Browse content similar to Desi Fusion. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The only thing that stands between success and failure, | 0:00:02 | 0:00:04 | |
at the moment, is chance. | 0:00:04 | 0:00:06 | |
'Many of us fantasise about opening | 0:00:06 | 0:00:08 | |
'our own restaurant, but with restaurants up to three times more | 0:00:08 | 0:00:12 | |
'likely to fail than any other business, | 0:00:12 | 0:00:14 | |
'it's not for the faint-hearted.' | 0:00:14 | 0:00:16 | |
Opening a restaurant just to make money is wrong, | 0:00:16 | 0:00:19 | |
but it's very important that it does make money. | 0:00:19 | 0:00:22 | |
'I'm Russell Norman. | 0:00:22 | 0:00:24 | |
'After years of dreaming, I set up a series of | 0:00:24 | 0:00:27 | |
'acclaimed restaurants | 0:00:27 | 0:00:28 | |
'that now serve half a million customers a year, | 0:00:28 | 0:00:30 | |
'in the cut-throat London market.' | 0:00:30 | 0:00:33 | |
I'd definitely say that there are rules | 0:00:33 | 0:00:35 | |
to opening and running a successful restaurant. | 0:00:35 | 0:00:38 | |
You must know your numbers. You must do your research. | 0:00:38 | 0:00:42 | |
You must be prepared to work very long hours. | 0:00:42 | 0:00:45 | |
'Now I'm helping six first-timers, gambling their life savings | 0:00:45 | 0:00:50 | |
'to start their own restaurants.' | 0:00:50 | 0:00:51 | |
I've got no food and I'm opening in less than 48 hours. | 0:00:51 | 0:00:55 | |
It is work in progress, | 0:00:55 | 0:00:56 | |
but it needs to be work that isn't in progress quite soon. | 0:00:56 | 0:01:00 | |
'From floor plans to finance and menus to marketing, | 0:01:00 | 0:01:04 | |
'I'll have to shatter a few illusions.' | 0:01:04 | 0:01:06 | |
I mean, this is cute, but very impractical. | 0:01:06 | 0:01:09 | |
I'm going to have to show it to him. It's almost inedible. | 0:01:09 | 0:01:11 | |
What's the solution, Russell? Tell me. You get another plumber? | 0:01:11 | 0:01:14 | |
That's exactly what you do. | 0:01:14 | 0:01:15 | |
'Each of these plucky entrepreneurs | 0:01:15 | 0:01:17 | |
'is hoping their new venture will give them a better life.' | 0:01:17 | 0:01:20 | |
This is all mine and isn't it gorgeous? | 0:01:20 | 0:01:23 | |
Thank you. | 0:01:23 | 0:01:24 | |
'But unless they get every detail spot-on, | 0:01:24 | 0:01:27 | |
'it could mean bankruptcy and personal disaster.' | 0:01:27 | 0:01:31 | |
I'm scared now. Yeah, I'm very scared. | 0:01:31 | 0:01:34 | |
'This time, I'm helping first-timer Nahida, who has a grand vision.' | 0:01:37 | 0:01:42 | |
I'd like for my customers to feel it's a family atmosphere | 0:01:42 | 0:01:45 | |
and there's a sense of belonging. | 0:01:45 | 0:01:47 | |
'But with no business sense...' | 0:01:47 | 0:01:49 | |
The plan? There is no plan. | 0:01:49 | 0:01:51 | |
If there was a plan, I wouldn't be in this mess. | 0:01:51 | 0:01:53 | |
'..panic sets in.' | 0:01:53 | 0:01:54 | |
-Who's running the show today? -No-one. | 0:01:54 | 0:01:56 | |
No-one's running the show. | 0:01:56 | 0:01:58 | |
We open in 36 minutes and Nahida is nowhere to be found. | 0:01:58 | 0:02:02 | |
'It's not just her own money she's putting on the line, | 0:02:02 | 0:02:05 | |
'but her family's too.' | 0:02:05 | 0:02:07 | |
I feel like I've let everybody down. | 0:02:07 | 0:02:09 | |
Curry. It's Britain's favourite food. | 0:02:22 | 0:02:26 | |
There are over 10,000 Indian restaurants across the UK. | 0:02:26 | 0:02:30 | |
We eat an amazing 1.4 million curries every week. | 0:02:30 | 0:02:34 | |
Most trips to an Indian restaurant are predictably familiar - | 0:02:34 | 0:02:38 | |
a chicken tikka masala for her, vindaloo and a pint for him. | 0:02:38 | 0:02:43 | |
But there's far more to Indian cooking than this standard format. | 0:02:43 | 0:02:48 | |
I'm on my way to Coventry to meet a woman | 0:02:48 | 0:02:51 | |
who proudly prepares her own authentic family recipes. | 0:02:51 | 0:02:55 | |
This is how I'm used to cooking - with a child, picking up a child. | 0:02:55 | 0:02:59 | |
Born in Pakistan, Nahida moved to Coventry when she was six | 0:03:00 | 0:03:04 | |
and has lived there ever since. | 0:03:04 | 0:03:06 | |
With her husband Khalid, a taxi driver, | 0:03:06 | 0:03:09 | |
she has ten grown-up children and eight grandchildren. | 0:03:09 | 0:03:13 | |
She regularly finds herself cooking | 0:03:13 | 0:03:15 | |
for over 30 members of her extended family. | 0:03:15 | 0:03:18 | |
When we eat like this, | 0:03:18 | 0:03:19 | |
we have to do two sittings cos there's not enough for one sitting. | 0:03:19 | 0:03:24 | |
This lot will eat first then the rest of us will sit second time round. | 0:03:24 | 0:03:27 | |
Then these guys can serve us then. | 0:03:27 | 0:03:29 | |
As a social worker and mum, | 0:03:31 | 0:03:33 | |
Nahida has spent her life looking after other people. | 0:03:33 | 0:03:36 | |
Now she's doing something for herself, | 0:03:36 | 0:03:39 | |
and has leased this property in the city centre | 0:03:39 | 0:03:42 | |
to follow her lifelong dream. | 0:03:42 | 0:03:44 | |
I've always wanted a business. | 0:03:44 | 0:03:46 | |
I've always wanted to work for myself. | 0:03:46 | 0:03:48 | |
My colleagues have always said, "Your food is great." | 0:03:48 | 0:03:50 | |
They used to say, "Why don't you sell food to us and we'll buy it off you?" | 0:03:50 | 0:03:54 | |
I'd say, "No, no. If you want anything, | 0:03:54 | 0:03:55 | |
"just tell me and I'll bring it in." | 0:03:55 | 0:03:58 | |
It means everything to me to make a go of this. | 0:03:58 | 0:04:01 | |
I've come out to make a statement, to make a better place for people. | 0:04:01 | 0:04:05 | |
I'd be letting myself down if I didn't achieve that. | 0:04:07 | 0:04:10 | |
Yeah. I'd be gutted. | 0:04:10 | 0:04:12 | |
Over 15% of Coventry's population is of Asian origin, | 0:04:14 | 0:04:18 | |
so there should be a large market, | 0:04:18 | 0:04:20 | |
but there's also a lot of competition - 50 other curry houses. | 0:04:20 | 0:04:25 | |
Thank you. | 0:04:27 | 0:04:29 | |
-Nahida. -Hello. -I'm Russell. | 0:04:31 | 0:04:33 | |
-Hello. -Hello. How are you? Thank you very much. | 0:04:33 | 0:04:35 | |
-I'm good, thank you. Come in. -Thank you. Hello. | 0:04:35 | 0:04:39 | |
Thank you so much for inviting me to your home. | 0:04:39 | 0:04:41 | |
You're quite welcome. | 0:04:41 | 0:04:43 | |
-It's a full garden. -These are my daughters. -Hello. | 0:04:43 | 0:04:46 | |
My oldest three. | 0:04:46 | 0:04:48 | |
Wow, I wasn't expecting food. Thank you. That's great. | 0:04:48 | 0:04:51 | |
I've been up since eight o'clock this morning, | 0:04:51 | 0:04:53 | |
but particularly these dishes, I've made myself | 0:04:53 | 0:04:55 | |
-because I didn't want any mistakes. -Yeah. | 0:04:55 | 0:04:58 | |
Cos I was quite nervous meeting you this morning. | 0:04:58 | 0:05:00 | |
Oh, you shouldn't be. | 0:05:00 | 0:05:02 | |
'Nahida has prepared chickpea curry, | 0:05:02 | 0:05:04 | |
'mango pickle and halva. This is a traditional Pakistani breakfast | 0:05:04 | 0:05:08 | |
'for rural labourers, and is eaten with a heavy paratha. | 0:05:08 | 0:05:12 | |
'It's this home-cooked food that Nahida hopes | 0:05:13 | 0:05:16 | |
'will make her restaurant stand out from the crowd.' | 0:05:16 | 0:05:19 | |
-People used to eat these very early in the morning... -Right. | 0:05:19 | 0:05:23 | |
..with the chickpea curry or even with the halva... | 0:05:23 | 0:05:25 | |
-Cos that'd set you up for the day. -It would set them up for the day. | 0:05:25 | 0:05:28 | |
'The food is delicious, if a little bit spicy.' | 0:05:28 | 0:05:32 | |
I think I can cope with that. | 0:05:32 | 0:05:33 | |
Is that OK? I tried to keep it a little bit mild. | 0:05:33 | 0:05:36 | |
That's mild, is it(?) It's good. It's good. I like heat. | 0:05:36 | 0:05:40 | |
-Do you eat spicy food? -I do. -Maybe not this spicy! -No, that's good. | 0:05:40 | 0:05:44 | |
That's lovely. That's really sweet too. | 0:05:46 | 0:05:47 | |
Is that all right? It is very sweet. | 0:05:47 | 0:05:49 | |
'Nahida wants her restaurant to feel like a family business | 0:05:49 | 0:05:52 | |
'and she's hoping some of her children will help her run it.' | 0:05:52 | 0:05:55 | |
You see a lot of restaurants out there that say home-cooked food. | 0:05:55 | 0:05:58 | |
But I don't think it's really home-cooked food. | 0:05:58 | 0:06:00 | |
I think they've taken it from a recipe book. | 0:06:00 | 0:06:02 | |
But recipes my mum uses, she's been using for years. | 0:06:02 | 0:06:05 | |
I think she'll be very successful | 0:06:05 | 0:06:07 | |
because, like, her cooking is good, she's a good people person | 0:06:07 | 0:06:10 | |
and she makes friends everywhere she goes. | 0:06:10 | 0:06:12 | |
So people who come into the restaurant, they're going to love her. | 0:06:12 | 0:06:15 | |
Nahida, there's a great feeling of being very welcome | 0:06:15 | 0:06:19 | |
as I sit here in your garden, surrounded by these delicious | 0:06:19 | 0:06:21 | |
-dishes... -Thank you. I'm glad you feel that way. | 0:06:21 | 0:06:23 | |
..and also your family. | 0:06:23 | 0:06:24 | |
-Is that something you want to take to the restaurant? -I do. | 0:06:24 | 0:06:27 | |
I'd like my customers to feel that it's a family atmosphere and there's a sense of belonging. | 0:06:27 | 0:06:31 | |
My family is my biggest critic. | 0:06:31 | 0:06:34 | |
-OK. -You know. -Good. | 0:06:34 | 0:06:35 | |
If they like the food then it's nice. | 0:06:35 | 0:06:37 | |
You know, because my family don't mess around. | 0:06:37 | 0:06:39 | |
They'll tell me the truth. | 0:06:39 | 0:06:40 | |
Nahida, it sounds great. | 0:06:40 | 0:06:42 | |
'Nahida's planning on opening for business in eight weeks' time. | 0:06:46 | 0:06:50 | |
'I can't wait to hear her vision for the restaurant.' | 0:06:50 | 0:06:52 | |
This is it, here, this is Desi Fusion. | 0:06:52 | 0:06:55 | |
This is it, yes. | 0:06:55 | 0:06:57 | |
-What a lovely shop front. -Thank you. | 0:06:57 | 0:06:59 | |
-And a really nice position, I think. -I think so, yes. | 0:06:59 | 0:07:02 | |
-It's overlooking the green. -Lots of people walking past. | 0:07:02 | 0:07:04 | |
-Shall we have a look inside? -Yeah, come in. -Thank you. | 0:07:04 | 0:07:07 | |
Help me out with this room then to start with. What will I see? | 0:07:09 | 0:07:12 | |
What will we see as customers when we come in | 0:07:12 | 0:07:14 | |
in a couple of months' time when the restaurant is up and running? | 0:07:14 | 0:07:17 | |
The layout, I haven't quite worked out, | 0:07:17 | 0:07:19 | |
but it'll be mainly tables and chairs. | 0:07:19 | 0:07:21 | |
-My colour scheme here is black, white and red. -Wow. | 0:07:21 | 0:07:24 | |
Because they're very neutral colours, if you like. | 0:07:24 | 0:07:27 | |
-I think they're very neutral colours. -Black, white and red? | 0:07:27 | 0:07:29 | |
-They're very good on the eye. -I wouldn't describe it as neutral. | 0:07:29 | 0:07:32 | |
-No? -Not really, no. They're very strong, graphic colours. | 0:07:32 | 0:07:36 | |
That wall is to be black. | 0:07:36 | 0:07:38 | |
And then the other walls are to be white. The pillar will be red. | 0:07:38 | 0:07:45 | |
Then we will decorate the walls with either pictures or stencilling | 0:07:45 | 0:07:49 | |
to do with black and red. | 0:07:49 | 0:07:50 | |
Right. What I would suggest that you do is that you find somebody | 0:07:50 | 0:07:56 | |
-that's useful with a pencil, and... -And draw it. | 0:07:56 | 0:08:00 | |
Yeah, ask them to sketch it out. | 0:08:00 | 0:08:02 | |
And then, on the drawing, paint your back wall black, and then you'll have | 0:08:02 | 0:08:06 | |
a much better idea as to whether it's going to work or not. | 0:08:06 | 0:08:09 | |
We go this way. The kitchens are down here. | 0:08:09 | 0:08:12 | |
'It's a huge space. | 0:08:12 | 0:08:14 | |
'There must be room for 150 diners in here. | 0:08:14 | 0:08:18 | |
'That doesn't come cheap. Nahida's already signed a lease costing over | 0:08:18 | 0:08:22 | |
'£1,300 a month. It's very ambitious.' | 0:08:22 | 0:08:26 | |
Is there anything else or is this it? | 0:08:26 | 0:08:27 | |
-Is this the end of the building? -This is the end of the building. | 0:08:27 | 0:08:30 | |
Thank goodness for that, I thought it'd never end! | 0:08:30 | 0:08:32 | |
-I bet you're tired now. -It's huge! | 0:08:32 | 0:08:34 | |
It's seriously very big. | 0:08:34 | 0:08:36 | |
Really, you could build a restaurant in half the size, | 0:08:36 | 0:08:39 | |
-in half the space that we've seen today. -Yeah. | 0:08:39 | 0:08:42 | |
'I've tasted some of her great home-cooked food, | 0:08:43 | 0:08:47 | |
'but what else will be on the menu?' | 0:08:47 | 0:08:49 | |
-Can I take it out? -Yeah, it's work in progress. | 0:08:49 | 0:08:52 | |
OK. | 0:08:52 | 0:08:54 | |
Looking down here, I'm really surprised to see shepherd's pie. | 0:08:54 | 0:08:57 | |
-Yes. Yes. -Breakfast? -Yeah. -Sausage, eggs, bacon, etc? | 0:08:57 | 0:09:02 | |
-No bacon. -No bacon. Halal, of course. | 0:09:02 | 0:09:04 | |
-And you've also got all of your sandwiches and toasties. -Yeah. | 0:09:04 | 0:09:08 | |
You've got omelettes here. You've got jacket potatoes, kids' meals. | 0:09:08 | 0:09:14 | |
'With over 40 savoury dishes, this is a confused menu. | 0:09:14 | 0:09:19 | |
'I'm worried that Nahida's unique home cooking could get lost | 0:09:19 | 0:09:22 | |
'in a hotchpotch of standard cafe fare.' | 0:09:22 | 0:09:25 | |
You see, in my experience, customers like things to be | 0:09:25 | 0:09:29 | |
-easy to understand and simple. -Yeah. | 0:09:29 | 0:09:31 | |
And looking at this menu, as a customer, | 0:09:32 | 0:09:36 | |
I would be slightly confused. | 0:09:36 | 0:09:37 | |
What you do really, really well | 0:09:37 | 0:09:40 | |
is what you should be pushing to the forefront here. | 0:09:40 | 0:09:42 | |
-And that's... What... -And what you do really well is | 0:09:42 | 0:09:45 | |
that fantastic family-style cooking, for people that want to enjoy that | 0:09:45 | 0:09:50 | |
-wonderful food in a family-style environment. -Yeah. | 0:09:50 | 0:09:52 | |
You shouldn't worry about whether or not... | 0:09:52 | 0:09:55 | |
But you forget, these foods on here are foods that my family eat. | 0:09:55 | 0:09:59 | |
But what you're proposing is crazy. You could go on and on. | 0:09:59 | 0:10:02 | |
You could say, "Sometimes my kids like a packet of crisps, | 0:10:02 | 0:10:05 | |
"so we're going to have a crisp selection here. | 0:10:05 | 0:10:08 | |
-"Sometimes..." -Why shouldn't we? -Well, because where does it stop? | 0:10:08 | 0:10:11 | |
It doesn't. That's what the beauty of food is. | 0:10:11 | 0:10:13 | |
Well, it does in a commercial sense. | 0:10:13 | 0:10:15 | |
You can be experimenting forever, can't you? | 0:10:15 | 0:10:17 | |
-In a business sense, it has to stop. -I get what you're saying. | 0:10:17 | 0:10:20 | |
I get what you're saying. | 0:10:20 | 0:10:21 | |
It's quite a common approach, I think, | 0:10:23 | 0:10:25 | |
for inexperienced restaurateurs to think that they need to offer | 0:10:25 | 0:10:30 | |
as many dishes as possible to satisfy as many tastes as possible | 0:10:30 | 0:10:35 | |
when, in fact, what they need to do, usually, is the exact opposite. | 0:10:35 | 0:10:40 | |
'Nahida is a classic case of | 0:10:40 | 0:10:42 | |
'a great home cook who wants to open a restaurant. | 0:10:42 | 0:10:45 | |
'Her only finance is a £20,000 bank loan. | 0:10:45 | 0:10:49 | |
'And half of that is earmarked to pay for the kitchen.' | 0:10:49 | 0:10:52 | |
Nahida, did you sit down before this project started and work out exactly | 0:10:54 | 0:11:00 | |
how much everything was going to cost and how much you would need or | 0:11:00 | 0:11:03 | |
was it just a sort of lick the finger and stick it in the air | 0:11:03 | 0:11:06 | |
-sort of thing? -Yeah, basically. | 0:11:06 | 0:11:07 | |
-Then how do you know you've got enough? -I don't. | 0:11:07 | 0:11:10 | |
-Does it not terrify you... -It does. It does. | 0:11:10 | 0:11:13 | |
-..that you might run out of money? -Mm. It does. | 0:11:13 | 0:11:16 | |
I don't know if you know this, but more restaurant businesses fail | 0:11:16 | 0:11:20 | |
before they get a chance to even open the front door | 0:11:20 | 0:11:23 | |
than those that fail for other reasons. | 0:11:23 | 0:11:27 | |
Most restaurants that fail, in fact, | 0:11:27 | 0:11:29 | |
are invisible, because you never see them. | 0:11:29 | 0:11:31 | |
They never get to a point where they open and start serving customers. | 0:11:31 | 0:11:36 | |
I just don't want your restaurant to be one of those. | 0:11:36 | 0:11:39 | |
But what you're telling me is that there's a... | 0:11:39 | 0:11:42 | |
you know, that there's quite a high risk that it might be. | 0:11:42 | 0:11:46 | |
'It's already clear that Nahida's talent as a cook | 0:11:48 | 0:11:51 | |
'isn't backed up with much business savvy, | 0:11:51 | 0:11:54 | |
'and as she plans to open in two months, | 0:11:54 | 0:11:56 | |
'it doesn't give me much time to help. | 0:11:56 | 0:11:59 | |
'But I hope I can persuade her to do things like | 0:11:59 | 0:12:01 | |
'change her decor and get her to focus on the food she made for me.' | 0:12:01 | 0:12:05 | |
Her basic offer, in the sense of what I saw at her home, | 0:12:05 | 0:12:10 | |
you know, I think it's a good offer. | 0:12:10 | 0:12:12 | |
I'd like to work with her on trying to streamline the menu and trying | 0:12:12 | 0:12:17 | |
to get rid of those elements that she doesn't need | 0:12:17 | 0:12:19 | |
but thinks that she does. | 0:12:19 | 0:12:21 | |
But my big worry is that we won't even get that far. | 0:12:21 | 0:12:23 | |
My big worry is that she will run out of money, | 0:12:23 | 0:12:25 | |
and if she runs out of money, she won't even get to the point | 0:12:25 | 0:12:28 | |
where she can open the door and greet her first customer. | 0:12:28 | 0:12:31 | |
But before I can even start, redecoration begins. | 0:12:34 | 0:12:39 | |
Just a few days after my visit, Nahida and daughter Symha | 0:12:39 | 0:12:43 | |
forge ahead with their own colour scheme. | 0:12:43 | 0:12:45 | |
The restaurant gets painted in a rather bold fashion. | 0:12:45 | 0:12:49 | |
Russell has an opinion and I have an opinion. | 0:12:49 | 0:12:51 | |
Russell has a way of doing things and I have a way of doing things. | 0:12:51 | 0:12:54 | |
But, at the end of the day, the risk and the chance is my own. | 0:12:54 | 0:12:57 | |
Russell is advising me. He's not going to open my business for me. | 0:12:57 | 0:13:00 | |
We will always talk and I will listen to him, | 0:13:00 | 0:13:04 | |
but the decision will always be mine. | 0:13:04 | 0:13:06 | |
It seems I'm going to have my work cut out | 0:13:06 | 0:13:08 | |
persuading Nahida to listen to me. | 0:13:08 | 0:13:11 | |
When I devise a menu for my restaurants I work very hard with my chef | 0:13:14 | 0:13:19 | |
to create one that is focused and simple and concise | 0:13:19 | 0:13:23 | |
because I really believe that that's what people like. | 0:13:23 | 0:13:26 | |
What they don't like is menus | 0:13:26 | 0:13:28 | |
that are very long and rambling and confused. | 0:13:28 | 0:13:31 | |
I think Nahida's existing menu will put customers off | 0:13:33 | 0:13:37 | |
and jeopardise her business. | 0:13:37 | 0:13:38 | |
So, back in Coventry, | 0:13:41 | 0:13:42 | |
I'm organising a one-off pop-up restaurant for lunchtime. | 0:13:42 | 0:13:46 | |
I want to show Nahida that people prefer simplicity over confusion. | 0:13:46 | 0:13:51 | |
On the one hand, we have Nahida's very simple menu with two dishes, | 0:13:53 | 0:13:57 | |
and over here, the menu of the restaurant, | 0:13:57 | 0:14:00 | |
which has many, many more choices. | 0:14:00 | 0:14:02 | |
I want to see today whether people are interested in lots of choice or | 0:14:02 | 0:14:05 | |
whether they're more interested in a simple, focused menu. | 0:14:05 | 0:14:08 | |
Nahida's preparing two of her home-style Pakistani dishes - | 0:14:08 | 0:14:13 | |
a chicken biryani and a vegetable curry. | 0:14:13 | 0:14:16 | |
She's decided to make the biryani first. | 0:14:16 | 0:14:19 | |
I want this to be right because | 0:14:19 | 0:14:21 | |
I think this will be the more popular dish, if you know what I mean so... | 0:14:21 | 0:14:24 | |
yeah, I want to focus on this one. | 0:14:24 | 0:14:26 | |
But things don't get off to a great start. | 0:14:27 | 0:14:30 | |
Nahida has arrived an hour late, and her helpers, | 0:14:30 | 0:14:34 | |
twin daughters Adiba and Amirah, need constant supervision. | 0:14:34 | 0:14:38 | |
You peel them for me. Chop... Get the skin off them. | 0:14:38 | 0:14:41 | |
And I need onions, really. I need it really quick now. | 0:14:41 | 0:14:45 | |
There is a distinct lack of preparation. | 0:14:45 | 0:14:48 | |
John, would you have a couple of kilos of frozen peas? | 0:14:48 | 0:14:52 | |
-Yes. -I've left mine in the freezer at home. -No worries. | 0:14:52 | 0:14:57 | |
Head chef John is anxious about keeping customers waiting. | 0:14:57 | 0:15:01 | |
I'd like to think they'd be ready to go soon because | 0:15:01 | 0:15:03 | |
it's now getting a bit on. | 0:15:03 | 0:15:05 | |
And this is this lady's reputation that she needs to try and uphold. | 0:15:05 | 0:15:10 | |
It's only three dishes. We should be there by now. | 0:15:10 | 0:15:12 | |
'The lunchtime service is due to start at midday. | 0:15:12 | 0:15:16 | |
'With 15 minutes to go, | 0:15:16 | 0:15:17 | |
'I head into the kitchen to check on progress.' | 0:15:17 | 0:15:20 | |
-Hi, Nahida. -Hello, Russell. | 0:15:20 | 0:15:22 | |
-So I can see the biryani. Where's the veg curry? -It's just over there. | 0:15:22 | 0:15:26 | |
So it's just onions at the moment? | 0:15:26 | 0:15:27 | |
It's just onions and garlic and red...green chillies, sorry. | 0:15:27 | 0:15:30 | |
Nahida, I'm not an expert, | 0:15:30 | 0:15:32 | |
but I couldn't make a vegetable curry in 15 minutes. | 0:15:32 | 0:15:34 | |
We open in 15 minutes. Do you know that? | 0:15:34 | 0:15:36 | |
Yeah. Well, no, I'm not going to get it ready in 15 minutes. | 0:15:36 | 0:15:39 | |
We were an hour behind cos I had to collect everything and bring it here. | 0:15:39 | 0:15:42 | |
-And then I was just... -We're an hour behind? | 0:15:42 | 0:15:44 | |
Yes, we are an hour behind. Yes. | 0:15:44 | 0:15:47 | |
-Thank you very much. -Thank you. | 0:15:47 | 0:15:49 | |
The lunch rush starts on cue, but there's no curry. | 0:15:50 | 0:15:55 | |
I've started now, so... Oh, sorry! | 0:15:55 | 0:15:58 | |
Nahida is struggling to finish her first dish. | 0:15:59 | 0:16:02 | |
I'm really sorry but our curries today aren't quite ready yet | 0:16:02 | 0:16:05 | |
-so it's just from the normal menu to choose from. -OK. | 0:16:05 | 0:16:08 | |
This is so frustrating. It's 12:15 and the restaurant is open, | 0:16:08 | 0:16:12 | |
people are sitting down, there's a crowd in the bar waiting | 0:16:12 | 0:16:16 | |
and Nahida's not ready. | 0:16:16 | 0:16:17 | |
I watched three people come in, | 0:16:17 | 0:16:20 | |
ask about Nahida's menu and walk away. | 0:16:20 | 0:16:23 | |
At home, her family might not mind waiting for their food, | 0:16:23 | 0:16:27 | |
but in a restaurant, lunchtime customers are usually in a hurry. | 0:16:27 | 0:16:31 | |
How are we doing, ladies? | 0:16:33 | 0:16:35 | |
-Um... Not very well. -Why? | 0:16:35 | 0:16:36 | |
Butter got too melted. My dough's gone all flaky. | 0:16:36 | 0:16:41 | |
Right, can we try and start doing some now? | 0:16:41 | 0:16:44 | |
Can your daughter do them and then you start cooking these? | 0:16:44 | 0:16:47 | |
-Would that be all right? -I need to put the butter on myself. | 0:16:47 | 0:16:50 | |
-Cos she might not put enough on. -All right, show her quickly. | 0:16:50 | 0:16:54 | |
It's not until 1:15, an hour and a quarter late, | 0:16:54 | 0:16:57 | |
that I hear she's ready for business and I can spring into action. | 0:16:57 | 0:17:02 | |
-We've got an experiment here today. -Yes. -We wanted to see what people would go for. | 0:17:02 | 0:17:05 | |
I would definitely go for menu two. | 0:17:05 | 0:17:08 | |
As I suspected, Nahida's short and focused menu proves popular. | 0:17:08 | 0:17:13 | |
I'm thinking the curry. Just there. | 0:17:13 | 0:17:17 | |
Not too much choice. | 0:17:17 | 0:17:18 | |
And the feedback is great. | 0:17:18 | 0:17:20 | |
-They said the chicken biryani was very nice. -Thank you. | 0:17:20 | 0:17:25 | |
Got two chicken biryanis on... | 0:17:25 | 0:17:27 | |
But the meals are coming out of the kitchen far too slowly. | 0:17:27 | 0:17:30 | |
Come on, ladies, you've got to respond to that. | 0:17:30 | 0:17:32 | |
Don't make me panic! | 0:17:32 | 0:17:34 | |
Don't make me nervous. | 0:17:34 | 0:17:36 | |
You like menu two because it's simple | 0:17:36 | 0:17:38 | |
and you saw a dish you wanted straightaway. | 0:17:38 | 0:17:41 | |
Simple, not too many choices to confuse. | 0:17:41 | 0:17:44 | |
So far there's a clear preference for the simpler menu. | 0:17:44 | 0:17:47 | |
Come on, ladies. Don't fail on me now. | 0:17:47 | 0:17:49 | |
-I would definitely go for that one. -Definitely? -It's simple and easy. | 0:17:49 | 0:17:53 | |
I'm in a hurry. | 0:17:53 | 0:17:54 | |
'But with the lunch rush over by 1:30, | 0:17:54 | 0:17:57 | |
'the experiment's finished before it's really begun.' | 0:17:57 | 0:18:01 | |
Well, that was frustratingly inconclusive, | 0:18:01 | 0:18:03 | |
but what the exercise did prove to me | 0:18:03 | 0:18:06 | |
is that Nahida is in no way prepared | 0:18:06 | 0:18:08 | |
for the demands of a commercial kitchen. And that's a big worry. | 0:18:08 | 0:18:12 | |
-Hi, Nahida. -Hello, Russell. | 0:18:12 | 0:18:14 | |
How's it going? | 0:18:14 | 0:18:16 | |
We've sent a few dishes out. | 0:18:16 | 0:18:18 | |
Yeah. | 0:18:18 | 0:18:19 | |
-The plates have come back clean. -Yes, they have. | 0:18:19 | 0:18:21 | |
-So, that's positive. -Yeah. | 0:18:21 | 0:18:23 | |
But did you hear about the customers that came in before 1:00? | 0:18:23 | 0:18:27 | |
There were quite a few people that had heard about the pop-up | 0:18:27 | 0:18:30 | |
and were very interested to try the food and came along - | 0:18:30 | 0:18:32 | |
-but we weren't ready. -Right. -So, we lost a few customers. | 0:18:32 | 0:18:36 | |
That's a shame. | 0:18:36 | 0:18:37 | |
In the real world, you know that can't happen, don't you? | 0:18:37 | 0:18:39 | |
-Well, in the real world I'd be a bit more organised! -Yeah. | 0:18:39 | 0:18:42 | |
In the real world customers don't make allowances for inexperience. | 0:18:45 | 0:18:49 | |
A successful restaurant doesn't happen by chance. | 0:18:49 | 0:18:52 | |
It's based on precise, detailed planning. | 0:18:52 | 0:18:55 | |
People who say, "I don't need a business plan" | 0:18:56 | 0:18:58 | |
are taking a massive, massive gamble. | 0:18:58 | 0:19:01 | |
It's like betting on a 200-1 outsider. | 0:19:01 | 0:19:04 | |
You could win, but you could lose all your money. | 0:19:04 | 0:19:07 | |
It's a very risky strategy. | 0:19:07 | 0:19:09 | |
With no clear plan to get her restaurant open in time, | 0:19:10 | 0:19:13 | |
Nahida is falling behind. | 0:19:13 | 0:19:15 | |
I'm up at 6:30, I go to work. | 0:19:16 | 0:19:20 | |
I finish 5:00, 5:30, I come here. | 0:19:20 | 0:19:22 | |
I'm just so tired and stressed. | 0:19:22 | 0:19:25 | |
The more time goes on, the more tired I get, | 0:19:25 | 0:19:28 | |
the more stressed I get. | 0:19:28 | 0:19:30 | |
She's still working full-time as a social worker, | 0:19:30 | 0:19:33 | |
so the fit-out is painfully slow. | 0:19:33 | 0:19:35 | |
And I'm still concerned about the decor. | 0:19:38 | 0:19:42 | |
With its hard surfaces and harsh colours, | 0:19:42 | 0:19:44 | |
this is starting to feel more like a run-of-the-mill caff | 0:19:44 | 0:19:48 | |
than the homely eatery Nahida wanted. | 0:19:48 | 0:19:50 | |
'I think success hangs onto her reconnecting | 0:19:51 | 0:19:54 | |
'with her original vision. | 0:19:54 | 0:19:56 | |
'So I've invited Nahida to London for an inspirational trip.' | 0:19:56 | 0:20:00 | |
We're here today at James Ramsden's supper club. | 0:20:00 | 0:20:03 | |
It's called The Secret Larder. | 0:20:03 | 0:20:05 | |
What he does is he serves up restaurant-quality food | 0:20:05 | 0:20:10 | |
in a very casual, family-style home environment, | 0:20:10 | 0:20:13 | |
and I want Nahida to see how it might be possible | 0:20:13 | 0:20:16 | |
to reconnect with her original idea | 0:20:16 | 0:20:18 | |
and do that in Coventry at Desi Fusion. | 0:20:18 | 0:20:21 | |
Four years ago, James launched The Secret Larder in his flat, | 0:20:24 | 0:20:27 | |
a charming converted school room, | 0:20:27 | 0:20:29 | |
brim full with the bric-a-brac of daily life. | 0:20:29 | 0:20:32 | |
Nahida's daughters Symha and Nasma have come along | 0:20:33 | 0:20:36 | |
to help prepare the food and soak up the homely atmosphere. | 0:20:36 | 0:20:39 | |
I love it, I think it's amazing. | 0:20:40 | 0:20:42 | |
If I didn't live so far away, | 0:20:42 | 0:20:44 | |
I would be asking James to invite me along again! | 0:20:44 | 0:20:47 | |
The decor is really nice. | 0:20:47 | 0:20:48 | |
I've asked him where he gets his bottles from. | 0:20:48 | 0:20:51 | |
Just even like how to set the table. | 0:20:51 | 0:20:53 | |
I like the little candles. | 0:20:53 | 0:20:54 | |
They would look nice in the restaurant, | 0:20:54 | 0:20:56 | |
especially in the evening, because we're open till quite late. | 0:20:56 | 0:20:59 | |
I think that would give it a homely feeling, the lighting and stuff. | 0:20:59 | 0:21:03 | |
-How are you doing? James. -Very well, thank you. Sarah. | 0:21:03 | 0:21:06 | |
As James opens his doors... | 0:21:06 | 0:21:08 | |
Welcome, come in. | 0:21:08 | 0:21:10 | |
..it's not long before the guest of honour arrives. | 0:21:10 | 0:21:13 | |
Oh, wow! | 0:21:13 | 0:21:15 | |
James, this is Nahida. | 0:21:15 | 0:21:16 | |
Hello! | 0:21:16 | 0:21:18 | |
-Hi, Nahida. I'm James. -Hello. | 0:21:18 | 0:21:22 | |
Do you need some explanation, here? | 0:21:22 | 0:21:23 | |
-Shall I tell you what's going on? -I do, yes. | 0:21:23 | 0:21:25 | |
A supper club is something that's halfway between | 0:21:25 | 0:21:28 | |
a private dinner party and a restaurant. | 0:21:28 | 0:21:31 | |
So, these people are paying guests. | 0:21:31 | 0:21:33 | |
What it does is it provides restaurant-quality food | 0:21:33 | 0:21:36 | |
in a very homely, family-style environment. | 0:21:36 | 0:21:39 | |
And I thought that reminded me of something. | 0:21:39 | 0:21:41 | |
What do you think it reminded me of? | 0:21:41 | 0:21:43 | |
-Something that I wanted to do. -Exactly what you wanted to do. | 0:21:43 | 0:21:46 | |
Thanks for letting us in. | 0:21:46 | 0:21:48 | |
Supper clubs have become very fashionable. | 0:21:49 | 0:21:53 | |
They originated in Cuba, | 0:21:53 | 0:21:54 | |
as a way of avoiding state control of restaurants. | 0:21:54 | 0:21:58 | |
In the UK, they're still fairly novel, | 0:21:58 | 0:22:00 | |
with fewer than 100 regular venues across the country. | 0:22:00 | 0:22:04 | |
It's different. | 0:22:05 | 0:22:08 | |
Very different. | 0:22:08 | 0:22:09 | |
I don't think I've ever seen anything like this in Coventry. | 0:22:09 | 0:22:12 | |
Yeah, we'll see how it works. | 0:22:12 | 0:22:14 | |
You know? | 0:22:14 | 0:22:16 | |
Well, bon appetit, everybody. | 0:22:16 | 0:22:18 | |
I think this is nice. | 0:22:21 | 0:22:22 | |
I mean, you know, I was actually thinking, | 0:22:22 | 0:22:24 | |
if I'd have come and done this beforehand, | 0:22:24 | 0:22:26 | |
I might have just opened up my house to people, you know? | 0:22:26 | 0:22:29 | |
I probably wouldn't need such a big cash outlay, | 0:22:29 | 0:22:31 | |
because my kitchen's equipped. | 0:22:31 | 0:22:34 | |
I want people to come in, like you guys come in here today, | 0:22:34 | 0:22:37 | |
and be able to talk to each other, | 0:22:37 | 0:22:39 | |
not just come in and just sit at their table, | 0:22:39 | 0:22:41 | |
have their meal, pay their bill and go. | 0:22:41 | 0:22:44 | |
I think it's really nice that people meet each other. | 0:22:44 | 0:22:46 | |
What do we all think or feel about communal tables? | 0:22:46 | 0:22:50 | |
-I love it. -Do you? | 0:22:50 | 0:22:52 | |
When you go to a restaurant you don't want to disturb people | 0:22:52 | 0:22:55 | |
-on another table, because you don't know what their agenda is. -Yeah. | 0:22:55 | 0:22:58 | |
And that's kind of invading their space. | 0:22:58 | 0:23:00 | |
Whereas if someone chooses to sit at a social table, | 0:23:00 | 0:23:02 | |
you have the freedom to open up that dialogue and start talking. | 0:23:02 | 0:23:05 | |
-I think that's really cool. -Mm. | 0:23:05 | 0:23:07 | |
Nahida seems to be soaking up the atmosphere here at James's. | 0:23:10 | 0:23:14 | |
I'm hoping it's making her think twice about the ambience and decor | 0:23:14 | 0:23:18 | |
in her own restaurant. | 0:23:18 | 0:23:20 | |
So, just looking round the room, Nahida, | 0:23:21 | 0:23:23 | |
there's a real homely feel here, isn't there? | 0:23:23 | 0:23:26 | |
I could actually get stuck in and tidy up a little bit. | 0:23:26 | 0:23:28 | |
-Yeah... -But that's me. | 0:23:28 | 0:23:30 | |
But in terms of the rest of the room, | 0:23:30 | 0:23:31 | |
you've got the sofa in the corner over there | 0:23:31 | 0:23:33 | |
and books and lamps and there's plants and dried flowers in vases. | 0:23:33 | 0:23:38 | |
It's nice for everything not to be in a sequence, things to be different. | 0:23:38 | 0:23:42 | |
They don't all have to be the same. | 0:23:42 | 0:23:44 | |
If you remember, I did say I wanted to get some sofas in there | 0:23:44 | 0:23:47 | |
and a small coffee table in there. | 0:23:47 | 0:23:49 | |
I even said to Simon, if we could invest in some lamps... | 0:23:49 | 0:23:53 | |
I think that will do a couple of things, | 0:23:53 | 0:23:55 | |
it will create a much more attractive space | 0:23:55 | 0:23:57 | |
within the restaurant... | 0:23:57 | 0:23:59 | |
It will also, I think, create a very attractive look of the restaurant, | 0:23:59 | 0:24:03 | |
-if you're outside on the street. -That's right. | 0:24:03 | 0:24:07 | |
You're seeing something that's really warm and welcoming. | 0:24:07 | 0:24:10 | |
-It would be lovely if we could do it. It would be great. -Good. | 0:24:10 | 0:24:13 | |
Back in Coventry, inspiration from the supper club quickly evaporates | 0:24:16 | 0:24:20 | |
when Nahida's financial issues come to a head. | 0:24:20 | 0:24:23 | |
She has spent all the initial £20,000 | 0:24:23 | 0:24:26 | |
that she borrowed from the bank | 0:24:26 | 0:24:28 | |
on her rent, renovations and kitchen equipment. | 0:24:28 | 0:24:31 | |
So it's a real body blow | 0:24:31 | 0:24:33 | |
when Nahida discovers that the existing gas supply | 0:24:33 | 0:24:36 | |
won't service a professional kitchen. | 0:24:36 | 0:24:39 | |
This is the bane of my life, and it's just dragging me down at the moment. | 0:24:40 | 0:24:44 | |
Right down. | 0:24:44 | 0:24:45 | |
It'll cost thousands of pounds to upgrade, | 0:24:45 | 0:24:48 | |
money Nahida simply doesn't have. | 0:24:48 | 0:24:50 | |
I've not been able to sleep, very stressed. | 0:24:52 | 0:24:54 | |
With three weeks to go now before the planned opening, | 0:24:56 | 0:24:59 | |
I'm really concerned. | 0:24:59 | 0:25:01 | |
So I've come back to Coventry to see how I can help. | 0:25:01 | 0:25:04 | |
-There's lots still to do, isn't there? -Yeah. | 0:25:05 | 0:25:08 | |
Have you got the money to pay for what needs doing? | 0:25:08 | 0:25:12 | |
Yeah... | 0:25:12 | 0:25:14 | |
I haven't. | 0:25:14 | 0:25:15 | |
-You haven't got the money? -No. | 0:25:15 | 0:25:16 | |
Have you budgeted, then, for what needs to be done? | 0:25:16 | 0:25:19 | |
Do you know how much money you need to spend? | 0:25:19 | 0:25:21 | |
-Further? -Yes. | 0:25:21 | 0:25:23 | |
I'm going to need roughly another £5,000 to £7,000. | 0:25:23 | 0:25:27 | |
-My gosh. -Yeah. | 0:25:27 | 0:25:28 | |
If you had your time again, | 0:25:28 | 0:25:30 | |
and you were to go back to the beginning of this project, | 0:25:30 | 0:25:32 | |
would you do things differently? | 0:25:32 | 0:25:34 | |
First of all, I can't go back. | 0:25:37 | 0:25:38 | |
If you could. | 0:25:38 | 0:25:40 | |
If I know what I know now, and I could go back... | 0:25:40 | 0:25:43 | |
I might not start the project at all. | 0:25:43 | 0:25:45 | |
-Really? -Yeah. | 0:25:45 | 0:25:46 | |
Do you feel, then, that because you've come this far, | 0:25:48 | 0:25:50 | |
you can't stop and you can't go back, | 0:25:50 | 0:25:52 | |
-do you feel you've reached the point of no return? -Definitely. | 0:25:52 | 0:25:55 | |
-You do. -Yeah, yeah. Definitely. | 0:25:55 | 0:25:57 | |
I've acted on impulse and dived right in at the deep end. | 0:25:57 | 0:26:02 | |
For me now, it's sink or swim. | 0:26:02 | 0:26:04 | |
But like I said, we've put too much work into this place now | 0:26:04 | 0:26:08 | |
to not give it a go, and to just pack it up now. | 0:26:08 | 0:26:12 | |
I'm really worried. | 0:26:12 | 0:26:13 | |
Yeah. | 0:26:13 | 0:26:15 | |
'Nahida's paying the price for having no business plan. | 0:26:15 | 0:26:19 | |
'The longer the build drifts on, the more money she stands to lose. | 0:26:19 | 0:26:23 | |
'Given the dire situation, | 0:26:23 | 0:26:25 | |
'I've called an emergency family meeting. | 0:26:25 | 0:26:28 | |
'I need all her family onside if we are to get Desi Fusion open | 0:26:28 | 0:26:31 | |
'and start bringing in some money. | 0:26:31 | 0:26:33 | |
'If Nahida won't listen to ME, | 0:26:33 | 0:26:35 | |
'I'm hoping she might listen to her children.' | 0:26:35 | 0:26:38 | |
Does Mum discuss money with you? Does she tell you about how much things are costing? | 0:26:38 | 0:26:42 | |
It's not like we've sat down and had a whole conversation about it. | 0:26:42 | 0:26:45 | |
-She doesn't like to burden us. -No, she doesn't. | 0:26:45 | 0:26:47 | |
She just likes to get on with it. | 0:26:47 | 0:26:49 | |
Is she the sort of person that would ask for help? | 0:26:49 | 0:26:51 | |
Only when she's really struggling. Mum's got a strong head. | 0:26:51 | 0:26:54 | |
So when it comes to taking up projects | 0:26:54 | 0:26:55 | |
she likes to do it herself rather than having other people. | 0:26:55 | 0:26:58 | |
We could call her any hour of the night, morning, day - | 0:26:58 | 0:27:00 | |
if she's at work, wherever she is, | 0:27:00 | 0:27:02 | |
she'll drop what she's doing and come and help us. | 0:27:02 | 0:27:04 | |
-But if she needs help and she asks us, she'll feel bad. -Yes. | 0:27:04 | 0:27:07 | |
The situation is this - there is no more money left. | 0:27:07 | 0:27:10 | |
But there is lots of work that still needs to be done to the restaurant. | 0:27:12 | 0:27:16 | |
What I'm trying to stress to you | 0:27:17 | 0:27:19 | |
is that it is absolutely essential that Desi Fusion opens, | 0:27:19 | 0:27:23 | |
so that there is a revenue stream, | 0:27:23 | 0:27:25 | |
so that, for example, Nahida can afford the rent payment that is due | 0:27:25 | 0:27:29 | |
in just a couple of weeks' time. | 0:27:29 | 0:27:31 | |
And that's why I'm here today, with you lot, | 0:27:31 | 0:27:36 | |
to see whether you have anything you can offer to the project | 0:27:36 | 0:27:40 | |
to help Nahida get the business open as fast as possible. | 0:27:40 | 0:27:43 | |
-I think the time has come to sit down with Mum... -Yeah. | 0:27:43 | 0:27:46 | |
..and give her a pen in one hand and a piece of paper in the other | 0:27:46 | 0:27:48 | |
and say, "We're not leaving this room | 0:27:48 | 0:27:51 | |
"until you make a list of the things that still need doing." | 0:27:51 | 0:27:53 | |
It's really important that you get involved and that you engage | 0:27:53 | 0:27:57 | |
-and that you help Mum open this restaurant. -Yeah, OK. -All right? | 0:27:57 | 0:28:00 | |
Over the coming days, Nahida's family get stuck in. | 0:28:02 | 0:28:05 | |
-Is it scraping? -OK, put it down... | 0:28:06 | 0:28:08 | |
Do it slowly. | 0:28:08 | 0:28:10 | |
And soon, the place is starting to look more like a restaurant. | 0:28:10 | 0:28:14 | |
'But I want Nahida's children to do more than just DIY and cleaning. | 0:28:18 | 0:28:22 | |
'If this is going to feel like a family business, | 0:28:22 | 0:28:24 | |
'they need to help their mum run it. | 0:28:24 | 0:28:26 | |
'Even though she has no restaurant experience, | 0:28:27 | 0:28:30 | |
'I think 29-year-old Symha, currently a full-time mum, | 0:28:30 | 0:28:34 | |
'could run the front of house. | 0:28:34 | 0:28:36 | |
'So I'm going to test her out at a local cafe.' | 0:28:36 | 0:28:39 | |
-Feeling confident, Symha? -Nervous. -Uh-huh. OK. | 0:28:39 | 0:28:42 | |
-I like talking to people, so I should be OK. -OK. | 0:28:42 | 0:28:44 | |
Two small lattes. | 0:28:44 | 0:28:46 | |
Is that a classic or generous? | 0:28:46 | 0:28:48 | |
-Classic. -Classic. | 0:28:48 | 0:28:50 | |
That's £2.10, please. | 0:28:50 | 0:28:52 | |
'Front of house is a crucial role - | 0:28:52 | 0:28:54 | |
'get it wrong and service grinds to a halt.' | 0:28:54 | 0:28:57 | |
There's a lot going on here. | 0:28:58 | 0:29:00 | |
The ordering and putting the saucers on the tray and taking the money, | 0:29:00 | 0:29:04 | |
giving the change, giving the table number, there's a lot to remember. | 0:29:04 | 0:29:07 | |
-Hi. What would you like? -Tea and toast, please. | 0:29:07 | 0:29:10 | |
What's really impressive is how animated she is | 0:29:10 | 0:29:12 | |
and how responsive she is to customers. | 0:29:12 | 0:29:15 | |
That is 2.60 change. Thank you. | 0:29:15 | 0:29:18 | |
Really encouraging. | 0:29:18 | 0:29:20 | |
So, that's £2.40. | 0:29:20 | 0:29:22 | |
Thank you. | 0:29:22 | 0:29:24 | |
It's given me ideas on how we can run the restaurant a bit smoother. | 0:29:24 | 0:29:27 | |
-Good. -The fact you said I did quite well, I'm happy with that. | 0:29:27 | 0:29:30 | |
Even though I was panicking inside, it didn't show on the outside. | 0:29:30 | 0:29:33 | |
I'm quite friendly with people, I talk a lot... | 0:29:33 | 0:29:35 | |
-You were very friendly today. -Yeah, was I? | 0:29:35 | 0:29:37 | |
-We all noticed it. -OK! -Absolutely. | 0:29:37 | 0:29:39 | |
Having borrowed another £15,000 from her family, | 0:29:41 | 0:29:45 | |
Nahida installs a new gas supply, | 0:29:45 | 0:29:47 | |
buys the remaining equipment... | 0:29:47 | 0:29:49 | |
It's really heavy! | 0:29:49 | 0:29:51 | |
..and before long, there's a working kitchen. | 0:29:51 | 0:29:53 | |
Oh, that feels good. | 0:29:55 | 0:29:58 | |
We need to get the word out about the restaurant as soon as possible. | 0:29:58 | 0:30:02 | |
So I've asked Nahida to prepare some free samples. | 0:30:02 | 0:30:04 | |
That's fantastic. | 0:30:08 | 0:30:09 | |
This is a big moment, do you realise this? | 0:30:09 | 0:30:11 | |
This is the first dish to come out of your kitchen. | 0:30:11 | 0:30:14 | |
You know what? I've had pakoras all my life, | 0:30:14 | 0:30:16 | |
but this one just holds a higher status in my life. | 0:30:16 | 0:30:21 | |
Because of the significance of it? | 0:30:21 | 0:30:23 | |
Because of all the hard work we've put here. | 0:30:23 | 0:30:26 | |
-Clean plate. -Ah, there you go! | 0:30:26 | 0:30:28 | |
That's what I want to see. | 0:30:28 | 0:30:30 | |
'When it comes to sparking customer interest, | 0:30:30 | 0:30:33 | |
'nothing can replace direct, personal contact - and a free sample.' | 0:30:33 | 0:30:38 | |
We'll do a little production line here. | 0:30:38 | 0:30:40 | |
So I take Nahida's daughters out to the town centre to start building | 0:30:43 | 0:30:48 | |
that all-important customer base. | 0:30:48 | 0:30:50 | |
We're opening a new restaurant called Desi Fusion | 0:30:51 | 0:30:54 | |
on Warwick Row, near Sherbourne House. | 0:30:54 | 0:30:56 | |
You've got some pakoras in there and some chaat. | 0:30:56 | 0:30:59 | |
They're both a little nervous, naturally. | 0:30:59 | 0:31:01 | |
It's quite daunting, I imagine, | 0:31:01 | 0:31:03 | |
to stand in the middle of your town centre. | 0:31:03 | 0:31:05 | |
But they're going for it. | 0:31:05 | 0:31:07 | |
-If you just want to... -Halal? -It is Halal, yes. | 0:31:07 | 0:31:10 | |
Bless you! | 0:31:10 | 0:31:12 | |
-Mm! -That's very nice. -It is, yeah! | 0:31:13 | 0:31:16 | |
It's really nice. | 0:31:16 | 0:31:18 | |
I will give you guys a leaflet. | 0:31:18 | 0:31:19 | |
Definitely stop by, hopefully we'll see you there. | 0:31:19 | 0:31:21 | |
-Free meal? -I don't know about a free meal, | 0:31:21 | 0:31:23 | |
-but you're always welcome to come and try our food. -OK, then. | 0:31:23 | 0:31:26 | |
-Very nice. -Yeah? -Thank you. | 0:31:26 | 0:31:28 | |
-Compliments to the chef. -Cheers. | 0:31:28 | 0:31:30 | |
Finally, we have progress. | 0:31:31 | 0:31:33 | |
Nahida is in the kitchen cooking, | 0:31:33 | 0:31:35 | |
Symha is taking charge of front of house operations, | 0:31:35 | 0:31:38 | |
Nasma's getting a handle on marketing. | 0:31:38 | 0:31:41 | |
For the first time, | 0:31:41 | 0:31:42 | |
I feel this project is moving in the right direction. | 0:31:42 | 0:31:44 | |
I think it's heading to opening now. | 0:31:44 | 0:31:46 | |
I think we're getting closer to that open door. | 0:31:46 | 0:31:49 | |
You know? And I just can't wait. | 0:31:49 | 0:31:52 | |
Nahida's next decision will define her restaurant. | 0:31:55 | 0:31:59 | |
Keeping her full-time job, she's hired a chef, | 0:31:59 | 0:32:01 | |
who she hopes can recreate her home-cooked food. | 0:32:01 | 0:32:05 | |
This is my first time in a restaurant, | 0:32:05 | 0:32:07 | |
so excuse me if I say something wrong or if I don't know what I'm asking. | 0:32:07 | 0:32:12 | |
-I can make any cuisine, anything you want. -OK. | 0:32:12 | 0:32:15 | |
-That's not a problem. -OK. | 0:32:15 | 0:32:16 | |
Seven hours a day, six days a week. | 0:32:16 | 0:32:19 | |
Mr Nawaz has over 20 years' experience in the trade | 0:32:19 | 0:32:23 | |
and strong views about how things should be done. | 0:32:23 | 0:32:26 | |
There's loads of things what's missing, you know what I mean? | 0:32:26 | 0:32:29 | |
-Being frank with you... -That's another thing... | 0:32:29 | 0:32:31 | |
The flat freezers and everything, | 0:32:31 | 0:32:33 | |
-they put the meat, chicken, prawns... -That's another thing, | 0:32:33 | 0:32:37 | |
I'm still looking for the fridge and the tables and the chairs - | 0:32:37 | 0:32:40 | |
-as you noticed, they've still got to come. -Yeah. | 0:32:40 | 0:32:43 | |
You've done another mistake - | 0:32:43 | 0:32:44 | |
your kitchen should have been in the other room | 0:32:44 | 0:32:47 | |
and the other room should have been this side. | 0:32:47 | 0:32:49 | |
Yeah. Thanks. | 0:32:49 | 0:32:51 | |
Given her inexperience, I'm worried Nahida's dishes may get overlooked | 0:32:51 | 0:32:55 | |
in favour of the standard curry house fare | 0:32:55 | 0:32:58 | |
Mr Nawaz is used to cooking. | 0:32:58 | 0:33:00 | |
I'm doing the gravy now, the sauce and everything, | 0:33:00 | 0:33:02 | |
the proper way, how a proper restaurant does it. | 0:33:02 | 0:33:05 | |
And I will show them the lot. | 0:33:05 | 0:33:07 | |
At the end of the day, it's my bread and butter | 0:33:07 | 0:33:10 | |
and it's their bread and butter. | 0:33:10 | 0:33:12 | |
That's how I look at it. | 0:33:12 | 0:33:13 | |
He's confident. He knows what he's doing. | 0:33:14 | 0:33:17 | |
I think being in the position that I am... | 0:33:17 | 0:33:22 | |
I'm going to have to give him the chance to prove himself. | 0:33:22 | 0:33:25 | |
The closer Nahida gets to opening day, | 0:33:28 | 0:33:30 | |
the more disorganised she becomes. | 0:33:30 | 0:33:33 | |
The plan? There is no plan. | 0:33:34 | 0:33:36 | |
If there was a plan, I wouldn't be in this mess. | 0:33:36 | 0:33:39 | |
With just 24 hours to go, the building work is incomplete. | 0:33:41 | 0:33:45 | |
And Nahida is still hunting for furnishings. | 0:33:45 | 0:33:49 | |
Which ones are your cheapest? | 0:33:49 | 0:33:52 | |
These, here. | 0:33:52 | 0:33:53 | |
They're not very nice, are they? | 0:33:53 | 0:33:56 | |
There is a lot to do, not enough time, not enough hours. | 0:33:57 | 0:34:01 | |
A huge amount is now at stake. | 0:34:01 | 0:34:04 | |
Nahida's borrowing from her family has mounted steadily to £22,000 - | 0:34:04 | 0:34:08 | |
which is on top of the initial £20,000 | 0:34:08 | 0:34:12 | |
that she borrowed from the bank. | 0:34:12 | 0:34:14 | |
On top of that, she has running costs - | 0:34:14 | 0:34:16 | |
staff wages, stock, utilities and that huge rent. | 0:34:16 | 0:34:20 | |
I kind of get really nervous and... | 0:34:22 | 0:34:26 | |
happy, excited, but really scared as well. | 0:34:26 | 0:34:31 | |
Lots to do in the morning. Um... | 0:34:31 | 0:34:34 | |
To break even, let alone repay her debts, | 0:34:36 | 0:34:39 | |
she needs to bring in £500 a day. | 0:34:39 | 0:34:42 | |
In her words, 100 people walking through the door spending £5 each. | 0:34:42 | 0:34:47 | |
Tomorrow, she has to start making money. | 0:34:47 | 0:34:50 | |
I am scared. | 0:34:50 | 0:34:53 | |
Scared shitless. | 0:34:53 | 0:34:54 | |
9:00am, Monday morning. | 0:35:02 | 0:35:05 | |
It's opening day. | 0:35:06 | 0:35:08 | |
I'm very nervous about today, I've got to be honest. | 0:35:14 | 0:35:16 | |
The fact we're here, on opening day, is remarkable. | 0:35:16 | 0:35:20 | |
There's no question that this is a huge achievement. | 0:35:20 | 0:35:22 | |
But it's been troubling me for quite some time | 0:35:22 | 0:35:25 | |
that even if Nahida gets to opening day, | 0:35:25 | 0:35:27 | |
there's still so much about the business | 0:35:27 | 0:35:29 | |
that she's chosen to ignore. | 0:35:29 | 0:35:31 | |
I just really don't know which way it's going to go. | 0:35:31 | 0:35:34 | |
'The signs aren't great. | 0:35:34 | 0:35:36 | |
'Nahida is late, so I'm left waiting outside.' | 0:35:36 | 0:35:39 | |
I've been here for over an hour. | 0:35:45 | 0:35:48 | |
It's opening day. | 0:35:48 | 0:35:49 | |
There's still nobody here. | 0:35:49 | 0:35:52 | |
It's an hour and 20 minutes before they open to the public | 0:35:52 | 0:35:55 | |
and there's nobody on the premises. | 0:35:55 | 0:35:56 | |
This is the first day of business! | 0:35:56 | 0:35:59 | |
I would have been here at 6:00am with all my staff | 0:35:59 | 0:36:01 | |
if this were my restaurant. | 0:36:01 | 0:36:03 | |
It's inconceivable to me that Nahida and her team aren't here. | 0:36:03 | 0:36:07 | |
It really upsets me. | 0:36:07 | 0:36:09 | |
At last, there's some movement at the service entrance at the back. | 0:36:11 | 0:36:14 | |
-Hi. -Hi. -How are you? | 0:36:16 | 0:36:18 | |
-Are you well? -I'm well, thank you. How are you? | 0:36:18 | 0:36:21 | |
-Are you stressed? -Tired. | 0:36:21 | 0:36:24 | |
You're opening in an hour's time. | 0:36:24 | 0:36:26 | |
Yes. | 0:36:26 | 0:36:28 | |
Can I help with anything? | 0:36:28 | 0:36:30 | |
It turns out Nahida is late | 0:36:30 | 0:36:33 | |
because she was shopping for today's food supplies. | 0:36:33 | 0:36:36 | |
Not surprisingly, with everything so last minute, | 0:36:41 | 0:36:44 | |
it's chaos. | 0:36:44 | 0:36:46 | |
Nahida, more potatoes. | 0:36:48 | 0:36:50 | |
Oh, that bag can stay in the car. | 0:36:50 | 0:36:51 | |
What about these? | 0:36:51 | 0:36:52 | |
Thank you. Yes, these need to go... | 0:36:52 | 0:36:54 | |
'There is so much still to organise and absolutely no direction. | 0:36:54 | 0:36:58 | |
'Nahida needs to take charge. | 0:36:58 | 0:37:01 | |
'But she's in a panic.' | 0:37:01 | 0:37:03 | |
Nahida? | 0:37:03 | 0:37:04 | |
Yes? | 0:37:04 | 0:37:05 | |
-Who's running the show today? -No-one. | 0:37:05 | 0:37:07 | |
-No-one's running the show. -Everybody. | 0:37:07 | 0:37:09 | |
Everybody's running the show. | 0:37:09 | 0:37:11 | |
-We open in 50 minutes time. -Yeah. | 0:37:11 | 0:37:13 | |
I want to keep reminding you that it's quite close - | 0:37:13 | 0:37:16 | |
who, effectively, is going to be the manager of the restaurant today? | 0:37:16 | 0:37:19 | |
If there's a problem, who do I go to? | 0:37:19 | 0:37:20 | |
-I guess that's me. -It is you? -It's me. -OK. All right. | 0:37:20 | 0:37:23 | |
Nope. | 0:37:27 | 0:37:29 | |
'But just when I think I've got through to her, she vanishes.' | 0:37:29 | 0:37:33 | |
Nahida? | 0:37:33 | 0:37:35 | |
Where did Nahida go? | 0:37:37 | 0:37:39 | |
I can't find her. | 0:37:39 | 0:37:41 | |
We open in 36 minutes and Nahida is nowhere to be found. | 0:37:44 | 0:37:48 | |
We're looking for Nahida. | 0:37:51 | 0:37:53 | |
She's gone to the shop. | 0:37:53 | 0:37:55 | |
She's gone to the shop? | 0:37:55 | 0:37:56 | |
This is astonishing. | 0:37:57 | 0:37:59 | |
'But things get worse. | 0:38:00 | 0:38:02 | |
'In the rush to get the restaurant open, | 0:38:02 | 0:38:04 | |
'Nahida's building work hasn't yet been signed off by the council. | 0:38:04 | 0:38:08 | |
'And now the building control officer has just arrived.' | 0:38:09 | 0:38:13 | |
The building regs guy needs to sign the restaurant off | 0:38:13 | 0:38:16 | |
in order to open for business. | 0:38:16 | 0:38:18 | |
She's disappeared, the restaurant opens in 22 minutes. | 0:38:18 | 0:38:21 | |
And without his signature she can't open. | 0:38:21 | 0:38:24 | |
'This is a potential disaster. | 0:38:24 | 0:38:27 | |
'Nahida's lack of experience is really showing.' | 0:38:27 | 0:38:30 | |
You're not stressed, are you? | 0:38:30 | 0:38:32 | |
No. | 0:38:32 | 0:38:33 | |
Nahida? | 0:38:35 | 0:38:36 | |
You're there! | 0:38:36 | 0:38:38 | |
The, um... Where were you?! | 0:38:38 | 0:38:41 | |
We found her. | 0:38:41 | 0:38:43 | |
Sorry about the wait. | 0:38:43 | 0:38:44 | |
Do you want to go round to the front, shall we start there? | 0:38:44 | 0:38:47 | |
-Yeah, we'll start at the front. -Yeah? Give me your verdict. | 0:38:47 | 0:38:50 | |
The inspector has a list of 15 items to check | 0:38:51 | 0:38:54 | |
before he'll let Nahida open her doors. | 0:38:54 | 0:38:57 | |
-It's not coming in until after 12. -OK. -So, as soon as it's in, | 0:38:57 | 0:39:00 | |
I'll get it put on. | 0:39:00 | 0:39:02 | |
-Your call bell system's in place, as well. -Yeah. | 0:39:02 | 0:39:05 | |
Yeah, that's fine. | 0:39:05 | 0:39:07 | |
Seven minutes to opening. | 0:39:07 | 0:39:10 | |
The wait is agonising. | 0:39:10 | 0:39:11 | |
Yeah, fine. | 0:39:13 | 0:39:15 | |
'But at last...' | 0:39:15 | 0:39:16 | |
Good luck. | 0:39:16 | 0:39:17 | |
-Thank you. -Thank you! | 0:39:17 | 0:39:19 | |
'..there's good news.' | 0:39:19 | 0:39:20 | |
He's given you permission to open? | 0:39:20 | 0:39:22 | |
Yeah, he has. | 0:39:22 | 0:39:23 | |
And you are open. | 0:39:23 | 0:39:24 | |
'It's been a three-month slog.' | 0:39:32 | 0:39:34 | |
OK, everybody quiet, please. | 0:39:34 | 0:39:37 | |
'But Nahida's dream is finally coming true.' | 0:39:37 | 0:39:40 | |
Desi Fusion is now open for business. | 0:39:40 | 0:39:43 | |
CHEERING AND APPLAUSE | 0:39:43 | 0:39:44 | |
OK, everybody come in. | 0:39:47 | 0:39:49 | |
-Congratulations, Nahida. -Thank you. | 0:39:55 | 0:39:57 | |
-You've opened your restaurant! -Thank you. | 0:39:57 | 0:40:00 | |
It's great. | 0:40:00 | 0:40:01 | |
Are you feeling proud? | 0:40:01 | 0:40:03 | |
I am. I'm feeling very proud. | 0:40:03 | 0:40:05 | |
I've thought of this for a long time. | 0:40:06 | 0:40:08 | |
It's a big thing, isn't it? | 0:40:12 | 0:40:14 | |
-It's a big thing, my first time. -Huge thing. | 0:40:14 | 0:40:16 | |
-I think you've done amazingly well, Nahida. -Thank you. | 0:40:16 | 0:40:19 | |
This is an astonishing achievement. | 0:40:19 | 0:40:20 | |
I don't know, I don't seem to think that I've done that well... | 0:40:20 | 0:40:23 | |
I've got to be honest, there were times where I thought, | 0:40:23 | 0:40:26 | |
-"Is she going to do it?" -Yeah. | 0:40:26 | 0:40:27 | |
"Will we get to a point where we're looking at a restaurant | 0:40:27 | 0:40:30 | |
"that's open to the public?" And I've had my doubts. | 0:40:30 | 0:40:32 | |
But you've sort of proved me wrong, because you're open. | 0:40:32 | 0:40:35 | |
You've got a restaurant, and it's yours, | 0:40:35 | 0:40:38 | |
and it's because of you that it's open. | 0:40:38 | 0:40:41 | |
It is. It's open. | 0:40:41 | 0:40:42 | |
'Against the odds, Nahida and her children have created | 0:40:46 | 0:40:49 | |
'an orderly and functional dining room. | 0:40:49 | 0:40:52 | |
'They've added a homely corner at the back. | 0:40:52 | 0:40:56 | |
'I would like to have seen some more influences from the supper club - | 0:40:56 | 0:41:00 | |
'communal tables, plants, rugs, pictures | 0:41:00 | 0:41:03 | |
'would all have softened the look. | 0:41:03 | 0:41:05 | |
'But the menu really disappoints me.' | 0:41:05 | 0:41:08 | |
This is a standard high street Indian restaurant menu. | 0:41:08 | 0:41:13 | |
It's not the menu that Nahida described to me. | 0:41:13 | 0:41:17 | |
It's not the menu that we've looked at together. | 0:41:17 | 0:41:20 | |
It doesn't say Desi Fusion to me. | 0:41:20 | 0:41:23 | |
I would imagine that Nahida has ended up with this menu | 0:41:23 | 0:41:25 | |
because a competent chef has been hired | 0:41:25 | 0:41:29 | |
and has said, "This is what I do." | 0:41:29 | 0:41:31 | |
And Nahida has thought, "Well, if this guy is competent | 0:41:31 | 0:41:34 | |
"and he knows what he's doing, let him do it." | 0:41:34 | 0:41:37 | |
At the end of the day, the dishes are the same, mate. | 0:41:37 | 0:41:39 | |
So they're the same dishes, no matter which restaurant you go to? | 0:41:39 | 0:41:42 | |
-Whichever you go to. -Yeah. | 0:41:42 | 0:41:44 | |
And the menu you've put together for Nahida, is that the same? | 0:41:44 | 0:41:49 | |
Thank you. | 0:41:49 | 0:41:51 | |
-The usual suspects, the classics, is that right? -Yes, mate. | 0:41:51 | 0:41:55 | |
-Yep. -Yep. | 0:41:55 | 0:41:57 | |
'I had expected this kitchen | 0:41:57 | 0:41:59 | |
'to be producing Nahida's unique, home-style chickpea curry. | 0:41:59 | 0:42:03 | |
'Instead Mr Nawaz is turning out high street staples.' | 0:42:03 | 0:42:07 | |
You've got chicken tikka masala, fried rice and a chicken pakora. | 0:42:07 | 0:42:12 | |
'This is a tried and tested method, preparing a huge pot of curry gravy, | 0:42:12 | 0:42:16 | |
'which is used for the base of every curry they make. | 0:42:16 | 0:42:19 | |
'It keeps costs down, whilst still having a varied menu. | 0:42:21 | 0:42:24 | |
'But it risks making them indistinguishable | 0:42:24 | 0:42:27 | |
'from any of the other 50 curry houses in Coventry. | 0:42:27 | 0:42:31 | |
'Nahida has thrown away everything that made her restaurant | 0:42:31 | 0:42:34 | |
'different and special.' | 0:42:34 | 0:42:36 | |
It's coming up to 1:00, which is usually the busiest time for lunch service. | 0:42:37 | 0:42:42 | |
And...they've done OK so far. | 0:42:42 | 0:42:44 | |
Six customers, I think, I've counted. | 0:42:44 | 0:42:46 | |
It's very early in the day | 0:42:46 | 0:42:47 | |
to start saying, "Oh, my goodness, things aren't working." | 0:42:47 | 0:42:50 | |
But six covers in two hours is quite light. | 0:42:50 | 0:42:53 | |
'But as it gets later, my concern grows.' | 0:42:59 | 0:43:02 | |
The numbers have been very low today. | 0:43:05 | 0:43:08 | |
Probably around a dozen before 6:00, | 0:43:08 | 0:43:10 | |
and maybe another six or seven in the restaurant behind me now | 0:43:10 | 0:43:14 | |
and that's very worrying indeed. | 0:43:14 | 0:43:16 | |
A business like a restaurant needs bums on seats. | 0:43:16 | 0:43:18 | |
I haven't seen evidence of that yet. | 0:43:18 | 0:43:20 | |
I need to see this restaurant much, much busier, | 0:43:20 | 0:43:22 | |
and Nahida needs to see it busier, | 0:43:22 | 0:43:24 | |
because she hasn't really got that much time to play with. | 0:43:24 | 0:43:27 | |
'Trade doesn't pick up much. | 0:43:34 | 0:43:36 | |
'And Nahida needs to turn over £500 a day | 0:43:36 | 0:43:39 | |
'just to break even.' | 0:43:39 | 0:43:40 | |
So, our takings are 230 for today. | 0:43:42 | 0:43:45 | |
£230. | 0:43:45 | 0:43:47 | |
Cashing up, then I'm going to go home. | 0:43:51 | 0:43:53 | |
200... | 0:43:53 | 0:43:54 | |
I'm disappointed. | 0:43:54 | 0:43:56 | |
I really am. | 0:43:56 | 0:43:58 | |
I had hoped for 500. | 0:43:58 | 0:43:59 | |
At least. That was my minimum. | 0:44:00 | 0:44:02 | |
But...it didn't happen. | 0:44:04 | 0:44:08 | |
And things don't get better. | 0:44:10 | 0:44:13 | |
Day two - £170. | 0:44:13 | 0:44:17 | |
Day three - £85. | 0:44:19 | 0:44:23 | |
Day four - £40. | 0:44:24 | 0:44:27 | |
Starting a restaurant is costly, | 0:44:29 | 0:44:31 | |
but the daily running is a relentless drain | 0:44:31 | 0:44:34 | |
on funds, stock, rent, utilities. | 0:44:34 | 0:44:37 | |
Every day, the money you take has to cover these costs. | 0:44:37 | 0:44:41 | |
OK... | 0:44:41 | 0:44:42 | |
Nahida is simply not taking enough. | 0:44:42 | 0:44:46 | |
At the end of the first week, | 0:44:46 | 0:44:47 | |
I estimate that she has lost at least £1,500. | 0:44:47 | 0:44:52 | |
And that's on top of the £42,000 she already owes. | 0:44:52 | 0:44:57 | |
I'm scared now. Yeah. | 0:44:57 | 0:44:59 | |
I'm very scared. | 0:44:59 | 0:45:01 | |
What if we don't do very well? | 0:45:01 | 0:45:04 | |
How am I going to pay for all this now? | 0:45:04 | 0:45:08 | |
It's two weeks after opening day when I return to Desi Fusion. | 0:45:24 | 0:45:28 | |
I've really thought about how I can help Nahida. | 0:45:28 | 0:45:32 | |
This restaurant is surrounded by offices. | 0:45:32 | 0:45:34 | |
I want to tap into that lunchtime market, | 0:45:34 | 0:45:37 | |
and I've got a plan that I'm hoping will work. | 0:45:37 | 0:45:40 | |
It's really clear to me that Nahida's lost her way. | 0:45:41 | 0:45:44 | |
It's really obvious that this is a business that's in trouble. | 0:45:44 | 0:45:47 | |
But I'd like to help Nahida, | 0:45:47 | 0:45:49 | |
and I'd like to suggest to Nahida that we try something | 0:45:49 | 0:45:53 | |
that might get some customers in today, | 0:45:53 | 0:45:54 | |
and I'd like to suggest something that gets us back, I think, | 0:45:54 | 0:45:57 | |
to Nahida's original vision. | 0:45:57 | 0:46:00 | |
-Hello. -Hi. | 0:46:02 | 0:46:04 | |
-How are you? -I'm fine, thank you. How are you? | 0:46:04 | 0:46:07 | |
Very well, thank you. | 0:46:07 | 0:46:08 | |
'In an effort to drum up business, | 0:46:10 | 0:46:12 | |
'we're going to offer a lunchtime buffet, | 0:46:12 | 0:46:14 | |
'including some of Nahida's home-cooked recipes. | 0:46:14 | 0:46:17 | |
'With eight different dishes on offer | 0:46:18 | 0:46:20 | |
'and an-all-you-can-eat price of just £3.99, | 0:46:20 | 0:46:23 | |
'I'm really hoping to pull in the office workers | 0:46:23 | 0:46:26 | |
'and university students.' | 0:46:26 | 0:46:29 | |
So, lunchtime, you're short of time, | 0:46:29 | 0:46:32 | |
and a buffet is perfect, because the food is right there. | 0:46:32 | 0:46:35 | |
It's already there. | 0:46:35 | 0:46:36 | |
It's nice and hot, ready to go. | 0:46:36 | 0:46:37 | |
Can you be in and out, if you wanted to, in ten minutes? | 0:46:37 | 0:46:39 | |
Yeah, cos we're not just doing it that you have to eat in, | 0:46:39 | 0:46:42 | |
we're doing takeaway boxes as well. | 0:46:42 | 0:46:44 | |
'But nothing will happen unless we get the word out. | 0:46:44 | 0:46:47 | |
'Symha had promised me a whole crowd of family members | 0:46:47 | 0:46:50 | |
'to help me deliver leaflets. | 0:46:50 | 0:46:52 | |
'Now that it's crunch time, however, no-one's available.' | 0:46:52 | 0:46:55 | |
We need to spread the word. | 0:46:55 | 0:46:57 | |
Yeah. But because of the price, I think a lot of people will come, | 0:46:57 | 0:46:59 | |
-once they know... -You think they'll come in? | 0:46:59 | 0:47:01 | |
-But how will they know about it? -Yeah, I know. | 0:47:01 | 0:47:04 | |
We do need to get out there. | 0:47:04 | 0:47:05 | |
Russell wants someone to go with him to the university | 0:47:05 | 0:47:07 | |
to hand out leaflets for the buffet. | 0:47:07 | 0:47:10 | |
That's fine, you come when you can. | 0:47:10 | 0:47:12 | |
Symha, who are you calling now? | 0:47:12 | 0:47:14 | |
I'm just ringing my brother, to see how long he's going to be. | 0:47:14 | 0:47:16 | |
-OK. -And then he can go with you. He won't say no. He'll go with you. | 0:47:16 | 0:47:19 | |
It's just getting him here. | 0:47:19 | 0:47:21 | |
He might be driving, because he didn't pick up. | 0:47:21 | 0:47:24 | |
This is incredibly frustrating. | 0:47:24 | 0:47:25 | |
I just need somebody to come with me, | 0:47:25 | 0:47:27 | |
anybody to come with me to the university, | 0:47:27 | 0:47:30 | |
which is five minutes away, to hand out some leaflets | 0:47:30 | 0:47:33 | |
to drum up business for this event today and nobody can join me. | 0:47:33 | 0:47:37 | |
I wonder whether this comes from Nahida. | 0:47:37 | 0:47:41 | |
You know, Nahida does have, even today, to this day, | 0:47:41 | 0:47:46 | |
the attitude that, "Well, people will come. | 0:47:46 | 0:47:49 | |
"We've built this restaurant, and people will come." | 0:47:49 | 0:47:51 | |
They won't. And they're not. And I don't think they will. | 0:47:51 | 0:47:55 | |
Bye. | 0:47:55 | 0:47:56 | |
'At last, one member of the family does show up...' | 0:47:56 | 0:47:59 | |
Cavalry to the rescue. | 0:47:59 | 0:48:02 | |
'..and we head straight out | 0:48:02 | 0:48:03 | |
'to hit office workers and university students just before lunchtime.' | 0:48:03 | 0:48:08 | |
Can I interrupt you for a second? | 0:48:08 | 0:48:09 | |
Can I give you a leaflet for an all-you-can-eat buffet today? | 0:48:09 | 0:48:12 | |
All right, lads? We're doing a buffet today in the restaurant | 0:48:12 | 0:48:15 | |
from 12 to the end of the day. | 0:48:15 | 0:48:17 | |
'The best form of marketing | 0:48:17 | 0:48:18 | |
'is happy customers spreading the news by word of mouth. | 0:48:18 | 0:48:21 | |
'But that can't happen unless we get people through the door.' | 0:48:21 | 0:48:25 | |
All-you-can-eat today for 3.99. | 0:48:25 | 0:48:29 | |
-How is it 3.99? -Yeah... | 0:48:29 | 0:48:30 | |
It's just so cheap. Exactly. | 0:48:30 | 0:48:33 | |
'One hour on the ground, a few hundred leaflets...' | 0:48:33 | 0:48:37 | |
All-you-can-eat... | 0:48:38 | 0:48:40 | |
All-you-can-eat buffet? | 0:48:40 | 0:48:42 | |
All-you-can-eat buffet? | 0:48:42 | 0:48:43 | |
'And when we get back to Desi Fusion, | 0:48:45 | 0:48:47 | |
'it's already busier than I have ever seen it.' | 0:48:47 | 0:48:50 | |
So, a few people in? | 0:48:53 | 0:48:55 | |
We have, we've got some people in, yeah. | 0:48:55 | 0:48:56 | |
More than we normally get in at lunchtime, so... | 0:48:56 | 0:48:59 | |
-Is it? -Yes. -That's good. | 0:48:59 | 0:49:01 | |
'In fact, the buffet gives Desi Fusion its best day, | 0:49:01 | 0:49:05 | |
'with takings of £420. | 0:49:05 | 0:49:07 | |
'With a valid lunchtime offer, | 0:49:08 | 0:49:10 | |
'people are finally coming through the door. | 0:49:10 | 0:49:13 | |
'But it will need this sort of sustained effort | 0:49:13 | 0:49:16 | |
'to build up their customer base. | 0:49:16 | 0:49:18 | |
'So, a few days later, I'm really surprised to hear | 0:49:21 | 0:49:24 | |
'that Nahida hasn't continued with the lunch time buffet. | 0:49:24 | 0:49:27 | |
'Despite generating her best numbers yet, | 0:49:27 | 0:49:30 | |
'she feels the cost of hiring the heated buffet equipment | 0:49:30 | 0:49:33 | |
'is just one more expense. | 0:49:33 | 0:49:35 | |
'She also doesn't think that she's close enough to the university | 0:49:35 | 0:49:39 | |
'to be popular with students. | 0:49:39 | 0:49:42 | |
'I'm becoming increasingly concerned | 0:49:46 | 0:49:49 | |
'and want to hear if things are improving.' | 0:49:49 | 0:49:52 | |
Hi, Nahida? | 0:49:52 | 0:49:53 | |
It's Russell, how are you? | 0:49:53 | 0:49:55 | |
'I'm good, how are you?' | 0:49:55 | 0:49:56 | |
Very well, thank you. How are things up in Coventry? | 0:49:56 | 0:49:59 | |
Business is still bad. It's really bad. | 0:49:59 | 0:50:02 | |
-Really bad? -'Yeah.' | 0:50:02 | 0:50:05 | |
Can you tell me how bad? | 0:50:05 | 0:50:06 | |
-Today is the worst. -'What happened today?' | 0:50:06 | 0:50:09 | |
We've taken £3.49 so far. | 0:50:09 | 0:50:12 | |
It's the worst day. | 0:50:16 | 0:50:17 | |
'That's pretty bad.' | 0:50:17 | 0:50:18 | |
It's very bad. | 0:50:18 | 0:50:19 | |
I'm worried, Nahida, I've got to say. | 0:50:19 | 0:50:22 | |
-Your cash flow is dismal. -Mm. | 0:50:22 | 0:50:24 | |
-Your rent is due, I would have thought. -'Yeah, yeah.' | 0:50:24 | 0:50:27 | |
And not only that, I've got the council tax due as well. | 0:50:27 | 0:50:29 | |
Have you paid your staff yet? | 0:50:29 | 0:50:31 | |
No, I'm supposed to pay them at the end of the month. | 0:50:31 | 0:50:34 | |
-So, you've got a big bunch of bills... -'I know.' | 0:50:34 | 0:50:39 | |
-..that you haven't yet paid and no money coming in. -'No.' | 0:50:39 | 0:50:42 | |
Have you thought about what you're going to do, | 0:50:42 | 0:50:44 | |
and how you're going to make those payments? | 0:50:44 | 0:50:47 | |
'What can I do, Russell?' | 0:50:47 | 0:50:48 | |
My only other option is to lock the door and walk away, | 0:50:48 | 0:50:52 | |
sell everything I've put in there and salvage the machinery | 0:50:52 | 0:50:56 | |
and see what I can get for it, and pay my staff. | 0:50:56 | 0:50:59 | |
-'Have you thought about that?' -I have, yeah. | 0:50:59 | 0:51:02 | |
At one point in the build before you opened, | 0:51:02 | 0:51:06 | |
-you said to me that you wish you hadn't started. -Yeah. | 0:51:06 | 0:51:09 | |
But that you felt that you had to carry on | 0:51:11 | 0:51:13 | |
-and you had to see it through because you'd come this far. -Yeah. | 0:51:13 | 0:51:17 | |
How much longer do you think you're going to be able to say that? | 0:51:17 | 0:51:20 | |
'Don't know.' | 0:51:20 | 0:51:21 | |
I don't know. | 0:51:24 | 0:51:25 | |
-Another week or so. -'I...' | 0:51:28 | 0:51:29 | |
-Another week or so? -'Yeah.' | 0:51:29 | 0:51:31 | |
Is that in your mind as your cut-off point? | 0:51:31 | 0:51:34 | |
Maybe. | 0:51:34 | 0:51:36 | |
I think Nahida's been throwing good money after bad | 0:51:46 | 0:51:49 | |
for at least half the project so far. | 0:51:49 | 0:51:53 | |
She should cut her losses and she should shut the restaurant. | 0:51:54 | 0:51:58 | |
A restaurant taking £3.50 in a day is not a viable business. | 0:52:00 | 0:52:06 | |
There's no sense in carrying on. | 0:52:06 | 0:52:07 | |
I don't know what I was thinking. | 0:52:11 | 0:52:13 | |
I was thinking it was going to be the greatest thing that ever happened, | 0:52:13 | 0:52:16 | |
you know, my restaurant - the doors were going to open | 0:52:16 | 0:52:18 | |
and I was going to be swamped with customers. | 0:52:18 | 0:52:21 | |
It's like Russell said right at the beginning, | 0:52:26 | 0:52:28 | |
I didn't think it through, did I? Not properly. | 0:52:28 | 0:52:32 | |
Something I wanted to do and I just dived right in. | 0:52:32 | 0:52:34 | |
And I'm paying the price now. So... | 0:52:36 | 0:52:40 | |
Just frantically holding on...tight, trying not to let go. | 0:52:40 | 0:52:45 | |
With new restaurants three times more likely to go bust | 0:52:45 | 0:52:49 | |
than any other business, sadly Nahida has made the same mistakes | 0:52:49 | 0:52:52 | |
that many budding restaurateurs make. | 0:52:52 | 0:52:55 | |
Passion and a good idea are not enough to succeed | 0:52:55 | 0:52:58 | |
in this unforgiving business. | 0:52:58 | 0:53:00 | |
This has been a painful life lesson for Nahida. | 0:53:00 | 0:53:04 | |
I feel like I've let everybody down. | 0:53:04 | 0:53:06 | |
You know, I did this for my children. | 0:53:06 | 0:53:09 | |
It's two months since our phone call | 0:53:24 | 0:53:26 | |
and I don't know how she's done it, | 0:53:26 | 0:53:28 | |
but Nahida is still open. | 0:53:28 | 0:53:30 | |
She's had to borrow another £5,000 from the bank | 0:53:32 | 0:53:35 | |
and another £18,000 from her family. | 0:53:35 | 0:53:37 | |
But she's hired a new chef, | 0:53:37 | 0:53:39 | |
who is producing dishes more in keeping with her home-style cooking. | 0:53:39 | 0:53:44 | |
She has rejigged her opening times to help cut costs, | 0:53:44 | 0:53:47 | |
and she's tapping into the local theatre crowd | 0:53:47 | 0:53:50 | |
by doing direct marketing. | 0:53:50 | 0:53:52 | |
A feat of perseverance, if nothing else. | 0:53:52 | 0:53:55 | |
I kind of feel I'm here, | 0:53:56 | 0:53:57 | |
and I've got to try and do what I can while I can, to... | 0:53:57 | 0:54:02 | |
Not just for myself, but for my family as well. | 0:54:02 | 0:54:06 | |
'You have to admire Nahida's determination, | 0:54:06 | 0:54:08 | |
'but I'm worried she'll be throwing yet more money after the £68,000 | 0:54:08 | 0:54:12 | |
'she's sunk in so far. | 0:54:12 | 0:54:15 | |
'So I've come back one last time | 0:54:15 | 0:54:16 | |
'to see if we can salvage anything from the situation.' | 0:54:16 | 0:54:20 | |
There are two options open to Nahida - | 0:54:20 | 0:54:22 | |
she can continue to trade, continue to lose money | 0:54:22 | 0:54:25 | |
and wait for the landlord to come knocking | 0:54:25 | 0:54:28 | |
when a rent bill is not paid. | 0:54:28 | 0:54:30 | |
That way she will lose all of her money. | 0:54:30 | 0:54:32 | |
A better option for Nahida | 0:54:32 | 0:54:33 | |
would be to proactively seek the help of an agent | 0:54:33 | 0:54:36 | |
and see whether the business is marketable. | 0:54:36 | 0:54:38 | |
If she gets something for it, | 0:54:38 | 0:54:39 | |
at least she'd be able to make a dent in her debts. | 0:54:39 | 0:54:43 | |
'Martyn Hurdley is a business transfer agent. | 0:54:43 | 0:54:46 | |
'He specialises in buying and selling businesses. | 0:54:46 | 0:54:49 | |
'I want him to put a value on Nahida's restaurant, | 0:54:49 | 0:54:52 | |
'to see if there's any way out for her.' | 0:54:52 | 0:54:55 | |
-Nahida. -Hello, Russell. -This is Martyn. -Hello. | 0:54:55 | 0:54:58 | |
-Martyn, this is Nahida. -Hiya. -Nice to see you. | 0:54:58 | 0:55:01 | |
I've brought Martyn here today | 0:55:01 | 0:55:02 | |
-because he's a commercial property specialist. -OK. | 0:55:02 | 0:55:05 | |
He's going to have a chat with you and have a look around the business. | 0:55:05 | 0:55:09 | |
OK, that's nice. | 0:55:09 | 0:55:10 | |
The value of a restaurant business lies in three areas - | 0:55:12 | 0:55:15 | |
the lease, the fixtures and fittings and the goodwill. | 0:55:15 | 0:55:19 | |
Goodwill is the potential return trade | 0:55:19 | 0:55:21 | |
provided by a loyal customer base. | 0:55:21 | 0:55:24 | |
Desi Fusion just hasn't been open long enough to have generated any. | 0:55:24 | 0:55:28 | |
The lease has got some value - | 0:55:28 | 0:55:29 | |
it's got A3 and A5 hot food takeaway. | 0:55:29 | 0:55:33 | |
-Yeah. -That is getting more and more difficult now to obtain. | 0:55:33 | 0:55:36 | |
The infrastructure is here, isn't it? | 0:55:36 | 0:55:38 | |
The kitchen's there, the flue, the tables, chairs - | 0:55:38 | 0:55:41 | |
so, there is a value to it. | 0:55:41 | 0:55:42 | |
I normally ask at this stage, | 0:55:42 | 0:55:44 | |
how much did you spend on fitting it out? | 0:55:44 | 0:55:47 | |
Realistically, near £40,000. | 0:55:47 | 0:55:51 | |
-Really? -Yeah, yeah. | 0:55:51 | 0:55:52 | |
Well, that is going to be difficult, probably, to get your money back. | 0:55:52 | 0:55:57 | |
I wouldn't really put a value any more than £25,000 on it | 0:55:57 | 0:56:02 | |
as it is at the moment. | 0:56:02 | 0:56:04 | |
My concern, Nahida, is for the future. | 0:56:09 | 0:56:11 | |
I think I would like to advise you to think very carefully, | 0:56:12 | 0:56:18 | |
and think positively about Martyn's comments | 0:56:18 | 0:56:24 | |
-and perhaps put Desi Fusion on the market. -Yeah. | 0:56:24 | 0:56:26 | |
When you have that real offer in front of you, | 0:56:26 | 0:56:29 | |
-I think it might make things clearer for you. -Yeah. | 0:56:29 | 0:56:32 | |
And I think it might help you make the right decision. | 0:56:32 | 0:56:34 | |
To go forward, yeah. | 0:56:34 | 0:56:36 | |
-Would you do that? -I would. | 0:56:36 | 0:56:38 | |
If you had your time again, Nahida, what would you do differently? | 0:56:38 | 0:56:42 | |
I'd start off small. | 0:56:42 | 0:56:44 | |
I'd start something smaller and get people wanting the food first | 0:56:44 | 0:56:48 | |
and getting a taste for it. | 0:56:48 | 0:56:50 | |
What lessons have you learned through this process? | 0:56:50 | 0:56:52 | |
Going back to the beginning - everything you said, | 0:56:52 | 0:56:55 | |
-do my homework, do my business plan. -So, if you had your time again, | 0:56:55 | 0:56:58 | |
-you would do all those things? -I would do all those things. | 0:56:58 | 0:57:01 | |
Nahida, I don't think I've ever met anybody quite like you. | 0:57:01 | 0:57:04 | |
It's been an absolute pleasure. | 0:57:04 | 0:57:06 | |
I feel a huge amount of affection for you and your family. | 0:57:06 | 0:57:09 | |
Thank you. | 0:57:09 | 0:57:10 | |
-And I do appreciate all your advice. -Not at all. | 0:57:10 | 0:57:12 | |
Everything that you've helped us through. | 0:57:12 | 0:57:14 | |
You have done a lot, | 0:57:14 | 0:57:15 | |
and I know I have made all the decisions myself, and everything. | 0:57:15 | 0:57:18 | |
-Sometimes the wrong ones. -Yeah, well, we learn from those, | 0:57:18 | 0:57:21 | |
and hopefully I've learnt a big lesson. | 0:57:21 | 0:57:23 | |
You know, it's incredibly sad when a business fails | 0:57:34 | 0:57:36 | |
and I'm particularly saddened that this one is failing. | 0:57:36 | 0:57:40 | |
I have such a great deal of affection for Nahida, | 0:57:40 | 0:57:43 | |
and I loved her vision when she described it to me | 0:57:43 | 0:57:45 | |
all those months ago. | 0:57:45 | 0:57:47 | |
If there's a lesson to be learned here, | 0:57:47 | 0:57:49 | |
it's that you need an absolutely solid set of financial plans | 0:57:49 | 0:57:52 | |
when opening a restaurant, and you need to stick to your vision. | 0:57:52 | 0:57:55 | |
'Next time, I'll be helping Kate turn her rural home into a cafe.' | 0:58:14 | 0:58:19 | |
People will come in through the front door, into here. | 0:58:19 | 0:58:21 | |
BABY CRIES Sorry. | 0:58:21 | 0:58:23 | |
'But will family life suffer when she employs her little sister?' | 0:58:23 | 0:58:27 | |
She can be a bit of a control freak. | 0:58:27 | 0:58:28 | |
She freely admits that. | 0:58:28 | 0:58:30 | |
'With no restaurant experience, can she cope with the pressure?' | 0:58:30 | 0:58:33 | |
Oh, my goodness me! | 0:58:33 | 0:58:35 | |
'And will there be any customers?' | 0:58:35 | 0:58:37 | |
It's 10:30, and I haven't seen a single person. | 0:58:37 | 0:58:40 | |
# Don't stop, no, I'll never give up | 0:58:42 | 0:58:43 | |
# And I'll never look back Just hold your head up | 0:58:43 | 0:58:46 | |
# And if it gets rough it's time to get rough | 0:58:46 | 0:58:48 | |
# They keep saying | 0:58:49 | 0:58:50 | |
# Don't stop, no-one's ever enough | 0:58:50 | 0:58:52 | |
# I'll never look back, never give up | 0:58:52 | 0:58:54 | |
# And if it gets rough it's time to get rough | 0:58:54 | 0:58:57 | |
# But now I'm falling falling, falling | 0:58:57 | 0:59:00 | |
# Falling, falling, falling | 0:59:00 | 0:59:03 | |
# Falling, falling falling, falling, falling, oh | 0:59:03 | 0:59:07 | |
# Now we're going down... # | 0:59:07 | 0:59:09 |