Make Me Happy: A Monkey's Search for Happiness


Make Me Happy: A Monkey's Search for Happiness

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I'm Nina. I'm married and I have two children and I have a fun job

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but a few months back, I started to really worry

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about whether I was getting the best out of life

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and started to question, is this it?

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So I knew that out there,

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there was a whole industry professing to help with this kind of angst

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so I entered the world of New Age Therapies

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to find out whether it was populated by charlatans or to see if they'd be able to help me.

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That's not the whole story. Nina has a monkey.

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Yes, I omitted to say that I'm a ventriloquist.

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And I came with her on this journey

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cos she gets swept away with this kind of shit.

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So ironically, it was up to me, her imaginary friend,

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to keep it real.

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THEY YELL AT EACH OTHER

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You've got the car. You've got the house.

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Your finances seem reasonable, you've got the family but something's missing.

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Argh! Ha-ha-ha!

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-You're Nina's husband?

-Yes.

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What do you think about your wife's search for enlightenment?

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I think it's stupid.

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Enlightenment is a process of feeling lighter every day.

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Don't you feel there's something in there?

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I'm not sure she goes that deep.

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HE ROARS

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Why won't you look at me?!

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I'm just not really enjoying it.

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What, life?

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SHE BREATHES HEAVILY

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Everything is going to come back to discovering who you are.

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SHE SCREAMS

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She's fabulous, and I'm not going to say anything other than her name.

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So would you please welcome on stage

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Nina Conti.

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-Hello. Uh, this is exciting.

-Yeah.

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Do they know it's ventriloquism?

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Yeah, they catch on quick.

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-Do they know how I feel about it?

-I don't know.

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-I think it's a dead art.

-OK.

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What are we doing?

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I thought I'd go on the search for enlightenment, Monkey.

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Nice easy achievable horizons, then.

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No biggie.

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So, where to start, Conti?

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Well, there's a book shop in London

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famous for its massive collection of New Age and occult books.

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What's wrong with a good John Le Carre?

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Where do we begin?

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I don't know, alphabetically?

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Goes from magic to secret societies, astrology and...

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-Special offers.

-Yeah, best sellers.

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Hmm.

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-Breathing, this one.

-Breathing?

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Yeah, why don't you master that?

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Reiki.

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I don't know, it's not exactly a page-turner.

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I can experience that if you just unglove yourself.

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That's the one, Look for Yourself.

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"The Science and Art of Self-Realisation."

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New Age Literature's exploded from a specialist niche

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into a multi-million pound industry.

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Yes, and what does that say about humans today?

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-Try not to just go for the largest font, Nina.

-Yeah.

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Imagine I'm a metal detector.

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Just scan me over it, and I'll beep when I get to the good one.

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Over, over, over, got it.

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-Naked Being?

-Yeah, get it. Read it.

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-There you are.

-"Undressing your mind and transforming your life."

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-Essences.

-Smells, in other words.

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It's Joan Rivers.

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No, no, no. It's not Joan Rivers.

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Well, they share a facial surgeon.

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Oh, shit. I love this. Pick and mix. Are these minty?

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No, Monkey, they're not...not to eat.

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In the shop window, I see a guy doing tarot card readings.

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Hmm. Maybe he can tell us the future of our journey.

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Hello. I'm Nina.

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Next card, near future card.

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Well, bit difficult card,

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so many thoughts, a crowd, you know.

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-OK.

-Coming and going too fast, traffic.

-All right.

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-Traffic is too fast.

-Too fast.

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Oh ho! Very difficult card.

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Loneliness,

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-tension, tied up.

-Hmm.

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OK, the last card.

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That is your card.

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I don't believe it. "Totally bananas"?

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That's our ultimate destiny

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and that is why she has an imaginary friend.

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Oh, well, you are very lucky.

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Do you think he just got that one cos I'm a monkey?

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No, I chose the card.

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-he didn't choose the card.

-We were set up.

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No, it wasn't. Anyway, what does it matter?

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You know, you haven't got the attention span

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for the whole book thing.

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Well, yeah, I'm happier doing something practical

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and that's why I want to meet Shazzy, the raw food expert.

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She claims that raw food can help me find deep bliss and happiness.

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Maybe a little gash on the way.

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OK. Come on, Monkey, we're here.

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Going to get enlightened through lettuce or something?

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Well, we'll see.

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-Hello.

-Hello.

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-Hello, I'm Monkey.

-Hello, Monkey.

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I went raw originally 12 years ago

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because I was very depressed. I had an amazing job.

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I had a fantastic boyfriend, a beautiful house.

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Really nice new car. All the things,

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lovely family, great friends, great social life

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and I was empty.

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-Wow.

-I was completely empty.

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And what I discovered along the road,

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I would say the raw food was a huge part of it.

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-All right, let's eat.

-Shall we?

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-I want to find out what kind of things you like to eat.

-OK.

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I eat latte and croissant in the morning, and I eat...what do I eat?

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Lunch is like a sandwich or a soup, or a salad.

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I'm so bored, I'm going to die.

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Look at this. This has got loads and loads of greens in it.

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-Oh, it looks like I did that.

-But it's sweet.

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That's very much... very fieldy-looking.

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It's real chocolate in its uncooked form. Do you want to try some?

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That's weird, isn't it?

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How would I know?

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-I'm going to try really hard not to eat these.

-Really?

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And do you get really skinny on all this food?

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I'm sitting here while you're eating this shit. I don't know what to do.

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Well, I'm sorry you can't be involved.

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-This is a cheese that I've made.

-Cashew cheese.

-Cashew cheese.

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My intention is to feel more connected and more calm

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and more enlightened and less stressy day-to-day lifey sort of thing.

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How do you think that this would help that?

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It will help but you can also do other things.

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You can seek other things that are going to unravel you.

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We're going to meet my shaman and he's called Shaun,

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-and he also looks a bit like a monkey.

-Really?

-Yep.

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-And he's your shaman?

-He's my shaman.

-Your personal shaman?

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-He's a lot of people's shaman.

-You let him out?

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-I call him my witch doctor.

-Right.

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-So, you know, he kind of...

-He makes potions.

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-He does make a few potions.

-What are we going to do, exactly?

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-We're going to tweak your feet.

-OK. How nice.

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And then just relax.

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Relax, it's a nice thing.

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Just relax, just relax and let it flow.

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I'd like to know when you became a shaman.

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Basically, I ingested a plant substance one day

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and I realised that, um,

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I had been basing my existence on a belief system which wasn't true.

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-Right.

-And that I'd actually had an experience

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where my soul left my body, and I went into a different dimension.

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And this plant helped you find that out?

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To have this realisation.

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Without the plant, do you think you would have ever found it?

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I think eventually, I feel there's so many different paths

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-to finding the one truth...

-Hmm.

-..in so many different languages.

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Kind of feel like I'm at a party.

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-But that's what life is now!

-Life is a party?

-Life is a party.

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Is there a goal?

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-It's more of a journey.

-Right.

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It's a journey.

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I've been eating sprouting mung beans.

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-I've been questioning my whole existence.

-In what way?

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Well, I have a hand up my arse, therefore I am.

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The rest is a charade.

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And what's brought this on?

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Well, I've been eating some tasty plants in the back garden.

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-You're mean.

-No, seriously.

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Someone who's successfully changed their life

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and given up a lucrative career in trading

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and become a guru is this woman, Guru Kaur.

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Is there any money in it?

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The word "guru" means... "Gu" means darkness

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and "ru" means light.

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So it means the process of going from darkness to light.

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The thing about darkness into light...

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You're worried, aren't you? You don't have the darkness.

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I'm a little worried because I can be tetchy and unpleasant at times.

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-And I can be gloomy and rubbish.

-Yeah.

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But something dark or a real crisis, I don't think I've had.

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There needs to be a moment where you say,

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"This life is not enough for me, I want more."

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I would love to be a much better person.

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Also, I've got children, I have to give them the best time possible.

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-Absolutely.

-And I want to be at my full potential.

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-I really do because I'm awful when I'm angry and stuff.

-No, as a...

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-As a mother, the mother is a child's first teacher.

-Uh-huh.

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And your role with your children is fundamental to shaping their future.

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They're teaching you that you need to do something

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-about your tetchiness, your grumpiness.

-Yeah, yeah.

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They are teaching you.

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-How do you get a turban?

-How do you get a turban?

-Yeah.

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You go and buy one. You buy five metres of fabric and you tie it on.

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That's how you get a turban.

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-You don't need any permission to wear one?

-Absolutely not.

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-It goes on first thing in the morning?

-Yeah.

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For me it's almost like a self-crowning,

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like saying, "This is who I am."

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I am the opposite of a whore, if you want to, you know...

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-Right.

-I feel...majestic.

-Oh, that's a pity.

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-Oh, Monkey that's awful.

-What did you say?

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-Oh, that's a pity.

-Well...

-We were getting on so well.

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We are getting on well, aren't we, Monkey?

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But you know, there's other ways to relate to people than sex.

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-Ooh, that feels good.

-You like it?

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-That is what pulls it together. There you go.

-It's nice.

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-So...

-It does slightly affect your hearing.

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Hello. You're a dog.

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'No, I'm not. I'm an angel.'

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Oh, are you? You talk too. I didn't know you...

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DOG BARKS

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THEY CHANT

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I have to say, Nina, I found the look of you in that turban slightly troubling.

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But I loved it. I loved wearing a turban and doing Kundalini yoga

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and feeling like somebody else.

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But you can't just dress your way to enlightenment.

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You can't just wear the clothes.

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You've got to do some study and read the books.

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-Yeah, I know.

-Good Lord.

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Women these days. Honestly.

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The New Age seems bursting with various brands of yoga

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and the one we're about to do is laughter.

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So insulting, Nina. Don't I bring laughter into your life?

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Well, no, because I always know what you're going to say.

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We're going to be doing laughter as yoga. So people often ask,

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are we going to be doing yoga postures or anything else.

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We're not, you can if you want to but you're not obliged to

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so you can keep your legs not around your head.

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We're going to be laughing for no reason.

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So no jokes, no comedy, nothing to get,

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you can't be inside or outside what's going on,

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we're just going to be laughing for no reason,

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which you'll be experts at by the end of the hour.

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Ho, ho, ho, ho.

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ALL: Ho, ho, ho, ho, ho, ho, ho.

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Ho, ho, ho, ho, ho, ho, ho.

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-Ha-ha-ha-ha-ha.

-ALL: Ha-ha-ha.

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-Ooh, hoo-hoo-hoo.

-Hoo-hoo-hoo.

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Oooh! Ha-ha-ha!

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Oh, God!

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Wa-ha-ha!

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Hee-hee-hee-hee!

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Very good, very good, yay!

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-Altogether.

-ALL: Very good, very good, yay!

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LAUGHTER

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STRAINED LAUGHTER

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Ah-ha-ha-ha!

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LAUGHING CONTINUES

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I feel lonely.

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Ha-ha!

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-I want to die.

-Ha-ha-ha!

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I want to slit my furry little wrists.

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Aaaaah! Ha-ha-ha!

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Ha-ha-ha(!)

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Ha-ha, ha-ha. Hee-hee.

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Hee, hee, hee. I can't do it, Nina.

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No, I found it intensely difficult, I have to say.

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-I mean, I think she's a force for good.

-Yeah, she's nice.

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But you know, I felt very... For me, it was very depressing.

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Here we go, another invitation.

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This yoga session promises to help me discover the animal I really am,

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free from the trappings of normal life.

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In other words, you've got to get your kit off.

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-Did you have a look in there?

-Yeah, I did.

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At least it's not a swingers' party, Nina.

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Of course it isn't. You keep bringing it down to this.

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Let's be high-minded. Honestly.

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Let's get to a higher plane, it's not about that.

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OK, if you're ready?

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Yeah, I think so.

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Just don't interrupt me with your weirdest thoughts.

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Check out who's got the biggest dick.

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(I'm not going to do that.)

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It's all about listening to your body

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and acting in accordance to that.

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So there's no "should" in any way. There's no "you should do this,"

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or there's no pushing or forcing or ambition.

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It's more an enquiry into how your body is feeling today.

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There is some theory that, they say

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that the chi around the body kind of is stuck by clothes,

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-particularly artificial fibres.

-Right.

-Cotton is better.

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But don't, like, quote me because I'm not a real authority on that.

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I think it's the best thing I've seen so far.

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Really? Ah, thank you, Monkey.

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It's funny, you get to know yourself through it that way, I suppose.

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You do, well it is an enquiry into being human,

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-into being yourself, that's what it's all about.

-Yeah.

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-An open enquiry into who you are.

-Yeah.

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Did you enjoy it?

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No!

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-Why not?

-I felt shy.

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You didn't look shy. Got your tits out, got your arse out,

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got out the whole caboodle.

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I didn't really have a choice.

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There's a choice. You dirty slut!

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Right, so I've met a shaman,

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a tarot card reader, a raw foodist and a laughter yogist.

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Yeah, and we're done with tits and turbans.

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But apparently, that's just the tip of the iceberg

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cos there's a convention happening where all alternative intelligence converges in one enormous epicentre.

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Da-da-dah!

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Grimsby.

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-You seem jolly.

-Well, I'm quite excited, Monkey.

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About Grimsby? What good thing ever came out of Grimsby?

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Don't be like that. I...

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This is going to be really exciting

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because we've been doing this and that in London and it's been OK

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but it's difficult to sustain the feeling of, you know,

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energy and goodness that you get from these things

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but here everybody's going to be under one roof.

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Oh, God.

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Oh, is this it?

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Is it Christmas decorations?

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No, they're candles.

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Can't eat that on the raw food diet.

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Aromatherapy, jingly-janglies...

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Where do we start?

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What's your definition of enlightenment?

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-I haven't got one.

-You haven't got one?

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-No, I'll tell you when it happens.

-Ah, right.

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Is it working yet?

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Well, it's...it empties my mind.

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I wondered why I wasn't saying anything.

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You feel enlightened?

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I feel much nicer, thank you. It was really nice, yeah.

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I want one next time.

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-Didn't touch my head.

-No, never mind.

0:16:580:17:01

-You do aura photography?

-We do, yes.

0:17:010:17:03

Can you do our collective aura, Nina and mine?

0:17:030:17:06

Can we have a go?

0:17:060:17:08

Can we sit in the seat?

0:17:080:17:09

Does she have to think anything?

0:17:090:17:12

No, just be in your own space and look at the camera. There you go.

0:17:120:17:16

So, were you trying to radiate anything when you did it?

0:17:160:17:19

No, I had a very blank mind.

0:17:190:17:21

How do you get the aura in the camera? How does it do it?

0:17:210:17:24

You've got sensors on your hands,

0:17:240:17:27

-so on your hand, there's, like, sensors.

-Right.

0:17:270:17:30

Then what they do is acupressure points. You put them onto here.

0:17:300:17:33

Ah, that's what it is.

0:17:330:17:34

And that tree, that sort of green foliage coming from her head,

0:17:340:17:37

-what's that? That's the future stuff?

-That's the future.

0:17:370:17:40

-That's connecting with animals, and you've got the monkey.

-Oh, yeah.

0:17:400:17:44

But the animals, the nature and all new ideas coming.

0:17:440:17:47

What's this, what does this do?

0:17:470:17:49

This is a metatronic healing tool.

0:17:490:17:52

And what this actually does is, this connects with sacred geometry.

0:17:520:17:55

-Wow.

-Did you make it yourself? In the garage?

0:17:550:17:58

-No. The Buddhist Monks from Glastonbury made it.

-Oh, really?

0:17:580:18:03

But can you time-travel with it?

0:18:030:18:05

Probably you could if you wanted to, if you meditated on it,

0:18:050:18:08

so if you held it and meditated on it, you could, yeah.

0:18:080:18:11

-Yeah.

-It's very relaxing.

0:18:110:18:12

It reminds of the flux capacitor in Back To The Future.

0:18:120:18:15

SHE CHANTS

0:18:150:18:18

Removing any blocks where you may have been killed,

0:18:200:18:23

from the witch, psychic, closing down your psychic powers

0:18:230:18:28

and we ask for this world to be saved by the hand of God.

0:18:280:18:32

It is done. It is done. It is done.

0:18:320:18:33

I was trying to see, but I can't actually see with these marble eyes.

0:18:330:18:38

Cos her eyes were closed, I missed the whole show.

0:18:380:18:41

Ooh! Two things have jumped out at me, and I mean jumped out at me.

0:18:410:18:45

-You're a Virgo.

-Yeah.

-That's good.

0:18:450:18:48

You've got Mercury very close to the line. That is communication.

0:18:480:18:53

Well, I mean, if you've not followed your chart,

0:18:530:18:56

that is amazing, isn't it?

0:18:560:18:58

What the fuck is it all about, Nina?

0:18:580:19:03

Is it really about angels and crystals?

0:19:030:19:06

All right, so you're going to set fire to a candle in Nina's ear?

0:19:110:19:15

Yes.

0:19:150:19:16

I'm highly flammable, I should say at this point.

0:19:160:19:19

I'm not sure I...

0:19:190:19:21

Ooh, it's going in.

0:19:220:19:23

# Happy birthday to you... #

0:19:230:19:27

You two worry too much.

0:19:270:19:28

You worry about where life's going to take you. Just go with the flow.

0:19:280:19:31

She's looking for enlightenment.

0:19:310:19:34

Ah, the big E. The Enlightenment.

0:19:340:19:37

I think you are the creative side of Nina.

0:19:370:19:40

And I think she can say things to people through you that she can't say to them in person.

0:19:400:19:45

Yeah, she's hardly spoken since we sat down. Have you noticed?

0:19:450:19:48

-I noticed, yeah.

-She's a bit of a...

0:19:480:19:50

Enlightenment is always within.

0:19:500:19:52

You can't find it on a stall. You'll not find it from somebody out there.

0:19:520:19:56

You've got the car, you've got the house.

0:19:560:19:58

Your finances seem reasonable, you've got the family, but something is missing.

0:19:580:20:02

And it's the spiritual side of us, we are spiritual by nature...

0:20:020:20:06

Do you think I'm unhealthy for Nina?

0:20:060:20:08

No, absolutely not, everybody should have a voice.

0:20:080:20:10

-You know?

-Or two.

-Or two.

0:20:100:20:12

Excuse me... NINA SNEEZES

0:20:120:20:15

Bless you, bless you.

0:20:150:20:17

Bless you. That's a sign of a spirit.

0:20:170:20:20

You're allergic to the spirits.

0:20:200:20:22

-That's a sign of a spirit coming through, actually.

-Is it really?

0:20:220:20:25

You know, I'm finding your target seriously soft.

0:20:270:20:29

I just don't feel good with you sniping at well-meaning folk who believe in angels, you know?

0:20:290:20:34

I'm getting frustrated.

0:20:340:20:36

All these things don't have a sustaining effect on this search for enlightenment.

0:20:360:20:39

My God, does it even exist?

0:20:390:20:41

Well, monks sacrificed years of their lives, Nina.

0:20:410:20:44

They sacrificed their whole lives doing meditation.

0:20:440:20:47

You can't expect to get it in a quick TV show.

0:20:470:20:50

Yeah, but I haven't got years to give,

0:20:510:20:54

I haven't got sacrifice to give.

0:20:540:20:56

You know, what's there for the normal person?

0:20:560:20:58

I don't know. What do you suggest?

0:20:580:21:00

'It's time to up the ante, Monkey.

0:21:040:21:05

-'Do what?

-In Scotland, OK, there's a radical retreat

0:21:050:21:09

'where for three days you can be reborn through primal therapy.

0:21:090:21:14

'I've got no idea what I'm letting myself in for here.

0:21:140:21:17

'Things are about to get heavy.'

0:21:170:21:20

-Hello.

-Hello, how are you?

0:21:320:21:34

-And welcome.

-Ah, thank you.

-Welcome to Scotland and Penninghame.

0:21:340:21:38

-Thank you very much. This is Monkey.

-Hello.

-Hello.

-Hi, Monk.

0:21:380:21:41

-Hello.

-Hello, nice to meet you, Raymond.

0:21:410:21:44

Well, this is very exciting.

0:21:440:21:46

-Hello.

-Hello, participants.

0:21:460:21:48

-Hi.

-Nice to meet you.

0:21:480:21:50

-Hello.

-Hi.

0:21:500:21:51

-We're slightly ridiculous. We feel ridiculous right now.

-Yeah.

0:21:510:21:54

So how do you feel about doing the course, Monkey?

0:22:030:22:06

Oh, I'm here as a journalist. It's Nina that's going to do it.

0:22:060:22:09

-OK, Nina is doing it.

-I will participate.

0:22:090:22:12

-Yeah, OK, so you participate in this.

-Yes.

0:22:120:22:14

What is this course?

0:22:140:22:15

Where do we start?

0:22:160:22:18

The first course I done of this nature many years ago,

0:22:180:22:21

-maybe, I don't know...

-15 years.

0:22:210:22:23

15 years ago, I was terrified.

0:22:230:22:25

There was one point I went to grab hold of Marie and run out.

0:22:250:22:28

They were all bonkers here, you know.

0:22:280:22:31

I have some friends, they come and knocked on the door of the house in London.

0:22:310:22:35

"Where you been? What you been doing?"

0:22:350:22:37

I told them about the course. "We want to come."

0:22:370:22:40

How did you describe it?

0:22:400:22:42

-I didn't have to, they just looked at me.

-Really?

0:22:420:22:44

And they said, "Whatever you've been doing,

0:22:440:22:47

"we want some of that," basically. Of course I told them...

0:22:470:22:50

I hate to say it, but you're not quite giving off that radiance tonight.

0:22:500:22:54

This is 15 years ago.

0:22:560:22:57

That's Ray Winstone, that's not you.

0:22:570:23:00

-That's amazing.

-You went from Ray Winstone to Michael Caine.

0:23:000:23:04

I don't know why Monkey says the things he says.

0:23:040:23:06

That's your first faux pas, Monkey. You do look fabulous.

0:23:080:23:12

I feel like I'm being experimented on by rich people.

0:23:120:23:16

An inner process has begun.

0:23:160:23:19

Are we going to get tears?

0:23:190:23:22

I want high emotions, Nina.

0:23:220:23:24

Not doing any more of this shopping around the alternative therapy circuit.

0:23:240:23:29

I want some high, high stakes.

0:23:290:23:32

Can't promise you tears, Monkey.

0:23:320:23:34

Why are you so placid, for God's sakes?

0:23:340:23:36

I don't know, maybe I'm just sort of normal.

0:23:370:23:41

Apart from me.

0:23:410:23:42

Apart from you, I think I'm pretty normal, yeah.

0:23:420:23:44

GONG CLASHES

0:23:440:23:47

TABLA DRUMBEAT

0:23:510:23:55

Ten minutes of breathing .

0:24:120:24:14

SHE PANTS QUICKLY

0:24:140:24:17

The more you breathe, the more intensely you breathe,

0:24:170:24:19

the rest of the meditation will follow itself.

0:24:190:24:22

That will catalyse everything that comes after.

0:24:220:24:24

So after the breathing, expression,

0:24:240:24:28

everything out, whatever's triggered will come out of you.

0:24:280:24:31

I'll be your eyes.

0:24:310:24:33

OK.

0:24:330:24:34

THEY BREATHE QUICKLY

0:24:360:24:38

NINA BREATHES QUICKLY

0:24:460:24:48

Do the arm thingy. The funky chicken.

0:24:480:24:52

Oh, God!

0:24:520:24:53

How do you feel?

0:25:000:25:02

Ridiculous.

0:25:020:25:04

THEY YELL

0:25:050:25:07

YELLING AND SCREAMING

0:25:100:25:13

Oh, Monkey.

0:25:130:25:16

Oh, fucking hell!

0:25:160:25:18

This is bullshit!

0:25:180:25:20

I fucking hate this!

0:25:200:25:21

SCREAMING CONTINUES

0:25:210:25:24

Oh! Oh, Monkey.

0:25:240:25:27

Does every day start this way?

0:25:280:25:30

I swear to God, by day three, you'll be howling with the best of them.

0:25:330:25:37

I don't like it.

0:25:370:25:40

GONG CLASHES

0:25:410:25:43

Thank God for that.

0:25:430:25:44

Ho! Ho! Ho!

0:25:440:25:46

Oh, now for the jumping.

0:25:460:25:48

Ho! Ho! Ho!

0:25:480:25:50

Ho. Ho.

0:25:500:25:52

Ho! Ho!

0:25:520:25:54

Ho! Ho! Ho! Ho!

0:25:540:25:57

Ho! Ho!

0:25:570:25:59

RAGA MUSIC PLAYS

0:25:590:26:05

Breakfast, showers,

0:26:140:26:17

and we meet back here at 10.15, OK?

0:26:170:26:21

Thank you.

0:26:250:26:26

-This is Monkey.

-Hello, Monkey.

0:26:260:26:28

-Pleased to meet you.

-Hello.

-Nice to meet you, Rosie.

0:26:280:26:31

-This morning I found difficult.

-Yes.

0:26:320:26:35

She felt ridiculous.

0:26:350:26:38

And I found the breathing hard

0:26:380:26:41

'and then the dancing wasn't so hard'

0:26:410:26:44

-but the breathing and the 'ho-ing' was hard.

-Yes.

0:26:440:26:48

Yeah, it's quite unusual.

0:26:480:26:50

So when you do it for the first time, it's sort of...

0:26:500:26:54

It's hard. You know, come out of a normal life and into this

0:26:540:26:57

and you think, "Oh, my God, I don't think I can do it, I feel so silly."

0:26:570:27:00

Yeah, it takes a little time, you know, to start breathing,

0:27:000:27:03

-to start coming down into the body, that's natural.

-Mm-hmm.

0:27:030:27:06

We're going down towards our childhood

0:27:140:27:17

so we just begin to open the door.

0:27:170:27:19

This was my bedroom. I had bunk beds.

0:27:260:27:28

I was an only child, but I had bunk beds just for the fun of it.

0:27:280:27:31

And I remember calling for juice in the night, my mum coming with juice.

0:27:310:27:35

I remember really hurting my mum's feet

0:27:350:27:38

with this little toy that I used to ride on called Rabbit Runaway

0:27:380:27:43

and I drove over her feet on purpose.

0:27:430:27:45

But it really upset me because it reminded me

0:27:450:27:48

how much my mum did for me as a toddler in those boring years

0:27:480:27:53

and that I'm doing that now.

0:27:530:27:55

And I felt that I hadn't appreciated her at all,

0:27:550:28:00

and I'm nasty to her, so that's...

0:28:000:28:02

Yeah, amazing, the amount of stuff that I'm not... Thank you.

0:28:020:28:05

I don't have a home or a family.

0:28:070:28:10

So, mothers,

0:28:220:28:24

your role here is that you're going to be totally unavailable mothers.

0:28:240:28:30

You're going to be preoccupied,

0:28:300:28:32

you're not listening, you're not present. You're not there.

0:28:320:28:37

So you will go in as a presence to your child

0:28:370:28:40

and you will just stand at the end of the mattress where your child is

0:28:400:28:44

and you will just...be there.

0:28:440:28:48

You don't have to say anything or do anything.

0:28:480:28:50

And the child, of course, will be asking for attention -

0:28:500:28:54

and you will just not be there.

0:28:540:28:57

There's a lot of absent parenting sometimes,

0:28:570:28:59

not really there, not really present.

0:28:590:29:03

So that's your role.

0:29:030:29:05

That's all you have to do, is just do that.

0:29:050:29:07

TRIBAL DRUMBEAT PLAYS

0:29:070:29:10

MAN YELLS

0:29:100:29:12

YELLING CONTINUES

0:29:120:29:14

WOMAN SCREAMS

0:29:160:29:18

Take the cushion, Gordon.

0:29:200:29:21

Take the cushion.

0:29:210:29:23

HE YELLS

0:29:310:29:33

Why won't you look at me?!

0:29:330:29:35

LOOK AT ME!

0:29:350:29:38

LOOK AT ME!

0:29:380:29:40

HE YELLS

0:29:440:29:46

Just look away, just keep cool,

0:29:540:29:56

keep cool, keep calm, keep cool.

0:29:560:29:59

Just be cold, cold.

0:29:590:30:01

Not present.

0:30:030:30:05

RHYTHMIC BANGING IN BACKGROUND

0:30:050:30:09

(I feel bad for that guy.)

0:30:210:30:23

Pardon?

0:30:230:30:24

(I feel bad for that guy. Then that made me upset, but I mean it's...)

0:30:240:30:27

-Yes.

-(..you know.)

0:30:270:30:31

But that upsetness that you feel that is you, that's your feelings.

0:30:310:30:35

-Aha. Not his feelings you mean?

-No.

0:30:350:30:38

DAWN CHORUS

0:30:380:30:41

We're going start the process again around mother.

0:30:410:30:44

So we're going to start this time by painting an actual

0:30:440:30:48

picture of your mother, as you see her.

0:30:480:30:52

Poor mother getting dragged into this shit.

0:31:080:31:12

Let's stick her up there.

0:31:120:31:14

When you've done that,

0:31:170:31:18

come and choose a hat which is appropriate for your mother.

0:31:180:31:22

And then you can just begin to walk around the room,

0:31:250:31:28

try and find her rhythm.

0:31:280:31:29

Other mothers in the room, introduce yourself.

0:31:310:31:34

And talk as your mother. Be your mother, fully.

0:31:340:31:37

-Hello.

-Hello. What's your name?

0:31:370:31:39

-Kara.

-Caroline? Kara.

0:31:390:31:41

At the moment, my chief task is babysitting for Nina - for her two boys.

0:31:410:31:46

She then told us that there was...

0:31:460:31:49

They're with us at the moment, and yes, it's quite tiring,

0:31:490:31:53

but it's absolutely lovely. He's a lovely baby.

0:31:530:31:55

I'll tell you all about him and I won't stop talking all night, if you ask me.

0:31:550:31:59

OK. So, close your eyes, go inside.

0:31:590:32:02

And you're going to step out...

0:32:030:32:05

of your mother's energy...

0:32:060:32:09

symbolically, you can just take your hats off and put them on the table.

0:32:090:32:14

-And your badges.

-And your name badges.

0:32:150:32:17

When I first got into my mum, I thought, "Oh, this is easy and light

0:32:170:32:22

"and fun," you know.

0:32:220:32:24

"Must be fun to be her."

0:32:240:32:26

But then I kind of played her like a bit of a bitch which is a bit weird.

0:32:260:32:29

I don't know why I did that, it came out, I don't know why, cos she's not.

0:32:290:32:33

But I kept sort of making silly comments. I don't know,

0:32:330:32:36

I don't make a very good version of my mother.

0:32:360:32:39

And how has your day been for you?

0:32:390:32:41

And the day has been a big long day and lots of things

0:32:410:32:45

and in this very relaxed atmosphere,

0:32:450:32:47

the earlier screaming seems like a distant memory.

0:32:470:32:50

But...I'll get used to it all, so, yeah.

0:32:500:32:54

You're starting to seem a little smug.

0:32:580:33:01

What do you mean?

0:33:010:33:03

All these people baring their souls.

0:33:030:33:06

You're always sitting on the outside with the Monkey,

0:33:060:33:09

suggesting you have better ways to do things.

0:33:090:33:13

I think you should try it wholeheartedly.

0:33:130:33:15

I can't fake it.

0:33:170:33:20

Well, I don't care.

0:33:200:33:22

I think you should try to get beyond the fake.

0:33:220:33:25

ALL SCREAM

0:33:400:33:42

This process that we said in the introduction -

0:33:570:34:00

it's an inner journey

0:34:000:34:02

and it's really to be, you know, kind of in silence

0:34:020:34:06

and with yourself, and see what is coming up for you.

0:34:060:34:09

And I saw the difficulty of that yesterday for you,

0:34:090:34:13

in that when you're trying to do anything we do here

0:34:130:34:16

you're also running, you know, a movie

0:34:160:34:18

and directing and so on, and thinking about all of that.

0:34:180:34:22

I'm going to ask that certain exercises here

0:34:220:34:26

are done without Monkey.

0:34:260:34:27

You can make a movie here and not do the process

0:34:270:34:31

and direct the film or whatever is going on here.

0:34:310:34:36

No, I have to do both.

0:34:360:34:39

But if you want integrity...

0:34:390:34:41

Mmm-hmm.

0:34:410:34:42

..if you want truth, do your journey and be touched by that journey.

0:34:420:34:46

-Yeah.

-OK? The invitation is there.

0:34:460:34:48

Oh, thank you.

0:34:480:34:50

I've got a real problem with the main guy.

0:34:510:34:54

You have?

0:34:540:34:55

-Yeah. I really don't trust him.

-Why not?

0:34:550:34:59

He reminds me of a bully. He's like a bully.

0:34:590:35:02

Why's that?

0:35:020:35:03

He's got that "don't answer me back" sort of thing about him.

0:35:030:35:06

To help Nina to get into the process,

0:35:080:35:11

maybe we take the monkey. If we take away the monkey, kidnap it...

0:35:110:35:15

It is difficult for her, obviously, having the cameramen,

0:35:150:35:18

everybody following, and having the puppet. It's very difficult for her.

0:35:180:35:21

-So if we take it now before she goes back in...

-Yeah.

0:35:210:35:23

Because I've seen the bag, it's over there,

0:35:230:35:26

and the monkey is on its own, so we can take it.

0:35:260:35:29

And, then, at certain point, she's obviously going to realise the monkey is not there,

0:35:290:35:33

and then we see if it helps her to get into...

0:35:330:35:36

-Let's see what comes up.

-Yeah.

0:35:360:35:38

Maybe she's pretty cool about it.

0:35:380:35:40

But I think, you know, it's a good opportunity to do that.

0:35:400:35:43

-Yeah, it's just to help her, because she is not an easy...

-It's a chance.

0:35:430:35:46

-Yeah.

-It's a chance we take.

-Yeah.

0:35:460:35:50

Yeah, I say we go for it.

0:35:500:35:51

With the best interests - with her very, very best interests at heart.

0:35:510:35:54

-I hope you feel mean.

-No.

0:36:000:36:03

SHE CHUCKLES

0:36:030:36:04

Hmm.

0:36:150:36:16

If they've taken Monkey...

0:36:190:36:22

then it's war.

0:36:220:36:24

Have you guys seen my monkey anywhere?

0:36:240:36:26

Yes.

0:36:280:36:29

-Yes, we have, Nina. We've taken the monkey.

-Oh.

0:36:310:36:35

So we wanted to see, you know, what reaction you'd have to that.

0:36:350:36:39

-What, to you taking him?

-Yes.

0:36:390:36:42

I'm deeply irritated by it.

0:36:420:36:44

Love it. Good.

0:36:440:36:46

Yeah, I knew you were the type to push the buttons and all that shit.

0:36:460:36:50

But I've got to make a documentary.

0:36:500:36:53

You've given me a storyline which is quite good - I am grateful for that -

0:36:530:36:56

but I wanted to be able to take stock with him afterwards

0:36:560:36:59

and speak about what I've experienced on my own, before, you know...

0:36:590:37:04

And what would it be like if you couldn't do that?

0:37:040:37:07

Screaming hordes of British viewers shouting

0:37:070:37:11

"Give her back the monkey."

0:37:110:37:13

Are they? They might be more interested in your journey, what you're doing.

0:37:130:37:18

I was doing it anyway!

0:37:190:37:21

-Yeah, you were in a way, but...

-I was.

0:37:210:37:24

We can see that with the film going on and your constant...

0:37:240:37:28

You've taken Monkey, that's just so crap of you.

0:37:280:37:32

That's so out of...

0:37:320:37:35

That's so rude.

0:37:360:37:38

-We're interested in your journey down here.

-Hmm.

0:37:380:37:41

Come into contact with feelings and see what's there.

0:37:410:37:44

Mmm-hmm. No, I understand that,

0:37:440:37:46

and I was really on board with that before the sort of trickery happened.

0:37:460:37:51

Now I'm a bit resentful of you guys.

0:37:510:37:54

OK, you can be angry at us

0:37:540:37:56

or you can see it as an adventure and explore.

0:37:560:37:59

The thing is that story to me...

0:37:590:38:01

is more important than life, in some ways.

0:38:010:38:05

-The story to you is more important than life.

-So...

0:38:080:38:11

-Story. The concept...

-Yes. Ah. Uh-huh.

0:38:120:38:15

-..is more enlightening...

-Yes.

0:38:150:38:19

..than daily life, I think, in some ways.

0:38:190:38:22

So I'm grateful to you for making this story turn.

0:38:220:38:27

-I'm not interested so much in making a story out of this.

-No.

0:38:290:38:32

-I'm interested in your journey...

-Yeah, my journey.

0:38:320:38:35

..and whether you get something from this or not.

0:38:350:38:38

-It's fine, take the monkey.

-OK.

0:38:380:38:40

Keep him away from any moths.

0:38:400:38:42

OK. We'll keep him in very good care.

0:38:420:38:44

Yeah, I'm really upset.

0:38:440:38:46

I'm really upset because it's not his to take.

0:38:470:38:50

SHE SIGHS

0:38:500:38:52

It's a trespass. That's why I'm annoyed.

0:38:520:38:56

Buggered if I'm going to let him see me cry now.

0:39:000:39:03

I'm going to lock up all my emotions in protest.

0:39:030:39:06

OK, we're going to do a quick round

0:39:080:39:10

and check in with everybody to see where they're at from this morning

0:39:100:39:13

before we start this afternoon exercise.

0:39:130:39:16

In an interesting turn,

0:39:160:39:19

the Penninghame...

0:39:190:39:22

the Penninghame mafia have stolen my monkey.

0:39:220:39:26

NINA LAUGHS

0:39:260:39:29

And so, yeah, he's been confiscated.

0:39:290:39:31

I don't know where he is.

0:39:310:39:33

OK.

0:39:330:39:34

One dance track just to get up a little bit of energy

0:39:370:39:39

so just enjoy this one track.

0:39:390:39:42

The music is going to be shit.

0:39:420:39:45

MUSIC: "Born To Be Wild" by Steppenwolf

0:39:450:39:48

NINA SNIGGERS

0:39:500:39:51

SNIGGERING CONTINUES

0:39:530:39:55

Whatever the expression is,

0:40:080:40:10

your body follows the expression of your hands.

0:40:100:40:12

SOOTHING MUSIC PLAYS

0:40:150:40:17

RHYTHMIC MUSIC PLAYS

0:40:190:40:21

NINA GROWLS

0:40:290:40:32

BOTH SNARL

0:40:330:40:35

Monkey-stealing fucker!

0:40:350:40:39

You fucking...

0:40:390:40:41

Fucking heavy.

0:40:410:40:43

Give me a lighter cushion, you bloody morons!

0:40:430:40:47

Pictures that you put on the wall.

0:40:500:40:53

How it was...

0:40:530:40:55

to make way...

0:40:550:40:56

..for something new to come in.

0:40:580:40:59

And do it with real intention.

0:40:590:41:02

I don't want to rip up my mum and dad's face.

0:41:050:41:07

This is really about, you know... This is about you

0:41:090:41:12

and patterns that are left behind

0:41:120:41:14

from the past that you say goodbye to and make way for something new.

0:41:140:41:17

Of course you're not ripping your parents up, of course.

0:41:170:41:20

No, I know, but it's a weird symbolism.

0:41:200:41:22

Just put them in the bin.

0:41:220:41:23

'I really, really, really want to home to my children, yeah.

0:41:340:41:38

'I can't wait to see them.

0:41:380:41:40

'But I'm also interested to see what happens tomorrow.'

0:41:410:41:45

Does your mind actually change when you don't have Monkey or not really?

0:41:470:41:51

No, it doesn't change enough.

0:41:520:41:54

I think that's what people think - it's like you can't be yourself with Monkey.

0:41:580:42:02

But do you think you can actually be yourself?

0:42:020:42:04

Yeah.

0:42:040:42:06

Yeah, I think I can be myself when Monkey is on my hand.

0:42:060:42:09

'So what now? Is there anything you need to attend to

0:42:110:42:15

'or are there any sort of niggly feelings going on?'

0:42:150:42:19

'I feel guilty that my mum didn't maybe...'

0:42:190:42:21

that her needs weren't met,

0:42:210:42:24

that she... Yeah, I feel guilty that her needs weren't met.

0:42:240:42:28

So she's really given her whole life to me...

0:42:280:42:32

And that is really hard to...

0:42:340:42:36

-..to, you know, to feel a bit responsible for that.

-OK.

0:42:380:42:41

-This is now Mum.

-OK.

0:42:420:42:45

What do you want to say to your mum?

0:42:450:42:47

-Thank you, Mum.

-Thank you, Mum.

0:42:490:42:52

NINA SIGHS

0:42:540:42:56

And I'm so sorry.

0:42:560:42:59

Have you sensed that that's received over here?

0:42:590:43:03

Do you get a sense of her being here for a minute?

0:43:030:43:05

Mmm.

0:43:050:43:07

And she's receiving it?

0:43:070:43:09

Mmm.

0:43:090:43:11

There's nothing for you to be guilty for.

0:43:130:43:15

Constellation that we're going to do here,

0:43:410:43:43

this is a kind of variation of a constellation work

0:43:430:43:47

that was created by Bert Hellinger.

0:43:470:43:50

So it really is interesting work to do,

0:43:500:43:54

where you can see, in some way, the unseen.

0:43:540:43:58

You can solve problems that may exist that you cannot get to normally.

0:43:580:44:04

So, here, Nina...

0:44:040:44:07

What I want you to do...

0:44:100:44:11

Symbolically - I want you to hold that - that's a bag of guilt.

0:44:110:44:15

NINA CHUCKLES OK.

0:44:150:44:17

And I want to ask you just to walk around with it.

0:44:170:44:20

-OK.

-And as you're walking, just feel it.

0:44:200:44:23

Perhaps you could tell me a little what it's like to carry that.

0:44:250:44:28

It's draining and boring.

0:44:280:44:30

It'd be really nice just to put it down.

0:44:300:44:33

And do you get any sense of where that belongs?

0:44:330:44:38

-Where it belongs?

-Yeah.

0:44:390:44:41

Yeah, it doesn't belong with me. I should put it down somewhere else.

0:44:410:44:45

Any idea where it belongs?

0:44:450:44:48

I just got it, I don't know where it came from.

0:44:490:44:53

I got it, I got given it.

0:44:530:44:55

-You got given it?

-I think so.

0:44:550:44:58

Who did you get given it by?

0:44:580:44:59

Er... My mum, I suppose.

0:45:050:45:08

OK. Your mother is here symbolically.

0:45:080:45:11

Hmm.

0:45:130:45:14

I don't want to give it back to her. I want to put it over there.

0:45:140:45:17

You don't have to give it back to her, but you can just set it down on the floor.

0:45:170:45:20

"This is not mine."

0:45:270:45:29

That's not mine.

0:45:300:45:32

It feels very nice.

0:45:320:45:34

"I give it back."

0:45:340:45:35

I give it back.

0:45:370:45:38

I was in a relationship that didn't have very much future

0:45:440:45:48

and I got pregnant,

0:45:480:45:50

and I was really upset to be pregnant

0:45:500:45:54

cos I couldn't have the baby.

0:45:540:45:56

But also everything my mother had given me

0:45:560:45:58

about being a mother being the most important thing...

0:45:580:46:02

It felt awful because I couldn't have this child

0:46:020:46:05

and I took... I had an abortion

0:46:050:46:07

and I felt very badly about it, and took it very hard.

0:46:070:46:10

And it was a weird year and I did lots of different things

0:46:100:46:13

and then I found Monkey, and I started working with Monkey.

0:46:130:46:17

And so that's why I took it quite badly

0:46:180:46:23

when he was taken away from me yesterday.

0:46:230:46:27

I experienced you today without Monkey.

0:46:290:46:33

I really have a sense of you being present,

0:46:330:46:36

and I can feel and take you seriously now.

0:46:360:46:40

Whereas with Monkey, I'm not quite sure where you're at.

0:46:400:46:46

It's a kind of... It's an unusual thing.

0:46:460:46:48

Hmm. No, I feel good.

0:46:480:46:51

So...

0:47:220:47:23

..it's coming to the time

0:47:240:47:28

..when you need to very, very gently

0:47:300:47:34

and very, very carefully

0:47:340:47:37

just come out of this place now

0:47:370:47:42

and come back into the room,

0:47:420:47:44

but don't do it too quickly.

0:47:440:47:46

'That was really nice.'

0:47:470:47:49

It was nice to connect with the idea of me as a baby

0:47:490:47:53

and feel like the little baby. It was...

0:47:530:47:56

it was nothing you would ever come to on your own.

0:47:560:48:01

As you lie here on the mattress,

0:48:050:48:09

I'd like you to curl up as you were before

0:48:090:48:11

and make contact with the place you were in just before you left the room.

0:48:110:48:17

A newborn baby.

0:48:190:48:21

The world is wonderful.

0:48:270:48:30

And you can take off your blindfolds

0:48:300:48:34

and really see the world from this perspective.

0:48:340:48:38

How is it?

0:48:380:48:39

You begin to choose what you want to do.

0:48:390:48:43

Sometimes you might like to be alone,

0:48:430:48:46

sometimes you might like to be with other people.

0:48:460:48:50

I'm going to take you for something to eat.

0:48:500:48:52

ALL EXCLAIM HAPPILY

0:48:520:48:54

'I found it fun to begin with. I liked waking up, that was nice,

0:48:560:48:59

'with the toys and everything,

0:48:590:49:01

'but then I found it... I just totally remembered being shy as a...

0:49:010:49:05

'It was when I was five. I think that's the age I was.

0:49:050:49:08

'And I just remembered...'

0:49:080:49:10

just thought, "Oh, God, all these kids know more,

0:49:100:49:14

"know each other better," you know, all that, and I can't...

0:49:140:49:17

-Like a replay.

-I couldn't find anything to say. Yeah. It was hard.

0:49:170:49:22

-I know.

-It was hard, yeah. I wanted my mum.

0:49:220:49:25

ALL LAUGH

0:49:250:49:27

We're all like that.

0:49:270:49:29

It is a choice to jump that line, to be...

0:49:290:49:32

to allow yourself that freshness,

0:49:320:49:34

that ease, that being in the moment, stuff from childhood.

0:49:340:49:39

So it's always available. It's always available.

0:49:390:49:43

We move on to something else now.

0:49:430:49:45

This afternoon, you will be invited

0:49:470:49:50

to take part in a death process.

0:49:500:49:53

This afternoon, you will die...

0:49:530:49:57

..and see what it feels like inside...

0:49:580:50:00

..and prepare yourself for that.

0:50:010:50:04

If you meet anyone when you're out walking, don't laugh it away...

0:50:080:50:12

don't talk to others.

0:50:120:50:14

So be totally with yourself to get the best out of this experience.

0:50:140:50:18

It's horrible because you're...

0:50:230:50:26

He's told you to write letters to loved ones

0:50:280:50:31

as if you're going to die today.

0:50:310:50:33

So it's really horrible.

0:50:330:50:35

Obviously I'm writing to my children.

0:50:370:50:39

It sort of feels sick.

0:50:390:50:41

I don't know what the point of it is yet.

0:50:410:50:43

NINA SOBS

0:50:500:50:53

'And the reason we do this death experience...

0:50:550:50:58

'It's about life...

0:51:000:51:01

'..about how precious life is.

0:51:030:51:05

'It's an inner journey.

0:51:090:51:11

'There is no acting now.'

0:51:110:51:13

'Oh, my God, it was so painful. Loads of tears.

0:51:170:51:20

'I didn't want to go.

0:51:200:51:23

'I didn't want to go, but I must've wanted to stay with the experience

0:51:230:51:27

'cos I could've easily gone, "Well this is a loony way to pass the time."

0:51:270:51:31

'I wanted to find out what was going to be there.'

0:51:310:51:34

-What was there?

-But... What was there was that I just...

0:51:360:51:39

I'm definitely not ready to die,

0:51:390:51:42

'and that I really love my family

0:51:420:51:45

'and that nothing else is as important.

0:51:450:51:48

'All the cliches, all that stuff.'

0:51:480:51:50

I think it will help me when I get home, yeah.

0:51:500:51:53

Yeah, I do.

0:51:530:51:54

I think I'll be more grateful.

0:51:540:51:56

Yeah.

0:51:580:51:59

Yeah, I thoroughly recommend thinking about death long and hard.

0:51:590:52:04

SHE LAUGHS

0:52:040:52:06

Desperate to get on the phone now. I'm going to call my family.

0:52:080:52:12

Hi, Dad, it's me.

0:52:140:52:16

Hello! How are you?

0:52:160:52:19

I'm very, very well.

0:52:190:52:21

Yeah, yeah, I'm very well indeed.

0:52:210:52:25

How is everybody?

0:52:250:52:26

Excellent. Can I talk to Arthur?

0:52:280:52:31

Hello! How are you? SQUEALING FROM DOWN THE PHONE

0:52:310:52:34

Aaah!

0:52:340:52:36

In the morning. How are you, my love?

0:52:360:52:39

Oh, it's so nice to hear your voice.

0:52:410:52:43

Hello, how are you?

0:52:430:52:45

I have survived, yeah. I broke, I broke a few times.

0:52:480:52:50

Loads of stuff came up.

0:52:500:52:52

Lots of stuff about you and me as well.

0:52:520:52:56

NINA LAUGHS I know. You should.

0:52:560:52:59

You did survive, yeah. I'll tell you all about it.

0:52:590:53:02

No, completely! Completely;

0:53:020:53:05

No, I mean, most of my time I was crying

0:53:050:53:07

cos you were such a good mother, you know, and I felt so guilty.

0:53:070:53:11

SHE SIGHS Yeah.

0:53:110:53:13

OK, it's our last round.

0:53:200:53:24

So we wanted to give you a little gift before you go.

0:53:250:53:31

And it's up to you whether you take it,

0:53:310:53:33

if you would like to do this small healing.

0:53:330:53:36

And this is about the abortion. You would like?

0:53:360:53:39

-Yes.

-OK.

0:53:390:53:41

So you just choose someone...

0:53:410:53:43

..for the child.

0:53:440:53:46

I choose Roman.

0:53:460:53:47

OK.

0:53:510:53:52

Just take a hand and put it onto the child's head

0:53:550:54:00

and just allow whatever is there.

0:54:000:54:02

That deep guilt held in the system.

0:54:100:54:13

SHE SOBS LOUDLY

0:54:280:54:30

SOBS: I'm so sorry.

0:54:400:54:43

I'm so sorry.

0:54:480:54:50

It's a horrible thing to have done.

0:55:030:55:05

LAUGHTER

0:55:270:55:30

Evening, all.

0:55:300:55:32

What's going on here?

0:55:320:55:34

We've had a monkey handed in down at the police station.

0:55:340:55:39

And I'm told that the owner is somewhere in here.

0:55:400:55:44

SHE LAUGHS Yeah, that's me.

0:55:440:55:47

Oh, OK. One monkey.

0:55:470:55:50

Thank you.

0:55:500:55:51

Thank you, officer.

0:55:530:55:54

Oh, dear.

0:55:580:55:59

Aww.

0:55:590:56:01

Yay.

0:56:030:56:04

# Happy days are here again. #

0:56:070:56:09

LAUGHTER AND APPLAUSE

0:56:090:56:13

'Look what happens when I get locked in a cupboard, you dirty culty whore.'

0:56:360:56:41

Monkey, it was incredible.

0:56:410:56:43

How long did the feeling last?

0:56:430:56:44

-About a week.

-A whole week(!)

0:56:440:56:46

Well, yeah, but you can't scream in normal life,

0:56:460:56:49

you can't let that stuff out, so it just builds up.

0:56:490:56:51

Well, you've got to learn to scream on the inside, Nina.

0:56:510:56:54

Like I do.

0:56:550:56:57

How do you feel your wife's search for enlightenment went?

0:56:590:57:03

I can't truly tell...

0:57:060:57:09

but from all the outward signs,

0:57:090:57:13

I'd say that, on the whole...

0:57:130:57:16

..she's the same as before.

0:57:180:57:22

LAUGHTER

0:57:220:57:25

I've been on a retreat just recently, which was primal screaming.

0:57:250:57:30

Ah! It was fucking weird.

0:57:300:57:32

I was really happy afterwards.

0:57:320:57:34

But I lost my voice completely. It was seriously worrying.

0:57:340:57:38

I think that's why Nina does comedy -

0:57:380:57:40

to kind of, you know, let the negativity flow out slowly.

0:57:400:57:44

Yeah, but one scream, one primal scream...

0:57:440:57:47

That's a whole year of gigs.

0:57:470:57:50

I'm skint.

0:57:500:57:52

MUSIC: "Where Is My Mind?" by the Pixies

0:57:540:57:58

# With your feet on the air and your head on the ground

0:58:060:58:09

# Try this trick and spin it

0:58:130:58:16

# Yeah

0:58:160:58:19

# Your head will collapse

0:58:190:58:21

# If there's nothing in it

0:58:210:58:23

# And you'll ask yourself

0:58:230:58:24

# Where is my mind?

0:58:240:58:27

# Where is my mind? #

0:58:270:58:30

Subtitles by Red Bee Media Ltd

0:58:300:58:33

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