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Rashida Jones is investigating her mother's family history. | 0:00:02 | 0:00:05 | |
She went to Manhattan and never came back. | 0:00:05 | 0:00:07 | |
Tracing her mysterious grandmother Rita's years in Manhattan. | 0:00:07 | 0:00:10 | |
I'm definitely interested to know what she was doing. SHE LAUGHS | 0:00:10 | 0:00:14 | |
She discovers unexpected Eastern European roots... | 0:00:14 | 0:00:18 | |
It's really, really, really senseless. | 0:00:18 | 0:00:22 | |
..that change the way she relates to her Jewish heritage. | 0:00:22 | 0:00:26 | |
I feel like a miracle. | 0:00:26 | 0:00:28 | |
Actor and writer Rashida Jones lives in Los Angeles. | 0:00:57 | 0:01:01 | |
Her many film credits include I Love You, Man and The Social Network. | 0:01:01 | 0:01:06 | |
And she currently plays the role of Ann Perkins on Parks and Recreation. | 0:01:06 | 0:01:10 | |
Rashida is the daughter of music industry legend Quincy Jones | 0:01:10 | 0:01:14 | |
and actress Peggy Lipton. | 0:01:14 | 0:01:16 | |
And this mix of African-American and Jewish cultures has formed her individuality since she was a child. | 0:01:16 | 0:01:23 | |
I always identified with both, it was important to me to be black | 0:01:23 | 0:01:28 | |
as was Judaism and the culture that came with being Jewish. | 0:01:28 | 0:01:33 | |
I was always encouraged to be balanced and I don't want to chose. | 0:01:33 | 0:01:37 | |
My Dad's always been obsessed with our genealogy and our family tree, | 0:01:37 | 0:01:42 | |
so he did all types of research and had our family roots traced. | 0:01:42 | 0:01:47 | |
And it's been nice because he loves to talk about it. | 0:01:47 | 0:01:50 | |
In college I fell into a larger Jewish community and was going to synagogue on high holidays | 0:01:50 | 0:01:57 | |
and becoming more interested in the historical roots and everything. | 0:01:57 | 0:02:01 | |
But despite my interest in Jewish culture, | 0:02:01 | 0:02:04 | |
I don't know very much about my personal Jewish family history on my Mom's side. | 0:02:04 | 0:02:09 | |
I did spend a lot of time with her parents, my grandpa Harold and grandma Rita growing up, | 0:02:09 | 0:02:14 | |
but both of them have since passed away. | 0:02:14 | 0:02:17 | |
I was very close with my grandmother and I always have, like, felt connected to her. | 0:02:17 | 0:02:23 | |
I have her art all over my house and I feel like she's always with me. | 0:02:23 | 0:02:27 | |
I didn't know anything really about her upbringing, I just knew her with my grandfather. | 0:02:27 | 0:02:32 | |
But my feeling about my grandmother is she was very elegant, | 0:02:32 | 0:02:36 | |
had wonderful taste, was an incredible artist, | 0:02:36 | 0:02:40 | |
really beautiful, and that's pretty much it. | 0:02:40 | 0:02:42 | |
To find out more about her grandmother, Rita, | 0:02:42 | 0:02:46 | |
Rashida is going to visit her mother, Peggy, | 0:02:46 | 0:02:49 | |
to see what she knows about Rita's early years. | 0:02:49 | 0:02:52 | |
She's meeting with her mother and sister, Kidada, | 0:02:53 | 0:02:56 | |
at her father's house in Los Angeles to get her started on her journey. | 0:02:56 | 0:03:00 | |
What do you know, Mom? What do you know? | 0:03:00 | 0:03:02 | |
Well... | 0:03:02 | 0:03:04 | |
even though my mother kept a great record of her photographs, I don't know that much about her life. | 0:03:04 | 0:03:11 | |
My mother, Rita, even though she didn't have a formal education, | 0:03:11 | 0:03:15 | |
she was very erudite, very sophisticated and had incredible taste. | 0:03:15 | 0:03:20 | |
Like here's a picture of her that I love. Look, how cute is that? | 0:03:20 | 0:03:25 | |
Oh, God! So pretty! | 0:03:25 | 0:03:28 | |
-Looks like Rashida. -Irish. Yeah, It does a lot. | 0:03:28 | 0:03:32 | |
-Beautiful. -She was born in Ireland and left there | 0:03:32 | 0:03:38 | |
and came to the States to live in Nyack, New York, | 0:03:38 | 0:03:41 | |
with some Jewish relatives and her sister, Pearl. | 0:03:41 | 0:03:44 | |
And Rita was apparently 14 or 15. | 0:03:44 | 0:03:46 | |
Rita went to a month or two of school and split. | 0:03:46 | 0:03:51 | |
She left. She left Nyack, she left Pearl, she left everybody. | 0:03:51 | 0:03:55 | |
-To go to Manhattan? -Yes. She went to Manhattan and never came back. | 0:03:55 | 0:03:58 | |
Her sister, Pearl, once said to me very late in life, | 0:03:58 | 0:04:02 | |
"Oh, God! Rita was like... She was... She used to dance." | 0:04:02 | 0:04:07 | |
I didn't even know Rita was a dancer. | 0:04:07 | 0:04:09 | |
-Pearl went down to New York... -Were there feathers? | 0:04:09 | 0:04:13 | |
Not quite that. You know, she was much classier than that. My mother was so classy. | 0:04:13 | 0:04:18 | |
But apparently there was this thing in New York that were called taxi dancers. | 0:04:18 | 0:04:23 | |
-This is what Pearl told me. -OK, so when did she meet Grandpa? | 0:04:23 | 0:04:26 | |
She married Harold in '41. | 0:04:26 | 0:04:30 | |
I think she was, like, 30. | 0:04:30 | 0:04:32 | |
And at some point she changed her name from Rosenberg to Benson, right? | 0:04:32 | 0:04:37 | |
Yeah. It was very confusing at the time. Was she a Rosenberg? Was she a Benson? | 0:04:37 | 0:04:41 | |
-Do you think it was something to do with the religious, cultural implications? -Yeah. | 0:04:41 | 0:04:46 | |
I would imagine that Jews were not looked on with much affection at all. | 0:04:46 | 0:04:52 | |
They may have changed their name out of fear. | 0:04:52 | 0:04:55 | |
Rashida has discovered that her grandmother dropped out of school | 0:04:55 | 0:04:59 | |
and left for Manhattan, but she has no idea when this happened. | 0:04:59 | 0:05:03 | |
She's travelling to New York to try and find out more about Rita's life there. | 0:05:03 | 0:05:08 | |
It seems as though my grandmother was reinventing herself, going from a Jewish immigrant teenager, | 0:05:10 | 0:05:16 | |
to a taxi dancer, to a sophisticated wife and a mother, and that's really interesting to me. | 0:05:16 | 0:05:23 | |
Rashida is heading to the New York Public Library's Steven A Schwartzman building | 0:05:23 | 0:05:28 | |
to meet with Professor Kirsten Fermaglich, | 0:05:28 | 0:05:31 | |
who's been looking for information on Rita's life in Manhattan. | 0:05:31 | 0:05:34 | |
-I want to find out some things about my grandmother... -OK. | 0:05:34 | 0:05:40 | |
..who was Rita Benson, | 0:05:40 | 0:05:42 | |
but at some point was Rosenberg. We're not quite sure when she changed her name. | 0:05:42 | 0:05:47 | |
And I also want to know... There's this big chunk of time | 0:05:47 | 0:05:51 | |
where she just disappeared into the city before she met my grandfather, | 0:05:51 | 0:05:56 | |
and nobody knows what she was doing. SHE LAUGHS | 0:05:56 | 0:05:58 | |
Well, this is a really interesting thing to explore. | 0:05:58 | 0:06:02 | |
-"Rita... Rosenberg." -Uh-huh. | 0:06:02 | 0:06:06 | |
Cool. New York passenger lists. | 0:06:06 | 0:06:11 | |
-Oh, 1926. -You can get the actual record. -Oh, cool. -There you go. -Awesome. | 0:06:11 | 0:06:16 | |
Look, there it is, Pearl and Rita Rosenberg. | 0:06:18 | 0:06:22 | |
God! 13 and 18! | 0:06:22 | 0:06:25 | |
It's crazy to come to a different country without your parents. | 0:06:25 | 0:06:29 | |
-Was that uncommon? -It wouldn't have been that uncommon. -Right. | 0:06:29 | 0:06:32 | |
A lot of families when they emigrated would come over in that way. | 0:06:32 | 0:06:36 | |
-Jews in particular would come over in bits and pieces. -OK. | 0:06:36 | 0:06:40 | |
SHE SIGHS | 0:06:40 | 0:06:42 | |
"Mother, Jeanie Rosenberg." OK, so Jeanie. Right, that's my great-grandmother. | 0:06:42 | 0:06:48 | |
I have to wear my glasses. Sorry. | 0:06:48 | 0:06:51 | |
-Oh, they're going to join a relative or friend. -Uh-huh. | 0:06:51 | 0:06:53 | |
OK, now this is really weird. Uncle, Mr Elliot Benson. | 0:06:53 | 0:06:58 | |
So he's a Benson. Now I'm really confused. | 0:06:58 | 0:07:02 | |
BOTH LAUGH | 0:07:02 | 0:07:03 | |
I wonder... Oh, maybe they took their uncle's name | 0:07:03 | 0:07:08 | |
in an attempt to acclimatise. | 0:07:08 | 0:07:10 | |
It's possible. It definitely happened. | 0:07:10 | 0:07:13 | |
So, she changed her name sometime after she arrived in New York? | 0:07:13 | 0:07:16 | |
I have this declaration of intention, | 0:07:16 | 0:07:19 | |
which is what immigrants file when they're going to become citizens. | 0:07:19 | 0:07:22 | |
Erm... 1936. | 0:07:22 | 0:07:26 | |
-So this is when she's trying to become a citizen. -OK. | 0:07:26 | 0:07:29 | |
-Here she's Rosenberg. -Uh-huh. | 0:07:29 | 0:07:31 | |
"I was born in Dublin, Ireland. Birthday, May 30, 1912." | 0:07:31 | 0:07:39 | |
So, if she immigrated in 1926 and got married in 1941, that's 15 years. | 0:07:39 | 0:07:46 | |
Which means there's a really long stretch | 0:07:46 | 0:07:49 | |
where I have no idea what she was doing. | 0:07:49 | 0:07:51 | |
Wow! | 0:07:51 | 0:07:54 | |
-So Evelyn Feldman... Oh, this is someone saying, "I know this person." -Exactly. | 0:07:54 | 0:07:59 | |
"I first met her in New York City in January 1933 through mutual friends. | 0:07:59 | 0:08:04 | |
"Rita Hetty Rosenberg, known as Rita Benson." | 0:08:04 | 0:08:07 | |
She's known as Rita Benson as early as...? | 0:08:07 | 0:08:11 | |
Clearly by 1939, she's known as Benson. | 0:08:11 | 0:08:15 | |
But did she ever change her name officially? | 0:08:15 | 0:08:19 | |
This is the certificate of citizenship. | 0:08:19 | 0:08:22 | |
Aw! | 0:08:22 | 0:08:24 | |
So she got her citizenship, that's good. | 0:08:28 | 0:08:31 | |
Wow! | 0:08:31 | 0:08:34 | |
OK, so by the time she gets her citizenship, she's just Rita Benson. | 0:08:34 | 0:08:41 | |
"Name changed by decree of court, June 30th, 1939, | 0:08:41 | 0:08:45 | |
"from Rita Hetty Rosenberg to Rita Benson as part of naturalisation." | 0:08:45 | 0:08:49 | |
OK, so as part of her becoming a citizen, | 0:08:52 | 0:08:56 | |
-you can also do, like, a simultaneous name change? -Yeah. | 0:08:56 | 0:08:59 | |
What were the main reasons why people changed their name? Jobs? | 0:08:59 | 0:09:03 | |
Yeah. There's a lot of anti-Semitism. | 0:09:03 | 0:09:06 | |
It increases in the US in the '20s and in the 1930s. | 0:09:06 | 0:09:10 | |
This is a clip from the New York World, a newspaper that we | 0:09:10 | 0:09:14 | |
were able to find through the New York Public Library. | 0:09:14 | 0:09:17 | |
"Help wanted. Male. Christian. Christian." | 0:09:17 | 0:09:20 | |
Every job has to be filled by a Christian. | 0:09:20 | 0:09:23 | |
-"Neat, intelligent Americans." So that meaning not immigrants. -Right. | 0:09:25 | 0:09:29 | |
That's so crazy! | 0:09:29 | 0:09:33 | |
Employers are very open in discriminating against Jews. | 0:09:33 | 0:09:36 | |
They could openly say what kind of applicants they preferred. | 0:09:36 | 0:09:41 | |
-Christians. -Yep. | 0:09:41 | 0:09:42 | |
It's so weird that there's this parallel American dream, right. | 0:09:44 | 0:09:48 | |
The one is "come to American and practise whatever you want," | 0:09:48 | 0:09:52 | |
and the other is "find a way to change | 0:09:52 | 0:09:54 | |
"so that you can fully and completely ingratiate yourself | 0:09:54 | 0:09:58 | |
"in a way where you can't actually be too different." | 0:09:58 | 0:10:00 | |
Yeah. That's exactly right. Come, you can be successful, but, yeah, don't be too different. | 0:10:00 | 0:10:05 | |
-You'll only be successful if you're not too different. -Exactly. | 0:10:05 | 0:10:09 | |
I know that my grandmother disappeared and there's a huge window. | 0:10:09 | 0:10:13 | |
She didn't get married till she was 29, so there's 15 years there, | 0:10:13 | 0:10:17 | |
and I don't know exactly when she went to the city and people stopped hearing from her. | 0:10:17 | 0:10:23 | |
But she must have been pretty young. | 0:10:23 | 0:10:26 | |
And I am definitely interested to know where she went and what she was doing. | 0:10:26 | 0:10:30 | |
OK. | 0:10:32 | 0:10:34 | |
The next step really is to figure out where my grandmother was | 0:10:34 | 0:10:38 | |
when she disappeared into the wild city of Manhattan. | 0:10:38 | 0:10:44 | |
When Rita lived in New York, she was working as something called a taxi dancer, | 0:10:44 | 0:10:49 | |
and was probably going by the name of Rosenberg. | 0:10:49 | 0:10:53 | |
Rashida is meeting with writer, David Freeland - an expert in 1930s Manhattan nightlife. | 0:10:53 | 0:10:59 | |
They're meeting in a former ballroom and nightclub in the basement of the Paramount Hotel. | 0:10:59 | 0:11:04 | |
-What was this called? -Well, this was Billy Rose's Diamond Horseshoe. | 0:11:05 | 0:11:10 | |
It opened in 1938. This was really one of the greatest nightclubs in New York City history. | 0:11:10 | 0:11:17 | |
-Wow! -You can imagine what it must have been like at the time. -Yeah, I can kind of picture it. | 0:11:17 | 0:11:23 | |
-So this is my grandmother. -Oh, wow! | 0:11:23 | 0:11:28 | |
-Extremely beautiful. -Yeah, she's like a movie star. | 0:11:28 | 0:11:30 | |
Her name was Rita Rosenberg when she came to the US in 1926, | 0:11:30 | 0:11:34 | |
and at some point after that, my family says she was taxi dancing. | 0:11:34 | 0:11:39 | |
The term comes from the notion of being in a taxi cab - | 0:11:39 | 0:11:43 | |
-the more time you're in a cab, the more money you spend. -Right. | 0:11:43 | 0:11:47 | |
As a taxi dancer, young women like Rita Rosenberg made five cents | 0:11:48 | 0:11:52 | |
for each 90-second dance, sometimes working well into the early morning hours | 0:11:52 | 0:11:56 | |
for the chance to dance with a handsome Harvard man or a Hollywood producer. | 0:11:56 | 0:12:01 | |
Early 1930s America was the golden era of taxi dancing | 0:12:01 | 0:12:05 | |
and it became so popular Hollywood made the movie Ten Cents A Dance about the glamorous industry. | 0:12:05 | 0:12:12 | |
Now, these are very, very rare, these are tabloids. | 0:12:12 | 0:12:16 | |
There's a column on gangster culture. | 0:12:16 | 0:12:19 | |
-Uh-huh. -Three are also a lot of rather spicy cartoons. | 0:12:19 | 0:12:23 | |
-So, it's more of the underbelly of the city? -Yeah. | 0:12:23 | 0:12:26 | |
It's sensationalism, | 0:12:26 | 0:12:28 | |
-but it's the only publication that had a taxi dancing column. -OK. | 0:12:28 | 0:12:34 | |
We're going to flip to the Dancing By column from March 13th of 1933. | 0:12:34 | 0:12:42 | |
"Who were the two collegiates who flew to Canada | 0:12:42 | 0:12:45 | |
"because of a bet with Rita Ray and her shadow, Evelyn Fields, | 0:12:45 | 0:12:51 | |
hostesses at Bluebird!" Oh, my God! | 0:12:51 | 0:12:54 | |
One of my grandmother's witnesses for her naturalisation, | 0:12:54 | 0:12:59 | |
her name was Evelyn Feldman, | 0:12:59 | 0:13:01 | |
so I'm assuming that this twosome is Rita Rosenberg and Evelyn Feldman. | 0:13:01 | 0:13:09 | |
-How would you know that this was her? -I think what we have to do | 0:13:09 | 0:13:14 | |
-is really look at all the areas of coincidence. -Uh-huh. | 0:13:14 | 0:13:18 | |
-We know that pretty much all dancers used made-up names. -Uh-huh. | 0:13:18 | 0:13:22 | |
-So really Rita R and Evelyn F. -OK. | 0:13:22 | 0:13:27 | |
We can tell from looking at the various photographs that you've brought in, | 0:13:27 | 0:13:32 | |
your grandmother was pursuing a career as an entertainer. | 0:13:32 | 0:13:37 | |
-Really?! -As a showgirl. | 0:13:37 | 0:13:40 | |
-Often taxi dancing was a stepping stone to work as a showgirl. -OK. | 0:13:40 | 0:13:46 | |
This, I would say, is the 1930s. | 0:13:46 | 0:13:50 | |
-This photograph looks to be from the early 1940s. -Uh-huh. | 0:13:50 | 0:13:55 | |
We can tell because of the hairstyle. And this is a publicity headshot clearly, | 0:13:55 | 0:14:00 | |
because she was having her photograph taken by Murray Korman. | 0:14:00 | 0:14:05 | |
So, Murray Korman was really | 0:14:05 | 0:14:07 | |
the go-to photographer for all showgirls. | 0:14:07 | 0:14:09 | |
Wow. | 0:14:09 | 0:14:10 | |
So, you would never just get a picture like this | 0:14:10 | 0:14:13 | |
taken of yourself unless you are pursuing that kind of career? | 0:14:13 | 0:14:17 | |
-You would not have gone to Murray Korman. -OK. | 0:14:17 | 0:14:19 | |
But I definitely wonder how she compartmentalised being | 0:14:19 | 0:14:24 | |
Jewish in this world. | 0:14:24 | 0:14:26 | |
I feel like she almost had to, in some ways, just keep that out, | 0:14:26 | 0:14:31 | |
put that somewhere else for the time being, you know? | 0:14:31 | 0:14:33 | |
Well, I think what happens when a lot of people come to New York, | 0:14:33 | 0:14:37 | |
it happens now and it happened then, is that they reinvent themselves. | 0:14:37 | 0:14:41 | |
Right. | 0:14:41 | 0:14:42 | |
I love picturing my grandmother making her way in the city | 0:14:44 | 0:14:49 | |
and redefining herself | 0:14:49 | 0:14:51 | |
'and maybe it wasn't like the most respectable business to | 0:14:51 | 0:14:55 | |
'be in but just, to me, kind of modern and very independent' | 0:14:55 | 0:15:00 | |
and I feel cool to be connected to that. | 0:15:00 | 0:15:03 | |
'My grandmother was so young and yet so ambitious | 0:15:05 | 0:15:08 | |
'when she came to this country. | 0:15:08 | 0:15:10 | |
'I wonder what she was leaving back home.' | 0:15:10 | 0:15:12 | |
Rashida is travelling to Dublin where her grandmother Rita was born. | 0:15:15 | 0:15:19 | |
I'm really intrigued to find out whatever I can | 0:15:22 | 0:15:25 | |
about the Jewish culture here and how far back our roots go. | 0:15:25 | 0:15:29 | |
Rashida is meeting curator | 0:15:30 | 0:15:32 | |
Yvonne Altman O'Connor at the Irish Jewish Museum. | 0:15:32 | 0:15:35 | |
-Hi. -Hello. | 0:15:35 | 0:15:37 | |
Yvonne has been searching local records | 0:15:37 | 0:15:39 | |
for details of Rita's life here. | 0:15:39 | 0:15:41 | |
-Thanks for sitting down with me. -You are very welcome. | 0:15:41 | 0:15:45 | |
What I do know about my grandmother Rita | 0:15:45 | 0:15:47 | |
is that she, at some point, left to go to New York | 0:15:47 | 0:15:50 | |
-but was born in Dublin. -Yes. | 0:15:50 | 0:15:52 | |
Now, here we have the birth certificate of your grandmother. | 0:15:53 | 0:15:57 | |
Cool. | 0:15:57 | 0:15:59 | |
Can I take a look at this? | 0:15:59 | 0:16:01 | |
Please. | 0:16:01 | 0:16:02 | |
Wow. Rita Hetty, May 15th, 1912. | 0:16:04 | 0:16:09 | |
Hyman Rosenberg is the name of the father. | 0:16:09 | 0:16:13 | |
Jeannie Rosenberg, formerly Benson. | 0:16:13 | 0:16:16 | |
OK, so that's her maiden name. | 0:16:16 | 0:16:19 | |
-That's right. -Interesting. | 0:16:19 | 0:16:20 | |
My grandmother changed her name to Benson from Rosenberg | 0:16:20 | 0:16:24 | |
and we weren't sure if it had any real stem in the family. | 0:16:24 | 0:16:29 | |
So Rashida's grandmother Rita's parents were called | 0:16:29 | 0:16:31 | |
Hyman Rosenberg and Jeannie Benson, | 0:16:31 | 0:16:34 | |
which means Rita's uncle Elliot was probably Jeannie's brother. | 0:16:34 | 0:16:39 | |
I still wonder, that name Benson. | 0:16:40 | 0:16:44 | |
I have no idea about the origin of that name. | 0:16:44 | 0:16:47 | |
It is kind of still a mystery. | 0:16:47 | 0:16:50 | |
Did she change her name or was she, you know, | 0:16:50 | 0:16:52 | |
was the family more established here? | 0:16:52 | 0:16:54 | |
Cos that might explain the name. | 0:16:54 | 0:16:56 | |
Good question. | 0:16:56 | 0:16:57 | |
You know, I think you should meet with Stuart Rosenblatt, | 0:16:57 | 0:17:00 | |
-who is a Jewish genealogist. -OK. | 0:17:00 | 0:17:02 | |
-And may be able to answer some of those questions for you. -OK. Great. | 0:17:02 | 0:17:05 | |
'I wonder how everyone got here | 0:17:07 | 0:17:08 | |
'because my grandmother changed Rosenberg to Benson | 0:17:08 | 0:17:12 | |
'but that was originally my great-grandmother's maiden name' | 0:17:12 | 0:17:16 | |
but that might not be a real name. | 0:17:16 | 0:17:19 | |
So many people are named Benson. | 0:17:19 | 0:17:22 | |
'It is kind of a common name and it doesn't really tell me | 0:17:22 | 0:17:25 | |
'anything about where she came from.' | 0:17:25 | 0:17:27 | |
Rashida is meeting with a genealogist | 0:17:27 | 0:17:29 | |
at the National Archives. | 0:17:29 | 0:17:30 | |
-Hi. -Hello, nice to meet you. -Nice to meet you, too. -Please. | 0:17:30 | 0:17:34 | |
Stuart Rosenblatt has been looking into Rashida's | 0:17:34 | 0:17:37 | |
great-grandmother Jeannie Benson's family origins. | 0:17:37 | 0:17:40 | |
Over the last 14 years, | 0:17:43 | 0:17:45 | |
I have accumulated information of Irish Jewry, | 0:17:45 | 0:17:48 | |
-their ascendants and descendants from all around the world. -Wow. | 0:17:48 | 0:17:52 | |
Of births, deaths, marriages and burials and research has | 0:17:52 | 0:17:56 | |
-shown that your great-grandmother's name Jeannie Benson is listed. -Oh. | 0:17:56 | 0:18:03 | |
-Look. Ginny. Oh, Ginny, Jennie. -They are known as different names. | 0:18:05 | 0:18:10 | |
OK, cos Jeannie was what I thought it was | 0:18:10 | 0:18:12 | |
-but I guess they're all in the same... -Same genre. -..family. | 0:18:12 | 0:18:15 | |
Born in Manchester. | 0:18:15 | 0:18:18 | |
-That's Manchester, England. -Manchester, England. Really? Wow. | 0:18:18 | 0:18:24 | |
So, do you have anything that can help me find Jeannie's parents? | 0:18:25 | 0:18:30 | |
Your great-grandmother and father got married in 1906. | 0:18:30 | 0:18:34 | |
Right. | 0:18:34 | 0:18:35 | |
And this is the marriage certificate that we have uncovered. | 0:18:35 | 0:18:39 | |
-Yeah. Let me take a look at that. -It's this part here. | 0:18:39 | 0:18:41 | |
OK, 27th December, signed Hyman Rosenberg, tailor, bachelor. | 0:18:41 | 0:18:48 | |
-Jeannie Benson, spinster. -Yes. | 0:18:48 | 0:18:51 | |
So, the parents, I've actually never seen these parents' names. | 0:18:51 | 0:18:57 | |
Benjamin Benson, jewellery traveller | 0:18:57 | 0:19:02 | |
-and Sofia Benson Winestein. -Winestein. | 0:19:02 | 0:19:05 | |
The marriage record for Rashida's great-grandparents gives | 0:19:06 | 0:19:10 | |
the name of Jeannie's parents, | 0:19:10 | 0:19:12 | |
Rashida's great-great-grandparents Sofia Winestein and Benjamin Benson. | 0:19:12 | 0:19:17 | |
Which means that Rashida's uncovered another generation in Ireland | 0:19:17 | 0:19:20 | |
with the surname Benson. | 0:19:20 | 0:19:22 | |
It's funny because I thought because my grandmother took this name, | 0:19:22 | 0:19:27 | |
I think we always assumed that it was, you know, | 0:19:27 | 0:19:31 | |
just kind of out of the ethers. | 0:19:31 | 0:19:33 | |
We didn't realise that the name went back this far. | 0:19:33 | 0:19:36 | |
And we have here photographs. | 0:19:37 | 0:19:42 | |
-Wow. -That's Benjamin. | 0:19:42 | 0:19:44 | |
That's your great-great-grandfather. | 0:19:44 | 0:19:47 | |
And this is another photograph of Benjamin in his regalia. | 0:19:47 | 0:19:51 | |
Probably in his Shabbat best. | 0:19:51 | 0:19:53 | |
And this is where he is in a Englified shirt and jacket and tie. | 0:19:55 | 0:20:00 | |
-And top hat. -And top hat. -So sweet. | 0:20:00 | 0:20:04 | |
And that brings us to the 1911 census, | 0:20:06 | 0:20:09 | |
showing Benjamin and Sophia Benson. | 0:20:09 | 0:20:13 | |
Benjamin Benson had a family. Jew. Read and write. | 0:20:13 | 0:20:19 | |
-Hebrew teacher. -See his age? | 0:20:19 | 0:20:22 | |
-72. -72. -Wow. | 0:20:22 | 0:20:25 | |
-That's pretty old. -Very old. | 0:20:25 | 0:20:27 | |
What year is this? 1911 census. | 0:20:27 | 0:20:31 | |
-So born in 18... -39. 37, 39. | 0:20:31 | 0:20:37 | |
Yeah, let's say that. Russia. Born in Russia. | 0:20:37 | 0:20:41 | |
That's definitely the first time I knew that. | 0:20:41 | 0:20:45 | |
That's kind of amazing. Wow. | 0:20:45 | 0:20:49 | |
What would this mean, Russia, at that time? | 0:20:49 | 0:20:52 | |
Well, it's the Russian Empire. | 0:20:52 | 0:20:54 | |
It doesn't define which country they would actually come from. | 0:20:54 | 0:20:58 | |
So that means everything from what we now know as Russia to, | 0:20:58 | 0:21:02 | |
like, all those other... | 0:21:02 | 0:21:03 | |
-Latvia, Lithuania. -Estonia. -Estonia. | 0:21:03 | 0:21:07 | |
-Yes, they were all in the Russian Empire. -Wow. | 0:21:07 | 0:21:10 | |
Most of the Irish Jewish people are came from a town called | 0:21:10 | 0:21:13 | |
Akmene in Lithuania, and we did some research to find | 0:21:13 | 0:21:16 | |
the Benson family from Lithuania | 0:21:16 | 0:21:19 | |
and we came up to a dead end. | 0:21:19 | 0:21:22 | |
But what we did find was siblings who went to another country. | 0:21:22 | 0:21:27 | |
We have here an entry for Pescha Benson, | 0:21:29 | 0:21:34 | |
who is Benjamin's sister. | 0:21:34 | 0:21:37 | |
Right. Born 1824, Latvia. | 0:21:37 | 0:21:41 | |
So, Pescha Benson, according to the record, | 0:21:44 | 0:21:47 | |
is Rashida's great-great-grandfather Benjamin's sister. | 0:21:47 | 0:21:52 | |
And we can assume that they were both born in Latvia. | 0:21:52 | 0:21:55 | |
-Absolutely. -Wow. | 0:21:55 | 0:21:56 | |
We have never known anything about | 0:21:58 | 0:22:00 | |
the true origin of our family on that side. | 0:22:00 | 0:22:03 | |
Well, you have a nice trip in store for you. | 0:22:03 | 0:22:05 | |
Latvia. | 0:22:07 | 0:22:08 | |
Now I know that Benson at least was rooted in some family history, | 0:22:10 | 0:22:16 | |
but I still know that that is not the real name because they were Latvian. | 0:22:16 | 0:22:21 | |
Rashida is heading to Riga, the capital of Latvia and the birthplace | 0:22:22 | 0:22:27 | |
of her great-great-grandfather, Benjamin Benson. | 0:22:27 | 0:22:30 | |
I have no idea about Latvia and I have no idea about what the | 0:22:38 | 0:22:41 | |
Latvian Jewish experience was like, | 0:22:41 | 0:22:45 | |
why they came further west in Europe. | 0:22:45 | 0:22:48 | |
I am very interested to trace that back. | 0:22:48 | 0:22:50 | |
Rashida has come to the National Archives to meet with | 0:22:52 | 0:22:55 | |
an expert in Jewish Latvian history, Rita Bogdanova. | 0:22:55 | 0:22:59 | |
Rita has been looking through the records for any trace | 0:23:00 | 0:23:03 | |
of Benjamin Benson and Rashida's Latvian roots. | 0:23:03 | 0:23:06 | |
So, and we go. | 0:23:06 | 0:23:08 | |
OK, so I have some pictures here of the last relative that I know of - | 0:23:10 | 0:23:15 | |
my great-great-grandfather, Benjamin Benson. | 0:23:15 | 0:23:19 | |
I would love to know more about | 0:23:19 | 0:23:21 | |
the 1800s in that region. | 0:23:21 | 0:23:23 | |
Until the end of World War I, the Russian Empire was home to | 0:23:30 | 0:23:34 | |
the largest Jewish population in the world | 0:23:34 | 0:23:37 | |
but the government perceived them as an economic and cultural threat. | 0:23:37 | 0:23:41 | |
Jews were subject to double taxation | 0:23:41 | 0:23:43 | |
and oppressively long military service. | 0:23:43 | 0:23:46 | |
Now that I'm here in Latvia, I feel like maybe Benson wouldn't be | 0:23:46 | 0:23:52 | |
a common name for someone to, you know, a Latvian Jew. | 0:23:52 | 0:23:56 | |
Whatever you know to help me shed light on it would be really nice. | 0:23:56 | 0:23:59 | |
Berman, Brouwer, Brenburg... | 0:24:19 | 0:24:22 | |
Could it be Brenburg? | 0:24:22 | 0:24:23 | |
No. | 0:24:23 | 0:24:25 | |
Wait. Benson. | 0:24:25 | 0:24:27 | |
I see Benjamin. It is actually Benson? | 0:24:27 | 0:24:30 | |
Really? | 0:24:31 | 0:24:33 | |
Wow. | 0:24:33 | 0:24:34 | |
That's crazy. | 0:24:35 | 0:24:37 | |
So, Schlaume Benjamin Benson, 62. | 0:24:37 | 0:24:42 | |
He must be Benjamin, my great-great-grandfather's father. | 0:24:42 | 0:24:47 | |
So, he is my great-great-great-grandfather. | 0:24:47 | 0:24:51 | |
-This is correct. -Yeah, OK. Wow. | 0:24:51 | 0:24:54 | |
-Is there anything else you want to show me? -Well... | 0:24:54 | 0:24:56 | |
-And that's where most of my family is from? -Yes. | 0:25:07 | 0:25:10 | |
Aizpute. | 0:25:21 | 0:25:23 | |
Wow. Schlaume Benjamin Benson. | 0:25:23 | 0:25:27 | |
It's so well documented. I can't believe it. | 0:25:28 | 0:25:31 | |
-Yeah. -OK, so these were the brothers. -Yeah. -The uncle. | 0:25:31 | 0:25:35 | |
Abraham, Isaak. | 0:25:35 | 0:25:38 | |
The military eligibility records have allowed Rashida to trace back | 0:25:38 | 0:25:42 | |
from her great-great-grandfather, Benjamin, to his father, Schlaume. | 0:25:42 | 0:25:46 | |
The records also reveal that Schlaume had three brothers | 0:25:46 | 0:25:50 | |
and that their father, Benjamin Marcus was born in 1786. | 0:25:50 | 0:25:55 | |
Wow, so they were there for a long time. | 0:25:55 | 0:25:58 | |
-Yes. -Three or four generations. -Yes. -Amazing. | 0:25:58 | 0:26:01 | |
'I have learned that we have been in Latvia since the late 1700s. | 0:26:03 | 0:26:10 | |
'I have deep, deep, deep ties to this country.' | 0:26:10 | 0:26:13 | |
Rashida is travelling to Aizpute which was formerly called Hazenpoth. | 0:26:14 | 0:26:19 | |
It is where her great-great-great-grandfather | 0:26:24 | 0:26:26 | |
Schlaume spent most of his life, and where his son, Benjamin, was born. | 0:26:26 | 0:26:30 | |
I would like to know more about Hazenpoth | 0:26:33 | 0:26:37 | |
and what it was like for my family to live there for a few generations | 0:26:37 | 0:26:41 | |
and what it was like for Jews to live there. | 0:26:41 | 0:26:43 | |
Rashida is meeting with a Latvian Jewish historian, | 0:26:45 | 0:26:48 | |
Ilya Lensky, at a former synagogue. | 0:26:48 | 0:26:51 | |
He has been looking into the Bensons' history in Aizpute. | 0:26:51 | 0:26:54 | |
This is my great-great-grandfather Benjamin. His name is Benson. | 0:26:54 | 0:26:58 | |
Would Benson just be son of Benjamin? | 0:27:00 | 0:27:03 | |
-It could. -Yeah, it could? -It could. | 0:27:03 | 0:27:05 | |
Oh, so they didn't even have them? | 0:27:22 | 0:27:24 | |
Oh, right. | 0:27:30 | 0:27:31 | |
OK. | 0:27:31 | 0:27:32 | |
So we can on some level assume that Schlaume, before he was made to, | 0:27:36 | 0:27:41 | |
-didn't have a last name? -Most probably. | 0:27:41 | 0:27:45 | |
Wow. To know now that that is actually our family name | 0:27:51 | 0:27:56 | |
and our first family name. | 0:27:56 | 0:27:58 | |
-The only one. -The only one. | 0:27:58 | 0:28:01 | |
That's a big family revelation I'm happy to share with my family. | 0:28:01 | 0:28:06 | |
And then the next document that I saw | 0:28:21 | 0:28:24 | |
was my great-grandmother's birth in the UK in the 1880s, | 0:28:24 | 0:28:28 | |
so I guess, I'm imagining that Benjamin, | 0:28:28 | 0:28:31 | |
my great-great-grandfather, left sometime between | 0:28:31 | 0:28:35 | |
his father dying and whenever his daughter was born. | 0:28:35 | 0:28:38 | |
Most probably. | 0:28:38 | 0:28:40 | |
Why would he leave at this time? | 0:28:40 | 0:28:42 | |
Wow. | 0:28:54 | 0:28:55 | |
-So they would leave? -They would leave. | 0:29:09 | 0:29:12 | |
So this building was the synagogue in Aizpute? | 0:29:14 | 0:29:19 | |
And what about the local community? | 0:29:43 | 0:29:46 | |
Completely. | 0:29:50 | 0:29:51 | |
So even though I know that my great-great-grandfather | 0:30:13 | 0:30:17 | |
went to England, Schlaume still had brothers | 0:30:17 | 0:30:20 | |
that maybe didn't leave here? | 0:30:20 | 0:30:24 | |
You best talk to Rita. | 0:30:24 | 0:30:27 | |
She'll be able to provide information of those who stayed, | 0:30:27 | 0:30:31 | |
-if any, up to the Holocaust. -OK. | 0:30:31 | 0:30:34 | |
OK. | 0:30:34 | 0:30:36 | |
Ilya tells me that this was called the Jewish Bridge. | 0:30:39 | 0:30:43 | |
The Jews of Aizpute walked across it to get to synagogue. | 0:30:43 | 0:30:47 | |
Even though I know a little bit about the history of World War II, | 0:30:47 | 0:30:52 | |
when Ilya told me that they were all killed, I was so shocked. | 0:30:52 | 0:30:57 | |
When your family members lived in a town and left a town | 0:30:57 | 0:31:00 | |
and later everybody was taken down... It's shocking. I want to know more. | 0:31:00 | 0:31:07 | |
I want to know where everybody else went. | 0:31:07 | 0:31:10 | |
Who made it out, who didn't make it out, you know? | 0:31:11 | 0:31:14 | |
Cos in a weird way, it just was kind of dumb luck that I'm here. | 0:31:14 | 0:31:20 | |
'I'm really lucky. | 0:31:20 | 0:31:22 | |
'I feel like I owe it to my relatives and I owe it to myself | 0:31:22 | 0:31:27 | |
'to just know our complete history.' | 0:31:27 | 0:31:29 | |
Rashida is meeting with Rita Bogdanova again. | 0:31:31 | 0:31:34 | |
How are you doing? | 0:31:34 | 0:31:37 | |
They've arranged to meet at a Riga synagogue. | 0:31:37 | 0:31:39 | |
Rashida is hoping that Rita has been able to trace the fate of her family | 0:31:39 | 0:31:43 | |
during the Second World War. | 0:31:43 | 0:31:45 | |
I come back to you because I guess I'm curious as to | 0:31:46 | 0:31:50 | |
what happened to the descendants of Schlaume's brothers. | 0:31:50 | 0:31:54 | |
Isaac, Jankel, Abraham. | 0:31:54 | 0:31:57 | |
Schlaume's brothers had families. | 0:31:59 | 0:32:01 | |
Wow. | 0:32:11 | 0:32:12 | |
Shortly after Latvia gained its independence in 1918, | 0:32:12 | 0:32:15 | |
all citizens over the age of 16 were required to have a passport, | 0:32:15 | 0:32:19 | |
even to travel from town to town. | 0:32:19 | 0:32:22 | |
Rita was able to find passports | 0:32:22 | 0:32:23 | |
for several members of Schlaume's family, Rashida's distant cousins. | 0:32:23 | 0:32:28 | |
-From Paris? -From Paris. | 0:32:48 | 0:32:50 | |
And that's Jankel's...daughter. | 0:33:00 | 0:33:04 | |
So great, I love that picture. | 0:33:04 | 0:33:07 | |
It's a very nice picture. | 0:33:07 | 0:33:10 | |
Rita was also able to find housing records reveal that Rashida's family | 0:33:10 | 0:33:15 | |
relocated from Aizpute to Riga well before World War II, | 0:33:15 | 0:33:18 | |
which means they were gone before the Jewish population there was murdered. | 0:33:18 | 0:33:22 | |
What was their fate in Riga? | 0:33:22 | 0:33:24 | |
So when it says that they are struck off the register, | 0:33:31 | 0:33:35 | |
what does that mean? | 0:33:35 | 0:33:37 | |
In July of 1941, Nazi troops took over Latvia | 0:33:47 | 0:33:51 | |
murdering 400 Jews in Riga and destroying every synagogue. | 0:33:51 | 0:33:55 | |
In September and October, the Nazis rounded up the remaining Jews | 0:33:58 | 0:34:01 | |
from across the city and moved them to the Riga ghetto. | 0:34:01 | 0:34:04 | |
In two actions, one on November 30th and one on December 8th, 1941, | 0:34:05 | 0:34:11 | |
more than 25,000 Latvian Jews and 1,000 German Jews | 0:34:11 | 0:34:15 | |
were taken into the Rumbula Forest six miles away. | 0:34:15 | 0:34:18 | |
Tell me about Rumbula. | 0:34:20 | 0:34:22 | |
He's so handsome, he's so young. | 0:35:12 | 0:35:14 | |
So, Schlaume's family made it...? | 0:35:19 | 0:35:22 | |
My family members were probably brought to the Rumbula Forest? | 0:35:31 | 0:35:36 | |
Right. | 0:35:36 | 0:35:38 | |
And is there anything there now? | 0:35:38 | 0:35:39 | |
It's heavy and it's a lot, but these are things that I wanted to know. | 0:35:56 | 0:35:59 | |
I wanted to... | 0:35:59 | 0:36:02 | |
Really have some closure about, you know, what happened with our family. | 0:36:02 | 0:36:08 | |
And I do, and I'm still processing it in a major way, | 0:36:08 | 0:36:12 | |
and I also have to tell my mom which is, like, a big... | 0:36:12 | 0:36:15 | |
It's a big deal. | 0:36:15 | 0:36:16 | |
Rashida now knows the fate of her grandmother Rita's family, | 0:36:21 | 0:36:25 | |
and the place where Rita's cousins and extended family were killed in 1941. | 0:36:25 | 0:36:29 | |
Rashida's mother Peggy has travelled to Latvia. | 0:36:30 | 0:36:34 | |
Rashida is taking Peggy to visit the Rumbula Memorial, | 0:36:34 | 0:36:37 | |
which stands in memory of the Jewish lives taken in World War II. | 0:36:37 | 0:36:41 | |
'When I began this journey I was hoping to find out | 0:36:41 | 0:36:44 | |
'more about my grandmother, Rita, and I'm astonished by how much | 0:36:44 | 0:36:49 | |
'more I've learned about my mother's side of the family. | 0:36:49 | 0:36:52 | |
'And, as difficult as it's been, | 0:36:52 | 0:36:53 | |
'I'm grateful to share these stories with my mother and that the two of us | 0:36:53 | 0:36:58 | |
'can now visit this memorial and pay our respects to our family.' | 0:36:58 | 0:37:03 | |
I want to tell you some of the names | 0:37:03 | 0:37:05 | |
and show you the people in our family. | 0:37:05 | 0:37:08 | |
-That are here? -Yeah. | 0:37:08 | 0:37:10 | |
Schlaume's brothers, their families moved to Riga | 0:37:12 | 0:37:18 | |
and in 1941 they were taken to Rumbula to be killed. | 0:37:18 | 0:37:26 | |
'I am lucky to be alive.' | 0:37:31 | 0:37:34 | |
There's so many ways I could not be here. | 0:37:34 | 0:37:36 | |
Being a descendant of slaves, and then on my mom's side now, knowing... | 0:37:36 | 0:37:41 | |
Looking at that lopsided family tree. | 0:37:41 | 0:37:46 | |
I'm feeling like a miracle. | 0:37:46 | 0:37:52 | |
I feel like a miracle. | 0:37:52 | 0:37:54 | |
It's you and Rita, the same kind of shy smile. | 0:37:54 | 0:37:58 | |
-She was pretty. -Very pretty. | 0:37:58 | 0:38:00 | |
You know, what's interesting is that | 0:38:00 | 0:38:03 | |
that name, that thing that remains so mysterious to us, Benson, | 0:38:03 | 0:38:07 | |
she took that name for whatever reason she took that name, | 0:38:07 | 0:38:11 | |
whether it was to redefine herself or whatever, | 0:38:11 | 0:38:13 | |
but, in a weird way, it was the ultimate honouring of that name, | 0:38:13 | 0:38:18 | |
because that name is the only name that family's ever had. | 0:38:18 | 0:38:22 | |
Benjamin Marcus, Schlaume's father, | 0:38:22 | 0:38:25 | |
was the first one documented to have that last name. | 0:38:25 | 0:38:28 | |
-You mean they didn't have last names? -No. | 0:38:28 | 0:38:31 | |
Oh, my gosh! So Benson really was our name? | 0:38:32 | 0:38:35 | |
My mother was connected to all her relatives who died here. | 0:38:37 | 0:38:41 | |
Wow. | 0:38:44 | 0:38:45 | |
I definitely feel like why, you know, why would it be them and not us? | 0:38:45 | 0:38:50 | |
But then you also have to think we are here, | 0:38:50 | 0:38:53 | |
there's got to be a reason we're here. | 0:38:53 | 0:38:56 | |
I definitely feel like we've been given this opportunity to | 0:38:56 | 0:39:00 | |
honour them. That's something. | 0:39:00 | 0:39:03 | |
Somebody's got to remember them. | 0:39:03 | 0:39:05 | |
-I know. -And how lucky, how fortunate for us that we can be the ones. | 0:39:05 | 0:39:08 | |
I know. | 0:39:08 | 0:39:09 | |
-It's senseless. -Yeah, it's really, really, really senseless. | 0:39:11 | 0:39:15 | |
'I feel really strongly that this story can't be told enough, | 0:39:19 | 0:39:24 | |
'because it's not just a story about losing people,' | 0:39:24 | 0:39:29 | |
and it's not just a story about honouring your family, | 0:39:29 | 0:39:34 | |
'but it's really a story about how a lack of tolerance and fear | 0:39:34 | 0:39:38 | |
'and hatred and turning a blind eye can result in so much tragedy.' | 0:39:38 | 0:39:43 | |
SHE SNIFFS | 0:39:43 | 0:39:45 | |
Oh... | 0:39:47 | 0:39:50 | |
'I feel like it's a duty of somebody who is a very lucky | 0:39:50 | 0:39:55 | |
'descendant of people who made it through to keep telling the story.' | 0:39:55 | 0:39:59 | |
Subtitles by Red Bee Media Ltd | 0:40:18 | 0:40:22 |