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Fizzy wine is everywhere these days. | 0:00:01 | 0:00:03 | |
The cavas, the proseccos. | 0:00:03 | 0:00:06 | |
-But queen amongst them has always been... -Champagne. | 0:00:06 | 0:00:10 | |
THE go-to drink for any celebration, | 0:00:10 | 0:00:12 | |
the bottle with a hint of VIP and a price tag to match. | 0:00:12 | 0:00:16 | |
Ah, but is it expensive because it's so special? | 0:00:16 | 0:00:18 | |
Or special because it's so expensive? | 0:00:18 | 0:00:20 | |
And what makes it so expensive, anyway? | 0:00:20 | 0:00:22 | |
One thing's for sure - Eddy and Patsy never gave it much thought. | 0:00:22 | 0:00:24 | |
-Cheers. -Cheers. | 0:00:24 | 0:00:26 | |
Champagne fuelled their friendship. | 0:00:26 | 0:00:29 | |
And Ab Fab was the beginning of ours. | 0:00:29 | 0:00:31 | |
-Cheers, thanks a lot. -Cheers, thanks a lot, sweetie. | 0:00:31 | 0:00:34 | |
25 years on from Ab Fab, in honour of Eddy and Patsy, | 0:00:34 | 0:00:37 | |
we're in France and we are on a mission. | 0:00:37 | 0:00:40 | |
-Aw-haw-haw! -Haw-hee-haw! | 0:00:40 | 0:00:42 | |
We're in the Champagne region during the two-week grape harvest that | 0:00:44 | 0:00:47 | |
happens every autumn. | 0:00:47 | 0:00:49 | |
-Panier. -The danger is you just cut off your thumb. | 0:00:49 | 0:00:52 | |
We'll immerse ourselves in all things champagne. | 0:00:52 | 0:00:54 | |
Two grandmothers plunging about in this, in our big pants. | 0:00:54 | 0:00:59 | |
And discover from the masters how they put the bubbles in bubbly. | 0:00:59 | 0:01:03 | |
That is a proper explosion. | 0:01:04 | 0:01:06 | |
We'll even get access to some of the most valuable champagne | 0:01:06 | 0:01:09 | |
on the planet. | 0:01:09 | 0:01:11 | |
The first bottles of Bollinger. | 0:01:11 | 0:01:12 | |
BELL RINGS Tiens, c'est quoi? | 0:01:12 | 0:01:14 | |
Who's taken a bottle of champagne?! | 0:01:14 | 0:01:16 | |
And along the way, there'll be some trips down memory lane. | 0:01:16 | 0:01:18 | |
You were drinking and it was just dribbling out. | 0:01:20 | 0:01:23 | |
There might even be a little bit of champagne tasting, too. | 0:01:23 | 0:01:26 | |
-Chin-chin. -Merci beaucoup. | 0:01:26 | 0:01:28 | |
But we promise to remain focused and professional at all times. | 0:01:28 | 0:01:31 | |
That chewing, what wine-tasting always people do. Yeah. | 0:01:31 | 0:01:34 | |
You see, I knew that was a mistake, I knew that was wrong. | 0:01:35 | 0:01:38 | |
Courage. | 0:01:38 | 0:01:40 | |
CHEERING | 0:01:40 | 0:01:41 | |
-Cheers, darling. -Cheers, sweetie darling. | 0:01:45 | 0:01:47 | |
Our journey begins at St Pancras International, | 0:01:55 | 0:01:57 | |
where we're due to catch the Eurostar to Paris. | 0:01:57 | 0:02:00 | |
You know, I took off my green nail varnish and I put on this | 0:02:01 | 0:02:04 | |
-rather French chic colour. -Oh, that's very chic. | 0:02:04 | 0:02:06 | |
Cos otherwise I always feel like they look at you like you've | 0:02:06 | 0:02:09 | |
already spilt your breakfast down your front. Which I might have. | 0:02:09 | 0:02:11 | |
-Parlez-vous francais? -Do you know, oui, | 0:02:13 | 0:02:15 | |
but can you get around in France on your own, | 0:02:15 | 0:02:17 | |
-just speaking French? -Of course I can speak French. | 0:02:17 | 0:02:20 | |
I'm fluent. | 0:02:20 | 0:02:22 | |
And I've got a rule... | 0:02:22 | 0:02:24 | |
-Yeah. -..that you're allowed to fine me every time I say "haw-hee-haw". | 0:02:24 | 0:02:29 | |
-OK? -Please don't do that. | 0:02:29 | 0:02:31 | |
Oh, now, shall we stop for a little glass? | 0:02:35 | 0:02:38 | |
Yes, please! | 0:02:38 | 0:02:40 | |
Haw-hee-haw! | 0:02:40 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:42 | |
For those passengers who want to celebrate the beginning of their | 0:02:44 | 0:02:47 | |
journey, St Pancras has the longest champagne bar in Europe. | 0:02:47 | 0:02:50 | |
The manager is Joel. | 0:02:52 | 0:02:54 | |
We have about 120 champagnes altogether. | 0:02:54 | 0:02:57 | |
-I didn't know there were 120 champagnes. -Wow. | 0:02:57 | 0:03:01 | |
What do people generally ask for? | 0:03:01 | 0:03:02 | |
What's the most popular champagne? | 0:03:02 | 0:03:04 | |
Our champagne. We have our own cuvee, | 0:03:04 | 0:03:08 | |
which we blend ourselves with a small house in Champagne. | 0:03:08 | 0:03:10 | |
Shall we have that? | 0:03:10 | 0:03:13 | |
-Thank you. -It's a bit early for this, isn't it? | 0:03:13 | 0:03:15 | |
It's not too early! | 0:03:15 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:19 | |
-I can't believe it. -I can't believe we're actually doing is. | 0:03:19 | 0:03:22 | |
We're not Eddy and Patsy. | 0:03:22 | 0:03:23 | |
No, we're not. Basically, I'm just a lady that likes to sit at home, | 0:03:23 | 0:03:26 | |
hoover and trim her geraniums. | 0:03:26 | 0:03:28 | |
And you are the same. | 0:03:30 | 0:03:31 | |
I'm the same. And I do a little tapestry. | 0:03:31 | 0:03:33 | |
Do you? | 0:03:34 | 0:03:36 | |
-Oh, look. -Ohh, that looks refreshing. | 0:03:36 | 0:03:38 | |
Merci beaucoup. | 0:03:40 | 0:03:41 | |
People drink champagne all the time now, it's at every wedding, | 0:03:44 | 0:03:47 | |
it's at every party, it's at everything. | 0:03:47 | 0:03:49 | |
We are huge consumers of champagne here, aren't we? | 0:03:49 | 0:03:51 | |
You are, you are. You are the second-biggest market after France. | 0:03:51 | 0:03:54 | |
-And that's just us. -After France. -That's just us two! | 0:03:54 | 0:03:58 | |
I'm sure, I'm sure. | 0:03:58 | 0:03:59 | |
You're way, way, way ahead of America. | 0:03:59 | 0:04:01 | |
-Merci, Joel. -With pleasure. Enjoy the beginning of your journey. | 0:04:03 | 0:04:07 | |
This is going to be so exciting. | 0:04:07 | 0:04:09 | |
I don't know anything about how champagne is made. | 0:04:09 | 0:04:11 | |
I only know it when it comes like this. | 0:04:11 | 0:04:13 | |
I don't know anything about it. | 0:04:13 | 0:04:15 | |
Well, I know that it's made by grapes, | 0:04:15 | 0:04:18 | |
and they squish them and then put them in a bottle. | 0:04:18 | 0:04:21 | |
And somehow it comes out fizz. | 0:04:21 | 0:04:22 | |
I don't know how it becomes fizzy. | 0:04:22 | 0:04:24 | |
How does it become fizzy? | 0:04:24 | 0:04:26 | |
-Sorry. -Fizzy? | 0:04:26 | 0:04:28 | |
Fizzy? What do you mean...? | 0:04:28 | 0:04:30 | |
What's wrong with...? | 0:04:30 | 0:04:32 | |
I don't know. | 0:04:37 | 0:04:38 | |
I can't stop it. | 0:04:39 | 0:04:42 | |
Oh, God. | 0:04:42 | 0:04:43 | |
What? | 0:04:44 | 0:04:45 | |
I don't know! | 0:04:45 | 0:04:48 | |
It suddenly seemed really surreal. | 0:04:48 | 0:04:49 | |
Just one sip! | 0:04:49 | 0:04:51 | |
Oh, pull yourself together, woman. | 0:04:51 | 0:04:53 | |
You're walking extremely fast. | 0:04:53 | 0:04:55 | |
I don't know if you've ever noticed this, | 0:04:55 | 0:04:57 | |
but I'm actually a little bit smaller than you. | 0:04:57 | 0:04:59 | |
Oh, bloody hell, I can't manage. | 0:05:01 | 0:05:03 | |
No, I can't manage. | 0:05:03 | 0:05:04 | |
-Oh, I can manage. -I literally so can't manage. | 0:05:04 | 0:05:07 | |
No, you can't manage. | 0:05:07 | 0:05:09 | |
Here, don't do that, you'll do your back in. | 0:05:09 | 0:05:12 | |
-You'll do your back. -Porter! | 0:05:12 | 0:05:13 | |
It's hard to imagine now, but there was a time when the two of us | 0:05:23 | 0:05:26 | |
didn't know each other. | 0:05:26 | 0:05:27 | |
It was 1990. | 0:05:27 | 0:05:29 | |
I had written the pilot script for Ab Fab and we needed a Patsy. | 0:05:29 | 0:05:32 | |
I can remember the odd feeling, because when I was seeing you, | 0:05:35 | 0:05:38 | |
I thought, "Jennifer, I do so want her to like me." | 0:05:38 | 0:05:41 | |
But I was a bit afraid of you, you know, | 0:05:41 | 0:05:43 | |
cos you're quite forbidding, non-smiling. | 0:05:43 | 0:05:46 | |
And when I said, "Can I call you Jen?" and you said, "No," | 0:05:46 | 0:05:49 | |
there was a little bit of a moment. | 0:05:49 | 0:05:50 | |
-I don't remember that. -No, you don't remember that, but I do. | 0:05:50 | 0:05:53 | |
Can you remember what it was, how we eventually started laughing? | 0:05:53 | 0:05:56 | |
Why did we suddenly start laughing together? | 0:05:56 | 0:05:58 | |
Because of the driver. He had no idea how to drive an automatic car, | 0:05:58 | 0:06:02 | |
so, every time he went forward, he started it off in first, | 0:06:02 | 0:06:05 | |
he headed into second, but just jam on the brakes. | 0:06:05 | 0:06:09 | |
-And it was... -We got hysterical. -It made us laugh so hard. | 0:06:09 | 0:06:13 | |
I mean, look at you, you've been a fantastic mother. | 0:06:13 | 0:06:16 | |
You've let them ruin your figure. | 0:06:17 | 0:06:18 | |
Your stomach is stretched beyond recognition, | 0:06:18 | 0:06:21 | |
you've got tits down to your knees and what for, for God's sake? | 0:06:21 | 0:06:24 | |
For a potholer who's worn nothing but a purple nylon tracksuit | 0:06:24 | 0:06:26 | |
and a Gazza T-shirt for the past two years. | 0:06:26 | 0:06:29 | |
Cut the cord, darling. | 0:06:29 | 0:06:30 | |
-Left here if we're going to Harvey Nicks. -Left. | 0:06:30 | 0:06:33 | |
The show went on to run for six series | 0:06:33 | 0:06:36 | |
and even spawned a feature film, all written by you. | 0:06:36 | 0:06:38 | |
Yes, thank you very much. | 0:06:38 | 0:06:39 | |
You weren't very ordered with the scripts you brought in. | 0:06:39 | 0:06:42 | |
Don't bring that up! Don't bring it up now! | 0:06:42 | 0:06:45 | |
Some of the read-throughs, we were all sitting there, all ready, | 0:06:45 | 0:06:49 | |
"Jennifer coming?" "No, Jennifer's not here yet." | 0:06:49 | 0:06:51 | |
"Shall we have another... Shall we get some more coffee?" | 0:06:51 | 0:06:53 | |
And then suddenly, bang, bang, bang, dogs, clicking of toes, | 0:06:53 | 0:06:56 | |
old leads and shopping baskets, | 0:06:56 | 0:06:57 | |
and in you come in and go, "Here we are, here we are." | 0:06:57 | 0:07:00 | |
Obviously not printed out yet and you would bring out | 0:07:00 | 0:07:04 | |
some frightful old bit of paper. | 0:07:04 | 0:07:06 | |
"So, can we get these printed off very quickly?" And we'd all go, | 0:07:08 | 0:07:11 | |
"Oh, well done," looking with despair. | 0:07:11 | 0:07:13 | |
Two sheets... | 0:07:13 | 0:07:15 | |
LAUGHTER | 0:07:15 | 0:07:17 | |
Actually on the train, it would be on the train, from Devon to London. | 0:07:18 | 0:07:22 | |
The battery would run out on my old computer. | 0:07:22 | 0:07:24 | |
"Oh, no, what am I going to say?" | 0:07:24 | 0:07:28 | |
And so, oh, God, it used to absolutely do me in. | 0:07:28 | 0:07:30 | |
Just awful. | 0:07:32 | 0:07:34 | |
-This is France. Look Jennifer, this is France. -I know. | 0:07:34 | 0:07:36 | |
Joanna's professional travelogue skills and fluent French | 0:07:36 | 0:07:39 | |
are perfect for this trip. | 0:07:39 | 0:07:41 | |
-Bouteille? -Bouteille de l'eau. | 0:07:41 | 0:07:44 | |
-Of water. -De l'eau? iPad. | 0:07:44 | 0:07:47 | |
-Les dents. -Les dents. | 0:07:47 | 0:07:48 | |
And due to the recent scare about prosecco rotting your teeth, | 0:07:48 | 0:07:51 | |
I've bought some appropriate replacements. | 0:07:51 | 0:07:53 | |
Please say prosecco. | 0:07:53 | 0:07:54 | |
-MUFFLED: -Prosecco. | 0:07:57 | 0:07:58 | |
I'm drinking prosecco. | 0:07:58 | 0:08:01 | |
Prosecco! | 0:08:03 | 0:08:05 | |
Sparkling wine. | 0:08:05 | 0:08:06 | |
Sparkling wine. I drink it all the time. | 0:08:06 | 0:08:10 | |
Now you're talking like Janet Street-Porter. | 0:08:12 | 0:08:14 | |
Oh! That's unkind. But it's true, isn't it? | 0:08:14 | 0:08:16 | |
The train takes us to Paris... | 0:08:20 | 0:08:22 | |
and then another on to Reims... | 0:08:22 | 0:08:25 | |
-Pardon? -..which sits at the very top of the Champagne region, | 0:08:25 | 0:08:28 | |
in an area of 327 square kilometres to the north-east of Paris, | 0:08:28 | 0:08:32 | |
home to almost 5,000 champagne producers, | 0:08:32 | 0:08:35 | |
and most of these are in and around our final destination, | 0:08:35 | 0:08:38 | |
considered to be the very heart of the Champagne region, Epernay. | 0:08:38 | 0:08:44 | |
And after a night's rest in Reims, | 0:08:46 | 0:08:48 | |
we're on our way in a car that is almost as old as us - | 0:08:48 | 0:08:52 | |
a 1974 Citroen DS. | 0:08:52 | 0:08:54 | |
The bottom is coming out! Look, look, look. | 0:08:55 | 0:08:58 | |
-Oh, up she goes. -It's not a getaway car. | 0:08:58 | 0:09:00 | |
It's a bit like me in the morning. | 0:09:00 | 0:09:02 | |
In first, and we're off. | 0:09:04 | 0:09:05 | |
Down into second, yes, she does! LAUGHTER | 0:09:08 | 0:09:12 | |
Don't forget that we're driving on the right. | 0:09:12 | 0:09:15 | |
Stretching forward. Oh, steady on the brakes. | 0:09:15 | 0:09:17 | |
There we go. | 0:09:17 | 0:09:18 | |
Hang on now. Into first. Oh, hang on. Sorry, man behind. | 0:09:18 | 0:09:24 | |
I feel so relaxed. | 0:09:27 | 0:09:28 | |
Do you feel very relaxed? | 0:09:28 | 0:09:29 | |
Feeling very relaxed. | 0:09:30 | 0:09:32 | |
Now, it's fair to say that Eddy and I do share one common trait - | 0:09:32 | 0:09:35 | |
we're both extremely good drivers. | 0:09:35 | 0:09:39 | |
HORN BLARES | 0:09:39 | 0:09:42 | |
What?! Come on! | 0:09:42 | 0:09:43 | |
HORN BLARES | 0:09:43 | 0:09:45 | |
Road! There's a road! | 0:09:45 | 0:09:46 | |
You've been described as a petrolhead. | 0:09:49 | 0:09:50 | |
Do you know, I think I'm not really a petrolhead. | 0:09:50 | 0:09:54 | |
I just appreciate cars, I think that's the thing. | 0:09:54 | 0:09:57 | |
And I think, because I was brought up with brothers, | 0:09:57 | 0:09:59 | |
I wasn't expected to be any different in any respect. | 0:09:59 | 0:10:03 | |
I played with the same toys, I climbed on the same bikes, | 0:10:03 | 0:10:08 | |
motorbikes, and charged about a bit. | 0:10:08 | 0:10:10 | |
When I was small, I didn't have a doll's house, I had a garage. | 0:10:10 | 0:10:14 | |
And I had a set of lead traffic signs, and I had a garage, | 0:10:14 | 0:10:17 | |
and I used to collect, and I still collect, toy cars. | 0:10:17 | 0:10:20 | |
Now we're talking. Now we're on the road. | 0:10:23 | 0:10:25 | |
-You're driving very well, Ms Saunders. -Yes, quite. | 0:10:28 | 0:10:31 | |
-Did you pass your driving test first time? -I did. | 0:10:31 | 0:10:35 | |
Probably, I owe it to my mother. | 0:10:35 | 0:10:37 | |
-Why? -Because she gave me a very, very small glass of sherry | 0:10:37 | 0:10:41 | |
before I took my test. I wouldn't recommend that. | 0:10:41 | 0:10:44 | |
Car journeys tend to go less well | 0:10:45 | 0:10:47 | |
when Patsy's in charge of navigation. | 0:10:47 | 0:10:50 | |
A particular trip to France went badly wrong when they tried to find | 0:10:50 | 0:10:53 | |
the chateau they were supposed to be staying in. | 0:10:53 | 0:10:55 | |
Read the instructions. | 0:10:56 | 0:10:58 | |
"Leave airport, turn right, blah, blah, blah." | 0:10:58 | 0:11:00 | |
Right, get in, Pats. | 0:11:00 | 0:11:02 | |
I shouldn't have gone left, should I? | 0:11:03 | 0:11:05 | |
ACCORDION MUSIC | 0:11:05 | 0:11:07 | |
Back to that bloody airport, Pats, or we'll never find it. | 0:11:12 | 0:11:15 | |
We'll never find it. | 0:11:15 | 0:11:16 | |
God, I hate France! I hate it! | 0:11:18 | 0:11:22 | |
Look, look, to your left, to your left. | 0:11:26 | 0:11:28 | |
-Grapes, vines! -Grapes, vines. | 0:11:28 | 0:11:31 | |
-Look, look at all these workers. -They're picking, they're picking. | 0:11:34 | 0:11:37 | |
Now listen to this. This is from this book on champagne, | 0:11:43 | 0:11:45 | |
John Birmingham's book on champagne. | 0:11:45 | 0:11:47 | |
I'm going to do something in a voice to give you a clue. | 0:11:47 | 0:11:50 | |
-All right. -And you've got to guess who said it. | 0:11:50 | 0:11:52 | |
"Why do I drink champagne for breakfast? Doesn't everyone?" | 0:11:52 | 0:11:55 | |
-Coward. -Yes, Noel Coward. -Yes, well done, good impresh. | 0:11:57 | 0:12:01 | |
Now, remind me of Madame Bollinger's quote. | 0:12:01 | 0:12:04 | |
"When do you drink champagne?" she was asked. | 0:12:06 | 0:12:08 | |
She said, "I drink it when I am sad." | 0:12:08 | 0:12:11 | |
-Yes. -"Sometimes I drink it when I'm alone." | 0:12:11 | 0:12:15 | |
-Yes. -"When I have company, I consider it obligatory." | 0:12:15 | 0:12:19 | |
-Yes. -"I trifle with it when I'm not angry," | 0:12:19 | 0:12:22 | |
"and drink it when I am. | 0:12:22 | 0:12:25 | |
"Otherwise, I never touch it. | 0:12:25 | 0:12:27 | |
"Unless I'm thirsty." | 0:12:27 | 0:12:29 | |
Very good. | 0:12:29 | 0:12:31 | |
Madame Bollinger. | 0:12:31 | 0:12:32 | |
And Constantin Silvestri, who was a Romanian conductor. | 0:12:32 | 0:12:37 | |
I can't do a Romanian accent, but he said, | 0:12:37 | 0:12:40 | |
"I shall tell you what are the three best things in life. | 0:12:40 | 0:12:44 | |
"The first is a glass of champagne... | 0:12:44 | 0:12:46 | |
"..and the third is a cigarette." | 0:12:47 | 0:12:49 | |
-Ahh. -Aw-haw-haw! -Haw-hee-haw! | 0:12:51 | 0:12:53 | |
We're in Epernay! | 0:12:56 | 0:12:58 | |
That's quite a hell of a tower, isn't it? | 0:12:58 | 0:12:59 | |
That's a hell of a tower. | 0:12:59 | 0:13:00 | |
We arrive on Epernay's Avenue de Champagne, | 0:13:03 | 0:13:06 | |
home to the headquarters of some of | 0:13:06 | 0:13:07 | |
the biggest and most famous champagne houses in the world, | 0:13:07 | 0:13:11 | |
including the first one to settle here over 250 years ago, | 0:13:11 | 0:13:15 | |
still the biggest of them all. | 0:13:15 | 0:13:17 | |
Moet & Chandon! Moet & Chandon! | 0:13:18 | 0:13:20 | |
Moet & Chandon. It's enorme. | 0:13:20 | 0:13:23 | |
-Perrier-Jouet! -To the left, Perrier-Jouet! | 0:13:23 | 0:13:25 | |
-That was Oscar Wilde's favourite champagne. -It is. | 0:13:25 | 0:13:27 | |
-Pol Roger, Pol Roger. -Pol Roger... Pol Roger! | 0:13:27 | 0:13:30 | |
My head's spinning. I can't take them all in. | 0:13:31 | 0:13:34 | |
Gee whiz. | 0:13:34 | 0:13:35 | |
Wow! | 0:13:37 | 0:13:38 | |
We're staying at a little B&B on the Avenue de Champagne itself. | 0:13:41 | 0:13:44 | |
-This is us. Is it? Yeah. -Yes. | 0:13:45 | 0:13:48 | |
-Bonjour! -Bonjour! -Bonjour! -Bonjour, mesdames! | 0:13:48 | 0:13:51 | |
And our hosts, Claude and Jeanette, who only look slightly French, | 0:13:51 | 0:13:55 | |
give us a warm welcome and a chilled glass of champagne | 0:13:55 | 0:13:58 | |
that Claude makes himself. | 0:13:58 | 0:14:00 | |
-Chin-chin. -Et merci beaucoup. | 0:14:00 | 0:14:03 | |
Well, we won't be sending that one back. | 0:14:03 | 0:14:05 | |
-Delicieux. -Delicieux, monsieur. | 0:14:05 | 0:14:07 | |
-You say. No, you say it. -You say, you say. | 0:14:08 | 0:14:10 | |
-Demain, we can say "demain." -Demain. | 0:14:10 | 0:14:12 | |
-Nous... -Nous... -Nous aller... | 0:14:12 | 0:14:14 | |
Oui, oui. HE WHISTLES | 0:14:17 | 0:14:19 | |
We're bound for the vineyards around the little village of Cumieres, | 0:14:36 | 0:14:39 | |
a few miles away, but the traffic's terrible. | 0:14:39 | 0:14:42 | |
HORNS HONK | 0:14:42 | 0:14:44 | |
This is le rush hour. | 0:14:46 | 0:14:48 | |
It is only 6.30 in the morning, but this is the harvest, | 0:14:48 | 0:14:51 | |
and a grape-picker's shift starts at 7am. | 0:14:51 | 0:14:54 | |
Do you think we have to work out how ripe they are, or are they ripe | 0:14:54 | 0:14:57 | |
-and that's why we're picking? -I hope we'll be told. | 0:14:57 | 0:15:01 | |
-Yeah. -There they are. | 0:15:01 | 0:15:03 | |
The vineyards await. | 0:15:03 | 0:15:05 | |
Oh, look, here are some of the workers. | 0:15:11 | 0:15:13 | |
-There are people all crouching down here, look. -Ah. | 0:15:13 | 0:15:16 | |
Hidden. | 0:15:16 | 0:15:17 | |
We report for duty fashionably late. | 0:15:17 | 0:15:20 | |
Today we are working for Georges Laval's champagne house, | 0:15:20 | 0:15:23 | |
a small family operation producing around 20,000 bottles a year, | 0:15:23 | 0:15:27 | |
now run by the son of Georges, Vincent Laval. | 0:15:27 | 0:15:31 | |
-Je suis Joanna. -Bonjour, Joanna. | 0:15:31 | 0:15:33 | |
-Bonjour, Stephane. -Bonjour. | 0:15:33 | 0:15:35 | |
Oh, look... This is all... Can we learn how to do this? | 0:15:35 | 0:15:39 | |
-Can we help you? -With pleasure. | 0:15:39 | 0:15:40 | |
-Yeah? -Yes! -OK. | 0:15:40 | 0:15:42 | |
-You pull the leaves. -Take off the leaves, take the grapes. | 0:15:42 | 0:15:47 | |
-And place carefully. -Carefully, please. | 0:15:48 | 0:15:52 | |
We cut the grapes and when the basket is full, say, "panier"! | 0:15:52 | 0:15:58 | |
-Panier? -And the young man will come and take the basket. | 0:15:58 | 0:16:02 | |
OK, so I'll come with you, I'll come with you. | 0:16:02 | 0:16:05 | |
And I take off that leaf. | 0:16:05 | 0:16:07 | |
-Be careful of your fingers. -Yeah. | 0:16:07 | 0:16:10 | |
We work organic. | 0:16:14 | 0:16:16 | |
-Yes. -For more than 40 years. | 0:16:16 | 0:16:18 | |
-Wow. -And my father began to work like that and I continue, of course. | 0:16:18 | 0:16:23 | |
Do you ever use machines, never for picking? | 0:16:23 | 0:16:27 | |
No, never in Champagne. Never. | 0:16:27 | 0:16:30 | |
OK. | 0:16:30 | 0:16:31 | |
-Panier. Merci. -VINCENT CHUCKLES | 0:16:31 | 0:16:33 | |
It's extraordinary that it's all done by hand, isn't it, still? | 0:16:36 | 0:16:39 | |
I mean, it's just, as far as you can see, there's vineyards | 0:16:39 | 0:16:43 | |
and all the little white vans, with all the workers in them, | 0:16:43 | 0:16:46 | |
picking the grapes. It's amazing. | 0:16:46 | 0:16:49 | |
Sometimes you get a little, beautiful... Look at that, | 0:16:53 | 0:16:56 | |
a little, perfect, Bacchus bunch. | 0:16:56 | 0:16:58 | |
And here's one, just a bit over. | 0:16:58 | 0:17:02 | |
Now look this... Show me, show me. This one, do I leave that? | 0:17:02 | 0:17:06 | |
Yes, yes, yes, of course. | 0:17:06 | 0:17:07 | |
Just leave it there or cut it? | 0:17:07 | 0:17:09 | |
-We cut, and after, we take out. -Take them out. | 0:17:09 | 0:17:13 | |
-Oh, you just scrape them out like that. -Yes. | 0:17:13 | 0:17:16 | |
This is a good moment to pick | 0:17:16 | 0:17:20 | |
-because we just have... -Very few. -..very few like that. | 0:17:20 | 0:17:24 | |
If we wait one or two days, with the wet and the weather, | 0:17:24 | 0:17:30 | |
-which is warm, we are going to have more like that. -Yeah. | 0:17:30 | 0:17:32 | |
So, when we test the bunches, the grapes, it's very nice. | 0:17:32 | 0:17:38 | |
-Yeah. -They're delicious. | 0:17:38 | 0:17:39 | |
The best vineyards are designated either premier cru, like this one, | 0:17:42 | 0:17:46 | |
or grand cru - top of the class. | 0:17:46 | 0:17:48 | |
And the grapes we're picking today are Pinot Noir. | 0:17:48 | 0:17:51 | |
We learn that champagne is usually made from a blend of three types - | 0:17:51 | 0:17:54 | |
Pinot Noir and Pinot Meunier, which are both red, | 0:17:54 | 0:17:58 | |
and chardonnay, which is white. | 0:17:58 | 0:18:00 | |
I was starting to find cutting grapes rather addictive. | 0:18:00 | 0:18:03 | |
-Were you, Jennifer? -Hm, no. | 0:18:03 | 0:18:05 | |
Joanna's actually doing the grape picking. | 0:18:07 | 0:18:09 | |
She's setting off. She's going to do the whole hectare now. | 0:18:11 | 0:18:15 | |
Off she goes. | 0:18:15 | 0:18:16 | |
Where's she gone with her bucket? Where's she gone with her bucket? | 0:18:17 | 0:18:20 | |
OK, I'm going to get a bucket. Where's my bucket? | 0:18:20 | 0:18:22 | |
You see, I'm competitive. | 0:18:24 | 0:18:26 | |
Here we go. | 0:18:26 | 0:18:28 | |
Here we go. Coming! | 0:18:28 | 0:18:29 | |
Now this is someone's... I don't want to mess up... | 0:18:34 | 0:18:37 | |
Panier, s'il vous plait. Panier. | 0:18:37 | 0:18:39 | |
I might be a while before I call for my panier. | 0:18:43 | 0:18:46 | |
Hang on. There we go. | 0:18:46 | 0:18:47 | |
-Merci. -The danger is you just cut off your thumb. | 0:18:47 | 0:18:50 | |
The grapes start to ferment the moment they're picked, | 0:18:54 | 0:18:57 | |
so they must be pressed today, and by 8am, | 0:18:57 | 0:19:00 | |
the vans are half full of containers called cagettes. | 0:19:00 | 0:19:03 | |
In one cagette, it's 30 bottles. | 0:19:06 | 0:19:09 | |
-30? -Yes. | 0:19:09 | 0:19:10 | |
How are you doing? | 0:19:12 | 0:19:14 | |
I can see how it's back-breaking, you know. | 0:19:14 | 0:19:16 | |
But I quite like doing it, Jennifer. | 0:19:16 | 0:19:18 | |
It is actually a very enjoyable thing to do. | 0:19:18 | 0:19:21 | |
Yeah. This is something that I would love to do in the summer. | 0:19:22 | 0:19:26 | |
If I was, obviously, much younger. | 0:19:26 | 0:19:28 | |
I think I'm full. I'm full, look. | 0:19:30 | 0:19:32 | |
I've got a full... | 0:19:32 | 0:19:34 | |
a full load. | 0:19:34 | 0:19:35 | |
Why didn't you shout "panier"? | 0:19:38 | 0:19:40 | |
-Oh, I forgot. -But they would have carried it for you. | 0:19:40 | 0:19:42 | |
I know, it's not Countryfile, I just forgot. | 0:19:42 | 0:19:44 | |
I was distracted by the breakfast. | 0:19:44 | 0:19:47 | |
Gosh, look at that table. | 0:19:47 | 0:19:49 | |
That's splendid, cos there's things here that we just don't know | 0:19:49 | 0:19:52 | |
what they are. That's beautiful. | 0:19:52 | 0:19:54 | |
Mon ami est... | 0:19:54 | 0:19:56 | |
-Est vegetarien. -..vegetarien. Oui, oui. | 0:19:56 | 0:19:59 | |
She doesn't eat anything. | 0:19:59 | 0:20:02 | |
She eats a banana. | 0:20:02 | 0:20:03 | |
POP! | 0:20:03 | 0:20:04 | |
And how good is your job if it comes with a 9am champagne breakfast? | 0:20:04 | 0:20:09 | |
-Oh, yes. -The best moment of the day. -Yes. | 0:20:09 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
-Cheers. -Cheers. A la votre, a la votre. | 0:20:14 | 0:20:17 | |
-Sante, sante. -Obviously it's delicious. | 0:20:21 | 0:20:23 | |
I never thought I'd be drinking champagne for breakfast. | 0:20:27 | 0:20:30 | |
I know people say it, but I wasn't quite expecting it. | 0:20:30 | 0:20:32 | |
I was sort of hoping as we were doing the documentary, | 0:20:32 | 0:20:34 | |
that we might... This seems like the best job in the world, really. | 0:20:34 | 0:20:39 | |
Why wouldn't you come for your summer and just pick? | 0:20:39 | 0:20:43 | |
It's just wonderful. | 0:20:43 | 0:20:45 | |
Everyone is so happy. | 0:20:45 | 0:20:47 | |
THEY SING IN FRENCH | 0:20:47 | 0:20:49 | |
They're so happy, there's even an impromptu bit of singing, | 0:20:49 | 0:20:52 | |
though this being France, the song obviously turns out to be a bit... | 0:20:52 | 0:20:55 | |
-Hmm, how shall we say? -Haw-hee-haw. | 0:20:55 | 0:20:57 | |
Oh, risque, yes. Thankfully, Vincent is on hand to bring some decorum. | 0:20:57 | 0:21:01 | |
HE SINGS: | 0:21:01 | 0:21:03 | |
LAUGHTER | 0:21:17 | 0:21:18 | |
There's clearly more to making champagne than picking grapes | 0:21:21 | 0:21:24 | |
and singing naughty songs. | 0:21:24 | 0:21:25 | |
And back at Vincent's farm in the middle of Cumieres, | 0:21:27 | 0:21:30 | |
the first step is well underway, | 0:21:30 | 0:21:32 | |
as they load Vincent's vintage press with today's freshly cut grapes. | 0:21:32 | 0:21:36 | |
For one press, it's, er... | 0:21:38 | 0:21:40 | |
..1,275 litres. | 0:21:42 | 0:21:45 | |
-Wow. -It's very precise. | 0:21:45 | 0:21:48 | |
Wow. | 0:21:49 | 0:21:50 | |
Pure, pure grape juice. | 0:21:53 | 0:21:55 | |
Wow, that is really, that's really... | 0:22:01 | 0:22:03 | |
Unbelievably sweet and beautiful. | 0:22:03 | 0:22:06 | |
It's quite heady, actually. | 0:22:06 | 0:22:07 | |
It's very nice when we taste the first juice, to imagine how | 0:22:07 | 0:22:11 | |
the champagne is going to be in three, four years. | 0:22:11 | 0:22:15 | |
Vincent's grape juice begins its journey to become champagne. | 0:22:18 | 0:22:21 | |
From the press, it travels through a hole in the floor | 0:22:24 | 0:22:27 | |
to oak barrels in Vincent's cellar. | 0:22:27 | 0:22:29 | |
This is where the first fermentation happens. | 0:22:31 | 0:22:34 | |
A perfect marriage of the natural sugar and yeast in the juice, | 0:22:34 | 0:22:37 | |
-that produces... -SHE SINGS FANFARE | 0:22:37 | 0:22:40 | |
..alcohol! | 0:22:40 | 0:22:41 | |
-Oh, look, it's prickling. -Yeah. | 0:22:41 | 0:22:43 | |
Oh, my heavens. | 0:22:48 | 0:22:50 | |
The wine stays around ten months in barrels | 0:22:53 | 0:22:56 | |
after the fermentation for the edging to be very clear | 0:22:56 | 0:23:01 | |
and to have some oxygenation and more body. | 0:23:01 | 0:23:05 | |
When I taste the wine... | 0:23:06 | 0:23:09 | |
..one day I decide, now it is ready to be bottled. | 0:23:10 | 0:23:14 | |
Vincent then makes his blend - or assemblage, as it's called - | 0:23:14 | 0:23:20 | |
selecting from the three grape varieties. | 0:23:20 | 0:23:22 | |
He uses all three for one type of champagne. | 0:23:24 | 0:23:27 | |
But he'll also make others using just one. | 0:23:29 | 0:23:31 | |
A blanc de blanc champagne is made with just chardonnay, par exemple. | 0:23:31 | 0:23:36 | |
Whatever the blend, it's then transferred to bottles, | 0:23:37 | 0:23:40 | |
and it's here where the magic happens. | 0:23:40 | 0:23:42 | |
A second fermentation, using added yeast and sugar... | 0:23:44 | 0:23:48 | |
..that produces those all-important bubbles of carbon dioxide. | 0:23:48 | 0:23:52 | |
They'll stay 18 months to seven years. | 0:23:55 | 0:24:01 | |
-Here? -Like that. | 0:24:01 | 0:24:02 | |
-Do you have to turn them? -We turn. | 0:24:02 | 0:24:05 | |
The bottles are stored upside down | 0:24:05 | 0:24:07 | |
and are continually turned a quarter at a time | 0:24:07 | 0:24:10 | |
to allow the yeast sediment to drift down to the neck of the bottle. | 0:24:10 | 0:24:13 | |
-First and fourth. -No, no, no. | 0:24:14 | 0:24:17 | |
-Other way. -She's left-handed. | 0:24:17 | 0:24:19 | |
I'm left-handed, I'm hopeless. | 0:24:19 | 0:24:20 | |
Vincent grabs a five-year-old bottle and demonstrates how you get that | 0:24:20 | 0:24:24 | |
sediment out, using the six bar of pressure | 0:24:24 | 0:24:27 | |
that's built up in the bottle. | 0:24:27 | 0:24:29 | |
This, ladies and gents, is called degorgement in French. | 0:24:29 | 0:24:33 | |
And degorgement in English. | 0:24:33 | 0:24:35 | |
THEY GASP | 0:24:38 | 0:24:40 | |
-Wow! -That's a proper explosion. | 0:24:42 | 0:24:44 | |
-Perfect. -It's very easy. -And it's out, the sediment is gone. | 0:24:44 | 0:24:47 | |
And the champagne stay, and the sediment go. | 0:24:49 | 0:24:52 | |
-It's gone. -How utterly brilliant. | 0:24:52 | 0:24:54 | |
It's magic. | 0:24:57 | 0:24:58 | |
Once disgorged, a little sugar might then be added, the dosage, | 0:25:03 | 0:25:07 | |
depending how sweet the maker wanted the champagne, | 0:25:07 | 0:25:09 | |
before being corked and labelled. | 0:25:09 | 0:25:12 | |
But we're not going to bother with any of that. | 0:25:12 | 0:25:16 | |
-A vous. Merci, a votre visite. -Merci. -Cheers. -Cheers. | 0:25:16 | 0:25:20 | |
Mmm. | 0:25:21 | 0:25:22 | |
It smells of my old convent corridors. | 0:25:25 | 0:25:27 | |
-I think it could be the cellar... -Oh, it could be the cellar, OK. | 0:25:28 | 0:25:31 | |
..actually, rather than the champagne! | 0:25:31 | 0:25:34 | |
What a nice life you have. | 0:25:34 | 0:25:35 | |
It's fantastic, because we produce champagne, the best we can, | 0:25:35 | 0:25:41 | |
but with the spirit of our grandparents, parents. | 0:25:41 | 0:25:46 | |
If you sloosh it about in your mouth... | 0:25:46 | 0:25:49 | |
it fizzes up like mad. | 0:25:49 | 0:25:50 | |
Delicious. | 0:25:53 | 0:25:54 | |
That chewing which, | 0:25:54 | 0:25:55 | |
what wine-tasting, always, people do. Yeah. | 0:25:55 | 0:25:58 | |
SHE COUGHS | 0:25:58 | 0:25:59 | |
You see, I knew that was a mistake. | 0:25:59 | 0:26:01 | |
I knew that was wrong. I shouldn't have said that. | 0:26:01 | 0:26:03 | |
I tried to chew it and it didn't work! | 0:26:03 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:07 | |
SHE SLURPS | 0:26:07 | 0:26:09 | |
-Darling, don't snort it, just drink it, sweetie. -Oh. | 0:26:09 | 0:26:12 | |
Oh! | 0:26:12 | 0:26:14 | |
-Fabulous. -Fantastique. | 0:26:15 | 0:26:17 | |
That is the one that we're...want... | 0:26:17 | 0:26:19 | |
THEY LAUGH DRUNKENLY | 0:26:19 | 0:26:21 | |
Right, now, this was one, and this was one. | 0:26:25 | 0:26:28 | |
And this was one. We haven't had much out of them. | 0:26:28 | 0:26:31 | |
-This one. -And that box. We're having the box as well, aren't we? | 0:26:31 | 0:26:35 | |
Back in Epernay, a short walk from our B&B | 0:26:38 | 0:26:40 | |
sits Leclerc Briant. | 0:26:40 | 0:26:42 | |
They're a larger operation than Georges Laval, | 0:26:47 | 0:26:49 | |
producing 140,000 bottles a year. | 0:26:49 | 0:26:52 | |
They've even got a machine that disgorges at one end... | 0:26:54 | 0:26:57 | |
..and corks at the other, squeezing the cork and then pushing it home | 0:27:00 | 0:27:05 | |
with six kilos of pressure. | 0:27:05 | 0:27:06 | |
There's something so satisfying about the labelling machine. | 0:27:10 | 0:27:14 | |
Oh, imagine if you had that just to get ready in the morning. | 0:27:14 | 0:27:17 | |
And here's your lovely hair going on! | 0:27:17 | 0:27:19 | |
But what sets Leclerc Briant apart from most other champagne houses | 0:27:28 | 0:27:32 | |
is their approach. They go beyond organic to a system that's called | 0:27:32 | 0:27:36 | |
biodynamic - a more spiritual approach. | 0:27:36 | 0:27:38 | |
We are shown around by marketing man, Pierre, | 0:27:41 | 0:27:44 | |
and head winemaker, Herve, | 0:27:44 | 0:27:46 | |
a man who clearly never stops experimenting | 0:27:46 | 0:27:48 | |
in his pursuit of the perfect fizz. | 0:27:48 | 0:27:52 | |
Alongside oak barrels, they have terracotta, | 0:27:52 | 0:27:56 | |
and even one lined with pure gold. | 0:27:56 | 0:27:59 | |
The moon and the sun are very important for the first fermentation, | 0:27:59 | 0:28:02 | |
and the gold is in direct connection with the sun. | 0:28:02 | 0:28:05 | |
Gorgeous, though. Who made this, where was this made? | 0:28:07 | 0:28:10 | |
-It's... -In Bordeaux. -In Bordeaux, yes. | 0:28:10 | 0:28:12 | |
A company from Bordeaux, yes. | 0:28:12 | 0:28:13 | |
It's the first one they've made? | 0:28:13 | 0:28:15 | |
-Yes. -Yes, it's the only one in the world. | 0:28:15 | 0:28:17 | |
Yes, the only one in the world. | 0:28:17 | 0:28:19 | |
Hmm, so, how does it feel to be grape juice inside a golden barrel, | 0:28:19 | 0:28:23 | |
you ask? Well, there's only one way to find out! | 0:28:23 | 0:28:25 | |
Jennifer, stop it. | 0:28:27 | 0:28:29 | |
Are you getting anything there, babe? | 0:28:29 | 0:28:32 | |
If I'm not 20 years younger when I come out, I'll be very disappointed. | 0:28:32 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:37 | |
It's quite a strange sensation, but I think being in a barrel | 0:28:39 | 0:28:43 | |
is quite a strange sensation anyway! | 0:28:43 | 0:28:46 | |
But perhaps Leclerc Briant's most ambitious experiment to date | 0:28:49 | 0:28:52 | |
sits in a cage in the corner of the bottle room. | 0:28:52 | 0:28:55 | |
A 2012 vintage that's been submerged at sea. | 0:28:56 | 0:29:00 | |
-How long did it stay underwater? -One year. | 0:29:02 | 0:29:05 | |
-A year? -Yeah, a year at 60 metres deep. | 0:29:05 | 0:29:09 | |
So the pressure inside and outside is more or less the same. | 0:29:11 | 0:29:14 | |
But there is also the darkness, | 0:29:15 | 0:29:17 | |
the elimination of the artificial electromagnetic field, | 0:29:17 | 0:29:21 | |
and also because those Bordeaux are made with the biodynamic approach, | 0:29:21 | 0:29:25 | |
so in the sea, you have a lot of life, you know, | 0:29:25 | 0:29:29 | |
so there is a close connection between our wine, our living wine, | 0:29:29 | 0:29:33 | |
and the living sea. | 0:29:33 | 0:29:35 | |
What you call this wine? | 0:29:35 | 0:29:37 | |
-Abyss. -Abyss? -Abyss, yes. | 0:29:37 | 0:29:39 | |
The time felt right to... dive into the Abyss. | 0:29:41 | 0:29:45 | |
Well... | 0:29:47 | 0:29:48 | |
My gosh, that's a completely different aroma, isn't it? | 0:29:49 | 0:29:52 | |
A bouquet different. | 0:29:54 | 0:29:56 | |
That's very li... I mean, it feels... | 0:29:57 | 0:30:00 | |
-Lively. -..lively, isn't it? | 0:30:00 | 0:30:02 | |
Yes. You can feel it in your body, no? | 0:30:02 | 0:30:05 | |
You can feel this energy coming from the sea. | 0:30:05 | 0:30:08 | |
I was quite cynical, but I think it does make a big difference. | 0:30:08 | 0:30:11 | |
Harvest 2012, disgorgement, February of 2016. | 0:30:13 | 0:30:17 | |
Submerged, March 2016, depth 60 metres. | 0:30:17 | 0:30:20 | |
-GPS? -GPS, it's... -It's where it is. | 0:30:20 | 0:30:24 | |
-The location. -Latitude and longitude. | 0:30:24 | 0:30:27 | |
-So you can go down and steal it. -Go and find the bottles! -LAUGHTER | 0:30:27 | 0:30:30 | |
So, yes, you can find the bottles! | 0:30:30 | 0:30:33 | |
Next day, and having left the abyss, we're heading out of Epernay, | 0:30:33 | 0:30:37 | |
up into the surrounding hills to the village of Hautvillers. | 0:30:37 | 0:30:39 | |
It's stunningly beautiful, and strangely deserted, | 0:30:46 | 0:30:48 | |
and this morning we've come to pay our respects, because, 300 years | 0:30:48 | 0:30:52 | |
ago, a monk, actually called Dom Perignon, | 0:30:52 | 0:30:55 | |
lived and worked here as the cellar master | 0:30:55 | 0:30:57 | |
at the local Benedictine abbey. | 0:30:57 | 0:30:59 | |
He's considered by many to be the inventor of champagne, | 0:31:01 | 0:31:04 | |
the man who discovered that all-important second fermentation | 0:31:04 | 0:31:07 | |
that produces the bubbles. | 0:31:07 | 0:31:09 | |
Unfortunately, Dom Perignon is actually dead, | 0:31:11 | 0:31:13 | |
so our guide is Meganne. | 0:31:13 | 0:31:15 | |
Mm, this is beautiful. | 0:31:25 | 0:31:27 | |
In here, you have the grave of Dom Perignon, just right there. | 0:31:31 | 0:31:35 | |
-BOTH: -Look at that! | 0:31:35 | 0:31:37 | |
Amen. | 0:31:39 | 0:31:40 | |
-Does it honestly start with a "hic"? -Hic! Oh, stop it! -LAUGHTER | 0:31:43 | 0:31:47 | |
His actual dates, so he was 60... | 0:31:47 | 0:31:50 | |
-75. -76. -76. | 0:31:50 | 0:31:53 | |
That's old. | 0:31:53 | 0:31:54 | |
Is it true that when Dom Perignon tasted champagne, he said, | 0:31:56 | 0:32:00 | |
-"Come quickly, I am tasting the stars"? -Yes. -He said that? | 0:32:00 | 0:32:04 | |
-That's true? -Yes, it's true. | 0:32:04 | 0:32:06 | |
It was really hard work, so he was very proud of his work, so, yes, | 0:32:06 | 0:32:12 | |
-it's what's like, stars. -It still is. -It still is. | 0:32:12 | 0:32:15 | |
We decide to swap the car keys for a small bottle of champagne | 0:32:19 | 0:32:22 | |
and toast the great Dom P. | 0:32:22 | 0:32:25 | |
It's not even Dom Perignon, actually. | 0:32:25 | 0:32:26 | |
No, no, it's not. It's a good view, isn't it? Makes up for it. | 0:32:26 | 0:32:31 | |
Look, they're picking there. | 0:32:31 | 0:32:33 | |
Salut! | 0:32:33 | 0:32:35 | |
You can see everywhere, dotted... | 0:32:35 | 0:32:37 | |
-Yeah. -..little bent backs. | 0:32:37 | 0:32:39 | |
But the industry that Dom Perignon is said to have started over 300 | 0:32:39 | 0:32:43 | |
years ago is due for a bit of a shake-up this year. | 0:32:43 | 0:32:45 | |
-OK, listen to this. -OK. -"Faced with rising worldwide demand, | 0:32:46 | 0:32:50 | |
"the Government body that regulates where champagne can be grown... | 0:32:50 | 0:32:53 | |
-Mm. -.."has proposed expanding the area, | 0:32:53 | 0:32:56 | |
"currently 327 square kilometres, for the very first time since 1937. | 0:32:56 | 0:33:02 | |
"From 2017," i.e. now, | 0:33:02 | 0:33:04 | |
"40 very lucky villages are likely to start planting their very first | 0:33:04 | 0:33:08 | |
-"official champagne vines." -Wow! -"Not surprisingly, the exact | 0:33:08 | 0:33:11 | |
"delineation of the new vineyards has been hugely controversial. | 0:33:11 | 0:33:15 | |
"Not least because the value of land declared champagne-worthy will rise | 0:33:15 | 0:33:19 | |
"by up to 30,000%, | 0:33:19 | 0:33:22 | |
-"to about 1 million euros per hectare." -Oh! | 0:33:22 | 0:33:27 | |
A hectare is eight acres. So eight acres, which isn't really very huge. | 0:33:27 | 0:33:31 | |
-No, it's a couple of these squares. -Eight acres is sort of that. -Yeah. -A million. -Blimey! | 0:33:31 | 0:33:36 | |
Do you want any more? | 0:33:36 | 0:33:38 | |
LAUGHTER | 0:33:40 | 0:33:42 | |
-What? What? -When you're eating on camera... -What? -LAUGHTER | 0:33:42 | 0:33:47 | |
..I've forgotten how to eat. | 0:33:47 | 0:33:50 | |
-You've forgotten how to eat? -You go... | 0:33:50 | 0:33:53 | |
LAUGHTER | 0:33:53 | 0:33:55 | |
I'm going to eat this... | 0:33:55 | 0:33:58 | |
like a normal... | 0:33:58 | 0:34:00 | |
-Little bit of Bolly? -Yeah, just a smidge. | 0:34:00 | 0:34:03 | |
-Do you want some Bolly, darling? -Yeah, just a smidge. | 0:34:03 | 0:34:06 | |
Bollinger was always Eddy and Patsy's champagne of choice. | 0:34:07 | 0:34:10 | |
-Have you got the Bolly? -Got the Bolly. -Keep them on. In your bag? | 0:34:11 | 0:34:14 | |
-Yup. -Ready, ready. -Right. | 0:34:14 | 0:34:17 | |
Ready. Ready. Ready, now! | 0:34:17 | 0:34:20 | |
Eddy, I'm going round again. | 0:34:26 | 0:34:29 | |
-All right, I'll see you on the bottom. -This way. | 0:34:29 | 0:34:31 | |
Bollinger, or "Boll-ang-jhay" are based a few miles from Epernay in | 0:34:33 | 0:34:36 | |
the village of Ay and, rather excitingly, we've had an invitation. | 0:34:36 | 0:34:40 | |
It's quite a special day for us, | 0:34:45 | 0:34:48 | |
so we thought we'd treat ourselves and travel there in style. | 0:34:48 | 0:34:51 | |
So you find us drifting along the Marne Canal in a vintage vessel. | 0:34:53 | 0:34:57 | |
-Freezing. -Yeah. | 0:34:57 | 0:34:59 | |
If it wasn't for Eddy and Patsy, we would not be here... | 0:34:59 | 0:35:02 | |
-No. -..dribbling down the canal towards Bollinger. | 0:35:02 | 0:35:07 | |
And at the helm is the rather charmant Jerome. | 0:35:07 | 0:35:11 | |
-Yeah, thanks for that, Pats. Jerome... -Yeah. -Where does the canal go? -We're on the way to Paris. | 0:35:11 | 0:35:17 | |
We are three days by boat from Paris. | 0:35:17 | 0:35:20 | |
So would they send wine on the barges to Paris? | 0:35:20 | 0:35:23 | |
Yeah, yes, this is why champagne was so famous, too, | 0:35:23 | 0:35:27 | |
because this river really did a lot for champagne, you know? | 0:35:27 | 0:35:32 | |
-Yeah. -Because we are next from Paris, | 0:35:32 | 0:35:35 | |
-and with this river it's easier to sell, to sell wine. -Oh, OK. | 0:35:35 | 0:35:39 | |
Oh, actually, I'm going to...I'm going to tuck under now. | 0:35:39 | 0:35:43 | |
Just cos the wind's coming in this direction. | 0:35:43 | 0:35:45 | |
It's playing havoc with my hair! | 0:35:45 | 0:35:47 | |
LAUGHTER | 0:35:47 | 0:35:50 | |
Most of my life is spent thinking, "Has my hair gone flat? | 0:35:50 | 0:35:54 | |
"Has my hair gone flat?" | 0:35:54 | 0:35:55 | |
I've got a theory that ours is the first generation | 0:35:55 | 0:36:00 | |
that doesn't know what to do with its hair as you get older. | 0:36:00 | 0:36:02 | |
Because in the olden days, | 0:36:02 | 0:36:04 | |
you would go grey and you would usually have it permed. | 0:36:04 | 0:36:07 | |
And then you looked quite normally like an old person, a pensioner, | 0:36:07 | 0:36:10 | |
a grandmother. But for some reason now, with all the modern, | 0:36:10 | 0:36:13 | |
new-fangled things you can do, and maybe the vanity, whatever, | 0:36:13 | 0:36:17 | |
people like me are stuck trying to look like I did in the 1960s, | 0:36:17 | 0:36:20 | |
because you don't know any other way to look. | 0:36:20 | 0:36:23 | |
And I don't know how to look old. | 0:36:23 | 0:36:25 | |
I mean, I look old, I obviously am old, but I don't know how to... | 0:36:25 | 0:36:28 | |
-accomplish it. -Well, the lucky people are the people whose hair | 0:36:28 | 0:36:31 | |
just goes white, like that, and you go, "Well, that's lovely and white." | 0:36:31 | 0:36:36 | |
Let's have some Bolly, darling. Let's have some Bolly. | 0:36:36 | 0:36:39 | |
LAUGHTER | 0:36:39 | 0:36:41 | |
Let's have some Bolly and go and see Mick. | 0:36:41 | 0:36:43 | |
-He'll be there. -LAUGHTER | 0:36:43 | 0:36:45 | |
-Here we are, Ed. -CORK POPS | 0:36:47 | 0:36:49 | |
The boat stops for brunch, and the charming Jerome serves up some fine | 0:36:53 | 0:36:57 | |
French finger food. | 0:36:57 | 0:36:59 | |
That's beautiful. | 0:37:01 | 0:37:03 | |
Merci beaucoup, Jerome. | 0:37:03 | 0:37:05 | |
This reminds me of when Eddy went on the diet where she would only eat | 0:37:05 | 0:37:10 | |
-dolly food. -Mm. | 0:37:10 | 0:37:13 | |
And the idea was that you can have a plate of food, but the plate can | 0:37:15 | 0:37:18 | |
only be a dolly plate, and you can only eat with dolly cutlery. | 0:37:18 | 0:37:23 | |
Of course, most of her diets were actually just my diets. | 0:37:23 | 0:37:26 | |
Clearly we're being pampered, | 0:37:26 | 0:37:28 | |
but not every job we've done has been like this. | 0:37:28 | 0:37:32 | |
Actually, nearly all of mine have, but you're a bit different. | 0:37:32 | 0:37:35 | |
We get on to talking about the film you made in the '90s, where you | 0:37:35 | 0:37:39 | |
-spent nine days alone on a desert island. -That was it. | 0:37:39 | 0:37:41 | |
Gee, that burst! | 0:37:41 | 0:37:43 | |
Look, you could see the stuff coming out! | 0:37:43 | 0:37:45 | |
It's cracked, so I won't be able to open it that way, but you can see, | 0:37:45 | 0:37:47 | |
-look. -SHE GASPS | 0:37:47 | 0:37:51 | |
Why did you sign up for that? | 0:37:51 | 0:37:52 | |
Ab Fab, we'd done the first series... | 0:37:52 | 0:37:54 | |
-Oh, yeah, we had. -Yeah, and they said, the BBC said, | 0:37:54 | 0:37:58 | |
"Oh, wouldn't it be funny," their unerring quality of humour, | 0:37:58 | 0:38:02 | |
"wouldn't it be funny if Patsy was cast away on a desert island with no | 0:38:02 | 0:38:05 | |
"voddy, no champagne and no vodka?" | 0:38:05 | 0:38:07 | |
-Oh, that's right. -I said, "Well, that would be funny for about a minute, because Patsy, | 0:38:07 | 0:38:11 | |
"A, she doesn't exist without Eddy, and B, and B, | 0:38:11 | 0:38:13 | |
-"she'd just go, 'Oh, I've got no vodka,' and then she'd die." -Also she doesn't actually exist. | 0:38:13 | 0:38:17 | |
-She doesn't exist, no, exactly. -No. -You know. "But," I said, | 0:38:17 | 0:38:21 | |
"I'd love to see if I could exist with jolly little." | 0:38:21 | 0:38:24 | |
And I said, "I'd love to do it, but as long as there's no cheating. | 0:38:24 | 0:38:27 | |
"I want to try to exist on a desert island on my own." | 0:38:27 | 0:38:30 | |
I had the clothes I stood up in, | 0:38:31 | 0:38:34 | |
I had some sharp knives to cut stuff and to make firewood. | 0:38:34 | 0:38:37 | |
I didn't have matches. I had the flint to make my fire with, so it was tough. | 0:38:37 | 0:38:41 | |
I lived like an animal for about nine days. | 0:38:41 | 0:38:43 | |
So strange, coming back, because I didn't have a mirror, | 0:38:45 | 0:38:47 | |
I didn't know what I looked like, | 0:38:47 | 0:38:49 | |
so eventually you don't care what you look like. | 0:38:49 | 0:38:51 | |
And I looked in a mirror, and after nine days, this is strange, | 0:38:51 | 0:38:53 | |
Jennifer, I found I'd forgotten what I looked like. | 0:38:53 | 0:38:56 | |
And it was the most appalling shock I've ever had to stand in front of | 0:38:56 | 0:38:58 | |
-this weird woman. -I have the opposite, I always know what I look like, | 0:38:58 | 0:39:01 | |
I'm never shocked when I look in the mirror. | 0:39:01 | 0:39:03 | |
You say, "Oh, my God, I was hoping for better." | 0:39:03 | 0:39:06 | |
What do you see when you look in the mirror, darling? | 0:39:06 | 0:39:08 | |
Me looking fabulous, what do you see? | 0:39:08 | 0:39:10 | |
A quarter of a century ago, | 0:39:12 | 0:39:14 | |
Eddy and Patsy were happily mistreating Bollinger. | 0:39:14 | 0:39:16 | |
It was used and abused. | 0:39:16 | 0:39:18 | |
It's therefore shocking and not a little humbling that, all these | 0:39:24 | 0:39:27 | |
years later, here we are at Bollinger's headquarters, | 0:39:27 | 0:39:30 | |
being welcomed by the President of the company, | 0:39:30 | 0:39:33 | |
-Jerome Philippon. -So nice to welcome you here. | 0:39:33 | 0:39:36 | |
-How lovely. Oh, this is fantastic. -Absolutely lovely to see you. | 0:39:36 | 0:39:40 | |
-We're in Bollyland. -Bollywood. -In Bollywood. -We are. -Yeah. LAUGHTER | 0:39:40 | 0:39:44 | |
Bollinger don't do tours, their buildings aren't open to the public, | 0:39:49 | 0:39:53 | |
so we're very honoured to be shown around, | 0:39:53 | 0:39:55 | |
especially since they're slap bang in the middle of harvest, | 0:39:55 | 0:39:58 | |
busy filling barrel after barrel with this year's grape juice. | 0:39:58 | 0:40:02 | |
How many barrels are we looking at? | 0:40:02 | 0:40:05 | |
-How many barrels? -We have a collection of 3,500 barrels. | 0:40:05 | 0:40:10 | |
At Bollinger, we only use what we call la cuvee. | 0:40:10 | 0:40:14 | |
La cuvee is the first press. | 0:40:14 | 0:40:16 | |
When we press grapes in order to extract the juice... | 0:40:16 | 0:40:19 | |
..the very best is the first juice. | 0:40:20 | 0:40:23 | |
When you don't start damaging the skin or the grape itself, the wood. | 0:40:23 | 0:40:28 | |
The second press is called la taille | 0:40:28 | 0:40:30 | |
and at Bollinger we don't process it, | 0:40:30 | 0:40:32 | |
we sell it to some of our colleagues. | 0:40:32 | 0:40:33 | |
I'll go first, right? | 0:40:38 | 0:40:39 | |
Oh, it's a long staircase! | 0:40:44 | 0:40:46 | |
My God. We're going into the bowels of the Earth. | 0:40:46 | 0:40:49 | |
And as we go down, | 0:40:49 | 0:40:50 | |
it's getting a bit colder. | 0:40:50 | 0:40:52 | |
Yes. I can feel it's getting... | 0:40:52 | 0:40:54 | |
SHE CHUCKLES | 0:40:54 | 0:40:56 | |
So you, please, follow me because there are 6km. | 0:41:00 | 0:41:04 | |
of corridors, so you can get lost here. | 0:41:04 | 0:41:08 | |
-So, please. -6km? -We try to stay together. | 0:41:08 | 0:41:10 | |
My God! | 0:41:11 | 0:41:12 | |
Worth remembering that if we did get lost down here... | 0:41:16 | 0:41:18 | |
-Yeah. -There's 10 million bottles of champagne. | 0:41:18 | 0:41:21 | |
-So it wouldn't be all bad. -Hmm, fabulous. | 0:41:21 | 0:41:24 | |
My God, it goes on for ever! | 0:41:24 | 0:41:25 | |
-I can't really take it in. -It's like under a railway bridge. | 0:41:25 | 0:41:28 | |
I really can't take it in. | 0:41:28 | 0:41:30 | |
31 and... | 0:41:33 | 0:41:36 | |
31 columns of 2,000 bottles, | 0:41:36 | 0:41:39 | |
which makes 62,000 bottles of Grand Annee Blanc 2014. | 0:41:39 | 0:41:43 | |
To be sold ten years from now approximately. | 0:41:43 | 0:41:46 | |
Oh, my. Who's taken these top bottles here? | 0:41:46 | 0:41:49 | |
-Sorry? -These ones are missing. | 0:41:49 | 0:41:51 | |
When we are using that tray | 0:41:51 | 0:41:53 | |
for bottles not be stolen, or drunk by some of our workers, | 0:41:53 | 0:41:56 | |
we know exactly, this is 2,000 bottles. | 0:41:56 | 0:41:59 | |
OK. So if we were to remove one, we know. | 0:41:59 | 0:42:01 | |
Ah. I see. | 0:42:01 | 0:42:02 | |
Exactly 2,000 each. | 0:42:02 | 0:42:05 | |
But if I just removed that... | 0:42:05 | 0:42:07 | |
No. No, OK. | 0:42:07 | 0:42:09 | |
-OK. -You'll go to jail, I guess. | 0:42:09 | 0:42:11 | |
It's so damp. | 0:42:11 | 0:42:14 | |
I like the idea, too, that nothing was... | 0:42:14 | 0:42:16 | |
ALARM BELL | 0:42:16 | 0:42:17 | |
-Tiens! C'est quoi?! -Who's taken a bottle of champagne? | 0:42:17 | 0:42:20 | |
Half past one. Time to go back to work. | 0:42:20 | 0:42:23 | |
Down? | 0:42:26 | 0:42:27 | |
Deeper and deeper within the tunnels we go... | 0:42:27 | 0:42:29 | |
before arriving at secure vaults, where they keep a collection | 0:42:31 | 0:42:34 | |
of their most precious and unique vintages, | 0:42:34 | 0:42:36 | |
from, well, since they began. | 0:42:36 | 0:42:38 | |
The 1973 vintage of Bollinger. | 0:42:39 | 0:42:42 | |
These bottles were served | 0:42:42 | 0:42:44 | |
at the wedding of Lady Diana and Prince Charles. | 0:42:44 | 0:42:47 | |
-Really? -Yeah. But we produced more than what was needed | 0:42:47 | 0:42:50 | |
and so we still have a significant inventory of 1973... | 0:42:50 | 0:42:55 | |
They brought it on sale or return, did they? So they... | 0:42:55 | 0:42:57 | |
They didn't buy the whole lot, | 0:42:57 | 0:42:59 | |
so we've kept it and, in fact, it's a great vintage. | 0:42:59 | 0:43:01 | |
Some very old wines from a given vineyard, | 0:43:03 | 0:43:07 | |
like Mesnil, 1886. | 0:43:07 | 0:43:09 | |
One bottle of 1904. | 0:43:09 | 0:43:11 | |
A large collection of bottles from the First World War. | 0:43:11 | 0:43:14 | |
1914. | 0:43:14 | 0:43:16 | |
-Wow. -Jerome, tell me, if those wines are 1914, | 0:43:16 | 0:43:20 | |
all the men will have gone to fight the war... | 0:43:20 | 0:43:22 | |
-Yeah. -How was the harvest brought in? | 0:43:22 | 0:43:24 | |
The harvest was done by the women, who were staying behind, | 0:43:24 | 0:43:28 | |
and in the region, here in Champagne, | 0:43:28 | 0:43:31 | |
all the men had gone for war. | 0:43:31 | 0:43:33 | |
-Mm. -So it's... | 0:43:33 | 0:43:35 | |
..so special to see that. | 0:43:35 | 0:43:36 | |
And the ultimate piece, Bollinger was founded in 1829, | 0:43:36 | 0:43:41 | |
-so this is really... -So this is the first? | 0:43:41 | 0:43:43 | |
..the first bottles of Bollinger. | 0:43:43 | 0:43:46 | |
Look at those! | 0:43:46 | 0:43:47 | |
1830. | 0:43:47 | 0:43:49 | |
Oh, how amazing. | 0:43:49 | 0:43:52 | |
Now, what... Do you just keep these or will you sell them? | 0:43:52 | 0:43:55 | |
No, we... We don't sell them. | 0:43:55 | 0:43:58 | |
We have sold a few bottles at a significant auction last year, | 0:43:58 | 0:44:02 | |
in New York, done by Sotheby's, so it was the first time we did it. | 0:44:02 | 0:44:06 | |
So we sold a number, we sold a bottle of 1914, for example. | 0:44:06 | 0:44:09 | |
If it's not very vulgar, would you tell me what they raised? | 0:44:09 | 0:44:12 | |
-It's a bit vulgar. -Yeah, a few hundred thousand dollars. | 0:44:13 | 0:44:16 | |
Wow. | 0:44:16 | 0:44:17 | |
Producing over three million bottles of champagne a year, | 0:44:20 | 0:44:22 | |
Bollinger is big business. | 0:44:22 | 0:44:25 | |
My goodness. | 0:44:25 | 0:44:27 | |
No. We're so close to the surface! | 0:44:27 | 0:44:30 | |
The relationship between one of the most prestigious champagne houses | 0:44:30 | 0:44:33 | |
and a television comedy called Absolutely Fabulous | 0:44:33 | 0:44:36 | |
is so friendly now but one wonders whether it's always been like that. | 0:44:36 | 0:44:39 | |
Did Ab Fab lower the tone? | 0:44:42 | 0:44:43 | |
-Were you ashamed of us? -It did lower the tone! | 0:44:43 | 0:44:45 | |
Were you a bit ashamed of us? | 0:44:45 | 0:44:47 | |
We are so proud of you today. | 0:44:47 | 0:44:49 | |
I guess, at the beginning,... | 0:44:49 | 0:44:51 | |
-it was a shock, for sure. -Sure. It was a shock. | 0:44:51 | 0:44:53 | |
I think... Yeah. | 0:44:53 | 0:44:55 | |
But Ab Fab is absolutely part now. | 0:44:55 | 0:44:57 | |
We sold the reserve magnums and Ab Fab is part of the DNA of Bollinger. | 0:44:57 | 0:45:01 | |
We are really convinced of its big impact on Bollinger. | 0:45:01 | 0:45:05 | |
I've spent nights being afraid of coming here, | 0:45:05 | 0:45:08 | |
in case you were cross with us. | 0:45:08 | 0:45:10 | |
No, no, no. We aren't. | 0:45:10 | 0:45:13 | |
Our reward for not destroying the brand | 0:45:15 | 0:45:16 | |
is lunch in the original Bollinger family residence. | 0:45:16 | 0:45:19 | |
An honour they've actually only given to the Queen and the Pope. | 0:45:21 | 0:45:24 | |
-Jennifer, is that true? -No, no, it's not true. | 0:45:24 | 0:45:27 | |
Just a very big honour. | 0:45:27 | 0:45:28 | |
Well, isn't this charming? | 0:45:31 | 0:45:32 | |
-And there she is. -Yeah, there is. | 0:45:32 | 0:45:34 | |
The lady. | 0:45:34 | 0:45:35 | |
This is where Madame Lily Bollinger lived. | 0:45:36 | 0:45:39 | |
When she took the helm of the company in the 1940s, | 0:45:39 | 0:45:42 | |
she transformed it, endlessly travelling, | 0:45:42 | 0:45:45 | |
promoting their champagne, | 0:45:45 | 0:45:46 | |
and she turned Bollinger into the global success it is today. | 0:45:46 | 0:45:49 | |
So it's time to sample a few of our champagnes. | 0:45:51 | 0:45:55 | |
This is almost your wish. | 0:45:55 | 0:45:56 | |
It's my dream, isn't it? | 0:45:56 | 0:45:58 | |
Glasses at the ready. | 0:45:58 | 0:46:00 | |
Oh! Whoa! | 0:46:00 | 0:46:02 | |
-The magnum has come. -A couple of things I mentioned. | 0:46:02 | 0:46:04 | |
I said that magnums are always better than bottles, | 0:46:04 | 0:46:07 | |
so for three of us, I think, to start with a magnum | 0:46:07 | 0:46:09 | |
would be appropriate. | 0:46:09 | 0:46:11 | |
-Yes. -And I picked the year of 1992, | 0:46:11 | 0:46:15 | |
25 years old champagne, | 0:46:15 | 0:46:17 | |
but more importantly, from my records, | 0:46:17 | 0:46:20 | |
it is the very first year in 1992 that Ab Fab was broadcast. | 0:46:20 | 0:46:25 | |
-So we thought... -That's so special! | 0:46:25 | 0:46:27 | |
Let's have a glass of Bollinger from 1992. | 0:46:27 | 0:46:30 | |
Oh, let's do that! | 0:46:30 | 0:46:32 | |
Oh, Jerome, this honestly might be the high point of my life. | 0:46:32 | 0:46:35 | |
Look at that colour. | 0:46:36 | 0:46:38 | |
Can you see that colour against the light? | 0:46:38 | 0:46:40 | |
I feel like I almost want to cry that this is a 1992 bottle. | 0:46:40 | 0:46:43 | |
Oh, don't start crying. Don't start crying. | 0:46:43 | 0:46:45 | |
No, I'm not going to start crying. | 0:46:45 | 0:46:46 | |
-A vous, Jerome. -OK. Thank you so much for visiting us. | 0:46:46 | 0:46:49 | |
For your love and support, really. | 0:46:49 | 0:46:52 | |
-Oh, merci, merci. Much appreciated. Well. -Thanks, babe. | 0:46:52 | 0:46:55 | |
It's all been worth it. | 0:46:55 | 0:46:56 | |
-From the house of Bollinger. -Thank you. -OK. | 0:46:56 | 0:47:00 | |
Oh! | 0:47:01 | 0:47:02 | |
Look at that, what does that smell of? | 0:47:03 | 0:47:05 | |
It smells of 30 years of success, darling! | 0:47:06 | 0:47:09 | |
Exactly. | 0:47:09 | 0:47:10 | |
That is actually delicious. | 0:47:13 | 0:47:15 | |
-Oh, fantastic. -Oh, Jerome, that is superb. | 0:47:15 | 0:47:19 | |
Superb. | 0:47:19 | 0:47:20 | |
-The chances of ever getting that again. -No, never. -Never. | 0:47:25 | 0:47:29 | |
I tell you what, that '92 was just an Absolutely Fabulous champagne. | 0:47:29 | 0:47:33 | |
-Oh, my gosh. -Yeah, wasn't it? | 0:47:33 | 0:47:35 | |
I mean, think it's fair to say that the spirits of Eddy and Patsy | 0:47:35 | 0:47:38 | |
-were with us in Madame Bolly's dining room that day. -Oh! | 0:47:38 | 0:47:41 | |
And as the sun went down on a very special day, | 0:47:45 | 0:47:48 | |
we were in the forest high above Epernay | 0:47:48 | 0:47:50 | |
and though we were still quite full of 25-year-old champagne... | 0:47:50 | 0:47:54 | |
Oh, careful. | 0:47:56 | 0:47:57 | |
..our director made us walk on a rope bridge. | 0:47:57 | 0:48:00 | |
I feel like I'm about to have won I'm A Celebrity Get Me Out Of Here! | 0:48:00 | 0:48:04 | |
Which leads to a tree house with a difference called Perching Bar. | 0:48:04 | 0:48:09 | |
Yeah, just an excuse to sit and have a glass and reminisce. | 0:48:09 | 0:48:12 | |
Yeah. We weren't drunk at all. | 0:48:12 | 0:48:14 | |
I can't remember why we were there. | 0:48:14 | 0:48:16 | |
But this is quite Ab Fab, this, um... | 0:48:17 | 0:48:20 | |
-Mm. -This. | 0:48:20 | 0:48:22 | |
Patsy would sit down, Eddy would sit down, | 0:48:22 | 0:48:24 | |
it would just break and fall to the floor. | 0:48:24 | 0:48:26 | |
Patsy, looking for something, | 0:48:26 | 0:48:27 | |
would gradually twist hers round and round | 0:48:27 | 0:48:29 | |
and then it would unwhip very fast. | 0:48:29 | 0:48:32 | |
With the cork flying! | 0:48:32 | 0:48:33 | |
I think the thing that still makes me enjoy it | 0:48:34 | 0:48:37 | |
and enjoy the thought of it | 0:48:37 | 0:48:39 | |
is the fact that you could think of the worst thing | 0:48:39 | 0:48:42 | |
you could possibly do in any situation | 0:48:42 | 0:48:45 | |
and they would accomplish it. | 0:48:45 | 0:48:47 | |
The worst faux pas. | 0:48:49 | 0:48:50 | |
The worst rudeness, the worst... | 0:48:51 | 0:48:54 | |
Because the only lived for each other's, you know... | 0:48:54 | 0:48:56 | |
-Mm. -Each one spurred the other one on. | 0:48:56 | 0:48:59 | |
Do you remember the Bibendum bar? | 0:48:59 | 0:49:01 | |
I think the problem is the room is the wrong shape. | 0:49:01 | 0:49:04 | |
If the room was a circle instead of a square... | 0:49:04 | 0:49:06 | |
-SPLASHING -That's a possibility. | 0:49:06 | 0:49:09 | |
It would help, wouldn't it, now? | 0:49:09 | 0:49:10 | |
And everything wouldn't have be... SPLASHING | 0:49:10 | 0:49:12 | |
-squished up against all... -Yeah. Yeah, | 0:49:12 | 0:49:15 | |
It's you. Let's see. | 0:49:15 | 0:49:17 | |
And because you have no organs... | 0:49:17 | 0:49:19 | |
Or bladder or anything, really, | 0:49:19 | 0:49:21 | |
you were drinking and it was just dribbling out. | 0:49:21 | 0:49:24 | |
SPLASHING | 0:49:24 | 0:49:26 | |
Oh. Sorry. Could you close off that little tap? | 0:49:27 | 0:49:31 | |
It was revolting. | 0:49:31 | 0:49:33 | |
And only at Christmas did she ever eat anything. | 0:49:33 | 0:49:36 | |
Once you ate a crisp. | 0:49:36 | 0:49:38 | |
In 1974, or something like that. | 0:49:38 | 0:49:41 | |
But quite often we could drink, and drink, and drink, | 0:49:41 | 0:49:43 | |
and we didn't seem to get drunk, funnily enough. | 0:49:43 | 0:49:45 | |
We drank a lot but, occasionally, when we were drunk, | 0:49:45 | 0:49:48 | |
-it wasn't good, on the whole. -Driving bad. | 0:49:48 | 0:49:50 | |
Bad. Oh, driving in Hyde Park bad. | 0:49:50 | 0:49:52 | |
Can you step out of the car, please, madam? | 0:49:52 | 0:49:55 | |
CAR HORN | 0:49:55 | 0:49:56 | |
Then we got stopped by the police and were so drunk. | 0:49:56 | 0:49:58 | |
I mean, what the hell... | 0:49:58 | 0:50:00 | |
Oh, you pig, what you want? | 0:50:02 | 0:50:04 | |
What are you doing to her? | 0:50:04 | 0:50:05 | |
CAR HORN | 0:50:05 | 0:50:07 | |
You couldn't get your legs out of a certain position, | 0:50:07 | 0:50:09 | |
you were so stuck in the tiny car. | 0:50:09 | 0:50:11 | |
Eddy, I'll help. | 0:50:13 | 0:50:15 | |
Hang on. | 0:50:15 | 0:50:16 | |
You pig! | 0:50:16 | 0:50:17 | |
Oh, I do miss them. I miss them. | 0:50:22 | 0:50:24 | |
Oh, God. | 0:50:26 | 0:50:27 | |
We are back where we started in the village of Cumieres | 0:50:34 | 0:50:37 | |
and Vincent Laval's team of grape pickers | 0:50:37 | 0:50:40 | |
are in a party mood. | 0:50:40 | 0:50:41 | |
The harvest is over. | 0:50:46 | 0:50:48 | |
But Vincent has one more job to do. | 0:50:48 | 0:50:51 | |
The production of this year's pink champagne. | 0:50:57 | 0:51:00 | |
Using the most traditional of tools, | 0:51:01 | 0:51:03 | |
feet are used to get the colour from the skin of the red grapes. | 0:51:03 | 0:51:07 | |
What's known in the trade as maceration. | 0:51:07 | 0:51:10 | |
FRENCH PRONUNCIATION: "Maceration". | 0:51:10 | 0:51:12 | |
Looks like there's going to be some kind of crazy WWF | 0:51:12 | 0:51:16 | |
ladies' wrestling match in wine. | 0:51:16 | 0:51:19 | |
Hey! | 0:51:21 | 0:51:23 | |
Here they come! | 0:51:23 | 0:51:25 | |
Yes, it's really | 0:51:26 | 0:51:27 | |
to get a rose. | 0:51:27 | 0:51:29 | |
When we press by feet, | 0:51:29 | 0:51:30 | |
we have the maceration between the juice and the skin, | 0:51:30 | 0:51:34 | |
and we let, like that, the maceration for, probably, one day. | 0:51:34 | 0:51:40 | |
-OK. Right. -To keep the colour of the skin? | 0:51:40 | 0:51:43 | |
-To keep the colour. But just pink. -Yeah. | 0:51:43 | 0:51:47 | |
-Not red. -Yeah. -Just pink. | 0:51:47 | 0:51:48 | |
-It looks hard work. -It really is, isn't it? | 0:51:48 | 0:51:52 | |
Yeah. | 0:51:52 | 0:51:53 | |
God, it never stops. | 0:51:53 | 0:51:55 | |
There had been some crazy talk that we'd be asked to do this. | 0:51:55 | 0:51:58 | |
I know I'd look good in the shorts | 0:51:58 | 0:52:00 | |
but probably not as good as them. | 0:52:00 | 0:52:02 | |
-It would have actually been tragic, you know... If we'd... -It would actually have been. | 0:52:02 | 0:52:06 | |
It would have been ghastly. | 0:52:06 | 0:52:08 | |
There'd have been a ghastly silence hanging in the room. | 0:52:08 | 0:52:11 | |
-There would have been gasps... -As two grandmothers. | 0:52:11 | 0:52:13 | |
And one really serious pensioner was plunging about in this, | 0:52:13 | 0:52:18 | |
in our big pants! | 0:52:18 | 0:52:20 | |
Coming out. Here they come. | 0:52:22 | 0:52:24 | |
Girls is coming out. | 0:52:24 | 0:52:27 | |
Whoa! Brava! | 0:52:27 | 0:52:29 | |
Bravo! | 0:52:29 | 0:52:31 | |
As the pink champagne party continues, | 0:52:38 | 0:52:41 | |
we bid farewell to the nicest man, | 0:52:41 | 0:52:43 | |
with probably the nicest job in the world. | 0:52:43 | 0:52:45 | |
Salut, Vincent. We've learned so much. | 0:52:45 | 0:52:48 | |
-Yeah, honestly. -It's been brilliant. | 0:52:48 | 0:52:50 | |
-Merci. -We shall think of you forever. | 0:52:50 | 0:52:52 | |
Since it's our last night in France, | 0:53:06 | 0:53:08 | |
we've been allowed to stay somewhere a bit special tonight. | 0:53:08 | 0:53:11 | |
-Thank you. -A few miles from Epernay sits the little village of Etoges. | 0:53:11 | 0:53:15 | |
-Mm! -Rather splendidly, has a chateau-based hotel, sensible. | 0:53:15 | 0:53:19 | |
Eddy and Patsy never did find the chateau all those years ago. | 0:53:22 | 0:53:25 | |
They just drank and played ping-pong in a draughty little cottage. | 0:53:25 | 0:53:29 | |
014... | 0:53:29 | 0:53:30 | |
Pats, Pats, come here, quickly. | 0:53:39 | 0:53:41 | |
Oh, God. | 0:53:43 | 0:53:44 | |
Fa-fou-fou-fa... | 0:53:47 | 0:53:49 | |
Sh! | 0:53:49 | 0:53:50 | |
A-va-va... | 0:53:50 | 0:53:51 | |
La-la-la-la! | 0:54:02 | 0:54:03 | |
In my lovely room. | 0:54:03 | 0:54:05 | |
We are, to put it mildly, slightly overexcited. | 0:54:05 | 0:54:08 | |
Doing my hair. | 0:54:08 | 0:54:10 | |
And listening to the fountain playing. | 0:54:10 | 0:54:13 | |
My bed. | 0:54:14 | 0:54:15 | |
KNOCK AT DOOR | 0:54:15 | 0:54:16 | |
Hello, Jennifer? | 0:54:18 | 0:54:20 | |
No, come in. No, stop doing... | 0:54:20 | 0:54:22 | |
Come in. Ah. | 0:54:22 | 0:54:24 | |
-Good evening. -Come into my lovely room. | 0:54:24 | 0:54:26 | |
Are you ready? Oh, your humble abode. | 0:54:26 | 0:54:29 | |
Are you ready, my dear? | 0:54:29 | 0:54:30 | |
I'm thinking if I should do something charming with my hair. | 0:54:30 | 0:54:33 | |
-Well... -It's not very charming... | 0:54:33 | 0:54:35 | |
No, I haven't had time to do anything, like wash my hair or... | 0:54:35 | 0:54:38 | |
Well, no, I haven't washed my hair all week. | 0:54:38 | 0:54:40 | |
You've got real sparklies on. | 0:54:40 | 0:54:41 | |
Oh, I see. | 0:54:41 | 0:54:43 | |
Right. | 0:54:43 | 0:54:44 | |
OK. Lovely room. | 0:54:44 | 0:54:45 | |
Lovely room. Leave naturally. | 0:54:45 | 0:54:47 | |
Leave the room naturally. OK. | 0:54:47 | 0:54:49 | |
Oh! Stop it. | 0:54:49 | 0:54:50 | |
It's very pretty here. | 0:54:53 | 0:54:55 | |
It is absolutely gorgeous. | 0:54:55 | 0:54:56 | |
I love these shallow steps. | 0:54:56 | 0:54:58 | |
-Oh! -Voila, restaurant! | 0:55:00 | 0:55:02 | |
We've been allowed to eat in the chateau's Orangerie. | 0:55:06 | 0:55:10 | |
You said you didn't speak French. | 0:55:10 | 0:55:12 | |
You do, I heard you saying French when you came in here. | 0:55:12 | 0:55:14 | |
-I know... -You said quite easily, "We're the couple who are going to be filming here." | 0:55:14 | 0:55:18 | |
I know, but I had to say "Avec le film crew." | 0:55:18 | 0:55:20 | |
Everybody here's... Ow. | 0:55:24 | 0:55:26 | |
So... Stop it. | 0:55:26 | 0:55:28 | |
So charming. | 0:55:28 | 0:55:30 | |
-So... Jennifer, be quiet. -Sorry, set fire to your whole arm. | 0:55:30 | 0:55:34 | |
Be honest, have we met one cross, or bad, person? | 0:55:34 | 0:55:38 | |
Not one unhappy person, that has been... | 0:55:38 | 0:55:41 | |
..extraordinary, I think. | 0:55:41 | 0:55:42 | |
They have had a kind of glow of happiness about them. | 0:55:42 | 0:55:46 | |
They've got a sort of vigour and a passion. | 0:55:46 | 0:55:48 | |
-Have you seen any "Pff! Bof!"? -No. Not one. Not one "Pouf!" | 0:55:48 | 0:55:51 | |
It's so much less about prestige, | 0:55:51 | 0:55:54 | |
it's simply about the wine | 0:55:54 | 0:55:57 | |
and the culture of making the best champagne. | 0:55:57 | 0:56:02 | |
-Excuse moi. -Wow! Voila! -Oh, look at that. | 0:56:02 | 0:56:05 | |
That's like a little work of art. | 0:56:05 | 0:56:06 | |
A little work of wow! | 0:56:06 | 0:56:08 | |
-Madame. -Beautiful. Thank you. | 0:56:08 | 0:56:11 | |
-Merci. -Thank you. | 0:56:11 | 0:56:13 | |
That looks absolutely delicious. | 0:56:13 | 0:56:15 | |
This is very, very good. | 0:56:15 | 0:56:17 | |
This is not a... You know, Facebook thing. | 0:56:17 | 0:56:20 | |
Or a Tinder, or whatever it is. | 0:56:20 | 0:56:22 | |
What? | 0:56:24 | 0:56:25 | |
It's not Tinder. | 0:56:27 | 0:56:29 | |
You don't put your food pictures on... | 0:56:29 | 0:56:32 | |
Food on Tinder! | 0:56:32 | 0:56:33 | |
Unless... Maybe you do, I don't know. | 0:56:36 | 0:56:38 | |
I don't do Tinder. | 0:56:38 | 0:56:40 | |
It's weird to think | 0:56:42 | 0:56:43 | |
that Ab Fab started a story that, now, 25 years later, | 0:56:43 | 0:56:47 | |
sees the two of us eating in a chateau and talking about Tinder. | 0:56:47 | 0:56:50 | |
Mm. This is like Patsy and Eddy! | 0:56:50 | 0:56:53 | |
No, you eat it, you eat it. Go on, darling. | 0:56:55 | 0:56:57 | |
Have what's left. Have that bread. | 0:56:57 | 0:56:58 | |
Put it in your mouth! | 0:56:58 | 0:57:00 | |
Eat, eat, Eddy. | 0:57:03 | 0:57:05 | |
Have they gone away? | 0:57:06 | 0:57:07 | |
Who? | 0:57:07 | 0:57:09 | |
Ed and Pats. | 0:57:09 | 0:57:11 | |
Erm. | 0:57:11 | 0:57:13 | |
I don't know. | 0:57:13 | 0:57:14 | |
Well, they never go away, do they? | 0:57:14 | 0:57:16 | |
Every time we meet, we have an idea or a thought | 0:57:18 | 0:57:21 | |
that makes us laugh until we cry about Patsy and Eddy. | 0:57:21 | 0:57:24 | |
So they're always there. | 0:57:26 | 0:57:27 | |
Eddy and Patsy live on in us and our friendship. | 0:57:30 | 0:57:33 | |
Yeah, don't get cheesy. Don't get cheesy. | 0:57:33 | 0:57:34 | |
-No, but all of this happened by chance. -Yes, I know. | 0:57:34 | 0:57:38 | |
I don't know. You know,... | 0:57:38 | 0:57:40 | |
these things are all coincidence, and synchronicity, and luck. | 0:57:40 | 0:57:43 | |
When you look back now, it looks as though it was planned. | 0:57:43 | 0:57:46 | |
It looks like everything was planned. Nothing was planned, so... | 0:57:46 | 0:57:49 | |
Writing the series wasn't planned. | 0:57:49 | 0:57:52 | |
You being in it wasn't planned. | 0:57:53 | 0:57:54 | |
-No. -To be honest, you want to work with nice people, | 0:57:54 | 0:57:57 | |
so you choose the people you'd like to work with. | 0:57:57 | 0:57:59 | |
-It was fate. -Cheers to that. | 0:57:59 | 0:58:02 | |
25, 26, 27 years. | 0:58:02 | 0:58:04 | |
-Cheers, thanks a lot. -Cheers, thanks a lot, sweetie. | 0:58:04 | 0:58:06 | |
Thanks, darling. | 0:58:06 | 0:58:07 | |
Eddy! We've found the chateau. | 0:58:10 | 0:58:13 | |
Oh-ho! Fabulous. | 0:58:13 | 0:58:16 | |
A-ha-ha! | 0:58:16 | 0:58:18 | |
Don't fall in the pond. Don't fall in the pond! | 0:58:18 | 0:58:20 | |
-Stop it! -Don't be stupid. | 0:58:20 | 0:58:23 | |
Darling, little doggies. | 0:58:23 | 0:58:25 | |
Oh, this is it, darling. | 0:58:25 | 0:58:27 | |
Look at this, sweetie. Mm, cheers, sweetie. | 0:58:28 | 0:58:31 | |
-Cheers, darling. -Cheers, sweetie, darling. | 0:58:31 | 0:58:33 | |
Thank you. Do you think they've got any champagne? | 0:58:33 | 0:58:36 | |
Bolly! | 0:58:37 | 0:58:38 | |
CORK POPS | 0:58:38 | 0:58:41 |