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Lawrence Larry Lamb was born in Edmonton, North London in 1947. | 0:00:03 | 0:00:07 | |
After a very long varied career, | 0:00:07 | 0:00:09 | |
he became known to millions at the age of 60 | 0:00:09 | 0:00:12 | |
for his roles in EastEnders and Gavin and Stacey. | 0:00:12 | 0:00:15 | |
Hiya! | 0:00:15 | 0:00:17 | |
God, not this again, you two. | 0:00:17 | 0:00:19 | |
He is struggling, Nick, to come to terms with the loss of Gavin. | 0:00:19 | 0:00:23 | |
Gavin's not dead, Pam. | 0:00:23 | 0:00:25 | |
Three days running I've come home to this. Tears at the table. | 0:00:25 | 0:00:28 | |
I had no inkling that I would become an actor. | 0:00:28 | 0:00:33 | |
Me dad and mum had a fish and chip shop | 0:00:33 | 0:00:36 | |
so it just wasn't, it wasn't part of the set up. | 0:00:36 | 0:00:39 | |
There's a real wanderlust in me. | 0:00:41 | 0:00:44 | |
It's like, what's on the other side of that next hill? | 0:00:44 | 0:00:47 | |
My mum's got this real move-on gypsy sort of thing in her | 0:00:47 | 0:00:53 | |
and I certainly have, | 0:00:53 | 0:00:54 | |
I mean, I can set up camp and be there for a while | 0:00:54 | 0:00:57 | |
and I can, over the years lived in, | 0:00:57 | 0:01:00 | |
I don't know, dozens and dozens and dozens of places. | 0:01:00 | 0:01:03 | |
Larry has a son, George, from his third marriage | 0:01:04 | 0:01:08 | |
and two young daughters with his partner. | 0:01:08 | 0:01:11 | |
Now Larry wants to solve a family mystery on his maternal line. | 0:01:11 | 0:01:14 | |
I've always been intrigued about what my real background is | 0:01:16 | 0:01:21 | |
due to the fact that my mother was adopted. | 0:01:21 | 0:01:24 | |
And so there were people that I knew as my mother's parents, | 0:01:24 | 0:01:29 | |
I realised later in life, were not. | 0:01:29 | 0:01:32 | |
Knowing that a whole side of me is a bit of a mystery, | 0:01:32 | 0:01:37 | |
it fascinates me, frankly. | 0:01:37 | 0:01:40 | |
Larry now has the chance to shed light on this unknown family history, | 0:01:40 | 0:01:45 | |
as his mother has finally accessed documents relating to her adoption. | 0:01:45 | 0:01:50 | |
This is the perfect time. | 0:01:50 | 0:01:52 | |
Seize the opportunity and really go for it. Find out what I am. | 0:01:52 | 0:01:57 | |
Larry was well into adulthood when he discovered his mother was adopted. | 0:02:31 | 0:02:35 | |
The people that raised my mum were Fred and Nell White, | 0:02:36 | 0:02:41 | |
a childless couple who met just after the First World War and married | 0:02:41 | 0:02:45 | |
and then my mum came along. | 0:02:45 | 0:02:46 | |
I believe they fostered her and eventually, | 0:02:46 | 0:02:51 | |
from what I know, that led to them becoming her adoptive parents. | 0:02:51 | 0:02:56 | |
For everything that I gathered, she'd had a wonderful life with them as her parents. | 0:02:56 | 0:03:01 | |
I certainly didn't realise they were anything but her real mum and dad when I was a kid | 0:03:01 | 0:03:06 | |
and so they were, as far as I was concerned, my grandparents. | 0:03:06 | 0:03:11 | |
They certainly fulfilled that role | 0:03:11 | 0:03:13 | |
and so I feel no different about them at all, | 0:03:13 | 0:03:15 | |
I'm just inquisitive to find out about who the real ones were. | 0:03:15 | 0:03:18 | |
Larry's on his way to see his mother, Jessie. | 0:03:21 | 0:03:24 | |
After a lifetime in London, she now lives in Eastbourne on the south coast. | 0:03:24 | 0:03:29 | |
Hello! | 0:03:36 | 0:03:38 | |
Larry's younger sister, Penny, is visiting too. | 0:03:38 | 0:03:41 | |
-What are you doing here, eh? -Oh! | 0:03:41 | 0:03:43 | |
Hah, hah, hah! | 0:03:43 | 0:03:45 | |
What you laughing at, eh? What are you laughing at? | 0:03:47 | 0:03:51 | |
-How are you? -All right, thank you. | 0:03:53 | 0:03:56 | |
You're looking grand, Ma, eh? | 0:03:56 | 0:03:58 | |
You look lovely. | 0:03:58 | 0:04:00 | |
Jessie is now 84. | 0:04:01 | 0:04:04 | |
Although she was adopted as a baby | 0:04:04 | 0:04:05 | |
Jessie remembers a visit from her real mother when she was a very small child. | 0:04:05 | 0:04:09 | |
-I remember her in a wrap-round overall she had on. -Really? | 0:04:09 | 0:04:16 | |
But I don't remember her at all, not her face. | 0:04:16 | 0:04:19 | |
-Just an image? -Yeah. | 0:04:19 | 0:04:21 | |
But I've got this little silver bracelet from her. | 0:04:21 | 0:04:25 | |
Look at that. | 0:04:27 | 0:04:29 | |
I remember her saying that was their parting gift to you. | 0:04:29 | 0:04:33 | |
-So you've had this all these years, yeah? -Yes. | 0:04:33 | 0:04:36 | |
Good Lord. | 0:04:36 | 0:04:38 | |
Despite this contact, Jessie's adoption was never discussed. | 0:04:38 | 0:04:43 | |
For decades she didn't even know her birth parents' names, | 0:04:43 | 0:04:46 | |
and there was no official way to find out. | 0:04:46 | 0:04:49 | |
Jessie was born in 1926, | 0:04:51 | 0:04:53 | |
the year the first ever Adoption Act was introduced in the UK. | 0:04:53 | 0:04:58 | |
The Act formulised the adoption process | 0:04:59 | 0:05:01 | |
but it also ushered in unintended decades of secrecy. | 0:05:01 | 0:05:04 | |
Adopted children like Jessie had no right to information about their birth parents | 0:05:04 | 0:05:09 | |
and could not access their birth certificates or their adoption files. | 0:05:09 | 0:05:14 | |
As a result of later changes in the law, | 0:05:14 | 0:05:18 | |
Jessie recently discovered her parent's names. | 0:05:18 | 0:05:21 | |
Albert Day and Catherine Walker Burns Rose. | 0:05:21 | 0:05:24 | |
Now an adoption support agency has just helped Jessie access | 0:05:27 | 0:05:31 | |
all the remaining documents | 0:05:31 | 0:05:33 | |
connected to her legal adoption in 1930. | 0:05:33 | 0:05:36 | |
"The child is the legitimate daughter of Albert and Catherine Walker Burns Day." | 0:05:37 | 0:05:43 | |
So you were legitimate? | 0:05:43 | 0:05:46 | |
Yes, I was. | 0:05:46 | 0:05:47 | |
You were. | 0:05:47 | 0:05:48 | |
I didn't even think they were married but they were. | 0:05:48 | 0:05:51 | |
This is the marriage certificate, they married in 1925. | 0:05:51 | 0:05:54 | |
On the 17th August 1925, | 0:05:57 | 0:06:00 | |
-that was five months before you were born. -Yeah. | 0:06:00 | 0:06:04 | |
-And she was only 17. -Yeah. | 0:06:04 | 0:06:08 | |
Oh, dear oh, dear. | 0:06:08 | 0:06:10 | |
"It appears the parents were living apart | 0:06:10 | 0:06:13 | |
"shortly after the child's birth." | 0:06:13 | 0:06:16 | |
So they made you legitimate by getting married and then split up. | 0:06:16 | 0:06:21 | |
Hmm. | 0:06:21 | 0:06:23 | |
"The address of the father was not known | 0:06:23 | 0:06:26 | |
"and when the child was three months old, | 0:06:26 | 0:06:28 | |
"she was living with the mother at 100 Camden Road." | 0:06:28 | 0:06:31 | |
Is that it, Camden Road? | 0:06:31 | 0:06:33 | |
Yeah. | 0:06:33 | 0:06:34 | |
Catherine was originally from Scotland | 0:06:34 | 0:06:36 | |
and so was away from her family when she found herself alone with baby Jessie. | 0:06:36 | 0:06:42 | |
That must've been so hard. 17 and a baby. | 0:06:42 | 0:06:44 | |
Yeah, it must've been. | 0:06:44 | 0:06:46 | |
When Jessie was three months old, | 0:06:48 | 0:06:50 | |
Catherine placed her with a foster mother. | 0:06:50 | 0:06:53 | |
"To whom ten shillings a week was paid by the mother." | 0:06:54 | 0:06:57 | |
It's not like today then where the State would pay for that. | 0:06:57 | 0:07:00 | |
She was actually paying a lot of money to have Mum looked after. | 0:07:00 | 0:07:05 | |
"After 11 months, she could no longer pay the ten shillings maintenance | 0:07:05 | 0:07:11 | |
"and intended to have the child adopted." | 0:07:11 | 0:07:15 | |
But I've got to show you this one piece, Larry. | 0:07:15 | 0:07:18 | |
What's that? | 0:07:18 | 0:07:19 | |
There's this little note. With Catherine's signature. | 0:07:21 | 0:07:25 | |
Oh, God. "The Infant Welfare Centre, 5th of the 1st '27. | 0:07:25 | 0:07:29 | |
"I hereby agree to give up all claim to Jessie Dorothy Day, | 0:07:29 | 0:07:36 | |
"and to have her adopted by Mrs White." | 0:07:36 | 0:07:39 | |
And it's signed Mrs Catherine Day. | 0:07:39 | 0:07:42 | |
I just find it so sad that someone must've told her what to put there. | 0:07:44 | 0:07:48 | |
Yeah. | 0:07:48 | 0:07:50 | |
The mother's only made one visit to the applicant and child, | 0:07:50 | 0:07:55 | |
on the 27th of the 1st 1928. | 0:07:55 | 0:08:00 | |
So she came to visit you on your second birthday | 0:08:01 | 0:08:04 | |
after giving you up, just short of your first birthday. | 0:08:04 | 0:08:08 | |
So she did come back. | 0:08:08 | 0:08:10 | |
And since then, nothing has been heard of her or the father. | 0:08:10 | 0:08:14 | |
That was it. She just disappeared. | 0:08:14 | 0:08:17 | |
Yes, we don't know where. | 0:08:17 | 0:08:19 | |
Good lord. | 0:08:19 | 0:08:21 | |
The documents in the file give very little information | 0:08:21 | 0:08:24 | |
about Jessie's father, Albert Day. | 0:08:24 | 0:08:27 | |
Do you have any memory at all of him? | 0:08:27 | 0:08:29 | |
-Nothing. -Nothing? | 0:08:29 | 0:08:31 | |
Absolutely no picture of him or anything. | 0:08:31 | 0:08:33 | |
So, Albert Day remains the phantom. | 0:08:33 | 0:08:36 | |
Well, we know one thing, don't we? | 0:08:36 | 0:08:38 | |
We know that he worked on a fairground. | 0:08:38 | 0:08:41 | |
-Assistant to travelling showman, he was. -Yeah. | 0:08:41 | 0:08:44 | |
"Residence at the time of marriage, fairground, | 0:08:44 | 0:08:47 | |
"corner of Tottenham Court Road and Oxford Street." | 0:08:47 | 0:08:51 | |
Dear, oh, dear! | 0:08:51 | 0:08:52 | |
But maybe that's why we're all so restless? | 0:08:52 | 0:08:54 | |
Maybe we're travellers too? | 0:08:54 | 0:08:56 | |
So do you ever think about Catherine and Albert? | 0:08:56 | 0:08:59 | |
Oh, often. | 0:08:59 | 0:09:01 | |
And wonder? | 0:09:01 | 0:09:03 | |
And wonder where they are and where they went. | 0:09:03 | 0:09:06 | |
Yeah, well... | 0:09:06 | 0:09:08 | |
Let's see if we can find out, eh? | 0:09:08 | 0:09:11 | |
Yes, that would be wonderful. | 0:09:11 | 0:09:13 | |
It would, I'd really like to know. | 0:09:13 | 0:09:15 | |
You'd like to know. | 0:09:15 | 0:09:16 | |
I'd love to know. We'll do our best though. | 0:09:16 | 0:09:19 | |
Thank you! | 0:09:19 | 0:09:21 | |
I feel like I've really sort of got the bit between my teeth now. | 0:09:23 | 0:09:27 | |
The first thing I want to find out is what on earth happened to Albert Day, God bless him. | 0:09:27 | 0:09:32 | |
Well, I don't think there's a lot of point in starting looking for a fairground | 0:09:32 | 0:09:36 | |
at the junction of Tottenham Court Road and Oxford Street! | 0:09:36 | 0:09:41 | |
And he's a showman. What does that mean? | 0:09:42 | 0:09:45 | |
Does that mean that he's a carny boy, | 0:09:45 | 0:09:47 | |
you know, a traveller that works on the fairground? | 0:09:47 | 0:09:50 | |
It's just the weirdest thing. | 0:09:50 | 0:09:52 | |
Larry's hoping he can find out more about his grandfather, | 0:09:56 | 0:09:59 | |
Albert Day, by investigating the world of travelling showmen. | 0:09:59 | 0:10:04 | |
He's come to the Black Country Living Museum in the Midlands, | 0:10:04 | 0:10:08 | |
home to a traditional fair, to meet fairground historian, Guy Belshaw. | 0:10:08 | 0:10:13 | |
-Morning. -Morning. | 0:10:13 | 0:10:15 | |
-It's Guy, yeah? -Larry. -Nice to meet you. | 0:10:15 | 0:10:18 | |
Pleased to meet you. Welcome to the fairground. | 0:10:18 | 0:10:21 | |
Hey, thank you. | 0:10:21 | 0:10:22 | |
What do you think of it? | 0:10:22 | 0:10:23 | |
Yeah, yeah, look at it. It reminds me of fairgrounds when I was a boy. | 0:10:23 | 0:10:28 | |
Absolutely! Hah! | 0:10:28 | 0:10:30 | |
Now, Guy, I'm given to believe that you're the man | 0:10:30 | 0:10:34 | |
who might be able to help me in my quest. | 0:10:34 | 0:10:37 | |
This is a copy of a marriage between Albert Day, | 0:10:37 | 0:10:40 | |
who is in actual fact my grandfather. | 0:10:40 | 0:10:44 | |
And at the time of the marriage, Albert Day, my grandfather, | 0:10:44 | 0:10:48 | |
was an assistant to a travelling showman | 0:10:48 | 0:10:53 | |
and Albert Day was the son of another Albert Day, who was a showman... | 0:10:53 | 0:10:57 | |
Now that's quite interesting there | 0:10:57 | 0:11:00 | |
because the name Day was very well known in the fairground business | 0:11:00 | 0:11:04 | |
from the late 19th century and early part of the 20th century. | 0:11:04 | 0:11:08 | |
-Was it? -Very well known. -Ah. | 0:11:08 | 0:11:09 | |
And this could link you to that well-known family. | 0:11:09 | 0:11:13 | |
And what about the classification of showman, does that imply anything? | 0:11:13 | 0:11:17 | |
It does, it means that Albert Day, your grandfather | 0:11:17 | 0:11:21 | |
was in the higher echelons of the business | 0:11:21 | 0:11:24 | |
because they owned own equipments and were showmen in their own right. | 0:11:24 | 0:11:28 | |
-So he was at the top end of the business if you like. -Right. | 0:11:28 | 0:11:31 | |
The early decades of the 20th century were a golden age of the fairgrounds, | 0:11:32 | 0:11:37 | |
and the Days were one of the best known fairground families. | 0:11:37 | 0:11:41 | |
Mechanical rides were an exciting new invention, | 0:11:41 | 0:11:44 | |
made possible by steam and electricity. | 0:11:44 | 0:11:47 | |
And visitors would flock to fairs in their hundreds of thousands. | 0:11:47 | 0:11:51 | |
Fairs would visit most towns and cities just once a year, | 0:11:51 | 0:11:54 | |
so their arrival was a cause for celebration and a holiday atmosphere. | 0:11:54 | 0:11:59 | |
Though reputable enough for families to visit together, | 0:11:59 | 0:12:03 | |
the fairs were also a chance to let loose | 0:12:03 | 0:12:05 | |
and find release from the daily grind. | 0:12:05 | 0:12:08 | |
So Guy, my long lost granddad, Albert Day, | 0:12:10 | 0:12:14 | |
as a assistant to a travelling showman, you know, | 0:12:14 | 0:12:17 | |
what would that involve? | 0:12:17 | 0:12:20 | |
-Pretty hard graft really, Larry. -Really? | 0:12:20 | 0:12:22 | |
They probably pulled down on a Sunday, | 0:12:22 | 0:12:25 | |
-pack it up Monday, move Tuesday and Wednesday. -Yeah. | 0:12:25 | 0:12:28 | |
If you look at the thing behind us, imagine shifting the mounts on that | 0:12:28 | 0:12:32 | |
and you've got a kid on each end lifting those. | 0:12:32 | 0:12:34 | |
-So it would've been a very hard life. -Ah-ha. | 0:12:34 | 0:12:37 | |
While visitors came to fairs for respite from the everyday, | 0:12:37 | 0:12:41 | |
for showmen, they were a way of life. | 0:12:41 | 0:12:44 | |
Showmen like the Days were not gypsies or travellers | 0:12:44 | 0:12:47 | |
but they did live on the road. | 0:12:47 | 0:12:48 | |
Through spring and summer they worked long hours, in all weathers, | 0:12:48 | 0:12:53 | |
moving their rides and stalls every few days, | 0:12:53 | 0:12:55 | |
travelling the country from fair to fair. | 0:12:55 | 0:12:58 | |
Families all travelled together. | 0:12:59 | 0:13:02 | |
As they did not belong to settled communities | 0:13:02 | 0:13:04 | |
traditional schooling was difficult. | 0:13:04 | 0:13:06 | |
Their nomadic lifestyle created a world apart, | 0:13:06 | 0:13:10 | |
where show families had their own culture and language. | 0:13:10 | 0:13:13 | |
This was the close-knit community Albert Day would have grown up in. | 0:13:13 | 0:13:18 | |
So, Albert Day married Catherine Rose in August 1925 | 0:13:19 | 0:13:24 | |
and then sort of pretty much disappears from my story | 0:13:24 | 0:13:30 | |
and I understand you might be able to tell me something about what happened to him afterwards. | 0:13:30 | 0:13:36 | |
Well, unfortunately we haven't had a lot of luck in tracing Albert after that, | 0:13:36 | 0:13:40 | |
because working on a fairground it was difficult to trace people, | 0:13:40 | 0:13:44 | |
they moved around, but I had more luck in going back in time. | 0:13:44 | 0:13:47 | |
So I've got something to show you here. This is a birth certificate. | 0:13:47 | 0:13:52 | |
Good Lord! "13th April 1897, the fairground at Ellison's Tenement, Accrington, | 0:13:53 | 0:14:01 | |
"Albert, boy, father, Albert Day, | 0:14:01 | 0:14:05 | |
"mother, Elizabeth Day formerly..." | 0:14:05 | 0:14:08 | |
-What's that? -Cubbins the name is. -Cubbins? -Yeah. | 0:14:08 | 0:14:11 | |
"And occupation of father. | 0:14:11 | 0:14:13 | |
"A Menagerie proprietor." | 0:14:13 | 0:14:16 | |
-Animal, animal show? -That's right, yes. | 0:14:16 | 0:14:18 | |
-Good Lord! -So there we are. -Wow! | 0:14:20 | 0:14:22 | |
-So, an unusual profession? -Yeah, yeah. | 0:14:23 | 0:14:26 | |
With no information about Albert after Jessie's birth, | 0:14:28 | 0:14:31 | |
Guy is going to help Larry trace Albert's early years. | 0:14:31 | 0:14:35 | |
The mention of menageries suggests his family were originally involved | 0:14:36 | 0:14:40 | |
in the world of fairground shows. | 0:14:40 | 0:14:43 | |
They're starting with the census from 1901. | 0:14:43 | 0:14:47 | |
So, 1901 is the first one. | 0:14:47 | 0:14:50 | |
He would have been about four by then, wouldn't he? | 0:14:50 | 0:14:53 | |
He would have been around four, yeah. | 0:14:53 | 0:14:55 | |
So we'll search for the person's name there. | 0:14:55 | 0:14:58 | |
So this is it and we're looking for the Day family. | 0:15:01 | 0:15:04 | |
Day, Day, there you go, there's an Albert Day. | 0:15:04 | 0:15:08 | |
-Four-year-old. -That's him. | 0:15:08 | 0:15:11 | |
That's him, so that's, that's Albert your grandfather | 0:15:11 | 0:15:14 | |
and his birth place is Accrington in Lancashire which we know | 0:15:14 | 0:15:18 | |
-from the birth certificate. -That's right. | 0:15:18 | 0:15:21 | |
So we know this is definitely Albert | 0:15:21 | 0:15:23 | |
and his father, also Albert, we're searching for. | 0:15:23 | 0:15:28 | |
-Here you go. -We can see him there. -That's him. | 0:15:28 | 0:15:31 | |
The address is given as Easter Fair, Back Fields and they're living in caravans here. | 0:15:31 | 0:15:36 | |
-Right. -So that would tell us that they're travelling people. | 0:15:36 | 0:15:39 | |
And funnily enough, there's this Elizabeth who was the wife is not listed here. | 0:15:39 | 0:15:44 | |
Elizabeth, the mother, isn't there. | 0:15:44 | 0:15:46 | |
She would be normally, would she not? | 0:15:46 | 0:15:48 | |
She would, but I've checked | 0:15:48 | 0:15:50 | |
-and sadly Elizabeth died earlier in that year. -What in 1901? | 0:15:50 | 0:15:55 | |
In 1901 before the census was taken. | 0:15:55 | 0:15:57 | |
The death certificate indicates she died of TB at the age of 27. | 0:15:57 | 0:16:04 | |
So young Albert growing up, only four years old without a mother. | 0:16:04 | 0:16:08 | |
Wow, I wonder what's happened by 1911, can we check on 1911 which will be the next one? | 0:16:08 | 0:16:13 | |
-Yeah, so we'll see if we can trace them. -Right. | 0:16:13 | 0:16:16 | |
-So here we are, 1911 and here is Albert, your grandfather. -Aged 15. -Aged 15. | 0:16:17 | 0:16:24 | |
-The head of the family now is James Day. -And Rebecca, his wife. | 0:16:24 | 0:16:30 | |
-Albert's the only one who's not... -A son or a daughter. -A son or a daughter and he's a nephew. | 0:16:30 | 0:16:35 | |
-So he's now with his uncle's family? -He's now travelling with his uncle | 0:16:35 | 0:16:39 | |
and he's 15, so he's obviously a working man by this time. | 0:16:39 | 0:16:43 | |
So he'd be employed, I guess, by James Day. | 0:16:43 | 0:16:48 | |
James Day, we can see here this is 1911, he's down here as a showman stallholder. | 0:16:48 | 0:16:54 | |
-In previous years he was a very famous menagerie proprietor... -Hah. | 0:16:54 | 0:16:59 | |
One of half a dozen travelling the country, but Day was very well known | 0:16:59 | 0:17:02 | |
for that kind of entertainment. | 0:17:02 | 0:17:06 | |
Jimmy Day, travelling showman. Hmm. | 0:17:07 | 0:17:11 | |
I thought I was the first one. | 0:17:11 | 0:17:13 | |
-No, there were entertainers in your family generations before. -Yeah. | 0:17:13 | 0:17:18 | |
And the whole thing and my mum and me being people, | 0:17:18 | 0:17:21 | |
my sister, my brother can up sticks and move at the drop of a hat, huh. | 0:17:21 | 0:17:27 | |
Just this whole thing of finding out that one is another in the line of travelling people, | 0:17:33 | 0:17:40 | |
people that entertain, people that move around, | 0:17:40 | 0:17:45 | |
transient, picking up people along the way, | 0:17:45 | 0:17:49 | |
and, you know, from what I gather, going back several generations | 0:17:49 | 0:17:54 | |
and, you know, that's part of me. | 0:17:54 | 0:17:56 | |
I'm beginning to feel, this is where I stand in the line of things. | 0:17:56 | 0:18:01 | |
I don't think I ever felt I would feel that way. | 0:18:01 | 0:18:05 | |
The records show that by 1911, Larry's grandfather Albert, | 0:18:07 | 0:18:11 | |
son of his great grandfather Albert, | 0:18:11 | 0:18:14 | |
was living with his uncle, James Jimmy Day. | 0:18:14 | 0:18:17 | |
Both Albert's father and Uncle Jimmy were menagerie proprietors. | 0:18:17 | 0:18:21 | |
Larry wants to know more about the world his grandfather was born into, | 0:18:22 | 0:18:26 | |
the old world of the exotic travelling shows. | 0:18:26 | 0:18:31 | |
He's come to the National Fairground Archive at Sheffield University. | 0:18:32 | 0:18:37 | |
Larry is meeting the head of the archive, Professor Vanessa Toulmin. | 0:18:37 | 0:18:42 | |
-Good morning. -Morning, welcome to National Fairground Archive. | 0:18:42 | 0:18:46 | |
-Good morning, Professor. -Professor, yes, Vanessa. -Professor Vanessa, fantastic! | 0:18:46 | 0:18:51 | |
-I've had many jokes about that. -I was going to say, you should try being Larry Lamb. | 0:18:51 | 0:18:55 | |
Do you want to know something about your family? | 0:18:55 | 0:18:58 | |
I'd like to know as much as possible about the Day family. | 0:18:58 | 0:19:01 | |
-A very famous show family, let me show you some material. -Wonderful. | 0:19:01 | 0:19:05 | |
So it's quite easy, | 0:19:06 | 0:19:08 | |
we just do a search | 0:19:08 | 0:19:11 | |
and let's see what comes up. | 0:19:11 | 0:19:14 | |
And there it is, Day's Menagerie. | 0:19:14 | 0:19:17 | |
-So this is the front of the show, yeah? -Quite amazing, isn't it? | 0:19:17 | 0:19:21 | |
-Good lord, so when would this have been? -1890s, about 1895, this one. | 0:19:21 | 0:19:26 | |
-Really? -That's just what we call the top flash. -Top flash, yeah? | 0:19:26 | 0:19:29 | |
The showmen say, it's not the show that brings the dough, it's the flash that brings the cash. | 0:19:29 | 0:19:33 | |
-I love it. -This would have cost a fortune. -Yeah. | 0:19:33 | 0:19:36 | |
All hand carved, hand painted and these incredible tableaus telling you... | 0:19:36 | 0:19:40 | |
-What you're going to see, yeah. -It's slightly over dramatic but... -Yeah. -..that's the showman. -Yeah. | 0:19:40 | 0:19:45 | |
-Then you can see just over there, Day's Menagerie. -Day's Menagerie. | 0:19:45 | 0:19:50 | |
Would this have been enclosed in a tent behind where the show was, or was it open air? | 0:19:50 | 0:19:54 | |
It was all inside. I can show you what the inside of a menagerie is. | 0:19:54 | 0:19:58 | |
-Let's go round the table and have a look. -Fantastic. Thank you. | 0:19:58 | 0:20:01 | |
OK, Larry, you've seen the outside, that's what you'd see inside. | 0:20:04 | 0:20:08 | |
A travelling menagerie were known on the fairground as the beast shows, the wild beast show. | 0:20:08 | 0:20:13 | |
The show is made up of all the different cages with different animals, | 0:20:13 | 0:20:17 | |
the hyenas or camels or monkeys. | 0:20:17 | 0:20:19 | |
Amazing, so they'd walk around and see into the different cages? | 0:20:19 | 0:20:23 | |
Yeah, and then they'll be a performance in the middle in one of the cages. | 0:20:23 | 0:20:27 | |
Oh, there will, yeah? | 0:20:27 | 0:20:28 | |
This is great, of the menagerie on the road, but you look at the train, | 0:20:28 | 0:20:32 | |
-look how massive that is? -Yeah. | 0:20:32 | 0:20:34 | |
They would have gone from town to town and done this fantastic parade | 0:20:34 | 0:20:38 | |
of all the animals, a bit like a circus parade. | 0:20:38 | 0:20:40 | |
-People must have been just absolutely mystified to see this lot turn up. -Oh, yeah. | 0:20:40 | 0:20:46 | |
And the travelling shows were the first time that anybody | 0:20:46 | 0:20:49 | |
-in Buxton, Nottingham, Oxford would have seen a wild animal. -Right. | 0:20:49 | 0:20:53 | |
The travelling menagerie was a 19th century phenomenon, | 0:20:54 | 0:20:58 | |
and the Days were one of half a dozen families travelling the country with their wild animals. | 0:20:58 | 0:21:02 | |
Menageries had existed for centuries, but had been the preserve of the very rich and royalty. | 0:21:04 | 0:21:09 | |
The expanding British Empire made it easier to access wild animals | 0:21:09 | 0:21:13 | |
and enterprising showmen, like the Days, | 0:21:13 | 0:21:16 | |
saw the possibility of cashing in on the public's love of the exotic. | 0:21:16 | 0:21:20 | |
Keeping these zoos on the road was an expensive and, at times, dangerous undertaking. | 0:21:21 | 0:21:26 | |
Elephants could cost several hundred pounds, | 0:21:26 | 0:21:29 | |
and lions well over £100 each. | 0:21:29 | 0:21:33 | |
And there was the constant pressure of buying enough horsemeat to feed the wild beasts. | 0:21:33 | 0:21:37 | |
But the effort and the investment were worth it. | 0:21:37 | 0:21:41 | |
At the height of the business, menagerie owners could make their fortunes. | 0:21:41 | 0:21:46 | |
-So, this is the Day family, very, very large family but these are the main ones. -Yeah. | 0:21:48 | 0:21:54 | |
That's Albert Day, your great grandfather and those are his brothers and sisters. | 0:21:54 | 0:21:58 | |
-That's the father of my grandfather, as it were? -Yeah, Albert's son. | 0:21:58 | 0:22:03 | |
-Albert was living with his uncle. -Yeah. | 0:22:03 | 0:22:05 | |
-James Day, or Jimmy Wild Beast Day. -Jimmy Wild Beast Day! | 0:22:05 | 0:22:09 | |
-Here we are. -That's Jimmy Wild Beast? -Yes, yeah. -Cor! | 0:22:09 | 0:22:13 | |
-Fantastic costume, as you can see. -Yeah, Mexican bandito. -Yeah. | 0:22:13 | 0:22:17 | |
-Mixed up with a cowboy, mixed up with a pirate. -Yeah. | 0:22:17 | 0:22:20 | |
-He knows how to strike a pose. -And then what's really interesting... -Yeah God. | 0:22:20 | 0:22:25 | |
..probably the most famous of all the Day brothers, | 0:22:25 | 0:22:27 | |
who was even more exotic, is this guy, Martini Bartlett, | 0:22:27 | 0:22:30 | |
and he was known as the Lion King, the King of the lion tamers. | 0:22:30 | 0:22:35 | |
Martini Bartlett, a lion tamer. | 0:22:35 | 0:22:37 | |
-It sounds more exotic than Tom Day. -Of all the things in the world! | 0:22:37 | 0:22:40 | |
-And this is Martini. -God, look at him. -Very handsome. | 0:22:40 | 0:22:45 | |
So Martini Bartlett would have been my actual granddad's uncle? | 0:22:45 | 0:22:49 | |
-Yes. -He's have been a great, great uncle of mine? -Your great, great uncle. | 0:22:49 | 0:22:53 | |
-Martini Bartlett! -And a really, really famous showman, | 0:22:53 | 0:22:57 | |
a really famous showman. | 0:22:57 | 0:22:58 | |
And we've got some material, some interviews with him, | 0:22:58 | 0:23:02 | |
reminiscences of him and his life... | 0:23:02 | 0:23:05 | |
-Are you OK? -Yeah, completely overwhelmed. | 0:23:05 | 0:23:10 | |
-Lion tamer was a real exotic figure. -Yeah. | 0:23:11 | 0:23:13 | |
To be related to those people, to be part of that same clan, huh. | 0:23:15 | 0:23:19 | |
Extraordinary... | 0:23:21 | 0:23:22 | |
Larry has discovered his ancestors were at the top of their profession. | 0:23:27 | 0:23:31 | |
This was the extraordinary world that his grandfather, Albert Day, grew up in. | 0:23:31 | 0:23:37 | |
But he still wants to know what became of Albert, after Jessie's birth. | 0:23:37 | 0:23:41 | |
With help from the Showmen's Guild, | 0:23:42 | 0:23:44 | |
he's discovered the Day family are still involved in the fairground business today. | 0:23:44 | 0:23:48 | |
He's got contact details for a branch of the family in Devizes in Wiltshire. | 0:23:48 | 0:23:55 | |
Looking for a sign of trailers, caravans. | 0:23:57 | 0:24:03 | |
It's like looking for a film location as one's done on countless occasions. | 0:24:03 | 0:24:08 | |
Trailers and caravans. | 0:24:10 | 0:24:12 | |
Oh, here we go, here's something, here's something. | 0:24:13 | 0:24:17 | |
A bit of fairground equipment in there. | 0:24:17 | 0:24:20 | |
-Morning, I'm looking for John Joseph Day. -And you've found him. | 0:24:39 | 0:24:43 | |
-That's you is it? -Yes, that's me. | 0:24:43 | 0:24:46 | |
-How you getting on? -Eh, all right, all right, all right. | 0:24:46 | 0:24:50 | |
-This is John William Day. -John William, yeah? how you doing? | 0:24:50 | 0:24:53 | |
-And this is Jason. -Pleased to meet ya. -Jason, yeah? -One of me son's, yeah. | 0:24:53 | 0:24:58 | |
-So how old are you? -I'm 73. | 0:24:58 | 0:25:00 | |
-73, are you? -I'm one of the youngest of them, there's ten of us, but me grandfather, there was 13. | 0:25:00 | 0:25:07 | |
-So what was his name, your grandfather? -Wild Beast Jimmy Day. -Eh? -Wild Beast Jimmy Day. | 0:25:07 | 0:25:12 | |
-He was your granddad, was he, Wild Beast Jimmy, was he? -And your grandfather? -Was Albert. | 0:25:12 | 0:25:16 | |
-Was Albert the younger one. Come in, out the cold, come in. -Come in out the cold, eh. | 0:25:16 | 0:25:21 | |
Over a century on from the heyday of the menageries, | 0:25:23 | 0:25:27 | |
it's harder now for the Days to earn their living from the fairs, and preserve their way of life. | 0:25:27 | 0:25:32 | |
But like generations of ancestors before them, the family all still live in trailers. | 0:25:32 | 0:25:38 | |
Look at this lot, eh? | 0:25:38 | 0:25:40 | |
John Day has a collection of family photos. | 0:25:45 | 0:25:49 | |
Now, that's one of the famous lions, that was Wallace. | 0:25:49 | 0:25:52 | |
-That was Wallace, was it? -One of my grandfather ones. | 0:25:52 | 0:25:55 | |
Man-eating lion, a man-killing lion. | 0:25:55 | 0:25:57 | |
-Really, really. -Supposed to be. -Yeah. | 0:25:57 | 0:26:01 | |
That's Joey. My grandfather worked his lions all his life and they'd ride the backs of 'em. | 0:26:01 | 0:26:05 | |
-Really? -Yeah, to them they was like dogs to them. -Yeah, yeah, yeah. | 0:26:05 | 0:26:10 | |
-That's one of the pets. -And he's an amazing looking beast, isn't he? | 0:26:10 | 0:26:14 | |
So I've got something specific I want to ask you now, | 0:26:14 | 0:26:18 | |
the census of 1911 shows Albert Day, | 0:26:18 | 0:26:23 | |
who we've established is my grandfather aged 15 in the household of your granddad. | 0:26:23 | 0:26:29 | |
-Yeah, yeah. -Jimmy Wild Beast. | 0:26:29 | 0:26:31 | |
Why was Albert, my granddad, registered down in the household? | 0:26:31 | 0:26:37 | |
-In the care of them. -In the care of. | 0:26:37 | 0:26:38 | |
Well, Albert, your great grandfather ended up in Manchester. | 0:26:38 | 0:26:42 | |
I don't know what happened, if he went to drink, cos they did like... | 0:26:42 | 0:26:46 | |
-All of them liked their drink. -Really? -He ended up with no show. | 0:26:46 | 0:26:49 | |
So that's how young Albert come to live with my grandfather. | 0:26:49 | 0:26:53 | |
-Right, and which is your dad there? -William Day here, look, see. -Right. | 0:26:53 | 0:26:58 | |
-There's William Day, he's 12, look. -He was 12. Well, two to three years younger than my granddad. | 0:26:58 | 0:27:04 | |
Him and dad got on well, that's something me oldest brother said. | 0:27:04 | 0:27:07 | |
There doesn't seem to be anything about him. | 0:27:07 | 0:27:10 | |
He went in the First World War. | 0:27:10 | 0:27:12 | |
-He did, did he? -Yeah, and I'll show you now. | 0:27:12 | 0:27:15 | |
-He fought in the First World War. -Here he is! | 0:27:15 | 0:27:18 | |
-They call that little Albert. -Little Albert. | 0:27:18 | 0:27:22 | |
-So that is my granddad? -Yeah. | 0:27:22 | 0:27:24 | |
-I suppose that's the first time you've seen him? -Absolutely! | 0:27:24 | 0:27:28 | |
Huh, my granddad. | 0:27:29 | 0:27:32 | |
-I will tell you, there he is again, look and there's Uncle Jimmy Day. -Yeah. -There's my father, Billy Day. | 0:27:32 | 0:27:39 | |
-Yeah. -That is Albert. -Yeah. | 0:27:39 | 0:27:42 | |
This looks like they're gathered to have their photograph taken with him... | 0:27:42 | 0:27:46 | |
Yes, he was like a brother to 'em, not a cousin. | 0:27:46 | 0:27:48 | |
-Yeah, he's become a brother living with them. -He was a brother. | 0:27:48 | 0:27:52 | |
You know my mum knows nothing more of him that just a name on a couple of bits of paper. | 0:27:52 | 0:27:56 | |
-That's all she's ever known. -This thing is, father's sister, Aunt Lizzie... -Yeah. | 0:27:56 | 0:28:02 | |
Said about 25 years ago before she died, she was telling me about him. | 0:28:02 | 0:28:07 | |
-Yeah. -And he was restless. -Ah-hah. | 0:28:07 | 0:28:10 | |
He'd been with 'em and disappeared. | 0:28:10 | 0:28:12 | |
One morning, they got up and he was gone, where he went they don't know. | 0:28:12 | 0:28:15 | |
-And was that sort of unusual... -It was unusual. -..in your community? | 0:28:15 | 0:28:19 | |
Oh, yes, because if he went with any fair right up and down the country... | 0:28:19 | 0:28:23 | |
-Yeah, you'd know. -That would come back to us. -Yeah, yeah. | 0:28:23 | 0:28:26 | |
-That would come back to us. -He must have kept away from... -From the fairground business side? | 0:28:26 | 0:28:31 | |
And they all died saying that they never know where he went to. | 0:28:31 | 0:28:34 | |
-But it was spoken of, his disappearance, yeah? -Oh, yes. | 0:28:34 | 0:28:38 | |
That's the interesting thing, because to us he was a disappearing person who never really existed. | 0:28:38 | 0:28:43 | |
-No, he did have a family. -To you he was a disappearing person who disappeared. | 0:28:43 | 0:28:47 | |
-I'm glad your mother's found him. -Yeah. | 0:28:47 | 0:28:51 | |
-Did anybody ever tell her anything? -She never ever knew anything about her father at all. -Didn't she? | 0:28:51 | 0:28:57 | |
-By the time all the documentation was put together... -Yeah. | 0:28:57 | 0:29:01 | |
-To, to adopt her. -Yeah. | 0:29:01 | 0:29:03 | |
He'd been long gone and nobody knew where he was. | 0:29:03 | 0:29:06 | |
That's unusual with our people, because they'd have took the baby back to the family. | 0:29:06 | 0:29:11 | |
-They would have. -When you see... | 0:29:11 | 0:29:13 | |
-When you see your mother, if they'd have known... -Yeah. -She'd have been took in. | 0:29:13 | 0:29:17 | |
-Yeah, but it seems to me he wouldn't have known at all. -No. | 0:29:17 | 0:29:20 | |
-He just disappeared and nobody known what happened with him since. -Yeah. | 0:29:20 | 0:29:25 | |
Seeing the picture of the long lost, | 0:29:29 | 0:29:33 | |
deeply mysterious, enigmatic Albert, Albert Day, | 0:29:33 | 0:29:40 | |
Little Albert as they called him, is just a little bit strange, you know. | 0:29:40 | 0:29:44 | |
So all of a sudden, there's a face to this name. | 0:29:44 | 0:29:47 | |
And strange to think that, er, had Catherine and Albert stayed together, | 0:29:47 | 0:29:53 | |
that this would have become my mum's life. | 0:29:53 | 0:29:57 | |
This life would certainly suit her, that's for sure, | 0:29:58 | 0:30:01 | |
constantly moving on. | 0:30:01 | 0:30:04 | |
She'll be tickled pink when I tell her about this, absolutely. | 0:30:04 | 0:30:07 | |
In a way, it's a rounding off of the story. | 0:30:10 | 0:30:13 | |
And then meeting all these extraordinary people, | 0:30:13 | 0:30:15 | |
finding out about this element of my life that I had no idea of. | 0:30:15 | 0:30:20 | |
This travelling instinct, for sure, this element of the showman, | 0:30:21 | 0:30:25 | |
that's the answer to a lot of questions for me. | 0:30:25 | 0:30:28 | |
I just love it, | 0:30:28 | 0:30:30 | |
it's wonderful. | 0:30:30 | 0:30:32 | |
Despite everything he's discovered, | 0:30:35 | 0:30:37 | |
Larry still doesn't know what became of his grandfather Albert Day. | 0:30:37 | 0:30:42 | |
It appears there are no further records relating to him after 1926, | 0:30:42 | 0:30:47 | |
when Albert was named on Jessie's birth certificate. | 0:30:47 | 0:30:51 | |
Back home in London, | 0:30:55 | 0:30:56 | |
Larry now wants to turn his attention to his mother's birth mother, Catherine Walker Burns Rose. | 0:30:56 | 0:31:02 | |
My mum has always had this | 0:31:02 | 0:31:05 | |
sort of image of this female character in her mind. | 0:31:05 | 0:31:10 | |
Now, whether that's just been generated over the years, | 0:31:10 | 0:31:13 | |
I don't know, but she seems pretty certain | 0:31:13 | 0:31:17 | |
that she remembers this person who was her mother. | 0:31:17 | 0:31:21 | |
And that sense, that feeling, is really important to her. | 0:31:21 | 0:31:27 | |
I mean, she's always nursed this, you know, increasingly impossible dream | 0:31:27 | 0:31:32 | |
of seeing her mum and she, you know, she's 84. | 0:31:32 | 0:31:37 | |
According to the file, Catherine visited and saw my mum | 0:31:38 | 0:31:43 | |
on her second birthday, but that's it, she's disappeared. | 0:31:43 | 0:31:48 | |
So, what happened to Catherine Day? | 0:31:49 | 0:31:52 | |
To start his search, Larry's checking the marriage index | 0:31:55 | 0:31:58 | |
to see if Catherine married again after separating from Albert Day. | 0:31:58 | 0:32:02 | |
Walker... | 0:32:03 | 0:32:05 | |
Burns... | 0:32:06 | 0:32:08 | |
Change the Day and put Rose in there. | 0:32:08 | 0:32:12 | |
Search. | 0:32:14 | 0:32:16 | |
Well, this could... This says there's a Catherine B Rose which may or may not be her, | 0:32:17 | 0:32:22 | |
but there doesn't seem to be anybody else with that name or similar, | 0:32:22 | 0:32:27 | |
marrying somebody called Rosen. | 0:32:27 | 0:32:30 | |
December 1932 in Hampstead. | 0:32:30 | 0:32:34 | |
She's dropped the Day but that's it, doesn't tell me any more. | 0:32:34 | 0:32:38 | |
To find out more about this marriage Larry needs the full certificate. | 0:32:43 | 0:32:48 | |
He's ordered a copy from Camden Town Hall in Central London. | 0:32:48 | 0:32:52 | |
Um, I've come to get a marriage certificate | 0:32:52 | 0:32:54 | |
and the surnames are Rose and Rosen. | 0:32:54 | 0:32:57 | |
-OK. There you are, sir. -Thank you. | 0:32:57 | 0:33:00 | |
If you want go in there and just check it through, | 0:33:00 | 0:33:03 | |
-you're more than welcome to do that. -Thank you, thank you. | 0:33:03 | 0:33:06 | |
Wow, | 0:33:09 | 0:33:11 | |
31st December 1932, | 0:33:11 | 0:33:15 | |
Catherine Burns Rose - 24 years, | 0:33:15 | 0:33:19 | |
and her father's name John Rose - deceased. That's her. | 0:33:19 | 0:33:23 | |
Louis Rosen, rank or profession - hairdresser. | 0:33:23 | 0:33:27 | |
Wow, and she's described as a spinster, interesting. | 0:33:27 | 0:33:33 | |
I think I'm going to ask the lady here, I think she'll be very helpful. Excuse me? | 0:33:33 | 0:33:39 | |
-Um, do you think you could just, um, have a look at this with me... -Sure. | 0:33:39 | 0:33:43 | |
..and check something out. | 0:33:43 | 0:33:44 | |
I've got a... | 0:33:45 | 0:33:47 | |
I've got a copy of... | 0:33:50 | 0:33:52 | |
Catherine Burns Rose, my grandmother. | 0:33:54 | 0:33:58 | |
-That's a copy of her wedding certificate to the guy who was my grandfather. -OK. | 0:33:58 | 0:34:02 | |
-And she's down as a spinster. -Right. | 0:34:02 | 0:34:04 | |
-Married to Rosen. -So this marriage was in 1925, that marriage was in 1932 so that's seven years. -Yeah. | 0:34:04 | 0:34:10 | |
-After seven years, if she had no contact with this Mr Day... -Yeah. | 0:34:10 | 0:34:14 | |
-..she could, um, she could have him presumed dead. -Really? | 0:34:14 | 0:34:17 | |
If she'd have gone down the legal channel and said, "I married this man in 1925, | 0:34:17 | 0:34:22 | |
"I haven't seen him for seven years. | 0:34:22 | 0:34:23 | |
-"I haven't heard from him, nobody's seen him." -Yeah. -He then can be presumed dead. -Right. -OK. -Right. | 0:34:23 | 0:34:29 | |
-She would have gone down as a widow. -Right. | 0:34:29 | 0:34:32 | |
-Technically, she's committing perjury. -Yeah, because she's... | 0:34:32 | 0:34:36 | |
-This is supposed to be sworn as true, right? -That's correct, yes. | 0:34:36 | 0:34:39 | |
Maybe she thought after seven years, you know, "I haven't seen him, haven't heard from him, you know, | 0:34:39 | 0:34:45 | |
-"I'll just declare myself as a spinster." -Yeah. -And, you know. -Take the risk? -Yes. | 0:34:45 | 0:34:50 | |
Right, what's the next step if I want to find out about them? | 0:34:50 | 0:34:54 | |
-Going by his name, he could be Jewish. -Rosen. -Yeah. | 0:34:54 | 0:34:57 | |
His father's name's Isaac Rosen. | 0:34:57 | 0:35:00 | |
Yeah, so there are Jewish records that you could perhaps, um, research. | 0:35:00 | 0:35:05 | |
Hm, wow, thank you. | 0:35:05 | 0:35:08 | |
Here, in 1932.. | 0:35:09 | 0:35:12 | |
..my mum would have been approaching her seventh birthday, | 0:35:13 | 0:35:20 | |
just short of her seventh birthday, six and eleven months. | 0:35:20 | 0:35:25 | |
And not too very far away, | 0:35:25 | 0:35:30 | |
her mum is beginning a new life. | 0:35:30 | 0:35:33 | |
A completely new life. | 0:35:35 | 0:35:37 | |
To discover if there are any Jewish records relating to Catherine, | 0:35:41 | 0:35:45 | |
Larry is on his way to meet genealogist, Lawrence Harris. | 0:35:45 | 0:35:49 | |
He's asked to meet me at the Walford Road Synagogue | 0:35:50 | 0:35:56 | |
in Stoke Newington. | 0:35:56 | 0:35:58 | |
Interesting. | 0:35:58 | 0:35:59 | |
Well, there we go. | 0:36:03 | 0:36:05 | |
Right on the corner. | 0:36:05 | 0:36:07 | |
Walford Road Synagogue, Shaare Mazal Tov. | 0:36:08 | 0:36:13 | |
-Larry, welcome. -Lawrence. -Welcome to Walford Road Synagogue. -Thank you. | 0:36:24 | 0:36:28 | |
-Would you like to pop a skullcap on? -I would, I'd love to. -That's great. -Thank you, thank you. | 0:36:28 | 0:36:33 | |
-You've never been here before, I guess? -I've never been here, I've been to Walford before, | 0:36:33 | 0:36:38 | |
-but not Walford Road! -This is an amazing building. | 0:36:38 | 0:36:41 | |
Wow. | 0:36:44 | 0:36:46 | |
I'm just wondering why you chose here to meet. | 0:36:46 | 0:36:50 | |
I have to tell you that your grandmother Catherine | 0:36:50 | 0:36:52 | |
was actually married here in 1938. | 0:36:52 | 0:36:55 | |
Oh, was she, in 1938? | 0:36:57 | 0:36:59 | |
1938. Now you know she was married in a registry office. | 0:36:59 | 0:37:02 | |
-Six years after the registry office wedding, yeah. -Yeah. | 0:37:02 | 0:37:08 | |
1938, my grandmother was married here. | 0:37:08 | 0:37:13 | |
Would she have been allowed to marry in the synagogue as a, I assume, a gentile? | 0:37:20 | 0:37:24 | |
The simple answer is no, she would have actually had to have converted. | 0:37:24 | 0:37:28 | |
-To have married here, she would actually had to have converted to Orthodox Judaism. -Right. | 0:37:28 | 0:37:33 | |
-In fact I've got some documents I'd like to show you that actually describe that process. -Thank you. | 0:37:33 | 0:37:38 | |
This is the first one. | 0:37:40 | 0:37:42 | |
Certificates of proselytisation. | 0:37:42 | 0:37:45 | |
Right, CW Rose, | 0:37:45 | 0:37:48 | |
now Rosen. | 0:37:48 | 0:37:50 | |
Oh, date of application is October 1933 | 0:37:50 | 0:37:53 | |
and the date of reception 1938, so it's five years. | 0:37:53 | 0:37:57 | |
-She took five years to convert. -Right. | 0:37:57 | 0:37:59 | |
They didn't make it easy for somebody to convert. | 0:37:59 | 0:38:02 | |
-Yeah, she was obviously committed, wasn't she? -Yeah. | 0:38:02 | 0:38:05 | |
And this is the declaration she made. | 0:38:05 | 0:38:08 | |
"I, the undersigned, Catherine Walker Rosen, nee Rose, | 0:38:08 | 0:38:14 | |
"declare that I have accepted the Jewish Faith of my own free will, | 0:38:14 | 0:38:18 | |
"and solemnly undertake to lead the life of a true Jewess." | 0:38:18 | 0:38:24 | |
There we are. | 0:38:24 | 0:38:25 | |
So by this time May, May 26th 1938, she's 30 years of age. | 0:38:25 | 0:38:32 | |
-Yeah. -That's when she's been accepted in, right. | 0:38:32 | 0:38:35 | |
-So I have a Jewish grandmother because she converted. -Yeah. | 0:38:35 | 0:38:39 | |
Well, well, well, well, well. | 0:38:46 | 0:38:48 | |
On the day of the marriage, it's likely that this ark would have been open. | 0:38:48 | 0:38:53 | |
-These are the ark scrolls. -Wow. | 0:39:00 | 0:39:03 | |
And there would have been a number of blessings, | 0:39:03 | 0:39:06 | |
they would have drunk wine from a glass. | 0:39:06 | 0:39:09 | |
It must have been a really big moment for her, very obviously at this point | 0:39:09 | 0:39:13 | |
joining the community and joining the family. | 0:39:13 | 0:39:17 | |
-Yeah, she's been accepted. -She's been accepted. | 0:39:17 | 0:39:19 | |
Also, I've got to tell you there was another reason why it was important | 0:39:19 | 0:39:23 | |
for her to officially marry in 1938. | 0:39:23 | 0:39:27 | |
At the time of her marriage, she was actually four months pregnant. | 0:39:27 | 0:39:32 | |
And I've got a little document. | 0:39:34 | 0:39:37 | |
9th September 1938 at Willesden Maternity Hospital, | 0:39:37 | 0:39:42 | |
John Michael - a boy, name and surname of father - Louis Rosen, | 0:39:44 | 0:39:51 | |
and there she is Catherine Burns Rosen formerly Rose. Hah! | 0:39:51 | 0:39:56 | |
-So my mum at that moment in time had a half-brother. -A half-brother. | 0:39:56 | 0:40:01 | |
A half-brother John. | 0:40:01 | 0:40:04 | |
And I, another uncle, hah! | 0:40:04 | 0:40:10 | |
Larry now knows that in 1938, when his mother Jessie was 12 years old, | 0:40:11 | 0:40:17 | |
her mother Catherine had another child, John Rosen. | 0:40:17 | 0:40:20 | |
At the time, Catherine and her new family were living and running a hairdressing business | 0:40:22 | 0:40:27 | |
just a few miles away from where Jessie was growing up. | 0:40:27 | 0:40:30 | |
Only a few hours after leaving the synagogue, | 0:40:33 | 0:40:36 | |
Larry receives some new information from Lawrence, | 0:40:36 | 0:40:39 | |
relating to Catherine's life after her conversion. | 0:40:39 | 0:40:41 | |
OK, and about what year would that be? | 0:40:41 | 0:40:44 | |
Early '50s, OK, early '50s. OK, and I'll just wait for your text. | 0:40:46 | 0:40:51 | |
Fantastic. All the best to you, Lawrence. Thank you, bye, bye. | 0:40:51 | 0:40:58 | |
Well, everything seems to come to a stop around the 1950s, | 0:40:58 | 0:41:04 | |
and as everything up to then all sort of adds up, the only thing | 0:41:04 | 0:41:09 | |
that he can think of, is that they maybe emigrated and left Britain. | 0:41:09 | 0:41:15 | |
He's going to text me a number of a good website to get onto | 0:41:15 | 0:41:18 | |
for tracking passenger records of people leaving the country | 0:41:18 | 0:41:21 | |
around the early '50s. | 0:41:21 | 0:41:23 | |
Supposedly, according to Lawrence, this is easy. | 0:41:25 | 0:41:29 | |
I'll put Catherine in. | 0:41:30 | 0:41:31 | |
Rosen. | 0:41:35 | 0:41:37 | |
Now, year of birth - 1908, port of departure - all ports, I guess. | 0:41:37 | 0:41:44 | |
Destination - all countries, ba-boom, search. | 0:41:44 | 0:41:48 | |
Here they are. She went to America, ha! | 0:41:49 | 0:41:53 | |
Date of departure - 9th February 1953. | 0:41:53 | 0:41:57 | |
The ship name - United States, there we are. | 0:41:57 | 0:42:00 | |
I just love it. | 0:42:00 | 0:42:02 | |
And they've gone to 426 South Hill Street, | 0:42:02 | 0:42:08 | |
Los Angeles, California. | 0:42:08 | 0:42:10 | |
Cor, dear, oh dear, oh dear. Dear, oh dear, oh dear. | 0:42:12 | 0:42:17 | |
I suppose the next thing is to start checking up records in America. | 0:42:18 | 0:42:22 | |
To follow Catherine's story, Larry must travel to the United States. | 0:42:26 | 0:42:31 | |
So, here we are, on our way to Heathrow to fly to LA | 0:42:33 | 0:42:38 | |
to find the whereabouts or something about Catherine Rosen | 0:42:38 | 0:42:43 | |
and John Michael Rosen. | 0:42:43 | 0:42:45 | |
I'm excited, but I know just how excited my mum would be to find, | 0:42:45 | 0:42:51 | |
after all these years, that she had, or has, hopefully, direct family, | 0:42:51 | 0:42:57 | |
and at times when I've been there, conceivably, | 0:42:57 | 0:43:01 | |
there were relatives of mine, | 0:43:01 | 0:43:04 | |
you know, full blood relatives of mine maybe living there. | 0:43:04 | 0:43:08 | |
Interesting. | 0:43:08 | 0:43:09 | |
Los Angeles has always attracted immigrants in pursuit of the good life | 0:43:14 | 0:43:19 | |
and the 1950s was no different. | 0:43:19 | 0:43:21 | |
When Catherine and her family arrived in the city, LA was a boom town. | 0:43:22 | 0:43:27 | |
It offered a temperate climate, affordable housing | 0:43:27 | 0:43:30 | |
and, as the home of the Hollywood film industry, | 0:43:30 | 0:43:34 | |
a touch of glamour as well. | 0:43:34 | 0:43:36 | |
The contrast of bomb-damaged post-war London would have been stark. | 0:43:36 | 0:43:41 | |
At the time, the United States operated a quota system for immigrants, | 0:43:41 | 0:43:44 | |
that favoured Western Europeans including the British. | 0:43:44 | 0:43:47 | |
It also helped to have relatives in the country, | 0:43:47 | 0:43:50 | |
and records show that Louis Rosen already had a nephew in LA. | 0:43:50 | 0:43:54 | |
To find out how Catherine and her family fared in this new world, | 0:43:58 | 0:44:02 | |
Larry's come to the Norwalk Library in Los Angeles to meet genealogist, Ted Gostin. | 0:44:02 | 0:44:07 | |
So Ted, | 0:44:08 | 0:44:09 | |
I am so hoping you can take me on to another step. | 0:44:09 | 0:44:14 | |
All right, well, one of the first things I did, was to look to see | 0:44:14 | 0:44:17 | |
whether Catherine became a citizen here in the United States. | 0:44:17 | 0:44:20 | |
-And we found that she did become a citizen. -She did. | 0:44:20 | 0:44:23 | |
And this is a copy of her naturalisation petition which she filed in 1962... | 0:44:23 | 0:44:29 | |
-1962, yeah. -..after she'd been here for about nine years. | 0:44:29 | 0:44:32 | |
-Yeah. -But it's got quite a bit of information about her. | 0:44:32 | 0:44:35 | |
Yeah, Catherine Walker Burns Rosen, from Orange County. | 0:44:35 | 0:44:39 | |
-Just south of us. -My personal description is as follows, | 0:44:39 | 0:44:43 | |
complexion - fair, eyes - brown, and a beauty operator. | 0:44:43 | 0:44:48 | |
From what I understand of their occupations, probably would have been easy to get a job in LA | 0:44:48 | 0:44:52 | |
with the entertainment industry going on and things of that sort. | 0:44:52 | 0:44:56 | |
You know, what I never even thought about that. | 0:44:56 | 0:45:00 | |
My husband is Louis and I have one child there, John Michael. | 0:45:00 | 0:45:03 | |
And then there are a couple of witnesses who are attesting | 0:45:03 | 0:45:06 | |
to the fact that she's been here for the required number of years, that they know her personally. | 0:45:06 | 0:45:11 | |
Yeah, Millie Levy and Maurice Levy, | 0:45:11 | 0:45:14 | |
-Well, they're Jewish people as well, by the look of it. -Yeah. | 0:45:14 | 0:45:18 | |
I'm sure there was a big Jewish community at that time in Los Angeles, yeah, in the '50s and '60s? | 0:45:18 | 0:45:23 | |
Absolutely, California was attractive to a lot of people, | 0:45:23 | 0:45:26 | |
-we had a large Jewish community then, as now. -And it has now. -Yeah. | 0:45:26 | 0:45:29 | |
Well, the next thing we want to do then is find out what happened to them after 1962. | 0:45:29 | 0:45:34 | |
-Yeah. -They're here, they're citizens, they're planning to stay. | 0:45:34 | 0:45:38 | |
In California we have a death index that's state wide, | 0:45:38 | 0:45:41 | |
and we can take a look | 0:45:41 | 0:45:43 | |
to see here on the computer whether we can find Catherine or Louis. | 0:45:43 | 0:45:49 | |
-If they're dead, it will come up? -It should. | 0:45:49 | 0:45:52 | |
-Got ya, it should. -So, we'll see what we can find. | 0:45:52 | 0:45:54 | |
If there is no death record for Catherine, | 0:45:55 | 0:45:57 | |
she would now be alive at the age of 102. | 0:45:57 | 0:46:01 | |
-I'm going to do a quick search for Catherine Rosen. -Yeah. | 0:46:01 | 0:46:05 | |
-And we only get one Catherine Rosen. -Born in '53. | 0:46:05 | 0:46:10 | |
-Yeah, so that's clearly not her. -Yeah. | 0:46:10 | 0:46:12 | |
But let's look for Louis because if we find information about him, | 0:46:12 | 0:46:16 | |
it might lead us to more information about her. | 0:46:16 | 0:46:19 | |
-About her, yeah. -So, we'll look for Louis.. | 0:46:19 | 0:46:23 | |
-..and as you can see, there are quite a few. -That's him. | 0:46:24 | 0:46:28 | |
-You can see it by the... -That's him. -..by the birth date we have. | 0:46:28 | 0:46:32 | |
Yeah, 13th April 1907. | 0:46:32 | 0:46:33 | |
So, it looks like Louis died in 1967, he died relatively young. | 0:46:34 | 0:46:39 | |
-He did, didn't he? -He was in his 60s. | 0:46:39 | 0:46:41 | |
Well, he was 60, wasn't he? He just made 60. | 0:46:41 | 0:46:43 | |
Yeah, exactly, exactly. | 0:46:43 | 0:46:45 | |
I ordered a copy of the death certificate which we have here. | 0:46:45 | 0:46:49 | |
Name of deceased - Louis Gershen Rosen - | 0:46:49 | 0:46:53 | |
name of present spouse - Kay Rosen. | 0:46:53 | 0:46:57 | |
-OK, so that's... -Kay - K-A-Y. -Her nickname. -Yeah. | 0:46:57 | 0:47:02 | |
-So, we should probably check again on the deaths. -Yeah. | 0:47:02 | 0:47:05 | |
To see if we can find her as Kay Rosen. | 0:47:05 | 0:47:07 | |
We'll, er, we'll do the same kind of search | 0:47:07 | 0:47:10 | |
but we'll look for the name Kay. | 0:47:10 | 0:47:12 | |
-Kay Rosen. -No results, no matches. | 0:47:12 | 0:47:16 | |
So since Louis died in '67, this raises the possibility in my mind | 0:47:16 | 0:47:21 | |
that maybe she got remarried. | 0:47:21 | 0:47:23 | |
Now, this would be very late in life to remarry, | 0:47:23 | 0:47:25 | |
so we'll go over here to the marriage index | 0:47:25 | 0:47:28 | |
and we'll look for her under her legal name. | 0:47:28 | 0:47:31 | |
-Yeah. -Catherine Rosen. -Yeah. | 0:47:31 | 0:47:34 | |
We have several Catherine Rosen's who got married in California. | 0:47:34 | 0:47:37 | |
-Well, that's about right, that's the closest. -It is, Catherine W Rosen... | 0:47:37 | 0:47:42 | |
-Yeah, Walker. -Catherine Walker born about 1909. | 0:47:42 | 0:47:45 | |
-None of the other dates fit at all. -No, no. -She married Sam Levitz. | 0:47:45 | 0:47:51 | |
-And that marriage took place. -1971. | 0:47:51 | 0:47:55 | |
-Right, so a few years after Louis died. -Sam Levitz. | 0:47:55 | 0:48:00 | |
So I ordered that certificate so that we could take a look at it | 0:48:00 | 0:48:03 | |
and you can see right here where it describes the bride. | 0:48:03 | 0:48:07 | |
Catherine Walker Burns Rosen. | 0:48:07 | 0:48:09 | |
1908, | 0:48:09 | 0:48:10 | |
that's it, that's her aged 62, number of this marriage, two, oooh. | 0:48:10 | 0:48:16 | |
Oooh, another little porky pie! | 0:48:16 | 0:48:20 | |
-So then what we do is we put that in there. -Absolutely. | 0:48:22 | 0:48:25 | |
As Catherine Levitz now, yeah? | 0:48:25 | 0:48:27 | |
There we go. | 0:48:27 | 0:48:28 | |
And again we get no result. | 0:48:31 | 0:48:34 | |
-But from her husband's death certificate, we know that she had a nickname. -Kay, yeah. | 0:48:34 | 0:48:39 | |
She had the nickname Kay, so let's try that. | 0:48:39 | 0:48:41 | |
Look what shows up. | 0:48:43 | 0:48:46 | |
-Can you read that? -Kay... Oh, no. -You can see what we got... | 0:48:47 | 0:48:51 | |
Kay Rosen Levitz... | 0:48:51 | 0:48:54 | |
..died on the 20th February 1991, | 0:48:55 | 0:49:00 | |
Los Angeles. | 0:49:00 | 0:49:01 | |
That's what will upset my mum, I know that. | 0:49:05 | 0:49:08 | |
She was still hoping she might find her? | 0:49:08 | 0:49:11 | |
Well, you know, I guess you do, don't you? | 0:49:11 | 0:49:13 | |
If you've lived all your life wondering where she went, | 0:49:13 | 0:49:16 | |
the one thing your doing is hoping you're going to see her. | 0:49:16 | 0:49:19 | |
She died aged 83 in 1991. | 0:49:19 | 0:49:23 | |
So I had been here in Los Angeles... | 0:49:24 | 0:49:29 | |
A really, really interesting time in my life, 1988. | 0:49:32 | 0:49:35 | |
Three years before my actual grandmother died here. | 0:49:35 | 0:49:39 | |
-So you were here when she was. -I was here, yeah. -Yeah. | 0:49:42 | 0:49:46 | |
I was, didn't know, didn't know. | 0:49:46 | 0:49:50 | |
She died on the 20th February 1991. | 0:49:51 | 0:49:55 | |
Before Larry leaves Los Angeles, he wants to see if he can track down Catherine's son John. | 0:50:10 | 0:50:15 | |
Using local records, he's found just one John Rosen, | 0:50:22 | 0:50:26 | |
who could be his uncle, living on the outer reaches of the city. | 0:50:26 | 0:50:29 | |
He's agreed to meet Larry. | 0:50:29 | 0:50:33 | |
I'm, er, I'm feeling rather excited, really. | 0:50:33 | 0:50:39 | |
Here we are in a, unfortunately rather rainy, California, | 0:50:39 | 0:50:43 | |
which everybody assures me is not the case normally, | 0:50:43 | 0:50:47 | |
um, about to meet this... | 0:50:47 | 0:50:51 | |
..long-lost remnant of a long-lost part of my family. | 0:50:53 | 0:50:59 | |
So, er, yeah, great moment. | 0:51:00 | 0:51:05 | |
-Hello. -Larry? -John. -Good to meet you. | 0:51:18 | 0:51:22 | |
-Eh, nice to meet you, nice to meet you. -Come in. | 0:51:22 | 0:51:24 | |
-Nice to meet you, hey, what a lovely place. -Thank you. | 0:51:24 | 0:51:28 | |
Hey, what a lovely place, | 0:51:28 | 0:51:29 | |
Let's just give you that old hat down there, I'll take this off. | 0:51:29 | 0:51:34 | |
-Do you want to sit here? -Yeah, just here. | 0:51:34 | 0:51:37 | |
OK, I'll sit down, I'll sit slowly. | 0:51:37 | 0:51:41 | |
So, um, I don't know how to do this, | 0:51:41 | 0:51:44 | |
I guess you must be sort of fascinated to know why I'm here. | 0:51:44 | 0:51:51 | |
-That is mild. -Yeah. -Yes. -An understatement, right? -Very much so. | 0:51:51 | 0:51:56 | |
Well, it would appear from everything we've discovered | 0:51:56 | 0:52:01 | |
that you are my uncle. | 0:52:01 | 0:52:04 | |
-OK. -So, so, er. -Hello, nephew, how are you? -There you go, there you go. | 0:52:06 | 0:52:12 | |
Your mum, was the mother of my mum, yeah. | 0:52:12 | 0:52:17 | |
Your mum had a life before your dad. She's had an extraordinary life, | 0:52:17 | 0:52:21 | |
I mean, you know the end of it, we know the beginning of it. | 0:52:21 | 0:52:25 | |
Actually, I know very little of it, she never ever told me anything | 0:52:25 | 0:52:28 | |
about what happened prior to her marriage. | 0:52:28 | 0:52:32 | |
-You, you being born, yeah. -Mm-hmm. | 0:52:32 | 0:52:34 | |
She married, very briefly, a man called Albert Day. | 0:52:34 | 0:52:40 | |
It just didn't last but they had a child, the child was my mother. | 0:52:40 | 0:52:46 | |
-Wow. -She tried to support the child because he disappeared off the map, | 0:52:47 | 0:52:52 | |
Albert Day. He's another... I'll tell you about that story, there's another enigma. | 0:52:52 | 0:52:56 | |
So she decided to have the child adopted | 0:52:56 | 0:53:01 | |
and seven years later, | 0:53:01 | 0:53:03 | |
she marries your dad, Louis Rosen. | 0:53:03 | 0:53:06 | |
-All right. -And then.. -So how old was she when she had your mum? | 0:53:06 | 0:53:09 | |
She had my mum when she was 17 years of age. | 0:53:09 | 0:53:13 | |
Right. | 0:53:13 | 0:53:15 | |
We'll, I've got something that I think maybe you'd like to see. | 0:53:15 | 0:53:18 | |
Oh, I'm sure you do. | 0:53:18 | 0:53:19 | |
Just one thing, if I can find it. | 0:53:19 | 0:53:24 | |
I think this is the woman that had your mum. | 0:53:29 | 0:53:32 | |
-That's Catherine as a young girl. -Probably around 16 or 17 years old. | 0:53:35 | 0:53:40 | |
Good God. | 0:53:41 | 0:53:43 | |
Oh, wow, she was a beauty, wasn't she? | 0:53:44 | 0:53:49 | |
I think so. | 0:53:49 | 0:53:51 | |
That's where I get my looks from. | 0:53:51 | 0:53:53 | |
-There you go, you got it, you got it. She's a beauty. -So... -Hm. | 0:53:53 | 0:53:59 | |
-You're my nephew. God, that's funny. -Yeah, I can imagine. | 0:53:59 | 0:54:04 | |
This is a picture of my mum and dad in the shop we had here in Glendale. | 0:54:05 | 0:54:09 | |
-Oh, wow. -Back in the late '50s. -Yeah, look at that. | 0:54:09 | 0:54:12 | |
-What was she like, your mum? -Made a good home. -Yeah. | 0:54:15 | 0:54:19 | |
-Er, I never wanted for anything. -Yeah. -Good cook. -Yeah. | 0:54:20 | 0:54:25 | |
Very good cook, tenacious, once she started something, | 0:54:25 | 0:54:29 | |
once she put her mind to it... | 0:54:29 | 0:54:31 | |
-Yeah. -..it was going to get done. | 0:54:31 | 0:54:34 | |
-A very giving person. -Yeah. -But, er... | 0:54:34 | 0:54:38 | |
Well, I'll tell you what, you've just described my mum to a T. | 0:54:38 | 0:54:43 | |
-Well, I guess she passed something along the way. -Yeah. | 0:54:43 | 0:54:48 | |
That's my mum, Jessie, that's the name that your mum gave her. | 0:54:48 | 0:54:52 | |
-Cor, she's my sister? -Yeah, there you go. -That's so exciting. | 0:54:52 | 0:55:00 | |
-Tell me about it. -It is SO exciting. | 0:55:00 | 0:55:03 | |
-I've always been an only child, at 72 I got a... -So is she, so is she! | 0:55:03 | 0:55:09 | |
-Not any more. -And, I'm, er, I'm going to call her. | 0:55:09 | 0:55:15 | |
-'Hello.' -Hello. -'Hello.' | 0:55:17 | 0:55:19 | |
I'm in California. | 0:55:19 | 0:55:21 | |
-'In California.' -Yeah. | 0:55:21 | 0:55:24 | |
And do you know, I'm sitting next to somebody. | 0:55:24 | 0:55:28 | |
-'Who is it?' -Well, you... | 0:55:28 | 0:55:31 | |
'Yeah.' | 0:55:31 | 0:55:33 | |
-..have got a brother. -'I've got a brother?!' -Yeah. | 0:55:33 | 0:55:38 | |
'How old is he?' | 0:55:38 | 0:55:39 | |
-He's a younger brother. Yeah. He's 72 and he... -'22?' -72, not 22, Mum, no! | 0:55:39 | 0:55:47 | |
-72 and his name's John. -'John.' | 0:55:49 | 0:55:53 | |
And I'm going to put you on to him because he, like you, | 0:55:53 | 0:55:57 | |
has spent all his life as an only child... | 0:55:57 | 0:56:00 | |
'Oh, I say!' | 0:56:00 | 0:56:02 | |
..and he's the son of your mum. | 0:56:02 | 0:56:05 | |
And there you are, here he is, your long lost brother John. | 0:56:05 | 0:56:10 | |
'Oh, my goodness. So you felt just the same as I did?' | 0:56:10 | 0:56:14 | |
Yes, I did. Jessie, I'm John. | 0:56:14 | 0:56:17 | |
'Hello and I'm Jessie and I'm so glad to speak to you.' | 0:56:17 | 0:56:21 | |
This is so exciting. | 0:56:21 | 0:56:24 | |
'What a surprise.' | 0:56:24 | 0:56:26 | |
Oh, yeah, I had no idea and I gather you didn't either? | 0:56:26 | 0:56:30 | |
'No, no idea at all, I never knew where she went, is she still alive?' | 0:56:30 | 0:56:36 | |
No, we lost her almost 20 years ago. | 0:56:36 | 0:56:39 | |
'Oh, 20 years. Oh, I say. | 0:56:39 | 0:56:42 | |
-'So perhaps you've got a photograph you can send me.' -I'll be happy to. | 0:56:42 | 0:56:46 | |
'It's so kind of you all to ring, it's really, really lovely. | 0:56:46 | 0:56:50 | |
'So I've got a brother! It was lovely to speak to you.' | 0:56:51 | 0:56:56 | |
-My pleasure. -So there you go, Mum. -'Oh, it's marvellous, isn't it?' | 0:56:56 | 0:57:00 | |
Eh, the end of the trail, all right. | 0:57:00 | 0:57:02 | |
'Yeah, and you can, you can bring me some pictures, can't you?' | 0:57:02 | 0:57:05 | |
I shall being you some pictures and we're just going to have to fix it up so you get to meet him. | 0:57:05 | 0:57:10 | |
-'Lovely.' -All right, darling. -'Thank you very much.' | 0:57:10 | 0:57:13 | |
-I'm going to love you and leave you. -'All right then. Bye, bye.' -Bye, bye, Jess. | 0:57:13 | 0:57:17 | |
-He's saying goodbye. -Goodbye. Bye, bye. | 0:57:17 | 0:57:20 | |
God, dear, oh dear, oh dear, oh dear. | 0:57:22 | 0:57:26 | |
My mum's brother. | 0:57:26 | 0:57:28 | |
-My yiddisher uncle. -Yeah! | 0:57:28 | 0:57:31 | |
Well, I said at the beginning | 0:57:38 | 0:57:40 | |
that half of myself was missing, | 0:57:40 | 0:57:44 | |
and I guess that really was the quest, | 0:57:44 | 0:57:47 | |
that's really what I wanted to find out about, | 0:57:47 | 0:57:50 | |
what the other part of... The other part of me. | 0:57:50 | 0:57:55 | |
So the gradual discovery of Albert Day and Catherine, | 0:57:56 | 0:58:01 | |
it's sort of not only fulfilling, but it's sort of strengthening for me. | 0:58:01 | 0:58:07 | |
Because... | 0:58:10 | 0:58:11 | |
TEARFULLY: Because you're just a part of the journey yourself. | 0:58:17 | 0:58:20 | |
Now that I have an understanding of those two other grandparents, | 0:58:23 | 0:58:27 | |
I feel stronger. | 0:58:27 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 | |
E-mail [email protected] | 0:58:49 | 0:58:51 |