Browse content similar to Jim Parsons. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In tribute to his late father, actor Jim Parsons is investigating his paternal ancestry. | 0:00:02 | 0:00:07 | |
I think I've got some sort of French connection. | 0:00:07 | 0:00:09 | |
He explores the lives of two ancestors | 0:00:09 | 0:00:12 | |
and uncovers remarkable triumphs... | 0:00:12 | 0:00:14 | |
HE GASPS Oh, I love this! | 0:00:14 | 0:00:16 | |
..a great tragedy... | 0:00:16 | 0:00:18 | |
He was literally walking through versions of hell. | 0:00:18 | 0:00:20 | |
..in the lives of men who left indelible marks on history. | 0:00:20 | 0:00:24 | |
This is really beyond anything I would have ever expected. | 0:00:24 | 0:00:27 | |
Classically trained actor Jim Parsons has found success | 0:01:02 | 0:01:06 | |
in roles on both Broadway and the big screen. | 0:01:06 | 0:01:08 | |
But it was his breakout role on the megahit sitcom The Big Bang Theory | 0:01:10 | 0:01:14 | |
that catapulted him to stardom, | 0:01:14 | 0:01:16 | |
earning him two Emmys and a Golden Globe. | 0:01:16 | 0:01:19 | |
Jim divides his time between Los Angeles and New York, where | 0:01:21 | 0:01:24 | |
he recently filmed an adaptation of the play The Normal Heart. | 0:01:24 | 0:01:28 | |
I grew up in Spring, Texas, which is a suburb of Houston, Texas. | 0:01:30 | 0:01:35 | |
And looking back, I had a really great childhood. | 0:01:35 | 0:01:37 | |
My parents, Judy and Milton, | 0:01:37 | 0:01:39 | |
really put me in a good starting place to come from as an adult. | 0:01:39 | 0:01:44 | |
I first started acting in first grade. | 0:01:45 | 0:01:48 | |
Then from elementary into junior high into high school. | 0:01:48 | 0:01:52 | |
Then I ended up going to grad school and continuing studying theatre. | 0:01:52 | 0:01:57 | |
I think my dad's response to me wanting to get into theatre, | 0:01:57 | 0:02:01 | |
join the circus, as it were, his positive response to it was, | 0:02:01 | 0:02:06 | |
"What have I put in this work to provide for my son for | 0:02:06 | 0:02:11 | |
"if the thing he wants to try doing, we squash?" | 0:02:11 | 0:02:15 | |
My father was extremely loyal, very hard-working. | 0:02:15 | 0:02:20 | |
His family and his friends were extremely important to him, | 0:02:20 | 0:02:25 | |
he would literally do anything for us. | 0:02:25 | 0:02:27 | |
He passed away in 2001, it was from a car accident. | 0:02:30 | 0:02:33 | |
He was 52 and I was 28. | 0:02:33 | 0:02:36 | |
With him being gone, it's been quite a comfort to think and feel | 0:02:37 | 0:02:44 | |
that he's sort of still along for the journey. | 0:02:44 | 0:02:49 | |
I think my father would be intensely interested in this, you know, | 0:02:49 | 0:02:53 | |
finding out what it is you come from is fascinating. | 0:02:53 | 0:02:57 | |
And that's important, you know. You are the sum of your parts. | 0:02:57 | 0:03:02 | |
Because family was so important to my father, | 0:03:02 | 0:03:05 | |
I'd really like to do this for him, in honour of his memory. | 0:03:05 | 0:03:08 | |
I know so little about my family in general, as far as history goes. | 0:03:09 | 0:03:15 | |
The only thing that I've ever been curious about | 0:03:15 | 0:03:18 | |
is I know of no other artists in the family. | 0:03:18 | 0:03:22 | |
That would be interesting to me. | 0:03:22 | 0:03:25 | |
Somebody did tell me something about my family being French, | 0:03:25 | 0:03:30 | |
and I don't know who, but the only reason I believe it is because I know | 0:03:30 | 0:03:35 | |
that there's some connection through Louisiana, but I don't know who. | 0:03:35 | 0:03:39 | |
I think it's time to start collecting the stories. | 0:03:40 | 0:03:43 | |
Jim has invited his mother Judy to meet him in New York | 0:03:46 | 0:03:49 | |
to review his father's family history. | 0:03:49 | 0:03:52 | |
Judy has brought some photos and documents to look at. | 0:03:52 | 0:03:55 | |
-I did bring some things that I thought... -Yes. | 0:03:55 | 0:03:58 | |
-..might help on your dad's side of the family. -Yes. | 0:03:58 | 0:04:01 | |
Do you know who this is? | 0:04:01 | 0:04:03 | |
-OK. I've seen this picture, Daddy's -grandma? Yes. | 0:04:03 | 0:04:06 | |
My great-grandmother. | 0:04:06 | 0:04:08 | |
-And her name was Jeanne Hacker. -Mm-hm. | 0:04:08 | 0:04:10 | |
I have something else that I'm not sure that you've seen before, | 0:04:10 | 0:04:14 | |
because I didn't until I really started trying to bring some | 0:04:14 | 0:04:17 | |
things for you, and this is Jeanne Hacker's death certificate. | 0:04:17 | 0:04:23 | |
Oh, wow! | 0:04:23 | 0:04:24 | |
See her birthdate. | 0:04:24 | 0:04:26 | |
Oh, yeah, January 24th, 1882, born in New Orleans. | 0:04:26 | 0:04:33 | |
Mother - Adele Drouet. Is that French, Drouet? | 0:04:33 | 0:04:37 | |
-I think so. -Right, it must be. | 0:04:37 | 0:04:40 | |
Mm-hmm. | 0:04:40 | 0:04:42 | |
-Well, what did I tell you? -I know! | 0:04:42 | 0:04:44 | |
Wow, father's name, Charles Hacker, Charles and Adele. | 0:04:44 | 0:04:50 | |
Jim has just confirmed a connection to Louisiana, which is where | 0:04:50 | 0:04:54 | |
his paternal great-grandmother, Jeanne Hacker, was born. | 0:04:54 | 0:04:58 | |
Her parents were Charles Hacker and Adele Drouet, | 0:04:58 | 0:05:01 | |
Jim's great-great-grandparents. | 0:05:01 | 0:05:04 | |
-Look at this. -That's Adele. | 0:05:04 | 0:05:06 | |
This is Adele. This is a picture of her when she was older. | 0:05:06 | 0:05:12 | |
Wow! | 0:05:12 | 0:05:14 | |
-And look, look how old she lived to be. -Oh, 90. | 0:05:14 | 0:05:19 | |
-Yeah. -We got good blood. -Yeah. | 0:05:19 | 0:05:21 | |
-Well, I do, this wasn't your side, was it? -Isn't that remarkable? | 0:05:21 | 0:05:24 | |
-Good luck to yourself, yeah. That's incredible. -Right. | 0:05:24 | 0:05:27 | |
-Is that in Louisiana? -Oh, I think so. | 0:05:27 | 0:05:30 | |
So I think we have to go to New Orleans. | 0:05:30 | 0:05:33 | |
I hope you have a wonderful journey. | 0:05:33 | 0:05:35 | |
-Thank you very much, I love you. -I love you. | 0:05:35 | 0:05:37 | |
Now that Jim has proof of his Louisiana roots, | 0:05:40 | 0:05:42 | |
he's heading to New Orleans. | 0:05:42 | 0:05:44 | |
I am thrilled to be here, it's really nice to have that confirmed. | 0:05:51 | 0:05:58 | |
I came through Texas by way of the beautiful city of New Orleans, | 0:05:58 | 0:06:05 | |
so whether this leads to France, I'm pretty happy already. | 0:06:05 | 0:06:10 | |
To help him investigate his great-great-grandparents | 0:06:10 | 0:06:13 | |
Charles Hacker and Adele Drouet, Jim has contacted genealogist | 0:06:13 | 0:06:18 | |
Judy Riffel at the Louisiana Historical Center. | 0:06:18 | 0:06:21 | |
Very good to meet you too, thank you so much for meeting me. | 0:06:21 | 0:06:24 | |
My pleasure. | 0:06:24 | 0:06:26 | |
-I'm following through my father's father's side. -OK. | 0:06:26 | 0:06:30 | |
I think I've got some sort of French connection. | 0:06:30 | 0:06:33 | |
I recognize the name Hacker as being a French name even though it | 0:06:33 | 0:06:37 | |
-doesn't sound like a French name. -Hacker is French too? | 0:06:37 | 0:06:40 | |
Hacker is a French name, and, of course, Drouet, | 0:06:40 | 0:06:43 | |
-or "Drou-ey", sounds like a French name as well. -Right, right. | 0:06:43 | 0:06:46 | |
So you may have two French lines to research. | 0:06:46 | 0:06:49 | |
Unbelievable! Where do I go from here? | 0:06:49 | 0:06:53 | |
Let's do a little digging and see what we can find out. | 0:06:53 | 0:06:55 | |
Sometimes it's easier to go through the male line, | 0:06:55 | 0:06:58 | |
so let's start by looking at the census records for Charles Hacker. | 0:06:58 | 0:07:02 | |
All right, so we put in "lived in, Louisiana." | 0:07:02 | 0:07:05 | |
-And then we search. -All right. | 0:07:05 | 0:07:08 | |
OK, Charles P Hacker, residence Iberville, Louisiana. | 0:07:08 | 0:07:13 | |
Birthdate, 1850. | 0:07:13 | 0:07:16 | |
-1850, there it is, there's Hacker. -OK. | 0:07:17 | 0:07:20 | |
Hacker, Hacker, Hacker. OK. | 0:07:20 | 0:07:23 | |
HE GASPS Oh, I love this! | 0:07:23 | 0:07:26 | |
There's Charles, who is my great-great-grandfather. | 0:07:26 | 0:07:29 | |
He was five months old when this was taken, | 0:07:29 | 0:07:32 | |
-and up at the top it says JB Hacker, who is 40. -Correct. | 0:07:32 | 0:07:39 | |
So that would be Charles' father, so this is... Oh, wow. | 0:07:39 | 0:07:44 | |
So he's a doctor. That's fascinating. | 0:07:44 | 0:07:48 | |
It's rare to have a physician, a white collar person in that area | 0:07:48 | 0:07:52 | |
-at that time period, Iberville Parish. -Iberville. | 0:07:52 | 0:07:55 | |
It was a very rural area, | 0:07:55 | 0:07:57 | |
-and he was probably the only local doctor that they had. -Wow! | 0:07:57 | 0:08:01 | |
I come from helpful people, good, good, OK. | 0:08:01 | 0:08:05 | |
And then the Louisiana next to that signifies...? | 0:08:05 | 0:08:07 | |
-Where he's born. -Where he's born? -Correct. | 0:08:07 | 0:08:10 | |
So even JB was born in, we've gone back another generation | 0:08:10 | 0:08:14 | |
-and he was born in Louisiana. -Yes. | 0:08:14 | 0:08:16 | |
OK, so what do I, where do I go from here? | 0:08:16 | 0:08:19 | |
You could look into Dr JB Hacker, and speak to someone who's familiar | 0:08:19 | 0:08:25 | |
with 19th century Louisiana history. | 0:08:25 | 0:08:27 | |
I can do a little more digging | 0:08:27 | 0:08:29 | |
and see if can find some more information on Adele Drouet. | 0:08:29 | 0:08:31 | |
Oh, thank you. Thank you so much. | 0:08:31 | 0:08:33 | |
-My pleasure. -This is very, very exciting. | 0:08:33 | 0:08:36 | |
I'm nowhere near a doctor but it's nice to know that I'm related to one. | 0:08:36 | 0:08:40 | |
That really surprises me | 0:08:41 | 0:08:42 | |
that we run at least three generations deep in Louisiana. | 0:08:42 | 0:08:47 | |
I grew up in Texas, all of our family that I know of grew up in Texas. | 0:08:47 | 0:08:53 | |
I had no idea there was a part of the family | 0:08:53 | 0:08:56 | |
that was really entrenched here. | 0:08:56 | 0:08:57 | |
So I'm going to continue tracing things | 0:08:57 | 0:09:00 | |
through my three times great-grandfather JB Hacker. | 0:09:00 | 0:09:03 | |
I think it's very interesting this idea | 0:09:07 | 0:09:10 | |
of being in a physician in this rural area. | 0:09:10 | 0:09:13 | |
How all-encompassing is that, what level of surgery did he do or not do? | 0:09:13 | 0:09:17 | |
I just, I have no concept of that. | 0:09:17 | 0:09:20 | |
Jim is heading to Tulane University in New Orleans | 0:09:20 | 0:09:23 | |
to meet Jeanette Keith, a specialist in 19th century Louisiana history. | 0:09:23 | 0:09:29 | |
Jeanette has been looking into Jim's three times great-grandfather, | 0:09:29 | 0:09:32 | |
JB Hacker's medical practice. | 0:09:32 | 0:09:36 | |
I've got some documents here that I think maybe will take | 0:09:36 | 0:09:40 | |
-your search a little bit further. -OK. | 0:09:40 | 0:09:42 | |
We will get this big book out and we're going to look at page 46. | 0:09:42 | 0:09:47 | |
-Aren't you scared to touch this? -Yes. OK? | 0:09:47 | 0:09:50 | |
Ooh, the smell, it smells like my grandma's house. | 0:09:50 | 0:09:54 | |
This is a list of graduates from the Medical College of Louisiana. | 0:09:54 | 0:09:57 | |
-OK. -Here we are in the Hs. | 0:09:57 | 0:09:59 | |
Hall, Hale... | 0:10:00 | 0:10:02 | |
I see "acker" without an H, so I'm assuming that's where we want to be. | 0:10:02 | 0:10:07 | |
"Jno. B." So... OK, so that's JB. | 0:10:07 | 0:10:12 | |
That is an abbreviation for John or Jonathan. | 0:10:12 | 0:10:15 | |
-Oh. -OK? | 0:10:15 | 0:10:17 | |
In the state of Louisiana, year graduated, 1842, | 0:10:17 | 0:10:23 | |
so that makes him 32. | 0:10:23 | 0:10:26 | |
Number of graduate, 55. | 0:10:26 | 0:10:29 | |
Mm-hm. He was the 55th graduate in the history of the school. | 0:10:29 | 0:10:35 | |
-Of the school? -Yeah, yeah. | 0:10:35 | 0:10:37 | |
Now, this is the best... One of the best medical schools | 0:10:37 | 0:10:39 | |
if not THE best medical school in the South, | 0:10:39 | 0:10:42 | |
-so it's a new thing, OK? -Wow. | 0:10:42 | 0:10:44 | |
And I do want to kind of emphasise this - | 0:10:44 | 0:10:47 | |
your ancestor did not have to do this to make a living. | 0:10:47 | 0:10:51 | |
There were people that just hung out a shingle | 0:10:51 | 0:10:53 | |
and said, "I'm the doctor." | 0:10:53 | 0:10:55 | |
-Some still do. I feel certain about this! -Yeah, probably. | 0:10:55 | 0:10:59 | |
This school was opened by a group of young doctors | 0:10:59 | 0:11:03 | |
who wanted to change that. | 0:11:03 | 0:11:05 | |
Because American medical practice in the 19th century | 0:11:05 | 0:11:08 | |
did not have an established qualification process, | 0:11:08 | 0:11:11 | |
many pharmacists and drug peddlers called themselves doctors | 0:11:11 | 0:11:15 | |
but became known as quacks. | 0:11:15 | 0:11:17 | |
They commonly gave useless medical advice and hawked | 0:11:17 | 0:11:20 | |
sometimes dangerous products | 0:11:20 | 0:11:22 | |
made from ingredients such as opium, | 0:11:22 | 0:11:24 | |
sulphuric acid or just coloured water, | 0:11:24 | 0:11:27 | |
and touted them as cure-alls. | 0:11:27 | 0:11:30 | |
In an effort to legitimise and professionalise medicine, | 0:11:30 | 0:11:33 | |
the Medical College of Louisiana, just the second of its kind | 0:11:33 | 0:11:36 | |
in the Deep South, was established in 1834, eight years prior | 0:11:36 | 0:11:41 | |
to JB Hacker's graduation. | 0:11:41 | 0:11:43 | |
These are the people who are going to be founders of the medical | 0:11:43 | 0:11:47 | |
-profession as we have it today. -OK. | 0:11:47 | 0:11:50 | |
-And we have turned over to this other page here. -Yes. | 0:11:50 | 0:11:53 | |
Hacker, JB. Other degrees, public offices, honours, etc. | 0:11:53 | 0:11:59 | |
"V.X.U.O." Middle, I'm assuming - "Mdl"? | 0:11:59 | 0:12:04 | |
No. Not at all. What is it? | 0:12:04 | 0:12:07 | |
This is actually the New Orleans Medical and Surgical Journal. | 0:12:07 | 0:12:12 | |
-He wrote an article. -Oh. -OK? -So he was published. -He was published. | 0:12:12 | 0:12:17 | |
-Wow. -OK? | 0:12:17 | 0:12:19 | |
-So the New Orleans... -New Orleans Medical Journal. | 0:12:19 | 0:12:23 | |
And we will open this up to page 868 and 869. | 0:12:25 | 0:12:31 | |
-And what year is this? -1854. | 0:12:31 | 0:12:34 | |
OK, so 1854 - so that... From the census... 40, 50... | 0:12:34 | 0:12:37 | |
-So he's 44 when he's written this. -Mm-hm. | 0:12:37 | 0:12:40 | |
Yellow Fever in Plaquemine, Parish of Iberville | 0:12:40 | 0:12:44 | |
by JB Hacker, MD. | 0:12:44 | 0:12:46 | |
"An epidemic yellow fever prevailed in this town..." | 0:12:48 | 0:12:51 | |
HE GASPS | 0:12:51 | 0:12:52 | |
Your ancestor here was in the middle of the yellow fever epidemic | 0:12:52 | 0:12:56 | |
-of 1853, and it killed about 8,000 people in New Orleans alone. -Oh! | 0:12:56 | 0:13:01 | |
"In the majority of cases that came under my observation, | 0:13:01 | 0:13:04 | |
"the fever began with a chill of greater or less severity, | 0:13:04 | 0:13:07 | |
"followed by violent headache, pain in the back | 0:13:07 | 0:13:10 | |
"and abdominal extremities." | 0:13:10 | 0:13:12 | |
So he's going to tell exactly what happened through the epidemic? | 0:13:12 | 0:13:15 | |
He's going to describe it, | 0:13:15 | 0:13:16 | |
-he's providing information for the medical profession. -Mm-hm. | 0:13:16 | 0:13:20 | |
"When black vomit supervened it was generally on the fourth day." Wow. | 0:13:20 | 0:13:26 | |
"Haemorrhage from the gums, bowels, nose, etc, were frequent | 0:13:26 | 0:13:30 | |
"accompaniments, and generally happened on the third or fourth day." | 0:13:30 | 0:13:33 | |
Good grief. He was literally walking through versions of hell | 0:13:33 | 0:13:38 | |
-where he was going. -Yeah. | 0:13:38 | 0:13:40 | |
-It's horrifying. -It is horrifying. -Absolutely horrifying. | 0:13:40 | 0:13:43 | |
They were still trying to figure out how it's contracted exactly. | 0:13:45 | 0:13:49 | |
-Yeah. We know that yellow fever is spread by mosquitoes. -Right. | 0:13:49 | 0:13:53 | |
But they do not know that, and no-one knows that | 0:13:53 | 0:13:56 | |
until the early 20th century. | 0:13:56 | 0:13:57 | |
Wow. This is very reminiscent of, like, the things you | 0:13:57 | 0:14:01 | |
read about in the 1980s with HIV and everything. | 0:14:01 | 0:14:05 | |
The courage of a doctor to deal with anything when you don't know | 0:14:05 | 0:14:08 | |
how it's travelling, and you put yourself in the room with patients... | 0:14:08 | 0:14:13 | |
You know, that's a real commitment, certainly, to your chosen work, | 0:14:13 | 0:14:20 | |
but it's also, I think, a real commitment to your... | 0:14:20 | 0:14:23 | |
humanity in general, and maybe that's... | 0:14:23 | 0:14:25 | |
-The best of science always does that, actually. -We can hope. | 0:14:25 | 0:14:28 | |
You would hope, you would hope. | 0:14:28 | 0:14:31 | |
Now, do you have more, that takes us even further with him? | 0:14:31 | 0:14:34 | |
-Yeah. Yes, we do. -Of course you do. SHE LAUGHS | 0:14:34 | 0:14:37 | |
We're going to use a database that shows us newspapers. | 0:14:37 | 0:14:42 | |
-Oh. -So... -OK. | 0:14:42 | 0:14:44 | |
HE GASPS I love this. | 0:14:44 | 0:14:47 | |
-And the date range - he was born in 1810? -That's right. -OK. | 0:14:47 | 0:14:51 | |
-And then let's just make it 1900. -Louisiana? -Louisiana, yeah. | 0:14:51 | 0:14:56 | |
"The Loss Of The Steamer Gipsy." | 0:14:58 | 0:15:01 | |
"Eight Or Ten Lives Lost." | 0:15:02 | 0:15:04 | |
"At 3½ o'clock yesterday morning, | 0:15:05 | 0:15:08 | |
"the fire broke out, | 0:15:08 | 0:15:10 | |
"it originated in the wood on the boiler deck | 0:15:10 | 0:15:12 | |
"between the chimneys, | 0:15:12 | 0:15:14 | |
"and immediately spread | 0:15:14 | 0:15:15 | |
"with fearful rapidity." | 0:15:15 | 0:15:17 | |
-Hm. -Yeah. -I'll be damned. | 0:15:17 | 0:15:20 | |
"A telegraphic dispatch which we have received confirms the report | 0:15:20 | 0:15:24 | |
"of the sacrifice of Dr Hacker of Plaquemines, | 0:15:24 | 0:15:29 | |
"with his nephew, a lad of some 13 years of age, and his daughter." | 0:15:29 | 0:15:34 | |
Oh, so he died in this? | 0:15:34 | 0:15:35 | |
Yeah. | 0:15:35 | 0:15:36 | |
We just figured out who he was and now he's gone. | 0:15:36 | 0:15:40 | |
1854. | 0:15:40 | 0:15:42 | |
-So this is... This is the same year as the journal. -Yeah. Yeah. | 0:15:42 | 0:15:47 | |
-When he's 44. -Yeah. | 0:15:47 | 0:15:48 | |
That's only four years older than I am right now. | 0:15:48 | 0:15:51 | |
Mm-hm. | 0:15:51 | 0:15:52 | |
It's hard to hear of putting so much work and all these things | 0:15:52 | 0:15:57 | |
and all this advancement made, and to have it end, you know, | 0:15:57 | 0:16:02 | |
-both suddenly but so soon, you know? -Mm-hm. | 0:16:02 | 0:16:05 | |
He couldn't have been more in the prime of his working, | 0:16:05 | 0:16:10 | |
-and that happens, you know? -Mm-hm. | 0:16:10 | 0:16:11 | |
I am curious, how did this happen, how did this specific steamer...? | 0:16:11 | 0:16:15 | |
They really don't go into that. | 0:16:15 | 0:16:18 | |
So that's what I'm going to do next, I'm going to find out how this | 0:16:19 | 0:16:22 | |
-fire started and find out what killed him. -Mm-hm. | 0:16:22 | 0:16:25 | |
-Thank you. -It's been a pleasure. | 0:16:25 | 0:16:27 | |
'JB Hacker was very impressive to me. The efforts he was making, | 0:16:27 | 0:16:31 | |
'the progress he was making, the good he was doing,' | 0:16:31 | 0:16:34 | |
and - bam! - it's finished. | 0:16:34 | 0:16:37 | |
'And he's one of those people that when they're gone, | 0:16:37 | 0:16:40 | |
'you have to sit back and wonder,' | 0:16:40 | 0:16:42 | |
"What else would you have done?" | 0:16:42 | 0:16:45 | |
Even though I'm tracing my specific family, it's connecting me | 0:16:46 | 0:16:50 | |
to people and places that reach beyond that. | 0:16:50 | 0:16:54 | |
Jim has arranged to meet Robert Gudmestad, | 0:16:58 | 0:17:00 | |
an expert on 19th-century Mississippi steamboats, | 0:17:00 | 0:17:04 | |
on board the Natchez. | 0:17:04 | 0:17:06 | |
Robert has been looking into the fire aboard the Gipsy | 0:17:06 | 0:17:09 | |
that claimed the life of Jim's ancestor. | 0:17:09 | 0:17:12 | |
Well, we are on the Natchez, and the Natchez | 0:17:13 | 0:17:15 | |
is a rough approximation of what a steamboat would have looked like | 0:17:15 | 0:17:18 | |
in the 1850s. The difference with this steamboat to one that | 0:17:18 | 0:17:22 | |
-your great-great-great-grandfather would have travelled on... -Right. | 0:17:22 | 0:17:26 | |
..is that those steamboats were made almost completely out of wood. | 0:17:26 | 0:17:29 | |
-Oh. -And would have been fuelled by fire. -But come on - | 0:17:29 | 0:17:34 | |
it's amazing that they all didn't burn up, if they were made of wood! | 0:17:34 | 0:17:38 | |
-Well, there's something I'd like to show you. -OK. | 0:17:38 | 0:17:40 | |
This is a steamboat. | 0:17:40 | 0:17:42 | |
It's the Gipsy. | 0:17:44 | 0:17:45 | |
-Was this done before the accident? -This was painted in 1853. | 0:17:46 | 0:17:51 | |
-So, the year before the accident. -The year before the accident. | 0:17:51 | 0:17:54 | |
That's amazing. | 0:17:54 | 0:17:55 | |
OK, this is what I find so curious about the fact that he was on it, | 0:17:56 | 0:18:01 | |
-and he was on it with his nephew and his daughter. -Sure. | 0:18:01 | 0:18:04 | |
Were they there...for pleasure? | 0:18:04 | 0:18:06 | |
This would have been the normal way to travel, | 0:18:06 | 0:18:10 | |
and they were probably, | 0:18:10 | 0:18:11 | |
in Louisiana in the 1850s, the fastest way to travel. | 0:18:11 | 0:18:14 | |
So what do we know about the very specifics of the Gipsy's perish, | 0:18:14 | 0:18:18 | |
if you will? | 0:18:18 | 0:18:20 | |
On a steamboat like the Gipsy, you have the boiler room and the... | 0:18:20 | 0:18:24 | |
-Oh, yeah. -..furnaces in the middle of the boat | 0:18:24 | 0:18:26 | |
-and so you can actually see... -The burning... -Yeah. | 0:18:26 | 0:18:29 | |
Someone opened the door to the boiler room, | 0:18:29 | 0:18:32 | |
apparently that was a very, very windy evening | 0:18:32 | 0:18:34 | |
and there was a gust of wind that came through the boiler room | 0:18:34 | 0:18:38 | |
and it carried some of the flame out of the boiler room onto the deck, | 0:18:38 | 0:18:43 | |
so the boat catches on fire. | 0:18:43 | 0:18:45 | |
Your great-great-great-grandfather | 0:18:45 | 0:18:48 | |
would have been very close above the boilers, | 0:18:48 | 0:18:51 | |
-because that's where the men's cabin was. -Oh. -And so he was | 0:18:51 | 0:18:55 | |
in his cabin, perhaps did not hear the commotion. | 0:18:55 | 0:18:59 | |
The fire apparently was a huge fire. It spread to the bank. | 0:18:59 | 0:19:02 | |
-Unbelievable. -To the landing, yeah. | 0:19:02 | 0:19:04 | |
-It's tragic all the way around. -Yeah. | 0:19:04 | 0:19:08 | |
Let me show you one more thing. | 0:19:11 | 0:19:13 | |
All right, so this is the Southern Sentinel. Plaquemine. | 0:19:15 | 0:19:20 | |
This would have been your great-great-great-grandfather's... | 0:19:20 | 0:19:22 | |
-..Local paper? -His hometown newspaper. | 0:19:22 | 0:19:24 | |
OK, and this is almost two weeks after the accident. | 0:19:24 | 0:19:26 | |
"The Late Dr Hacker. | 0:19:26 | 0:19:29 | |
"At a meeting of the Cannoniers..." | 0:19:29 | 0:19:31 | |
What are the Cannoniers? | 0:19:31 | 0:19:33 | |
It was a civic organisation. It was like the Kiwanis or the Elks. | 0:19:33 | 0:19:37 | |
Thank you. That's helpful. "In the death of the late Dr JB Hacker, | 0:19:37 | 0:19:41 | |
"the community lost a kind, dutiful and exemplary citizen | 0:19:41 | 0:19:44 | |
"devoted to its interests, a skilful and well-beloved physician, | 0:19:44 | 0:19:49 | |
"highly benevolent and industrious in the discharge of his duties. | 0:19:49 | 0:19:53 | |
"The members of said Cannoniers, as a mark of respect | 0:19:53 | 0:19:56 | |
"for our late commanding officer and regret for his unfortunate death, | 0:19:56 | 0:19:59 | |
"wear Black Crape, in the usual form, on our left arms for 30 days." | 0:19:59 | 0:20:04 | |
Wow. | 0:20:06 | 0:20:07 | |
I mean, that's like when you see people on the sport fields | 0:20:08 | 0:20:11 | |
-or whatever, these days. -Right. | 0:20:11 | 0:20:13 | |
-Well, this is amazing, this outpouring, for his death. -Yeah. | 0:20:13 | 0:20:17 | |
It's really touching to see the reach that JB Hacker had. | 0:20:24 | 0:20:29 | |
This is sad, I know, but it really reminded me | 0:20:29 | 0:20:32 | |
of going to my father's funeral. | 0:20:32 | 0:20:33 | |
The amount of people that showed up that I had never heard of | 0:20:36 | 0:20:40 | |
or seen before was sort of jaw-dropping to me, | 0:20:40 | 0:20:43 | |
and the reach that he had with his life, to affect other lives, | 0:20:43 | 0:20:47 | |
was really touching, and it was really surprising, | 0:20:47 | 0:20:51 | |
and I had the exact same feeling today, | 0:20:51 | 0:20:54 | |
and I think, too, you feel a real sense of pride, | 0:20:54 | 0:20:58 | |
and to have that feeling again | 0:20:58 | 0:20:59 | |
from so long ago... And this is on my father's side of the family, | 0:20:59 | 0:21:03 | |
and... Are these the kind of qualities that are passed down | 0:21:03 | 0:21:08 | |
through a family? | 0:21:08 | 0:21:09 | |
I don't know the answer to that, | 0:21:09 | 0:21:11 | |
but it's not a far reach to say that they are. | 0:21:11 | 0:21:14 | |
JB Hacker's life ended unexpectedly, | 0:21:19 | 0:21:22 | |
but Jim is still determined to explore the French roots | 0:21:22 | 0:21:25 | |
in his family. He is meeting genealogist Judy Riffel | 0:21:25 | 0:21:28 | |
at the Louisiana Historical Center for a second time. | 0:21:28 | 0:21:32 | |
He wants to see if she's uncovered evidence of French ancestry | 0:21:32 | 0:21:36 | |
on either the Hacker or the Drouet lines. | 0:21:36 | 0:21:38 | |
Well, I did try to trace Dr Hacker's line back to France, | 0:21:41 | 0:21:46 | |
but unfortunately, he got lost in the document trail. | 0:21:46 | 0:21:48 | |
-He did? -But I did have more luck with Adele Drouet. | 0:21:48 | 0:21:52 | |
You're kidding! | 0:21:52 | 0:21:53 | |
And I did prepare a pedigree chart for you. | 0:21:53 | 0:21:57 | |
Oh. | 0:21:57 | 0:21:58 | |
There's Adele. | 0:21:58 | 0:22:00 | |
OK, and so Adele's mother was Anais. | 0:22:00 | 0:22:04 | |
Right, Anais Trouard. | 0:22:04 | 0:22:06 | |
Trouard. OK, and now we're going through Anais' side, | 0:22:06 | 0:22:10 | |
to her parents, so these are my four-time... | 0:22:10 | 0:22:14 | |
-Four-times... -..great-grandparents. -Yes. | 0:22:14 | 0:22:16 | |
-Pros-PER. -Or Pro-SPER. -Prosper Trouard and Eliza Delery, | 0:22:16 | 0:22:23 | |
and he was born in La Rochelle, | 0:22:23 | 0:22:26 | |
-France, so there you go. -There you go. | 0:22:26 | 0:22:28 | |
There's a relative born in France. | 0:22:28 | 0:22:30 | |
OK, and then we go through my four-times great-grandfather's side | 0:22:30 | 0:22:33 | |
up to his parents. | 0:22:33 | 0:22:35 | |
Alexandre... I must sound like a fool. Alexandre Louis Trouard. | 0:22:35 | 0:22:41 | |
-And he was born in March of 1761 in Paris, France. -Yes. | 0:22:41 | 0:22:46 | |
-The heart of it all, I would say. -Yes. -Wow. | 0:22:46 | 0:22:50 | |
OK, so if I want to extend this journey, I need to get to France, | 0:22:50 | 0:22:54 | |
-don't I? -Yes. | 0:22:54 | 0:22:55 | |
I would suggest you go to the French National Archives in Paris. | 0:22:55 | 0:23:00 | |
Well, Judy, I really can't thank you enough. This has been so exciting. | 0:23:00 | 0:23:03 | |
-Bon voyage. -Bon voyage to you. Thank you so much. -Good luck. | 0:23:03 | 0:23:07 | |
'For years, I'd heard that we were French, | 0:23:07 | 0:23:10 | |
'and I didn't know what that meant. To see definitive proof | 0:23:10 | 0:23:13 | |
'that we're actually going to go trace now,' | 0:23:13 | 0:23:15 | |
it's fascinating, and it puts it into a whole other context. | 0:23:15 | 0:23:18 | |
I've got these two new people now - Alexandre and Prosper Trouard. | 0:23:18 | 0:23:23 | |
I love the idea of getting to travel to France now with these ancestors, | 0:23:23 | 0:23:28 | |
and get, hopefully, some sort of full book on what they were doing, | 0:23:28 | 0:23:32 | |
what they were like. | 0:23:32 | 0:23:33 | |
I'm very excited. | 0:23:34 | 0:23:35 | |
Jim has come to Paris to visit the French National Archives. | 0:23:37 | 0:23:41 | |
He's meeting Professor Drew Armstrong, | 0:23:41 | 0:23:43 | |
a specialist in 18th-century French history. | 0:23:43 | 0:23:46 | |
Drew has been searching through the archives for any information | 0:23:46 | 0:23:50 | |
about Jim's French ancestors Prosper and Alexandre Louis Trouard. | 0:23:50 | 0:23:55 | |
I haven't been able to find anything substantial on Prosper Trouard. | 0:23:56 | 0:24:00 | |
-OK. -However, for Alexandre Louis Trouard, | 0:24:00 | 0:24:03 | |
I have found some documentation that starts to open up | 0:24:03 | 0:24:06 | |
a vision into his life. | 0:24:06 | 0:24:09 | |
OK, beautiful. | 0:24:09 | 0:24:10 | |
The first piece is the baptismal record of Alexandre Louis Trouard. | 0:24:10 | 0:24:15 | |
OK. | 0:24:15 | 0:24:17 | |
-So we have a translation. -You have a translation? Beautiful, OK. | 0:24:17 | 0:24:20 | |
So, "Baptism on Monday the 16th of March 1761 | 0:24:20 | 0:24:24 | |
"of Alexandre Louis..." OK, my five-times great-grandfather... | 0:24:24 | 0:24:29 | |
"..son of Louis Francois Trouard..." OK - there's a new name. | 0:24:29 | 0:24:32 | |
So Louis Francois Trouard would... | 0:24:32 | 0:24:34 | |
he's my six-times great-grandfather? | 0:24:34 | 0:24:36 | |
That's correct, yes. | 0:24:36 | 0:24:37 | |
"Architect to the King..." | 0:24:38 | 0:24:41 | |
So...Louis Francois Trouard | 0:24:41 | 0:24:44 | |
is an architect to the King - the literal King? | 0:24:44 | 0:24:47 | |
That is correct, yes. | 0:24:47 | 0:24:48 | |
-Really? -Yes. | 0:24:48 | 0:24:50 | |
He is the architect to Louis XV. | 0:24:50 | 0:24:51 | |
To Louis XV? | 0:24:51 | 0:24:52 | |
Louis XV, precisely. | 0:24:52 | 0:24:55 | |
Wow. | 0:24:55 | 0:24:56 | |
OK, "Godfather, Louis Trouard, marble supplier to the King..." | 0:24:56 | 0:25:02 | |
So, Louis Trouard - who is that? | 0:25:04 | 0:25:08 | |
Louis Trouard is your seven-times great-grandfather. | 0:25:08 | 0:25:11 | |
My seven times great-grandfather. | 0:25:11 | 0:25:12 | |
He's the father of Louis Francois Trouard, architect of the King. | 0:25:12 | 0:25:17 | |
Jim has discovered that not only was his six-times great-grandfather, | 0:25:17 | 0:25:21 | |
Louis Francois Trouard, architect to King Louis XV, | 0:25:21 | 0:25:25 | |
but his father, Louis Trouard, was marble supplier to the King. | 0:25:25 | 0:25:29 | |
So all of Alexandre's family | 0:25:31 | 0:25:34 | |
basically worked for the King? | 0:25:34 | 0:25:35 | |
It looks like that, doesn't it? Absolutely. | 0:25:35 | 0:25:37 | |
It does look like that, yeah. | 0:25:37 | 0:25:39 | |
But Louis Trouard is a middle-class person, not an aristocrat. | 0:25:39 | 0:25:42 | |
Oh, he's not? Not as noble a job as what he... | 0:25:42 | 0:25:46 | |
his son ended up in, but it was a very good job. | 0:25:46 | 0:25:48 | |
It was a very, very good position. As opposed to his son, | 0:25:48 | 0:25:51 | |
Louis Francois, who is being groomed as a professional. | 0:25:51 | 0:25:55 | |
Huh. | 0:25:55 | 0:25:56 | |
So a complete transition from one generation to the next generation. | 0:25:56 | 0:26:01 | |
Louis Trouard essentially positioned his son, | 0:26:01 | 0:26:03 | |
Louis Francois, in THE most elite artistic circles in France. | 0:26:03 | 0:26:08 | |
Wow. | 0:26:08 | 0:26:10 | |
Well, how does one ever become an architect to the King? | 0:26:10 | 0:26:13 | |
I mean, I can't imagine that's easy, or a common thing to do. | 0:26:13 | 0:26:17 | |
It was neither easy nor common, and that's the whole point. | 0:26:17 | 0:26:21 | |
So, this is an 18th century register, and what this is here | 0:26:21 | 0:26:27 | |
is a transcription of an official document | 0:26:27 | 0:26:30 | |
concerning Louis Francois Trouard - | 0:26:30 | 0:26:32 | |
-this is your six-times great-grandfather. -OK. | 0:26:32 | 0:26:35 | |
September 1754. | 0:26:35 | 0:26:37 | |
-And this is the translation of that? -This is the translation. | 0:26:39 | 0:26:42 | |
"Acting on the report submitted to us of the great aptitude | 0:26:42 | 0:26:45 | |
"of Mr Louis Francois Trouard of Paris, about 25 years of age, | 0:26:45 | 0:26:50 | |
"in the art of architecture he has practised through study | 0:26:50 | 0:26:53 | |
"under Mr Loriot, professor of the Royal Academy of Architecture, | 0:26:53 | 0:26:57 | |
"in which he won the first prize last year, 1753, we have chosen | 0:26:57 | 0:27:01 | |
"and named him to be one of the boarding students sponsored | 0:27:01 | 0:27:05 | |
"by the Academy of Painting, Sculpture and Architecture | 0:27:05 | 0:27:08 | |
"established for service to His Majesty in Rome..." | 0:27:08 | 0:27:11 | |
So he was scholarshipped to go to Rome. | 0:27:13 | 0:27:14 | |
He was scholarshipped, absolutely. | 0:27:14 | 0:27:16 | |
In the hope, although not necessarily for sure, that he | 0:27:16 | 0:27:19 | |
would one day work for the King. | 0:27:19 | 0:27:21 | |
Indeed, that is a strong implication. | 0:27:21 | 0:27:23 | |
Winning that prize, the Grand Prix de Rome, | 0:27:23 | 0:27:26 | |
-this is when his career is absolutely made. -Yeah. | 0:27:26 | 0:27:30 | |
-It sounds like it. -It's extremely uncommon to have this opportunity. | 0:27:30 | 0:27:34 | |
Wow. | 0:27:34 | 0:27:36 | |
So what does he do after Rome? | 0:27:36 | 0:27:38 | |
How does he continue this trajectory? | 0:27:38 | 0:27:40 | |
So, he's in Rome from 1754 to 1757, | 0:27:40 | 0:27:45 | |
and then he travels back. | 0:27:45 | 0:27:47 | |
One document that I found that helps to give a sense | 0:27:47 | 0:27:50 | |
of how he's cultivating his supporters is this letter. | 0:27:50 | 0:27:55 | |
This is 1769, so we're... | 0:27:55 | 0:27:58 | |
Wait - let me see something real quick. He was 25 in 1754. | 0:27:58 | 0:28:02 | |
So... This is 1769, so he's 40. | 0:28:02 | 0:28:05 | |
Ah, so am I. | 0:28:05 | 0:28:06 | |
"It is with pleasure, Sir, that I announce that the King has | 0:28:06 | 0:28:10 | |
"elected you to fulfil in the second class of his Academy of Architecture | 0:28:10 | 0:28:14 | |
"the place made vacant by the death of Mr Pluyette." | 0:28:14 | 0:28:17 | |
-Yes. -Wow. | 0:28:17 | 0:28:18 | |
He becomes a member of an organisation | 0:28:18 | 0:28:20 | |
called the Royal Academy of Architecture - | 0:28:20 | 0:28:22 | |
an elite, learned, scholarly body. | 0:28:22 | 0:28:26 | |
There were 32 seats, divided into two classes - 16 seats per class. | 0:28:26 | 0:28:32 | |
And you had to wait for someone to die in order for a vacancy | 0:28:32 | 0:28:36 | |
to open up, and then... | 0:28:36 | 0:28:37 | |
It's like looking for real estate in New York. | 0:28:37 | 0:28:40 | |
"I do not doubt that this new favour by His Majesty | 0:28:40 | 0:28:43 | |
"shall prove for you further reason for zeal in His service." | 0:28:43 | 0:28:46 | |
Oh. I mean, really, it's his acceptance letter. | 0:28:46 | 0:28:49 | |
In 1769 he is catapulted into the Academy, yeah. | 0:28:49 | 0:28:53 | |
It's the greatest honour you could achieve. That's the most | 0:28:53 | 0:28:56 | |
significant function of the Academy, you are honoured by the King. | 0:28:56 | 0:28:59 | |
Unbelievable. | 0:28:59 | 0:29:01 | |
It's the Supreme Court of architects. | 0:29:03 | 0:29:05 | |
It might as well be the Supreme Court of architects, yes. | 0:29:05 | 0:29:08 | |
Wow. That's amazing. | 0:29:08 | 0:29:09 | |
This is a distinct and forever thing, exactly. | 0:29:09 | 0:29:12 | |
And he was obviously extremely good at his job, | 0:29:12 | 0:29:16 | |
and devoted to it and talented at it. | 0:29:16 | 0:29:18 | |
Would he live in the palace? | 0:29:20 | 0:29:22 | |
In fact, Trouard has an apartment, not in the Chateau at Versailles, | 0:29:22 | 0:29:27 | |
not in the residence proper, but in a building adjacent to it. | 0:29:27 | 0:29:30 | |
-Really? -So if you're interested in continuing to expand | 0:29:30 | 0:29:33 | |
your understanding of Louis Francois Trouard's work | 0:29:33 | 0:29:36 | |
and career, and get a feel for the period that he lived at | 0:29:36 | 0:29:40 | |
Versailles, I think the best thing would be to actually travel there. | 0:29:40 | 0:29:44 | |
So I'm going to Versailles? | 0:29:44 | 0:29:45 | |
Indeed. | 0:29:45 | 0:29:47 | |
I've said "wow" a lot but I mean it. It's a sincere "wow". | 0:29:47 | 0:29:50 | |
Excellent. | 0:29:50 | 0:29:52 | |
Thank you very, very much for this. I appreciate it. | 0:29:52 | 0:29:54 | |
You know, it's funny. We had to go back to the 1700s, but - damn it - | 0:29:55 | 0:29:59 | |
we found somebody in the arts, really, | 0:29:59 | 0:30:03 | |
which is very exciting, but, you know, | 0:30:03 | 0:30:05 | |
it's just very appropriate | 0:30:05 | 0:30:06 | |
that we've been going through my father's side of the story. | 0:30:06 | 0:30:10 | |
Clearly, my father was a man much like Louis Francois' father was. | 0:30:10 | 0:30:16 | |
I'm on no Academy to the King, but | 0:30:16 | 0:30:20 | |
my father did find a way to allow me to do exactly what I wanted to do. | 0:30:20 | 0:30:24 | |
I've always said without that, I wouldn't be doing this right now. | 0:30:25 | 0:30:30 | |
I loved school, I loved being in the educational environment, | 0:30:31 | 0:30:36 | |
and to find Louis Francois, who went through, essentially, | 0:30:36 | 0:30:40 | |
grad school in Rome, and we had... Before we him, we found JB, | 0:30:40 | 0:30:45 | |
who went to school when he need not have gone to school, | 0:30:45 | 0:30:47 | |
to further his career at that point. | 0:30:47 | 0:30:49 | |
I think it gets to a point where it's more than a coincidence | 0:30:49 | 0:30:52 | |
that this is my blood relation. | 0:30:52 | 0:30:54 | |
Jim has come to Versailles to visit the Chapelle de la Providence. | 0:31:01 | 0:31:06 | |
He's meeting Ambrogio Caiani, | 0:31:06 | 0:31:08 | |
a specialist in 18th-century French architecture and history. | 0:31:08 | 0:31:12 | |
-Ambrogio? -Yes, indeed. | 0:31:16 | 0:31:17 | |
-Hi. Hey. I'm Jim. -Hello, Jim. How are you? | 0:31:17 | 0:31:19 | |
Very good to meet you, and thank you | 0:31:19 | 0:31:20 | |
so much for meeting me here in Versailles. | 0:31:20 | 0:31:23 | |
I was just dying to know if I could learn any more about | 0:31:23 | 0:31:26 | |
my six-time great-grandfather, Louis Francois Trouard, | 0:31:26 | 0:31:29 | |
the projects he had worked on and how his career went. | 0:31:29 | 0:31:33 | |
Well, I certainly think we can help you with that. | 0:31:33 | 0:31:36 | |
This church is one of his masterpieces. | 0:31:36 | 0:31:40 | |
This is? | 0:31:40 | 0:31:41 | |
Yes. | 0:31:41 | 0:31:42 | |
Wow. | 0:31:44 | 0:31:46 | |
This is quite beautiful. | 0:31:46 | 0:31:48 | |
It's very elegant and it's very classy-looking, | 0:31:51 | 0:31:56 | |
but at the same time there's... It seems very inviting. | 0:31:56 | 0:31:59 | |
So he's doing this, Trouard is doing this, | 0:32:01 | 0:32:04 | |
while working still within the monarch? | 0:32:04 | 0:32:07 | |
Yes, indeed. Trouard reaches the highest point in his career in 1787 | 0:32:07 | 0:32:12 | |
when he is made a Premier, an Architect of the King First Class. | 0:32:12 | 0:32:17 | |
By now, Trouard is 60. | 0:32:17 | 0:32:20 | |
It's quite an achievement, because, as I think we all know, | 0:32:20 | 0:32:23 | |
France is heading towards | 0:32:23 | 0:32:25 | |
rather choppy or stormy seas at this time, and Trouard's nomination | 0:32:25 | 0:32:30 | |
as Architect First Class to the King | 0:32:30 | 0:32:33 | |
is only two years before the beginning of the French Revolution. | 0:32:33 | 0:32:38 | |
Right. | 0:32:38 | 0:32:39 | |
The French Revolution erupted in response | 0:32:41 | 0:32:44 | |
to the lower and middle classes' demands | 0:32:44 | 0:32:47 | |
for social and economic equality, but the seeds of were sown | 0:32:47 | 0:32:51 | |
decades earlier during the so-called Age of Enlightenment. | 0:32:51 | 0:32:55 | |
A new intellectual movement promoted reason over tradition | 0:32:55 | 0:32:58 | |
and superstition, inspiring French citizens to fight for their rights | 0:32:58 | 0:33:02 | |
in the 1789 Revolution. | 0:33:02 | 0:33:05 | |
After several years of violent upheaval, the monarchy | 0:33:06 | 0:33:10 | |
was abolished, Louis XVI was beheaded, and some 40,000 people | 0:33:10 | 0:33:15 | |
were executed, striking fear into the hearts of royal architects | 0:33:15 | 0:33:20 | |
like Louis Francois Trouard. | 0:33:20 | 0:33:22 | |
Now, architects have a pretty difficult time. | 0:33:26 | 0:33:29 | |
Four are executed, 25 are put in prison. | 0:33:29 | 0:33:32 | |
Why were they executing architects? | 0:33:32 | 0:33:34 | |
It was for the old-fashioned reason of corruption, | 0:33:34 | 0:33:36 | |
and they were too, perhaps, compromised with the old regime. | 0:33:36 | 0:33:40 | |
Sure. | 0:33:40 | 0:33:41 | |
Architects who worked more in the tradition of the French court | 0:33:41 | 0:33:45 | |
created spaces which were much more ornate, much more decorated, | 0:33:45 | 0:33:49 | |
very much for the private pleasure of the aristocracy, | 0:33:49 | 0:33:52 | |
and they had ended up under... | 0:33:53 | 0:33:56 | |
The hot blade is the euphemism for the guillotine. | 0:33:56 | 0:34:00 | |
So there is the possibility at least that my ancestor | 0:34:00 | 0:34:03 | |
could have been executed? | 0:34:03 | 0:34:05 | |
Indeed, but Trouard doesn't have the track record of the other | 0:34:05 | 0:34:08 | |
architects who were executed. | 0:34:08 | 0:34:10 | |
-Oh, really? -Yeah. | 0:34:10 | 0:34:12 | |
He really was one of the key figures in the redesign of churches | 0:34:12 | 0:34:15 | |
-in the Age of Enlightenment. -How fascinating. | 0:34:15 | 0:34:18 | |
So what happens to Trouard as an architect of the King | 0:34:18 | 0:34:21 | |
once the revolution starts? | 0:34:21 | 0:34:23 | |
The key question is, "What was your past like?" | 0:34:23 | 0:34:25 | |
"What did you do before the revolution?" | 0:34:25 | 0:34:27 | |
-Right. -And, "What did you do to support it?" | 0:34:27 | 0:34:29 | |
Trouard seems to have been quite friendly | 0:34:29 | 0:34:32 | |
with some pretty liberal and radical thinkers of his age. | 0:34:32 | 0:34:35 | |
-Really? -One of the more interesting figures that he definitely knows was | 0:34:35 | 0:34:38 | |
somebody called Father or the Abbe Raynal, who was a member | 0:34:38 | 0:34:42 | |
of the Enlightenment. Raynal was so radical in the 18th century | 0:34:42 | 0:34:45 | |
-that he actually said that slavery was an awful thing. -Wow. | 0:34:45 | 0:34:49 | |
And your grandfather was a deeply intimate friend with him, | 0:34:49 | 0:34:52 | |
because we know that Raynal, from the late '70s until the early '80s, | 0:34:52 | 0:34:56 | |
lived in Trouard's house in Paris. | 0:34:56 | 0:35:00 | |
You're kidding! | 0:35:00 | 0:35:01 | |
I found a document which is rather interesting on all of this, | 0:35:01 | 0:35:04 | |
and I'm just going to go and grab...this book. | 0:35:04 | 0:35:07 | |
We have some of his correspondence. | 0:35:07 | 0:35:10 | |
So have a look here, Jim, at page 221. | 0:35:10 | 0:35:13 | |
221. | 0:35:13 | 0:35:14 | |
OK. I see Raynal's name, and I see it again. | 0:35:14 | 0:35:18 | |
A bunch of French I can't read... | 0:35:18 | 0:35:20 | |
Monsieur Trouard. | 0:35:20 | 0:35:23 | |
John Adams. | 0:35:23 | 0:35:24 | |
What's going on here? | 0:35:27 | 0:35:29 | |
This needs interpretation, and perhaps the translation | 0:35:29 | 0:35:33 | |
-might help you a bit. -Thank you. | 0:35:33 | 0:35:34 | |
"Letter from Raynal to Franklin, 2nd February 1779." | 0:35:34 | 0:35:38 | |
It's just ten years before the French Revolution. | 0:35:38 | 0:35:42 | |
"On Thursday 4th of this month, around 11 in the morning, | 0:35:42 | 0:35:46 | |
"a very pleasant gathering of friends are to have Russian tea | 0:35:46 | 0:35:49 | |
"at Father Raynal's home. | 0:35:49 | 0:35:51 | |
"Mr Franklin is beseeched by all of the party | 0:35:51 | 0:35:53 | |
"to honour this breakfast with his presence." | 0:35:53 | 0:35:55 | |
Is that, like, Benjamin Franklin? | 0:35:57 | 0:35:58 | |
-Yes, quite. -No! Really? -Yeah. | 0:35:58 | 0:36:01 | |
That is unbelievable. | 0:36:01 | 0:36:03 | |
"I ask the same favour of Mr Adams in Paris, | 0:36:04 | 0:36:07 | |
"February 2nd... the House of Mr Trouard." | 0:36:07 | 0:36:10 | |
-Is that saying that they all stayed there? -Yes indeed. | 0:36:12 | 0:36:15 | |
So, wait a minute... So Benjamin Franklin, Raynal and John Adams | 0:36:15 | 0:36:21 | |
were in the house of Mr Trouard. | 0:36:21 | 0:36:23 | |
Wow. Is this just a nice little brunch to have, | 0:36:23 | 0:36:28 | |
or would there be some sort of reason for them to gather? | 0:36:28 | 0:36:32 | |
Well, I suspect that Franklin and Adams would have been, | 0:36:32 | 0:36:35 | |
in particular, interested in Raynal's ideas | 0:36:35 | 0:36:38 | |
-about slavery and the colonies. -Really? | 0:36:38 | 0:36:41 | |
Franklin being a man of the Enlightenment. | 0:36:41 | 0:36:43 | |
These people were eating-and-drinking buddies. | 0:36:43 | 0:36:45 | |
One of the few ways in which we can tell who was a member | 0:36:45 | 0:36:48 | |
of the Enlightenment or not | 0:36:48 | 0:36:49 | |
is where they went and ate, and in whose house they frequented. | 0:36:49 | 0:36:52 | |
Wow. | 0:36:52 | 0:36:54 | |
And your ancestor knew some of the greatest thinkers of the day. | 0:36:54 | 0:36:57 | |
Wow! | 0:36:57 | 0:36:59 | |
Until I talked to you, all I found out about him was | 0:36:59 | 0:37:02 | |
the way his career went, which was mostly shown to me | 0:37:02 | 0:37:05 | |
through that he was associated with the King, and now to hear | 0:37:05 | 0:37:09 | |
that, obviously, there's some sort of leaning or way of thinking | 0:37:09 | 0:37:14 | |
on his part that obviously isn't in camp with this regime. | 0:37:14 | 0:37:18 | |
Indeed. He seems to have survived the revolution pretty unscathed. | 0:37:18 | 0:37:23 | |
Oh, that's good. | 0:37:23 | 0:37:24 | |
And that he dies in 1804. | 0:37:24 | 0:37:25 | |
-Oh, really? -Mm-hm. | 0:37:25 | 0:37:27 | |
So his behaviour and his actions and the way he worked and led his life | 0:37:27 | 0:37:33 | |
must have been in a way that didn't let people believe he had been | 0:37:33 | 0:37:36 | |
corrupt, or serving too fervently, at least, people or a regime | 0:37:36 | 0:37:42 | |
that had been oppressive. They didn't feel he was part of that. | 0:37:42 | 0:37:46 | |
Yeah, exactly. | 0:37:46 | 0:37:48 | |
Now, do you suspect that Trouard himself ever visited America? | 0:37:48 | 0:37:52 | |
"I don't know" is the honest answer. | 0:37:53 | 0:37:55 | |
-Right. -But his children certainly do. | 0:37:55 | 0:37:57 | |
Oh, is that true? | 0:37:57 | 0:37:58 | |
Alexandre Louis, his eldest son, was also a talented architect | 0:37:58 | 0:38:02 | |
who'd also won the Prix de Rome. | 0:38:02 | 0:38:04 | |
Oh, really? | 0:38:04 | 0:38:05 | |
Yeah. We know that Alexandre Louis took a radical step | 0:38:05 | 0:38:08 | |
of going to the French colonies, and spent some time in Saint-Domingue, | 0:38:08 | 0:38:12 | |
or, as it is known now, Haiti. | 0:38:12 | 0:38:14 | |
-Oh, his son did? -Yeah. -OK. | 0:38:14 | 0:38:17 | |
And then Alexandre Louis' | 0:38:17 | 0:38:18 | |
younger brother transferred to Louisiana, and I think this | 0:38:18 | 0:38:21 | |
brings us back to your American connection quite nicely, | 0:38:21 | 0:38:24 | |
-to the very founding. -Oh, without a doubt. | 0:38:24 | 0:38:25 | |
It's kind of an unbelievable way to tie back in to America. | 0:38:25 | 0:38:28 | |
This is really beyond anything I would have ever expected. | 0:38:28 | 0:38:32 | |
-An absolute pleasure, Jim. -Thank you. It was good to meet you. | 0:38:32 | 0:38:34 | |
A pleasure. | 0:38:34 | 0:38:36 | |
'I think that, in both the case of Hacker and Trouard...' | 0:38:42 | 0:38:47 | |
..it's really the hard-working aspect of them | 0:38:48 | 0:38:52 | |
that my father would most identify with. | 0:38:52 | 0:38:54 | |
It just was a constant devotion to getting the job done | 0:38:54 | 0:38:59 | |
as best you could, and that's just something that my father | 0:38:59 | 0:39:03 | |
passed down to me. | 0:39:03 | 0:39:04 | |
(Wow.) | 0:39:05 | 0:39:06 | |
You know, and then again, with Louis Francois, and how important, | 0:39:06 | 0:39:11 | |
obviously, it was for his own father to help him realise this dream | 0:39:11 | 0:39:16 | |
of being an architect and helping him get that done, | 0:39:16 | 0:39:20 | |
and not just get that done, but finding a way | 0:39:20 | 0:39:22 | |
to help him get that done at the highest level possible. | 0:39:22 | 0:39:24 | |
That was just not surprising to hear - that that was | 0:39:26 | 0:39:28 | |
part of my father's side of the family, and when I was young | 0:39:28 | 0:39:32 | |
and I knew no different, I didn't really take note of it, | 0:39:32 | 0:39:35 | |
but it's been much later in life that you look back, not only with | 0:39:35 | 0:39:39 | |
gratitude, but with a more, almost... | 0:39:39 | 0:39:43 | |
I don't know what I would have done, | 0:39:43 | 0:39:45 | |
I really don't know what I would have become without my father. | 0:39:45 | 0:39:49 | |
But I have this suspicion that without that kind of love, | 0:39:51 | 0:39:55 | |
I feel like I would have been a much less happy individual, | 0:39:55 | 0:40:00 | |
and that's what's behind me for generations. | 0:40:00 | 0:40:04 |