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It's now been ten years since the first celebrity was asked | 0:00:10 | 0:00:14 | |
the impertinent question Who Do You Think You Are? | 0:00:14 | 0:00:17 | |
Since then, there have been shocks, surprises, laughter and tears | 0:00:17 | 0:00:21 | |
as more people discovered | 0:00:21 | 0:00:23 | |
they weren't quite who they thought they were. | 0:00:23 | 0:00:25 | |
Stone the crows! | 0:00:25 | 0:00:27 | |
-SHE GASPS -There she is. | 0:00:27 | 0:00:29 | |
HE GASPS | 0:00:29 | 0:00:30 | |
-Wow! That's amazing! -Yeah. | 0:00:30 | 0:00:33 | |
He's buried directly under your feet. | 0:00:33 | 0:00:35 | |
SHE GASPS | 0:00:35 | 0:00:37 | |
Well, I'm rather lost for words. | 0:00:37 | 0:00:39 | |
That must be a first! | 0:00:40 | 0:00:42 | |
The need to know the truth has led all kinds of famous faces | 0:00:44 | 0:00:48 | |
to take a good look at themselves and their family, | 0:00:48 | 0:00:51 | |
and the total has now reached 100. | 0:00:51 | 0:00:54 | |
Ooh! | 0:00:54 | 0:00:55 | |
They have searched for clues across five continents, | 0:00:57 | 0:00:59 | |
thousands of miles and thousands of documents | 0:00:59 | 0:01:02 | |
to unlock family secrets | 0:01:02 | 0:01:04 | |
and bring history to life in the most unexpected ways. | 0:01:04 | 0:01:08 | |
Yeah! | 0:01:08 | 0:01:10 | |
100 unique stories from one simple question - | 0:01:10 | 0:01:14 | |
Who Do You Think You Are? | 0:01:14 | 0:01:16 | |
It's maybe a distant relative! | 0:01:26 | 0:01:28 | |
Oh, my God! | 0:01:30 | 0:01:32 | |
She married a dashing young drunk with a history of syphilis. | 0:01:32 | 0:01:36 | |
SHE LAUGHS | 0:01:36 | 0:01:37 | |
Who Do You Think You Are? has changed our view of British history, | 0:01:37 | 0:01:41 | |
and millions have been inspired | 0:01:41 | 0:01:42 | |
to take a journey of discovery into their own family. | 0:01:42 | 0:01:46 | |
I think Who Do You Think You Are? made genealogy actually quite cool. | 0:01:46 | 0:01:52 | |
Sort of. | 0:01:52 | 0:01:53 | |
They choose really interesting people. | 0:01:54 | 0:01:57 | |
But they are generally people who I think, | 0:01:57 | 0:01:59 | |
"Ooh, I want to know where they've come from". | 0:01:59 | 0:02:01 | |
People are nosy. | 0:02:01 | 0:02:04 | |
They love to know sort of where they came from, | 0:02:04 | 0:02:09 | |
and I think we're all inquisitive. | 0:02:09 | 0:02:12 | |
I think every family's got an amazing story somewhere. | 0:02:12 | 0:02:15 | |
He was playing Russian roulette. | 0:02:15 | 0:02:18 | |
-SHE GASPS -Oh, my God. | 0:02:18 | 0:02:20 | |
Well, I'm damned! | 0:02:20 | 0:02:22 | |
I had an exploding grandad. | 0:02:22 | 0:02:24 | |
You can't help me, but it's down in black and white. | 0:02:24 | 0:02:26 | |
A lion tamer?! | 0:02:26 | 0:02:29 | |
Food-hoarding, suicidal murderers. | 0:02:29 | 0:02:31 | |
Montague, what have you done?! | 0:02:31 | 0:02:34 | |
He bloomin' survived the Somme. He weren't even there! | 0:02:34 | 0:02:37 | |
I know the amazing one. Barbara Windsor was descended from Constable. | 0:02:37 | 0:02:43 | |
That's... That is a properly good celebrity juxtaposition. | 0:02:43 | 0:02:48 | |
There was a Golding Constable, | 0:02:48 | 0:02:51 | |
who was the father of the painter John Constable. | 0:02:51 | 0:02:55 | |
-Really? -Yes. -Could that be anything to do with my side? | 0:02:55 | 0:02:59 | |
Well, we have done some research, and we think there is a connection. | 0:02:59 | 0:03:03 | |
-No! -Yes. -Ooh, goodness me. | 0:03:03 | 0:03:06 | |
Who Do You Think You Are? is a quest | 0:03:10 | 0:03:12 | |
to find the buried treasure of past lives, | 0:03:12 | 0:03:15 | |
but nobody knows what they will find or where they will find it. | 0:03:15 | 0:03:18 | |
"A goal scored by Carr after 32 minutes | 0:03:20 | 0:03:23 | |
"gave Newcastle a rather lucky interval lead, | 0:03:23 | 0:03:25 | |
"but on the resumption the home side kept up a constant attack | 0:03:25 | 0:03:29 | |
"and Carr completed his hat-trick"! | 0:03:29 | 0:03:31 | |
Get in, Will! | 0:03:31 | 0:03:32 | |
-That's great, innit? -You know what a hat-trick is, don't you? -Yeah! | 0:03:32 | 0:03:37 | |
Brilliant, brilliant, brilliant, brilliant! I'm so happy! | 0:03:37 | 0:03:40 | |
I'm so happy about this information. | 0:03:40 | 0:03:42 | |
It's a sort of whodunnit, really, | 0:03:42 | 0:03:44 | |
because you're finding your way back through parish records. | 0:03:44 | 0:03:48 | |
It's detective work. You know, it's a mystery. | 0:03:48 | 0:03:51 | |
And we all love a mystery. | 0:03:51 | 0:03:53 | |
I feel like Miss Marple! | 0:03:54 | 0:03:56 | |
All this information, and it's mine. What am I going to do with it? | 0:03:56 | 0:04:00 | |
It's just the great skill of the programme, | 0:04:00 | 0:04:02 | |
and the great excitement of it is, yes, finding out about your family, | 0:04:02 | 0:04:08 | |
like you are... your own family detective. | 0:04:08 | 0:04:12 | |
Solving the puzzle of family history not only takes detective work, | 0:04:13 | 0:04:17 | |
determination and a pile of dusty documents, | 0:04:17 | 0:04:20 | |
it's also important to have | 0:04:20 | 0:04:22 | |
a pair of white gloves. | 0:04:22 | 0:04:24 | |
I'm afraid, before we can look at them, | 0:04:24 | 0:04:26 | |
-we have to put these gloves on. -Oh, I see. Are they clean? | 0:04:26 | 0:04:30 | |
-Great. Thank you. -I'm going to ask you to put those on. | 0:04:31 | 0:04:34 | |
How many times as Poirot have I put on white gloves | 0:04:34 | 0:04:37 | |
and gone into registry offices and gone down lists of people? | 0:04:37 | 0:04:41 | |
And that was the first thing, actually. Strange, isn't it? | 0:04:41 | 0:04:44 | |
The first thing I thought when I put on those gloves, | 0:04:44 | 0:04:47 | |
I thought, "Ah! How many times have I done this?" | 0:04:47 | 0:04:49 | |
What's that say? Dwyer? Esquire. That is incredibly amazing. | 0:04:49 | 0:04:55 | |
Right, let's have a look. | 0:04:55 | 0:04:57 | |
There he is in the list of the councillors. James Blair. | 0:04:57 | 0:04:59 | |
-Do I need the gloves, then? -You don't, no. We can lose the gloves. | 0:04:59 | 0:05:02 | |
-I quite like the gloves. -Yeah, if you like them, | 0:05:02 | 0:05:04 | |
you can keep them before you go. OK... | 0:05:04 | 0:05:07 | |
Funnily enough - you know what people on Twitter are like - | 0:05:07 | 0:05:10 | |
now if you do something where the gloves haven't been worn, you know, | 0:05:10 | 0:05:13 | |
everybody's an expert now, everyone's jumping up and down, going, | 0:05:13 | 0:05:17 | |
"I didn't see any, ahem, white gloves being used in the library scene". | 0:05:17 | 0:05:21 | |
It's extraordinary! | 0:05:21 | 0:05:23 | |
It's actually the Hogwarts library to me! | 0:05:25 | 0:05:29 | |
Following the paper trail that everyone leaves behind | 0:05:31 | 0:05:34 | |
is the key to unlocking the past. | 0:05:34 | 0:05:36 | |
Is there, somewhere, a dusty piece of paper... | 0:05:38 | 0:05:41 | |
..that says... | 0:05:42 | 0:05:44 | |
"Jeremy Clarkson is owed £42 billion"? | 0:05:44 | 0:05:48 | |
Pregnant servant. | 0:05:48 | 0:05:50 | |
Pregnant, unmarried servant. | 0:05:51 | 0:05:53 | |
Blimey! Lord! | 0:05:53 | 0:05:56 | |
-That really says it all, doesn't it? -I'm afraid it does. | 0:05:59 | 0:06:02 | |
Somebody goes, "It is all in this book. It is written." | 0:06:05 | 0:06:09 | |
And they go, "Psssshhhh!," and the dust comes out, and someone says, | 0:06:09 | 0:06:12 | |
"Wait! Wait, I think we have the parchment". | 0:06:12 | 0:06:15 | |
You know? And it is a bit like that. | 0:06:15 | 0:06:18 | |
AINSLEY HARRIOTT: 'When you see these documents, | 0:06:18 | 0:06:20 | |
'it makes you kind of think, "Wow!' | 0:06:20 | 0:06:22 | |
"This is me, this is part of me. This is part of my make-up here, | 0:06:22 | 0:06:26 | |
"right before my eyes." And, you know, it's recorded, it's all there. | 0:06:26 | 0:06:31 | |
I had no idea about my great-grandparents, | 0:06:31 | 0:06:34 | |
so to find out their names and what they did, it's just amazing. | 0:06:34 | 0:06:42 | |
Oh, my God. Talking about my great-great-great-great-grandfather, | 0:06:43 | 0:06:46 | |
you know, hundreds of years ago, | 0:06:46 | 0:06:49 | |
it's documented there that he was a stonemason | 0:06:49 | 0:06:52 | |
and he worked on Windsor Castle. | 0:06:52 | 0:06:54 | |
But how amazing to be able to find that information, | 0:06:54 | 0:06:58 | |
that we still have it in our archives. | 0:06:58 | 0:07:01 | |
I mean, what a treasure trove. | 0:07:01 | 0:07:03 | |
The census, conducted every ten years since 1841, | 0:07:03 | 0:07:07 | |
inadvertently reveals intimate details of our ancestors' lives, | 0:07:07 | 0:07:10 | |
and birth, marriage and death certificates | 0:07:10 | 0:07:13 | |
can send shock waves down the centuries. | 0:07:13 | 0:07:15 | |
Where's her husband? | 0:07:16 | 0:07:18 | |
Looks like she's on her own. | 0:07:19 | 0:07:21 | |
Lunatic. | 0:07:22 | 0:07:23 | |
Hang on, this is a big line of lunatics. | 0:07:26 | 0:07:29 | |
-Yeah. -Where is she, in an asylum? | 0:07:29 | 0:07:31 | |
Where... Where is this? | 0:07:31 | 0:07:33 | |
I came across a marriage for him. | 0:07:33 | 0:07:35 | |
Oh, my God, he was an actor! | 0:07:39 | 0:07:42 | |
-Ah, yes! -And she was a variety artist! | 0:07:42 | 0:07:46 | |
I wondered when you'd notice. | 0:07:46 | 0:07:47 | |
I'm so happy! | 0:07:47 | 0:07:49 | |
Opera singer Lesley Garrett got a nasty surprise | 0:07:50 | 0:07:53 | |
from a death certificate of 1899. | 0:07:53 | 0:07:56 | |
She was 57 years old. | 0:07:57 | 0:08:00 | |
She was the wife of Charles Garrett, who was a butcher and a farmer. | 0:08:00 | 0:08:03 | |
"Death from poisoning by carbolic acid accidentally administered"?! | 0:08:05 | 0:08:10 | |
Oh, for goodness' sake! Wow! | 0:08:10 | 0:08:13 | |
By whom?! | 0:08:13 | 0:08:14 | |
The twists and turns of every story on Who Do You Think You Are? | 0:08:16 | 0:08:19 | |
rely on the information | 0:08:19 | 0:08:20 | |
recorded in all kinds of weird and wonderful documents. | 0:08:20 | 0:08:25 | |
-Rabbits, woodcocks, partridges and hares. -And hare. | 0:08:25 | 0:08:29 | |
This is what my great-great-grandfather killed. | 0:08:29 | 0:08:32 | |
These are the Hearth Tax returns for South Yorkshire for 1672. | 0:08:32 | 0:08:38 | |
That's when they were taxing people on how many chimneys they had. | 0:08:38 | 0:08:42 | |
I just love that this book exists! | 0:08:42 | 0:08:46 | |
Somebody published it! | 0:08:46 | 0:08:49 | |
This is known as a seaman's discharge book. | 0:08:49 | 0:08:51 | |
Mm. LAUGHS | 0:08:51 | 0:08:53 | |
-Wouldn't be in this day and age. -No, no, it wouldn't! | 0:08:53 | 0:08:55 | |
This smutty day and age. It'd be something completely different. | 0:08:55 | 0:08:58 | |
Probably has a much nicer name now. | 0:08:58 | 0:09:00 | |
It was a really, really, very kind of innocent time, wasn't it? | 0:09:00 | 0:09:03 | |
Documents come in all shapes and sizes, and one of the smallest | 0:09:03 | 0:09:07 | |
was written by an ancestor of Alexander Armstrong. | 0:09:07 | 0:09:10 | |
77. | 0:09:10 | 0:09:12 | |
"How to make a man to fly, | 0:09:12 | 0:09:14 | |
"which I have tried with a little Boy of ten years old in a Barn, | 0:09:14 | 0:09:18 | |
"from one end to the other, on an Hay-mow." | 0:09:18 | 0:09:23 | |
And the little boy came out fine. He was fine. | 0:09:23 | 0:09:27 | |
The longest document ever seen on the series | 0:09:28 | 0:09:30 | |
was found by Meera Syal in the Punjab, | 0:09:30 | 0:09:33 | |
where village records were kept on a very, very long piece of fabric. | 0:09:33 | 0:09:37 | |
It's like a sari, isn't it? | 0:09:43 | 0:09:45 | |
Kevin Whately couldn't believe | 0:09:46 | 0:09:49 | |
what he found - his ancestor's bank account details, | 0:09:49 | 0:09:51 | |
1741. | 0:09:51 | 0:09:53 | |
That's the date, not his PIN number. | 0:09:53 | 0:09:57 | |
We've actually still got his bank account to show you. | 0:09:57 | 0:10:00 | |
-It still exists. -Yeah. | 0:10:00 | 0:10:02 | |
Thomas Whately. | 0:10:04 | 0:10:06 | |
Quite a busy account. | 0:10:06 | 0:10:08 | |
How extraordinary, to have his bank account 300 years later. | 0:10:08 | 0:10:12 | |
Bill Oddie found a strange set of rules | 0:10:14 | 0:10:16 | |
in a noisy cotton mill where his grandparents once worked. | 0:10:16 | 0:10:19 | |
Yes, off. Off. Off! | 0:10:19 | 0:10:22 | |
'The noise was unbelievable.' | 0:10:22 | 0:10:24 | |
"Boom, boom, boom, boom!" Everything's going all around you. | 0:10:24 | 0:10:28 | |
And it is such a row. It's just horrendous! | 0:10:28 | 0:10:31 | |
"Operator' notes." Real thing. | 0:10:34 | 0:10:37 | |
'Can you make it up?' | 0:10:37 | 0:10:38 | |
Extraordinary. It was 40 items of what you mustn't do, | 0:10:38 | 0:10:42 | |
and you don't understand one of them. | 0:10:42 | 0:10:44 | |
You know, "Make sure that your flop doesn't come in the bottle boots". | 0:10:44 | 0:10:49 | |
All right, OK, I'll make sure of that. | 0:10:49 | 0:10:51 | |
"Don't let oil accumulate on the contact block. | 0:10:51 | 0:10:53 | |
"Don't forget to see that stumblers are free to act. | 0:10:53 | 0:10:56 | |
"Don't let carbon dust or dirt accumulate on the commutator. | 0:10:56 | 0:10:59 | |
"Don't put stretch on Upper Warp Frame while still in the loader." | 0:10:59 | 0:11:03 | |
As if you would! | 0:11:03 | 0:11:05 | |
"Don't forget too much angle in loading, causing breaks." | 0:11:05 | 0:11:08 | |
It does! Too much angle in loading causing breaks. | 0:11:08 | 0:11:10 | |
You can't help laughing, frankly, | 0:11:10 | 0:11:12 | |
cos, I mean, you can't write that stuff. | 0:11:12 | 0:11:14 | |
40 unintelligible don't do this. | 0:11:14 | 0:11:16 | |
You say "DO try and understand what it means". | 0:11:16 | 0:11:19 | |
Who Do You Think You Are? has examined a million pieces of paper. | 0:11:20 | 0:11:24 | |
Oh, my God. | 0:11:24 | 0:11:26 | |
That's not short, is it? | 0:11:26 | 0:11:27 | |
But the real star of the archives is microfiche. | 0:11:27 | 0:11:31 | |
My heart's pounding, you do realise that, don't you? | 0:11:31 | 0:11:35 | |
No TV programme in the history of broadcasting has done more to | 0:11:35 | 0:11:39 | |
revive the reputation of this unfashionable material. | 0:11:39 | 0:11:44 | |
Without microfiche, Who Do You Think You Are? wouldn't | 0:11:44 | 0:11:47 | |
know who anybody was. | 0:11:47 | 0:11:48 | |
When you kind of wind up and you start looking at this stuff, | 0:11:48 | 0:11:52 | |
it's almost like watching a film from the 1930s | 0:11:52 | 0:11:54 | |
-or something like that. -HE MAKES CLICKING NOISE | 0:11:54 | 0:11:57 | |
When you do suddenly find a name that connects with you, | 0:11:59 | 0:12:03 | |
you think of how much material is actually there | 0:12:03 | 0:12:07 | |
and then suddenly it just pops right up... | 0:12:07 | 0:12:09 | |
It just goes... It's almost like big words. | 0:12:09 | 0:12:11 | |
It's almost like you're watching some form of animation | 0:12:11 | 0:12:14 | |
because suddenly - bang - it's right there and that's your history. | 0:12:14 | 0:12:19 | |
Oh, wow. This... I knew it. I knew it. | 0:12:19 | 0:12:21 | |
I knew something was going to come out of this. | 0:12:21 | 0:12:25 | |
"Cannibalism at Tarbuck"? I hope it's not that. | 0:12:25 | 0:12:28 | |
-Can you read this? -Yes. -Yes? What does it say? | 0:12:31 | 0:12:35 | |
When I said, "Yes", I just said yes to be accommodating. | 0:12:35 | 0:12:38 | |
Well... | 0:12:41 | 0:12:42 | |
We've opened a whole can of worms here, Ken. | 0:12:42 | 0:12:45 | |
You just don't know who is going to turn up | 0:12:47 | 0:12:49 | |
when you start digging into the past. | 0:12:49 | 0:12:51 | |
There's no telling what they did or who they did it with, | 0:12:51 | 0:12:55 | |
as Alex Kingston found out. | 0:12:55 | 0:12:57 | |
So this street must be something different. | 0:12:57 | 0:13:00 | |
Something different about this street. | 0:13:00 | 0:13:01 | |
Something different. Something a bit out of the ordinary... | 0:13:01 | 0:13:04 | |
about this district or this street. | 0:13:04 | 0:13:06 | |
Oh, my... They're not hookers, are they? Are they prostitutes? | 0:13:06 | 0:13:10 | |
Oh! Are they?! Oh, my God! They're not! Are they really?! Oh, no! | 0:13:10 | 0:13:16 | |
-Seriously?! -Seriously. | 0:13:16 | 0:13:18 | |
They could well have been running what | 0:13:18 | 0:13:20 | |
-we call disorderly houses or houses of ill repute. -Oh, my word! | 0:13:20 | 0:13:25 | |
They're weren't necessarily actively pursuant in being prostitutes | 0:13:25 | 0:13:29 | |
themselves, but running disorderly houses or houses of assignation, | 0:13:29 | 0:13:35 | |
-rather like motels, where people could... -Rent a room. | 0:13:35 | 0:13:38 | |
-..by the hour, yes. -Oh, my goodness! | 0:13:38 | 0:13:41 | |
All I can say is, this morning, I found my inner Jew and, | 0:13:41 | 0:13:46 | |
this afternoon, I found my inner whore! | 0:13:46 | 0:13:50 | |
I mean, it's like... I just... I was not expecting that. | 0:13:50 | 0:13:54 | |
Who Do You Think You Are?'s reputation for uncovering scandal | 0:13:56 | 0:13:59 | |
has inspired quite a few comedians. | 0:13:59 | 0:14:02 | |
Before appearing on the programme for real, | 0:14:02 | 0:14:04 | |
Alexander Armstrong did it for laughs. | 0:14:04 | 0:14:07 | |
I play myself deeply vain, you know, and I basically decided to do it | 0:14:07 | 0:14:11 | |
because it's been moved up from BBC Two to BBC One, | 0:14:11 | 0:14:13 | |
so that's my main reason for doing it. | 0:14:13 | 0:14:15 | |
I think it might be good for the career. | 0:14:15 | 0:14:17 | |
Therefore, having committed to it, I'm hoping... | 0:14:17 | 0:14:19 | |
I'm very much hoping that I will be | 0:14:19 | 0:14:21 | |
the discussion round the water coolers the following morning. | 0:14:21 | 0:14:25 | |
-Wow! Fantastic. -Yes, she's here. | 0:14:25 | 0:14:26 | |
-This is the 1921 Census... -Yeah. | 0:14:26 | 0:14:30 | |
..and she's in here with her four sisters, your great aunts. | 0:14:30 | 0:14:33 | |
-Here we go. -Oh, there they are. | 0:14:33 | 0:14:35 | |
Florence Agnes Davies of | 0:14:35 | 0:14:39 | |
14 Tanmartin Road, aged 20, whore. | 0:14:39 | 0:14:44 | |
LAUGHTER | 0:14:44 | 0:14:46 | |
And I discover, at every turn, my forebears were all prostitutes. | 0:14:49 | 0:14:55 | |
'It just gets worse and worse and worse.' | 0:14:55 | 0:14:58 | |
And what's also interesting is that all of her sisters are here, | 0:14:58 | 0:15:02 | |
so your great aunts as well. | 0:15:02 | 0:15:03 | |
Here we are. Edith Berther, aged 20, whore. | 0:15:03 | 0:15:08 | |
Victoria Mary, aged 19, whore. | 0:15:08 | 0:15:12 | |
Eliza Jane, whore. | 0:15:12 | 0:15:15 | |
And Susan Elizabeth, who's just 16...whore. | 0:15:15 | 0:15:20 | |
LAUGHTER | 0:15:20 | 0:15:23 | |
My main guest today is one of the genealogists | 0:15:23 | 0:15:27 | |
from BBC One's Who Do You Think You Are? | 0:15:27 | 0:15:29 | |
-Please welcome Henry Spring. -Hello. | 0:15:29 | 0:15:32 | |
Alan Partridge also got a shock when the people from | 0:15:32 | 0:15:35 | |
Who Do You Think You Are? looked into the Partridge family tree. | 0:15:35 | 0:15:39 | |
Well, the coroner's report says the cause of death was syphilis. | 0:15:39 | 0:15:43 | |
Right. You can make eye contact with me when you say that, you know. | 0:15:43 | 0:15:46 | |
-I haven't got syphilis. -Sorry. | 0:15:46 | 0:15:48 | |
You're looking away, like that, like it's, you know... | 0:15:48 | 0:15:50 | |
You should careful, banding around causes of death willy-nilly. | 0:15:50 | 0:15:53 | |
Well, the coroner's report does state it, so we can be pretty sure. | 0:15:53 | 0:15:57 | |
If I was going on a man's radio show to accuse | 0:15:57 | 0:15:59 | |
one of his ancestors of having a sex disease, | 0:15:59 | 0:16:02 | |
I'd want to be more than pretty sure. | 0:16:02 | 0:16:04 | |
I'd want to be the next one up, which, presumably, is uber sure. | 0:16:04 | 0:16:08 | |
-OK, then, we're uber sure. -Why are you doing this? | 0:16:08 | 0:16:11 | |
I... I have sponsors who will walk away like that | 0:16:11 | 0:16:15 | |
if they get a sniff of VD. | 0:16:15 | 0:16:16 | |
However optimistically the search begins, | 0:16:18 | 0:16:21 | |
those long-gone relatives so often fail to live up to expectations. | 0:16:21 | 0:16:26 | |
Now we have Thomas Irons of B Division. | 0:16:26 | 0:16:29 | |
"Absent from his beat for 30 minutes and found drunk." | 0:16:29 | 0:16:34 | |
He has 37 reports against his name. | 0:16:34 | 0:16:37 | |
Jeremy Iron's great-great grandfather was a policeman in 1839 | 0:16:37 | 0:16:41 | |
who wasn't always well-behaved. | 0:16:41 | 0:16:44 | |
-37 times he was on report... -He liked the beer. Well, well. | 0:16:45 | 0:16:48 | |
But he might have only had that to drink, so... | 0:16:48 | 0:16:51 | |
He apparently spent too much time in the pub. | 0:16:51 | 0:16:53 | |
But, of course, when he was a policeman, | 0:16:53 | 0:16:55 | |
there wasn't drinkable water, so you would drink, you know... | 0:16:55 | 0:16:59 | |
on a day like a hot day today, | 0:16:59 | 0:17:01 | |
wandering around the streets, you'd want to go in | 0:17:01 | 0:17:04 | |
and cool your thirst, and you should do. | 0:17:04 | 0:17:06 | |
But they didn't seem to appreciate that, so he was given the elbow. | 0:17:06 | 0:17:10 | |
From Jeremy Iron's drunken policeman to David Mitchell's | 0:17:10 | 0:17:14 | |
great-great great grandfather, the Reverend John Forbes, | 0:17:14 | 0:17:17 | |
who wasn't as forgiving as you might expect from a man of the Church. | 0:17:17 | 0:17:22 | |
I'd spent the best part of a week being told what a great guy he was, | 0:17:22 | 0:17:26 | |
and he seemed to be very respected and a very devout man | 0:17:26 | 0:17:30 | |
and a very learned man, and then I was given his will... | 0:17:30 | 0:17:35 | |
In which he basically slags everyone off, leaves nothing to his wife | 0:17:35 | 0:17:40 | |
because, he says, she's an alcoholic. | 0:17:40 | 0:17:43 | |
"To my beloved wife, personally, I cannot entrust anything | 0:17:43 | 0:17:46 | |
"because she has, during the last 18 years previous to this date, | 0:17:46 | 0:17:50 | |
"proved herself to be utterly unworthy of trust or confidence, | 0:17:50 | 0:17:54 | |
"being unfortunately addicted during this period to the | 0:17:54 | 0:17:57 | |
"vice of intemperance." | 0:17:57 | 0:17:59 | |
Stop smiling, this is very tragic. | 0:17:59 | 0:18:02 | |
-Oh... -"Contracting debts without my knowledge or permission, | 0:18:02 | 0:18:05 | |
"imprudent and without any proper regard to necessary economy, | 0:18:05 | 0:18:09 | |
"generally disobedient to the admonitions, | 0:18:09 | 0:18:11 | |
"advices and directions that were kindly and faithfully given | 0:18:11 | 0:18:14 | |
"to her for her own best interest and that of her family, | 0:18:14 | 0:18:18 | |
"both by myself and also by my relatives and friends." | 0:18:18 | 0:18:21 | |
"Constantly trying to evade the vigilance that has been used | 0:18:21 | 0:18:24 | |
"to prevent her from going wrong." | 0:18:24 | 0:18:26 | |
To be honest, you read that and I'm not surprised she drank. | 0:18:26 | 0:18:30 | |
For many, exploring the lives of their ancestors has taken them | 0:18:32 | 0:18:36 | |
to the four corners of the Earth | 0:18:36 | 0:18:38 | |
using any available mode of transport. | 0:18:38 | 0:18:41 | |
HORN BLOWS | 0:18:41 | 0:18:43 | |
Isn't that great? Isn't that fantastic? | 0:18:46 | 0:18:48 | |
I feel very at home here, actually. I do. | 0:18:50 | 0:18:54 | |
We're right by the Ganges, which is all dried up at the moment. | 0:18:54 | 0:18:59 | |
This is certainly not a place that English people hang out. | 0:18:59 | 0:19:02 | |
Rory Bremner looked relaxed on a nice little boat, | 0:19:07 | 0:19:10 | |
and Laurence Llewellyn Bowen tried to look relaxed | 0:19:10 | 0:19:14 | |
on a much bigger boat. | 0:19:14 | 0:19:15 | |
Some other people should probably have stayed at home. | 0:19:18 | 0:19:20 | |
HE WRETCHES | 0:19:22 | 0:19:25 | |
HE WRETCHES | 0:19:29 | 0:19:31 | |
Well, we're in Kaliningrad and I've just been incredibly violently sick. | 0:19:40 | 0:19:44 | |
Er... | 0:19:44 | 0:19:46 | |
One of those big sicks where | 0:19:46 | 0:19:47 | |
I just thought it was actually never going to stop. | 0:19:47 | 0:19:50 | |
And, rather unfortunately, | 0:19:50 | 0:19:52 | |
I've actually been sick on my nice document bag, | 0:19:52 | 0:19:55 | |
which includes the letters written by my grandmother. | 0:19:55 | 0:19:58 | |
Barbara Windsor sensibly decided to travel to Clacton by train. | 0:19:58 | 0:20:02 | |
Very easy getting on and off a train, if you know how. | 0:20:02 | 0:20:05 | |
SHE LAUGHS | 0:20:13 | 0:20:16 | |
You can see I haven't been on a train for a long time. | 0:20:16 | 0:20:19 | |
I stood there waiting, thinking the doors would open. | 0:20:19 | 0:20:24 | |
Having arrived at their destination, | 0:20:24 | 0:20:25 | |
the celebrity genealogist can still be faced with the most | 0:20:25 | 0:20:29 | |
challenging difficulties. | 0:20:29 | 0:20:31 | |
Well, look, the car's in there. I can't... | 0:20:32 | 0:20:34 | |
I was really looking forward to finding out | 0:20:37 | 0:20:39 | |
why the Kilners went bust, but I'm afraid it's all over now. | 0:20:39 | 0:20:42 | |
I reckon you could jump over that... | 0:20:46 | 0:20:48 | |
with a good run-up. | 0:20:48 | 0:20:50 | |
Oh! Damn! Now look what's happened. | 0:20:55 | 0:20:58 | |
This is it. This is the ancestral home. | 0:21:06 | 0:21:10 | |
Thousands of miles I've gone round the world and here I am... | 0:21:10 | 0:21:16 | |
in the middle of a circle of stones that... | 0:21:16 | 0:21:20 | |
That I suppose I should call home. | 0:21:20 | 0:21:22 | |
And, actually, I want to leave! HE LAUGHS | 0:21:24 | 0:21:28 | |
You genuinely do not know anything. | 0:21:28 | 0:21:31 | |
You don't know what they've found out. | 0:21:31 | 0:21:33 | |
I knew what part of the world I was going to, | 0:21:33 | 0:21:35 | |
so I then had some idea, but that's all. | 0:21:35 | 0:21:38 | |
What was particularly hard was just kind of saying, | 0:21:38 | 0:21:40 | |
"OK, this is me. What's next?" | 0:21:40 | 0:21:43 | |
Because normally I'm slightly in control of my life. | 0:21:43 | 0:21:46 | |
On the morning that we began the first interview in London, | 0:21:46 | 0:21:50 | |
in my flat, | 0:21:50 | 0:21:51 | |
and they said, "And when you come to join us this afternoon | 0:21:51 | 0:21:56 | |
"at the Imperial War Museum, bring a change of clothes for four days | 0:21:56 | 0:22:00 | |
"and your passport." | 0:22:00 | 0:22:02 | |
And... Then my curiosity was really whetted by that. | 0:22:03 | 0:22:07 | |
I'm not used to not having all the information at my fingertips. | 0:22:07 | 0:22:11 | |
I hated sort of me going, "Well, when are we going to start? | 0:22:11 | 0:22:16 | |
"Are we having lunch? Where are we going to be for lunch? | 0:22:16 | 0:22:19 | |
"Where are we?" | 0:22:19 | 0:22:20 | |
And they'd just go, "You'll see." | 0:22:20 | 0:22:22 | |
And I'll be like, "Argh! I want to know! This is so frustrating." | 0:22:22 | 0:22:25 | |
I loved it because I never knew what the people were going to say | 0:22:25 | 0:22:29 | |
and I never knew what I was going to say. | 0:22:29 | 0:22:31 | |
Once the question is asked - Who Do You Think You Are? - | 0:22:36 | 0:22:39 | |
it's hard to say what the answer will be. | 0:22:39 | 0:22:41 | |
Some people know who they are and some people don't. | 0:22:41 | 0:22:45 | |
I like the ones where people are very, very sure that they're Irish | 0:22:45 | 0:22:49 | |
and then they find out they're not. | 0:22:49 | 0:22:50 | |
Was it John Hurt that wanted to be Irish and wasn't? | 0:22:50 | 0:22:53 | |
You see, knowledge is a frightening thing. | 0:22:55 | 0:22:58 | |
'Family legend has it that my great grandmother was the illegitimate | 0:22:59 | 0:23:04 | |
'daughter of an Irish lord.' | 0:23:04 | 0:23:06 | |
And there is something beguiling | 0:23:08 | 0:23:11 | |
about the Colleen from the west of Ireland. | 0:23:11 | 0:23:15 | |
There is something deeply beguiling about that. | 0:23:15 | 0:23:18 | |
He just wanted to be a bit Irish, almost everyone is a bit Irish. | 0:23:18 | 0:23:23 | |
He seems like he would be, he's got that sort of Celtic warmth. But no. | 0:23:23 | 0:23:29 | |
So, the whole... | 0:23:29 | 0:23:31 | |
The whole family story...is rubbish. | 0:23:31 | 0:23:36 | |
-Nonsense. -Yeah. | 0:23:36 | 0:23:37 | |
Poor old John. Delve into your past if you dare. | 0:23:37 | 0:23:41 | |
You know, there was John Hurt thinking | 0:23:42 | 0:23:44 | |
he was Irish, my friend Alistair McGowan who's thinking | 0:23:44 | 0:23:48 | |
-"I'm Scottish" - and -I'm -more Scottish than Alistair. | 0:23:48 | 0:23:51 | |
When I first went to the Edinburgh Festival, I felt a great | 0:23:51 | 0:23:53 | |
connection with Scotland and every time I filmed in | 0:23:53 | 0:23:55 | |
Scotland, I thought, "This is home." I felt very much at home there. | 0:23:55 | 0:23:58 | |
So I was sure that with my name | 0:23:58 | 0:23:59 | |
and the number of people who seemed to accept me as a Scot and expected | 0:23:59 | 0:24:03 | |
me to be a Scot that that was where my family history lay. That's where | 0:24:03 | 0:24:06 | |
my time on the programme would be spent. Not at all. | 0:24:06 | 0:24:09 | |
Welcome to Calcutta. | 0:24:13 | 0:24:14 | |
You are Anglo-Indian. | 0:24:20 | 0:24:23 | |
So there we are. | 0:24:27 | 0:24:28 | |
He was so sure that he was Scottish, if he has to go anywhere, | 0:24:28 | 0:24:33 | |
it'll be up to Scotland where his great-grandfather was | 0:24:33 | 0:24:38 | |
the laird of the manor and all this, and he has to go back to India. | 0:24:38 | 0:24:45 | |
Meeting the McGowans in Jalalabad was extraordinary. There they | 0:24:45 | 0:24:48 | |
all were in that one little enclave, it was extraordinary. | 0:24:48 | 0:24:51 | |
And also in the middle of Jalalabad, which is just like any other town | 0:24:51 | 0:24:54 | |
in India now, and suddenly there was this tiny little bit - McGowan. | 0:24:54 | 0:24:58 | |
McGowan, McGowan. | 0:24:58 | 0:24:59 | |
Very nice to meet you, I'm Alistair...McGowan. | 0:24:59 | 0:25:02 | |
-I'm Reggie McGowan. -Hello, Reggie. -My son, Brian McGowan. -Hello, Brian. | 0:25:03 | 0:25:08 | |
-Hi, I'm Alistair McGowan. You're what McGowan? -Bertie McGowan. | 0:25:08 | 0:25:11 | |
-Bertie? -Yeah. | 0:25:11 | 0:25:12 | |
Cyril? Hello, I'm Alistair. | 0:25:12 | 0:25:15 | |
-Hello, you must be Aubrey. -Yes, yes. -Hello, Aubrey, nice to meet you. | 0:25:15 | 0:25:19 | |
More McGowans. Hello. | 0:25:19 | 0:25:23 | |
Who Do You Think You Are? is a brilliant title. | 0:25:23 | 0:25:25 | |
There's an inherent joke in there - who do you think you are? | 0:25:25 | 0:25:28 | |
We're going to show you something different. | 0:25:28 | 0:25:30 | |
And who do you think you are? Kind of like an arrogant thing | 0:25:30 | 0:25:32 | |
about you think people are going to be interested in you, do you? | 0:25:32 | 0:25:35 | |
It's a perfect title for the programme. | 0:25:35 | 0:25:37 | |
It's a bit like going in for one of those procedures where, | 0:25:37 | 0:25:39 | |
I'll put this as delicately as I can, | 0:25:39 | 0:25:41 | |
where they put a camera up you, you know what I'm talking about? | 0:25:41 | 0:25:46 | |
It's a bit like that because it's something that's very personal. | 0:25:46 | 0:25:50 | |
Occasionally, there's a chance for a long-lost relative to meet their | 0:25:52 | 0:25:56 | |
new famous celebrity relative who maybe isn't as famous as we thought. | 0:25:56 | 0:26:01 | |
No, sorry, should I know you? | 0:26:07 | 0:26:09 | |
-No. -No. -No. | 0:26:09 | 0:26:12 | |
Not unless you're a Vic Reeves fan. | 0:26:12 | 0:26:14 | |
-A what? -No, no. | 0:26:14 | 0:26:17 | |
-I don't know Vic Reeves. -I don't blame you. | 0:26:18 | 0:26:22 | |
-What, does he sing or dance? -No, he doesn't do much. | 0:26:22 | 0:26:26 | |
I'm Rupert. | 0:26:26 | 0:26:28 | |
Oh, are you? | 0:26:28 | 0:26:29 | |
Some people just don't do their homework before meeting | 0:26:29 | 0:26:32 | |
their famous relatives, like Rupert Everett's great-auntie. | 0:26:32 | 0:26:37 | |
-I like naughty boys. -I like naughty boys too. | 0:26:37 | 0:26:39 | |
THEY CHUCKLE | 0:26:39 | 0:26:41 | |
We've got something in common. | 0:26:41 | 0:26:42 | |
-You're not playing for the other side, are you? -Well, maybe. | 0:26:42 | 0:26:47 | |
-Now, I'm learning things now. -Well, that's life. | 0:26:47 | 0:26:50 | |
-How terrible. -I know. | 0:26:50 | 0:26:52 | |
But you're family tradition. Naughty but nice. | 0:26:52 | 0:26:56 | |
Naughty but nice, that's what I am. You are naughty, I like you. | 0:26:56 | 0:26:59 | |
I like you. | 0:26:59 | 0:27:00 | |
THEY LAUGH | 0:27:00 | 0:27:01 | |
One thing our ancestors could never have expected was to end up on | 0:27:05 | 0:27:09 | |
the internet, and trying to track them down | 0:27:09 | 0:27:11 | |
has resulted in Who Do You Think You Are? | 0:27:11 | 0:27:13 | |
showing more celebrities on computers than any other | 0:27:13 | 0:27:16 | |
television programme. | 0:27:16 | 0:27:19 | |
John, I bet you never thought I'd be finding out | 0:27:19 | 0:27:22 | |
more about you on something as devilish as this kind of machine. | 0:27:22 | 0:27:26 | |
I've found them. | 0:27:28 | 0:27:30 | |
French chambermaid, Elise. | 0:27:30 | 0:27:33 | |
Right, we're searching. | 0:27:33 | 0:27:34 | |
Come on. Come on, machine. | 0:27:34 | 0:27:37 | |
-Where's that? -Ireland. -Ireland! -So, there you go. | 0:27:37 | 0:27:41 | |
SHE SINGS JIG | 0:27:41 | 0:27:44 | |
He's a greengrocer. | 0:27:47 | 0:27:49 | |
He's a greengrocer, that's fantastic. | 0:27:49 | 0:27:52 | |
With the internet, a whole world of census details | 0:27:52 | 0:27:55 | |
and family records are just a click away. Maybe. | 0:27:55 | 0:27:59 | |
I don't know, it's not that clear what it is. | 0:27:59 | 0:28:02 | |
Oh. | 0:28:02 | 0:28:04 | |
Lost it completely. | 0:28:04 | 0:28:05 | |
Useless from Leicester here is having a bit of a nightmare | 0:28:05 | 0:28:08 | |
on the computer. | 0:28:08 | 0:28:10 | |
I'm going to put in place names of Skye. | 0:28:10 | 0:28:13 | |
Yes. Go. | 0:28:16 | 0:28:18 | |
I sort of feel I should be able to kind of relax | 0:28:27 | 0:28:30 | |
and enjoy the fact that I'm just away from it all | 0:28:30 | 0:28:33 | |
and I can't contact the world, the world can't contact me | 0:28:33 | 0:28:36 | |
but I'm not enjoying that part of it. | 0:28:36 | 0:28:38 | |
I like the countryside and everything, the quiet, | 0:28:38 | 0:28:41 | |
but I don't see why that can't come with superfast broadband as well. | 0:28:41 | 0:28:46 | |
I don't know what it's like now cos obviously the technology moves | 0:28:46 | 0:28:50 | |
very quickly but five years ago, the Wi-Fi on Skye... | 0:28:50 | 0:28:54 | |
HE CHUCKLES | 0:28:54 | 0:28:55 | |
This could be a new folk song. | 0:28:55 | 0:28:57 | |
But five years ago, the Wi-Fi on Skye wasn't up to much, | 0:28:57 | 0:29:01 | |
certainly not in the little bit we were, | 0:29:01 | 0:29:04 | |
and that's frustrating when you're trying to | 0:29:04 | 0:29:06 | |
google about your ancestors who were only rotting just down the road. | 0:29:06 | 0:29:13 | |
But you need details. | 0:29:13 | 0:29:14 | |
Why didn't we green-screen all this? | 0:29:16 | 0:29:18 | |
Just done it at Shepperton, they've got exemplary internet access there. | 0:29:18 | 0:29:23 | |
Just scan in a postcard, stick it behind me. | 0:29:25 | 0:29:29 | |
We wouldn't have all the trouble we've been having getting lattes. | 0:29:29 | 0:29:33 | |
The dream of everyone searching through the generations | 0:29:40 | 0:29:44 | |
is to find a royal connection - a prince, a princess or a king. | 0:29:44 | 0:29:48 | |
O-R-O-U-G-H. Father. | 0:29:50 | 0:29:53 | |
George IV. | 0:29:53 | 0:29:56 | |
Sorry, sorry. | 0:29:56 | 0:29:57 | |
Baronet, baronet, baronet, baronet | 0:29:57 | 0:29:59 | |
baronet, baronet, baronet, baronet | 0:29:59 | 0:30:02 | |
and eventually, you've got a crown and things, you see. | 0:30:02 | 0:30:06 | |
Rather grand. | 0:30:06 | 0:30:07 | |
-So, tell me about... -That's the Royal Family's coat of arms. | 0:30:07 | 0:30:12 | |
Gosh, do you think we've got royal blood in us? | 0:30:12 | 0:30:15 | |
I think... Don't get carried away now. | 0:30:15 | 0:30:17 | |
I think people are just fascinated by this subject | 0:30:17 | 0:30:20 | |
and I think we all secretly believe that we are connected | 0:30:20 | 0:30:26 | |
to each other and to historical figures in some sort of way, | 0:30:26 | 0:30:31 | |
if only we could find it out. | 0:30:31 | 0:30:33 | |
Boris Johnson travelled to Germany to see if his grandmother's | 0:30:36 | 0:30:39 | |
claim to royal blood was true or just a family myth. | 0:30:39 | 0:30:44 | |
We never believed a word she said. | 0:30:44 | 0:30:45 | |
Well, sorry, we took it with a huge pinch of salt. | 0:30:45 | 0:30:48 | |
Here are remarks made later by somebody. | 0:30:48 | 0:30:52 | |
Prince Paul von Wurttemberg. | 0:30:52 | 0:30:56 | |
-Ah-ha! -Ah-ha! | 0:30:56 | 0:30:58 | |
-Ich habe der mystery cracked. -Yeah? | 0:30:58 | 0:31:02 | |
Natural father was Prince Paul von Wurttemberg. | 0:31:02 | 0:31:06 | |
This is all too good to be true. | 0:31:06 | 0:31:08 | |
I mean this stuff in pencil, | 0:31:08 | 0:31:10 | |
how do I know the BBC hasn't crept in and written this? | 0:31:10 | 0:31:13 | |
-To make this show more interesting. -No, they did not do. -You sure? | 0:31:13 | 0:31:17 | |
I'm sure, I keep the records. | 0:31:17 | 0:31:20 | |
After discovering his ancestor was the illegitimate daughter | 0:31:21 | 0:31:25 | |
of Prince Paul von Wurttemberg... | 0:31:25 | 0:31:27 | |
Hello! | 0:31:27 | 0:31:29 | |
..Boris went on to Ludwigsburg Castle to be shown | 0:31:29 | 0:31:32 | |
a painting of Prince Paul's mother. | 0:31:32 | 0:31:35 | |
-She is, of course, Augusta Caroline, Princess of Brunswick. -Oh, yes. | 0:31:35 | 0:31:39 | |
And her mother is... | 0:31:39 | 0:31:42 | |
Her mother is... | 0:31:42 | 0:31:44 | |
Oh, look, Augusta Hanover! | 0:31:44 | 0:31:46 | |
Yeah, Princess Royal of Great Britain and Ireland. | 0:31:46 | 0:31:48 | |
Stupefying. | 0:31:48 | 0:31:49 | |
I remember saying at the time you could've knocked me down with a feather. | 0:31:49 | 0:31:52 | |
I can't remember what I said but it was very, very surprising. | 0:31:52 | 0:31:56 | |
BORIS SPEAKS INCOMPREHENSIBLY | 0:31:56 | 0:31:58 | |
-I'm completely bewildered here. -Her father... | 0:32:00 | 0:32:04 | |
Her father is Frederick Louis Hanover, Prince of Wales in Britain? | 0:32:04 | 0:32:09 | |
Well, yes, there is only one Prince of Wales. | 0:32:09 | 0:32:11 | |
I just want to nail this down. | 0:32:11 | 0:32:14 | |
And his father... | 0:32:14 | 0:32:17 | |
No. | 0:32:17 | 0:32:19 | |
King George II of Great Britain and Ireland. | 0:32:20 | 0:32:25 | |
OK, so if you take this from the top here, Rafael, | 0:32:27 | 0:32:31 | |
he is my... | 0:32:31 | 0:32:33 | |
great-great-great-great... | 0:32:33 | 0:32:35 | |
-great-great-great-great-grandfather. -Eight times, yes. | 0:32:35 | 0:32:39 | |
I am... | 0:32:39 | 0:32:41 | |
..more than surprised, I'm stupefied by this. | 0:32:43 | 0:32:47 | |
Boris' grandmother's claim to a royal connection turned out to lead | 0:32:47 | 0:32:50 | |
all the way back to King George II, more royal than even she realised. | 0:32:50 | 0:32:57 | |
We thought that she was wildly exaggerating her claims | 0:32:57 | 0:33:00 | |
and it was the subject of great amusement to us as children | 0:33:00 | 0:33:05 | |
and it turned out that she was right. | 0:33:05 | 0:33:08 | |
And so fair play to her. | 0:33:08 | 0:33:10 | |
To be able to trace a link to royalty, | 0:33:13 | 0:33:15 | |
it's essential to be descended from an uninterrupted line of toffs, | 0:33:15 | 0:33:19 | |
knights and money, just like Alexander Armstrong. | 0:33:19 | 0:33:22 | |
There is no period where Alex's family are not sufficiently | 0:33:23 | 0:33:26 | |
posh that all written records are about him. | 0:33:26 | 0:33:30 | |
I thought that was very, very funny. | 0:33:30 | 0:33:33 | |
This is from the late Elizabethan period. | 0:33:34 | 0:33:38 | |
This is vellum, so this is calf skin. | 0:33:38 | 0:33:40 | |
What a beautiful document, look at that. | 0:33:40 | 0:33:44 | |
-Here's Sir Charles. -Charles Somerset. | 0:33:44 | 0:33:46 | |
Yeah, he was an illegitimate son of Henry who was the second | 0:33:46 | 0:33:50 | |
Duke of Somerset. | 0:33:50 | 0:33:52 | |
So his father, John Beaufort, Earl of Somerset and Duke, | 0:33:52 | 0:33:57 | |
this comes back down here to John of Gaunt. | 0:33:57 | 0:34:01 | |
-And he was the son of Edward III. -Goodness. | 0:34:01 | 0:34:06 | |
'It was fantastic, we got to the College of Arms' | 0:34:06 | 0:34:08 | |
and he had that wonderful vellum which had all the Stuarts and Tudors. | 0:34:08 | 0:34:14 | |
Here, we've got Edward III here, your direct ancestor, | 0:34:14 | 0:34:18 | |
and we can go back all the way here to William the Conqueror in 1066. | 0:34:18 | 0:34:26 | |
-I have reached the pinnacle of my line then, haven't I? -That's right. | 0:34:27 | 0:34:31 | |
That is incredible. | 0:34:31 | 0:34:33 | |
It was funny - a number of people who followed me | 0:34:36 | 0:34:39 | |
on Twitter had said how smug I looked. | 0:34:39 | 0:34:42 | |
How smug I looked when I discovered that I had royal connections. | 0:34:43 | 0:34:47 | |
I wasn't feeling smug, I was feeling very excited. It is exciting! | 0:34:47 | 0:34:52 | |
I mean, it is! What do they want me to do, look miserable? | 0:34:52 | 0:34:57 | |
It's not every day you discover that sort of thing. | 0:34:57 | 0:35:00 | |
Olympic gold medallist Matthew Pinsent | 0:35:02 | 0:35:05 | |
traced his line ever further back, | 0:35:05 | 0:35:07 | |
making a link to William the Conqueror | 0:35:07 | 0:35:09 | |
look a little bit insignificant. | 0:35:09 | 0:35:11 | |
We're back into pre-history here. | 0:35:14 | 0:35:16 | |
And the dates have run out. | 0:35:16 | 0:35:18 | |
Yeah, just as well, I think, cos otherwise they'd be laughable. | 0:35:18 | 0:35:22 | |
There's Woden. | 0:35:22 | 0:35:23 | |
-There's Jesus. -Stop it. | 0:35:27 | 0:35:29 | |
We go back. There's King David. | 0:35:30 | 0:35:34 | |
You may get a sense of which direction we're going in here. | 0:35:37 | 0:35:40 | |
Back again, further and further. | 0:35:42 | 0:35:44 | |
And so we've got Cain and Abel. | 0:35:45 | 0:35:48 | |
Adam and Eve. | 0:35:50 | 0:35:52 | |
And at the top of your pedigree... | 0:35:53 | 0:35:56 | |
there is God. | 0:35:56 | 0:35:58 | |
So you are directly descended from God. | 0:35:58 | 0:36:01 | |
Well, we all are, of course. | 0:36:01 | 0:36:03 | |
It's very nice to find a distant royal connection. | 0:36:04 | 0:36:07 | |
But finding a hero closer to home is more of a reason to be proud. | 0:36:07 | 0:36:11 | |
SHE GASPS | 0:36:14 | 0:36:15 | |
Oh, don't, cos I'm going to start crying. | 0:36:15 | 0:36:18 | |
Ah, brilliant. | 0:36:19 | 0:36:21 | |
There's a portrait. | 0:36:21 | 0:36:22 | |
The pride that I felt when my great grandfather, | 0:36:22 | 0:36:26 | |
when I went to the museum and I saw his portrait on the wall... | 0:36:26 | 0:36:29 | |
It was really... | 0:36:31 | 0:36:32 | |
It was really amazing. | 0:36:32 | 0:36:34 | |
I mean, I felt such immense pride. Yeah, it's lovely. | 0:36:34 | 0:36:39 | |
JK Rowling found a heroic character in her family. | 0:36:39 | 0:36:42 | |
Her great grandfather Louis Volant | 0:36:42 | 0:36:45 | |
was a corporal in the French Army and fought in the First World War. | 0:36:45 | 0:36:49 | |
"With the greatest calm, he... | 0:36:49 | 0:36:52 | |
Oh, my God! | 0:36:52 | 0:36:53 | |
"He killed several German soldiers." | 0:36:53 | 0:36:57 | |
For protecting his position and defending his comrades. | 0:36:59 | 0:37:02 | |
Oh, my God! | 0:37:02 | 0:37:04 | |
For his bravery, your great grandfather won Croix de guerre. | 0:37:04 | 0:37:09 | |
The Legion d'honneur is an award for officer class. | 0:37:09 | 0:37:14 | |
So, Croix de guerre, it's an award for the fighter. | 0:37:14 | 0:37:18 | |
It's better. The Croix de guerre is much better | 0:37:18 | 0:37:22 | |
than Legion d'honneur, for me. | 0:37:22 | 0:37:25 | |
-Here...I have... -You're joking. | 0:37:25 | 0:37:28 | |
I have Croix de guerre with a bronze star. | 0:37:28 | 0:37:31 | |
Exactly the same that your great grandfather won. | 0:37:31 | 0:37:35 | |
And I will be very, very honoured if you accept it... | 0:37:35 | 0:37:39 | |
-Thank you so much. -..in memory of your great grandfather. | 0:37:39 | 0:37:44 | |
-Thank you very much indeed. -Please. -Thank you. -You're welcome. | 0:37:44 | 0:37:48 | |
You can be very, very proud of your father. | 0:37:48 | 0:37:52 | |
He was a fighter. | 0:37:52 | 0:37:54 | |
You can consider your father as army on its own. | 0:37:54 | 0:38:00 | |
-Goodness me. Gosh. -Yeah. | 0:38:00 | 0:38:03 | |
Who Do You Think You Are? can be an emotional experience. | 0:38:03 | 0:38:06 | |
And despite their best efforts, | 0:38:06 | 0:38:08 | |
for many the shedding of tears has become part of that journey. | 0:38:08 | 0:38:11 | |
I had absolutely sworn to myself that I wouldn't become emotional, | 0:38:17 | 0:38:21 | |
because I thought that might be indulgent in every way. | 0:38:21 | 0:38:25 | |
Which was maybe too strong a promise to have made to myself | 0:38:25 | 0:38:31 | |
when I was eight months pregnant and highly emotional about everything. | 0:38:31 | 0:38:35 | |
I was asked about my grandparents. Perfectly anodyne question. | 0:38:35 | 0:38:39 | |
Just to get the ball rolling. "Tell us about your family." | 0:38:39 | 0:38:42 | |
And even just talking about my grandparents, | 0:38:42 | 0:38:44 | |
I suddenly found I was getting a lump in my throat because... | 0:38:44 | 0:38:48 | |
I have no idea why. | 0:38:48 | 0:38:49 | |
Good lord, if I'm going to start welling up on day one, | 0:38:51 | 0:38:54 | |
what hope is there for us as we get through the fortnight? | 0:38:54 | 0:38:59 | |
It was very moving. | 0:38:59 | 0:39:00 | |
And I thought, "I cannot cry!" | 0:39:00 | 0:39:03 | |
It's too awful. I cannot cry. | 0:39:03 | 0:39:05 | |
But it was really difficult to not cry at times. | 0:39:05 | 0:39:09 | |
Emotions were also stirred when Jeremy Paxman discovered | 0:39:16 | 0:39:19 | |
an anonymous letter sent in 1901 | 0:39:19 | 0:39:22 | |
had caused hardship for his great grandmother. | 0:39:22 | 0:39:25 | |
Some bastard writes an anonymous letter. | 0:39:25 | 0:39:28 | |
In June... The 8th of June and the 18th of June, | 0:39:30 | 0:39:34 | |
alleging pauper had given birth to an illegitimate child. | 0:39:34 | 0:39:38 | |
I was surprised by how viscerally I reacted. | 0:39:38 | 0:39:44 | |
And... | 0:39:44 | 0:39:46 | |
I don't know what one learns from that, really. | 0:39:46 | 0:39:49 | |
There's a curious charge about the personal experience, | 0:39:50 | 0:39:56 | |
and the fact that it's someone in your family | 0:39:56 | 0:40:01 | |
gives it a life that it would never acquire if you simply read about it. | 0:40:01 | 0:40:06 | |
Because she's guilty of misconduct, she has... | 0:40:10 | 0:40:14 | |
her poor relief withdrawn. | 0:40:14 | 0:40:16 | |
So this is your great grandmother? | 0:40:18 | 0:40:20 | |
Hm. Committed a great sin. | 0:40:20 | 0:40:22 | |
Having a child. | 0:40:25 | 0:40:27 | |
Do we know what happened to her after that? | 0:40:31 | 0:40:33 | |
When you discover somebody's life story | 0:40:37 | 0:40:40 | |
and the adversity that they have had to face, | 0:40:40 | 0:40:43 | |
of course it has an effect upon you. | 0:40:43 | 0:40:46 | |
And... | 0:40:46 | 0:40:47 | |
I was terribly moved. | 0:40:47 | 0:40:49 | |
The archives are a time capsule. | 0:40:52 | 0:40:55 | |
Recording the day-to-day lives of everyone's families. | 0:40:55 | 0:40:58 | |
The heroes and the villains. | 0:40:58 | 0:41:00 | |
"With that exorable villain George Hyde Clarke..." | 0:41:02 | 0:41:07 | |
That happens to be my great-great- great-great-great grandfather. | 0:41:07 | 0:41:11 | |
I've got your dad's criminal record here for you to have a look at. | 0:41:11 | 0:41:14 | |
His first arrest was at what age? | 0:41:14 | 0:41:15 | |
First arrest is in 1934, so he would have been 19. | 0:41:15 | 0:41:19 | |
This is fantastic. | 0:41:19 | 0:41:20 | |
"..an Incorrigible rogue." | 0:41:20 | 0:41:22 | |
To be charged with being an incorrigible rogue | 0:41:22 | 0:41:25 | |
is another one of these all-purpose charges | 0:41:25 | 0:41:28 | |
that you could just hoover people up. | 0:41:28 | 0:41:30 | |
He was an incorrigible rogue. He was a career criminal. | 0:41:30 | 0:41:34 | |
"£100 reward. Montague Leverson, solicitor, 66, Bishopsgate. | 0:41:34 | 0:41:39 | |
"Within London." | 0:41:39 | 0:41:40 | |
-Oh, the Jewish persuasion. -Precisely. -Indeed, as I am. | 0:41:40 | 0:41:43 | |
"Charged with fraud." | 0:41:43 | 0:41:45 | |
That is worse than I ever thought. | 0:41:45 | 0:41:48 | |
He had an affair with... | 0:41:48 | 0:41:50 | |
With the servant girl. | 0:41:51 | 0:41:53 | |
And made her pregnant. | 0:41:54 | 0:41:56 | |
He just couldn't resist it. | 0:41:58 | 0:41:59 | |
Bit of a cad, really. | 0:42:01 | 0:42:03 | |
Oh, dear. | 0:42:06 | 0:42:07 | |
I've been playing those sort of part for years. | 0:42:07 | 0:42:10 | |
David Couch, you naughty boy! | 0:42:13 | 0:42:15 | |
-It looks as though he was telling lies on his application. -Really? | 0:42:15 | 0:42:18 | |
To put it sort of bluntly. Yeah. | 0:42:18 | 0:42:20 | |
Blimey. | 0:42:23 | 0:42:25 | |
"Food Hoarding Fines. | 0:42:25 | 0:42:27 | |
"Shipbuilder and wife to pay penalty of £600 and £100 costs. | 0:42:27 | 0:42:30 | |
"They were first of all charged with hoarding no less than | 0:42:30 | 0:42:33 | |
"1,148lb of flour." | 0:42:33 | 0:42:36 | |
Greedy buggers. | 0:42:36 | 0:42:38 | |
So he pleaded guilty for Mrs Hodge. | 0:42:38 | 0:42:41 | |
Mr Hodge's reply, "He had nothing to do with the housekeeping, | 0:42:41 | 0:42:45 | |
"his time being occupied in building ships as fast as possible | 0:42:45 | 0:42:49 | |
"to save the country from disaster." | 0:42:49 | 0:42:51 | |
He blamed his wife. That's disgraceful. | 0:42:51 | 0:42:55 | |
"Go on, love. Take one for the team." | 0:42:56 | 0:42:58 | |
It's awful. | 0:43:00 | 0:43:01 | |
"On Tuesday last, at Westminster police court, | 0:43:01 | 0:43:04 | |
"W Morris Crouch, otherwise Morris Beethoven, | 0:43:04 | 0:43:07 | |
"late of Ebury Street, was brought up in custody..." | 0:43:07 | 0:43:11 | |
Oh, my God. | 0:43:11 | 0:43:13 | |
"On remand, charged with obtaining sums of money with attempted fraud." | 0:43:13 | 0:43:17 | |
"Six live tame fouls. | 0:43:17 | 0:43:20 | |
"Called hens." | 0:43:21 | 0:43:24 | |
Oh, stop it. | 0:43:24 | 0:43:26 | |
It seems to me he's nicked a few chickens. | 0:43:26 | 0:43:29 | |
It's not crime of the century, is it? | 0:43:30 | 0:43:32 | |
Says here, "Pleads guilty." | 0:43:33 | 0:43:35 | |
I suppose if you've got a load of chickens on you, | 0:43:35 | 0:43:38 | |
you're bang to rights. | 0:43:38 | 0:43:39 | |
Loath to say it was murder most foul. | 0:43:40 | 0:43:43 | |
Sorry. | 0:43:43 | 0:43:45 | |
Clueless criminals pop up with great regularity. | 0:43:45 | 0:43:48 | |
But then there are the other villains | 0:43:48 | 0:43:51 | |
who left behind them a trail of emotional wreckage. | 0:43:51 | 0:43:54 | |
Kim Cattrall's grandfather George Baugh | 0:43:57 | 0:44:00 | |
disappeared from the family home in 1938. | 0:44:00 | 0:44:02 | |
So where is George Baugh? | 0:44:04 | 0:44:05 | |
Well, he's looking through the window there. | 0:44:05 | 0:44:08 | |
So didn't want his picture taken that he would not even come out | 0:44:08 | 0:44:11 | |
-for a family wedding photo. -Obviously not. | 0:44:11 | 0:44:14 | |
George Baugh was a secretive man | 0:44:14 | 0:44:16 | |
who abandoned his wife and three daughters. | 0:44:16 | 0:44:19 | |
Nobody knew where he'd gone until Kim Cattrall tracked him down. | 0:44:19 | 0:44:23 | |
Son of a bitch. | 0:44:25 | 0:44:27 | |
Got remarried. | 0:44:29 | 0:44:30 | |
To Isabell Oliver. | 0:44:33 | 0:44:35 | |
21-year-old woman. | 0:44:36 | 0:44:38 | |
Wow. | 0:44:38 | 0:44:39 | |
He's a bigamist. | 0:44:41 | 0:44:42 | |
Son of a bitch. | 0:44:44 | 0:44:45 | |
I knew he was gutsy, but this is just... | 0:44:45 | 0:44:47 | |
Now he's a criminal. | 0:44:50 | 0:44:52 | |
Unbelievable. | 0:44:54 | 0:44:57 | |
Bruce Forsyth's great grandfather also disappeared. | 0:44:57 | 0:45:00 | |
Leaving six children behind in London. | 0:45:00 | 0:45:03 | |
But where did he go? | 0:45:03 | 0:45:04 | |
What I did was, because you mentioned America, | 0:45:06 | 0:45:09 | |
so I crosschecked all the names on the passenger list. | 0:45:09 | 0:45:12 | |
-So those great liners that take people out to America. -Yes. | 0:45:12 | 0:45:16 | |
And, in fact, Joseph does turn up in one. | 0:45:16 | 0:45:21 | |
-He is travelling with a woman. -Oh! | 0:45:21 | 0:45:24 | |
Oh, dear, Catherine. Did you have to bring that up? | 0:45:24 | 0:45:27 | |
I never knew that if got on a boat, | 0:45:27 | 0:45:32 | |
a liner going across the Atlantic, | 0:45:32 | 0:45:37 | |
that everybody's name would be there, that was a surprise to me. | 0:45:37 | 0:45:40 | |
When they found out he was travelling with this young girl, | 0:45:40 | 0:45:44 | |
who we didn't know at the time was pregnant, I mean, | 0:45:44 | 0:45:47 | |
and she was a milliner who we found out before. | 0:45:47 | 0:45:53 | |
How could they find out that? | 0:45:53 | 0:45:56 | |
Frances - ditto - Johnson. | 0:45:56 | 0:46:00 | |
Same name. 26. | 0:46:00 | 0:46:03 | |
And look at that - wife. | 0:46:03 | 0:46:05 | |
My goodness. | 0:46:05 | 0:46:07 | |
So he was a bigamist? | 0:46:07 | 0:46:10 | |
I cannot find a divorce for Joseph and Elizabeth. | 0:46:10 | 0:46:14 | |
It's not there. | 0:46:14 | 0:46:16 | |
And I can't find a marriage either for Francis and Joseph. | 0:46:16 | 0:46:20 | |
-But we don't know exactly what happens when he goes to America. -No. | 0:46:20 | 0:46:25 | |
He was elusive, to say the least. | 0:46:25 | 0:46:28 | |
How can you have a family of six...? | 0:46:28 | 0:46:31 | |
I mean, OK, I've had three wives, | 0:46:31 | 0:46:35 | |
but I could never have walked out on six children | 0:46:35 | 0:46:39 | |
and my wives the way he did. | 0:46:39 | 0:46:43 | |
I think that was quite amazing - which made him rather devious. | 0:46:43 | 0:46:48 | |
Who Do You Think You Are? has never been afraid | 0:46:50 | 0:46:52 | |
to explore the tragic side of history. | 0:46:52 | 0:46:55 | |
When tracing family roots in the Caribbean, | 0:46:56 | 0:46:58 | |
the trail inevitable leads to the horrors of slavery. | 0:46:58 | 0:47:02 | |
Moira Stuart searched for relatives in a register of slaves | 0:47:04 | 0:47:08 | |
from the 1800s kept in Antigua's national archive. | 0:47:08 | 0:47:11 | |
The slave register gives, yes, the first names of so many men and women, | 0:47:13 | 0:47:19 | |
but there is no surname. | 0:47:19 | 0:47:21 | |
So it is very difficult to know which - | 0:47:21 | 0:47:24 | |
in this case, Billy, or John, or Prudence - Prudence who? | 0:47:24 | 0:47:30 | |
I'm finding... | 0:47:31 | 0:47:32 | |
..many, many names of many, many... | 0:47:34 | 0:47:38 | |
..people... | 0:47:52 | 0:47:53 | |
..who... | 0:47:55 | 0:47:56 | |
are my ancestors. | 0:47:56 | 0:47:59 | |
My family. | 0:47:59 | 0:48:00 | |
I'm thinking, what a travesty. | 0:48:11 | 0:48:13 | |
What an obscenity. | 0:48:13 | 0:48:15 | |
What an injustice. | 0:48:16 | 0:48:17 | |
I'm thinking that I'm very privileged... | 0:48:19 | 0:48:21 | |
..to at least read their names. | 0:48:31 | 0:48:33 | |
For Ainsley Harriott, the hardships endured under slavery felt very real | 0:48:45 | 0:48:49 | |
in a crumbling church in Jamaica. | 0:48:49 | 0:48:51 | |
When I started looking | 0:48:55 | 0:48:56 | |
at my three-times removed | 0:48:56 | 0:48:58 | |
grandmother Catherine, | 0:48:58 | 0:49:00 | |
who worked on this Wear Pen estate, | 0:49:00 | 0:49:03 | |
and I went there, I wanted to kind of discover where she actually slept. | 0:49:03 | 0:49:09 | |
And there was nothing there except a church. | 0:49:09 | 0:49:12 | |
And I'll never forget, just approaching this church, | 0:49:12 | 0:49:15 | |
genuinely feeling quite excited about - | 0:49:15 | 0:49:18 | |
maybe this was the place that she might have gone to worship. | 0:49:18 | 0:49:21 | |
But then getting inside | 0:49:21 | 0:49:23 | |
and seeing it completely crumbling to the ground, you know, | 0:49:23 | 0:49:27 | |
all the floorboards had been ripped up, there were no pews, | 0:49:27 | 0:49:30 | |
there was no crosses of Jesus Christ, there was nothing... | 0:49:30 | 0:49:34 | |
except a couple of plaques. | 0:49:34 | 0:49:37 | |
There's a Davy. | 0:49:38 | 0:49:40 | |
And, see? | 0:49:40 | 0:49:41 | |
-Wear Pen. -Yes. | 0:49:41 | 0:49:42 | |
Died in London, 29 September 1863. | 0:49:44 | 0:49:48 | |
Hmm. | 0:49:49 | 0:49:51 | |
This man owned my great-great-great grandmother. | 0:49:51 | 0:49:54 | |
I felt a sense of anger, really. | 0:49:56 | 0:49:58 | |
I just wanted to just rip it down and I said - I think, even in the... | 0:49:58 | 0:50:03 | |
in the programme, I just wanted to spit at it, | 0:50:03 | 0:50:06 | |
I just wanted to do something. | 0:50:06 | 0:50:07 | |
I wanted to have a reaction for the hurt | 0:50:07 | 0:50:10 | |
that my ancestors had endured at that time. | 0:50:10 | 0:50:14 | |
I want to spit at it, really, you know? | 0:50:15 | 0:50:17 | |
I want to say, "Sod you, mate." | 0:50:17 | 0:50:19 | |
Let it stay up there, let people remember, | 0:50:19 | 0:50:21 | |
let this whole church just crumble around that plaque. | 0:50:21 | 0:50:27 | |
Let it fall to the floor and smash to pieces. | 0:50:27 | 0:50:31 | |
I don't even want to look at it any more. | 0:50:34 | 0:50:36 | |
The traumas of the Second World War | 0:50:49 | 0:50:51 | |
have also been explored by the programme. | 0:50:51 | 0:50:53 | |
When Natasha Kaplinsky looked at her family background, | 0:50:55 | 0:50:58 | |
she knew the holocaust would be at the centre of her story. | 0:50:58 | 0:51:01 | |
The first time I realised that... | 0:51:03 | 0:51:06 | |
we were really going to uncover some very dark secrets | 0:51:06 | 0:51:11 | |
was probably when I was met at the airport by Benny, | 0:51:11 | 0:51:14 | |
who is my father's cousin. | 0:51:14 | 0:51:16 | |
-Are you Benny? -Hi. | 0:51:16 | 0:51:18 | |
-Oh, that's fantastic! -So happy to meet you. | 0:51:18 | 0:51:20 | |
'And the team had rightly decided | 0:51:20 | 0:51:22 | |
'that the discoveries that I was going to make in Belarus' | 0:51:22 | 0:51:24 | |
were probably a bit much to do on my own, and so they needed | 0:51:24 | 0:51:28 | |
to bring somebody in to kind of share the burden of it. | 0:51:28 | 0:51:32 | |
Natasha travelled with Benny to a town called Slonim in Belarus, | 0:51:34 | 0:51:38 | |
where, in 1942, her father's cousins, | 0:51:38 | 0:51:41 | |
two little girls aged nine and two, were killed by the Nazis. | 0:51:41 | 0:51:45 | |
There was one particular moment in the filming | 0:51:47 | 0:51:49 | |
where I actually just thought I couldn't carry on, | 0:51:49 | 0:51:51 | |
and it was the discovery of what had happened to the two girls. | 0:51:51 | 0:51:55 | |
And how they had died. | 0:51:55 | 0:51:58 | |
The youngest child died on the 4th of February 1942. | 0:52:00 | 0:52:07 | |
How did they go about killing children? | 0:52:07 | 0:52:10 | |
I mean, you know about the death camps | 0:52:10 | 0:52:12 | |
and the liquidation process, but with children it's just... | 0:52:12 | 0:52:15 | |
-It's just so much more tragic, isn't it? -Mmm. | 0:52:17 | 0:52:19 | |
If you ask me about the mechanism, how they did it... | 0:52:19 | 0:52:23 | |
It was in the most brutal way. | 0:52:25 | 0:52:26 | |
They didn't use bullets for children. | 0:52:28 | 0:52:30 | |
They just did it with their hands. | 0:52:30 | 0:52:33 | |
It's beyond comprehension. | 0:52:35 | 0:52:37 | |
Just terrible, isn't it? | 0:52:37 | 0:52:39 | |
-Can you excuse me? -Yes, please. | 0:52:41 | 0:52:43 | |
I couldn't carry on the filming, and I just had to leave the room. | 0:52:48 | 0:52:52 | |
And they were all very respectful, and just let me sob. | 0:52:52 | 0:52:55 | |
Because I just - I couldn't... | 0:52:55 | 0:52:57 | |
I couldn't get my head round the reality of killing children. | 0:52:57 | 0:53:04 | |
And that they were my relatives, I found it just... | 0:53:04 | 0:53:08 | |
It was just horrific. | 0:53:10 | 0:53:12 | |
Thank you very much. | 0:53:14 | 0:53:16 | |
Oh...how do you open it? | 0:53:16 | 0:53:17 | |
Thank you. | 0:53:19 | 0:53:20 | |
'One of the real moments of emotion in that film | 0:53:20 | 0:53:24 | |
'was when we were in a synagogue where our relatives used to worship | 0:53:24 | 0:53:29 | |
'before they had been burned alive in another synagogue.' | 0:53:29 | 0:53:34 | |
It's just such an incredible feeling. | 0:53:34 | 0:53:36 | |
We're standing possibly right at the very spot | 0:53:36 | 0:53:39 | |
where all our family came to worship. | 0:53:39 | 0:53:42 | |
It's an amazing feeling. | 0:53:42 | 0:53:45 | |
It was totally derelict, | 0:53:45 | 0:53:47 | |
and it was very eerie, and there were birds flying around, | 0:53:47 | 0:53:50 | |
and it was a very still place. | 0:53:50 | 0:53:53 | |
I didn't know what to expect. | 0:53:53 | 0:53:55 | |
And then, suddenly... | 0:53:56 | 0:53:58 | |
Benny started to sing. | 0:53:58 | 0:54:00 | |
HE SINGS IN HEBREW | 0:54:00 | 0:54:03 | |
And it was so emotional. | 0:54:44 | 0:54:47 | |
I mean, I just couldn't hold back the tears, | 0:54:47 | 0:54:49 | |
and, bizarrely, | 0:54:49 | 0:54:51 | |
I'm still stopped in the street about that moment in my film, | 0:54:51 | 0:54:56 | |
because I think it struck a chord with everybody, it was so beautiful, | 0:54:56 | 0:55:00 | |
it was so emotional. | 0:55:00 | 0:55:01 | |
Yeah, it was a real moment of heartache. | 0:55:01 | 0:55:05 | |
During its 100 episodes, | 0:55:10 | 0:55:12 | |
Who Do You Think You Are? has changed the lives of many people. | 0:55:12 | 0:55:15 | |
It's an emotional experience that shows how important it is | 0:55:18 | 0:55:22 | |
to really know where you come from. | 0:55:22 | 0:55:24 | |
I feel so privileged to have been put into a position to discover | 0:55:25 | 0:55:30 | |
that stuff, you know? | 0:55:30 | 0:55:31 | |
Discover my family history. | 0:55:31 | 0:55:33 | |
It is so, so powerful. | 0:55:33 | 0:55:36 | |
It was an incredible opportunity, | 0:55:36 | 0:55:38 | |
and I'll always be immensely grateful for it. | 0:55:38 | 0:55:40 | |
It was just life-changing in so many ways. | 0:55:40 | 0:55:43 | |
The shaft of light that can be created by this sort of programme, | 0:55:43 | 0:55:48 | |
I think, is very revealing, | 0:55:48 | 0:55:50 | |
and very often tells you more about how human beings are. | 0:55:50 | 0:55:54 | |
That's the fascinating thing, isn't it? | 0:55:54 | 0:55:57 | |
The revelations have sometimes been distressing, | 0:55:57 | 0:56:00 | |
and sometimes uplifting. | 0:56:00 | 0:56:02 | |
Hello, sweethearts! | 0:56:02 | 0:56:04 | |
ALL CHEER | 0:56:04 | 0:56:06 | |
Hello, my long-lost family! | 0:56:06 | 0:56:08 | |
I'm here, I'm here! | 0:56:08 | 0:56:10 | |
Whatever has happened in the past, | 0:56:12 | 0:56:14 | |
Who Do You Think You Are? proves one thing - | 0:56:14 | 0:56:17 | |
life goes on. | 0:56:17 | 0:56:19 | |
I think everyone should do this - it's very cathartic, | 0:56:20 | 0:56:23 | |
it's very good for the soul. | 0:56:23 | 0:56:26 | |
Families are fascinating, and they're full of secrets and surprises. | 0:56:26 | 0:56:31 | |
And there's no such thing as an ordinary family. | 0:56:31 | 0:56:33 | |
You know, family's family. | 0:56:33 | 0:56:35 | |
Dead or alive, family is family. | 0:56:35 | 0:56:38 | |
I suppose everyone feels like they need to come from somewhere... | 0:56:38 | 0:56:41 | |
to understand where they are. | 0:56:42 | 0:56:44 | |
If you have family, | 0:56:44 | 0:56:46 | |
it always goes on. | 0:56:46 | 0:56:49 | |
Cos there'll always be somebody that continues, | 0:56:49 | 0:56:51 | |
somebody to pass it on. | 0:56:51 | 0:56:53 | |
Someone to hold on to. | 0:56:53 | 0:56:56 | |
And... | 0:56:56 | 0:56:57 | |
..so, who do I think I am? | 0:57:00 | 0:57:02 | |
I'm a link in the chain of a wonderful family. | 0:57:05 | 0:57:09 | |
I'm blessed. | 0:57:09 | 0:57:10 |