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In 1996, BBC Northern Ireland broadcast A Woman In Twelve. | 0:00:02 | 0:00:06 | |
It told the story of Deirdre Kee, | 0:00:09 | 0:00:11 | |
who faced a diagnosis of breast cancer. | 0:00:11 | 0:00:13 | |
Long time, no see. | 0:00:13 | 0:00:15 | |
I asked you last week if you would consider doing a double mastectomy, | 0:00:15 | 0:00:19 | |
and I'm more convinced of that today than I was back then. | 0:00:19 | 0:00:23 | |
Deirdre had both breasts removed, | 0:00:24 | 0:00:27 | |
but the cancer came back | 0:00:29 | 0:00:30 | |
and viewers watched Deirdre cope with the devastating results. | 0:00:30 | 0:00:34 | |
Deirdre's programmes, very much | 0:00:42 | 0:00:45 | |
brought cancer and cancer treatment | 0:00:45 | 0:00:47 | |
a step further into the public consciousness. | 0:00:47 | 0:00:49 | |
People said, I know what I'm going to have here, | 0:00:49 | 0:00:52 | |
because I've seen what happened to Deirdre Kee. | 0:00:52 | 0:00:54 | |
It' just to... | 0:00:54 | 0:00:55 | |
drop this down... actually, I'm comfortable dropping it all down, | 0:00:55 | 0:00:59 | |
if you people are. | 0:00:59 | 0:01:00 | |
She obviously had a really good relationship with the camera crew, | 0:01:00 | 0:01:03 | |
but to actually expose and show the scarring - | 0:01:03 | 0:01:06 | |
I thought that was quite brave to do that. | 0:01:06 | 0:01:08 | |
She really felt herself a partner in this programme, | 0:01:11 | 0:01:16 | |
not just a contributor. | 0:01:16 | 0:01:17 | |
Deirdre Kee continued filming with the BBC for a second programme, | 0:01:19 | 0:01:23 | |
right up until her death in 1998. | 0:01:23 | 0:01:25 | |
If Deirdre were diagnosed nowadays, | 0:01:29 | 0:01:32 | |
the chance of doing well would be higher. | 0:01:32 | 0:01:34 | |
She might still be someone who would die of her disease, | 0:01:34 | 0:01:37 | |
but the chance of doing well would clearly be better. | 0:01:37 | 0:01:39 | |
Now we revisit both these programmes, | 0:01:39 | 0:01:42 | |
speak to those who took part in them to find out, | 0:01:42 | 0:01:46 | |
when the cameras left, what happened next. | 0:01:46 | 0:01:48 | |
Those of you who know me will not be the least bit surprised that | 0:02:09 | 0:02:11 | |
I should speak at my own funeral, | 0:02:11 | 0:02:14 | |
but someone much wiser than I once said | 0:02:14 | 0:02:17 | |
that if you want a job done properly, you should do-it-yourself. | 0:02:17 | 0:02:20 | |
And besides, it gives me the opportunity to have the last word. | 0:02:20 | 0:02:24 | |
For those of you who are exercising constraint | 0:02:24 | 0:02:27 | |
and keeping a stiff upper lip in the mistaken belief that | 0:02:27 | 0:02:30 | |
I wouldn't want you to cry, then please cut it out and let it rip. | 0:02:30 | 0:02:33 | |
But the tears are not to be tears of sadness, | 0:02:33 | 0:02:35 | |
but rather they should be tears of joy and celebration. | 0:02:35 | 0:02:39 | |
In the summer of 1995, | 0:02:39 | 0:02:41 | |
Deirdre Kee - a part-time teacher in her early 40s - | 0:02:41 | 0:02:45 | |
contacted the BBC. | 0:02:45 | 0:02:47 | |
She was about to undergo treatment for breast cancer, | 0:02:47 | 0:02:50 | |
and offered to let a director film her experience. | 0:02:50 | 0:02:53 | |
It was a brave, bold and generous offer, | 0:02:53 | 0:02:58 | |
typical of Deirdre. | 0:02:58 | 0:02:59 | |
My head very clearly says what needs to be done | 0:03:02 | 0:03:05 | |
and I'm practical and sensible | 0:03:05 | 0:03:07 | |
and, you know, deal with things that need to be done, | 0:03:07 | 0:03:10 | |
in a very methodical manner | 0:03:10 | 0:03:12 | |
and so my head has very clearly got the message. | 0:03:12 | 0:03:15 | |
Her youngest sister, Brona, who took part in the filming, no longer | 0:03:22 | 0:03:27 | |
lives in Belfast, but 3,000 miles away in Oman, | 0:03:27 | 0:03:31 | |
in the Middle East. | 0:03:31 | 0:03:33 | |
So this is the rooftop. | 0:03:35 | 0:03:37 | |
When we do have visitors, we tend to bring our sunbeds up here | 0:03:37 | 0:03:41 | |
and umbrellas and a few plants to make it a little bit more | 0:03:41 | 0:03:44 | |
exotic... tropical! | 0:03:44 | 0:03:46 | |
As you can see we have the mountain range | 0:03:46 | 0:03:48 | |
here at the back, which is the beauty of Oman. | 0:03:48 | 0:03:51 | |
You get a bit of both. | 0:03:51 | 0:03:52 | |
If you look over there, we have the sea view, which is lovely, | 0:03:52 | 0:03:56 | |
and that's the beach that we would go down to and utilise. | 0:03:56 | 0:04:00 | |
I was around for a lot of the filming, | 0:04:03 | 0:04:05 | |
and you see a lot of shots of me in the background. | 0:04:05 | 0:04:08 | |
This was 15 years ago and reality TV was not, sort of, the in-thing. | 0:04:08 | 0:04:12 | |
So for her to do what she did | 0:04:12 | 0:04:15 | |
was fairly groundbreaking, I think. | 0:04:15 | 0:04:18 | |
It's not a very good quality one. | 0:04:20 | 0:04:23 | |
'87-ish, because I was in London | 0:04:26 | 0:04:29 | |
and Deirdre was in Laceys - | 0:04:29 | 0:04:33 | |
the restaurant she owned. | 0:04:33 | 0:04:35 | |
When I was growing up, Deirdre had left. | 0:04:35 | 0:04:37 | |
She went to college, and then she went off to the States. | 0:04:37 | 0:04:40 | |
I went to visit her when I was 15. | 0:04:40 | 0:04:42 | |
I didn't know her that well, | 0:04:42 | 0:04:44 | |
so we spent a summer together in the States, which was lovely, | 0:04:44 | 0:04:48 | |
and then, when she came back, she opened the Harvey restaurant. | 0:04:48 | 0:04:51 | |
She worked there as manager, and I went in as a member of staff, | 0:04:51 | 0:04:54 | |
so we worked closely then. Our relationship developed from there. | 0:04:54 | 0:04:58 | |
She was very supportive of me, of anything I wanted to do. | 0:04:58 | 0:05:01 | |
I started up the aerobic business, | 0:05:01 | 0:05:03 | |
and she came to all the classes, | 0:05:03 | 0:05:05 | |
regardless of whether she was the only one in the class. | 0:05:05 | 0:05:08 | |
-What's your date of birth, please? -2-5-54. | 0:05:09 | 0:05:13 | |
-Do you have any religious denomination? -No. | 0:05:13 | 0:05:15 | |
-Marital status? -Single. | 0:05:15 | 0:05:18 | |
The really unusual thing about Deirdre Kee | 0:05:18 | 0:05:22 | |
was that she came to us, | 0:05:22 | 0:05:24 | |
and that virtually never happens | 0:05:24 | 0:05:26 | |
with key contributors for programmes. | 0:05:26 | 0:05:28 | |
That was just the beginning of what turned out to be two programmes | 0:05:28 | 0:05:32 | |
over the course of more than two years, which were, | 0:05:32 | 0:05:37 | |
in many ways, among the easiest programmes I ever made. | 0:05:37 | 0:05:40 | |
And it was partly because Deirdre was such a willing contributor. | 0:05:40 | 0:05:45 | |
The decision I made last week still stands. | 0:05:45 | 0:05:48 | |
So you want to go ahead and have the mastectomy operation tomorrow? | 0:05:48 | 0:05:50 | |
That's right. | 0:05:50 | 0:05:52 | |
Deirdre was very much into the media most of her adult life. | 0:05:52 | 0:05:55 | |
She taught media in college and she was very fascinated by it, | 0:05:55 | 0:05:59 | |
so it was a natural progression for her to do that. | 0:05:59 | 0:06:01 | |
Bilateral mastectomy just means | 0:06:01 | 0:06:03 | |
-removing both breasts, either side... -That's right. | 0:06:03 | 0:06:06 | |
..and that's today's date. | 0:06:06 | 0:06:08 | |
She was a very assertive person. There's no doubt about that. | 0:06:08 | 0:06:11 | |
And highly opinionated. | 0:06:11 | 0:06:12 | |
She knew what she wanted, she knew what she wanted to say, | 0:06:12 | 0:06:16 | |
the message she wanted to get across. | 0:06:16 | 0:06:18 | |
I would be a fool to even try to bluff my way on this one. | 0:06:19 | 0:06:23 | |
In my very weak moments, | 0:06:23 | 0:06:25 | |
like anyone who's vulnerable, yes, I am afraid. | 0:06:25 | 0:06:27 | |
I'm afraid of what it's going to do to me, | 0:06:29 | 0:06:31 | |
and I'm not talking about the physical, cosmetic imagery stuff. | 0:06:31 | 0:06:34 | |
I'm not talking about that. | 0:06:34 | 0:06:37 | |
This is one of those life-changing experiences | 0:06:37 | 0:06:41 | |
and I'm aware of it and I have absolute trust that | 0:06:41 | 0:06:44 | |
whichever way it goes and however I change, | 0:06:44 | 0:06:46 | |
the changes will all be appropriate | 0:06:46 | 0:06:48 | |
and I'll be a better person for it. | 0:06:48 | 0:06:51 | |
I think what she wanted to do initially, was to see if a programme | 0:06:55 | 0:07:00 | |
could be made that followed her through her cancer treatment | 0:07:00 | 0:07:05 | |
and to show people that this wasn't really anything | 0:07:05 | 0:07:08 | |
to be too frightened about. | 0:07:08 | 0:07:10 | |
That if you took the right attitude, | 0:07:10 | 0:07:12 | |
and you lived the right kind of lifestyle, | 0:07:12 | 0:07:15 | |
that you could beat this. | 0:07:15 | 0:07:17 | |
And I think that's what her original motivation was. | 0:07:17 | 0:07:20 | |
Can I see my size 38 A bra, please? | 0:07:20 | 0:07:23 | |
-I can't believe this, Dee. -No, I mean... | 0:07:23 | 0:07:27 | |
It's like the fisherman, you know... a likely tale! | 0:07:27 | 0:07:30 | |
I was this big! | 0:07:30 | 0:07:32 | |
There was a scene in the first programme, | 0:07:32 | 0:07:34 | |
where she was sat on the bed with a mastectomy bra, | 0:07:34 | 0:07:37 | |
and having a laugh with male and female friends who were | 0:07:37 | 0:07:41 | |
visiting at the time, and that's how she dealt with it. | 0:07:41 | 0:07:43 | |
She turned it around, she addressed it and saw the funny side of it. | 0:07:43 | 0:07:48 | |
I always thought Jane Fonda looked very painful, up there. | 0:07:48 | 0:07:51 | |
She always looked... you know, you can probably tell | 0:07:51 | 0:07:53 | |
because they're too perfect. | 0:07:53 | 0:07:55 | |
Why are we getting into this? | 0:07:55 | 0:07:56 | |
We've discussed in general, that chemotherapy is an appropriate | 0:08:00 | 0:08:03 | |
thing to consider in someone in your age group. | 0:08:03 | 0:08:06 | |
-OK. -OK? | 0:08:06 | 0:08:08 | |
The pattern of chemotherapy I would suggest, is giving you | 0:08:08 | 0:08:11 | |
a combination of two particular drugs. | 0:08:11 | 0:08:14 | |
Quite often, the biggest concern they have | 0:08:14 | 0:08:16 | |
is that they might lose their hair. | 0:08:16 | 0:08:18 | |
The type of chemotherapy Deirdre had, | 0:08:18 | 0:08:20 | |
she was virtually certain to lose her hair | 0:08:20 | 0:08:22 | |
and we told her about that before she started chemotherapy. | 0:08:22 | 0:08:26 | |
She knew in her head that was coming. | 0:08:26 | 0:08:28 | |
It's still a terrible blow when it happens. | 0:08:28 | 0:08:30 | |
It's feeling sticky and tight | 0:08:33 | 0:08:36 | |
and a nuisance, | 0:08:36 | 0:08:37 | |
and so today, I've decided I'm going to wash it. | 0:08:37 | 0:08:40 | |
She rang me up and said, | 0:08:41 | 0:08:43 | |
"We're at the stage now where my hair is | 0:08:43 | 0:08:46 | |
"going to fall out soon." | 0:08:46 | 0:08:48 | |
It was a Sunday and I didn't have a crew available, | 0:08:48 | 0:08:53 | |
and I just said to her, "Don't wash your hair. | 0:08:53 | 0:08:56 | |
"Don't wash your hair for a day or two, until I can get a crew." | 0:08:56 | 0:08:59 | |
And she said, "That's fine." | 0:08:59 | 0:09:01 | |
TREMBLING SIGH | 0:09:02 | 0:09:05 | |
She had a very small bathroom, and the cameraman had to set | 0:09:30 | 0:09:32 | |
up his camera in the bath, and we rehearsed the way she'd do it, | 0:09:32 | 0:09:36 | |
but, you know, you sometimes need to do that to get things properly, | 0:09:36 | 0:09:41 | |
and you know, in the end, that sequence was very, very powerful. | 0:09:41 | 0:09:44 | |
SNIFFING BACK TEARS | 0:09:44 | 0:09:46 | |
It's actually | 0:09:46 | 0:09:48 | |
a better shape than I thought it was going to be. | 0:09:48 | 0:09:51 | |
It's still hard to... | 0:09:53 | 0:09:54 | |
Oh, yeah, it's flaky. | 0:09:56 | 0:09:58 | |
This is where the department store or the organisation of the company... | 0:10:02 | 0:10:06 | |
The documentary followed Deirdre's treatment | 0:10:06 | 0:10:09 | |
and her return to work for several more months. | 0:10:09 | 0:10:12 | |
Broadcast in December 1986, the programme ended on a note of hope. | 0:10:12 | 0:10:19 | |
I feel great up here. | 0:10:19 | 0:10:21 | |
I know I look great, you know. | 0:10:21 | 0:10:24 | |
There's no real damage done. | 0:10:24 | 0:10:26 | |
So we'll give that some thought. But as I said, it's in the future, | 0:10:26 | 0:10:30 | |
so I don't want to think about it at the moment. | 0:10:30 | 0:10:32 | |
Right now it's Christmas, it's my favourite time of the year. | 0:10:32 | 0:10:35 | |
I want to think about getting ready for Christmas and enjoying it | 0:10:35 | 0:10:39 | |
and looking forward to 1997. | 0:10:39 | 0:10:41 | |
Reaction to the programme was universally positive. | 0:10:45 | 0:10:48 | |
Individual viewers, cancer charities | 0:10:48 | 0:10:51 | |
and the press all praised Deirdre Kee's immense courage. | 0:10:51 | 0:10:56 | |
One television reviewer wrote, | 0:10:56 | 0:10:58 | |
"She wasn't so much a Woman In Twelve as a woman in a million. | 0:10:58 | 0:11:03 | |
A lot of people were uplifted by seeing how Deirdre coped | 0:11:03 | 0:11:06 | |
with her illness. A lot of people came to me, saying, | 0:11:06 | 0:11:09 | |
"I know about chemotherapy, I've seen that programme." | 0:11:09 | 0:11:11 | |
A lot said, "I know a bit about you, I've seen you in that programme." | 0:11:11 | 0:11:15 | |
And that's also quite often reassuring for patients. | 0:11:15 | 0:11:18 | |
People believe that if you're on television, you must be good. | 0:11:18 | 0:11:21 | |
That programme was nominated | 0:11:21 | 0:11:24 | |
for a Royal Television Society documentary award, | 0:11:24 | 0:11:27 | |
a national award. | 0:11:27 | 0:11:29 | |
And we went over to London, Deidre and I, | 0:11:29 | 0:11:32 | |
and a couple of other people who were involved in the production, | 0:11:32 | 0:11:35 | |
and all the way through the evening as it was building up | 0:11:35 | 0:11:38 | |
to the presentation of that award, and we were just nominated, | 0:11:38 | 0:11:42 | |
Deidre just kept saying, you know, "What are you worried about, Bruce? | 0:11:42 | 0:11:47 | |
"We're going to win this. We're going to win this." | 0:11:47 | 0:11:49 | |
I said, "Well, there are other good programmes here too." | 0:11:49 | 0:11:52 | |
"I'm telling you, there's absolutely no doubt we're going to..." | 0:11:52 | 0:11:55 | |
And that's just the way she was. And of course, we did. | 0:11:55 | 0:11:58 | |
And she said, "I told you." | 0:11:58 | 0:11:59 | |
Deidre Kee was now more and more in the public eye. | 0:12:04 | 0:12:07 | |
She was named Wonder Woman Of The Year, | 0:12:09 | 0:12:12 | |
and relished her prize at a health farm. | 0:12:12 | 0:12:14 | |
Good health seemed assured. | 0:12:18 | 0:12:20 | |
For me, it's really just all about R and R, resting and relaxing. | 0:12:20 | 0:12:24 | |
Focusing on yourself and taking care of yourself. | 0:12:24 | 0:12:27 | |
We kept in touch. | 0:12:28 | 0:12:29 | |
I saw her from time to time, and she was doing really well. | 0:12:29 | 0:12:32 | |
And then she just got in touch one day and said, "It's back." | 0:12:32 | 0:12:36 | |
We thought, "Let's just carry on filming and see what happens." | 0:12:42 | 0:12:46 | |
The first programme was very much a practical journey. | 0:12:48 | 0:12:51 | |
She stepped up to the plate and she knew she had to deal with something | 0:12:51 | 0:12:54 | |
and she dealt with it, and that was obvious in the first programme. | 0:12:54 | 0:12:57 | |
INSTRUCTOR: Step right. Both arms down. | 0:12:59 | 0:13:03 | |
The second programme moved through to the spiritual journey | 0:13:03 | 0:13:07 | |
that she probably didn't realise that she was going to embark on. | 0:13:07 | 0:13:10 | |
-It was just the way it happened. -INSTRUCTOR: Right hand down. | 0:13:10 | 0:13:13 | |
One of the key sequences in programme two | 0:13:13 | 0:13:16 | |
was when Deirdre had to visit the hospital for a further consultation | 0:13:16 | 0:13:23 | |
with Seamus McAleer. | 0:13:23 | 0:13:24 | |
Oh, my goodness... | 0:13:24 | 0:13:26 | |
We were made fairly aware in advance | 0:13:26 | 0:13:29 | |
that Deirdre was going to be getting some pretty difficult news that day. | 0:13:29 | 0:13:35 | |
How are you keeping? | 0:13:36 | 0:13:37 | |
Well... Just hurry up, Seamus. | 0:13:37 | 0:13:40 | |
She said, "Look, when I get the scan, I want you to talk to me about the result on TV." | 0:13:40 | 0:13:45 | |
And I said to her, "You know, we could do it twice. | 0:13:45 | 0:13:47 | |
"Tell you for real, and then tell you later on TV for the cameras." | 0:13:47 | 0:13:52 | |
And she said, "No. I want the real thing." | 0:13:52 | 0:13:54 | |
You had the MRI of liver done. | 0:13:54 | 0:13:56 | |
I have spoken with Dr Foster, | 0:13:56 | 0:13:58 | |
and he is quite certain that there's been a change in the liver, | 0:13:58 | 0:14:02 | |
that there's some disease present in the liver. | 0:14:02 | 0:14:04 | |
-OK. -SHE EXHALES HEAVILY | 0:14:04 | 0:14:07 | |
Now, it's not a great deal of change overall. | 0:14:07 | 0:14:10 | |
In other words, it'll act like normal liver there. | 0:14:10 | 0:14:12 | |
But you have areas is in the liver that do represent a spread | 0:14:12 | 0:14:16 | |
of breast disease. | 0:14:16 | 0:14:18 | |
I'm disappointed to be telling you that. I know you are... | 0:14:18 | 0:14:21 | |
'This is one of those moments | 0:14:21 | 0:14:23 | |
'that I'll never forget till my dying day.' | 0:14:23 | 0:14:26 | |
Even now just talking about it, | 0:14:26 | 0:14:28 | |
I can feel a shiver going down my spine. | 0:14:28 | 0:14:30 | |
To be in a consulting room | 0:14:32 | 0:14:36 | |
at the moment when a patient is largely being told | 0:14:36 | 0:14:41 | |
there's nothing more that can be done for them... | 0:14:41 | 0:14:44 | |
SEAMUS: I think it's very important... | 0:14:44 | 0:14:46 | |
'It was actually quite hard to concentrate' | 0:14:46 | 0:14:48 | |
on the filming side of it, because you were really caught up | 0:14:48 | 0:14:52 | |
in the emotion of the moment. | 0:14:52 | 0:14:53 | |
SHE BREATHES HEAVILY | 0:14:53 | 0:14:55 | |
I'm going to take treatment. I mean, there's no question about that. | 0:14:57 | 0:15:01 | |
If I... | 0:15:07 | 0:15:09 | |
If I take any treatment... | 0:15:09 | 0:15:10 | |
I mean, when I take treatment, I presume you're talking about eight more treatments | 0:15:10 | 0:15:14 | |
-or however many it's going to take. -Yes, uh-huh. | 0:15:14 | 0:15:18 | |
-It will improve my chances? -Quite definitely. | 0:15:18 | 0:15:21 | |
I would give you a different type of chemotherapy you haven't had before, | 0:15:21 | 0:15:24 | |
give you a drug called Taxotere, | 0:15:24 | 0:15:26 | |
-it's one of the relatively newer chemotherapy drugs. -OK. | 0:15:26 | 0:15:28 | |
A lot of people will tolerate that drug quite well. | 0:15:28 | 0:15:31 | |
By and large, it's fairly well tolerated. And for a certain proportion of people, | 0:15:31 | 0:15:35 | |
they will get a very definite response, | 0:15:35 | 0:15:37 | |
get things back under control | 0:15:37 | 0:15:39 | |
and, you know, get back to good general health | 0:15:39 | 0:15:42 | |
and can remain well for a further period of time. | 0:15:42 | 0:15:45 | |
Get back under control, does that mean... | 0:15:45 | 0:15:48 | |
I mean, are we talking remission? | 0:15:48 | 0:15:50 | |
What I would be hoping to do is to get the disease well shrunk down, | 0:15:50 | 0:15:54 | |
get it that it is shrunken down and stable and then see how things go. | 0:15:54 | 0:15:58 | |
And in that situation, if we do get a response to treatment, | 0:15:58 | 0:16:02 | |
that can remain at bay, | 0:16:02 | 0:16:04 | |
it can remain keeping you well for a good many number of months. | 0:16:04 | 0:16:09 | |
SHE SIGHS I don't want to hear that. | 0:16:15 | 0:16:17 | |
I'm not blaming you... | 0:16:17 | 0:16:19 | |
'You have to try and concentrate' | 0:16:19 | 0:16:21 | |
on what you were doing as a job, but it was quite difficult | 0:16:21 | 0:16:24 | |
because this was really, you know, just one of those... | 0:16:24 | 0:16:29 | |
you know, harrowing moments in anyone's career | 0:16:29 | 0:16:33 | |
that you really hope not to have to repeat. | 0:16:33 | 0:16:36 | |
There's a lot of questions I need to ask you, there's a lot of stuff I need to talk about, but... | 0:16:37 | 0:16:43 | |
-I just can't do it today. -That's OK. | 0:16:43 | 0:16:45 | |
You're welcome to come back and chat to me any time you want to. | 0:16:45 | 0:16:47 | |
We'll arrange that over the next few days. | 0:16:47 | 0:16:50 | |
I won't be starting you on any further treatment | 0:16:50 | 0:16:53 | |
until you're happy. | 0:16:53 | 0:16:54 | |
And then we packed up and we left, | 0:16:54 | 0:16:56 | |
and we were probably about 20 minutes or so, I suppose, | 0:16:56 | 0:16:59 | |
after Deirdre had left, and we walked out into the waiting room... | 0:16:59 | 0:17:03 | |
And there was Deidre sitting there. | 0:17:03 | 0:17:05 | |
I mean, we thought, you know, she was in bits when she left, | 0:17:05 | 0:17:08 | |
we thought she'd go straight home. | 0:17:08 | 0:17:10 | |
And there she was, sitting in the consulting room with her sister. | 0:17:10 | 0:17:13 | |
And I said, "I didn't expect you to still be here." | 0:17:13 | 0:17:15 | |
And she said, "I was just wondering if you might want to speak to me | 0:17:15 | 0:17:18 | |
"about, you know, anything else, based on what's just happened." | 0:17:18 | 0:17:24 | |
And I thought, you know, "After what's just happened to you, | 0:17:25 | 0:17:28 | |
"after the news you've just got, | 0:17:28 | 0:17:30 | |
"you're still thinking about what you can do that's best for the programme." | 0:17:30 | 0:17:35 | |
LIFT: Going down... | 0:17:38 | 0:17:39 | |
Breaking bad news is something that we teach medical students. | 0:17:44 | 0:17:47 | |
The scene what I informed Deidre about her diagnosis, | 0:17:49 | 0:17:52 | |
I am aware that that has been used in other places within Queen's, | 0:17:52 | 0:17:55 | |
where people have been told exactly how they should break bad news. | 0:17:55 | 0:18:00 | |
Whereas I can try this out on a lot of different people, | 0:18:00 | 0:18:02 | |
for the patient, you only tell them their bad news once. | 0:18:02 | 0:18:05 | |
And if you do it badly, you can devastate them. | 0:18:05 | 0:18:08 | |
CAR DOOR SLAMS | 0:18:10 | 0:18:12 | |
-SEAMUS ON TV: -The treatment is a kind of afterthought.... | 0:18:14 | 0:18:16 | |
'That sequence in the house with her making her lunch, | 0:18:17 | 0:18:21 | |
'we didn't do any more filming' | 0:18:21 | 0:18:22 | |
with her after that, because basically she went into hospital | 0:18:22 | 0:18:26 | |
very quickly after that. I mean, she just, you know, um... | 0:18:26 | 0:18:30 | |
deteriorated extremely rapidly. | 0:18:30 | 0:18:33 | |
MELANCHOLIC PIANO MUSIC | 0:18:33 | 0:18:36 | |
She phoned my sister the night she was sick... | 0:18:36 | 0:18:39 | |
..in the early hours of the morning and asked to come and pick her up and bring her to hospital. | 0:18:42 | 0:18:47 | |
The medical staff kept saying, "It's imminent." | 0:18:49 | 0:18:53 | |
So we called everybody to the room and she lasted another day, | 0:18:53 | 0:18:56 | |
and then another day. | 0:18:56 | 0:18:57 | |
I was speaking to Deidre this morning. | 0:19:01 | 0:19:03 | |
Sadly, although she is alert and I can talk to her and so on, | 0:19:03 | 0:19:07 | |
she is finding it difficult. | 0:19:07 | 0:19:10 | |
I think her condition is slowly getting worse. | 0:19:10 | 0:19:12 | |
'There's no way we were going to go into the hospital ward and' | 0:19:16 | 0:19:20 | |
try and get a few words with her when, as Seamus McAleer was saying, | 0:19:20 | 0:19:24 | |
she was really finding it quite difficult even to get her thoughts together and to get any words out. | 0:19:24 | 0:19:28 | |
And Deidre had to be fairly ill to be like that. | 0:19:28 | 0:19:31 | |
She seemed to wait until everybody had come in and said their bit to her. | 0:19:33 | 0:19:38 | |
And then we were all in the room, and she finally passed away. | 0:19:38 | 0:19:41 | |
Deidre had been a big part of my life for about two-and-a-half years, | 0:19:46 | 0:19:50 | |
and she was such a big character | 0:19:50 | 0:19:52 | |
that not having her about any more, you know, left quite a hole. | 0:19:52 | 0:19:57 | |
And, yeah, I was emotionally drained, I have to say. | 0:19:57 | 0:20:02 | |
Deidre died at the end of June, 1998. | 0:20:06 | 0:20:10 | |
The second programme was broadcast three months later, | 0:20:10 | 0:20:14 | |
the title taken from a line in her diary. | 0:20:14 | 0:20:16 | |
DISTANT CHANTING | 0:20:21 | 0:20:25 | |
Today Deidre's sister Brona has a well-established life in Muscat, | 0:20:27 | 0:20:32 | |
the capital of Oman. | 0:20:32 | 0:20:34 | |
But she hasn't entirely forgotten her roots. | 0:20:36 | 0:20:39 | |
I'm chairperson of the Irish Society, | 0:20:39 | 0:20:41 | |
and tonight is our St Patrick's Day Ball. | 0:20:41 | 0:20:44 | |
It's an annual event that is mainly for the Irish community, | 0:20:44 | 0:20:48 | |
but we have lots of friends, | 0:20:48 | 0:20:50 | |
so we're expecting about 330 people tonight. | 0:20:50 | 0:20:54 | |
It takes a lot of organisation in trying to pull a lot of things together, | 0:20:55 | 0:20:59 | |
because we try to get stuff over from Ireland. | 0:20:59 | 0:21:02 | |
We had an Irish community, | 0:21:02 | 0:21:04 | |
but wanted to try and make it a bit more official. | 0:21:04 | 0:21:06 | |
So I got the Irish community together, and we organised a logo, | 0:21:06 | 0:21:11 | |
and we put a committee together, and then I got the job | 0:21:11 | 0:21:16 | |
as chairperson by default, because, like my sister, I'm a bit gobby. | 0:21:16 | 0:21:20 | |
SHE LAUGHS | 0:21:20 | 0:21:22 | |
In Belfast, Seamus McAleer remains at the forefront | 0:21:24 | 0:21:27 | |
of cancer treatment. | 0:21:27 | 0:21:29 | |
He's widely regarded as Northern Ireland's top cancer specialist. | 0:21:29 | 0:21:33 | |
There's a brand-new, purpose-built cancer centre, | 0:21:33 | 0:21:36 | |
which we're sitting in today. | 0:21:36 | 0:21:38 | |
And that cancer centre makes it much easier to treat people. | 0:21:38 | 0:21:41 | |
We've got a massive big day patient facility now for giving chemotherapy as an out-patient. | 0:21:41 | 0:21:45 | |
In Deidre's time, a lot of chemo was in-patient. | 0:21:45 | 0:21:48 | |
It's virtually all out-patient now. | 0:21:48 | 0:21:49 | |
'In the time from I started with Deidre till now, | 0:21:52 | 0:21:55 | |
'we have very much formalised the role of oncology or cancer | 0:21:55 | 0:21:58 | |
'in the medical student curriculum.' | 0:21:58 | 0:22:00 | |
At screening, there showed up an abnormality... | 0:22:00 | 0:22:03 | |
'They all get a fortnight on oncology now. | 0:22:03 | 0:22:05 | |
'We have key things we want to teach them about cancer.' | 0:22:05 | 0:22:07 | |
There's a lot more they need to know | 0:22:07 | 0:22:09 | |
about managing patients who turn up with problems due to cancer | 0:22:09 | 0:22:12 | |
or, in fact, due to its treatment. | 0:22:12 | 0:22:14 | |
Whenever we look at women, and ask what cancers might they get, | 0:22:14 | 0:22:19 | |
by far and away the most common substantial cancer is to get breast cancer. | 0:22:19 | 0:22:22 | |
Nowadays, we think about one women in nine will get breast cancer, | 0:22:22 | 0:22:26 | |
and that's gone up every decade for the last while. | 0:22:26 | 0:22:29 | |
It's becoming more common as the years go on. | 0:22:29 | 0:22:32 | |
The benefit for the new drugs | 0:22:33 | 0:22:35 | |
and for all the things we have done in breast cancer | 0:22:35 | 0:22:38 | |
is a real improvement in the outcomes for cancer patients. | 0:22:38 | 0:22:41 | |
We now have over 80% of women surviving five years | 0:22:41 | 0:22:45 | |
after diagnosis of breast cancer. | 0:22:45 | 0:22:47 | |
That used to be 50, 60% if you go back a generation. | 0:22:47 | 0:22:51 | |
If Deidre were diagnosed nowadays, | 0:22:51 | 0:22:53 | |
the chance of her doing well would be higher. | 0:22:53 | 0:22:56 | |
She might still be someone who would die from disease, | 0:22:56 | 0:22:59 | |
but the chance of doing well would clearly be better. | 0:22:59 | 0:23:02 | |
IRISH FIDDLE EMANATES FROM BALLROOM | 0:23:06 | 0:23:09 | |
Well done, ladies, looks lovely. | 0:23:14 | 0:23:18 | |
Perfect. | 0:23:19 | 0:23:21 | |
Deidre was the traveller in the family. | 0:23:21 | 0:23:24 | |
She would have come over for St Patrick's Day. | 0:23:24 | 0:23:26 | |
Thank you, sweetheart, and same to you. Happy St Patrick's Day. | 0:23:29 | 0:23:32 | |
All right, no problem. | 0:23:32 | 0:23:34 | |
'She was the type of person that just loved to be socialising. | 0:23:34 | 0:23:37 | |
'She was a great person that loved Northern Ireland. | 0:23:37 | 0:23:40 | |
'She loved the chat and she loved the dressing up.' | 0:23:40 | 0:23:44 | |
'She didn't get to do it much, so when she did, she went all-out.' | 0:23:44 | 0:23:48 | |
She was really glad to get to the Rock And Pop Awards, | 0:23:49 | 0:23:53 | |
and that's in the second programme. | 0:23:53 | 0:23:55 | |
She was really excited when Bruce said to her, | 0:23:55 | 0:23:58 | |
and she invited me along, so she was thrilled. | 0:23:58 | 0:24:01 | |
She wanted to go and see it anyway, | 0:24:01 | 0:24:03 | |
but because Ronan Keating was there, whose mother had just passed away. | 0:24:03 | 0:24:06 | |
# Everybody hurts...# | 0:24:06 | 0:24:09 | |
Just to talk to him, because they had started up some kind of charity in her name. | 0:24:09 | 0:24:13 | |
# So you hold on... # | 0:24:15 | 0:24:16 | |
So we spent the night with Ronan Keating and his family. And it was a lovely night. | 0:24:16 | 0:24:20 | |
They had lots of things to talk about from the charity point of view | 0:24:20 | 0:24:23 | |
and what they were trying to do for breast cancer. | 0:24:23 | 0:24:26 | |
# Hold on... # | 0:24:26 | 0:24:30 | |
CHATTERING | 0:24:30 | 0:24:32 | |
Ladies and gentlemen, cead mile failte romhat. | 0:24:33 | 0:24:37 | |
A hundred thousand welcomes to you all on our national day of St Patrick. | 0:24:37 | 0:24:42 | |
APPLAUSE | 0:24:42 | 0:24:43 | |
And of course, the ball wouldn't be a success if there wasn't any of you here, | 0:24:43 | 0:24:47 | |
so give yourself a round of applause. | 0:24:47 | 0:24:49 | |
-APPLAUSE AND CHEERING -And a cheer! | 0:24:49 | 0:24:51 | |
Perhaps the greatest change has come to the producer of the documentaries. | 0:24:53 | 0:24:59 | |
After 26 years at the BBC, | 0:24:59 | 0:25:03 | |
Bruce Batten no longer works in television. | 0:25:03 | 0:25:06 | |
'All the years I was in broadcasting, | 0:25:06 | 0:25:08 | |
'going out into the garden was always my release from the pressures | 0:25:08 | 0:25:11 | |
'of programme making. | 0:25:11 | 0:25:14 | |
'So when I decided to have a change of career, | 0:25:14 | 0:25:17 | |
'it was pretty natural for me to head towards the garden again.' | 0:25:17 | 0:25:20 | |
I have trained in garden design | 0:25:23 | 0:25:25 | |
and done some courses in general horticulture, | 0:25:25 | 0:25:28 | |
and I've designed and built a few gardens, | 0:25:28 | 0:25:32 | |
and now I'm teaching as well. | 0:25:32 | 0:25:33 | |
'A big part of teaching is learning. | 0:25:35 | 0:25:37 | |
'I mean, there's an awful lot of prep that goes into the classes that I teach. | 0:25:37 | 0:25:41 | |
'So I find that fantastic. | 0:25:41 | 0:25:44 | |
'But I also really get a great buzz out of being able to transfer | 0:25:44 | 0:25:49 | |
'what I know to other people, | 0:25:49 | 0:25:52 | |
'and see, you know, them getting ever more enthusiastic | 0:25:52 | 0:25:56 | |
'about the things that I'm interested in.' | 0:25:56 | 0:25:58 | |
What happened as we went on | 0:26:00 | 0:26:03 | |
is that Deidre in her own way became more and more spiritual. | 0:26:03 | 0:26:08 | |
And there was one occasion when she read out a small poem to us... | 0:26:10 | 0:26:17 | |
..that, again, looked on the positive side of life. | 0:26:18 | 0:26:22 | |
And I just thought when we started editing, saw that and thought, | 0:26:23 | 0:26:29 | |
"That would be a good way to end," | 0:26:29 | 0:26:30 | |
because while Deidre didn't have a happy outcome in the end, | 0:26:30 | 0:26:34 | |
she would still want people who might be in that condition | 0:26:34 | 0:26:38 | |
to try and think favourably about their lives. | 0:26:38 | 0:26:41 | |
"I ask God for strength that I might achieve. | 0:26:43 | 0:26:46 | |
"I was made weak that I might learn humbly to obey. | 0:26:46 | 0:26:49 | |
"I asked for help that I might do greater things. | 0:26:49 | 0:26:52 | |
"I was given infirmity that I might do better things. | 0:26:52 | 0:26:55 | |
"I asked for riches that I might be happy. | 0:26:55 | 0:26:57 | |
"I was given poverty that I might be wise. | 0:26:57 | 0:27:00 | |
"I ask for all things that I might enjoy life. | 0:27:00 | 0:27:02 | |
"I was given life that I might enjoy all things. | 0:27:02 | 0:27:06 | |
"I was given nothing that I'd asked for | 0:27:06 | 0:27:08 | |
"but everything that I'd hoped for. | 0:27:08 | 0:27:10 | |
"Despite myself, my prayers were answered. | 0:27:10 | 0:27:13 | |
"I am among all men most richly blessed." | 0:27:13 | 0:27:15 | |
Isn't that fabulous? | 0:27:17 | 0:27:18 | |
MELANCHOLIC PIANO MUSIC | 0:27:18 | 0:27:21 | |
I remember a few weeks after she had passed, | 0:27:23 | 0:27:29 | |
and Friday is our Sunday in Saudi. Their weekends are different. | 0:27:29 | 0:27:32 | |
And I was having a really bad, low day. | 0:27:32 | 0:27:35 | |
And I was having a bath and I was crying and feeling sorry for myself. | 0:27:35 | 0:27:40 | |
And I got out of the bath and I walked up to my window. | 0:27:40 | 0:27:45 | |
And...was crying. And the next thing, I felt these arms round me, | 0:27:45 | 0:27:50 | |
giving me a big hug. And I started laughing. | 0:27:50 | 0:27:54 | |
Because she was either telling me to wise up | 0:27:54 | 0:27:56 | |
and move away from the window, | 0:27:56 | 0:27:58 | |
or she was giving me a hug to say, "It's going to be all right." | 0:27:58 | 0:28:02 | |
And it is. | 0:28:02 | 0:28:04 | |
She paved the way for us, she did what she could for us, | 0:28:04 | 0:28:08 | |
to make it easier for us. | 0:28:08 | 0:28:10 | |
And hopefully for other people who watch the programme. | 0:28:10 | 0:28:13 | |
Subtitles by Red Bee Media Ltd | 0:28:31 | 0:28:34 |