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This is a series about the hidden histories of Britain's oldest | 0:00:02 | 0:00:06 | |
family businesses. | 0:00:06 | 0:00:07 | |
Few businesses last beyond two generations. | 0:00:09 | 0:00:12 | |
Against the odds, these families have | 0:00:13 | 0:00:15 | |
survived in their trades for more than three centuries. | 0:00:15 | 0:00:19 | |
This is the 188,933rd day of Balson's at work. | 0:00:19 | 0:00:25 | |
They've come through 50 recessions, the Industrial Revolution, | 0:00:27 | 0:00:32 | |
two world wars and the rise of Internet shopping. | 0:00:32 | 0:00:35 | |
-Yeah. -Really, things were very sad after the War. There was no money. | 0:00:35 | 0:00:40 | |
There was no money anywhere. | 0:00:40 | 0:00:42 | |
We'll meet the present-day head of each family as they face | 0:00:43 | 0:00:46 | |
a crossroads in their working life. | 0:00:46 | 0:00:49 | |
And we'll follow them | 0:00:49 | 0:00:50 | |
as they go on a journey into the past of their business. | 0:00:50 | 0:00:53 | |
Jonah Toye. Fantastic! I was very worried about Jonah. | 0:00:54 | 0:00:59 | |
This time, we tell a tale from the high street. | 0:00:59 | 0:01:02 | |
The Balsons have been butchers for nearly 500 years... | 0:01:02 | 0:01:06 | |
..since Henry VIII was on the throne! | 0:01:07 | 0:01:09 | |
-Hello, Balson's? -Behind the counter today is Richard Balson. | 0:01:10 | 0:01:15 | |
Vicar, doctor! You sort out people's problems. | 0:01:15 | 0:01:17 | |
Usually, if they've got a problem, | 0:01:18 | 0:01:20 | |
it's cos they're not eating enough meat. | 0:01:20 | 0:01:23 | |
Once a mainstay of every neighbourhood, | 0:01:23 | 0:01:25 | |
butchers' shops are increasingly rare. | 0:01:25 | 0:01:27 | |
Richard is about to see how his family have kept going. | 0:01:29 | 0:01:32 | |
"Throat badly cut." Oh, blimey! He cut his throat with a knife! | 0:01:33 | 0:01:37 | |
This is the history of the local butcher and of the British | 0:01:40 | 0:01:43 | |
market town, told through the story of a single family business. | 0:01:43 | 0:01:47 | |
It's a lovely morning, anyway. | 0:02:02 | 0:02:04 | |
Six days a week in Bridport, Dorset, something extraordinary happens. | 0:02:07 | 0:02:11 | |
Richard Balson gets ready to butcher again, | 0:02:15 | 0:02:19 | |
as his family has done for almost 500 years. | 0:02:19 | 0:02:21 | |
Anything else? | 0:02:30 | 0:02:32 | |
I know a lot about Henry VIII and Anne Boleyn | 0:02:32 | 0:02:35 | |
cos she got beheaded a year after we opened. | 0:02:35 | 0:02:37 | |
We opened in 1535, and she was beheaded in 1536, | 0:02:37 | 0:02:43 | |
the same year as Francesco Pizarro founded Peru, | 0:02:43 | 0:02:47 | |
the same year as Thomas More was executed for treason, | 0:02:47 | 0:02:51 | |
-the same year as William Tynsdale translated the first... -Tyndale. | 0:02:51 | 0:02:57 | |
Tyndale. See? You know I'm not lying, don't you? | 0:02:57 | 0:03:00 | |
He translated the first English edition of the Bible. | 0:03:00 | 0:03:03 | |
-There you are. All in 1535. -It's a hard thing to believe, isn't it? | 0:03:03 | 0:03:06 | |
The oldest family butcher in England. Is it England or Britain? | 0:03:06 | 0:03:10 | |
The world! | 0:03:10 | 0:03:11 | |
Entering Richard Balson's shop is like going back in time. | 0:03:17 | 0:03:21 | |
Butchering traditions, that have died out elsewhere in Britain, | 0:03:21 | 0:03:24 | |
are kept alive by the Balson family. | 0:03:24 | 0:03:26 | |
Grandmother's recipe, handed down, generation to generation. | 0:03:28 | 0:03:32 | |
Thank you very much indeed. Have a good weekend. | 0:03:33 | 0:03:37 | |
£4. Thank you. Lovely. | 0:03:37 | 0:03:40 | |
We've got unusual stuff, like ox cheeks and Bath chaps | 0:03:40 | 0:03:44 | |
and sweetbreads. This is a Bath chap. | 0:03:44 | 0:03:46 | |
And this is an old... It's an old-fashioned delicacy. | 0:03:47 | 0:03:50 | |
This is the cheek of the pig. | 0:03:50 | 0:03:52 | |
BELL RINGS | 0:03:52 | 0:03:53 | |
Yes? What would you like, sir? | 0:03:53 | 0:03:55 | |
-Can I have some... -Diced rabbit? -Yeah. And some... -9.20. | 0:03:55 | 0:04:00 | |
This is my father and his mother. | 0:04:00 | 0:04:02 | |
That's taken in the office in the shop. This was on her 80th birthday. | 0:04:02 | 0:04:06 | |
Alongside the pictures from the past, there's also | 0:04:06 | 0:04:09 | |
a photo of the Balson Richard hopes will be the future of his shop. | 0:04:09 | 0:04:14 | |
This is my son, Billy. At the moment, he's in London. | 0:04:14 | 0:04:17 | |
He's not exactly hands-on, but hopefully, one day, he will be. | 0:04:17 | 0:04:20 | |
-Are you and your son still close, then? -Oh, yeah. | 0:04:20 | 0:04:23 | |
I go up there and, you know, | 0:04:23 | 0:04:24 | |
we speak at least a couple of times a week on the phone. | 0:04:24 | 0:04:27 | |
Richard assumes his butchery business has been | 0:04:29 | 0:04:32 | |
passed down from father to son for over 20 generations since 1535. | 0:04:32 | 0:04:37 | |
But he knows very few details about the past of his family. | 0:04:39 | 0:04:43 | |
This is our present shop that we're in now. | 0:04:44 | 0:04:47 | |
And this would have been taken at Christmas time. | 0:04:47 | 0:04:49 | |
A lot of the shops had pictures taken at Christmas with all the family | 0:04:49 | 0:04:54 | |
and they made a big display. | 0:04:54 | 0:04:55 | |
We get loads of people coming in the shop and they're saying, | 0:04:55 | 0:04:58 | |
"Who's this chap? Who's this chap?" And unfortunately, | 0:04:58 | 0:05:02 | |
we don't know who any of the people are. | 0:05:02 | 0:05:04 | |
Ho, ho, ho! | 0:05:04 | 0:05:05 | |
Richard is about to learn all about his family's past. | 0:05:06 | 0:05:09 | |
Names will be put on the faces in his own photos | 0:05:11 | 0:05:15 | |
and he'll discover what it has been like | 0:05:15 | 0:05:17 | |
to be a butcher during the last 500 years. | 0:05:17 | 0:05:19 | |
I'm going to find out where they were in the town | 0:05:24 | 0:05:26 | |
and what they got up to, | 0:05:26 | 0:05:27 | |
and I expect that there'll be one or two black sheeps along the way, | 0:05:27 | 0:05:30 | |
cos they can't all be top-notch citizens, like myself! But, yeah. | 0:05:30 | 0:05:36 | |
I'm looking forward to it. | 0:05:36 | 0:05:37 | |
The Balsons have been lucky in their location. | 0:05:42 | 0:05:45 | |
Nestling in the hills of the Dorset countryside, | 0:05:46 | 0:05:49 | |
Bridport is a market town of 13,000 people. | 0:05:49 | 0:05:52 | |
Market days have been Wednesdays and Saturdays | 0:05:55 | 0:05:58 | |
longer than anyone can remember - | 0:05:58 | 0:06:01 | |
at least since 1278, | 0:06:01 | 0:06:03 | |
when Edward I gave royal consent for Bridport to hold its markets. | 0:06:03 | 0:06:07 | |
But even in Bridport, people find it hard to believe that | 0:06:12 | 0:06:15 | |
the local butcher dates back almost 500 years. | 0:06:15 | 0:06:18 | |
Richard has never seen authenticated proof to back up | 0:06:25 | 0:06:29 | |
his claim that the Balsons were butchering in 1535, | 0:06:29 | 0:06:33 | |
so he's retracing the steps of the local historian, who told him | 0:06:33 | 0:06:37 | |
the Balsons are Britain's oldest butcher. | 0:06:37 | 0:06:39 | |
It was in about 1982 when we found out that we were England's | 0:06:39 | 0:06:43 | |
oldest family butcher's, when a chap called Basil Short did a... | 0:06:43 | 0:06:49 | |
..did a lot of history and delved into the archives | 0:06:50 | 0:06:53 | |
so we could call ourselves England's oldest family butcher's. | 0:06:53 | 0:06:57 | |
Basil Short died 10 years ago, but Richard recalls being told | 0:06:58 | 0:07:03 | |
the evidence could be found in the Dorset County archives. | 0:07:03 | 0:07:06 | |
That's it there, isn't it? That's what we want, isn't it? | 0:07:06 | 0:07:10 | |
Dorset History Centre. | 0:07:10 | 0:07:11 | |
Archivist Cassandra Johnson has a document to show Richard. | 0:07:17 | 0:07:21 | |
It's a rental agreement for what used to be called a shamble, | 0:07:21 | 0:07:25 | |
which was a stall in the meat market. | 0:07:25 | 0:07:27 | |
-So it's in Latin. -Yeah. | 0:07:31 | 0:07:33 | |
And it's quite heavily abbreviated, so obviously | 0:07:33 | 0:07:35 | |
it won't be easy to read. | 0:07:35 | 0:07:37 | |
John Balston is renting a market stall in Bridport, | 0:07:37 | 0:07:42 | |
and it's between the shambles of Andrew Stone on the north side... | 0:07:42 | 0:07:46 | |
-Yeah. -..and John Gore on the south side. | 0:07:46 | 0:07:49 | |
-That's quite a good name for a butcher! -Yeah, yeah! | 0:07:49 | 0:07:52 | |
-Spelling was very inconsistent. -Yeah. | 0:07:52 | 0:07:54 | |
And obviously, Balston's got the T in it. | 0:07:54 | 0:07:56 | |
Has it got the actual date there, did you say, in the year? | 0:07:56 | 0:07:58 | |
-It says in the 26th year of the reign of Henry VIII. -Oh, right. | 0:08:01 | 0:08:06 | |
Henry was crowned in 1509, so the 26th year of his reign | 0:08:06 | 0:08:11 | |
was 1535, the year Richard believes his business was founded. | 0:08:11 | 0:08:15 | |
But, before he can heave a sigh of relief, | 0:08:17 | 0:08:20 | |
Cassandra has a surprise for him. | 0:08:20 | 0:08:22 | |
-This one is actually from the year 1515. -1515? -Yup. -Bit older. | 0:08:23 | 0:08:29 | |
It's a good 20 years earlier. | 0:08:29 | 0:08:32 | |
William Chard and John Orchard, in 1515, indenture, | 0:08:32 | 0:08:36 | |
and they're the officials of the town. | 0:08:36 | 0:08:39 | |
They're licensing Robert Balson two market stalls. | 0:08:39 | 0:08:42 | |
And this is definitely related? | 0:08:44 | 0:08:47 | |
I think it is very plausible because you're in the same location, | 0:08:47 | 0:08:50 | |
-and the Roberts do appear quite a lot in the Balson line. -Yeah. | 0:08:50 | 0:08:54 | |
-That's right. -So all those things together make it very plausible | 0:08:54 | 0:08:58 | |
-that they are related. -Yeah. | 0:08:58 | 0:09:00 | |
-And this year was 15... -1515. -1515. Goodness me! | 0:09:01 | 0:09:05 | |
Yeah. That's amazing. | 0:09:07 | 0:09:08 | |
It's a long time, isn't it? 1515. | 0:09:12 | 0:09:14 | |
1515 is going right back to the early years of Henry VIII, | 0:09:18 | 0:09:23 | |
when the King was still with his first wife, Catherine of Aragon. | 0:09:23 | 0:09:26 | |
-Thanks, Cassandra. -Pleasure. | 0:09:28 | 0:09:29 | |
I'd have been less happy if you said that we weren't quite | 0:09:31 | 0:09:34 | |
so old as we made out we were, but as it's that way, it's fantastic! | 0:09:34 | 0:09:38 | |
And it's all been authenticated, hasn't it? | 0:09:38 | 0:09:40 | |
The first recorded butcher in the Balson family, | 0:09:45 | 0:09:48 | |
Robert of 1515, was a tradesman, like Richard is today. | 0:09:48 | 0:09:52 | |
The social status of the butcher has changed little over the centuries. | 0:09:53 | 0:09:57 | |
But Robert Balson worked in a Bridport that was | 0:10:00 | 0:10:02 | |
very different from today's shop-lined high street. | 0:10:02 | 0:10:05 | |
500 years ago, British market towns only traded on market days, | 0:10:07 | 0:10:12 | |
when they became a patchwork of separate marketplaces, | 0:10:12 | 0:10:15 | |
each exclusively dedicated to anything from haberdashery | 0:10:15 | 0:10:19 | |
to cooper barrels. | 0:10:19 | 0:10:20 | |
One of the most important marketplaces sold only meat. | 0:10:22 | 0:10:25 | |
This was known as the shambles. | 0:10:25 | 0:10:27 | |
It was in Bridport's shambles that Robert Balson rented | 0:10:28 | 0:10:32 | |
a stall in 1515. | 0:10:32 | 0:10:34 | |
How does it feel to learn your business is 20 years older | 0:10:40 | 0:10:43 | |
-than you thought? -It's good. I phoned my son and he couldn't... | 0:10:43 | 0:10:48 | |
Well, he thought it was really good, actually. | 0:10:48 | 0:10:50 | |
It's still in King Henry VIII's reign and it's... | 0:10:50 | 0:10:53 | |
You know, from all our bags and stuff we got printed, | 0:10:54 | 0:10:58 | |
it's only just one number to change - 1535 to 1515. | 0:10:58 | 0:11:02 | |
So that's a bit of luck! | 0:11:02 | 0:11:04 | |
Now Richard wants to find out where Robert Balson did his butchery. | 0:11:08 | 0:11:11 | |
Should be quite interesting, to see where we used to be. | 0:11:12 | 0:11:15 | |
He's arranged to meet someone who can point out | 0:11:18 | 0:11:20 | |
where Bridport's shambles once stood - | 0:11:20 | 0:11:23 | |
local archaeologist Peter Bellamy. | 0:11:23 | 0:11:26 | |
-Hello, Peter. -Hello, Richard. -How are you? -How are you? Fine, fine. | 0:11:27 | 0:11:31 | |
So you want to be about here. | 0:11:31 | 0:11:33 | |
So the actual shambles, probably the end of them would be about here, | 0:11:35 | 0:11:40 | |
-roughly on that white line, I think. -Yeah. | 0:11:40 | 0:11:43 | |
And then they'd be going this way. | 0:11:43 | 0:11:45 | |
So one stall after another along the streets. | 0:11:45 | 0:11:47 | |
-Yeah. -Somewhere about there would be the other end of the... | 0:11:49 | 0:11:53 | |
of the thing. | 0:11:53 | 0:11:55 | |
So they were really right, right in the middle of the street. | 0:11:55 | 0:11:58 | |
And can you imagine the chaos with this building stuck in the middle? | 0:11:58 | 0:12:01 | |
It must have been quite a hustle-bustle, busy place, manic, | 0:12:01 | 0:12:05 | |
-you know. -Yeah. | 0:12:05 | 0:12:06 | |
A year ago, maintenance on the gas main beneath Bridport's high street | 0:12:06 | 0:12:11 | |
accidentally exposed the remains of the shambles. | 0:12:11 | 0:12:14 | |
We came across two walls, although one of them... | 0:12:14 | 0:12:18 | |
Only one of them we've managed to expose properly. | 0:12:18 | 0:12:22 | |
And you can see it in this photograph here, | 0:12:22 | 0:12:24 | |
-right at the bottom. -Yeah. -Is this the remains of a stone wall? | 0:12:24 | 0:12:28 | |
That's the wall running along through here. | 0:12:28 | 0:12:31 | |
And it probably had a series of arches, arcades, | 0:12:31 | 0:12:35 | |
running along it, where the stalls would be. | 0:12:35 | 0:12:38 | |
So one of the walls really ran just along here, | 0:12:39 | 0:12:42 | |
-and the other one was about here. -Yeah. | 0:12:42 | 0:12:45 | |
Richard's shop, on the outskirts of Bridport, is only a five-minute walk | 0:12:49 | 0:12:53 | |
from where Robert Balson did his butchering, | 0:12:53 | 0:12:57 | |
right at the centre of town. | 0:12:57 | 0:12:58 | |
And this map shows that when Bridport was a town of just | 0:13:01 | 0:13:04 | |
1,000 people, there was room in the shambles for 10 butchers. | 0:13:04 | 0:13:08 | |
That's about one butcher stall for every 20 households. | 0:13:09 | 0:13:13 | |
There are no working shambles left anywhere in Britain. | 0:13:17 | 0:13:20 | |
But Richard is determined to get as close as he can to | 0:13:22 | 0:13:25 | |
the bloody reality of the working life of Robert Balson, | 0:13:25 | 0:13:28 | |
the founder of his business. | 0:13:28 | 0:13:29 | |
So he's left Dorset and is heading north. | 0:13:31 | 0:13:33 | |
His destination is York. | 0:13:36 | 0:13:38 | |
It is one of Britain's most ancient townscapes, | 0:13:39 | 0:13:43 | |
at the heart of which still stands the remains of York's shambles. | 0:13:43 | 0:13:46 | |
Richard's guide to the working life of Robert Balson is | 0:13:49 | 0:13:52 | |
historian of butchery John Chartres. | 0:13:52 | 0:13:55 | |
-Good morning. -Good morning, John. How are you? Nice to meet you. | 0:13:56 | 0:13:59 | |
-The oldest butcher in Britain! -The oldest, yeah. Do I look it? | 0:13:59 | 0:14:02 | |
-Not particularly. -No! Thank goodness for that! You said the right thing. | 0:14:02 | 0:14:06 | |
John begins by explaining that the word shamble just means | 0:14:07 | 0:14:11 | |
a kind of butcher's block. | 0:14:11 | 0:14:12 | |
Imagine a sort of six- or eight-foot-long bench | 0:14:14 | 0:14:19 | |
in which you'd throw the animal. | 0:14:19 | 0:14:22 | |
You put it onto the bench to cut. | 0:14:22 | 0:14:24 | |
But if you imagine it, in them days, I mean, | 0:14:24 | 0:14:26 | |
there would have been just meat hung everywhere, wouldn't it? | 0:14:26 | 0:14:29 | |
You probably had a job to walk down through | 0:14:29 | 0:14:31 | |
without sort of bumping into a carcass, I should think! | 0:14:31 | 0:14:33 | |
A lot of noise as well. | 0:14:33 | 0:14:35 | |
You will have people presumably shouting abuse at each other | 0:14:35 | 0:14:39 | |
and saying, "I don't think much of that, Jim!" | 0:14:39 | 0:14:41 | |
Do you think they have any special rules and regulations? | 0:14:41 | 0:14:44 | |
There's virtually no health regulations. | 0:14:44 | 0:14:48 | |
But on the whole, you know, you're not going to have, you know, | 0:14:48 | 0:14:53 | |
-I suppose, cold stores full of meat that might go off. -No. | 0:14:53 | 0:14:56 | |
It's in, bang, eat, out! | 0:14:56 | 0:14:58 | |
500 years ago, there was no way to chill meat to prevent it rotting, | 0:15:00 | 0:15:04 | |
so meat couldn't be transported or stored. | 0:15:04 | 0:15:07 | |
Instead, on market days, butchers herded live animals | 0:15:08 | 0:15:11 | |
into the shambles and killed them on the spot, almost to order. | 0:15:11 | 0:15:15 | |
It was so messy, the word shambles has since come to mean chaos | 0:15:17 | 0:15:21 | |
and disorder. | 0:15:21 | 0:15:22 | |
The shambles, historically, would have been where you actually | 0:15:24 | 0:15:28 | |
did the killing, hence, the advantages of a sloping site. | 0:15:28 | 0:15:32 | |
-Yeah, yeah. To wash all the muck away? -Wash it down. | 0:15:32 | 0:15:35 | |
I'm not quite sure how quickly the cattle pick up | 0:15:35 | 0:15:40 | |
-the sense of what's happening. -Yeah. | 0:15:40 | 0:15:43 | |
-But they'll smell blood fairly early, won't they? -Yeah, yeah. | 0:15:43 | 0:15:45 | |
And that spooks them. | 0:15:45 | 0:15:47 | |
So the shambles is manure, it's animal noises, | 0:15:47 | 0:15:52 | |
it's screams and squeaks. | 0:15:52 | 0:15:56 | |
-Really, it must have been one hell of a smell! -Yeah. | 0:15:56 | 0:15:58 | |
I don't mind a bit of mess, never have done. | 0:16:11 | 0:16:14 | |
You've got to be able to get your hands dirty. | 0:16:14 | 0:16:16 | |
It's a life which I, personally, would have loved | 0:16:16 | 0:16:19 | |
because it was a busy, hectic lifestyle, | 0:16:19 | 0:16:23 | |
lots of interaction with people and animals coming to and fro, | 0:16:23 | 0:16:26 | |
customers coming to and fro and live ones in, dead ones out. | 0:16:26 | 0:16:30 | |
It was amazing. | 0:16:31 | 0:16:32 | |
For centuries after 1515, the Balson name appears | 0:16:40 | 0:16:43 | |
consistently in the records of those who rented a shamble in Bridport. | 0:16:43 | 0:16:47 | |
It was a period in which the craft of butchery barely changed. | 0:16:49 | 0:16:52 | |
In the mid-1600s, the Balsons survived the Civil War. | 0:16:54 | 0:16:58 | |
A Thomas Balston fought with Bridport's Parliamentarians. | 0:16:58 | 0:17:01 | |
They survived the Plague, which visited Bridport repeatedly | 0:17:03 | 0:17:07 | |
until the late 1600s. | 0:17:07 | 0:17:08 | |
The Balsons kept their place in the shambles for 250 years. | 0:17:10 | 0:17:15 | |
They probably weren't the only butchers with an ancient lineage, | 0:17:15 | 0:17:18 | |
but somehow they passed on their craft for over 10 generations. | 0:17:18 | 0:17:22 | |
These days, it's rare to find a family where the children | 0:17:29 | 0:17:32 | |
follow their parents for more than a couple of generations. | 0:17:32 | 0:17:35 | |
I always knew I was going to be a butcher | 0:17:38 | 0:17:40 | |
and it's what Dad wanted, I guess, you know. | 0:17:40 | 0:17:42 | |
He never said to me, | 0:17:42 | 0:17:43 | |
"Oh, you've got to be a butcher and you've got to follow me." | 0:17:43 | 0:17:46 | |
Not at all, but, I mean, it was just an opportunity of a lifestyle | 0:17:46 | 0:17:50 | |
that I wanted, I guess, you know. | 0:17:50 | 0:17:52 | |
That's lovely. | 0:17:57 | 0:17:58 | |
Looks like you've been doing this almost without thinking, Richard. | 0:18:02 | 0:18:05 | |
I learnt all of my trade through watching my father, really, | 0:18:05 | 0:18:08 | |
and just copying him | 0:18:08 | 0:18:10 | |
and with his guidance sort of overlooking you at first. | 0:18:10 | 0:18:13 | |
When did you cut up your first lamb? | 0:18:13 | 0:18:15 | |
-Oh, I don't know. 16, 17, I suppose. -Was he a stern teacher, your father? | 0:18:15 | 0:18:20 | |
Yeah, he was a tough teacher, but it's better to be like that | 0:18:20 | 0:18:23 | |
than having someone who doesn't really care. | 0:18:23 | 0:18:26 | |
You know, there's only one way, and that's the right way. | 0:18:27 | 0:18:31 | |
Richard's father, Don, died aged 88 in 2011. | 0:18:32 | 0:18:36 | |
Jane, his sister, now looks after their widowed mum, Joan. | 0:18:39 | 0:18:43 | |
There we are. | 0:18:43 | 0:18:45 | |
A former Miss Bridport, Joan met Don at a dance in 1945, | 0:18:45 | 0:18:49 | |
just after he'd come home from the Second World War. | 0:18:49 | 0:18:52 | |
Oh, he was very handsome! | 0:18:54 | 0:18:57 | |
Very handsome and, of course, I realised they had the butcher shop. | 0:18:57 | 0:19:03 | |
My dad used to go out every weekend and buy the joint from there. | 0:19:03 | 0:19:07 | |
We got married and I went to live up over the shop. | 0:19:07 | 0:19:11 | |
When Joan moved into Don's shop, | 0:19:12 | 0:19:14 | |
Britain was on its knees after five years of conflict. | 0:19:14 | 0:19:17 | |
Meat was still rationed. | 0:19:18 | 0:19:20 | |
Each adult was allowed just over a pound a week, | 0:19:20 | 0:19:23 | |
about a third of what we consume today. | 0:19:23 | 0:19:26 | |
He had a hard time, like I said, with all the rationing and that. | 0:19:27 | 0:19:31 | |
You'd get some lady come in and said, "Oh, Mr Balson, | 0:19:32 | 0:19:35 | |
"can't you let me have a bit more?" He said, "Well, I know what. | 0:19:35 | 0:19:40 | |
"I can get you some tripe," cos that weren't rationed. | 0:19:40 | 0:19:44 | |
They had to clean it, which wasn't very pleasant. | 0:19:44 | 0:19:47 | |
That wasn't very pleasant but, I mean... But it was lovely. | 0:19:47 | 0:19:51 | |
Beautiful. | 0:19:51 | 0:19:53 | |
Having got through the War and rationing, | 0:19:53 | 0:19:56 | |
Don is now held up as an example in the Balson family. | 0:19:56 | 0:19:59 | |
He showed what it takes to keep the business going. | 0:19:59 | 0:20:02 | |
It's hard work, dedication, and you've got to do it. | 0:20:04 | 0:20:07 | |
If you don't do it, then it's gone, because so many butchers have gone. | 0:20:07 | 0:20:11 | |
-That's the trouble now. -Richard's doing really... You know, really... | 0:20:12 | 0:20:17 | |
Really, really well. I think he really enjoys working in the shop. | 0:20:17 | 0:20:22 | |
He's very passionate about keeping it, you know, going. | 0:20:22 | 0:20:25 | |
Richard is trying to secure the future of the Balson legacy | 0:20:26 | 0:20:29 | |
by passing on what his father taught him to his only child, Billy. | 0:20:29 | 0:20:33 | |
He knows how to do all this... sort of cutting up. | 0:20:36 | 0:20:40 | |
This is just basic butchery, really. | 0:20:40 | 0:20:42 | |
But, having completed basic butchery, | 0:20:44 | 0:20:47 | |
Billy also trained as an accountant. | 0:20:47 | 0:20:49 | |
He's got a very good job in London, but hopefully | 0:20:49 | 0:20:52 | |
he will come back, he wants to come back. | 0:20:52 | 0:20:54 | |
He doesn't want to stay there all his life, | 0:20:54 | 0:20:56 | |
but at the moment he's got a very nice lifestyle and a very good job. | 0:20:56 | 0:21:01 | |
-And how old is he? -He is 33. | 0:21:01 | 0:21:06 | |
I don't know how... | 0:21:06 | 0:21:07 | |
Whether Billy will ever... you know, Richard's son, | 0:21:07 | 0:21:10 | |
will come and learn the trade. | 0:21:10 | 0:21:12 | |
There's nothing to say he won't later on. He may well do later on. | 0:21:12 | 0:21:16 | |
-What will it feel like to you if Balson's didn't carry on? -Devastated! | 0:21:16 | 0:21:22 | |
Yeah. Well, yeah. I mean... | 0:21:22 | 0:21:24 | |
It would be awful. | 0:21:27 | 0:21:28 | |
For the moment, Richard is putting aside any concerns about the future. | 0:21:32 | 0:21:36 | |
He's returning to his exploration of the Balson's past. | 0:21:36 | 0:21:40 | |
And there's a crucial question on his mind. | 0:21:40 | 0:21:43 | |
How did the Balsons get from a shamble | 0:21:43 | 0:21:45 | |
into the shop which Richard has today? | 0:21:45 | 0:21:47 | |
He's in the nearby city of Bath to find out what happened to | 0:21:50 | 0:21:53 | |
Bridport's shambles. | 0:21:53 | 0:21:54 | |
He's meeting historian Peter Borsay, | 0:21:54 | 0:21:57 | |
an expert on town life in 18th-century Britain. | 0:21:57 | 0:22:01 | |
Hello, Peter. | 0:22:01 | 0:22:02 | |
-The big word in 18th-century towns is improvement. -Yeah. | 0:22:03 | 0:22:06 | |
Improve the environment of the town. | 0:22:06 | 0:22:09 | |
Towns saw themselves as civilised places. | 0:22:09 | 0:22:13 | |
And there's a sort of revolution going on in the later 17th | 0:22:13 | 0:22:16 | |
and 18th century, by which towns are remodelling themselves | 0:22:16 | 0:22:21 | |
and trying to become more civilised, and particularly they're adopting | 0:22:21 | 0:22:26 | |
a building revolution which is going on, which is classicism. | 0:22:26 | 0:22:30 | |
Peter has asked Richard to meet him in Bath because here you can | 0:22:32 | 0:22:36 | |
still see how the classical revolution affected | 0:22:36 | 0:22:39 | |
the working lives of butchers. | 0:22:39 | 0:22:41 | |
But you've got to remember, | 0:22:42 | 0:22:44 | |
Bath is one of the most elegant towns of the 18th century. | 0:22:44 | 0:22:49 | |
And what was happening, Bath was dramatic. | 0:22:49 | 0:22:51 | |
Virtually where we're standing, there'd been markets there. | 0:22:51 | 0:22:55 | |
And the butchers had operated from this open streetside. | 0:22:55 | 0:22:59 | |
Now, you, as a butcher, would have been in the worst trade | 0:22:59 | 0:23:02 | |
because you're slaughtering animals, you had the meat on show. | 0:23:02 | 0:23:07 | |
So they move the butchers from here, | 0:23:07 | 0:23:11 | |
they take them out of the street and they build a brand-new guildhall | 0:23:11 | 0:23:15 | |
and sort of extend the market area behind it. | 0:23:15 | 0:23:17 | |
The butchers were just the first to be moved off the street. | 0:23:18 | 0:23:22 | |
By the 1770s, all of Bath's market traders | 0:23:22 | 0:23:25 | |
were hidden away in the guildhall. | 0:23:25 | 0:23:27 | |
In the following decades, | 0:23:29 | 0:23:30 | |
the classical revolution spread towards Bridport. | 0:23:30 | 0:23:33 | |
Towns like to compete with each other. | 0:23:34 | 0:23:37 | |
And there were other towns in Dorset which were also getting rid | 0:23:37 | 0:23:40 | |
-of their shambles. -Yeah. -And they'd all been demolished. | 0:23:40 | 0:23:44 | |
And the butchers were moved behind the line of the street. | 0:23:44 | 0:23:47 | |
The Bridport shambles were demolished in 1786 | 0:23:48 | 0:23:52 | |
and a new town hall was built at the side of the high street. | 0:23:52 | 0:23:55 | |
Upstairs was an elegant room where the town council met. | 0:23:56 | 0:24:00 | |
On the ground floor was a closed market, | 0:24:00 | 0:24:02 | |
given over exclusively to butchery. | 0:24:02 | 0:24:05 | |
The town hall's market was smaller than the shambles, | 0:24:06 | 0:24:09 | |
but some of the butchers from the shambles were able to carry on | 0:24:09 | 0:24:12 | |
their trade here, hidden behind the elegant classical facade. | 0:24:12 | 0:24:16 | |
So Bridport's just doing what your other towns... | 0:24:17 | 0:24:20 | |
What everyone else was doing. | 0:24:20 | 0:24:21 | |
In Bridport, you know, they were right in the middle of the town, | 0:24:21 | 0:24:24 | |
bang in the middle of the road, and they were... | 0:24:24 | 0:24:26 | |
Like you say, they were in the way and they wanted to tidy up a bit. | 0:24:26 | 0:24:29 | |
-And, in a way, it didn't really matter what the butchers felt. -No. | 0:24:29 | 0:24:32 | |
You know, they were expendable. They simply had to be moved. | 0:24:32 | 0:24:37 | |
Whether any butchers protested this drastic change | 0:24:37 | 0:24:39 | |
to their working lives isn't known. | 0:24:39 | 0:24:42 | |
But by the mid 19th century | 0:24:42 | 0:24:44 | |
there were no traditional shambles left anywhere in Britain. | 0:24:44 | 0:24:47 | |
It is something that had to be done, obviously. | 0:24:48 | 0:24:50 | |
You can't have people bringing animals in, leading them in on a rope | 0:24:50 | 0:24:54 | |
to be slaughtered in the middle of town for all to see, you know. | 0:24:54 | 0:24:57 | |
It's all for the best, really, and there was no... | 0:24:57 | 0:25:00 | |
They couldn't argue about it. They just had to be moved, really. | 0:25:00 | 0:25:04 | |
These days, the business is based on the outskirts of Bridport, | 0:25:08 | 0:25:12 | |
just beyond the River Brit. | 0:25:12 | 0:25:13 | |
Richard is heading back into the centre of town. | 0:25:16 | 0:25:19 | |
He wants to find out if his ancestors were among those butchers | 0:25:21 | 0:25:24 | |
who carried on in the town hall after the shambles were demolished. | 0:25:24 | 0:25:28 | |
It's a bit of a grey area, where they sort of moved to. | 0:25:29 | 0:25:33 | |
That's the in-between times, which I don't know a lot about. | 0:25:33 | 0:25:36 | |
Even today, there is still a butcher in Bridport's town hall, | 0:25:40 | 0:25:44 | |
Richard's friend, Phil Frampton. | 0:25:44 | 0:25:46 | |
-Morning, Richard. -Morning, Phil. How are you? -Very well, thank you, sir. | 0:25:47 | 0:25:50 | |
-Nice to see you. -Nice to see you. -We're not rivals, are we? -No! | 0:25:50 | 0:25:54 | |
We help each other out if we can. That's what it's all about. | 0:25:54 | 0:25:57 | |
We're in a different thing. | 0:25:57 | 0:25:58 | |
-Obviously, Richard, being over the bridge... -Yeah, over the bridge. | 0:25:58 | 0:26:01 | |
Yeah. Sounds like a troll, doesn't he? | 0:26:01 | 0:26:04 | |
We've got, um...we've got, you know, | 0:26:04 | 0:26:06 | |
our footfall is a lot more here because we're in the centre of town. | 0:26:06 | 0:26:10 | |
But if somebody comes in here and Phil hasn't got it, | 0:26:10 | 0:26:12 | |
I might have it, he'll send them down to me and vice versa. | 0:26:12 | 0:26:16 | |
I mean, you've got to work together in business. | 0:26:16 | 0:26:18 | |
Phil Frampton is the first in his family to be a butcher. | 0:26:18 | 0:26:22 | |
But he knows about the history of the Balsons. | 0:26:22 | 0:26:25 | |
I know they started up here in 1515. | 0:26:25 | 0:26:28 | |
Which is 500 years ago, in the old shambles. | 0:26:28 | 0:26:31 | |
-And you know that they were in here? -They were in here at some time, yeah. | 0:26:31 | 0:26:35 | |
Yeah. You've seen this? | 0:26:35 | 0:26:37 | |
That's the town hall... | 0:26:39 | 0:26:41 | |
-That's the layout. -When they moved in here was 1780s or summat, was it? | 0:26:41 | 0:26:44 | |
-Er...yeah, it was 1780 something. -17-summat, wasn't it? | 0:26:44 | 0:26:48 | |
I'll get this down for you. | 0:26:48 | 0:26:50 | |
Let's have a look at that. Let's get me goggles on. | 0:26:50 | 0:26:52 | |
So that gives out all the individual stores. | 0:26:54 | 0:26:57 | |
This is the front of the shop here, one, two, three, | 0:26:57 | 0:27:00 | |
-hence these three windows. -Right, right. | 0:27:00 | 0:27:03 | |
This 200-year-old plan reveals that where Frampton's butchers now stands | 0:27:04 | 0:27:08 | |
there used to be over 30 little butchers' stalls. | 0:27:08 | 0:27:11 | |
An undated document found in the archives lists the butchers | 0:27:13 | 0:27:16 | |
who rented these stalls. | 0:27:16 | 0:27:18 | |
At Number 11, there is A Balson. | 0:27:18 | 0:27:22 | |
On Richard's family tree, the only A Balson is Arthur. | 0:27:25 | 0:27:30 | |
He was born in 1820, | 0:27:32 | 0:27:34 | |
just a generation after the town hall was built. | 0:27:34 | 0:27:37 | |
-This one here... -Right. | 0:27:39 | 0:27:41 | |
-..which is that...wooden block there. -Yeah. | 0:27:41 | 0:27:46 | |
The bookcase, that's where his stall was. | 0:27:46 | 0:27:49 | |
-It's amazing, isn't it? -Yeah. Yeah. | 0:27:49 | 0:27:52 | |
So if we turn the clock back, we'd better start work. Yeah. | 0:27:52 | 0:27:55 | |
-LAUGHTER -Now. -Now! | 0:27:55 | 0:27:57 | |
Here, Arthur Balson slaughtered animals, carved up carcasses | 0:27:59 | 0:28:03 | |
and sold his meat. | 0:28:03 | 0:28:05 | |
It was cramped, but the Balsons were still at the centre of Bridport. | 0:28:05 | 0:28:09 | |
In the mid 19th century, when Arthur took on his stall in the town hall, | 0:28:26 | 0:28:30 | |
the Balsons had been in business for over 300 years. | 0:28:30 | 0:28:33 | |
It was now the Victorian age. | 0:28:35 | 0:28:37 | |
A society built on the two pillars of trade and respectability. | 0:28:37 | 0:28:41 | |
And the Balsons' story was about to take a dramatic turn. | 0:28:41 | 0:28:45 | |
The family tree reveals that since way back, | 0:28:51 | 0:28:53 | |
in the era of the Shambles, | 0:28:53 | 0:28:55 | |
the Balsons had passed on their business from father to son. | 0:28:55 | 0:28:59 | |
Arthur broke that ancient tradition | 0:28:59 | 0:29:02 | |
and very nearly ended the Balson family business. | 0:29:02 | 0:29:06 | |
Arthur is buried somewhere in the graveyard opposite Richard's shop. | 0:29:12 | 0:29:15 | |
Although many graves are neglected and forgotten, the local vicar, | 0:29:20 | 0:29:24 | |
Reverend Peter Edwards, | 0:29:24 | 0:29:26 | |
has some information about the Balsons buried here. | 0:29:26 | 0:29:29 | |
He's even read a newspaper report about Arthur. | 0:29:29 | 0:29:33 | |
So these two graves here are both members of the family. | 0:29:33 | 0:29:36 | |
Sadly, this stone has fallen over at some stage... | 0:29:36 | 0:29:39 | |
-Yes, that's the back of it, I guess. -..in the last decade or two, | 0:29:39 | 0:29:42 | |
but there is some writing we've deciphered | 0:29:42 | 0:29:45 | |
from records from the underside. | 0:29:45 | 0:29:47 | |
-We're here to talk about Arthur Balson. -Arthur, yeah. | 0:29:47 | 0:29:50 | |
-Who was a distant uncle of sorts. -Yeah, that's right. | 0:29:50 | 0:29:53 | |
-Who died in July of 1859. -Right. | 0:29:53 | 0:29:57 | |
And the funeral service was held in early August of that year. | 0:29:57 | 0:30:00 | |
-The burial was done on a Sunday morning here. -On a Sunday morning? | 0:30:00 | 0:30:03 | |
-That's quite interesting, yeah. -Yeah. | 0:30:03 | 0:30:05 | |
Well, that's probably because they were working on all the other days. | 0:30:05 | 0:30:09 | |
Quite possibly. About 100 fellow tradespeople of the town | 0:30:09 | 0:30:12 | |
came to support the family | 0:30:12 | 0:30:14 | |
and to be in attendance at the funeral. | 0:30:14 | 0:30:17 | |
The huge crowd of mourners suggests Arthur was a popular figure. | 0:30:19 | 0:30:23 | |
But some may have come to gawp at the climax of a scandal. | 0:30:23 | 0:30:26 | |
Arthur, um...was living with... | 0:30:28 | 0:30:31 | |
And it must have caused something of a scandal at the time, | 0:30:31 | 0:30:34 | |
a woman who was actually married to somebody else. | 0:30:34 | 0:30:37 | |
-Right. -So in the standards of the Victorian age... | 0:30:37 | 0:30:40 | |
-That's not good, is it? -It must have caused something of a local scandal. | 0:30:40 | 0:30:43 | |
Her name was Charlotte Worsdell. | 0:30:43 | 0:30:45 | |
And her husband was away | 0:30:45 | 0:30:49 | |
and Charlotte was living with Arthur, together with her son, Tom. | 0:30:49 | 0:30:54 | |
And obviously, Arthur took to Tom, | 0:30:54 | 0:30:57 | |
as well as being in a relationship with Charlotte. | 0:30:57 | 0:31:01 | |
The paper reports that Arthur treated Tom like his own son, | 0:31:02 | 0:31:06 | |
digging deep into his pockets so Tom could have a good education. | 0:31:06 | 0:31:09 | |
Very likely, Arthur was thinking of handing the family business on | 0:31:11 | 0:31:14 | |
to the child of his lover, so ending the Balson tradition. | 0:31:14 | 0:31:18 | |
Then something terrible happened. | 0:31:21 | 0:31:22 | |
Arthur used to play sort of fights and what have you, | 0:31:25 | 0:31:28 | |
including which, he used to pretend that Tom had got a gun | 0:31:28 | 0:31:32 | |
and he would play dead when Tom fired this gun at him. | 0:31:32 | 0:31:37 | |
Sadly, one day at the end of July in 1859, | 0:31:37 | 0:31:41 | |
Tom came back from school one day, | 0:31:41 | 0:31:44 | |
found a gun which had been loaded, | 0:31:44 | 0:31:47 | |
not known to him, | 0:31:47 | 0:31:50 | |
and pretended to shoot Arthur. | 0:31:50 | 0:31:53 | |
And sadly, it went off and he was killed instantly, | 0:31:53 | 0:31:56 | |
there and then, on the spot, | 0:31:56 | 0:31:58 | |
which caused obviously a great consternation | 0:31:58 | 0:32:01 | |
and upset to the people of the town and all those who knew him... | 0:32:01 | 0:32:05 | |
-So, how old was Arthur? -He was...39, I think, if I recall. | 0:32:05 | 0:32:10 | |
-Something of that sort of... 38, 39, that sort of age. -Right. | 0:32:10 | 0:32:15 | |
Obviously, Tom might have inherited the business. | 0:32:15 | 0:32:17 | |
-You don't know, do you? -Then it would've been a different story. | 0:32:17 | 0:32:20 | |
Well, perhaps it was an act of God. | 0:32:20 | 0:32:22 | |
LAUGHTER | 0:32:22 | 0:32:24 | |
Whether young Tom Worsdell attended the funeral | 0:32:26 | 0:32:29 | |
of the man he'd killed is not recorded. | 0:32:29 | 0:32:32 | |
And his name disappears from the local records after that. | 0:32:32 | 0:32:34 | |
It's known that he died in London, aged 26. | 0:32:36 | 0:32:40 | |
His lover's son was out of the picture, | 0:32:40 | 0:32:43 | |
but Arthur's sudden death meant that in 1859 | 0:32:43 | 0:32:46 | |
the Balson business couldn't carry on father to son. | 0:32:46 | 0:32:50 | |
Luckily, someone else in the family came forward | 0:32:51 | 0:32:54 | |
to keep the Balson tradition going. | 0:32:54 | 0:32:56 | |
Arthur's younger brother, Richard. | 0:32:56 | 0:32:58 | |
This Victorian Richard Balson is the great-great-grandfather | 0:33:00 | 0:33:04 | |
of Richard, who runs the shop today. | 0:33:04 | 0:33:06 | |
Oh! | 0:33:24 | 0:33:26 | |
Whoo! | 0:33:26 | 0:33:28 | |
Do you reckon we can turn that around and lay it the other way? | 0:33:32 | 0:33:36 | |
There, there. Now you can see it. There's Arthur. | 0:33:41 | 0:33:44 | |
Died 1859, aged 39. Poor man. | 0:33:48 | 0:33:52 | |
What a shock that must have been. | 0:33:52 | 0:33:54 | |
Afternoon. | 0:34:11 | 0:34:12 | |
In 1859, when Arthur Balson died and the business was carried on | 0:34:19 | 0:34:24 | |
by his brother Richard, Britain was the richest country in the world. | 0:34:24 | 0:34:27 | |
Meat consumption was rising dramatically. | 0:34:30 | 0:34:32 | |
Those who could afford to ate meat at breakfast, lunch and dinner. | 0:34:32 | 0:34:37 | |
There was also a population boom. | 0:34:37 | 0:34:39 | |
In two generations, Bridport had grown from 3,000 to 4,500 people. | 0:34:39 | 0:34:44 | |
But the butchers renting stalls in the town hall | 0:34:47 | 0:34:49 | |
complained that the limited space here prevented expansion. | 0:34:49 | 0:34:53 | |
And that they were still only allowed to open on market days, | 0:34:54 | 0:34:58 | |
which were Wednesday and Saturday. | 0:34:58 | 0:34:59 | |
The Victorian Richard Balson, who'd taken over from scandalous Arthur, | 0:35:02 | 0:35:06 | |
found a way to carry on butchering | 0:35:06 | 0:35:08 | |
despite the restrictions in the town hall. | 0:35:08 | 0:35:10 | |
The 1871 census reveals that 12 years after Arthur's death | 0:35:13 | 0:35:18 | |
his brother Richard was increasing his income, | 0:35:18 | 0:35:21 | |
doubling up as a pub landlord at the Boot Inn. | 0:35:21 | 0:35:24 | |
Now a house, the Boot Inn was in a residential area of Bridport, | 0:35:27 | 0:35:32 | |
near where Richard's shop is today. | 0:35:32 | 0:35:34 | |
Many of Victorian Bridport's publicans already had second trades. | 0:35:37 | 0:35:41 | |
There were pubs which sold leather goods, others that baked bread. | 0:35:41 | 0:35:45 | |
At some pubs, you could buy meat alongside the beer, | 0:35:45 | 0:35:49 | |
prepared in a slaughterhouse behind the bar. | 0:35:49 | 0:35:52 | |
But what a publican butcher like the Victorian Richard Balson | 0:35:54 | 0:35:57 | |
really needed was to have his own shop. | 0:35:57 | 0:36:00 | |
A technological breakthrough | 0:36:02 | 0:36:04 | |
paved the way for the late-Victorian butcher's shop. | 0:36:04 | 0:36:08 | |
Come down and see the big fridge. | 0:36:08 | 0:36:10 | |
It's a good-sized fridge, where you can come in and... | 0:36:14 | 0:36:18 | |
It's nice to have plenty of racks for hanging all your sausages | 0:36:18 | 0:36:21 | |
and bodies of beef, lamb and pork. | 0:36:21 | 0:36:25 | |
Along with steam power, | 0:36:25 | 0:36:27 | |
refrigeration was one of the earth-shattering inventions | 0:36:27 | 0:36:30 | |
of the 19th century's Industrial Revolution. | 0:36:30 | 0:36:33 | |
It made it possible to store perishable foods. | 0:36:33 | 0:36:36 | |
Sweet chilli, merguez, smoky pork. | 0:36:37 | 0:36:40 | |
That's a rump of beef, there. | 0:36:40 | 0:36:42 | |
That's the darkness of that. That's been hung for three weeks. | 0:36:42 | 0:36:46 | |
In the shambles and even in the town hall, | 0:36:46 | 0:36:49 | |
butchers had killed animals almost to order. | 0:36:49 | 0:36:51 | |
Refrigeration made it possible to keep plentiful stocks | 0:36:53 | 0:36:56 | |
of all the cuts the customers might want. | 0:36:56 | 0:36:59 | |
This broke the link between selling meat and killing animals. | 0:36:59 | 0:37:02 | |
Soon, the slaughtering and preparation took place | 0:37:04 | 0:37:07 | |
a healthy distance away from the high street. | 0:37:07 | 0:37:10 | |
While in the centre of town | 0:37:10 | 0:37:11 | |
the butchers could sell their meat like any other shopkeeper. | 0:37:11 | 0:37:15 | |
A couple of loins of pork. | 0:37:15 | 0:37:18 | |
In the late 19th century, as a direct result of refrigeration, | 0:37:20 | 0:37:24 | |
butchers reappeared on the British high street. | 0:37:24 | 0:37:27 | |
This is when the Balsons moved into their shop. | 0:37:29 | 0:37:31 | |
Most likely, thanks to their first fridge. | 0:37:31 | 0:37:35 | |
Moving into a shop was a crucial moment in the story of the Balsons. | 0:37:40 | 0:37:44 | |
PHONE RINGS | 0:37:45 | 0:37:47 | |
Good morning. Balson's. | 0:37:47 | 0:37:48 | |
But which member of the family founded his shop | 0:37:48 | 0:37:51 | |
at 9 West Allington is a mystery to Richard. | 0:37:51 | 0:37:53 | |
It was initially called RJ & W Balson. | 0:37:53 | 0:37:57 | |
There's a photo showing the shop | 0:37:57 | 0:37:59 | |
trading under this name in about 1890. | 0:37:59 | 0:38:02 | |
But the people in the photo are unidentified. | 0:38:03 | 0:38:06 | |
And a second photo adds to the mystery. | 0:38:08 | 0:38:11 | |
It suggests there was another business called Balson & Sons, | 0:38:11 | 0:38:15 | |
which was once based next door at Number 7. | 0:38:15 | 0:38:17 | |
To help him work out which Balson was the father of his shop, | 0:38:21 | 0:38:25 | |
Richard is meeting local historian Richard Sims. | 0:38:25 | 0:38:27 | |
-Hello, Richard. -Nice to see you. -Nice to see you again. | 0:38:29 | 0:38:31 | |
I believe this to be when they came into this shop, this is this shop, | 0:38:31 | 0:38:35 | |
and this is just prior to that, when they were next door, or... | 0:38:35 | 0:38:40 | |
What's your source of information? | 0:38:40 | 0:38:41 | |
The Book of Balson Facts, handed down from my father, | 0:38:41 | 0:38:45 | |
which may not be exactly right, but pretty near right. | 0:38:45 | 0:38:49 | |
We don't know who any of the people are. I don't know. Maybe you, er... | 0:38:49 | 0:38:53 | |
I...I've, um...spent some time in the Record Office | 0:38:53 | 0:38:56 | |
-in Dorchester looking through the rates records of Bridport. -Yeah. | 0:38:56 | 0:38:59 | |
Over the period of 1880 through to 1895. | 0:38:59 | 0:39:02 | |
-I've got a bit of paper here to help you. -Oh, right, right, right. | 0:39:02 | 0:39:05 | |
I've just got the rumps to cut, all right? | 0:39:08 | 0:39:10 | |
From Bridport's rates records, Richard Sims has tried to work out | 0:39:11 | 0:39:15 | |
which member of the family started the shop. | 0:39:15 | 0:39:17 | |
The story begins next door at Number 7 with Balson & Sons. | 0:39:19 | 0:39:23 | |
To reveal the order of events, | 0:39:25 | 0:39:27 | |
Richard Sims has transcribed some of his research. | 0:39:27 | 0:39:30 | |
1st April, 1887. | 0:39:30 | 0:39:33 | |
Balson & Sons rented Number 7 from John Hoare, | 0:39:33 | 0:39:37 | |
who had the whole of the alleyway going backwards. | 0:39:37 | 0:39:41 | |
And we see here, in 1892, | 0:39:41 | 0:39:44 | |
they vacated Number 7 before moving to next door | 0:39:44 | 0:39:48 | |
to form what was to become RJ & W Balson. | 0:39:48 | 0:39:51 | |
-Yeah. So it was 1892. -Yeah. | 0:39:51 | 0:39:53 | |
So this shop will date probably from 1892, within six months of that. | 0:39:53 | 0:39:57 | |
-Yeah. -Whereas the other shop was almost certainly early 1887. -Yeah. | 0:39:57 | 0:40:02 | |
Comparing the dates from the rates records | 0:40:02 | 0:40:05 | |
against the Balson family tree | 0:40:05 | 0:40:07 | |
makes it possible to deduce which family members | 0:40:07 | 0:40:11 | |
were behind each shop. | 0:40:11 | 0:40:12 | |
In 1887, when Balson & Sons was founded, | 0:40:14 | 0:40:18 | |
the Victorian Richard Balson, | 0:40:18 | 0:40:20 | |
who had doubled up as a landlord of the Boot, was still alive. | 0:40:20 | 0:40:23 | |
If we look at this photograph, this is the earlier one... | 0:40:25 | 0:40:28 | |
-That's right. -..there's Balson & Sons at the top here. | 0:40:28 | 0:40:31 | |
We can now say that that has to be the Richard Balson from the Boot. | 0:40:31 | 0:40:37 | |
Richard of the Boot died in 1890, survived by three sons. | 0:40:38 | 0:40:43 | |
It was the eldest, Robert John, | 0:40:46 | 0:40:47 | |
in partnership with the youngest brother, William, | 0:40:47 | 0:40:50 | |
who carried on their father's butchery business. | 0:40:50 | 0:40:53 | |
Because the family had only rented at Number 7, the brothers | 0:40:55 | 0:40:59 | |
Robert John and William, moved next door. | 0:40:59 | 0:41:01 | |
They owned Number 9. | 0:41:01 | 0:41:03 | |
The Balsons were on the up. | 0:41:04 | 0:41:06 | |
So the other photograph is now RJ & W Balson, | 0:41:06 | 0:41:10 | |
so we must be looking at, I imagine, maybe Robert John | 0:41:10 | 0:41:14 | |
and William as the two main characters here. | 0:41:14 | 0:41:16 | |
Fascinating. Thank you. | 0:41:18 | 0:41:20 | |
But the family tree leads to a deeper mystery. | 0:41:21 | 0:41:24 | |
Richard, who runs the shop today, | 0:41:25 | 0:41:27 | |
is descended from neither Robert John nor William. | 0:41:27 | 0:41:31 | |
His great-grandfather is the middle brother, Richard John. | 0:41:32 | 0:41:36 | |
Richard John, who actually lived here, was a stonemason. | 0:41:37 | 0:41:40 | |
He was here until about the 1890s, before moving to Neath. | 0:41:40 | 0:41:46 | |
Are you disappointed to discover you're not | 0:41:49 | 0:41:51 | |
-descended from the two brothers who founded your shop? -No, not at all. | 0:41:51 | 0:41:55 | |
I mean, it's...it's, er...it's still in the family, that's the main thing. | 0:41:55 | 0:41:58 | |
I mean, um...er...you know, people go off and do other things. | 0:41:58 | 0:42:02 | |
Um...yeah, that's just how it is. | 0:42:02 | 0:42:05 | |
Richard John Balson, seen here in this photo, | 0:42:09 | 0:42:12 | |
spent most of the rest of his life in Neath, Wales. | 0:42:12 | 0:42:15 | |
He enjoyed a profitable career there as a stonemason | 0:42:17 | 0:42:21 | |
and never joined the family business. | 0:42:21 | 0:42:23 | |
But somehow the Balson butcher's shop has ended up | 0:42:24 | 0:42:28 | |
in the hands of the descendant of Richard John the stonemason. | 0:42:28 | 0:42:31 | |
Richard's great-great-uncles Robert John and William | 0:42:36 | 0:42:40 | |
moved into a shop at just the right moment. | 0:42:40 | 0:42:42 | |
The start of the 20th century is now seen as | 0:42:44 | 0:42:46 | |
the golden age of the British high street. | 0:42:46 | 0:42:49 | |
Where the Balsons are, on the outskirts of Bridport, | 0:42:52 | 0:42:55 | |
was then a parade of shops, where people could buy everything | 0:42:55 | 0:42:58 | |
they wanted without leaving their immediate neighbourhood. | 0:42:58 | 0:43:01 | |
Almost nothing is known about the working life of Richard's | 0:43:03 | 0:43:06 | |
great-great-uncles Robert John and William. | 0:43:06 | 0:43:09 | |
All that's been turned up is a local newspaper cutting | 0:43:09 | 0:43:12 | |
from about 100 years ago. | 0:43:12 | 0:43:13 | |
"Guessing Competition. On Wednesday week, | 0:43:16 | 0:43:19 | |
"Messrs Balson Brothers Butchers of West Allington | 0:43:19 | 0:43:22 | |
"exhibited in their shop the carcass of a bullock, | 0:43:22 | 0:43:24 | |
"which they supplied at Messrs W Morey & Sons' | 0:43:24 | 0:43:27 | |
"Christmas fat stock show and sale | 0:43:27 | 0:43:30 | |
"for a weight-guessing competition. | 0:43:30 | 0:43:33 | |
"On a card, the actual weight of the animal | 0:43:33 | 0:43:35 | |
"was given at 39 stone 1l pounds. | 0:43:35 | 0:43:37 | |
"The winners were, | 0:43:37 | 0:43:39 | |
"first prize, two pound, two shillings | 0:43:39 | 0:43:42 | |
"to Miss C Balson of West Allington." | 0:43:42 | 0:43:45 | |
Sounds like a fix to me! | 0:43:45 | 0:43:47 | |
Discovering that the Balson shop was founded by his great-great-uncles | 0:44:01 | 0:44:05 | |
leads Richard to a further question. | 0:44:05 | 0:44:07 | |
How did the shop end up in his hands? | 0:44:07 | 0:44:10 | |
-All right? -All right? -Yeah. How you doing? | 0:44:13 | 0:44:15 | |
He knows the answer must lie in the story of the Balson | 0:44:15 | 0:44:18 | |
who came after his great-great-uncles, his grandfather, | 0:44:18 | 0:44:22 | |
known in the family as Pop. | 0:44:22 | 0:44:24 | |
This is my grandfather in 1920 | 0:44:25 | 0:44:29 | |
delivering the meat on the horse and cart. | 0:44:29 | 0:44:32 | |
I can just about remember my grandfather sat in a chair. | 0:44:32 | 0:44:36 | |
I was only about four when he died. | 0:44:36 | 0:44:38 | |
But we get old customers come in | 0:44:38 | 0:44:42 | |
and they remember, um...remember him in the shop | 0:44:42 | 0:44:46 | |
and there used to be a pub just along the road called the Old Inn, | 0:44:46 | 0:44:49 | |
about 60 yards. | 0:44:49 | 0:44:51 | |
And he'd go out to the Old Inn and have a pint. | 0:44:51 | 0:44:54 | |
Pop was the son of the Balson who became a stonemason | 0:44:56 | 0:44:59 | |
and went to live in Wales. | 0:44:59 | 0:45:00 | |
As a boy, Pop didn't go to Wales with his father, | 0:45:02 | 0:45:05 | |
but stayed in Bridport. | 0:45:05 | 0:45:07 | |
The 1901 census reveals that Pop, then aged 10, | 0:45:08 | 0:45:12 | |
was living above the Balson shop with his uncle Robert John, | 0:45:12 | 0:45:15 | |
who was unmarried and had no children of his own. | 0:45:15 | 0:45:18 | |
This would have been seen as normal in those days. | 0:45:20 | 0:45:23 | |
Being brought up by his uncle Robert John, | 0:45:23 | 0:45:25 | |
Pop had the opportunity to learn the craft of butchery. | 0:45:25 | 0:45:29 | |
Then, in 1927, Pop's other uncle, William Balson, died. | 0:45:31 | 0:45:36 | |
He was survived by just one daughter. | 0:45:36 | 0:45:39 | |
And women butchers were almost unheard of in the 1920s. | 0:45:39 | 0:45:42 | |
Robert John was still unmarried and childless and aged almost 70. | 0:45:44 | 0:45:49 | |
To keep the shop in the Balson family, | 0:45:51 | 0:45:54 | |
Robert John decided that Pop, | 0:45:54 | 0:45:56 | |
the nephew he'd brought up, should take it on. | 0:45:56 | 0:45:59 | |
But Robert John didn't deal with Pop as if he were his son. | 0:45:59 | 0:46:03 | |
As Richard has just found out. | 0:46:03 | 0:46:04 | |
This is some old documents that have come out of the safe, | 0:46:06 | 0:46:09 | |
-which relate to... -Under the stairs. -Under the stairs, yeah. | 0:46:09 | 0:46:13 | |
Which relate to when Robert John, in about 1928, | 0:46:13 | 0:46:18 | |
decided to sell the business to, um...to Pop. | 0:46:18 | 0:46:24 | |
Um...for a sum of £1,000. | 0:46:24 | 0:46:26 | |
Pop didn't have any money. | 0:46:26 | 0:46:29 | |
So he borrowed it off of his... | 0:46:29 | 0:46:32 | |
wife's brother, who was a Bill Spencer. | 0:46:32 | 0:46:37 | |
The £1,000 was for the property and fixtures, | 0:46:37 | 0:46:41 | |
fittings and good will of the business. | 0:46:41 | 0:46:44 | |
£1,000 in 1928 is £50,000 in today's money. | 0:46:48 | 0:46:52 | |
He must have been very grateful to Bill Spencer | 0:46:53 | 0:46:57 | |
for lending him that £1,000. | 0:46:57 | 0:46:59 | |
Because obviously, without that, he couldn't have... | 0:46:59 | 0:47:01 | |
You know, if he hadn't have lent him that money, | 0:47:01 | 0:47:04 | |
who knows what would've happened to the business? | 0:47:04 | 0:47:07 | |
The deal between Pop and Robert John wasn't unusual | 0:47:09 | 0:47:12 | |
and there's no evidence of any awkwardness | 0:47:12 | 0:47:14 | |
between nephew and uncle. | 0:47:14 | 0:47:16 | |
It took Pop just four years to pay off the loan, | 0:47:17 | 0:47:20 | |
presumably using the profits of the shop. | 0:47:20 | 0:47:23 | |
And Robert John wouldn't be dependent on his nephew, | 0:47:23 | 0:47:26 | |
because he now had money to fund the care he'd need in his retirement. | 0:47:26 | 0:47:30 | |
Then Robert John seems to have been written out of the Balson story. | 0:47:35 | 0:47:40 | |
Until a few days ago, | 0:47:40 | 0:47:42 | |
Richard had never even heard of the family member who founded his shop. | 0:47:42 | 0:47:46 | |
To find out more about his great-great-uncle, | 0:47:48 | 0:47:51 | |
he's going to look through some old newspapers. | 0:47:51 | 0:47:53 | |
He wants to see if he can find any reference to Robert John Balson. | 0:47:55 | 0:47:59 | |
Right, here we go. | 0:48:01 | 0:48:03 | |
"An inquest held at Bridport on Wednesday evening | 0:48:05 | 0:48:08 | |
"on Mr Robert John Balson, aged 70. | 0:48:08 | 0:48:10 | |
"He retired only a year or two ago and was unmarried. | 0:48:10 | 0:48:14 | |
"Who was discovered in the washhouse, | 0:48:14 | 0:48:17 | |
"lying across a heap of coal with his throat badly cut." | 0:48:17 | 0:48:21 | |
Throat badly cut? Oh, blimey! | 0:48:21 | 0:48:24 | |
"Mr Balson was alive when the doctor arrived hurriedly on the scene, | 0:48:24 | 0:48:29 | |
"but died about half an hour later. | 0:48:29 | 0:48:31 | |
"A verdict of 'suicide whilst of unsound mind' | 0:48:31 | 0:48:34 | |
"was recorded by the deputy coroner for West Dorset." | 0:48:34 | 0:48:38 | |
He cut his throat with a knife. | 0:48:38 | 0:48:40 | |
Well, it said he was retired. I wonder if, being retired, he just... | 0:48:45 | 0:48:48 | |
Some people, they just can't cope with being retired. | 0:48:48 | 0:48:51 | |
Sometimes there's a void there which was taken up by work previously, | 0:48:51 | 0:48:56 | |
and when you retire, if you completely shut yourself off, | 0:48:56 | 0:49:00 | |
then you can become, um... | 0:49:00 | 0:49:02 | |
you know, a bit lonely, a bit reclusive, a bit, um... | 0:49:02 | 0:49:06 | |
You know, you'd think with the Balsons being, you know, | 0:49:06 | 0:49:09 | |
all this family-orientated, | 0:49:09 | 0:49:11 | |
where they hand it on from one generation to the next, | 0:49:11 | 0:49:14 | |
that he could've carried on there as long as he wanted to. | 0:49:14 | 0:49:16 | |
Just gone in maybe one day a week, two days a week. | 0:49:16 | 0:49:19 | |
My father, he was still doing the books at 88, 87. | 0:49:19 | 0:49:23 | |
You know, um... And he always kept his hand in. | 0:49:23 | 0:49:27 | |
I didn't just work with my father. | 0:49:27 | 0:49:29 | |
We went to football matches together, we played skittles together, | 0:49:29 | 0:49:32 | |
we went to the pub and had a pint together. I go out with my son now. | 0:49:32 | 0:49:37 | |
You know, it's nice. I don't see as much of him as I'd like to, | 0:49:37 | 0:49:40 | |
but, er...yeah, it's lovely, | 0:49:40 | 0:49:44 | |
I think, the father and son relationship, | 0:49:44 | 0:49:46 | |
it doesn't matter how old they are, they're your son all your life. | 0:49:46 | 0:49:50 | |
And you still sort of worry about them and care for them | 0:49:50 | 0:49:54 | |
and love them and that's what being a father is, really. | 0:49:54 | 0:49:57 | |
But unfortunately, he didn't have any children, did he? So... | 0:49:59 | 0:50:03 | |
He might've missed out there, but... | 0:50:03 | 0:50:06 | |
I don't know. | 0:50:07 | 0:50:09 | |
According to the local newspaper, the townsfolk of Bridport | 0:50:09 | 0:50:13 | |
paid their respects at the funeral of Robert John Balson. | 0:50:13 | 0:50:17 | |
Among the mourners was his nephew, Pop, | 0:50:17 | 0:50:20 | |
who left a floral tribute which read, "In loving memory." | 0:50:20 | 0:50:23 | |
A few days after finding out all about Robert John | 0:50:48 | 0:50:51 | |
and his nephew, Pop, Richard welcomes his own nephew. | 0:50:51 | 0:50:55 | |
This is our new 1515 shirts that we've just had done | 0:50:55 | 0:51:00 | |
since we found out we were established 20 years earlier. | 0:51:00 | 0:51:04 | |
So that's for you. And a nice RJ Balson & Son hat. | 0:51:04 | 0:51:08 | |
-Put them on and I'm going to put you to work for five minutes. -Right. | 0:51:08 | 0:51:11 | |
Oliver Balson is the only son of Richard's only brother, Michael. | 0:51:11 | 0:51:15 | |
Instead of joining the family business, | 0:51:16 | 0:51:18 | |
Michael became a professional footballer. | 0:51:18 | 0:51:21 | |
His career took him to America and he settled there. | 0:51:21 | 0:51:24 | |
I've worked it out, this is the 188,933rd day | 0:51:28 | 0:51:33 | |
of Balson's at work since 1515. | 0:51:33 | 0:51:37 | |
Straight down the middle, kidney each side. Nice and straight. | 0:51:43 | 0:51:48 | |
There it is. | 0:51:48 | 0:51:50 | |
The last time that happened was, um...15 years ago. | 0:51:50 | 0:51:54 | |
-15 years ago? -Yep. By this man right here. -Yeah. | 0:51:54 | 0:51:57 | |
And I was seven, eight years old. | 0:51:57 | 0:51:59 | |
I have kind of memories of being in the shop. | 0:51:59 | 0:52:02 | |
-Hello! -They're trying to put me to work. | 0:52:04 | 0:52:07 | |
LAUGHTER | 0:52:12 | 0:52:15 | |
Oliver is in Bridport to visit his English family. | 0:52:15 | 0:52:19 | |
He's also here on business. | 0:52:19 | 0:52:20 | |
It's hard to get butchery out of the Balson blood. | 0:52:22 | 0:52:25 | |
And Oliver sells sausages online in America. | 0:52:25 | 0:52:28 | |
Oliver's business is completely separate from Richard's shop, | 0:52:28 | 0:52:32 | |
which does no online trading. | 0:52:32 | 0:52:34 | |
But Richard advises Oliver with sausage recipes | 0:52:34 | 0:52:38 | |
and encourages him to trade on the Balson heritage. | 0:52:38 | 0:52:40 | |
It's almost unbelievable, you know, | 0:52:42 | 0:52:44 | |
when you say 1500s and America is only half that old. | 0:52:44 | 0:52:49 | |
I think most people are fairly sceptical. They're like, "Hm." | 0:52:49 | 0:52:51 | |
You know, it's almost like it's such a grandiose claim | 0:52:51 | 0:52:56 | |
that there's instant scepticism to how could it possibly be that old? | 0:52:56 | 0:53:01 | |
Filling out paperwork for the USDA | 0:53:01 | 0:53:03 | |
and they ask, like, "How old is your business?" | 0:53:03 | 0:53:06 | |
And sometimes I'm just cheeky and I say, "498 years." | 0:53:06 | 0:53:10 | |
And then every single time I do that, they say, | 0:53:10 | 0:53:14 | |
"There's some kind of typo. There's some mistake." | 0:53:14 | 0:53:17 | |
Oliver used to have a career as an academic, | 0:53:19 | 0:53:22 | |
running the online sausage business in his spare time. | 0:53:22 | 0:53:26 | |
He's now given up his university post | 0:53:26 | 0:53:28 | |
to concentrate on selling meat fulltime. | 0:53:28 | 0:53:31 | |
So for Oliver it's important to keep faith that there will | 0:53:31 | 0:53:35 | |
always be a Balson butcher in Bridport. | 0:53:35 | 0:53:38 | |
None of us know what the future holds, | 0:53:38 | 0:53:40 | |
but...I think it's a pretty good chance you'll find | 0:53:40 | 0:53:44 | |
a butcher's shop at this location with the Balson name on it. | 0:53:44 | 0:53:46 | |
I'd bet the farm on it. | 0:53:46 | 0:53:48 | |
The Balson shop has done well to survive as long as it has. | 0:53:52 | 0:53:55 | |
Because the late 20th century was difficult for butchers. | 0:53:55 | 0:53:59 | |
Pop, Richard's grandfather, died in 1961 | 0:54:01 | 0:54:05 | |
and the business was passed on to his son, Don. | 0:54:05 | 0:54:08 | |
In the '60s, Don, Richard's father, | 0:54:10 | 0:54:12 | |
enjoyed the final great age of the neighbourhood butcher. | 0:54:12 | 0:54:15 | |
Towards the end of the 20th century, shopping habits changed. | 0:54:18 | 0:54:22 | |
The number of butchers' shops in Britain | 0:54:22 | 0:54:24 | |
fell from about 50,000 to less than 10,000. | 0:54:24 | 0:54:27 | |
Many high streets and market towns completely lost their butchers. | 0:54:27 | 0:54:31 | |
But the Balsons were still going strong when Don died in 2011. | 0:54:34 | 0:54:38 | |
Richard has come to Bridport's beach at 6:00am | 0:54:48 | 0:54:51 | |
to share some memories of his father. | 0:54:51 | 0:54:53 | |
Don Balson used to come here every day for a quick dip | 0:54:55 | 0:54:58 | |
before he opened the shop. | 0:54:58 | 0:55:00 | |
I'm very lucky to have spent 40 years sort of working with him | 0:55:01 | 0:55:05 | |
and he's taught me all I know and, er... | 0:55:05 | 0:55:07 | |
When he died, obviously, it was really difficult to go into work | 0:55:07 | 0:55:11 | |
and him not be there, sort of thing. | 0:55:11 | 0:55:13 | |
And, er...a chap came in one day and he said, | 0:55:13 | 0:55:15 | |
"What's the matter with you, Richard? You don't look yourself." | 0:55:15 | 0:55:18 | |
And I said, "Oh, Father has just died," | 0:55:18 | 0:55:21 | |
and he said, "Sorry to hear that." | 0:55:21 | 0:55:23 | |
I said, "It's very difficult after, you know, | 0:55:23 | 0:55:26 | |
"spending every day of your life working with him | 0:55:26 | 0:55:28 | |
"and then all of a sudden he's gone." | 0:55:28 | 0:55:30 | |
And the chap, he put it into perspective, really. | 0:55:30 | 0:55:33 | |
He said, "Well, you think of all the good times you've had," he said. | 0:55:33 | 0:55:36 | |
"Because my father died when I was only sort of 14, 15. | 0:55:36 | 0:55:41 | |
"And I never even had the experience or the memory | 0:55:41 | 0:55:43 | |
"to even have a pint in a pub with him." | 0:55:43 | 0:55:46 | |
And, I mean, that put it into perspective, really. | 0:55:46 | 0:55:48 | |
And you think, yeah, I have been lucky. | 0:55:48 | 0:55:50 | |
And, you know, you think of the good times | 0:55:50 | 0:55:53 | |
and the happy memories you've got and, um... | 0:55:53 | 0:55:56 | |
and after he said that little sentence, you know, | 0:55:56 | 0:55:59 | |
it made me feel a bit better, really. | 0:55:59 | 0:56:02 | |
-11 slices of ham. -11 of ham. Right. Let's kick off with that, then. | 0:56:11 | 0:56:15 | |
Right. OK. | 0:56:15 | 0:56:17 | |
-How's the missus? -Very well, thank you, Richard. | 0:56:17 | 0:56:19 | |
All right, thanks very much. | 0:56:19 | 0:56:21 | |
-Have a good weekend. -Thanks. -Bye. | 0:56:21 | 0:56:24 | |
God save the Queen. | 0:56:28 | 0:56:30 | |
There we are, another day done. | 0:56:35 | 0:56:37 | |
Richard has now completed his journey into the past of his family. | 0:56:46 | 0:56:50 | |
He's learnt that staying in business for 500 years | 0:56:50 | 0:56:53 | |
has been a constant struggle for the Balsons. | 0:56:53 | 0:56:56 | |
They've kept going despite revolutionary social change | 0:56:56 | 0:57:00 | |
and personal tragedy. | 0:57:00 | 0:57:02 | |
How has learning about previous generations | 0:57:05 | 0:57:08 | |
who've faced crises and survived them | 0:57:08 | 0:57:10 | |
altered the way he sees the future of his family business? | 0:57:10 | 0:57:14 | |
My father went on until he was 88, | 0:57:15 | 0:57:17 | |
so I've got another 30...33 years, sort of thing. | 0:57:17 | 0:57:21 | |
So, I mean, a lot can happen in 33 years. | 0:57:21 | 0:57:24 | |
We can miss a generation and maybe the next generation will take hold. | 0:57:24 | 0:57:28 | |
You know, who knows? | 0:57:28 | 0:57:30 | |
We've survived suicides and being blown off with a shotgun, you know. | 0:57:30 | 0:57:34 | |
The main thing is that we're still here | 0:57:34 | 0:57:36 | |
and we're still making a living and we're still enjoying what we do. | 0:57:36 | 0:57:40 | |
And, um...you know, and long may it continue. | 0:57:40 | 0:57:43 | |
-PHONE: -'And two packets of chipolatas. Thank you. Bye.' | 0:57:52 | 0:57:55 | |
That's the first order of the day. | 0:57:57 | 0:57:59 | |
Next time, we meet the Toyes, | 0:57:59 | 0:58:02 | |
who've been making regalia since the 1700s. | 0:58:02 | 0:58:05 | |
This is an OBE, which is something | 0:58:05 | 0:58:07 | |
I think we're very well known for doing. | 0:58:07 | 0:58:10 | |
Toyes is a traditional firm in a modern world. | 0:58:10 | 0:58:13 | |
Can its rich history help it flourish? | 0:58:13 | 0:58:16 | |
Absolutely magical. | 0:58:16 | 0:58:19 | |
Discover the secrets of successful, resilient enterprises | 0:58:19 | 0:58:23 | |
and the latest insights from business history. | 0:58:23 | 0:58:25 | |
Go to bbc.co.uk/hiddenhistories | 0:58:25 | 0:58:29 | |
and follow the links to the Open University. | 0:58:29 | 0:58:32 |