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How are you this morning, Lynn? | 0:00:03 | 0:00:05 | |
'June 2015. I received a call from Camila Batmanghelidjh. | 0:00:05 | 0:00:11 | |
'I'd made a documentary, ten years ago, about Kids Company. | 0:00:11 | 0:00:14 | |
'Now Camila was asking if I wanted to film her again.' | 0:00:14 | 0:00:18 | |
Just checking. | 0:00:18 | 0:00:19 | |
Yes, yes. | 0:00:19 | 0:00:21 | |
Are you ready for it? | 0:00:21 | 0:00:22 | |
Yes, I'm ready for it. | 0:00:22 | 0:00:24 | |
It's revenge. | 0:00:24 | 0:00:26 | |
Round one. | 0:00:26 | 0:00:28 | |
She was the Chief Executive | 0:00:28 | 0:00:29 | |
of one of the country's most successful charities. | 0:00:29 | 0:00:33 | |
But Kids Company was under growing financial pressure. | 0:00:33 | 0:00:37 | |
Reports were circulating it would have to change its ways to survive. | 0:00:37 | 0:00:41 | |
Camila! Camila! | 0:00:42 | 0:00:43 | |
In the coming months, I was to find myself at the heart | 0:00:43 | 0:00:46 | |
of one of the biggest news stories of the year. | 0:00:46 | 0:00:49 | |
CAMERA SHUTTERS CLICK | 0:00:49 | 0:00:51 | |
CLAMOUR | 0:00:51 | 0:00:53 | |
At the start of filming, Camila seemed invincible. | 0:00:53 | 0:00:57 | |
Lovely to see you again. | 0:00:57 | 0:00:59 | |
A media darling feted by Government and celebrities alike. | 0:00:59 | 0:01:03 | |
It seemed she had no desire to step back from the fray. | 0:01:04 | 0:01:08 | |
I won't toe the line. | 0:01:08 | 0:01:10 | |
I will say it as it is. | 0:01:10 | 0:01:11 | |
They are about to murder | 0:01:11 | 0:01:14 | |
the very thing that works. | 0:01:14 | 0:01:17 | |
Voices against her and the charity raged. | 0:01:17 | 0:01:20 | |
Cameron was mesmerised by Camila Batmanghelidjh. | 0:01:20 | 0:01:23 | |
The Government thought it was the right thing to do | 0:01:23 | 0:01:26 | |
to give this charity one last chance. | 0:01:26 | 0:01:29 | |
She had no idea just how desperate the situation would become. | 0:01:29 | 0:01:33 | |
REPORTER: 'The investigation is being led by officers | 0:01:33 | 0:01:35 | |
'from the Sexual Offences Exploitation | 0:01:35 | 0:01:38 | |
'And Child Abuse Command.' | 0:01:38 | 0:01:40 | |
As the charity imploded in front of my eyes, | 0:01:40 | 0:01:42 | |
Camila was accused of letting down | 0:01:42 | 0:01:45 | |
the very people she'd set out to help. | 0:01:45 | 0:01:47 | |
Camila, Camila, Camila, Camila! | 0:01:47 | 0:01:50 | |
Who was the woman behind the myth? | 0:01:50 | 0:01:53 | |
Would she ever see anything wrong with the charity she'd created? | 0:01:53 | 0:01:57 | |
What would you like me to say, Lynn? | 0:01:57 | 0:02:00 | |
I am so sorry? But what am I sorry for? | 0:02:00 | 0:02:03 | |
Accusations continued to fly. | 0:02:03 | 0:02:06 | |
There is not financial mismanagement, OK. | 0:02:06 | 0:02:09 | |
Am I allowed to say that? | 0:02:09 | 0:02:10 | |
Nothing has been brought to our attention. | 0:02:10 | 0:02:13 | |
Who was to blame for the collapse of a charity that had helped | 0:02:13 | 0:02:16 | |
some of the most vulnerable children in society? | 0:02:16 | 0:02:19 | |
They made me the Angel Of Peckham, | 0:02:19 | 0:02:22 | |
and now, they're going to make me the Demon Of Peckham. | 0:02:22 | 0:02:26 | |
This programme contains some strong language | 0:02:26 | 0:02:33 | |
'Camila asked me to meet her at the charity's headquarters. | 0:02:40 | 0:02:44 | |
'I'd known her for ten years.' | 0:02:44 | 0:02:45 | |
How are you, darling? | 0:02:45 | 0:02:47 | |
'The charity's Trustees were waiting for her upstairs, | 0:02:47 | 0:02:50 | |
'but she had something to tell me first.' | 0:02:50 | 0:02:52 | |
Morning. | 0:02:53 | 0:02:54 | |
Let me tell you what's going on, Lynn. | 0:02:56 | 0:02:58 | |
Shall I come in? Yeah, come in. | 0:02:58 | 0:03:00 | |
Hello. | 0:03:05 | 0:03:06 | |
Now, Lynn... Yes? | 0:03:11 | 0:03:13 | |
Look, this is the cause of all my problems, my Miss Piggy bag, | 0:03:13 | 0:03:17 | |
because everyone thinks that just because I wear funny clothes | 0:03:17 | 0:03:22 | |
and I have a Miss Piggy bag... MOBILE RINGS | 0:03:22 | 0:03:25 | |
that I must be unable to run a business. | 0:03:25 | 0:03:31 | |
The arrangement the Government has made with the Trustees, | 0:03:31 | 0:03:35 | |
part of that deal is that I step down as a chief executive. | 0:03:35 | 0:03:41 | |
And do you know what I need to become, Lynn, an ambassador! | 0:03:41 | 0:03:46 | |
SHE LAUGHS | 0:03:46 | 0:03:49 | |
I'm going to be an ambassador, Lynn! | 0:03:49 | 0:03:53 | |
They want you gone? | 0:03:53 | 0:03:54 | |
They want me gone, yeah. | 0:03:54 | 0:03:56 | |
What are you supposed to do? | 0:03:56 | 0:03:57 | |
I'm going to be entirely Persian about it, Lynn. | 0:03:57 | 0:04:00 | |
I'm going to smile and accept my place | 0:04:00 | 0:04:04 | |
as a woman on the sides, | 0:04:04 | 0:04:06 | |
not knowing how to run a business. | 0:04:06 | 0:04:09 | |
That is exactly what I'm going to do. | 0:04:09 | 0:04:12 | |
On the surface? | 0:04:12 | 0:04:13 | |
On the surface. Meanwhile? | 0:04:13 | 0:04:16 | |
Meanwhile, I am going to work with my extraordinary team | 0:04:16 | 0:04:22 | |
and the children to fight back. | 0:04:22 | 0:04:25 | |
MOBILE RINGS They're chasing me. | 0:04:25 | 0:04:27 | |
They're waiting for you upstairs? Yeah. | 0:04:27 | 0:04:30 | |
I've got to go to my funeral appointment, Lynn. | 0:04:30 | 0:04:33 | |
Yeah, the death of the chief executive. | 0:04:33 | 0:04:36 | |
Hello, lovely one! How are you? | 0:04:38 | 0:04:40 | |
'Camila was obviously in trouble, | 0:04:41 | 0:04:44 | |
'but she'd invited me to film whatever lay ahead. | 0:04:44 | 0:04:47 | |
'When the bosses were in though she asked me to keep a low profile.' | 0:04:47 | 0:04:52 | |
Do the Trustees know about me at all? | 0:04:52 | 0:04:54 | |
One of them. | 0:04:54 | 0:04:56 | |
But not quite... | 0:04:56 | 0:04:58 | |
..not quite what you're here for. | 0:05:00 | 0:05:03 | |
(Go away, Lynn, you're not supposed to be here!) | 0:05:07 | 0:05:10 | |
'I wasn't sure what Camila was up to, | 0:05:12 | 0:05:15 | |
'but it was clear she wasn't going anywhere without a fight.' | 0:05:15 | 0:05:19 | |
Kids Company began nearly 20 years ago. | 0:05:24 | 0:05:27 | |
It was a tiny operation in the back streets of South London. | 0:05:27 | 0:05:32 | |
Were you very frightened at that point? I was frightened. | 0:05:32 | 0:05:35 | |
I would have been frightened, a little bit. I was frightened a lot. | 0:05:35 | 0:05:38 | |
A psychotherapist from Iran, | 0:05:38 | 0:05:40 | |
Camila said many of the children were abused and neglected. | 0:05:40 | 0:05:44 | |
Hello, how are you? | 0:05:47 | 0:05:49 | |
Ten years later I made a film about Camila. | 0:05:49 | 0:05:52 | |
Hello, my darling. | 0:05:52 | 0:05:53 | |
By then, she had a number of drop-in centres. | 0:05:53 | 0:05:56 | |
Good to see you. | 0:05:56 | 0:05:58 | |
This is our mural, do you like our mural? | 0:05:58 | 0:06:00 | |
The kids have painted the mural. | 0:06:00 | 0:06:02 | |
Oh, hello! | 0:06:02 | 0:06:04 | |
Oh, are you going to give me...? | 0:06:04 | 0:06:07 | |
Here, children and young people could just turn up. | 0:06:07 | 0:06:10 | |
There was everything, from two hot meals a day to education, | 0:06:12 | 0:06:15 | |
counselling and money when they needed it. | 0:06:15 | 0:06:19 | |
Camila's philosophy was to provide everything a good parent would. | 0:06:22 | 0:06:26 | |
She created a family and she was the mother. | 0:06:26 | 0:06:30 | |
No child was ever turned away, | 0:06:34 | 0:06:36 | |
not even the most dangerous. | 0:06:36 | 0:06:39 | |
Don't make me come up the stairs! | 0:06:39 | 0:06:42 | |
The only power you have over them is the power of love, | 0:06:42 | 0:06:45 | |
and that's the power people don't understand. | 0:06:45 | 0:06:48 | |
It's like going up the wrong alley all the time. | 0:06:48 | 0:06:51 | |
And then the right solution's staring you in the face, | 0:06:51 | 0:06:54 | |
but professionals don't like to talk about love. | 0:06:54 | 0:06:58 | |
Did you make that? That's beautiful. | 0:06:58 | 0:07:02 | |
After a year with Camila, I knew her to be an extraordinary woman. | 0:07:02 | 0:07:06 | |
She had a vision of how to care for these kids | 0:07:06 | 0:07:09 | |
and there was no doubt in my mind | 0:07:09 | 0:07:11 | |
that her work transformed lives. | 0:07:11 | 0:07:14 | |
Let me see it fit you. No, no, it won't fit me like that. | 0:07:14 | 0:07:17 | |
Ten years later, I've returned to a very different organisation. | 0:07:20 | 0:07:24 | |
Kids Company now costs ?24 million a year to run, | 0:07:27 | 0:07:31 | |
and has a staff wage bill of a million pounds a month. | 0:07:31 | 0:07:36 | |
It was an enormous operation and was now in trouble. | 0:07:36 | 0:07:40 | |
130 - Michael McIntyre. | 0:07:42 | 0:07:44 | |
1.3 - Coldplay... | 0:07:50 | 0:07:53 | |
Over the years, | 0:07:53 | 0:07:55 | |
Camila has raised ?120 million herself. | 0:07:55 | 0:07:59 | |
Her donors have been happy to oblige. | 0:07:59 | 0:08:02 | |
What does that add up to? | 0:08:02 | 0:08:04 | |
It says here 9.864. | 0:08:04 | 0:08:06 | |
That's pretty good. So, if JK Rowling comes in.. | 0:08:06 | 0:08:09 | |
Yeah, it's done. It's done. | 0:08:09 | 0:08:11 | |
This is my list. | 0:08:13 | 0:08:15 | |
So, these are all... I identified people to beg, | 0:08:15 | 0:08:18 | |
and if my begging's been successful, it goes yellow, | 0:08:18 | 0:08:22 | |
and if I'm nowhere near it yet, it's red. | 0:08:22 | 0:08:24 | |
And, David Cameron, I'm very organised, | 0:08:24 | 0:08:28 | |
even in my begging! | 0:08:28 | 0:08:29 | |
SHE LAUGHS | 0:08:29 | 0:08:31 | |
I can't... I don't know. | 0:08:32 | 0:08:34 | |
Who are these people? | 0:08:34 | 0:08:36 | |
Philanthropists. | 0:08:36 | 0:08:37 | |
You know, companies, the general public. | 0:08:39 | 0:08:41 | |
I've just called this poor man in America, you know, | 0:08:42 | 0:08:46 | |
and, clearly, I got him out of bed. | 0:08:46 | 0:08:49 | |
And I think he might send me about ?25,000 | 0:08:51 | 0:08:55 | |
to get us out of insolvency. | 0:08:55 | 0:08:57 | |
It's shit. | 0:08:57 | 0:08:59 | |
It really is. | 0:08:59 | 0:09:01 | |
'Ever since I've known Camila, | 0:09:03 | 0:09:05 | |
'there have been countless financial crises. | 0:09:05 | 0:09:07 | |
'Now, it seemed to be different. | 0:09:07 | 0:09:10 | |
'People were turning against her | 0:09:10 | 0:09:13 | |
'and she wasn't sure who to trust.' | 0:09:13 | 0:09:14 | |
MOBILE RINGS Alan Yentob. | 0:09:14 | 0:09:17 | |
'It was her boss.' | 0:09:18 | 0:09:19 | |
Alan? CONVERSATION INAUDIBLE | 0:09:19 | 0:09:21 | |
Hello. | 0:09:21 | 0:09:22 | |
'Alan is the Chair of Trustees.' | 0:09:22 | 0:09:24 | |
Yeah. | 0:09:26 | 0:09:28 | |
'He is also an executive in the BBC.' | 0:09:28 | 0:09:29 | |
Ten million committed in the first year is doable. | 0:09:31 | 0:09:34 | |
'He's trying to get some money out of the Government.' | 0:09:34 | 0:09:37 | |
Well, I'm putting it together right now. | 0:09:37 | 0:09:40 | |
Alan, I'm putting it together right... | 0:09:40 | 0:09:42 | |
Yeah, I'm putting it together right now. | 0:09:42 | 0:09:45 | |
So, I'm in the middle of doing that. | 0:09:45 | 0:09:48 | |
OK. OK, cheerio, bye. | 0:09:48 | 0:09:50 | |
..Lynn, the fickleness of government. | 0:09:54 | 0:09:57 | |
The charity believed the Government had promised it sustainable funding. | 0:09:58 | 0:10:02 | |
Camila certainly had years of Government recognition | 0:10:02 | 0:10:06 | |
and ?43 million pounds' worth of encouragement. | 0:10:06 | 0:10:09 | |
Camila has always argued the money is justified as Kids Company | 0:10:12 | 0:10:16 | |
was doing was the Government should be doing. | 0:10:16 | 0:10:19 | |
What she saw was desperate and increasing need. | 0:10:20 | 0:10:24 | |
Children with mental health problems, | 0:10:24 | 0:10:26 | |
homeless teenagers, asylum seekers - | 0:10:26 | 0:10:28 | |
with an open-door policy, | 0:10:28 | 0:10:30 | |
they'd all been welcomed in. | 0:10:30 | 0:10:33 | |
The level of need here is phenomenal. | 0:10:34 | 0:10:37 | |
You know, I've worked for social services in front-line assessment | 0:10:37 | 0:10:40 | |
and it's the same here. | 0:10:40 | 0:10:41 | |
We are basically operating at the same level as the local authority. | 0:10:41 | 0:10:44 | |
These are kids who rely on Kids Company. | 0:10:44 | 0:10:47 | |
Some of them rely on us for food | 0:10:47 | 0:10:49 | |
and to push and fight for them to get safe accommodation. | 0:10:49 | 0:10:52 | |
Spending huge amounts of time with very vulnerable kids, | 0:10:52 | 0:10:55 | |
it's the best way to help them. | 0:10:55 | 0:10:57 | |
You know, meetings and forms | 0:10:57 | 0:10:58 | |
and paperwork don't change people's lives, | 0:10:58 | 0:11:00 | |
people change people's lives. | 0:11:00 | 0:11:02 | |
You know, what we do here is put people who care | 0:11:02 | 0:11:04 | |
and who've got heart and passion and intelligence | 0:11:04 | 0:11:07 | |
into the lives of kids who need it, and that's really the system. | 0:11:07 | 0:11:10 | |
It's no more complicated than that. | 0:11:10 | 0:11:12 | |
Now the charity is on the brink of going bust. | 0:11:17 | 0:11:20 | |
The Government has promised they'll bail them out, | 0:11:20 | 0:11:23 | |
but, in return, Kids Company has to downsize. | 0:11:23 | 0:11:26 | |
The money will cover redundancies, | 0:11:27 | 0:11:29 | |
and they expect Camila to step aside. | 0:11:29 | 0:11:33 | |
I mean, right now, I think I just need to find someone | 0:11:33 | 0:11:37 | |
or an organisation with money | 0:11:37 | 0:11:40 | |
to turn this around, because I don't want to... | 0:11:40 | 0:11:43 | |
I really don't want to let our staff go. | 0:11:43 | 0:11:46 | |
Thank you so much. | 0:11:53 | 0:11:56 | |
OK. All right. Bye. | 0:11:56 | 0:11:58 | |
This sounds like another plan, Camila. Yes. | 0:12:01 | 0:12:03 | |
I'm trying every which way | 0:12:06 | 0:12:09 | |
to save our staff's jobs, | 0:12:09 | 0:12:12 | |
so I'm hoping, that through a campaign, | 0:12:12 | 0:12:16 | |
I can turn the redundancy money that they might give | 0:12:16 | 0:12:20 | |
into money to continue running, | 0:12:20 | 0:12:23 | |
because the amount they are giving to make the staff redundant | 0:12:23 | 0:12:29 | |
is exactly what I need to be able to continue. | 0:12:29 | 0:12:32 | |
You're going to be doing something behind the scenes? | 0:12:32 | 0:12:35 | |
I'm not... I'm not... | 0:12:35 | 0:12:37 | |
I never break the law. | 0:12:37 | 0:12:39 | |
We have to be very clear about that. | 0:12:39 | 0:12:41 | |
I never break the law. | 0:12:41 | 0:12:43 | |
I just stretch it a bit! SHE LAUGHS | 0:12:43 | 0:12:47 | |
Because if you're asking me, | 0:12:47 | 0:12:51 | |
the correct law is to take care of these children properly, | 0:12:51 | 0:12:56 | |
so I want to follow the correct law. | 0:12:56 | 0:13:00 | |
And if the law of the land is not correct, | 0:13:00 | 0:13:04 | |
then we have to slightly break it. | 0:13:04 | 0:13:06 | |
It's a chess game, | 0:13:06 | 0:13:08 | |
I'm playing chess with psychopaths. | 0:13:08 | 0:13:11 | |
Someone might think, "Well, you're an equally big nutter," | 0:13:13 | 0:13:17 | |
but my nuttiness is in the service of children, so it's OK. | 0:13:17 | 0:13:22 | |
MOBILE RINGS | 0:13:22 | 0:13:24 | |
HMRC. | 0:13:25 | 0:13:27 | |
They want their money | 0:13:27 | 0:13:28 | |
and I've got no money to give them. | 0:13:28 | 0:13:30 | |
That's going to be a very, very delicate conversation. | 0:13:32 | 0:13:37 | |
You didn't take the call? No. | 0:13:37 | 0:13:39 | |
Sometimes you have to give yourself a breathing space, Lynn. | 0:13:39 | 0:13:42 | |
SHE GIGGLES | 0:13:42 | 0:13:44 | |
No, I didn't. | 0:13:44 | 0:13:45 | |
PRESENTER: 'The founder of charity success story Kids Company | 0:13:47 | 0:13:50 | |
'is under pressure from the Government to step down.' | 0:13:50 | 0:13:54 | |
July 2nd, the story's out. | 0:13:54 | 0:13:57 | |
It's not just about Camila being forced to stand down. | 0:13:57 | 0:14:00 | |
Former staff and clients have been talking to the media | 0:14:00 | 0:14:03 | |
about the way the charity is run. | 0:14:03 | 0:14:05 | |
I have spoken to former clients who've told me | 0:14:06 | 0:14:09 | |
that they would regularly receive cash in envelopes - | 0:14:09 | 0:14:13 | |
in some cases, large sums of money - | 0:14:13 | 0:14:14 | |
and allowed to go and spend it on whatever they want, | 0:14:14 | 0:14:16 | |
seemingly to encourage them to keep attending the charity. | 0:14:16 | 0:14:19 | |
Good morning, darlings! SHOUTS OF GOOD MORNING | 0:14:21 | 0:14:23 | |
The war begins! | 0:14:23 | 0:14:25 | |
Laurence was in charge of strategy. | 0:14:26 | 0:14:28 | |
So, you should limit your media appearances. | 0:14:30 | 0:14:34 | |
If you just focus on the children... Yeah. | 0:14:34 | 0:14:38 | |
..you can take personal attacks... Yeah. | 0:14:38 | 0:14:40 | |
..but you're not going to let the children suffer. Yeah, OK, good. | 0:14:40 | 0:14:43 | |
Some people in the Government have been out to get Kids Company | 0:14:43 | 0:14:45 | |
because we raise too many difficult questions. | 0:14:45 | 0:14:48 | |
Don't mention, don't even respond to financial mismanagement. Yeah. | 0:14:48 | 0:14:52 | |
Unless you're asked, and then talk about... No, they've been asking. | 0:14:52 | 0:14:55 | |
Talk about auditors and the quarterly evaluations. | 0:14:55 | 0:14:59 | |
Just focus on the children. Yeah. | 0:14:59 | 0:15:02 | |
In 19 years, we've passed every audit. | 0:15:04 | 0:15:08 | |
It's not about me, it's not about the charity, | 0:15:08 | 0:15:11 | |
it's about the children and young people who need our help. | 0:15:11 | 0:15:15 | |
I want something done about them. | 0:15:15 | 0:15:17 | |
The allegation is it's because of serious concerns | 0:15:17 | 0:15:19 | |
about the way that the charity is run. That's not true. | 0:15:19 | 0:15:23 | |
We have never been told by Government | 0:15:23 | 0:15:26 | |
that we're not properly run. | 0:15:26 | 0:15:28 | |
Every report has been exemplary. | 0:15:28 | 0:15:30 | |
For every war you need lipstick. | 0:15:33 | 0:15:36 | |
Why do you think they're doing this? | 0:15:36 | 0:15:38 | |
It's not about mismanagement, that's a red herring. | 0:15:38 | 0:15:41 | |
How do you explain that the money is not being properly spent | 0:15:41 | 0:15:44 | |
and that therefore your management, you know, should come to an end? | 0:15:44 | 0:15:47 | |
All these allegations are completely untrue. | 0:15:47 | 0:15:51 | |
The Government thinks you're part of the problem. | 0:15:51 | 0:15:53 | |
I'm sure the Government thinks I'm part of the problem. | 0:15:53 | 0:15:56 | |
I won't toe the line, I will say it as it is. | 0:15:56 | 0:15:59 | |
I will challenge them when I need to challenge them. | 0:15:59 | 0:16:02 | |
For 20 years, Camila has campaigned on child protection issues. | 0:16:03 | 0:16:08 | |
She's had her critics along the way | 0:16:08 | 0:16:10 | |
and now believed she was the victim | 0:16:10 | 0:16:12 | |
of a malicious campaign to discredit her. | 0:16:12 | 0:16:15 | |
There may be some bad stuff that comes out | 0:16:16 | 0:16:18 | |
that is very strong criticism. I mean... There will be a lot. | 0:16:18 | 0:16:22 | |
I think whatever comes out, you should just come and ask me. | 0:16:22 | 0:16:26 | |
You know, where I've made a mistake | 0:16:26 | 0:16:29 | |
and I'm not aware I've made it, I will apologise. | 0:16:29 | 0:16:33 | |
And where I think I stand by it, I'll stand by it. | 0:16:33 | 0:16:37 | |
You know, I... And if there was wrong-doing somewhere? | 0:16:37 | 0:16:40 | |
If there's wrong-doing somewhere I want to hear about it, | 0:16:40 | 0:16:43 | |
and I would want to be able to address it, yeah. | 0:16:43 | 0:16:46 | |
'Allegations came thick and fast.' | 0:16:46 | 0:16:49 | |
Quite simply, on a Friday it was allowance day. | 0:16:49 | 0:16:52 | |
And money was handed out | 0:16:52 | 0:16:54 | |
and it was in the form of cash in envelopes and it meant | 0:16:54 | 0:16:57 | |
that there were relatively large numbers of young people | 0:16:57 | 0:17:00 | |
coming to collect money, not to engage in the interventions | 0:17:00 | 0:17:03 | |
offered by the youth centre, but simply to collect their allowance. | 0:17:03 | 0:17:07 | |
I knew about these envelopes ten years ago. | 0:17:08 | 0:17:11 | |
There's nothing secret about them. | 0:17:11 | 0:17:13 | |
Then, they were small amounts of money | 0:17:13 | 0:17:16 | |
given to kids who were studying. | 0:17:16 | 0:17:18 | |
TEARFULLY: It's disgusting, Lynn. | 0:17:21 | 0:17:23 | |
Sort of middle-class perspective on what money means. | 0:17:26 | 0:17:32 | |
But how does that marry up, Camila, with the stories | 0:17:34 | 0:17:37 | |
about hundreds of pounds in brown envelopes every Friday? | 0:17:37 | 0:17:41 | |
First of all, it's not hundreds of pounds, | 0:17:41 | 0:17:45 | |
and if there is ?100 in there it might be, | 0:17:45 | 0:17:48 | |
you know, a teenager with four siblings. | 0:17:48 | 0:17:51 | |
It's all very carefully worked out, | 0:17:51 | 0:17:53 | |
it's all based on assessment. | 0:17:53 | 0:17:55 | |
Oh, my goodness me! | 0:17:55 | 0:17:59 | |
The sort of support I'd seen was for children like Chesney. | 0:18:00 | 0:18:04 | |
I filmed her years ago when she was nine. | 0:18:04 | 0:18:07 | |
She came to Kids Company's after-school club. | 0:18:07 | 0:18:10 | |
She'd been coming since she was a toddler | 0:18:10 | 0:18:13 | |
and loved all the activities. | 0:18:13 | 0:18:15 | |
I'm making a vase. | 0:18:16 | 0:18:17 | |
Morning. | 0:18:21 | 0:18:22 | |
Come on, wake up. | 0:18:22 | 0:18:24 | |
Come on. | 0:18:24 | 0:18:26 | |
Chesney's 15 now. | 0:18:26 | 0:18:27 | |
She's one of six children and the whole family relies on Kids Company. | 0:18:27 | 0:18:31 | |
They live in a two-bedroom flat in South London. | 0:18:33 | 0:18:36 | |
It was like special, I felt really special at Kids Company. | 0:18:36 | 0:18:39 | |
It is all I've ever really known. | 0:18:39 | 0:18:42 | |
'They became my second family.' | 0:18:42 | 0:18:44 | |
Go on. | 0:18:44 | 0:18:46 | |
Chesney and her siblings are actually the second generation | 0:18:46 | 0:18:50 | |
to go to Kids Company. | 0:18:50 | 0:18:52 | |
Her mum, Nicola, went as a troubled teenager. | 0:18:52 | 0:18:55 | |
You lot, can you hurry up! | 0:18:55 | 0:18:57 | |
Over the years, they've received everything from counselling, | 0:18:57 | 0:19:00 | |
activity holidays, extra tuition and food vouchers. | 0:19:00 | 0:19:04 | |
Chesney herself has had exceptional help from the charity. | 0:19:08 | 0:19:12 | |
Three years ago, Kids Company got her into boarding school. | 0:19:12 | 0:19:16 | |
I would have been pulled into a gang | 0:19:17 | 0:19:20 | |
if I stayed here throughout my secondary years. | 0:19:20 | 0:19:24 | |
I felt myself slowly slipping downwards, | 0:19:24 | 0:19:27 | |
and I didn't want to go downwards, I wanted to go upwards, | 0:19:27 | 0:19:29 | |
and I realised that in time. | 0:19:29 | 0:19:31 | |
I wanted to go into possibly law, | 0:19:32 | 0:19:36 | |
but Camila told me that was actually quite boring, | 0:19:36 | 0:19:39 | |
and she knows I'm a very creative person, so a journalist or a lawyer. | 0:19:39 | 0:19:44 | |
The charity is spending ?15,000 a year on Chesney's education. | 0:19:44 | 0:19:49 | |
Yeah, I've got to go again! | 0:19:49 | 0:19:51 | |
It's a great deal to spend on one child, | 0:19:52 | 0:19:55 | |
but I'd seen this sort of intervention transform lives. | 0:19:55 | 0:19:58 | |
In the press, the stories were getting worse. | 0:20:02 | 0:20:06 | |
There were shocking tales of excess, | 0:20:08 | 0:20:10 | |
claims that piles of money were handed out | 0:20:10 | 0:20:14 | |
with little control over how it was spent. | 0:20:14 | 0:20:16 | |
Camila confirmed there were some clients who received | 0:20:16 | 0:20:20 | |
exceptionally high levels of financial support. | 0:20:20 | 0:20:23 | |
But she maintained it was because of their particular needs. | 0:20:24 | 0:20:28 | |
Annie, my love, are you all right? I am surviving. | 0:20:30 | 0:20:33 | |
You're surviving. Did you bring all your art materials? | 0:20:33 | 0:20:37 | |
I've got my bag here. Yeah, very good. | 0:20:37 | 0:20:40 | |
My paintbrushes and my paint. Good. Are you going to find a nice desk? | 0:20:40 | 0:20:44 | |
Yes. That's going to be your permanent one, yeah. | 0:20:44 | 0:20:47 | |
Oh, my days, I'm going to have my own desk, Camila! | 0:20:47 | 0:20:50 | |
Yeah, you're going to have your own desk. | 0:20:50 | 0:20:53 | |
I'm going to be professional. You are. | 0:20:53 | 0:20:56 | |
I am always professional. Yeah. Camila, I love you, you know. | 0:20:56 | 0:20:58 | |
I love you, too, sweetheart. | 0:20:58 | 0:21:01 | |
Isn't that beautiful? | 0:21:01 | 0:21:03 | |
And she does it all out of her head. | 0:21:03 | 0:21:05 | |
So, so talented. | 0:21:05 | 0:21:07 | |
This talent... | 0:21:07 | 0:21:08 | |
..is what we've got to work on. Yes. | 0:21:10 | 0:21:12 | |
Anyway, let's get some art... And get kicking. | 0:21:12 | 0:21:16 | |
Get kicking. And do this. | 0:21:16 | 0:21:18 | |
Yes, we've got a lot of work. I'm ready to do this, Camila. | 0:21:18 | 0:21:20 | |
Yeah. A lot of work. Go and set up your table. | 0:21:20 | 0:21:24 | |
Yeah, I will. | 0:21:24 | 0:21:25 | |
OK. | 0:21:25 | 0:21:27 | |
I'm, like, next to Camila. | 0:21:28 | 0:21:30 | |
So, I'm happy. | 0:21:30 | 0:21:31 | |
Annie comes from Jamaica. | 0:21:33 | 0:21:36 | |
She suffered a violent and traumatic childhood. | 0:21:36 | 0:21:39 | |
Her sister was murdered, | 0:21:39 | 0:21:41 | |
her mother and her grandmother died shortly after. | 0:21:41 | 0:21:44 | |
She was 21 when she arrived at Kids Company, | 0:21:44 | 0:21:47 | |
but that was some years ago. | 0:21:47 | 0:21:49 | |
That's the most amazing little birdie you could find right now. | 0:21:52 | 0:21:55 | |
I'd been invited to Annie's home. | 0:21:58 | 0:22:00 | |
Morning, morning. | 0:22:00 | 0:22:02 | |
Come into my humble little castle. | 0:22:02 | 0:22:05 | |
That's my favourite, this lady. | 0:22:06 | 0:22:08 | |
That's the first thing I'll see when I come in | 0:22:10 | 0:22:12 | |
and the last thing I'll see when I go out. | 0:22:12 | 0:22:15 | |
She's always with me even when I'm home alone. | 0:22:15 | 0:22:18 | |
This is a special person in my life. | 0:22:18 | 0:22:21 | |
This is my sitting area, | 0:22:23 | 0:22:25 | |
sitting, dining and kitchen in one. | 0:22:25 | 0:22:27 | |
I believe like happiness begins at home. | 0:22:35 | 0:22:38 | |
And if you have a nice home | 0:22:39 | 0:22:40 | |
and you are comfortable in that environment, | 0:22:40 | 0:22:43 | |
you are ready to go outside and face the world. | 0:22:43 | 0:22:46 | |
For 13 years, Kids Company | 0:22:49 | 0:22:51 | |
had completely supported Annie financially. | 0:22:51 | 0:22:54 | |
The charity had given her cash, food vouchers | 0:22:54 | 0:22:58 | |
and covered all her living costs. | 0:22:58 | 0:23:00 | |
She had not been able to work or receive benefits. | 0:23:03 | 0:23:06 | |
Annie was an asylum seeker until very recently. | 0:23:07 | 0:23:11 | |
Camila maintained someone else usually shared this flat | 0:23:11 | 0:23:15 | |
and said Annie contributed by volunteering for the charity. | 0:23:15 | 0:23:19 | |
It is my everything. | 0:23:19 | 0:23:21 | |
Kids Company is my whole life. | 0:23:21 | 0:23:23 | |
As I said to you, I cannot see myself away from Kids Company | 0:23:24 | 0:23:28 | |
or see myself without Kids Company. | 0:23:28 | 0:23:30 | |
I mean, of course, I suppose... | 0:23:33 | 0:23:35 | |
How old are you now? I'm 34 now. | 0:23:35 | 0:23:36 | |
People are all going to question | 0:23:39 | 0:23:41 | |
why you are looking after this woman. | 0:23:41 | 0:23:44 | |
Because... | 0:23:44 | 0:23:45 | |
Look at her. | 0:23:45 | 0:23:47 | |
She's very special. | 0:23:47 | 0:23:50 | |
Very, very special. | 0:23:50 | 0:23:53 | |
Any household who has an adult child with special needs | 0:23:53 | 0:23:57 | |
will recognise this, we're no different. | 0:23:57 | 0:24:01 | |
If I don't see her | 0:24:01 | 0:24:03 | |
and, literally, look after her | 0:24:03 | 0:24:07 | |
like a special person that she is, | 0:24:07 | 0:24:10 | |
then, you know, she could fall apart... | 0:24:10 | 0:24:13 | |
..and become very suicidal and very desolate. | 0:24:14 | 0:24:18 | |
So, you know, | 0:24:18 | 0:24:20 | |
I have to keep that eye on her. | 0:24:20 | 0:24:23 | |
And there have been a couple of times | 0:24:23 | 0:24:26 | |
when she's been on the phone | 0:24:26 | 0:24:28 | |
and she was ready to kill herself. | 0:24:28 | 0:24:31 | |
But, in theory, you shouldn't be looking after her. | 0:24:35 | 0:24:38 | |
In theory, I shouldn't be doing a lot of things, but... | 0:24:38 | 0:24:41 | |
..in spirit... | 0:24:42 | 0:24:43 | |
..I hope I make the right choices. | 0:24:45 | 0:24:47 | |
Press scrutiny is now turning to Alan Yentob as well as Camila. | 0:24:52 | 0:24:57 | |
The newspapers are questioning his conduct and record | 0:24:58 | 0:25:02 | |
as Chair of the Trustees for the last 12 years. | 0:25:02 | 0:25:05 | |
Good morning, Lynn. | 0:25:09 | 0:25:10 | |
I'm coming to see my lovely, lovely, lovely staff, | 0:25:10 | 0:25:14 | |
whom I love very much. Come on, Lynn. | 0:25:14 | 0:25:16 | |
Two weeks since the Government told Camila | 0:25:17 | 0:25:20 | |
to stand down as Chief Executive, | 0:25:20 | 0:25:22 | |
she'd come to the main drop-in centre in South London | 0:25:22 | 0:25:25 | |
to address the staff. | 0:25:25 | 0:25:26 | |
Ah, hello, my lovelies. | 0:25:28 | 0:25:32 | |
CHEERING AND APPLAUSE | 0:25:32 | 0:25:35 | |
SUSTAINED CHEERING | 0:25:40 | 0:25:43 | |
Ah! You're amazing. | 0:25:43 | 0:25:45 | |
You're amazing. | 0:25:51 | 0:25:52 | |
Sit down, my darlings. | 0:25:59 | 0:26:00 | |
Where we're at is that, obviously, Government have come up | 0:26:03 | 0:26:08 | |
with this equation which is, | 0:26:08 | 0:26:11 | |
"We'll give you three million, | 0:26:11 | 0:26:14 | |
"shrink the organisation down to ten million and Camila step down." | 0:26:14 | 0:26:19 | |
The reason I'm refusing | 0:26:19 | 0:26:21 | |
is because, if I give in to their narrative... | 0:26:21 | 0:26:26 | |
..by proxy, their assertion | 0:26:27 | 0:26:30 | |
that we are mismanaged gets confirmed. | 0:26:30 | 0:26:34 | |
OK. | 0:26:34 | 0:26:35 | |
Yeah. | 0:26:35 | 0:26:37 | |
APPLAUSE | 0:26:37 | 0:26:39 | |
Remember, remember, we have forgiveness, | 0:26:39 | 0:26:41 | |
compassion for all those who do wrong. | 0:26:41 | 0:26:44 | |
And David Cameron's top of the list at the moment, OK. | 0:26:44 | 0:26:47 | |
LAUGHTER All right. Bye. | 0:26:47 | 0:26:50 | |
APPLAUSE | 0:26:50 | 0:26:52 | |
I was taken aback by Camila's defiance in the meeting. | 0:26:52 | 0:26:56 | |
She wanted to fight, but I couldn't see how it could work. | 0:26:56 | 0:27:00 | |
Camila, the Government money is conditional on you standing down. | 0:27:00 | 0:27:03 | |
Yes. | 0:27:03 | 0:27:05 | |
Well, Lynn, we'll just Tipp-Ex that bit on the document | 0:27:05 | 0:27:10 | |
and then sign it! | 0:27:10 | 0:27:12 | |
SHE LAUGHS | 0:27:12 | 0:27:15 | |
At the beginning, you were sort of resistant to downsizing | 0:27:15 | 0:27:18 | |
of any sort, but it is inevitable now, isn't it? | 0:27:18 | 0:27:21 | |
No, I still want to resist it. | 0:27:21 | 0:27:23 | |
I'm still trying to work out how to resist it. | 0:27:23 | 0:27:25 | |
Camila, is that realistic? | 0:27:29 | 0:27:30 | |
The Government may not give you | 0:27:30 | 0:27:32 | |
your three million if you don't stand down. | 0:27:32 | 0:27:34 | |
And even if they do give you your three million, | 0:27:34 | 0:27:36 | |
you're not getting funding next year. Is that realistic? | 0:27:36 | 0:27:40 | |
Realism never got anyone anywhere, Lynn. | 0:27:40 | 0:27:43 | |
Aspiration... | 0:27:44 | 0:27:46 | |
..and imagination got people | 0:27:48 | 0:27:51 | |
to transcend barriers. | 0:27:51 | 0:27:54 | |
To the last minute. I've got to hold on to aspiration, | 0:27:54 | 0:28:00 | |
and imagine a better situation | 0:28:00 | 0:28:02 | |
and bring it about. | 0:28:02 | 0:28:04 | |
A few days later, | 0:28:06 | 0:28:08 | |
Camila's position hadn't changed, | 0:28:08 | 0:28:11 | |
but the Board of Trustees were taking matters into their own hands. | 0:28:11 | 0:28:15 | |
They're legally liable for the proper running of the charity. | 0:28:16 | 0:28:20 | |
They've appointed a new Chief Operating Officer | 0:28:20 | 0:28:23 | |
who's taking the office right next door to Camila's. | 0:28:23 | 0:28:26 | |
He'll be making the cuts whether Camila likes it or not. | 0:28:26 | 0:28:30 | |
The new man is in. | 0:28:34 | 0:28:35 | |
Double Glazing. | 0:28:35 | 0:28:37 | |
"Double Glazing"? Yeah. | 0:28:37 | 0:28:39 | |
That's your name for him? | 0:28:39 | 0:28:41 | |
Yeah, because he looks like a double-glazing salesman. | 0:28:41 | 0:28:44 | |
And when he communicates, | 0:28:45 | 0:28:48 | |
he doesn't connect with you for real. | 0:28:48 | 0:28:51 | |
So, it's as if he's speaking behind double-glazing. | 0:28:51 | 0:28:54 | |
He needs forgiveness and compassion. LOCK BEEPS AND CLICKS | 0:28:54 | 0:28:57 | |
That's what we'll give him. | 0:28:57 | 0:28:59 | |
Hello, lovelies! SUBDUED HELLOS | 0:29:00 | 0:29:02 | |
How are you? | 0:29:02 | 0:29:04 | |
No need to be miserable, we're winning the war. | 0:29:04 | 0:29:07 | |
'And there he was.' | 0:29:10 | 0:29:12 | |
Right, Lynn. Shall I just close the door? Yeah, close the door. | 0:29:15 | 0:29:19 | |
So, his role is | 0:29:24 | 0:29:26 | |
to shrink Kids Company | 0:29:26 | 0:29:29 | |
by 14 million. | 0:29:29 | 0:29:32 | |
That means getting rid of | 0:29:32 | 0:29:34 | |
about 450 staff. | 0:29:34 | 0:29:38 | |
Appointed by who? | 0:29:40 | 0:29:41 | |
Appointed by the Trustees. | 0:29:41 | 0:29:44 | |
Approved by the hedge fund men. | 0:29:44 | 0:29:46 | |
He was even signed up and brought in before I even got to meet him. | 0:29:46 | 0:29:51 | |
So, he was presented as a fait accompli. | 0:29:51 | 0:29:55 | |
The disrespect is amazing. | 0:29:56 | 0:29:59 | |
Now, I ran this organisation for 19 years. | 0:30:01 | 0:30:04 | |
They've had to do barely anything. | 0:30:05 | 0:30:07 | |
And what's your impression of him, personally? | 0:30:07 | 0:30:09 | |
He's perfectly reasonable, | 0:30:09 | 0:30:13 | |
vanilla-like, non-descript. | 0:30:13 | 0:30:16 | |
A hatchet man. | 0:30:16 | 0:30:19 | |
You know, you'll come in... | 0:30:19 | 0:30:20 | |
..and he'll deliver the, | 0:30:22 | 0:30:25 | |
you know, the sort of cut. | 0:30:25 | 0:30:28 | |
And he'll do it, because he's not emotionally involved, | 0:30:28 | 0:30:32 | |
he's not campaigning | 0:30:32 | 0:30:35 | |
to change things. | 0:30:35 | 0:30:38 | |
He'll just do, you know, | 0:30:38 | 0:30:39 | |
like a clean bit of surgery and be gone. | 0:30:39 | 0:30:42 | |
Laurence, have you heard the latest? | 0:30:43 | 0:30:45 | |
No, what's happened now? Come, I've just got to show this e-mail. | 0:30:45 | 0:30:49 | |
And Alan Yentob sent it. | 0:30:49 | 0:30:51 | |
Wait, wait, wait. | 0:30:51 | 0:30:53 | |
He wants you to send this. "Dear, all, this is a note | 0:30:55 | 0:30:57 | |
"to introduce you to Colin Whipp, who is taking on the role | 0:30:57 | 0:31:00 | |
"of interim Chief Finance Officer and COO. | 0:31:00 | 0:31:02 | |
"He is here to help me and the Board | 0:31:02 | 0:31:04 | |
"manage our way through these times of tight funding. | 0:31:04 | 0:31:07 | |
"Colin has lots of experience and understands how hard you all work | 0:31:07 | 0:31:10 | |
"supporting our children and young people. Love, Camila." | 0:31:10 | 0:31:13 | |
He wants you to send that this afternoon. | 0:31:13 | 0:31:16 | |
That's impossible. They're even telling me what to write! | 0:31:16 | 0:31:20 | |
Yeah. He wants that to go out. | 0:31:20 | 0:31:23 | |
Over the next few weeks, some philanthropists | 0:31:27 | 0:31:30 | |
work with the Government and devise a new plan to rescue the charity. | 0:31:30 | 0:31:34 | |
It seemed Kids Company would be saved, but with huge cuts. | 0:31:36 | 0:31:40 | |
Then, at 11 o'clock at night, | 0:31:42 | 0:31:44 | |
I receive a phone call. | 0:31:44 | 0:31:46 | |
The deal's in jeopardy. Tomorrow is payday, | 0:31:46 | 0:31:49 | |
but there's not enough money in the bank to pay the 650 staff. | 0:31:49 | 0:31:53 | |
Ah, Lynn, where have you been? | 0:31:55 | 0:31:57 | |
We're so tired. | 0:31:57 | 0:31:59 | |
We are so, so tired. | 0:31:59 | 0:32:02 | |
So exhausted. | 0:32:03 | 0:32:05 | |
Because the media have been generating | 0:32:05 | 0:32:10 | |
so much poor publicity, | 0:32:10 | 0:32:13 | |
these philanthropists have now freaked. | 0:32:13 | 0:32:17 | |
They've just lost their nerve. | 0:32:17 | 0:32:19 | |
They've lost their nerve, yeah, yeah. | 0:32:19 | 0:32:21 | |
Because of the media. | 0:32:22 | 0:32:24 | |
Do you know what's going to happen? | 0:32:24 | 0:32:27 | |
The silliness of the media... | 0:32:27 | 0:32:29 | |
..is finally going to put the nail in our coffin. | 0:32:31 | 0:32:34 | |
So, I mean, are the staff going to be paid tomorrow? | 0:32:35 | 0:32:38 | |
Oh, my God, Lynn, they have to be paid. | 0:32:38 | 0:32:43 | |
But is there money to pay the payroll tomorrow? Not right now. | 0:32:43 | 0:32:47 | |
Because the whole point was that the Government money | 0:32:47 | 0:32:50 | |
was supposed to come in and we'd use that to pay the payroll. | 0:32:50 | 0:32:53 | |
How much are you short of? | 0:32:53 | 0:32:55 | |
For the payroll tomorrow | 0:32:55 | 0:32:58 | |
we need 500,000. | 0:32:58 | 0:33:01 | |
A half a million? | 0:33:03 | 0:33:04 | |
Half a million, Lynn. | 0:33:04 | 0:33:06 | |
And this is supposed to go through in the morning? | 0:33:06 | 0:33:08 | |
It's supposed to go through in the morning. | 0:33:08 | 0:33:11 | |
Oh, it's not looking good, Lynn. | 0:33:11 | 0:33:13 | |
Thank you. See you tomorrow, OK. | 0:33:16 | 0:33:19 | |
For three days, the staff went unpaid, | 0:33:25 | 0:33:29 | |
then, finally, the rescue deal went through. | 0:33:29 | 0:33:32 | |
The charity got the ?3 million they were promised. | 0:33:32 | 0:33:37 | |
After weeks of being on the edge of disaster, it was time to celebrate. | 0:33:37 | 0:33:41 | |
Kids Company had been saved. | 0:33:42 | 0:33:44 | |
But then, out of the blue, the unthinkable happened. | 0:33:46 | 0:33:50 | |
MUSIC: BBC NEWS THEME | 0:33:51 | 0:33:53 | |
The BBC understands that the Metropolitan Police | 0:33:58 | 0:34:01 | |
have started an investigation into a number of allegations of crime | 0:34:01 | 0:34:05 | |
involving the children's charity Kids Company. | 0:34:05 | 0:34:07 | |
REPORTER: 'The investigation is being led by officers | 0:34:07 | 0:34:10 | |
'from the Sexual Offences Exploitation | 0:34:10 | 0:34:12 | |
'and Child Abuse Command.' | 0:34:12 | 0:34:14 | |
Allegations which now present... | 0:34:19 | 0:34:22 | |
..years later... | 0:34:25 | 0:34:27 | |
..about which I knew nothing. | 0:34:30 | 0:34:32 | |
We will cooperate with the police fully. | 0:34:35 | 0:34:38 | |
I am filled with horror... | 0:34:41 | 0:34:42 | |
..at the thought | 0:34:43 | 0:34:45 | |
..that someone may have been harmed... | 0:34:46 | 0:34:48 | |
..in our care... | 0:34:50 | 0:34:52 | |
..and we are not aware of it. | 0:34:53 | 0:34:55 | |
'It's the duty of local councils and, indeed, the police, | 0:34:57 | 0:35:02 | |
'to investigate any allegation | 0:35:02 | 0:35:04 | |
'where young people may have been abused, | 0:35:04 | 0:35:07 | |
'and I think the public would expect nothing less. | 0:35:07 | 0:35:09 | |
'The police are now asking anyone with any information | 0:35:09 | 0:35:13 | |
'or concerns to contact them or the NSPCC. | 0:35:13 | 0:35:17 | |
'It's one of Britain's most well-known charities, | 0:35:18 | 0:35:21 | |
'but now finds itself facing what may be some difficult allegations.' | 0:35:21 | 0:35:25 | |
And now, it's a witch-hunt. | 0:35:28 | 0:35:30 | |
You just feel the storm is so big... | 0:35:34 | 0:35:37 | |
How am I going to save the staff and the kids in the middle of it? | 0:35:37 | 0:35:42 | |
That's all that keeps going through my head. | 0:35:42 | 0:35:45 | |
So, I'm just thinking, "Wow". | 0:35:46 | 0:35:49 | |
It's too big now. It's a bit too big, yeah. | 0:35:49 | 0:35:52 | |
Because it's all about money, isn't it? | 0:35:52 | 0:35:55 | |
It's reputation... | 0:35:55 | 0:35:56 | |
..and a poor reputation. | 0:35:58 | 0:36:00 | |
They've already made me sound like I'm a mismanaged... | 0:36:00 | 0:36:05 | |
managing individual, even though we passed every audit. | 0:36:05 | 0:36:09 | |
Now, this second one | 0:36:09 | 0:36:11 | |
is now | 0:36:11 | 0:36:14 | |
we're a child protection failure, as well. | 0:36:14 | 0:36:17 | |
The next day, July 31st, | 0:36:23 | 0:36:26 | |
the Trustees vote to close the charity. | 0:36:26 | 0:36:29 | |
What can I say, Lynn? | 0:36:33 | 0:36:35 | |
You know, it gets to a point where you think... | 0:36:35 | 0:36:37 | |
..you know.. | 0:36:41 | 0:36:42 | |
It's like the level of adversity is enormous... | 0:36:46 | 0:36:50 | |
..and we've all been at it for weeks... | 0:36:53 | 0:36:56 | |
..trying to save it, trying to save it, | 0:36:58 | 0:37:01 | |
trying to save it for the kids. | 0:37:01 | 0:37:04 | |
TEARFULLY: We failed. | 0:37:11 | 0:37:12 | |
I think. | 0:37:15 | 0:37:16 | |
So, Lynn... | 0:37:19 | 0:37:20 | |
..we've got to get pragmatic. | 0:37:22 | 0:37:23 | |
I've got to work out how I do this. | 0:37:24 | 0:37:26 | |
Yeah, it's like thousands. | 0:37:26 | 0:37:28 | |
Just on our travel pass and food voucher list are 3,000 people. | 0:37:28 | 0:37:36 | |
Kids Company may be about to close, | 0:37:39 | 0:37:42 | |
but there's a hand-out of money that has to happen today. | 0:37:42 | 0:37:45 | |
Tony's driving to South London with the cash, | 0:37:47 | 0:37:50 | |
but it's late, and there are desperate clients | 0:37:50 | 0:37:53 | |
who are fearful this might be the last time they get paid. | 0:37:53 | 0:37:57 | |
Oh, my God. | 0:37:59 | 0:38:00 | |
Oh, my God. | 0:38:00 | 0:38:02 | |
People need their money. They need money. | 0:38:02 | 0:38:05 | |
The lady called me, you know how much she's getting? | 0:38:06 | 0:38:09 | |
Just ?10 food voucher. They are edgy. | 0:38:09 | 0:38:12 | |
Food voucher, ?2,340. | 0:38:13 | 0:38:15 | |
And, in cash, ?9,290. | 0:38:17 | 0:38:19 | |
# Ghetto, ghetto living | 0:38:19 | 0:38:24 | |
# These streets remind me of quicksand, quicksand | 0:38:24 | 0:38:27 | |
# When you're on it, you'll keep goin' down, goin' down | 0:38:27 | 0:38:32 | |
# And there's no-one to hold on to | 0:38:32 | 0:38:35 | |
# And there's no-one to pull you out | 0:38:35 | 0:38:37 | |
# You keep on falling, falling | 0:38:37 | 0:38:39 | |
# And no-one can hear you calling | 0:38:39 | 0:38:41 | |
# So you end up self-destructing | 0:38:41 | 0:38:44 | |
# On the corner with the tuli on the waistline | 0:38:44 | 0:38:46 | |
# Just got outta the bing doin' state time | 0:38:46 | 0:38:48 | |
# Teeth marks on my back from the canine... # | 0:38:48 | 0:38:51 | |
This is what people depend on | 0:38:51 | 0:38:53 | |
to make sure that their kids go to school, | 0:38:53 | 0:38:55 | |
they have something to eat. | 0:38:55 | 0:38:57 | |
COMMOTION | 0:38:57 | 0:38:58 | |
MAN: I'm telling you - this is my money! I want my money! | 0:38:58 | 0:39:03 | |
My money! My money! My money! My money! | 0:39:03 | 0:39:06 | |
The sexual abuse allegations have changed everything for Kids Company. | 0:39:10 | 0:39:15 | |
The Government's been told the charity is going to close. | 0:39:15 | 0:39:19 | |
Some of the money they'd given three days ago under the deal | 0:39:19 | 0:39:22 | |
had been spent paying staff. | 0:39:22 | 0:39:25 | |
But the charity wanted to keep the rest. | 0:39:25 | 0:39:27 | |
MOBILE RINGS | 0:39:27 | 0:39:29 | |
Hi. | 0:39:29 | 0:39:30 | |
Oh, they want it back? | 0:39:34 | 0:39:36 | |
Oh, that's ridiculous. | 0:39:37 | 0:39:39 | |
The Government's demanding its money back? | 0:39:39 | 0:39:41 | |
Are you fucking serious? Yeah. | 0:39:41 | 0:39:44 | |
They want the money back? | 0:39:44 | 0:39:46 | |
Bastards. | 0:39:46 | 0:39:47 | |
They want their money back. | 0:39:50 | 0:39:52 | |
They want 2.3 million back. | 0:39:52 | 0:39:54 | |
Really? They can't have it. | 0:39:54 | 0:39:57 | |
Absolutely not. | 0:39:58 | 0:39:59 | |
Whatever Camila might have wanted, | 0:40:01 | 0:40:04 | |
the Government wasn't giving money to a charity that had closed. | 0:40:04 | 0:40:09 | |
There were no reserves and no means of cushioning the blow. | 0:40:09 | 0:40:13 | |
After 19 years, Kids Company was closing for ever. | 0:40:13 | 0:40:18 | |
We're really going to try our best | 0:40:18 | 0:40:20 | |
not to just leave people without anything. | 0:40:20 | 0:40:23 | |
SOBBING | 0:40:23 | 0:40:25 | |
This is the only place that I've ever received | 0:40:28 | 0:40:30 | |
something very good for my son. | 0:40:30 | 0:40:32 | |
What we need to remember is most people who come here, | 0:40:35 | 0:40:38 | |
they don't buy the Guardian, they don't buy the Telegraph. | 0:40:38 | 0:40:41 | |
They didn't know. This hadn't hit them until today. | 0:40:41 | 0:40:43 | |
And now that it is hitting them they're terrified. | 0:40:43 | 0:40:46 | |
There's so many people that are suffering. | 0:40:46 | 0:40:48 | |
So many families they don't have anywhere to go, | 0:40:48 | 0:40:50 | |
they don't have anybody to help them. | 0:40:50 | 0:40:53 | |
This is the only place they have come to find refuge! | 0:40:53 | 0:40:55 | |
COMMOTION | 0:40:55 | 0:40:57 | |
I'm afraid you need to make your way out. | 0:40:57 | 0:40:59 | |
It's like we're in a Third World country giving out aid | 0:40:59 | 0:41:02 | |
to people who have nothing. | 0:41:02 | 0:41:04 | |
This one or the bigger one? | 0:41:04 | 0:41:06 | |
And it is going to be devastating. | 0:41:08 | 0:41:10 | |
I don't know what else to say. | 0:41:11 | 0:41:13 | |
I've got lots and lots of memories. | 0:41:23 | 0:41:26 | |
ALL CHANT: Save Kids Company! Save Kids Company! | 0:41:38 | 0:41:40 | |
Why? Why? | 0:41:40 | 0:41:43 | |
This is a disaster. | 0:41:44 | 0:41:46 | |
Who's going to pick this stuff up once we're gone? | 0:41:50 | 0:41:52 | |
SHOUTING AND COMMOTION | 0:41:52 | 0:41:56 | |
We have done the best we could | 0:42:06 | 0:42:08 | |
by the most vulnerable kids that I've ever come across in my career. | 0:42:08 | 0:42:11 | |
And this worked, and it didn't stop because it didn't work, | 0:42:13 | 0:42:17 | |
it stopped because it ran out of money, | 0:42:17 | 0:42:19 | |
and it only ran out of money because of malicious stuff in the press. | 0:42:19 | 0:42:22 | |
This room is filled full of the most passionate, | 0:42:23 | 0:42:26 | |
the most dedicated, the most talented workers | 0:42:26 | 0:42:29 | |
I've ever worked with. | 0:42:29 | 0:42:31 | |
And, you know, if one tiny good thing can come out of this | 0:42:31 | 0:42:34 | |
it's that all of us go and we spread the message | 0:42:34 | 0:42:37 | |
of how amazing this model is | 0:42:37 | 0:42:39 | |
and how amazing the work is | 0:42:39 | 0:42:41 | |
and how it is possible to work with children | 0:42:41 | 0:42:43 | |
doing it like a family would. | 0:42:43 | 0:42:45 | |
It is not OK when agencies like Kids Company | 0:42:45 | 0:42:49 | |
refer children to Social Services... | 0:42:49 | 0:42:52 | |
who are harmed and abused. | 0:42:53 | 0:42:55 | |
I'm talking about 10-year-olds sleeping under cars. | 0:42:55 | 0:42:57 | |
I'm talking about 13-year-olds trying to hang themselves. | 0:42:59 | 0:43:01 | |
I'm talking about 16-year-olds on the run from people with guns. | 0:43:07 | 0:43:12 | |
That's the level of risk that we have been dealing with. | 0:43:13 | 0:43:16 | |
That's the reality of work that Kids Company had been doing. | 0:43:16 | 0:43:19 | |
CLAMOUR | 0:43:19 | 0:43:21 | |
Camila! Camila! | 0:43:21 | 0:43:23 | |
Kids Company might have closed, but the hunt had only just begun. | 0:43:24 | 0:43:29 | |
What everyone wanted to know now was who was to blame. | 0:43:31 | 0:43:35 | |
Can you respond to the allegations about the sexual allegations? | 0:43:35 | 0:43:38 | |
No, I'm going now. I promise you, those allegations are not valid. | 0:43:38 | 0:43:41 | |
In 19 years, we haven't had | 0:43:41 | 0:43:45 | |
a single child protection problem in the organisation. | 0:43:45 | 0:43:49 | |
All day, reporters tried to get answers. | 0:43:51 | 0:43:54 | |
Can I ask you about the Kids Company thing? I don't want to talk. | 0:43:55 | 0:43:58 | |
Is there anything more that you could have done? | 0:43:58 | 0:44:01 | |
By the evening, there were shocking witness and victim accounts. | 0:44:06 | 0:44:09 | |
Clients and former staff gave details of alleged abusive | 0:44:09 | 0:44:13 | |
and violent incidents which they claimed weren't properly handled. | 0:44:13 | 0:44:17 | |
'This charity is not spending the money wisely. | 0:44:19 | 0:44:22 | |
'Can I remind you, wait a minute...' | 0:44:22 | 0:44:24 | |
Six weeks after the saga began, | 0:44:24 | 0:44:25 | |
the Chair of Trustees appeared on television. | 0:44:25 | 0:44:29 | |
It was the first time he'd answered his critics. | 0:44:29 | 0:44:32 | |
Clearly something has gone horribly wrong. | 0:44:32 | 0:44:34 | |
This charity has been shut down and the accusation is | 0:44:34 | 0:44:37 | |
it primarily did so because of financial mismanagement within it. | 0:44:37 | 0:44:40 | |
Right, I am saying... And you were Chairman of the Trustees. | 0:44:40 | 0:44:43 | |
Can I just say, it is not... There is not financial mismanagement, OK. | 0:44:43 | 0:44:48 | |
Am I ALLOWED to say that? Well done! | 0:44:48 | 0:44:50 | |
Did you know about these allegations of sexual abuse? | 0:44:50 | 0:44:52 | |
Had no idea. And I don't believe them for one minute. | 0:44:52 | 0:44:55 | |
One of the problems we have is that no-one has told us | 0:44:55 | 0:44:57 | |
what they are until... I don't even know what they are now. | 0:44:57 | 0:44:59 | |
You were Chairman of the Trustees, | 0:44:59 | 0:45:01 | |
surely, it was your job to know about it. | 0:45:01 | 0:45:03 | |
This is a charity that looked after 36,000 children, | 0:45:03 | 0:45:06 | |
'it's rather important! Would you apologise to those children | 0:45:06 | 0:45:08 | |
'and indeed the workers at Kids Company | 0:45:08 | 0:45:11 | |
'that you did not do your job properly | 0:45:11 | 0:45:13 | |
'as the Chairman of the Trust, the man in charge? | 0:45:13 | 0:45:16 | |
'You don't seem to have listened to what I've just said to you.' | 0:45:16 | 0:45:20 | |
Alan has come out publicly now and spoken. Yeah. | 0:45:20 | 0:45:24 | |
This is after the event. Yeah. | 0:45:24 | 0:45:26 | |
Well, I think before that, | 0:45:28 | 0:45:32 | |
he was very worried about Government | 0:45:32 | 0:45:36 | |
and his position in relation to, you know, | 0:45:38 | 0:45:43 | |
having to make sure that he was moderate, | 0:45:43 | 0:45:46 | |
so that he could get the Government funding in. | 0:45:46 | 0:45:49 | |
And then at the same time, | 0:45:49 | 0:45:51 | |
there was the negotiations for the BBC licensing. | 0:45:51 | 0:45:56 | |
So, he's in a very, very difficult position. | 0:45:56 | 0:45:59 | |
Everybody wants a simple answer. | 0:45:59 | 0:46:01 | |
I mean you know, who is to blame here, Camila, I mean, it's.. Yeah. | 0:46:01 | 0:46:05 | |
It's a very good question who's to blame. | 0:46:05 | 0:46:07 | |
I just think... | 0:46:09 | 0:46:10 | |
..it's a collective | 0:46:12 | 0:46:14 | |
..madness... | 0:46:15 | 0:46:17 | |
..that the media, | 0:46:19 | 0:46:21 | |
the politicians, | 0:46:21 | 0:46:23 | |
engaged in... | 0:46:23 | 0:46:25 | |
..and I was supposed to be killed off. | 0:46:27 | 0:46:30 | |
No blame? | 0:46:32 | 0:46:34 | |
Are you doing it to me, as well? | 0:46:34 | 0:46:36 | |
What would you like me to say, Lynn? | 0:46:36 | 0:46:39 | |
I am so sorry? | 0:46:39 | 0:46:41 | |
But what am I sorry for? | 0:46:41 | 0:46:43 | |
I'm NOT sorry I gave the kids money. | 0:46:43 | 0:46:46 | |
I am NOT sorry I bought the kids nice things. | 0:46:46 | 0:46:49 | |
I am NOT sorry I fought for them. I'm NOT sorry. | 0:46:49 | 0:46:53 | |
The only thing I'm sorry about is I didn't raise enough money. | 0:46:53 | 0:46:56 | |
What would you like me to be sorry about, Lynn? | 0:46:56 | 0:47:00 | |
It seemed to me Camila was in denial. | 0:47:01 | 0:47:03 | |
I questioned whether money had always been spent wisely. | 0:47:05 | 0:47:08 | |
Annie's been entirely dependent on Kids Company for years. | 0:47:11 | 0:47:15 | |
If Kids Company aren't supporting you, now, | 0:47:19 | 0:47:22 | |
what's going to happen with your rent? I don't have a clue. | 0:47:22 | 0:47:25 | |
I don't know, I don't know where to start from. | 0:47:26 | 0:47:29 | |
When's it paid up till, do you know? | 0:47:30 | 0:47:32 | |
No, I don't even have a clue about that. | 0:47:32 | 0:47:34 | |
I used to think I have a future... | 0:47:38 | 0:47:40 | |
..but now, | 0:47:42 | 0:47:44 | |
the future is just so blurred... | 0:47:44 | 0:47:46 | |
..because it's like I'm in the middle of nowhere, yeah, | 0:47:49 | 0:47:53 | |
and don't know which side to turn. | 0:47:53 | 0:47:57 | |
And I don't know if someone's going to come and see me in the dark | 0:48:00 | 0:48:06 | |
and switch the light on for me. | 0:48:06 | 0:48:08 | |
So, then... | 0:48:17 | 0:48:19 | |
if I'm stuck in the dark too much... | 0:48:19 | 0:48:21 | |
..the only thing I can say is should I just stay in the dark and die? | 0:48:26 | 0:48:29 | |
Oh, Annie... | 0:48:30 | 0:48:32 | |
No-one's going to let that happen. | 0:48:34 | 0:48:36 | |
That's what I'm saying, Camila's not going to let that happen. | 0:48:37 | 0:48:41 | |
So, I'm still in this dark place... | 0:48:41 | 0:48:43 | |
..and I'm still waiting for her... | 0:48:46 | 0:48:48 | |
TEARFULLY: ..cos I know she's going to find me, here. | 0:48:52 | 0:48:55 | |
She's going to find me anyway, | 0:48:55 | 0:48:58 | |
and she's going to take me back out of that dark place. | 0:48:58 | 0:49:01 | |
Camila continued to be the person | 0:49:10 | 0:49:12 | |
Annie relied on for absolutely everything. | 0:49:12 | 0:49:15 | |
She's vulnerable, and my worry is, | 0:49:16 | 0:49:18 | |
what's going to happen to her now? | 0:49:18 | 0:49:22 | |
In the world outside, | 0:49:23 | 0:49:24 | |
the tabloids were unearthing more damaging stories. | 0:49:24 | 0:49:28 | |
Some seemed to be nonsense, others I couldn't ignore. | 0:49:28 | 0:49:32 | |
Tony was one of Camila's longest-serving members of staff. | 0:49:34 | 0:49:38 | |
I'd known him since filming ten years ago. | 0:49:38 | 0:49:41 | |
He'd always said his family had been well cared for by Kids Company. | 0:49:41 | 0:49:46 | |
But now I discover it amounted to ?130,000 | 0:49:46 | 0:49:50 | |
on a range of support for both his children. | 0:49:50 | 0:49:53 | |
Another press statement was being prepared. | 0:49:55 | 0:49:57 | |
Tony Cavolli is employed by Kids. | 0:49:57 | 0:49:59 | |
The employee in question is employed by Kids Company as a key worker. | 0:49:59 | 0:50:03 | |
As a key working manager. He... | 0:50:03 | 0:50:06 | |
He also does operations. Yeah, does operations. Yeah. | 0:50:08 | 0:50:14 | |
He has a car for purposes of his job so he can do outreach work, | 0:50:14 | 0:50:17 | |
and it's categorically untrue that you employ a chauffeur, | 0:50:17 | 0:50:20 | |
and we'll just put that out. Also we can prove it, | 0:50:20 | 0:50:23 | |
because when I go to other places, I use a completely different driver, | 0:50:23 | 0:50:27 | |
you know, when I go and give speeches. I know that, I know, | 0:50:27 | 0:50:30 | |
but we don't want to draw attention to that either, | 0:50:30 | 0:50:33 | |
because the bill for that is... | 0:50:33 | 0:50:35 | |
runs into like 30,000 or 40,000 a year, which we don't... No, no, no. | 0:50:35 | 0:50:38 | |
Well, whatever it is. It's five figures, isn't it? Yeah. | 0:50:38 | 0:50:42 | |
MOBILE RINGS | 0:50:42 | 0:50:44 | |
Oh, no! Yeah. | 0:50:44 | 0:50:46 | |
Oh, no. This is - this is the one. Yeah. | 0:50:46 | 0:50:50 | |
That is bad. Yeah. I completely ignored him. Yeah. | 0:50:50 | 0:50:52 | |
I think we should just ignore him. No, just ignore that, yeah. Yeah. | 0:50:52 | 0:50:56 | |
Yeah, just don't even mention that. No. | 0:50:56 | 0:50:58 | |
This is the very worst of it now coming. Yeah. | 0:50:58 | 0:51:01 | |
What is this? No, we're not even going to talk about that. What? | 0:51:01 | 0:51:04 | |
Yeah, it's... No. No, it's just nonsense. | 0:51:04 | 0:51:06 | |
This is all like Camila's, you know, living with her PAs | 0:51:06 | 0:51:09 | |
and they're all together, and... Is there something else? | 0:51:09 | 0:51:11 | |
It's all rubbish. No. | 0:51:11 | 0:51:13 | |
This was the story Laurence didn't want to talk about. | 0:51:16 | 0:51:19 | |
Camila, what is going on? | 0:51:30 | 0:51:32 | |
I'm feeling uncomfortable. | 0:51:34 | 0:51:36 | |
About what? | 0:51:36 | 0:51:37 | |
Well, because you wanted me here as an independent observer. Yeah. | 0:51:37 | 0:51:40 | |
And I feel I have to ask you... | 0:51:40 | 0:51:42 | |
Ask me anything you want. What would you like to ask? | 0:51:42 | 0:51:46 | |
You know, I thought this was a charity for disadvantaged children. | 0:51:48 | 0:51:51 | |
It is. | 0:51:51 | 0:51:53 | |
Could you not have found another house without a swimming pool? | 0:51:54 | 0:51:58 | |
I mean, it... Was that...? | 0:51:58 | 0:52:01 | |
I mean, in retrospect, | 0:52:01 | 0:52:03 | |
do you not think that that was an error of judgment? | 0:52:03 | 0:52:08 | |
Again, I didn't think about it. | 0:52:08 | 0:52:11 | |
I didn't think about it in terms of what outsiders would think. | 0:52:11 | 0:52:16 | |
I made sure that I rented the swimming pool separately. | 0:52:16 | 0:52:21 | |
And it's not a luxury pool, it's a pool the size of this floor. | 0:52:21 | 0:52:27 | |
For the last 30 years, | 0:52:27 | 0:52:29 | |
Camila herself has lived in a modest two-bedroom flat. | 0:52:29 | 0:52:32 | |
We wanted to have somewhere for the kids | 0:52:35 | 0:52:38 | |
who were very traumatised | 0:52:38 | 0:52:41 | |
to live without the possibility of getting attacked. | 0:52:41 | 0:52:43 | |
Come to the mansion swimming pool, Lynn! | 0:52:46 | 0:52:48 | |
CAMILA CHUCKLES | 0:52:48 | 0:52:50 | |
There's another door. | 0:52:54 | 0:52:55 | |
There you are, darling. | 0:52:56 | 0:52:58 | |
Go and have a look. | 0:53:02 | 0:53:04 | |
Camila said she'd paid a ?1,000 a year for use of the pool. | 0:53:08 | 0:53:12 | |
She denied reports the five-bedroom house wasn't always fully occupied. | 0:53:13 | 0:53:18 | |
"It was a psychiatric facility," she said, | 0:53:19 | 0:53:22 | |
"and the ?5,000 a month rent was value for money." | 0:53:22 | 0:53:25 | |
It doesn't feel like a mansion to me. | 0:53:27 | 0:53:30 | |
The expectation that poor children should have diminished quality, | 0:53:31 | 0:53:37 | |
this is the sub-text, isn't it? I don't abide by that. | 0:53:37 | 0:53:40 | |
I think that these kids deserve to have quality | 0:53:44 | 0:53:49 | |
like rich kids might or like middle-class kids might. | 0:53:49 | 0:53:53 | |
Camila has always had her own moral code. | 0:53:54 | 0:53:58 | |
She considers herself primarily accountable to the children, | 0:54:00 | 0:54:04 | |
but for me, personally, everything had changed. | 0:54:04 | 0:54:07 | |
You've never ever accepted any sort of mismanagement? | 0:54:10 | 0:54:14 | |
No. No, I think... | 0:54:14 | 0:54:17 | |
But, Camila, how can that be the case, really? | 0:54:17 | 0:54:19 | |
Because it depends what you call "mismanagement", OK. | 0:54:19 | 0:54:23 | |
If you are saying mismanagement is lack of reserves, | 0:54:23 | 0:54:27 | |
we always wanted to have reserves | 0:54:27 | 0:54:30 | |
and we spoke to Government about reserves... | 0:54:30 | 0:54:32 | |
Yeah, but Camila, ANY sort of mismanagement? | 0:54:32 | 0:54:35 | |
Well, what mismanagement are you referring to? | 0:54:35 | 0:54:37 | |
It's such a broad...title. | 0:54:37 | 0:54:40 | |
When we started, you said that I should come to you | 0:54:40 | 0:54:44 | |
if I felt there'd been any wrong-doing. | 0:54:44 | 0:54:46 | |
Yeah, yeah, and I'm glad. | 0:54:46 | 0:54:47 | |
I'm glad that you've done that and you're asking me these questions. | 0:54:47 | 0:54:53 | |
But I also, Lynn, don't want to be | 0:54:53 | 0:54:55 | |
twisted into a narrative | 0:54:55 | 0:55:01 | |
that isn't the real narrative. | 0:55:01 | 0:55:03 | |
But what's so upsetting is that all of this stuff | 0:55:04 | 0:55:08 | |
has just overshadowed that. | 0:55:08 | 0:55:10 | |
It's very hard for people to remember that you did do good. Yeah. | 0:55:12 | 0:55:16 | |
That it was valuable work and that people were helped. Yeah, but... | 0:55:16 | 0:55:21 | |
I mean, that's what I feel upset and cross about. | 0:55:21 | 0:55:23 | |
Yeah, and I understand that, | 0:55:23 | 0:55:27 | |
and that is, you know, | 0:55:27 | 0:55:30 | |
the way that all this stuff has happened in the media | 0:55:30 | 0:55:34 | |
is an absolute betrayal | 0:55:34 | 0:55:36 | |
of the amazing work the staff did | 0:55:36 | 0:55:38 | |
and the courage of the children. | 0:55:38 | 0:55:41 | |
I suppose, I just worry that you've made it easy for them | 0:55:41 | 0:55:44 | |
in some respects. I don't... | 0:55:44 | 0:55:46 | |
I think you are... | 0:55:46 | 0:55:50 | |
You know, you are focusing... | 0:55:50 | 0:55:53 | |
You are, in some ways, behaving like them. | 0:55:53 | 0:55:56 | |
Camila remained unrepentant on all fronts. | 0:56:01 | 0:56:04 | |
After closure, she didn't stop working. | 0:56:04 | 0:56:07 | |
Her commitment to the kids was entirely unshaken. | 0:56:08 | 0:56:12 | |
She continued to do what she could to feed some of the families | 0:56:12 | 0:56:16 | |
with the help of a few loyal donors. | 0:56:16 | 0:56:18 | |
Come on, the children need to be served. | 0:56:18 | 0:56:21 | |
That's too much. | 0:56:21 | 0:56:23 | |
Come around here, come around here, please. | 0:56:23 | 0:56:27 | |
Many staff had trouble finding work. | 0:56:30 | 0:56:32 | |
The Kids Company brand had become toxic. | 0:56:34 | 0:56:36 | |
Others kept in touch with the clients | 0:56:38 | 0:56:40 | |
and helped out in any way they could. | 0:56:40 | 0:56:42 | |
How things change. | 0:56:45 | 0:56:47 | |
Your new specialism. | 0:56:47 | 0:56:49 | |
Yeah, putting pasta in plastic bags. | 0:56:49 | 0:56:51 | |
I'm quite good at it as it turns out. | 0:56:51 | 0:56:53 | |
Annie was now able to claim benefits | 0:56:55 | 0:56:58 | |
and she continued to volunteer, | 0:56:58 | 0:57:01 | |
helping the Kids Company family she loved. | 0:57:01 | 0:57:03 | |
I'm on egg duty this week. | 0:57:03 | 0:57:05 | |
I'm retired from doing boxes. | 0:57:05 | 0:57:08 | |
I'm doing eggs now. | 0:57:08 | 0:57:09 | |
The Local Authorities maintained they were picking up | 0:57:12 | 0:57:15 | |
the former Kids Company clients, | 0:57:15 | 0:57:17 | |
although it wasn't clear who or how many. | 0:57:17 | 0:57:19 | |
For Chesney, there was good news. | 0:57:21 | 0:57:24 | |
The school and other charities took care of her school fees | 0:57:24 | 0:57:27 | |
so she could continue boarding. | 0:57:27 | 0:57:29 | |
I feel like I've been given the gift of education | 0:57:29 | 0:57:34 | |
and I will use it to my full extent. | 0:57:34 | 0:57:39 | |
Even after closure, the quest for answers went on. | 0:57:42 | 0:57:45 | |
There were nine inquiries of one kind or another. | 0:57:47 | 0:57:50 | |
The BBC wanted to know if Alan Yentob had abused his position. | 0:57:50 | 0:57:54 | |
There had been repeated demands for his resignation, | 0:57:56 | 0:57:59 | |
and, in December, he finally resigned | 0:57:59 | 0:58:02 | |
his executive post at the BBC. | 0:58:02 | 0:58:05 | |
For months, I'd asked him to take part in this film, | 0:58:05 | 0:58:08 | |
but he'd always declined. | 0:58:08 | 0:58:11 | |
At the Parliamentary hearing, | 0:58:11 | 0:58:14 | |
he was seen for the first time at Camila's side. | 0:58:14 | 0:58:17 | |
They were in the dock together. | 0:58:17 | 0:58:19 | |
Was it really sensible to live such a hand-to-mouth existence? | 0:58:21 | 0:58:24 | |
There was not one... May I come in? I am asking Mr Yentob the question. | 0:58:24 | 0:58:27 | |
It's something that we brought up with Government. Order! | 0:58:27 | 0:58:30 | |
The inquiries painted a picture of a dysfunctional charity | 0:58:32 | 0:58:35 | |
and a staggering lack of Government scrutiny. | 0:58:35 | 0:58:39 | |
Kids Company was very well run for nearly 20 years. | 0:58:39 | 0:58:42 | |
But it closed! | 0:58:42 | 0:58:44 | |
In the end, the sex allegations | 0:58:44 | 0:58:46 | |
that had shut down Kids Company came to nothing. | 0:58:46 | 0:58:50 | |
The police investigation was closed. | 0:58:50 | 0:58:53 | |
But it seemed to me, there'd been serious errors of judgment. | 0:58:54 | 0:58:58 | |
Kids Company had grown too big. | 0:58:58 | 0:59:01 | |
And as the founder, Camila had spent 20 years doing things her own way. | 0:59:01 | 0:59:06 | |
But I also knew Camila had simply wanted to help more children, | 0:59:09 | 0:59:13 | |
bringing the love of a family to troubled lives. | 0:59:13 | 0:59:17 | |
Despite everything, she's determined to fight on. | 0:59:17 | 0:59:20 | |
Camila Batmanghelidjh may be down - | 0:59:20 | 0:59:23 | |
but she's not out. | 0:59:23 | 0:59:25 | |
ALL LAUGH | 0:59:25 | 0:59:27 |