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In September 1939, Britain stood on the brink of the Second World War. | 0:00:03 | 0:00:07 | |
To avoid defeat, | 0:00:09 | 0:00:11 | |
one battle would become more important than any other. | 0:00:11 | 0:00:13 | |
The battle to produce food. | 0:00:16 | 0:00:18 | |
Two thirds of Britain's food was imported. | 0:00:20 | 0:00:23 | |
And now, it was under threat from a Nazi blockade. | 0:00:24 | 0:00:28 | |
To feed the nation, an agricultural revolution of epic proportions | 0:00:28 | 0:00:32 | |
was needed to at least double home-grown food production. | 0:00:32 | 0:00:36 | |
Churchill called the farms of Britain the front line of freedom. | 0:00:41 | 0:00:46 | |
Now, historian Ruth Goodman and archaeologists Alex Langlands | 0:00:46 | 0:00:51 | |
and Peter Ginn are turning the clock back. | 0:00:51 | 0:00:53 | |
We're about to embark on the greatest challenge | 0:00:55 | 0:00:58 | |
ever faced by British agriculture, Peter, the Second World War. | 0:00:58 | 0:01:01 | |
Over the next year, they'll work Manor Farm in Hampshire | 0:01:11 | 0:01:14 | |
as it would have been during the Second World War. | 0:01:14 | 0:01:17 | |
-Onward march! -Come on! Quick march! | 0:01:19 | 0:01:23 | |
Here, the team will relive the struggle of wartime farmers | 0:01:23 | 0:01:28 | |
to maximise food production... | 0:01:28 | 0:01:31 | |
The plough, really, had become a weapon of war. | 0:01:31 | 0:01:33 | |
..cope with shortages... | 0:01:33 | 0:01:36 | |
Whoa! That is a bit of kit! | 0:01:36 | 0:01:39 | |
..experience social revolution in the countryside... | 0:01:39 | 0:01:41 | |
Whoa! | 0:01:41 | 0:01:44 | |
..and protect and defend the south coast from the threat of invasion. | 0:01:44 | 0:01:47 | |
Four men, evidence of explosives. | 0:01:47 | 0:01:50 | |
PLANE FLIES BY | 0:01:50 | 0:01:52 | |
This is the untold story of the countryside at war. | 0:01:52 | 0:01:56 | |
CAR HORN TOOTS | 0:02:15 | 0:02:17 | |
GEARBOX GRINDS | 0:02:17 | 0:02:19 | |
-Oh! -Oh! -If you can't find it, grind it, as they say! | 0:02:19 | 0:02:24 | |
In 1939, Britain's farmers prepared for war. | 0:02:24 | 0:02:28 | |
Now, Alex, Ruth and Peter are on their way to their new farm in Hampshire. | 0:02:29 | 0:02:33 | |
A few miles in from the south coast, near the ports of Southampton | 0:02:34 | 0:02:38 | |
and Portsmouth, during the war, this was the front line against the Nazis. | 0:02:38 | 0:02:44 | |
Like troops, farmers, too, were being mobilised. | 0:02:44 | 0:02:46 | |
So important was their job to the nation's survival, the farming | 0:02:49 | 0:02:53 | |
would become a reserved occupation, exempt from military conscription. | 0:02:53 | 0:02:58 | |
60% of our food was being imported. Just so easy, isn't it, | 0:02:58 | 0:03:02 | |
for the Germans to just cut-off the supply?! | 0:03:02 | 0:03:05 | |
A ring of U-boats surrounding the British Isles, | 0:03:05 | 0:03:08 | |
effectively starving us to death. | 0:03:08 | 0:03:09 | |
Suddenly, all the overseas food on which Britain so depended | 0:03:13 | 0:03:17 | |
was in jeopardy. | 0:03:17 | 0:03:20 | |
German U-boats and warships threatens to destroy convoys | 0:03:20 | 0:03:24 | |
transporting supplies across the Atlantic. | 0:03:24 | 0:03:26 | |
To make things worse, farming in Britain had been in recession | 0:03:28 | 0:03:31 | |
since the end of the First World War. | 0:03:31 | 0:03:34 | |
And now they'd have to double production. | 0:03:34 | 0:03:36 | |
This is probably one of the greatest challenges British | 0:03:38 | 0:03:41 | |
agriculture had ever faced! | 0:03:41 | 0:03:43 | |
Absolutely! | 0:03:43 | 0:03:45 | |
How to turn it around after 20 years of neglect | 0:03:45 | 0:03:48 | |
and a reinvestment in the countryside. | 0:03:48 | 0:03:50 | |
But the main thing, we have got a new team member! | 0:03:51 | 0:03:55 | |
-Isn't that right, Henry? -All right at the back there, Henry? | 0:03:55 | 0:03:57 | |
He's going to make all the difference, isn't he? | 0:03:57 | 0:04:00 | |
I think he most certainly will. | 0:04:00 | 0:04:02 | |
-There you go. -That's really pretty. | 0:04:05 | 0:04:08 | |
-What a farm! -Beautiful, isn't it? | 0:04:13 | 0:04:16 | |
This is Manor Farm, | 0:04:22 | 0:04:25 | |
eight miles from Southampton, | 0:04:25 | 0:04:27 | |
which they will work on for the coming year. | 0:04:27 | 0:04:30 | |
Handing over the keys is farm manager David Trenchard. | 0:04:34 | 0:04:37 | |
Hello, David. Alex. | 0:04:37 | 0:04:38 | |
-Alex. -Ruth. -Ruth, pleasure. Fantastic farm you've got here. | 0:04:38 | 0:04:43 | |
Yes, it is. You wouldn't find a more typical Hampshire farm than this. | 0:04:43 | 0:04:47 | |
Where is our first port of call going to be? | 0:04:47 | 0:04:51 | |
I think we'll start in the yard and have a look at the stock. | 0:04:51 | 0:04:54 | |
-OK. -Thank you. | 0:04:54 | 0:04:55 | |
Manor farm was typical of the 1930s. | 0:04:57 | 0:05:00 | |
Cheap cereal crops imported from the United States and Canada | 0:05:00 | 0:05:03 | |
meant British farmers could no longer compete. | 0:05:03 | 0:05:07 | |
So instead of growing crops, they concentrated on livestock. | 0:05:07 | 0:05:12 | |
Ah, the pigs! | 0:05:12 | 0:05:14 | |
These are the pigs, yes, we keep two breeds on the farm at the moment. | 0:05:14 | 0:05:18 | |
We keep Saddlebacks, and this is Middle Whites. | 0:05:18 | 0:05:21 | |
Good old pig for your sausages and everything else. | 0:05:21 | 0:05:24 | |
In fact, they are a rare breed. | 0:05:24 | 0:05:26 | |
Good girl, good girl. | 0:05:26 | 0:05:30 | |
THEY LAUGH | 0:05:30 | 0:05:32 | |
There you go. | 0:05:32 | 0:05:35 | |
-Now, here's your girls. -Here's our girls. | 0:05:41 | 0:05:45 | |
-You can tell they are milkers. -Yes, yes, very good milkers. | 0:05:45 | 0:05:50 | |
-We have actually got a Guernsey, Jersey and an Ayrshire there. -Right. | 0:05:50 | 0:05:54 | |
I mean this close to somewhere like Southampton, | 0:05:54 | 0:05:57 | |
-there's definitely going to be a market for milk, isn't there? -Yeah. | 0:05:57 | 0:06:01 | |
-This is our milking parlour. -Wow! | 0:06:02 | 0:06:06 | |
Hey! It's a modern milking machine! | 0:06:06 | 0:06:10 | |
Cups for the teats. I mean, it is such a reduction in labour. | 0:06:12 | 0:06:15 | |
Yes, yes, we have modernised. | 0:06:15 | 0:06:17 | |
So this really is the 1939 state-of-the-art milking parlour? | 0:06:17 | 0:06:21 | |
This is it, yes, sit on that stool every morning | 0:06:21 | 0:06:23 | |
spending 20 minutes milking the cow there. | 0:06:23 | 0:06:26 | |
THEY LAUGH | 0:06:26 | 0:06:29 | |
Before the war, Manor Farm also had beef cattle, | 0:06:29 | 0:06:33 | |
sheep, | 0:06:33 | 0:06:35 | |
workshops... | 0:06:35 | 0:06:37 | |
..petrol-powered farm equipment... | 0:06:40 | 0:06:42 | |
..and nearby, a wartime village hall. | 0:06:47 | 0:06:51 | |
Oh, look at this! Dance Mania Foxtrot. | 0:06:51 | 0:06:55 | |
-Wow, old gramophone records! -The One I Love. A foxtrot. | 0:06:55 | 0:06:59 | |
So we're definitely between the two wars here, aren't we? | 0:06:59 | 0:07:02 | |
Mmm. This must have been ringing, this place. | 0:07:02 | 0:07:05 | |
Such a popular thing to do, during the war, dancing. | 0:07:05 | 0:07:07 | |
Well, judging by the state of this place, it was an awesome party! | 0:07:07 | 0:07:12 | |
Got this fantastic archaeological record here, haven't we, | 0:07:12 | 0:07:15 | |
-of life during the war, really. -Absolutely. | 0:07:15 | 0:07:18 | |
At the heart of the farm is a row of cottages. | 0:07:22 | 0:07:25 | |
Here, Alex, Peter and Ruth will experience wartime domestic life. | 0:07:25 | 0:07:30 | |
-Ah, the kitchen! -Let's have a look. -Nice light. A local stove. | 0:07:30 | 0:07:36 | |
It's tiny. How am I supposed to manage with that?! | 0:07:36 | 0:07:41 | |
This coal cooking range dates from well before the First World War. | 0:07:41 | 0:07:45 | |
By the 1930s, they were being superseded by cleaner | 0:07:45 | 0:07:48 | |
-and more efficient cookers. -Look, look, I'll show you what I want. | 0:07:48 | 0:07:52 | |
I've been looking. Look, see! That's what I want, that. | 0:07:52 | 0:07:54 | |
-What is that? Gas, is it? -An electric cooker. | 0:07:54 | 0:07:57 | |
I mean, there's gas cookers and electric cookers going in like crazy all across Britain. | 0:07:57 | 0:08:01 | |
It's clean, takes far less work and the government is actually | 0:08:01 | 0:08:05 | |
saying with war coming, we know we're going to be short of coal, | 0:08:05 | 0:08:07 | |
we need that fuel for other things, electricity is much more efficient. | 0:08:07 | 0:08:10 | |
It's really encouraging people to move over to electric cooking. | 0:08:10 | 0:08:14 | |
So, the lady gets a new cooker because it's all | 0:08:14 | 0:08:17 | |
-part of the war effort, is what you're trying to say to us? -Yeah. | 0:08:17 | 0:08:21 | |
I'm really looking forward to bringing this place back to life | 0:08:25 | 0:08:28 | |
and seeing what it was like living in rural Britain | 0:08:28 | 0:08:32 | |
during the Second World War. | 0:08:32 | 0:08:33 | |
Wartime in many people's minds is all about guns and aeroplanes, | 0:08:36 | 0:08:40 | |
and tanks and young men in uniform. | 0:08:40 | 0:08:42 | |
But it's also a period in which the British countryside, | 0:08:42 | 0:08:45 | |
and British country people really came back into their own. | 0:08:45 | 0:08:50 | |
Timber! | 0:08:50 | 0:08:51 | |
The farmers had to produce food, | 0:08:51 | 0:08:53 | |
and provide accommodation for a huge section of the population. | 0:08:53 | 0:08:56 | |
It was an enormously important part of the war effort, | 0:08:56 | 0:09:00 | |
and I do think that sometimes it gets forgotten. | 0:09:00 | 0:09:03 | |
This is an opportunity to explore an untold history. | 0:09:03 | 0:09:08 | |
Here, we've got a very, very different battle being fought - | 0:09:08 | 0:09:11 | |
a battle, really, for food - | 0:09:11 | 0:09:13 | |
and that untold story is one that I'm thrilled to be exploring. | 0:09:13 | 0:09:16 | |
ROOSTER CROWS | 0:09:22 | 0:09:24 | |
Even before war was declared, | 0:09:29 | 0:09:31 | |
the government anticipated that a German blockade would | 0:09:31 | 0:09:34 | |
drastically reduce food imports, so Britain would have to feed itself. | 0:09:34 | 0:09:38 | |
To do so, farmers would have to increase their harvest. | 0:09:40 | 0:09:42 | |
Over there, we've got dog-tail coppice. | 0:09:44 | 0:09:46 | |
The government set up war agricultural executive committees | 0:09:47 | 0:09:50 | |
in every county to drive through these changes. | 0:09:50 | 0:09:54 | |
Known as War-Ags, | 0:09:55 | 0:09:57 | |
they had the power to tell farmers what fields to plough up. | 0:09:57 | 0:10:00 | |
So Alex and Peter are surveying the farm's 30 acres to see how it can be done. | 0:10:02 | 0:10:07 | |
So, this is Manor Farm here. | 0:10:07 | 0:10:09 | |
Yeah, that's the farm and we are bound by the River Hamble here, | 0:10:09 | 0:10:13 | |
-coming around this horseshoe shape. -Yeah. | 0:10:13 | 0:10:16 | |
So all of these fields around here would relate to Manor farm. | 0:10:16 | 0:10:20 | |
But of course, the majority of this land | 0:10:20 | 0:10:23 | |
-was all being used for rearing livestock. -Yeah. | 0:10:23 | 0:10:27 | |
But using land for livestock production | 0:10:27 | 0:10:30 | |
was not the most efficient way of feeding the nation. | 0:10:30 | 0:10:33 | |
It's a simple principle, really, isn't it? | 0:10:33 | 0:10:35 | |
Instead of growing all of this feed to feed animals, | 0:10:35 | 0:10:39 | |
to slaughter, to then feed people, why don't you actually just | 0:10:39 | 0:10:44 | |
grow the feed and feed the people directly, and it's a much more | 0:10:44 | 0:10:47 | |
economic way of feeding, because you lose a lot of that calorific value | 0:10:47 | 0:10:52 | |
from the original food, | 0:10:52 | 0:10:53 | |
by putting it through livestock before you feed people. | 0:10:53 | 0:10:57 | |
In 1939, war breaks out, you had months to get around your farm, | 0:10:57 | 0:11:03 | |
as we'll be doing, and looking at the field and saying, that - wheat, | 0:11:03 | 0:11:08 | |
that - beans, that - barley, | 0:11:08 | 0:11:10 | |
-and that's exactly what we're going to have to do, aren't we? -We are. | 0:11:10 | 0:11:14 | |
Over the six years of conflict, the War-Ag instructed farmers to grow | 0:11:14 | 0:11:18 | |
an extra 6.5 million acres of crops, a total area bigger than Wales. | 0:11:18 | 0:11:24 | |
Many farmers were ill-equipped for this monumental challenge, | 0:11:27 | 0:11:31 | |
as they didn't have the machinery or suitable land. | 0:11:31 | 0:11:34 | |
Welcome to the badlands. If I were a potter, | 0:11:38 | 0:11:42 | |
I could make my fortune here. | 0:11:42 | 0:11:45 | |
It's beautiful, beautiful clay, but at the moment, | 0:11:45 | 0:11:48 | |
this clay is a hindrance. The water, it sits on it. | 0:11:48 | 0:11:52 | |
If we attempted to grow crops here, they would be ruined, | 0:11:52 | 0:11:56 | |
so we need to find some way of draining this sitting water | 0:11:56 | 0:12:02 | |
and then we'll be able to grow a fantastic crop. | 0:12:02 | 0:12:04 | |
It actually, according to the map, | 0:12:07 | 0:12:09 | |
dips away towards a brook in the bottom of the field. | 0:12:09 | 0:12:12 | |
So I am worried about sitting water. | 0:12:12 | 0:12:14 | |
In this field, they have decided to grow wheat, used to produce bread. | 0:12:20 | 0:12:25 | |
I've got a leaflet here, Peter, | 0:12:34 | 0:12:36 | |
this is what the ministry have furnished me with. | 0:12:36 | 0:12:39 | |
"Mole drainage for heavy land." | 0:12:39 | 0:12:41 | |
What the War-Ag is recommending is the use of a mole subsoiler, | 0:12:41 | 0:12:45 | |
essentially, it's a kind of deep cultivation, if you like. | 0:12:45 | 0:12:48 | |
It's like a little torpedo that is dragged through the soil | 0:12:48 | 0:12:53 | |
at a depth of, what, Peter? | 0:12:53 | 0:12:55 | |
-About just over a foot. -OK. -A foot or a foot and a half. | 0:12:55 | 0:12:58 | |
-Just over a foot. -It's got to be deeper than the plough, | 0:12:58 | 0:13:01 | |
-if it's going to happen. -Yeah. | 0:13:01 | 0:13:02 | |
Traditionally, farmers had drained fields with hand-dug ditches | 0:13:02 | 0:13:06 | |
and clay pipes. | 0:13:06 | 0:13:08 | |
But using a mole subsoiler was much quicker and cheaper | 0:13:08 | 0:13:12 | |
and used extensively during the war. | 0:13:12 | 0:13:16 | |
First, they need to survey the field to find out which way it slopes. | 0:13:16 | 0:13:21 | |
Now, it might look obvious to start with, but I can see already, | 0:13:22 | 0:13:26 | |
we've got a dip in there. There's a danger that | 0:13:26 | 0:13:28 | |
if we just drained all the way down to this point, OK, | 0:13:28 | 0:13:32 | |
even if we drained through it, | 0:13:32 | 0:13:33 | |
we'd still get a build-up of water in this area. | 0:13:33 | 0:13:37 | |
As archaeologists, surveying is second nature to Alex and Peter. | 0:13:37 | 0:13:42 | |
Yeah, there, perfect. And just work down a little bit. | 0:13:42 | 0:13:48 | |
-So, here? -Yeah. | 0:13:48 | 0:13:49 | |
-OK. -So that's what? Five feet seven? -About five, six. -Five, six. There we go. | 0:13:49 | 0:13:56 | |
OK, Alex! Shall we do another line? | 0:13:56 | 0:14:00 | |
Knowing the lay of the land, they can work out where to use | 0:14:02 | 0:14:05 | |
the mole subsoiler to make underground drainage channels. | 0:14:05 | 0:14:08 | |
Doubling food production put enormous demands on labour, | 0:14:11 | 0:14:15 | |
so women were drafted to work on the land. | 0:14:15 | 0:14:19 | |
This made it important to reduce housework | 0:14:19 | 0:14:21 | |
by modernising the kitchen. | 0:14:21 | 0:14:23 | |
Ruth's called on expert in household technology, Dr Karen Sayer. | 0:14:23 | 0:14:27 | |
Oh! You've caught me! I'm still cleaning! Hello! Come in! Sorry! | 0:14:27 | 0:14:32 | |
-That's fine. -I'm absolutely filthy! Lovely to see you. | 0:14:32 | 0:14:35 | |
Good to see you, too. | 0:14:35 | 0:14:37 | |
I found this fantastic picture in my book here, about furniture | 0:14:37 | 0:14:41 | |
and how to layout the home. | 0:14:41 | 0:14:44 | |
And that. You see? That's just exactly what I had in mind. | 0:14:46 | 0:14:49 | |
We've got the electric cookers, the kitchenettes, it's a modern, | 0:14:49 | 0:14:54 | |
-new kitchen, ready! -I have to disappoint you a little bit. -Oh. | 0:14:54 | 0:14:58 | |
-THEY LAUGH -The kitchenette is fine, | 0:14:58 | 0:15:02 | |
but electric cooker is going to be a big problem. | 0:15:02 | 0:15:06 | |
-Do you have mains electricity? -No, not the mains. | 0:15:06 | 0:15:09 | |
So the fact that we're not on the grid here, | 0:15:09 | 0:15:11 | |
was that common for farms at the outbreak of war? | 0:15:11 | 0:15:13 | |
Absolutely. The majority of farms were not on the grid. | 0:15:13 | 0:15:16 | |
In 1939, just one in ten rural houses had mains electricity. | 0:15:18 | 0:15:23 | |
But there was an alternative. | 0:15:23 | 0:15:26 | |
A portable petrol-powered generator. | 0:15:28 | 0:15:31 | |
Philip Everson has brought one along. | 0:15:33 | 0:15:35 | |
ENGINE CHUGS | 0:15:35 | 0:15:37 | |
-Goodness, you got it going! -Yes! | 0:15:37 | 0:15:39 | |
Hopefully, now we can have some light. | 0:15:39 | 0:15:41 | |
That looks frankly like you are about to restart Frankenstein. | 0:15:41 | 0:15:45 | |
Well, it would probably do that as well, | 0:15:45 | 0:15:47 | |
but first of all, we should have...light! | 0:15:47 | 0:15:49 | |
Oh, wow! | 0:15:49 | 0:15:50 | |
SHE LAUGHS | 0:15:50 | 0:15:52 | |
This is a 50 volt set. It runs 50 volts and up to 1,000 watts. | 0:15:53 | 0:15:57 | |
This is what you call a cottage lighting plant | 0:15:57 | 0:16:00 | |
so you run the engine during the day to charge a set of batteries up | 0:16:00 | 0:16:05 | |
and when they were fully charged you put the lights on at night | 0:16:05 | 0:16:07 | |
so you can have the lights without listening to the engine, | 0:16:07 | 0:16:10 | |
and use the engine to keep the batteries charged. | 0:16:10 | 0:16:12 | |
-That's quite a doable thing. -Yeah, absolutely. | 0:16:12 | 0:16:14 | |
We could use it to light a workshop, we could use it to light the house. | 0:16:14 | 0:16:18 | |
Were there a lot of these about? | 0:16:18 | 0:16:21 | |
They made these engines from 1926 up until 1964 | 0:16:21 | 0:16:24 | |
and the actual basic engines, they made a quarter of a million of them. | 0:16:24 | 0:16:27 | |
They were one of the most successful small power engines | 0:16:27 | 0:16:30 | |
ever made in the UK. | 0:16:30 | 0:16:32 | |
They were almost impossible to kill. | 0:16:32 | 0:16:33 | |
You could work them and abuse them | 0:16:33 | 0:16:35 | |
and they still came back for more so the farmers loved them. | 0:16:35 | 0:16:39 | |
Before they can sow the wheat, | 0:16:41 | 0:16:42 | |
the team need a mole subsoil to improve the drainage. | 0:16:42 | 0:16:47 | |
But low incomes during the agricultural depression | 0:16:47 | 0:16:50 | |
meant farmers didn't have the money to buy equipment. | 0:16:50 | 0:16:53 | |
So, like farmers of the time, Peter must improvise | 0:16:56 | 0:16:58 | |
by calling on the services of a blacksmith like Simon Summers. | 0:16:58 | 0:17:03 | |
This is, essentially, a bullet-shaped piece of iron | 0:17:03 | 0:17:07 | |
that gets dragged through the ground and leaves in its wake a channel. | 0:17:07 | 0:17:13 | |
Basically, like a pipe without any...piping | 0:17:13 | 0:17:15 | |
Yeah, yeah, you want a solid bit of iron. | 0:17:15 | 0:17:17 | |
You want some strength there, for that. | 0:17:17 | 0:17:19 | |
Serious strength. Yeah. | 0:17:19 | 0:17:20 | |
-All right. -Cos this is quite an undertaking. | 0:17:20 | 0:17:22 | |
In 1939, scrap metal was going to the war effort | 0:17:25 | 0:17:28 | |
for armaments production - resulting in shortages. | 0:17:28 | 0:17:31 | |
Well, that looks like the base of a seed drill. | 0:17:31 | 0:17:34 | |
Yeah, there's some good wheels on that. | 0:17:34 | 0:17:36 | |
The blacksmith, whose craft had long been in decline, | 0:17:36 | 0:17:39 | |
now found himself once more in demand. | 0:17:39 | 0:17:43 | |
There's an adjustable linkage there, so that could go on to the tractor. | 0:17:43 | 0:17:47 | |
He had the skill to make do and mend, | 0:17:47 | 0:17:50 | |
turning rusty metal into new machines. | 0:17:50 | 0:17:52 | |
The thing I'm most concerned about is the actual physical lump | 0:17:52 | 0:17:55 | |
of metal that gets dragged through the grounds. | 0:17:55 | 0:17:58 | |
-That's iron, that is. -That's iron, is it? | 0:17:58 | 0:17:59 | |
That's raw iron, that shaft is. | 0:17:59 | 0:18:01 | |
-Well, that's pretty... -We could use that. | 0:18:01 | 0:18:03 | |
It's good-quality iron, this. | 0:18:03 | 0:18:05 | |
Henry, we're looking for iron, not potatoes! | 0:18:05 | 0:18:08 | |
In the forge, Simon begins the process of transforming | 0:18:15 | 0:18:18 | |
the scrap-iron axle into a brand-new mole. | 0:18:18 | 0:18:22 | |
OK? That's it. Now we're going to put it back in the fire. | 0:18:25 | 0:18:30 | |
The first job is to make a bullet-shaped nose on the mole, | 0:18:30 | 0:18:33 | |
so it can be pulled easily through the clay soil. | 0:18:33 | 0:18:36 | |
This is where the sledge comes and you're going to follow my pattern. | 0:18:36 | 0:18:40 | |
-You tell me where to hit and I hit it. -Yeah. | 0:18:40 | 0:18:43 | |
OK. | 0:18:43 | 0:18:44 | |
Right, we're just driving... this in to cut a slot. | 0:18:57 | 0:19:02 | |
We have to be very careful, cos it's so hot. | 0:19:03 | 0:19:06 | |
Simon has to keep cooling the tool otherwise it gets stuck in there | 0:19:08 | 0:19:12 | |
and will essentially forge the two together. | 0:19:12 | 0:19:14 | |
That's perfect. | 0:19:19 | 0:19:20 | |
Once the fields have been drained with Peter's mole subsoiler, | 0:19:26 | 0:19:30 | |
they'll return to bare earth, by ploughing. | 0:19:30 | 0:19:33 | |
But Alex had spotted another problem. | 0:19:33 | 0:19:35 | |
You can't plough a field when it's got big, thick sward, you know, | 0:19:37 | 0:19:43 | |
a thick grass on the top of it. It just doesn't work. | 0:19:43 | 0:19:46 | |
You've got to have it eaten down so it's almost like a carpet. | 0:19:46 | 0:19:49 | |
To do this, Alex is calling on the beef cattle, | 0:19:49 | 0:19:52 | |
reared by Debbie Underwood. | 0:19:52 | 0:19:54 | |
So you've built up a real rapport with this herd. | 0:19:56 | 0:19:59 | |
-This one we've had since she was two weeks old. -Really? | 0:19:59 | 0:20:03 | |
I used to pick up and carry her around. I don't do that any more. | 0:20:03 | 0:20:06 | |
-No, I can imagine! -She's like a lovely, soppy Labrador. | 0:20:06 | 0:20:08 | |
-This is Abigail. -Abigail? | 0:20:08 | 0:20:10 | |
Yeah. Isn't she gorgeous? | 0:20:10 | 0:20:12 | |
Come on, then. | 0:20:15 | 0:20:16 | |
But back then, this herd would have faced an uncertain future. | 0:20:16 | 0:20:21 | |
You would have had farmers, like Debbie here, who had grown-up | 0:20:21 | 0:20:27 | |
with cattle all their lives but with more looming | 0:20:27 | 0:20:29 | |
and this desire to grow more cereals, | 0:20:29 | 0:20:31 | |
the Ministry for Agriculture wasn't going to reward farmers | 0:20:31 | 0:20:36 | |
who kept beef, cattle. | 0:20:36 | 0:20:37 | |
Come on! | 0:20:40 | 0:20:42 | |
It will take the cattle about three weeks to graze this grass | 0:20:42 | 0:20:46 | |
ready for ploughing. | 0:20:46 | 0:20:48 | |
This is my new kitchenette. | 0:20:48 | 0:20:50 | |
I am so pleased with this. | 0:20:50 | 0:20:52 | |
Ruth and Karen are furnishing the kitchen with labour-saving devices. | 0:20:52 | 0:20:57 | |
It's clean. | 0:20:57 | 0:20:58 | |
A lovely enamel surface, easy to wipe down for pastry preparation. | 0:20:58 | 0:21:04 | |
-Absolutely. -All your food storage, all cleanly tidied away, it's great. | 0:21:04 | 0:21:08 | |
With the generator finally connected up, | 0:21:10 | 0:21:13 | |
Ruth has electric light in the cottage. | 0:21:13 | 0:21:15 | |
Fantastic! | 0:21:15 | 0:21:17 | |
SHE LAUGHS | 0:21:21 | 0:21:22 | |
BULB SMASHES | 0:21:25 | 0:21:26 | |
Hopefully, she'll have better luck with the radio. | 0:21:26 | 0:21:28 | |
Whoops! | 0:21:28 | 0:21:30 | |
RADIO TUNES IN AND OUT | 0:21:32 | 0:21:34 | |
Of course, this is how you're going to get all the news | 0:21:34 | 0:21:36 | |
and current affairs. | 0:21:36 | 0:21:38 | |
Particularly as you go further into the war, | 0:21:38 | 0:21:41 | |
the newspapers themselves had to cut down incredibly | 0:21:41 | 0:21:44 | |
-and sometimes there were only four sides at a time. -Right. | 0:21:44 | 0:21:48 | |
So the best way of finding out exactly what's going on is the radio. | 0:21:48 | 0:21:52 | |
This really is your connection with the wider world. | 0:21:52 | 0:21:54 | |
It's your connection, absolutely. | 0:21:54 | 0:21:56 | |
Electricity also meant new labour-saving gadgets. | 0:21:58 | 0:22:01 | |
Now we're talking! | 0:22:04 | 0:22:06 | |
Perfect appliance to make your life so much easier. | 0:22:06 | 0:22:10 | |
Traditionally, an iron was a piece of flat metal heated on a coal range. | 0:22:10 | 0:22:14 | |
Now they were replaced by ones you could plug in. | 0:22:14 | 0:22:18 | |
-So, it's a bayonet or like a bulb. -It's a bayonet exactly like a bulb. | 0:22:18 | 0:22:22 | |
That's it. | 0:22:22 | 0:22:24 | |
-Wow! -Now, how much faster is that? | 0:22:24 | 0:22:27 | |
-That's not only fast but it's so clean. -It's so clean. | 0:22:27 | 0:22:31 | |
You don't have to worry about smuts getting on your laundry. | 0:22:31 | 0:22:34 | |
Small generators weren't capable of powering large appliances, though, | 0:22:34 | 0:22:39 | |
like electric cookers. | 0:22:39 | 0:22:41 | |
But there was a modern convenient replacement for the coal range. | 0:22:42 | 0:22:45 | |
Oh, it's a paraffin stove! | 0:22:45 | 0:22:46 | |
They're supposed to just free stand, no plumbing in. | 0:22:46 | 0:22:50 | |
There's no fixing to anything, it's just a little stand-alone box. | 0:22:50 | 0:22:54 | |
Well, again, this is the way forward. This is modernity. | 0:22:54 | 0:22:57 | |
So, it's just a series of flat paraffin lamps. | 0:22:59 | 0:23:03 | |
-This is nothing new, is it? -No, this is exactly like oil lamps. | 0:23:03 | 0:23:06 | |
People would have been very used to using this and this helps with | 0:23:06 | 0:23:11 | |
the adoption of technology as well and you can see that in the styling. | 0:23:11 | 0:23:14 | |
It's all painted black to look like a range | 0:23:14 | 0:23:17 | |
and yet it's made of really thin sheet metal. | 0:23:17 | 0:23:19 | |
Absolutely, and that's to make people feel very comfortable. | 0:23:19 | 0:23:22 | |
I am really looking forward to cooking on this. | 0:23:22 | 0:23:24 | |
-I bet you are! -It's going to be so different. | 0:23:24 | 0:23:27 | |
It is going to be so much easier presumably. | 0:23:27 | 0:23:30 | |
Look, no smoke. | 0:23:30 | 0:23:31 | |
You're not having to shovel coal or anything. | 0:23:31 | 0:23:34 | |
It's much less labour intensive. | 0:23:34 | 0:23:37 | |
-OK, you get the sledge, Peter. -Yeah. | 0:23:43 | 0:23:44 | |
To drain the boggy land for cereal production, | 0:23:44 | 0:23:48 | |
Peter and blacksmith Simon Summers are making a mole subsoiler. | 0:23:48 | 0:23:52 | |
Whack it down, yeah. | 0:23:52 | 0:23:53 | |
So far, they've made the head of the mole. | 0:23:56 | 0:23:58 | |
Next, they must make a strong bracket | 0:23:58 | 0:24:01 | |
to hold it in place below the ground. | 0:24:01 | 0:24:02 | |
-Now we need to make another cut up here. -Right. | 0:24:02 | 0:24:05 | |
Move it along, probably about there. | 0:24:05 | 0:24:09 | |
But the best they can find is a rusty Victorian cartwheel rim. | 0:24:09 | 0:24:14 | |
It's really good iron. It's such a waste if we don't re-use it. | 0:24:19 | 0:24:24 | |
Once we get up to a certain temperature, | 0:24:24 | 0:24:27 | |
the rust just comes off so it will be like bright new iron again. | 0:24:27 | 0:24:30 | |
The bracket's finished. Now to attach it to the mole itself. | 0:24:34 | 0:24:38 | |
Right, here comes the hot rivet. In it goes. | 0:24:46 | 0:24:49 | |
So, through... it catches the mushroom. OK, flip... | 0:24:49 | 0:24:54 | |
Flip! | 0:24:54 | 0:24:55 | |
CLANGING | 0:24:55 | 0:24:57 | |
You can see why blacksmiths went deaf! | 0:24:58 | 0:25:01 | |
And there we have it, entirely made from scrap iron | 0:25:01 | 0:25:04 | |
that we found in the hedgerow. | 0:25:04 | 0:25:06 | |
Old machinery that we turned into a new machine. Fantastic. | 0:25:06 | 0:25:10 | |
Peter is building a chassis to carry his mole subsoiler. | 0:25:15 | 0:25:20 | |
So hopefully this is going to aid keeping the mole in the ground. | 0:25:20 | 0:25:26 | |
And there we go. | 0:25:26 | 0:25:28 | |
Slide that in like that. | 0:25:30 | 0:25:32 | |
This project is a mix of quite intense stress | 0:25:32 | 0:25:36 | |
because obviously, it's got to be done and done to a certain time limit | 0:25:36 | 0:25:39 | |
but also one of immense joy because it's so much fun | 0:25:39 | 0:25:42 | |
to have a workshop, to have a forge, to be able to tinker around. | 0:25:42 | 0:25:45 | |
All good, all good stuff. | 0:25:45 | 0:25:48 | |
Peter will need a machine to pull the mole subsoiler | 0:25:49 | 0:25:51 | |
through the ground. | 0:25:51 | 0:25:54 | |
But in 1939, there were 20 horses to every tractor on Britain's farms. | 0:25:55 | 0:26:01 | |
If farmers were to double food production to meet the demands | 0:26:01 | 0:26:04 | |
of war they'd have two replace horsepower with mechanical power. | 0:26:04 | 0:26:08 | |
Unlike horses, tractors don't need to rest. | 0:26:08 | 0:26:11 | |
Pete Diggs, who has farmed in this area his whole life, is giving | 0:26:14 | 0:26:17 | |
Alex and Ruth a lesson in driving the most popular wartime tractor, | 0:26:17 | 0:26:21 | |
the Fordson. | 0:26:21 | 0:26:23 | |
-Hello, Peter. -So this is her, is it? | 0:26:23 | 0:26:27 | |
-She's going to do all the work for us? -Well, we hope so! | 0:26:27 | 0:26:30 | |
You've got a nice sprung seat here. | 0:26:30 | 0:26:33 | |
There's no cushions | 0:26:33 | 0:26:35 | |
but I can remember putting straw into a sack and tying that on. | 0:26:35 | 0:26:40 | |
-Yeah. -It was much more comfortable on the bum. -I bet it was! | 0:26:40 | 0:26:46 | |
But it's no easy job starting it. | 0:26:46 | 0:26:50 | |
-Make sure you've got plenty of oil there. -OK. | 0:26:50 | 0:26:54 | |
During the war, tractor numbers on British farms would more than | 0:26:54 | 0:26:58 | |
triple from 55,000 to over 175,000. | 0:26:58 | 0:27:04 | |
But the Fordson was notoriously difficult to start... | 0:27:04 | 0:27:08 | |
as Ruth's about to discover. | 0:27:08 | 0:27:10 | |
And then wind with the starting handle. | 0:27:10 | 0:27:13 | |
Shall we make Ruth crank this, do you think? | 0:27:13 | 0:27:15 | |
Oh, you'll have muscles now! | 0:27:15 | 0:27:18 | |
I've got muscles! | 0:27:18 | 0:27:19 | |
Blinking heck. | 0:27:22 | 0:27:23 | |
Jeepers. | 0:27:25 | 0:27:26 | |
Doubling crop production would need a huge increase in labour | 0:27:26 | 0:27:30 | |
so women were called upon to drive the tractors. | 0:27:30 | 0:27:33 | |
SHE GASPS | 0:27:35 | 0:27:36 | |
Much easier to take a horse out of a stable! | 0:27:39 | 0:27:41 | |
Yeah, probably quicker at my rate and all! | 0:27:41 | 0:27:44 | |
-ENGINE SPLUTTERS AND DIES -Oh, did you hear that? | 0:27:44 | 0:27:47 | |
Oh, nearly! Nearly! | 0:27:47 | 0:27:50 | |
How you doing? Do you want me to...? | 0:27:50 | 0:27:52 | |
No. | 0:27:52 | 0:27:54 | |
The kind of wartime attitude we need, Ruth. | 0:27:57 | 0:28:00 | |
ENGINE STARTS | 0:28:00 | 0:28:02 | |
Congratulations, Ruth. | 0:28:04 | 0:28:06 | |
Oil and all! | 0:28:06 | 0:28:08 | |
-You are going to stand well back, aren't you? -Yes, absolutely, Ruth! | 0:28:12 | 0:28:16 | |
SHE GRINDS GEARS | 0:28:19 | 0:28:21 | |
Let's let her get on with it, Peter. | 0:28:31 | 0:28:33 | |
Yes! | 0:28:34 | 0:28:35 | |
Pete was just seven when war broke out | 0:28:38 | 0:28:41 | |
and he witnessed the transition from horse power to mechanical power. | 0:28:41 | 0:28:45 | |
That was Captain and that was Dick. | 0:28:45 | 0:28:48 | |
As you can see, I started very, very young. | 0:28:48 | 0:28:52 | |
Look, that's you on top of that. That's a big dray, isn't it? | 0:28:52 | 0:28:56 | |
That's it. | 0:28:56 | 0:28:57 | |
-I take it these aren't your boots here. -No, they are my fathers. | 0:28:57 | 0:29:01 | |
I nicked them one day and was off down to the farm. | 0:29:01 | 0:29:05 | |
-What, you wanted to be a farmer from a young age? -That's it. | 0:29:05 | 0:29:08 | |
Come on! Come on, come on. | 0:29:08 | 0:29:11 | |
ENGINE STALLS | 0:29:11 | 0:29:12 | |
Argh! I stalled her! | 0:29:12 | 0:29:16 | |
-The gear changes. -Were you attempting second, there? | 0:29:16 | 0:29:19 | |
-I was trying second. -You were attempting second gear. -Yeah. | 0:29:19 | 0:29:22 | |
I'd better go over and see. | 0:29:32 | 0:29:33 | |
HE LAUGHS | 0:29:33 | 0:29:36 | |
In the workshop, Peter's mole subsoiler is taking shape. | 0:29:39 | 0:29:43 | |
But there aren't enough hours of daylight to get it finished in time. | 0:29:43 | 0:29:47 | |
Using the generator to light the workshop should help. | 0:29:47 | 0:29:50 | |
This is going to make such a difference. | 0:29:50 | 0:29:57 | |
Because it is going to enable me to work throughout the evening. | 0:29:57 | 0:30:02 | |
If they don't get the fields drained and ploughed | 0:30:03 | 0:30:07 | |
in the next few days, they won't get the wheat crops sown in time. | 0:30:07 | 0:30:10 | |
Finally! | 0:30:13 | 0:30:14 | |
Oh, dear. | 0:30:16 | 0:30:17 | |
On third September, 1939, at 11:15 in the morning, | 0:30:25 | 0:30:30 | |
Prime Minister Neville Chamberlain made the announcement | 0:30:30 | 0:30:33 | |
the nation had been bracing itself for. | 0:30:33 | 0:30:36 | |
-NEVILLE CHAMBERLAIN: -This morning, the British ambassador in Berlin | 0:30:36 | 0:30:40 | |
handed the German government a final note | 0:30:40 | 0:30:44 | |
stating that, unless we heard from them | 0:30:44 | 0:30:48 | |
by 11 o'clock, that they were prepared at once to withdraw | 0:30:48 | 0:30:53 | |
their troops from Poland, a state of war would exist between us. | 0:30:53 | 0:30:58 | |
I have to tell you now that no such undertaking has been received | 0:31:00 | 0:31:06 | |
and that consequently, this country is at war with Germany. | 0:31:06 | 0:31:12 | |
Somebody who was my age in 1939... | 0:31:20 | 0:31:23 | |
I'd have been in my mid-20s in the First World War, | 0:31:23 | 0:31:26 | |
the sort of age when you're losing husbands, losing brothers. | 0:31:26 | 0:31:28 | |
You have such a strong experience of it and then here it is all again. | 0:31:28 | 0:31:35 | |
So you're sat here listening to Chamberlain saying, | 0:31:35 | 0:31:37 | |
"I regret to tell you we're now at War-Again, against the same people." | 0:31:37 | 0:31:43 | |
You could lose your husband in the first war | 0:31:43 | 0:31:45 | |
and your son in the second. | 0:31:45 | 0:31:46 | |
Even so, you'd be sat here looking out the window | 0:31:46 | 0:31:50 | |
scarcely able to believe it. | 0:31:50 | 0:31:52 | |
A beautiful summer's day like this. | 0:31:52 | 0:31:53 | |
Britain was now expecting to be bombed by the Nazis at any time. | 0:32:03 | 0:32:07 | |
Air raid precaution wardens were tasked | 0:32:10 | 0:32:12 | |
with protecting the population. | 0:32:12 | 0:32:14 | |
Steve Taylor is an expert in wartime civil defence. | 0:32:15 | 0:32:18 | |
One for you. | 0:32:18 | 0:32:21 | |
One for you. | 0:32:22 | 0:32:24 | |
The government assumed that the Nazis would used poison gas | 0:32:24 | 0:32:26 | |
on the population so a gas mask was issued to every man, | 0:32:26 | 0:32:30 | |
woman and child in the country. | 0:32:30 | 0:32:32 | |
How do we know there's going to be a gas attack? | 0:32:32 | 0:32:34 | |
Are we just looking out ourselves for bombers? | 0:32:34 | 0:32:37 | |
No, you will hear an air raid siren or a rattle. | 0:32:37 | 0:32:40 | |
I've got the rattle here that I can show you. | 0:32:40 | 0:32:44 | |
Once you hear that, it's gas masks on immediately. | 0:32:44 | 0:32:47 | |
As soon as there is an all clear, | 0:32:47 | 0:32:49 | |
there will be an all clear siren or my trusty ARP whistle. | 0:32:49 | 0:32:53 | |
THREE LOUD WHISTLES | 0:32:53 | 0:32:56 | |
-It will tell you it is all clear. -Right, OK. | 0:32:56 | 0:32:58 | |
It was also feared that Britain would suffer night bombing. | 0:32:59 | 0:33:03 | |
A total blackout on the ground would make locating the target | 0:33:03 | 0:33:06 | |
much more difficult for the enemy. | 0:33:06 | 0:33:09 | |
Steve's demonstrating how doors were blacked out using a light break. | 0:33:09 | 0:33:13 | |
So, it's late at night and there is a kerfuffle in the farmyard. | 0:33:13 | 0:33:18 | |
Sound of a fox at the chickens. | 0:33:18 | 0:33:21 | |
I go in here, make sure I've closed the curtain first. | 0:33:21 | 0:33:25 | |
And then open the door. | 0:33:25 | 0:33:28 | |
And door open. | 0:33:28 | 0:33:29 | |
-Can you see any light coming in the edges? -Only through moth holes. | 0:33:29 | 0:33:33 | |
There we go. | 0:33:33 | 0:33:34 | |
To black out the windows, Alex and Peter are making removable frames. | 0:33:37 | 0:33:43 | |
One bespoke blackout frame. | 0:33:47 | 0:33:51 | |
-Not a single pinprick. -Proper job, mate. | 0:33:53 | 0:33:56 | |
-Right, fantastic. -That is a great job. | 0:33:56 | 0:34:00 | |
Now all we need to do is get that blackout curtain up. | 0:34:00 | 0:34:03 | |
All YOU need to do is get a blackout curtain up. | 0:34:03 | 0:34:05 | |
Right. Others have mole ploughs. | 0:34:05 | 0:34:07 | |
Of course, you need to get that done, don't you? | 0:34:07 | 0:34:09 | |
With war, the threat of German U-boats cutting off imports | 0:34:11 | 0:34:15 | |
became a reality. | 0:34:15 | 0:34:18 | |
It wasn't just staple foods like wheat that were under threat. | 0:34:18 | 0:34:22 | |
Imported fruits containing vitamin C were essential to the health of | 0:34:22 | 0:34:26 | |
the nation, particularly children. | 0:34:26 | 0:34:28 | |
As a boy, Ruth's father, Jeff Stealy, | 0:34:28 | 0:34:32 | |
was sent into the countryside to forage for alternatives. | 0:34:32 | 0:34:37 | |
I remember you telling me all about doing this. | 0:34:37 | 0:34:40 | |
-How much did they pay you? -Tuppence a pound. -Tuppence a pound! | 0:34:40 | 0:34:45 | |
Which was quite good for pocket money days, it really was. | 0:34:45 | 0:34:49 | |
If you did it on the wet days, of course, they weighed more. | 0:34:49 | 0:34:52 | |
Which was quite good. | 0:34:52 | 0:34:55 | |
That was your compensation for being out in bad weather. | 0:34:55 | 0:34:58 | |
And with all the men away, | 0:34:58 | 0:35:00 | |
it was left to the women and largely the boys, | 0:35:00 | 0:35:03 | |
to go around the hedges, finding apples, picking berries. | 0:35:03 | 0:35:07 | |
Why rosehips so much? There's not much food value in them. | 0:35:07 | 0:35:10 | |
Ah, but there's vitamin C. | 0:35:10 | 0:35:13 | |
So the sources of vitamin C that we've got used to, | 0:35:13 | 0:35:15 | |
all the oranges and lemons, are no longer coming in. | 0:35:15 | 0:35:17 | |
And limes, all sorts of Mediterranean stuff, | 0:35:17 | 0:35:19 | |
couldn't get through. So we're scratching about trying to find | 0:35:19 | 0:35:23 | |
-native British equivalents. -Yes. | 0:35:23 | 0:35:25 | |
Ruth is preserving the rosehips in syrup | 0:35:29 | 0:35:31 | |
so it can be taken throughout the winter. | 0:35:31 | 0:35:34 | |
The long, slow, gentle cooking has suited them quite well | 0:35:34 | 0:35:40 | |
so now I just need to strain all that liquid off. | 0:35:40 | 0:35:46 | |
Look at the colour! | 0:35:46 | 0:35:50 | |
So what I am getting out here is the vitamin C. | 0:35:50 | 0:35:54 | |
And that fleshy bit around the seed, | 0:35:54 | 0:35:56 | |
it is just like making jam or jelly really. | 0:35:56 | 0:35:59 | |
And once this is all drained out, | 0:36:03 | 0:36:06 | |
I will just have to make it into a syrup with sugar. | 0:36:06 | 0:36:10 | |
The sugar is there to preserve the fruit, | 0:36:12 | 0:36:15 | |
and then when I bottle it, it will keep. | 0:36:15 | 0:36:17 | |
Finally, Peter's mole subsoiler is finished. | 0:36:25 | 0:36:28 | |
And the team can drain the field in preparation for sowing the wheat. | 0:36:33 | 0:36:38 | |
-Finally, all of those hours out of the shed. -Yeah. | 0:36:39 | 0:36:43 | |
It is quite a contraption, isn't it? | 0:36:43 | 0:36:45 | |
I've got a plan that Peter and I will survey the field, | 0:36:45 | 0:36:50 | |
we put in all the levels, but the first thing to do is | 0:36:50 | 0:36:53 | |
to just concentrate on getting in these main drains. | 0:36:53 | 0:36:57 | |
Yeah. | 0:36:57 | 0:36:59 | |
Before Peter's contraption can prove itself, | 0:36:59 | 0:37:01 | |
there's the perennial problem of getting the tractor to start. | 0:37:01 | 0:37:04 | |
Damn the Fordson! | 0:37:04 | 0:37:06 | |
ENGINE STARTS | 0:37:10 | 0:37:13 | |
Stand back! | 0:37:25 | 0:37:27 | |
GEARS CRUNCH | 0:37:29 | 0:37:30 | |
It's not going according to plan. | 0:37:36 | 0:37:39 | |
Ideally, the mole should be cutting a channel | 0:37:39 | 0:37:41 | |
about a foot beneath the surface. | 0:37:41 | 0:37:44 | |
Try standing on this. | 0:37:49 | 0:37:50 | |
Yeah. | 0:37:53 | 0:37:55 | |
Can we dig a hole and put the mole in so we start with it | 0:38:09 | 0:38:12 | |
already in the ground rather than trying to go down? | 0:38:12 | 0:38:17 | |
When war broke out, there were almost four million acres of land | 0:38:17 | 0:38:21 | |
like this that needed draining. | 0:38:21 | 0:38:23 | |
OK, let's go. | 0:38:30 | 0:38:32 | |
The problem is it's pulled the path of least resistance which is up, | 0:38:37 | 0:38:42 | |
out of the ground. | 0:38:42 | 0:38:44 | |
It's clear the chassis built by Peter is too light | 0:38:45 | 0:38:47 | |
to keep the mole in the ground. | 0:38:47 | 0:38:50 | |
In a corner of the farmyard, Alex has found a much heavier chassis | 0:38:50 | 0:38:54 | |
to fit Peter's mole subsoiler. | 0:38:54 | 0:38:56 | |
That sun's nearly down. | 0:38:56 | 0:38:58 | |
-That's it, lovely. -That's wonderful! | 0:39:00 | 0:39:03 | |
But things are about to go from bad to worse. | 0:39:03 | 0:39:08 | |
The improvised bracket holding the mole has bent | 0:39:08 | 0:39:11 | |
because it isn't strong enough. | 0:39:11 | 0:39:12 | |
Well, that's that, then, isn't it? | 0:39:15 | 0:39:17 | |
Time is running out to get the crops sown | 0:39:17 | 0:39:19 | |
so they'll have to abandon draining the field. | 0:39:19 | 0:39:22 | |
As Peter has discovered, improvising farm machinery is no easy task. | 0:39:25 | 0:39:31 | |
But for the wartime farmer, this could have been disastrous | 0:39:31 | 0:39:35 | |
and incurred the wrath of the War-Ag. | 0:39:35 | 0:39:37 | |
If our fields flood, the War-Ag would look at us | 0:39:37 | 0:39:41 | |
and say, "We need to move them on." | 0:39:41 | 0:39:44 | |
So we'd just better hope against hope | 0:39:44 | 0:39:47 | |
that we have an extremely dry summer. | 0:39:47 | 0:39:50 | |
A farmer's duties to the nation didn't end with attempting | 0:39:55 | 0:39:59 | |
to double crop production. | 0:39:59 | 0:40:01 | |
Their knowledge of the landscape made them invaluable recruits | 0:40:02 | 0:40:06 | |
to one of the war's most secretive organisations. | 0:40:06 | 0:40:10 | |
The auxiliary units. | 0:40:10 | 0:40:12 | |
Your names have been put forward | 0:40:12 | 0:40:15 | |
as men who would like to do something more for the war effort. | 0:40:15 | 0:40:20 | |
-Is this something? -Absolutely. Everything we can. | 0:40:20 | 0:40:24 | |
The auxiliary unit was an resistance force in waiting, | 0:40:24 | 0:40:28 | |
a last line of defence against Nazi invasion. | 0:40:28 | 0:40:31 | |
Steve Mason is an expert on the auxiliary units | 0:40:34 | 0:40:36 | |
stationed here on the south coast. | 0:40:36 | 0:40:38 | |
Do you think you could kill another man in cold blood? | 0:40:38 | 0:40:41 | |
-HE INTAKES BREATH -Tough. | 0:40:41 | 0:40:44 | |
Those were the sort of questions being put to people at the time. | 0:40:44 | 0:40:48 | |
-Farmers? -Absolutely. | 0:40:48 | 0:40:50 | |
But it really comes down to your personal mettle. | 0:40:50 | 0:40:54 | |
This is something beyond the Home Guard. | 0:40:54 | 0:40:57 | |
-This is actually a sort of secret service, isn't it? -Absolutely. | 0:40:57 | 0:41:01 | |
Just like the cells they were setting up in Europe at the same time. | 0:41:01 | 0:41:03 | |
A resistance movement. | 0:41:03 | 0:41:06 | |
We've heard of the Home Guard. Why don't we hear of these guys? | 0:41:06 | 0:41:08 | |
The people who joined this particular resistance movement | 0:41:08 | 0:41:11 | |
had to sign The Official Secrets Act. | 0:41:11 | 0:41:14 | |
I suppose if, during the war, | 0:41:14 | 0:41:15 | |
we were held back in a reserved occupation | 0:41:15 | 0:41:18 | |
and we were of a certain age, then we would be seen as, | 0:41:18 | 0:41:21 | |
if we both knew the land, as farmers and also quite able-bodied. | 0:41:21 | 0:41:26 | |
Absolutely. | 0:41:26 | 0:41:28 | |
So, these are photographs of the men who actually were | 0:41:28 | 0:41:32 | |
the auxiliaries for this locality. | 0:41:32 | 0:41:35 | |
You were never to discuss this thing, ever. | 0:41:35 | 0:41:37 | |
I've spoken to one survivor who was 18 at the time, | 0:41:37 | 0:41:41 | |
so he's young enough still, now, to talk about it. | 0:41:41 | 0:41:44 | |
He only wants to discuss the people in that photograph who are dead. | 0:41:44 | 0:41:49 | |
With the Nazis poised to invade, | 0:41:49 | 0:41:51 | |
the auxiliary unit were ready to go to ground | 0:41:51 | 0:41:55 | |
and form a guerrilla network to destroy the enemy's infrastructure. | 0:41:55 | 0:41:58 | |
Their instruction manuals were cunningly disguised. | 0:41:58 | 0:42:02 | |
It's got a cover, so if a German invader were to pick it up, | 0:42:02 | 0:42:06 | |
he would hopefully think that it was an out-of-date calendar | 0:42:06 | 0:42:09 | |
and not look inside. | 0:42:09 | 0:42:10 | |
And this tells you how to handle explosives. | 0:42:10 | 0:42:15 | |
And again, more tricks of the trade. | 0:42:15 | 0:42:18 | |
How to blow up a petrol tank. | 0:42:18 | 0:42:20 | |
How to blow up railway lines. | 0:42:21 | 0:42:24 | |
Do you think, putting yourselves back there, | 0:42:24 | 0:42:27 | |
would you really actually have signed up for it? | 0:42:27 | 0:42:30 | |
I... I think so. | 0:42:30 | 0:42:32 | |
If you were a reserved occupation like a farmer, for example, | 0:42:32 | 0:42:36 | |
is there going to be a sense that you want to be out on the front line? | 0:42:36 | 0:42:40 | |
Although you're farming, you want a bit of action. | 0:42:40 | 0:42:44 | |
Itching to get involved. | 0:42:44 | 0:42:45 | |
Yeah, I wonder whether that might have played a part | 0:42:45 | 0:42:48 | |
in some people signing up. | 0:42:48 | 0:42:50 | |
A number of them do say that. They actually just wanted | 0:42:50 | 0:42:52 | |
to get their hands on some action, as corny as it sounds. | 0:42:52 | 0:42:55 | |
Unbeknown to the boys, like many farmers' wives, | 0:43:03 | 0:43:07 | |
Ruth, too, has been conscripted into secret service. | 0:43:07 | 0:43:11 | |
Gardening has taken on a whole new significance. | 0:43:16 | 0:43:19 | |
Particularly in this potting shed. | 0:43:19 | 0:43:21 | |
Because, whilst the boys think I'm out in the garden, and they are | 0:43:21 | 0:43:26 | |
well out of the way in the fields, what I'm really doing in here... | 0:43:26 | 0:43:32 | |
is this. | 0:43:32 | 0:43:34 | |
Ruth's been recruited into the Special Duties Section. | 0:43:36 | 0:43:39 | |
Their mission - | 0:43:39 | 0:43:41 | |
to handle communication between the auxiliary units in the field and HQ. | 0:43:41 | 0:43:45 | |
This is my aerial. | 0:43:45 | 0:43:48 | |
About 3,500 people were involved - vicars, barmaids, farmers, | 0:43:48 | 0:43:53 | |
farmers' wives and housewives. | 0:43:53 | 0:43:55 | |
And yet, almost nobody knows about it. | 0:43:55 | 0:43:58 | |
They really just kept that quiet. | 0:43:58 | 0:44:00 | |
There are instances in which a wife was doing this with the radio, | 0:44:00 | 0:44:04 | |
whilst the husband was out doing other auxiliary work, | 0:44:04 | 0:44:08 | |
and neither of them told each other | 0:44:08 | 0:44:10 | |
until they were in their 80s or 90s, years and years later. | 0:44:10 | 0:44:14 | |
In some ways, it's comical. But it's also really serious. | 0:44:14 | 0:44:18 | |
People were expecting to be invaded. | 0:44:18 | 0:44:20 | |
They were expecting that this sort of work | 0:44:20 | 0:44:22 | |
put their lives in serious danger. | 0:44:22 | 0:44:24 | |
If you had been caught with a radio when the Germans came | 0:44:24 | 0:44:28 | |
you were looking at not just execution, | 0:44:28 | 0:44:30 | |
but probably at torture too. | 0:44:30 | 0:44:31 | |
We confirm a successful patrol manoeuvre, four men, | 0:44:39 | 0:44:44 | |
evidence of explosives. | 0:44:44 | 0:44:46 | |
Northwest of Arbor Wood. Approximate time, 0015. Location, Hamble. G. | 0:44:46 | 0:44:52 | |
Despite their important top-secret military duties, the priority | 0:44:53 | 0:44:58 | |
for farmers was doubling crop production to feed the nation. | 0:44:58 | 0:45:02 | |
Although the team were unable to mole drain the boggy field, | 0:45:05 | 0:45:08 | |
the task now is to plough as quickly as possible | 0:45:08 | 0:45:11 | |
in preparation for sowing the wheat. | 0:45:11 | 0:45:14 | |
With the days drawing shorter, the War Agricultural Committee | 0:45:17 | 0:45:20 | |
encouraged farmers to plough on into the night. | 0:45:20 | 0:45:24 | |
We've got to plough through the night, | 0:45:30 | 0:45:32 | |
and this was something that was expected during the war. | 0:45:32 | 0:45:35 | |
Not something I expect people did willingly, really, | 0:45:35 | 0:45:38 | |
but unfortunately, we've just got to do this, because we're so behind. | 0:45:38 | 0:45:42 | |
Ploughing at night creates unique problems. | 0:45:42 | 0:45:45 | |
Right, so this is our lantern, and it's just in the hedge, | 0:45:47 | 0:45:50 | |
and it's going to give something for Ruth to fix on, on the horizon, | 0:45:50 | 0:45:54 | |
so she can drive, theoretically, in a straight line. | 0:45:54 | 0:45:57 | |
I'm a bit worried about using these lights in the blackout. | 0:45:59 | 0:46:02 | |
I reckon that the lamps in the hedge probably could be hidden, anyway. | 0:46:02 | 0:46:08 | |
This one's already got a hood on it. And this lamp would be moving. | 0:46:08 | 0:46:12 | |
-So, I just aim at the light in the hedge? -Yep, that's the idea. | 0:46:12 | 0:46:15 | |
When you think about ploughing, you think about the horseman, | 0:46:37 | 0:46:42 | |
out there with his horses, gently ploughing away in the quiet, | 0:46:42 | 0:46:45 | |
perhaps on a nice, sunny spring morning. | 0:46:45 | 0:46:47 | |
But, during the Second World War, | 0:46:47 | 0:46:49 | |
ploughing was a very different monster. | 0:46:49 | 0:46:51 | |
And the plough, really, had become a weapon of war. | 0:46:51 | 0:46:54 | |
It was the farmer's principal weapon of war. | 0:46:54 | 0:46:57 | |
Now, I'm not entirely sure we're getting this right, | 0:46:59 | 0:47:02 | |
but we're putting our all into it and Ruth's doing a fantastic job. | 0:47:02 | 0:47:06 | |
Hopefully, by the end of the month, we'll have the field done. | 0:47:06 | 0:47:10 | |
Next morning, Ruth is called into action | 0:47:21 | 0:47:24 | |
by the Special Duties Section. | 0:47:24 | 0:47:27 | |
Her mission? To pass a message on to the auxiliary unit. | 0:47:27 | 0:47:31 | |
Hampshire, with its strategic ports of Southampton and Portsmouth, | 0:47:33 | 0:47:37 | |
was a key target for invasion. | 0:47:37 | 0:47:39 | |
So more auxiliary units were stationed here | 0:47:39 | 0:47:42 | |
than any county in Britain. | 0:47:42 | 0:47:45 | |
Military expert Gerald Sutcliffe is leading Alex and Peter's patrol. | 0:47:45 | 0:47:50 | |
What we are going into now, is an OB, and operation base. | 0:47:50 | 0:47:55 | |
We've got, basically, a little bunker. | 0:47:55 | 0:47:57 | |
We've already got some equipment, munitions and rations in. | 0:47:57 | 0:48:01 | |
Let's go and have a look at it now, shall we? | 0:48:01 | 0:48:05 | |
All over the country, around the coast in particular, | 0:48:11 | 0:48:14 | |
groups like us, | 0:48:14 | 0:48:16 | |
we're going to be providing a nasty surprise for Herr Hitler. | 0:48:16 | 0:48:20 | |
Unlike the other countries which had the unfortunate experience | 0:48:20 | 0:48:24 | |
of these jackboots going over them, we are ready. | 0:48:24 | 0:48:28 | |
We're going to come up behind him and blow up his petrol dumps. | 0:48:28 | 0:48:32 | |
We're going to blow up his ammunition dumps. | 0:48:32 | 0:48:34 | |
We're going to sabotage his tanks. We're going to shoot his officers | 0:48:34 | 0:48:38 | |
and anybody that helps him. | 0:48:38 | 0:48:40 | |
The aim was to transform ordinary farmers with no military experience | 0:48:42 | 0:48:45 | |
into guerrilla saboteurs. | 0:48:45 | 0:48:49 | |
Alex has picked up the message | 0:48:49 | 0:48:51 | |
dropped by the Special Duties Section | 0:48:51 | 0:48:54 | |
with details of a training exercise. | 0:48:54 | 0:48:56 | |
We've been left a note advising us | 0:48:56 | 0:48:59 | |
that a German patrol of ten men was expected. | 0:48:59 | 0:49:04 | |
At the moment, my thoughts are, we will ambush their patrol. | 0:49:04 | 0:49:10 | |
This is a typical exercise, passed on by the mysterious Agent R. | 0:49:10 | 0:49:16 | |
-Agent R, I wonder who that could be. -That's the point. | 0:49:16 | 0:49:20 | |
You will never know. And neither will I. | 0:49:20 | 0:49:23 | |
You never know the names of the intelligence section | 0:49:23 | 0:49:26 | |
and they don't know you. | 0:49:26 | 0:49:28 | |
They just leave little messages for us. | 0:49:28 | 0:49:31 | |
And we pick them up and we never see them, or them us. | 0:49:31 | 0:49:34 | |
Training by night and working in the fields by day | 0:49:38 | 0:49:42 | |
meant a wartime farmer could find himself working 17-hour days. | 0:49:42 | 0:49:46 | |
I want two members of the team to go up on the ridgeline, | 0:49:49 | 0:49:53 | |
while I go down and arrange a couple of surprises. | 0:49:53 | 0:49:57 | |
And one of you can cover me while that's going on. | 0:49:57 | 0:50:00 | |
Why do I have to go in front all the time, Peter? | 0:50:03 | 0:50:06 | |
Alex and Peter keep watch from the ridge line. | 0:50:06 | 0:50:09 | |
Following instructions set out in the auxiliary unit manual, | 0:50:10 | 0:50:14 | |
Gerald sets a booby trap. | 0:50:14 | 0:50:16 | |
What I'm going to rig up is a grenade with the pin removed, | 0:50:16 | 0:50:22 | |
but sufficient pressure on top of it, | 0:50:22 | 0:50:25 | |
so that when somebody kicks it, | 0:50:25 | 0:50:27 | |
it's going to release the lever and go bang. | 0:50:27 | 0:50:33 | |
OK. | 0:50:34 | 0:50:36 | |
And rejoin the others. | 0:50:36 | 0:50:38 | |
This being an exercise, there are no Germans, | 0:50:38 | 0:50:41 | |
and Gerry's grenade is simply a thunder flash. | 0:50:41 | 0:50:44 | |
-ALL: -Bang! Bang! Bang! | 0:50:45 | 0:50:47 | |
Stop! | 0:50:50 | 0:50:52 | |
Well, good for a first attempt. | 0:50:53 | 0:50:55 | |
-You think so? -I think so. | 0:50:55 | 0:50:57 | |
-They would have used all sorts of methods to simulate combat. -OK. | 0:50:57 | 0:51:01 | |
I did it that way because you weren't expecting it, | 0:51:01 | 0:51:04 | |
-to add that bit of tension and realism. -Yeah. | 0:51:04 | 0:51:07 | |
So you were both conditioning us and testing us at the same time? | 0:51:07 | 0:51:12 | |
Yes. | 0:51:12 | 0:51:13 | |
Alex, Ruth and Peter have now been wartime farmers for two months. | 0:51:21 | 0:51:26 | |
For Ruth, the work in the fields | 0:51:32 | 0:51:34 | |
has left little time for domestic duties, | 0:51:34 | 0:51:35 | |
so she's taken another step towards modernising the kitchen | 0:51:35 | 0:51:39 | |
by fitting lino. | 0:51:39 | 0:51:41 | |
Fantastic! | 0:51:41 | 0:51:43 | |
You often hear about labour-saving things in the kitchen, | 0:51:46 | 0:51:49 | |
and you sort of imagine it's all about gadgets. | 0:51:49 | 0:51:52 | |
Nah. It's about things like this - | 0:51:52 | 0:51:55 | |
the things that make the big difference. | 0:51:55 | 0:51:58 | |
Instead of spending, you know, | 0:51:58 | 0:52:01 | |
45 minutes twice a day on the floor, | 0:52:01 | 0:52:03 | |
like you might have to with a stone/flag floor, | 0:52:03 | 0:52:07 | |
I can run over with a mop and bucket in ten minutes. | 0:52:07 | 0:52:12 | |
The paraffin stove is also helping to save time. | 0:52:18 | 0:52:21 | |
Unlike an old-fashioned coal range, it's up and running in seconds. | 0:52:21 | 0:52:27 | |
Ruth's using it to cook a quick meal from her 1930s cookbook - | 0:52:27 | 0:52:31 | |
fried bacon with bananas. | 0:52:31 | 0:52:34 | |
It's such an odd recipe to find in a late '30s book. | 0:52:34 | 0:52:37 | |
It took me so by surprise. | 0:52:37 | 0:52:39 | |
Bacon's going to become a thing of scarcity. | 0:52:39 | 0:52:43 | |
By 1939, we were already bringing in | 0:52:43 | 0:52:46 | |
quite a significant proportion of our bacon from Denmark. | 0:52:46 | 0:52:50 | |
And then the bananas go in the butter. | 0:52:53 | 0:52:56 | |
Bananas would soon disappear completely from the shops, | 0:52:56 | 0:53:00 | |
as the government requisitioned banana boats to import | 0:53:00 | 0:53:03 | |
materials essential to the war effort. | 0:53:03 | 0:53:05 | |
From the declaration of war in September 1939 until May 1940, | 0:53:07 | 0:53:13 | |
no bombers appeared overhead, and the gas attacks didn't materialise. | 0:53:13 | 0:53:18 | |
It became known as the Phoney War. | 0:53:18 | 0:53:20 | |
But by June 1940, after the British had been | 0:53:23 | 0:53:26 | |
driven into the sea at Dunkirk, the mood was darkening. | 0:53:26 | 0:53:29 | |
France fell to the Nazis, and as the new Prime Minister | 0:53:32 | 0:53:36 | |
Winston Churchill warned, Britain was next in line. | 0:53:36 | 0:53:39 | |
..and growing strength in the air, | 0:53:39 | 0:53:43 | |
we shall defend our island, whatever the cost may be. | 0:53:43 | 0:53:46 | |
We shall fight on the beaches, | 0:53:46 | 0:53:49 | |
we shall fight on the landing grounds, | 0:53:49 | 0:53:52 | |
we shall fight in the fields and in the streets, | 0:53:52 | 0:53:56 | |
we shall fight in the hills. | 0:53:56 | 0:53:58 | |
We shall never surrender. | 0:53:58 | 0:54:01 | |
I think it's quite interesting, isn't it, | 0:54:01 | 0:54:03 | |
that that speech is so iconic. | 0:54:03 | 0:54:06 | |
It must have been terrifying for people, as well, | 0:54:06 | 0:54:08 | |
to think that there could possibly have been fighting on the beaches | 0:54:08 | 0:54:13 | |
and in the fields, and somewhere like Hampshire, where we are, | 0:54:13 | 0:54:16 | |
I gather would be sort of on the front line. | 0:54:16 | 0:54:18 | |
It's the whole problem, isn't it, of looking back at the war? | 0:54:18 | 0:54:21 | |
-We know that we won. -Mmm. | 0:54:21 | 0:54:23 | |
People at the time did not know that. | 0:54:23 | 0:54:27 | |
So I suppose the farmers at the time, they'd be - | 0:54:27 | 0:54:30 | |
hopefully - buoyed up to get a success in that harvest. | 0:54:30 | 0:54:35 | |
It would have loaded a lot of pressure on their shoulders, | 0:54:35 | 0:54:38 | |
you know? It would have really hammered home | 0:54:38 | 0:54:41 | |
just how important it would have been to have brought that crop in, | 0:54:41 | 0:54:45 | |
and to have a brought a brilliant crop in as well. | 0:54:45 | 0:54:47 | |
And that's all about the connectedness too, isn't it? | 0:54:47 | 0:54:49 | |
You know, everybody's hearing that, all together. | 0:54:49 | 0:54:52 | |
You feel like you've absolutely got to do it right to do justice | 0:54:52 | 0:54:57 | |
to the effort that was put in from '39 through... | 0:54:57 | 0:55:00 | |
I certainly feel a big responsibility | 0:55:00 | 0:55:03 | |
to those people who went through this and who are still alive. | 0:55:03 | 0:55:05 | |
-You know, it's not something to be taken lightly, is it? -No. | 0:55:05 | 0:55:09 | |
We're messing with people's memories as well as with Britain's history. | 0:55:09 | 0:55:12 | |
Well, indeed. | 0:55:12 | 0:55:13 | |
KNOCK AT DOOR | 0:55:13 | 0:55:15 | |
-Hello? -I haven't put that curtain up, you know. | 0:55:15 | 0:55:18 | |
It'll be all right, don't worry. | 0:55:18 | 0:55:20 | |
-Oh, hello, Steve. -Good evening, Peter. | 0:55:20 | 0:55:22 | |
-Hello! -Hello, Ruth. -A pleasant surprise. | 0:55:22 | 0:55:25 | |
-Come and join us! Take a seat. -How are you? Good to see you. | 0:55:25 | 0:55:27 | |
-You're in luck. Have a cake. -Good grief! | 0:55:27 | 0:55:31 | |
I'm on my rounds. I have to say, what a marvellous job you've done | 0:55:31 | 0:55:34 | |
-with all your windows. -Peter, I told you there... | 0:55:34 | 0:55:37 | |
-But... -Oh. | 0:55:37 | 0:55:39 | |
You're going to be in for a fine, | 0:55:39 | 0:55:41 | |
-cos you're showing the light under your door. -Really? -Yeah. | 0:55:41 | 0:55:44 | |
You haven't put the curtain up. | 0:55:44 | 0:55:45 | |
So what is the consequences? | 0:55:45 | 0:55:48 | |
The County Court will summons you. | 0:55:48 | 0:55:50 | |
Anything from three shillings to seven and six, I would think. | 0:55:50 | 0:55:54 | |
Of course, the other thing to mention | 0:55:54 | 0:55:55 | |
is the excessive lights you're burning. | 0:55:55 | 0:55:57 | |
For a small room, you've got three lights. | 0:55:57 | 0:55:59 | |
-So that would incur another fine. -Oh, good grief. | 0:55:59 | 0:56:02 | |
-Lord! -I was just enjoying having electricity! | 0:56:02 | 0:56:06 | |
It's that classic thing where you're not physically doing the thing, | 0:56:06 | 0:56:09 | |
like filling your oil lamp. If you've just got electricity, | 0:56:09 | 0:56:12 | |
you don't think about that power source and how much you're using. | 0:56:12 | 0:56:15 | |
Well, I think we should enjoy these desserts while we can, | 0:56:15 | 0:56:19 | |
cos I think from now on in, | 0:56:19 | 0:56:20 | |
-things are only going to get tougher, aren't they? -Mmm. | 0:56:20 | 0:56:23 | |
-What, like this guy? -Yeah! | 0:56:23 | 0:56:24 | |
THEY LAUGH | 0:56:24 | 0:56:25 | |
You put that light out, I'll put this one out. | 0:56:25 | 0:56:28 | |
-And the radio! -Let's get this curtain up, then. | 0:56:28 | 0:56:31 | |
Keep it running, Ruth! | 0:56:37 | 0:56:39 | |
The team's back on track | 0:56:52 | 0:56:54 | |
with the task of increasing the farm's food production. | 0:56:54 | 0:56:57 | |
The wheat field is ploughed. | 0:56:57 | 0:57:00 | |
Next, it's harrowed to break-up the earth... | 0:57:00 | 0:57:03 | |
..and sowed with the wheat seed. | 0:57:06 | 0:57:09 | |
If all goes well, in nine months' time, | 0:57:09 | 0:57:11 | |
they should have a good crop to harvest. | 0:57:11 | 0:57:14 | |
We have cracked on, haven't we? We really have cracked on. | 0:57:14 | 0:57:17 | |
How many million acres was it they ploughed up extra in '39? | 0:57:17 | 0:57:20 | |
By the spring of 1940, 1.7 million acres. | 0:57:20 | 0:57:22 | |
-Extra. -Extra. On top of what they were already doing. | 0:57:22 | 0:57:25 | |
On top of what they were already doing. | 0:57:25 | 0:57:27 | |
A lot of farmers said it couldn't be done. | 0:57:27 | 0:57:30 | |
They shook their heads and said, "No, you can't do that." | 0:57:30 | 0:57:32 | |
And they turned around and did it. | 0:57:32 | 0:57:34 | |
Wartime farmers didn't know it yet, but this was just a start. | 0:57:37 | 0:57:42 | |
They still had five years of war to endure, | 0:57:42 | 0:57:45 | |
and conditions were only going to get tougher | 0:57:45 | 0:57:48 | |
as they struggled to feed the nation. | 0:57:48 | 0:57:51 | |
Next on Wartime Farm... | 0:57:58 | 0:58:00 | |
The team face the conditions of 1940, and the Blitz. | 0:58:01 | 0:58:05 | |
They confront rationing... | 0:58:07 | 0:58:09 | |
That's particularly hard to make last the week. | 0:58:09 | 0:58:13 | |
..make use of every last resource, | 0:58:14 | 0:58:16 | |
and there's temptation round every corner. | 0:58:16 | 0:58:20 | |
You're well on your way to becoming... | 0:58:20 | 0:58:22 | |
-BOTH: -A black marketeer. | 0:58:22 | 0:58:23 | |
To find out how Britain fed itself during the Second World War, | 0:58:25 | 0:58:28 | |
and how rationing affected the wartime diet, | 0:58:28 | 0:58:31 | |
order the Open University's free Wartime Farm booklet. | 0:58:31 | 0:58:34 | |
Call, or go to the website... | 0:58:34 | 0:58:36 | |
..and follow the links to the Open University. | 0:58:41 | 0:58:43 | |
Subtitles by Red Bee Media Ltd | 0:59:07 | 0:59:10 |