
Browse content similar to Make Me Happy: A Monkey's Search for Happiness. Check below for episodes and series from the same categories and more!
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I'm Nina. I'm married and I have two children and I have a fun job | 0:00:02 | 0:00:05 | |
but a few months back, I started to really worry | 0:00:05 | 0:00:08 | |
about whether I was getting the best out of life | 0:00:08 | 0:00:10 | |
and started to question, is this it? | 0:00:10 | 0:00:13 | |
So I knew that out there, | 0:00:13 | 0:00:14 | |
there was a whole industry professing to help with this kind of angst | 0:00:14 | 0:00:18 | |
so I entered the world of New Age Therapies | 0:00:18 | 0:00:20 | |
to find out whether it was populated by charlatans or to see if they'd be able to help me. | 0:00:20 | 0:00:24 | |
That's not the whole story. Nina has a monkey. | 0:00:24 | 0:00:27 | |
Yes, I omitted to say that I'm a ventriloquist. | 0:00:27 | 0:00:29 | |
And I came with her on this journey | 0:00:29 | 0:00:31 | |
cos she gets swept away with this kind of shit. | 0:00:31 | 0:00:33 | |
So ironically, it was up to me, her imaginary friend, | 0:00:33 | 0:00:37 | |
to keep it real. | 0:00:37 | 0:00:40 | |
THEY YELL AT EACH OTHER | 0:00:40 | 0:00:43 | |
You've got the car. You've got the house. | 0:00:43 | 0:00:45 | |
Your finances seem reasonable, you've got the family but something's missing. | 0:00:45 | 0:00:49 | |
Argh! Ha-ha-ha! | 0:00:49 | 0:00:51 | |
-You're Nina's husband? -Yes. | 0:00:51 | 0:00:53 | |
What do you think about your wife's search for enlightenment? | 0:00:53 | 0:00:56 | |
I think it's stupid. | 0:00:56 | 0:00:58 | |
Enlightenment is a process of feeling lighter every day. | 0:00:58 | 0:01:01 | |
Don't you feel there's something in there? | 0:01:01 | 0:01:03 | |
I'm not sure she goes that deep. | 0:01:03 | 0:01:05 | |
HE ROARS | 0:01:05 | 0:01:07 | |
Why won't you look at me?! | 0:01:07 | 0:01:08 | |
I'm just not really enjoying it. | 0:01:08 | 0:01:11 | |
What, life? | 0:01:11 | 0:01:12 | |
SHE BREATHES HEAVILY | 0:01:12 | 0:01:14 | |
Everything is going to come back to discovering who you are. | 0:01:14 | 0:01:18 | |
SHE SCREAMS | 0:01:18 | 0:01:20 | |
She's fabulous, and I'm not going to say anything other than her name. | 0:01:30 | 0:01:35 | |
So would you please welcome on stage | 0:01:35 | 0:01:37 | |
Nina Conti. | 0:01:37 | 0:01:39 | |
-Hello. Uh, this is exciting. -Yeah. | 0:01:40 | 0:01:43 | |
Do they know it's ventriloquism? | 0:01:43 | 0:01:46 | |
Yeah, they catch on quick. | 0:01:46 | 0:01:47 | |
-Do they know how I feel about it? -I don't know. | 0:01:47 | 0:01:50 | |
-I think it's a dead art. -OK. | 0:01:50 | 0:01:52 | |
What are we doing? | 0:01:52 | 0:01:54 | |
I thought I'd go on the search for enlightenment, Monkey. | 0:01:54 | 0:01:57 | |
Nice easy achievable horizons, then. | 0:01:57 | 0:02:00 | |
No biggie. | 0:02:00 | 0:02:02 | |
So, where to start, Conti? | 0:02:04 | 0:02:06 | |
Well, there's a book shop in London | 0:02:06 | 0:02:08 | |
famous for its massive collection of New Age and occult books. | 0:02:08 | 0:02:10 | |
What's wrong with a good John Le Carre? | 0:02:10 | 0:02:14 | |
Where do we begin? | 0:02:14 | 0:02:16 | |
I don't know, alphabetically? | 0:02:16 | 0:02:18 | |
Goes from magic to secret societies, astrology and... | 0:02:18 | 0:02:22 | |
-Special offers. -Yeah, best sellers. | 0:02:22 | 0:02:25 | |
Hmm. | 0:02:25 | 0:02:27 | |
-Breathing, this one. -Breathing? | 0:02:27 | 0:02:29 | |
Yeah, why don't you master that? | 0:02:29 | 0:02:31 | |
Reiki. | 0:02:31 | 0:02:33 | |
I don't know, it's not exactly a page-turner. | 0:02:33 | 0:02:36 | |
I can experience that if you just unglove yourself. | 0:02:36 | 0:02:40 | |
That's the one, Look for Yourself. | 0:02:40 | 0:02:43 | |
"The Science and Art of Self-Realisation." | 0:02:43 | 0:02:47 | |
New Age Literature's exploded from a specialist niche | 0:02:47 | 0:02:50 | |
into a multi-million pound industry. | 0:02:50 | 0:02:52 | |
Yes, and what does that say about humans today? | 0:02:52 | 0:02:56 | |
-Try not to just go for the largest font, Nina. -Yeah. | 0:02:56 | 0:02:59 | |
Imagine I'm a metal detector. | 0:02:59 | 0:03:01 | |
Just scan me over it, and I'll beep when I get to the good one. | 0:03:01 | 0:03:05 | |
Over, over, over, got it. | 0:03:05 | 0:03:08 | |
-Naked Being? -Yeah, get it. Read it. | 0:03:08 | 0:03:11 | |
-There you are. -"Undressing your mind and transforming your life." | 0:03:11 | 0:03:14 | |
-Essences. -Smells, in other words. | 0:03:16 | 0:03:19 | |
It's Joan Rivers. | 0:03:19 | 0:03:21 | |
No, no, no. It's not Joan Rivers. | 0:03:21 | 0:03:23 | |
Well, they share a facial surgeon. | 0:03:23 | 0:03:26 | |
Oh, shit. I love this. Pick and mix. Are these minty? | 0:03:27 | 0:03:31 | |
No, Monkey, they're not...not to eat. | 0:03:31 | 0:03:34 | |
In the shop window, I see a guy doing tarot card readings. | 0:03:34 | 0:03:38 | |
Hmm. Maybe he can tell us the future of our journey. | 0:03:38 | 0:03:43 | |
Hello. I'm Nina. | 0:03:43 | 0:03:44 | |
Next card, near future card. | 0:03:47 | 0:03:50 | |
Well, bit difficult card, | 0:03:52 | 0:03:55 | |
so many thoughts, a crowd, you know. | 0:03:55 | 0:03:57 | |
-OK. -Coming and going too fast, traffic. -All right. | 0:03:57 | 0:04:00 | |
-Traffic is too fast. -Too fast. | 0:04:00 | 0:04:02 | |
Oh ho! Very difficult card. | 0:04:04 | 0:04:06 | |
Loneliness, | 0:04:06 | 0:04:08 | |
-tension, tied up. -Hmm. | 0:04:08 | 0:04:11 | |
OK, the last card. | 0:04:11 | 0:04:13 | |
That is your card. | 0:04:14 | 0:04:16 | |
I don't believe it. "Totally bananas"? | 0:04:16 | 0:04:20 | |
That's our ultimate destiny | 0:04:20 | 0:04:21 | |
and that is why she has an imaginary friend. | 0:04:21 | 0:04:24 | |
Oh, well, you are very lucky. | 0:04:24 | 0:04:26 | |
Do you think he just got that one cos I'm a monkey? | 0:04:26 | 0:04:30 | |
No, I chose the card. | 0:04:30 | 0:04:31 | |
-he didn't choose the card. -We were set up. | 0:04:31 | 0:04:34 | |
No, it wasn't. Anyway, what does it matter? | 0:04:34 | 0:04:36 | |
You know, you haven't got the attention span | 0:04:37 | 0:04:40 | |
for the whole book thing. | 0:04:40 | 0:04:42 | |
Well, yeah, I'm happier doing something practical | 0:04:42 | 0:04:44 | |
and that's why I want to meet Shazzy, the raw food expert. | 0:04:44 | 0:04:48 | |
She claims that raw food can help me find deep bliss and happiness. | 0:04:48 | 0:04:52 | |
Maybe a little gash on the way. | 0:04:52 | 0:04:54 | |
OK. Come on, Monkey, we're here. | 0:04:56 | 0:04:58 | |
Going to get enlightened through lettuce or something? | 0:04:58 | 0:05:02 | |
Well, we'll see. | 0:05:02 | 0:05:03 | |
-Hello. -Hello. | 0:05:03 | 0:05:05 | |
-Hello, I'm Monkey. -Hello, Monkey. | 0:05:05 | 0:05:07 | |
I went raw originally 12 years ago | 0:05:07 | 0:05:10 | |
because I was very depressed. I had an amazing job. | 0:05:10 | 0:05:13 | |
I had a fantastic boyfriend, a beautiful house. | 0:05:13 | 0:05:16 | |
Really nice new car. All the things, | 0:05:16 | 0:05:18 | |
lovely family, great friends, great social life | 0:05:18 | 0:05:21 | |
and I was empty. | 0:05:21 | 0:05:23 | |
-Wow. -I was completely empty. | 0:05:23 | 0:05:24 | |
And what I discovered along the road, | 0:05:24 | 0:05:27 | |
I would say the raw food was a huge part of it. | 0:05:27 | 0:05:29 | |
-All right, let's eat. -Shall we? | 0:05:29 | 0:05:32 | |
-I want to find out what kind of things you like to eat. -OK. | 0:05:32 | 0:05:35 | |
I eat latte and croissant in the morning, and I eat...what do I eat? | 0:05:35 | 0:05:40 | |
Lunch is like a sandwich or a soup, or a salad. | 0:05:40 | 0:05:43 | |
I'm so bored, I'm going to die. | 0:05:43 | 0:05:44 | |
Look at this. This has got loads and loads of greens in it. | 0:05:44 | 0:05:47 | |
-Oh, it looks like I did that. -But it's sweet. | 0:05:47 | 0:05:50 | |
That's very much... very fieldy-looking. | 0:05:50 | 0:05:54 | |
It's real chocolate in its uncooked form. Do you want to try some? | 0:05:55 | 0:05:58 | |
That's weird, isn't it? | 0:05:58 | 0:06:00 | |
How would I know? | 0:06:00 | 0:06:02 | |
-I'm going to try really hard not to eat these. -Really? | 0:06:02 | 0:06:05 | |
And do you get really skinny on all this food? | 0:06:05 | 0:06:08 | |
I'm sitting here while you're eating this shit. I don't know what to do. | 0:06:10 | 0:06:13 | |
Well, I'm sorry you can't be involved. | 0:06:13 | 0:06:15 | |
-This is a cheese that I've made. -Cashew cheese. -Cashew cheese. | 0:06:15 | 0:06:19 | |
My intention is to feel more connected and more calm | 0:06:19 | 0:06:22 | |
and more enlightened and less stressy day-to-day lifey sort of thing. | 0:06:22 | 0:06:26 | |
How do you think that this would help that? | 0:06:26 | 0:06:29 | |
It will help but you can also do other things. | 0:06:29 | 0:06:33 | |
You can seek other things that are going to unravel you. | 0:06:33 | 0:06:36 | |
We're going to meet my shaman and he's called Shaun, | 0:06:36 | 0:06:40 | |
-and he also looks a bit like a monkey. -Really? -Yep. | 0:06:40 | 0:06:43 | |
-And he's your shaman? -He's my shaman. -Your personal shaman? | 0:06:43 | 0:06:46 | |
-He's a lot of people's shaman. -You let him out? | 0:06:46 | 0:06:48 | |
-I call him my witch doctor. -Right. | 0:06:51 | 0:06:53 | |
-So, you know, he kind of... -He makes potions. | 0:06:53 | 0:06:56 | |
-He does make a few potions. -What are we going to do, exactly? | 0:06:56 | 0:06:59 | |
-We're going to tweak your feet. -OK. How nice. | 0:06:59 | 0:07:02 | |
And then just relax. | 0:07:05 | 0:07:07 | |
Relax, it's a nice thing. | 0:07:07 | 0:07:08 | |
Just relax, just relax and let it flow. | 0:07:08 | 0:07:11 | |
I'd like to know when you became a shaman. | 0:07:11 | 0:07:13 | |
Basically, I ingested a plant substance one day | 0:07:13 | 0:07:17 | |
and I realised that, um, | 0:07:17 | 0:07:20 | |
I had been basing my existence on a belief system which wasn't true. | 0:07:20 | 0:07:25 | |
-Right. -And that I'd actually had an experience | 0:07:25 | 0:07:28 | |
where my soul left my body, and I went into a different dimension. | 0:07:28 | 0:07:34 | |
And this plant helped you find that out? | 0:07:34 | 0:07:37 | |
To have this realisation. | 0:07:37 | 0:07:39 | |
Without the plant, do you think you would have ever found it? | 0:07:39 | 0:07:43 | |
I think eventually, I feel there's so many different paths | 0:07:43 | 0:07:46 | |
-to finding the one truth... -Hmm. -..in so many different languages. | 0:07:46 | 0:07:49 | |
Kind of feel like I'm at a party. | 0:07:49 | 0:07:53 | |
-But that's what life is now! -Life is a party? -Life is a party. | 0:07:53 | 0:07:56 | |
Is there a goal? | 0:07:56 | 0:07:57 | |
-It's more of a journey. -Right. | 0:07:57 | 0:08:00 | |
It's a journey. | 0:08:00 | 0:08:01 | |
I've been eating sprouting mung beans. | 0:08:01 | 0:08:03 | |
-I've been questioning my whole existence. -In what way? | 0:08:03 | 0:08:06 | |
Well, I have a hand up my arse, therefore I am. | 0:08:06 | 0:08:09 | |
The rest is a charade. | 0:08:09 | 0:08:10 | |
And what's brought this on? | 0:08:10 | 0:08:11 | |
Well, I've been eating some tasty plants in the back garden. | 0:08:11 | 0:08:15 | |
-You're mean. -No, seriously. | 0:08:15 | 0:08:18 | |
Someone who's successfully changed their life | 0:08:21 | 0:08:23 | |
and given up a lucrative career in trading | 0:08:23 | 0:08:26 | |
and become a guru is this woman, Guru Kaur. | 0:08:26 | 0:08:29 | |
Is there any money in it? | 0:08:29 | 0:08:31 | |
The word "guru" means... "Gu" means darkness | 0:08:31 | 0:08:35 | |
and "ru" means light. | 0:08:35 | 0:08:36 | |
So it means the process of going from darkness to light. | 0:08:36 | 0:08:39 | |
The thing about darkness into light... | 0:08:39 | 0:08:41 | |
You're worried, aren't you? You don't have the darkness. | 0:08:41 | 0:08:44 | |
I'm a little worried because I can be tetchy and unpleasant at times. | 0:08:44 | 0:08:48 | |
-And I can be gloomy and rubbish. -Yeah. | 0:08:48 | 0:08:51 | |
But something dark or a real crisis, I don't think I've had. | 0:08:51 | 0:08:57 | |
There needs to be a moment where you say, | 0:08:57 | 0:09:00 | |
"This life is not enough for me, I want more." | 0:09:00 | 0:09:03 | |
I would love to be a much better person. | 0:09:03 | 0:09:06 | |
Also, I've got children, I have to give them the best time possible. | 0:09:06 | 0:09:09 | |
-Absolutely. -And I want to be at my full potential. | 0:09:09 | 0:09:12 | |
-I really do because I'm awful when I'm angry and stuff. -No, as a... | 0:09:12 | 0:09:16 | |
-As a mother, the mother is a child's first teacher. -Uh-huh. | 0:09:16 | 0:09:19 | |
And your role with your children is fundamental to shaping their future. | 0:09:19 | 0:09:24 | |
They're teaching you that you need to do something | 0:09:24 | 0:09:26 | |
-about your tetchiness, your grumpiness. -Yeah, yeah. | 0:09:26 | 0:09:28 | |
They are teaching you. | 0:09:28 | 0:09:31 | |
-How do you get a turban? -How do you get a turban? -Yeah. | 0:09:31 | 0:09:33 | |
You go and buy one. You buy five metres of fabric and you tie it on. | 0:09:33 | 0:09:37 | |
That's how you get a turban. | 0:09:37 | 0:09:39 | |
-You don't need any permission to wear one? -Absolutely not. | 0:09:39 | 0:09:42 | |
-It goes on first thing in the morning? -Yeah. | 0:09:42 | 0:09:45 | |
For me it's almost like a self-crowning, | 0:09:45 | 0:09:47 | |
like saying, "This is who I am." | 0:09:47 | 0:09:49 | |
I am the opposite of a whore, if you want to, you know... | 0:09:49 | 0:09:53 | |
-Right. -I feel...majestic. -Oh, that's a pity. | 0:09:53 | 0:09:56 | |
-Oh, Monkey that's awful. -What did you say? | 0:09:56 | 0:09:59 | |
-Oh, that's a pity. -Well... -We were getting on so well. | 0:09:59 | 0:10:03 | |
We are getting on well, aren't we, Monkey? | 0:10:03 | 0:10:05 | |
But you know, there's other ways to relate to people than sex. | 0:10:05 | 0:10:07 | |
-Ooh, that feels good. -You like it? | 0:10:15 | 0:10:18 | |
-That is what pulls it together. There you go. -It's nice. | 0:10:18 | 0:10:20 | |
-So... -It does slightly affect your hearing. | 0:10:20 | 0:10:24 | |
Hello. You're a dog. | 0:10:24 | 0:10:27 | |
'No, I'm not. I'm an angel.' | 0:10:27 | 0:10:29 | |
Oh, are you? You talk too. I didn't know you... | 0:10:29 | 0:10:32 | |
DOG BARKS | 0:10:32 | 0:10:34 | |
THEY CHANT | 0:10:34 | 0:10:37 | |
I have to say, Nina, I found the look of you in that turban slightly troubling. | 0:10:42 | 0:10:46 | |
But I loved it. I loved wearing a turban and doing Kundalini yoga | 0:10:46 | 0:10:51 | |
and feeling like somebody else. | 0:10:51 | 0:10:53 | |
But you can't just dress your way to enlightenment. | 0:10:53 | 0:10:56 | |
You can't just wear the clothes. | 0:10:56 | 0:10:58 | |
You've got to do some study and read the books. | 0:10:58 | 0:11:01 | |
-Yeah, I know. -Good Lord. | 0:11:01 | 0:11:02 | |
Women these days. Honestly. | 0:11:02 | 0:11:04 | |
The New Age seems bursting with various brands of yoga | 0:11:11 | 0:11:14 | |
and the one we're about to do is laughter. | 0:11:14 | 0:11:17 | |
So insulting, Nina. Don't I bring laughter into your life? | 0:11:17 | 0:11:21 | |
Well, no, because I always know what you're going to say. | 0:11:21 | 0:11:24 | |
We're going to be doing laughter as yoga. So people often ask, | 0:11:24 | 0:11:27 | |
are we going to be doing yoga postures or anything else. | 0:11:27 | 0:11:30 | |
We're not, you can if you want to but you're not obliged to | 0:11:30 | 0:11:33 | |
so you can keep your legs not around your head. | 0:11:33 | 0:11:35 | |
We're going to be laughing for no reason. | 0:11:35 | 0:11:40 | |
So no jokes, no comedy, nothing to get, | 0:11:40 | 0:11:42 | |
you can't be inside or outside what's going on, | 0:11:42 | 0:11:45 | |
we're just going to be laughing for no reason, | 0:11:45 | 0:11:48 | |
which you'll be experts at by the end of the hour. | 0:11:48 | 0:11:50 | |
Ho, ho, ho, ho. | 0:11:50 | 0:11:52 | |
ALL: Ho, ho, ho, ho, ho, ho, ho. | 0:11:52 | 0:11:56 | |
Ho, ho, ho, ho, ho, ho, ho. | 0:11:56 | 0:11:59 | |
-Ha-ha-ha-ha-ha. -ALL: Ha-ha-ha. | 0:11:59 | 0:12:02 | |
-Ooh, hoo-hoo-hoo. -Hoo-hoo-hoo. | 0:12:02 | 0:12:04 | |
Oooh! Ha-ha-ha! | 0:12:04 | 0:12:08 | |
Oh, God! | 0:12:08 | 0:12:10 | |
Wa-ha-ha! | 0:12:10 | 0:12:13 | |
Hee-hee-hee-hee! | 0:12:13 | 0:12:17 | |
Very good, very good, yay! | 0:12:17 | 0:12:20 | |
-Altogether. -ALL: Very good, very good, yay! | 0:12:20 | 0:12:25 | |
LAUGHTER | 0:12:25 | 0:12:28 | |
STRAINED LAUGHTER | 0:12:28 | 0:12:30 | |
Ah-ha-ha-ha! | 0:12:30 | 0:12:32 | |
LAUGHING CONTINUES | 0:12:32 | 0:12:38 | |
I feel lonely. | 0:12:43 | 0:12:45 | |
Ha-ha! | 0:12:45 | 0:12:47 | |
-I want to die. -Ha-ha-ha! | 0:12:47 | 0:12:50 | |
I want to slit my furry little wrists. | 0:12:50 | 0:12:53 | |
Aaaaah! Ha-ha-ha! | 0:12:53 | 0:12:56 | |
Ha-ha-ha(!) | 0:12:56 | 0:12:58 | |
Ha-ha, ha-ha. Hee-hee. | 0:12:58 | 0:13:01 | |
Hee, hee, hee. I can't do it, Nina. | 0:13:01 | 0:13:04 | |
No, I found it intensely difficult, I have to say. | 0:13:04 | 0:13:07 | |
-I mean, I think she's a force for good. -Yeah, she's nice. | 0:13:07 | 0:13:10 | |
But you know, I felt very... For me, it was very depressing. | 0:13:10 | 0:13:15 | |
Here we go, another invitation. | 0:13:15 | 0:13:18 | |
This yoga session promises to help me discover the animal I really am, | 0:13:18 | 0:13:21 | |
free from the trappings of normal life. | 0:13:21 | 0:13:24 | |
In other words, you've got to get your kit off. | 0:13:24 | 0:13:26 | |
-Did you have a look in there? -Yeah, I did. | 0:13:26 | 0:13:29 | |
At least it's not a swingers' party, Nina. | 0:13:29 | 0:13:33 | |
Of course it isn't. You keep bringing it down to this. | 0:13:33 | 0:13:36 | |
Let's be high-minded. Honestly. | 0:13:36 | 0:13:39 | |
Let's get to a higher plane, it's not about that. | 0:13:39 | 0:13:42 | |
OK, if you're ready? | 0:13:42 | 0:13:44 | |
Yeah, I think so. | 0:13:44 | 0:13:46 | |
Just don't interrupt me with your weirdest thoughts. | 0:13:46 | 0:13:49 | |
Check out who's got the biggest dick. | 0:13:49 | 0:13:51 | |
(I'm not going to do that.) | 0:13:51 | 0:13:53 | |
It's all about listening to your body | 0:14:03 | 0:14:06 | |
and acting in accordance to that. | 0:14:06 | 0:14:08 | |
So there's no "should" in any way. There's no "you should do this," | 0:14:08 | 0:14:11 | |
or there's no pushing or forcing or ambition. | 0:14:11 | 0:14:14 | |
It's more an enquiry into how your body is feeling today. | 0:14:14 | 0:14:18 | |
There is some theory that, they say | 0:14:22 | 0:14:25 | |
that the chi around the body kind of is stuck by clothes, | 0:14:25 | 0:14:28 | |
-particularly artificial fibres. -Right. -Cotton is better. | 0:14:28 | 0:14:31 | |
But don't, like, quote me because I'm not a real authority on that. | 0:14:31 | 0:14:35 | |
I think it's the best thing I've seen so far. | 0:14:39 | 0:14:42 | |
Really? Ah, thank you, Monkey. | 0:14:42 | 0:14:45 | |
It's funny, you get to know yourself through it that way, I suppose. | 0:14:45 | 0:14:49 | |
You do, well it is an enquiry into being human, | 0:14:49 | 0:14:53 | |
-into being yourself, that's what it's all about. -Yeah. | 0:14:53 | 0:14:56 | |
-An open enquiry into who you are. -Yeah. | 0:14:56 | 0:14:58 | |
Did you enjoy it? | 0:14:58 | 0:15:01 | |
No! | 0:15:01 | 0:15:03 | |
-Why not? -I felt shy. | 0:15:03 | 0:15:06 | |
You didn't look shy. Got your tits out, got your arse out, | 0:15:06 | 0:15:11 | |
got out the whole caboodle. | 0:15:11 | 0:15:12 | |
I didn't really have a choice. | 0:15:14 | 0:15:16 | |
There's a choice. You dirty slut! | 0:15:16 | 0:15:19 | |
Right, so I've met a shaman, | 0:15:21 | 0:15:22 | |
a tarot card reader, a raw foodist and a laughter yogist. | 0:15:22 | 0:15:26 | |
Yeah, and we're done with tits and turbans. | 0:15:26 | 0:15:28 | |
But apparently, that's just the tip of the iceberg | 0:15:28 | 0:15:30 | |
cos there's a convention happening where all alternative intelligence converges in one enormous epicentre. | 0:15:30 | 0:15:36 | |
Da-da-dah! | 0:15:36 | 0:15:38 | |
Grimsby. | 0:15:39 | 0:15:40 | |
-You seem jolly. -Well, I'm quite excited, Monkey. | 0:15:45 | 0:15:47 | |
About Grimsby? What good thing ever came out of Grimsby? | 0:15:47 | 0:15:51 | |
Don't be like that. I... | 0:15:51 | 0:15:54 | |
This is going to be really exciting | 0:15:54 | 0:15:55 | |
because we've been doing this and that in London and it's been OK | 0:15:55 | 0:15:59 | |
but it's difficult to sustain the feeling of, you know, | 0:15:59 | 0:16:02 | |
energy and goodness that you get from these things | 0:16:02 | 0:16:05 | |
but here everybody's going to be under one roof. | 0:16:05 | 0:16:08 | |
Oh, God. | 0:16:08 | 0:16:10 | |
Oh, is this it? | 0:16:18 | 0:16:19 | |
Is it Christmas decorations? | 0:16:23 | 0:16:24 | |
No, they're candles. | 0:16:24 | 0:16:26 | |
Can't eat that on the raw food diet. | 0:16:26 | 0:16:28 | |
Aromatherapy, jingly-janglies... | 0:16:28 | 0:16:33 | |
Where do we start? | 0:16:33 | 0:16:34 | |
What's your definition of enlightenment? | 0:16:34 | 0:16:37 | |
-I haven't got one. -You haven't got one? | 0:16:37 | 0:16:39 | |
-No, I'll tell you when it happens. -Ah, right. | 0:16:39 | 0:16:41 | |
Is it working yet? | 0:16:43 | 0:16:45 | |
Well, it's...it empties my mind. | 0:16:45 | 0:16:49 | |
I wondered why I wasn't saying anything. | 0:16:49 | 0:16:51 | |
You feel enlightened? | 0:16:51 | 0:16:53 | |
I feel much nicer, thank you. It was really nice, yeah. | 0:16:53 | 0:16:55 | |
I want one next time. | 0:16:55 | 0:16:58 | |
-Didn't touch my head. -No, never mind. | 0:16:58 | 0:17:01 | |
-You do aura photography? -We do, yes. | 0:17:01 | 0:17:03 | |
Can you do our collective aura, Nina and mine? | 0:17:03 | 0:17:06 | |
Can we have a go? | 0:17:06 | 0:17:08 | |
Can we sit in the seat? | 0:17:08 | 0:17:09 | |
Does she have to think anything? | 0:17:09 | 0:17:12 | |
No, just be in your own space and look at the camera. There you go. | 0:17:12 | 0:17:16 | |
So, were you trying to radiate anything when you did it? | 0:17:16 | 0:17:19 | |
No, I had a very blank mind. | 0:17:19 | 0:17:21 | |
How do you get the aura in the camera? How does it do it? | 0:17:21 | 0:17:24 | |
You've got sensors on your hands, | 0:17:24 | 0:17:27 | |
-so on your hand, there's, like, sensors. -Right. | 0:17:27 | 0:17:30 | |
Then what they do is acupressure points. You put them onto here. | 0:17:30 | 0:17:33 | |
Ah, that's what it is. | 0:17:33 | 0:17:34 | |
And that tree, that sort of green foliage coming from her head, | 0:17:34 | 0:17:37 | |
-what's that? That's the future stuff? -That's the future. | 0:17:37 | 0:17:40 | |
-That's connecting with animals, and you've got the monkey. -Oh, yeah. | 0:17:40 | 0:17:44 | |
But the animals, the nature and all new ideas coming. | 0:17:44 | 0:17:47 | |
What's this, what does this do? | 0:17:47 | 0:17:49 | |
This is a metatronic healing tool. | 0:17:49 | 0:17:52 | |
And what this actually does is, this connects with sacred geometry. | 0:17:52 | 0:17:55 | |
-Wow. -Did you make it yourself? In the garage? | 0:17:55 | 0:17:58 | |
-No. The Buddhist Monks from Glastonbury made it. -Oh, really? | 0:17:58 | 0:18:03 | |
But can you time-travel with it? | 0:18:03 | 0:18:05 | |
Probably you could if you wanted to, if you meditated on it, | 0:18:05 | 0:18:08 | |
so if you held it and meditated on it, you could, yeah. | 0:18:08 | 0:18:11 | |
-Yeah. -It's very relaxing. | 0:18:11 | 0:18:12 | |
It reminds of the flux capacitor in Back To The Future. | 0:18:12 | 0:18:15 | |
SHE CHANTS | 0:18:15 | 0:18:18 | |
Removing any blocks where you may have been killed, | 0:18:20 | 0:18:23 | |
from the witch, psychic, closing down your psychic powers | 0:18:23 | 0:18:28 | |
and we ask for this world to be saved by the hand of God. | 0:18:28 | 0:18:32 | |
It is done. It is done. It is done. | 0:18:32 | 0:18:33 | |
I was trying to see, but I can't actually see with these marble eyes. | 0:18:33 | 0:18:38 | |
Cos her eyes were closed, I missed the whole show. | 0:18:38 | 0:18:41 | |
Ooh! Two things have jumped out at me, and I mean jumped out at me. | 0:18:41 | 0:18:45 | |
-You're a Virgo. -Yeah. -That's good. | 0:18:45 | 0:18:48 | |
You've got Mercury very close to the line. That is communication. | 0:18:48 | 0:18:53 | |
Well, I mean, if you've not followed your chart, | 0:18:53 | 0:18:56 | |
that is amazing, isn't it? | 0:18:56 | 0:18:58 | |
What the fuck is it all about, Nina? | 0:18:58 | 0:19:03 | |
Is it really about angels and crystals? | 0:19:03 | 0:19:06 | |
All right, so you're going to set fire to a candle in Nina's ear? | 0:19:11 | 0:19:15 | |
Yes. | 0:19:15 | 0:19:16 | |
I'm highly flammable, I should say at this point. | 0:19:16 | 0:19:19 | |
I'm not sure I... | 0:19:19 | 0:19:21 | |
Ooh, it's going in. | 0:19:22 | 0:19:23 | |
# Happy birthday to you... # | 0:19:23 | 0:19:27 | |
You two worry too much. | 0:19:27 | 0:19:28 | |
You worry about where life's going to take you. Just go with the flow. | 0:19:28 | 0:19:31 | |
She's looking for enlightenment. | 0:19:31 | 0:19:34 | |
Ah, the big E. The Enlightenment. | 0:19:34 | 0:19:37 | |
I think you are the creative side of Nina. | 0:19:37 | 0:19:40 | |
And I think she can say things to people through you that she can't say to them in person. | 0:19:40 | 0:19:45 | |
Yeah, she's hardly spoken since we sat down. Have you noticed? | 0:19:45 | 0:19:48 | |
-I noticed, yeah. -She's a bit of a... | 0:19:48 | 0:19:50 | |
Enlightenment is always within. | 0:19:50 | 0:19:52 | |
You can't find it on a stall. You'll not find it from somebody out there. | 0:19:52 | 0:19:56 | |
You've got the car, you've got the house. | 0:19:56 | 0:19:58 | |
Your finances seem reasonable, you've got the family, but something is missing. | 0:19:58 | 0:20:02 | |
And it's the spiritual side of us, we are spiritual by nature... | 0:20:02 | 0:20:06 | |
Do you think I'm unhealthy for Nina? | 0:20:06 | 0:20:08 | |
No, absolutely not, everybody should have a voice. | 0:20:08 | 0:20:10 | |
-You know? -Or two. -Or two. | 0:20:10 | 0:20:12 | |
Excuse me... NINA SNEEZES | 0:20:12 | 0:20:15 | |
Bless you, bless you. | 0:20:15 | 0:20:17 | |
Bless you. That's a sign of a spirit. | 0:20:17 | 0:20:20 | |
You're allergic to the spirits. | 0:20:20 | 0:20:22 | |
-That's a sign of a spirit coming through, actually. -Is it really? | 0:20:22 | 0:20:25 | |
You know, I'm finding your target seriously soft. | 0:20:27 | 0:20:29 | |
I just don't feel good with you sniping at well-meaning folk who believe in angels, you know? | 0:20:29 | 0:20:34 | |
I'm getting frustrated. | 0:20:34 | 0:20:36 | |
All these things don't have a sustaining effect on this search for enlightenment. | 0:20:36 | 0:20:39 | |
My God, does it even exist? | 0:20:39 | 0:20:41 | |
Well, monks sacrificed years of their lives, Nina. | 0:20:41 | 0:20:44 | |
They sacrificed their whole lives doing meditation. | 0:20:44 | 0:20:47 | |
You can't expect to get it in a quick TV show. | 0:20:47 | 0:20:50 | |
Yeah, but I haven't got years to give, | 0:20:51 | 0:20:54 | |
I haven't got sacrifice to give. | 0:20:54 | 0:20:56 | |
You know, what's there for the normal person? | 0:20:56 | 0:20:58 | |
I don't know. What do you suggest? | 0:20:58 | 0:21:00 | |
'It's time to up the ante, Monkey. | 0:21:04 | 0:21:05 | |
-'Do what? -In Scotland, OK, there's a radical retreat | 0:21:05 | 0:21:09 | |
'where for three days you can be reborn through primal therapy. | 0:21:09 | 0:21:14 | |
'I've got no idea what I'm letting myself in for here. | 0:21:14 | 0:21:17 | |
'Things are about to get heavy.' | 0:21:17 | 0:21:20 | |
-Hello. -Hello, how are you? | 0:21:32 | 0:21:34 | |
-And welcome. -Ah, thank you. -Welcome to Scotland and Penninghame. | 0:21:34 | 0:21:38 | |
-Thank you very much. This is Monkey. -Hello. -Hello. -Hi, Monk. | 0:21:38 | 0:21:41 | |
-Hello. -Hello, nice to meet you, Raymond. | 0:21:41 | 0:21:44 | |
Well, this is very exciting. | 0:21:44 | 0:21:46 | |
-Hello. -Hello, participants. | 0:21:46 | 0:21:48 | |
-Hi. -Nice to meet you. | 0:21:48 | 0:21:50 | |
-Hello. -Hi. | 0:21:50 | 0:21:51 | |
-We're slightly ridiculous. We feel ridiculous right now. -Yeah. | 0:21:51 | 0:21:54 | |
So how do you feel about doing the course, Monkey? | 0:22:03 | 0:22:06 | |
Oh, I'm here as a journalist. It's Nina that's going to do it. | 0:22:06 | 0:22:09 | |
-OK, Nina is doing it. -I will participate. | 0:22:09 | 0:22:12 | |
-Yeah, OK, so you participate in this. -Yes. | 0:22:12 | 0:22:14 | |
What is this course? | 0:22:14 | 0:22:15 | |
Where do we start? | 0:22:16 | 0:22:18 | |
The first course I done of this nature many years ago, | 0:22:18 | 0:22:21 | |
-maybe, I don't know... -15 years. | 0:22:21 | 0:22:23 | |
15 years ago, I was terrified. | 0:22:23 | 0:22:25 | |
There was one point I went to grab hold of Marie and run out. | 0:22:25 | 0:22:28 | |
They were all bonkers here, you know. | 0:22:28 | 0:22:31 | |
I have some friends, they come and knocked on the door of the house in London. | 0:22:31 | 0:22:35 | |
"Where you been? What you been doing?" | 0:22:35 | 0:22:37 | |
I told them about the course. "We want to come." | 0:22:37 | 0:22:40 | |
How did you describe it? | 0:22:40 | 0:22:42 | |
-I didn't have to, they just looked at me. -Really? | 0:22:42 | 0:22:44 | |
And they said, "Whatever you've been doing, | 0:22:44 | 0:22:47 | |
"we want some of that," basically. Of course I told them... | 0:22:47 | 0:22:50 | |
I hate to say it, but you're not quite giving off that radiance tonight. | 0:22:50 | 0:22:54 | |
This is 15 years ago. | 0:22:56 | 0:22:57 | |
That's Ray Winstone, that's not you. | 0:22:57 | 0:23:00 | |
-That's amazing. -You went from Ray Winstone to Michael Caine. | 0:23:00 | 0:23:04 | |
I don't know why Monkey says the things he says. | 0:23:04 | 0:23:06 | |
That's your first faux pas, Monkey. You do look fabulous. | 0:23:08 | 0:23:12 | |
I feel like I'm being experimented on by rich people. | 0:23:12 | 0:23:16 | |
An inner process has begun. | 0:23:16 | 0:23:19 | |
Are we going to get tears? | 0:23:19 | 0:23:22 | |
I want high emotions, Nina. | 0:23:22 | 0:23:24 | |
Not doing any more of this shopping around the alternative therapy circuit. | 0:23:24 | 0:23:29 | |
I want some high, high stakes. | 0:23:29 | 0:23:32 | |
Can't promise you tears, Monkey. | 0:23:32 | 0:23:34 | |
Why are you so placid, for God's sakes? | 0:23:34 | 0:23:36 | |
I don't know, maybe I'm just sort of normal. | 0:23:37 | 0:23:41 | |
Apart from me. | 0:23:41 | 0:23:42 | |
Apart from you, I think I'm pretty normal, yeah. | 0:23:42 | 0:23:44 | |
GONG CLASHES | 0:23:44 | 0:23:47 | |
TABLA DRUMBEAT | 0:23:51 | 0:23:55 | |
Ten minutes of breathing . | 0:24:12 | 0:24:14 | |
SHE PANTS QUICKLY | 0:24:14 | 0:24:17 | |
The more you breathe, the more intensely you breathe, | 0:24:17 | 0:24:19 | |
the rest of the meditation will follow itself. | 0:24:19 | 0:24:22 | |
That will catalyse everything that comes after. | 0:24:22 | 0:24:24 | |
So after the breathing, expression, | 0:24:24 | 0:24:28 | |
everything out, whatever's triggered will come out of you. | 0:24:28 | 0:24:31 | |
I'll be your eyes. | 0:24:31 | 0:24:33 | |
OK. | 0:24:33 | 0:24:34 | |
THEY BREATHE QUICKLY | 0:24:36 | 0:24:38 | |
NINA BREATHES QUICKLY | 0:24:46 | 0:24:48 | |
Do the arm thingy. The funky chicken. | 0:24:48 | 0:24:52 | |
Oh, God! | 0:24:52 | 0:24:53 | |
How do you feel? | 0:25:00 | 0:25:02 | |
Ridiculous. | 0:25:02 | 0:25:04 | |
THEY YELL | 0:25:05 | 0:25:07 | |
YELLING AND SCREAMING | 0:25:10 | 0:25:13 | |
Oh, Monkey. | 0:25:13 | 0:25:16 | |
Oh, fucking hell! | 0:25:16 | 0:25:18 | |
This is bullshit! | 0:25:18 | 0:25:20 | |
I fucking hate this! | 0:25:20 | 0:25:21 | |
SCREAMING CONTINUES | 0:25:21 | 0:25:24 | |
Oh! Oh, Monkey. | 0:25:24 | 0:25:27 | |
Does every day start this way? | 0:25:28 | 0:25:30 | |
I swear to God, by day three, you'll be howling with the best of them. | 0:25:33 | 0:25:37 | |
I don't like it. | 0:25:37 | 0:25:40 | |
GONG CLASHES | 0:25:41 | 0:25:43 | |
Thank God for that. | 0:25:43 | 0:25:44 | |
Ho! Ho! Ho! | 0:25:44 | 0:25:46 | |
Oh, now for the jumping. | 0:25:46 | 0:25:48 | |
Ho! Ho! Ho! | 0:25:48 | 0:25:50 | |
Ho. Ho. | 0:25:50 | 0:25:52 | |
Ho! Ho! | 0:25:52 | 0:25:54 | |
Ho! Ho! Ho! Ho! | 0:25:54 | 0:25:57 | |
Ho! Ho! | 0:25:57 | 0:25:59 | |
RAGA MUSIC PLAYS | 0:25:59 | 0:26:05 | |
Breakfast, showers, | 0:26:14 | 0:26:17 | |
and we meet back here at 10.15, OK? | 0:26:17 | 0:26:21 | |
Thank you. | 0:26:25 | 0:26:26 | |
-This is Monkey. -Hello, Monkey. | 0:26:26 | 0:26:28 | |
-Pleased to meet you. -Hello. -Nice to meet you, Rosie. | 0:26:28 | 0:26:31 | |
-This morning I found difficult. -Yes. | 0:26:32 | 0:26:35 | |
She felt ridiculous. | 0:26:35 | 0:26:38 | |
And I found the breathing hard | 0:26:38 | 0:26:41 | |
'and then the dancing wasn't so hard' | 0:26:41 | 0:26:44 | |
-but the breathing and the 'ho-ing' was hard. -Yes. | 0:26:44 | 0:26:48 | |
Yeah, it's quite unusual. | 0:26:48 | 0:26:50 | |
So when you do it for the first time, it's sort of... | 0:26:50 | 0:26:54 | |
It's hard. You know, come out of a normal life and into this | 0:26:54 | 0:26:57 | |
and you think, "Oh, my God, I don't think I can do it, I feel so silly." | 0:26:57 | 0:27:00 | |
Yeah, it takes a little time, you know, to start breathing, | 0:27:00 | 0:27:03 | |
-to start coming down into the body, that's natural. -Mm-hmm. | 0:27:03 | 0:27:06 | |
We're going down towards our childhood | 0:27:14 | 0:27:17 | |
so we just begin to open the door. | 0:27:17 | 0:27:19 | |
This was my bedroom. I had bunk beds. | 0:27:26 | 0:27:28 | |
I was an only child, but I had bunk beds just for the fun of it. | 0:27:28 | 0:27:31 | |
And I remember calling for juice in the night, my mum coming with juice. | 0:27:31 | 0:27:35 | |
I remember really hurting my mum's feet | 0:27:35 | 0:27:38 | |
with this little toy that I used to ride on called Rabbit Runaway | 0:27:38 | 0:27:43 | |
and I drove over her feet on purpose. | 0:27:43 | 0:27:45 | |
But it really upset me because it reminded me | 0:27:45 | 0:27:48 | |
how much my mum did for me as a toddler in those boring years | 0:27:48 | 0:27:53 | |
and that I'm doing that now. | 0:27:53 | 0:27:55 | |
And I felt that I hadn't appreciated her at all, | 0:27:55 | 0:28:00 | |
and I'm nasty to her, so that's... | 0:28:00 | 0:28:02 | |
Yeah, amazing, the amount of stuff that I'm not... Thank you. | 0:28:02 | 0:28:05 | |
I don't have a home or a family. | 0:28:07 | 0:28:10 | |
So, mothers, | 0:28:22 | 0:28:24 | |
your role here is that you're going to be totally unavailable mothers. | 0:28:24 | 0:28:30 | |
You're going to be preoccupied, | 0:28:30 | 0:28:32 | |
you're not listening, you're not present. You're not there. | 0:28:32 | 0:28:37 | |
So you will go in as a presence to your child | 0:28:37 | 0:28:40 | |
and you will just stand at the end of the mattress where your child is | 0:28:40 | 0:28:44 | |
and you will just...be there. | 0:28:44 | 0:28:48 | |
You don't have to say anything or do anything. | 0:28:48 | 0:28:50 | |
And the child, of course, will be asking for attention - | 0:28:50 | 0:28:54 | |
and you will just not be there. | 0:28:54 | 0:28:57 | |
There's a lot of absent parenting sometimes, | 0:28:57 | 0:28:59 | |
not really there, not really present. | 0:28:59 | 0:29:03 | |
So that's your role. | 0:29:03 | 0:29:05 | |
That's all you have to do, is just do that. | 0:29:05 | 0:29:07 | |
TRIBAL DRUMBEAT PLAYS | 0:29:07 | 0:29:10 | |
MAN YELLS | 0:29:10 | 0:29:12 | |
YELLING CONTINUES | 0:29:12 | 0:29:14 | |
WOMAN SCREAMS | 0:29:16 | 0:29:18 | |
Take the cushion, Gordon. | 0:29:20 | 0:29:21 | |
Take the cushion. | 0:29:21 | 0:29:23 | |
HE YELLS | 0:29:31 | 0:29:33 | |
Why won't you look at me?! | 0:29:33 | 0:29:35 | |
LOOK AT ME! | 0:29:35 | 0:29:38 | |
LOOK AT ME! | 0:29:38 | 0:29:40 | |
HE YELLS | 0:29:44 | 0:29:46 | |
Just look away, just keep cool, | 0:29:54 | 0:29:56 | |
keep cool, keep calm, keep cool. | 0:29:56 | 0:29:59 | |
Just be cold, cold. | 0:29:59 | 0:30:01 | |
Not present. | 0:30:03 | 0:30:05 | |
RHYTHMIC BANGING IN BACKGROUND | 0:30:05 | 0:30:09 | |
(I feel bad for that guy.) | 0:30:21 | 0:30:23 | |
Pardon? | 0:30:23 | 0:30:24 | |
(I feel bad for that guy. Then that made me upset, but I mean it's...) | 0:30:24 | 0:30:27 | |
-Yes. -(..you know.) | 0:30:27 | 0:30:31 | |
But that upsetness that you feel that is you, that's your feelings. | 0:30:31 | 0:30:35 | |
-Aha. Not his feelings you mean? -No. | 0:30:35 | 0:30:38 | |
DAWN CHORUS | 0:30:38 | 0:30:41 | |
We're going start the process again around mother. | 0:30:41 | 0:30:44 | |
So we're going to start this time by painting an actual | 0:30:44 | 0:30:48 | |
picture of your mother, as you see her. | 0:30:48 | 0:30:52 | |
Poor mother getting dragged into this shit. | 0:31:08 | 0:31:12 | |
Let's stick her up there. | 0:31:12 | 0:31:14 | |
When you've done that, | 0:31:17 | 0:31:18 | |
come and choose a hat which is appropriate for your mother. | 0:31:18 | 0:31:22 | |
And then you can just begin to walk around the room, | 0:31:25 | 0:31:28 | |
try and find her rhythm. | 0:31:28 | 0:31:29 | |
Other mothers in the room, introduce yourself. | 0:31:31 | 0:31:34 | |
And talk as your mother. Be your mother, fully. | 0:31:34 | 0:31:37 | |
-Hello. -Hello. What's your name? | 0:31:37 | 0:31:39 | |
-Kara. -Caroline? Kara. | 0:31:39 | 0:31:41 | |
At the moment, my chief task is babysitting for Nina - for her two boys. | 0:31:41 | 0:31:46 | |
She then told us that there was... | 0:31:46 | 0:31:49 | |
They're with us at the moment, and yes, it's quite tiring, | 0:31:49 | 0:31:53 | |
but it's absolutely lovely. He's a lovely baby. | 0:31:53 | 0:31:55 | |
I'll tell you all about him and I won't stop talking all night, if you ask me. | 0:31:55 | 0:31:59 | |
OK. So, close your eyes, go inside. | 0:31:59 | 0:32:02 | |
And you're going to step out... | 0:32:03 | 0:32:05 | |
of your mother's energy... | 0:32:06 | 0:32:09 | |
symbolically, you can just take your hats off and put them on the table. | 0:32:09 | 0:32:14 | |
-And your badges. -And your name badges. | 0:32:15 | 0:32:17 | |
When I first got into my mum, I thought, "Oh, this is easy and light | 0:32:17 | 0:32:22 | |
"and fun," you know. | 0:32:22 | 0:32:24 | |
"Must be fun to be her." | 0:32:24 | 0:32:26 | |
But then I kind of played her like a bit of a bitch which is a bit weird. | 0:32:26 | 0:32:29 | |
I don't know why I did that, it came out, I don't know why, cos she's not. | 0:32:29 | 0:32:33 | |
But I kept sort of making silly comments. I don't know, | 0:32:33 | 0:32:36 | |
I don't make a very good version of my mother. | 0:32:36 | 0:32:39 | |
And how has your day been for you? | 0:32:39 | 0:32:41 | |
And the day has been a big long day and lots of things | 0:32:41 | 0:32:45 | |
and in this very relaxed atmosphere, | 0:32:45 | 0:32:47 | |
the earlier screaming seems like a distant memory. | 0:32:47 | 0:32:50 | |
But...I'll get used to it all, so, yeah. | 0:32:50 | 0:32:54 | |
You're starting to seem a little smug. | 0:32:58 | 0:33:01 | |
What do you mean? | 0:33:01 | 0:33:03 | |
All these people baring their souls. | 0:33:03 | 0:33:06 | |
You're always sitting on the outside with the Monkey, | 0:33:06 | 0:33:09 | |
suggesting you have better ways to do things. | 0:33:09 | 0:33:13 | |
I think you should try it wholeheartedly. | 0:33:13 | 0:33:15 | |
I can't fake it. | 0:33:17 | 0:33:20 | |
Well, I don't care. | 0:33:20 | 0:33:22 | |
I think you should try to get beyond the fake. | 0:33:22 | 0:33:25 | |
ALL SCREAM | 0:33:40 | 0:33:42 | |
This process that we said in the introduction - | 0:33:57 | 0:34:00 | |
it's an inner journey | 0:34:00 | 0:34:02 | |
and it's really to be, you know, kind of in silence | 0:34:02 | 0:34:06 | |
and with yourself, and see what is coming up for you. | 0:34:06 | 0:34:09 | |
And I saw the difficulty of that yesterday for you, | 0:34:09 | 0:34:13 | |
in that when you're trying to do anything we do here | 0:34:13 | 0:34:16 | |
you're also running, you know, a movie | 0:34:16 | 0:34:18 | |
and directing and so on, and thinking about all of that. | 0:34:18 | 0:34:22 | |
I'm going to ask that certain exercises here | 0:34:22 | 0:34:26 | |
are done without Monkey. | 0:34:26 | 0:34:27 | |
You can make a movie here and not do the process | 0:34:27 | 0:34:31 | |
and direct the film or whatever is going on here. | 0:34:31 | 0:34:36 | |
No, I have to do both. | 0:34:36 | 0:34:39 | |
But if you want integrity... | 0:34:39 | 0:34:41 | |
Mmm-hmm. | 0:34:41 | 0:34:42 | |
..if you want truth, do your journey and be touched by that journey. | 0:34:42 | 0:34:46 | |
-Yeah. -OK? The invitation is there. | 0:34:46 | 0:34:48 | |
Oh, thank you. | 0:34:48 | 0:34:50 | |
I've got a real problem with the main guy. | 0:34:51 | 0:34:54 | |
You have? | 0:34:54 | 0:34:55 | |
-Yeah. I really don't trust him. -Why not? | 0:34:55 | 0:34:59 | |
He reminds me of a bully. He's like a bully. | 0:34:59 | 0:35:02 | |
Why's that? | 0:35:02 | 0:35:03 | |
He's got that "don't answer me back" sort of thing about him. | 0:35:03 | 0:35:06 | |
To help Nina to get into the process, | 0:35:08 | 0:35:11 | |
maybe we take the monkey. If we take away the monkey, kidnap it... | 0:35:11 | 0:35:15 | |
It is difficult for her, obviously, having the cameramen, | 0:35:15 | 0:35:18 | |
everybody following, and having the puppet. It's very difficult for her. | 0:35:18 | 0:35:21 | |
-So if we take it now before she goes back in... -Yeah. | 0:35:21 | 0:35:23 | |
Because I've seen the bag, it's over there, | 0:35:23 | 0:35:26 | |
and the monkey is on its own, so we can take it. | 0:35:26 | 0:35:29 | |
And, then, at certain point, she's obviously going to realise the monkey is not there, | 0:35:29 | 0:35:33 | |
and then we see if it helps her to get into... | 0:35:33 | 0:35:36 | |
-Let's see what comes up. -Yeah. | 0:35:36 | 0:35:38 | |
Maybe she's pretty cool about it. | 0:35:38 | 0:35:40 | |
But I think, you know, it's a good opportunity to do that. | 0:35:40 | 0:35:43 | |
-Yeah, it's just to help her, because she is not an easy... -It's a chance. | 0:35:43 | 0:35:46 | |
-Yeah. -It's a chance we take. -Yeah. | 0:35:46 | 0:35:50 | |
Yeah, I say we go for it. | 0:35:50 | 0:35:51 | |
With the best interests - with her very, very best interests at heart. | 0:35:51 | 0:35:54 | |
-I hope you feel mean. -No. | 0:36:00 | 0:36:03 | |
SHE CHUCKLES | 0:36:03 | 0:36:04 | |
Hmm. | 0:36:15 | 0:36:16 | |
If they've taken Monkey... | 0:36:19 | 0:36:22 | |
then it's war. | 0:36:22 | 0:36:24 | |
Have you guys seen my monkey anywhere? | 0:36:24 | 0:36:26 | |
Yes. | 0:36:28 | 0:36:29 | |
-Yes, we have, Nina. We've taken the monkey. -Oh. | 0:36:31 | 0:36:35 | |
So we wanted to see, you know, what reaction you'd have to that. | 0:36:35 | 0:36:39 | |
-What, to you taking him? -Yes. | 0:36:39 | 0:36:42 | |
I'm deeply irritated by it. | 0:36:42 | 0:36:44 | |
Love it. Good. | 0:36:44 | 0:36:46 | |
Yeah, I knew you were the type to push the buttons and all that shit. | 0:36:46 | 0:36:50 | |
But I've got to make a documentary. | 0:36:50 | 0:36:53 | |
You've given me a storyline which is quite good - I am grateful for that - | 0:36:53 | 0:36:56 | |
but I wanted to be able to take stock with him afterwards | 0:36:56 | 0:36:59 | |
and speak about what I've experienced on my own, before, you know... | 0:36:59 | 0:37:04 | |
And what would it be like if you couldn't do that? | 0:37:04 | 0:37:07 | |
Screaming hordes of British viewers shouting | 0:37:07 | 0:37:11 | |
"Give her back the monkey." | 0:37:11 | 0:37:13 | |
Are they? They might be more interested in your journey, what you're doing. | 0:37:13 | 0:37:18 | |
I was doing it anyway! | 0:37:19 | 0:37:21 | |
-Yeah, you were in a way, but... -I was. | 0:37:21 | 0:37:24 | |
We can see that with the film going on and your constant... | 0:37:24 | 0:37:28 | |
You've taken Monkey, that's just so crap of you. | 0:37:28 | 0:37:32 | |
That's so out of... | 0:37:32 | 0:37:35 | |
That's so rude. | 0:37:36 | 0:37:38 | |
-We're interested in your journey down here. -Hmm. | 0:37:38 | 0:37:41 | |
Come into contact with feelings and see what's there. | 0:37:41 | 0:37:44 | |
Mmm-hmm. No, I understand that, | 0:37:44 | 0:37:46 | |
and I was really on board with that before the sort of trickery happened. | 0:37:46 | 0:37:51 | |
Now I'm a bit resentful of you guys. | 0:37:51 | 0:37:54 | |
OK, you can be angry at us | 0:37:54 | 0:37:56 | |
or you can see it as an adventure and explore. | 0:37:56 | 0:37:59 | |
The thing is that story to me... | 0:37:59 | 0:38:01 | |
is more important than life, in some ways. | 0:38:01 | 0:38:05 | |
-The story to you is more important than life. -So... | 0:38:08 | 0:38:11 | |
-Story. The concept... -Yes. Ah. Uh-huh. | 0:38:12 | 0:38:15 | |
-..is more enlightening... -Yes. | 0:38:15 | 0:38:19 | |
..than daily life, I think, in some ways. | 0:38:19 | 0:38:22 | |
So I'm grateful to you for making this story turn. | 0:38:22 | 0:38:27 | |
-I'm not interested so much in making a story out of this. -No. | 0:38:29 | 0:38:32 | |
-I'm interested in your journey... -Yeah, my journey. | 0:38:32 | 0:38:35 | |
..and whether you get something from this or not. | 0:38:35 | 0:38:38 | |
-It's fine, take the monkey. -OK. | 0:38:38 | 0:38:40 | |
Keep him away from any moths. | 0:38:40 | 0:38:42 | |
OK. We'll keep him in very good care. | 0:38:42 | 0:38:44 | |
Yeah, I'm really upset. | 0:38:44 | 0:38:46 | |
I'm really upset because it's not his to take. | 0:38:47 | 0:38:50 | |
SHE SIGHS | 0:38:50 | 0:38:52 | |
It's a trespass. That's why I'm annoyed. | 0:38:52 | 0:38:56 | |
Buggered if I'm going to let him see me cry now. | 0:39:00 | 0:39:03 | |
I'm going to lock up all my emotions in protest. | 0:39:03 | 0:39:06 | |
OK, we're going to do a quick round | 0:39:08 | 0:39:10 | |
and check in with everybody to see where they're at from this morning | 0:39:10 | 0:39:13 | |
before we start this afternoon exercise. | 0:39:13 | 0:39:16 | |
In an interesting turn, | 0:39:16 | 0:39:19 | |
the Penninghame... | 0:39:19 | 0:39:22 | |
the Penninghame mafia have stolen my monkey. | 0:39:22 | 0:39:26 | |
NINA LAUGHS | 0:39:26 | 0:39:29 | |
And so, yeah, he's been confiscated. | 0:39:29 | 0:39:31 | |
I don't know where he is. | 0:39:31 | 0:39:33 | |
OK. | 0:39:33 | 0:39:34 | |
One dance track just to get up a little bit of energy | 0:39:37 | 0:39:39 | |
so just enjoy this one track. | 0:39:39 | 0:39:42 | |
The music is going to be shit. | 0:39:42 | 0:39:45 | |
MUSIC: "Born To Be Wild" by Steppenwolf | 0:39:45 | 0:39:48 | |
NINA SNIGGERS | 0:39:50 | 0:39:51 | |
SNIGGERING CONTINUES | 0:39:53 | 0:39:55 | |
Whatever the expression is, | 0:40:08 | 0:40:10 | |
your body follows the expression of your hands. | 0:40:10 | 0:40:12 | |
SOOTHING MUSIC PLAYS | 0:40:15 | 0:40:17 | |
RHYTHMIC MUSIC PLAYS | 0:40:19 | 0:40:21 | |
NINA GROWLS | 0:40:29 | 0:40:32 | |
BOTH SNARL | 0:40:33 | 0:40:35 | |
Monkey-stealing fucker! | 0:40:35 | 0:40:39 | |
You fucking... | 0:40:39 | 0:40:41 | |
Fucking heavy. | 0:40:41 | 0:40:43 | |
Give me a lighter cushion, you bloody morons! | 0:40:43 | 0:40:47 | |
Pictures that you put on the wall. | 0:40:50 | 0:40:53 | |
How it was... | 0:40:53 | 0:40:55 | |
to make way... | 0:40:55 | 0:40:56 | |
..for something new to come in. | 0:40:58 | 0:40:59 | |
And do it with real intention. | 0:40:59 | 0:41:02 | |
I don't want to rip up my mum and dad's face. | 0:41:05 | 0:41:07 | |
This is really about, you know... This is about you | 0:41:09 | 0:41:12 | |
and patterns that are left behind | 0:41:12 | 0:41:14 | |
from the past that you say goodbye to and make way for something new. | 0:41:14 | 0:41:17 | |
Of course you're not ripping your parents up, of course. | 0:41:17 | 0:41:20 | |
No, I know, but it's a weird symbolism. | 0:41:20 | 0:41:22 | |
Just put them in the bin. | 0:41:22 | 0:41:23 | |
'I really, really, really want to home to my children, yeah. | 0:41:34 | 0:41:38 | |
'I can't wait to see them. | 0:41:38 | 0:41:40 | |
'But I'm also interested to see what happens tomorrow.' | 0:41:41 | 0:41:45 | |
Does your mind actually change when you don't have Monkey or not really? | 0:41:47 | 0:41:51 | |
No, it doesn't change enough. | 0:41:52 | 0:41:54 | |
I think that's what people think - it's like you can't be yourself with Monkey. | 0:41:58 | 0:42:02 | |
But do you think you can actually be yourself? | 0:42:02 | 0:42:04 | |
Yeah. | 0:42:04 | 0:42:06 | |
Yeah, I think I can be myself when Monkey is on my hand. | 0:42:06 | 0:42:09 | |
'So what now? Is there anything you need to attend to | 0:42:11 | 0:42:15 | |
'or are there any sort of niggly feelings going on?' | 0:42:15 | 0:42:19 | |
'I feel guilty that my mum didn't maybe...' | 0:42:19 | 0:42:21 | |
that her needs weren't met, | 0:42:21 | 0:42:24 | |
that she... Yeah, I feel guilty that her needs weren't met. | 0:42:24 | 0:42:28 | |
So she's really given her whole life to me... | 0:42:28 | 0:42:32 | |
And that is really hard to... | 0:42:34 | 0:42:36 | |
-..to, you know, to feel a bit responsible for that. -OK. | 0:42:38 | 0:42:41 | |
-This is now Mum. -OK. | 0:42:42 | 0:42:45 | |
What do you want to say to your mum? | 0:42:45 | 0:42:47 | |
-Thank you, Mum. -Thank you, Mum. | 0:42:49 | 0:42:52 | |
NINA SIGHS | 0:42:54 | 0:42:56 | |
And I'm so sorry. | 0:42:56 | 0:42:59 | |
Have you sensed that that's received over here? | 0:42:59 | 0:43:03 | |
Do you get a sense of her being here for a minute? | 0:43:03 | 0:43:05 | |
Mmm. | 0:43:05 | 0:43:07 | |
And she's receiving it? | 0:43:07 | 0:43:09 | |
Mmm. | 0:43:09 | 0:43:11 | |
There's nothing for you to be guilty for. | 0:43:13 | 0:43:15 | |
Constellation that we're going to do here, | 0:43:41 | 0:43:43 | |
this is a kind of variation of a constellation work | 0:43:43 | 0:43:47 | |
that was created by Bert Hellinger. | 0:43:47 | 0:43:50 | |
So it really is interesting work to do, | 0:43:50 | 0:43:54 | |
where you can see, in some way, the unseen. | 0:43:54 | 0:43:58 | |
You can solve problems that may exist that you cannot get to normally. | 0:43:58 | 0:44:04 | |
So, here, Nina... | 0:44:04 | 0:44:07 | |
What I want you to do... | 0:44:10 | 0:44:11 | |
Symbolically - I want you to hold that - that's a bag of guilt. | 0:44:11 | 0:44:15 | |
NINA CHUCKLES OK. | 0:44:15 | 0:44:17 | |
And I want to ask you just to walk around with it. | 0:44:17 | 0:44:20 | |
-OK. -And as you're walking, just feel it. | 0:44:20 | 0:44:23 | |
Perhaps you could tell me a little what it's like to carry that. | 0:44:25 | 0:44:28 | |
It's draining and boring. | 0:44:28 | 0:44:30 | |
It'd be really nice just to put it down. | 0:44:30 | 0:44:33 | |
And do you get any sense of where that belongs? | 0:44:33 | 0:44:38 | |
-Where it belongs? -Yeah. | 0:44:39 | 0:44:41 | |
Yeah, it doesn't belong with me. I should put it down somewhere else. | 0:44:41 | 0:44:45 | |
Any idea where it belongs? | 0:44:45 | 0:44:48 | |
I just got it, I don't know where it came from. | 0:44:49 | 0:44:53 | |
I got it, I got given it. | 0:44:53 | 0:44:55 | |
-You got given it? -I think so. | 0:44:55 | 0:44:58 | |
Who did you get given it by? | 0:44:58 | 0:44:59 | |
Er... My mum, I suppose. | 0:45:05 | 0:45:08 | |
OK. Your mother is here symbolically. | 0:45:08 | 0:45:11 | |
Hmm. | 0:45:13 | 0:45:14 | |
I don't want to give it back to her. I want to put it over there. | 0:45:14 | 0:45:17 | |
You don't have to give it back to her, but you can just set it down on the floor. | 0:45:17 | 0:45:20 | |
"This is not mine." | 0:45:27 | 0:45:29 | |
That's not mine. | 0:45:30 | 0:45:32 | |
It feels very nice. | 0:45:32 | 0:45:34 | |
"I give it back." | 0:45:34 | 0:45:35 | |
I give it back. | 0:45:37 | 0:45:38 | |
I was in a relationship that didn't have very much future | 0:45:44 | 0:45:48 | |
and I got pregnant, | 0:45:48 | 0:45:50 | |
and I was really upset to be pregnant | 0:45:50 | 0:45:54 | |
cos I couldn't have the baby. | 0:45:54 | 0:45:56 | |
But also everything my mother had given me | 0:45:56 | 0:45:58 | |
about being a mother being the most important thing... | 0:45:58 | 0:46:02 | |
It felt awful because I couldn't have this child | 0:46:02 | 0:46:05 | |
and I took... I had an abortion | 0:46:05 | 0:46:07 | |
and I felt very badly about it, and took it very hard. | 0:46:07 | 0:46:10 | |
And it was a weird year and I did lots of different things | 0:46:10 | 0:46:13 | |
and then I found Monkey, and I started working with Monkey. | 0:46:13 | 0:46:17 | |
And so that's why I took it quite badly | 0:46:18 | 0:46:23 | |
when he was taken away from me yesterday. | 0:46:23 | 0:46:27 | |
I experienced you today without Monkey. | 0:46:29 | 0:46:33 | |
I really have a sense of you being present, | 0:46:33 | 0:46:36 | |
and I can feel and take you seriously now. | 0:46:36 | 0:46:40 | |
Whereas with Monkey, I'm not quite sure where you're at. | 0:46:40 | 0:46:46 | |
It's a kind of... It's an unusual thing. | 0:46:46 | 0:46:48 | |
Hmm. No, I feel good. | 0:46:48 | 0:46:51 | |
So... | 0:47:22 | 0:47:23 | |
..it's coming to the time | 0:47:24 | 0:47:28 | |
..when you need to very, very gently | 0:47:30 | 0:47:34 | |
and very, very carefully | 0:47:34 | 0:47:37 | |
just come out of this place now | 0:47:37 | 0:47:42 | |
and come back into the room, | 0:47:42 | 0:47:44 | |
but don't do it too quickly. | 0:47:44 | 0:47:46 | |
'That was really nice.' | 0:47:47 | 0:47:49 | |
It was nice to connect with the idea of me as a baby | 0:47:49 | 0:47:53 | |
and feel like the little baby. It was... | 0:47:53 | 0:47:56 | |
it was nothing you would ever come to on your own. | 0:47:56 | 0:48:01 | |
As you lie here on the mattress, | 0:48:05 | 0:48:09 | |
I'd like you to curl up as you were before | 0:48:09 | 0:48:11 | |
and make contact with the place you were in just before you left the room. | 0:48:11 | 0:48:17 | |
A newborn baby. | 0:48:19 | 0:48:21 | |
The world is wonderful. | 0:48:27 | 0:48:30 | |
And you can take off your blindfolds | 0:48:30 | 0:48:34 | |
and really see the world from this perspective. | 0:48:34 | 0:48:38 | |
How is it? | 0:48:38 | 0:48:39 | |
You begin to choose what you want to do. | 0:48:39 | 0:48:43 | |
Sometimes you might like to be alone, | 0:48:43 | 0:48:46 | |
sometimes you might like to be with other people. | 0:48:46 | 0:48:50 | |
I'm going to take you for something to eat. | 0:48:50 | 0:48:52 | |
ALL EXCLAIM HAPPILY | 0:48:52 | 0:48:54 | |
'I found it fun to begin with. I liked waking up, that was nice, | 0:48:56 | 0:48:59 | |
'with the toys and everything, | 0:48:59 | 0:49:01 | |
'but then I found it... I just totally remembered being shy as a... | 0:49:01 | 0:49:05 | |
'It was when I was five. I think that's the age I was. | 0:49:05 | 0:49:08 | |
'And I just remembered...' | 0:49:08 | 0:49:10 | |
just thought, "Oh, God, all these kids know more, | 0:49:10 | 0:49:14 | |
"know each other better," you know, all that, and I can't... | 0:49:14 | 0:49:17 | |
-Like a replay. -I couldn't find anything to say. Yeah. It was hard. | 0:49:17 | 0:49:22 | |
-I know. -It was hard, yeah. I wanted my mum. | 0:49:22 | 0:49:25 | |
ALL LAUGH | 0:49:25 | 0:49:27 | |
We're all like that. | 0:49:27 | 0:49:29 | |
It is a choice to jump that line, to be... | 0:49:29 | 0:49:32 | |
to allow yourself that freshness, | 0:49:32 | 0:49:34 | |
that ease, that being in the moment, stuff from childhood. | 0:49:34 | 0:49:39 | |
So it's always available. It's always available. | 0:49:39 | 0:49:43 | |
We move on to something else now. | 0:49:43 | 0:49:45 | |
This afternoon, you will be invited | 0:49:47 | 0:49:50 | |
to take part in a death process. | 0:49:50 | 0:49:53 | |
This afternoon, you will die... | 0:49:53 | 0:49:57 | |
..and see what it feels like inside... | 0:49:58 | 0:50:00 | |
..and prepare yourself for that. | 0:50:01 | 0:50:04 | |
If you meet anyone when you're out walking, don't laugh it away... | 0:50:08 | 0:50:12 | |
don't talk to others. | 0:50:12 | 0:50:14 | |
So be totally with yourself to get the best out of this experience. | 0:50:14 | 0:50:18 | |
It's horrible because you're... | 0:50:23 | 0:50:26 | |
He's told you to write letters to loved ones | 0:50:28 | 0:50:31 | |
as if you're going to die today. | 0:50:31 | 0:50:33 | |
So it's really horrible. | 0:50:33 | 0:50:35 | |
Obviously I'm writing to my children. | 0:50:37 | 0:50:39 | |
It sort of feels sick. | 0:50:39 | 0:50:41 | |
I don't know what the point of it is yet. | 0:50:41 | 0:50:43 | |
NINA SOBS | 0:50:50 | 0:50:53 | |
'And the reason we do this death experience... | 0:50:55 | 0:50:58 | |
'It's about life... | 0:51:00 | 0:51:01 | |
'..about how precious life is. | 0:51:03 | 0:51:05 | |
'It's an inner journey. | 0:51:09 | 0:51:11 | |
'There is no acting now.' | 0:51:11 | 0:51:13 | |
'Oh, my God, it was so painful. Loads of tears. | 0:51:17 | 0:51:20 | |
'I didn't want to go. | 0:51:20 | 0:51:23 | |
'I didn't want to go, but I must've wanted to stay with the experience | 0:51:23 | 0:51:27 | |
'cos I could've easily gone, "Well this is a loony way to pass the time." | 0:51:27 | 0:51:31 | |
'I wanted to find out what was going to be there.' | 0:51:31 | 0:51:34 | |
-What was there? -But... What was there was that I just... | 0:51:36 | 0:51:39 | |
I'm definitely not ready to die, | 0:51:39 | 0:51:42 | |
'and that I really love my family | 0:51:42 | 0:51:45 | |
'and that nothing else is as important. | 0:51:45 | 0:51:48 | |
'All the cliches, all that stuff.' | 0:51:48 | 0:51:50 | |
I think it will help me when I get home, yeah. | 0:51:50 | 0:51:53 | |
Yeah, I do. | 0:51:53 | 0:51:54 | |
I think I'll be more grateful. | 0:51:54 | 0:51:56 | |
Yeah. | 0:51:58 | 0:51:59 | |
Yeah, I thoroughly recommend thinking about death long and hard. | 0:51:59 | 0:52:04 | |
SHE LAUGHS | 0:52:04 | 0:52:06 | |
Desperate to get on the phone now. I'm going to call my family. | 0:52:08 | 0:52:12 | |
Hi, Dad, it's me. | 0:52:14 | 0:52:16 | |
Hello! How are you? | 0:52:16 | 0:52:19 | |
I'm very, very well. | 0:52:19 | 0:52:21 | |
Yeah, yeah, I'm very well indeed. | 0:52:21 | 0:52:25 | |
How is everybody? | 0:52:25 | 0:52:26 | |
Excellent. Can I talk to Arthur? | 0:52:28 | 0:52:31 | |
Hello! How are you? SQUEALING FROM DOWN THE PHONE | 0:52:31 | 0:52:34 | |
Aaah! | 0:52:34 | 0:52:36 | |
In the morning. How are you, my love? | 0:52:36 | 0:52:39 | |
Oh, it's so nice to hear your voice. | 0:52:41 | 0:52:43 | |
Hello, how are you? | 0:52:43 | 0:52:45 | |
I have survived, yeah. I broke, I broke a few times. | 0:52:48 | 0:52:50 | |
Loads of stuff came up. | 0:52:50 | 0:52:52 | |
Lots of stuff about you and me as well. | 0:52:52 | 0:52:56 | |
NINA LAUGHS I know. You should. | 0:52:56 | 0:52:59 | |
You did survive, yeah. I'll tell you all about it. | 0:52:59 | 0:53:02 | |
No, completely! Completely; | 0:53:02 | 0:53:05 | |
No, I mean, most of my time I was crying | 0:53:05 | 0:53:07 | |
cos you were such a good mother, you know, and I felt so guilty. | 0:53:07 | 0:53:11 | |
SHE SIGHS Yeah. | 0:53:11 | 0:53:13 | |
OK, it's our last round. | 0:53:20 | 0:53:24 | |
So we wanted to give you a little gift before you go. | 0:53:25 | 0:53:31 | |
And it's up to you whether you take it, | 0:53:31 | 0:53:33 | |
if you would like to do this small healing. | 0:53:33 | 0:53:36 | |
And this is about the abortion. You would like? | 0:53:36 | 0:53:39 | |
-Yes. -OK. | 0:53:39 | 0:53:41 | |
So you just choose someone... | 0:53:41 | 0:53:43 | |
..for the child. | 0:53:44 | 0:53:46 | |
I choose Roman. | 0:53:46 | 0:53:47 | |
OK. | 0:53:51 | 0:53:52 | |
Just take a hand and put it onto the child's head | 0:53:55 | 0:54:00 | |
and just allow whatever is there. | 0:54:00 | 0:54:02 | |
That deep guilt held in the system. | 0:54:10 | 0:54:13 | |
SHE SOBS LOUDLY | 0:54:28 | 0:54:30 | |
SOBS: I'm so sorry. | 0:54:40 | 0:54:43 | |
I'm so sorry. | 0:54:48 | 0:54:50 | |
It's a horrible thing to have done. | 0:55:03 | 0:55:05 | |
LAUGHTER | 0:55:27 | 0:55:30 | |
Evening, all. | 0:55:30 | 0:55:32 | |
What's going on here? | 0:55:32 | 0:55:34 | |
We've had a monkey handed in down at the police station. | 0:55:34 | 0:55:39 | |
And I'm told that the owner is somewhere in here. | 0:55:40 | 0:55:44 | |
SHE LAUGHS Yeah, that's me. | 0:55:44 | 0:55:47 | |
Oh, OK. One monkey. | 0:55:47 | 0:55:50 | |
Thank you. | 0:55:50 | 0:55:51 | |
Thank you, officer. | 0:55:53 | 0:55:54 | |
Oh, dear. | 0:55:58 | 0:55:59 | |
Aww. | 0:55:59 | 0:56:01 | |
Yay. | 0:56:03 | 0:56:04 | |
# Happy days are here again. # | 0:56:07 | 0:56:09 | |
LAUGHTER AND APPLAUSE | 0:56:09 | 0:56:13 | |
'Look what happens when I get locked in a cupboard, you dirty culty whore.' | 0:56:36 | 0:56:41 | |
Monkey, it was incredible. | 0:56:41 | 0:56:43 | |
How long did the feeling last? | 0:56:43 | 0:56:44 | |
-About a week. -A whole week(!) | 0:56:44 | 0:56:46 | |
Well, yeah, but you can't scream in normal life, | 0:56:46 | 0:56:49 | |
you can't let that stuff out, so it just builds up. | 0:56:49 | 0:56:51 | |
Well, you've got to learn to scream on the inside, Nina. | 0:56:51 | 0:56:54 | |
Like I do. | 0:56:55 | 0:56:57 | |
How do you feel your wife's search for enlightenment went? | 0:56:59 | 0:57:03 | |
I can't truly tell... | 0:57:06 | 0:57:09 | |
but from all the outward signs, | 0:57:09 | 0:57:13 | |
I'd say that, on the whole... | 0:57:13 | 0:57:16 | |
..she's the same as before. | 0:57:18 | 0:57:22 | |
LAUGHTER | 0:57:22 | 0:57:25 | |
I've been on a retreat just recently, which was primal screaming. | 0:57:25 | 0:57:30 | |
Ah! It was fucking weird. | 0:57:30 | 0:57:32 | |
I was really happy afterwards. | 0:57:32 | 0:57:34 | |
But I lost my voice completely. It was seriously worrying. | 0:57:34 | 0:57:38 | |
I think that's why Nina does comedy - | 0:57:38 | 0:57:40 | |
to kind of, you know, let the negativity flow out slowly. | 0:57:40 | 0:57:44 | |
Yeah, but one scream, one primal scream... | 0:57:44 | 0:57:47 | |
That's a whole year of gigs. | 0:57:47 | 0:57:50 | |
I'm skint. | 0:57:50 | 0:57:52 | |
MUSIC: "Where Is My Mind?" by the Pixies | 0:57:54 | 0:57:58 | |
# With your feet on the air and your head on the ground | 0:58:06 | 0:58:09 | |
# Try this trick and spin it | 0:58:13 | 0:58:16 | |
# Yeah | 0:58:16 | 0:58:19 | |
# Your head will collapse | 0:58:19 | 0:58:21 | |
# If there's nothing in it | 0:58:21 | 0:58:23 | |
# And you'll ask yourself | 0:58:23 | 0:58:24 | |
# Where is my mind? | 0:58:24 | 0:58:27 | |
# Where is my mind? # | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:30 | 0:58:33 |