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'I am Antonio Carluccio. Food is my life.' | 0:00:02 | 0:00:09 | |
-This is almost a religious act. -Yes. | 0:00:10 | 0:00:13 | |
Hallelujah. Why I'm cooking so good? | 0:00:13 | 0:00:19 | |
'And I am Gennaro Contaldo.' | 0:00:19 | 0:00:21 | |
I just can't believe it. | 0:00:22 | 0:00:26 | |
'I too am devoted to food. | 0:00:26 | 0:00:28 | |
'For years I was Antonio's assistant.' | 0:00:28 | 0:00:32 | |
-Just a minute. -Do you want to cook it? | 0:00:32 | 0:00:35 | |
-No, no, no. It's all in a lump there. -OK. Now, he's my best friend. | 0:00:35 | 0:00:41 | |
Italia! | 0:00:43 | 0:00:46 | |
'It has been nearly 50 years since we lived in Italy.' | 0:00:46 | 0:00:50 | |
-Beautiful. -Wow! | 0:00:50 | 0:00:54 | |
'We have come back to see if we still have a taste for the old country.' | 0:00:54 | 0:00:59 | |
-OK. -The freshest butter ever. | 0:00:59 | 0:01:04 | |
'When we were young, looking your best was everything.' | 0:01:04 | 0:01:08 | |
My God, Charlton Heston. I look like him. | 0:01:08 | 0:01:13 | |
'For us, it was all about taking pride in everything you did.' | 0:01:13 | 0:01:18 | |
This is real food. | 0:01:18 | 0:01:20 | |
'What you English might call showing off, | 0:01:20 | 0:01:23 | |
'we Italians called la bella figura.' | 0:01:23 | 0:01:26 | |
This is the first act. | 0:01:28 | 0:01:30 | |
'We want to know if la bella figura is still important in Italy.' | 0:01:30 | 0:01:35 | |
You make the olives, wow! | 0:01:35 | 0:01:38 | |
'Where better to find out than on the Italian Riviera.' | 0:01:38 | 0:01:42 | |
Bellissima! What a catch! | 0:01:42 | 0:01:46 | |
-There's one! -Where? -There. | 0:01:46 | 0:01:49 | |
Go there! 'We are on a voyage of discovery. | 0:01:49 | 0:01:53 | |
'But keeping up appearances won't be easy with Gennaro in tow.' | 0:01:53 | 0:01:59 | |
Don't look at me. | 0:01:59 | 0:02:01 | |
'But don't worry.' | 0:02:01 | 0:02:03 | |
Ah! | 0:02:03 | 0:02:05 | |
'It will be fantastic just as long as there is plenty to eat.' | 0:02:05 | 0:02:08 | |
Lovely. | 0:02:08 | 0:02:10 | |
BOTH: Mmmm. | 0:02:10 | 0:02:13 | |
'The Italian Riviera on the Ligurian Sea | 0:02:26 | 0:02:28 | |
'is where our countrymen have always come to show themselves off.' | 0:02:28 | 0:02:33 | |
Finally the sea, Gennaro. | 0:02:33 | 0:02:35 | |
It is beautiful. Look how many yacht, Antonio. | 0:02:35 | 0:02:38 | |
'As a young sailor, the Riviera was my hunting ground.' | 0:02:38 | 0:02:42 | |
Give me a bit of water. | 0:02:42 | 0:02:43 | |
-I remember I had white shoes. -Some bella figura you was then. | 0:02:43 | 0:02:48 | |
White leather shoes, Gennaro. White trousers. | 0:02:48 | 0:02:51 | |
They were very, very stylish. | 0:02:51 | 0:02:53 | |
Ultimately, it was obviously to get some company. | 0:02:53 | 0:02:58 | |
-Are you cold? -No, I want to look nice. | 0:03:01 | 0:03:03 | |
'Liguria is one of the smallest of Italy's 20 regions. | 0:03:05 | 0:03:09 | |
'Here, there is just mare e monti, sea and mountain. | 0:03:09 | 0:03:12 | |
'In between the two, the famous Riviera. | 0:03:14 | 0:03:17 | |
'If you could afford it, the ultimate place to be seen | 0:03:20 | 0:03:23 | |
'was the little paradise called Portofino. | 0:03:23 | 0:03:28 | |
'Once a humble fishing village, | 0:03:28 | 0:03:31 | |
'nowadays you are as likely to see a fisherman | 0:03:31 | 0:03:35 | |
'as you are to bump into Signori Dolce e Gabanna, Pirelli or Berlusconi. | 0:03:35 | 0:03:40 | |
'If you got it, this is the place to show it off.' | 0:03:40 | 0:03:44 | |
-Gennaro. -I can't believe it. | 0:03:44 | 0:03:47 | |
Just straighten up myself. | 0:03:47 | 0:03:49 | |
-Do this one. Make my hair beautiful. -Yeah, yeah, yeah. | 0:03:49 | 0:03:53 | |
-Bella figura, Antonio. -You are beautiful. | 0:03:53 | 0:03:55 | |
'The Hollywood movie stars | 0:03:55 | 0:03:58 | |
'who made Portofino famous in the 1950s stayed here, | 0:03:58 | 0:04:02 | |
'the Hotel Splendido.' | 0:04:02 | 0:04:04 | |
My God, Charlton Heston. | 0:04:04 | 0:04:07 | |
I look like him a bit. My hero. | 0:04:07 | 0:04:12 | |
'It's just the thing to have a famous name or even better, a title.' | 0:04:12 | 0:04:19 | |
Buongiorno! Good morning. | 0:04:19 | 0:04:21 | |
-Buongiorno. -How are you? Very welcome to the Hotel Splendido. | 0:04:21 | 0:04:25 | |
-May I invite you please to sign our book. -Pleasure, pleasure. | 0:04:25 | 0:04:30 | |
It's full of history. Please, Mr Commendatore. | 0:04:30 | 0:04:33 | |
My goodness. | 0:04:33 | 0:04:35 | |
It's just like being a commander of the British Empire, | 0:04:35 | 0:04:39 | |
although in Britain I am just a humble OBE. | 0:04:39 | 0:04:42 | |
Would you be so kind as to sign our golden book? | 0:04:42 | 0:04:44 | |
This is really full of history. | 0:04:44 | 0:04:46 | |
-The first page. -Wow! | 0:04:46 | 0:04:49 | |
-The Duke of Windsor. -Wallis Windsor. -Exactly. | 0:04:49 | 0:04:52 | |
-May I ask you kindly please to sign as well? -Me? | 0:04:52 | 0:04:54 | |
-Please. We would be delighted. -It would be an honour. | 0:04:54 | 0:04:58 | |
Thank you very much. Please. | 0:04:58 | 0:05:02 | |
-May we invite you to sign this? -How did you get the picture? | 0:05:02 | 0:05:06 | |
-That is a secret. -That's interesting. | 0:05:06 | 0:05:09 | |
-Thank you. -Thank you. | 0:05:09 | 0:05:13 | |
'You know why Antonio was given this great honour? | 0:05:13 | 0:05:16 | |
'Just being a greedy Italian.' | 0:05:16 | 0:05:19 | |
'Here in Portofino, having a title brings rewards. | 0:05:21 | 0:05:25 | |
'A room with a view.' | 0:05:25 | 0:05:27 | |
This is Portofino, Gennaro. | 0:05:27 | 0:05:29 | |
I should think so. Portofino with a commendatore. | 0:05:29 | 0:05:33 | |
They've given you something nice. | 0:05:33 | 0:05:35 | |
That is pretty obvious and it's also well deserved. | 0:05:35 | 0:05:38 | |
-Tell me something. -Yes. | 0:05:38 | 0:05:40 | |
You loved it when he called you commendatore. | 0:05:40 | 0:05:43 | |
-And you just forgot me. You just forgot me for 20 minutes. -Yes. | 0:05:43 | 0:05:48 | |
Can you sign the gold book? | 0:05:48 | 0:05:50 | |
Of course I can sign the book. You didn't even go like that to look. | 0:05:50 | 0:05:54 | |
-Listen, it's 30 years that I pay attention to you. -Yeah. | 0:05:54 | 0:05:58 | |
May I leave you for ten minutes by yourself? | 0:05:58 | 0:06:00 | |
-But it was 20 minutes. -20 minutes. There's 20 minutes off 30 years. | 0:06:00 | 0:06:04 | |
-Because I'm a commendatore, Antonio Carluccio. -This is in your brain. | 0:06:04 | 0:06:09 | |
'Maybe Antonio can be a commendatore, but I'm younger and better looking. | 0:06:09 | 0:06:14 | |
'Time to go it alone, but I'm starving. | 0:06:14 | 0:06:19 | |
'Even the fish in Portofino, they're showing off. | 0:06:29 | 0:06:33 | |
'Look at them jumping up. | 0:06:33 | 0:06:34 | |
'I'm going to do you with a tomato. Little basil. | 0:06:34 | 0:06:38 | |
'Where's the frying pan?' | 0:06:38 | 0:06:41 | |
What a catch! | 0:06:41 | 0:06:43 | |
Bellissima! | 0:06:43 | 0:06:45 | |
'A lot of fish in the sea, but I'm more interested in the one I can eat.' | 0:06:45 | 0:06:51 | |
'I prefer to let the hotel chef do all the work. | 0:06:54 | 0:07:00 | |
This is the typical bella figura, that the chef wants to make | 0:07:07 | 0:07:11 | |
in front of poncy people that live here. | 0:07:11 | 0:07:16 | |
Here we have Armani there. We have Agnelli there. | 0:07:16 | 0:07:19 | |
They're all here and in the hotel, they are coming for that. | 0:07:19 | 0:07:25 | |
He prepares wonderful things. | 0:07:25 | 0:07:27 | |
I'm really curious to see what he does. | 0:07:27 | 0:07:30 | |
'But not everybody can afford to go to the Hotel Splendido to eat.' | 0:07:31 | 0:07:36 | |
-From Italia? -Si! | 0:07:38 | 0:07:40 | |
-Si mangia bene? -Eccellente. | 0:07:41 | 0:07:42 | |
-What to eat? Something like fish? -Fish. You can choose everything. | 0:07:42 | 0:07:46 | |
Comes from Italy frozen or China frozen or whatever. | 0:07:46 | 0:07:50 | |
Yeah, but why you should give them frozen fish? | 0:07:50 | 0:07:53 | |
Tell me something, down in Portofino the people used to come out, | 0:07:53 | 0:07:58 | |
first because they have to be bella figura. | 0:07:58 | 0:08:00 | |
I've got a lovely boat in Portofino, I can go fishing in Portofino, | 0:08:00 | 0:08:04 | |
I dress smart in Portofino, | 0:08:04 | 0:08:06 | |
I'm eating in a beautiful restaurant in Portofino | 0:08:06 | 0:08:09 | |
where they serve this fantastic fresh fish. | 0:08:09 | 0:08:12 | |
Do you think we lost this kind of bella figura | 0:08:12 | 0:08:15 | |
now that work's inside the restaurant? | 0:08:15 | 0:08:17 | |
What you got to eat? | 0:08:17 | 0:08:19 | |
It doesn't matter where the fish comes from. | 0:08:19 | 0:08:21 | |
They don't care, they don't have to do bella figura. What's happened now? | 0:08:21 | 0:08:24 | |
-It's changed? -Look at here. | 0:08:24 | 0:08:28 | |
When I start to work 23 years ago, | 0:08:28 | 0:08:31 | |
nobody arrives in this way in Portofino. | 0:08:31 | 0:08:34 | |
A lot of people arrive to say hi, I have been in Portofino, | 0:08:34 | 0:08:39 | |
and I take a picture. | 0:08:39 | 0:08:41 | |
It's difficult to explain fresh fish, explain everything. | 0:08:41 | 0:08:47 | |
Only things they are interested in is to pay. | 0:08:47 | 0:08:51 | |
Yeah, very cheap price. | 0:08:51 | 0:08:52 | |
'Frozen fish in Portofino! Not what I was expecting.' | 0:08:53 | 0:08:58 | |
'And it's not what I am eating.' | 0:08:59 | 0:09:01 | |
Ecco, Corrado. Magnifico. Cos'e, questo? Come si chiama? | 0:09:01 | 0:09:05 | |
Sono un filettino di triglia con vere olive taggiasche. E della melanzana sotto... | 0:09:05 | 0:09:09 | |
Delighful! | 0:09:09 | 0:09:11 | |
This is fillet of red mullet with taggiasca olives, | 0:09:11 | 0:09:14 | |
they are the olives that they grow here in Liguria and aubergine. | 0:09:14 | 0:09:20 | |
Mmm. Delizioso. | 0:09:25 | 0:09:27 | |
A wonderful composition because the little mint in between | 0:09:27 | 0:09:32 | |
makes it all, and this the wasp that wanted to share something with me. | 0:09:32 | 0:09:37 | |
'It's still possible to show off your status in Portofino. | 0:09:38 | 0:09:42 | |
'You can spend 4,500 euros a night for a room with a sea view, | 0:09:42 | 0:09:47 | |
'but for me, it's too ostentatious.' | 0:09:47 | 0:09:51 | |
'Where is the passion for the ingredients? | 0:09:51 | 0:09:53 | |
'The pride in their food?' | 0:09:53 | 0:09:57 | |
'Have Italians forgotten that there's more to la bella figura | 0:09:59 | 0:10:02 | |
'than simply showing off? | 0:10:02 | 0:10:05 | |
'It was always about making the best of yourself and what you have got. | 0:10:05 | 0:10:10 | |
'One thing they have got a lot of here in Liguria is olives.' | 0:10:10 | 0:10:15 | |
Do you see the colour of the tree? | 0:10:15 | 0:10:17 | |
The grey green from up there. That's all olives. | 0:10:17 | 0:10:21 | |
Now you can imagine going to all those terraces to collect the olives. | 0:10:21 | 0:10:27 | |
That's quite a major job. | 0:10:27 | 0:10:29 | |
'The taggiasca olives that grow up here are extremely hardy | 0:10:33 | 0:10:37 | |
'and famous all over Italy.' | 0:10:37 | 0:10:41 | |
-Olives, look Antonio. This is food. -Those are green olives. | 0:10:41 | 0:10:46 | |
I would love it if he ate this, it's so bitter, yuk! | 0:10:51 | 0:10:56 | |
Taste it, tell me if it is good. | 0:10:56 | 0:10:58 | |
-I am not tasting it. Don't be so stupid. -I'm not, just in case. | 0:10:58 | 0:11:02 | |
No, no, because they are very bitter. They are very bitter. | 0:11:02 | 0:11:05 | |
You are really very silly. | 0:11:05 | 0:11:07 | |
The bitter fruit is not for eating raw, it is for olive oil. | 0:11:07 | 0:11:12 | |
Oil like you wouldn't believe. We came here for something very special. | 0:11:12 | 0:11:17 | |
The most important thing of the oil is the colour and the transparency. | 0:11:17 | 0:11:22 | |
Here, you can see the colour and the path. | 0:11:22 | 0:11:27 | |
-A-ha! -Drink it. | 0:11:27 | 0:11:32 | |
You don't drink it like that! That's lovely. | 0:11:32 | 0:11:37 | |
That is almost like a tea ceremony in Japan. | 0:11:37 | 0:11:42 | |
Don't wipe your hands on my jacket. | 0:11:42 | 0:11:44 | |
'Every region of Italy thinks its olive oil is the best. | 0:11:44 | 0:11:48 | |
'These Ligurians believe to catch a customer, | 0:11:48 | 0:11:51 | |
'you must first catch his eyes.' | 0:11:51 | 0:11:54 | |
-This is the shape of the olive. -Yes. | 0:11:54 | 0:11:56 | |
-And this is the shape of the leaf. -Oh yes, you are right. | 0:11:56 | 0:12:00 | |
This one. Is it expensive? | 0:12:08 | 0:12:12 | |
Is it expensive. 70 euros. | 0:12:12 | 0:12:15 | |
-And this, what is this here? -This is a very special package. | 0:12:15 | 0:12:20 | |
'Each bottle even comes in a stone box made from the same rock | 0:12:20 | 0:12:25 | |
'that's found in the ground where the olive trees grow.' | 0:12:25 | 0:12:28 | |
Yes, it is similar to doing like this. | 0:12:28 | 0:12:31 | |
It's a very good olive oil put in a special packaging. | 0:12:31 | 0:12:36 | |
In a way you glorify the olives. You make the olives wow! | 0:12:36 | 0:12:42 | |
Tell me something, if I have to buy a bottle of olive oil from you, | 0:12:42 | 0:12:45 | |
something like that, how much roughly would it cost me? | 0:12:45 | 0:12:49 | |
Oh, it costs 50 euro. | 0:12:49 | 0:12:52 | |
And how long one has to wait to have something like this? | 0:12:52 | 0:12:55 | |
Er, you have to book er, one year before, yes. | 0:12:55 | 0:12:59 | |
-One year? -One year. -Grazie. | 0:12:59 | 0:13:03 | |
Thank you very much. | 0:13:03 | 0:13:04 | |
'50 euros for half a litre. This bella figura has gone too far.' | 0:13:08 | 0:13:12 | |
'I still haven't had any fresh fish. | 0:13:20 | 0:13:23 | |
'I'm going to get some, even if I have to catch it myself.' | 0:13:23 | 0:13:26 | |
'My sailing days are over. | 0:13:30 | 0:13:33 | |
'I'll leave it to Gennaro to make bella figura with those fisherman.' | 0:13:33 | 0:13:36 | |
I love you. You are great friend. | 0:13:36 | 0:13:40 | |
-Yeah, I know you've got bottle of wine there. -Yes. | 0:13:40 | 0:13:44 | |
On the way back I'll bring us some anchovies. | 0:13:44 | 0:13:47 | |
I'm going to miss you. | 0:13:50 | 0:13:54 | |
Fishing for anchovies, this time of the night, this is my life. | 0:13:56 | 0:14:01 | |
I've always been a fish man and now I am for real. | 0:14:01 | 0:14:05 | |
This is hard work. | 0:14:14 | 0:14:16 | |
'Even at sea at night, we look the part and we dress the best.' | 0:14:16 | 0:14:20 | |
Incredible! I can't believe it. There's so much. Can you see? | 0:14:30 | 0:14:35 | |
And I'm helping it. | 0:14:35 | 0:14:38 | |
I just can't believe it. | 0:14:49 | 0:14:51 | |
'You know what? I still got it!' | 0:14:53 | 0:14:56 | |
'Gennaro always has been the performer. | 0:15:05 | 0:15:08 | |
'It's the bella figura of a young man.' | 0:15:08 | 0:15:12 | |
I discovered that in getting old, older, you are just content | 0:15:16 | 0:15:21 | |
and happy to be who you are, so you don't need to show off. | 0:15:21 | 0:15:27 | |
-Have you seen my anchovies? -The anchovies, they're perfect. | 0:15:35 | 0:15:38 | |
I just love it. What a great fish man I am. | 0:15:38 | 0:15:41 | |
-What do you think? -That's fantastic. | 0:15:41 | 0:15:44 | |
They are fresh, they are nice. Now this recipe is extremely simple. | 0:15:44 | 0:15:48 | |
First of all, you have to find those mullets. | 0:15:48 | 0:15:52 | |
Short little ones, they are tender and nice. | 0:15:52 | 0:15:55 | |
They're called Triglie alla Genovese. | 0:15:55 | 0:15:59 | |
In Genoa, they like to do this, you know, and they unite two things. | 0:15:59 | 0:16:03 | |
Fish of the sea, but also one product from the mountains | 0:16:03 | 0:16:07 | |
which is the porcino and the combination is mind blowing. | 0:16:07 | 0:16:11 | |
-Yes, this one. -Dry one. -Smell, smell. | 0:16:12 | 0:16:17 | |
-Wow! -Wow! -Lovely. | 0:16:17 | 0:16:19 | |
Now I need good olive oil in this pan. | 0:16:19 | 0:16:22 | |
A little bit more, little bit more, little bit more. | 0:16:22 | 0:16:25 | |
-More. -More and more. That's enough. | 0:16:25 | 0:16:27 | |
First of all, they are coming into flour and you do like this. | 0:16:27 | 0:16:34 | |
-Another one. -And do you know why I do this, in flour? -Why, tell me? | 0:16:34 | 0:16:39 | |
The flour sticking on the fish is absorbing more sauce later, | 0:16:39 | 0:16:46 | |
so now I shake off the superfluous flour, | 0:16:46 | 0:16:52 | |
yes and then one by one. | 0:16:52 | 0:16:55 | |
-Yes. -Yes. | 0:16:55 | 0:16:59 | |
-Lovely. -Yeah. -Look at this. | 0:16:59 | 0:17:02 | |
And now they become slightly brown on each side. | 0:17:02 | 0:17:07 | |
I use good olive oil for this | 0:17:07 | 0:17:09 | |
because it gives a lot of flavour and we are in Liguria here, | 0:17:09 | 0:17:16 | |
plenty of olive oil. Perfect. Look at this. | 0:17:16 | 0:17:20 | |
-At one time Gennaro... -Mmm hmm. | 0:17:20 | 0:17:22 | |
..I was eating in a harbour, 20 of those and I was taking one by one | 0:17:22 | 0:17:27 | |
and nibbling vah vah vah. | 0:17:27 | 0:17:31 | |
-And the other side, vah vah vah. -Vah vah vah. | 0:17:31 | 0:17:34 | |
And just like playing mouth harmonica. | 0:17:34 | 0:17:37 | |
You were playing zrrrr shhhh zrrr shhhh. | 0:17:37 | 0:17:41 | |
-No, you do that noise. I didn't. -All right. | 0:17:41 | 0:17:45 | |
So we can now take them out and put them here. | 0:17:45 | 0:17:51 | |
They are already edible as they are. So now give me the onions, please. | 0:17:51 | 0:17:56 | |
Yes! And can you give me also the chopped garlic. | 0:17:58 | 0:18:04 | |
-Put it in. Put it in. Well done. -What shall I do with this? | 0:18:04 | 0:18:09 | |
-Now get the porcini. Can you chop them finely? -All? -Yes. | 0:18:09 | 0:18:13 | |
The dried porcini you showed me before, | 0:18:13 | 0:18:17 | |
-they are soaked in warm water for about 20 minutes, half an hour? -Yeah. | 0:18:17 | 0:18:22 | |
The red mullet, Genovese style, | 0:18:22 | 0:18:25 | |
it's because Liguria has the mountain in the back | 0:18:25 | 0:18:28 | |
and the sea in the front. | 0:18:28 | 0:18:31 | |
So we have the triglie | 0:18:31 | 0:18:33 | |
and we have mushrooms from the hills and olive oil. | 0:18:33 | 0:18:36 | |
Put in, put in, put in. | 0:18:36 | 0:18:37 | |
-Mare e monti. -Yeah, mare e monti, | 0:18:37 | 0:18:39 | |
and this gives a really wonderful flavour. | 0:18:39 | 0:18:43 | |
Now the other ingredient is anchovy. | 0:18:43 | 0:18:47 | |
This dish is simplicity in itself. | 0:18:47 | 0:18:51 | |
Wonderful. Can I have the tomatoes now? | 0:18:51 | 0:18:56 | |
I give you that honour. Lovely. | 0:18:56 | 0:18:59 | |
Oh, look at this. Mmmmmmm. | 0:18:59 | 0:19:03 | |
-Any stock, any water? -No, a bit of water, actually. | 0:19:03 | 0:19:07 | |
Off. | 0:19:07 | 0:19:10 | |
The last item I need is a little bit of chopped parsley. | 0:19:10 | 0:19:15 | |
-You can chop, you know. -I know. | 0:19:17 | 0:19:19 | |
Put it in. Yes. So now the sauce is complete. | 0:19:19 | 0:19:25 | |
One. | 0:19:25 | 0:19:27 | |
-Can't wait to eat it. -Six. | 0:19:27 | 0:19:31 | |
Put the potatoes here. Yes. | 0:19:31 | 0:19:33 | |
I also made a lovely potato mash. | 0:19:33 | 0:19:38 | |
The best tip to make a wonderful potato puree | 0:19:38 | 0:19:42 | |
is to choose very floury potatoes, a little bit of nutmeg. | 0:19:42 | 0:19:46 | |
Good, enough. Thank you. | 0:19:48 | 0:19:52 | |
-I love it when you say thank you. -Well, I am a gentleman. | 0:19:52 | 0:19:56 | |
-Yeah, the first time. Salt. -Wonderful. | 0:19:56 | 0:20:00 | |
And the potato's ready. | 0:20:00 | 0:20:04 | |
Oh, that's wonderful. Look at this. | 0:20:04 | 0:20:09 | |
Gennaro, this is a piece for you. | 0:20:09 | 0:20:14 | |
-Can't wait to eat it. -Wonderful. | 0:20:16 | 0:20:21 | |
-It's all for you. -For me, it's... | 0:20:21 | 0:20:24 | |
Yes, it's just for you. | 0:20:24 | 0:20:26 | |
-Ah, for me as well? -OK. Shall we? | 0:20:26 | 0:20:28 | |
Does it look good for you, Gennaro? | 0:20:28 | 0:20:30 | |
Just a minute. Let's have a look. | 0:20:30 | 0:20:34 | |
BOTH: Mmm-mmm-mmm-mmm-mmm! | 0:20:34 | 0:20:38 | |
That's really wonderful. | 0:20:38 | 0:20:41 | |
My goodness, that's good. | 0:20:43 | 0:20:46 | |
Mmm. | 0:20:46 | 0:20:50 | |
Wonderful. | 0:20:52 | 0:20:53 | |
-You know what is needed here? -What's needed? | 0:20:53 | 0:20:56 | |
A nice glass of wine. | 0:20:56 | 0:20:59 | |
'From posh Portofino to expensive olive oil, | 0:21:01 | 0:21:05 | |
'the bella figura we have found so far | 0:21:05 | 0:21:09 | |
'has only been about showing off with money or for money. | 0:21:09 | 0:21:14 | |
'But in our day, no matter how little you had, | 0:21:14 | 0:21:16 | |
'you could still put on a beautiful show. | 0:21:16 | 0:21:20 | |
'In the simple mountain village of Mendatica, | 0:21:20 | 0:21:24 | |
'some old traditions are kept alive at an annual festival.' | 0:21:24 | 0:21:28 | |
The real Liguria is here, up in the mountains. | 0:21:28 | 0:21:31 | |
'A local shepherd is making an unusual fuss over his flock. | 0:21:31 | 0:21:35 | |
'In celebration of transumanza, | 0:21:39 | 0:21:42 | |
'the migration of the flocks from the highlands to the lowlands for winter, | 0:21:42 | 0:21:47 | |
'the whole village dresses up. | 0:21:47 | 0:21:50 | |
'Young and old alike all making the best of themselves.' | 0:21:52 | 0:21:57 | |
Have a look at the small children. Bravo, bravo. | 0:21:57 | 0:22:01 | |
Bravo! Bravo! | 0:22:01 | 0:22:04 | |
APPLAUSE | 0:22:04 | 0:22:05 | |
'Everybody really participate with a lot of pride.' | 0:22:05 | 0:22:09 | |
Bravi! | 0:22:10 | 0:22:13 | |
'The sheep and goats put their best hooves forward. | 0:22:19 | 0:22:24 | |
'Everything looks wonderful until Gennaro scares the animals.' | 0:22:27 | 0:22:33 | |
-Gennaro, they saw you. -No, they look at you. -No, they saw you. | 0:22:33 | 0:22:37 | |
I am sure they look at you. I don't move. | 0:22:37 | 0:22:43 | |
'The main event is the Palio delle Capre, where shepherds from the six mountain pastures | 0:22:45 | 0:22:50 | |
'pit their best goats against each other. | 0:22:50 | 0:22:53 | |
'It's all organised by Aldo, the shepherd.' | 0:22:53 | 0:22:56 | |
-Quante pecore c'hai? -Io ne ho 1,500. | 0:22:56 | 0:23:01 | |
Wow, he has 1,500 sheep and goat. | 0:23:01 | 0:23:03 | |
-Antonio? -Yes? -Have you noticed it, how proud is Aldo? | 0:23:10 | 0:23:13 | |
'And now for the obstacle race. | 0:23:15 | 0:23:17 | |
'Even though we are in Italy, the winner's not the prettiest goat | 0:23:18 | 0:23:23 | |
'but the goat most obedient to his master.' | 0:23:23 | 0:23:27 | |
You always loved that. Antonio, quick! | 0:23:34 | 0:23:40 | |
It's wonderful to see the first one, | 0:23:47 | 0:23:50 | |
the blonde goat won the first heat and it's very, very sweet. | 0:23:50 | 0:23:55 | |
'It is not important who wins, | 0:24:00 | 0:24:03 | |
'but it is everybody making bella figura, that is more important.' | 0:24:03 | 0:24:07 | |
'Here it's the whole village making bella figura. | 0:24:11 | 0:24:14 | |
'Not for money, but out of pride in the traditions, their history | 0:24:14 | 0:24:19 | |
'and their community.' | 0:24:19 | 0:24:22 | |
Are you proud of what's happened today? | 0:24:22 | 0:24:24 | |
Si, sono molto orgoglioso - questa manifestazione, praticamente, l'ho inventata io. Sono molto orgoglioso. | 0:24:24 | 0:24:31 | |
Yes, yes, he's very, very proud because this sort of gathering | 0:24:31 | 0:24:36 | |
was created by him and he is very proud of that. | 0:24:36 | 0:24:40 | |
What does bella figura mean for you? Cos'e la bella figura per te? | 0:24:40 | 0:24:44 | |
-Grazie. -Si? | 0:24:57 | 0:24:59 | |
The villagers, the shepherds and their flocks | 0:25:00 | 0:25:05 | |
put on a splendid show with limited means. | 0:25:05 | 0:25:07 | |
Can the local cooks do the same? | 0:25:07 | 0:25:09 | |
High up here in the mountains, | 0:25:09 | 0:25:11 | |
there are no red tomatoes or yellow peppers, no oranges or lemons, | 0:25:11 | 0:25:16 | |
nearly all the food produce is pale. | 0:25:16 | 0:25:19 | |
-Buongiorno! -Buongiorno! | 0:25:21 | 0:25:23 | |
'The people who cook here use plain ingredients | 0:25:23 | 0:25:28 | |
'and transform them into something more beautiful. | 0:25:28 | 0:25:32 | |
'In fact, the cuisine is famous, it's called cucina bianca, white cooking.' | 0:25:32 | 0:25:36 | |
Wonderful potatoes, look at this! | 0:25:37 | 0:25:39 | |
-Look at these, Gennaro. -Oh, my God. | 0:25:39 | 0:25:43 | |
Potato put in the oven with just garlic, sage and rosemary. | 0:25:43 | 0:25:47 | |
A bit of salt. | 0:25:47 | 0:25:48 | |
Antonio! | 0:25:50 | 0:25:52 | |
Questa e cucina bianca. | 0:25:52 | 0:25:55 | |
This is the white cooking, and we can taste. | 0:25:55 | 0:25:58 | |
Mmm. | 0:25:59 | 0:26:01 | |
E cosa c'e qui dentro? | 0:26:03 | 0:26:05 | |
Farina e porro tagliato sottile, sottile crudo. | 0:26:05 | 0:26:09 | |
Si mescola tutto e un po' di panna. | 0:26:09 | 0:26:13 | |
Wow! | 0:26:13 | 0:26:15 | |
So they are very thin sliced potatoes, and double cream, | 0:26:15 | 0:26:18 | |
and a little bit of leek, very, very fine leek chopped, and that's it. | 0:26:18 | 0:26:22 | |
That's it. | 0:26:27 | 0:26:28 | |
Time for lunch. | 0:26:30 | 0:26:31 | |
The communal feast of San Mateo. | 0:26:32 | 0:26:36 | |
But not for Gennaro. | 0:26:36 | 0:26:37 | |
Antonio... | 0:26:44 | 0:26:47 | |
Ooh, bello... | 0:26:47 | 0:26:49 | |
It is your wine. | 0:26:49 | 0:26:50 | |
-That's fantastic. -This is your glass. -Thank you. | 0:26:50 | 0:26:53 | |
-This is your dish. -Yes. -This is for you. -Thank you. | 0:26:53 | 0:26:57 | |
And where is the fork? | 0:26:57 | 0:26:58 | |
Where is the fork? | 0:26:58 | 0:27:00 | |
-That is your fork. -Thank you. | 0:27:00 | 0:27:03 | |
-You OK now? -I am OK now. | 0:27:03 | 0:27:05 | |
-Are you sure? -Really, cos... | 0:27:05 | 0:27:07 | |
-Don't you want anything? -I am talking to the young lady. -OK! | 0:27:07 | 0:27:10 | |
Thank you very much, I'm going. | 0:27:10 | 0:27:11 | |
'But cucina bianca is not just another money-making idea. | 0:27:13 | 0:27:17 | |
'Or more fancy packaging. | 0:27:17 | 0:27:20 | |
'It's almost as ancient as...as I. ' | 0:27:20 | 0:27:22 | |
MUSIC: "Miserere mei, Deus" by Gregorio Allegri | 0:27:22 | 0:27:30 | |
Antonio. | 0:27:31 | 0:27:32 | |
Where do you take me? | 0:27:34 | 0:27:35 | |
Look at the fresco. | 0:27:35 | 0:27:37 | |
That is wonderful. | 0:27:37 | 0:27:39 | |
It's the Last Supper. | 0:27:39 | 0:27:40 | |
Also it's a little faint, it's quite a few hundred years old. | 0:27:42 | 0:27:45 | |
Yeah. | 0:27:45 | 0:27:48 | |
Gennaro, I see that it's quite pale, everything. | 0:27:48 | 0:27:53 | |
Well, everything is white to resemble what, actually, | 0:27:53 | 0:27:56 | |
the people, they used to live off. | 0:27:56 | 0:27:59 | |
It is the white cuisine. Cucina Bianca. | 0:27:59 | 0:28:03 | |
With the exception of the wine. | 0:28:03 | 0:28:06 | |
Oh, the wine as well, yeah, I know. | 0:28:06 | 0:28:08 | |
But the red wine. | 0:28:08 | 0:28:09 | |
Red wine, yes, but wine, Antonio, to be on the table of Christ, | 0:28:09 | 0:28:12 | |
-has to be red wine. -Oh, yes. | 0:28:12 | 0:28:13 | |
It is marvellous. | 0:28:15 | 0:28:17 | |
This is an homage to cucina bianca. | 0:28:23 | 0:28:26 | |
First... | 0:28:26 | 0:28:29 | |
get some nice potato. | 0:28:29 | 0:28:30 | |
You slice it. | 0:28:32 | 0:28:33 | |
Be careful your hands. | 0:28:33 | 0:28:35 | |
And this potato now, you have to blanch. | 0:28:35 | 0:28:37 | |
You don't have to overcook it. They don't have to be too, too soft. | 0:28:37 | 0:28:42 | |
It's just blanched. | 0:28:42 | 0:28:43 | |
So, goes in boiling water for three minutes. | 0:28:43 | 0:28:46 | |
-Slightly cooked. -Yes. | 0:28:46 | 0:28:48 | |
So as soon as the water started to boil. To boil, you remove. | 0:28:48 | 0:28:52 | |
Put them on a cloth. | 0:28:54 | 0:28:56 | |
To dry a little bit the potato. | 0:28:56 | 0:28:59 | |
They won't go black now, | 0:28:59 | 0:29:03 | |
because they have been blanched. | 0:29:03 | 0:29:04 | |
Now comes the cabbage. | 0:29:04 | 0:29:06 | |
You get these nice leaves of the cabbage, | 0:29:06 | 0:29:09 | |
make sure you get those tender leaves of the cabbage. | 0:29:09 | 0:29:12 | |
HE SIGHS | 0:29:15 | 0:29:16 | |
-Exceptional! -Exceptional. | 0:29:16 | 0:29:18 | |
Now, what we have to worry about, it is, | 0:29:18 | 0:29:22 | |
this vein, this is the line of the cabbage, which, | 0:29:22 | 0:29:25 | |
it can be a little bit tough, so instead of using a knife, | 0:29:25 | 0:29:29 | |
use the scissors. | 0:29:29 | 0:29:32 | |
-Simple. -Simple! | 0:29:32 | 0:29:34 | |
-Do you want to try? -No, thank you. -Are you sure? -I'm not a goat. | 0:29:35 | 0:29:39 | |
GENNARO LAUGHS | 0:29:39 | 0:29:40 | |
-Put them in. -Inside, yes. | 0:29:40 | 0:29:41 | |
Inside. OK. | 0:29:41 | 0:29:43 | |
Press them a little bit. | 0:29:43 | 0:29:45 | |
And you cook them how long? | 0:29:46 | 0:29:47 | |
It just needs to be blanched. | 0:29:47 | 0:29:49 | |
Don't forget, this particular dish, it needs to be baked. | 0:29:49 | 0:29:52 | |
-So. -To be cooked further later, then? -Yeah. | 0:29:53 | 0:29:57 | |
It's stopped. | 0:29:57 | 0:29:58 | |
Get the butter | 0:29:58 | 0:30:01 | |
and spread the butter about all around the dish. | 0:30:01 | 0:30:05 | |
You start with the potatoes. | 0:30:05 | 0:30:06 | |
You start with the potato, and such a simple, this one. | 0:30:06 | 0:30:09 | |
You overlap almost every single one, | 0:30:10 | 0:30:12 | |
and then you carry on overlapping. | 0:30:12 | 0:30:18 | |
A little salt, a little bit of pe... Pepper! | 0:30:18 | 0:30:23 | |
Pepper. BOTH: Well done! | 0:30:23 | 0:30:25 | |
ANTONIO: Well done, Gennaro. | 0:30:25 | 0:30:26 | |
A little bit of butter. | 0:30:26 | 0:30:29 | |
Just a little tiny bit of butter, because it has to melt. | 0:30:29 | 0:30:32 | |
That lovely butter. | 0:30:32 | 0:30:34 | |
-Those, they're ready, can I have that? -Oh, yes. | 0:30:34 | 0:30:37 | |
It is all soft, you can see. | 0:30:37 | 0:30:39 | |
Look at that. | 0:30:39 | 0:30:40 | |
You lay a few. | 0:30:40 | 0:30:43 | |
-It looks very easy, very nice and neat. -Yeah, that's good. | 0:30:45 | 0:30:47 | |
That's done. You can see, easy. | 0:30:48 | 0:30:51 | |
And then, cheese. | 0:30:51 | 0:30:53 | |
-Lovely Italian cheese. -Yeah. -Smell it again. -Yes. | 0:30:53 | 0:30:58 | |
OK, then cut the little slices. | 0:30:58 | 0:31:00 | |
Carry on exactly the same way. | 0:31:00 | 0:31:04 | |
What do you finish with? | 0:31:04 | 0:31:06 | |
-I finish with the potato. -The potato. | 0:31:06 | 0:31:07 | |
I have to finish with the potato. | 0:31:07 | 0:31:10 | |
Aluminium foil. | 0:31:12 | 0:31:13 | |
-Yes. -Oh, yes. | 0:31:13 | 0:31:14 | |
Put them in the oven, go on. | 0:31:16 | 0:31:18 | |
Yeah, I know, go on, go on, go on, go on. | 0:31:18 | 0:31:20 | |
Go on! Don't be afraid. | 0:31:20 | 0:31:22 | |
Don't be afraid, I am afraid that I burn my... | 0:31:22 | 0:31:25 | |
OK. | 0:31:25 | 0:31:26 | |
'After 25 minutes, remove the foil, | 0:31:27 | 0:31:30 | |
'and bake it for another five minutes.' | 0:31:30 | 0:31:33 | |
Yes. | 0:31:37 | 0:31:38 | |
-Here we go! -That looks wonderful, Gennaro. | 0:31:41 | 0:31:44 | |
Aha! | 0:31:45 | 0:31:47 | |
Bubbling. | 0:31:47 | 0:31:48 | |
That's lovely. | 0:31:48 | 0:31:50 | |
Aah! | 0:31:50 | 0:31:51 | |
ANTONIO SIGHS | 0:31:51 | 0:31:53 | |
-Nice and bubbly. -The smell is wonderful. -Oh, my goodness me. | 0:31:53 | 0:31:56 | |
THEY SIGH | 0:31:57 | 0:31:59 | |
Ooh, wow! | 0:32:00 | 0:32:01 | |
Ooh, wow. Looks very good. | 0:32:01 | 0:32:04 | |
GENNARO BLOWS | 0:32:07 | 0:32:09 | |
-Really, really good. -Aah, yes! Can I taste it? | 0:32:16 | 0:32:20 | |
You know what? That's a lovely combination. | 0:32:20 | 0:32:22 | |
Mmm! | 0:32:22 | 0:32:24 | |
Very good. | 0:32:24 | 0:32:26 | |
Mm-mm! | 0:32:26 | 0:32:27 | |
Mm-mm. | 0:32:27 | 0:32:28 | |
Why you do that? | 0:32:29 | 0:32:31 | |
Cos it was hot. | 0:32:31 | 0:32:33 | |
-Gennaro... -Mmm. | 0:32:33 | 0:32:35 | |
Wonderful taste. | 0:32:36 | 0:32:38 | |
Of cabbage, potato and cheese. | 0:32:38 | 0:32:41 | |
It's very difficult to achieve a delicacy like this | 0:32:41 | 0:32:48 | |
with just three very humble ingredients. | 0:32:48 | 0:32:52 | |
Mmm...mmm... | 0:32:53 | 0:32:54 | |
And the super touch of Gennaro Contaldo obvious. | 0:32:54 | 0:32:58 | |
Mmm. | 0:32:58 | 0:32:59 | |
It is an homage to cucina bianca. Bless the cucina bianca. | 0:32:59 | 0:33:04 | |
'The higher we go and the further we get from the busy Riviera, | 0:33:11 | 0:33:16 | |
'the more we can appreciate simple things.' | 0:33:16 | 0:33:19 | |
Figs! Figs! | 0:33:20 | 0:33:22 | |
Oh | 0:33:24 | 0:33:26 | |
'Gennaro is the main stealer.' | 0:33:26 | 0:33:28 | |
Yeah... | 0:33:28 | 0:33:30 | |
Take it, take it. | 0:33:30 | 0:33:32 | |
-Take it. -If you push it a little more here, I can take it. | 0:33:32 | 0:33:35 | |
You son. | 0:33:35 | 0:33:37 | |
Mmm... They are wonderful. | 0:33:40 | 0:33:42 | |
THEY LAUGH | 0:33:44 | 0:33:47 | |
Mmm... | 0:33:47 | 0:33:49 | |
-Mm-hm! -You greedy Italian. | 0:33:49 | 0:33:51 | |
-Chestnuts! -Chestnuts. -Chestnuts! | 0:33:57 | 0:33:59 | |
I'm going to get those. Stay there, stay there, Antonio. Stay there. | 0:33:59 | 0:34:02 | |
Stay there, stay there. | 0:34:02 | 0:34:03 | |
HANDBRAKE IS PULLED | 0:34:03 | 0:34:05 | |
'Trouble is, we are not the only greedy Italians round here, | 0:34:05 | 0:34:08 | |
'and these ones bite.' | 0:34:08 | 0:34:11 | |
I've got it, I... | 0:34:11 | 0:34:12 | |
Let's see, let's see. | 0:34:12 | 0:34:13 | |
Let's see, let's see, let's see! | 0:34:13 | 0:34:15 | |
-Antonio! -HE LAUGHS Oh, that's fantastic. | 0:34:15 | 0:34:17 | |
-Ah... -Ah! -HE LAUGHS | 0:34:17 | 0:34:19 | |
Look at this. There are the chestnuts here. | 0:34:19 | 0:34:22 | |
Yeah... | 0:34:22 | 0:34:23 | |
-Yeah, take this one. -Ooh, lovely. | 0:34:23 | 0:34:25 | |
-Hey! -Look at that! | 0:34:25 | 0:34:28 | |
Look, he's underneath, on top. | 0:34:28 | 0:34:30 | |
And they do bite, these things. | 0:34:30 | 0:34:32 | |
-Antonio? -Yes. | 0:34:32 | 0:34:35 | |
I love food. | 0:34:35 | 0:34:36 | |
-Yes. -You know, to eat, not... -To gather. | 0:34:36 | 0:34:40 | |
To actually been eat from. | 0:34:40 | 0:34:41 | |
ANTONIO LAUGHS | 0:34:41 | 0:34:43 | |
Don't look at me! | 0:34:47 | 0:34:49 | |
ANTONIO LAUGHS | 0:34:49 | 0:34:51 | |
Ma io ce l'ho davvero! | 0:34:51 | 0:34:53 | |
Wonderful. | 0:34:53 | 0:34:54 | |
ANTONIO LAUGHS Gennaro, you made them a big favour today. | 0:34:54 | 0:34:58 | |
What do you mean, make a big favour? | 0:35:00 | 0:35:02 | |
Yeah, they nibbled a bit from your flesh. | 0:35:02 | 0:35:04 | |
'Maybe there's a different meaning to bella figura. | 0:35:09 | 0:35:13 | |
'Sometimes the less you have, | 0:35:13 | 0:35:14 | |
'the more beautiful an impression you can make.' | 0:35:14 | 0:35:17 | |
'We are heading up Montoggio. | 0:35:22 | 0:35:24 | |
'At the top of the mountain, there lives a little old lady | 0:35:24 | 0:35:28 | |
'who leads a simple life | 0:35:28 | 0:35:29 | |
'and makes use of the plants most of us would call weeds.' | 0:35:29 | 0:35:34 | |
-Qui. -Qui, dove? | 0:35:34 | 0:35:35 | |
'Perhaps she has a lesson for us. | 0:35:35 | 0:35:38 | |
-Quello. -Questa qui? | 0:35:38 | 0:35:42 | |
Questo. | 0:35:42 | 0:35:44 | |
Borage. | 0:35:44 | 0:35:46 | |
How clever she is. | 0:36:11 | 0:36:12 | |
You put a just little slice of prosciutto, | 0:36:12 | 0:36:17 | |
and then you get a nice little bit of mozzarella, and... | 0:36:17 | 0:36:21 | |
E si fa nella padella con burro. | 0:36:21 | 0:36:23 | |
And then you put some butter inside the frying pan, | 0:36:23 | 0:36:27 | |
and then you slowly, slowly cook, er, you eat. | 0:36:27 | 0:36:30 | |
'Amelia do simple things with wild herbs. She reminds me of my mother.' | 0:36:30 | 0:36:38 | |
Ecco, questa e medicinale. | 0:36:46 | 0:36:49 | |
She brings me memory back. | 0:37:03 | 0:37:06 | |
I used to go out with my mum, and she used to say, | 0:37:08 | 0:37:11 | |
"Gennarino, pick me that herbs." | 0:37:11 | 0:37:14 | |
I used to do all this, and we used to go out once a week, | 0:37:14 | 0:37:17 | |
collect the herbs for salads, for cooking. | 0:37:17 | 0:37:20 | |
Also for medicine. She was known as the white witch. | 0:37:20 | 0:37:26 | |
Cos'e questa? | 0:37:40 | 0:37:42 | |
Can you understand, my God, | 0:37:50 | 0:37:52 | |
the way she's actually got the harmony with the food? | 0:37:52 | 0:37:56 | |
It's like almost the poetry. | 0:37:56 | 0:37:58 | |
She is not aggressive, "I have to learn all these things myself," | 0:37:58 | 0:38:02 | |
it's, cooking is not aggressiveness. | 0:38:02 | 0:38:05 | |
It's pleasure, it's love, | 0:38:05 | 0:38:06 | |
and everything she's been showing to me, she brings back memory. | 0:38:06 | 0:38:11 | |
The calm of the cooking, the love of the cooking. | 0:38:11 | 0:38:14 | |
'Amelia is going to show me how to make a frittata | 0:38:15 | 0:38:20 | |
'with potato and wild herbs that was just growing outside.' | 0:38:20 | 0:38:24 | |
Parmigiano, quanto? | 0:38:26 | 0:38:28 | |
Un bel po'. | 0:38:28 | 0:38:29 | |
'Some eggs, mixed with Parmesan cheese.' | 0:38:29 | 0:38:32 | |
-Un pizzico di sale. -Un pizzico di sale. | 0:38:32 | 0:38:35 | |
'A nice pinch of salt. | 0:38:35 | 0:38:37 | |
'And now she mills the potato with wild herbs | 0:38:37 | 0:38:41 | |
'to separate out the stalk.' | 0:38:41 | 0:38:43 | |
Potato, | 0:38:44 | 0:38:47 | |
the herbs that gives nice flavour. | 0:38:47 | 0:38:51 | |
Puliamo qui. | 0:38:51 | 0:38:54 | |
She said you clean them underneath. | 0:38:54 | 0:38:56 | |
And look! How clever. This is all the leftover stuff. | 0:38:59 | 0:39:03 | |
Stuff you can't eat it. More, more, more... | 0:39:03 | 0:39:06 | |
'Now, to bind the mixture together, we need some breadcrumb.' | 0:39:06 | 0:39:10 | |
All. I love it! | 0:39:18 | 0:39:20 | |
THEY LAUGH | 0:39:20 | 0:39:21 | |
-Tutto! -Tutto! -Tutto! | 0:39:21 | 0:39:23 | |
Bravo. | 0:39:23 | 0:39:26 | |
Then fry some sliced onion. | 0:39:26 | 0:39:27 | |
Then we need to put them all inside. | 0:39:35 | 0:39:36 | |
All inside. | 0:39:39 | 0:39:41 | |
'Then fry the frittata in olive oil. | 0:39:44 | 0:39:47 | |
'Add more breadcrumb to give it a crust. It's almost time to eat.' | 0:39:47 | 0:39:52 | |
Antonio! | 0:39:53 | 0:39:55 | |
What damage... What damage have you done today? | 0:39:55 | 0:39:58 | |
-Look, sit down, please. Sit down. -OK, OK. -Thank you very much. | 0:39:58 | 0:40:02 | |
Damage! Stop complaining and sit down. | 0:40:02 | 0:40:04 | |
-But you had very good supervision. -Yes, I know, indeed. | 0:40:04 | 0:40:07 | |
OK? | 0:40:07 | 0:40:08 | |
Ecco. | 0:40:08 | 0:40:10 | |
Wow! | 0:40:10 | 0:40:12 | |
-Tolgo queste cipolle di qua. -Eh, si! | 0:40:12 | 0:40:15 | |
Let's see. | 0:40:21 | 0:40:23 | |
-Mmm... -Let's see. It looks very good. | 0:40:23 | 0:40:26 | |
We have the task, is to have it very well cooked on the outside | 0:40:26 | 0:40:32 | |
and moist in the middle. | 0:40:32 | 0:40:34 | |
Mmmm. | 0:40:34 | 0:40:36 | |
It's good. | 0:40:36 | 0:40:39 | |
Molto buona. | 0:40:39 | 0:40:40 | |
La frittata povera. La nonna diceva, "Facciamo una frittata povera." | 0:40:40 | 0:40:45 | |
Frittata for the poor, | 0:40:45 | 0:40:46 | |
because they are very simple ingredients inside, | 0:40:46 | 0:40:52 | |
and you can feed the family with poor food. | 0:40:52 | 0:40:55 | |
Not poor food in quality, but in value. | 0:40:55 | 0:40:59 | |
-Frittata e molto buona. -Grazie. Grazie mille. | 0:40:59 | 0:41:03 | |
-Lei ha fatto una bellisima figura. -Anche al signore. | 0:41:03 | 0:41:07 | |
Cos I'm jealous. | 0:41:07 | 0:41:09 | |
AMELIA LAUGHS | 0:41:09 | 0:41:10 | |
Molto bella. | 0:41:10 | 0:41:11 | |
'Simple food, made with pride, and not just showing off. | 0:41:11 | 0:41:15 | |
'Just like my mother would have done.' | 0:41:15 | 0:41:17 | |
'We have found authentic versions of bella figura | 0:41:21 | 0:41:25 | |
'in the simple life of the mountains.' | 0:41:25 | 0:41:27 | |
But how has it survived in the bustling capital of Liguria? | 0:41:28 | 0:41:33 | |
Known as La Superba, Genoa's fleet was once so powerful, | 0:41:38 | 0:41:43 | |
it controlled the whole Mediterranean Sea. | 0:41:43 | 0:41:46 | |
I was in the Navy when I was young. | 0:41:48 | 0:41:50 | |
A proud sailor. | 0:41:53 | 0:41:54 | |
'We are following our noses through ancient alleyways to the old port | 0:42:03 | 0:42:07 | |
'in search of a beautiful secret.' | 0:42:07 | 0:42:10 | |
Aaaah! | 0:42:11 | 0:42:13 | |
'Some other shops like this have not changed for centuries.' | 0:42:13 | 0:42:16 | |
Fantastico! | 0:42:16 | 0:42:18 | |
'Nothing fancy, just Genoese fish and chips.' | 0:42:18 | 0:42:21 | |
Ooh! Look at that. | 0:42:21 | 0:42:23 | |
Look at that. | 0:42:23 | 0:42:26 | |
This is the shop of my heart. | 0:42:26 | 0:42:28 | |
Oh, look at it! | 0:42:28 | 0:42:30 | |
Wood-fired oven. | 0:42:30 | 0:42:32 | |
This is real food. | 0:42:32 | 0:42:34 | |
No doubt about it. | 0:42:34 | 0:42:37 | |
The food is just fantastic. | 0:42:37 | 0:42:40 | |
You cook on the charcoal, you cook with wood, you do the original food. | 0:42:40 | 0:42:44 | |
Gennaro, why do you have to move the hands always like this? | 0:42:44 | 0:42:47 | |
Because it's the passion! | 0:42:47 | 0:42:48 | |
For me it's like to revive them again, | 0:42:48 | 0:42:50 | |
like to learn again how to cook. The simplicity... | 0:42:50 | 0:42:53 | |
Can you do it without the hands? | 0:42:53 | 0:42:54 | |
No, I can't. | 0:42:54 | 0:42:56 | |
'Old-fashioned Genoese pride survives | 0:42:56 | 0:42:59 | |
'in this fiercely traditional kitchen. | 0:42:59 | 0:43:01 | |
'Even the old fryers have a special title. | 0:43:01 | 0:43:04 | |
They are called friggitorie, where the people, | 0:43:04 | 0:43:08 | |
they fry all sorts of goods for the breakfast. | 0:43:08 | 0:43:12 | |
It's just fantastic. Home-made real chips. | 0:43:12 | 0:43:15 | |
Ci puo dare un po' di queste asciughe? | 0:43:15 | 0:43:18 | |
Senta un po', ma qual'e la cosa che piu richiedono qui? | 0:43:18 | 0:43:24 | |
What is the thing that they most request, the customers? | 0:43:24 | 0:43:27 | |
Le cose diciamo piu richieste sono i totani fritti | 0:43:27 | 0:43:30 | |
che facciamo alle undici e mezza, | 0:43:30 | 0:43:32 | |
che piaciono veramente a tutti. E il baccala fritto. | 0:43:32 | 0:43:36 | |
So the most popular thing, they are totani, which is a sort of... | 0:43:36 | 0:43:40 | |
-Er...not octopus. -It is a squid. | 0:43:40 | 0:43:42 | |
A squid, a longish squid, then the baccala, | 0:43:42 | 0:43:45 | |
which is the salted cod, and they do it around 11:00am, 11:30am, | 0:43:45 | 0:43:50 | |
so that it's fresh, you can take it away. | 0:43:50 | 0:43:52 | |
'The locals claim this is the original takeaway food.' | 0:43:52 | 0:43:57 | |
-Fresh anchovies, Gennaro. Yum, yum, yum. -Mmm. | 0:43:57 | 0:44:03 | |
Ah... | 0:44:04 | 0:44:05 | |
In carpione, it's called. | 0:44:05 | 0:44:07 | |
In carpione means in flour and deep-fried, | 0:44:07 | 0:44:11 | |
and then put in vinegar, and they are little fishes, like, um... | 0:44:11 | 0:44:14 | |
Oh, and you eat everything! | 0:44:14 | 0:44:16 | |
Mamma, mamma, mamma! | 0:44:19 | 0:44:21 | |
The port is there, the food is here, and everybody, | 0:44:21 | 0:44:26 | |
all these Navy people, they were coming here, buying very quickly. | 0:44:26 | 0:44:30 | |
'And what better to go with battered fish? Chips.' | 0:44:30 | 0:44:34 | |
'Not made from potato, but cut from the local speciality, farinata, | 0:44:34 | 0:44:39 | |
once prepared by the Roman soldiers in their shields. | 0:44:39 | 0:44:43 | |
You have to notice that this, they are not just chips, | 0:44:43 | 0:44:47 | |
but they are chips made of chickpeas flour. | 0:44:47 | 0:44:48 | |
Very interesting, because it's very, sort of, flavoursome, and so on. | 0:44:48 | 0:44:53 | |
And this is the famous baccala, which is the salted cod. | 0:44:53 | 0:44:59 | |
This one used to be the poor man food. | 0:44:59 | 0:45:02 | |
Poor man fish. | 0:45:02 | 0:45:03 | |
Now, when you're talking about two greedy Italians, | 0:45:03 | 0:45:07 | |
you can see who is the greediest, over there. | 0:45:07 | 0:45:11 | |
HE LAUGHS | 0:45:11 | 0:45:14 | |
'It was here that Genoese traders first brought from India | 0:45:15 | 0:45:19 | |
'what is now our most famous herb. | 0:45:19 | 0:45:22 | |
'Just as well. | 0:45:22 | 0:45:24 | |
'Can you imagine Italian food without basil?' | 0:45:24 | 0:45:26 | |
-Who never heard of pesto, Gennaro? -No. | 0:45:31 | 0:45:34 | |
Pesto. Pesto. | 0:45:34 | 0:45:35 | |
Known all over the world, and it comes from Genoa, from Liguria. | 0:45:35 | 0:45:40 | |
-So you will do the pasta today, yes? -Yeah, I'm rolling the pasta. | 0:45:40 | 0:45:44 | |
And do you know which pasta to do? | 0:45:44 | 0:45:46 | |
Yes, er... | 0:45:46 | 0:45:47 | |
The recipe's called mandilli de seta. Silk handkerchief. | 0:45:47 | 0:45:49 | |
Silk handkerchief, oh, I love those with pesto. | 0:45:49 | 0:45:52 | |
Flavoured with pesto. | 0:45:52 | 0:45:54 | |
The best thing to do is to do it with the mortar and pestle, | 0:45:54 | 0:45:59 | |
because we want the pesto to be a cream. | 0:45:59 | 0:46:04 | |
Thank you, thank you. | 0:46:07 | 0:46:09 | |
It's...what would be life without Gennaro? | 0:46:09 | 0:46:13 | |
So now we take the garlic, which... Gennaro is a very strong man. | 0:46:13 | 0:46:18 | |
He does it with a fist. But I do it with this. | 0:46:18 | 0:46:22 | |
Gennaro, why you don't start to do the, the pasta. | 0:46:22 | 0:46:24 | |
I'm waiting for your recipe, the one you wanted. | 0:46:24 | 0:46:26 | |
Yeah, just put 250g of flour, yeah. This is 00 flour. | 0:46:26 | 0:46:33 | |
00, fine flour, yes? | 0:46:33 | 0:46:35 | |
There's one egg and three yolks of egg. | 0:46:35 | 0:46:38 | |
Just the yolk, otherwise it becomes too hard. | 0:46:38 | 0:46:41 | |
OK. | 0:46:41 | 0:46:42 | |
-Three, three yolks. -Three yolks, OK. | 0:46:42 | 0:46:44 | |
And coarse salt for grinding the entire thing. | 0:46:44 | 0:46:51 | |
Because with the coarseness, you can see that the cream will come out. | 0:46:51 | 0:46:57 | |
-Antonio? -Yes. -Look at the colour of this yolk. -That's fantastic. | 0:46:59 | 0:47:02 | |
Now the garlic, Gennaro, I put it squashed into the mortar. | 0:47:02 | 0:47:08 | |
And now the garlic and the basil soon become a cream. | 0:47:09 | 0:47:17 | |
And now we add also pine kernels, | 0:47:17 | 0:47:21 | |
which, they add the sort of je ne sais quoi. | 0:47:21 | 0:47:25 | |
-HE LAUGHS -What language are you speaking? | 0:47:25 | 0:47:27 | |
-That's French. -That's all right, I remembered that. | 0:47:27 | 0:47:31 | |
..of flavour, of sort of the resin flavour of the pines. | 0:47:31 | 0:47:37 | |
-That's very, very good. -And give it that crunchiness, yes? | 0:47:37 | 0:47:41 | |
-No, because it's all pounded. -OK. -Not crunchy. | 0:47:41 | 0:47:44 | |
And you mustn't forget that all those things, | 0:47:44 | 0:47:46 | |
they come because the hills of Liguria, | 0:47:46 | 0:47:49 | |
they're almost covered with all those ingredients | 0:47:49 | 0:47:53 | |
that we put in the pestle and mortar. | 0:47:53 | 0:47:56 | |
Pine kernels, the basil is cultivated everywhere. | 0:47:56 | 0:47:59 | |
Gennaro, I can see that you're so fascinated with what I'm telling you, | 0:47:59 | 0:48:04 | |
that you stop working there. | 0:48:04 | 0:48:05 | |
You're right. Sorry. | 0:48:05 | 0:48:07 | |
-HE LAUGHS -Sorry, sorry, Antonio. | 0:48:07 | 0:48:09 | |
And so the pesto became like this, the sauce of Genoa. | 0:48:09 | 0:48:14 | |
-Very, very clever. -Of Liguria. | 0:48:14 | 0:48:16 | |
That's wonderful, and now you put the Parmesan cheese, | 0:48:16 | 0:48:20 | |
which in some cases, I put even pecorino. | 0:48:20 | 0:48:23 | |
Pecorino is nice. I like pecorino cheese. | 0:48:23 | 0:48:25 | |
A little bit of olive oil. | 0:48:25 | 0:48:29 | |
Ah, that's wonderful. And the perfume which comes from this. | 0:48:29 | 0:48:33 | |
Yes, look at this. | 0:48:35 | 0:48:36 | |
It should be slightly coarse. | 0:48:36 | 0:48:39 | |
-Perfection. What about your pasta? -Don't worry. | 0:48:39 | 0:48:43 | |
You can see, Antonio, I almost finished rolling the pasta out. | 0:48:43 | 0:48:46 | |
The lovely colour of the pasta, it's incredible, look. | 0:48:46 | 0:48:51 | |
See how I hold it. | 0:48:51 | 0:48:53 | |
Yes, at home you could do it also, simply using a machine, | 0:48:53 | 0:48:57 | |
but this is the best way. | 0:48:57 | 0:48:59 | |
-And look at the way it's rolling out nicely. -Yes. | 0:48:59 | 0:49:02 | |
It has to be very thin. | 0:49:02 | 0:49:04 | |
Yet, but very poetically, mandilli di seta. | 0:49:04 | 0:49:08 | |
-So silk handkerchief. -Very dialect. | 0:49:08 | 0:49:10 | |
Because the handkerchief, the translation is mandilli, | 0:49:10 | 0:49:14 | |
is almost paper-thin, and the handkerchiefs, | 0:49:14 | 0:49:18 | |
they were a functional thing, goodbye to the mariners, | 0:49:18 | 0:49:20 | |
whether they were going or coming back. | 0:49:20 | 0:49:24 | |
-Thin, thin, thin. -I know, I'm doing that. Thin, thin, thin! | 0:49:24 | 0:49:28 | |
-Come on... My goodness. -It worries me. | 0:49:28 | 0:49:30 | |
Now to see how thin it is. | 0:49:30 | 0:49:33 | |
-You put them on, on the edge. -Yes. -OK, and then you blow, underneath. | 0:49:33 | 0:49:37 | |
-Wonderful, so the weight, yes... -So when this... | 0:49:39 | 0:49:42 | |
Can I have it now? | 0:49:42 | 0:49:43 | |
That... Don't you think it's thin enough? | 0:49:43 | 0:49:46 | |
Now I show you what handkerchiefs are, because, instead to cut them, | 0:49:46 | 0:49:50 | |
I make the discovery, Gennaro, | 0:49:50 | 0:49:53 | |
that if you do it like this, look, like this. | 0:49:53 | 0:49:57 | |
-Yeah. -You tear it apart. | 0:49:57 | 0:49:59 | |
Do you see this, this serrated edge here? | 0:49:59 | 0:50:04 | |
In doing this, look, it builds a little bit of serrating here, | 0:50:04 | 0:50:10 | |
which absorbs a little bit more sauce. | 0:50:10 | 0:50:12 | |
-Can I try? -Yes. | 0:50:12 | 0:50:14 | |
Go. | 0:50:14 | 0:50:15 | |
Not too, too small. Make it bigger. | 0:50:15 | 0:50:18 | |
The handkerchiefs would be bigger. | 0:50:18 | 0:50:20 | |
And then it's lovely to let them dry a little bit like this. | 0:50:20 | 0:50:25 | |
Fantastic. | 0:50:25 | 0:50:26 | |
Let's see the water... | 0:50:26 | 0:50:27 | |
Yes! | 0:50:27 | 0:50:29 | |
Now give me the pasta. | 0:50:29 | 0:50:30 | |
Right. | 0:50:30 | 0:50:32 | |
And it cooks in a minute, no more than that. | 0:50:32 | 0:50:35 | |
Yes... | 0:50:35 | 0:50:37 | |
Yes, yes, yes. | 0:50:37 | 0:50:39 | |
Can you put the pesto in the pan now, please? | 0:50:39 | 0:50:41 | |
Oh, yes. | 0:50:43 | 0:50:45 | |
I just put it. | 0:50:45 | 0:50:46 | |
Lovely. | 0:50:46 | 0:50:47 | |
Give me the pan. | 0:50:51 | 0:50:53 | |
This, a suggestion to everybody using either self-made pesto, | 0:50:53 | 0:50:57 | |
or the other one, bought in, er... | 0:50:57 | 0:51:02 | |
shops, to add a little bit of water to make it moist for the pasta, | 0:51:02 | 0:51:08 | |
because it absorbs, the pasta absorbs a little bit more. | 0:51:08 | 0:51:12 | |
I think it's done. | 0:51:12 | 0:51:14 | |
-Yes, it's done, it's done. -Yeah. | 0:51:14 | 0:51:17 | |
Mmm. | 0:51:17 | 0:51:18 | |
The smell is incredible. | 0:51:18 | 0:51:20 | |
Oops... | 0:51:20 | 0:51:22 | |
Fantastico. | 0:51:23 | 0:51:25 | |
-It's almost religious, the moment. -I know. | 0:51:30 | 0:51:34 | |
So calm. | 0:51:34 | 0:51:35 | |
-Yeah, I give you a little bit more. -Thank you. | 0:51:35 | 0:51:37 | |
-Just a little, little sauce on top, Antonio? -Yes. | 0:51:37 | 0:51:40 | |
Yeah, just a little touch, yes. | 0:51:40 | 0:51:42 | |
-That's for you. -Thank you. | 0:51:45 | 0:51:46 | |
-And that's for me. -Never was so much gentilesse between us. | 0:51:46 | 0:51:51 | |
Never. | 0:51:51 | 0:51:52 | |
Oh! | 0:51:52 | 0:51:53 | |
ANTONIO LAUGHS | 0:51:53 | 0:51:54 | |
-Can I...? -Yes, you can. | 0:51:54 | 0:51:56 | |
BOTH: Mmm-mmm-mmm! | 0:52:03 | 0:52:07 | |
THEY LAUGH | 0:52:07 | 0:52:08 | |
GENNARO LAUGHS You are laughing. | 0:52:21 | 0:52:23 | |
Of course I am laughing. | 0:52:23 | 0:52:24 | |
-Now, if you keep the right side. -I am, I can see the sign. | 0:52:24 | 0:52:28 | |
On a small road like this, it's better. | 0:52:28 | 0:52:30 | |
'We came to Liguria to find out how the notion of bella figura | 0:52:30 | 0:52:33 | |
'has changed in the Italy of today, | 0:52:33 | 0:52:36 | |
'and how it has changed for us as we get older. | 0:52:36 | 0:52:39 | |
'We began in the beautiful bay of Portofino, | 0:52:39 | 0:52:43 | |
'and we're ending it in the most unlikely place - | 0:52:43 | 0:52:46 | |
the back streets of Genoa.' | 0:52:46 | 0:52:48 | |
-Gennaro, I want to show you something here, very special here. -What? | 0:52:48 | 0:52:52 | |
Something special. | 0:52:52 | 0:52:53 | |
'Here at the community of San Benedetto, | 0:52:53 | 0:52:56 | |
'is a man who reaches out | 0:52:56 | 0:52:58 | |
'to people who have stopped caring about bella figura - | 0:52:58 | 0:53:02 | |
'the outcasts and misfits of society. | 0:53:02 | 0:53:05 | |
'He is my friend, Don Andrea Gallo. | 0:53:05 | 0:53:08 | |
APPLAUSE | 0:53:08 | 0:53:10 | |
'Don Andrea provides a safe refuge in this commune, food, | 0:53:16 | 0:53:21 | |
'and the chance to learn new skills.' | 0:53:21 | 0:53:24 | |
Wonderful. | 0:53:44 | 0:53:46 | |
That is bella figura. | 0:53:46 | 0:53:48 | |
Yes, I know now. | 0:53:48 | 0:53:49 | |
'This couple has been living rough, | 0:53:49 | 0:53:51 | |
'and Don Andrea is helping them find a home.' | 0:53:51 | 0:53:54 | |
Antonio. | 0:53:55 | 0:53:57 | |
Antonio, Antonio. | 0:53:57 | 0:53:59 | |
Antonio! | 0:53:59 | 0:54:00 | |
-Quanti anni hai? -Trent'anni. | 0:54:00 | 0:54:03 | |
-E nato in carcere. E venuto fare il battesimo. -Bravo, bravo. | 0:54:03 | 0:54:09 | |
He has been born in a prison because his mother was in the prison, | 0:54:09 | 0:54:13 | |
so he never got baptised, | 0:54:13 | 0:54:15 | |
so that's why last week, at the age of 30, he became sort of baptised. | 0:54:15 | 0:54:20 | |
It's unbelievable, all what is done through him, practically. | 0:54:20 | 0:54:26 | |
'Don Andrea provides jobs, | 0:54:27 | 0:54:31 | |
'and with them, a chance to regain a sense of pride. | 0:54:31 | 0:54:34 | |
'30 years ago, he opened a simple trattoria for the public, | 0:54:34 | 0:54:40 | |
'and everybody who works at La Lanterna | 0:54:40 | 0:54:43 | |
'has come through the commune. | 0:54:43 | 0:54:45 | |
'Former waifs and strays, like Eleanora.' | 0:54:45 | 0:54:48 | |
La communita raggioneva sul fatto che io avessi bisogna di un appartamento, | 0:55:02 | 0:55:06 | |
di un posto di lavoro per potere accogliere mio figlio in questa nuova vita. | 0:55:06 | 0:55:10 | |
That was very kind, because they realised that she had a, | 0:55:12 | 0:55:15 | |
sort of, five years old son, and she needed some accommodation, | 0:55:15 | 0:55:20 | |
and a job, and they gave her a job here. | 0:55:20 | 0:55:22 | |
'Two years ago, Loris asked Don Andrea for help. | 0:55:42 | 0:55:46 | |
'Since then, she has also regained her pride and self respect. | 0:55:46 | 0:55:51 | |
Bellissimo. | 0:56:04 | 0:56:05 | |
That is what it is, bella figura. | 0:56:06 | 0:56:09 | |
Not to show off. | 0:56:09 | 0:56:10 | |
THEY SING IN ITALIAN | 0:56:10 | 0:56:13 | |
'Today, this place is famous and very popular - | 0:56:15 | 0:56:19 | |
'but it was not always so.' | 0:56:19 | 0:56:21 | |
THEY SING | 0:57:05 | 0:57:09 | |
ANTONIO LAUGHS | 0:57:11 | 0:57:13 | |
ANTONIO LAUGHS | 0:57:18 | 0:57:19 | |
All the food here has one vitamin more than others, and that is love. | 0:57:19 | 0:57:25 | |
THEY SING | 0:57:25 | 0:57:28 | |
APPLAUSE | 0:57:32 | 0:57:33 | |
'Next time...' | 0:57:34 | 0:57:37 | |
There is a lot of snow. You can make me an ice cream. | 0:57:37 | 0:57:41 | |
'Gennaro and I are off to the Alps, in the region of Lombardy.' | 0:57:41 | 0:57:45 | |
LAUGHTER | 0:57:45 | 0:57:48 | |
Antonio! What cheese is this? | 0:57:48 | 0:57:50 | |
A... A natural Viagra, they call it. | 0:57:50 | 0:57:52 | |
LAUGHTER | 0:57:52 | 0:57:53 | |
'We will be camping and fending for ourselves...' | 0:57:53 | 0:57:56 | |
-GUNSHOT -Aargh! | 0:57:56 | 0:57:58 | |
I missed it! | 0:57:58 | 0:57:59 | |
HE LAUGHS | 0:57:59 | 0:58:02 | |
'..as we live the life of arrangiarsi, | 0:58:02 | 0:58:05 | |
'the ancient Italian art of getting by.' | 0:58:05 | 0:58:07 | |
Gennaro, you are wonderful. | 0:58:07 | 0:58:09 | |
HE LAUGHS | 0:58:09 | 0:58:10 | |
Only Gennaro can do things like this. | 0:58:10 | 0:58:13 | |
'And of course, we will be eating lots of delicious food.' | 0:58:13 | 0:58:17 | |
Yum, yum. | 0:58:17 | 0:58:19 | |
Yeah! Look what you put, fantastic dishes. | 0:58:19 | 0:58:21 | |
It is incredible. | 0:58:21 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |