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I'm Georgia. I'm 16 years old. I'm exactly the same age my mum was when she had me. | 0:00:02 | 0:00:05 | |
Georgia's mum is kiss and tell Queen and topless model, Alicia Douvall. | 0:00:07 | 0:00:11 | |
Mum's been having surgery ever since I was little. | 0:00:11 | 0:00:15 | |
She's had over 100 procedures. | 0:00:15 | 0:00:17 | |
Hi. | 0:00:17 | 0:00:18 | |
I'm so happy with my nose. | 0:00:19 | 0:00:22 | |
But we are complete opposites. | 0:00:22 | 0:00:24 | |
All she wants to do is study biology and Macbeth. | 0:00:24 | 0:00:27 | |
She came from my womb. How can she be that different? | 0:00:27 | 0:00:32 | |
But now life's about to change forever. | 0:00:32 | 0:00:35 | |
Alicia's pregnant. | 0:00:35 | 0:00:37 | |
-Isn't she sweet? -Yeah. | 0:00:37 | 0:00:39 | |
BABY CRIES | 0:00:39 | 0:00:40 | |
But will Georgia be left holding the baby? | 0:00:40 | 0:00:44 | |
That's my care instructions. | 0:00:44 | 0:00:46 | |
I've kind of got my hands full at the moment. | 0:00:46 | 0:00:49 | |
# Feels like I am just too close to love you... # | 0:00:49 | 0:00:54 | |
Oh! | 0:00:54 | 0:00:56 | |
I should let her go out, really, but I'm not going to. | 0:00:57 | 0:01:00 | |
I think she still sees me as like a six-year-old. | 0:01:00 | 0:01:02 | |
Well I don't care, it's fine. I won't do it. | 0:01:05 | 0:01:07 | |
Well I find it ridiculous. | 0:01:07 | 0:01:09 | |
Look, it's dark outside. | 0:01:09 | 0:01:10 | |
Yeah, but I've spent all day with you. | 0:01:10 | 0:01:12 | |
# I am just too close to love you... # | 0:01:12 | 0:01:17 | |
I don't like asking you about going anywhere. | 0:01:17 | 0:01:19 | |
But you were sneaky about it! | 0:01:19 | 0:01:21 | |
Yeah, that's because I don't like asking because you say no to everything. | 0:01:21 | 0:01:24 | |
This programme contains some strong language. | 0:01:24 | 0:01:32 | |
Alicia and Georgia share a bed in their two bed flat in Chelsea. | 0:01:48 | 0:01:51 | |
All right, shall we go and leave this brewing | 0:01:51 | 0:01:54 | |
and move your chest of drawers? | 0:01:54 | 0:01:56 | |
Tonight, Georgia is moving into her own room | 0:01:58 | 0:02:00 | |
to make space for the new baby. | 0:02:00 | 0:02:04 | |
-All this is for a tiny baby. -Yes. | 0:02:04 | 0:02:07 | |
But moving next door is as far as Alicia is willing to let Georgia go. | 0:02:09 | 0:02:13 | |
-Are you allowed out much, Georgia? -No, I'm not allowed. | 0:02:13 | 0:02:16 | |
My curfew is six o'clock, seven o'clock. | 0:02:16 | 0:02:20 | |
That's weekends as well. | 0:02:20 | 0:02:23 | |
That is only weekends actually. | 0:02:23 | 0:02:24 | |
During the week I'm not allowed to go out. | 0:02:24 | 0:02:27 | |
I like her company. We are best friends at the end of the day. | 0:02:29 | 0:02:31 | |
I know. But I like my friends' company. | 0:02:31 | 0:02:34 | |
I like to see them. | 0:02:34 | 0:02:36 | |
But yes, no, I don't let her go out to see her friends or... | 0:02:36 | 0:02:41 | |
go for dinner with her friends and stuff | 0:02:41 | 0:02:43 | |
'cos I don't want her... | 0:02:43 | 0:02:45 | |
to start drinking and stuff. | 0:02:45 | 0:02:48 | |
I'm not going to, I don't want to. | 0:02:48 | 0:02:49 | |
Eventually I'm just going to go by myself without, you know. | 0:02:49 | 0:02:54 | |
Yeah, but I'll follow you. | 0:02:54 | 0:02:55 | |
-You'll have a baby! -I'll still follow you. I'll find a way. | 0:02:56 | 0:02:59 | |
OK, well you enjoy following me. Nothing's going to happen. | 0:02:59 | 0:03:02 | |
I know what I was like at 16. | 0:03:06 | 0:03:09 | |
And I thought I knew everything. I thought I was an adult. | 0:03:09 | 0:03:12 | |
But I knew nothing. I wasn't an adult. | 0:03:12 | 0:03:14 | |
I think that we have come to a crossroads | 0:03:18 | 0:03:20 | |
because I'm not willing to let her go. | 0:03:20 | 0:03:22 | |
And she wants her freedom. | 0:03:23 | 0:03:25 | |
It's the morning of Alicia's caesarean. | 0:03:35 | 0:03:37 | |
Georgia has got up early to have breakfast with Mum. | 0:03:37 | 0:03:40 | |
This is the last time it'll be just the two of them. | 0:03:40 | 0:03:44 | |
We've got to go. | 0:03:44 | 0:03:45 | |
Get my private room. | 0:03:45 | 0:03:47 | |
We've got to get this show on the road, baby. Come on. | 0:03:48 | 0:03:51 | |
What are you worried about? | 0:03:57 | 0:03:59 | |
I'm worried that I'll have to do loads of stuff for the baby. | 0:03:59 | 0:04:03 | |
Look after the baby. | 0:04:03 | 0:04:04 | |
It'll be screaming and I'll be able to hear it. | 0:04:04 | 0:04:07 | |
And then I'll be tired. | 0:04:07 | 0:04:10 | |
My mum told me she was pregnant on my birthday. | 0:04:15 | 0:04:18 | |
Which was very annoying. | 0:04:18 | 0:04:20 | |
And it wasn't, I didn't believe her because she jokes about things. | 0:04:20 | 0:04:24 | |
I think at first, when she first told me, | 0:04:26 | 0:04:28 | |
I was kind of annoyed that she'd got pregnant and everything. | 0:04:28 | 0:04:31 | |
Because it's always been me and her. | 0:04:33 | 0:04:35 | |
I'm going to stop it. | 0:04:37 | 0:04:38 | |
-What did you do? -That was you because you were going in. | 0:04:38 | 0:04:41 | |
No, it wasn't me, Georgie. | 0:04:41 | 0:04:42 | |
Don't blame everything on me. | 0:04:43 | 0:04:45 | |
Stop being nasty to me. | 0:04:45 | 0:04:46 | |
Yeah, well you should have waited for the next one. | 0:04:46 | 0:04:49 | |
Me wearing scrubs. | 0:04:50 | 0:04:53 | |
The father of the baby's not around. | 0:05:02 | 0:05:04 | |
She kind of feels it's her fault | 0:05:05 | 0:05:08 | |
so I think she kind of blames herself for that. | 0:05:08 | 0:05:11 | |
# You know I never want to let you down | 0:05:17 | 0:05:20 | |
# Cuts me up to see you sad... # | 0:05:21 | 0:05:24 | |
Fine. Oh, I hate this. | 0:05:26 | 0:05:29 | |
Come on, you'll be fine. | 0:05:29 | 0:05:30 | |
She's not doing anything yet. | 0:05:30 | 0:05:32 | |
Just think of the benefits of, you know... | 0:05:33 | 0:05:35 | |
As Alicia is a single parent, | 0:05:39 | 0:05:41 | |
she has asked Georgia to come into the delivery room with her. | 0:05:41 | 0:05:45 | |
Baby's coming soon. | 0:05:45 | 0:05:47 | |
Sounds weird. | 0:05:50 | 0:05:51 | |
Oh-argh! | 0:05:57 | 0:05:58 | |
-Do you want to see your baby? -Oh, yeah. -Yeah. | 0:05:58 | 0:06:00 | |
Take pictures. Slowly! | 0:06:02 | 0:06:04 | |
-Slowly, slowly. -Oh, wow! | 0:06:04 | 0:06:07 | |
Say hi. | 0:06:07 | 0:06:09 | |
Hello. | 0:06:10 | 0:06:12 | |
BABY CRIES | 0:06:12 | 0:06:18 | |
Wow. | 0:06:23 | 0:06:26 | |
It's amazing. | 0:06:26 | 0:06:29 | |
It's left to Georgia to cut her new sister's umbilical cord. | 0:06:29 | 0:06:32 | |
-OK? So you just have to snip away. -Yeah? -And you cut just there for me. | 0:06:32 | 0:06:37 | |
There you go. | 0:06:37 | 0:06:38 | |
Oh my God! | 0:06:38 | 0:06:39 | |
-That's it. -There. | 0:06:40 | 0:06:43 | |
She's cute. | 0:06:43 | 0:06:46 | |
Oh! | 0:06:46 | 0:06:47 | |
She's dead cute. | 0:06:50 | 0:06:53 | |
Our little family. | 0:06:54 | 0:06:55 | |
There's three of us now. | 0:06:57 | 0:07:00 | |
-There was two about three minutes ago. -Now there's three. | 0:07:00 | 0:07:04 | |
There you go. Just hold onto her. | 0:07:07 | 0:07:09 | |
She's so cute. | 0:07:09 | 0:07:12 | |
Her feet! I can feel how tiny she is. | 0:07:14 | 0:07:16 | |
Ah! She's weeing now. Jesus! | 0:07:27 | 0:07:30 | |
THEY LAUGH | 0:07:30 | 0:07:34 | |
-Isn't she sweet? -Yeah. | 0:07:36 | 0:07:37 | |
Welcome to the world, baby Papaya. | 0:07:38 | 0:07:41 | |
# We're going to come together we're going to celebrate | 0:07:42 | 0:07:46 | |
# We'll all gather round like it's your birthday. | 0:07:46 | 0:07:50 | |
# I don't want to know just what I'm going to do | 0:07:50 | 0:07:53 | |
# I don't care where you going I'm coming along with you... # | 0:07:53 | 0:07:58 | |
After a short stay in hospital, Georgia and Alicia have | 0:07:58 | 0:08:01 | |
returned home to start their new lives with baby Papaya. | 0:08:01 | 0:08:05 | |
I'm a one-woman feeding machine. | 0:08:05 | 0:08:08 | |
I'm a one-woman feeding machine. | 0:08:08 | 0:08:10 | |
You can breastfeed? | 0:08:10 | 0:08:12 | |
Yeah, I couldn't believe I can breastfeed. | 0:08:12 | 0:08:14 | |
Because obviously I've had 16 boob jobs. | 0:08:14 | 0:08:17 | |
And the last operation was like seven, eight hours, reconstruction. | 0:08:17 | 0:08:22 | |
So I just can't believe that I'm actually able to breastfeed | 0:08:22 | 0:08:25 | |
and the plastic surgeon said its 50/50. | 0:08:25 | 0:08:27 | |
But I think my saving grace is that they didn't go through the nipple. | 0:08:27 | 0:08:32 | |
So if you have a boob job, don't go through the nipple. | 0:08:34 | 0:08:37 | |
I don't want a boob job! | 0:08:37 | 0:08:38 | |
No, but if any of your friends, don't go through the nipple. | 0:08:38 | 0:08:41 | |
So they're working boobs? | 0:08:41 | 0:08:42 | |
They're working boobs | 0:08:42 | 0:08:43 | |
and they're actually working for the first time for the right reason. | 0:08:43 | 0:08:47 | |
They've been out more times than in my glamour modelling career. | 0:08:47 | 0:08:51 | |
And in the nightclubs. | 0:08:51 | 0:08:53 | |
You aren't giving yourself a very good reputation. | 0:08:53 | 0:08:56 | |
Well it's true though. | 0:08:56 | 0:08:57 | |
If you're a glamour model you get your boobs out for a job. | 0:08:57 | 0:09:00 | |
-Yeah... -I got my boobs out virtually everyday for shoots. | 0:09:02 | 0:09:05 | |
-OK. -But feeding a baby they're out even more times. | 0:09:05 | 0:09:10 | |
Yeah. | 0:09:10 | 0:09:11 | |
I don't know why I bother even putting them back in. | 0:09:11 | 0:09:13 | |
Alicia is settling into motherhood | 0:09:26 | 0:09:28 | |
while Georgia also finds herself with more responsibility. | 0:09:28 | 0:09:31 | |
I think I probably filled that, the role of father a lot for my mum | 0:09:31 | 0:09:36 | |
because I look after her quite a lot and do things like put the pram up | 0:09:36 | 0:09:40 | |
and things like that and everything. | 0:09:40 | 0:09:43 | |
Which, so, you know. | 0:09:43 | 0:09:45 | |
Are you happy to do that? | 0:09:45 | 0:09:47 | |
Yeah, I don't mind it. | 0:09:47 | 0:09:48 | |
It's, you know, it's good for me | 0:09:48 | 0:09:50 | |
and it was amazing that I could have been there. | 0:09:50 | 0:09:52 | |
Because I, I don't know, it just seems so hard | 0:09:52 | 0:09:55 | |
without another person there. | 0:09:55 | 0:09:57 | |
To have a child and you want support of someone | 0:09:57 | 0:10:00 | |
and someone to help you with the baby. | 0:10:00 | 0:10:02 | |
# Down by the river by the boat where everybody goes to be alone | 0:10:03 | 0:10:10 | |
# Where you won't see any rising sun down to the river we go on... # | 0:10:10 | 0:10:17 | |
Alicia and Georgia are introducing baby Papaya to the world. | 0:10:17 | 0:10:20 | |
Beginning with a magazine spread. | 0:10:20 | 0:10:22 | |
A year ago, Alicia had surgery on her face. | 0:10:25 | 0:10:28 | |
She had a chin and nose implant placed under the skin. | 0:10:28 | 0:10:31 | |
She now regrets this decision as it has left her with | 0:10:31 | 0:10:34 | |
nerve damage affecting her ability to smile. | 0:10:34 | 0:10:37 | |
Looking through the pictures from the shoot | 0:10:38 | 0:10:41 | |
she is less than impressed with the results. | 0:10:41 | 0:10:43 | |
My face is like... | 0:10:44 | 0:10:46 | |
plastic so not fantastic. | 0:10:47 | 0:10:50 | |
I can't even smile. They were like "Smile, smile in the pictures". | 0:10:50 | 0:10:53 | |
And I was like...I can't smile. I literally can't smile. | 0:10:53 | 0:10:57 | |
It's friggin' awful. | 0:10:57 | 0:10:59 | |
You're not e-mailing your surgeon, are you? | 0:11:01 | 0:11:04 | |
I am. I really am. Look. | 0:11:04 | 0:11:08 | |
-Are you? -Yes. | 0:11:08 | 0:11:11 | |
How do you feel about that? | 0:11:11 | 0:11:13 | |
As long as I'm on half term I don't mind... | 0:11:13 | 0:11:16 | |
When you go, really. | 0:11:16 | 0:11:18 | |
It needs to move. It's like, this is fucking hideous. | 0:11:18 | 0:11:22 | |
OK. | 0:11:23 | 0:11:25 | |
It's like I haven't even got a body to make up for the face. | 0:11:25 | 0:11:29 | |
You know like some people in a pub they're like, "Shame about the face | 0:11:29 | 0:11:32 | |
"but at least her body is all right." | 0:11:32 | 0:11:34 | |
I've gone and fucked up the whole thing now! | 0:11:34 | 0:11:37 | |
Dejected by the photos for the magazine shoot | 0:11:41 | 0:11:44 | |
and no longer able to smile, | 0:11:44 | 0:11:47 | |
Alicia is wasting no time booking her corrective facial surgery. | 0:11:47 | 0:11:52 | |
That's my main aim is just to get my lip working and get my face working. | 0:11:52 | 0:11:55 | |
And the other question I have, is it safe whilst breastfeeding? | 0:11:55 | 0:11:59 | |
# I can see it and I can feel it by believing... # | 0:11:59 | 0:12:06 | |
It's the day after the magazine shoot | 0:12:11 | 0:12:12 | |
and Georgia is returning home from college. | 0:12:12 | 0:12:16 | |
She's unaware that Alicia has booked her surgery trip to Boston. | 0:12:16 | 0:12:19 | |
-Hello. -Hey! | 0:12:27 | 0:12:29 | |
Hello. | 0:12:29 | 0:12:30 | |
-How was your day? -Yeah, it was good. | 0:12:30 | 0:12:33 | |
So, I've booked us a holiday. | 0:12:33 | 0:12:35 | |
-You have? -Yeah, for your half term. -OK. | 0:12:35 | 0:12:40 | |
-Tiny, tiny, tiny, tiny drawback. -What? | 0:12:40 | 0:12:43 | |
That we have to go February 8, is that all right? Fly February 8? | 0:12:44 | 0:12:49 | |
So you get two days off. | 0:12:50 | 0:12:51 | |
-Not really. -Of college, it's just the last two days of college. | 0:12:51 | 0:12:55 | |
I don't really have a choice, do I? | 0:12:55 | 0:12:57 | |
Why don't you look at your calendar, you'll miss one day of college. | 0:12:58 | 0:13:02 | |
You just said two days. | 0:13:02 | 0:13:04 | |
February 8 is a Wednesday so, yeah, technically two days. | 0:13:04 | 0:13:08 | |
But you'd miss really one, wouldn't you. | 0:13:08 | 0:13:09 | |
No, I'd miss two days. | 0:13:09 | 0:13:12 | |
That'll be my 100% attendance gone! | 0:13:12 | 0:13:15 | |
-Wait, February? -Ninth and... -Wait, wait, of February? -February, yeah. | 0:13:16 | 0:13:24 | |
-Nnnn. -No, don't come up with anything! | 0:13:24 | 0:13:26 | |
Wait, wait, wait, no, no, honest excuse. | 0:13:26 | 0:13:29 | |
OK. Now I have biology mock there. I have drama mock. | 0:13:29 | 0:13:33 | |
Eight, six, seven, eight, photography mock. | 0:13:33 | 0:13:37 | |
And that's for my exam. This will go towards my A-level. | 0:13:37 | 0:13:40 | |
Look. I'm free on that, you know? | 0:13:42 | 0:13:44 | |
That's... | 0:13:45 | 0:13:46 | |
Georgie, please. | 0:13:48 | 0:13:50 | |
No, I'm not, look, it's not, I don't do this on purpose. | 0:13:50 | 0:13:53 | |
This is an exam thing. | 0:13:53 | 0:13:55 | |
I'll just say... | 0:13:55 | 0:13:57 | |
she has a photography... | 0:13:57 | 0:14:03 | |
They're not going to give me. | 0:14:03 | 0:14:05 | |
-..mock on... -I only have two weeks or three weeks left to do this. | 0:14:05 | 0:14:11 | |
I'd like the extra day. | 0:14:11 | 0:14:13 | |
Georgie, you don't need the extra day, this is not crucial. | 0:14:14 | 0:14:18 | |
Well, I don't care, it's fine, I won't do it. | 0:14:19 | 0:14:22 | |
No, Georgie, I'm just finding out... | 0:14:22 | 0:14:25 | |
"She has a photography mock on Wednesday the 8, however..." | 0:14:25 | 0:14:30 | |
Oh, she's kicking off now as well! | 0:14:30 | 0:14:32 | |
"However..." | 0:14:32 | 0:14:34 | |
BABY CRIES | 0:14:34 | 0:14:35 | |
You can't catch up on a mock. If it's over, you've missed it. | 0:14:38 | 0:14:43 | |
Well, I'm finding out, darling, aren't I? I'm writing to see. | 0:14:43 | 0:14:47 | |
That's not good for me, though. | 0:14:47 | 0:14:48 | |
Because it means I won't have as much time as everyone else to do... | 0:14:48 | 0:14:51 | |
You've always got an excuse! | 0:14:51 | 0:14:54 | |
How is this not, this is a valid excuse. | 0:14:54 | 0:14:56 | |
-It's an exam that goes towards my A-level. -It's not... | 0:14:56 | 0:15:00 | |
It's right at the end. It's the last day of term. That's why I thought... | 0:15:00 | 0:15:03 | |
Jesus! It's the last day of term. | 0:15:05 | 0:15:09 | |
That's probably broken now. | 0:15:11 | 0:15:13 | |
OK, I won't go. Fine, you win. | 0:15:13 | 0:15:17 | |
-Yeah? -Yeah. | 0:15:17 | 0:15:18 | |
-Really? -Well, I would prefer that but...you know. | 0:15:20 | 0:15:24 | |
Are you done, yes? | 0:15:29 | 0:15:32 | |
Well, I thought you would be happy that we're going to Boston. | 0:15:32 | 0:15:35 | |
Doesn't bother me. | 0:15:37 | 0:15:39 | |
Well, it obviously does bother you, doesn't it? | 0:15:39 | 0:15:42 | |
-Georgie, don't walk away. -I need to do stuff. | 0:15:42 | 0:15:46 | |
That went well. | 0:15:50 | 0:15:52 | |
SHE LAUGHS | 0:15:52 | 0:15:53 | |
SHE SIGHS | 0:15:56 | 0:15:57 | |
Great. | 0:15:57 | 0:15:58 | |
SHE TUTS AND SIGHS | 0:16:01 | 0:16:04 | |
MUSIC: "Away FRM U" by Oberhofer | 0:16:04 | 0:16:06 | |
# Oh, oh | 0:16:07 | 0:16:09 | |
# Oh, oh. # | 0:16:10 | 0:16:12 | |
Despite Georgia's pleas, | 0:16:12 | 0:16:14 | |
Alicia is going ahead with the surgery in Boston. | 0:16:14 | 0:16:17 | |
# You're pushing me away from you | 0:16:17 | 0:16:19 | |
# And there's nothing I can do | 0:16:19 | 0:16:22 | |
# And I can't fight All of your battles for you. # | 0:16:22 | 0:16:27 | |
Ready...go. | 0:16:27 | 0:16:29 | |
If she can get 4 1/2-week-old Papaya her first passport in time. | 0:16:30 | 0:16:34 | |
# I'll hop the fence So I can get out of this mess | 0:16:34 | 0:16:38 | |
# Oh oh-oh. # | 0:16:41 | 0:16:45 | |
So, I've done it. I've registered her. So I've got my certificate. | 0:16:45 | 0:16:49 | |
Yay! | 0:16:49 | 0:16:51 | |
I'm now a proud owner of a certified baby. | 0:16:52 | 0:16:56 | |
Papaya Coco Piri Douvall. | 0:16:57 | 0:17:00 | |
MUSIC: "Undercover Martyn" by Two Door Cinema Club | 0:17:00 | 0:17:02 | |
Georgia and Alicia are having a photo shoot for Fabulous magazine. | 0:17:07 | 0:17:12 | |
So, what's the first preference for me to wear? | 0:17:12 | 0:17:15 | |
But, for the first time, Georgia is the focus of the article. | 0:17:15 | 0:17:18 | |
# She spoke words That would melt in your hand. # | 0:17:18 | 0:17:21 | |
If you had a choice, what would you do today? | 0:17:21 | 0:17:23 | |
I'd probably get my homework done out the way | 0:17:23 | 0:17:26 | |
and see my friends right now, | 0:17:26 | 0:17:27 | |
cos they're having a party tonight I think, but I'm not allowed to go. | 0:17:27 | 0:17:32 | |
Even though this would finish, probably, in time for me to go, but... | 0:17:32 | 0:17:36 | |
No. | 0:17:36 | 0:17:38 | |
MUSIC: "Sorta Fairytale" by Tori Amos | 0:17:38 | 0:17:40 | |
# On my way up north | 0:17:44 | 0:17:49 | |
# Up on the Ventura | 0:17:49 | 0:17:51 | |
# I pulled back the hood. # | 0:17:51 | 0:17:56 | |
I would like it a lot to have a lot more freedom and independence. | 0:17:56 | 0:18:00 | |
She likes to say we're best friends, which I guess we are, | 0:18:02 | 0:18:06 | |
but even my best friend, I don't spend every working hour with them. | 0:18:06 | 0:18:11 | |
# We could break a silver lining | 0:18:11 | 0:18:14 | |
# And I'm so sad | 0:18:14 | 0:18:17 | |
# Like a good book I can't put this day back. # | 0:18:17 | 0:18:22 | |
Hair done, make-up on - all dressed up, but nowhere to go. | 0:18:22 | 0:18:25 | |
Georgia is making one last plea to meet up with her friends this evening. | 0:18:25 | 0:18:29 | |
PAPAYA CRIES | 0:18:29 | 0:18:31 | |
You can put that nappy in the bin, if you could. | 0:18:33 | 0:18:36 | |
Aw... | 0:18:37 | 0:18:39 | |
So, is it too late for me to go to Chloe's, then? | 0:18:40 | 0:18:42 | |
-Uh, Georgie, what time is it? -Like, 4.30. -Yes. | 0:18:42 | 0:18:46 | |
-You really want to go late at night? -It's not late at night though. | 0:18:46 | 0:18:50 | |
I knew you would do this. I knew it. But I find it ridiculous. | 0:18:50 | 0:18:53 | |
-Look, it's dark outside. -Yeah, but I... | 0:18:53 | 0:18:56 | |
And you want to go outside - we've got loads of things to do... | 0:18:56 | 0:18:59 | |
We don't have loads of things to do. | 0:18:59 | 0:19:00 | |
-You wanted me to do your photography with you. -Yeah, tomorrow. | 0:19:00 | 0:19:04 | |
-Why do you want to keep seeing all your friends? -Well, because I'm... | 0:19:04 | 0:19:07 | |
-You see them all week at college. -I don't see them all week. | 0:19:07 | 0:19:09 | |
-I don't see Chloe all week. -You never want to see me. | 0:19:09 | 0:19:13 | |
I do want to see you. I spent all day with you. | 0:19:13 | 0:19:16 | |
How can you want to go and see your friends today, Georgie? | 0:19:18 | 0:19:21 | |
MUSIC: "Somebody That I Used To Know" by Gotye | 0:19:21 | 0:19:25 | |
I'm losing her. | 0:19:25 | 0:19:27 | |
# But you didn't have to cut me off | 0:19:28 | 0:19:31 | |
# Make out like it never happened And that we were nothing | 0:19:31 | 0:19:36 | |
# And I don't even need your love | 0:19:36 | 0:19:38 | |
# But you treat me like a stranger And I feel so rough | 0:19:38 | 0:19:43 | |
# No, you didn't have to stoop so low | 0:19:43 | 0:19:46 | |
# Have your friends Collect your records | 0:19:46 | 0:19:48 | |
# And then change your number | 0:19:48 | 0:19:50 | |
# I guess that I Don't need that though | 0:19:50 | 0:19:53 | |
# Now you're just somebody That I used to know. # | 0:19:53 | 0:19:57 | |
It's the night before the trip to Boston for Alicia's surgery. | 0:20:02 | 0:20:05 | |
Georgia has had the results from her photography mock, | 0:20:05 | 0:20:08 | |
but it's not what she was hoping for. | 0:20:08 | 0:20:10 | |
He said, "I expected you to get an A, but you haven't. | 0:20:10 | 0:20:14 | |
"But you've passed." It means I got a B or a C. | 0:20:14 | 0:20:17 | |
Oh, dear. Well, you'll be all right | 0:20:17 | 0:20:19 | |
when it comes to the actual A-level, won't you? | 0:20:19 | 0:20:22 | |
-Well, that was part of the actual A-level. -No. -Yes. | 0:20:22 | 0:20:27 | |
-That's, like, one section of it. -Shut up - I thought it was a mock. | 0:20:27 | 0:20:32 | |
No, photography counts towards the A-level. | 0:20:32 | 0:20:35 | |
-So you're not going to get an A in your photography A-level? -Not in AS. | 0:20:35 | 0:20:39 | |
Oh, my God. That's a disaster. | 0:20:39 | 0:20:42 | |
It's not a disaster. | 0:20:42 | 0:20:44 | |
-So I suppose that's my fault, isn't it, if that's photography? -A bit. | 0:20:44 | 0:20:47 | |
-Really? -Well, he said it was rushed, so... | 0:20:47 | 0:20:52 | |
I must have rushed cos I only had today to do it, so... | 0:20:52 | 0:20:55 | |
MUSIC: "Give Me What I Want" by Kids In Glass Houses | 0:20:55 | 0:20:58 | |
# Doo-doo-doo-doo-doo-doo-doo. # | 0:20:59 | 0:21:01 | |
# We take three steps forward Three steps back | 0:21:01 | 0:21:05 | |
# She said, "I don't like The way you're dressed." | 0:21:05 | 0:21:07 | |
# So then four words later She takes four back... # | 0:21:07 | 0:21:10 | |
Are all your friends meeting up in half term? | 0:21:10 | 0:21:12 | |
Yeah, everyone's meeting up in half term, but I'm busy. | 0:21:12 | 0:21:16 | |
It would have been nice to see my friends. | 0:21:16 | 0:21:19 | |
I go, I come back and I have a couple of days, | 0:21:19 | 0:21:21 | |
but my mum already said, "You're not meeting your friends." | 0:21:21 | 0:21:25 | |
I can when we get back, so... It's a no. | 0:21:25 | 0:21:28 | |
I think she still sees me as a six-year-old, but... I don't know. | 0:21:28 | 0:21:33 | |
She trusts me to do a lot of things. | 0:21:33 | 0:21:34 | |
She expects me to do really adult things all the time, | 0:21:34 | 0:21:37 | |
but then if I want to see my friends or something, it's a no go. | 0:21:37 | 0:21:41 | |
It's a no. | 0:21:42 | 0:21:44 | |
# Give me what I want Give me what I want | 0:21:44 | 0:21:47 | |
# Give me what I want Give me what I want. # | 0:21:47 | 0:21:52 | |
For the first time I've built myself a family and I love this. | 0:21:52 | 0:21:58 | |
I love having a family. I love having, you know... | 0:21:58 | 0:22:00 | |
Papaya and Georgia and I've got a family. I love sitting around, | 0:22:02 | 0:22:06 | |
and what people probably take for granted and don't think is that much, | 0:22:06 | 0:22:09 | |
but, like, sitting around and having our dinner - | 0:22:09 | 0:22:12 | |
I think, "Oh, my God," and, like, I've built a happy home. | 0:22:12 | 0:22:15 | |
In my eyes, I've succeeded in the most important thing | 0:22:15 | 0:22:19 | |
that I ever set out to accomplish | 0:22:19 | 0:22:21 | |
and I've built a safe, happy, loving home, | 0:22:21 | 0:22:24 | |
which...I know is really... | 0:22:24 | 0:22:28 | |
Most people would take that for granted, | 0:22:28 | 0:22:30 | |
but where I've come from and where I am now - | 0:22:30 | 0:22:35 | |
that's a fucking miracle. | 0:22:35 | 0:22:37 | |
So I'm not ready to let it go. | 0:22:38 | 0:22:41 | |
Call me a shit mum or call me what you want, but... | 0:22:41 | 0:22:45 | |
I don't know. I don't want her to grow up and I don't want her... | 0:22:45 | 0:22:48 | |
I don't want her to be, you know, gone. | 0:22:49 | 0:22:52 | |
And off with some boy. | 0:22:52 | 0:22:54 | |
No, he can't take my little girl away from me - she's too tiny. | 0:22:54 | 0:22:57 | |
I want her to be a little baby for a bit longer. | 0:22:58 | 0:23:01 | |
I don't think that's too much to ask for. | 0:23:01 | 0:23:03 | |
MUSIC: "Come Closer" by Miles Kane | 0:23:03 | 0:23:06 | |
I'm going to Boston, baby. | 0:23:10 | 0:23:12 | |
Alicia, Georgia and seven-week-old Papaya | 0:23:13 | 0:23:16 | |
are all on their way to Boston | 0:23:16 | 0:23:18 | |
so Alicia can have her chin and nose implants removed. | 0:23:18 | 0:23:22 | |
# You're a million miles | 0:23:22 | 0:23:24 | |
# A million miles away | 0:23:24 | 0:23:28 | |
# So come closer | 0:23:28 | 0:23:33 | |
# Whoa-oh oh-oh oh-oh Ah-ah ah-ah ah-ah | 0:23:33 | 0:23:36 | |
# Whoa-oh oh-oh oh-oh. # | 0:23:36 | 0:23:39 | |
ALICIA SIGHS So, I can't believe it. | 0:23:39 | 0:23:42 | |
This is the last time you see this ugly face. | 0:23:42 | 0:23:44 | |
-Yay! -That's going to be gone, | 0:23:44 | 0:23:47 | |
that's going to be gone and then like that. | 0:23:47 | 0:23:50 | |
-Like that. -OK. | 0:23:51 | 0:23:54 | |
So, without the plastic, my nose originally is like... | 0:23:54 | 0:23:58 | |
..that. So, that goes. | 0:23:59 | 0:24:01 | |
This is what the surgeons do, you see? Look. | 0:24:04 | 0:24:07 | |
It looks good, yeah. It's fine. | 0:24:07 | 0:24:09 | |
So that's without the nose implant and without the chin implant. | 0:24:10 | 0:24:13 | |
I can't really see the difference with the chin. I guess... | 0:24:13 | 0:24:16 | |
-That's me. -OK. -Again. | 0:24:19 | 0:24:22 | |
Georgia now has an idea of what to expect from tomorrow's surgery, | 0:24:28 | 0:24:33 | |
but experience has taught her that Alicia is rarely happy with the outcome for long. | 0:24:33 | 0:24:37 | |
It's 6am, the morning of Alicia's surgery. | 0:24:47 | 0:24:50 | |
Georgia is up and preparing bottles. | 0:24:50 | 0:24:52 | |
She is about to be solely responsible for Papaya | 0:24:52 | 0:24:55 | |
for the first time. | 0:24:55 | 0:24:57 | |
-Right, I'd better go. -OK. | 0:24:57 | 0:25:00 | |
I shall go and meet my fate. | 0:25:01 | 0:25:05 | |
Bye-bye, little one. | 0:25:06 | 0:25:08 | |
I love you lots, but I've got to leave you. | 0:25:09 | 0:25:13 | |
-Have you got everything? -Yeah. | 0:25:13 | 0:25:15 | |
-OK, bye-bye. -I love you lots. -Love you too. -Bye-bye - | 0:25:15 | 0:25:18 | |
-I don't want to go. -You'll be fine. | 0:25:18 | 0:25:21 | |
You'll be back soon. | 0:25:21 | 0:25:23 | |
-Bye. -Bye. Have fun. | 0:25:25 | 0:25:28 | |
-Well, you won't have fun, but... -Bye. -Bye. | 0:25:29 | 0:25:32 | |
-Bye. -Bye, OK! | 0:25:33 | 0:25:35 | |
I get it - you're going now. | 0:25:35 | 0:25:37 | |
-Bye. -Bye! | 0:25:37 | 0:25:39 | |
-Love you lots - won't be long. -OK. | 0:25:41 | 0:25:44 | |
-I love you lots. -Love you, too. | 0:25:44 | 0:25:46 | |
-Bye. -Bye-bye, Papaya - I love you. | 0:25:46 | 0:25:49 | |
She's not listening. She's looking away. | 0:25:49 | 0:25:53 | |
Oh, it's horrible, this is. | 0:25:53 | 0:25:55 | |
I didn't even cry at the birth of my daughter. I never, ever, ever cry. | 0:26:13 | 0:26:18 | |
The severity of it all. | 0:26:18 | 0:26:20 | |
I'm OK now. | 0:26:24 | 0:26:25 | |
It's just not nice, is it? | 0:26:27 | 0:26:29 | |
Oh, God - part of me just prays that I never, | 0:26:30 | 0:26:33 | |
ever have to put myself or my family in this situation again. | 0:26:33 | 0:26:37 | |
But, you know what? This is like, | 0:26:38 | 0:26:40 | |
please, if I come away with my mouth working again, | 0:26:40 | 0:26:44 | |
I really don't want any more surgery. I really don't. It's just shit. | 0:26:44 | 0:26:48 | |
This is as low as you can go, isn't it, really? | 0:26:49 | 0:26:52 | |
MUSIC: "Born To Die" by Lana Del Rey | 0:26:52 | 0:26:54 | |
# Walking through the city streets | 0:26:54 | 0:26:58 | |
# Is it by mistake or design | 0:26:59 | 0:27:03 | |
# I feel so alone On the Friday nights | 0:27:03 | 0:27:08 | |
# Can you make it feel like home If I tell you you're mine | 0:27:08 | 0:27:13 | |
# It's like I told you, honey | 0:27:13 | 0:27:16 | |
# Don't make me sad | 0:27:16 | 0:27:18 | |
# Don't make me cry | 0:27:18 | 0:27:21 | |
# Sometimes love is not enough And the road gets tough | 0:27:21 | 0:27:26 | |
# I don't know why. # | 0:27:26 | 0:27:28 | |
PAPAYA WAILS | 0:27:28 | 0:27:31 | |
It's coming. | 0:27:36 | 0:27:38 | |
Georgia has learnt all about sterilising bottles | 0:27:40 | 0:27:43 | |
and caring for Papaya, but she's never had to do it alone before. | 0:27:43 | 0:27:47 | |
Where are the baby wipes? Sh, sh, sh, sh. | 0:27:49 | 0:27:51 | |
MUSIC: "Go" by Delilah | 0:27:51 | 0:27:53 | |
It's all done. | 0:27:58 | 0:28:00 | |
# I've been waiting for you It's been so long. # | 0:28:00 | 0:28:03 | |
Lean forward. Lean forward. | 0:28:03 | 0:28:05 | |
# I know just what I would do | 0:28:05 | 0:28:08 | |
# When I heard your song | 0:28:08 | 0:28:10 | |
# The next thing I felt was you | 0:28:11 | 0:28:14 | |
# Holding me close | 0:28:14 | 0:28:17 | |
# What am I going to do. # | 0:28:17 | 0:28:19 | |
Georgia is hopeful that her mum's attitude towards plastic surgery | 0:28:19 | 0:28:23 | |
is finally changing. | 0:28:23 | 0:28:25 | |
My mum does seem different from the other times | 0:28:25 | 0:28:28 | |
when she's gone to have surgery. | 0:28:28 | 0:28:30 | |
-She's more... -PAPAYA CRIES | 0:28:30 | 0:28:32 | |
Um... Sh. | 0:28:32 | 0:28:35 | |
Like, before she used to be, kind of, like, excited to go, | 0:28:35 | 0:28:38 | |
but now she's really not. | 0:28:38 | 0:28:40 | |
Doesn't want to leave Papaya and me. | 0:28:40 | 0:28:42 | |
I hope it works. I hope she looks better from it | 0:28:42 | 0:28:46 | |
and, like, her face works, don't we? | 0:28:46 | 0:28:49 | |
If it was my choice then I'd say, yeah, this would be my last trip | 0:28:49 | 0:28:52 | |
if this isn't her last surgery | 0:28:52 | 0:28:54 | |
cos I wouldn't want to come back again. | 0:28:54 | 0:28:56 | |
It's just so much hassle and stress and everything | 0:28:56 | 0:29:00 | |
and it's not even worth it. | 0:29:00 | 0:29:01 | |
-PAPAYA CRIES -I miss school because of it | 0:29:01 | 0:29:04 | |
and then I have to sit here... | 0:29:04 | 0:29:07 | |
Come on. Sh. | 0:29:07 | 0:29:10 | |
Is this what you want, or not? No? | 0:29:10 | 0:29:14 | |
I have to sit here, you know, with her screaming and then her... | 0:29:15 | 0:29:18 | |
-PAPAYA COUGHS -Ooh. | 0:29:18 | 0:29:21 | |
Are you done now? You can't want more. | 0:29:24 | 0:29:28 | |
# But Ooh Your love's so cruel | 0:29:30 | 0:29:32 | |
# You make me wanna go, go | 0:29:32 | 0:29:35 | |
# Go, go, go ooh. # | 0:29:35 | 0:29:40 | |
Georgia has now spent 11 hours alone with Papaya. | 0:29:40 | 0:29:44 | |
Hi, I just wanted to know if Alicia Douvall has come out of her surgery yet? | 0:29:44 | 0:29:47 | |
But her duties do not end here. | 0:29:47 | 0:29:50 | |
When Alicia returns, she will be affected by the anaesthetic and also need care. | 0:29:50 | 0:29:55 | |
Hi. | 0:29:55 | 0:29:57 | |
Morning. | 0:29:57 | 0:29:59 | |
Your face doesn't look that bad, actually. | 0:29:59 | 0:30:01 | |
-I'm so happy with my nose. -Yeah, it looks better. | 0:30:02 | 0:30:06 | |
It's so much better. Old nose. | 0:30:06 | 0:30:08 | |
It's starting to swell now so you won't see, but I've got me back. | 0:30:10 | 0:30:14 | |
-Yeah, it's good. -Do I look better? -Yeah. | 0:30:14 | 0:30:18 | |
Papaya. I missed... Ooh. | 0:30:18 | 0:30:21 | |
Do look a bit strange? | 0:30:21 | 0:30:24 | |
-I missed you. -She's kind of tired. | 0:30:24 | 0:30:28 | |
Oh, no. | 0:30:28 | 0:30:30 | |
Have I changed the outline so you can't recognise me? | 0:30:30 | 0:30:33 | |
She's looking at me. | 0:30:34 | 0:30:36 | |
Yeah, she looks at everyone like that. | 0:30:36 | 0:30:38 | |
MUSIC: "What Can I Say?" by The Pigeon Detectives | 0:30:38 | 0:30:41 | |
That's a bit tight. | 0:30:41 | 0:30:43 | |
That's my instructions. That's my care instructions. | 0:30:45 | 0:30:50 | |
I've kind of got my hands full at the moment. | 0:30:50 | 0:30:52 | |
-This is a mouthwash. Did I say that? -Yep, you said that. | 0:30:52 | 0:30:56 | |
# You say that you're Trying to change | 0:30:56 | 0:30:59 | |
# But you go at it again At it again | 0:30:59 | 0:31:03 | |
# What can I say? # | 0:31:03 | 0:31:05 | |
Party, Papaya. This is it - the start of a new life. | 0:31:05 | 0:31:09 | |
You've got your new life, now I've got mine. | 0:31:09 | 0:31:11 | |
-OK, can you just stop talking now? -OK, sorry. | 0:31:11 | 0:31:14 | |
# You say that you're Trying to change | 0:31:14 | 0:31:16 | |
# But you go at it again At it again | 0:31:16 | 0:31:20 | |
# And now it seems the only way | 0:31:20 | 0:31:24 | |
# To tell the night from day. # | 0:31:24 | 0:31:27 | |
-I'm really proud of you. -That's good. -Thank you so much. | 0:31:27 | 0:31:31 | |
-I so appreciate you. -It's fine. OK, well... Yeah. | 0:31:31 | 0:31:34 | |
You will be rewarded in heaven, but... | 0:31:36 | 0:31:39 | |
-In heaven? -I'll take you shopping. | 0:31:39 | 0:31:41 | |
-OK. -And after this, this is a new start. | 0:31:41 | 0:31:45 | |
Yeah, cos I'm not doing it again. So it's fine. | 0:31:45 | 0:31:47 | |
Yeah, and we're going to take you shopping to Boston | 0:31:47 | 0:31:50 | |
-and I'm going to buy you some nice stuff. -OK. -And treat you. | 0:31:50 | 0:31:55 | |
-And we can start having a good time now. -That's good. | 0:31:55 | 0:31:59 | |
-The worst is over and behind us and this is, like... -We've got tonight. | 0:31:59 | 0:32:03 | |
-Hopefully this is the start of a new start. -OK. | 0:32:03 | 0:32:08 | |
Thank you, Georgia. I really appreciate it. | 0:32:08 | 0:32:11 | |
It's fine. | 0:32:11 | 0:32:13 | |
-Thank you. -It's OK. | 0:32:13 | 0:32:16 | |
-You are lovely. You're the apple of my eye. -OK. | 0:32:16 | 0:32:20 | |
-You really are lovely. -It's fine. | 0:32:23 | 0:32:26 | |
-You're an angel. -OK. | 0:32:27 | 0:32:30 | |
-And it's not just the drugs saying that. -OK. | 0:32:31 | 0:32:35 | |
Alicia is sleeping in the other room recovering from anaesthetic | 0:32:37 | 0:32:42 | |
leaving Georgia to care for Papaya through the night. | 0:32:42 | 0:32:45 | |
FROM OUTSIDE: Turn the light off and then she'll probably... | 0:32:45 | 0:32:48 | |
-PAPAYA WAILS -Urgh! | 0:32:51 | 0:32:54 | |
-ALICIA MURMURS -What? | 0:32:54 | 0:32:56 | |
-Are you all right? -Yep. | 0:33:01 | 0:33:03 | |
-Here, let me pull your legs. -Oh, no, no - that's fine. | 0:33:03 | 0:33:07 | |
I'm there now. No, no - I'm there. It's fine. | 0:33:07 | 0:33:11 | |
-Is that the middle? -Yeah, yeah, no. OK, go back. | 0:33:11 | 0:33:15 | |
PAPAYA MURMURS Sh, sh, sh, sh. | 0:33:18 | 0:33:20 | |
Put your head down, your head down. | 0:33:20 | 0:33:23 | |
Twist it. | 0:33:23 | 0:33:24 | |
-Good night. -Night. | 0:33:25 | 0:33:28 | |
-Love you. -Love you, too. -Love you. | 0:33:28 | 0:33:30 | |
-ALICIA MUTTERS -Just go to sleep. | 0:33:30 | 0:33:33 | |
It's the morning after surgery and Georgia has been up for hours. | 0:33:45 | 0:33:49 | |
Morning. | 0:33:58 | 0:33:59 | |
Oh, God - I'm swelling up now. | 0:34:01 | 0:34:03 | |
I feel like shit. | 0:34:03 | 0:34:05 | |
SHE CHUCKLES | 0:34:05 | 0:34:07 | |
I feel awful. | 0:34:07 | 0:34:09 | |
I've got a headache, I feel tired and I'm in pain, | 0:34:09 | 0:34:12 | |
but I'm not taking the painkillers. | 0:34:12 | 0:34:14 | |
I started breastfeeding again at three in the morning, | 0:34:14 | 0:34:17 | |
but I'm just expressing. | 0:34:17 | 0:34:18 | |
Believing this really was her last-ever surgical procedure, | 0:34:19 | 0:34:23 | |
Alicia reflects on when it all began. | 0:34:23 | 0:34:26 | |
I've been addicted to plastic surgery for... | 0:34:26 | 0:34:29 | |
Since I was... | 0:34:31 | 0:34:32 | |
17, I had my first operation. | 0:34:33 | 0:34:37 | |
I've been addicted since then. | 0:34:37 | 0:34:40 | |
That's a long time. | 0:34:40 | 0:34:41 | |
And waiting in the waiting room I thought, "This so isn't the answer. | 0:34:44 | 0:34:48 | |
"It's such a mug's game." | 0:34:48 | 0:34:50 | |
I just don't want to do it ever again. I really don't. | 0:34:54 | 0:34:58 | |
And I said that before, but... | 0:34:58 | 0:35:01 | |
I think this time... | 0:35:03 | 0:35:05 | |
My frame of mind is completely different. | 0:35:06 | 0:35:10 | |
And I feel like this is a start of... Finally, I'm going to live my life. | 0:35:11 | 0:35:16 | |
Georgia's got a good feeling that it's the end as well, haven't you? | 0:35:19 | 0:35:22 | |
Yeah. | 0:35:22 | 0:35:24 | |
Do you think it's the last surgery? | 0:35:43 | 0:35:46 | |
I don't know. I don't want to... | 0:35:46 | 0:35:48 | |
If I say I think it is, it probably won't be, but... | 0:35:49 | 0:35:52 | |
I don't know. | 0:35:53 | 0:35:55 | |
Do you hope it's the last surgery? | 0:35:55 | 0:35:56 | |
I mean, yeah, it'd be great for her if it was | 0:35:56 | 0:35:58 | |
because then she wouldn't have to, you know, keep wasting her money | 0:35:58 | 0:36:02 | |
and coming here and back again | 0:36:02 | 0:36:04 | |
and it would be really good for everyone. | 0:36:04 | 0:36:07 | |
I think for Papaya as well cos she won't have to, kind of, see it either. | 0:36:07 | 0:36:11 | |
I don't know. I don't know if it will be. | 0:36:14 | 0:36:16 | |
I think this experience definitely has been different. | 0:36:21 | 0:36:24 | |
I think now it's very clear | 0:36:24 | 0:36:26 | |
that she's not making herself look better in any way. | 0:36:26 | 0:36:29 | |
I look at pictures of her when she was, like, | 0:36:29 | 0:36:32 | |
19, 20 and she would look perfect there. | 0:36:32 | 0:36:36 | |
This picture was of my mum | 0:36:37 | 0:36:40 | |
before, I think, she had really any surgery | 0:36:40 | 0:36:43 | |
apart from, like, one boob job, maybe. | 0:36:43 | 0:36:45 | |
No, I think she looks really good there. | 0:36:45 | 0:36:48 | |
Like, her hair and everything looks nice. It's natural. | 0:36:48 | 0:36:51 | |
It looks different to what she looks like now. | 0:36:51 | 0:36:54 | |
The first, like, surgery that I remember of hers | 0:36:55 | 0:36:59 | |
was probably when she had, like, her whole face, kind of, | 0:36:59 | 0:37:02 | |
peel thing or something and it was like flesh red. | 0:37:02 | 0:37:06 | |
She had this plastic thing over it. | 0:37:06 | 0:37:08 | |
And I saw her and I was just like running away, screaming and crying. | 0:37:08 | 0:37:12 | |
I was like, "No, the monster!" | 0:37:12 | 0:37:14 | |
She can move on now, you know? | 0:37:16 | 0:37:18 | |
She can fix what she's done wrong | 0:37:18 | 0:37:20 | |
and start living her life without plastic surgery. | 0:37:20 | 0:37:25 | |
MUSIC: "I Would Do Anything For You" by Foster The People | 0:37:25 | 0:37:27 | |
# Never want to stand upon myself | 0:37:27 | 0:37:29 | |
# Never want to get in the way I said it | 0:37:29 | 0:37:32 | |
# I don't know what the plan is | 0:37:32 | 0:37:35 | |
# But you can share with me | 0:37:35 | 0:37:39 | |
# Cos ooh, la, la I've fallen in love | 0:37:39 | 0:37:43 | |
# And it's better this time | 0:37:43 | 0:37:45 | |
# Than ever before | 0:37:45 | 0:37:47 | |
# Cos ooh, la, la I've fallen in love. # | 0:37:47 | 0:37:51 | |
Alicia and Georgia have been back in the UK for a week. | 0:37:51 | 0:37:55 | |
Close friend Jessica is round to help Alicia get ready | 0:37:56 | 0:37:59 | |
for her first night out since before she was pregnant. | 0:37:59 | 0:38:02 | |
That is stunning, and I think with some nice shoes | 0:38:02 | 0:38:05 | |
-and a nice handbag... -No, I look like Big Bird. -Oh, God. | 0:38:05 | 0:38:09 | |
What about this white one? No, not that. | 0:38:09 | 0:38:12 | |
Since arriving back from Boston, | 0:38:12 | 0:38:13 | |
Alicia and Georgia's relationship has strained. | 0:38:13 | 0:38:16 | |
Georgia is still not allowed out and her frustration is growing. | 0:38:16 | 0:38:21 | |
I wanted to go out on Saturday, but... | 0:38:21 | 0:38:24 | |
Did you? Where did you want to go on Saturday? | 0:38:24 | 0:38:27 | |
I wanted to go to my friend's house to stay at hers, but she said no. | 0:38:27 | 0:38:31 | |
But she said next weekend I can go and see my friends. | 0:38:31 | 0:38:36 | |
Well, they're going to come here actually. So... | 0:38:36 | 0:38:39 | |
-Are you looking forward to that? -Yeah, it should be good. | 0:38:39 | 0:38:43 | |
I don't know, though. Cos she'll probably just be hanging around. | 0:38:43 | 0:38:47 | |
It's not really the same as going to see your friends | 0:38:47 | 0:38:50 | |
as staying here with your mum. | 0:38:50 | 0:38:52 | |
I'm 32, she's bloomin' 16. | 0:38:52 | 0:38:56 | |
-Not the same, is it? -Yeah. | 0:38:57 | 0:38:59 | |
She thinks she should be able to go out | 0:38:59 | 0:39:02 | |
and stay overnight with her friend and go to parties, but it's like... | 0:39:02 | 0:39:06 | |
-It's just not right. -No. | 0:39:06 | 0:39:09 | |
What does she do when she goes out with her friends anyway? | 0:39:09 | 0:39:12 | |
Always wants to go and play Xbox, to be fair. | 0:39:12 | 0:39:16 | |
She wants to go around their house and play Xbox, | 0:39:16 | 0:39:18 | |
so it's not like she wants to go clubbing or anything, but you know, | 0:39:18 | 0:39:21 | |
that's when someone will offer her a drink or offer her drugs | 0:39:21 | 0:39:25 | |
and the next thing you know you've got a heroin addict on your hands. | 0:39:25 | 0:39:28 | |
-Jessica, are you ready? -Ready. | 0:39:32 | 0:39:35 | |
-Please don't get moody, darling, it's very exhausting. -I'm not! | 0:39:36 | 0:39:39 | |
You're 16, not 60 - you can't be going out at 16 years old. | 0:39:40 | 0:39:45 | |
Well, how come everyone else does? | 0:39:45 | 0:39:47 | |
Because they're the ones who are going to end up 16 and pregnant. | 0:39:47 | 0:39:51 | |
-No, because I'm not going... -And unsuccessful at school. | 0:39:51 | 0:39:54 | |
You're going to be doing... You're going to do well. | 0:39:54 | 0:39:57 | |
You're going to come away with A-levels | 0:39:57 | 0:40:00 | |
and you're going to do well, whereas they're not. | 0:40:00 | 0:40:03 | |
But anyway, I don't like asking you about going anywhere... | 0:40:03 | 0:40:06 | |
-But you were sneaky about it. -Yeah, that's because I don't like asking you | 0:40:06 | 0:40:09 | |
cos you say no to everything! | 0:40:09 | 0:40:10 | |
Why don't you want your friend to come here though? | 0:40:10 | 0:40:13 | |
It's just awkward having, you know, your mum there. | 0:40:13 | 0:40:17 | |
-Why? -Because it's not what people want. | 0:40:17 | 0:40:19 | |
People aren't five any more. | 0:40:19 | 0:40:21 | |
-Your friends might like us. -Exactly. I bet they would like us. -We're fun. | 0:40:21 | 0:40:27 | |
I bet the boys would like Jessica. | 0:40:27 | 0:40:29 | |
They're not... | 0:40:29 | 0:40:30 | |
We should have a theme! | 0:40:33 | 0:40:35 | |
THEY CLAP AND GIGGLE | 0:40:35 | 0:40:38 | |
Shall we have a theme? | 0:40:38 | 0:40:39 | |
-Oh, your friends will love it. -Oh, come on let us have the theme! | 0:40:39 | 0:40:42 | |
-What's the theme? -Pimps and prostitutes? | 0:40:42 | 0:40:46 | |
No, we were going to do that. Pimps and whores it was. | 0:40:46 | 0:40:49 | |
-So you want my friends to come dressed like that? -Yeah. | 0:40:49 | 0:40:53 | |
-Pimps and prostitutes - or should we do Barbie and Ken? -No. No, no. | 0:40:53 | 0:40:57 | |
What time? | 0:40:57 | 0:40:59 | |
Um... Seven o'clock? Six o'clock? | 0:40:59 | 0:41:03 | |
Say six o'clock and then they can... | 0:41:03 | 0:41:05 | |
Oh, she's getting excited now, see? | 0:41:05 | 0:41:07 | |
Ah, see? You're liking her parties now! | 0:41:07 | 0:41:09 | |
If you're going to go all out, I might as well invite more people. | 0:41:09 | 0:41:12 | |
-THEY CHEER AND CLAP -There we go. | 0:41:12 | 0:41:15 | |
See, look - we've made her happy now. | 0:41:15 | 0:41:17 | |
Alicia and Georgia have reached a compromise and peace is restored. | 0:41:17 | 0:41:21 | |
The girls head out for the night excited to make more party plans, | 0:41:21 | 0:41:25 | |
leaving Georgia to babysit. | 0:41:25 | 0:41:27 | |
MUSIC: "Bad Girls" by M.I.A. | 0:41:27 | 0:41:31 | |
# Live fast, die young Bad girls do it well | 0:41:31 | 0:41:33 | |
# Live fast, die young Bad girls do it well. # | 0:41:33 | 0:41:38 | |
This feels weird. It feels like... | 0:41:38 | 0:41:41 | |
Do you feel nice getting all dressed up today and going out? | 0:41:41 | 0:41:44 | |
Well, it's a bit hectic, isn't it? But, yeah, it does feel nice getting ready, | 0:41:44 | 0:41:47 | |
but it feels weird. It feels like this isn't my life any more. | 0:41:47 | 0:41:51 | |
-You know? -Yeah. | 0:41:52 | 0:41:53 | |
# Hands up | 0:41:53 | 0:41:55 | |
# Hands tied | 0:41:55 | 0:41:57 | |
# Don't go screaming If I blow you with a bang | 0:41:57 | 0:42:00 | |
# Suki Zuki I'm coming in the Cherokee | 0:42:00 | 0:42:04 | |
# Gasoline There's steam on the window screen. # | 0:42:04 | 0:42:07 | |
I guess if my mum's going to be involved | 0:42:07 | 0:42:10 | |
and in the room and everything, | 0:42:10 | 0:42:12 | |
she might as well go all the way out | 0:42:12 | 0:42:14 | |
and embarrass me completely. | 0:42:14 | 0:42:17 | |
MUSIC: "Sprawl II" by Arcade Fire | 0:42:17 | 0:42:19 | |
# They heard me singing And they told me to stop. # | 0:42:21 | 0:42:26 | |
Saturday has arrived and Georgia and Alicia | 0:42:26 | 0:42:28 | |
are planning for the night's Pimp And Whore gathering. | 0:42:28 | 0:42:32 | |
Complete with pass-the-parcel and magician. | 0:42:32 | 0:42:35 | |
I'm a bit worried about quiches. That's the picture... | 0:42:35 | 0:42:39 | |
..this is how it turned out. | 0:42:40 | 0:42:43 | |
# We rode our bikes To the nearest park | 0:42:43 | 0:42:47 | |
Versace, come here. | 0:42:52 | 0:42:54 | |
Look. Look at the doggy. Doesn't he look good? | 0:42:56 | 0:42:59 | |
He's a whore. | 0:42:59 | 0:43:01 | |
Here we go. | 0:43:01 | 0:43:03 | |
Have you done the carrots and a cucumber, Jessica? | 0:43:04 | 0:43:06 | |
-No, I'm going to do it now. -OK. -Anything else? -Um... | 0:43:06 | 0:43:10 | |
A nice new man, naked? No? | 0:43:10 | 0:43:13 | |
# Black river Your city lights shine. # | 0:43:15 | 0:43:18 | |
-So which outfit have you gone with? What's this? -I'm the saloon... | 0:43:18 | 0:43:22 | |
-Saloon girl. -Do you think people will be talking about this on Monday at college? | 0:43:22 | 0:43:26 | |
Yeah, people probably will be talking about it. | 0:43:26 | 0:43:30 | |
You look amazing. It looks really good. | 0:43:32 | 0:43:35 | |
-You look like a proper whore now, well done. -Thanks. | 0:43:35 | 0:43:39 | |
I'm going to do the washing-up. | 0:43:39 | 0:43:41 | |
-I'll do the washing-up. Do your make-up. -Yeah, but you can't do it. | 0:43:41 | 0:43:44 | |
It's not the most important thing - | 0:43:44 | 0:43:46 | |
-the most important thing is your make-up, darling. -No, because this looks really bad. | 0:43:46 | 0:43:50 | |
Georgie's really stressed. I see another side to Georgie now. | 0:43:51 | 0:43:56 | |
MUSIC: "Wild Ones" by Flo Rida | 0:43:56 | 0:43:57 | |
# Hey, I heard you were a wild one | 0:43:57 | 0:44:01 | |
# Ooh | 0:44:03 | 0:44:06 | |
# If I took you home It'd be a home run. # | 0:44:06 | 0:44:09 | |
It's so stressful having get-togethers. | 0:44:09 | 0:44:12 | |
Georgia collect her friends and is relieved to see | 0:44:14 | 0:44:16 | |
they have entered the party spirit | 0:44:16 | 0:44:19 | |
and come dressed as pimps and whores. | 0:44:19 | 0:44:21 | |
Hello? Hi, everyone. | 0:44:21 | 0:44:24 | |
-This is Jessica. -Jessica. | 0:44:26 | 0:44:29 | |
-Hello. -Hi, nice to meet you. I'm Jess. | 0:44:29 | 0:44:31 | |
-I'm Anthony. -THEY LAUGH | 0:44:31 | 0:44:33 | |
Hi. Toby. | 0:44:33 | 0:44:35 | |
THEY LAUGH | 0:44:35 | 0:44:37 | |
# I like crazy, foolish, stupid Party going wild, fist pumping | 0:44:37 | 0:44:39 | |
# Music, I might lose it Blast to the roof | 0:44:39 | 0:44:42 | |
That's how we do'z it Do'z it, do'z it | 0:44:42 | 0:44:44 | |
# I don't care the night, She don't care we like | 0:44:44 | 0:44:46 | |
# Almost dared the right five Ain't no surprise | 0:44:46 | 0:44:49 | |
# Take me so high Jumping those dives | 0:44:49 | 0:44:51 | |
# Surfing the crowd. # | 0:44:51 | 0:44:53 | |
This is the first time Alicia's met Georgia's friends | 0:44:53 | 0:44:56 | |
and it appears her worries were unfounded. | 0:44:56 | 0:44:59 | |
I can trust her with them. | 0:44:59 | 0:45:00 | |
I think you've got nothing to worry about with these friends. | 0:45:00 | 0:45:03 | |
I know. Who'd have thought? | 0:45:03 | 0:45:05 | |
I think I will let her out, cos it's not like that lot are going to be... | 0:45:05 | 0:45:08 | |
What did you think they would be like? | 0:45:08 | 0:45:11 | |
You get an image in your head of, like, hood rats. | 0:45:11 | 0:45:13 | |
Maybe you thought that their idea of a party | 0:45:13 | 0:45:16 | |
was music, dancing, drinking... | 0:45:16 | 0:45:17 | |
They're, like, really nice kids and, just...nice. Really nice kids. | 0:45:17 | 0:45:20 | |
Well behaved, aren't they? Polite as well. | 0:45:20 | 0:45:23 | |
They weren't like the type of kids I was going round with. | 0:45:23 | 0:45:25 | |
# Ooh | 0:45:25 | 0:45:28 | |
# Hey, I heard You liked the wild ones | 0:45:28 | 0:45:32 | |
# Wild ones, wild ones, ooh | 0:45:32 | 0:45:35 | |
# Party rocker, foot show stopper | 0:45:35 | 0:45:37 | |
# More shampoo Number one, club popper | 0:45:37 | 0:45:39 | |
# Got a hangover like too much vodka Can't see me with ten binoculars | 0:45:39 | 0:45:42 | |
# So cool No doubt by the end of the night | 0:45:42 | 0:45:45 | |
# Got the clothes coming off Til' I make that move | 0:45:45 | 0:45:48 | |
# Somehow, someway Gotta raise the roof, roof | 0:45:48 | 0:45:50 | |
# All black shades When the sun come through | 0:45:50 | 0:45:52 | |
# Oh, it's on like everything goes Round up, baby, till the freaky show | 0:45:52 | 0:45:56 | |
# What happens to that body Is a private show | 0:45:56 | 0:45:58 | |
# Stays right here Pri-Private show. # | 0:45:58 | 0:46:01 | |
'I think a lot of people definitely think that she is irresponsible | 0:46:01 | 0:46:04 | |
'and not a good mum, but a lot of people don't really know her. | 0:46:04 | 0:46:07 | |
'I think she's a good mum.' | 0:46:07 | 0:46:09 | |
A few days later, it turns out Georgia has an admirer. | 0:46:24 | 0:46:28 | |
Toby, a boy from the party, | 0:46:28 | 0:46:30 | |
has written a message on her Facebook page. | 0:46:30 | 0:46:32 | |
-In what way? What did he say, "I love you," or something? -Basically. | 0:46:36 | 0:46:40 | |
-Did he? -Basically. Kind of. In that sense. | 0:46:40 | 0:46:43 | |
Did he? How can he love you? So you've been dating him, basically. | 0:46:43 | 0:46:47 | |
-No, I haven't! No. -Yes, you have. | 0:46:47 | 0:46:50 | |
No, I haven't. | 0:46:50 | 0:46:51 | |
-Well, how can he love you unless he's been dating you? -I don't know. | 0:46:51 | 0:46:55 | |
So you been dating him for how long? | 0:46:55 | 0:46:57 | |
I haven't been dating him. I'm not dating him - we're friends. | 0:46:57 | 0:47:01 | |
I'm not dating him. | 0:47:01 | 0:47:03 | |
Is that what you've been doing in your room? | 0:47:04 | 0:47:06 | |
Sitting there going, "I love you." "I love you back." | 0:47:06 | 0:47:08 | |
No! I don't tell people I love them. | 0:47:08 | 0:47:10 | |
You did respond and has he been asking you out? | 0:47:10 | 0:47:13 | |
-Yeah. -And what you say? | 0:47:13 | 0:47:15 | |
-No. -Why not? | 0:47:15 | 0:47:17 | |
What? You just told me not to, so I'm not. | 0:47:17 | 0:47:19 | |
Would you like to go on a date with him? | 0:47:19 | 0:47:21 | |
I don't mind. | 0:47:21 | 0:47:23 | |
-I guess I would. -Well, don't knock yourself out for the poor boy. -What? | 0:47:23 | 0:47:27 | |
I think it's nice you've got a little geeky boyfriend. It's nice. | 0:47:27 | 0:47:30 | |
-Oh, my God. -You can study your work together and stuff, can't you? | 0:47:30 | 0:47:33 | |
-So you wouldn't have sex then? -No! | 0:47:33 | 0:47:36 | |
Please don't, Georgia, because I'd be really upset. | 0:47:36 | 0:47:39 | |
I'm not going to. I don't want to, OK? It's fine. Not going to. | 0:47:39 | 0:47:43 | |
Toby is on his way to pick Georgia up for her first ever date | 0:47:47 | 0:47:51 | |
and Alicia is keen to help her get ready. | 0:47:51 | 0:47:54 | |
-Do you want me to do your make-up for you? -No. | 0:47:54 | 0:47:56 | |
-So when he comes round he goes... -I've done it. -"Oh, wow - she looks lovely." | 0:47:56 | 0:47:59 | |
-Where? -I just... I don't put, like, tons on, do I? | 0:47:59 | 0:48:03 | |
Do you want a bit more? | 0:48:03 | 0:48:06 | |
I'll go and find you an outfit quickly. | 0:48:06 | 0:48:08 | |
This...with black leggings... | 0:48:11 | 0:48:15 | |
We're going to a park! | 0:48:15 | 0:48:17 | |
-Darling, can I pluck your eyebrows? -Yes. -Thank you. | 0:48:17 | 0:48:20 | |
-No. No. -No, this isn't red and I'm going to dull it down with pink. | 0:48:33 | 0:48:36 | |
-No, I don't want that. -It's coral. It's coral. -No, it's fine. | 0:48:36 | 0:48:40 | |
-No, no, no. Just one little bit more. -No! I'll look like a drag queen. | 0:48:40 | 0:48:43 | |
-Lip-gloss. Lip-gloss doesn't do anything. -I've got my own lip-gloss. | 0:48:43 | 0:48:46 | |
-It's fine. -OK, let me do... -No! No. | 0:48:46 | 0:48:49 | |
-Hello. -Crazy. -SHE LAUGHS | 0:48:58 | 0:49:01 | |
-Oh, hi! -Hi. | 0:49:04 | 0:49:06 | |
-How are you? -I'm good, how are you? -Fine, thank you. | 0:49:07 | 0:49:10 | |
It's her first date. | 0:49:10 | 0:49:13 | |
-Oh, my God. -Isn't it? | 0:49:13 | 0:49:14 | |
Have you been on dates before? | 0:49:14 | 0:49:16 | |
Uh...Not proper ones. | 0:49:16 | 0:49:19 | |
Aw, it's both of your first dates. That's so sweet. | 0:49:19 | 0:49:22 | |
-Where's your purse? -So don't let her smoke or drink. | 0:49:22 | 0:49:26 | |
-Do you smoke or drink? -No. -Good. | 0:49:26 | 0:49:28 | |
If she smokes or drinks, I will kill you and I will kill you. | 0:49:28 | 0:49:32 | |
-Yeah, I won't let her smoke definitely. -Or drink. | 0:49:32 | 0:49:35 | |
-Yeah, or drink. -Good. | 0:49:35 | 0:49:38 | |
And no hanky-panky. | 0:49:38 | 0:49:40 | |
-OK. -Bye. -Bye. | 0:49:41 | 0:49:43 | |
I'll see you later. | 0:49:44 | 0:49:46 | |
-Bye. -Bye. -Bye. | 0:49:48 | 0:49:50 | |
# Great Dane's cheekbones Teenage hormones | 0:49:52 | 0:49:55 | |
# Young complexion Non-physical affection | 0:49:55 | 0:49:58 | |
# You're a God send | 0:49:58 | 0:50:00 | |
# Do you want a boyfriend? Crazy crazy, easy tiger. # | 0:50:00 | 0:50:03 | |
I believe if I do all of the three - you salute and you go, | 0:50:03 | 0:50:06 | |
-"Hello, Mr Magpie, how's your wife?" -What? You're talking to birds. | 0:50:06 | 0:50:11 | |
No, cos two is good luck, cos it's, like, their wife. | 0:50:11 | 0:50:14 | |
I'm not putting my feet down, anyway. | 0:50:19 | 0:50:23 | |
Today is the day that Georgia is finally allowed the freedom | 0:50:23 | 0:50:26 | |
she's been fighting for. | 0:50:26 | 0:50:28 | |
My mum and my relationship is a bit strange. A bit. | 0:50:53 | 0:50:57 | |
-How? -I don't know. | 0:50:57 | 0:50:59 | |
My mum is quite strict. | 0:50:59 | 0:51:01 | |
Yeah. She threatened to kill me. It's fine. | 0:51:01 | 0:51:04 | |
I can't go out, like, in the evenings and things like that. | 0:51:04 | 0:51:08 | |
-Yeah, it's understandable though. -Is it? | 0:51:08 | 0:51:12 | |
A little. | 0:51:12 | 0:51:13 | |
-Well, she cares, so that's cool. -Yeah. | 0:51:13 | 0:51:16 | |
I don't know - maybe she's, like... | 0:51:16 | 0:51:18 | |
She doesn't want you to grow up as fast. | 0:51:18 | 0:51:22 | |
So she still wants you around. | 0:51:22 | 0:51:25 | |
She can't expect me to stay inside all day every day. | 0:51:25 | 0:51:31 | |
Yeah, you've got to get out. All in due time, I guess. | 0:51:31 | 0:51:34 | |
-Yeah. -Hopefully. | 0:51:34 | 0:51:37 | |
-I do... Oh! -Is there a bin? | 0:51:37 | 0:51:40 | |
-Did he say, "I love you?" -No. | 0:51:55 | 0:51:58 | |
So come on. Tell me everything. | 0:51:58 | 0:52:00 | |
-We hugged - that was all. -How did he hug you? What happened? | 0:52:00 | 0:52:04 | |
Like, a normal hug. I don't know. | 0:52:04 | 0:52:06 | |
What do you mean, What do you mean? | 0:52:06 | 0:52:08 | |
I don't know what you mean - it's a hug. | 0:52:08 | 0:52:11 | |
So, what, how did the hug come about? | 0:52:11 | 0:52:14 | |
Because we were saying goodbye and then we hugged in the park. | 0:52:14 | 0:52:17 | |
He really likes you. | 0:52:17 | 0:52:20 | |
-I really like him. Do you like him? -Yes, I like him. | 0:52:20 | 0:52:22 | |
-He's a nice boy, isn't he? -Yes, he is. -You know what? | 0:52:22 | 0:52:25 | |
-Young love is the most beautiful thing in the world. -OK. -It is. | 0:52:25 | 0:52:28 | |
It's lovely to see you two together. It actually warmed my heart. | 0:52:28 | 0:52:32 | |
Honestly. It was really nice to see you two together. | 0:52:32 | 0:52:36 | |
I thought I'd want to kill him. | 0:52:36 | 0:52:38 | |
I thought I would want to chop his balls off. But actually... | 0:52:38 | 0:52:41 | |
-Well, you did say you were going to kill him. -I didn't say kill him. | 0:52:41 | 0:52:45 | |
-You did. You said you would kill him. -But anyway. | 0:52:45 | 0:52:49 | |
It just warms my heart to see you two together | 0:52:49 | 0:52:51 | |
and I want you to be happy and I want you to be in love. | 0:52:51 | 0:52:54 | |
I'm not going to stop you doing that. Why should I? | 0:52:54 | 0:52:56 | |
Why should I stop you having a bit of happiness | 0:52:56 | 0:52:59 | |
and a bit of love in your life? | 0:52:59 | 0:53:00 | |
-You go for it. -OK. -Honestly, I mean it. You go for it. | 0:53:02 | 0:53:05 | |
-Here we are. -It's a few weeks later and Georgia has just turned 17. | 0:53:18 | 0:53:22 | |
Today is her first time behind the wheel. | 0:53:22 | 0:53:25 | |
-Happy? -Yeah, it's good. -You're a big girl now, aren't you? -Yeah. | 0:53:25 | 0:53:29 | |
You've got a car and everything. That means you're an adult. | 0:53:29 | 0:53:32 | |
Go on - stick your L plates on then. | 0:53:32 | 0:53:34 | |
OK. Seatbelt on. | 0:53:41 | 0:53:43 | |
Right. First, second, third. | 0:53:43 | 0:53:47 | |
Turn the key. | 0:53:47 | 0:53:49 | |
-How does this work? -Oh, for God's sake - let me do it. | 0:53:49 | 0:53:52 | |
-Oh, OK. -Jesus. | 0:53:55 | 0:53:57 | |
OK, I get it. Oh, do you need to take the... Why did you put them on? | 0:53:57 | 0:54:00 | |
Nice and slowly. | 0:54:01 | 0:54:02 | |
Argh! | 0:54:04 | 0:54:05 | |
SHE SCREAMS | 0:54:05 | 0:54:08 | |
-I pressed go and you said... -Keep calm. Don't panic. | 0:54:08 | 0:54:12 | |
-You're the one panicking. -Yeah, I know. | 0:54:12 | 0:54:14 | |
I'm just trying to keep calm about this. | 0:54:14 | 0:54:17 | |
She's letting me do a lot more now with my friends. | 0:54:18 | 0:54:21 | |
I've got two concerts this year that I'm going to | 0:54:21 | 0:54:24 | |
and I went on a date for the first time, | 0:54:24 | 0:54:27 | |
which is good considering my mum was like, | 0:54:27 | 0:54:29 | |
"You can't have a boyfriend till you're 40." | 0:54:29 | 0:54:31 | |
And she invites him out for dinners and family things, | 0:54:31 | 0:54:34 | |
which is good because it means she's accepting it. | 0:54:34 | 0:54:37 | |
No, you're in third. Second. | 0:54:37 | 0:54:40 | |
I think before I didn't realise how close we really are. | 0:54:40 | 0:54:44 | |
I just thought that she was just trying to make sure | 0:54:44 | 0:54:47 | |
I didn't do anything bad to the extreme. | 0:54:47 | 0:54:51 | |
To the left-hand side. If a car comes, we're dead. | 0:54:51 | 0:54:54 | |
I thought my mum needed me a lot more than I needed her | 0:54:54 | 0:54:58 | |
cos I thought, "Oh, I'm a teenager now - I can go and do what I want." | 0:54:58 | 0:55:01 | |
-Regroup. -Well, I'm not turning round. | 0:55:06 | 0:55:09 | |
-That's not going to happen. -You're not turning around - | 0:55:09 | 0:55:11 | |
you're going along there go round there and then you're coming back. | 0:55:11 | 0:55:14 | |
I can't drive in a straight line yet | 0:55:14 | 0:55:16 | |
so I don't understand how I'm going to drive in a circle already. | 0:55:16 | 0:55:21 | |
-All right, I'll do it. -You're going to turn round? | 0:55:21 | 0:55:23 | |
-I'll turn the car around. -Fine. | 0:55:23 | 0:55:25 | |
See, I wouldn't have been able to do that. | 0:55:27 | 0:55:29 | |
Georgia is finally on the road to adulthood. | 0:55:35 | 0:55:38 | |
At last, she appears to be winning her battle for independence. | 0:55:38 | 0:55:42 | |
Alicia by her side, but no longer at the controls. | 0:55:42 | 0:55:44 | |
I think my mum's worried that she'll be replaced by my friends. | 0:55:44 | 0:55:50 | |
I think you can't replace your mum cos they're always irreplaceable. | 0:55:50 | 0:55:53 | |
They are always someone that you'll need, even if you don't think you do. | 0:55:53 | 0:55:57 | |
And then go into second now. | 0:55:57 | 0:55:59 | |
That's it. Now keep going. | 0:56:01 | 0:56:04 | |
No matter how old you are you'll always need your mum for something. | 0:56:04 | 0:56:07 | |
They can always teach you something new and help you. | 0:56:07 | 0:56:10 | |
Now go into third. | 0:56:11 | 0:56:13 | |
That's it, now keep going. | 0:56:14 | 0:56:16 | |
Keep going, keep going, keep going. | 0:56:18 | 0:56:20 | |
Georgia - life is not one big straight line. | 0:56:20 | 0:56:24 | |
-You have to learn to turn the car. -OK. | 0:56:24 | 0:56:27 | |
Subtitles by Red Bee Media Ltd | 0:56:37 | 0:56:40 |