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This programme contains strong language | 0:00:02 | 0:00:04 | |
North of the city centre, a little known Manchester suburb called Harpurhey. | 0:00:04 | 0:00:08 | |
They say the area's just full of rough families. | 0:00:08 | 0:00:11 | |
I don't think it's such a bad place. | 0:00:11 | 0:00:13 | |
Ten years ago, a Government report branded it the most deprived neighbourhood in England. | 0:00:13 | 0:00:17 | |
-It's a simple question I asked! -Yeah, and I'm trying to answer it! | 0:00:17 | 0:00:20 | |
Things have got a bit better since then, | 0:00:20 | 0:00:22 | |
but life round here is still no bed of roses. | 0:00:22 | 0:00:25 | |
There's one of them local expressions, | 0:00:25 | 0:00:26 | |
they'll steal the shit out of your arse. | 0:00:26 | 0:00:28 | |
Not cos they want it, just so that you haven't got it. | 0:00:28 | 0:00:31 | |
Half the people have no qualifications... | 0:00:31 | 0:00:34 | |
and antisocial behaviour is rife. | 0:00:34 | 0:00:37 | |
-Are you the neighbour from hell? -Probably, yeah. | 0:00:37 | 0:00:39 | |
People round here might not be the poshest, | 0:00:39 | 0:00:42 | |
but they're not lacking in spirit. | 0:00:42 | 0:00:44 | |
That's why we call ourselves the dysfunctionals. | 0:00:44 | 0:00:47 | |
They're just trying to get on with life, | 0:00:47 | 0:00:49 | |
be themselves... | 0:00:49 | 0:00:50 | |
I ain't driving the van like this. | 0:00:50 | 0:00:52 | |
..and follow their dreams. | 0:00:52 | 0:00:54 | |
I could be like a different person when I'm acting. | 0:00:54 | 0:00:56 | |
'Tis true that a good play needs no epilogue. | 0:00:56 | 0:01:00 | |
For one long summer, the young people of Harpurhey | 0:01:00 | 0:01:03 | |
let us into their secret world... | 0:01:03 | 0:01:05 | |
# I have a penis I shake it in the morning... # | 0:01:05 | 0:01:08 | |
..sharing the good times... | 0:01:08 | 0:01:09 | |
-Megan Fox eat your heart out. -..and the bad. | 0:01:09 | 0:01:12 | |
Hello! Go and find another street to go and terrorise! | 0:01:12 | 0:01:15 | |
This is how it really feels growing up the hard way. | 0:01:15 | 0:01:19 | |
Youse might think you know people like us, | 0:01:19 | 0:01:21 | |
but you don't know nothing yet! | 0:01:21 | 0:01:23 | |
This week - | 0:01:31 | 0:01:34 | |
Amber's taking time out of the launderette to go to Magaluf | 0:01:34 | 0:01:37 | |
for a drink-fuelled holiday with eight of her mates. | 0:01:37 | 0:01:40 | |
People have said, "Where are you going?" I said, | 0:01:40 | 0:01:42 | |
"Magaluf," and you see 'em go... | 0:01:42 | 0:01:44 | |
Yeah, someone in work, | 0:01:44 | 0:01:45 | |
I went, "I'm going to Magaluf with nine girls." He went, "Good luck!" | 0:01:45 | 0:01:49 | |
We meet market trader Jamie who's planning to | 0:01:49 | 0:01:51 | |
marry his girlfriend, Lucy. | 0:01:51 | 0:01:53 | |
I hate dressing up like this. Weddings my arse! | 0:01:53 | 0:01:58 | |
And there's Chris, whose relationship with cider | 0:01:58 | 0:02:01 | |
threatens to break up his romance with girlfriend Nicki. | 0:02:01 | 0:02:04 | |
I could not get out of bed in the morning and not have a drink. | 0:02:04 | 0:02:08 | |
It's never going to happen. | 0:02:08 | 0:02:09 | |
At the heart of the community is Harpurhey Market, | 0:02:19 | 0:02:22 | |
where locals come to get everything from double beds to double D bras. | 0:02:22 | 0:02:26 | |
Yeah! My go. | 0:02:28 | 0:02:31 | |
19-year-old Jamie works here with his mum, Donna. | 0:02:33 | 0:02:36 | |
Have you got about four quid, Ma? | 0:02:36 | 0:02:39 | |
Jamie's got a bit of a reputation on the market. | 0:02:39 | 0:02:43 | |
She loves me. Uh-oh! Her on the market over there. Oh! | 0:02:43 | 0:02:47 | |
Don't think so. | 0:02:47 | 0:02:49 | |
Jamie, he's like a gigolo, that's what we call Jamie. | 0:02:49 | 0:02:54 | |
What makes me happy is a good shag. | 0:02:54 | 0:02:57 | |
Ah, there's nothing better than a good shag! That makes me so happy. | 0:02:57 | 0:03:01 | |
Despite his Casanova tendencies, Jamie's been in an on/off | 0:03:03 | 0:03:06 | |
relationship with Lucy for three years. | 0:03:06 | 0:03:09 | |
When are you gonna put a ring on her finger? That's the main thing. | 0:03:09 | 0:03:12 | |
I hope you're happy. Come here. | 0:03:12 | 0:03:14 | |
Two nights ago, Jamie unexpectedly proposed to Lucy | 0:03:14 | 0:03:17 | |
and he's asked mate JP to be his best man. | 0:03:17 | 0:03:20 | |
So, go on then, what makes you want to do this? | 0:03:20 | 0:03:22 | |
Well, love at first sight. | 0:03:22 | 0:03:23 | |
Maybe not for you, but it was for me. | 0:03:23 | 0:03:25 | |
I just come in pissed as a fart, walked through the door, | 0:03:25 | 0:03:28 | |
I thought, "Boobs. Boobs." | 0:03:28 | 0:03:30 | |
Boobs first like, nothing more. | 0:03:30 | 0:03:33 | |
Aye, yeah. I'm definitely a romantic, yeah. | 0:03:33 | 0:03:35 | |
If I'm with someone I love and that I really like | 0:03:35 | 0:03:38 | |
and I really want to make an effort with, I am a romantic, yeah. | 0:03:38 | 0:03:41 | |
Don't get me wrong, he don't buy | 0:03:41 | 0:03:43 | |
blooming flowers or chocolates, but he does make you feel special. | 0:03:43 | 0:03:49 | |
-Ah. -Hello, Mam. | 0:03:49 | 0:03:51 | |
-That's your mam, innit? -Yeah, that's me mam. | 0:03:51 | 0:03:54 | |
How do you feel about Lucy taking on... | 0:03:54 | 0:03:57 | |
I'm not going... cos I don't like her family. | 0:03:57 | 0:04:01 | |
But it's not about the family, it's about your son and her being happy. | 0:04:01 | 0:04:06 | |
I can't see it. | 0:04:06 | 0:04:08 | |
I don't dislike you. I think she's got a good heart, | 0:04:08 | 0:04:11 | |
I think she's a bit... | 0:04:11 | 0:04:13 | |
-Weird. -Bit... -Weird. -How would you put Lucy? | 0:04:13 | 0:04:16 | |
-Funny. -A bit stupid some days. | 0:04:16 | 0:04:19 | |
At the moment, they're all lovey-dovey, right? | 0:04:19 | 0:04:22 | |
I do love Jamie. | 0:04:22 | 0:04:24 | |
I know you love Jamie, but Jamie does not love you enough. | 0:04:24 | 0:04:27 | |
I know a leopard never changes its spots and he won't. | 0:04:28 | 0:04:31 | |
-Aye, I will. -Bullshit. -Aye, I will. | 0:04:31 | 0:04:33 | |
He has gotta be 100% he won't bed another girl | 0:04:33 | 0:04:36 | |
because I'll tell you now, he will. | 0:04:36 | 0:04:39 | |
-I won't! We will surprise everyone. -Good luck. | 0:04:39 | 0:04:42 | |
But I'll tell you now, I'll bet me arse on it, | 0:04:42 | 0:04:44 | |
you ain't gonna be with him in six months of your marriage. | 0:04:44 | 0:04:47 | |
People have always said to me, "You won't do this, you won't do that," but I've proved them | 0:04:47 | 0:04:50 | |
all wrong every time they've always said it to me. | 0:04:50 | 0:04:53 | |
I've proved them wrong every time. | 0:04:53 | 0:04:56 | |
I know you love him, Lucy, but I'm not too sure he loves you that much. | 0:04:56 | 0:04:59 | |
Course I do, I wouldn't have said it otherwise. | 0:04:59 | 0:05:02 | |
North of Harpurhey Market, Moston Lane is home to | 0:05:08 | 0:05:11 | |
the Wishy Washy launderette. | 0:05:11 | 0:05:13 | |
All this is old-school, everything. | 0:05:15 | 0:05:18 | |
This ain't worked about... three years. | 0:05:20 | 0:05:23 | |
That looks a bit dangerous in there. | 0:05:23 | 0:05:25 | |
I can see the flames coming through. | 0:05:25 | 0:05:28 | |
It's owned by the Wakefield family. | 0:05:28 | 0:05:30 | |
I did this. | 0:05:30 | 0:05:32 | |
18-year-old Amber, her sister, Maddy, stepdad, Paul, and mum, Karen. | 0:05:32 | 0:05:38 | |
It is fair to say that it could do with a lick of paint. | 0:05:38 | 0:05:41 | |
Five dryers are broke, three washing machines are broke. | 0:05:41 | 0:05:45 | |
The back office is just full of graffiti and me mum won't | 0:05:45 | 0:05:50 | |
decorate it because the way people treat it when they come in there. | 0:05:50 | 0:05:54 | |
Customers, they love us and they hate us. | 0:05:54 | 0:05:56 | |
We've had a guy who was leaving and "Ah, see ya! See ya, buddy!" | 0:05:56 | 0:06:00 | |
And all that, "See ya later." | 0:06:00 | 0:06:02 | |
Soon as he walked out the door, you heard the guy go, "Nobhead." | 0:06:02 | 0:06:06 | |
I've never known a place with so many village idiots in it, honestly. | 0:06:06 | 0:06:10 | |
Mad. | 0:06:10 | 0:06:12 | |
Ow! | 0:06:12 | 0:06:13 | |
Amber's just finished college | 0:06:13 | 0:06:15 | |
and is now facing the prospect of summer stuck in the launderette. | 0:06:15 | 0:06:19 | |
'I find it really boring.' | 0:06:19 | 0:06:21 | |
Please be a bit gentler. | 0:06:21 | 0:06:24 | |
Hopefully we win the lottery, get a bit of money and move abroad. | 0:06:24 | 0:06:28 | |
We don't care about the launderette then. | 0:06:28 | 0:06:30 | |
A mile down the road is a local newsagent. | 0:06:37 | 0:06:40 | |
Er, £3.38. Ta. | 0:06:40 | 0:06:42 | |
It's run by 26-year-old David with his boyfriend, David. | 0:06:42 | 0:06:48 | |
David, can we just check if we've got any lids in the cellar? | 0:06:48 | 0:06:51 | |
We bought the shop in September 2008. | 0:06:51 | 0:06:55 | |
We both sold our cars, got rid of the house | 0:06:55 | 0:06:58 | |
and it were just like a total redevelopment of our lives. | 0:06:58 | 0:07:02 | |
You get the odd...the odd homophobic abuse, no, comment, | 0:07:02 | 0:07:06 | |
but that's about it. | 0:07:06 | 0:07:07 | |
In the beginning, we got arm-robbed four times in one year | 0:07:07 | 0:07:11 | |
and I think people were just testing, cos we'd only just | 0:07:11 | 0:07:14 | |
moved in, and obviously you've just gotta fight back, ain't you? | 0:07:14 | 0:07:16 | |
Me best friend. | 0:07:16 | 0:07:19 | |
HE LAUGHS | 0:07:19 | 0:07:20 | |
Schoom! | 0:07:20 | 0:07:22 | |
By day, David services the estate with his convenience food. | 0:07:23 | 0:07:28 | |
But by night, a transformation takes place. | 0:07:28 | 0:07:31 | |
Right. Time to get the belly warmers on. | 0:07:34 | 0:07:36 | |
-David. -Yeah? | 0:07:41 | 0:07:43 | |
Pass us me head. | 0:07:43 | 0:07:44 | |
Meet Diana Dior, David's drag queen alter ego. | 0:07:51 | 0:07:54 | |
Diana's a regular on the gay scene in central Manchester, | 0:07:56 | 0:08:00 | |
but David's never dared to introduce her to local people. | 0:08:00 | 0:08:03 | |
I love my area. | 0:08:03 | 0:08:05 | |
My area's fantastic, but if Diana was to walk through | 0:08:05 | 0:08:09 | |
Harpurhey in full drag... | 0:08:09 | 0:08:12 | |
I think she'd get shot, or bricked, or bottled. | 0:08:12 | 0:08:16 | |
But David's decided it's time for Diana to stop | 0:08:18 | 0:08:20 | |
hiding above the newsagent. | 0:08:20 | 0:08:23 | |
In two weeks, she'll be appearing in a drag show in a neighbourhood pub. | 0:08:23 | 0:08:27 | |
Obviously it needs a massive revamp for a camp drag show. | 0:08:30 | 0:08:36 | |
They've never had a drag show as such, | 0:08:36 | 0:08:40 | |
so I'm a bit like nervous about what the audience are going to do. | 0:08:40 | 0:08:44 | |
I want to show them what actually goes on in the gay life. | 0:08:44 | 0:08:47 | |
I didn't choose to be gay, I was born it. | 0:08:47 | 0:08:51 | |
This is who I am, accept me or don't. | 0:08:51 | 0:08:55 | |
Harpurhey Market is open for business four days a week. | 0:09:01 | 0:09:05 | |
A man's work's never done. | 0:09:06 | 0:09:08 | |
That glittery red one. | 0:09:10 | 0:09:12 | |
Today, 18-year-old Amber's here with her best friend Codie. | 0:09:12 | 0:09:15 | |
-Are they 50p? -Yeah. | 0:09:15 | 0:09:16 | |
That's good. Let's get these bad boys. | 0:09:16 | 0:09:19 | |
To escape the boredom of the launderette, she's booked | 0:09:19 | 0:09:22 | |
a package holiday to Magaluf with Codie and seven other friends. | 0:09:22 | 0:09:26 | |
I look like something off Star Trek. | 0:09:26 | 0:09:29 | |
Holiday is like, literally, six days away. | 0:09:29 | 0:09:32 | |
This six days is gonna go so slow | 0:09:32 | 0:09:34 | |
and I'm gonna be sat in my room like, "I need to go on holiday!" | 0:09:34 | 0:09:38 | |
People have said, "Where are you going?" I've said, "Magaluf," | 0:09:38 | 0:09:41 | |
-and you seem 'em go... -Yeah, someone in work... | 0:09:41 | 0:09:43 | |
someone in work, I went, "I'm going to Magaluf with nine girls," | 0:09:43 | 0:09:46 | |
and he went, "Good luck!" | 0:09:46 | 0:09:48 | |
Every summer, | 0:09:49 | 0:09:50 | |
hundreds of young people from the area head off for a week in the sun. | 0:09:50 | 0:09:54 | |
Hurry up, Maddy. | 0:09:54 | 0:09:55 | |
'This area, it's a dump. It's scruffy, it's depressing. | 0:09:55 | 0:09:59 | |
'You look around and think, "God, get me out of here."' | 0:09:59 | 0:10:02 | |
I do like Harpurhey cos I've lived there all my life, | 0:10:02 | 0:10:04 | |
but I think it's good to have a break. | 0:10:04 | 0:10:06 | |
It don't matter where you live, you could live | 0:10:06 | 0:10:08 | |
in the most perfect area ever, but you just need | 0:10:08 | 0:10:11 | |
somewhere different cos if you're around somewhere too long, | 0:10:11 | 0:10:15 | |
you just...you seem to just get used to it and get a bit miserable. | 0:10:15 | 0:10:18 | |
Let me taste this one. Whose is this? | 0:10:21 | 0:10:23 | |
That one's mine. Get off, you cheeky! | 0:10:23 | 0:10:25 | |
First, the girls are going out for a night on the town, | 0:10:25 | 0:10:27 | |
to get some drinking practice for Magaluf. | 0:10:27 | 0:10:29 | |
MUSIC: "Pound The Alarm" by Nicki Minaj | 0:10:29 | 0:10:32 | |
Ugh, not trusting that. | 0:10:35 | 0:10:37 | |
Their Spanish adventure will be their first holiday | 0:10:37 | 0:10:40 | |
without their parents. | 0:10:40 | 0:10:42 | |
-Are you going to meet a boyfriend tonight? -Not before Magaluf. | 0:10:42 | 0:10:45 | |
No, don't need one before Magaluf. | 0:10:45 | 0:10:47 | |
No, we don't need one before Magaluf. | 0:10:47 | 0:10:49 | |
You gotta stay single for Magaluf, haven't ya? | 0:10:49 | 0:10:52 | |
You've got to, ain't ya, really? | 0:10:52 | 0:10:54 | |
One, two, three, go! | 0:10:54 | 0:10:55 | |
Bye! | 0:10:55 | 0:10:57 | |
I'm so scared about Magaluf. It's just making me... | 0:11:12 | 0:11:16 | |
It's aged me, ageing me each day, thinking about her going. | 0:11:16 | 0:11:19 | |
Oh, I can't handle it! In fact, I wish I could cancel it | 0:11:19 | 0:11:22 | |
and say, "I've not paid for your holiday now. You're not going." | 0:11:22 | 0:11:25 | |
Honestly, it's that bad. | 0:11:25 | 0:11:26 | |
You might think, "A bit mad that. Everybody goes on holiday," | 0:11:26 | 0:11:29 | |
but no. | 0:11:29 | 0:11:30 | |
Amber's nothing like I was like. I was wild. I was really wild! | 0:11:30 | 0:11:35 | |
Yeah, she's grown up into a good kid, Amber. | 0:11:35 | 0:11:38 | |
I just need to get a little bit of water. | 0:11:38 | 0:11:41 | |
Despite his mum's concerns, Jamie and Lucy have | 0:11:53 | 0:11:56 | |
decided on a short engagement and want to get married in four weeks. | 0:11:56 | 0:12:00 | |
Long as I can turn up in my mankini. | 0:12:00 | 0:12:02 | |
You're not turning up in a mankini, Jamie, I'm telling you. | 0:12:02 | 0:12:05 | |
-I am. -You're not! | 0:12:05 | 0:12:06 | |
-And a dickie bow and a hat. -You're not! | 0:12:06 | 0:12:09 | |
All right, we'll see. | 0:12:09 | 0:12:10 | |
Do you want it during the week or on a weekend? | 0:12:10 | 0:12:13 | |
Whatever day they've got. It don't work like that, does it? | 0:12:13 | 0:12:17 | |
No, we tell them, we can tell them the day and see if they're booked. | 0:12:17 | 0:12:22 | |
Why don't we do it the week after your birthday? | 0:12:22 | 0:12:25 | |
Don't know. I'll be busy meself, won't I? | 0:12:25 | 0:12:27 | |
I want my relationship to be like my mum and dad's relationship. | 0:12:27 | 0:12:31 | |
They've been together since 16, 17. They've been married 50 years. | 0:12:31 | 0:12:37 | |
Can't be bothered really with a fucking honeymoon, as they call it. | 0:12:37 | 0:12:42 | |
A cheap hotel in town, that'll do me. | 0:12:42 | 0:12:45 | |
15 quid, Bob's your uncle, Fanny's your aunt. There you go. | 0:12:45 | 0:12:49 | |
I love Jamie so much | 0:12:49 | 0:12:50 | |
because my choices have been wrong in the past. | 0:12:50 | 0:12:53 | |
One relationship that I had was abusive. | 0:12:53 | 0:12:57 | |
'He battered me. It was very hard.' | 0:12:57 | 0:13:01 | |
'It took me a very long time to trust another lad.' | 0:13:02 | 0:13:05 | |
When I met Jamie, it just felt right, that I could trust him, | 0:13:08 | 0:13:11 | |
you know, he'd be there for me no matter what. | 0:13:11 | 0:13:15 | |
He'd keep me safe. He'd look after me. | 0:13:15 | 0:13:19 | |
Are you happy with everything, the way it's going? | 0:13:19 | 0:13:22 | |
I'm very happy. If I weren't happy I wouldn't do it. | 0:13:22 | 0:13:24 | |
-So are you changing that one? -Yeah, show me that one. | 0:13:36 | 0:13:39 | |
-Yeah? -Yeah. -To go with that. | 0:13:39 | 0:13:41 | |
Stooshe, Gaga... | 0:13:41 | 0:13:43 | |
To go with that. | 0:13:43 | 0:13:44 | |
Dolly, right. Oh, Liza Minnelli wig. | 0:13:44 | 0:13:47 | |
Is that... Is that... What size? | 0:13:49 | 0:13:51 | |
David's drag show is only a week away, | 0:13:51 | 0:13:54 | |
so he's come to Rochdale, shopping for outfits with his mum, Sue. | 0:13:54 | 0:13:57 | |
Have you got any more of them in large? | 0:13:57 | 0:13:59 | |
When you see him, you wouldn't think he was a lad, honestly. | 0:13:59 | 0:14:05 | |
You know like you can see some men that are dressed up | 0:14:05 | 0:14:08 | |
and you know straightaway that's a guy, right, | 0:14:08 | 0:14:10 | |
you know what I mean? But him, I bet he's had propositions. | 0:14:10 | 0:14:15 | |
Susan? | 0:14:15 | 0:14:16 | |
Yeah? | 0:14:16 | 0:14:17 | |
Do you have any black dye? | 0:14:17 | 0:14:19 | |
-Black dye?! -SHE LAUGHS | 0:14:19 | 0:14:22 | |
Just get a black pair of stockings. | 0:14:22 | 0:14:25 | |
Oh, yeah. Proud? Love him to bits. | 0:14:25 | 0:14:28 | |
Our David is our David. He's a unique person, him, I think. | 0:14:28 | 0:14:33 | |
Don't know where he gets it from, cos, like... | 0:14:33 | 0:14:36 | |
I mean, I'm not shy or owt like that, but he's...he's fab, him. | 0:14:36 | 0:14:40 | |
He's game for anything, our Dave. | 0:14:40 | 0:14:42 | |
And my arms are gonna be here, so we'll have to fix these with some... | 0:14:42 | 0:14:47 | |
And false hands. | 0:14:47 | 0:14:49 | |
False hands and then obviously fake tits come out, | 0:14:49 | 0:14:53 | |
with water guns inside, then you spray... | 0:14:53 | 0:14:55 | |
And you squirt everybody in the audience. | 0:14:55 | 0:14:58 | |
..the pub. | 0:14:58 | 0:14:59 | |
When I came out, my mum picked me up from work | 0:14:59 | 0:15:02 | |
and I got very, very upset in the car. | 0:15:02 | 0:15:04 | |
She started asking me, "What are you crying for?" | 0:15:04 | 0:15:06 | |
and I just said, "I'm going out with one of me friend's best friends," | 0:15:06 | 0:15:10 | |
and she went, "Oh, what's she called?" | 0:15:10 | 0:15:13 | |
So I said, "Richard," and it were like... She just looked and... | 0:15:13 | 0:15:19 | |
it were dead funny, but they... they've accepted all the way | 0:15:19 | 0:15:23 | |
and stood by me and guided me and just...like, 100% top parents. | 0:15:23 | 0:15:30 | |
I suppose some people disown their children and.... | 0:15:30 | 0:15:33 | |
-Well, they do, don't they? -Do you know what I mean, it's... | 0:15:33 | 0:15:36 | |
-We've seen one or two what's... -Oh, yeah. Oh, yeah. | 0:15:36 | 0:15:39 | |
..closed the door on their family. | 0:15:39 | 0:15:41 | |
-You can't do that. I mean, at the end of the day they're your kid. -He's my son. | 0:15:41 | 0:15:44 | |
They're our kid, our daughter and son and they're other people's daughters and sons. | 0:15:44 | 0:15:49 | |
-I'd give him me life. -So how they can turn round and say, you know, | 0:15:49 | 0:15:53 | |
"I don't want to know you any more," I can't understand that. | 0:15:53 | 0:15:57 | |
Amber? Are you awake? | 0:16:01 | 0:16:04 | |
Codie? | 0:16:05 | 0:16:06 | |
It's the morning after the night before and, as usual, | 0:16:07 | 0:16:11 | |
Codie's woken up at Amber's house. | 0:16:11 | 0:16:13 | |
RISE AND SHINE! | 0:16:13 | 0:16:16 | |
GROANING | 0:16:16 | 0:16:17 | |
SHE GIGGLES | 0:16:17 | 0:16:19 | |
I bet it's like seven. | 0:16:19 | 0:16:20 | |
No, it's about half ten. | 0:16:20 | 0:16:23 | |
Oh, what youse doing?! | 0:16:23 | 0:16:25 | |
Did your date go well? | 0:16:26 | 0:16:27 | |
He's actually got a really nice friend and I was telling Amber about him. | 0:16:27 | 0:16:30 | |
-Looks a bit gay, though. -I don't think he does. -Bet he's good-looking then, ain't he? | 0:16:30 | 0:16:35 | |
She always goes for the guys and leaves me with the gay friends. | 0:16:35 | 0:16:38 | |
Right, so what else happened? | 0:16:38 | 0:16:40 | |
That was it, and then he just drove me home. | 0:16:40 | 0:16:43 | |
No, he didn't, he drove you here. | 0:16:43 | 0:16:45 | |
Yeah. | 0:16:45 | 0:16:46 | |
It's like um, a second home, Codie's second home, our house, | 0:16:46 | 0:16:49 | |
or should I say first home. | 0:16:49 | 0:16:51 | |
'She just walks in, picks drinks out the fridge,' | 0:16:51 | 0:16:54 | |
she'll even come and get in bed with me and lie next to me, just watching telly with me. | 0:16:54 | 0:16:58 | |
'I'm gonna start charging rent. Got to do.' | 0:16:58 | 0:17:01 | |
It's another fucking girl in the house, | 0:17:01 | 0:17:03 | |
as well as the three that I've got. Know what I mean?! | 0:17:03 | 0:17:06 | |
'I think it's cos she fitted in with our family so much,' | 0:17:06 | 0:17:08 | |
she's kind of like adopted us. | 0:17:08 | 0:17:11 | |
-Did he kiss you or you kiss him? -He kissed me first. | 0:17:11 | 0:17:13 | |
My relationship with my mum was a bit rocky, like. | 0:17:13 | 0:17:16 | |
'Most of my childhood was going to prison visiting her,' | 0:17:16 | 0:17:19 | |
but I...I looked forward to going to a prison, like...I looked forward to | 0:17:19 | 0:17:24 | |
where they check you with the dogs or you put the hand on the thing, | 0:17:24 | 0:17:27 | |
I looked forward to going through there and getting, like... | 0:17:27 | 0:17:29 | |
and going to the vending machine or going to the little toy area, like. | 0:17:29 | 0:17:33 | |
Yeah, you wasted it. | 0:17:33 | 0:17:34 | |
'My mum's problem was she was on drugs, cocaine and then needles, | 0:17:34 | 0:17:39 | |
'like, in your arm,' | 0:17:39 | 0:17:41 | |
and to feed the habit of the drugs she was stealing. | 0:17:41 | 0:17:44 | |
'My mum wanted me, but she wasn't allowed me at the time,' | 0:17:44 | 0:17:47 | |
so, um, my grandma had to take me in and there was a whole, um, thing about | 0:17:47 | 0:17:52 | |
the carers were gonna come and take me away to go to foster care. | 0:17:52 | 0:17:56 | |
'My grandma and granddad are really important to me,' | 0:17:56 | 0:17:58 | |
like they...they did bring me up. | 0:17:58 | 0:18:00 | |
Devil child, sign of the cross on ya, burn a cross on your head! | 0:18:00 | 0:18:04 | |
Get off! Put that finger near me. | 0:18:04 | 0:18:05 | |
'Amber and Karen's relationship, I was jealous of it, like,' | 0:18:05 | 0:18:08 | |
just a normal typical mum and daughter, who were just like sisters. | 0:18:08 | 0:18:12 | |
But it was a bit upsetting, but it's happy that I could speak to them | 0:18:12 | 0:18:15 | |
and joke around with them and just be part of the family, really. | 0:18:15 | 0:18:19 | |
It don't look really nice, Mads. | 0:18:20 | 0:18:22 | |
Taste it! | 0:18:22 | 0:18:24 | |
'She generally finds us all homely.' | 0:18:24 | 0:18:27 | |
She likes the fact that my mum's... can be like her mum, | 0:18:27 | 0:18:30 | |
like that. My mum's like her mother figure. | 0:18:30 | 0:18:34 | |
Just iron those for me and then you can go. | 0:18:34 | 0:18:37 | |
Then you can go, Karen, just think. | 0:18:37 | 0:18:40 | |
-I ain't ironing all them. -Yes, please! | 0:18:40 | 0:18:43 | |
Get off! I can't iron them, can I, if they're on there? | 0:18:43 | 0:18:46 | |
Er, there is like that closeness probably round our way, where people, you know, step in and help, | 0:18:46 | 0:18:51 | |
you know, they've brought somebody else's kid up for 'em, rather than them go into care. | 0:18:51 | 0:18:56 | |
Like Codie's granddad's took her on. | 0:18:56 | 0:18:57 | |
Family structures have changed. | 0:18:57 | 0:18:59 | |
It's not like when I was a kid, it was your mum, your dad, | 0:18:59 | 0:19:02 | |
your brothers, sisters, and you all ate tea at a certain time an' all. | 0:19:02 | 0:19:06 | |
No, that's totally gone. | 0:19:06 | 0:19:07 | |
Don't pull. | 0:19:12 | 0:19:14 | |
It's only been two weeks since Jamie proposed to Lucy, | 0:19:15 | 0:19:18 | |
but this morning she's moved out of the flat they share together. | 0:19:18 | 0:19:22 | |
You know why Mummy's upset, don't you, baby, about Daddy. | 0:19:22 | 0:19:26 | |
Where's Jamie? | 0:19:26 | 0:19:27 | |
Where's Jamie? Jamie's a ... idiot, ain't he? | 0:19:27 | 0:19:31 | |
Yes, he is. | 0:19:32 | 0:19:34 | |
He goes out, left his phone upstairs and I answered the phone. | 0:19:34 | 0:19:38 | |
She said, "Is Jamie there?" | 0:19:38 | 0:19:40 | |
so I said, "No, he's not here." | 0:19:40 | 0:19:42 | |
She went, "Who's that?" | 0:19:42 | 0:19:43 | |
So I said, "His fiancee, why?" | 0:19:43 | 0:19:46 | |
So she said, "Well, he's been seeing me," he's been doing this, | 0:19:46 | 0:19:49 | |
he's been doing that. | 0:19:49 | 0:19:50 | |
So...we've decided to call it a day. | 0:19:50 | 0:19:54 | |
I can't... I cry meself to sleep at night. | 0:19:54 | 0:19:58 | |
He was me true love, my heart belonged to him. | 0:19:58 | 0:20:02 | |
I hope we can sort things out, we'll start talking again, | 0:20:02 | 0:20:06 | |
but...I don't know, we'll just have to wait and see. | 0:20:06 | 0:20:09 | |
Down at the market, Romeo Jamie is fighting off other admirers, | 0:20:18 | 0:20:22 | |
like fellow stallholder Sue. | 0:20:22 | 0:20:25 | |
Am I wanted, dearest? | 0:20:25 | 0:20:28 | |
I want you to be my man. | 0:20:28 | 0:20:30 | |
# I'm your man... # | 0:20:31 | 0:20:33 | |
-No. Seriously. -No. Right, I'll have a think about it. | 0:20:33 | 0:20:36 | |
-I don't want anyone else. -I know. I know. -I've got to tell you summat as well. | 0:20:36 | 0:20:41 | |
Me ex come down the other night, but I told him. | 0:20:41 | 0:20:44 | |
That I'm with you. | 0:20:44 | 0:20:45 | |
That's fine, I'll chat with you about it and that, course I will. | 0:20:45 | 0:20:48 | |
-So he's...what you call it, he's gone. -Yeah, yeah. | 0:20:48 | 0:20:51 | |
-For good. -I'll have a chat with you about it. -And I told your mum. | 0:20:51 | 0:20:55 | |
Yeah. That's fine, yeah, respect you for it, course I do, yeah. | 0:20:55 | 0:20:58 | |
-So there you go. -Right, I'll have a chat with you in a bit. Right? | 0:20:58 | 0:21:01 | |
'Jamie is immature at the moment.' | 0:21:03 | 0:21:05 | |
He still thinks sometimes he's a child and he can play games and... | 0:21:05 | 0:21:10 | |
play with people's feelings, and it's not acceptable. | 0:21:10 | 0:21:13 | |
-I'm gonna ask you a very serious question. -Okey-dokey, then. | 0:21:15 | 0:21:17 | |
And you've got to be truly honest. | 0:21:17 | 0:21:20 | |
-In the two-and-a-half years you've known Lucy... -Yeah? -..have you any feelings for her? | 0:21:20 | 0:21:24 | |
No. Not any more. | 0:21:24 | 0:21:26 | |
Why was you gonna marry her? | 0:21:26 | 0:21:28 | |
Don't know, a moment of madness, weren't it? | 0:21:28 | 0:21:31 | |
Pressurised into it, moaning at me. "Are we gonna get married?!" | 0:21:31 | 0:21:34 | |
Do we fucking have to?! | 0:21:34 | 0:21:36 | |
Yeah, but, if you're not with her, why agree to it? | 0:21:36 | 0:21:38 | |
Just to shut her up, and plus she was getting paid that week. | 0:21:38 | 0:21:41 | |
-You're cruel to her. She's not... -It's not my fault, though, is it? | 0:21:41 | 0:21:45 | |
It is when you keep bringing her down. Tell her not to come down. | 0:21:45 | 0:21:48 | |
-I told her! -Tell her there's nothing between youse! | 0:21:48 | 0:21:51 | |
Once I told her I was fucking gay, just to get rid of her. | 0:21:51 | 0:21:54 | |
Yeah, but she knows you're messing about. | 0:21:54 | 0:21:56 | |
You need to tell Lucy straight, "There is nothing between us, Lucy." | 0:21:56 | 0:21:59 | |
There's nothing between us, Lucy. | 0:21:59 | 0:22:01 | |
-You... -SHE SIGHS | 0:22:01 | 0:22:04 | |
Fucking listen to me, seriously. | 0:22:04 | 0:22:06 | |
-Give me something to fucking throw at ya. -Listen to me. You're starting to... | 0:22:06 | 0:22:10 | |
-Seriously, you're starting... -You're starting to annoy me. -You're starting to annoy me. Hmm. | 0:22:10 | 0:22:14 | |
-You think I'm joking? -You think I'm joking? -Move. -Move. | 0:22:14 | 0:22:17 | |
-Listen to me. -Listen to me. -You're a wanker. -You're a wanker. | 0:22:17 | 0:22:20 | |
Stop it now, come on! | 0:22:20 | 0:22:22 | |
Argh! | 0:22:22 | 0:22:25 | |
Do I think I'm a bit cruel to Lucy at times? Yeah, I do. | 0:22:25 | 0:22:27 | |
I do, and I feel bad, but I'm probably one of the most immaturest 20-year-olds you could ever meet. | 0:22:27 | 0:22:32 | |
Some people do get married, you know, good luck to 'em, | 0:22:32 | 0:22:36 | |
but I'm not ready, I'm not ready. | 0:22:36 | 0:22:38 | |
To the west of the market is the Embassy Club. | 0:22:41 | 0:22:44 | |
Part of Harpurhey life since the '50s. | 0:22:46 | 0:22:49 | |
MAN COUGHS | 0:22:49 | 0:22:51 | |
That's cheating, you. | 0:22:51 | 0:22:53 | |
No, it's not. | 0:22:53 | 0:22:55 | |
That's called the law of the game. | 0:22:55 | 0:22:57 | |
25-year-old Chris | 0:23:01 | 0:23:03 | |
and 52-year-old Nicki have been together for three years. | 0:23:03 | 0:23:06 | |
Yes! | 0:23:06 | 0:23:07 | |
Go on, give me a kiss, then. | 0:23:07 | 0:23:09 | |
They live together in Nicki's house near Harpurhey. | 0:23:15 | 0:23:18 | |
Got his White Ace. | 0:23:23 | 0:23:25 | |
Damn right, God! | 0:23:25 | 0:23:26 | |
If we didn't have that, we don't have nothing. It keeps me fucking... | 0:23:26 | 0:23:30 | |
-HE WHISTLES -..sane. -No, you can't survive without that. -No, I can't. | 0:23:30 | 0:23:34 | |
Look at that for skill. Wow! | 0:23:34 | 0:23:36 | |
Drip. | 0:23:44 | 0:23:46 | |
That was disgusting, man, you shouldn't do things like that. | 0:23:49 | 0:23:52 | |
That's not, um...normal. | 0:23:52 | 0:23:54 | |
I don't know how you can do it, cos it must be rotting your insides. | 0:23:54 | 0:23:57 | |
-Ah, it's a shame, innit, really. -Killing yourself. -I know, awful. | 0:23:57 | 0:24:00 | |
-Do I look bothered? -No. -At least I'll die happy. | 0:24:00 | 0:24:04 | |
Well, let me rephrase that, I'll die looking reem, | 0:24:05 | 0:24:09 | |
cos I'll just go for me fake bake, I'll have me eyebrows done | 0:24:09 | 0:24:13 | |
and I'll be pissed in me coffin, so I'm laughing. | 0:24:13 | 0:24:15 | |
I feel sorry for him, cos of his illness. | 0:24:17 | 0:24:19 | |
He's killing his self and it's a shame. He's got his life in front of him. | 0:24:19 | 0:24:24 | |
'He's an alcoholic. He's got something wrong with his pancreatitis and his liver | 0:24:24 | 0:24:29 | |
'and yet they all say, "Oh, yeah, we'll make appointments | 0:24:29 | 0:24:33 | |
'"for you to see this person, that person," and they never do.' | 0:24:33 | 0:24:36 | |
I feel like I'm the only person he's got. | 0:24:36 | 0:24:40 | |
'We do argue and have bust-ups. | 0:24:40 | 0:24:42 | |
'It is hard work living with an alcoholic.' | 0:24:44 | 0:24:47 | |
Oh, don't start again. | 0:24:54 | 0:24:56 | |
Right, we... | 0:24:56 | 0:24:57 | |
Chris starts drinking as soon as he wakes up. | 0:24:57 | 0:25:00 | |
I might be an alcoholic and everything like that, but, um... | 0:25:00 | 0:25:05 | |
I know what I want and I know about life and I know about normality. | 0:25:05 | 0:25:10 | |
When I drink that, it makes me feel normal, and when I say nor... | 0:25:10 | 0:25:15 | |
Well, there's no such word as normal, | 0:25:15 | 0:25:17 | |
but it makes me feel...normal. | 0:25:17 | 0:25:20 | |
All I want is a normal life, to be happy, um...to be happy, | 0:25:20 | 0:25:25 | |
to have a job, and, er, I've never asked for anything else, nothing, | 0:25:25 | 0:25:29 | |
and never have done, apart from looking... | 0:25:29 | 0:25:33 | |
..somewhat reem. But not reem. Yeah, that's what I want. | 0:25:34 | 0:25:38 | |
I do. | 0:25:40 | 0:25:41 | |
Amber and Codie are packing for their holiday to Magaluf. | 0:25:54 | 0:25:57 | |
But I've got too many clothes at times. | 0:25:57 | 0:26:00 | |
This is definitely a more bigger deal to Codie than me. | 0:26:01 | 0:26:05 | |
She's never been abroad at all, like, she even said she doesn't even | 0:26:05 | 0:26:08 | |
know if she...if she tans, cos she just doesn't know, she's never been. | 0:26:08 | 0:26:12 | |
She's excited to go on the plane. | 0:26:12 | 0:26:14 | |
She's probably down there now, absolutely buzzing. | 0:26:14 | 0:26:18 | |
I'm taking all these shorts, that little... | 0:26:18 | 0:26:21 | |
like, boob tubes and stuff, cos you need them on the beach and stuff. | 0:26:21 | 0:26:25 | |
Those are just from...from Primark. | 0:26:25 | 0:26:27 | |
And this is my beach towel. | 0:26:27 | 0:26:29 | |
There's a lot in here, so... | 0:26:29 | 0:26:31 | |
These are all new, cos I've never been on holiday before. | 0:26:31 | 0:26:34 | |
This was all new to me, buying bikinis, | 0:26:34 | 0:26:37 | |
so, like, just a plain white one, like, creamy white. | 0:26:37 | 0:26:41 | |
I've never been on a plane. Like, Amber said that your ears pop | 0:26:41 | 0:26:44 | |
and you need to, like, suck on a sweet, | 0:26:44 | 0:26:46 | |
but...I'm scared about that cos she said once that, um, | 0:26:46 | 0:26:49 | |
her hearing went and she was completely deaf, and she thought | 0:26:49 | 0:26:53 | |
she'd never be able to hear again, so that's scared me a little bit. | 0:26:53 | 0:26:56 | |
-All those bikinis, any need for them? -No, no need. | 0:26:57 | 0:27:00 | |
There's loads in there, as well. | 0:27:00 | 0:27:02 | |
There's no need. You're only going ten days. | 0:27:02 | 0:27:05 | |
Look at that. How pathetic! | 0:27:05 | 0:27:08 | |
'It's unbelievable. Clothes all over the place.' | 0:27:08 | 0:27:10 | |
It looked like a fucking jumble sale, at the end of the day. | 0:27:10 | 0:27:13 | |
Six, seven, eight, nine... | 0:27:13 | 0:27:15 | |
'They go away for a couple of days,' | 0:27:15 | 0:27:17 | |
they've got a suitcase each, | 0:27:17 | 0:27:18 | |
'and I'm not talking about a suitcase where you can zip it up,' | 0:27:18 | 0:27:21 | |
you had to sit on the fucker to close it. | 0:27:21 | 0:27:24 | |
'That's the problem with having a fucking house full of women.' | 0:27:24 | 0:27:26 | |
If you wander off on your own, be prepared to be raped or murdered, | 0:27:26 | 0:27:31 | |
because that is what they're like. | 0:27:31 | 0:27:33 | |
They watch for the British. | 0:27:33 | 0:27:35 | |
They know where the British are, and they watch for ya, | 0:27:35 | 0:27:37 | |
so don't be thingy, giving them any hassle or | 0:27:37 | 0:27:40 | |
if they say anything, totally blank the Spanish out, blank 'em. | 0:27:40 | 0:27:43 | |
-I do, anyway. -Yeah. -I just go... -Totally blank 'em. | 0:27:43 | 0:27:46 | |
I don't know, I can't warn 'em about anything, really, | 0:27:46 | 0:27:49 | |
cos they just don't listen. | 0:27:49 | 0:27:50 | |
They're big women of the world, aren't they? They.... | 0:27:50 | 0:27:53 | |
-We do listen. -You don't. They don't listen. | 0:27:53 | 0:27:55 | |
You've got my random little sausages everywhere. | 0:27:55 | 0:27:57 | |
Oh, Codie's going on about sausages, nothing about we do listen, | 0:27:57 | 0:28:00 | |
so obviously they don't listen. | 0:28:00 | 0:28:02 | |
'I made the girls watch Taken, where these friends go abroad' | 0:28:02 | 0:28:05 | |
to France and some guys get 'em and they end up in | 0:28:05 | 0:28:08 | |
like a prostitute ring and, oh, was a really horrible film. | 0:28:08 | 0:28:13 | |
So I thought that might make 'em a bit aware, do you know? | 0:28:13 | 0:28:17 | |
Bon voyage, Eng-er-land! | 0:28:17 | 0:28:19 | |
# And party all night | 0:28:19 | 0:28:21 | |
# This is how we like | 0:28:21 | 0:28:23 | |
# To live our lives... # | 0:28:23 | 0:28:24 | |
Where are you travelling to? | 0:28:31 | 0:28:32 | |
Magaluf. | 0:28:32 | 0:28:34 | |
We love ya! | 0:28:34 | 0:28:35 | |
Bye, Dad. | 0:28:35 | 0:28:38 | |
-Be careful, right. -I will do. | 0:28:38 | 0:28:40 | |
And you text me soon as you land, soon as them wheels | 0:28:42 | 0:28:44 | |
hit the floor, you text me to say you're safe there. | 0:28:44 | 0:28:47 | |
Love ya! | 0:28:48 | 0:28:51 | |
They've gone. That's it. | 0:28:51 | 0:28:52 | |
-Au revoir. -Oh, no! | 0:28:52 | 0:28:55 | |
This is where the worry starts now, ten days of total worry. | 0:28:55 | 0:28:58 | |
-Hiya, -you OK? Yeah. | 0:29:08 | 0:29:09 | |
You ever been to a live drag show? | 0:29:09 | 0:29:11 | |
Today, David's drumming up local support for his big drag night. | 0:29:11 | 0:29:16 | |
-What's your dog called? -Called Gizmo. | 0:29:16 | 0:29:18 | |
Looks a bit like me on there. | 0:29:18 | 0:29:20 | |
THEY LAUGH | 0:29:20 | 0:29:22 | |
This is me and that's me name and this is what's going to be going on. | 0:29:22 | 0:29:25 | |
-Oh, is that you? -That's me. | 0:29:25 | 0:29:26 | |
Who does your make-up and that? | 0:29:26 | 0:29:28 | |
-Meself. -Do ya? -Yeah. | 0:29:28 | 0:29:30 | |
Wow. | 0:29:30 | 0:29:31 | |
Manchester city centre has a thriving gay scene | 0:29:31 | 0:29:35 | |
and attitudes in Harpurhey are also changing. | 0:29:35 | 0:29:38 | |
Yeah, I know quite a few gay people now. | 0:29:38 | 0:29:40 | |
If you'd asked me, when I was younger, | 0:29:40 | 0:29:42 | |
it would have been no, but now it's just the norm, isn't it? | 0:29:42 | 0:29:45 | |
Have you ever been to a live drag show? | 0:29:45 | 0:29:47 | |
I used to be very one-sided about it, you know? | 0:29:47 | 0:29:50 | |
'"Oh, poof," you know what I mean? | 0:29:50 | 0:29:52 | |
'Then you kind of get older and you become more,' | 0:29:52 | 0:29:56 | |
"If they want to dress up in a frock, cock in frock, it's fine," | 0:29:56 | 0:29:59 | |
know what I mean? Cock in a frock, what's wrong with that? | 0:29:59 | 0:30:01 | |
Men walking round in skirts, stockings, high heels. | 0:30:01 | 0:30:05 | |
'Nah, it's not my cup of tea,' | 0:30:05 | 0:30:07 | |
shall we say. | 0:30:07 | 0:30:09 | |
And it's on this Friday. | 0:30:09 | 0:30:11 | |
'You do get homophobic attacks and stuff like that, but we're in | 0:30:11 | 0:30:15 | |
'2012, there's a gay or a lesbian in every single family on the planet.' | 0:30:15 | 0:30:19 | |
-Is that you? -That's me. | 0:30:19 | 0:30:21 | |
-Yeah, there's going to be... -Bloody hell, I'm not gay, but I think I'd even... | 0:30:21 | 0:30:25 | |
What makes you think that I am? | 0:30:25 | 0:30:27 | |
-I think I'd even take a chance with that. -All right. | 0:30:27 | 0:30:31 | |
Now David's leafleted the estate, it's time for Diana to do her bit... | 0:30:32 | 0:30:38 | |
David, are you putting your dark one on? | 0:30:39 | 0:30:42 | |
..with the help of best friend Sean, otherwise known as Shanice. | 0:30:42 | 0:30:46 | |
I used to always go out with Sean... | 0:30:46 | 0:30:48 | |
And I said to you, didn't I... | 0:30:48 | 0:30:50 | |
He went, "Oh, you should do drag," and then I thought, | 0:30:50 | 0:30:53 | |
"Ooh, I've never done this before." | 0:30:53 | 0:30:55 | |
If I had to dress in men's clothes all the time | 0:30:55 | 0:30:58 | |
I'd just be bored, just boring. | 0:30:58 | 0:31:00 | |
There's no glitz and glamour or anything to it, just boring. | 0:31:02 | 0:31:07 | |
Push 'em up. | 0:31:07 | 0:31:09 | |
'We call it tuck and dive and you have to like' | 0:31:11 | 0:31:14 | |
push your things up to where they originally was. | 0:31:14 | 0:31:19 | |
'It don't hurt, it's not painful. And then you pull' | 0:31:19 | 0:31:23 | |
your thing round and - sshh - tape it. | 0:31:23 | 0:31:28 | |
There we go, and you get... | 0:31:28 | 0:31:32 | |
a triangle. | 0:31:32 | 0:31:34 | |
Get the furs on. | 0:31:36 | 0:31:39 | |
All fur, no knickers. | 0:31:39 | 0:31:41 | |
-All right, darling? -All right? | 0:31:55 | 0:31:57 | |
We're in here, dishing out the leaflets for Friday. | 0:32:04 | 0:32:06 | |
-For playing Harpurhey, how many numbers are you doing? How long are you doing? -Four. | 0:32:06 | 0:32:10 | |
We're trying to take Canal Street up there, do you know, like? | 0:32:10 | 0:32:13 | |
So, we'll see you there on Friday, Vicky, all right? | 0:32:13 | 0:32:16 | |
'When Diana's out or when she's on stage, it's me,' | 0:32:16 | 0:32:19 | |
but it's a different persona. | 0:32:19 | 0:32:21 | |
'It's like I'll do things or say things or act things, | 0:32:21 | 0:32:26 | |
'sing things that David would never do.' | 0:32:26 | 0:32:29 | |
We will see you on Friday, yes? | 0:32:29 | 0:32:31 | |
-Yes. -OK? -Mwah! | 0:32:31 | 0:32:33 | |
You've built... it's like Frankenstein. | 0:32:33 | 0:32:37 | |
Right, come on. | 0:32:37 | 0:32:39 | |
I know I don't have a job and I don't have much money, | 0:32:48 | 0:32:51 | |
but you've got to iron your clothes, haven't you? | 0:32:51 | 0:32:53 | |
I'd even iron it before I went to shop and that's just a shop. | 0:32:55 | 0:33:00 | |
Not only does Nicki take care of Chris... | 0:33:00 | 0:33:03 | |
-Here you are, Pippet. -..she also looks after six dogs... | 0:33:03 | 0:33:05 | |
He's getting on, him, now, ain't ya, Pip? | 0:33:05 | 0:33:09 | |
He's only got one ball. | 0:33:09 | 0:33:10 | |
..five cats... | 0:33:10 | 0:33:11 | |
-Hello. -..and any number of reptiles. | 0:33:11 | 0:33:15 | |
To calm him down you can put 'em upside down... Stop! | 0:33:15 | 0:33:18 | |
..like that, and you stroke their belly like that | 0:33:18 | 0:33:23 | |
and he'll go to sleep. | 0:33:23 | 0:33:25 | |
It shows 'em that you're not going to hurt 'em. | 0:33:26 | 0:33:28 | |
And we just felt sorry for him | 0:33:28 | 0:33:30 | |
because he's got a deformed lip and he lost a bit of his tail. | 0:33:30 | 0:33:33 | |
Well, it's a shame, innit, animals being deformed like that. | 0:33:36 | 0:33:39 | |
People don't want 'em. | 0:33:39 | 0:33:41 | |
As a kid I found a pigeon. | 0:33:42 | 0:33:44 | |
Someone had wrapped fishing rope round it. | 0:33:44 | 0:33:47 | |
It ended up with one leg, but I nursed it. | 0:33:47 | 0:33:50 | |
I was always bringing them home. | 0:33:50 | 0:33:53 | |
Chris and Nicki started a relationship | 0:33:53 | 0:33:56 | |
when he had problems at home and Nicki offered him a place to stay. | 0:33:56 | 0:33:59 | |
Here. | 0:33:59 | 0:34:01 | |
'Pets are like your children. I feed 'em, I clean them out. | 0:34:02 | 0:34:07 | |
I've always wanted kids, but what I've had done, you can't have kids. | 0:34:08 | 0:34:12 | |
Until the age of 21, Nicki was known as Nigel. | 0:34:13 | 0:34:17 | |
These are the sort of things that my mum used to have, Polaroid things. | 0:34:17 | 0:34:20 | |
What's that, there? | 0:34:20 | 0:34:22 | |
She was one of the first people in the UK to undergo | 0:34:22 | 0:34:24 | |
gender reassignment surgery. | 0:34:24 | 0:34:26 | |
I love photos. | 0:34:26 | 0:34:28 | |
I think a photo can tell a lot of stories. | 0:34:28 | 0:34:30 | |
Bernard Manning! | 0:34:30 | 0:34:32 | |
Mum got that signed off him. | 0:34:32 | 0:34:34 | |
-Who's he? I don't know who he is. -Bernard Manning. Comedian. | 0:34:34 | 0:34:36 | |
I don't know. | 0:34:36 | 0:34:38 | |
NICKI LAUGHS | 0:34:38 | 0:34:39 | |
God, look at that, me mam's ration book. | 0:34:39 | 0:34:41 | |
What's in it? See what's in it. | 0:34:41 | 0:34:44 | |
How much you get for your eggs and your cheese. | 0:34:44 | 0:34:46 | |
Look, ID card. It's me mam's. | 0:34:46 | 0:34:48 | |
-Aargh, there I am at school! -Let me look. | 0:34:48 | 0:34:51 | |
First primary school in Didsbury. | 0:34:51 | 0:34:55 | |
I've seen a picture of you | 0:34:55 | 0:34:57 | |
and I thought you was quite cute actually as a child, so... | 0:34:57 | 0:34:59 | |
Are you the fourth person? | 0:34:59 | 0:35:01 | |
NICKI LAUGHS | 0:35:01 | 0:35:04 | |
I think I could be psychic. | 0:35:04 | 0:35:05 | |
Bad memories, they are bad memories. | 0:35:05 | 0:35:08 | |
'Felt like a girl, acted like a girl, I even played with dolls, | 0:35:08 | 0:35:11 | |
'but you got bullied for it. | 0:35:11 | 0:35:15 | |
'I was attacked in the street by other kids or parents. | 0:35:15 | 0:35:19 | |
'I had to go and see a psychiatrist first, | 0:35:19 | 0:35:22 | |
'had tests done and then I had it done when I was 21.' | 0:35:22 | 0:35:25 | |
There you go. | 0:35:25 | 0:35:27 | |
'People should accept you for who you are, not what you are.' | 0:35:28 | 0:35:31 | |
The girls are a week into their holiday, and Karen and Paul | 0:35:40 | 0:35:43 | |
are worried by what they've heard about Magaluf. | 0:35:43 | 0:35:46 | |
-They call it Shagaluf and what's the other one? -What? | 0:35:46 | 0:35:50 | |
Yeah, loads of people have said it to me! | 0:35:50 | 0:35:52 | |
"You're not letting your daughter go to Shagaluf, are ya?" | 0:35:52 | 0:35:55 | |
That's what they call it, it's a well-known fact. | 0:35:55 | 0:35:58 | |
And then you get met at the clubs and that with | 0:35:58 | 0:36:00 | |
sambucas and that, duh, duh, and all races where | 0:36:00 | 0:36:03 | |
they'll just be piling it down their necks. | 0:36:03 | 0:36:05 | |
It's not her I'm scared of, it's other people, it's the Spanish. | 0:36:05 | 0:36:09 | |
'Young kids getting pissed' | 0:36:09 | 0:36:10 | |
out of their heads, vomiting up on the streets, like, you know, | 0:36:10 | 0:36:13 | |
running round like stark bollocks, | 0:36:13 | 0:36:15 | |
'and all that sort of crap.' | 0:36:15 | 0:36:16 | |
It's not something we vision Amber doing, you know what I'm saying? | 0:36:16 | 0:36:20 | |
PHONE RINGS | 0:36:20 | 0:36:23 | |
Karen has been trying to call Amber several times a day. | 0:36:23 | 0:36:26 | |
'This is the Vodafone voicemail service for 0...' | 0:36:26 | 0:36:30 | |
Why don't she ever answer? | 0:36:31 | 0:36:33 | |
And she can't phone out of her phone, | 0:36:33 | 0:36:35 | |
she kept texting me saying Mum, can.... | 0:36:35 | 0:36:38 | |
-Hello? -'Hello?' | 0:36:38 | 0:36:40 | |
-Hello, is Amber there? -'It is me.' | 0:36:40 | 0:36:42 | |
Oh, it didn't sound like you. You all right? | 0:36:42 | 0:36:45 | |
Me voice has gone completely through the alcohol. | 0:36:45 | 0:36:48 | |
-Through the alcohol? -'Yeah, really bad.' | 0:36:48 | 0:36:51 | |
I've been drinking every night. | 0:36:51 | 0:36:52 | |
Oh, you're going to be poorly when you get back. | 0:36:52 | 0:36:55 | |
And not only that... No, I've not had one hangover | 0:36:55 | 0:36:59 | |
and we're going to the booze cruise, aren't we, later? | 0:36:59 | 0:37:01 | |
More booze. | 0:37:01 | 0:37:03 | |
They all hear our accent and go, "You're from Manchester." | 0:37:03 | 0:37:07 | |
Have you had a good time, then? | 0:37:07 | 0:37:09 | |
-Yes. -All right. Love ya. | 0:37:09 | 0:37:12 | |
Bye. Love you. Bye. Bye. | 0:37:12 | 0:37:14 | |
Wow. | 0:37:19 | 0:37:20 | |
'Her voice has gone through alcohol.' | 0:37:20 | 0:37:22 | |
I've never heard that in the whole of my life, never. | 0:37:22 | 0:37:25 | |
I've heard it go through singing and shouting a lot, | 0:37:25 | 0:37:27 | |
but I've never heard it go through alcohol. | 0:37:27 | 0:37:29 | |
So they've got two full days and the booze cruise tonight. | 0:37:29 | 0:37:33 | |
Just hope one of them don't fall in the water. | 0:37:33 | 0:37:36 | |
LAUGHING | 0:37:36 | 0:37:38 | |
AMBER SCREAMS | 0:37:38 | 0:37:40 | |
MUSIC: "Yeah Yeah" by Bodyrox featuring Luciana | 0:37:45 | 0:37:48 | |
# You think you've got it all worked out | 0:37:48 | 0:37:52 | |
# But you don't know nothing Nothing, nothing... # | 0:37:52 | 0:37:56 | |
That boat cruise has made me so drunk. | 0:37:56 | 0:37:59 | |
Eeurgh! | 0:38:00 | 0:38:01 | |
# Something, something, something | 0:38:01 | 0:38:03 | |
# I can teach you a thing or two Yeah, oh, yeah, oh... # | 0:38:03 | 0:38:05 | |
SHE SCREAMS | 0:38:05 | 0:38:07 | |
# I can teach you a thing or two Yeah, oh, yeah, oh | 0:38:07 | 0:38:10 | |
# I can teach you a thing or two Yeah, oh, yeah, oh... # | 0:38:10 | 0:38:14 | |
THEY CHEER | 0:38:14 | 0:38:16 | |
Oh, well, at least she's had a good time. | 0:38:22 | 0:38:24 | |
Where are ya? | 0:38:27 | 0:38:29 | |
I asked you to come and meet me. | 0:38:29 | 0:38:31 | |
Jamie and Lucy split up two weeks ago, | 0:38:33 | 0:38:35 | |
over rumours that he's been cheating. | 0:38:35 | 0:38:37 | |
Jamie, come and meet me, please. | 0:38:37 | 0:38:39 | |
But Lucy still wants to give their relationship another go. | 0:38:39 | 0:38:42 | |
Come and meet me, please. | 0:38:42 | 0:38:44 | |
'I just want to know where I stand.' | 0:38:44 | 0:38:46 | |
If he's going to say that I'm completely walking away, | 0:38:46 | 0:38:50 | |
then that will kill me, | 0:38:50 | 0:38:52 | |
that will break my heart. | 0:38:52 | 0:38:54 | |
What do you want? | 0:38:56 | 0:38:58 | |
I was at KFC when you phoned. | 0:38:58 | 0:38:59 | |
Oh, I'll get me arse wet, ain't I? Suck all that up. | 0:38:59 | 0:39:03 | |
Jamie, my heart belongs to you. | 0:39:03 | 0:39:05 | |
-It doesn't. -It does! -Doesn't. | 0:39:05 | 0:39:08 | |
There is no more us now. | 0:39:08 | 0:39:10 | |
You need to get used to it, you need to get it in your head and that's it. | 0:39:10 | 0:39:14 | |
Be your mate, I'll see you about and that. | 0:39:14 | 0:39:17 | |
I can't be someone's friend who I'm in love with. | 0:39:17 | 0:39:19 | |
Who I have feelings for. | 0:39:22 | 0:39:24 | |
It's not happening any more now. | 0:39:24 | 0:39:27 | |
Eh? | 0:39:27 | 0:39:28 | |
It's the right thing to do and you know it is. | 0:39:30 | 0:39:33 | |
You're hurting now, but it is. | 0:39:33 | 0:39:35 | |
We're never going to be able to get on with it, | 0:39:35 | 0:39:37 | |
we're always going to be arguing. I need to move on now, | 0:39:37 | 0:39:40 | |
you need to move on. You'll probably find someone better | 0:39:40 | 0:39:44 | |
or vice versa, do you know what I mean? | 0:39:44 | 0:39:47 | |
But it's right thing to do. | 0:39:47 | 0:39:49 | |
Doesn't seem it, but it is. | 0:39:49 | 0:39:51 | |
I'm going to go though, yeah? | 0:39:51 | 0:39:53 | |
I'm busy. Got to prepare for the gig. | 0:39:53 | 0:39:56 | |
Yeah? See you in a bit then. | 0:39:57 | 0:39:59 | |
Yeah. | 0:39:59 | 0:40:01 | |
Ah, fucking arse is killing me now. | 0:40:01 | 0:40:04 | |
Jay? | 0:40:06 | 0:40:08 | |
Love you. | 0:40:09 | 0:40:10 | |
Not the answer I was looking for. | 0:40:20 | 0:40:22 | |
Ah, well. | 0:40:37 | 0:40:38 | |
I've tried sorting it out, he won't do it, babe. | 0:40:39 | 0:40:42 | |
I've met him and I've poured me heart out to him | 0:40:44 | 0:40:49 | |
and he's still saying that there's no us. | 0:40:49 | 0:40:52 | |
Yeah. | 0:40:54 | 0:40:56 | |
I've ruined everything. | 0:40:59 | 0:41:01 | |
It seems like I'm being a dick with her, but I'm not. | 0:41:01 | 0:41:05 | |
I'm being honest. It's not going to work. | 0:41:05 | 0:41:07 | |
We're arguing too much, | 0:41:07 | 0:41:09 | |
we've not been getting on for ages, so that's it. | 0:41:09 | 0:41:13 | |
She'll find someone else and I hope she... | 0:41:13 | 0:41:16 | |
Well, I hope she's very happy with whoever she finds, | 0:41:16 | 0:41:18 | |
cos she's a good kid, but just not for me now. | 0:41:18 | 0:41:22 | |
I feel sick. | 0:41:25 | 0:41:26 | |
Watch. | 0:41:33 | 0:41:35 | |
'Oh, no!' | 0:41:35 | 0:41:36 | |
'We've frozen the pictures here because of their shocking nature.' | 0:41:36 | 0:41:39 | |
'We've got two possible fatals... ' | 0:41:39 | 0:41:41 | |
-Mental. -'..both females have ran out into the carriageway.' | 0:41:41 | 0:41:45 | |
Some people committing suicide. | 0:41:45 | 0:41:47 | |
I'd rather watch this than Jeremy Kyle. | 0:41:47 | 0:41:50 | |
Ooh, dramatic train rescue. | 0:41:53 | 0:41:55 | |
Would you ever do something like that, | 0:41:55 | 0:41:58 | |
throw yourself in front of a train or a bus or a car? | 0:41:58 | 0:42:01 | |
I wouldn't. | 0:42:01 | 0:42:02 | |
Chris's daily drinking is causing increasing problems | 0:42:03 | 0:42:06 | |
in his relationship with Nicki. | 0:42:06 | 0:42:08 | |
'He's got two personalities. He's got a good one | 0:42:08 | 0:42:11 | |
'and he's got a bad one, and the bad one's mostly coming out now. | 0:42:11 | 0:42:14 | |
'Cos when he sometimes goes on one, he's nasty, very nasty.' | 0:42:14 | 0:42:19 | |
DOG BARKS | 0:42:20 | 0:42:22 | |
Shut up, Chi-Chi, or I'll put you in the fucking microwave and turn it on. | 0:42:22 | 0:42:26 | |
Tell you what, I'd love to fucking do it, with pleasure. | 0:42:26 | 0:42:28 | |
-You won't. -Who fucking wouldn't? -You fucking won't. | 0:42:28 | 0:42:31 | |
I'd stab the little fucking rat thing. | 0:42:31 | 0:42:33 | |
-Yeah. -Yeah, I would. -And what are you? | 0:42:33 | 0:42:35 | |
Not a rat, like you. | 0:42:35 | 0:42:37 | |
I must be a right mug. | 0:42:37 | 0:42:39 | |
Try and support someone, care about 'em, | 0:42:39 | 0:42:42 | |
and all they do is walk all over you. | 0:42:42 | 0:42:44 | |
Chris isn't interested in anyone, only his self. | 0:42:45 | 0:42:48 | |
That's all he's interested in. His self. | 0:42:48 | 0:42:51 | |
Get out. | 0:42:53 | 0:42:54 | |
I will. | 0:42:54 | 0:42:55 | |
-It's finished. -Good. | 0:42:55 | 0:42:56 | |
At least I'll be away from you. | 0:42:56 | 0:42:58 | |
Good! Get away from me, then! | 0:42:58 | 0:43:00 | |
Good. | 0:43:00 | 0:43:01 | |
Cos one minute you say you want to be with me | 0:43:01 | 0:43:03 | |
and you love me and that! | 0:43:03 | 0:43:04 | |
No, cos you're a mong. | 0:43:04 | 0:43:05 | |
-Why am I a mong? -Cos you're a mong. | 0:43:05 | 0:43:07 | |
-Why? -Have you looked in the mirror recently? | 0:43:07 | 0:43:10 | |
Yeah, I'm ugly like you keep on saying. What are you? | 0:43:10 | 0:43:12 | |
What are you? I don't know. Move, you scrubber. | 0:43:12 | 0:43:14 | |
Right, yeah, I am a scrubber! | 0:43:14 | 0:43:16 | |
-Move. Move. -Get out of me fucking house now! | 0:43:16 | 0:43:19 | |
Cos all you are is a down-and-out alcoholic! | 0:43:19 | 0:43:21 | |
And you want everybody to feel sorry for you, | 0:43:21 | 0:43:24 | |
but you, all you do is abuse people! | 0:43:24 | 0:43:27 | |
I'm down and out? I'm down and out? | 0:43:27 | 0:43:30 | |
I've had a fucking belly-full. She's an evil, spiteful little witch. | 0:43:30 | 0:43:36 | |
Just shit, every single fucking day, the same old crap, | 0:43:36 | 0:43:39 | |
the same old bullshit, the same old head pecks. | 0:43:39 | 0:43:42 | |
I can't stand it no more. | 0:43:47 | 0:43:49 | |
I'm trying, trying to help him, and I can't. | 0:43:49 | 0:43:51 | |
Slags me off, calls me a freak, everything. | 0:43:52 | 0:43:56 | |
Can't do it. | 0:43:56 | 0:43:57 | |
I wanted to help him but I can't. | 0:44:02 | 0:44:05 | |
But then when I try and help him, I try and get him the help, | 0:44:07 | 0:44:10 | |
he just turns on me. | 0:44:10 | 0:44:12 | |
Yeah, she doesn't like it, but she's not going to stop me. | 0:44:16 | 0:44:19 | |
I'm my own person. No-one can tell me what to do. Nobody. | 0:44:19 | 0:44:23 | |
The only person who can tell me what to do is myself. | 0:44:23 | 0:44:26 | |
I think I really started getting into dri...into drink | 0:44:27 | 0:44:30 | |
when I was about... | 0:44:30 | 0:44:32 | |
I'd say about 13, | 0:44:33 | 0:44:35 | |
the same time that I really got into heroin and crack, | 0:44:35 | 0:44:38 | |
and I used to inject it, and I loved it - and I did. | 0:44:38 | 0:44:41 | |
And in some weird little way, I miss it - and I do. | 0:44:44 | 0:44:48 | |
It was just ruining my life, that's all. | 0:44:48 | 0:44:51 | |
I could not get out of bed in the morning and not have a drink. | 0:44:51 | 0:44:55 | |
It's never going to happen, and it won't. | 0:44:55 | 0:44:57 | |
Do I like it? | 0:45:01 | 0:45:02 | |
No, I don't like it, but is it going to change? | 0:45:02 | 0:45:05 | |
No, it's not going to change, but can I deal with it? | 0:45:05 | 0:45:08 | |
Yes, I suppose. | 0:45:08 | 0:45:10 | |
Not like I like it, though. | 0:45:10 | 0:45:12 | |
He needs help. | 0:45:14 | 0:45:15 | |
He does badly need help cos it's splitting us up. | 0:45:15 | 0:45:19 | |
Er, well, I should say it HAS split us up. | 0:45:19 | 0:45:23 | |
Don't need it. | 0:45:23 | 0:45:25 | |
Don't know what to do. | 0:45:25 | 0:45:27 | |
I don't. Don't know what to do. | 0:45:32 | 0:45:34 | |
See ya later. | 0:45:49 | 0:45:50 | |
See ya! | 0:45:50 | 0:45:51 | |
Tonight is David's drag show. | 0:45:53 | 0:45:55 | |
I can't see cos of this frigging hair. | 0:45:55 | 0:45:57 | |
And he'll find out if the locals are ready to embrace Diana. | 0:45:57 | 0:46:00 | |
# Mysterious girl | 0:46:03 | 0:46:05 | |
# I wanna get close to you. # | 0:46:05 | 0:46:07 | |
I am a little bit worried about who's going to turn up | 0:46:07 | 0:46:10 | |
and who's going to be there, kind of. The people that go in The Waterloo, | 0:46:10 | 0:46:13 | |
they don't really see anything like that, do you know? | 0:46:13 | 0:46:17 | |
We've got the one and only Diana Dior drag show tonight! | 0:46:17 | 0:46:21 | |
For our first guest artist, she's just arrived at the back door, | 0:46:21 | 0:46:26 | |
we've got Stoosh! | 0:46:26 | 0:46:27 | |
CHEERING AND WHISTLING | 0:46:27 | 0:46:29 | |
# Daddy, I've fallen for a monster | 0:46:29 | 0:46:32 | |
# Somehow he's scaring me to death | 0:46:37 | 0:46:41 | |
# Oh, yes he is | 0:46:41 | 0:46:43 | |
# He's big and bad I love him like mad | 0:46:43 | 0:46:47 | |
# Mama, he's the best I ever had | 0:46:47 | 0:46:52 | |
# Daddy, I've fallen for a monster | 0:46:54 | 0:46:58 | |
# He got a black heart. # | 0:46:58 | 0:47:01 | |
'When I see David up on stage as Diana,' | 0:47:02 | 0:47:05 | |
there's not a prouder mum | 0:47:05 | 0:47:07 | |
on this Earth than me. | 0:47:07 | 0:47:09 | |
# He got a black heart. # | 0:47:11 | 0:47:13 | |
CHEERING AND APPLAUSE | 0:47:15 | 0:47:17 | |
MUSIC: "Everybody's Free (To Feel Good)" by Rozalla | 0:47:20 | 0:47:24 | |
Oh, I'm fucking boiling. Good turn-out, innit? | 0:47:26 | 0:47:30 | |
We've done the room up. They love the room. | 0:47:30 | 0:47:32 | |
As soon as people walked in, they went, oh, my God, | 0:47:32 | 0:47:34 | |
who's done all this? You know. It's something new, innit? | 0:47:34 | 0:47:37 | |
It's not just your bog standard karaoke Friday night, is it? | 0:47:37 | 0:47:41 | |
Right, going to have to leave yer. I'm back on stage. | 0:47:46 | 0:47:49 | |
# There ain't a reason You and me should be alone tonight | 0:47:49 | 0:47:53 | |
# Yeah baby Tonight, yeah baby. # | 0:47:53 | 0:47:56 | |
It was a rough, run-down pub, but it went down like a bomb. | 0:47:57 | 0:48:01 | |
# I'm on the edge of glory. # | 0:48:03 | 0:48:06 | |
I think the people at The Waterloo are more open-minded now, | 0:48:07 | 0:48:11 | |
now they've actually seen it and understand a little bit about it. | 0:48:11 | 0:48:15 | |
The Waterloo pub has never seen scenes like this before, | 0:48:17 | 0:48:20 | |
but times change - and so do attitudes. | 0:48:20 | 0:48:23 | |
'I think it's brilliant!' | 0:48:23 | 0:48:25 | |
I've never seen him before in drag, but it's so fantastic! | 0:48:25 | 0:48:28 | |
I don't think he's done too bad. | 0:48:28 | 0:48:30 | |
A lot of people in, they're enjoying it. | 0:48:30 | 0:48:32 | |
As long as they're enjoying it, it's all right. | 0:48:32 | 0:48:34 | |
David's fantastic. | 0:48:34 | 0:48:36 | |
Belting! | 0:48:36 | 0:48:38 | |
As long as I live, so will Diana, | 0:48:41 | 0:48:44 | |
and when I die I'll book two coffins, | 0:48:44 | 0:48:47 | |
and she'll be buried on top of me, with all the make-up, | 0:48:47 | 0:48:50 | |
wigs, dresses, shoes, you name it, it'll be in the box with her. | 0:48:50 | 0:48:53 | |
CHEERING AND APPLAUSE | 0:48:57 | 0:48:59 | |
Here they are! | 0:49:11 | 0:49:13 | |
Amber and Codie are back from their Spanish sun-fest, | 0:49:13 | 0:49:16 | |
and have got to adjust back to normal life. | 0:49:16 | 0:49:19 | |
We've been barred from everywhere. | 0:49:19 | 0:49:21 | |
We've been barred from McDonald's, barred from the hotel, | 0:49:21 | 0:49:24 | |
barred from the nightclub, barred from... | 0:49:24 | 0:49:27 | |
-Know why we were barred from McDonald's? -Through you. | 0:49:27 | 0:49:30 | |
Someone robbed a chicken nugget off me, | 0:49:30 | 0:49:32 | |
but then was dead nasty about it. | 0:49:32 | 0:49:34 | |
No, you poured a milkshake over his head. | 0:49:34 | 0:49:36 | |
Yeah, that's when I did that. | 0:49:36 | 0:49:38 | |
So was it a really good holiday, then? | 0:49:38 | 0:49:40 | |
It might not look it by our faces cos we're so tired, | 0:49:40 | 0:49:43 | |
but it was amazing. | 0:49:43 | 0:49:44 | |
-It was really good. -An holiday to remember? | 0:49:44 | 0:49:46 | |
-Yeah! -Yes. | 0:49:46 | 0:49:47 | |
I tan. On holiday I tan. Like, I never thought I would. | 0:49:47 | 0:49:51 | |
Like, not on my legs. My legs don't tan, | 0:49:51 | 0:49:53 | |
but on my back, Amber said that sometimes | 0:49:53 | 0:49:56 | |
when I was walking in front of her, she thought I was Spanish. | 0:49:56 | 0:49:59 | |
Can't believe we're back. | 0:49:59 | 0:50:00 | |
I've got... | 0:50:00 | 0:50:02 | |
It's really depressed me. | 0:50:02 | 0:50:04 | |
Nothing worse than coming back off holiday to this shit-hole. | 0:50:04 | 0:50:08 | |
SHE GIGGLES | 0:50:08 | 0:50:09 | |
They do say, don't they, that Harpurhey's supposed to be | 0:50:09 | 0:50:13 | |
this really rough place, but then going to Magaluf, over there, | 0:50:13 | 0:50:16 | |
they're all doing things, | 0:50:16 | 0:50:18 | |
the police would arrest you if you did it over here. | 0:50:18 | 0:50:21 | |
Oh, well, no place like home. | 0:50:21 | 0:50:23 | |
Holiday was more than what I expected, like, | 0:50:23 | 0:50:26 | |
cos I want to go every year now, to experience all around the world. | 0:50:26 | 0:50:30 | |
Bye! | 0:50:30 | 0:50:31 | |
But I don't want to live in Harpurhey all my life. | 0:50:31 | 0:50:33 | |
Like, some people they stay where | 0:50:33 | 0:50:35 | |
they've been brought up, but I do want to travel, | 0:50:35 | 0:50:38 | |
do want to live somewhere else, experience different places, | 0:50:38 | 0:50:40 | |
but I'm always going to remember where I've brought up and stuff. | 0:50:40 | 0:50:43 | |
I hope you've not done a mess in here. No, she hasn't. | 0:50:48 | 0:50:51 | |
Six weeks on, and Chris and Nicki have made up. | 0:50:51 | 0:50:55 | |
Right, let me borrow your puppies a minute. | 0:50:55 | 0:50:58 | |
There's been some changes at their house. | 0:50:58 | 0:51:00 | |
These are the triplets she's had, all three little white ones. | 0:51:00 | 0:51:04 | |
Chi-Chi has had five puppies. | 0:51:04 | 0:51:06 | |
And two different coloured ones. | 0:51:06 | 0:51:08 | |
And although he's still drinking, | 0:51:10 | 0:51:11 | |
Chris has started seeing an alcohol counsellor. | 0:51:11 | 0:51:14 | |
I am making...erm, chicken, garlic and wine pasta, | 0:51:15 | 0:51:20 | |
with a side dish of salad with a honey-glazed dressing. | 0:51:20 | 0:51:26 | |
And it was reduced to 85p! | 0:51:27 | 0:51:30 | |
He's totally different, he's totally different. | 0:51:30 | 0:51:34 | |
He goes and sees an alcohol person, and I'll be proud of him | 0:51:34 | 0:51:37 | |
if he goes through all this to get help. | 0:51:37 | 0:51:40 | |
Cos he's not a bad person. It's just the drink. | 0:51:40 | 0:51:43 | |
I've been drinking about 12 years, daily, | 0:51:44 | 0:51:46 | |
and I think it's time for me to fucking pop it, I really do. | 0:51:46 | 0:51:51 | |
I want to be happy, I want to enjoy life. | 0:51:51 | 0:51:54 | |
I want to wake up in the morning thinking, yeah, I'm ready for today. | 0:51:54 | 0:51:58 | |
He needs help, so I'm hoping it works. | 0:51:58 | 0:52:02 | |
But you don't know. | 0:52:04 | 0:52:06 | |
Keep calm and keep on chopping. | 0:52:06 | 0:52:08 | |
Smells nice. | 0:52:31 | 0:52:33 | |
Jay! Jay, stop a minute! | 0:52:33 | 0:52:34 | |
Smells nice! | 0:52:34 | 0:52:36 | |
Today, wedding bells are in the air at Jamie's flat. | 0:52:40 | 0:52:45 | |
I hate dressing up like this. | 0:52:45 | 0:52:47 | |
There's only ever four rings when it comes to fucking marriage - | 0:52:47 | 0:52:52 | |
engagement ring, eternity ring, marriage ring and fucking suffering. | 0:52:52 | 0:52:57 | |
Weddings my arse! | 0:52:57 | 0:52:59 | |
It's a fucking long couple of hours, just to say "I do." | 0:53:01 | 0:53:04 | |
Fuckin' hell! | 0:53:04 | 0:53:06 | |
The flowers have got to go on. | 0:53:06 | 0:53:08 | |
-Really? -Yes. | 0:53:08 | 0:53:09 | |
What flowers are they? I'm not wearing a gay flower. | 0:53:09 | 0:53:11 | |
No, they're not, they're marriage flowers. It looks beautiful. | 0:53:11 | 0:53:14 | |
It don't look beautiful. I look like a wanker! | 0:53:14 | 0:53:17 | |
Stop saying things like that! | 0:53:17 | 0:53:19 | |
Well, how do I look, then?! | 0:53:19 | 0:53:20 | |
-You look nice. -I don't! | 0:53:20 | 0:53:22 | |
I look like a fucking fat car salesman! | 0:53:22 | 0:53:24 | |
Well, that an' all, but you're all right. | 0:53:24 | 0:53:27 | |
Come on, troopers! Let's have a super-duper day! | 0:53:27 | 0:53:31 | |
Crimewatch here we come! SINGS THEME TUNE | 0:53:34 | 0:53:37 | |
The wedding party are heading 200 miles north to Gretna Green. | 0:53:37 | 0:53:41 | |
But Jamie and Lucy aren't back together, they're just guests. | 0:53:44 | 0:53:48 | |
He's waiting to marry me. | 0:53:48 | 0:53:49 | |
Today belongs to Jamie's mum, Donna, who's marrying her fiance, Mani. | 0:53:49 | 0:53:54 | |
I love my Mani. | 0:53:54 | 0:53:56 | |
He...he's my... He's my soul mate. I've found him. | 0:53:56 | 0:53:59 | |
Many years of searching, I've found him. | 0:53:59 | 0:54:02 | |
I, Donna. | 0:54:04 | 0:54:05 | |
-Take you, Sajed. -Take you, Sajed | 0:54:05 | 0:54:07 | |
-As my lawful. -As my lawford...lawful | 0:54:07 | 0:54:11 | |
wedded husband. | 0:54:11 | 0:54:12 | |
To have, to hold, from this day forward. | 0:54:12 | 0:54:16 | |
For better, for worse, for richer, for poorer, | 0:54:16 | 0:54:20 | |
in sickness and in health, | 0:54:20 | 0:54:21 | |
to love and to cherish, for as long as we both shall live. | 0:54:21 | 0:54:25 | |
You're now husband and wife. You may kiss the bride. | 0:54:26 | 0:54:29 | |
APPLAUSE | 0:54:29 | 0:54:31 | |
It's killing me. | 0:54:36 | 0:54:38 | |
It's killing me. | 0:54:38 | 0:54:39 | |
It's hurt, you know, it's breaking me heart because I always... | 0:54:39 | 0:54:44 | |
When me and Jamie were together, we were talking about getting married, | 0:54:46 | 0:54:50 | |
you know, maybe a few years down the line starting a family, | 0:54:50 | 0:54:52 | |
and now I'm here for Mam and Mani's, it's breaking me heart | 0:54:52 | 0:54:56 | |
because me and Jamie, we won't go down that path. | 0:54:56 | 0:55:00 | |
Marriage should be for life. Young people think it's fun, | 0:55:00 | 0:55:04 | |
for the parties, the presents, dresses, hair-dos, nails done, | 0:55:04 | 0:55:09 | |
but there's a lot more to marriage than that. | 0:55:09 | 0:55:11 | |
You've got to work at a marriage. | 0:55:11 | 0:55:13 | |
And that's hard in itself. | 0:55:13 | 0:55:15 | |
I don't want it. | 0:55:15 | 0:55:17 | |
'Was it a mistake proposing to Lucy?' | 0:55:17 | 0:55:19 | |
Yeah. Yeah, it was a mistake. | 0:55:19 | 0:55:21 | |
On my side mainly, you know, cos I shouldn't have put her hopes up | 0:55:21 | 0:55:26 | |
like that, and I understand that. She's looking for love. | 0:55:26 | 0:55:29 | |
She's looking for cock - preferably my cock - and it's not happening. | 0:55:29 | 0:55:33 | |
My future, I hope it'll be good. | 0:55:36 | 0:55:40 | |
You know, safe, secure relationship. | 0:55:41 | 0:55:44 | |
Maybe one day I will get married. | 0:55:45 | 0:55:47 | |
I'll have me dog there, wearing the little rings. | 0:55:48 | 0:55:52 | |
Next week - | 0:55:58 | 0:55:59 | |
At the Wishy Washy, Amber's thinking about leaving | 0:55:59 | 0:56:02 | |
the estate for a place at drama school. | 0:56:02 | 0:56:05 | |
'Tis true that a good play needs no epilogue. | 0:56:05 | 0:56:07 | |
WHISTLES | 0:56:07 | 0:56:09 | |
Delboy Dale's dreaming up ways of becoming a Harpurhey millionaire. | 0:56:09 | 0:56:13 | |
Just a quick update to let all the listeners know | 0:56:13 | 0:56:16 | |
me nana is on the way to bingo, so keep your fingers crossed. | 0:56:16 | 0:56:19 | |
And we meet single mum Nicola, | 0:56:19 | 0:56:20 | |
whose relationship with her family has reached breaking point. | 0:56:20 | 0:56:23 | |
Why would I cry over you?! | 0:56:23 | 0:56:25 | |
Seriously, I should've moved away from yer! | 0:56:25 | 0:56:27 | |
That's what I should have done! | 0:56:27 | 0:56:29 | |
# Ooh ooh ooh ooh ooh | 0:56:29 | 0:56:31 | |
# This time I'm telling you I'm telling you | 0:56:31 | 0:56:35 | |
# We are never, ever, ever Getting back together | 0:56:35 | 0:56:40 | |
# We are never, ever, ever Getting back together | 0:56:40 | 0:56:46 | |
# You go talk to your friends Talk to my friends, talk to me...# | 0:56:46 | 0:56:49 | |
Subtitles by Red Bee Media Ltd | 0:56:49 | 0:56:53 |