors and the law, | 0:35:21 | 0:35:24 | |
but there are still some things we have to play along with, | 0:35:24 | 0:35:27 | |
if we want to get ahead. | 0:35:27 | 0:35:29 | |
Johora's still feeling the pressure | 0:35:32 | 0:35:35 | |
of the increased monthly protection payments a fortnight on. | 0:35:35 | 0:35:39 | |
It's time to deploy her new idea. | 0:35:39 | 0:35:41 | |
She's used her brother-in-law's bank account to take out a big loan. | 0:35:46 | 0:35:49 | |
A VERY big loan. | 0:35:49 | 0:35:51 | |
She's bought herself a van. | 0:35:51 | 0:35:53 | |
But her purchase is already creating issues. | 0:36:14 | 0:36:17 | |
Her son-in-law, Tinku, who has always provided her transport, | 0:36:17 | 0:36:22 | |
now stands to lose out. | 0:36:22 | 0:36:24 | |
Despite Tinku's protests, | 0:37:41 | 0:37:43 | |
the new van is modified and is now ready for service. | 0:37:43 | 0:37:47 | |
Johora can't resist a celebratory lap. | 0:37:49 | 0:37:52 | |
She's even bought a new dress for the occasion. | 0:37:52 | 0:37:55 | |
HORN BEEPS | 0:37:55 | 0:37:58 | |
A stop at the local shrine ensures | 0:37:58 | 0:38:00 | |
spiritual support for the venture - | 0:38:00 | 0:38:04 | |
a kind of "holy vehicle warranty plan". | 0:38:04 | 0:38:06 | |
It's 4AM, and Johora's wasting no time putting her plan into action. | 0:38:14 | 0:38:18 | |
The more she can squeeze on, the bigger her profits. | 0:38:20 | 0:38:24 | |
But before that, she wants to ensure first impressions count. | 0:38:34 | 0:38:38 | |
Johora and Hanan are no longer simply bottle sorters, | 0:38:50 | 0:38:53 | |
they're wholesalers in their own right. | 0:38:53 | 0:38:57 | |
SHE LAUGHS | 0:38:57 | 0:38:59 | |
But their promotion brings a new pressure. | 0:39:16 | 0:39:18 | |
They must shift their bottles for at least 42 rupees a kilo | 0:39:18 | 0:39:22 | |
to cover the loan for the van. | 0:39:22 | 0:39:25 | |
The trouble is, we've become so efficient at recycling | 0:39:44 | 0:39:47 | |
plastic bottles in India that there aren't always enough to go round. | 0:39:47 | 0:39:51 | |
So we've started importing from overseas | 0:39:51 | 0:39:55 | |
and a shipment earlier this week has depressed prices. | 0:39:55 | 0:39:59 | |
Leaving Hanan to close the deal, | 0:40:21 | 0:40:22 | |
Johora sneaks off to do some industrial espionage. | 0:40:22 | 0:40:25 | |
So far, so familiar, but a piece of machinery catches her eye. | 0:40:31 | 0:40:36 | |
The flakes spat out by this shredder fetch 45 rupees a kilo, | 0:40:41 | 0:40:45 | |
seven more than the current rate for bottles. | 0:40:45 | 0:40:49 | |
It's sold on to manufacturers of polysynthetic fibre, | 0:40:49 | 0:40:52 | |
who in turn supply the world with everything from polar fleeces | 0:40:52 | 0:40:56 | |
to stuffing for your sofa cushions. | 0:40:56 | 0:40:59 | |
While Hanan is being knocked down even further, | 0:41:06 | 0:41:09 | |
Johora has snuck a glimpse of the future. | 0:41:09 | 0:41:12 | |
Their first direct deal is done | 0:41:21 | 0:41:25 | |
and the price is still better | 0:41:25 | 0:41:27 | |
than they would have got through their son-in-law. | 0:41:27 | 0:41:30 | |
Johora's got to play the long game | 0:41:39 | 0:41:42 | |
if she wants to grow her enterprise into the business of her dreams. | 0:41:42 | 0:41:45 | |
But for now, at least, | 0:41:45 | 0:41:47 | |
the protection gangsters can be paid off. | 0:41:47 | 0:41:50 | |
Down at Darukhana shipyard, | 0:42:01 | 0:42:03 | |
it's Kanhaialal's second day without any work. | 0:42:03 | 0:42:05 | |
Early next morning, Kanhaialal goes to meet | 0:42:57 | 0:43:00 | |
his fellow ship breakers before they start work. | 0:43:00 | 0:43:04 | |
The good news is there's rumour of a new arrival in the yards. | 0:43:37 | 0:43:41 | |
It's a promising lead but Kanhaialal's late | 0:44:03 | 0:44:06 | |
for today's round of hiring. | 0:44:06 | 0:44:08 | |
Kanhaialal has only one chance to secure the job his family needs. | 0:44:35 | 0:44:40 | |
But his new boss is notoriously difficult to please. | 0:44:50 | 0:44:54 | |
The news is good. | 0:45:34 | 0:45:36 | |
And the payment is just the start of it. | 0:45:43 | 0:45:46 | |
Guaranteed wages for three whole months. | 0:45:53 | 0:45:56 | |
It's as good as Kanhaialal could dare hope for. | 0:45:56 | 0:45:59 | |
His home and daughter's education are safe...for now. | 0:45:59 | 0:46:04 | |
MUSIC: "Jan Pechachan Ho" by Mohammed Rafi | 0:46:05 | 0:46:08 | |
CAR HORNS BEEP | 0:46:08 | 0:46:09 | |
You can probably tell, | 0:46:13 | 0:46:15 | |
we're a pragmatic lot. | 0:46:15 | 0:46:18 | |
Making money is our top priority. | 0:46:22 | 0:46:25 | |
But it doesn't mean we don't know how to have fun. | 0:46:25 | 0:46:29 | |
Next week is the Islamic festival of Eid-al-Adha. | 0:46:29 | 0:46:33 | |
For Kolkata's large Muslim population, | 0:46:33 | 0:46:35 | |
it's time to push the boat out. | 0:46:35 | 0:46:37 | |
Every family that can will spend a small fortune on a sacrificial animal. | 0:46:40 | 0:46:45 | |
For a few short days, one of these is every kid's must-have accessory... | 0:46:45 | 0:46:50 | |
..and you think Christmas is expensive! | 0:46:52 | 0:46:55 | |
Business is booming with Johora's new van, | 0:47:04 | 0:47:06 | |
and she's made her youngest son, Naushad, a promise. | 0:47:06 | 0:47:09 | |
This year, if he behaves, the family cow will be his to look after. | 0:47:09 | 0:47:13 | |
Hanan has decided to head for an out-of-town mega market. | 0:48:52 | 0:48:56 | |
It's got the best seasonal deals to suit every pocket, | 0:49:02 | 0:49:05 | |
from scrawny yearlings to the fully grown and carefully groomed. | 0:49:05 | 0:49:09 | |
Hanan's teaching Naushad how to cut a deal, | 0:49:18 | 0:49:20 | |
and traders don't come any sharper than these wily cattle hustlers. | 0:49:20 | 0:49:25 | |
Nothing seems to be up to Naushad's mark, | 0:49:37 | 0:49:41 | |
and the choice is dwindling fast. | 0:49:41 | 0:49:43 | |
Naushad spots the cow of his dreams. | 0:49:51 | 0:49:54 | |
The biggest item of festival shopping is in the bag. | 0:50:40 | 0:50:43 | |
MUSIC: "Mera Naam Chin Chin Chu" by Geeta Dutt | 0:50:43 | 0:50:46 | |
Naushad can't wait to show off his new toy | 0:50:49 | 0:50:52 | |
with a spin round the block. | 0:50:52 | 0:50:55 | |
And he's not the only one. | 0:50:55 | 0:50:57 | |
If you really want to impress the neighbours, | 0:51:01 | 0:51:04 | |
there's nothing like rolling up with a brand-new camel. | 0:51:04 | 0:51:07 | |
Johora's two daughters are back from their religious boarding school for the festival. | 0:51:26 | 0:51:30 | |
They've been away for two whole months. | 0:51:34 | 0:51:36 | |
Even Ashique's taking time out from his fat rendering to be with his family. | 0:51:47 | 0:51:51 | |
Top on both his daughter and his wife's list is some make-up. | 0:52:03 | 0:52:08 | |
These are the very products that may contain his fat. | 0:52:13 | 0:52:18 | |
The tally is mounting fast. | 0:52:30 | 0:52:33 | |
MUSIC: "Photo Rakh Ke" by Bups Saggu | 0:52:50 | 0:52:56 | |
It's the morning of the festival. | 0:52:56 | 0:52:59 | |
Johora must feed the entire extended family | 0:52:59 | 0:53:02 | |
for the biggest gathering of the year. | 0:53:02 | 0:53:05 | |
The business is going well and the gangsters are off her back. | 0:53:07 | 0:53:11 | |
But there's one remaining problem - | 0:53:11 | 0:53:13 | |
the rift over the new van with her son-in-law, Tinku. | 0:53:13 | 0:53:18 | |
Today is her opportunity to resolve it. | 0:53:20 | 0:53:23 | |
At the heart of the family's festival is Naushad's new companion. | 0:53:32 | 0:53:37 | |
But the slaughter of his cow is the day's central moment. | 0:53:39 | 0:53:42 | |
It marks Prophet Ibrahim's willingness | 0:53:42 | 0:53:46 | |
to sacrifice his son as proof of his devotion to God. | 0:53:46 | 0:53:49 | |
The sight of all this fresh meat | 0:54:10 | 0:54:12 | |
is reminds the men of the house that they are able to cook, after all. | 0:54:12 | 0:54:17 | |
Shabnam is married to Tinku, Johora's estranged business partner. | 0:54:53 | 0:54:59 | |
The feast is ready and there's still no sign of Tinku and Shabnam. | 0:55:20 | 0:55:25 | |
Keen not to let the whole day be spoilt, Johora dishes up. | 0:55:25 | 0:55:30 | |
But Johora's festival isn't complete. | 0:55:52 | 0:55:56 | |
At last, the family's together for the final celebrations. | 0:56:13 | 0:56:17 | |
There's nothing like the promise of a new baby | 0:56:59 | 0:57:02 | |
to patch up family relations. | 0:57:02 | 0:57:04 | |
Tinku's so happy he even offers to buy a round of ice creams. | 0:57:15 | 0:57:21 | |
The festival's been a huge success. | 0:57:30 | 0:57:33 | |
The family's back together and have held a feast to be proud of. | 0:57:34 | 0:57:38 | |
And looking ahead, there are big plans for the business. | 0:57:39 | 0:57:44 | |
Things for Johora and family are certainly looking up. | 0:57:44 | 0:57:49 | |
HE LAUGHS | 0:57:50 | 0:57:53 | |
MUSIC: "Streets Of Calcutta" by Ananda Shankar | 0:57:53 | 0:57:58 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:19 |