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|---|---|---|---|
This is a story of love and loss that spans a lifetime. | 0:00:11 | 0:00:17 | |
As a young single woman, | 0:00:18 | 0:00:20 | |
Carol King Eckersley gave birth to a boy | 0:00:20 | 0:00:23 | |
and gave him for adoption. | 0:00:23 | 0:00:25 | |
She's longed to know how his life turned out. | 0:00:32 | 0:00:36 | |
In April 2013, she decided to find out. | 0:00:36 | 0:00:41 | |
And so began an extraordinary journey - | 0:00:41 | 0:00:45 | |
Carol's search for her lost son. | 0:00:45 | 0:00:48 | |
I typed his name in | 0:00:50 | 0:00:53 | |
and it brought me to a website. | 0:00:53 | 0:00:56 | |
And I looked and I said, "My God, it's him." | 0:00:56 | 0:00:58 | |
It was his birth date. | 0:00:58 | 0:01:01 | |
And I looked in the mirror and I said, | 0:01:01 | 0:01:02 | |
"He looks like me." | 0:01:02 | 0:01:04 | |
"But why are they only showing a part of his life?" | 0:01:05 | 0:01:08 | |
And it finally dawned on me that it was right | 0:01:10 | 0:01:15 | |
and I just said, "My God, my baby's dead." | 0:01:15 | 0:01:20 | |
Ken Bissett was one of 35 Syracuse University students | 0:01:33 | 0:01:37 | |
who died on the flight home from a term in London. | 0:01:37 | 0:01:40 | |
-BBC NEWS: -As relatives of those killed in the Lockerbie bombing | 0:01:40 | 0:01:43 | |
prepare to mark the 25th anniversary of the attack, | 0:01:43 | 0:01:45 | |
the anguish of one mother has only just begun. | 0:01:45 | 0:01:48 | |
We love you, sweetheart. | 0:01:48 | 0:01:51 | |
As relatives gathered to remember, 25 years on, | 0:01:51 | 0:01:55 | |
Carol was attending for the very first time, | 0:01:55 | 0:01:58 | |
having only just learned of her loss. | 0:01:58 | 0:02:00 | |
Even though I didn't have him with me physically | 0:02:00 | 0:02:06 | |
he was always in my heart. | 0:02:06 | 0:02:09 | |
Having covered Carol's story at the time, | 0:02:09 | 0:02:11 | |
I've kept in touch with her | 0:02:11 | 0:02:13 | |
and as the months have passed, I've wondered how she's coping. | 0:02:13 | 0:02:16 | |
So, I've come to see her at home in Portland, Oregon, to find out. | 0:02:16 | 0:02:21 | |
-Hi, Carol. -Glenn! | 0:02:21 | 0:02:23 | |
-It's so good to see you. -Great to see you, too. | 0:02:23 | 0:02:25 | |
'Since we last met, | 0:02:25 | 0:02:27 | |
'Carol's learned a lot about her son.' | 0:02:27 | 0:02:30 | |
'She has a folder on his life, | 0:02:30 | 0:02:32 | |
'which has been filling up as some of those who knew Ken | 0:02:32 | 0:02:35 | |
'have got in touch.' | 0:02:35 | 0:02:37 | |
Not only have I met one of his best friends from high school, | 0:02:37 | 0:02:40 | |
I've, via e-mail, met a girl who lived next door to him | 0:02:40 | 0:02:47 | |
and knew him while he was a toddler. | 0:02:47 | 0:02:50 | |
And she sent me pictures. | 0:02:50 | 0:02:52 | |
-That's a cracking picture. -Isn't that wonderful? | 0:03:01 | 0:03:04 | |
Ken died two days after his 21st birthday. | 0:03:05 | 0:03:09 | |
His parents, John and Flo Bissett, lost their only child. | 0:03:09 | 0:03:13 | |
It was so devastating for his parents. | 0:03:13 | 0:03:17 | |
He was their life. | 0:03:17 | 0:03:19 | |
-They were good parents. -Very good, very good. | 0:03:19 | 0:03:23 | |
Everything I wanted for him... | 0:03:23 | 0:03:27 | |
came through. | 0:03:27 | 0:03:29 | |
That's what I wanted. | 0:03:29 | 0:03:31 | |
I wanted him to have a mum and a dad who loved each other | 0:03:31 | 0:03:34 | |
and loved him. | 0:03:34 | 0:03:36 | |
And could allow him to be the best he could be, | 0:03:36 | 0:03:41 | |
and be unconditional in their love. | 0:03:41 | 0:03:44 | |
And that's what he got. | 0:03:44 | 0:03:45 | |
Carol's album gives her a glimpse into the life Ken led. | 0:03:50 | 0:03:54 | |
But she wants more. | 0:03:54 | 0:03:56 | |
And she doesn't have to travel far to find it. | 0:03:56 | 0:03:59 | |
Mike Nicholas is one of Ken's best friends from school in New York | 0:03:59 | 0:04:03 | |
and by coincidence he now lives near Carol in Portland. | 0:04:03 | 0:04:07 | |
He can tell her what Ken was like as a teenager. | 0:04:07 | 0:04:11 | |
So we went to a lot of jazz clubs in Manhattan. | 0:04:11 | 0:04:14 | |
And kind of hung out a lot, | 0:04:14 | 0:04:16 | |
all throughout senior year and on into college. | 0:04:16 | 0:04:20 | |
We would stay up all night talking, you know, about why. | 0:04:20 | 0:04:24 | |
You know?! Whether it was music, or Springsteen at the time, | 0:04:24 | 0:04:28 | |
or jazz...or, you know, God | 0:04:28 | 0:04:31 | |
or lack thereof. | 0:04:31 | 0:04:32 | |
But we would, you know, talk all night long. | 0:04:32 | 0:04:35 | |
I mean, I don't know if any of us needed sleep. | 0:04:35 | 0:04:38 | |
Ken is so important to Mike | 0:04:40 | 0:04:42 | |
that he gave the name Bissett to one of his children. | 0:04:42 | 0:04:46 | |
My middle child, her name is Ava Bissett Nicholas. | 0:04:46 | 0:04:51 | |
She is Ava Bissett Nicholas because of Ken. | 0:04:51 | 0:04:54 | |
Ken meant a lot to me. | 0:04:56 | 0:04:58 | |
I picked the name cos that's how I use middle names, | 0:04:58 | 0:05:01 | |
is to honour people before me. | 0:05:01 | 0:05:03 | |
I think I've learned more from Mike than anybody | 0:05:06 | 0:05:09 | |
about the kind of person he was. | 0:05:09 | 0:05:11 | |
It makes him real for me. | 0:05:11 | 0:05:14 | |
It makes him a real person. | 0:05:16 | 0:05:18 | |
And when you have a real person | 0:05:18 | 0:05:22 | |
you can really grieve. | 0:05:22 | 0:05:25 | |
And that's the gift I've been given. | 0:05:29 | 0:05:32 | |
You know? | 0:05:32 | 0:05:34 | |
I think it'll be the Saturday after we get back... | 0:05:40 | 0:05:42 | |
Carol's older sister Sandi has been by her side | 0:05:42 | 0:05:46 | |
ever since she brought Ken into the world. | 0:05:46 | 0:05:48 | |
They are best friends. | 0:05:48 | 0:05:50 | |
And Carol needs that support now more than ever, | 0:05:50 | 0:05:53 | |
as she takes the next steps on her journey. | 0:05:53 | 0:05:57 | |
At their favourite restaurant, | 0:05:57 | 0:05:58 | |
Carol and Sandi are planning to visit the United Kingdom, | 0:05:58 | 0:06:01 | |
where Ken spent the last months of his life. | 0:06:01 | 0:06:05 | |
As far as I know we're leaving at 3:30, | 0:06:05 | 0:06:07 | |
going up through Vancouver | 0:06:07 | 0:06:10 | |
and we'll arrive in London at 11:40am. | 0:06:10 | 0:06:15 | |
In London, they'll meet the man who taught Ken photography. | 0:06:15 | 0:06:18 | |
They're also steeling themselves | 0:06:18 | 0:06:20 | |
to visit the town where Ken was one of 270 people who died. | 0:06:20 | 0:06:25 | |
When we go to Lockerbie | 0:06:25 | 0:06:27 | |
I know they can show me where they found Ken. | 0:06:27 | 0:06:34 | |
I've thought about it a lot. | 0:06:34 | 0:06:36 | |
I didn't know if I could do that | 0:06:36 | 0:06:38 | |
but I want to. | 0:06:38 | 0:06:41 | |
(I want to.) | 0:06:41 | 0:06:43 | |
I want to go the whole trip. | 0:06:43 | 0:06:45 | |
-That's going to be rough. -It's going to be very rough. | 0:06:45 | 0:06:48 | |
When Carol and Sandi were young, | 0:06:51 | 0:06:53 | |
children born outside marriage were not talked about. | 0:06:53 | 0:06:57 | |
For decades, Carol's baby was their secret. | 0:06:57 | 0:07:01 | |
It wasn't until I was in Syracuse | 0:07:01 | 0:07:03 | |
that the stigma of being an unmarried mother... | 0:07:03 | 0:07:06 | |
I realised I had been carrying that for 46 years. | 0:07:06 | 0:07:11 | |
And I was finally able to let it go because I did belong. | 0:07:12 | 0:07:17 | |
I WAS his mother. | 0:07:18 | 0:07:19 | |
Carol's lightened her emotional burden by confronting her past. | 0:07:21 | 0:07:26 | |
She was advised to so by a grief counsellor | 0:07:26 | 0:07:28 | |
after her husband died. | 0:07:28 | 0:07:30 | |
She hopes the painful journey ahead will heal her further | 0:07:30 | 0:07:34 | |
and serve a wider purpose. | 0:07:34 | 0:07:37 | |
I just feel like... | 0:07:37 | 0:07:40 | |
If I can help anybody, | 0:07:40 | 0:07:43 | |
like the mums who were in the same position I was, | 0:07:43 | 0:07:47 | |
back in the '60s, | 0:07:47 | 0:07:50 | |
if I can be of any help to them... | 0:07:50 | 0:07:53 | |
to let them know that they're OK. | 0:07:53 | 0:07:57 | |
Carol and Sandi are crossing the Atlantic Ocean, | 0:08:05 | 0:08:09 | |
just as Ken did a generation ago. | 0:08:09 | 0:08:12 | |
It was a journey from which he did not return. | 0:08:13 | 0:08:16 | |
Now Carol wants to walk where Ken walked | 0:08:16 | 0:08:19 | |
in the hope that it will bring her closer to her son. | 0:08:19 | 0:08:22 | |
Oh, heavenly days, is that Westminster? | 0:08:45 | 0:08:48 | |
-It has to be. -Oh, my gosh. | 0:08:48 | 0:08:50 | |
Wow, there's Big Ben. | 0:08:50 | 0:08:52 | |
As well as sightseeing in London, | 0:08:57 | 0:08:59 | |
Carol and Sandi want to retrace Ken's steps | 0:08:59 | 0:09:03 | |
with help from his photography professor, Ian Hessenberg. | 0:09:03 | 0:09:06 | |
As you know, it was 25 years ago | 0:09:08 | 0:09:10 | |
and I still have very strong memories of those kids, you know, | 0:09:10 | 0:09:14 | |
and especially Ken. | 0:09:14 | 0:09:15 | |
Ian's a link to the precious last days of Ken's life. | 0:09:17 | 0:09:20 | |
He can show Carol the flat where Ken lived | 0:09:20 | 0:09:23 | |
and the places he explored here in London. | 0:09:23 | 0:09:26 | |
More than that, he can show her a little of who Ken really was. | 0:09:26 | 0:09:30 | |
Oh, I love that. | 0:09:31 | 0:09:33 | |
OK, so with the comparison there... | 0:09:33 | 0:09:37 | |
He was a lovely, cheeky boy. | 0:09:37 | 0:09:39 | |
He was very sweet. | 0:09:39 | 0:09:41 | |
-He had a good sense of humour, didn't he? -Amazing! | 0:09:41 | 0:09:44 | |
Very dry sense of humour and he was very cheeky. | 0:09:44 | 0:09:47 | |
This cheeky young man | 0:09:47 | 0:09:48 | |
was one of five promising students taught by Ian | 0:09:48 | 0:09:51 | |
who boarded Pan Am's ill-fated Flight 103. | 0:09:51 | 0:09:55 | |
It was a kind of paradox that those five | 0:09:55 | 0:09:57 | |
that I lost on that Lockerbie flight | 0:09:57 | 0:10:00 | |
were one of the best groups I'd ever had. | 0:10:00 | 0:10:03 | |
And it's not just sentimental, they really were amazing. | 0:10:03 | 0:10:08 | |
It was devastating to lose them... | 0:10:10 | 0:10:13 | |
-So... -Oh, my. | 0:10:14 | 0:10:16 | |
But in a way the celebration is that I learnt from them, | 0:10:16 | 0:10:22 | |
as fresh as their lives were... | 0:10:22 | 0:10:25 | |
And... | 0:10:25 | 0:10:26 | |
They just should have gone on a lot longer. | 0:10:31 | 0:10:34 | |
Still, after all these years, I still think of them. | 0:10:34 | 0:10:38 | |
-You know? It's crazy, absolutely crazy. -Oh... | 0:10:38 | 0:10:41 | |
-CRYING: I definitely understand that. -Yeah. | 0:10:41 | 0:10:43 | |
The building Ken studied in | 0:10:48 | 0:10:50 | |
is included in Ian's tour of what was, in 1988, Syracuse London. | 0:10:50 | 0:10:55 | |
That's the campus, here. | 0:10:58 | 0:11:00 | |
We would have come out of my classroom here | 0:11:00 | 0:11:04 | |
and that basement, little steps up, | 0:11:04 | 0:11:07 | |
that's where my class would have come out our exit. | 0:11:07 | 0:11:11 | |
They would have all night access to the building. | 0:11:11 | 0:11:14 | |
OK, hon. | 0:11:14 | 0:11:17 | |
If we want to go across the road, now... | 0:11:17 | 0:11:19 | |
-CAROL SOBS -Oh, honey. | 0:11:21 | 0:11:24 | |
ORGAN MUSIC | 0:11:47 | 0:11:50 | |
It's been a little...gut-wrenching. | 0:11:58 | 0:12:03 | |
I felt like he was right there with me. | 0:12:04 | 0:12:07 | |
And I was walking with him, | 0:12:08 | 0:12:12 | |
not just where he had walked. | 0:12:12 | 0:12:15 | |
-And we'd have great fun down there. -Was the gate there? | 0:12:15 | 0:12:17 | |
This is the gate where he would have walked in, yeah. | 0:12:17 | 0:12:20 | |
'I felt him so strongly at one point' | 0:12:20 | 0:12:24 | |
I thought I might pass out. | 0:12:24 | 0:12:26 | |
I'm sorry, Ian, I didn't expect it to hit me quite that hard. | 0:12:26 | 0:12:30 | |
-Are you glad you came? -Oh, I am so glad I came. | 0:12:30 | 0:12:36 | |
Never apologise for your tears. | 0:12:36 | 0:12:37 | |
That's what it's all about. | 0:12:37 | 0:12:39 | |
'I don't care if I lose all of my mascara.' | 0:12:39 | 0:12:42 | |
I wouldn't have missed this for anything. | 0:12:42 | 0:12:44 | |
MUSIC DROWNS SPEECH | 0:13:08 | 0:13:11 | |
The next stop on Carol's journey is the Scottish capital. | 0:13:20 | 0:13:24 | |
She's discovered that in his last few months | 0:13:32 | 0:13:35 | |
Ken visited Edinburgh and its imposing castle with friends. | 0:13:35 | 0:13:39 | |
In it goes... | 0:13:39 | 0:13:41 | |
-Oh! -Uh-oh! | 0:13:41 | 0:13:42 | |
Oh! | 0:13:48 | 0:13:51 | |
-The sun is out! -The sun is out. | 0:13:57 | 0:14:00 | |
I believe that you have an enquiry you would like some help with. | 0:14:00 | 0:14:03 | |
Yes, I do. | 0:14:03 | 0:14:05 | |
This is a picture that was taken of my son, | 0:14:05 | 0:14:09 | |
who was on Pan Am 103. | 0:14:09 | 0:14:12 | |
-I'd like to find where this is. -Where the picture was taken? | 0:14:12 | 0:14:15 | |
We don't have to look too far... | 0:14:15 | 0:14:17 | |
-OK. -..because this doorway here | 0:14:17 | 0:14:21 | |
is actually this doorway here. | 0:14:21 | 0:14:23 | |
-Oh, my word! -Oh, for heaven's sake. It is. -Yeah. | 0:14:23 | 0:14:27 | |
Look at the boys. I mean, they are having a wonderful time. | 0:14:27 | 0:14:31 | |
-Beautiful. -Oh, my. -Oh, my. | 0:14:31 | 0:14:34 | |
So, we're standing right at the location | 0:14:34 | 0:14:36 | |
-where the photograph was taken. -Oh, my! | 0:14:36 | 0:14:38 | |
# We keep this love in a photograph | 0:14:38 | 0:14:41 | |
# We made these memories for ourselves | 0:14:43 | 0:14:47 | |
# Where our eyes are never closing | 0:14:47 | 0:14:49 | |
# Hearts are never broken | 0:14:49 | 0:14:51 | |
# And time's for ever frozen still... # | 0:14:51 | 0:14:54 | |
Every snapshot is of huge importance to Carol. | 0:14:54 | 0:14:59 | |
That's all I have. | 0:14:59 | 0:15:01 | |
I can never touch him, | 0:15:01 | 0:15:05 | |
I can never hear his voice. | 0:15:05 | 0:15:08 | |
The things that mothers always take for granted. | 0:15:09 | 0:15:13 | |
This is Carol's first visit to Scotland | 0:15:18 | 0:15:21 | |
but she has already made a friend here. | 0:15:21 | 0:15:23 | |
Marion McMillan has been a huge source of strength to her. | 0:15:23 | 0:15:27 | |
But until now, they've only exchanged online hugs. | 0:15:27 | 0:15:30 | |
There she is. | 0:15:30 | 0:15:32 | |
Hi! | 0:15:32 | 0:15:33 | |
At last, they have the chance to meet. | 0:15:33 | 0:15:36 | |
-A real tartan hug! -A real tartan hug. | 0:15:36 | 0:15:40 | |
Not only do Carol and Marion share friendship, | 0:15:40 | 0:15:43 | |
they also share the experience | 0:15:43 | 0:15:45 | |
of being separated from a child by adoption. | 0:15:45 | 0:15:48 | |
With Marion, Carol knows she's talking with someone | 0:15:48 | 0:15:51 | |
who really understands. | 0:15:51 | 0:15:54 | |
-See, you're building him... -A picture. -I am! | 0:15:54 | 0:15:57 | |
-I'm building him up. -Yeah. | 0:15:57 | 0:15:58 | |
When I talked to his friend Mike, | 0:15:58 | 0:16:01 | |
Mike said it was never a secret that he was adopted, | 0:16:01 | 0:16:06 | |
-that that was well known. -Mm-hm, yeah. | 0:16:06 | 0:16:08 | |
You really do weep with those that weep | 0:16:10 | 0:16:13 | |
because you understand their journey. | 0:16:13 | 0:16:15 | |
And I knew that she had a big bit of journey to go. | 0:16:15 | 0:16:19 | |
And if she felt that there was others there | 0:16:19 | 0:16:22 | |
walking that walk with her, | 0:16:22 | 0:16:23 | |
she wasn't alone. | 0:16:23 | 0:16:25 | |
As unmarried mums in the 1960s, | 0:16:27 | 0:16:30 | |
Carol and Marion were frowned upon by society. | 0:16:30 | 0:16:33 | |
Many thousands of women have silently suffered that stigma. | 0:16:33 | 0:16:37 | |
That's my Anthony. | 0:16:44 | 0:16:46 | |
But attitudes have changed and the film Philomena, | 0:16:46 | 0:16:49 | |
about another mother's search for her lost son, | 0:16:49 | 0:16:52 | |
has opened up this difficult subject. | 0:16:52 | 0:16:54 | |
He's dead, isn't he? | 0:16:54 | 0:16:56 | |
Yes, I'm sorry. | 0:16:56 | 0:16:57 | |
SHE SOBS | 0:16:59 | 0:17:02 | |
I just... | 0:17:09 | 0:17:12 | |
It's OK. | 0:17:14 | 0:17:15 | |
She found her son, just like you. | 0:17:22 | 0:17:25 | |
'Even though...' | 0:17:25 | 0:17:27 | |
..the treatment of the person can be different, | 0:17:29 | 0:17:35 | |
the emotions are the same. | 0:17:35 | 0:17:38 | |
The deep longing for your child... | 0:17:40 | 0:17:47 | |
is the same. | 0:17:47 | 0:17:49 | |
-Oh, my God. -It's like your journey, isn't it? | 0:17:49 | 0:17:52 | |
Oh, it's so close in so many ways. | 0:17:52 | 0:17:55 | |
Your children that you're separated from | 0:17:58 | 0:18:00 | |
don't believe that you think about them every day. | 0:18:00 | 0:18:03 | |
There's an umbilical link that never severs. | 0:18:03 | 0:18:05 | |
There's a psychological link that's there. | 0:18:05 | 0:18:09 | |
You're mentally attached to them but they're physically gone, | 0:18:09 | 0:18:12 | |
and they're there the whole time. | 0:18:12 | 0:18:14 | |
Carol has travelled far from home to get closer to her son. | 0:18:15 | 0:18:19 | |
In New York, London and Edinburgh | 0:18:19 | 0:18:22 | |
she's pieced together the life Ken had. | 0:18:22 | 0:18:25 | |
But the hardest leg of her journey is still ahead - | 0:18:25 | 0:18:28 | |
to learn exactly how his life ended in Lockerbie. | 0:18:28 | 0:18:32 | |
-Here's Tundergarth. -That's it. | 0:18:32 | 0:18:35 | |
That was where the nose cone went | 0:18:35 | 0:18:38 | |
and the people that were in the front of the plane were found. | 0:18:38 | 0:18:42 | |
We need to go out there. | 0:18:42 | 0:18:44 | |
'I have knots in my stomach.' | 0:18:48 | 0:18:51 | |
Why am I doing this? | 0:18:51 | 0:18:54 | |
He had a short life. | 0:18:54 | 0:18:56 | |
I want to find out as much about those 21 years as I can. | 0:18:56 | 0:19:01 | |
So how can I not do this? | 0:19:02 | 0:19:05 | |
In Lockerbie, they're meeting a local police officer | 0:19:14 | 0:19:17 | |
who was on duty on the night of the crash. | 0:19:17 | 0:19:19 | |
Colin Dorrance has offered to be their guide. | 0:19:19 | 0:19:23 | |
At 18, Colin was the youngest police officer | 0:19:23 | 0:19:26 | |
to deal with the devastation. | 0:19:26 | 0:19:28 | |
He's been reluctant to talk about it in the past. | 0:19:28 | 0:19:31 | |
But he wants to help Carol understand | 0:19:31 | 0:19:33 | |
the enormity of what happened. | 0:19:33 | 0:19:35 | |
A few days before Christmas 1988, | 0:19:38 | 0:19:41 | |
the world woke to these unforgettable images | 0:19:41 | 0:19:44 | |
of what remains the deadliest terrorist attack in the UK. | 0:19:44 | 0:19:48 | |
Colin's taking Carol and Sandi to where the nose cone came down. | 0:19:50 | 0:19:55 | |
It was approximately this spot, here. | 0:19:55 | 0:19:58 | |
-Almost exactly here. That's south, there... -OK. | 0:20:05 | 0:20:08 | |
..and that's the general direction | 0:20:08 | 0:20:11 | |
that international air traffic from Heathrow, | 0:20:11 | 0:20:14 | |
bound for the USA, would travel. | 0:20:14 | 0:20:17 | |
So the aircraft would come from that way. | 0:20:17 | 0:20:20 | |
-You just can't... -The scope. It's hard to visualise, you know? | 0:20:20 | 0:20:25 | |
Even though I've seen the picture of the cockpit. | 0:20:25 | 0:20:28 | |
There were bodies scattered across this hillside. | 0:20:35 | 0:20:38 | |
Local doctors, called out to check for signs of life, | 0:20:38 | 0:20:41 | |
found no survivors. | 0:20:41 | 0:20:43 | |
At least one of these medics still lives in the town. | 0:20:43 | 0:20:46 | |
Dr Ken McQueen certified the deaths of many passengers. | 0:20:46 | 0:20:51 | |
Carol's come to ask him how much her son would have suffered. | 0:20:51 | 0:20:55 | |
I've been told | 0:20:55 | 0:20:57 | |
that probably they were pretty much instantly gone. | 0:20:57 | 0:21:03 | |
Is that true? | 0:21:03 | 0:21:05 | |
I think there's uncertainty | 0:21:05 | 0:21:06 | |
but to the best of my knowledge and belief | 0:21:06 | 0:21:08 | |
it's probable that they'd be unconscious | 0:21:08 | 0:21:10 | |
from immediately after that. | 0:21:10 | 0:21:13 | |
There'd be an explosion within the aeroplane | 0:21:13 | 0:21:16 | |
and there'd be oxygen-free air | 0:21:16 | 0:21:20 | |
so that consciousness would at least be clouded. | 0:21:20 | 0:21:23 | |
Yes. | 0:21:23 | 0:21:25 | |
And I think if that could be any comfort to you... | 0:21:25 | 0:21:28 | |
-It was a comfort to me, you know? -It was. -It is. -Yes. | 0:21:28 | 0:21:31 | |
Yes, thank you very much. | 0:21:31 | 0:21:33 | |
You're more than welcome, my dear, you're more than welcome. | 0:21:33 | 0:21:35 | |
I know that your son was adopted, we know the story. | 0:21:35 | 0:21:38 | |
And I'd like you to think that he's been adopted twice, Carol, | 0:21:38 | 0:21:41 | |
-cos we've adopted him too. -Thank you. | 0:21:41 | 0:21:44 | |
As we have with all the rest of the people | 0:21:44 | 0:21:46 | |
that we never met and will never know. | 0:21:46 | 0:21:48 | |
But I think the town has taken them all to their hearts. | 0:21:48 | 0:21:52 | |
SIRENS | 0:22:05 | 0:22:08 | |
Wreckage fell across Lockerbie, | 0:22:18 | 0:22:21 | |
leaving a huge crater where homes had been | 0:22:21 | 0:22:24 | |
in one corner of town. | 0:22:24 | 0:22:25 | |
Today Colin is taking Carol to another quiet neighbourhood | 0:22:28 | 0:22:32 | |
where part of the plane and dozens of passengers came down. | 0:22:32 | 0:22:36 | |
Every step of Carol's journey so far | 0:22:36 | 0:22:39 | |
has been a preparation for this moment. | 0:22:39 | 0:22:42 | |
The miracle of this area here | 0:22:44 | 0:22:46 | |
-is that no resident was killed or badly hurt. -It's amazing. | 0:22:46 | 0:22:51 | |
It's just totally amazing. | 0:22:51 | 0:22:54 | |
But this was however an area where many of the passengers, | 0:22:54 | 0:22:58 | |
including Kenneth, fell. | 0:22:58 | 0:23:01 | |
Was it down in the yard here, Colin? | 0:23:10 | 0:23:13 | |
Yes. | 0:23:13 | 0:23:14 | |
(It's so damned far to fall.) | 0:23:32 | 0:23:34 | |
-Oh, look at the tree. -Oh, you can see the train going by. | 0:23:52 | 0:23:57 | |
Not many of those who lived in these streets at the time of the crash | 0:24:12 | 0:24:15 | |
live here now. | 0:24:15 | 0:24:16 | |
But Carol's heard that this house has not changed hands | 0:24:16 | 0:24:20 | |
and that the owner, Peter Giesecke, | 0:24:20 | 0:24:21 | |
will share his experiences of that awful night. | 0:24:21 | 0:24:25 | |
I seen this red glow in the sky, | 0:24:25 | 0:24:27 | |
coming right across, right over the top, there, | 0:24:27 | 0:24:30 | |
and then this huge explosion. | 0:24:30 | 0:24:33 | |
Peter took photographs of the scene on the morning after the crash. | 0:24:43 | 0:24:48 | |
There were bodies all over, all over here, you know? | 0:24:48 | 0:24:51 | |
Absolutely. That's one of them. | 0:24:51 | 0:24:54 | |
Well, here we have here, we're standing just over there. | 0:24:54 | 0:25:00 | |
Oh, my gosh. | 0:25:00 | 0:25:01 | |
Oh, my little boy might be in that. | 0:25:02 | 0:25:05 | |
The wreckage may be long gone | 0:25:10 | 0:25:12 | |
but the emotional impact of the Lockerbie bombing | 0:25:12 | 0:25:15 | |
remains extremely powerful. | 0:25:15 | 0:25:18 | |
Especially for Carol, | 0:25:18 | 0:25:20 | |
who is probably the last person in the world | 0:25:20 | 0:25:23 | |
to have learned of a loved one lost here. | 0:25:23 | 0:25:26 | |
SHE SIGHS There's Kenny. | 0:25:29 | 0:25:31 | |
CRYING: It shouldn't have happened. | 0:25:40 | 0:25:42 | |
(It just shouldn't have happened.) | 0:25:44 | 0:25:45 | |
You shouldn't be there. | 0:26:02 | 0:26:04 | |
'He was so...' | 0:26:11 | 0:26:13 | |
..ready to be a grown-up | 0:26:16 | 0:26:19 | |
and live a good life | 0:26:19 | 0:26:24 | |
and be a good person | 0:26:24 | 0:26:26 | |
and he never had the chance. | 0:26:26 | 0:26:30 | |
Here you are. | 0:26:34 | 0:26:35 | |
These are for you. | 0:26:37 | 0:26:39 | |
No, I'm not OK. | 0:26:45 | 0:26:47 | |
-I hurt. -Oh, honey. -I hurt. | 0:26:48 | 0:26:51 | |
SHE SOBS | 0:26:59 | 0:27:02 | |
All the horror and the sorrow just kind of all came together | 0:27:10 | 0:27:16 | |
and at one point I thought, | 0:27:16 | 0:27:19 | |
"I just want to wail and wail and not stop." | 0:27:19 | 0:27:23 | |
But I was afraid I wouldn't be able to stop. | 0:27:23 | 0:27:26 | |
Yes. | 0:27:27 | 0:27:29 | |
OK. | 0:27:31 | 0:27:32 | |
-OK? -I'm OK, I'm OK... | 0:27:35 | 0:27:38 | |
All right... | 0:27:45 | 0:27:46 | |
-Do you want to sit down? -Yeah. | 0:27:46 | 0:27:49 | |
'I've learned that' | 0:27:49 | 0:27:51 | |
the adoption process | 0:27:51 | 0:27:54 | |
is something that is not understood enough. | 0:27:54 | 0:27:57 | |
I know I didn't. | 0:27:57 | 0:27:59 | |
I didn't. | 0:27:59 | 0:28:01 | |
I gave Ken in adoption | 0:28:01 | 0:28:03 | |
for what I thought were all the best reasons - | 0:28:03 | 0:28:07 | |
so he would have a home | 0:28:07 | 0:28:08 | |
with a mother and a father who loved each other | 0:28:08 | 0:28:10 | |
and could love him. | 0:28:10 | 0:28:12 | |
But I didn't know what it was going to do to me... | 0:28:13 | 0:28:18 | |
and how it would affect me for the rest of my life. | 0:28:18 | 0:28:21 |