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Actor Martin Sheen is embarking on a journey | 0:00:02 | 0:00:04 | |
into both sides of his family history, | 0:00:04 | 0:00:06 | |
where he discovers two ancestors... | 0:00:06 | 0:00:08 | |
..And the suffering that they endured. | 0:00:08 | 0:00:11 | |
..who help him understand the true meaning of activism. | 0:00:11 | 0:00:14 | |
You do it because you cannot NOT do it. | 0:00:14 | 0:00:16 | |
And before his search is over... | 0:00:16 | 0:00:18 | |
My God, it's cavernous, like an old cathedral. | 0:00:18 | 0:00:21 | |
..Martin will uncover a family connection | 0:00:21 | 0:00:23 | |
he never could have imagined. | 0:00:23 | 0:00:25 | |
Oh, my God! | 0:00:25 | 0:00:26 | |
With a career spanning more than half a century, | 0:00:55 | 0:00:57 | |
Martin Sheen is one of Hollywood's most versatile actors. | 0:00:57 | 0:01:02 | |
After achieving world-wide recognition | 0:01:02 | 0:01:05 | |
for his role in Apocalypse Now, | 0:01:05 | 0:01:07 | |
Martin began to let his passion for political activism | 0:01:07 | 0:01:10 | |
influence the roles he chose, | 0:01:10 | 0:01:12 | |
most notably in his Golden Globe-winning portrayal | 0:01:12 | 0:01:16 | |
of President Jed Bartlet on the hit series The West Wing. | 0:01:16 | 0:01:20 | |
Martin's four children - Charlie, Emilio, Ramon, and Renee - | 0:01:20 | 0:01:24 | |
all work in the entertainment industry. | 0:01:24 | 0:01:27 | |
Born Ramon Estevez to Spanish and Irish immigrants, | 0:01:27 | 0:01:30 | |
Martin and his wife of 50 years, Janet, | 0:01:30 | 0:01:34 | |
live in Malibu, California... | 0:01:34 | 0:01:36 | |
Hola, Emilio! | 0:01:36 | 0:01:37 | |
..just a stone's throw from his son, Emilio Estevez... | 0:01:37 | 0:01:40 | |
who is carrying on the family tradition of winemaking. | 0:01:40 | 0:01:44 | |
-What have you got today? -Well, nothing you can have. | 0:01:44 | 0:01:47 | |
Nothing I can have, but I can look. | 0:01:47 | 0:01:49 | |
This is the new brew. New label. | 0:01:49 | 0:01:51 | |
-New label. -Yeah. -In Pop's vineyard in Galicia. -Yes. | 0:01:51 | 0:01:56 | |
-This is the photograph we took in the vineyard... -Yeah. -..in 1969. | 0:01:56 | 0:01:59 | |
-Right. Amazing. -And if you see, you are credited... | 0:01:59 | 0:02:04 | |
-Ah. -..with taking the photo. | 0:02:04 | 0:02:05 | |
Ramon Gerard Antonio Estevez. | 0:02:05 | 0:02:08 | |
-The photographer. -Yeah. | 0:02:08 | 0:02:11 | |
'I'm going on this journey for myself, | 0:02:11 | 0:02:14 | |
'but the residual effect could very well be beneficial | 0:02:14 | 0:02:17 | |
'to my children and their children. That would be' | 0:02:17 | 0:02:20 | |
a wonderful gift for them, I think. | 0:02:20 | 0:02:23 | |
I don't, uh, know very much about | 0:02:23 | 0:02:26 | |
my father's ancestry in Spain. | 0:02:26 | 0:02:28 | |
I have less information about | 0:02:28 | 0:02:30 | |
my father's side than my mother's. | 0:02:30 | 0:02:33 | |
My mother's name was Mary-Ann Phelan, | 0:02:33 | 0:02:36 | |
and she was born in Borrisokane, | 0:02:36 | 0:02:38 | |
County Tipperary, in Ireland, of course. | 0:02:38 | 0:02:41 | |
Unfortunately, she died very young. | 0:02:41 | 0:02:43 | |
She was just 48 | 0:02:43 | 0:02:46 | |
when she died in 1951, | 0:02:46 | 0:02:48 | |
and I was almost 11. So a lot of her memory has faded over the years, | 0:02:48 | 0:02:53 | |
but she had a brother named Michael Phelan, | 0:02:53 | 0:02:55 | |
who I've always been fascinated with. | 0:02:55 | 0:02:57 | |
He was an Irish volunteer with the Irish Republican Army | 0:02:57 | 0:03:00 | |
in the war of independence from Great Britain. | 0:03:00 | 0:03:03 | |
But I don't know the extent of his, uh, activity | 0:03:03 | 0:03:08 | |
in the Civil War in Ireland in the 1920s. | 0:03:08 | 0:03:11 | |
So that intrigues me immensely, | 0:03:11 | 0:03:15 | |
because I've spent a good number of years | 0:03:15 | 0:03:17 | |
protesting for peace and social justice, | 0:03:17 | 0:03:19 | |
and I've been tossed in jail | 0:03:19 | 0:03:21 | |
more than a couple of times because of it. | 0:03:21 | 0:03:24 | |
So I'm really curious to know | 0:03:24 | 0:03:25 | |
where that committed spirit comes from. | 0:03:25 | 0:03:28 | |
Did my Uncle Michael, or anyone else in my family, | 0:03:28 | 0:03:32 | |
have similar convictions? | 0:03:32 | 0:03:33 | |
Here we go. | 0:03:37 | 0:03:40 | |
Uh, I see his death record here, | 0:03:40 | 0:03:43 | |
which tells me he died in Tipperary, but not much else. | 0:03:43 | 0:03:46 | |
Martin is travelling to Ireland | 0:03:46 | 0:03:47 | |
to see if he can find out more about Michael Phelan. | 0:03:47 | 0:03:51 | |
He's starting his search in Dublin. | 0:03:51 | 0:03:54 | |
Martin has come to the military archives | 0:04:04 | 0:04:06 | |
to see if there's any record | 0:04:06 | 0:04:08 | |
of his uncle Michael Phelan's involvement in the Irish Civil War. | 0:04:08 | 0:04:12 | |
Now, Mr Sheen, we found Michael Phelan's application | 0:04:15 | 0:04:20 | |
under the 1934 Act. So if you want to have a look, | 0:04:20 | 0:04:22 | |
and if you wouldn't mind wearing these gloves, please. | 0:04:22 | 0:04:25 | |
-I will. -Thank you. -Thanks so much. OK. | 0:04:25 | 0:04:27 | |
Oh, my. | 0:04:32 | 0:04:34 | |
Whoa. It's amazing. This is all in his hand. | 0:04:34 | 0:04:38 | |
This is an actual document that he filled out | 0:04:38 | 0:04:42 | |
in order to get his, uh, pension for service in the army. | 0:04:42 | 0:04:46 | |
All right, it's saying here, uh, | 0:04:48 | 0:04:52 | |
"Continuous act of service period | 0:04:52 | 0:04:54 | |
"from 12th July 1921 to June 30th 1922." | 0:04:54 | 0:04:59 | |
Michael's record proves that | 0:04:59 | 0:05:01 | |
he served from the beginning of the Civil War, | 0:05:01 | 0:05:04 | |
which began in Ireland on June 28th 1922, | 0:05:04 | 0:05:06 | |
as a result of political conflict | 0:05:06 | 0:05:09 | |
born out of Ireland's freedom from Great Britain. | 0:05:09 | 0:05:12 | |
Just six months before, the Anglo-Irish peace treaty was signed, | 0:05:12 | 0:05:15 | |
dividing the region into two territories - | 0:05:15 | 0:05:18 | |
Northern Ireland and the newly created Irish Free State, | 0:05:18 | 0:05:22 | |
which was deemed a self-governing dominion | 0:05:22 | 0:05:24 | |
under the British Crown. | 0:05:24 | 0:05:25 | |
For years before, the old IRA, | 0:05:28 | 0:05:30 | |
under the leadership of Michael Collins, | 0:05:30 | 0:05:33 | |
had been fighting for a truly free and entirely independent Ireland. | 0:05:33 | 0:05:36 | |
And when the treaty was offered, | 0:05:36 | 0:05:38 | |
Michael Collins felt it was a step toward their ultimate goal | 0:05:38 | 0:05:41 | |
and accepted. | 0:05:41 | 0:05:42 | |
But many of the staunch activists | 0:05:42 | 0:05:45 | |
who fought alongside Collins for years felt betrayed | 0:05:45 | 0:05:48 | |
and continued to push for | 0:05:48 | 0:05:49 | |
an Irish Republic, | 0:05:49 | 0:05:51 | |
resulting in the Irish Civil War. | 0:05:51 | 0:05:53 | |
All right, here looks like a letter. | 0:05:55 | 0:05:56 | |
"A statement in support of my application for a pension. | 0:05:56 | 0:05:59 | |
"After an armed attack on Free State troops | 0:05:59 | 0:06:03 | |
"with land mine laid on July 20th near Roscrea, | 0:06:03 | 0:06:08 | |
"I was captured with others and taken to Maryborough Prison | 0:06:08 | 0:06:12 | |
"and released there on December 23rd 1922. | 0:06:12 | 0:06:17 | |
"Whilst in Maryborough, I assisted to burn the prison." | 0:06:17 | 0:06:21 | |
Oh, my God, he burned down the prison. | 0:06:21 | 0:06:24 | |
"I continued with a small company | 0:06:24 | 0:06:27 | |
"in my own area to be active, | 0:06:27 | 0:06:29 | |
"blocking roads, cutting telegraph poles, etc. | 0:06:29 | 0:06:33 | |
"I was arrested on March 10th by Free State troops | 0:06:33 | 0:06:36 | |
"and served in Birr, Athlone, and Kilmainham jail. | 0:06:36 | 0:06:42 | |
"Released from latter in October 1923." | 0:06:42 | 0:06:45 | |
Michael's testimony has revealed | 0:06:46 | 0:06:48 | |
that he was captured by Irish Free State troops, | 0:06:48 | 0:06:51 | |
which means he was fighting against Michael Collins. | 0:06:51 | 0:06:54 | |
It's interesting, because I had thought | 0:06:54 | 0:06:57 | |
he was on the other side during the Civil War, | 0:06:57 | 0:06:59 | |
that he was supporting Mick Collins. | 0:06:59 | 0:07:02 | |
But evidently, he was on the other side, | 0:07:02 | 0:07:04 | |
supporting the Republic. | 0:07:04 | 0:07:07 | |
I didn't know this. | 0:07:07 | 0:07:09 | |
I'm inclined to become more and more interested | 0:07:09 | 0:07:12 | |
in the mystery of Michael Phelan | 0:07:12 | 0:07:14 | |
because, you know, he was a great mystery to all of us, | 0:07:14 | 0:07:17 | |
and particularly those in the States. | 0:07:17 | 0:07:19 | |
We only heard rumours about his involvement with the Civil War, | 0:07:19 | 0:07:24 | |
but until now, I didn't realise what side he was even on. | 0:07:24 | 0:07:26 | |
I thought it was the other one! | 0:07:26 | 0:07:29 | |
So this makes quite a big difference in understanding | 0:07:29 | 0:07:32 | |
where he stood and what it cost him, | 0:07:32 | 0:07:34 | |
because he was in prison on several different occasions, | 0:07:34 | 0:07:36 | |
and it leads me to want to know more. | 0:07:36 | 0:07:40 | |
To try and understand why his Uncle Michael | 0:07:42 | 0:07:44 | |
rejected the Anglo-Irish peace treaty | 0:07:44 | 0:07:46 | |
and to find out more about Michael's motivation | 0:07:46 | 0:07:49 | |
to continue the fight for | 0:07:49 | 0:07:51 | |
a fully independent Ireland, | 0:07:51 | 0:07:53 | |
Martin has arranged to meet with | 0:07:53 | 0:07:55 | |
historian Dr Edward Madigan, | 0:07:55 | 0:07:57 | |
who specialises in the Irish Civil War. | 0:07:57 | 0:08:00 | |
I was surprised to learn | 0:08:03 | 0:08:05 | |
this morning that he opposed the Free Staters. | 0:08:05 | 0:08:08 | |
And, uh, what really fascinated me was, | 0:08:08 | 0:08:12 | |
-uh, his imprisonment, and the number of times. -Mm. | 0:08:12 | 0:08:16 | |
What happens is that | 0:08:16 | 0:08:18 | |
very staunchly anti-treaty IRA men and IRA officers, | 0:08:18 | 0:08:22 | |
especially in the south, places like Tipperary and Cork, say, | 0:08:22 | 0:08:25 | |
"We will never accept this treaty. | 0:08:25 | 0:08:27 | |
"We've sworn to fight for Irish independence, | 0:08:27 | 0:08:30 | |
"and that's what we're going to continue to do." | 0:08:30 | 0:08:32 | |
The people who are in favour of the treaty, | 0:08:32 | 0:08:35 | |
they form the National Army, | 0:08:35 | 0:08:37 | |
what Michael here refers to in his pension record as | 0:08:37 | 0:08:40 | |
the Free State army. | 0:08:40 | 0:08:41 | |
And the Free State army go to war against the anti-treaty IRA. | 0:08:41 | 0:08:45 | |
So you can understand the... | 0:08:45 | 0:08:47 | |
motivations of a very idealistic young man like your uncle. | 0:08:47 | 0:08:50 | |
This is something that he committed his life to. | 0:08:50 | 0:08:53 | |
And now he's been told, "Well, it was all in vain. | 0:08:53 | 0:08:56 | |
"We haven't established a republic," | 0:08:56 | 0:08:58 | |
or, "We haven't defended the republic that we swore to die for." | 0:08:58 | 0:09:02 | |
So he's a committed republican. He's part of the movement. | 0:09:02 | 0:09:05 | |
He's active in it. And the sort of activity we see him involved in, | 0:09:05 | 0:09:08 | |
uh, in the pension records - | 0:09:08 | 0:09:10 | |
raiding barracks, um, getting in prisons, arrested, | 0:09:10 | 0:09:13 | |
this is very typical of IRA activity. | 0:09:13 | 0:09:16 | |
So he's right in the middle of it? | 0:09:16 | 0:09:17 | |
He's at the epicentre of what's going on. And when he's in prison, | 0:09:17 | 0:09:21 | |
it's not simply, "OK, I'm in jail now, and that's it." | 0:09:21 | 0:09:24 | |
He continues to serve. This is active service as well, | 0:09:24 | 0:09:26 | |
so he continues to resist the regime from inside the prison walls. | 0:09:26 | 0:09:29 | |
He's still active. He sees himself as a prisoner of war. | 0:09:29 | 0:09:32 | |
It's his duty to keep annoying the, um, the establishment. | 0:09:32 | 0:09:36 | |
-I heard he burned one down. -Yeah, I mean, he was active. | 0:09:36 | 0:09:38 | |
There was organised disobedience and resistance to the prison regime | 0:09:38 | 0:09:42 | |
and destruction of the whole prison. | 0:09:42 | 0:09:44 | |
-Yeah. -Uh, so... His activity during this period | 0:09:44 | 0:09:47 | |
definitely suggests that he was a man of commitment, | 0:09:47 | 0:09:50 | |
-a man of conviction and a brave man. -Mm-hmm. | 0:09:50 | 0:09:52 | |
In a very real way, Michael Phelan's story | 0:09:52 | 0:09:55 | |
is the story of the Irish revolution. | 0:09:55 | 0:09:58 | |
I have a very great appreciation and admiration | 0:10:05 | 0:10:08 | |
for his idealism and his courage and his commitment | 0:10:08 | 0:10:13 | |
to a cause that he believed in, the cause of freedom, | 0:10:13 | 0:10:16 | |
and, uh, what he was willing to pay for that. | 0:10:16 | 0:10:20 | |
And so I'm looking forward now | 0:10:20 | 0:10:23 | |
to visiting one of the jails | 0:10:23 | 0:10:25 | |
that my Uncle Michael was confined to, and that would be | 0:10:25 | 0:10:30 | |
Kilmainham jail, here in Dublin. | 0:10:30 | 0:10:33 | |
-Hello. -Hello, there. | 0:10:33 | 0:10:35 | |
-You're Will. -I am. Welcome. | 0:10:35 | 0:10:37 | |
Good to meet you. Thank you so much. | 0:10:37 | 0:10:39 | |
-So this is it. -This is Kilmainham. | 0:10:39 | 0:10:41 | |
Wow. Oh, my God. | 0:10:41 | 0:10:44 | |
Draconian, to say the least. | 0:10:46 | 0:10:48 | |
This is probably the most iconic prison of the revolutionary period. | 0:10:48 | 0:10:52 | |
So was my uncle held in this very...compound? | 0:10:52 | 0:10:56 | |
As far as we know, your uncle was held in this wing. | 0:10:56 | 0:11:00 | |
Our best guess is that he was held up on this floor here. | 0:11:00 | 0:11:03 | |
-The second floor? -Would you like to go up and have a look at that cell? | 0:11:03 | 0:11:07 | |
-Yes, I would. Yes, thanks so much, yeah. -OK. -Here we go. Wow. | 0:11:07 | 0:11:11 | |
-This is the cell where we think, perhaps, your uncle was held. -Wow. | 0:11:11 | 0:11:16 | |
So you can see the conditions here. | 0:11:16 | 0:11:18 | |
Uh, they're not very pleasant. Very small cells. | 0:11:18 | 0:11:21 | |
You've got very poor sanitation here. | 0:11:21 | 0:11:24 | |
It's quite overcrowded during the Civil War period, | 0:11:24 | 0:11:27 | |
and you've got very basic bedding. | 0:11:27 | 0:11:29 | |
And there would be one person in here? | 0:11:29 | 0:11:31 | |
-He would've been alone in here? -Um, it varied. | 0:11:31 | 0:11:34 | |
So the ideal was that there would be one person here, | 0:11:34 | 0:11:36 | |
but the Civil War is a period when you have, | 0:11:36 | 0:11:39 | |
you know, a lot of people in prison. | 0:11:39 | 0:11:42 | |
Come the end of the Civil War, we think there were about 12,000 people | 0:11:42 | 0:11:45 | |
-in various prisons and camps around Ireland. -Wow. | 0:11:45 | 0:11:48 | |
I'm enormously proud of him. | 0:11:51 | 0:11:53 | |
I would like to hope that, if I had been here | 0:11:53 | 0:11:57 | |
in Ireland at the time, | 0:11:57 | 0:11:58 | |
I would've followed him, and I'd have been as committed as he was. | 0:11:58 | 0:12:02 | |
I've been involved | 0:12:02 | 0:12:04 | |
in a lot of campaigns for peace and social justice. | 0:12:04 | 0:12:07 | |
And I had the same kind of, | 0:12:07 | 0:12:09 | |
uh, commitment in those areas | 0:12:09 | 0:12:12 | |
that he had here, | 0:12:12 | 0:12:14 | |
and that is that you really do it for yourself. | 0:12:14 | 0:12:16 | |
You don't expect to change the world. | 0:12:16 | 0:12:18 | |
You don't expect to even influence your family or your friends. | 0:12:18 | 0:12:22 | |
You do it because you cannot NOT do it and be who you are | 0:12:22 | 0:12:25 | |
or who you're meant to be. | 0:12:25 | 0:12:27 | |
This part of the journey is over. | 0:12:29 | 0:12:33 | |
And now we're headed, uh, to my father's side in Spain, | 0:12:33 | 0:12:37 | |
and I'm enormously curious about what, uh, awaits me there. | 0:12:37 | 0:12:44 | |
Martin is travelling to the Spanish capital of Madrid | 0:12:45 | 0:12:49 | |
to start investigating his paternal Estevez lineage. | 0:12:49 | 0:12:52 | |
And we'll be visiting one of my favourite people | 0:12:57 | 0:13:00 | |
in all the world, my sister Carmen. | 0:13:00 | 0:13:02 | |
She has a lot of information | 0:13:02 | 0:13:04 | |
because she's lived here for so long and worked here. | 0:13:04 | 0:13:08 | |
And so she has a lot more knowledge | 0:13:08 | 0:13:11 | |
and a better understanding | 0:13:11 | 0:13:12 | |
of our father's Spanish heritage than I could ever have. | 0:13:12 | 0:13:16 | |
You were going to do this without me! | 0:13:23 | 0:13:25 | |
Before we talk about Pop, | 0:13:27 | 0:13:29 | |
I just thought it might be nice to look at us. | 0:13:29 | 0:13:32 | |
Sons and daughter of immigrants. | 0:13:32 | 0:13:35 | |
See, at a very early age, | 0:13:35 | 0:13:36 | |
you obviously didn't want much to do with the rest of us. | 0:13:36 | 0:13:39 | |
-Hiding over here, trying... -I removed myself from... | 0:13:39 | 0:13:42 | |
You've already got that James Dean pose. | 0:13:42 | 0:13:45 | |
-Before HE had it. -Before he had it. | 0:13:45 | 0:13:46 | |
"Oh, God, don't look at me. Don't look at me!" | 0:13:46 | 0:13:50 | |
I think I had a big, uh, safety pin | 0:13:50 | 0:13:52 | |
holding up my overalls. | 0:13:52 | 0:13:56 | |
-This is our grandmother... -Oh, my God. That's her... | 0:13:56 | 0:13:59 | |
In Parderrubias. Yes. | 0:13:59 | 0:14:01 | |
-That's the old homestead. -Yes, yes, yes. | 0:14:01 | 0:14:03 | |
We think we were poor, but they were really poor. | 0:14:03 | 0:14:05 | |
I mean, really poor. | 0:14:05 | 0:14:08 | |
Martin knows that his grandparents, Manuel and Dolores, | 0:14:09 | 0:14:12 | |
had seven children. | 0:14:12 | 0:14:14 | |
But he knows very little about his father's youngest brother, | 0:14:14 | 0:14:17 | |
his Uncle Matias. | 0:14:17 | 0:14:19 | |
-You remember the Spanish Civil War? -Sure. -Yeah, well... | 0:14:21 | 0:14:23 | |
Matias was arrested as a communist, | 0:14:23 | 0:14:25 | |
and he was in jail in Tui. | 0:14:25 | 0:14:28 | |
Every time he would go by that, | 0:14:28 | 0:14:30 | |
what is now a cultural centre, | 0:14:30 | 0:14:33 | |
he would say, | 0:14:33 | 0:14:35 | |
"Oh. They had me in there, and they were going to kill me. | 0:14:35 | 0:14:38 | |
"And now they're all dead, and I'm still alive." | 0:14:38 | 0:14:41 | |
This is news to me because I only heard kind of rumours and stories. | 0:14:41 | 0:14:45 | |
I didn't know about, uh, Matias's background. | 0:14:45 | 0:14:48 | |
I knew that he was forbidden to travel. | 0:14:48 | 0:14:51 | |
-Yeah, yeah. I mean, that's when he was marked as a communist. -Yeah. | 0:14:51 | 0:14:56 | |
Matias's home in Galicia was where the Spanish Civil War began. | 0:14:56 | 0:15:01 | |
In 1936, General Francisco Franco and his rebel forces | 0:15:01 | 0:15:06 | |
launched a violent coup | 0:15:06 | 0:15:09 | |
against the democratically elected Spanish Republic. | 0:15:09 | 0:15:12 | |
Anyone who opposed Franco's regime | 0:15:12 | 0:15:14 | |
and fought to restore the elected government, | 0:15:14 | 0:15:16 | |
like Matias Estevez, was imprisoned. | 0:15:16 | 0:15:20 | |
The resulting civil war raged for three years | 0:15:20 | 0:15:23 | |
until Franco emerged victorious. | 0:15:23 | 0:15:25 | |
Franco's fascist dictatorship | 0:15:25 | 0:15:27 | |
remained in power for nearly 40 years until his death in 1975. | 0:15:27 | 0:15:32 | |
-And this is Matias. -Oh, my God. | 0:15:33 | 0:15:35 | |
This is Matias with Joaquina and his daughters, | 0:15:35 | 0:15:38 | |
Angelita and Lola. | 0:15:38 | 0:15:41 | |
It's so interesting because there were civil wars | 0:15:41 | 0:15:43 | |
in both of our parents' countries. | 0:15:43 | 0:15:45 | |
-Yeah, and we had no idea. -Yes. | 0:15:45 | 0:15:48 | |
And the suffering that they endured. | 0:15:48 | 0:15:50 | |
I'm particularly interested in Matias and his background. | 0:15:50 | 0:15:56 | |
He, uh, went through the Civil War | 0:15:56 | 0:15:59 | |
and I'm interested in finding out | 0:15:59 | 0:16:01 | |
specifically what happened to him and why. | 0:16:01 | 0:16:04 | |
According to Martin's sister, Carmen, | 0:16:09 | 0:16:12 | |
their Uncle Matias served in the Spanish Civil War | 0:16:12 | 0:16:15 | |
and was imprisoned under General Franco's brutal regime. | 0:16:15 | 0:16:19 | |
To find out more about when his uncle joined | 0:16:19 | 0:16:22 | |
the fight against fascism, | 0:16:22 | 0:16:25 | |
what he did and where exactly he was imprisoned, | 0:16:25 | 0:16:28 | |
Martin has come to the national library in Madrid. | 0:16:28 | 0:16:31 | |
He's arranged to meet | 0:16:32 | 0:16:34 | |
with historian Alejandro Quiroga, | 0:16:34 | 0:16:36 | |
who has uncovered some records on Matias's Civil War activity. | 0:16:36 | 0:16:39 | |
I'm hoping, Alex, that you can enlighten me | 0:16:42 | 0:16:44 | |
with some truth about Matias. | 0:16:44 | 0:16:45 | |
Yeah, he had, um, a very interesting life | 0:16:45 | 0:16:48 | |
and, um, and a very difficult life. | 0:16:48 | 0:16:51 | |
The first reference of, uh, your Uncle Matias | 0:16:51 | 0:16:57 | |
is a reference in this book that was written by a pro-Franco priest. | 0:16:57 | 0:17:02 | |
So this is a propaganda book. | 0:17:02 | 0:17:05 | |
So this is the actual translation. | 0:17:05 | 0:17:09 | |
"By mid-July 1936, armed groups | 0:17:09 | 0:17:12 | |
"committed all kinds of abuses. | 0:17:12 | 0:17:15 | |
"One of those groups was led by Matias Estevez Martinez, | 0:17:15 | 0:17:19 | |
"also known as El Rato. The Mouse. | 0:17:19 | 0:17:22 | |
"His gang went on a van to the house | 0:17:22 | 0:17:24 | |
"of the mayor of the village, Mr Jose Gonzalez Gonzalez. | 0:17:24 | 0:17:29 | |
"The group required the mayor to join them | 0:17:29 | 0:17:31 | |
"in an attack on a local military police barracks | 0:17:31 | 0:17:35 | |
"and threatened to kill him if he was not to obey." | 0:17:35 | 0:17:39 | |
So basically, he was fighting against the rebels. | 0:17:39 | 0:17:42 | |
Yeah. The thing that's quite important are the dates. | 0:17:42 | 0:17:44 | |
The dates are the 20th and the 21st of July 1936. | 0:17:44 | 0:17:48 | |
That's very near the start of the Civil War. | 0:17:48 | 0:17:50 | |
That's the very, very beginning, exactly. | 0:17:50 | 0:17:53 | |
So he is actually attempting to stop the coup d'etat, | 0:17:53 | 0:17:56 | |
and what we know is that he was arrested after that | 0:17:56 | 0:18:01 | |
and was put in front of a military tribunal. | 0:18:01 | 0:18:06 | |
And they charged him with military rebellion. | 0:18:06 | 0:18:11 | |
They weren't even a legitimate government. | 0:18:11 | 0:18:13 | |
-No, of course not. -They were a military coup, | 0:18:13 | 0:18:15 | |
and they were already holding tribunals. | 0:18:15 | 0:18:18 | |
-So these fascists... -Mm-hmm. | 0:18:18 | 0:18:19 | |
..were forcing their form of law | 0:18:19 | 0:18:23 | |
on people who were law-abiding. | 0:18:23 | 0:18:26 | |
That's the bottom line, isn't it? | 0:18:26 | 0:18:28 | |
-That is the bottom line. -Yeah. | 0:18:28 | 0:18:30 | |
And you can read this sentence. | 0:18:30 | 0:18:33 | |
"We do declare that Matias Estevez Martinez | 0:18:34 | 0:18:37 | |
"must be condemned to life imprisonment." | 0:18:37 | 0:18:40 | |
So... My God, huh? | 0:18:43 | 0:18:46 | |
Life imprisonment? | 0:18:46 | 0:18:48 | |
-Do you know where he was... -Yes. -..in prison? | 0:18:48 | 0:18:51 | |
We know that because this book is, um, | 0:18:51 | 0:18:54 | |
Episodes Of Terror During The Civil War In The island Of San Simon. | 0:18:54 | 0:19:00 | |
And this is the list of, um, prisoners. | 0:19:00 | 0:19:03 | |
Wow, there were a lot of Estevezes. | 0:19:03 | 0:19:06 | |
I probably had a whole... | 0:19:06 | 0:19:08 | |
a whole bunch of, uh, relatives there with him. | 0:19:08 | 0:19:12 | |
My God. So here he is. | 0:19:12 | 0:19:14 | |
He's... It would he be 611? | 0:19:14 | 0:19:16 | |
Is that his prison number? | 0:19:16 | 0:19:18 | |
His prison number, yeah. | 0:19:18 | 0:19:20 | |
This is a place of extermination, place of terror, | 0:19:20 | 0:19:23 | |
a place created with the idea of, um, | 0:19:23 | 0:19:26 | |
in a very fascist manner, of purifying the nation. | 0:19:26 | 0:19:30 | |
The idea is to put as many people as possible there. | 0:19:30 | 0:19:35 | |
If they die out of starvation | 0:19:35 | 0:19:37 | |
or, uh, lack of sanitary conditions, | 0:19:37 | 0:19:40 | |
it doesn't matter. | 0:19:40 | 0:19:41 | |
Prior to the Civil War, Spanish prisons held some 12,000 convicts. | 0:19:43 | 0:19:48 | |
But after the war's end, the number of detainees | 0:19:48 | 0:19:52 | |
swelled to more than one million. | 0:19:52 | 0:19:55 | |
Nearly 100,000 of them died behind bars. | 0:19:55 | 0:19:58 | |
Matias Estevez served a year of his life sentence in San Simon, | 0:19:58 | 0:20:02 | |
before he was transferred in 1937 | 0:20:02 | 0:20:04 | |
to Franco's largest and most notorious prison, | 0:20:04 | 0:20:07 | |
San Cristobal, near Pamplona. | 0:20:07 | 0:20:10 | |
We have found the, uh, | 0:20:10 | 0:20:15 | |
actual register of, um, San Cristobal. | 0:20:15 | 0:20:18 | |
This is the sort of, uh, clase de penas, sort of sentence, | 0:20:18 | 0:20:21 | |
life imprisonment. | 0:20:21 | 0:20:23 | |
He is actually sentenced on 24th September 1936. | 0:20:23 | 0:20:29 | |
But I know he didn't serve a life sentence. | 0:20:29 | 0:20:33 | |
Does it say anything about when he is to be released, or...? | 0:20:33 | 0:20:37 | |
He is to be...released here. | 0:20:37 | 0:20:40 | |
Oh, my God. 1966? | 0:20:40 | 0:20:42 | |
-Did he serve that whole time? -He didn't. | 0:20:42 | 0:20:45 | |
He was released in 1940. | 0:20:45 | 0:20:48 | |
Thank God. | 0:20:48 | 0:20:50 | |
-Yeah. -And what does this say? | 0:20:50 | 0:20:52 | |
"Prision atenuada," | 0:20:52 | 0:20:54 | |
which means that he was released | 0:20:54 | 0:20:57 | |
but still under, uh, surveillance. | 0:20:57 | 0:21:00 | |
He was, like, uh, under house arrest. | 0:21:00 | 0:21:02 | |
And it says here until 1966. | 0:21:02 | 0:21:04 | |
It's astonishing. So he spent a total of four years in prison - | 0:21:06 | 0:21:12 | |
one year on San Simon island | 0:21:12 | 0:21:14 | |
and three years in San Cristobal in Pamplona. | 0:21:14 | 0:21:17 | |
Mm-hmm. | 0:21:17 | 0:21:19 | |
And they kept records of all these people that far... | 0:21:19 | 0:21:25 | |
after the war? That's, like, 30 years. | 0:21:25 | 0:21:28 | |
I had no idea | 0:21:28 | 0:21:31 | |
that he suffered this gravely. | 0:21:31 | 0:21:33 | |
What a brave guy. | 0:21:33 | 0:21:35 | |
He survived four years in two different concentration camps. | 0:21:38 | 0:21:42 | |
They were instituted | 0:21:42 | 0:21:45 | |
to break people's will and to create fear in the populace, | 0:21:45 | 0:21:49 | |
and that's what they did. | 0:21:49 | 0:21:51 | |
So I'm just anxious | 0:21:51 | 0:21:53 | |
to get to Pamplona and discover his circumstances | 0:21:53 | 0:21:57 | |
in San Cristobal. | 0:21:57 | 0:22:00 | |
Martin is meeting | 0:22:00 | 0:22:01 | |
with Spanish Civil War historian Julius Ruiz. | 0:22:01 | 0:22:05 | |
Matias would've arrived by bus or by van. | 0:22:07 | 0:22:10 | |
He would've been driven through those gates, | 0:22:10 | 0:22:13 | |
and then he would've been driven through this tunnel. | 0:22:13 | 0:22:16 | |
Oh, my God, it's cavernous, like an old cathedral. | 0:22:16 | 0:22:19 | |
-Extraordinary. -Amazing, yeah. -Absolutely extraordinary. -Yeah. | 0:22:19 | 0:22:23 | |
How many were confined here? | 0:22:23 | 0:22:24 | |
When it was used before the Civil War, | 0:22:24 | 0:22:27 | |
um, to hold, um, the prisoners for the revolution, | 0:22:27 | 0:22:30 | |
maybe 600, 700 prisoners were here. | 0:22:30 | 0:22:33 | |
But by the time your uncle arrived, | 0:22:33 | 0:22:35 | |
um, prisoners were arriving en masse from all over Spain. | 0:22:35 | 0:22:40 | |
-And, uh, so in 1938, there were 2,500. -Wow. | 0:22:40 | 0:22:44 | |
If we walk here, what we're going to see | 0:22:44 | 0:22:48 | |
is something that's Dante-esque. | 0:22:48 | 0:22:51 | |
We're now entering the worst of the very worst. | 0:22:51 | 0:22:56 | |
Wow. | 0:22:56 | 0:22:57 | |
This is kind of what it would've been like, | 0:22:59 | 0:23:02 | |
uh, at night down here. | 0:23:02 | 0:23:05 | |
Well, or even in high noon, huh? | 0:23:05 | 0:23:07 | |
-Yeah. -Oh, my. | 0:23:07 | 0:23:08 | |
So here we are. This is just one of the cells | 0:23:10 | 0:23:13 | |
-in which 25 to 50 prisoners would have been held. -What? | 0:23:13 | 0:23:17 | |
This is the only source of light? | 0:23:17 | 0:23:19 | |
This is the only source of light that they had. | 0:23:19 | 0:23:22 | |
-Do you see, there's no glass? -Yeah. | 0:23:22 | 0:23:24 | |
Uh, so you know, they were... it was open to the elements. | 0:23:24 | 0:23:28 | |
We're very close to the Pyrenees, | 0:23:28 | 0:23:30 | |
so in winter, we're talking subzero temperatures, uh, biting winds. | 0:23:30 | 0:23:35 | |
This is a reasonably warm sunny day, | 0:23:35 | 0:23:37 | |
so you can just imagine. | 0:23:37 | 0:23:39 | |
This is where, you know, | 0:23:39 | 0:23:41 | |
he was expected to serve his 30 years' sentence. | 0:23:41 | 0:23:45 | |
Wow. Boy, oh, boy. | 0:23:45 | 0:23:48 | |
There's a great similarity here on this journey, uh, | 0:23:54 | 0:23:59 | |
to San Cristobal from Kilmainham. | 0:23:59 | 0:24:03 | |
The idealism of both of these young men, | 0:24:03 | 0:24:07 | |
both uncles the same age, a year's difference maybe. | 0:24:07 | 0:24:10 | |
Idealistic, tough, deeply human. | 0:24:10 | 0:24:13 | |
And they suffered greatly for... | 0:24:13 | 0:24:15 | |
I... This place is like, I've never seen anything like this. | 0:24:15 | 0:24:20 | |
I can only imagine what being confined here | 0:24:20 | 0:24:23 | |
at that time and never knowing how it was going to end | 0:24:23 | 0:24:27 | |
and how he must have felt when he was released, | 0:24:27 | 0:24:30 | |
because he really wasn't released. | 0:24:30 | 0:24:32 | |
He was on a tether. He was out from behind these walls, | 0:24:32 | 0:24:36 | |
but he was confined to the walls of his own village. | 0:24:36 | 0:24:38 | |
And, you know, | 0:24:38 | 0:24:41 | |
these scoundrels denigrated him | 0:24:41 | 0:24:44 | |
by calling him El Rato, which means The Mouse. | 0:24:44 | 0:24:48 | |
He outlived all of these fascists. | 0:24:48 | 0:24:52 | |
So in the end, he was the mouse that roared, | 0:24:52 | 0:24:55 | |
and I say, "God bless him." | 0:24:55 | 0:24:56 | |
Martin has found out as much as he can | 0:24:59 | 0:25:01 | |
about his Uncle Matias's political past. | 0:25:01 | 0:25:04 | |
Now he wants to dig further back into his paternal Spanish ancestry. | 0:25:04 | 0:25:10 | |
Martin's sister Carmen has sent him | 0:25:10 | 0:25:12 | |
their father Francisco's birth certificate | 0:25:12 | 0:25:15 | |
and he's come to the town of Tui, | 0:25:15 | 0:25:17 | |
where he's meeting with genealogist Matthew Hovius | 0:25:17 | 0:25:20 | |
to see what information the birth certificate contains. | 0:25:20 | 0:25:23 | |
So, Matthew, this is my father's birth certificate. The problem is, | 0:25:25 | 0:25:29 | |
it's in Galego, and, uh, not only do I not speak Spanish, | 0:25:29 | 0:25:33 | |
I don't speak Galego either. So if you could help me, I'd be grateful. | 0:25:33 | 0:25:36 | |
Sure, I'd like to just go through the text here. | 0:25:36 | 0:25:38 | |
Now, let's see, we've got your father Francisco. | 0:25:38 | 0:25:42 | |
So it says, um, he is the legitimate son of Manuel Estevez Fernandez, | 0:25:42 | 0:25:46 | |
and that would be your grandfather, | 0:25:46 | 0:25:49 | |
and of Dolores Martinez, that would be your grandmother. | 0:25:49 | 0:25:52 | |
And, uh, the maternal grandparents of the child | 0:25:52 | 0:25:55 | |
are Carmen Martinez and grandfather unknown. | 0:25:55 | 0:26:00 | |
Martin has discovered | 0:26:00 | 0:26:01 | |
that his great-grandmother | 0:26:01 | 0:26:03 | |
was called Carmen Martinez. | 0:26:03 | 0:26:05 | |
With Matthew's help, he's been able | 0:26:05 | 0:26:07 | |
to trace his family back | 0:26:07 | 0:26:08 | |
a further three generations to the 1700s, | 0:26:08 | 0:26:11 | |
to his four-times great-grandparents, | 0:26:11 | 0:26:13 | |
don Diego Francisco Suarez and Maria Gonzalez. | 0:26:13 | 0:26:18 | |
Matthew's research has also found something intriguing | 0:26:18 | 0:26:22 | |
about don Diego and Maria Gonzalez | 0:26:22 | 0:26:25 | |
in the marriage record of their daughter Paula. | 0:26:25 | 0:26:28 | |
This gives us a lot of interesting information, | 0:26:28 | 0:26:31 | |
but there's one particularly important aspect of the record. | 0:26:31 | 0:26:34 | |
Um, if you notice here where it describes Paula, it says, | 0:26:34 | 0:26:37 | |
"Hija natural de don Diego Suarez y de Maria Antonia Gonzalez." | 0:26:37 | 0:26:41 | |
And what that means is | 0:26:41 | 0:26:43 | |
that Paula was the natural daughter of don Diego... | 0:26:43 | 0:26:47 | |
-Of don Diego Suarez and Maria Gonzalez. -That's right. -Uh-huh. | 0:26:47 | 0:26:51 | |
Why is it important to say that? | 0:26:51 | 0:26:54 | |
Well, because what that means is that she's the natural daughter. | 0:26:54 | 0:26:57 | |
You notice that, um, | 0:26:57 | 0:26:58 | |
Pelayo, her husband, is described as the legitimate son of his parents. | 0:26:58 | 0:27:03 | |
If, uh, Paula is described as the natural daughter of don Diego, | 0:27:03 | 0:27:07 | |
um, that means that her father wasn't married to her mother. | 0:27:07 | 0:27:11 | |
-Her father don Diego was not married to... -To Maria Gonzalez. | 0:27:11 | 0:27:15 | |
Now, let's take a look at Diego's own marriage record. | 0:27:15 | 0:27:18 | |
Everything we've seen so far have been books from Parderrubias. | 0:27:18 | 0:27:22 | |
This register is actually from the cathedral in Tui. | 0:27:22 | 0:27:24 | |
This is in 1740, and what the priest is telling us is, | 0:27:24 | 0:27:29 | |
"I celebrated the marriage contracted by... | 0:27:29 | 0:27:32 | |
"don Diego Suarez Delago, who married Manuela de Alfaya." | 0:27:32 | 0:27:37 | |
-We have Paula Suarez's mother as Maria Gonzalez... -Yes. | 0:27:37 | 0:27:41 | |
-And here we see don Diego marrying Manuela de Alfaya. -Whoops. | 0:27:41 | 0:27:46 | |
According to the church records, | 0:27:48 | 0:27:50 | |
don Diego was not married to Maria Gonzalez, | 0:27:50 | 0:27:53 | |
but was actually married to a woman named Manuela de Alfaya. | 0:27:53 | 0:27:57 | |
But don Diego didn't stop there. | 0:27:57 | 0:28:01 | |
In addition to Martin's three-times great-grandmother Paula, | 0:28:01 | 0:28:04 | |
don Diego and his mistress Maria | 0:28:04 | 0:28:07 | |
went on to have five more illegitimate children together. | 0:28:07 | 0:28:11 | |
And, uh, this is the baptism book covering... | 0:28:11 | 0:28:16 | |
-1739 to 1780. -But they also used the baptism register | 0:28:16 | 0:28:20 | |
-for some other sacraments, such as confirmation. -I see. | 0:28:20 | 0:28:22 | |
And the way confirmation was done at the time | 0:28:22 | 0:28:26 | |
was usually not every year, but every few years, | 0:28:26 | 0:28:28 | |
if some prominent local churchman would happen to come through, | 0:28:28 | 0:28:32 | |
like the Bishop of Tui. All the children who hadn't been confirmed | 0:28:32 | 0:28:35 | |
since the last visit would be brought out for confirmation. | 0:28:35 | 0:28:37 | |
If you notice, this was in September 1777. | 0:28:37 | 0:28:42 | |
And I can tell you that | 0:28:42 | 0:28:43 | |
your great-great-great-great grandfather don Diego, | 0:28:43 | 0:28:46 | |
uh, died just three years before this. | 0:28:46 | 0:28:49 | |
So this would've been the first confirmation ceremony | 0:28:49 | 0:28:52 | |
in Parderrubias since Diego had passed away. | 0:28:52 | 0:28:55 | |
-And she came out of the closet with this brood of children. -Exactly. | 0:28:55 | 0:28:59 | |
After they put him in the ground. | 0:28:59 | 0:29:01 | |
And I think what that says about her is that | 0:29:01 | 0:29:03 | |
she must have been a very loyal person | 0:29:03 | 0:29:05 | |
because she seems to have kept all these children out of sight | 0:29:05 | 0:29:08 | |
for as long as she could. | 0:29:08 | 0:29:09 | |
This is an extraordinary woman, Maria Gonzalez. Wow. | 0:29:09 | 0:29:15 | |
How did don Diego come to his status as a don? | 0:29:15 | 0:29:21 | |
For Galicia, the first place I would look would be the regional archive, | 0:29:21 | 0:29:25 | |
known as the Archivo del Reino de Galicia in La Coruna. | 0:29:25 | 0:29:28 | |
This investigation is getting curiouser and curiouser. | 0:29:28 | 0:29:33 | |
We have landed on a very interesting couple, | 0:29:33 | 0:29:36 | |
namely don - I want to say don Juan, | 0:29:36 | 0:29:39 | |
it appears he was a bit of a don Juan - don Diego Suarez. | 0:29:39 | 0:29:45 | |
And I have to go to La Coruna to find out more | 0:29:45 | 0:29:50 | |
about don Diego and see just what his life was all about | 0:29:50 | 0:29:54 | |
and how many relatives he left on my tree. | 0:29:54 | 0:29:57 | |
Martin has discovered that his four-times great-grandfather | 0:29:59 | 0:30:02 | |
don Diego Francisco Suarez | 0:30:02 | 0:30:04 | |
had six illegitimate children... | 0:30:04 | 0:30:06 | |
..but was also referred to in the records as a don. | 0:30:07 | 0:30:12 | |
So Martin is enlisting the help of historian Edward Behrend-Martinez | 0:30:12 | 0:30:17 | |
to find out who this titled | 0:30:17 | 0:30:20 | |
and prominent man really was. | 0:30:20 | 0:30:21 | |
I have here, um, the only document that we have | 0:30:23 | 0:30:26 | |
relating to don Diego Francisco Suarez, | 0:30:26 | 0:30:30 | |
your great-great-great-great grandfather. | 0:30:30 | 0:30:33 | |
Um, and, uh... So I'll let you take a look at that. | 0:30:33 | 0:30:37 | |
-Oh, my. -And it says... | 0:30:37 | 0:30:40 | |
I translated it here for you. | 0:30:40 | 0:30:41 | |
All right. | 0:30:41 | 0:30:44 | |
"In the said town in jurisdiction | 0:30:44 | 0:30:47 | |
"on 24th June of the said year, | 0:30:47 | 0:30:49 | |
"his honour don Diego Francisco Suarez, | 0:30:49 | 0:30:53 | |
"the said ordinary judge..." | 0:30:53 | 0:30:55 | |
What is this all about? | 0:30:55 | 0:30:58 | |
Is don Diego Francisco Suarez a judge? | 0:30:58 | 0:31:01 | |
Yeah. Yeah, absolutely. | 0:31:01 | 0:31:03 | |
He is the highest...authority... | 0:31:05 | 0:31:08 | |
Yeah. | 0:31:08 | 0:31:11 | |
..legal authority in the community? | 0:31:11 | 0:31:12 | |
-Yeah, absolutely. -Unbelievable. | 0:31:12 | 0:31:15 | |
So the judge, "Stated that, based on the contents of the said proceedings | 0:31:15 | 0:31:21 | |
"regarding the absence of Antonia Pereira, single woman, | 0:31:21 | 0:31:25 | |
"he would and did order that the following edict | 0:31:25 | 0:31:28 | |
"be made public, as specified in the law." | 0:31:28 | 0:31:32 | |
So please tell me, uh, this...judge, | 0:31:32 | 0:31:37 | |
don Diego Francisco Suarez, has decreed | 0:31:37 | 0:31:42 | |
-someone is a criminal. -Yes. | 0:31:42 | 0:31:45 | |
He's going after a young woman, Antonia Pereira, | 0:31:45 | 0:31:49 | |
who had had an affair with a very privileged man in the community. | 0:31:49 | 0:31:53 | |
When they say "privileged", meaning he's untouchable, | 0:31:53 | 0:31:56 | |
-they mean, very likely, a cleric or a priest. -Oh. | 0:31:56 | 0:32:01 | |
And then it turned out in the spring of 1748, she gets pregnant. | 0:32:01 | 0:32:06 | |
And then Antonia goes off to a midwife | 0:32:06 | 0:32:09 | |
to seek remedies for the pregnancy. | 0:32:09 | 0:32:11 | |
-An abortion. -Yeah. | 0:32:11 | 0:32:14 | |
Wow, so the basic crime here, if you will, | 0:32:14 | 0:32:18 | |
is not the affair or the impending birth, | 0:32:18 | 0:32:23 | |
-but the abortion. -Yeah. | 0:32:23 | 0:32:25 | |
So don Diego Francisco Suarez was pursuing Antonia | 0:32:25 | 0:32:30 | |
with, um, as much power and, uh, vigour as he could. | 0:32:30 | 0:32:34 | |
In fact, your ancestor sends out | 0:32:34 | 0:32:37 | |
an order to have wanted posters put up all over, uh, the area. | 0:32:37 | 0:32:40 | |
But his motivation, uh, really strikes me | 0:32:40 | 0:32:45 | |
as a double standard, obviously, | 0:32:45 | 0:32:48 | |
because he was engaged, while he was married, | 0:32:48 | 0:32:51 | |
in an illicit affair with Senora Gonzalez | 0:32:51 | 0:32:56 | |
and he had six children. | 0:32:56 | 0:32:58 | |
Right, but I don't think it ever occurred... | 0:32:58 | 0:33:01 | |
So in essence, he was quite above the law, we would say. | 0:33:01 | 0:33:04 | |
-Yeah, he is the law. -He is the law. | 0:33:04 | 0:33:07 | |
-Right. -OK. -Wow. | 0:33:07 | 0:33:09 | |
Don Diego, you son of a gun. | 0:33:09 | 0:33:13 | |
We've done a bit more research. | 0:33:13 | 0:33:15 | |
Uh, we have a family tree for you. | 0:33:15 | 0:33:17 | |
Wow. That's taking us on | 0:33:21 | 0:33:24 | |
my grandmother's side | 0:33:24 | 0:33:26 | |
to don Diego. | 0:33:26 | 0:33:29 | |
And he is buried 6th December 1773 | 0:33:29 | 0:33:33 | |
in the cathedral in Tui, Galicia. | 0:33:33 | 0:33:36 | |
-He's buried in the cathedral? -Yeah. | 0:33:36 | 0:33:39 | |
Wow, he really was a big shot. | 0:33:39 | 0:33:41 | |
-Yeah, he was. -Hmm, now we're going to look at | 0:33:41 | 0:33:44 | |
my grandfather's side. | 0:33:44 | 0:33:45 | |
His father was Augustin Estevez Martinez. | 0:33:45 | 0:33:50 | |
And Augustin's father was Jose Estevez, | 0:33:50 | 0:33:54 | |
and he was married to Maria Rosa Martinez. | 0:33:54 | 0:33:59 | |
And her mother and father are Juan Martinez | 0:33:59 | 0:34:05 | |
and his wife, Liberata. | 0:34:05 | 0:34:07 | |
And her father | 0:34:07 | 0:34:10 | |
is Ramon Martinez. | 0:34:10 | 0:34:12 | |
Mm-hmm. | 0:34:12 | 0:34:14 | |
And his wife is Antonia Pereira. | 0:34:14 | 0:34:18 | |
The young girl. | 0:34:18 | 0:34:20 | |
Oh, my God. | 0:34:20 | 0:34:22 | |
Isn't that amazing? | 0:34:22 | 0:34:26 | |
Nearly 150 years after don Diego Suarez's attempted prosecution | 0:34:26 | 0:34:31 | |
of the young Antonia Pereira, | 0:34:31 | 0:34:33 | |
an extraordinary thing happened. | 0:34:33 | 0:34:35 | |
Two lines on Martin's family tree converged | 0:34:35 | 0:34:39 | |
when his grandfather, Manuel Estevez Fernandez, | 0:34:39 | 0:34:42 | |
married his grandmother, Dolores Martinez, | 0:34:42 | 0:34:46 | |
which means that it was his four-times great-grandmother | 0:34:46 | 0:34:51 | |
who was being relentlessly pursued | 0:34:51 | 0:34:53 | |
by Martin's four-times great-grandfather. | 0:34:53 | 0:34:58 | |
Unbelievable! | 0:34:58 | 0:35:00 | |
It's amazing that we have one document that leads to this result. | 0:35:00 | 0:35:05 | |
It's just astonishing | 0:35:05 | 0:35:08 | |
that the connection... | 0:35:08 | 0:35:09 | |
..is so far back and so intimate, | 0:35:11 | 0:35:14 | |
and yet so spread apart. | 0:35:14 | 0:35:17 | |
-Over two centuries. -Mm-hmm. | 0:35:17 | 0:35:20 | |
-This is the Antonia... -Yeah. | 0:35:20 | 0:35:23 | |
..that was so scandalised and brutalised and pursued. | 0:35:23 | 0:35:28 | |
But apparently, she was able to come back to Parderrubias | 0:35:28 | 0:35:31 | |
-and make a life for herself and get married. -Astonishing. | 0:35:31 | 0:35:36 | |
This extraordinary young woman, | 0:35:36 | 0:35:38 | |
pursued by this... | 0:35:38 | 0:35:41 | |
..unbelievable figure, | 0:35:44 | 0:35:47 | |
don Diego Francisco Suarez. | 0:35:47 | 0:35:51 | |
Wait till Carmen gets a load of this! | 0:35:51 | 0:35:54 | |
It makes me feel a bit more human | 0:35:57 | 0:36:00 | |
to have uncovered | 0:36:00 | 0:36:02 | |
what this dear woman, particularly, | 0:36:02 | 0:36:07 | |
Antonia, did as a young, single girl, what she endured, | 0:36:07 | 0:36:11 | |
and how she kept her life together | 0:36:11 | 0:36:13 | |
and stayed in that community | 0:36:13 | 0:36:17 | |
with all of this exposure falling on her. | 0:36:17 | 0:36:20 | |
This disgrace makes me extremely proud | 0:36:20 | 0:36:23 | |
to have been grown on the same tree as | 0:36:23 | 0:36:26 | |
my great-great-great-great grandmother Antonia. | 0:36:26 | 0:36:30 | |
Martin has one final thing left to do on his journey | 0:36:32 | 0:36:36 | |
and that is to share everything he has learned with his family. | 0:36:36 | 0:36:40 | |
He's travelling to the village of Parderrubias, | 0:36:40 | 0:36:43 | |
where his father was born and raised, | 0:36:43 | 0:36:46 | |
to meet with his sister Carmen and son Ramon. | 0:36:46 | 0:36:51 | |
I've been on quite a journey | 0:36:52 | 0:36:54 | |
these last few weeks, | 0:36:54 | 0:36:56 | |
and I have a lot of information I need to share with you. | 0:36:56 | 0:36:59 | |
To have uncovered information | 0:36:59 | 0:37:04 | |
on two uncles, | 0:37:04 | 0:37:07 | |
both of whom suffered imprisonment | 0:37:07 | 0:37:09 | |
and ostracisation by the community, | 0:37:09 | 0:37:12 | |
I didn't have a clue. | 0:37:12 | 0:37:13 | |
It encourages me to continue my work in peace and justice, | 0:37:13 | 0:37:17 | |
and, uh, now I have a sense | 0:37:17 | 0:37:20 | |
of where that gene comes from. | 0:37:20 | 0:37:23 | |
And then to have had this whole other section of the tree | 0:37:23 | 0:37:28 | |
suddenly blossom before my eyes, | 0:37:28 | 0:37:30 | |
where we go to Maria Gonzalez, | 0:37:30 | 0:37:33 | |
who has this association with a don. | 0:37:33 | 0:37:38 | |
If you had told me at the beginning of this journey | 0:37:38 | 0:37:40 | |
where I was going, I wouldn't have imagined such a place. | 0:37:40 | 0:37:45 | |
Tell me the name of the girl again. | 0:37:45 | 0:37:47 | |
-Antonia Pereira. -And who prosecuted her? | 0:37:47 | 0:37:51 | |
Don Diego Francisco Suarez. | 0:37:51 | 0:37:55 | |
Your great-great-great-great grandfather. | 0:37:55 | 0:37:58 | |
Are you ready to meet your great-great-great-great grandmother? | 0:37:58 | 0:38:04 | |
-Tell me the name... -Oh, my God! | 0:38:04 | 0:38:07 | |
Say her name. | 0:38:09 | 0:38:11 | |
Antonia... | 0:38:11 | 0:38:13 | |
Antonia Pereira. | 0:38:13 | 0:38:15 | |
He is our great-great-great-great grandfather, | 0:38:15 | 0:38:21 | |
-who prosecuted her... -And he prosecuted her. | 0:38:21 | 0:38:25 | |
This is the Spain where these people live. | 0:38:25 | 0:38:28 | |
-Oh, my goodness. -It's unbelievable. | 0:38:28 | 0:38:30 | |
I mean, you couldn't...come up with this if you tried. | 0:38:30 | 0:38:33 | |
-You couldn't. -I mean, this is, uh, unbelievable. | 0:38:33 | 0:38:36 | |
It's astonishing | 0:38:36 | 0:38:38 | |
that the tree has revealed | 0:38:38 | 0:38:40 | |
what you couldn't have imagined | 0:38:40 | 0:38:43 | |
and, if you'd written a novel with all these truths in it, | 0:38:43 | 0:38:48 | |
they'd say, "Ah, it's a bit over the top." It actually happened. | 0:38:48 | 0:38:52 |