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It was 1968 when I first came here to San Francisco. | 0:00:04 | 0:00:09 | |
I wanted to do my own road trip from the United States | 0:00:09 | 0:00:13 | |
to the Mexican border and beyond. | 0:00:13 | 0:00:15 | |
My dad had just died. | 0:00:15 | 0:00:17 | |
I'd finished school and I had no idea | 0:00:17 | 0:00:20 | |
what I wanted to do with my life. | 0:00:20 | 0:00:22 | |
It was the year after the Summer Of Love | 0:00:22 | 0:00:25 | |
and things like enchiladas, burritos, guacamole | 0:00:25 | 0:00:29 | |
I'd only heard of from the radio but they sounded wonderful. | 0:00:29 | 0:00:34 | |
But it wasn't just the food. | 0:00:34 | 0:00:35 | |
I wanted to live a little bit dangerously. | 0:00:35 | 0:00:38 | |
And I did. | 0:00:38 | 0:00:40 | |
Oh! | 0:00:55 | 0:00:57 | |
This is great. I've heard that the Mexicans, | 0:01:14 | 0:01:17 | |
anything for a bit of a fiesta in the street. | 0:01:17 | 0:01:20 | |
This is a wedding. | 0:01:20 | 0:01:22 | |
I'm in Oaxaca, and, on our first day, | 0:01:23 | 0:01:25 | |
we stumbled across this wedding dance. | 0:01:25 | 0:01:28 | |
Well, it's more like a carnival, really! | 0:01:28 | 0:01:30 | |
Once upon a time, this turkey would have been a live one | 0:01:37 | 0:01:40 | |
and revellers would have passed it from dancer to dancer. | 0:01:40 | 0:01:43 | |
And if the turkey's feathers stayed on, | 0:01:43 | 0:01:46 | |
and it was still breathing after a couple of hours of this, | 0:01:46 | 0:01:49 | |
then that would be a good omen for the marriage. | 0:01:49 | 0:01:51 | |
Just love those figures. | 0:01:55 | 0:01:57 | |
There's something curiously prophetic about marriage, | 0:01:57 | 0:02:00 | |
I think, the way they're bobbing and weaving aimlessly. | 0:02:00 | 0:02:03 | |
But anything for a bit of festival, and Mexicans just love it. | 0:02:04 | 0:02:07 | |
It's not my first time in Oaxaca. | 0:02:10 | 0:02:12 | |
They say this southern state is the culinary heart of Mexico, | 0:02:12 | 0:02:16 | |
so I had to come back | 0:02:16 | 0:02:18 | |
and make it part of my journey. | 0:02:18 | 0:02:19 | |
I can still remember everything I tasted the last time I was here. | 0:02:20 | 0:02:24 | |
Fabulous beef, really good cheese, | 0:02:24 | 0:02:27 | |
mezcal of course, and tlayuda, Mexican crispy pizzas. | 0:02:27 | 0:02:32 | |
The first thing that draws me like a magnet is the market | 0:02:33 | 0:02:37 | |
and grilled beef for breakfast. | 0:02:37 | 0:02:39 | |
This is sensational! | 0:02:40 | 0:02:43 | |
I mean, you could call it a sort of meat-lover's nirvana. | 0:02:44 | 0:02:47 | |
Just everywhere, it's mostly beef, it looks like skirt to me, | 0:02:48 | 0:02:52 | |
but there's just so much of it. | 0:02:52 | 0:02:54 | |
I mean, if you love your beef, you've got to come here | 0:02:54 | 0:02:57 | |
because this is what every beef-lover dreams. | 0:02:57 | 0:03:01 | |
Beef on charcoal, simply cooked. | 0:03:01 | 0:03:05 | |
Perfection. | 0:03:05 | 0:03:06 | |
The speciality of this part of the market are these semi-dried | 0:03:09 | 0:03:13 | |
sheets of pork and beef. | 0:03:13 | 0:03:14 | |
What I'm looking for is the tasajo, | 0:03:18 | 0:03:21 | |
and that's this very thinly sliced beef, and I'd like... | 0:03:21 | 0:03:25 | |
MAN SPEAKS MEXICAN SPANISH | 0:03:25 | 0:03:27 | |
That one. It's got more fat in it, hasn't it? Para me. | 0:03:27 | 0:03:31 | |
MAN SPEAKS MEXICAN SPANISH | 0:03:31 | 0:03:32 | |
OK. | 0:03:32 | 0:03:34 | |
So, this, I think it's cut from the leg very, very thinly, | 0:03:34 | 0:03:38 | |
and salted, pre-salted. | 0:03:38 | 0:03:39 | |
And, originally, it was because | 0:03:39 | 0:03:41 | |
they didn't have any refrigeration, so they preserved it like this. | 0:03:41 | 0:03:44 | |
But then it's going to be grilled over charcoal and with those onions | 0:03:44 | 0:03:48 | |
and the chillies and everything, and they'll give me some tortillas, too. | 0:03:48 | 0:03:52 | |
There can't be a meat lover watching this who doesn't think | 0:03:53 | 0:03:58 | |
"When can I get to Oaxaca?" | 0:03:58 | 0:03:59 | |
Fabulous. | 0:04:07 | 0:04:08 | |
Wow. So, tear off a bit of meat... | 0:04:11 | 0:04:15 | |
..maybe add a little bit of chilli. They don't look that hot. | 0:04:18 | 0:04:21 | |
We'll soon find out. | 0:04:21 | 0:04:23 | |
Obviously, an onion. | 0:04:23 | 0:04:25 | |
You're going to get yourself quite... | 0:04:25 | 0:04:28 | |
..quite dirty in this, | 0:04:28 | 0:04:30 | |
definitely a bit of salsa roja, | 0:04:30 | 0:04:34 | |
a little bit of lemon. | 0:04:34 | 0:04:35 | |
Incidentally, this is lemon, limon, it's not lime. | 0:04:39 | 0:04:42 | |
And then roll it up. | 0:04:43 | 0:04:44 | |
Excuse me. | 0:04:59 | 0:05:01 | |
It's really wonderful, absolute heaven. | 0:05:04 | 0:05:07 | |
I think this is why Mexican food is becoming so popular in the UK, | 0:05:07 | 0:05:10 | |
it's dishes like this. It's just so fresh and so impromptu. | 0:05:10 | 0:05:15 | |
You make up whatever you want in these tortillas to make your tacos. | 0:05:15 | 0:05:19 | |
With this beautiful beef, it's fabulous. | 0:05:19 | 0:05:21 | |
That lovely taco has got me thinking - I can map my trip | 0:05:27 | 0:05:31 | |
so far through the tacos I've had, funnily enough. | 0:05:31 | 0:05:35 | |
First, from Tijuana, a Baja Med special with seared venison. | 0:05:35 | 0:05:40 | |
This is going to be a religious experience. | 0:05:40 | 0:05:43 | |
Then shrimp ceviche in Ensenada. | 0:05:45 | 0:05:48 | |
In Puerto Vallarta, there was goat - the birria taco. | 0:05:51 | 0:05:55 | |
Tacos al pastor in Mexico City, with pork shawarma. | 0:05:58 | 0:06:02 | |
They might all look the same but they're not. | 0:06:04 | 0:06:07 | |
The taco, like Mexico itself, is full of variety. | 0:06:07 | 0:06:11 | |
As well as the fabulous beef, there's another very famous | 0:06:13 | 0:06:16 | |
speciality of Oaxaca - insects. | 0:06:16 | 0:06:20 | |
They're a big part of the local diet, | 0:06:20 | 0:06:22 | |
and we're told they're the food of the future. | 0:06:22 | 0:06:25 | |
Yes, I know what you're thinking but, honestly, they're OK! | 0:06:25 | 0:06:29 | |
Whenever you say to somebody that you've been to Oaxaca, if they've | 0:06:29 | 0:06:32 | |
been here, they'll always say, | 0:06:32 | 0:06:34 | |
"Did you try the grasshoppers, the chapulines?" | 0:06:34 | 0:06:36 | |
Well, I have tried them before, last time I was here, | 0:06:36 | 0:06:38 | |
but I tried those ones, | 0:06:38 | 0:06:40 | |
and they're all very little and they just taste like rather crisp legs. | 0:06:40 | 0:06:45 | |
So, this time, I'm going to go for some big ones. Oh, that's good. | 0:06:45 | 0:06:49 | |
Right. | 0:06:49 | 0:06:51 | |
Without further ado, one with a big thorax. | 0:06:51 | 0:06:55 | |
They're really nice. | 0:06:58 | 0:06:59 | |
Salt and lemon, I can tell that. Now, there's a big one. | 0:06:59 | 0:07:02 | |
They've got a sort of...almost a sort of vegetable taste, | 0:07:02 | 0:07:05 | |
funnily enough. Slightly leafy. They're not unpleasant. | 0:07:05 | 0:07:09 | |
Well, I don't think I'm going to eat all these. | 0:07:09 | 0:07:11 | |
-I know who will want them. The crew. Would you like some? -No, thank you. | 0:07:11 | 0:07:15 | |
Grasshoppers, any of you? Oh, well, suit yourselves. | 0:07:15 | 0:07:19 | |
When DH Lawrence stayed in Oaxaca, | 0:07:21 | 0:07:24 | |
he wrote evocatively about this very market. | 0:07:24 | 0:07:27 | |
"Most extraordinary is the sound | 0:07:29 | 0:07:32 | |
"that comes out. It is a huge noise but you may never notice it. | 0:07:32 | 0:07:37 | |
"It sounds as if all the ghosts in the world | 0:07:37 | 0:07:41 | |
"were talking to one another. | 0:07:41 | 0:07:43 | |
"It's a noise something like rain or banana leaves in the wind." | 0:07:43 | 0:07:48 | |
He was here on what he called his "savage pilgrimage", | 0:07:59 | 0:08:04 | |
a period of self-imposed exile after World War I. | 0:08:04 | 0:08:07 | |
This is room 218, I think this is where DH Lawrence stayed | 0:08:10 | 0:08:14 | |
when he first came to Oaxaca. | 0:08:14 | 0:08:15 | |
I know it's a bit sort of pathetic but I actually really do like | 0:08:15 | 0:08:19 | |
standing in a room where a hero of mine stayed. | 0:08:19 | 0:08:22 | |
Obviously, it's changed, it's been done up but it still feels right. | 0:08:22 | 0:08:27 | |
The floor feels right, the doors feel right. | 0:08:27 | 0:08:30 | |
And, actually, the view would have been virtually unchanged | 0:08:30 | 0:08:34 | |
from the 1920s. I mean, that church is massively old. | 0:08:34 | 0:08:37 | |
So, I'm looking at what DH Lawrence was looking at. | 0:08:37 | 0:08:39 | |
Now, what would he be thinking about, I wonder? | 0:08:39 | 0:08:42 | |
Well, probably The Plumed Serpent, Quetzalcoatl, | 0:08:42 | 0:08:45 | |
probably some thoughts about the Mexican Indians. | 0:08:45 | 0:08:49 | |
He had a lot to say about them. Mornings in Mexico. The light. | 0:08:49 | 0:08:54 | |
And what I really love about DH Lawrence is | 0:08:54 | 0:08:59 | |
he tries to get to the truth about men and women. | 0:08:59 | 0:09:02 | |
I also like the fact that he knew my grandparents. | 0:09:02 | 0:09:05 | |
Yes, they were neighbours in Cornwall | 0:09:06 | 0:09:09 | |
where he wrote Women In Love. | 0:09:09 | 0:09:11 | |
His wife, Frieda, was German, like my grandparents. | 0:09:11 | 0:09:14 | |
Unlike them, she was thought to be a spy. | 0:09:14 | 0:09:17 | |
Probably because her uncle was the famous Red Baron. | 0:09:17 | 0:09:20 | |
The Cornish claimed she sent signals to the German U-boats | 0:09:20 | 0:09:24 | |
by the way she hung up her washing on the cliffs. | 0:09:24 | 0:09:27 | |
I think it's unlikely but that's why they were travelling - | 0:09:27 | 0:09:31 | |
because they were kicked out of Cornwall. | 0:09:31 | 0:09:33 | |
Although he was very ill with TB and malaria while he was here, | 0:09:37 | 0:09:40 | |
Lawrence described Oaxaca as a place of sun and roses. | 0:09:40 | 0:09:45 | |
He was a great observer of Mexican life. | 0:09:45 | 0:09:48 | |
Much is unchanged since he was here in the 1920s. | 0:09:49 | 0:09:53 | |
There would have been the shoeshine, oranges pressed on the street, | 0:09:53 | 0:09:56 | |
and the women making brooms from dried grasses. | 0:09:56 | 0:10:00 | |
I must say, I'm really fond of just sitting, drinking a bit of limon and | 0:10:03 | 0:10:09 | |
coffee in a central plaza like this, with the cathedral just opposite. | 0:10:09 | 0:10:13 | |
And I think, in a way, this is what Mexico's like. | 0:10:13 | 0:10:17 | |
It's a country where, if you look into the dark side, | 0:10:17 | 0:10:21 | |
it doesn't bear looking into. | 0:10:21 | 0:10:23 | |
But a place where you can sit on a sunny morning like this with | 0:10:23 | 0:10:27 | |
some lovely music, with the jacarandas in bloom, | 0:10:27 | 0:10:30 | |
and feel so happy with your life. | 0:10:30 | 0:10:33 | |
Driving north through this parched landscape, | 0:10:44 | 0:10:47 | |
it's hard to believe how much grows in the state of Oaxaca. | 0:10:47 | 0:10:51 | |
But this region produces foods loved all over Mexico, | 0:10:51 | 0:10:55 | |
particularly Oaxacan cheese, the finishing touch to burritos, | 0:10:55 | 0:10:59 | |
tacos and tlayuda from Tijuana to Tulum. | 0:10:59 | 0:11:03 | |
Some say the method of making it | 0:11:04 | 0:11:07 | |
was brought to Mexico by Dominican monks. | 0:11:07 | 0:11:09 | |
Another theory is it was the creation of a young girl | 0:11:09 | 0:11:13 | |
who let the curds boil dry out of carelessness | 0:11:13 | 0:11:16 | |
and rapidly added hot water to retrieve the situation, | 0:11:16 | 0:11:20 | |
hence the Oaxaca cheese. | 0:11:20 | 0:11:23 | |
I think that sounds like a true story. Why? | 0:11:24 | 0:11:27 | |
Because it's got a mistake in it! | 0:11:27 | 0:11:29 | |
And in cooking, well, cooking is about mistakes | 0:11:29 | 0:11:32 | |
and learning from them. | 0:11:32 | 0:11:34 | |
What everyone does agree about is where it was invented, | 0:11:34 | 0:11:38 | |
less than an hour from Oaxaca in a town called Reyes Etla. | 0:11:38 | 0:11:42 | |
On this farm, run by Lorenzo Reyes, | 0:11:43 | 0:11:46 | |
it's made from the milk of Jerseys and Friesians. | 0:11:46 | 0:11:49 | |
I must say, I love being amongst cows. | 0:11:51 | 0:11:54 | |
I was born and brought up on a farm | 0:11:54 | 0:11:55 | |
so milking is not strange to me whatsoever. | 0:11:55 | 0:11:58 | |
The smell of fresh cows is lovely. | 0:11:58 | 0:12:02 | |
And Don Lorenzo here is milking by hand, and it's really | 0:12:02 | 0:12:06 | |
important to him that everything that the cows eat, he grows. | 0:12:06 | 0:12:10 | |
So, first of all, they're feeding them today alfalfa, | 0:12:10 | 0:12:14 | |
but he also feeds them maize silage and oats. | 0:12:14 | 0:12:18 | |
Now, I suppose if you think about making really good wine, | 0:12:18 | 0:12:21 | |
you would want to have control on all the growing. | 0:12:21 | 0:12:25 | |
It's just the same with Don Lorenzo. | 0:12:25 | 0:12:27 | |
The first part of the process is very familiar. | 0:12:37 | 0:12:39 | |
Milk, buttermilk, rennet, | 0:12:39 | 0:12:42 | |
and salt are stirred together and heated into curds. | 0:12:42 | 0:12:46 | |
But that's where it gets interesting. | 0:12:46 | 0:12:49 | |
Lorenzo adds hot water and pulls and stretches | 0:12:49 | 0:12:53 | |
until he's made long ribbons of elastic cheese. | 0:12:53 | 0:12:57 | |
I must say, it is the most fascinating process. | 0:12:58 | 0:13:01 | |
The way he rolls it up, ties it up like that, | 0:13:01 | 0:13:04 | |
almost looks like some sort of Aztec symbol. | 0:13:04 | 0:13:07 | |
You could imagine it in stone. | 0:13:07 | 0:13:08 | |
There's a Mexican expression for chaos, | 0:13:11 | 0:13:13 | |
"More tangled than a Oaxacan cheese." | 0:13:13 | 0:13:16 | |
But I don't know why. It's as neat as a ball of wool. | 0:13:16 | 0:13:19 | |
DON LORENZO SPEAKS IN MEXICAN SPANISH | 0:13:21 | 0:13:24 | |
Gracias, Don Lorenzo. | 0:13:24 | 0:13:25 | |
Well, my first impression is this delightful toughness of it. | 0:13:29 | 0:13:32 | |
It's so sort of pleasant to bite through the teeth. It's salty. | 0:13:32 | 0:13:37 | |
It's got a lovely tartness to it. Utterly delicious. | 0:13:37 | 0:13:40 | |
And I can sort of understand, because it's so versatile, | 0:13:40 | 0:13:43 | |
why it is the most used cheese in Mexico. | 0:13:43 | 0:13:46 | |
DON LORENZO SPEAKS IN MEXICAN SPANISH | 0:13:46 | 0:13:50 | |
The only cheese I can think that's sort of anything like it | 0:13:55 | 0:13:57 | |
in Europe is probably mozzarella, buffalo mozzarella. | 0:13:57 | 0:14:01 | |
A good buffalo mozzarella has that sort of taste of pastures, | 0:14:01 | 0:14:05 | |
which this does as well. It is really, really good cheese. | 0:14:05 | 0:14:09 | |
Queso Oaxaca is fantastic to cook with. | 0:14:10 | 0:14:13 | |
And, back home in Padstow, it's given me the idea of making | 0:14:13 | 0:14:17 | |
quesadilla with courgette flowers, cheese, and jalapenos. | 0:14:17 | 0:14:21 | |
So, now, my first opportunity of making my own tortillas, | 0:14:23 | 0:14:27 | |
and I've got blue masa harina, that means blue maize flour, | 0:14:27 | 0:14:32 | |
and that's from a type of blue corn. | 0:14:32 | 0:14:34 | |
I'm just going to add some salt in there. | 0:14:34 | 0:14:36 | |
And then some water. | 0:14:36 | 0:14:38 | |
Now, it's very easy to make tortilla dough | 0:14:38 | 0:14:41 | |
because there's no gluten in maize flour, and, therefore, | 0:14:41 | 0:14:44 | |
you don't need to stretch it, you just mix everything together. | 0:14:44 | 0:14:47 | |
So, there we go. | 0:14:47 | 0:14:49 | |
Just beginning to gather that up from the bottom, | 0:14:49 | 0:14:51 | |
maybe a little bit more water here, just mix that into a ball, | 0:14:51 | 0:14:55 | |
and out onto my chopping board. | 0:14:55 | 0:14:57 | |
Cut it up into pieces, like that. | 0:15:01 | 0:15:03 | |
And just mould each one into a round ball. | 0:15:06 | 0:15:09 | |
Now, here is my tortilla press. | 0:15:11 | 0:15:14 | |
Note I've got two sheets of polythene here, | 0:15:15 | 0:15:19 | |
just a freezer bag, as it happens, cut open. | 0:15:19 | 0:15:21 | |
And that's because you never, not even in Mexico, | 0:15:21 | 0:15:24 | |
put the corn straight on to the press, because it sticks too bad. | 0:15:24 | 0:15:27 | |
And see, it's come out quite nice and round. | 0:15:30 | 0:15:32 | |
You're never going to get like Mexican-style round, | 0:15:32 | 0:15:34 | |
but that's not too bad. | 0:15:34 | 0:15:36 | |
So now here I have a double comal, | 0:15:37 | 0:15:40 | |
because I want to cook two at a time. | 0:15:40 | 0:15:42 | |
Very important not to get it too hot. | 0:15:42 | 0:15:44 | |
You don't want it to burn, you just want to cook the tortilla. | 0:15:44 | 0:15:47 | |
So just making the other one. | 0:15:47 | 0:15:49 | |
So just get your spatula, and if it goes underneath very easily | 0:15:50 | 0:15:55 | |
then it's ready to turn over. | 0:15:55 | 0:15:56 | |
And now the other one. | 0:15:56 | 0:15:58 | |
Yep, there we go. | 0:15:58 | 0:16:00 | |
Now then, I'm just going to take those off and put them into | 0:16:00 | 0:16:03 | |
my neat little warming bag, very, very lovely, this. | 0:16:03 | 0:16:07 | |
I've got two, one with a Mexican hat on and the other one | 0:16:07 | 0:16:10 | |
with a Day Of The Dead skull. | 0:16:10 | 0:16:12 | |
And that just keeps it for about an hour, | 0:16:12 | 0:16:15 | |
not only warm but also moist, | 0:16:15 | 0:16:16 | |
so you can see the steam coming out of there. | 0:16:16 | 0:16:19 | |
Good. Now to make the filling. | 0:16:19 | 0:16:22 | |
First of all, obviously, corn oil in the pan. Just add some onions | 0:16:22 | 0:16:25 | |
and sweat them down a bit, | 0:16:25 | 0:16:27 | |
and then add some garlic. | 0:16:27 | 0:16:29 | |
Just let that cook down a bit. Now, I've got a whole jalapeno chilli. | 0:16:29 | 0:16:33 | |
Just pull the end off and cut that up very, very finely. | 0:16:33 | 0:16:36 | |
Well, quite finely. | 0:16:36 | 0:16:38 | |
Now look at these. | 0:16:40 | 0:16:42 | |
I got these from my son Edward's garden this morning, | 0:16:42 | 0:16:44 | |
or he brought them in. | 0:16:44 | 0:16:46 | |
I mean, just... This is what fillings are all about, you know. | 0:16:46 | 0:16:49 | |
Beautiful. So I'm just going to chop up these tiny courgettes | 0:16:49 | 0:16:53 | |
and add those | 0:16:53 | 0:16:54 | |
and just let them fry for a little bit, just to cook down, | 0:16:54 | 0:16:57 | |
cos otherwise they'll be a bit too lumpy. | 0:16:57 | 0:17:00 | |
And now the flowers. | 0:17:01 | 0:17:02 | |
I just love courgette flowers, especially | 0:17:02 | 0:17:05 | |
when they're as young as this, they're so sweet. | 0:17:05 | 0:17:07 | |
So in they go, too. | 0:17:07 | 0:17:09 | |
A good pinch of salt from the salt pig. | 0:17:13 | 0:17:16 | |
And that's the filling now done, it's just... | 0:17:16 | 0:17:18 | |
Leave that just to cook down a little bit more. | 0:17:18 | 0:17:20 | |
And now to make up my quesadillas. | 0:17:20 | 0:17:24 | |
The tortillas go back on to the comal | 0:17:24 | 0:17:27 | |
for a moment, to warm up. | 0:17:27 | 0:17:28 | |
The best alternative to queso Oaxaca is mozzarella, it's obvious. | 0:17:28 | 0:17:33 | |
And instead of the fresh curd cheese, queso fresco, | 0:17:33 | 0:17:37 | |
I'm using lovely, crumbly Lancashire. | 0:17:37 | 0:17:40 | |
Now for the filling, just on one side. | 0:17:41 | 0:17:44 | |
God, that's smelling nice. Very, very nice. | 0:17:44 | 0:17:46 | |
Fold them over like that. As you can see, | 0:17:46 | 0:17:49 | |
the cheese is already beginning to melt. | 0:17:49 | 0:17:51 | |
Press them down, just to let the cheese cook a little bit more | 0:17:52 | 0:17:55 | |
and then flip them over the other side. | 0:17:55 | 0:17:58 | |
Let that go a little bit. | 0:17:58 | 0:18:00 | |
Then on to my chopping board, and chop in half. | 0:18:00 | 0:18:04 | |
And eat with great pleasure. | 0:18:06 | 0:18:08 | |
OK? Totally delicious. | 0:18:11 | 0:18:13 | |
I know I'm not the best tortilla maker in the world, | 0:18:13 | 0:18:16 | |
but delicious. | 0:18:16 | 0:18:18 | |
You can buy them, of course you can buy them online, | 0:18:18 | 0:18:20 | |
corn tortillas now. | 0:18:20 | 0:18:21 | |
But as I always like to say, | 0:18:21 | 0:18:24 | |
a sweet disorder in the dress | 0:18:24 | 0:18:26 | |
kindles in clothes a wantonness. | 0:18:26 | 0:18:30 | |
That's the way I feel about my tortillas. | 0:18:30 | 0:18:32 | |
They may not be perfect, but I love them to bits. | 0:18:32 | 0:18:35 | |
Mexicans call Oaxaca the Green City, | 0:18:43 | 0:18:46 | |
but I couldn't see why | 0:18:46 | 0:18:47 | |
until I looked at it in this light. | 0:18:47 | 0:18:50 | |
It's built from cantera stone, | 0:18:50 | 0:18:52 | |
which is almost glowing in the morning sun. | 0:18:52 | 0:18:55 | |
And, yes, it really is pale green. | 0:18:55 | 0:18:58 | |
I'm going to the museum to see a painting. It's about corn. | 0:18:59 | 0:19:03 | |
It's the work of Arturo Garcia Bustos, | 0:19:03 | 0:19:07 | |
who studied under Frida Kahlo. | 0:19:07 | 0:19:09 | |
Later, he became one of Mexico's great mural painters. | 0:19:09 | 0:19:13 | |
This one's very important, I think. | 0:19:14 | 0:19:16 | |
I mean, you've got this wonderful god up there in the clouds, | 0:19:16 | 0:19:19 | |
the god of corn, I suppose, with an ear of corn, | 0:19:19 | 0:19:22 | |
about to drop it down, pick up the water. | 0:19:22 | 0:19:25 | |
And there you've got the hand of, clearly, a manual labouring peasant | 0:19:25 | 0:19:31 | |
holding this ear of corn up, just showing how important | 0:19:31 | 0:19:35 | |
to the Mexicans corn is. | 0:19:35 | 0:19:38 | |
It's the centre of life. | 0:19:38 | 0:19:39 | |
And there's a very, very wonderful Mexican slogan, I suppose, | 0:19:39 | 0:19:45 | |
that says "Sin maiz no hay pais." | 0:19:45 | 0:19:48 | |
In other words, without maize, you don't have a country. | 0:19:48 | 0:19:52 | |
This region is where corn was first cultivated 7,000 years ago. | 0:19:54 | 0:20:00 | |
That's before the Ming dynasty, | 0:20:00 | 0:20:03 | |
the ancient Greeks | 0:20:03 | 0:20:04 | |
or even the pyramids. | 0:20:04 | 0:20:06 | |
And corn is still a major part of the local diet, | 0:20:06 | 0:20:10 | |
as shown by that favourite dish, pozole. | 0:20:10 | 0:20:13 | |
To see how it's made, I'm going to visit Nora Valencia, | 0:20:14 | 0:20:17 | |
an expert in Oaxacan cuisine | 0:20:17 | 0:20:20 | |
learned from her mother and grandmother. | 0:20:20 | 0:20:22 | |
-Hello, very nice to meet you. -Welcome to Oaxaca. | 0:20:23 | 0:20:26 | |
-Thank you, thank you. -You want to cook? | 0:20:26 | 0:20:28 | |
-Let's go cook pozole. -OK! | 0:20:28 | 0:20:30 | |
Pozole is a corn-based meat stew | 0:20:31 | 0:20:34 | |
and one of the oldest and best-loved dishes in Mexico. | 0:20:34 | 0:20:38 | |
She shows me how to nixtamalize the maize, | 0:20:38 | 0:20:42 | |
a process that goes back to the earliest cooking in Mexico. | 0:20:42 | 0:20:45 | |
She makes an alkaline solution - in this case, chalk, lime and water - | 0:20:47 | 0:20:51 | |
and adds the maize. | 0:20:51 | 0:20:53 | |
She boils it until the husks are broken down | 0:20:53 | 0:20:56 | |
and the maize inside softens and swells. | 0:20:56 | 0:20:59 | |
OK, so now you can see | 0:20:59 | 0:21:03 | |
how this, you know, | 0:21:03 | 0:21:05 | |
dark yellow, and you can take one of these ones... Ah. It's hot. | 0:21:05 | 0:21:09 | |
-So you just can take it like this. -Yeah. | 0:21:09 | 0:21:12 | |
And now we have the big difference, you know, | 0:21:12 | 0:21:15 | |
in between this one and this one. | 0:21:15 | 0:21:17 | |
-It's swollen up, hasn't it? -Yeah. | 0:21:17 | 0:21:19 | |
-Yeah. -It means the corn is ready and now we can wash it. | 0:21:19 | 0:21:23 | |
She starts again with clean water. | 0:21:29 | 0:21:32 | |
She adds poached chicken to the pot to enrich the stock. | 0:21:32 | 0:21:36 | |
Then she makes a bouquet garni - | 0:21:36 | 0:21:38 | |
an onion, a whole head of garlic split in half | 0:21:38 | 0:21:42 | |
and herbs and spices, | 0:21:42 | 0:21:44 | |
oregano, thyme, cumin, cloves, | 0:21:44 | 0:21:49 | |
and adds it to the pot. | 0:21:49 | 0:21:50 | |
A couple of ladles of chicken stock. It's smelling wonderful. | 0:21:50 | 0:21:55 | |
And a good sprinkling of salt. | 0:21:55 | 0:21:59 | |
Then she makes pipian verde. | 0:21:59 | 0:22:02 | |
This is a spicy green paste | 0:22:02 | 0:22:05 | |
made from toasted pepitas, pumpkin seeds, | 0:22:05 | 0:22:08 | |
red and green chillies | 0:22:08 | 0:22:10 | |
and tomatillos. | 0:22:10 | 0:22:13 | |
Then there's a herb. I've only had it in Mexico, hoja santa. | 0:22:13 | 0:22:18 | |
It's fresh and zingy. A bit like tarragon or perhaps fennel. | 0:22:18 | 0:22:24 | |
She blitzes them all to a thick paste. | 0:22:24 | 0:22:27 | |
Meanwhile, she takes the chicken out to shred it. | 0:22:27 | 0:22:30 | |
The paste is fried in hot oil, a very Mexican touch. | 0:22:31 | 0:22:35 | |
And that is added to the pozole. | 0:22:35 | 0:22:38 | |
To serve, the shredded chicken first, | 0:22:40 | 0:22:44 | |
then the pozole. | 0:22:44 | 0:22:45 | |
And it comes with lettuce, radishes, | 0:22:47 | 0:22:49 | |
jalapenos and raw onions, | 0:22:49 | 0:22:52 | |
and a wedge of lime on the side. | 0:22:52 | 0:22:54 | |
-Enjoy! -Thank you very much indeed, Nora. | 0:22:56 | 0:22:59 | |
-And you can make accompaniment with some tostadas. -Oh, yeah. | 0:22:59 | 0:23:02 | |
I just want to try this, but I'd love tostadas in it. | 0:23:02 | 0:23:05 | |
-Yeah. -I'm loving that corn, | 0:23:05 | 0:23:08 | |
I don't think I've ever tasted it | 0:23:08 | 0:23:09 | |
like that before, it's sort of... | 0:23:09 | 0:23:11 | |
I mean, obviously it's the most popular way of having it, | 0:23:11 | 0:23:14 | |
but I only have sort of sweetcorn on the cob or tortillas. | 0:23:14 | 0:23:17 | |
-Yeah. -But this is really good! | 0:23:17 | 0:23:19 | |
Well, now they are absorbing all the flavours | 0:23:19 | 0:23:22 | |
from the green pipian. | 0:23:22 | 0:23:24 | |
It's a bit like a sort of pesto, it's sort of slightly thickened it | 0:23:24 | 0:23:27 | |
and given it a bit of richness and a lot of flavour. | 0:23:27 | 0:23:29 | |
With the tomatillos and the pepitas, you know, | 0:23:29 | 0:23:32 | |
make it a really good flavour. | 0:23:32 | 0:23:33 | |
Pipian. I thought this was going to be really quite heavy, quite rich. | 0:23:33 | 0:23:38 | |
Well, you have three plates, probably, you know, | 0:23:38 | 0:23:40 | |
but this invites you to keep eating. | 0:23:40 | 0:23:42 | |
Oh, right, fair enough, fair enough! | 0:23:42 | 0:23:45 | |
I like it lots. | 0:23:45 | 0:23:46 | |
This is my last evening here in Oaxaca City, | 0:23:49 | 0:23:52 | |
and I find myself caught up listening to marimba music. | 0:23:52 | 0:23:57 | |
To be honest, before I came here, | 0:23:59 | 0:24:01 | |
I didn't know what a marimba was. | 0:24:01 | 0:24:04 | |
Of course, it was the Dean Martin song Sway that we of a certain | 0:24:05 | 0:24:09 | |
age know so well that made it famous. | 0:24:09 | 0:24:11 | |
I know it's nothing to do with food, but to me, | 0:24:11 | 0:24:15 | |
it's equally important. | 0:24:15 | 0:24:17 | |
APPLAUSE | 0:24:17 | 0:24:18 | |
Last time I was in Oaxaca, I must confess I stayed in the city, | 0:24:29 | 0:24:32 | |
because it was so fabulous, so much to see. | 0:24:32 | 0:24:34 | |
Churches, art galleries, the museum, | 0:24:34 | 0:24:37 | |
lovely squares to have drinks in the evening. Great restaurants. | 0:24:37 | 0:24:41 | |
There was no need to get out of the city. But this time I have, | 0:24:41 | 0:24:47 | |
and I do think that if you've got a chance, it's worth it, | 0:24:47 | 0:24:50 | |
because it's an agricultural region | 0:24:50 | 0:24:52 | |
and there's plenty of good produce to go and look at. | 0:24:52 | 0:24:55 | |
And also, great atmosphere in the country. | 0:24:55 | 0:24:58 | |
It's a really special part of Mexico. | 0:24:58 | 0:25:00 | |
It's Sunday morning, and I've come to see the ruins | 0:25:07 | 0:25:09 | |
of the ancient capital of this region, | 0:25:09 | 0:25:11 | |
Monte Alban. | 0:25:11 | 0:25:13 | |
Perched on a high hill above the city, | 0:25:13 | 0:25:16 | |
this is the work of the Zapotecs, | 0:25:16 | 0:25:18 | |
who were every bit as advanced as their more famous rivals, | 0:25:18 | 0:25:22 | |
the Aztecs and the Mayans. | 0:25:22 | 0:25:24 | |
After all, they had the technology to cut the top off the mountain | 0:25:24 | 0:25:28 | |
to create this enormous plateau | 0:25:28 | 0:25:30 | |
so they could build the city here. | 0:25:30 | 0:25:32 | |
Over 17,000 people once lived here, | 0:25:34 | 0:25:37 | |
and because I'm a cook, | 0:25:37 | 0:25:39 | |
I imagine the air would have been full of noise | 0:25:39 | 0:25:41 | |
and thick with the smells and sounds of Zapotecan life. | 0:25:41 | 0:25:45 | |
Corn tortillas toasting on griddles, | 0:25:45 | 0:25:47 | |
beef sizzling, smoke everywhere, | 0:25:47 | 0:25:50 | |
chillies roasting. | 0:25:50 | 0:25:51 | |
Lovely! | 0:25:51 | 0:25:53 | |
Trouble is, this is all guesswork. | 0:25:53 | 0:25:55 | |
I mean, that is just a beautiful view. | 0:25:56 | 0:25:59 | |
I don't mind that I don't actually know | 0:25:59 | 0:26:02 | |
what was happening here in Zapotec times. | 0:26:02 | 0:26:05 | |
I mean, was this a forum? Was it part of a marketplace? | 0:26:05 | 0:26:08 | |
Are these religious buildings? Nobody actually knows. | 0:26:08 | 0:26:12 | |
But it doesn't sort of matter to me, because I think architecture for me | 0:26:12 | 0:26:17 | |
is about sort of framing space in some way, | 0:26:17 | 0:26:20 | |
or framing landscape. | 0:26:20 | 0:26:21 | |
And if you think about the just fantastic view there, | 0:26:21 | 0:26:25 | |
it would be so much the less without these wonderful | 0:26:25 | 0:26:27 | |
buildings in front of me. | 0:26:27 | 0:26:29 | |
Despite what you might think, | 0:26:36 | 0:26:38 | |
the Zapotec civilisation hasn't completely vanished. | 0:26:38 | 0:26:42 | |
Almost a million Mexicans still identify as Zapotec, | 0:26:42 | 0:26:47 | |
and Oaxaca is the centre of their culture. | 0:26:47 | 0:26:50 | |
I'm going to a town with one of Mexico's oldest open-air markets. | 0:27:05 | 0:27:09 | |
It's known here as a tianguis, | 0:27:09 | 0:27:12 | |
and ethnic Zapotecans from all the surrounding villages come here. | 0:27:12 | 0:27:16 | |
What is wonderful about this market is there is | 0:27:29 | 0:27:32 | |
a sort of sense of innocence about it. There's lovely smells | 0:27:32 | 0:27:35 | |
in the air of watermelon | 0:27:35 | 0:27:38 | |
and roasting corn and | 0:27:38 | 0:27:41 | |
grilling chickens. | 0:27:41 | 0:27:43 | |
And everybody looks sort of pleasant and charming | 0:27:43 | 0:27:47 | |
and colourful. It's lovely. | 0:27:47 | 0:27:49 | |
Ha! I've finally tracked down mamey. | 0:27:54 | 0:27:57 | |
I've been told about this, I've been looking for it all day. | 0:27:57 | 0:28:00 | |
Could I have a slice? | 0:28:00 | 0:28:02 | |
I'd heard that mameys taste like a cross between | 0:28:02 | 0:28:05 | |
a pear and a melon, | 0:28:05 | 0:28:07 | |
and that's exactly right. | 0:28:07 | 0:28:08 | |
Oh, that is good. | 0:28:12 | 0:28:14 | |
It's really, obviously, sweet-scented, | 0:28:14 | 0:28:17 | |
got a lovely mouth feel, | 0:28:17 | 0:28:19 | |
to use a common expression, | 0:28:19 | 0:28:22 | |
because of the sort of fattiness. | 0:28:22 | 0:28:23 | |
It actually has the same feel in the mouth as avocado, | 0:28:23 | 0:28:26 | |
but it's deliciously sweet. | 0:28:26 | 0:28:28 | |
Now, the first chillies ever to be cultivated | 0:28:30 | 0:28:34 | |
came from northern Oaxaca, | 0:28:34 | 0:28:35 | |
and, like corn, have been part of the Mexican diet | 0:28:35 | 0:28:38 | |
for thousands of years. | 0:28:38 | 0:28:40 | |
There's something truly wonderful about the aroma of dry chillies. | 0:28:41 | 0:28:46 | |
I'm just going to run through four here. | 0:28:46 | 0:28:49 | |
Just for my own memory, almost. | 0:28:49 | 0:28:51 | |
First we have guajillo, | 0:28:51 | 0:28:53 | |
which is a very common dried chilli, | 0:28:53 | 0:28:55 | |
then guachon, which I've never heard of before. | 0:28:55 | 0:28:58 | |
Mulato, which I have heard before, lovely black, | 0:28:58 | 0:29:02 | |
lovely smell, sort of liquorice-y smell. | 0:29:02 | 0:29:05 | |
And, finally, ancho. | 0:29:05 | 0:29:07 | |
It's sort of fruity and slightly smoky | 0:29:07 | 0:29:11 | |
and very, very, "I must have more of this" sort of smell. | 0:29:11 | 0:29:15 | |
In some ways, a few bits of plastic apart, | 0:29:17 | 0:29:20 | |
not much has changed since the glory days of the Zapotecans. | 0:29:20 | 0:29:24 | |
There's still a big market for these metates, | 0:29:24 | 0:29:27 | |
grinding stones as big as tables. | 0:29:27 | 0:29:29 | |
I'd love to take one home, but they weigh a tonne. | 0:29:29 | 0:29:33 | |
Literally! | 0:29:33 | 0:29:34 | |
Not far from here is the village home of the five Mendoza sisters, | 0:29:43 | 0:29:48 | |
Zapotec cooks of international fame. | 0:29:48 | 0:29:51 | |
They are mistresses of the metate, | 0:29:51 | 0:29:54 | |
and I want to watch them at work. | 0:29:54 | 0:29:56 | |
I've seen it used before, of course I have, | 0:29:56 | 0:30:00 | |
but this is advanced level metate in Zapotec. | 0:30:00 | 0:30:04 | |
-Metate in Espanol? -Yeah. | 0:30:04 | 0:30:06 | |
In Zapoteco is guitz. | 0:30:06 | 0:30:09 | |
-Guitz? ALL: -Guitz. | 0:30:09 | 0:30:10 | |
OK. | 0:30:10 | 0:30:11 | |
SHE SPEAKS HER OWN LANGUAGE AND RICK REPEATS | 0:30:11 | 0:30:15 | |
LAUGHTER | 0:30:15 | 0:30:18 | |
The sisters give cooking demonstrations all over the world, | 0:30:21 | 0:30:24 | |
speaking a mixture of Spanish, Zapotec and English. | 0:30:24 | 0:30:28 | |
-No mas fino. -No mas fino? You don't want it fino? | 0:30:28 | 0:30:32 | |
So good. | 0:30:34 | 0:30:35 | |
Just thinking you could do these in a food processor, in a food grinder. | 0:30:35 | 0:30:40 | |
SHE SPEAKS HER OWN LANGUAGE Oh, yeah. | 0:30:40 | 0:30:42 | |
But, um... | 0:30:42 | 0:30:44 | |
Oh, fab! | 0:30:46 | 0:30:48 | |
But you just wouldn't have the control. I mean, um, | 0:30:48 | 0:30:50 | |
they're saying that, um, | 0:30:50 | 0:30:52 | |
that Abigail's actually grinding it quite softly, quite carefully, | 0:30:52 | 0:30:57 | |
um, just to achieve the right grind that she exactly wants. | 0:30:57 | 0:31:02 | |
Rosario's grinding really hard | 0:31:02 | 0:31:06 | |
so that the chilli now has become all like a tomato puree, | 0:31:06 | 0:31:09 | |
like, so, so fine. | 0:31:09 | 0:31:11 | |
But I think it's about getting exactly the right results. | 0:31:11 | 0:31:14 | |
They combine the corn and the chilli paste in a rich, aniseed-y sauce, | 0:31:16 | 0:31:20 | |
thanks to more of that uniquely Mexican herb, hoja santa. | 0:31:20 | 0:31:24 | |
This is a seguesa, often made with rabbit, | 0:31:24 | 0:31:28 | |
but in this case, chicken. | 0:31:28 | 0:31:29 | |
Seguesa de pollo. | 0:31:29 | 0:31:31 | |
Delicious! | 0:31:38 | 0:31:40 | |
Lovely! | 0:31:40 | 0:31:41 | |
I love that herb, it's fab. | 0:31:42 | 0:31:45 | |
And there's a final toast in mezcal, the spirit of Oaxaca. | 0:31:46 | 0:31:50 | |
We offering a little mezcal, | 0:31:51 | 0:31:53 | |
to say to them, welcome. | 0:31:53 | 0:31:56 | |
To say to you, welcome. | 0:31:56 | 0:31:58 | |
-Now... -So how do I drink this, then? | 0:31:58 | 0:32:00 | |
-You have to sip it with a little orange. -OK. | 0:32:00 | 0:32:04 | |
And salt, with chilli. | 0:32:04 | 0:32:07 | |
So I put the orange and the chilli...? | 0:32:07 | 0:32:10 | |
There we go. | 0:32:10 | 0:32:12 | |
-Mezcal. -Mezcal. | 0:32:15 | 0:32:16 | |
Mmm! | 0:32:16 | 0:32:18 | |
-Very good combination. -Mm-hmm. | 0:32:19 | 0:32:21 | |
Lovely mezcal. | 0:32:21 | 0:32:22 | |
Very nice. | 0:32:22 | 0:32:24 | |
That seguesa has made me think about chilli sauce. | 0:32:26 | 0:32:29 | |
I actually think about chilli sauce quite a lot. | 0:32:29 | 0:32:32 | |
I've had so many chilli sauces in Mexico, | 0:32:32 | 0:32:35 | |
and they're delicious. | 0:32:35 | 0:32:37 | |
So I've decided to come up with one of my own. | 0:32:37 | 0:32:40 | |
I'm using two types of chilli. | 0:32:42 | 0:32:44 | |
First I chop the ends off all of them | 0:32:46 | 0:32:49 | |
and shake out the seeds. | 0:32:49 | 0:32:51 | |
To develop the flavour, they need to be toasted a little on a comal. | 0:32:53 | 0:32:57 | |
These big ones are guajillos, and they are a medium heat. | 0:33:00 | 0:33:03 | |
I'm using about four of them. | 0:33:03 | 0:33:05 | |
Then about 15 of these little arbols, | 0:33:05 | 0:33:08 | |
sometimes called birds' beak chillies. | 0:33:08 | 0:33:11 | |
They're hotter and they'll give this sauce a real kick. | 0:33:11 | 0:33:14 | |
They go into a pan with hot water | 0:33:16 | 0:33:19 | |
and three cloves of garlic, | 0:33:19 | 0:33:20 | |
where they'll simmer for about 15 minutes. | 0:33:20 | 0:33:23 | |
Practically everything I've tasted here has a red hot chilli sauce, | 0:33:23 | 0:33:28 | |
this is my Mexican store cupboard essential. | 0:33:28 | 0:33:32 | |
I should say at this point, it's a good idea to keep the windows open, | 0:33:32 | 0:33:36 | |
because of your eyes. It's very spicy. | 0:33:36 | 0:33:39 | |
Into a liquidiser with the cooking water, | 0:33:39 | 0:33:43 | |
A handful of fresh chopped tomatoes, | 0:33:43 | 0:33:46 | |
and oregano, cumin, allspice, | 0:33:46 | 0:33:49 | |
brown sugar and cider vinegar. | 0:33:49 | 0:33:52 | |
A good teaspoon full of salt, | 0:33:54 | 0:33:57 | |
and it's all whizzed up while it's still hot. | 0:33:57 | 0:34:00 | |
Now, this is the last stage, | 0:34:01 | 0:34:03 | |
and it's an important last stage. | 0:34:03 | 0:34:05 | |
It goes back into the pan for a few more minutes | 0:34:05 | 0:34:09 | |
so the sauce reduces and thickens, | 0:34:09 | 0:34:11 | |
which in turn intensifies the flavour. | 0:34:11 | 0:34:14 | |
Crikey! | 0:34:17 | 0:34:18 | |
I have to think of a name. I have to bottle it, call it, | 0:34:19 | 0:34:22 | |
Rick's...Rage. | 0:34:22 | 0:34:24 | |
Rick's Rage. | 0:34:24 | 0:34:25 | |
It's that hot! | 0:34:26 | 0:34:27 | |
I've noticed, as a chef would, | 0:34:30 | 0:34:32 | |
that people seem to like things hotter and hotter all the time. | 0:34:32 | 0:34:35 | |
This sauce of mine, I think, would make them very happy indeed. | 0:34:35 | 0:34:38 | |
About an hour south of Oaxaca, | 0:34:44 | 0:34:46 | |
through semi-desert, | 0:34:46 | 0:34:47 | |
lies a farm belonging to one of Mexico's top chefs, | 0:34:47 | 0:34:50 | |
Alejandro Ruiz, | 0:34:50 | 0:34:52 | |
where he grows vegetables for his restaurant. | 0:34:52 | 0:34:55 | |
Today, he's having a family party there, | 0:34:55 | 0:34:57 | |
surrounded by aunts and cousins, | 0:34:57 | 0:34:59 | |
and he's invited me to come along. | 0:34:59 | 0:35:02 | |
There's a huge vat of rabbit stew underway, | 0:35:03 | 0:35:07 | |
there's beef on the griddle, | 0:35:07 | 0:35:08 | |
and great piles of garlic being crushed. | 0:35:08 | 0:35:11 | |
Vast quantities of food in progress. | 0:35:11 | 0:35:14 | |
-We have beautiful nopales over here as well, so... -OK. | 0:35:24 | 0:35:27 | |
..I think that will be good for our salad. | 0:35:27 | 0:35:29 | |
I notice you're handling them a bit carefully. | 0:35:29 | 0:35:32 | |
Yeah, because they have these... | 0:35:32 | 0:35:34 | |
I know, I don't want to touch them at all. | 0:35:34 | 0:35:36 | |
It's the prickle, and you don't even notice where you have them. | 0:35:36 | 0:35:39 | |
-You just feel like... -Argh, itch, itch! | 0:35:39 | 0:35:42 | |
Yeah. You have to be... You have to have a special skill | 0:35:42 | 0:35:46 | |
to claim these nopales. | 0:35:46 | 0:35:48 | |
Gosh, I think you do. | 0:35:48 | 0:35:50 | |
Alejandro is gathering the last few ingredients from his vegetable plot. | 0:35:51 | 0:35:56 | |
The garden is abundant, brimming with fruit and vegetables | 0:35:56 | 0:36:00 | |
of all shapes and sizes. | 0:36:00 | 0:36:02 | |
That is really good rabbit. Oh! | 0:36:10 | 0:36:13 | |
It's just salt, maybe a bit of lemon juice... | 0:36:13 | 0:36:16 | |
..rabbit, bit of oil. Oh. | 0:36:17 | 0:36:20 | |
Sensational. | 0:36:22 | 0:36:23 | |
Alejandro is famous for his salsa molcajete | 0:36:28 | 0:36:31 | |
made fresh at the table. | 0:36:31 | 0:36:33 | |
The molcajete is a massive pestle and mortar. | 0:36:33 | 0:36:36 | |
I've heard it described as a pre-Hispanic food processor. | 0:36:36 | 0:36:40 | |
For me, doing this, it's an excuse to have a good meal, no? | 0:36:43 | 0:36:47 | |
-Enshrined in our culture, our way of life. -Yeah. -Our way of eating. | 0:36:47 | 0:36:51 | |
So I always put, like, raw onion in here, and lots of raw cilantro. | 0:36:51 | 0:36:57 | |
-When did you start cooking? -Uh, my mother died when she was 21. | 0:36:57 | 0:37:00 | |
I am the oldest of five kids. | 0:37:00 | 0:37:02 | |
Two girls and three boys. | 0:37:02 | 0:37:04 | |
-Yeah. -And I had to take over the kitchen. | 0:37:04 | 0:37:06 | |
-Wow. -And I never, I was never taught to cook, I was only watching her | 0:37:06 | 0:37:11 | |
doing what my aunts are doing back there. | 0:37:11 | 0:37:13 | |
And learning by doing. | 0:37:13 | 0:37:15 | |
-When she asked me for cilantro I always got... -The parsley. | 0:37:15 | 0:37:18 | |
..parsley, and she went, like, | 0:37:18 | 0:37:20 | |
"Silly boy. Now, go back and get the right thing." | 0:37:20 | 0:37:23 | |
I always like to put, like, a touch of sourness to this sauce. | 0:37:23 | 0:37:28 | |
This is enough. | 0:37:29 | 0:37:30 | |
If there's one recipe I really wanted to get right in Mexico, it's this. | 0:37:33 | 0:37:37 | |
Guacamole. | 0:37:37 | 0:37:39 | |
Alejandro makes it very simply, | 0:37:39 | 0:37:42 | |
with ripe Hass avocados, | 0:37:42 | 0:37:44 | |
onion, coriander and salt. | 0:37:44 | 0:37:46 | |
No unnecessary additions. No chillies, | 0:37:46 | 0:37:49 | |
no tomatoes, no lime juice | 0:37:49 | 0:37:52 | |
or indeed anything else. | 0:37:52 | 0:37:54 | |
There you are. | 0:37:57 | 0:37:59 | |
-Muchas gracias. -De nada. | 0:37:59 | 0:38:01 | |
Before I came to Mexico, I was sort of wondering, | 0:38:07 | 0:38:11 | |
what is the right recipe for guacamole? | 0:38:11 | 0:38:13 | |
And that is it. | 0:38:13 | 0:38:15 | |
And it tastes fabulous. | 0:38:15 | 0:38:16 | |
Enjoy! Now we can make a perfect taco. | 0:38:17 | 0:38:21 | |
-Yeah, yeah. -OK, let me get a tortilla. | 0:38:21 | 0:38:23 | |
-I always take the one in the bottom. -OK. | 0:38:23 | 0:38:26 | |
Then, for a true taste of the region, | 0:38:27 | 0:38:29 | |
he makes me a taco with grasshoppers and flying ants. | 0:38:29 | 0:38:34 | |
-Chapulines. -Little chapulines. | 0:38:34 | 0:38:36 | |
-There you go. -Would you try some agave worms? -I'd like some agave worms! -Very good. | 0:38:37 | 0:38:42 | |
This would be a taco de insectos. Let me just roll it for you, | 0:38:42 | 0:38:47 | |
please, let me do the whole thing. | 0:38:47 | 0:38:49 | |
-There you go. -Fab. | 0:38:49 | 0:38:50 | |
-Different? -Delicious! | 0:38:56 | 0:38:58 | |
-Hot! -Yeah. | 0:39:00 | 0:39:01 | |
Thoroughly... Really nice, actually. | 0:39:03 | 0:39:06 | |
It refreshes the experience, no? | 0:39:06 | 0:39:08 | |
With the salsa in there. | 0:39:08 | 0:39:10 | |
Um, the... The crunchiness is nice, | 0:39:11 | 0:39:15 | |
there's a lovely sort of vegetable flavour from them. | 0:39:15 | 0:39:18 | |
May I recommend | 0:39:21 | 0:39:23 | |
grasshoppers, worms | 0:39:23 | 0:39:26 | |
and ants? | 0:39:26 | 0:39:27 | |
But all this was just a foretaste. Now it's time for lunch, | 0:39:31 | 0:39:35 | |
a long, slow meal | 0:39:35 | 0:39:37 | |
where every dish looks fantastic and I want to try them all. | 0:39:37 | 0:39:42 | |
-Some beans? -Oh, some beans? -Yes, sir. | 0:39:42 | 0:39:45 | |
I tend to be inordinately fond of people that | 0:39:50 | 0:39:53 | |
love their food. | 0:39:53 | 0:39:55 | |
-If you don't love food then life doesn't make any sense, I think. -No. | 0:39:55 | 0:39:59 | |
I think so. | 0:39:59 | 0:40:01 | |
Salud. Welcome. | 0:40:01 | 0:40:04 | |
-Lovely. -Not bad! -Well, thank you very much. | 0:40:04 | 0:40:06 | |
Next, an adventure. I'm going to Veracruz, | 0:40:13 | 0:40:18 | |
but there is no easy road, so it's a big loop round. | 0:40:18 | 0:40:21 | |
On the way I want to drive up into the mountains. Why? | 0:40:21 | 0:40:25 | |
Well, it's an area full of fabulous products | 0:40:25 | 0:40:28 | |
which I can't see anywhere else. | 0:40:28 | 0:40:30 | |
And it makes me think about the Spaniards who discovered the riches here in Mexico. | 0:40:30 | 0:40:35 | |
So many new tastes and flavours, fruit and vegetables, | 0:40:35 | 0:40:39 | |
they must have thought they'd hit the jackpot. | 0:40:39 | 0:40:42 | |
The Chinantla mountains are right in the centre of Mexico | 0:40:44 | 0:40:48 | |
and actually separate the state of Oaxaca from Oaxaca City on the west | 0:40:48 | 0:40:53 | |
to Tuxtepec on the east. | 0:40:53 | 0:40:55 | |
And there's virtually no roads through it, | 0:40:55 | 0:40:57 | |
which means that it's actually | 0:40:57 | 0:40:59 | |
virgin tropical forest, one of the few places | 0:40:59 | 0:41:02 | |
left in Mexico that is. | 0:41:02 | 0:41:04 | |
And right in the middle of nowhere we come across a village | 0:41:12 | 0:41:16 | |
with an astonishing number of bakeries. | 0:41:16 | 0:41:19 | |
This one, El Tio Tono, | 0:41:19 | 0:41:21 | |
is well known all across the region. | 0:41:21 | 0:41:23 | |
Tio Tono himself is no longer with us, | 0:41:26 | 0:41:29 | |
but his family want to keep his legacy alive | 0:41:29 | 0:41:32 | |
and carry on with the business. | 0:41:32 | 0:41:33 | |
They make about 20 types of bread, cakes and biscuits, | 0:41:33 | 0:41:37 | |
most of them to local Mexican recipes, | 0:41:37 | 0:41:40 | |
but with a few croissants thrown in, too. | 0:41:40 | 0:41:43 | |
Well, why not? | 0:41:43 | 0:41:45 | |
Before I get a chance to taste anything, | 0:41:51 | 0:41:53 | |
Mrs Tono gets me to help making the cinnamon rolls. | 0:41:53 | 0:41:57 | |
INAUDIBLE | 0:41:57 | 0:42:00 | |
I bet you I don't do it well enough, though. | 0:42:08 | 0:42:10 | |
I bet they'll quietly go and do them again. | 0:42:10 | 0:42:13 | |
It's funny, cos I get really nervous | 0:42:13 | 0:42:15 | |
about when they ask me to join in like this. | 0:42:15 | 0:42:17 | |
HE SPEAKS HIS OWN LANGUAGE Ah, OK. | 0:42:17 | 0:42:20 | |
And then when you start doing it you actually enjoy it much more. | 0:42:22 | 0:42:25 | |
-I'll just do that bit. -Yeah. | 0:42:25 | 0:42:27 | |
OK. | 0:42:27 | 0:42:28 | |
You see how easy is it? | 0:42:28 | 0:42:29 | |
I feel... Always feel quite relaxed when I'm working with my hands. | 0:42:29 | 0:42:35 | |
Really? One more? | 0:42:35 | 0:42:36 | |
Uno mas? | 0:42:36 | 0:42:37 | |
So you can put this one up on the top. | 0:42:37 | 0:42:41 | |
-So, like that. -Oh. | 0:42:41 | 0:42:43 | |
I say! | 0:42:43 | 0:42:45 | |
What's the paste? | 0:42:45 | 0:42:46 | |
The paste. | 0:42:48 | 0:42:49 | |
HE SPEAKS HIS OWN LANGUAGE | 0:42:49 | 0:42:52 | |
Flour, sugar, cinnamon. I can't do now cos I've been | 0:42:52 | 0:42:55 | |
licking my fingers, so I'll leave you to it. | 0:42:55 | 0:42:58 | |
I think I'm just going to nick one, hope they don't mind, try it. | 0:43:05 | 0:43:09 | |
It's really nice, very, very moreish. | 0:43:12 | 0:43:15 | |
I can well understand why, um, | 0:43:16 | 0:43:18 | |
everyone's beating a path to Tono's bakery. It's fab. | 0:43:18 | 0:43:23 | |
What I've noticed driving through here is there's lots of other bakeries. | 0:43:25 | 0:43:29 | |
And I've discovered that they haven't set up in opposition, | 0:43:29 | 0:43:33 | |
it's just that Tono was such a far-sighted person | 0:43:33 | 0:43:37 | |
he encouraged all his apprentices to move out and open other bakeries | 0:43:37 | 0:43:43 | |
because he saw that, actually, the village itself could | 0:43:43 | 0:43:47 | |
sell the idea of brilliant bread, not just one bakery, | 0:43:47 | 0:43:50 | |
which I think is a very, very good idea. | 0:43:50 | 0:43:54 | |
Two companion plants, coffee and vanilla, | 0:44:04 | 0:44:07 | |
are grown in these mountains. | 0:44:07 | 0:44:09 | |
This story is interesting because it's a perfect | 0:44:09 | 0:44:13 | |
demonstration of how the food industry works, | 0:44:13 | 0:44:15 | |
and how our tastes can change lives in a tiny village | 0:44:15 | 0:44:20 | |
right in the middle of Mexico. | 0:44:20 | 0:44:21 | |
Raoul and Hector Antonio and their families grow both coffee and vanilla | 0:44:23 | 0:44:28 | |
like their parents and grandparents before them. | 0:44:28 | 0:44:30 | |
Hector and his wife, Patti, | 0:44:33 | 0:44:36 | |
are the coffee growers. | 0:44:36 | 0:44:37 | |
They've already harvested their coffee berries. | 0:44:37 | 0:44:39 | |
The way they process it here at home is very charming, | 0:44:39 | 0:44:43 | |
a bit Heath Robinson. | 0:44:43 | 0:44:45 | |
Muchas gracias, Patti. | 0:44:46 | 0:44:47 | |
Well, I'm going to say this, aren't I? | 0:44:49 | 0:44:51 | |
You need to come here and smell this, because it is just so | 0:44:51 | 0:44:54 | |
truly delightful, so deep, | 0:44:54 | 0:44:57 | |
so oily, so aromatic, so nutty. | 0:44:57 | 0:45:01 | |
I mean, it's... it's inspiring, I have to say. | 0:45:01 | 0:45:05 | |
It's worth travelling the world to find great things to smell and eat. | 0:45:05 | 0:45:10 | |
Just next door, and now this is what really excites me, is the vanilla... | 0:45:15 | 0:45:19 | |
..which only Raoul and one other villager still harvest. | 0:45:20 | 0:45:24 | |
This handful of straggly old vanilla pods | 0:45:24 | 0:45:27 | |
is worth a great deal of cash. | 0:45:27 | 0:45:29 | |
But it's not the easiest crop to grow. | 0:45:29 | 0:45:32 | |
Raoul, just tell me why you're cultivating vanilla here. | 0:45:32 | 0:45:36 | |
HE SPEAKS HIS OWN LANGUAGE | 0:45:36 | 0:45:41 | |
He said his grandparents, who founded this village, | 0:45:41 | 0:45:44 | |
used to cultivate both vanilla and coffee, | 0:45:44 | 0:45:47 | |
but coffee proved much more profitable, | 0:45:47 | 0:45:51 | |
so the practice of growing vanilla died out. | 0:45:51 | 0:45:55 | |
But Raoul thinks it is so important, | 0:45:55 | 0:45:57 | |
such an important part of their culture and their tradition | 0:45:57 | 0:46:01 | |
that he's bringing it back for those reasons. | 0:46:01 | 0:46:04 | |
HE SPEAKS HIS OWN LANGUAGE | 0:46:04 | 0:46:09 | |
Oh, it's delicious. | 0:46:11 | 0:46:12 | |
Can't stop. That is... | 0:46:12 | 0:46:14 | |
..fab. | 0:46:14 | 0:46:16 | |
I didn't realise, but vanilla is a member of the orchid family, | 0:46:17 | 0:46:21 | |
and, like other orchids, grows in hidden locations. | 0:46:21 | 0:46:25 | |
Very shy. | 0:46:25 | 0:46:26 | |
It's a rough trek up into the forest to find it. | 0:46:29 | 0:46:33 | |
Raoul has just said we've got some vanilla here, | 0:46:42 | 0:46:44 | |
I suppose I'm a bit excited. It's a bit like finding a rare bird, | 0:46:44 | 0:46:48 | |
I suppose, I just love finding food that I've not seen in the wild. | 0:46:48 | 0:46:52 | |
HE SPEAKS HIS OWN LANGUAGE Can I pick them? | 0:47:00 | 0:47:02 | |
Why this is important to me is that this is actually | 0:47:08 | 0:47:11 | |
the only place in the world, in these Chinantla mountains | 0:47:11 | 0:47:14 | |
where vanilla grows wild, | 0:47:14 | 0:47:16 | |
and this is where it came from. | 0:47:16 | 0:47:17 | |
You might think it comes from places like Madagascar | 0:47:17 | 0:47:21 | |
or Tahiti, because that's where a lot of it is grown, | 0:47:21 | 0:47:23 | |
but it's actually from here. | 0:47:23 | 0:47:25 | |
Raoul's been to Turin to accept an award from the Slow Food movement, | 0:47:25 | 0:47:30 | |
simply because, I just think it's so important, and so do they. | 0:47:30 | 0:47:33 | |
And in fact, to know that I'm here, where it comes from, | 0:47:33 | 0:47:37 | |
as a bit of a foodie myself, | 0:47:37 | 0:47:38 | |
means a great deal. So he's a bit of a food hero, actually. | 0:47:38 | 0:47:43 | |
I could smell this roadside stall a mile or so away, | 0:48:00 | 0:48:04 | |
and so I was really pleased when we stopped for this train. | 0:48:04 | 0:48:07 | |
I just smelled this wonderful smell of pineapples, | 0:48:07 | 0:48:11 | |
and just looking at these and I just had to pick one up because... | 0:48:11 | 0:48:14 | |
..that, surely, for me, | 0:48:15 | 0:48:19 | |
is the biggest pineapple I've ever seen. | 0:48:19 | 0:48:21 | |
And, I mean, they are incredibly popular. And of course | 0:48:21 | 0:48:24 | |
I think it's really indicative | 0:48:24 | 0:48:26 | |
of how incredibly fertile this region of Mexico, | 0:48:26 | 0:48:30 | |
we're still in Oaxaca state, is, | 0:48:30 | 0:48:32 | |
and how it contrasts with the countryside | 0:48:32 | 0:48:35 | |
around Oaxaca itself, which is really dry. | 0:48:35 | 0:48:37 | |
This is lush, you've got sugar cane, | 0:48:37 | 0:48:39 | |
you've got mangos, you've got papayas | 0:48:39 | 0:48:41 | |
and these fantastic pineapples. | 0:48:41 | 0:48:43 | |
And now I've just got to have a glass of pineapple juice. | 0:48:43 | 0:48:47 | |
Mexicans eat pineapple for breakfast, | 0:48:47 | 0:48:49 | |
but they also have fantastic fruit juices. | 0:48:49 | 0:48:53 | |
I'll pay later. | 0:48:54 | 0:48:55 | |
Wish you were here. | 0:49:04 | 0:49:06 | |
My winding trip through the jungle has got me thinking. | 0:49:12 | 0:49:15 | |
There's a lot of talk about the gold the Spanish | 0:49:15 | 0:49:18 | |
raided from the New World, | 0:49:18 | 0:49:20 | |
but in many ways, the foods they brought back | 0:49:20 | 0:49:23 | |
had a much more lasting impact. | 0:49:23 | 0:49:25 | |
The gold is long gone, probably spent on wars, | 0:49:25 | 0:49:29 | |
but the chocolate is still with us. | 0:49:29 | 0:49:31 | |
This is the women's co-operative at San Martin, | 0:49:33 | 0:49:37 | |
and Carolina Pena is taking me to pick some fruit. | 0:49:37 | 0:49:41 | |
-Listen, it's this way. -Oh, OK. -Let's see the cacao trees. | 0:49:41 | 0:49:45 | |
-The cacao trees. -So you see the fruit. | 0:49:45 | 0:49:47 | |
We're at the end of the main cropping period, | 0:49:48 | 0:49:50 | |
but Carolina's kept one perfect fruit on the tree | 0:49:50 | 0:49:53 | |
just for me. | 0:49:53 | 0:49:54 | |
-So we're looking for a lemon-y one. -Yes. -Is that lemon-y? | 0:49:54 | 0:49:58 | |
Yes, that will be it. | 0:49:58 | 0:49:59 | |
Yes, like this. | 0:49:59 | 0:50:01 | |
-Yes, this is it. -Oh, nothing too difficult about that. | 0:50:01 | 0:50:03 | |
No, not at all. | 0:50:03 | 0:50:04 | |
It's a good one. | 0:50:04 | 0:50:06 | |
-It is, is it? -Yes, yeah, it has 40 seeds inside, | 0:50:06 | 0:50:10 | |
and a good chocolate bar. | 0:50:10 | 0:50:12 | |
Just one chocolate bar? | 0:50:12 | 0:50:13 | |
No, you need a lot more, but to begin with it's a good bite. | 0:50:13 | 0:50:17 | |
-Depends on the chocolate. -Yes! | 0:50:17 | 0:50:19 | |
Let's go back with our one trophy, unless we can find some more. | 0:50:19 | 0:50:23 | |
Yes, let's go. | 0:50:23 | 0:50:25 | |
When I think about it, chocolate's contribution | 0:50:26 | 0:50:29 | |
to the sum of human happiness is profound. | 0:50:29 | 0:50:32 | |
It's the ultimate comfort food. Warming, cheering, | 0:50:32 | 0:50:36 | |
and for me, a little bit addictive. | 0:50:36 | 0:50:38 | |
Oh, thank you, Martin. | 0:50:40 | 0:50:42 | |
Martin, aged three, already knows more | 0:50:46 | 0:50:49 | |
about extracting cacao beans from the fruits than I do. | 0:50:49 | 0:50:53 | |
Well, of course he does, he's grown up around them. | 0:50:53 | 0:50:56 | |
Once the beans are laid bare, they're left to ferment, | 0:50:58 | 0:51:02 | |
which takes around five days, | 0:51:02 | 0:51:04 | |
and then another five to dry in the sun. | 0:51:04 | 0:51:06 | |
I must say, it's very satisfying running your hands | 0:51:09 | 0:51:12 | |
through these drying beans. I'm just going to... | 0:51:12 | 0:51:15 | |
..crack one open. | 0:51:15 | 0:51:17 | |
And you can already see the sort of, | 0:51:18 | 0:51:21 | |
the chocolate inside the cacao inside. | 0:51:21 | 0:51:24 | |
And indeed, it's got a flavour like it. | 0:51:26 | 0:51:28 | |
But it has to be roasted. | 0:51:28 | 0:51:30 | |
It's quite bitter, though. | 0:51:31 | 0:51:33 | |
Always wonder how on earth anybody | 0:51:33 | 0:51:35 | |
could think this could turn into something as gorgeous as chocolate. | 0:51:35 | 0:51:38 | |
After drying, the beans are lightly toasted to bring out the flavour, | 0:51:41 | 0:51:46 | |
which makes the husks go brittle and papery. | 0:51:46 | 0:51:49 | |
That's a lot easier to get the shells off, now. | 0:51:51 | 0:51:53 | |
Ah, that's more like it! | 0:51:55 | 0:51:57 | |
That really now smells like cacao, like... | 0:51:57 | 0:52:01 | |
..you can smell the chocolate bar in that. | 0:52:01 | 0:52:03 | |
And, actually, it tastes much more like chocolate. | 0:52:03 | 0:52:07 | |
It's still very bitter. | 0:52:07 | 0:52:08 | |
It's got a lovely aftertaste, a lovely aroma, too. | 0:52:08 | 0:52:12 | |
At the co-operative, | 0:52:16 | 0:52:17 | |
they make little patties from cacao, cinnamon and sugar. | 0:52:17 | 0:52:20 | |
And to my surprise, the most popular way for locals to consume cacao | 0:52:20 | 0:52:26 | |
is as a rather bitter drink. | 0:52:26 | 0:52:28 | |
This is for drinking, it's not for making into chocolate bars. | 0:52:29 | 0:52:32 | |
But it's really nice, I love the way they put just | 0:52:34 | 0:52:36 | |
a little bit of cinnamon in with the chocolate, | 0:52:36 | 0:52:38 | |
sort of, almost every time I taste that I think, "That's Mexico." | 0:52:38 | 0:52:43 | |
It's lovely. | 0:52:43 | 0:52:44 | |
Do you know, if there's a chocolate dish on a menu, | 0:52:48 | 0:52:51 | |
it outsells any other dessert | 0:52:51 | 0:52:53 | |
by about two to one. | 0:52:53 | 0:52:55 | |
It's an extraordinary fact, but what does it mean? | 0:52:55 | 0:52:58 | |
It means that back in Padstow, there's only one contender. | 0:52:58 | 0:53:02 | |
I'm going to make chocolate fondant truffles | 0:53:02 | 0:53:05 | |
with pasilla chillies. | 0:53:05 | 0:53:07 | |
So I'm just adding some double cream to this hot pan | 0:53:08 | 0:53:11 | |
and I'm just going to heat it up. | 0:53:11 | 0:53:13 | |
Not to boiling, but just heat up enough to melt the chocolate. | 0:53:13 | 0:53:16 | |
And now I'm adding some pasilla chillies. | 0:53:16 | 0:53:18 | |
Now, I've taken the seeds out of these chillies | 0:53:18 | 0:53:20 | |
and then I've lightly toasted them just to bring out | 0:53:20 | 0:53:23 | |
the fruitiness. And when I say fruitiness, | 0:53:23 | 0:53:25 | |
I mean fruitiness, because chillies technically | 0:53:25 | 0:53:28 | |
are fruit, not vegetables. | 0:53:28 | 0:53:29 | |
OK, and then I ground them up in my blender, and there they go. | 0:53:29 | 0:53:34 | |
Lovely, deep reddish-brown colour. It's wonderful. | 0:53:34 | 0:53:37 | |
Now, they're not very hot, and I do want a residual heat in this dish. | 0:53:37 | 0:53:41 | |
So I'm just going to add a bit of cayenne pepper there. | 0:53:41 | 0:53:44 | |
Just stir those all in. | 0:53:45 | 0:53:47 | |
Now take them off the heat and stir in the chocolate | 0:53:47 | 0:53:50 | |
and allow that to melt. | 0:53:50 | 0:53:52 | |
I'm just going to add a little bit of salt to this, | 0:53:54 | 0:53:57 | |
it's always a good idea in a chocolate sauce. | 0:53:57 | 0:53:59 | |
Not a lot, just a pinch. | 0:53:59 | 0:54:00 | |
I was really attracted to this dish when I first tried it. | 0:54:00 | 0:54:05 | |
I mean, essentially they are what we call petits fours, | 0:54:05 | 0:54:07 | |
but they're deep-fried, and that's quite tricky to get right. | 0:54:07 | 0:54:10 | |
What I like is this idea of putting chilli with | 0:54:10 | 0:54:13 | |
something like chocolate. | 0:54:13 | 0:54:15 | |
So this just goes into the fridge... Oh. | 0:54:16 | 0:54:19 | |
There we go. Goes into the fridge for about two or three hours. | 0:54:19 | 0:54:23 | |
My wife's always complaining about my fridge, | 0:54:23 | 0:54:26 | |
I don't really understand why. | 0:54:26 | 0:54:28 | |
It's fine! | 0:54:28 | 0:54:29 | |
A couple of hours to chill, and then it's ready to form into caneles, | 0:54:33 | 0:54:37 | |
which are rugby ball shaped, | 0:54:37 | 0:54:38 | |
and then dropped into cocoa powder. | 0:54:38 | 0:54:41 | |
Mexico gave us so much, if you think about it. | 0:54:41 | 0:54:44 | |
Avocados, tomatoes, | 0:54:44 | 0:54:47 | |
corn and chocolate! | 0:54:47 | 0:54:49 | |
I mean, where would we be without chocolate? | 0:54:49 | 0:54:52 | |
The most wonderfully sinful ingredient known to man, I say. | 0:54:52 | 0:54:57 | |
And now just to mould them up. | 0:54:57 | 0:54:59 | |
There we go, that looks really nice. | 0:54:59 | 0:55:01 | |
I'm quite enjoying this! | 0:55:01 | 0:55:03 | |
So, they need to go into the freezer now, | 0:55:07 | 0:55:10 | |
because the point is, I'm going to deep fry them, and if they're not frozen in the middle they'll melt. | 0:55:10 | 0:55:14 | |
But if they're frozen they'll be just right. | 0:55:14 | 0:55:17 | |
Now to make the batter. Mix flour, baking powder, | 0:55:19 | 0:55:23 | |
caster sugar and salt. | 0:55:23 | 0:55:25 | |
Then an egg and a little milk. | 0:55:27 | 0:55:29 | |
And I want a reasonably thick batter, | 0:55:29 | 0:55:33 | |
so it'll cling to the chocolate balls, | 0:55:33 | 0:55:35 | |
about the consistency of double cream. And I fry them long enough | 0:55:35 | 0:55:40 | |
not just to brown the batter, but to melt the middles. | 0:55:40 | 0:55:43 | |
Well, that's the plan! | 0:55:43 | 0:55:45 | |
It only takes a couple of minutes. | 0:55:45 | 0:55:47 | |
There we go. | 0:55:47 | 0:55:48 | |
Coat well, and now straight into my hot oil. | 0:55:49 | 0:55:53 | |
Don't leave them in there too long, cos what's really good | 0:55:54 | 0:55:57 | |
if the chocolate in the middle is still a little bit cold. | 0:55:57 | 0:56:01 | |
One of the crew said, "Does it taste like fried Mars bars?" | 0:56:01 | 0:56:04 | |
I'm not against fried Mars bars, | 0:56:04 | 0:56:06 | |
but this is just a little bit more subtle, | 0:56:06 | 0:56:08 | |
with all that lovely chilli in it. | 0:56:08 | 0:56:10 | |
Lifting them out of the oil on to my kitchen paper, | 0:56:10 | 0:56:13 | |
and that's it. | 0:56:13 | 0:56:14 | |
They're ready to go. I would add here that | 0:56:14 | 0:56:16 | |
if you don't want to go through all that batter process, | 0:56:16 | 0:56:19 | |
just those balls are lovely rolled in cocoa powder | 0:56:19 | 0:56:23 | |
as a petit four. | 0:56:23 | 0:56:25 | |
Well, I know you're wondering, is it melted in the middle? | 0:56:34 | 0:56:38 | |
Of course it is. | 0:56:40 | 0:56:42 | |
Still a little bit cool, you've got that hot batter, | 0:56:42 | 0:56:44 | |
you've got the cool centre. | 0:56:44 | 0:56:46 | |
It's very luxurious. A real taste of Oaxaca, where this dish comes from. | 0:56:46 | 0:56:52 | |
It was a long drive into the mountains, | 0:57:00 | 0:57:03 | |
with lots to see on the way. | 0:57:03 | 0:57:05 | |
Finally, we arrived at our overnight stop, the Etla cabins. | 0:57:05 | 0:57:09 | |
And it turns out it's glamping, Mexican style! | 0:57:09 | 0:57:13 | |
We got here late, I was exhausted, | 0:57:13 | 0:57:17 | |
and it was only this morning that I saw how beautiful it is here. | 0:57:17 | 0:57:21 | |
Last night I slept the sleep of the just, | 0:57:21 | 0:57:25 | |
just went out, really with the murmuring of the river | 0:57:25 | 0:57:29 | |
and just a lovely scent in the air. | 0:57:29 | 0:57:31 | |
This morning I woke up and looked out and just thought, | 0:57:31 | 0:57:34 | |
"Why would you need anything more deluxe?" | 0:57:34 | 0:57:38 | |
I mean, this is, really, you feel | 0:57:38 | 0:57:39 | |
part of nature in a way, in a cabin like this. | 0:57:39 | 0:57:42 | |
What an oasis, the perfect place to end this part of my trip. | 0:57:46 | 0:57:51 | |
From San Francisco, I've come two and a half thousand miles | 0:57:55 | 0:57:59 | |
with another 750 to go | 0:57:59 | 0:58:02 | |
as I travel on to the Yucatan. | 0:58:02 | 0:58:05 | |
On the way to Veracruz, | 0:58:05 | 0:58:07 | |
there's a chance encounter with a Cuban barbecue. | 0:58:07 | 0:58:10 | |
Mayan ruins at Uxmal. | 0:58:13 | 0:58:16 | |
And, finally, my journey's end at Tulum, | 0:58:20 | 0:58:23 | |
the jewel of the southeast coast. | 0:58:23 | 0:58:25 |