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More than half of us now live in cities, | 0:00:03 | 0:00:07 | |
and more of us are moving in. | 0:00:07 | 0:00:09 | |
By 2050, two-thirds of the planet will be city dwellers. | 0:00:09 | 0:00:14 | |
There's people going this way, people going that way. | 0:00:14 | 0:00:16 | |
It's bonkers! | 0:00:16 | 0:00:18 | |
We're exploring four iconic cities in all four corners of the world. | 0:00:18 | 0:00:24 | |
This cycle rickshaw is coming the wrong way towards us. | 0:00:24 | 0:00:27 | |
These are places bursting with life. | 0:00:27 | 0:00:29 | |
Crowded, chaotic and complicated, | 0:00:31 | 0:00:35 | |
they're also under pressure. | 0:00:35 | 0:00:37 | |
HORNS BLARE | 0:00:37 | 0:00:39 | |
All right, mate. | 0:00:39 | 0:00:40 | |
We're going behind the scenes... | 0:00:42 | 0:00:44 | |
..to uncover the hidden systems and armies of people | 0:00:45 | 0:00:49 | |
running some of the greatest cities on Earth. | 0:00:49 | 0:00:52 | |
This time, we're in Mexico City. | 0:00:54 | 0:00:57 | |
A sprawling megalopolis, fuelled by optimism and enterprise. | 0:00:57 | 0:01:01 | |
We're going to show you | 0:01:03 | 0:01:04 | |
how this often makeshift and haphazard city works. | 0:01:04 | 0:01:07 | |
Uncovering the incredible story of how it survives | 0:01:08 | 0:01:12 | |
its many daily battles. | 0:01:12 | 0:01:13 | |
Historian Dan Snow finds out what it's like | 0:01:15 | 0:01:19 | |
to build big in a deadly earthquake zone. | 0:01:19 | 0:01:22 | |
I'm feeling more confident about Mexico City's tallest building. | 0:01:22 | 0:01:25 | |
Even if there's an earthquake, we're going be fine. | 0:01:25 | 0:01:27 | |
You're going to be perfectly safe. | 0:01:27 | 0:01:29 | |
Journalist Ade Adepitan looks for new sources of water | 0:01:29 | 0:01:33 | |
in one of the world's thirstiest cities. | 0:01:33 | 0:01:36 | |
That looks clean to me. | 0:01:36 | 0:01:37 | |
Yeah, it is. | 0:01:37 | 0:01:39 | |
It's fantastic. I'm so impressed, I am. | 0:01:40 | 0:01:44 | |
And I'm Anita Rani. | 0:01:45 | 0:01:47 | |
I'll be learning how they're trying to stop this massive megacity | 0:01:47 | 0:01:51 | |
from drowning in its own waste. | 0:01:51 | 0:01:53 | |
Oh, it's a sofa! | 0:01:53 | 0:01:55 | |
There's a whole dashboard here. | 0:01:55 | 0:01:57 | |
I mean, it's horrendous, | 0:01:57 | 0:01:59 | |
but a vital part of any city. | 0:01:59 | 0:02:02 | |
Join us for the adventure of a lifetime | 0:02:02 | 0:02:05 | |
in The World's Busiest Cities. | 0:02:05 | 0:02:07 | |
Mexico City - | 0:02:22 | 0:02:24 | |
home to nearly 22 million people. | 0:02:24 | 0:02:27 | |
And where better to start than in its beating heart - the streets? | 0:02:27 | 0:02:31 | |
-Now this is a proper locals' market, isn't it? -Yeah, exactly. | 0:02:33 | 0:02:37 | |
So, this is where you're going to get absolutely everything you need. | 0:02:37 | 0:02:41 | |
Oh, my God. | 0:02:41 | 0:02:42 | |
Street food is almost a religion here - | 0:02:43 | 0:02:47 | |
a mix of the cultures that built this city. | 0:02:47 | 0:02:50 | |
DAN LAUGHS | 0:02:50 | 0:02:52 | |
Amazing. We are in the home of the chilli. | 0:02:52 | 0:02:54 | |
I know. | 0:02:54 | 0:02:55 | |
VOICEOVER: This is one of 1,000 tianguis, or open-air markets, | 0:02:55 | 0:02:59 | |
that have been here since the city began. | 0:02:59 | 0:03:02 | |
Even the name dates back to the Aztec Empire. | 0:03:02 | 0:03:05 | |
-Right, you're going to try that. -I... | 0:03:06 | 0:03:08 | |
-OK! -OK. | 0:03:08 | 0:03:10 | |
VOICEOVER: When the Spanish arrived in the 16th century, | 0:03:10 | 0:03:13 | |
they called this food antojitos, or "little cravings". | 0:03:13 | 0:03:17 | |
It's still a big part of how this informal city is fed. | 0:03:17 | 0:03:22 | |
Gracias, muchas gracias. | 0:03:22 | 0:03:23 | |
Street food is what it's all about in Mexico, Dan. | 0:03:23 | 0:03:26 | |
That is so... | 0:03:26 | 0:03:28 | |
It's terrifying. Go on, you go first. | 0:03:28 | 0:03:31 | |
She orders it, she makes me try it - | 0:03:31 | 0:03:33 | |
that's how this relationship works! | 0:03:33 | 0:03:34 | |
-Gentleman first. -Oh, God. | 0:03:34 | 0:03:36 | |
Let's hope it's better than it looks. | 0:03:36 | 0:03:38 | |
Oh! | 0:03:40 | 0:03:42 | |
How is it? I'm going to try it. | 0:03:42 | 0:03:44 | |
-Delicious. -Is it really hot? -It's really hot. | 0:03:44 | 0:03:47 | |
-Crazy woman! -Have I put too much chilli in it? | 0:03:49 | 0:03:51 | |
Mm! That chilli is a killer. | 0:03:52 | 0:03:54 | |
Thanks for the chilli, yeah. | 0:03:54 | 0:03:56 | |
You can't come to Mexico and not have chilli! | 0:03:56 | 0:03:58 | |
Home to an incredible one-fifth of Mexico's total population, | 0:04:00 | 0:04:04 | |
this is a city that has come to define urban sprawl, | 0:04:04 | 0:04:08 | |
with self-built homes clustered on its scattered hillsides. | 0:04:08 | 0:04:12 | |
These colourful markets are where people come together. | 0:04:13 | 0:04:18 | |
What I love about this place is, already, it can only be Mexico, | 0:04:18 | 0:04:21 | |
you couldn't be anywhere else in the world - what people are eating, | 0:04:21 | 0:04:23 | |
what they're wearing, what they look like. | 0:04:23 | 0:04:25 | |
Even though it's so close to the United States, | 0:04:25 | 0:04:27 | |
you expect American culture to be down here. | 0:04:27 | 0:04:29 | |
In fact, it's just brilliantly vibrant, Mexican... | 0:04:29 | 0:04:32 | |
-And so distinct. -Yeah, it's so distinct. -Yeah. | 0:04:32 | 0:04:34 | |
And everybody's sitting down and eating. | 0:04:34 | 0:04:35 | |
There's food stalls every five yards. | 0:04:35 | 0:04:37 | |
Mexico City is one of the most challenging | 0:04:40 | 0:04:43 | |
urban environments on the planet. | 0:04:43 | 0:04:45 | |
It's grown at a staggering pace and is struggling to cope. | 0:04:47 | 0:04:51 | |
HORNS BLARE | 0:04:51 | 0:04:53 | |
It's crowded, it's congested... | 0:04:55 | 0:04:58 | |
..there are problems with water and sewerage, | 0:05:00 | 0:05:03 | |
and this haphazard city sits in a major earthquake zone, | 0:05:03 | 0:05:08 | |
where parts of it are sinking around ten centimetres every year. | 0:05:08 | 0:05:13 | |
VOICEOVER: But, sitting here, you'd never know it. | 0:05:13 | 0:05:16 | |
I think it's interesting, | 0:05:16 | 0:05:17 | |
because it is a city with massive ecological and other problems, | 0:05:17 | 0:05:20 | |
and yet people don't seem very fussed about it. | 0:05:20 | 0:05:22 | |
They're just getting on with it. They're enjoying it. | 0:05:22 | 0:05:25 | |
And we're in the capital city, and yet this feels like | 0:05:25 | 0:05:27 | |
we could be in, sort of, rural Mexico somewhere, | 0:05:27 | 0:05:29 | |
some local market. | 0:05:29 | 0:05:31 | |
See, Dan? | 0:05:34 | 0:05:35 | |
People might think that this is some sort of cliche, | 0:05:35 | 0:05:37 | |
but it's real, it happens. | 0:05:37 | 0:05:38 | |
People just turn up and start playing trumpet. | 0:05:38 | 0:05:40 | |
We're going to find out what really makes this megacity tick | 0:05:43 | 0:05:47 | |
and experience the hidden systems and strength of spirit | 0:05:47 | 0:05:51 | |
that allow it to defy everything its nearly 22 million inhabitants | 0:05:51 | 0:05:56 | |
and Mother Nature can throw at it. | 0:05:56 | 0:05:59 | |
There's no mistaking it now, Dan. We are in Mexico. | 0:05:59 | 0:06:02 | |
-Whoo! -Wahey! | 0:06:05 | 0:06:07 | |
Mexico City sits right at the centre of the country it serves as capital, | 0:06:10 | 0:06:15 | |
high on a plateau, at 2,240 metres above sea level. | 0:06:15 | 0:06:21 | |
Founded on a lake that was drained by the Spanish conquistadors, | 0:06:21 | 0:06:25 | |
the city exploded in the 20th century, | 0:06:25 | 0:06:28 | |
spilling over from its historic core into a metropolitan area | 0:06:28 | 0:06:32 | |
now stretching over nearly 1,000 square miles - | 0:06:32 | 0:06:36 | |
the largest in the entire Western Hemisphere. | 0:06:36 | 0:06:39 | |
We're splitting up to explore this epic sprawl. | 0:06:43 | 0:06:47 | |
While Anita and Dan travel deeper into the city, | 0:06:47 | 0:06:50 | |
I'm heading to the suburb of Neza | 0:06:50 | 0:06:53 | |
to find out just how this city grew and grew and grew. | 0:06:53 | 0:06:58 | |
Now, I've come here because this place | 0:07:09 | 0:07:11 | |
has got a really fascinating history. | 0:07:11 | 0:07:13 | |
Now, I've been told that all these colourful houses around here | 0:07:13 | 0:07:16 | |
have been self-built, brick by brick, by the residents. | 0:07:16 | 0:07:19 | |
I haven't been here that long, | 0:07:19 | 0:07:20 | |
and this place is already giving off this really interesting vibe. | 0:07:20 | 0:07:24 | |
Now, I'm going to meet one of the families that've been here | 0:07:24 | 0:07:27 | |
since the early days, | 0:07:27 | 0:07:29 | |
just to find out a little bit more about this place. | 0:07:29 | 0:07:31 | |
If you need somewhere to live in Mexico City, | 0:07:34 | 0:07:37 | |
you build it yourself. | 0:07:37 | 0:07:38 | |
Incredibly, more than half the architecture here | 0:07:38 | 0:07:42 | |
is built without regulations | 0:07:42 | 0:07:44 | |
ensuring basic construction standards. | 0:07:44 | 0:07:47 | |
-Hola. -Hola. Buen dia. -Buen dia. | 0:07:47 | 0:07:50 | |
Hola. Benito... | 0:07:50 | 0:07:52 | |
-VOICEOVER: -Benito Perez and his mother-in-law, Gloria Lopez, | 0:07:52 | 0:07:55 | |
have lived in this house for decades. | 0:07:55 | 0:07:58 | |
IN SPANISH: | 0:07:59 | 0:08:01 | |
In Mexico City, more than 60% of people | 0:08:39 | 0:08:42 | |
live in areas known as colonias populares - | 0:08:42 | 0:08:45 | |
informal, unregulated settlements. | 0:08:45 | 0:08:48 | |
It's how Neza started. | 0:08:50 | 0:08:51 | |
Oh, it's just amazing. | 0:08:59 | 0:09:01 | |
I wouldn't know where to start when it comes to building a house. | 0:09:01 | 0:09:04 | |
But, you know, these people, they're just so... | 0:09:04 | 0:09:06 | |
They're so motivated. | 0:09:06 | 0:09:08 | |
Wow. | 0:09:17 | 0:09:18 | |
In this house, there's 22 people that live here, | 0:09:19 | 0:09:22 | |
and four generations of their family, | 0:09:22 | 0:09:25 | |
which is incredible. | 0:09:25 | 0:09:26 | |
You know, it's like anywhere in the world, man - | 0:09:38 | 0:09:40 | |
you want to make your house a castle, don't you? | 0:09:40 | 0:09:42 | |
-VOICEOVER: -I'm surprised to discover that the family | 0:09:44 | 0:09:47 | |
don't just live here - | 0:09:47 | 0:09:48 | |
Benito also runs his shoe business from the house. | 0:09:48 | 0:09:52 | |
Look at that. He's just making a shoe... | 0:09:59 | 0:10:02 | |
..right in front of my very eyes. | 0:10:03 | 0:10:05 | |
-VOICEOVER: -Benito tells me that businesses like his | 0:10:06 | 0:10:09 | |
are a common feature in homes across the city. | 0:10:09 | 0:10:12 | |
Households, they'll either be selling shoes, | 0:10:12 | 0:10:15 | |
they'll be making something, and then they'll take it | 0:10:15 | 0:10:17 | |
to the tianguis, the local market, the portable market, | 0:10:17 | 0:10:20 | |
to earn money for their families. | 0:10:20 | 0:10:22 | |
So the house is more than just a house. | 0:10:22 | 0:10:25 | |
It's a business, it's everything for them. | 0:10:25 | 0:10:28 | |
-VOICEOVER: -I feel humbled that the family has invited me | 0:10:29 | 0:10:32 | |
to stay for lunch. | 0:10:32 | 0:10:34 | |
In Mexico, food is a serious business. | 0:10:34 | 0:10:37 | |
-VOICEOVER: -It's my chance to meet the rest of the family, | 0:10:41 | 0:10:44 | |
including Benito's wife, Sandra. | 0:10:44 | 0:10:46 | |
You're going to speak English to me, yes? | 0:10:46 | 0:10:48 | |
Si. Poquito! | 0:10:48 | 0:10:50 | |
THEY LAUGH | 0:10:50 | 0:10:51 | |
-VOICEOVER: -There's Grandad Bernabe, who built this house, | 0:10:53 | 0:10:56 | |
Benito's daughter Lupita, | 0:10:56 | 0:10:58 | |
and the rest of the family. | 0:10:58 | 0:11:00 | |
This is really cool, actually, to have traditional Mexican food | 0:11:03 | 0:11:07 | |
in a house that was built by this family. | 0:11:07 | 0:11:09 | |
I mean, you can't get more authentic than that, can you? | 0:11:09 | 0:11:12 | |
They're going to pray. | 0:11:12 | 0:11:13 | |
-Amen. -Aproveche. -Gracias. | 0:11:24 | 0:11:25 | |
Oh...! | 0:11:30 | 0:11:32 | |
Si? | 0:11:34 | 0:11:36 | |
-VOICEOVER: -Benito wants to show me photos from the early 1970s, | 0:11:37 | 0:11:40 | |
taken when Grandad Bernabe was building the house. | 0:11:40 | 0:11:43 | |
THEY LAUGH | 0:12:01 | 0:12:03 | |
Wow. Benito learned from his father-in-law. | 0:12:08 | 0:12:10 | |
But his father-in-law learned from watching other people. | 0:12:10 | 0:12:13 | |
That was it, you know. Just watched other people and decided, | 0:12:13 | 0:12:17 | |
"I'm going to create this, my dream." | 0:12:17 | 0:12:19 | |
It's incredible. | 0:12:19 | 0:12:20 | |
Just 40 years ago, Neza was on the fringes of the sprawl. | 0:12:24 | 0:12:28 | |
Now, more than 1 million people live here, | 0:12:28 | 0:12:31 | |
and the settlement has been absorbed into Mexico City. | 0:12:31 | 0:12:34 | |
It's a testament to the spirit of its citizens. | 0:12:34 | 0:12:37 | |
Que paso? Que tal? | 0:12:41 | 0:12:43 | |
It's a lot of character going on in this place. | 0:12:43 | 0:12:45 | |
As people build houses further and further out, | 0:12:53 | 0:12:56 | |
their journeys into work get longer and longer. | 0:12:56 | 0:13:00 | |
I've been thrown in at the deep end, | 0:13:00 | 0:13:02 | |
trying to figure out the daily commute. | 0:13:02 | 0:13:05 | |
HORN BLARES | 0:13:05 | 0:13:06 | |
All right, mate. | 0:13:06 | 0:13:08 | |
Buses here are cheap and plentiful. | 0:13:10 | 0:13:12 | |
In fact, this is one of the biggest bus systems in the world, | 0:13:12 | 0:13:16 | |
but it's also a bit of a mystery. | 0:13:16 | 0:13:19 | |
It's incredibly chaotic. | 0:13:20 | 0:13:22 | |
I have no idea what's happening. | 0:13:22 | 0:13:24 | |
But they're all going somewhere, | 0:13:24 | 0:13:26 | |
and all the locals seem to know which one to get. | 0:13:26 | 0:13:28 | |
These little buses are known as peseros. | 0:13:34 | 0:13:37 | |
They got their name because they used to charge one peso - | 0:13:37 | 0:13:40 | |
that's just 4p. | 0:13:40 | 0:13:41 | |
They account for an incredible 60% | 0:13:43 | 0:13:45 | |
of all journeys made by commuters every day. | 0:13:45 | 0:13:49 | |
But there are no bus stops and no marked routes. | 0:13:49 | 0:13:53 | |
How do you know? How do you know which one to get? | 0:13:54 | 0:13:59 | |
Peseros are an unofficial system that's grown with demand. | 0:13:59 | 0:14:02 | |
They're unregulated, unlicensed, and, crucially, unmapped. | 0:14:02 | 0:14:08 | |
I'm going to need some help to find my way. | 0:14:08 | 0:14:11 | |
-Hola, Christian. -Hi. -How are you doing? | 0:14:11 | 0:14:13 | |
VOICEOVER: Enterprising Mexicans like Christian Guerrero | 0:14:13 | 0:14:16 | |
are trying to bring order to the chaos. | 0:14:16 | 0:14:19 | |
So, how do you know what bus you need to get? | 0:14:19 | 0:14:22 | |
Well, mostly, you ask the people around. | 0:14:22 | 0:14:24 | |
Like, either your family or your friends. | 0:14:24 | 0:14:28 | |
So it's mostly, like, general knowledge in the population. | 0:14:28 | 0:14:31 | |
-Local, Mexican City knowledge? -Exactly. | 0:14:31 | 0:14:33 | |
VOICEOVER: On average, Mexico City residents | 0:14:35 | 0:14:37 | |
spend about two-and-a-half hours a day commuting... | 0:14:37 | 0:14:40 | |
Thank you. | 0:14:40 | 0:14:42 | |
..much of it on buses like this. | 0:14:42 | 0:14:44 | |
And we're on. | 0:14:46 | 0:14:47 | |
How many peseros are there in Mexico City? | 0:14:51 | 0:14:53 | |
Around 50,000. | 0:14:53 | 0:14:55 | |
-Yeah. -50,000 of these buses? | 0:14:55 | 0:14:58 | |
Yeah. | 0:14:58 | 0:15:00 | |
It's getting busy. Coming on, ladies. | 0:15:00 | 0:15:03 | |
VOICEOVER: Christian wants to modernise | 0:15:03 | 0:15:05 | |
the 40-year-old pesero system | 0:15:05 | 0:15:07 | |
and make it easier for passengers to use. | 0:15:07 | 0:15:10 | |
He's developed a smartphone app | 0:15:10 | 0:15:12 | |
that aims to map the entire network | 0:15:12 | 0:15:14 | |
with the help of passengers riding the routes. | 0:15:14 | 0:15:17 | |
The idea is that you would use your phone | 0:15:17 | 0:15:20 | |
in order to, first of all, take a picture | 0:15:20 | 0:15:23 | |
of the sign in the front of the bus, | 0:15:23 | 0:15:25 | |
and that picture would tell us which route it was. | 0:15:25 | 0:15:29 | |
So once you took the picture, | 0:15:29 | 0:15:31 | |
you would use your GPS and start mapping. | 0:15:31 | 0:15:35 | |
Do you know how many miles it covers? | 0:15:35 | 0:15:37 | |
52,000km. | 0:15:37 | 0:15:39 | |
So about 32,000 miles. | 0:15:39 | 0:15:43 | |
-Yeah. Exactly. -That's a lot. | 0:15:43 | 0:15:45 | |
And it's an ongoing process. | 0:15:45 | 0:15:47 | |
Yeah, it's growing and growing. | 0:15:47 | 0:15:48 | |
It's a very smart solution - | 0:15:51 | 0:15:53 | |
crowd-sourcing routes so they can be made available | 0:15:53 | 0:15:56 | |
to anyone with a smartphone. | 0:15:56 | 0:15:58 | |
This is a fusion of the old and the new. | 0:15:58 | 0:16:01 | |
In 40, 50 years, nobody has done anything | 0:16:03 | 0:16:06 | |
in order to let this system work correctly, | 0:16:06 | 0:16:09 | |
so if we don't do anything, this city will stop moving. | 0:16:09 | 0:16:14 | |
And you're having to come up with apps and solutions to improve it, | 0:16:14 | 0:16:19 | |
-to bring into the 21st century. -Yeah. | 0:16:19 | 0:16:21 | |
The peseros are an integral part of Mexico City. | 0:16:23 | 0:16:26 | |
They're typical of this place - | 0:16:27 | 0:16:29 | |
an informal and slightly haphazard solution to an urban problem. | 0:16:29 | 0:16:33 | |
Where else can you be serenaded while waiting for the bus home? | 0:16:36 | 0:16:40 | |
I love Mexico. | 0:16:46 | 0:16:48 | |
Standing on the side of a dual carriageway, | 0:16:48 | 0:16:51 | |
these chaps get off and start serenading me. | 0:16:51 | 0:16:53 | |
Yes, gentlemen. Muchas gracias. | 0:17:00 | 0:17:03 | |
-Have a nice evening. -Thank you so much. | 0:17:03 | 0:17:05 | |
That was so wonderful, they were actually really good. | 0:17:05 | 0:17:08 | |
Now which of these peseros do I get home? | 0:17:08 | 0:17:10 | |
Do I get this one? | 0:17:12 | 0:17:13 | |
I have no idea. No idea. | 0:17:13 | 0:17:15 | |
Don't know where I am. | 0:17:15 | 0:17:16 | |
While Anita gets lost on the buses, | 0:17:23 | 0:17:25 | |
I'm off to discover what made this city great in the first place. | 0:17:25 | 0:17:29 | |
This is one of the oldest continuously inhabited settlements | 0:17:32 | 0:17:35 | |
in the Western Hemisphere. | 0:17:35 | 0:17:36 | |
The modern city might be an assault on the senses, | 0:17:38 | 0:17:42 | |
but you don't have to go far to see its ancient roots. | 0:17:42 | 0:17:46 | |
Everything here in Mexico City is a product of its unique past, | 0:17:46 | 0:17:50 | |
and there are places within the city where the past and the modern | 0:17:50 | 0:17:54 | |
are all jumbled in right next to each other. | 0:17:54 | 0:17:55 | |
Like here, modern apartment blocks, big, busy motorway, | 0:17:55 | 0:17:59 | |
but right next to it is this astonishing historical site - | 0:17:59 | 0:18:02 | |
the Place of the Three Cultures. | 0:18:02 | 0:18:04 | |
And those three cultures are, in the middle, the remains | 0:18:04 | 0:18:06 | |
of an old step pyramid from the Aztec period - | 0:18:06 | 0:18:09 | |
the Aztecs, one of the great civilisations of world history. | 0:18:09 | 0:18:11 | |
Then the Spanish arrived in the 16th century, | 0:18:11 | 0:18:13 | |
they literally dismantled those temples | 0:18:13 | 0:18:15 | |
and built churches like that right on top of them. | 0:18:15 | 0:18:17 | |
What a statement of colonial control. | 0:18:17 | 0:18:19 | |
And then there's modern buildings | 0:18:19 | 0:18:20 | |
from Mexico's post-independence period as well. | 0:18:20 | 0:18:23 | |
The Aztecs settled here because there was water. | 0:18:27 | 0:18:30 | |
They built their capital, Tenochtitlan, | 0:18:32 | 0:18:35 | |
on a small island in the Lake of Texcoco. | 0:18:35 | 0:18:39 | |
When the Spaniards arrived, they destroyed the island city | 0:18:39 | 0:18:43 | |
and started to drain the lake. | 0:18:43 | 0:18:45 | |
Where once was water, there's now sprawl. | 0:18:46 | 0:18:49 | |
But there's one corner of this modern megacity | 0:18:50 | 0:18:53 | |
where you can truly experience its history, | 0:18:53 | 0:18:55 | |
and it's worth getting up early for. | 0:18:55 | 0:18:57 | |
I've come now to the most beautiful place, | 0:19:07 | 0:19:09 | |
a very far cry from the noise and bustle of Mexico City. | 0:19:09 | 0:19:12 | |
The mist is coming off the water | 0:19:12 | 0:19:14 | |
and the farmers are working the fields. | 0:19:14 | 0:19:16 | |
It's beautiful. | 0:19:16 | 0:19:17 | |
This is Xochimilco. | 0:19:19 | 0:19:21 | |
Not far from the heart of the modern city, | 0:19:24 | 0:19:26 | |
this working landscape is an insight into Mexico City's watery past. | 0:19:26 | 0:19:31 | |
Early settlers built this ingenious system. | 0:19:33 | 0:19:37 | |
Artificial islands, known as chinampas, | 0:19:37 | 0:19:40 | |
on which to grow their crops. | 0:19:40 | 0:19:42 | |
-VOICEOVER: -Lucio Usobiaga works with the farmers here | 0:19:49 | 0:19:53 | |
to try and preserve the islands and their way of life. | 0:19:53 | 0:19:56 | |
Did this used to extend right across the valley | 0:19:58 | 0:20:00 | |
that Mexico City now sits in? | 0:20:00 | 0:20:02 | |
Are we looking at the last remnants of these islands? | 0:20:02 | 0:20:05 | |
Yeah, we are. | 0:20:05 | 0:20:06 | |
In Mexico City, you know it's a basin, | 0:20:06 | 0:20:10 | |
so it had five lakes. | 0:20:10 | 0:20:13 | |
Right now, this is the last lake that we can really look at, | 0:20:13 | 0:20:19 | |
and that it survives with some of its traditions. | 0:20:19 | 0:20:23 | |
So this is the only place where you can come and get a feel | 0:20:23 | 0:20:26 | |
for what life was like under the Aztecs? | 0:20:26 | 0:20:28 | |
Yeah. Yeah, exactly. | 0:20:28 | 0:20:30 | |
These chinampas were all made for agriculture. | 0:20:30 | 0:20:35 | |
So they're all man-made? | 0:20:35 | 0:20:36 | |
All man-made, yeah, | 0:20:36 | 0:20:38 | |
more than a thousand years ago, | 0:20:38 | 0:20:40 | |
even before the Aztecs came here and conquered the xochimilcas. | 0:20:40 | 0:20:44 | |
Today, the chinampas are farmed as they've been for centuries, | 0:20:48 | 0:20:51 | |
growing crops like maize, tomatoes and chilli peppers. | 0:20:51 | 0:20:55 | |
This is lettuce. | 0:20:58 | 0:21:00 | |
-VOICEOVER: -Lucio is taking me to meet | 0:21:00 | 0:21:02 | |
a fourth-generation chinampero, Noe Coquis. | 0:21:02 | 0:21:06 | |
Today, he's planting radishes. | 0:21:06 | 0:21:08 | |
Noe, are your kids doing this farming as well? | 0:21:08 | 0:21:11 | |
Is another generation of farmers being made? | 0:21:11 | 0:21:14 | |
There'll be people farming here for generations to come. | 0:21:25 | 0:21:28 | |
I really admire Noe's efforts | 0:21:38 | 0:21:40 | |
to preserve the ancient farming methods. | 0:21:40 | 0:21:42 | |
But Lucio wants to show me how these chinampas are being threatened | 0:21:44 | 0:21:48 | |
by the rapidly sprawling city. | 0:21:48 | 0:21:51 | |
We've come into a part of the chinampas now | 0:21:51 | 0:21:53 | |
where we're seeing more houses. | 0:21:53 | 0:21:54 | |
This one here built right onto the edge of the river bank. | 0:21:54 | 0:21:57 | |
We can see illegal houses. | 0:21:57 | 0:22:00 | |
It is not permitted to build houses in this natural protected area, | 0:22:00 | 0:22:05 | |
but because of the housing demand, | 0:22:05 | 0:22:08 | |
some people have no other alternative but to build them here. | 0:22:08 | 0:22:14 | |
But this sums up the development of Mexico City over the centuries - | 0:22:14 | 0:22:17 | |
people just constantly looking for new grounds, | 0:22:17 | 0:22:20 | |
people moving here from elsewhere. | 0:22:20 | 0:22:22 | |
There's a density of population here | 0:22:22 | 0:22:23 | |
which means people need to find new ground to build. | 0:22:23 | 0:22:26 | |
So do you think, if we come back here in 20 years' time, | 0:22:26 | 0:22:29 | |
the chinampas may not be here? | 0:22:29 | 0:22:31 | |
Well, I am hoping that there will be enough efforts and resources | 0:22:31 | 0:22:37 | |
to prevent this from happening, | 0:22:37 | 0:22:39 | |
and instead of seeing more houses, we'll start to plant more chinampas. | 0:22:39 | 0:22:44 | |
Let's hope so. | 0:22:44 | 0:22:45 | |
Mexico City was founded on water. | 0:22:50 | 0:22:53 | |
The great irony is that, today, it now faces a water crisis. | 0:22:53 | 0:22:58 | |
The draining of the lake system has left the city thirsty. | 0:23:00 | 0:23:03 | |
It uses more water every day than any other city in the world. | 0:23:04 | 0:23:09 | |
Millions are forced to get their water from trucks | 0:23:11 | 0:23:13 | |
known as pipas, because they can't rely on the mains. | 0:23:13 | 0:23:17 | |
I've come to a pipa depot in the borough of Tlalpan | 0:23:19 | 0:23:22 | |
that sends out 200 trucks a day. | 0:23:22 | 0:23:25 | |
It's pouring with rain, | 0:23:26 | 0:23:28 | |
these trucks are filling up with gallons and gallons of water | 0:23:28 | 0:23:31 | |
that's been piped down from the mountains, | 0:23:31 | 0:23:34 | |
and they're going to be taken by these trucks | 0:23:34 | 0:23:38 | |
back up to the mountains to be sold to the people. | 0:23:38 | 0:23:41 | |
It's just crazy. | 0:23:43 | 0:23:45 | |
Me llamo Ade. | 0:23:48 | 0:23:50 | |
-VOICEOVER: -Uriel Canalez has been delivering water | 0:23:50 | 0:23:53 | |
across the city for a few years. | 0:23:53 | 0:23:55 | |
I'm amazed at what a precious and high-risk commodity | 0:24:17 | 0:24:20 | |
water is in this city. | 0:24:20 | 0:24:22 | |
Especially in the poorer neighbourhoods | 0:24:25 | 0:24:27 | |
on the very edges of the sprawl. | 0:24:27 | 0:24:29 | |
-VOICEOVER: -I've come to meet Rogelio Ramirez and his wife Sofia. | 0:24:31 | 0:24:35 | |
They live in an area where water tankers are essential. | 0:24:37 | 0:24:40 | |
I'm really surprised at the drastic measures | 0:25:18 | 0:25:21 | |
that Rogelio has to take just to get the water that his family needs. | 0:25:21 | 0:25:25 | |
Uh-huh. | 0:25:29 | 0:25:30 | |
Yeah, it's just starting to rain. | 0:25:39 | 0:25:41 | |
It's getting a little bit heavier and it's a good sign. | 0:25:41 | 0:25:44 | |
This untreated water will be stored in a tank. | 0:25:46 | 0:25:49 | |
The family won't drink it, but they do put it to good use. | 0:25:49 | 0:25:54 | |
Wow, wow. | 0:26:21 | 0:26:22 | |
Not a single drop of water is wasted. | 0:26:25 | 0:26:28 | |
Families here can spend as much as 20% of their income on water. | 0:26:42 | 0:26:47 | |
It's not that it doesn't rain here - it's just most of it is wasted. | 0:26:49 | 0:26:54 | |
-VOICEOVER: -Enrique Lomnitz is working to find | 0:26:57 | 0:27:00 | |
an affordable solution for everyone. | 0:27:00 | 0:27:02 | |
These are, kind of, the forgotten people | 0:27:03 | 0:27:06 | |
of the water situation in Mexico. | 0:27:06 | 0:27:07 | |
Even though we're talking about millions of people. | 0:27:07 | 0:27:10 | |
But that's crazy, when you get so much water in this area | 0:27:10 | 0:27:13 | |
and you're in a city that has problems with water, | 0:27:13 | 0:27:17 | |
why not use it? | 0:27:17 | 0:27:18 | |
That's what we said. | 0:27:18 | 0:27:20 | |
So we were like... | 0:27:20 | 0:27:21 | |
It seemed to us like it was just a really obvious thing to do. | 0:27:21 | 0:27:25 | |
So harvesting rainwater involves channelling the water | 0:27:25 | 0:27:28 | |
that falls on your roof, with gutters or whatever, | 0:27:28 | 0:27:31 | |
and putting it through some kind of treatment, and storing it. | 0:27:31 | 0:27:34 | |
-VOICEOVER: -Enrique has been helping to install water capture systems | 0:27:35 | 0:27:39 | |
in Tlalpan for the past seven years. | 0:27:39 | 0:27:41 | |
Hola, hola. | 0:27:43 | 0:27:45 | |
-VOICEOVER: -He's taken me to meet Eusebia Ventura. | 0:27:45 | 0:27:48 | |
Like most of the people living on the edge of Mexico City, | 0:27:48 | 0:27:51 | |
she has built her own home. | 0:27:51 | 0:27:53 | |
So this is a 5,000-litre tank, and we put, as part of the project, | 0:27:53 | 0:27:57 | |
the tank that's inside, | 0:27:57 | 0:27:59 | |
and as she's grown the house, she's connected more roof, | 0:27:59 | 0:28:03 | |
so now she has three rainwater harvesting systems. | 0:28:03 | 0:28:05 | |
I'm pleased to hear that this system is already saving Eusebia money. | 0:28:07 | 0:28:11 | |
So she makes something like 1,000 pesos a month | 0:28:23 | 0:28:25 | |
and it would cost her 800 pesos to fill this. | 0:28:25 | 0:28:27 | |
Whoa, here we go. | 0:28:37 | 0:28:39 | |
Eusebia now captures and filters | 0:28:39 | 0:28:42 | |
70,000 litres of rainwater every year. | 0:28:42 | 0:28:46 | |
I want to taste the water from the sky. | 0:28:46 | 0:28:49 | |
-Well, it looks clear. -Yep. -That looks clean to me. | 0:28:49 | 0:28:52 | |
Yeah. | 0:28:52 | 0:28:53 | |
So here's a glass of pure rainwater. | 0:28:54 | 0:28:57 | |
Yes. | 0:28:57 | 0:28:58 | |
And, you know, clean water in these areas is scarce | 0:28:58 | 0:29:02 | |
and becoming a more scarce resource, no? | 0:29:02 | 0:29:04 | |
-So it's like gold dust. -Yeah. | 0:29:04 | 0:29:06 | |
It's perfectly clean water. | 0:29:08 | 0:29:10 | |
Muy bien. | 0:29:10 | 0:29:12 | |
Gracias. | 0:29:12 | 0:29:13 | |
It's fantastic. | 0:29:13 | 0:29:14 | |
-Si? -I'm so impressed. | 0:29:14 | 0:29:16 | |
I am. | 0:29:16 | 0:29:17 | |
Getting water into this megacity is one problem, | 0:29:21 | 0:29:24 | |
but getting rid of it is quite another. | 0:29:24 | 0:29:27 | |
I've come to Ecatepec to see a system | 0:29:29 | 0:29:31 | |
that deals with one of Mexico City's dirtiest secrets. | 0:29:31 | 0:29:35 | |
This is known as "agua negra" or black water. | 0:29:36 | 0:29:40 | |
It's sewage waste water. | 0:29:40 | 0:29:42 | |
And these days, it flows through a largely open sewer | 0:29:44 | 0:29:46 | |
called the Grand Canal. | 0:29:46 | 0:29:48 | |
VOICEOVER: Today, Carlos Teran and his team | 0:29:50 | 0:29:52 | |
are cleaning the filters that keep the sewage flowing. | 0:29:52 | 0:29:55 | |
I have no idea what pressing this button will dredge up. | 0:29:59 | 0:30:03 | |
SHE EXCLAIMS | 0:30:04 | 0:30:06 | |
Holy crap! | 0:30:08 | 0:30:10 | |
It's a sofa. | 0:30:10 | 0:30:12 | |
I mean, this is horrific. | 0:30:13 | 0:30:15 | |
There's a whole dashboard here. | 0:30:15 | 0:30:16 | |
Yeah. I mean, it's horrendous, | 0:30:18 | 0:30:21 | |
but a vital part of any city, waste management. | 0:30:21 | 0:30:25 | |
It's grim, | 0:30:25 | 0:30:27 | |
but this is the reality of humans. | 0:30:27 | 0:30:29 | |
That poor guy. | 0:30:31 | 0:30:33 | |
This is one of 94 pumping stations | 0:30:36 | 0:30:40 | |
along 7,000 miles of tunnels and pipes | 0:30:40 | 0:30:42 | |
that form Mexico City's sewage system. | 0:30:42 | 0:30:45 | |
The Grand Canal is now more than 100 years old. | 0:30:47 | 0:30:51 | |
It used to flow downhill, | 0:30:51 | 0:30:53 | |
using gravity to carry waste out of the city for treatment. | 0:30:53 | 0:30:57 | |
But when Mexico City was drained, | 0:30:57 | 0:30:59 | |
the clay lake bed started to collapse, | 0:30:59 | 0:31:02 | |
forcing the canal up, not down. | 0:31:02 | 0:31:05 | |
Engineers now battle gravity to pump the agua negra uphill, | 0:31:05 | 0:31:10 | |
using pumping stations like this one. | 0:31:10 | 0:31:13 | |
Parts of the city have sunk an astonishing 40 feet | 0:31:13 | 0:31:16 | |
in the last century. | 0:31:16 | 0:31:18 | |
These pumps have to work hard. | 0:31:18 | 0:31:21 | |
So, Carlos, this is crucial, this is a crucial point. | 0:31:21 | 0:31:24 | |
So if this didn't work, within three hours, | 0:31:36 | 0:31:39 | |
the city would start to flood. | 0:31:39 | 0:31:41 | |
The pumps are just a sticking plaster | 0:31:43 | 0:31:46 | |
on Mexico City's sewage crisis. | 0:31:46 | 0:31:48 | |
The Grand Canal was not designed to deal | 0:31:48 | 0:31:50 | |
with the waste produced by nearly 22 million people | 0:31:50 | 0:31:54 | |
in an ever-expanding megalopolis. | 0:31:54 | 0:31:57 | |
So Mexico City is building big to solve its problem. | 0:31:57 | 0:32:02 | |
This is the Emisor Oriente. | 0:32:02 | 0:32:05 | |
It's an immense new waste water tunnel. | 0:32:05 | 0:32:08 | |
What they're doing now is lowering the outer rings of the tunnel... | 0:32:08 | 0:32:12 | |
..and each one of those weighs five tonnes, | 0:32:13 | 0:32:17 | |
and it takes eight of them to build the entire outer wall, | 0:32:17 | 0:32:21 | |
so that's 40 tonnes. | 0:32:21 | 0:32:23 | |
This is serious engineering. | 0:32:23 | 0:32:25 | |
This is it, we are descending 110 metres. | 0:32:32 | 0:32:34 | |
And this lift is actually going a lot faster | 0:32:36 | 0:32:38 | |
than I thought it would. | 0:32:38 | 0:32:40 | |
This is like the journey to the centre of the Earth. | 0:32:40 | 0:32:43 | |
Incredible! | 0:32:45 | 0:32:46 | |
It's like we've entered the underworld. | 0:32:48 | 0:32:50 | |
It's a lot darker, a lot cooler and there's a whole system at play here. | 0:32:50 | 0:32:57 | |
Hola, Jose. | 0:32:57 | 0:32:58 | |
-Hola, Anita. -Yes. | 0:32:58 | 0:33:00 | |
VOICEOVER: Jose Lee Espinoza is the engineer in charge of this, | 0:33:00 | 0:33:03 | |
one of Mexico City's biggest engineering projects. | 0:33:03 | 0:33:07 | |
That was quite a descent. | 0:33:07 | 0:33:08 | |
-Yes. -We are very, very deep... | 0:33:08 | 0:33:12 | |
-Yes. -..in this enormous tunnel. | 0:33:12 | 0:33:14 | |
How many miles long is it going to be? | 0:33:14 | 0:33:15 | |
More or less, 64km from Mexico City to the treatment plant. | 0:33:15 | 0:33:22 | |
This is going to be one of the biggest tunnels in the world | 0:33:22 | 0:33:25 | |
-when it's finished. -Yes, yes, I think so. | 0:33:25 | 0:33:27 | |
We're making our way towards the front of the tunnel, | 0:33:29 | 0:33:31 | |
where they're still drilling through solid rock. | 0:33:31 | 0:33:35 | |
All of Mexico City's sewage and overflow of rainwater | 0:33:35 | 0:33:40 | |
will be gushing through this enormous tunnel | 0:33:40 | 0:33:43 | |
right where we are now. | 0:33:43 | 0:33:45 | |
That's quite a thought! | 0:33:45 | 0:33:46 | |
This new tunnel won't sink like the Grand Canal, | 0:33:48 | 0:33:51 | |
because it's drilled so deep through hard rock. | 0:33:51 | 0:33:54 | |
In fact, it will actually help Mexico City's sinking problem | 0:33:54 | 0:33:58 | |
by stabilising the groundwater beneath the city. | 0:33:58 | 0:34:02 | |
Finally, we reach the very front of the tunnel, | 0:34:03 | 0:34:06 | |
as close as we can get to the huge drill | 0:34:06 | 0:34:09 | |
that's boring the hole. | 0:34:09 | 0:34:11 | |
The drill is just up ahead of us, | 0:34:11 | 0:34:12 | |
it's nine metres in diameter | 0:34:12 | 0:34:14 | |
and it's crunching away at the earth, | 0:34:14 | 0:34:17 | |
getting rid of all those rocks. | 0:34:17 | 0:34:19 | |
And as they're making space, | 0:34:19 | 0:34:21 | |
they're laying those big chunks of concrete | 0:34:21 | 0:34:25 | |
that go towards making the tunnel. | 0:34:25 | 0:34:27 | |
How many kilometres are left to finish the whole tunnel? | 0:34:27 | 0:34:31 | |
-4km. -4km left to do? | 0:34:31 | 0:34:34 | |
-Yes. -And that will take how long? | 0:34:34 | 0:34:35 | |
-Ten months. -In ten months, | 0:34:35 | 0:34:37 | |
Mexico City will have its new massive sewage pipe. | 0:34:37 | 0:34:44 | |
Yes. | 0:34:44 | 0:34:46 | |
The more time you spend in this city, | 0:34:51 | 0:34:54 | |
the more you realise how amazingly it fights Nature at every turn. | 0:34:54 | 0:34:58 | |
Look at this extraordinary buildings here. | 0:34:58 | 0:35:01 | |
Over the years, it's slowly subsiding at different speeds | 0:35:01 | 0:35:04 | |
because the Spanish messed about with this place so much. | 0:35:04 | 0:35:07 | |
They pumped out the groundwater, they reclaimed land for building, | 0:35:07 | 0:35:10 | |
and, as a result, it's on very uncertain foundations. | 0:35:10 | 0:35:13 | |
Check out that one there - that is leaning quite heavily over. | 0:35:20 | 0:35:23 | |
It's all a bit haphazard. | 0:35:23 | 0:35:24 | |
This subsidence has damaged the water and sewerage system. | 0:35:26 | 0:35:31 | |
And it has another potentially deadly cost. | 0:35:32 | 0:35:36 | |
Draining the lakes has dangerously changed the geology of Mexico City, | 0:35:36 | 0:35:41 | |
leaving it vulnerable to earthquakes. | 0:35:41 | 0:35:43 | |
Some of the most important parts | 0:35:43 | 0:35:46 | |
of one of the biggest cities in the world | 0:35:46 | 0:35:48 | |
now sit on a quivering pile of mud. | 0:35:48 | 0:35:52 | |
The city is actually 200 miles from the nearest fault line | 0:35:52 | 0:35:56 | |
off the Pacific coast, | 0:35:56 | 0:35:57 | |
but the drained lake bed acts as an amplifier - | 0:35:57 | 0:36:00 | |
seismic waves ripple and build as if shaking a bowl of jelly. | 0:36:00 | 0:36:05 | |
Most cities have emergency services - | 0:36:06 | 0:36:08 | |
police, ambulance and fire - but if you live here, | 0:36:08 | 0:36:12 | |
you also need a 24-hour specialist search and rescue team... | 0:36:12 | 0:36:15 | |
..like this elite unit. | 0:36:17 | 0:36:19 | |
They're part of the Mexico City Police Force. | 0:36:19 | 0:36:21 | |
They train every week, and today, they've agreed to show me | 0:36:23 | 0:36:27 | |
how it's done. | 0:36:27 | 0:36:28 | |
This is it. My childhood dream's come true. | 0:36:28 | 0:36:32 | |
I'm going to get to pretend I'm a policeman for a minute. | 0:36:32 | 0:36:35 | |
OK. Ready. | 0:36:38 | 0:36:39 | |
Yeah. | 0:36:39 | 0:36:40 | |
Right. Good. | 0:36:42 | 0:36:44 | |
-VOICEOVER: -After an earthquake hits, | 0:36:44 | 0:36:46 | |
it's critical to get victims out of collapsed buildings | 0:36:46 | 0:36:48 | |
as quickly as possible. | 0:36:48 | 0:36:50 | |
The team use drills to create a weak point in the wall, | 0:36:50 | 0:36:53 | |
but then it's down to sheer brute force. | 0:36:53 | 0:36:56 | |
That is exhausting. OK. | 0:37:00 | 0:37:03 | |
-VOICEOVER: -I think it's time to hand over to a professional. | 0:37:03 | 0:37:06 | |
Nice. | 0:37:18 | 0:37:19 | |
That does give you a little bit of a sense | 0:37:19 | 0:37:21 | |
of what it is like doing search and rescue in a huge city | 0:37:21 | 0:37:26 | |
where you may have to do that time and time again, | 0:37:26 | 0:37:28 | |
there's no end to the amount of buildings | 0:37:28 | 0:37:30 | |
that could collapse, trapping people. | 0:37:30 | 0:37:32 | |
The residents of the city have good reason to be fearful of earthquakes. | 0:37:34 | 0:37:38 | |
In the early hours of the 19th of September 1985, | 0:37:41 | 0:37:45 | |
Mexico City was devastated by a massive 8.1 magnitude earthquake. | 0:37:45 | 0:37:50 | |
In just over a minute, around 100,000 houses were destroyed | 0:37:51 | 0:37:56 | |
and 5 million residents were left without electricity | 0:37:56 | 0:38:00 | |
or drinking water. | 0:38:00 | 0:38:01 | |
Around 10,000 people were killed. | 0:38:01 | 0:38:05 | |
It's very clear that the 1985 earthquake | 0:38:07 | 0:38:09 | |
cast a long shadow. | 0:38:09 | 0:38:11 | |
They don't want that to happen again, they're not going to let | 0:38:11 | 0:38:13 | |
their fellow citizens suffer like that again, | 0:38:13 | 0:38:15 | |
so they've got the tools, they've got the training, | 0:38:15 | 0:38:18 | |
and they've got the techniques. | 0:38:18 | 0:38:20 | |
I'm not sure I'd cut it on their team. | 0:38:20 | 0:38:22 | |
Rescue teams are Mexico City's last line of defence. | 0:38:24 | 0:38:28 | |
But that's not all. | 0:38:29 | 0:38:31 | |
In a city where millions live in self-built houses, | 0:38:31 | 0:38:35 | |
they've also developed | 0:38:35 | 0:38:36 | |
the most effective early warning system in the world. | 0:38:36 | 0:38:40 | |
It buys people crucial time to evacuate. | 0:38:40 | 0:38:43 | |
I've come to the National Seismological Service | 0:38:45 | 0:38:48 | |
at Unam, the National Autonomous University of Mexico, | 0:38:48 | 0:38:52 | |
to meet Dr Xyoli Perez-Campos. | 0:38:52 | 0:38:55 | |
How far down are we going? | 0:38:55 | 0:38:57 | |
We are going to go 20 metres down. | 0:38:57 | 0:38:59 | |
20 metres, OK. | 0:38:59 | 0:39:01 | |
At the bottom of this shaft are highly advanced seismic sensors. | 0:39:02 | 0:39:06 | |
These are the latest technology | 0:39:07 | 0:39:10 | |
and the most precise instrument in the world. | 0:39:10 | 0:39:14 | |
They're part of a network of more than 150 sensors | 0:39:14 | 0:39:18 | |
constantly monitoring the Earth for tremors. | 0:39:18 | 0:39:21 | |
Did this detect Haiti? Did it detect Pakistan? | 0:39:21 | 0:39:24 | |
Yes. Like Japan, 2011. | 0:39:24 | 0:39:26 | |
Isn't that amazing? | 0:39:26 | 0:39:27 | |
That something that's happening on the other side of the planet | 0:39:27 | 0:39:30 | |
can be detected here in Mexico City. | 0:39:30 | 0:39:32 | |
The tremors picked up by the sensors | 0:39:34 | 0:39:35 | |
are monitored right here at the University. | 0:39:35 | 0:39:38 | |
We report daily an average of 32 earthquakes per day. | 0:39:38 | 0:39:43 | |
Hang on a minute - 32 earthquakes every day on average? | 0:39:43 | 0:39:48 | |
-Yes, yes. -That's a huge figure. | 0:39:48 | 0:39:50 | |
Most earthquakes are small tremors that few people notice. | 0:39:52 | 0:39:56 | |
But when a bigger quake strikes, the early warning system kicks in. | 0:39:56 | 0:40:00 | |
With the main fault line 200 miles away, | 0:40:03 | 0:40:06 | |
this technology gives more than a minute's warning | 0:40:06 | 0:40:09 | |
before the shock waves actually hit. | 0:40:09 | 0:40:11 | |
It's a system that saves lives. | 0:40:14 | 0:40:17 | |
So you'll have detected one today? | 0:40:17 | 0:40:18 | |
Yes - actually, this morning, we have a big one. | 0:40:18 | 0:40:23 | |
It had a magnitude of 5.6 and we can see the record on the screens. | 0:40:23 | 0:40:28 | |
It happens off the coast of the country, | 0:40:28 | 0:40:31 | |
so it was in the Pacific, so nobody felt it. | 0:40:31 | 0:40:34 | |
When do you think the next earthquake will hit here? | 0:40:34 | 0:40:36 | |
Well, today, we will have one, but a small one, of course. | 0:40:36 | 0:40:39 | |
We don't know if a big one is going to happen | 0:40:39 | 0:40:41 | |
or when it's going to happen. | 0:40:41 | 0:40:43 | |
The more we explore this city, | 0:40:49 | 0:40:51 | |
the more we're learning it works because it doesn't live in fear. | 0:40:51 | 0:40:55 | |
Its streets positively brim with life. | 0:40:57 | 0:41:00 | |
That optimism underpins big plans for the future. | 0:41:00 | 0:41:04 | |
The sprawl can't go on forever... | 0:41:05 | 0:41:07 | |
..so there's only one way to build, | 0:41:08 | 0:41:10 | |
and that's up. | 0:41:10 | 0:41:12 | |
But how do you build a skyscraper | 0:41:14 | 0:41:16 | |
on an unstable lakebed in an earthquake zone? | 0:41:16 | 0:41:20 | |
This is the Torre Reforma. | 0:41:22 | 0:41:24 | |
Standing 256 metres and 57 storeys high, | 0:41:26 | 0:41:30 | |
it's Mexico City's tallest building. | 0:41:30 | 0:41:32 | |
-Hello. -Welcome. | 0:41:34 | 0:41:36 | |
-VOICEOVER: -Its architect, Benjamin Romano, | 0:41:36 | 0:41:38 | |
is here to show me the secrets | 0:41:38 | 0:41:40 | |
behind this incredible feat of engineering. | 0:41:40 | 0:41:42 | |
Embedded in the concrete slab, | 0:41:44 | 0:41:46 | |
we have this connection that goes to the edges of the concrete wall, | 0:41:46 | 0:41:51 | |
so in the case of an earthquake, | 0:41:51 | 0:41:54 | |
these elements will control the building not to move | 0:41:54 | 0:41:58 | |
where the building doesn't want to move. | 0:41:58 | 0:42:02 | |
-So it lets it flex a bit, but not too far. -Exactly. | 0:42:02 | 0:42:08 | |
In sinking the foundations of the skyscraper, | 0:42:10 | 0:42:13 | |
Benjamin needed to take into account the city's waterlogged past. | 0:42:13 | 0:42:16 | |
Those concrete walls are embedded 60 metres underneath the street. | 0:42:18 | 0:42:23 | |
-So you've gone below the lakebed, all the way down? -Exactly. | 0:42:23 | 0:42:27 | |
So for us, the earthquake issue because of the lake means nothing. | 0:42:27 | 0:42:31 | |
Now that I've seen this, I'm feeling more confident | 0:42:31 | 0:42:33 | |
about going up Mexico City's tallest building. | 0:42:33 | 0:42:36 | |
I think, even if there's an earthquake, we're going to be fine. | 0:42:36 | 0:42:38 | |
-You are going to be perfectly safe. -OK. | 0:42:38 | 0:42:40 | |
There are 28 lifts serving more than 4,000 people. | 0:42:43 | 0:42:47 | |
Everything in this cutting-edge building | 0:42:47 | 0:42:50 | |
is designed not only for looks, but also for safety. | 0:42:50 | 0:42:55 | |
So, Benjamin, these windows are a very unusual shape. | 0:42:55 | 0:42:59 | |
Yes. Since they have to behave in case of an earthquake, | 0:42:59 | 0:43:03 | |
these window needs to move 10cm. | 0:43:03 | 0:43:07 | |
The windows in this building | 0:43:07 | 0:43:09 | |
are designed to bend and flex during an earthquake | 0:43:09 | 0:43:11 | |
to release the build-up of pressure. | 0:43:11 | 0:43:13 | |
So this is like leaving a ready-made crack in the side of a building? | 0:43:15 | 0:43:18 | |
Yes, exactly. It's to allow the two different elements to move. | 0:43:18 | 0:43:23 | |
It's so strange talking about high-rise buildings moving, | 0:43:23 | 0:43:27 | |
because from the ground, they look so static and strong, | 0:43:27 | 0:43:31 | |
and here you are, telling me that they're always in movement. | 0:43:31 | 0:43:34 | |
They all have to move, because either for wind or seismic... | 0:43:34 | 0:43:38 | |
It's like if I push you - | 0:43:38 | 0:43:40 | |
they will move and come back to the natural. | 0:43:40 | 0:43:43 | |
This iconic building, now punctuating the skyline, | 0:43:46 | 0:43:50 | |
looks to the future of Mexico City. | 0:43:50 | 0:43:52 | |
It's earthquake resistant, | 0:43:52 | 0:43:54 | |
it has its own rain and waste water harvesting system, | 0:43:54 | 0:43:58 | |
and it even has robots that will park your car for you. | 0:43:58 | 0:44:02 | |
-VOICEOVER: -On top of all that, it has quite a view. | 0:44:02 | 0:44:06 | |
I mean, I'm almost speechless at how big Mexico City is. | 0:44:10 | 0:44:13 | |
I mean, from up here, it just stretches... | 0:44:13 | 0:44:15 | |
-Well, it stretches as far as the eye can see. -Yes. | 0:44:15 | 0:44:18 | |
Did you ever think you'd be responsible | 0:44:18 | 0:44:20 | |
for the tallest building in Mexico? | 0:44:20 | 0:44:21 | |
Never in my life. | 0:44:21 | 0:44:22 | |
It is a very unique feeling. So far, I'm very happy. | 0:44:22 | 0:44:28 | |
Standing here on top of the tallest building in Mexico City, | 0:44:30 | 0:44:33 | |
I'm in awe of what Benjamin and his team have achieved. | 0:44:33 | 0:44:36 | |
Their ingenuity has overcome so many hurdles | 0:44:36 | 0:44:39 | |
placed in their way by nature, | 0:44:39 | 0:44:40 | |
and if Mexico City represents a battle | 0:44:40 | 0:44:44 | |
between human habitation and nature, | 0:44:44 | 0:44:47 | |
this is a war-winning strategy. | 0:44:47 | 0:44:49 | |
Building for the future here doesn't stop at skyscrapers. | 0:44:54 | 0:44:58 | |
Getting 22 million people in and out of the crowded city every day | 0:44:59 | 0:45:04 | |
is a challenge, especially with its haphazard bus service. | 0:45:04 | 0:45:08 | |
But I've come to the suburb of Ecatepec | 0:45:11 | 0:45:13 | |
to discover that almost anything can be built | 0:45:13 | 0:45:16 | |
in this spirited city. | 0:45:16 | 0:45:18 | |
Well, wow, look at this - | 0:45:19 | 0:45:21 | |
it's just like everything else here in Mexico City, | 0:45:21 | 0:45:23 | |
a big surprise. | 0:45:23 | 0:45:25 | |
The last thing I was expecting to find here is a cable car. | 0:45:25 | 0:45:28 | |
It's accessible as well. | 0:45:30 | 0:45:31 | |
There's a wheelchair entrance, there's a ramp - | 0:45:31 | 0:45:34 | |
I'm loving it already. | 0:45:34 | 0:45:36 | |
The views from the Mexicable, | 0:45:51 | 0:45:53 | |
you've got this sprawling city and these murals | 0:45:53 | 0:45:57 | |
and the amazing colours on the houses. | 0:45:57 | 0:46:00 | |
It's just breathtaking. | 0:46:00 | 0:46:02 | |
This cable car system was only completed in 2016. | 0:46:08 | 0:46:12 | |
It costs just six pesos, or 26p, to ride, | 0:46:12 | 0:46:17 | |
and already, nearly 30,000 people are using it every day. | 0:46:17 | 0:46:21 | |
-VOICEOVER: -Victor Jasso is the engineer | 0:46:24 | 0:46:27 | |
who keeps the system running smoothly. | 0:46:27 | 0:46:29 | |
So, Victor, why build it here and why build it now? | 0:46:29 | 0:46:33 | |
Because this area has a really big problem. | 0:46:33 | 0:46:36 | |
There's not too much roads, there are not so much highways, | 0:46:36 | 0:46:41 | |
so we have a lot of people living here, | 0:46:41 | 0:46:44 | |
so a cable car, it's totally a solution. | 0:46:44 | 0:46:47 | |
You don't have a stoplight, you don't have traffic. | 0:46:47 | 0:46:51 | |
So now they're more connected... | 0:46:51 | 0:46:53 | |
Yes, yes, that's the word, connected. | 0:46:53 | 0:46:56 | |
Can you tell me about the mechanics? What goes into this? | 0:46:56 | 0:47:00 | |
Cos it looks like an enormous engineering feat. | 0:47:00 | 0:47:04 | |
This cable car is moved by an engine. | 0:47:04 | 0:47:07 | |
The engine is the big red one over the station, | 0:47:07 | 0:47:10 | |
and with that engine, we move the whole loop | 0:47:10 | 0:47:13 | |
between station four to station one. | 0:47:13 | 0:47:15 | |
The one engine moves all of these cars across four stations? | 0:47:15 | 0:47:19 | |
-Yes. -Wow. | 0:47:19 | 0:47:21 | |
There are seven cable car stations in total, | 0:47:23 | 0:47:26 | |
running just over three miles, | 0:47:26 | 0:47:28 | |
connecting some of the city's poorest | 0:47:28 | 0:47:30 | |
and most isolated hillside neighbourhoods. | 0:47:30 | 0:47:32 | |
The system is run from control rooms like this. | 0:47:34 | 0:47:38 | |
With this button, we can reduce the speed, | 0:47:38 | 0:47:41 | |
because sometimes, we have some people | 0:47:41 | 0:47:43 | |
that maybe need more assistance. | 0:47:43 | 0:47:47 | |
Actually, we've got a wheelchair customer, | 0:47:47 | 0:47:49 | |
do you need to slow it down? | 0:47:49 | 0:47:50 | |
Yeah. Just put it in lento uno. | 0:47:50 | 0:47:53 | |
-Speed... -The speed reduces... -So it makes it slower? | 0:47:53 | 0:47:56 | |
-Yeah. -And this now allows this lady in a wheelchair to get in easier? | 0:47:56 | 0:48:00 | |
Yes. | 0:48:00 | 0:48:01 | |
-VOICEOVER: -This technology is really unexpected. | 0:48:03 | 0:48:06 | |
It looks like it's quite easy for him to pull. | 0:48:06 | 0:48:08 | |
Yeah, and it's really, really easy for pushing. | 0:48:08 | 0:48:10 | |
You know, it's amazing, the cabin, it's one tonne. | 0:48:10 | 0:48:14 | |
So this is a tonne and we can just push it? | 0:48:14 | 0:48:16 | |
-Yeah. -Wow, that is so easy! | 0:48:16 | 0:48:19 | |
Look at that, one finger. Look at that! | 0:48:19 | 0:48:22 | |
That's incredible. | 0:48:24 | 0:48:25 | |
That system is so smooth. | 0:48:26 | 0:48:28 | |
I need that for my wheels on my chair. | 0:48:28 | 0:48:32 | |
This all makes for a very different commute for local residents. | 0:48:33 | 0:48:37 | |
-Hola. -Hola, buenos dias. -Buenos dias. -Como estas? | 0:48:38 | 0:48:41 | |
-VOICEOVER: -Daniel Gimelo is a shoe shiner. | 0:48:41 | 0:48:43 | |
Every day, he travels on the cable car with his bike, | 0:48:43 | 0:48:46 | |
then cycles the rest of the way into the centre to find work. | 0:48:46 | 0:48:50 | |
It's morning rush hour and commuters like Daniel | 0:49:21 | 0:49:24 | |
are flooding onto the cable car to get to work. | 0:49:24 | 0:49:27 | |
But it doesn't just save them time. | 0:49:27 | 0:49:29 | |
Juan Martinez Jurado uses the cable car every day. | 0:49:29 | 0:49:34 | |
This new public transport system | 0:50:24 | 0:50:26 | |
hasn't just improved the commute for locals - | 0:50:26 | 0:50:28 | |
it's also transformed the surrounding neighbourhood. | 0:50:28 | 0:50:32 | |
It's incredible, it's almost like this Mexicable | 0:50:32 | 0:50:35 | |
has given this whole area a face-lift. | 0:50:35 | 0:50:37 | |
All of these images and paintings have just sprung up | 0:50:38 | 0:50:42 | |
because of the Mexicable. | 0:50:42 | 0:50:44 | |
And what it's done is it's just lifted the ambiance | 0:50:44 | 0:50:47 | |
of this whole area. | 0:50:47 | 0:50:49 | |
It's just made it really beautiful, | 0:50:49 | 0:50:50 | |
and it's such a nice way to get to work, I think. | 0:50:50 | 0:50:53 | |
There's a feeling all across Mexico City | 0:51:01 | 0:51:04 | |
that it's cleaning up its act. | 0:51:04 | 0:51:05 | |
And not a moment too soon, | 0:51:08 | 0:51:10 | |
because Mexico and its capital have a poor reputation for crime. | 0:51:10 | 0:51:14 | |
To find out how this city polices | 0:51:16 | 0:51:18 | |
a sprawl of almost 1,000 square miles, | 0:51:18 | 0:51:22 | |
I'm taking to the air. | 0:51:22 | 0:51:23 | |
Well, we're just about to take off, now, the aircraft is warming up. | 0:51:27 | 0:51:30 | |
We are going in the Mexico City police observation helicopter. | 0:51:30 | 0:51:34 | |
This is the key to making sure that a relatively small police force | 0:51:34 | 0:51:37 | |
is able to maintain law and order in this vast and complicated city. | 0:51:37 | 0:51:40 | |
It's using the eye in the sky, linked to the ground technology. | 0:51:40 | 0:51:45 | |
In Mexico City, there are almost 90,000 police officers. | 0:51:50 | 0:51:55 | |
Officer Carlos Moreno is a specialist camera operator | 0:51:55 | 0:51:58 | |
who works the skies in one of 13 helicopters. | 0:51:58 | 0:52:02 | |
How hard is it to keep order in a city of over 20 million people? | 0:52:02 | 0:52:08 | |
So difficult. | 0:52:08 | 0:52:09 | |
As you see, it's really big. | 0:52:09 | 0:52:11 | |
But we have excellent communication with ground units. | 0:52:11 | 0:52:16 | |
We got, also, all the time, | 0:52:16 | 0:52:18 | |
one helicopter flying around the city. | 0:52:18 | 0:52:20 | |
We can cross the city in five minutes. | 0:52:20 | 0:52:23 | |
With this technology, Carlos can home in on one target | 0:52:25 | 0:52:29 | |
in a city of millions. | 0:52:29 | 0:52:31 | |
I'm going to show you how we follow a car. | 0:52:31 | 0:52:34 | |
We can follow automatically. | 0:52:34 | 0:52:37 | |
I don't have to move anything. | 0:52:37 | 0:52:39 | |
That's clever, so you can track a target. | 0:52:39 | 0:52:41 | |
Once you lock onto it, yeah. | 0:52:41 | 0:52:43 | |
How much closer can you go? | 0:52:43 | 0:52:45 | |
Could you read the license plate on there? | 0:52:45 | 0:52:46 | |
We are going to try. | 0:52:46 | 0:52:48 | |
That's astonishing. | 0:52:51 | 0:52:52 | |
-Yeah. -You can see right into the back of his vehicle. | 0:52:52 | 0:52:55 | |
Yeah, exactly. | 0:52:55 | 0:52:57 | |
-VOICEOVER: -The police can track suspects | 0:52:57 | 0:52:59 | |
all the way across this huge city. | 0:52:59 | 0:53:01 | |
Down is down, up is up, left and right, it's the same. | 0:53:02 | 0:53:05 | |
-And you zoom in like this? -And you're going to follow... | 0:53:05 | 0:53:07 | |
That's incredible. | 0:53:07 | 0:53:09 | |
I feel like I'm going to crash into that building! | 0:53:09 | 0:53:12 | |
Air units like this allow the police to stay one step ahead. | 0:53:16 | 0:53:20 | |
This is a sprawl that spreads as far as I can see in all directions. | 0:53:24 | 0:53:30 | |
It would take hundreds of thousands of policemen and women on the ground | 0:53:30 | 0:53:33 | |
to maintain control, | 0:53:33 | 0:53:34 | |
but, by using this, you can use those other resources | 0:53:34 | 0:53:38 | |
far more efficiently. | 0:53:38 | 0:53:40 | |
Technology like this is an essential ingredient | 0:53:40 | 0:53:43 | |
if these modern megacities are to be sustainable and safe. | 0:53:43 | 0:53:46 | |
While Dan avoids the traffic in the sky, | 0:53:51 | 0:53:53 | |
I'm in the thick of it on the ground. | 0:53:53 | 0:53:56 | |
Monday morning rush-hour traffic in Mexico City, | 0:54:00 | 0:54:04 | |
but it's not as bad as it normally is, | 0:54:04 | 0:54:06 | |
because the smog levels have been so high this week. | 0:54:06 | 0:54:10 | |
In fact, the highest smog levels recorded in the last 20 years. | 0:54:10 | 0:54:15 | |
HORN BLARES It's all happening here. | 0:54:15 | 0:54:17 | |
Get it into gear, mate. | 0:54:17 | 0:54:18 | |
And off he goes. | 0:54:20 | 0:54:21 | |
The smog levels are so high that the authorities take measures | 0:54:21 | 0:54:25 | |
to reduce the number of cars on the road, | 0:54:25 | 0:54:27 | |
so even though this looks insane, | 0:54:27 | 0:54:29 | |
it's not half as bad as it normally is. | 0:54:29 | 0:54:31 | |
But something is changing here. | 0:54:38 | 0:54:41 | |
Take a walk around the streets nearby | 0:54:41 | 0:54:43 | |
and the atmosphere becomes noticeably calmer. | 0:54:43 | 0:54:46 | |
Pimped. | 0:54:48 | 0:54:49 | |
This is Paseo de la Reforma, | 0:54:52 | 0:54:55 | |
a wide avenue running diagonally across the heart of Mexico City. | 0:54:55 | 0:55:00 | |
It's usually full of cars, but not today. | 0:55:00 | 0:55:03 | |
-Hola, Areli. -Hola. -Lovely to meet you. | 0:55:03 | 0:55:06 | |
VOICEOVER: Areli Carreon is a cycling enthusiast and campaigner. | 0:55:06 | 0:55:10 | |
She's also Mexico City's first-ever bike mayor. | 0:55:10 | 0:55:13 | |
I'm totally blown away by what's happening. | 0:55:13 | 0:55:16 | |
-Tell me, it's a Sunday morning. -Yes. -What is this? | 0:55:16 | 0:55:19 | |
Is this a one-off event? | 0:55:19 | 0:55:20 | |
No, it happens every Sunday, | 0:55:20 | 0:55:22 | |
and it's a close-down of a main street in Mexico City. | 0:55:22 | 0:55:26 | |
This is Reforma, one of the most historical | 0:55:26 | 0:55:29 | |
and most iconic streets in the city. | 0:55:29 | 0:55:32 | |
-This is like shutting down the Champs-Elysees. -Yes. | 0:55:32 | 0:55:35 | |
There's, like, 50,000 people | 0:55:35 | 0:55:37 | |
and, as you can see, there's people from all walks of life here | 0:55:37 | 0:55:41 | |
enjoying the city. | 0:55:41 | 0:55:42 | |
-Somebody's listening to their music whilst they're cycling. -Yeah. | 0:55:42 | 0:55:45 | |
Oh, it's not just a little bit, he's got a massive ghetto blaster. | 0:55:45 | 0:55:49 | |
Yeah. Look at that. | 0:55:49 | 0:55:51 | |
All of this cycling is yet another way | 0:55:53 | 0:55:55 | |
this massive megacity is cleaning up its act. | 0:55:55 | 0:55:59 | |
Mexico City has, like most major cities, | 0:55:59 | 0:56:01 | |
a real problem with pollution, doesn't it? | 0:56:01 | 0:56:03 | |
Yeah, of course. The average speed in the city on a car | 0:56:03 | 0:56:06 | |
is the same as bicycling, it's 15kmph, which is insane. | 0:56:06 | 0:56:10 | |
If we don't do something about this, | 0:56:10 | 0:56:13 | |
eventually, we wouldn't have enough clean air to breathe. | 0:56:13 | 0:56:16 | |
This city loves to live life on its streets. | 0:56:19 | 0:56:22 | |
That's amazing, look - he's got Grandma on the front, | 0:56:22 | 0:56:25 | |
baby on the back, maybe that's his grandson. | 0:56:25 | 0:56:27 | |
One of the things that I like the best | 0:56:27 | 0:56:29 | |
is it doesn't matter who you are, which is your walk of life, | 0:56:29 | 0:56:33 | |
people get to be together and enjoy | 0:56:33 | 0:56:36 | |
and have a conversation and just be around. | 0:56:36 | 0:56:39 | |
Well, I feel like you're telling me to get on this bike. | 0:56:42 | 0:56:44 | |
I feel like, subliminally, you're just like, | 0:56:44 | 0:56:46 | |
-"Anita, I've got you a bike." -Let's go! -"Get on." | 0:56:46 | 0:56:49 | |
-Shall we? -Yes. -I feel like we should join everybody. | 0:56:49 | 0:56:52 | |
Let's go. | 0:56:52 | 0:56:54 | |
Whee-hee! | 0:56:54 | 0:56:55 | |
Oh, it's great fun. | 0:57:00 | 0:57:01 | |
It's such a brilliant way to see the city as well. | 0:57:03 | 0:57:05 | |
What a great bit of progressive civic planning, | 0:57:12 | 0:57:15 | |
cos at the heart of every city are its people, | 0:57:15 | 0:57:17 | |
so let the people take over the streets. | 0:57:17 | 0:57:19 | |
On top of that, it's great fun. | 0:57:19 | 0:57:21 | |
BELL RINGS | 0:57:21 | 0:57:23 | |
Mexico City is full of surprises. | 0:57:27 | 0:57:31 | |
This is a city where cars are giving way to bicycles... | 0:57:32 | 0:57:35 | |
..where cutting-edge cable cars | 0:57:37 | 0:57:39 | |
glide over self-built neighbourhoods... | 0:57:39 | 0:57:41 | |
..where sprawl meets skyscrapers. | 0:57:43 | 0:57:45 | |
It may be fighting a daily battle with Nature, | 0:57:47 | 0:57:50 | |
but it's a fight that its enterprising, optimistic | 0:57:50 | 0:57:54 | |
and resilient citizens are determined to win. | 0:57:54 | 0:57:57 | |
Next time...we're in Moscow... | 0:58:01 | 0:58:04 | |
Muscovites everywhere. | 0:58:04 | 0:58:05 | |
..exploring a city forged by power and politics, | 0:58:05 | 0:58:10 | |
that plays by its own rules. | 0:58:10 | 0:58:12 | |
I've never been allowed inside the red walls of the Kremlin before. | 0:58:14 | 0:58:19 | |
Uncovering the systems and traditions... | 0:58:19 | 0:58:22 | |
Are you on time? | 0:58:22 | 0:58:23 | |
Honestly, I'm three hours late. | 0:58:23 | 0:58:26 | |
..that make this one of the world's busiest cities. | 0:58:26 | 0:58:30 |