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It was 1968, when I first came here to San Francisco. | 0:00:04 | 0:00:08 | |
I wanted to do my own road trip from the United States to the Mexican | 0:00:08 | 0:00:13 | |
border and beyond. | 0:00:13 | 0:00:15 | |
My dad had just died, I'd finished school, | 0:00:15 | 0:00:18 | |
and I had no idea what I wanted to do with my life. | 0:00:18 | 0:00:21 | |
It was the year after the Summer of Love, and things like enchiladas, | 0:00:23 | 0:00:27 | |
burritos, guacamole I'd only heard of from the radio, | 0:00:27 | 0:00:32 | |
but they sounded wonderful. | 0:00:32 | 0:00:34 | |
But it wasn't just the food, I wanted to live a little bit dangerously. | 0:00:35 | 0:00:40 | |
And I did. | 0:00:40 | 0:00:42 | |
I can still remember how excited I was when I crossed the border into | 0:01:11 | 0:01:15 | |
Mexico, 50 years ago. | 0:01:15 | 0:01:17 | |
Looking back, it was a rite of passage. | 0:01:18 | 0:01:22 | |
As a chef-to-be, it was invaluable. | 0:01:22 | 0:01:24 | |
It influenced the way I have cooked ever since. | 0:01:25 | 0:01:28 | |
So this time, I crossed the border at Tijuana, | 0:01:28 | 0:01:31 | |
home of course of the famous Caesar salad, | 0:01:31 | 0:01:35 | |
and legendary fish tacos. | 0:01:35 | 0:01:39 | |
And a famous drink, allegedly invented in this bar, | 0:01:39 | 0:01:43 | |
and named in the 1940s, after a very attractive woman, | 0:01:43 | 0:01:47 | |
the daughter of a German diplomat - it's the margarita, of course. | 0:01:47 | 0:01:51 | |
I'm now making my way to the centre of the country, | 0:01:54 | 0:01:57 | |
and eventually on to Mexico City, but first, in the region of Jalisco, | 0:01:57 | 0:02:02 | |
there is a city I had to revisit, Guadalajara. | 0:02:02 | 0:02:06 | |
I'm not a great one for crowds, | 0:02:13 | 0:02:15 | |
but in a country that's got 130 million people, | 0:02:15 | 0:02:19 | |
it's pretty hard to avoid them. | 0:02:19 | 0:02:21 | |
I had to come back here. | 0:02:21 | 0:02:23 | |
It's the place that gave the world the image of Mexico, the big sombreros, | 0:02:23 | 0:02:28 | |
tequila, mariachi bands, and, of course, | 0:02:28 | 0:02:31 | |
the classic meat stews like carne con chilli | 0:02:31 | 0:02:35 | |
and never ever chilli con carne. | 0:02:35 | 0:02:38 | |
Oh, no, that would never do! | 0:02:38 | 0:02:40 | |
I love mariachi bands, I think there are so romantic, so joyous, | 0:02:56 | 0:03:00 | |
the music is infectious, and there are mariachis in Spain, Latin America, | 0:03:00 | 0:03:05 | |
Germany, I'm told, and in Japan. | 0:03:05 | 0:03:08 | |
Japan! | 0:03:08 | 0:03:10 | |
I really like Guadalajara, | 0:03:18 | 0:03:20 | |
first and foremost because I love saying "Guadalajara", | 0:03:20 | 0:03:23 | |
it makes you feel very Mexican and Spanish. | 0:03:23 | 0:03:27 | |
Actually, the name comes from a town in Spain, north-east of Madrid, | 0:03:27 | 0:03:31 | |
and in fact, it's not Spanish at all, it's Arab. | 0:03:31 | 0:03:35 | |
Guadalajara means valley of stones. | 0:03:35 | 0:03:39 | |
Or maybe I like Guadalajara because my name in German means stone. | 0:03:39 | 0:03:44 | |
So here I am, in the valley of stones. | 0:03:44 | 0:03:46 | |
I think the other reason I really like it is that I remember Mexico City | 0:03:46 | 0:03:51 | |
as being terribly, terribly frenetic, terribly busy, massively impressive, | 0:03:51 | 0:03:57 | |
but a little overwhelming. | 0:03:57 | 0:03:58 | |
Whereas Guadalajara is on a human scale, this part is just lovely, | 0:03:58 | 0:04:04 | |
it reminds me of a European city. | 0:04:04 | 0:04:07 | |
In some senses... | 0:04:08 | 0:04:10 | |
I saw this little sign down the road that said "Jalisco is Mexico," and I | 0:04:10 | 0:04:15 | |
think actually, more than Mexico City, Guadalajara is Mexico. | 0:04:15 | 0:04:20 | |
I was 21 years old when I first came here. | 0:04:30 | 0:04:34 | |
Mexico to me then seemed exotic, warm and romantic. | 0:04:34 | 0:04:38 | |
Almost like some part of the southern Mediterranean. | 0:04:38 | 0:04:42 | |
I spent a couple of months travelling through the country, | 0:04:42 | 0:04:45 | |
and my love for Mexican food was born. | 0:04:45 | 0:04:47 | |
It's Sunday morning in Guadalajara, that means only one thing, | 0:04:49 | 0:04:53 | |
a trip to the Barratio market. | 0:04:53 | 0:04:56 | |
Barratio means "cheap goods"... | 0:04:56 | 0:04:58 | |
If this market was a brand, | 0:04:59 | 0:05:01 | |
they would say it's probably the biggest street market in the world. | 0:05:01 | 0:05:05 | |
I've never been in a street market like this before. | 0:05:06 | 0:05:09 | |
Apparently, it's 50 blocks big and 10,000 stalls. | 0:05:09 | 0:05:15 | |
It's like every flea market you've ever been to. | 0:05:15 | 0:05:19 | |
In one place! | 0:05:19 | 0:05:20 | |
Here we have spanners. | 0:05:20 | 0:05:22 | |
And pliers. | 0:05:22 | 0:05:23 | |
Over there we've got toys. | 0:05:23 | 0:05:25 | |
Over there we've got guitars, over there we've got speakers, | 0:05:25 | 0:05:28 | |
not like in cabinets, but just on their own. | 0:05:28 | 0:05:31 | |
We just passed tyres, | 0:05:31 | 0:05:33 | |
and we've got sofas over there and I haven't even got to the food yet. | 0:05:33 | 0:05:37 | |
It's so hot here, and time for a drink. Too early for a beer, | 0:05:41 | 0:05:45 | |
and no tequila until sundown, of course. | 0:05:45 | 0:05:47 | |
But the Mexicans do really refreshing drinks, | 0:05:49 | 0:05:52 | |
agua frescas are popular but this is something else. | 0:05:52 | 0:05:56 | |
I had to try this, probably the most famous drink in Guadalajara. | 0:05:59 | 0:06:03 | |
It is called Tejuino and it's actually made with fermented corn, | 0:06:03 | 0:06:07 | |
so it is probably a little bit alcoholic, | 0:06:07 | 0:06:10 | |
but only tiny, and piloncillo, hard cane sugar, | 0:06:10 | 0:06:15 | |
boiled down until it goes really hard and they sell it in cones. | 0:06:15 | 0:06:18 | |
It's bit like jaggery which you get in India and Africa. | 0:06:18 | 0:06:22 | |
It's interesting, actually, | 0:06:22 | 0:06:23 | |
that this cane sugar in Mexico is a very well-known soft drink which you | 0:06:23 | 0:06:28 | |
might have heard of. | 0:06:28 | 0:06:30 | |
And in California, in the smart places in California, | 0:06:30 | 0:06:34 | |
they only drink this very well-known soft drink from Mexico because it | 0:06:34 | 0:06:39 | |
contains real cane sugar. | 0:06:39 | 0:06:42 | |
This is then finished, as you probably saw, | 0:06:42 | 0:06:46 | |
with some lime juice and a lime sorbet, now, | 0:06:46 | 0:06:50 | |
I haven't met anybody in Guadalajara that doesn't absolutely adore this. | 0:06:50 | 0:06:54 | |
So, here we go. | 0:06:54 | 0:06:56 | |
I know I go on too much about stuff but it is really, really nice! | 0:06:59 | 0:07:02 | |
The thing I have found, I have already tried a drink called horchata, | 0:07:03 | 0:07:06 | |
which is often made with corn or rice. | 0:07:06 | 0:07:09 | |
But these drinks that are slightly thickened and chilled and sweetened | 0:07:09 | 0:07:13 | |
with things like corn and rice are very, very refreshing, as is this. | 0:07:13 | 0:07:17 | |
With the lime juice and cold, | 0:07:18 | 0:07:20 | |
and with this really nice man that has been making it, it is fab. | 0:07:20 | 0:07:24 | |
When the Conquistadors first arrived here in the mid-1500s, | 0:07:34 | 0:07:38 | |
they would have noticed tribal villagers gathering to barter goods - | 0:07:38 | 0:07:43 | |
squash in exchange for corn, tomatoes for chillies, | 0:07:43 | 0:07:47 | |
a turkey for a hand plough, and so on. | 0:07:47 | 0:07:50 | |
I'm just beginning to discover this, but avocados, | 0:07:51 | 0:07:53 | |
we all have avocados all over the world but Mexican avocados are a | 0:07:53 | 0:07:58 | |
different matter, they have this soft creaminess, | 0:07:58 | 0:08:02 | |
richness, which I've tasted nowhere else and this is a really good example | 0:08:02 | 0:08:07 | |
of them, they are big and fat and I'm beginning to taste in all the dishes | 0:08:07 | 0:08:12 | |
that when they put slices of avocado on the top, | 0:08:12 | 0:08:14 | |
it is a bit like putting a dollop of Cornish clotted cream on the dish. | 0:08:14 | 0:08:19 | |
It has that same sort of effect. | 0:08:19 | 0:08:21 | |
When Hernan Cortes first encountered Mexico's markets, | 0:08:26 | 0:08:30 | |
he remarked on their vast expanse. | 0:08:30 | 0:08:32 | |
The Spanish introduced many of their traditional dishes, | 0:08:34 | 0:08:37 | |
especially the slow-cooked meat stews. | 0:08:37 | 0:08:40 | |
They're a perfect marriage between the livestock introduced by the | 0:08:40 | 0:08:44 | |
conquerors, like pigs, for instance, cooked with local herbs and spices. | 0:08:44 | 0:08:49 | |
Guadalajara's stews take a lot of beating, | 0:08:51 | 0:08:54 | |
and there was one particular dish which I was very keen to try. | 0:08:54 | 0:08:58 | |
This is really a first for me. | 0:09:01 | 0:09:03 | |
It's called birria, it's a goat stew, | 0:09:03 | 0:09:06 | |
very typical of Guadalajara. First time I have ever tasted it. | 0:09:06 | 0:09:11 | |
That is really good, you would have sworn it had some red wine in it. | 0:09:13 | 0:09:16 | |
It's so deep in flavour. | 0:09:16 | 0:09:18 | |
Putting a few bits and bobs in it now. | 0:09:18 | 0:09:21 | |
A bit of chilli. | 0:09:21 | 0:09:22 | |
Excuse the noise in the background, | 0:09:22 | 0:09:25 | |
there is some knock-off videos going on on the counter behind us. | 0:09:25 | 0:09:29 | |
They're probably not knocked off... But they might be... | 0:09:29 | 0:09:32 | |
That is lovely. The goat is just cooked and is really, really tender | 0:09:34 | 0:09:38 | |
and then pulled off the bone. | 0:09:38 | 0:09:40 | |
Sometimes they serve it, I'm told, shredded up to put | 0:09:40 | 0:09:43 | |
in tortillas but this is in pieces and it's really, really nice. | 0:09:43 | 0:09:47 | |
Back home in Padstow, I wanted to cook one of Guadalajara's famous stews, | 0:09:53 | 0:09:57 | |
and the most popular one, without any shadow of doubt, | 0:09:57 | 0:10:01 | |
is the carne con chilli, and not the other way round, | 0:10:01 | 0:10:05 | |
thank you very much! | 0:10:05 | 0:10:06 | |
So first I'm toasting these chillies, it is normal in Mexico, | 0:10:09 | 0:10:13 | |
with any of the dry chillies, like guajillo, pasilla or chipotle, | 0:10:13 | 0:10:16 | |
to toast them first, not for too long, because if you burn them at all, | 0:10:16 | 0:10:21 | |
it gives a bitter flavour to whatever sauce you are making. | 0:10:21 | 0:10:25 | |
just turning those over. | 0:10:25 | 0:10:26 | |
This is carne con chilli not chilli con carne. The difference - | 0:10:26 | 0:10:31 | |
chilli con carne is a Tex-Mex dish. | 0:10:31 | 0:10:34 | |
It's made with mince and it always has red kidney beans with it, | 0:10:34 | 0:10:38 | |
and made with tomato, of course. | 0:10:38 | 0:10:40 | |
Carne con chilli is Mexican and is made with chunks of beef but sometimes | 0:10:40 | 0:10:45 | |
pork as well, and it never has beans with it, | 0:10:45 | 0:10:48 | |
they serve the black beans separately, so you can take the choice, | 0:10:48 | 0:10:52 | |
you can either have a bowl of chilli, | 0:10:52 | 0:10:55 | |
which you get in places like Los Angeles, which is just mince flavoured with chilli, | 0:10:55 | 0:11:00 | |
or you can have this, which is the real Mexican deal. | 0:11:00 | 0:11:04 | |
Out go those chillies, into some boiling water, | 0:11:04 | 0:11:06 | |
to soften for about 20 minutes. | 0:11:06 | 0:11:08 | |
Next, I'm using the hot pan for a very important process in Mexico, | 0:11:10 | 0:11:15 | |
to actually char tomatoes and garlic, sometimes onions as well. | 0:11:15 | 0:11:19 | |
Now this may be just a convenient way because they have always got | 0:11:19 | 0:11:22 | |
a hot plate to actually take the skins off things like garlic | 0:11:22 | 0:11:27 | |
but also I think it adds flavour to the finished sauce. | 0:11:27 | 0:11:31 | |
So I'm just turning these tomatoes over and you can see they are beginning | 0:11:32 | 0:11:35 | |
to burn on the skin and the garlic similarly. | 0:11:35 | 0:11:38 | |
And now I'm just transferring them over here | 0:11:41 | 0:11:43 | |
to quarter the tomatoes and I'm not going to take the skins off the | 0:11:43 | 0:11:47 | |
tomatoes - I don't think it matters | 0:11:47 | 0:11:49 | |
because I'm going to whiz everything up in a blender. | 0:11:49 | 0:11:51 | |
Tomatoes, then the garlic, and then this sote, | 0:11:51 | 0:11:55 | |
you can see the colour has come off the guajillos now. | 0:11:55 | 0:12:00 | |
And a little bit of the juice from the guajillo | 0:12:00 | 0:12:03 | |
to help things along in the blender. Lid on. | 0:12:03 | 0:12:06 | |
I was reading through some of the research for this, back in the 1800s, | 0:12:09 | 0:12:13 | |
some Spanish priests regarded chillies and chilli sauces in particular as | 0:12:13 | 0:12:18 | |
aphrodisiac, describing them as the soup of the devil. | 0:12:18 | 0:12:22 | |
Well, that's probably made the dishes even more popular! | 0:12:22 | 0:12:26 | |
Those are now blended into a really nice sauce. | 0:12:27 | 0:12:30 | |
That is so good, it's sort of smells like the heart of Mexico, | 0:12:32 | 0:12:35 | |
I think it's such a good idea to toast everything, tomatoes as well, | 0:12:35 | 0:12:39 | |
before blitzing them, it's got a lovely charry overtone to the sauce. | 0:12:39 | 0:12:44 | |
Now, lard in the pan, just melt that a little bit and then add the beef. | 0:12:46 | 0:12:50 | |
This is cubes of chuck steak. | 0:12:50 | 0:12:52 | |
My, that is a little bit hot. | 0:12:52 | 0:12:54 | |
OK, there we go! Just browning that nicely. | 0:12:54 | 0:12:57 | |
I was just thinking about putting lard in the pan... | 0:12:58 | 0:13:02 | |
I had this guy from Padstow, Richard Bate. I'd say, | 0:13:02 | 0:13:06 | |
"How do you cook salmon, Richard?" | 0:13:06 | 0:13:09 | |
And he'd say, "Get your pan, get it really hot... | 0:13:09 | 0:13:11 | |
"Put a bit of lard in the pan, and fry your salmon and then it's lovely." | 0:13:11 | 0:13:15 | |
And I'd say, "How'd you cook rabbit?" | 0:13:15 | 0:13:17 | |
He'd say, "You get your pan, put a bit of lard in the pan, | 0:13:17 | 0:13:19 | |
"you fry it up lovely." | 0:13:19 | 0:13:21 | |
Everything he cooked in lard in the pan. | 0:13:21 | 0:13:23 | |
I've only just remembered that since being to Mexico, | 0:13:23 | 0:13:26 | |
because they use lots of lard in the pan. | 0:13:26 | 0:13:28 | |
So, that's looking really nice and brown, that beef, | 0:13:29 | 0:13:32 | |
so now I'm going to add about one onion, chopped up, | 0:13:32 | 0:13:35 | |
I'm not a great believer in adding bits in stages in a stew like this. | 0:13:35 | 0:13:40 | |
You can add most of it all at once. | 0:13:40 | 0:13:42 | |
Now, just for some very Mexican spicing, first of all, oregano, | 0:13:43 | 0:13:47 | |
about a teaspoon, and now some cumin, very important in this chilli dish, cumin. | 0:13:47 | 0:13:52 | |
Very strong flavour. | 0:13:52 | 0:13:54 | |
And now some allspice, they use a lot of allspice. | 0:13:54 | 0:13:57 | |
Squish the allspice berries a bit, in that goes, that's really nice. | 0:13:57 | 0:14:01 | |
A bay leaf. And now this wonderful zapped sauce with the chillies, tomato, garlic, | 0:14:01 | 0:14:06 | |
stir that in. Look at that, that's looking absolutely lovely already. | 0:14:06 | 0:14:10 | |
And now this is my sort of secret ingredient, this is chipotle in adobo. | 0:14:11 | 0:14:15 | |
It's like a sauce that I've made up by whizzing up chipotle chillies | 0:14:15 | 0:14:20 | |
with garlic and tomatoes and a bit of vinegar. | 0:14:20 | 0:14:22 | |
It's one of those essentials in a Mexican kitchen, | 0:14:22 | 0:14:26 | |
I'm just going to top that up with some of the juice from soaking my | 0:14:26 | 0:14:30 | |
guajillo chillies | 0:14:30 | 0:14:33 | |
and now a bit of salt. | 0:14:33 | 0:14:35 | |
You might think there's too much salt, I couldn't possibly comment. | 0:14:35 | 0:14:40 | |
There we go. I'm going to leave that to simmer that for an hour and a | 0:14:40 | 0:14:43 | |
half, with a lid on. | 0:14:43 | 0:14:45 | |
I'm going to take it off towards the end just to reduce the sauce. | 0:14:45 | 0:14:49 | |
People told me in Guadalajara that this is something they love to eat any | 0:14:51 | 0:14:56 | |
day of the week, and any time of the day. | 0:14:56 | 0:14:58 | |
I think it tastes even better cooked ahead of time and then at the table | 0:14:58 | 0:15:03 | |
you add sour cream, mature tangy cheese that's easy to crumble, | 0:15:03 | 0:15:08 | |
fresh coriander, and thin slices of radish. | 0:15:08 | 0:15:12 | |
I think if I was from Guadalajara this would be my ultimate comfort food, | 0:15:13 | 0:15:19 | |
my roast beef and Yorkshire pudding. It's lovely. | 0:15:19 | 0:15:23 | |
This building is affectionately known as the Hospicio, | 0:15:29 | 0:15:33 | |
and it's a true landmark in the city. | 0:15:33 | 0:15:36 | |
It's famous because it contains a series of frescoes from one of Mexico's | 0:15:36 | 0:15:40 | |
most renowned muralists, Jose Clemente Orozco, | 0:15:40 | 0:15:44 | |
and it depicts the darkest moments of Spanish rule. | 0:15:44 | 0:15:48 | |
Orozco's embellishment of the chapel in the 1930s is seen as one of the | 0:15:51 | 0:15:55 | |
greatest masterpieces in Latin America. | 0:15:55 | 0:15:58 | |
And it doesn't shy away from the tyranny unleashed by the Spanish invaders. | 0:15:58 | 0:16:02 | |
And the suffering of the masses. | 0:16:02 | 0:16:05 | |
I always look for little details like a bowl of food or a view | 0:16:08 | 0:16:12 | |
of some peasants eating. But these are just glimpses from hell. | 0:16:12 | 0:16:17 | |
I must say, when you first come in here, | 0:16:22 | 0:16:24 | |
you start looking up at these murals, it's quite shocking. | 0:16:24 | 0:16:28 | |
Orozco said himself that the things that he saw in the Mexican Revolution | 0:16:28 | 0:16:33 | |
were too horrifying, bestiality of man, the hypocrisy, the lies, | 0:16:33 | 0:16:40 | |
the terror. And all of that is up there. | 0:16:40 | 0:16:44 | |
They have called that dome the Sistine Chapel of the Americas and if you | 0:16:44 | 0:16:49 | |
think about the fact that Orozco lost his arm | 0:16:49 | 0:16:53 | |
in a gunpowder accident when he was about 20, | 0:16:53 | 0:16:56 | |
and he painted 16 metres up from the ground, also with a dicky heart, | 0:16:56 | 0:17:00 | |
he painted those murals, it is quite special. | 0:17:00 | 0:17:03 | |
This was a hospice, and coming here really makes you think. | 0:17:07 | 0:17:12 | |
Although most of what you see is to do with the Spanish occupation, | 0:17:12 | 0:17:15 | |
it's also, to me, | 0:17:15 | 0:17:17 | |
a reminder that Mexico is still a place of tragic undertones. | 0:17:17 | 0:17:22 | |
I was just jotting down a few notes about the Mexican muralists, | 0:17:25 | 0:17:30 | |
Rivera and Siqueiros were the other two famous ones, | 0:17:30 | 0:17:33 | |
but I think Jose Clemente Orozco says it all in this little piece here, | 0:17:33 | 0:17:38 | |
"the highest, the most logical, | 0:17:38 | 0:17:40 | |
"the purest and the strongest form of painting is the mural. | 0:17:40 | 0:17:45 | |
"It is also the most disinterested form, for it cannot be hidden away | 0:17:45 | 0:17:50 | |
"for the benefit of a certain privileged few. | 0:17:50 | 0:17:53 | |
"It is for the people. | 0:17:53 | 0:17:55 | |
"It is for all." | 0:17:55 | 0:17:57 | |
Orozco was not all about doom and gloom. | 0:18:03 | 0:18:06 | |
There is a little gallery nearby featuring some of his other works | 0:18:06 | 0:18:10 | |
and there is one famous painting, | 0:18:10 | 0:18:12 | |
rather pertinent to a curious travelling chef. | 0:18:12 | 0:18:16 | |
I saw this mural in a guidebook, La Buena Vida. | 0:18:20 | 0:18:24 | |
I had to have a look at it. | 0:18:24 | 0:18:25 | |
I make it a bit of a thing of mine to find works of art that contain | 0:18:25 | 0:18:30 | |
lots of food. This one contains lots of food. | 0:18:30 | 0:18:32 | |
You got lobsters, pig's head, prawns, crabs, chickens, | 0:18:32 | 0:18:37 | |
loads of wine and cheese and pineapple. | 0:18:37 | 0:18:40 | |
A happy-looking fish being held up by the chef, and some flying chickens. | 0:18:40 | 0:18:44 | |
It was painted in 1945. | 0:18:45 | 0:18:48 | |
What astounds me, | 0:18:48 | 0:18:50 | |
having seen other Orozcos, is this is a little bit jolly. | 0:18:50 | 0:18:55 | |
But I do notice, down in the bottom, sort of shadowy figures, | 0:18:55 | 0:18:59 | |
like some Hogarthian men with wigs. | 0:18:59 | 0:19:03 | |
And up on the left here, | 0:19:03 | 0:19:05 | |
she looks a bit like Sally Bowles in Cabaret, | 0:19:05 | 0:19:08 | |
Christopher Isherwood's Goodbye To Berlin. | 0:19:08 | 0:19:11 | |
So, it just has that little tincture of not being totally fun, | 0:19:11 | 0:19:17 | |
but for Orozco it is a bundle of laughs. | 0:19:17 | 0:19:21 | |
I think it's true to say that Guadalajara's heart beats for tradition, | 0:19:28 | 0:19:32 | |
but in a city passionate about its food, | 0:19:32 | 0:19:35 | |
it's not surprising to hear about chefs using that legacy to create | 0:19:35 | 0:19:40 | |
something even more spectacular. | 0:19:40 | 0:19:42 | |
This is Alcalde, a must-try restaurant, if you happen to be in town. | 0:19:44 | 0:19:50 | |
Not necessarily because you will try dishes that can be easily cooked | 0:19:50 | 0:19:53 | |
at home - it's not that - | 0:19:53 | 0:19:55 | |
but because Guadalajara has produced a young talented chef who is taking | 0:19:55 | 0:20:00 | |
familiar Mexican ingredients and turning them into some very tasty dishes. | 0:20:00 | 0:20:05 | |
For his efforts, Alcalde is now in Latin America's top 50 restaurants, | 0:20:07 | 0:20:13 | |
and his name is "Paco" Ruano. | 0:20:13 | 0:20:16 | |
You describe your cooking, I have read it, | 0:20:16 | 0:20:18 | |
you describe your cooking as a bit weird... | 0:20:18 | 0:20:21 | |
Well, let's define weirdness. | 0:20:21 | 0:20:24 | |
I would define it as not like other people's food | 0:20:25 | 0:20:29 | |
-and therefore a little, you know... -I try to... | 0:20:29 | 0:20:34 | |
..take references, and what I learnt and | 0:20:34 | 0:20:37 | |
what I like to eat and what | 0:20:37 | 0:20:40 | |
has influenced me as a cook... | 0:20:40 | 0:20:43 | |
as a Mexican, and I just try to do it my way. | 0:20:43 | 0:20:47 | |
Sometimes it means to put ingredients that are not supposed to be in | 0:20:47 | 0:20:52 | |
traditional preparation. | 0:20:52 | 0:20:54 | |
For me, it's important to put a little piece of myself into what I do. | 0:20:55 | 0:21:01 | |
We are selling food, so it's important... | 0:21:01 | 0:21:03 | |
You want to feel personal about it. | 0:21:03 | 0:21:04 | |
Yeah. It's very important that every single dish tells a little bit about | 0:21:04 | 0:21:09 | |
-me... -I feel the same way. | 0:21:09 | 0:21:12 | |
When I'm cooking, it's like, | 0:21:12 | 0:21:14 | |
I want them to enjoy eating it because I eat it and I enjoy it so much. | 0:21:14 | 0:21:18 | |
It sounds like a very overdone speech and but it's the way it is, you know. | 0:21:18 | 0:21:24 | |
It's the truth. | 0:21:24 | 0:21:25 | |
Yeah. It is. | 0:21:25 | 0:21:26 | |
Paco is making one of his most popular dishes. | 0:21:28 | 0:21:31 | |
He calls it a gordita dumpling. | 0:21:31 | 0:21:34 | |
It's made from the traditional paste used to make the famous tamales. | 0:21:34 | 0:21:39 | |
You often buy them on street corners wrapped in corn husks. | 0:21:39 | 0:21:42 | |
And as the famous blues singer Robert Johnson said, | 0:21:42 | 0:21:45 | |
hot tamales and they're red-hot, yes, she's got them for sale. | 0:21:45 | 0:21:49 | |
It's basically ground corn paste, curd cheese, | 0:21:52 | 0:21:56 | |
melted butter and milk that's cooked for half an hour. | 0:21:56 | 0:21:59 | |
Now, the base of the dish. | 0:22:03 | 0:22:04 | |
It's spinach cooked with finely chopped onions and garlic | 0:22:04 | 0:22:08 | |
in a little butter. | 0:22:08 | 0:22:10 | |
Then, the juice of half a lemon. | 0:22:10 | 0:22:11 | |
And now finely chopped tomatoes. | 0:22:13 | 0:22:16 | |
Paco is adding a couple of ladles of stock to a sauce that is already | 0:22:19 | 0:22:23 | |
pre-made, and it's made with anaheim chillies, more ground corn, butter, | 0:22:23 | 0:22:29 | |
cream and lemon juice. | 0:22:29 | 0:22:31 | |
Now, for the plump tamale dumpling, the gordita, the little fat one. | 0:22:34 | 0:22:39 | |
So, this is what you get on your plate, here. | 0:22:45 | 0:22:47 | |
A bed of spinach and tomatoes, then the famous gordita, | 0:22:47 | 0:22:52 | |
the chilli butter sauce, | 0:22:52 | 0:22:53 | |
and a sprinkling of some unlikely bedfellows - toasted macadamia nuts, | 0:22:53 | 0:22:59 | |
dehydrated mushroom powder, and corn ash. | 0:22:59 | 0:23:03 | |
Ash is becoming a really popular accompaniment in lots of restaurants. | 0:23:04 | 0:23:09 | |
It's very nouveau vague. | 0:23:09 | 0:23:12 | |
That looks fab. Can I take a picture of it? | 0:23:13 | 0:23:16 | |
Yeah. Please. Go ahead. | 0:23:16 | 0:23:18 | |
Lovely, I love the dish. | 0:23:18 | 0:23:21 | |
The plate, it looks like volcanoes, it looks very Mexican. | 0:23:21 | 0:23:26 | |
But what you've got there is pretty adventurous. | 0:23:26 | 0:23:28 | |
Because you've got the ash from the corn. | 0:23:28 | 0:23:30 | |
It's one of the tools that Mexican - | 0:23:30 | 0:23:33 | |
the young Mexican chefs are using. | 0:23:33 | 0:23:35 | |
-Yeah, yeah. -Right. | 0:23:35 | 0:23:37 | |
Try to take a bite with all the spinach and sauce. | 0:23:37 | 0:23:40 | |
Do you like it? | 0:23:40 | 0:23:42 | |
I love it. Cos, what, to me is... | 0:23:44 | 0:23:47 | |
It's modern cooking, but it unmistakably Mexican. | 0:23:47 | 0:23:52 | |
For me, it's very important that food tastes like the food that | 0:23:52 | 0:23:58 | |
mark my life, makes me want to be a cook in the first place. | 0:23:58 | 0:24:01 | |
-So... -You know, you're in the top 50 Latin American restaurants, | 0:24:01 | 0:24:05 | |
and I can understand why. | 0:24:05 | 0:24:07 | |
Because you get... A lot of chefs, they say, | 0:24:07 | 0:24:11 | |
it's rooted in the traditions, and it's not, | 0:24:11 | 0:24:13 | |
you've just got lots of sort of bits all over the plate. | 0:24:13 | 0:24:16 | |
I'm not Mexican, but I can taste a lot of traditions in that. | 0:24:16 | 0:24:19 | |
-Thank you, Rick. It's a pleasure. -Cheers. | 0:24:19 | 0:24:23 | |
I'm told this plaza is very important. | 0:24:31 | 0:24:33 | |
It was the spot where the Spanish first pitched their tents all those | 0:24:33 | 0:24:37 | |
years ago. I can't help thinking that they must have done their homework, | 0:24:37 | 0:24:42 | |
or they just might have been very lucky. | 0:24:42 | 0:24:44 | |
Because this place was surrounded by enormous silver mines, | 0:24:44 | 0:24:48 | |
which would have pleased the folks back home - ie the King and Queen - | 0:24:48 | 0:24:52 | |
very much indeed. | 0:24:52 | 0:24:54 | |
Not to mention the pirates they would undoubtedly have met on their way back to Spain. | 0:24:54 | 0:24:59 | |
The French took over the place for just three years, | 0:25:02 | 0:25:05 | |
enough time to stamp their culinary mark with the baguette. | 0:25:05 | 0:25:09 | |
I heard about this bakery on the back streets of Guadalajara, | 0:25:13 | 0:25:17 | |
just outside the city centre. | 0:25:17 | 0:25:19 | |
Such is the love of this bread here that it's about to be awarded | 0:25:20 | 0:25:25 | |
its own denomination of origin. | 0:25:25 | 0:25:26 | |
It happens to be named after a Belgian baker in the French army, | 0:25:28 | 0:25:32 | |
Camille Pirotte, who arrived here in 1863. | 0:25:32 | 0:25:37 | |
He managed to produce a type of sourdough perfect for this climate, | 0:25:38 | 0:25:42 | |
and gave away day-old scraps, not favoured by the French troops, | 0:25:42 | 0:25:46 | |
to the poor. And this is where the locals got their taste for it. | 0:25:46 | 0:25:50 | |
I've finally managed to get my first... | 0:25:55 | 0:25:58 | |
..hold of my first birote that's cool enough to handle, | 0:25:58 | 0:26:01 | |
because they're baking them all the time. So... | 0:26:01 | 0:26:05 | |
it is wonderful. | 0:26:05 | 0:26:07 | |
It's got a true sourdough taste to it. | 0:26:07 | 0:26:09 | |
Now, I've been sitting here, | 0:26:09 | 0:26:11 | |
waiting for this bread to come out and thinking about this bakery. | 0:26:11 | 0:26:14 | |
Because, as you can see, it is so easy on the eyes. You just think, | 0:26:14 | 0:26:20 | |
great bread would have to come out of a bakery like this and that doesn't | 0:26:20 | 0:26:24 | |
come from industrial processes, | 0:26:24 | 0:26:26 | |
it comes from families working doing the same thing, | 0:26:26 | 0:26:29 | |
day after day for generations. | 0:26:29 | 0:26:32 | |
Long may it last. Just looking round here, | 0:26:32 | 0:26:35 | |
I was thinking rather cynically that all of this - | 0:26:35 | 0:26:38 | |
the tables and all of the planks that they are making the bread on, | 0:26:38 | 0:26:41 | |
in Britain would probably turn up in antique shops, now. | 0:26:41 | 0:26:45 | |
Bought by middle-class people for lots of money. | 0:26:45 | 0:26:49 | |
What do you think of that? | 0:26:49 | 0:26:50 | |
This isn't where the story ends, | 0:26:52 | 0:26:54 | |
because the birote helped invent Guadalajara's favourite street food, torta ahogada. | 0:26:54 | 0:26:59 | |
Basically, it's a birote baguette packed | 0:26:59 | 0:27:03 | |
with slow-cooked pieces of pork | 0:27:03 | 0:27:05 | |
and topped with an explosive chilli sauce, freshly chopped onions, | 0:27:05 | 0:27:10 | |
which Mexicans seem to put on practically every dish, | 0:27:10 | 0:27:14 | |
and then literally drowned with spicy tomato salsa. | 0:27:14 | 0:27:18 | |
This hole in the wall, the oldest in the city, incidentally, | 0:27:21 | 0:27:24 | |
was started by Don Jose, | 0:27:24 | 0:27:27 | |
who began selling the sandwiches from a bicycle. | 0:27:27 | 0:27:29 | |
I must say, I'm beginning to get rather peckish. | 0:27:32 | 0:27:36 | |
Although wet, soggy, bread? | 0:27:36 | 0:27:38 | |
Hmmm. | 0:27:38 | 0:27:39 | |
Do you need this? Gracias. | 0:27:45 | 0:27:46 | |
HE SPEAKS IN SPANISH | 0:27:46 | 0:27:49 | |
"Pierna" means the leg meat of the pork. | 0:27:49 | 0:27:52 | |
Media means I only want half chilli, I don't want it blindingly hot. | 0:27:52 | 0:27:56 | |
I wonder what they did before plastic bags came along? | 0:27:56 | 0:28:00 | |
Well, this should be interesting. | 0:28:04 | 0:28:05 | |
I don't know how I'm going to eat this without it going all over my shirt. | 0:28:09 | 0:28:13 | |
I've been watching other people, there's different techniques, | 0:28:13 | 0:28:16 | |
but thank God for the plastic bag. | 0:28:16 | 0:28:20 | |
I tell you what is really good about this, it's the fresh tomato. | 0:28:22 | 0:28:25 | |
It's actually raw tomato, coupled with the chilli. | 0:28:25 | 0:28:29 | |
It's slow-cooked leg of pork. | 0:28:29 | 0:28:31 | |
One more attempt... | 0:28:31 | 0:28:33 | |
It is heavenly. | 0:28:37 | 0:28:39 | |
It's really, really lovely. | 0:28:39 | 0:28:40 | |
But I may not eat any more with the camera onto me, | 0:28:42 | 0:28:46 | |
because I look a complete idiot covered in tomato sauce. | 0:28:46 | 0:28:49 | |
I love our drives in the crew van, | 0:28:59 | 0:29:01 | |
especially the all-encompassing conversations, | 0:29:01 | 0:29:05 | |
covering subjects like beer, tacos, who's got control of the CD player, | 0:29:05 | 0:29:10 | |
what we want for dinner that night, and of course, | 0:29:10 | 0:29:13 | |
for some inexplicable reason, Plymouth Argyle. | 0:29:13 | 0:29:17 | |
I noticed this football stadium at the top of the road. | 0:29:18 | 0:29:22 | |
Pete, the sound recordist, who knows everything about football, | 0:29:22 | 0:29:25 | |
said he wondered whether this, in 1970, | 0:29:25 | 0:29:29 | |
was the stadium of the famous World Cup loss | 0:29:29 | 0:29:34 | |
between England and Brazil. | 0:29:34 | 0:29:37 | |
We love, we love claiming fame to just one thing, | 0:29:38 | 0:29:42 | |
and actually it was the most spectacular goal save by Gordon Banks from a header from Pele. | 0:29:42 | 0:29:50 | |
Pete says, "Of course, you wouldn't know anything about that because | 0:29:50 | 0:29:53 | |
"you're a rugby man". "Wrong", I said, "I do watch the World Cups!" | 0:29:53 | 0:29:57 | |
I'm after something sweet that can only be found in the evenings, | 0:30:07 | 0:30:11 | |
specifically at a stall outside Guadalajara's famous sanctuary | 0:30:11 | 0:30:16 | |
dedicated to the Virgin Mary. | 0:30:16 | 0:30:19 | |
These crispy discs of sweet batter are called bunuelos. | 0:30:19 | 0:30:23 | |
The sugary syrup is flavoured with guava. | 0:30:23 | 0:30:26 | |
It reminds me of a dish that was very popular when I was little. | 0:30:26 | 0:30:30 | |
It was Yorkshire pudding with syrup poured over it, served as an after. | 0:30:30 | 0:30:35 | |
I never had it because I was too posh, | 0:30:38 | 0:30:40 | |
but I always wanted it and this is it, or very much like it. | 0:30:40 | 0:30:45 | |
It's funny how the memory works and what comes up, | 0:30:47 | 0:30:50 | |
but with me it's always to do with smell and food. | 0:30:50 | 0:30:54 | |
It's very satisfying, it's a lovely syrup. | 0:30:56 | 0:30:58 | |
These bunuelos, | 0:31:00 | 0:31:03 | |
mispronunciation - don't write in - | 0:31:03 | 0:31:05 | |
they're popular all over Mexico but only on special | 0:31:05 | 0:31:09 | |
high days and holidays but in Guadalajara you get them all the time. | 0:31:09 | 0:31:12 | |
Very Guadalajara thing, I think. | 0:31:16 | 0:31:18 | |
Once you get a taste for this dessert, | 0:31:22 | 0:31:24 | |
you just have to make it and that's exactly what I did back home | 0:31:24 | 0:31:28 | |
in Padstow. | 0:31:28 | 0:31:30 | |
So, to make the pastry dough, I've some flour in this bowl here, | 0:31:31 | 0:31:34 | |
adding some caster sugar, not a lot, | 0:31:34 | 0:31:36 | |
just an edge of sweetness to the pastry. | 0:31:36 | 0:31:39 | |
Some baking powder, about a teaspoon of baking powder. | 0:31:39 | 0:31:43 | |
Just mix that around. | 0:31:43 | 0:31:45 | |
Forgot the salt! A little pinch of salt always a good idea in a pastry. | 0:31:45 | 0:31:48 | |
Now, just going to make a well in the centre and break an egg in. | 0:31:51 | 0:31:57 | |
There we go, and just a little bit of melted butter. | 0:31:58 | 0:32:01 | |
A teaspoon of vanilla essence. | 0:32:03 | 0:32:05 | |
And now to add the water to bind all the pastry together. | 0:32:07 | 0:32:10 | |
In with my hands now. | 0:32:12 | 0:32:14 | |
And now it's coming away from the bottom of the bowl, | 0:32:15 | 0:32:18 | |
so out onto the pastry board and now to knead it. | 0:32:18 | 0:32:22 | |
Fold that over a bit. | 0:32:23 | 0:32:25 | |
Nice Mexican towel to let it rest, and there we go. | 0:32:29 | 0:32:33 | |
Now we'll make the syrup and poach the fruit. | 0:32:33 | 0:32:36 | |
So, I've got a pan with some boiling water in it and I'm going to make a | 0:32:37 | 0:32:40 | |
really fragrant stock syrup. | 0:32:40 | 0:32:42 | |
So first of all I'm adding a star anise and four allspice berries | 0:32:42 | 0:32:47 | |
and then a large piece of cinnamon stick. | 0:32:47 | 0:32:49 | |
Just going to bring that to the boil and let it simmer. | 0:32:49 | 0:32:52 | |
And here we go with some orange zest, about four pieces of orange zest. | 0:32:52 | 0:32:57 | |
And now some brown sugar, to give it a nice deep colour. | 0:32:58 | 0:33:03 | |
You may be surprised about the amount of brown sugar but it really needs to be sweet, this sauce. | 0:33:03 | 0:33:09 | |
Mexicans love sugar. | 0:33:09 | 0:33:11 | |
And now some lime juice. | 0:33:14 | 0:33:15 | |
Waste not, want not... | 0:33:18 | 0:33:20 | |
Just squeezing the juice out of that orange that I took the zest off. | 0:33:20 | 0:33:25 | |
And now there's just a little thing I always do, a tiny bit of salt in there, | 0:33:25 | 0:33:30 | |
just brings up the sweetness a little bit. | 0:33:30 | 0:33:32 | |
I may not be an expert, but this is how I slice a mango. | 0:33:34 | 0:33:37 | |
Take a flexible knife and then just cut easily right against the stone. | 0:33:37 | 0:33:43 | |
That's why I'm using a flexible knife. | 0:33:43 | 0:33:46 | |
See, that comes off in a nice clean piece. | 0:33:48 | 0:33:51 | |
Then just cut the flesh away from the skin. | 0:33:51 | 0:33:54 | |
Slice that up into bite-sized pieces and in that goes, into my stock. | 0:33:55 | 0:34:00 | |
I'm just going to leave that to poach for about ten minutes now. | 0:34:02 | 0:34:06 | |
There's my rested dough, | 0:34:09 | 0:34:11 | |
I'm just going to roll that out as thinly as I can. | 0:34:11 | 0:34:14 | |
The whole point is you drop it in the fryer and it all puffs up | 0:34:15 | 0:34:20 | |
and you want it as fragile as possible, | 0:34:20 | 0:34:22 | |
so that when you put the syrup and the mango on there, | 0:34:22 | 0:34:25 | |
it just breaks up and just melts into the juice, but not all of it. | 0:34:25 | 0:34:30 | |
There we go. I pick that up on my rolling pin, just drop it into the oil, | 0:34:32 | 0:34:37 | |
like that. | 0:34:37 | 0:34:39 | |
Just leave that for about a minute on one side, | 0:34:40 | 0:34:43 | |
and then I'm going to turn it over. | 0:34:43 | 0:34:45 | |
Look at the way that's puffing up, | 0:34:45 | 0:34:47 | |
that's the baking powder in there really doing its thing. | 0:34:47 | 0:34:50 | |
It already looks really light and airy and delicate. | 0:34:50 | 0:34:53 | |
Now to make the dish up I've got this rather pretty Sicilian dish with | 0:34:58 | 0:35:03 | |
octopus on it. It might have had fruit on it, but it's got octopus. | 0:35:03 | 0:35:07 | |
OK. So, in that goes my bunuelo. | 0:35:07 | 0:35:11 | |
Just smack that up with a ladle so that it breaks up a little bit, | 0:35:11 | 0:35:15 | |
and about three ladles full of this delicious, gloopy, sweet-scented stock. | 0:35:15 | 0:35:21 | |
There we go. You can see it's already starting to melt the dough | 0:35:23 | 0:35:26 | |
but there's nice crisp bits left in there, too. | 0:35:26 | 0:35:29 | |
That is delicious. | 0:35:29 | 0:35:30 | |
And if you like, a dollop of ice cream on top - vanilla of course, | 0:35:30 | 0:35:34 | |
in honour of Mexico. | 0:35:34 | 0:35:36 | |
This is one of those places where people will say, "Oh, | 0:35:53 | 0:35:56 | |
"you've been to Guadalajara, you must have had the menudo" - tripe soup. | 0:35:56 | 0:36:00 | |
And I would say, "Well, of course, you'd be crazy to miss it!" | 0:36:00 | 0:36:04 | |
I know tripe's not to everyone's taste, but, like me, | 0:36:05 | 0:36:08 | |
the Mexicans love it. | 0:36:08 | 0:36:10 | |
The soup's prepared in their home kitchen, | 0:36:11 | 0:36:14 | |
just a few doors up from the restaurant. | 0:36:14 | 0:36:16 | |
What makes Guadalajara's menudo so distinctive is its reddish broth, | 0:36:17 | 0:36:22 | |
flavoured with local chilacate chilies and lots of garlic. | 0:36:22 | 0:36:26 | |
Why is it so loved in the mornings, I hear you say? | 0:36:28 | 0:36:31 | |
Well, I think it's fair to say that the Guadalajarans love to drink, | 0:36:31 | 0:36:35 | |
and this soup is the perfect antidote for the night before. | 0:36:35 | 0:36:39 | |
I was tipped off about this place by Raul Hernandez, | 0:36:43 | 0:36:47 | |
who runs food tours in the city. | 0:36:47 | 0:36:50 | |
So it's all locals? | 0:36:50 | 0:36:51 | |
It's all locals, as you can see. | 0:36:51 | 0:36:53 | |
Excellente, gracias. | 0:36:57 | 0:37:00 | |
Let's get stuck in, then. | 0:37:00 | 0:37:02 | |
Let's get started, yeah, before it gets cold. | 0:37:02 | 0:37:04 | |
So... Well, we have a little bit of... Is this chilli? | 0:37:04 | 0:37:07 | |
-Chilli de arbol. -OK, tell me what to put in. | 0:37:07 | 0:37:11 | |
-Oregano. -I've got to have that. | 0:37:11 | 0:37:13 | |
-Lime. -This is raw onion. | 0:37:13 | 0:37:16 | |
Is the avocado to go in there too? | 0:37:16 | 0:37:18 | |
-That's kind of a specialty here. -And this is tomatillos? | 0:37:18 | 0:37:21 | |
This is tomatillos. | 0:37:21 | 0:37:23 | |
I like to put a little bit of lime with my onions, sorry. | 0:37:23 | 0:37:26 | |
And then, you know, the broth is going to give it the last kick. | 0:37:26 | 0:37:30 | |
-I put a twist. -Well, here we go. | 0:37:30 | 0:37:33 | |
-Delish. -Knock yourself out with some tortillas. | 0:37:34 | 0:37:37 | |
You almost have to do one and one. | 0:37:37 | 0:37:39 | |
-Really? -Well, that's how I like it. | 0:37:39 | 0:37:43 | |
Now, some people take | 0:37:43 | 0:37:44 | |
the tortilla and make a taco out of it, or you can just, you know, | 0:37:44 | 0:37:49 | |
wrap it, like this. | 0:37:49 | 0:37:51 | |
It's delicious. It's not everybody's cup of tea, tripe, | 0:37:52 | 0:37:56 | |
but I'm a big fan. | 0:37:56 | 0:37:58 | |
Nothing beats a traditional, good menudo place. | 0:37:58 | 0:38:01 | |
Every Sunday, I used to go with my grandfather, | 0:38:01 | 0:38:04 | |
with my father to the same spot. | 0:38:04 | 0:38:06 | |
It almost became like a family thing, right? | 0:38:06 | 0:38:08 | |
Maybe my dad would have a little more spice, a little more kick to it, | 0:38:08 | 0:38:12 | |
maybe my mum would add a little bit more lime and oregano. | 0:38:12 | 0:38:14 | |
At the end, you know, | 0:38:14 | 0:38:16 | |
the colour and the smell and taste of each dish is different. | 0:38:16 | 0:38:20 | |
-Yeah. -So we'd go around and say, "Oh, my broth is amazing, | 0:38:20 | 0:38:23 | |
"you should go and try it". And people would just basically compete | 0:38:23 | 0:38:26 | |
amongst each other, to say, "Oh, that was really good, | 0:38:26 | 0:38:29 | |
"you really nailed that one". | 0:38:29 | 0:38:31 | |
So it's a family thing, it's a traditional thing. | 0:38:31 | 0:38:34 | |
It's something that's really close to your heart. | 0:38:34 | 0:38:37 | |
It's extraordinary really, because there's nothing... | 0:38:37 | 0:38:40 | |
When you taste tripe, right, apart from perhaps the smell, | 0:38:40 | 0:38:43 | |
there is nothing unpleasant about it. | 0:38:43 | 0:38:45 | |
It's like soft, it's very easy to chew, | 0:38:45 | 0:38:49 | |
you sort of feel it's good for you, it's not fatty, | 0:38:49 | 0:38:52 | |
and yet people have this aversion to it. | 0:38:52 | 0:38:56 | |
My wife, I just couldn't get her to like it, and that's fine, I guess. | 0:38:56 | 0:39:00 | |
It's not for everybody. | 0:39:00 | 0:39:02 | |
Yeah, I don't... No, my wife doesn't care for it either. | 0:39:02 | 0:39:06 | |
She tried some in Greece and then said, "No, I'll have the chicken soup". | 0:39:06 | 0:39:10 | |
You should bring her to taste menudo. | 0:39:11 | 0:39:14 | |
I'm heading out on the Ruta del Tequila and it's packed with fields of blue agave. | 0:39:24 | 0:39:30 | |
They stretch out for miles. | 0:39:30 | 0:39:33 | |
It's true, when you see them on this scale, | 0:39:33 | 0:39:35 | |
they do give out a sort of turquoisey-blue haze. | 0:39:35 | 0:39:39 | |
It's captivating. | 0:39:39 | 0:39:41 | |
Just an hour out of Guadalajara is the town that put tequila on the | 0:39:42 | 0:39:46 | |
world culinary map, and, unsurprisingly, its name is Tequila. | 0:39:46 | 0:39:51 | |
The Aztecs began fermenting agave juice in these parts around 2,000 years ago, | 0:39:53 | 0:39:58 | |
and when the Spanish arrived, | 0:39:58 | 0:40:00 | |
their distilling skills created an elixir that's said to have had sent | 0:40:00 | 0:40:04 | |
your spirit to talk to the gods. | 0:40:04 | 0:40:08 | |
For that reason, tequila is known today as el Pueblo Magico - | 0:40:08 | 0:40:13 | |
the magical town. | 0:40:13 | 0:40:15 | |
Well, here I am in the centre of Tequila. | 0:40:19 | 0:40:21 | |
I must say, from previous trips to Mexico I just remember these little | 0:40:21 | 0:40:25 | |
squares in the centre of Mexican towns are sometimes so pretty. | 0:40:25 | 0:40:29 | |
I must confess, I didn't even know Tequila was a town, | 0:40:29 | 0:40:32 | |
I just thought it was a sort of generic name for the drink. | 0:40:32 | 0:40:35 | |
But now I'm here, I'm thinking about little towns. | 0:40:35 | 0:40:38 | |
Every little town needs a reason to be. | 0:40:38 | 0:40:42 | |
I remember a few years ago, | 0:40:42 | 0:40:44 | |
I was filming in Mississippi and I came to this town | 0:40:44 | 0:40:46 | |
called Leland and it said, "Home of Jim Henson and Kermit the Frog". | 0:40:46 | 0:40:52 | |
Maybe not such a big attraction. | 0:40:52 | 0:40:54 | |
And another time, years ago filming in Queensland, Australia... | 0:40:54 | 0:40:58 | |
.."Home of the big pineapple", it said. | 0:40:58 | 0:41:01 | |
And yes, you could climb up this big pineapple and look at the pineapple | 0:41:01 | 0:41:06 | |
fields all around you. | 0:41:06 | 0:41:08 | |
But when it comes for reasons for being, | 0:41:08 | 0:41:10 | |
I think Tequila's a pretty hard one to beat. | 0:41:10 | 0:41:13 | |
And it's not for no reason that this is perhaps the most perfect little | 0:41:13 | 0:41:18 | |
Mexican square I've seen. | 0:41:18 | 0:41:21 | |
There's plenty of money to keep it very, very smart. | 0:41:21 | 0:41:24 | |
Like champagne, | 0:41:34 | 0:41:36 | |
Tequila has a designated area of origin and produces 60 million gallons a year. | 0:41:36 | 0:41:43 | |
The Sousa family are veteran producers here at Tequila Fortaleza. | 0:41:43 | 0:41:47 | |
Like vines, agave plants flourish in adversity, | 0:41:49 | 0:41:53 | |
and this red volcanic soil is ideal for them. | 0:41:53 | 0:41:58 | |
The owner is Guillermo Sousa. | 0:41:58 | 0:42:01 | |
So this is where it starts with the agave, then? | 0:42:01 | 0:42:03 | |
Yes, these fields are six years old. | 0:42:03 | 0:42:05 | |
This one's maturing at six years, most of them take 7-8, | 0:42:05 | 0:42:09 | |
so we have to come in and get the most mature, | 0:42:09 | 0:42:14 | |
and this one's matured, had a quiote, this one's ready to go. | 0:42:14 | 0:42:17 | |
-The bloom? -The bloom, | 0:42:17 | 0:42:18 | |
the bloom's been kind of cut off here and our harvester, jimadore, | 0:42:18 | 0:42:23 | |
he's ready to harvest. | 0:42:23 | 0:42:25 | |
So if it was allowed to bloom and flower, it would die then? | 0:42:25 | 0:42:29 | |
-It would die, yes. -OK, OK. | 0:42:29 | 0:42:31 | |
We're going to use everything above the ground. | 0:42:31 | 0:42:35 | |
Right now, he's cutting off the roots. | 0:42:35 | 0:42:37 | |
So that's what, how heavy's that? | 0:42:41 | 0:42:43 | |
I think it's approximately 50 kilos. | 0:42:43 | 0:42:46 | |
And how many bottles would you get out of that? | 0:42:46 | 0:42:48 | |
We'll make about five bottles out of that. | 0:42:48 | 0:42:50 | |
-Out of the one? -Yes. | 0:42:50 | 0:42:52 | |
This distillery opened in 1873, | 0:43:09 | 0:43:12 | |
and the processes are still very traditional. | 0:43:12 | 0:43:15 | |
The steam oven can take up to 15 tonnes of agave at any one time. | 0:43:15 | 0:43:21 | |
Heating up these massive bulbs helps to bring out the natural sugars in | 0:43:21 | 0:43:25 | |
the fibre. It takes nearly 30 hours of cooking to soften the flesh. | 0:43:25 | 0:43:31 | |
So, it's cooked? | 0:43:33 | 0:43:35 | |
Cooked agave, yes. | 0:43:35 | 0:43:37 | |
Here we chip it up and then we stone crush it and then we wash it. | 0:43:37 | 0:43:41 | |
We're trying to get the pulp off the fibre, | 0:43:41 | 0:43:43 | |
and that's the step they're on right now, | 0:43:43 | 0:43:45 | |
washing to get as much of the pulp off, which is the sweet part, | 0:43:45 | 0:43:49 | |
which we call our mosto in Spanish. | 0:43:49 | 0:43:52 | |
We drain and we're able to pump up to our fermentation tanks. | 0:43:52 | 0:43:56 | |
What a smell, what am I smelling, is that just the juice? | 0:43:56 | 0:44:00 | |
The juice, the sugars. | 0:44:00 | 0:44:01 | |
Fantastic. And what's the difference between tequila and mezcal, then? | 0:44:01 | 0:44:07 | |
Well, different agave, there's over 250 agave species. | 0:44:07 | 0:44:10 | |
-And they're not cactuses, are they? -No, they're not cactuses. | 0:44:10 | 0:44:13 | |
We only use the blue, the agave weber tequilana, | 0:44:13 | 0:44:18 | |
is the only one we use for tequila. | 0:44:18 | 0:44:20 | |
Mezcal can use any of the other 249, approximate, agaves. | 0:44:20 | 0:44:26 | |
So this is the fermentation, these vats, are they? | 0:44:29 | 0:44:31 | |
Not many people using wood to ferment any more. | 0:44:31 | 0:44:34 | |
Would that make a difference to the taste, then? | 0:44:34 | 0:44:36 | |
In my opinion, it's one of the touches that contributes | 0:44:36 | 0:44:40 | |
to the flavour profile we have. | 0:44:40 | 0:44:42 | |
Yeah, yeah. | 0:44:42 | 0:44:43 | |
This is our old boiler. | 0:44:45 | 0:44:47 | |
-Yeah. -Call it in Spanish a caldera. | 0:44:47 | 0:44:50 | |
It was born the same year my grandfather was born. | 0:44:50 | 0:44:53 | |
-1903. -So this generates the steam. | 0:44:53 | 0:44:57 | |
It's for cooking the agave but it also generates for distilling the | 0:44:57 | 0:45:01 | |
fermented must and making tequila. | 0:45:01 | 0:45:04 | |
My grandfather closed this distillery in 1968. | 0:45:04 | 0:45:08 | |
It was too inefficient and it was mothballed. | 0:45:08 | 0:45:11 | |
We brought it back to life. | 0:45:11 | 0:45:13 | |
It's been 11 years now. | 0:45:13 | 0:45:14 | |
Wow! So if he felt it was too inefficient, | 0:45:14 | 0:45:19 | |
what have you changed to make it more efficient, then? | 0:45:19 | 0:45:21 | |
Nothing. It's still very inefficient. | 0:45:21 | 0:45:24 | |
-Yeah. -And I like to make always an example of a baked potato being made | 0:45:24 | 0:45:29 | |
in an oven versus a baked potato being made in a microwave. | 0:45:29 | 0:45:32 | |
They taste completely different. | 0:45:32 | 0:45:34 | |
-Yeah. -So we decided we wanted to take it, | 0:45:34 | 0:45:37 | |
make everything the old way and that's our unique taste. | 0:45:37 | 0:45:41 | |
I like your voice. | 0:45:41 | 0:45:43 | |
-Thank you very much. -Sounds like you've been drinking a lot of tequila. | 0:45:43 | 0:45:47 | |
I do, yes, I do! | 0:45:47 | 0:45:50 | |
You caught me there! | 0:45:50 | 0:45:51 | |
So we're going to try some of your product. | 0:45:56 | 0:45:59 | |
Yes, you'll love it. We have a beautiful cave here. | 0:45:59 | 0:46:02 | |
-Oh, great. -It's authentic. | 0:46:02 | 0:46:03 | |
It's actually got bats in it too. | 0:46:03 | 0:46:05 | |
-But they won't bite you. -Fair enough. | 0:46:05 | 0:46:08 | |
Well, what a bar. | 0:46:10 | 0:46:12 | |
It has a touch of a bandito's hideaway or Zorro's hidden cave. | 0:46:12 | 0:46:17 | |
Perfect in every respect for tasting a precious tequila. | 0:46:17 | 0:46:21 | |
So this is the Blanco. | 0:46:29 | 0:46:31 | |
The Blanco is basically out of this still and I like to say it's a true | 0:46:31 | 0:46:35 | |
fingerprint of a distillery. | 0:46:35 | 0:46:38 | |
As you can see, it's got a favourable, very nice aroma. | 0:46:38 | 0:46:41 | |
Very nice aroma. | 0:46:41 | 0:46:44 | |
-And... -There's nothing quite like tequila, is there? | 0:46:44 | 0:46:46 | |
It's when you smell it. It just... | 0:46:46 | 0:46:49 | |
You wouldn't miss it for anything else. | 0:46:49 | 0:46:52 | |
There really isn't. | 0:46:52 | 0:46:53 | |
Salud... | 0:46:53 | 0:46:55 | |
It's just such a sort of taste of Mexico, to me. | 0:46:59 | 0:47:03 | |
It seems a stupid thing to say but I sort of think no wonder it's so | 0:47:03 | 0:47:09 | |
popular, somehow. | 0:47:09 | 0:47:10 | |
There's something really distinct about it. | 0:47:10 | 0:47:13 | |
It is very unique. Two things I mention. | 0:47:13 | 0:47:15 | |
I had a very famous movie star come here. | 0:47:15 | 0:47:18 | |
He asked me to make tequila for his brand and I told him, I'm sorry. | 0:47:18 | 0:47:23 | |
We don't make tequila for anybody and he's a very famous guy. | 0:47:23 | 0:47:26 | |
But that told me that we were at a point where people are coming to us | 0:47:28 | 0:47:32 | |
and they see us as the pinnacle of the products that are out there. | 0:47:32 | 0:47:37 | |
You know, I'm very, very fortunate and very, | 0:47:37 | 0:47:39 | |
very humbled to be able to walk in the footsteps of my abuelo, | 0:47:39 | 0:47:43 | |
my bisabuelo, and my tatarabuelo. | 0:47:43 | 0:47:46 | |
I'm the fifth generation in my family to make tequila and I'm very, | 0:47:46 | 0:47:50 | |
very fortunate to walk in their footsteps, | 0:47:50 | 0:47:52 | |
very few people get to do what their great-great-grandfather | 0:47:52 | 0:47:55 | |
got to do over 100 years ago and I get to do it. | 0:47:55 | 0:48:01 | |
Plus, I have a nice bar! | 0:48:01 | 0:48:03 | |
That cave was very seductive. | 0:48:12 | 0:48:14 | |
I could have stayed chatting to Guillermo for hours but I suspect | 0:48:14 | 0:48:19 | |
we'd already had a few sips too many and I was keen to get back on the road and | 0:48:19 | 0:48:24 | |
head posthaste towards a personal favourite holiday destination, | 0:48:24 | 0:48:29 | |
Puerto Vallarta. | 0:48:29 | 0:48:30 | |
Life on the road. | 0:48:34 | 0:48:35 | |
Our support vehicle's broken down. | 0:48:35 | 0:48:38 | |
We're trying to start it with the other one. | 0:48:38 | 0:48:40 | |
But so far, not so good and I was just noticing, actually, behind here, | 0:48:41 | 0:48:47 | |
there's a little tacos el pastor place so we won't die of hunger, | 0:48:47 | 0:48:53 | |
except it says "malos pero baratos". | 0:48:53 | 0:48:58 | |
It says bad but cheap! | 0:48:58 | 0:49:00 | |
So they're obviously not going to be too good. | 0:49:00 | 0:49:03 | |
Well, we've got some sort of solution. | 0:49:06 | 0:49:08 | |
We're all going to have to cram in the one vehicle, like little mice, | 0:49:08 | 0:49:11 | |
with equipment on our knees! | 0:49:11 | 0:49:13 | |
It's quite incredible to think that less than four hours out of Tequila's | 0:49:31 | 0:49:36 | |
desert landscape, | 0:49:36 | 0:49:37 | |
you end up in a tropical paradise on the Pacific West Coast. | 0:49:37 | 0:49:42 | |
What started once as a humble village for fishing folk and pearl divers | 0:49:42 | 0:49:47 | |
has ended up as one of Mexico's top tourist destinations. | 0:49:47 | 0:49:52 | |
This area, Gringo Gulch, as the name suggests, | 0:49:52 | 0:49:56 | |
became a magnet for Americans wanting to live here in the 1950s | 0:49:56 | 0:50:02 | |
and this house was rented by film director John Huston, but its claim to fame is as | 0:50:02 | 0:50:07 | |
the romantic hideout of Hollywood's golden couple, | 0:50:07 | 0:50:12 | |
Richard Burton and Elizabeth Taylor. | 0:50:12 | 0:50:14 | |
Huston had brought Burton to Puerto Vallarta to star in his movie, | 0:50:16 | 0:50:21 | |
Night Of The Iguana. | 0:50:21 | 0:50:23 | |
This wasn't long after the famous Burton/Taylor love affair on the set | 0:50:23 | 0:50:27 | |
of Antony and Cleopatra. | 0:50:27 | 0:50:30 | |
Local hotels clearly had no appeal for Hollywood's highest-paid star | 0:50:30 | 0:50:35 | |
and shortly after her arrival, | 0:50:35 | 0:50:37 | |
Huston received this message from Burton. | 0:50:37 | 0:50:40 | |
"My friend, if we don't find suitable accommodations for Elizabeth, | 0:50:40 | 0:50:45 | |
"I'm afraid I won't be able to star in your film." | 0:50:45 | 0:50:48 | |
So without further ado, Huston moved out and the Hollywood stars moved in. | 0:50:49 | 0:50:54 | |
They loved the house so much that Burton bought it as a birthday gift | 0:50:59 | 0:51:02 | |
for Elizabeth and the house opposite for himself, | 0:51:02 | 0:51:06 | |
to show a bit of respectability, so to speak. | 0:51:06 | 0:51:09 | |
Well, that was Richard's house and I'm just walking into Elizabeth's, | 0:51:12 | 0:51:15 | |
and he built this bridge so that the two houses could be connected. | 0:51:15 | 0:51:20 | |
There was a lot of scandal, | 0:51:20 | 0:51:21 | |
because they were both married to other people at the time. | 0:51:21 | 0:51:24 | |
But the sort of thing that occurs to me, | 0:51:24 | 0:51:26 | |
because I remember seeing around the same time, | 0:51:26 | 0:51:28 | |
Who's Afraid Of Virginia Woolf? | 0:51:28 | 0:51:30 | |
And it was Richard and Elizabeth virtually playing themselves, | 0:51:30 | 0:51:34 | |
rowing all the time and I sort of think, | 0:51:34 | 0:51:36 | |
maybe this was a bit of a bolthole for Richard. | 0:51:36 | 0:51:39 | |
The house is now a hotel and serves some Burton/Taylor favourites. | 0:51:43 | 0:51:48 | |
That is a chocolate martini, Elizabeth Taylor's favourite drink. | 0:51:51 | 0:51:56 | |
Basically, it's a martini glass dipped in orange juice and chocolate | 0:51:59 | 0:52:03 | |
powder and filled with a cocktail made with two measures of vodka, | 0:52:03 | 0:52:09 | |
one measure of chocolate syrup and one measure of creme de cacao. | 0:52:09 | 0:52:13 | |
I didn't come here to Puerto Vallarta when I was first here in Mexico in 1968, | 0:52:15 | 0:52:21 | |
I went to Acapulco instead but I'd certainly heard of Puerto Vallarta, | 0:52:21 | 0:52:25 | |
but what really put Vallarta on the map, Puerto Vallarta, | 0:52:25 | 0:52:29 | |
was this sort of scandalous but amazingly romantic relationship between | 0:52:29 | 0:52:35 | |
Elizabeth Taylor and Richard Burton. | 0:52:35 | 0:52:37 | |
Elizabeth Taylor at the time was, | 0:52:38 | 0:52:40 | |
just to give you an idea of the enormousness of this relationship, | 0:52:40 | 0:52:43 | |
she was the richest star in the world so the whole thing was, well, | 0:52:43 | 0:52:48 | |
I think it virtually started the whole idea of paparazzi and they | 0:52:48 | 0:52:53 | |
came here slightly to get away from all that. | 0:52:53 | 0:52:56 | |
It would be a bit fanciful to say that Rich and Liz would have cooked | 0:52:59 | 0:53:04 | |
this dish for themselves, but Eduardo, the head chef at Casa Kimberley, | 0:53:04 | 0:53:08 | |
told me I simply had to try it. | 0:53:08 | 0:53:10 | |
It's called chillies en nogada, chillies with walnuts. | 0:53:11 | 0:53:16 | |
So to make the filling, | 0:53:16 | 0:53:17 | |
Eduardo is combining a pre-sauteed mirepoix of celery, | 0:53:17 | 0:53:22 | |
carrots and onions to which he adds fried minced beef and minced pork. | 0:53:22 | 0:53:27 | |
Next, a good slug of sweet sherry | 0:53:27 | 0:53:30 | |
and a generous helping of candied fruit, | 0:53:30 | 0:53:33 | |
apples, raisins and citrus, some beef stock to loosen the sauce, | 0:53:33 | 0:53:38 | |
a handful of flaked almonds and the same amount of chopped pecans. | 0:53:38 | 0:53:43 | |
This dish is a particular favourite on Independence Day, | 0:53:43 | 0:53:47 | |
because the colours of the finished dish reflect the Mexican flag. | 0:53:47 | 0:53:51 | |
Now come the final flavours - thyme, oregano, and cinnamon, | 0:53:52 | 0:53:57 | |
some salt and pepper and that's the filling done. | 0:53:57 | 0:54:00 | |
Next, the pepper itself. | 0:54:05 | 0:54:07 | |
Eduardo is using fresh poblano chillies rubbed with olive oil and he chars | 0:54:07 | 0:54:12 | |
them on a naked flame, | 0:54:12 | 0:54:14 | |
to give the finished dish its characteristic smoky flavour. | 0:54:14 | 0:54:17 | |
He then lets the peppers sweat under clingfilm to make the peeling easier. | 0:54:20 | 0:54:24 | |
And now the sauce that gives the dish its name - | 0:54:26 | 0:54:30 | |
into a blender goes milk, pecan nuts, the walnuts, | 0:54:30 | 0:54:34 | |
or nogada as they're called, | 0:54:34 | 0:54:36 | |
and then a mix of both cream cheese and fresh curd cheese. | 0:54:36 | 0:54:40 | |
To finish, the charred pepper has been deseeded and is now filled with | 0:54:44 | 0:54:49 | |
the minced stuffing. | 0:54:49 | 0:54:51 | |
A generous helping of that creamy walnut sauce and last but not least | 0:54:51 | 0:54:56 | |
comes the final essential ingredient, | 0:54:56 | 0:54:59 | |
and the reason it can only be made in the cooler months, | 0:54:59 | 0:55:03 | |
a glistening garnish of pomegranate. | 0:55:03 | 0:55:06 | |
Well, I've just been watching this being made quietly in the corner, | 0:55:06 | 0:55:10 | |
taking some notes but with interest. | 0:55:10 | 0:55:14 | |
But I didn't realise it's actually served at room temperature. | 0:55:14 | 0:55:17 | |
I thought it would be hot. | 0:55:17 | 0:55:18 | |
I think it's quite a good dish to take home, | 0:55:18 | 0:55:20 | |
because you can make a lot of them, | 0:55:20 | 0:55:23 | |
probably put them in the fridge overnight, | 0:55:23 | 0:55:25 | |
and then just bring them up to room temperature. | 0:55:25 | 0:55:28 | |
Yum! | 0:55:32 | 0:55:33 | |
Yum, yum. | 0:55:33 | 0:55:35 | |
It's really very nice and I'd just like to congratulate you. | 0:55:35 | 0:55:39 | |
Also, he's got a lovely kitchen. | 0:55:40 | 0:55:42 | |
I've just been looking around. | 0:55:42 | 0:55:43 | |
It is a lovely spot. | 0:55:54 | 0:55:56 | |
Actually, truth to tell, | 0:55:56 | 0:55:57 | |
this has become one of my all-time favourite holiday destinations. | 0:55:57 | 0:56:02 | |
I wish I'd known it in the '50s, | 0:56:02 | 0:56:04 | |
when it was changing from a sleepy fishing village to the place it is now. | 0:56:04 | 0:56:08 | |
But when I think of Puerto Vallarta, | 0:56:08 | 0:56:11 | |
I don't think about food exactly but this coffee, | 0:56:11 | 0:56:14 | |
that all after-dinner coffees should be measured by. | 0:56:14 | 0:56:17 | |
I'm just about to have a Mexican coffee. | 0:56:20 | 0:56:23 | |
It's going to be a flaming wonder. | 0:56:23 | 0:56:25 | |
I've seen pictures of it all happening and it's just spectacular. | 0:56:25 | 0:56:30 | |
Naturally, it's made with tequila, | 0:56:34 | 0:56:37 | |
kahlua or a similar type of coffee liqueur, | 0:56:37 | 0:56:41 | |
cinnamon, caramelised sugar, | 0:56:41 | 0:56:44 | |
and Chantilly cream. | 0:56:44 | 0:56:45 | |
I've never had much luck sampling flaming drinks before. | 0:56:47 | 0:56:51 | |
There's been more than one occasion I've gone home with a fat blister | 0:56:51 | 0:56:55 | |
on my top lip. | 0:56:55 | 0:56:57 | |
However, I feel I'm in safe hands here. | 0:56:57 | 0:56:59 | |
Now most important, wait, wait for it to cool! | 0:57:00 | 0:57:05 | |
That's the mistake I made. | 0:57:05 | 0:57:08 | |
The impatience of youth. | 0:57:08 | 0:57:10 | |
Wow! That is really special. | 0:57:25 | 0:57:27 | |
I mean, all that theatre and the taste is just wonderful. | 0:57:27 | 0:57:31 | |
I just have this bit of a problem with these hot after-dinner coffees. | 0:57:31 | 0:57:35 | |
The crew love them. | 0:57:35 | 0:57:37 | |
You know, Irish coffees, a bit of warm whisky and some cream, | 0:57:37 | 0:57:40 | |
whatever it is. I always say no. | 0:57:40 | 0:57:42 | |
I just think they're a bit sort of down-market, really. | 0:57:42 | 0:57:45 | |
But this is spectacular! | 0:57:45 | 0:57:48 | |
Well, salud, Puerto Vallarta. | 0:57:51 | 0:57:54 | |
I'll be back again soon. | 0:57:54 | 0:57:56 | |
Next week, Mexico City. | 0:57:59 | 0:58:01 | |
I try the famous pulque, a working man's drink. | 0:58:06 | 0:58:09 | |
I go to the serene chinampas, | 0:58:12 | 0:58:15 | |
the floating vegetable gardens of Mexico City... | 0:58:15 | 0:58:18 | |
..and in Puebla, I discover the joys of Mexico's most iconic dish, the mole. | 0:58:19 | 0:58:26 |