Browse content similar to Oxford. Check below for episodes and series from the same categories and more!
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-Cupcakes! -How are you for a cupcake? | 0:00:05 | 0:00:07 | |
-Oh, I love a cupcake. -Bit of a cupcake man? -Oh, love them. | 0:00:07 | 0:00:10 | |
-You? -Never touch them. | 0:00:10 | 0:00:12 | |
It's taken 50 years in broadcasting | 0:00:14 | 0:00:16 | |
but I've finally cracked it. | 0:00:16 | 0:00:18 | |
The chance to meander around the country, see the sights, | 0:00:18 | 0:00:22 | |
meet the people... | 0:00:22 | 0:00:24 | |
and, ah, yes, eat and drink. | 0:00:24 | 0:00:27 | |
Is melt in the mouth a suitable phrase? | 0:00:27 | 0:00:30 | |
I've hailed a cab with one of London's finest cabbies | 0:00:31 | 0:00:33 | |
Mason McQueen to steer me around Britain's highways and byways. | 0:00:33 | 0:00:38 | |
I'm looking forward to a decent meal, are you? | 0:00:38 | 0:00:40 | |
Oh, I'm starving. I can't wait, Ter. | 0:00:40 | 0:00:42 | |
Our route has been mapped out by an adventurous gourmand, | 0:00:42 | 0:00:45 | |
Samuel Chamberlain in his book British Bouquet. | 0:00:45 | 0:00:49 | |
Almost 60 years later, we're following in his footsteps. | 0:00:49 | 0:00:52 | |
I'll do all the work, Ter. | 0:00:52 | 0:00:54 | |
To seek out weird and wonderful regional British cuisine | 0:00:54 | 0:00:58 | |
and discover how our tastes have changed over the years. | 0:00:58 | 0:01:01 | |
Do it right, son. | 0:01:01 | 0:01:03 | |
-Whoa! -Whoa! | 0:01:03 | 0:01:05 | |
Don't kill any of these ducks. | 0:01:05 | 0:01:08 | |
We'll get in trouble. | 0:01:08 | 0:01:09 | |
On this leg of our festival of feasting | 0:01:19 | 0:01:21 | |
we're in the grand old city of Oxford | 0:01:21 | 0:01:23 | |
in search of some improving thoughts and food. | 0:01:23 | 0:01:26 | |
Slotted between the Chilterns and the Cotswolds, | 0:01:31 | 0:01:33 | |
it's home to the oldest university in the country. | 0:01:33 | 0:01:36 | |
It's extraordinary, the dreaming spires of Oxford. | 0:01:38 | 0:01:43 | |
Certainly that, Ter. Some of the architecture's stunning. | 0:01:43 | 0:01:46 | |
It's almost a pleasure to drive in Oxford | 0:01:46 | 0:01:48 | |
if it wasn't for the traffic, isn't it? | 0:01:48 | 0:01:51 | |
Now you know why they're all on bikes. | 0:01:51 | 0:01:53 | |
Famed for its brilliant minds, we're here to find out what the | 0:01:55 | 0:01:58 | |
learned population eat while studying. | 0:01:58 | 0:02:01 | |
Mason, you've driven in Oxford before, haven't you? | 0:02:05 | 0:02:08 | |
I've been here once before, Terence. Yes. | 0:02:08 | 0:02:10 | |
I brought some Americans down here for lunch. | 0:02:10 | 0:02:12 | |
And did they think it was cute? | 0:02:12 | 0:02:14 | |
AMERICAN ACCENT: They loved the place. | 0:02:14 | 0:02:16 | |
I heard an American once say, | 0:02:16 | 0:02:17 | |
"Hey, you know, some of this stuff here is 100 years old." | 0:02:17 | 0:02:21 | |
THEY LAUGH | 0:02:21 | 0:02:23 | |
The city's narrow streets are not a natural home for Mason's | 0:02:26 | 0:02:29 | |
suspension so parking up, we set off in search of breakfast. | 0:02:29 | 0:02:34 | |
Christmas Day at the workhouse here. | 0:02:35 | 0:02:37 | |
One time you're walking down a narrow street in Oxford... | 0:02:37 | 0:02:40 | |
-Hi! -There's nobody there. -Hello. | 0:02:40 | 0:02:42 | |
How you doing? | 0:02:42 | 0:02:43 | |
And the next thing, the world and his wife is swarming all over you! | 0:02:43 | 0:02:46 | |
-It's turned into Oxford Street. -I thought this was a private street. | 0:02:46 | 0:02:49 | |
-POSH ACCENT: -Clear orf, will you? | 0:02:49 | 0:02:51 | |
-Are you from Oxford? -Cambridge, actually. -Oh, Cambridge! | 0:02:55 | 0:02:57 | |
-Whey! -Oh, gosh, you're slumming, aren't you? -We are. | 0:02:57 | 0:03:01 | |
-And you're down for the day? -For the day, yes. With my grandchildren. | 0:03:03 | 0:03:06 | |
-I'm with my teenage son. -You are? -My eldest boy, yes. | 0:03:06 | 0:03:09 | |
-He's having a great time, ain't you, son? -Thank you, Dad. | 0:03:09 | 0:03:12 | |
Battling the crowds, | 0:03:14 | 0:03:15 | |
we know where to get a flavour for the local diet, the market. | 0:03:15 | 0:03:20 | |
Always a guarantee of some seductive snacks. | 0:03:20 | 0:03:22 | |
That is a naked woman! Mm. | 0:03:24 | 0:03:27 | |
She's in the bath. | 0:03:27 | 0:03:28 | |
-That's a bit saucy for a cake, isn't it? -Yes! | 0:03:28 | 0:03:30 | |
Unlike the ladies in its cakes, this is a covered market and it | 0:03:32 | 0:03:35 | |
has been distracting students from their studies for over 200 years. | 0:03:35 | 0:03:39 | |
Generally, where there's a good market, | 0:03:39 | 0:03:41 | |
there's a good sausage and it seems Oxford is no exception. | 0:03:41 | 0:03:45 | |
-I like a sausage, I know you do. -There's the Oxford, look. | 0:03:45 | 0:03:49 | |
-Is that famous? -It must be. Speciality. | 0:03:49 | 0:03:52 | |
I like an old banger. | 0:03:52 | 0:03:53 | |
Well, you know, you've been in the back of it. | 0:03:53 | 0:03:56 | |
Don't half get rattled about. | 0:03:56 | 0:03:58 | |
You can't say you're not getting variety in the sausage market here. | 0:03:58 | 0:04:02 | |
-Shall we go in? -Yeah, let's have a look. -OK. | 0:04:02 | 0:04:04 | |
This unassuming sausage shop is home to Oxford's very own | 0:04:06 | 0:04:10 | |
professor of pig, David John. | 0:04:10 | 0:04:12 | |
To be frank, I'd never heard about an Oxford sausage, had you? | 0:04:13 | 0:04:16 | |
What makes an Oxford sausage so special? | 0:04:16 | 0:04:18 | |
Good quality pork, herbs with lemon. | 0:04:18 | 0:04:21 | |
-Lemon? -Lemon, yeah. | 0:04:21 | 0:04:22 | |
Lemon on your fish. Not lemon on your sausage. | 0:04:22 | 0:04:24 | |
Little squirt of lemon, you know, gives it a bit of flavour. | 0:04:24 | 0:04:27 | |
Very good. | 0:04:27 | 0:04:29 | |
-This man is eager to try his hand. -Is he? Right. | 0:04:29 | 0:04:31 | |
Could you show him the way? | 0:04:31 | 0:04:32 | |
-Yeah, we can put a bib on him and... -I'll have a go. -Yeah. | 0:04:32 | 0:04:35 | |
I like him in a bib. | 0:04:35 | 0:04:36 | |
David has been making sausages in Oxford for almost 40 years. | 0:04:37 | 0:04:41 | |
But today he's risking his hard-earned reputation | 0:04:41 | 0:04:44 | |
and handing control over to Mason. | 0:04:44 | 0:04:46 | |
Well done, expert. Look at this! | 0:04:49 | 0:04:51 | |
-Oh, hang on! -No, stop! | 0:04:51 | 0:04:53 | |
-The nozzle's gone. -That's fine. That's brilliant. | 0:04:53 | 0:04:56 | |
-Look at that. -A McQueen snorker. -MASON LAUGHS | 0:04:56 | 0:04:59 | |
-A snorker. -Yes. | 0:04:59 | 0:05:01 | |
I've got a Lincoln, though. That could be my demise. | 0:05:01 | 0:05:03 | |
Now, we just link the sausage in | 0:05:05 | 0:05:07 | |
this way and underneath. | 0:05:07 | 0:05:09 | |
Ooh. | 0:05:09 | 0:05:10 | |
Pretty ringlets. | 0:05:11 | 0:05:13 | |
All in the wrist action. | 0:05:13 | 0:05:14 | |
Snorkers to the right of me, | 0:05:14 | 0:05:16 | |
snorkers to the left of me. | 0:05:16 | 0:05:17 | |
Do you want a go, Mason? | 0:05:17 | 0:05:18 | |
So, just a squeeze there, yeah? | 0:05:18 | 0:05:20 | |
Squeeze, yeah. | 0:05:20 | 0:05:22 | |
Then turn. | 0:05:22 | 0:05:23 | |
Yeah, you've got it. | 0:05:23 | 0:05:24 | |
Then bring the other one. | 0:05:24 | 0:05:26 | |
Well, Mason, | 0:05:26 | 0:05:27 | |
you've given it your best here | 0:05:27 | 0:05:29 | |
and I shall do my best in my own way to contribute | 0:05:29 | 0:05:33 | |
by eating those sausages. | 0:05:33 | 0:05:35 | |
A bit of mustard on these, Ter. | 0:05:35 | 0:05:37 | |
Sausage sandwich, food of the gods. | 0:05:37 | 0:05:39 | |
To get the most out of Mason's Oxford sausage, | 0:05:47 | 0:05:50 | |
we've delivered them to Will Puget at the Vaults Cafe, | 0:05:50 | 0:05:54 | |
a local lad with a passion for local food. | 0:05:54 | 0:05:57 | |
-Look at this. -Good morning, Terry. -Good morning, Will. | 0:06:02 | 0:06:05 | |
I was expecting you. | 0:06:05 | 0:06:06 | |
-And I haven't been disappointed. -Cheers, Will. Good man. | 0:06:06 | 0:06:09 | |
-Oxford sausage with Oxford sauce and Oxford blue cheese. -Wow. | 0:06:09 | 0:06:14 | |
Do you know, I have the man with me who made these very sausages. | 0:06:14 | 0:06:18 | |
-Did you? -Yes. -I didn't realise. Wow! | 0:06:18 | 0:06:20 | |
These were carved by my very own hand. | 0:06:20 | 0:06:22 | |
-Wow. -Look at that. | 0:06:22 | 0:06:23 | |
-What a delicate touch. -What a touch. | 0:06:23 | 0:06:25 | |
I'm almost afraid to eat them. | 0:06:25 | 0:06:27 | |
-Now, tell us about this. -I'm hungry. -What's this? | 0:06:27 | 0:06:29 | |
This is Oxford sauce. | 0:06:29 | 0:06:30 | |
So my father created this. | 0:06:30 | 0:06:32 | |
We call it Daddy's Sauce and... | 0:06:32 | 0:06:34 | |
No, you can't do that. You'll be sued. | 0:06:34 | 0:06:35 | |
HE LAUGHS | 0:06:35 | 0:06:38 | |
You know, you've been speaking of this. What's great about this? | 0:06:38 | 0:06:40 | |
Well, it is a really good balance between spiciness, | 0:06:40 | 0:06:45 | |
warmth and sweetness. | 0:06:45 | 0:06:47 | |
But it hasn't spread beyond Oxford, has it? | 0:06:47 | 0:06:50 | |
-Well, not really. -In the way that Worcester has. -No. -No. -Quite. | 0:06:50 | 0:06:54 | |
It's a bit of a local secret. | 0:06:54 | 0:06:56 | |
Mm! | 0:06:58 | 0:06:59 | |
Messy but good. | 0:07:01 | 0:07:02 | |
Predominantly, though, it's the Mason McQueen sausage. | 0:07:02 | 0:07:07 | |
We're following in the footsteps of a book called British Bouquet | 0:07:07 | 0:07:11 | |
which you'll never have heard of and nobody else has either | 0:07:11 | 0:07:14 | |
and he really was extolling the virtues of British food | 0:07:14 | 0:07:17 | |
when nobody liked it. | 0:07:17 | 0:07:20 | |
-But I don't think he mentioned... -Oxford sauce. -No. | 0:07:20 | 0:07:23 | |
Or indeed Oxford sausages. | 0:07:23 | 0:07:24 | |
-In fact, he didn't mention Oxford food at all, did he? -No. -Not a word. | 0:07:24 | 0:07:28 | |
Well, this is an outrage. | 0:07:28 | 0:07:29 | |
Well... | 0:07:29 | 0:07:31 | |
-Tell Chamberlain. -It was his loss. | 0:07:31 | 0:07:33 | |
-Will, these sausages... -Who's going to do it? | 0:07:33 | 0:07:35 | |
..although I have made them, are exceptionally good. | 0:07:35 | 0:07:37 | |
-Won't you agree with me, gentlemen? -They're a credit to you. | 0:07:37 | 0:07:40 | |
Ten out of ten. They're brilliant. Local produce at its best. | 0:07:40 | 0:07:44 | |
A McQueen sausage. | 0:07:44 | 0:07:46 | |
One to be treasured, but at the same time... | 0:07:46 | 0:07:49 | |
..eaten. | 0:07:50 | 0:07:51 | |
Now you may not have heard of the sauce or the sausage, | 0:07:59 | 0:08:02 | |
but there is a mainstay of the British breakfast table | 0:08:02 | 0:08:05 | |
that Oxford is famous for - marmalade. | 0:08:05 | 0:08:07 | |
Fine cut or chunky, Oxford marmalade is known throughout the world | 0:08:09 | 0:08:14 | |
and is the preferred marmalade of Her Majesty the Queen. | 0:08:14 | 0:08:17 | |
The aroma of stewing Seville oranges and sugar the left Oxford's streets | 0:08:18 | 0:08:23 | |
in the early '60s, but the marmalade legacy still survives | 0:08:23 | 0:08:27 | |
at The Old Jam Factory which today has been reinvented. | 0:08:27 | 0:08:31 | |
-Good morning. -Hello. -Good morning. | 0:08:33 | 0:08:35 | |
-Andrew. -All right, mate. -Good to meet you. -Nice to meet you. | 0:08:35 | 0:08:38 | |
-Very good to meet you. -Thank you. -Welcome. | 0:08:38 | 0:08:40 | |
Welcome to The Jam Factory | 0:08:40 | 0:08:41 | |
which is now a restaurant, arts centre and bar, | 0:08:41 | 0:08:45 | |
but historically was Frank Cooper's | 0:08:45 | 0:08:47 | |
marmalade factory where he used to make his famous preserve. | 0:08:47 | 0:08:51 | |
-Oxford. -Oxford marmalade, of course. | 0:08:51 | 0:08:53 | |
It was actually Sarah Cooper who came up with the recipe | 0:08:53 | 0:08:57 | |
for Oxford marmalade back in 1874, | 0:08:57 | 0:08:59 | |
but like all good Victorian husbands | 0:08:59 | 0:09:02 | |
Frank took the credit. | 0:09:02 | 0:09:03 | |
Production moved to The Jam Factory in 1903 | 0:09:06 | 0:09:09 | |
and revered jars of marmalade were sent around the world. | 0:09:09 | 0:09:12 | |
As a nod to the building's history, Andrew is serving his own | 0:09:14 | 0:09:18 | |
family brand of marmalade to the good people of Oxford. | 0:09:18 | 0:09:21 | |
This is Mum's marmalade, so every year, | 0:09:23 | 0:09:26 | |
both my mum and my auntie Edna pride themselves on making | 0:09:26 | 0:09:31 | |
about 80 jars each and it is pretty good. | 0:09:31 | 0:09:34 | |
Well, even if it wasn't pretty good, I'd say it was pretty good. | 0:09:37 | 0:09:39 | |
That's it, and I don't want to hear anything other than | 0:09:39 | 0:09:42 | |
-it's pretty good marmalade! -I don't want to argue with this man. | 0:09:42 | 0:09:44 | |
I'm not going to argue with Mum either. | 0:09:44 | 0:09:46 | |
Mum's chunky Seville marmalade. | 0:09:46 | 0:09:49 | |
-Yeah. -Oh, yeah. | 0:09:49 | 0:09:50 | |
-On toast? -Is the toast ready? | 0:09:53 | 0:09:55 | |
In the 16th century, marmalade was the name for a quince paste | 0:09:57 | 0:10:01 | |
and was only made with oranges in 1677. | 0:10:01 | 0:10:04 | |
Where's the marmalade? Come on, come on. | 0:10:05 | 0:10:08 | |
And it looks like Andrew's mum and auntie Edna are pushing | 0:10:08 | 0:10:12 | |
the boundaries of British marmalade once again. | 0:10:12 | 0:10:15 | |
Give it a slice. Good. | 0:10:16 | 0:10:18 | |
Now, go about your business and leave this to me. | 0:10:18 | 0:10:21 | |
-I'll look after this. -There, I've prepared that for you. | 0:10:21 | 0:10:24 | |
Continue with the conversation. | 0:10:24 | 0:10:26 | |
THEY LAUGH | 0:10:26 | 0:10:28 | |
As usual, stuffing your face. | 0:10:28 | 0:10:30 | |
Yeah. I'm afraid so. | 0:10:30 | 0:10:32 | |
And, well? What do you reckon? | 0:10:32 | 0:10:35 | |
What do you think? You think I'm going to criticise his mother? | 0:10:35 | 0:10:37 | |
HE LAUGHS | 0:10:37 | 0:10:40 | |
Not everybody enjoys marmalade. | 0:10:40 | 0:10:42 | |
What's the matter with them? | 0:10:42 | 0:10:44 | |
We've even here received complaints about marmalade. | 0:10:44 | 0:10:49 | |
People still send letters to Frank Cooper Oxford, | 0:10:49 | 0:10:52 | |
The Jam Factory. | 0:10:52 | 0:10:53 | |
Not sure what this post is about. | 0:10:53 | 0:10:57 | |
They're spreading malicious rumours. | 0:10:57 | 0:10:59 | |
"To The Jam Factory, | 0:10:59 | 0:11:01 | |
"Dear Sirs, I usually make my own marmalade | 0:11:01 | 0:11:04 | |
"but a combination of old age | 0:11:04 | 0:11:05 | |
"and having missed the Seville oranges persuaded me | 0:11:05 | 0:11:09 | |
"to buy two jars of your marmalade. | 0:11:09 | 0:11:11 | |
"I am most disappointed by it. The peel is hard and unchewable. | 0:11:11 | 0:11:13 | |
"If it were home-made I would suggest that it hadn't been | 0:11:13 | 0:11:16 | |
"cooked long enough before the addition of the sugar. | 0:11:16 | 0:11:18 | |
"I enclose a few pieces which I spat out." | 0:11:18 | 0:11:20 | |
-If you could just grab that piece there. -I can't believe that! | 0:11:20 | 0:11:23 | |
I do get bizarre mail myself. | 0:11:23 | 0:11:25 | |
But that... Nobody has ever sent me... | 0:11:25 | 0:11:27 | |
Who's it by? T Wogan? | 0:11:27 | 0:11:29 | |
According to Chamberlain, | 0:11:41 | 0:11:42 | |
"Tourists stay in Oxford for varying periods depending on the extent of | 0:11:42 | 0:11:45 | |
"their curiosity, their pocketbooks..." | 0:11:45 | 0:11:48 | |
He's an old cynic, isn't he? | 0:11:48 | 0:11:49 | |
"..and leg muscles." | 0:11:49 | 0:11:50 | |
-Yeah. -"You're best to walk around Oxford, I think, or get on a bike." | 0:11:50 | 0:11:53 | |
Yeah, things ain't changed since Chamberlain's time. | 0:11:53 | 0:11:56 | |
No, I think it has always been fairly congested. | 0:11:56 | 0:11:59 | |
Leaving Mason to battle the traffic, | 0:12:01 | 0:12:03 | |
I have taken Chamberlain's advice and continue my exploration on foot. | 0:12:03 | 0:12:08 | |
"Speak Friend," says the sign, | 0:12:11 | 0:12:14 | |
"And enter." | 0:12:14 | 0:12:15 | |
You know... | 0:12:17 | 0:12:18 | |
unless I miss me guess, | 0:12:18 | 0:12:20 | |
this is The Story Museum. | 0:12:20 | 0:12:23 | |
As you might expect from such a scholarly town, | 0:12:29 | 0:12:32 | |
Oxford has a rich literary heritage, | 0:12:32 | 0:12:35 | |
from the magical worlds of Narnia and Alice's Wonderland, | 0:12:35 | 0:12:39 | |
the city has inspired some of the greats | 0:12:39 | 0:12:41 | |
and today these stories have their very own museum. | 0:12:41 | 0:12:44 | |
-You're Kim? -I am indeed. | 0:12:46 | 0:12:48 | |
And this Heath Robinson contraption, | 0:12:48 | 0:12:52 | |
what does this mean in the world? | 0:12:52 | 0:12:54 | |
-And there's parts of it moving. -Indeed, indeed. | 0:12:54 | 0:12:57 | |
What does it do? | 0:12:57 | 0:12:58 | |
-Well, it makes stories. -Oh! | 0:12:58 | 0:13:00 | |
It's a story loom. It weaves stories. | 0:13:00 | 0:13:03 | |
Who designed this? | 0:13:03 | 0:13:04 | |
Well, this was a young man called Barnabas Rochester. | 0:13:04 | 0:13:06 | |
He was a young engineer who was trying to impress a girl. | 0:13:06 | 0:13:09 | |
Unfortunately, she was more keen on literary | 0:13:09 | 0:13:12 | |
types like Lewis Carroll, | 0:13:12 | 0:13:14 | |
but he devised this machine that could create stories | 0:13:14 | 0:13:18 | |
better than any man. | 0:13:18 | 0:13:19 | |
The way that it works is you have to put a small child in here, | 0:13:19 | 0:13:23 | |
feed them humbugs to distract them | 0:13:23 | 0:13:24 | |
but then you can extract their imagination. | 0:13:24 | 0:13:27 | |
So, with the absence of small children or Mason, | 0:13:28 | 0:13:31 | |
our attention turns to another literary installation at the museum. | 0:13:31 | 0:13:36 | |
You'll have to choose a few words. | 0:13:36 | 0:13:38 | |
I would like to be... | 0:13:38 | 0:13:39 | |
..an enormous monkey. | 0:13:41 | 0:13:44 | |
An enormous monkey. And where might that monkey come from? | 0:13:44 | 0:13:46 | |
He might come from the jungle. | 0:13:46 | 0:13:48 | |
And then sit on the throne. | 0:13:52 | 0:13:53 | |
And see what happens. | 0:13:55 | 0:13:56 | |
Never one to turn down the opportunity to sit down. | 0:13:57 | 0:14:00 | |
TRUMPETS PLAY MUSICAL FLOURISH | 0:14:02 | 0:14:06 | |
-MAN: -Presenting the enormous monkey of the jungle! | 0:14:06 | 0:14:12 | |
How did that happen? | 0:14:15 | 0:14:17 | |
Magic. | 0:14:17 | 0:14:18 | |
All this creativity has given me an appetite so I will venture | 0:14:19 | 0:14:23 | |
through the wardrobe and see if it can transport me somewhere tasty. | 0:14:23 | 0:14:28 | |
-Come with me. -It is a wardrobe as well. | 0:14:29 | 0:14:32 | |
There's a couple of fur coats in here. | 0:14:32 | 0:14:34 | |
Sophie Grigson, as I live and breathe. | 0:14:39 | 0:14:42 | |
Mr Wogan! | 0:14:42 | 0:14:45 | |
This is The Story Museum's kitchen where well-known chef | 0:14:45 | 0:14:48 | |
Sophie Grigson bakes and prepares cakes with a literary theme. | 0:14:48 | 0:14:53 | |
So this is our Alice cake. | 0:14:54 | 0:14:56 | |
She has fallen into the hole. | 0:14:56 | 0:14:58 | |
Would you touch up her legs? | 0:14:58 | 0:15:00 | |
It's been a bit of a labour of love, this one, but | 0:15:00 | 0:15:03 | |
I love making these themed cakes here. | 0:15:03 | 0:15:06 | |
You see, I thought you were doing a green one | 0:15:06 | 0:15:09 | |
in honour of Saint Patrick or me, | 0:15:09 | 0:15:11 | |
but, in fact, you're doing it because it is Alice In Wonderland. | 0:15:11 | 0:15:14 | |
Yes, and it's her going out into the park and... | 0:15:14 | 0:15:17 | |
No, no, no. Hold on. Hold on. | 0:15:17 | 0:15:18 | |
We've got a little bit of earth here. | 0:15:18 | 0:15:20 | |
-You are so picky! -I'm very picky. | 0:15:20 | 0:15:23 | |
You can put some more icing on. | 0:15:23 | 0:15:24 | |
Sophie, you know a thing or two about food. | 0:15:25 | 0:15:27 | |
We're following this old American guy who tried to actually | 0:15:27 | 0:15:31 | |
help the image of British food in the '60s | 0:15:31 | 0:15:33 | |
when it didn't have much of a reputation. | 0:15:33 | 0:15:36 | |
That was a pretty hard thing to do, wasn't it, improve the food? | 0:15:36 | 0:15:39 | |
Well, yeah, he did his best though, and what do you find? | 0:15:39 | 0:15:42 | |
What's your experience of eating in Oxford, for instance, now? | 0:15:42 | 0:15:46 | |
Well, the funny thing is I think it has got a huge amount better. | 0:15:46 | 0:15:50 | |
Oxford has never really been much of a foodie town | 0:15:50 | 0:15:54 | |
and when I was a kid, there were a few, maybe two or three | 0:15:54 | 0:15:57 | |
really good restaurants... | 0:15:57 | 0:15:59 | |
-WHISPERS: -A little bit snobby. | 0:15:59 | 0:16:01 | |
And that was it. | 0:16:01 | 0:16:03 | |
And I think one of the problems that Oxford has had is that it is, you | 0:16:03 | 0:16:07 | |
know, all the academics and some of the students have eaten in halls. | 0:16:07 | 0:16:11 | |
-Of course. -So there was nobody much to go out | 0:16:11 | 0:16:14 | |
and pay for good restaurants, but now in Oxford | 0:16:14 | 0:16:17 | |
there are farmers' markets on practically every corner. | 0:16:17 | 0:16:21 | |
We have a lot of young people who have emerged from universities | 0:16:21 | 0:16:24 | |
and who are creating great food. | 0:16:24 | 0:16:27 | |
So we are quite modern these days. | 0:16:27 | 0:16:29 | |
I think, Sophie... | 0:16:29 | 0:16:33 | |
that this melange... | 0:16:33 | 0:16:36 | |
is a minor work of art. | 0:16:36 | 0:16:39 | |
Hold on a second. Yes, so do I. | 0:16:39 | 0:16:41 | |
With Alice safely down the rabbit hole and the Mad Hatter | 0:16:42 | 0:16:46 | |
pulling up outside, | 0:16:46 | 0:16:47 | |
it must be time for a tea party. | 0:16:47 | 0:16:50 | |
-Oh, Mason. -Ah. | 0:16:50 | 0:16:52 | |
I know you love a bit of cake, you'll love this. | 0:16:52 | 0:16:55 | |
It's an Alice In Wonderland cake. | 0:16:55 | 0:16:56 | |
And I think I'm taking Terry on as apprentice. | 0:16:56 | 0:16:59 | |
-How was he, Soph? Did he do well? -Well, look. | 0:16:59 | 0:17:01 | |
Well, I can see he's done a great job. | 0:17:01 | 0:17:04 | |
Once you cut into this cake, it gets curiouser and curiouser. | 0:17:04 | 0:17:08 | |
And then you've got the next piece there. | 0:17:10 | 0:17:12 | |
It's a rainbow cake. | 0:17:12 | 0:17:14 | |
It's a rainbow cake indeed. | 0:17:14 | 0:17:16 | |
Sophie... | 0:17:18 | 0:17:20 | |
I have eaten Alice In Wonderland cakes in the past. | 0:17:20 | 0:17:23 | |
-Have you? -And will in the future again. | 0:17:23 | 0:17:26 | |
-But I have never had one quite as good as this. -Oh, I love you! | 0:17:26 | 0:17:29 | |
You're such a flatterer. | 0:17:29 | 0:17:31 | |
In his guide to Oxford, Samuel Chamberlain fills | 0:17:36 | 0:17:39 | |
a number of pages on Oxonian hospitality. | 0:17:39 | 0:17:43 | |
But there was one hostelry he managed to avoid, | 0:17:44 | 0:17:48 | |
Oxford Prison. | 0:17:48 | 0:17:50 | |
Incorporating part of Oxford Castle, the site has been | 0:17:51 | 0:17:54 | |
used as a prison since the Civil War and only closed in 1996. | 0:17:54 | 0:17:59 | |
In the 21st century, | 0:18:02 | 0:18:03 | |
some bright spark decided to turn the old cell block into a hotel. | 0:18:03 | 0:18:09 | |
I've no doubt that Chamberlain would have been fascinated. | 0:18:09 | 0:18:12 | |
What a place! | 0:18:14 | 0:18:17 | |
This is the atrium of the A wing. It's a prison | 0:18:17 | 0:18:20 | |
for the Victorians built 1848. | 0:18:20 | 0:18:24 | |
In the 19th century, the only bars here were in the windows. | 0:18:24 | 0:18:27 | |
And there were serious consequences | 0:18:27 | 0:18:29 | |
for those who tried to check out early. | 0:18:29 | 0:18:32 | |
Punishments would include shot drill. | 0:18:33 | 0:18:36 | |
You'd pick up a cannonball | 0:18:36 | 0:18:38 | |
and you would physically carry it across the prison yard, put it down. | 0:18:38 | 0:18:42 | |
You'd pick it up, you'd bring it back, you'd put it down. | 0:18:42 | 0:18:46 | |
You'd pick it up, you'd take it back, you'd put it down. | 0:18:46 | 0:18:49 | |
So at least you were doing something useful. | 0:18:49 | 0:18:52 | |
So, what about the diet here? What was the food like? | 0:18:52 | 0:18:55 | |
Well, back then it was pretty grim. | 0:18:55 | 0:18:59 | |
You've got very little in the way of fruit and vegetables. | 0:18:59 | 0:19:02 | |
It's just to give you energy to do that physical work. | 0:19:02 | 0:19:05 | |
-Is this is where the word porridge comes from? -Absolutely. | 0:19:05 | 0:19:08 | |
You think we could try some? | 0:19:08 | 0:19:10 | |
Oh, I'm sure you can but it's not going to taste very nice. | 0:19:10 | 0:19:13 | |
Oh, good. | 0:19:13 | 0:19:15 | |
Porridge is still on the menu in the hotel. | 0:19:20 | 0:19:23 | |
And so to get a real taste of life behind bars, | 0:19:23 | 0:19:26 | |
Tracy has taken me to the kitchen. | 0:19:26 | 0:19:28 | |
So this is a far cry from the old Victorian prison kitchen | 0:19:29 | 0:19:32 | |
-wouldn't it be? Hey, Brian. -How are you, sir? | 0:19:32 | 0:19:34 | |
I understand you're going to show us | 0:19:34 | 0:19:35 | |
-the finer points of the porridge. -Yep, the finer points. | 0:19:35 | 0:19:38 | |
OK, so what we have here was the old-style porridge they | 0:19:38 | 0:19:40 | |
used to do for the prisoners. So basically just water and some salt. | 0:19:40 | 0:19:44 | |
Three parts water to the one part porridge. | 0:19:44 | 0:19:47 | |
So it's to keep the prisoners alive just... | 0:19:47 | 0:19:51 | |
slightly alive so they are not dead. | 0:19:51 | 0:19:54 | |
To keep things authentic, Bill is serving up his period | 0:19:56 | 0:19:59 | |
porridge in an old mess tin, | 0:19:59 | 0:20:02 | |
and has tried to make it more palatable by adding some berries. | 0:20:02 | 0:20:05 | |
But I...I don't think they're going to help. | 0:20:05 | 0:20:08 | |
You know, I think it's a shame that old Chamberlain | 0:20:08 | 0:20:11 | |
who wrote this book, the British Bouquet: An Epicurean Tour, | 0:20:11 | 0:20:14 | |
it's a shame he never came here to the old jail and tried the porridge. | 0:20:14 | 0:20:19 | |
He let us down a little bit. | 0:20:19 | 0:20:21 | |
Maybe the old boy was right to give it a wide berth. | 0:20:21 | 0:20:24 | |
The welcome wouldn't have been very friendly. | 0:20:24 | 0:20:27 | |
In! Now. | 0:20:28 | 0:20:30 | |
Sit down. Don't speak. | 0:20:30 | 0:20:32 | |
So, Tracy. | 0:20:41 | 0:20:42 | |
This is scarcely justice, | 0:20:42 | 0:20:44 | |
but then nobody got justice in those days, did they, anyway? | 0:20:44 | 0:20:46 | |
And that's the thing - | 0:20:46 | 0:20:48 | |
100 years before the Victorians are giving you this kind of food, | 0:20:48 | 0:20:52 | |
you went to prison and you paid for your bed and your board. | 0:20:52 | 0:20:55 | |
So you brought your food, you brought your blankets and you | 0:20:55 | 0:20:58 | |
could die of cold, hunger | 0:20:58 | 0:21:00 | |
very, very easily in the old-style prisons. | 0:21:00 | 0:21:03 | |
So this might look not very appetising to you today, | 0:21:03 | 0:21:06 | |
but to the Victorians themselves, this was probably very, very good. | 0:21:06 | 0:21:10 | |
I don't know what you mean. It's absolutely delicious. | 0:21:10 | 0:21:14 | |
I'll just put it down for the moment and have one of your strawberries. | 0:21:14 | 0:21:17 | |
-Help yourself. -Thank you. | 0:21:17 | 0:21:18 | |
So, Mason, what I'm looking forward to is a little bit of punting, | 0:21:29 | 0:21:33 | |
which is traditional in the cities of Cambridge and Oxford. | 0:21:33 | 0:21:38 | |
And you, you are going to punt me. | 0:21:38 | 0:21:41 | |
-I'm going to what? -Punt me. -Oh, right. | 0:21:41 | 0:21:44 | |
So now you'll be sitting in front of me relaxing, | 0:21:45 | 0:21:48 | |
rather than sitting behind me relaxing. | 0:21:48 | 0:21:50 | |
Some things never change, you know, Ter. | 0:21:50 | 0:21:52 | |
-What's that huge thing you've got there? -Is that a scaffold pole? -No. | 0:21:59 | 0:22:03 | |
This is the pole that you use to actually propel the punt. | 0:22:03 | 0:22:06 | |
I had no idea they were that tall. | 0:22:06 | 0:22:08 | |
You've got to be able to reach the riverbed. | 0:22:08 | 0:22:10 | |
So they have to be tall because it can get up to | 0:22:10 | 0:22:13 | |
five meters deep in the deepest parts. | 0:22:13 | 0:22:15 | |
I'm afraid I have | 0:22:15 | 0:22:16 | |
-a previous engagement. Will you excuse me? -No. | 0:22:16 | 0:22:18 | |
You, come here. You ain't going anywhere. You stay here. | 0:22:18 | 0:22:21 | |
You'll be fine. We'll be OK. We're in good hands. | 0:22:21 | 0:22:24 | |
You step on. | 0:22:27 | 0:22:29 | |
-OK. -HE CHUCKLES | 0:22:29 | 0:22:31 | |
Go forward a little bit further. | 0:22:31 | 0:22:33 | |
'While Mason gets to grips with the controls, | 0:22:34 | 0:22:37 | |
'I settle down to take in the scenery.' | 0:22:37 | 0:22:39 | |
This is the life! | 0:22:39 | 0:22:41 | |
You all right, Ter? The meter's on. | 0:22:45 | 0:22:48 | |
It's not long before Mason is in sole charge of our vessel. | 0:22:48 | 0:22:52 | |
I can only tell you, Nick, | 0:22:54 | 0:22:56 | |
that it's a blessing that I can't see him. | 0:22:56 | 0:22:59 | |
-NICK LAUGHS -If I could see him, I would panic. | 0:22:59 | 0:23:01 | |
Trust me, he's doing fine. | 0:23:01 | 0:23:03 | |
This is a beautiful part of the world, Nick. I've got to tell you. | 0:23:06 | 0:23:09 | |
-Must be a pleasure working here. -It's an absolute pleasure. | 0:23:09 | 0:23:12 | |
I never tire of it. Absolutely gorgeous. | 0:23:12 | 0:23:15 | |
Tell me, do people swim in the Cherwell? | 0:23:15 | 0:23:17 | |
Not as such, but what we do get is end of exams, | 0:23:19 | 0:23:23 | |
the students covered in foam and confetti and everything else, | 0:23:23 | 0:23:28 | |
and they tend to jump in the river. | 0:23:28 | 0:23:30 | |
One likes to have a little mental picture of Boris Johnson or... | 0:23:30 | 0:23:34 | |
Or the grand Mr Cameron leaping into the Cherwell stark naked. | 0:23:34 | 0:23:39 | |
-Or the Bullingdons. -I'd rather not think about that. | 0:23:39 | 0:23:42 | |
-No, perhaps you're right. -NICK LAUGHS | 0:23:42 | 0:23:45 | |
People have been punting on the Cherwell since the 1880s, | 0:23:47 | 0:23:50 | |
but few have done it with the same degree of suave sophistication | 0:23:50 | 0:23:53 | |
as Mason and I. | 0:23:53 | 0:23:55 | |
-Let me throw you a strawberry. -Oh! | 0:23:56 | 0:23:59 | |
I'm used to going over bridges. Not under them. | 0:24:02 | 0:24:05 | |
TERRY LAUGHS | 0:24:05 | 0:24:07 | |
I could do this all day, Mason. | 0:24:07 | 0:24:09 | |
BREATHING HEAVILY: Yeah, I bet you could. | 0:24:09 | 0:24:11 | |
It's tiring, really tiring. | 0:24:14 | 0:24:17 | |
Using all your core muscles. | 0:24:17 | 0:24:18 | |
"If you schedule a visit for spring or autumn, | 0:24:27 | 0:24:29 | |
"you'll be rewarded by the sight of hurried young men with black | 0:24:29 | 0:24:32 | |
"gowns flying from their shoulders." | 0:24:32 | 0:24:34 | |
Have you seen a hurried young man? | 0:24:34 | 0:24:36 | |
-I've never... -With a black gown flying from his shoulders? | 0:24:36 | 0:24:39 | |
Not at the moment. | 0:24:39 | 0:24:40 | |
I've seen several spotty youths on bicycles, but... | 0:24:40 | 0:24:44 | |
Maybe that's the new student. | 0:24:44 | 0:24:47 | |
In this city of scholars, it would be rude | 0:24:49 | 0:24:51 | |
not to squeeze in a visit to part of the university. | 0:24:51 | 0:24:54 | |
So, I shall be donning the lab coat and heading into a hi-tech | 0:24:56 | 0:25:00 | |
microbiology laboratory where students are working hard to | 0:25:00 | 0:25:04 | |
unlock the secrets of one of the most important | 0:25:04 | 0:25:06 | |
ingredients in nearly all our food - protein. | 0:25:06 | 0:25:10 | |
A protein, it's a | 0:25:11 | 0:25:13 | |
small molecule, it's a chain of small subunits. | 0:25:13 | 0:25:16 | |
Here, I can quite show you here. | 0:25:16 | 0:25:18 | |
I mean, if you think of a protein... | 0:25:18 | 0:25:19 | |
-And there I was thinking they were prayer beads. -HE LAUGHS | 0:25:19 | 0:25:23 | |
It's a long chain made up of hundreds of amino acids, which is | 0:25:23 | 0:25:27 | |
then folded up together into a defined shape like wet | 0:25:27 | 0:25:30 | |
spaghetti, so the string inside this shape I have here... | 0:25:30 | 0:25:34 | |
-..as a representation of a protein structure. -Do you know, | 0:25:35 | 0:25:39 | |
you're putting people off their food. | 0:25:39 | 0:25:42 | |
Knowing as much as you do, do you actually enjoy eating anything? | 0:25:42 | 0:25:45 | |
Yes, I do. It's... | 0:25:45 | 0:25:47 | |
The great thing is, is that the more you know about the science | 0:25:47 | 0:25:51 | |
behind how something tastes and how it works, | 0:25:51 | 0:25:54 | |
the greater chances you have at success in baking it and making it. | 0:25:54 | 0:25:58 | |
To better humanity, Peter is putting his knowledge of proteins to | 0:26:00 | 0:26:03 | |
good use by trying to create the world's greatest pizza. | 0:26:03 | 0:26:07 | |
He's a founding member of Oxford's Pizza Society where | 0:26:10 | 0:26:13 | |
some of the brightest scientific minds in Britain, | 0:26:13 | 0:26:15 | |
and just for today, Mason McQueen, | 0:26:15 | 0:26:18 | |
get together to solve the elusive mystery of the perfect pizza. | 0:26:18 | 0:26:22 | |
Somehow this doesn't strike me as serious research. | 0:26:24 | 0:26:28 | |
-So how long has this society been going? -About a year. | 0:26:29 | 0:26:32 | |
Yeah, we are quite a new society. We just started about a year ago. | 0:26:32 | 0:26:36 | |
And how do you get in? Can I get in, or I'll be blackballed, right? | 0:26:37 | 0:26:40 | |
Lead me into the Pizza Society. | 0:26:41 | 0:26:44 | |
A very distinguished group I can see here. | 0:26:44 | 0:26:47 | |
Mason, how come you are with them? | 0:26:47 | 0:26:48 | |
-As soon as he got the smell of food, of course. -I'm here. | 0:26:48 | 0:26:51 | |
Straight into the society. | 0:26:51 | 0:26:53 | |
-So this, unless I miss my guess, is a margarita. -No. | 0:26:53 | 0:26:56 | |
This is a classic ham and pineapple with a little bit of a twist. | 0:26:56 | 0:27:01 | |
We've got some great smoked cheeses and some fantastic English ham. | 0:27:01 | 0:27:04 | |
But, look, just because you know about proteins and enzymes, | 0:27:04 | 0:27:07 | |
there's no need to argue with me, | 0:27:07 | 0:27:08 | |
-you know? -HE LAUGHS | 0:27:08 | 0:27:10 | |
-Am I going to be allowed to have a slice of this? -Oh, yes, please. | 0:27:10 | 0:27:13 | |
Would you mind slicing it? | 0:27:13 | 0:27:15 | |
I kind of feel that I can see a protein or enzyme bubbling | 0:27:15 | 0:27:19 | |
away there. | 0:27:19 | 0:27:20 | |
Like that one, look. Watch it go down. | 0:27:20 | 0:27:23 | |
That's the trouble with you, isn't it? | 0:27:23 | 0:27:25 | |
-You have no academic potentials whatsoever. -You take that back. | 0:27:25 | 0:27:29 | |
-I'm sorry. -I'm a student of the K-nowledge. | 0:27:29 | 0:27:31 | |
-I completed the Knowledge. -Of course you are. | 0:27:31 | 0:27:33 | |
I studied at Oxford, right. It was Oxford Street. | 0:27:33 | 0:27:35 | |
No right turns, left turns. That's the only difference. | 0:27:35 | 0:27:38 | |
Dreaming spires, groves of academe... | 0:27:43 | 0:27:46 | |
and traffic all over the place. | 0:27:46 | 0:27:48 | |
Can I hold that book? You look too intelligent. | 0:27:48 | 0:27:50 | |
Let me... Can I have the book? | 0:27:50 | 0:27:51 | |
You know, that's the nicest thing you said to me. | 0:27:51 | 0:27:54 | |
Do I look brainier? Tell the truth. | 0:27:54 | 0:27:56 | |
Um, I wouldn't say that but just the occasional | 0:27:56 | 0:27:59 | |
glimmer of intelligence crosses your...crosses your nose. | 0:27:59 | 0:28:02 | |
Cheers, Ter. | 0:28:02 | 0:28:03 | |
ENGINE STARTS | 0:28:04 | 0:28:06 |