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My name is Angela Samata. | 0:00:03 | 0:00:07 | |
11 years ago I had an ordinary life with | 0:00:07 | 0:00:10 | |
all the normal worries and dreams that we all have. | 0:00:10 | 0:00:12 | |
And then, one night, everything changed. | 0:00:15 | 0:00:17 | |
I came home to find that the man I loved, | 0:00:19 | 0:00:22 | |
the father of our two boys, had taken his own life. | 0:00:22 | 0:00:25 | |
Since that day I've been learning what it means to lose someone | 0:00:28 | 0:00:32 | |
you love to suicide. | 0:00:32 | 0:00:34 | |
And why it's a very different kind of grief to any other. | 0:00:34 | 0:00:37 | |
I'm going on a journey around Britain to meet people like me, | 0:00:40 | 0:00:44 | |
who've faced a similar loss, and to try to break down | 0:00:44 | 0:00:47 | |
some of the stigma and fear that exists around suicide. | 0:00:47 | 0:00:51 | |
Because if there's one thing I've learnt above all else, | 0:00:52 | 0:00:56 | |
it's that we have to talk about this. | 0:00:56 | 0:00:59 | |
It's really important that we talk. | 0:00:59 | 0:01:01 | |
You may not know this, | 0:01:13 | 0:01:14 | |
but there's around 6,000 suicides a year in the UK. | 0:01:14 | 0:01:17 | |
And every year there are thousands of people like me | 0:01:21 | 0:01:24 | |
who are left behind. | 0:01:24 | 0:01:25 | |
And we often feel isolated, | 0:01:27 | 0:01:29 | |
as if we shouldn't really talk about what's happened. | 0:01:29 | 0:01:32 | |
Luckily, I have a family for whom talking has never been a problem. | 0:01:35 | 0:01:40 | |
Since my partner Mark died, every Sunday my mum Jenny comes | 0:01:43 | 0:01:47 | |
round to my house in Birkenhead to cook lunch for the whole family. | 0:01:47 | 0:01:51 | |
Put that in that broccoli, love. | 0:01:51 | 0:01:54 | |
The more concerned she is about us, the more food we get. | 0:01:54 | 0:01:57 | |
What are you cooking? | 0:02:00 | 0:02:01 | |
Roast Lamb, roast potatoes, creamed potatoes, new potatoes... | 0:02:03 | 0:02:10 | |
ANGELA TITTERS | 0:02:10 | 0:02:11 | |
..carrots, cauliflower, broccoli, mangetout, two types of peas - | 0:02:11 | 0:02:16 | |
garden peas, mushy peas. | 0:02:16 | 0:02:18 | |
So we're going for the low carb option today? | 0:02:18 | 0:02:20 | |
Oh, definitely. Go mad on a Sunday! | 0:02:20 | 0:02:22 | |
ANGELA LAUGHS | 0:02:22 | 0:02:25 | |
-We are a very close family. -Yeah. | 0:02:25 | 0:02:27 | |
Which stood us in good stead, because when it... | 0:02:29 | 0:02:32 | |
When the whole situation around Mark happened, it kind of, er, | 0:02:32 | 0:02:37 | |
that became just really pivotal to everything. | 0:02:37 | 0:02:42 | |
It was such a big shock, because we'd had a conversation | 0:02:42 | 0:02:44 | |
the night before, hadn't we? About Christmas dinner, | 0:02:44 | 0:02:47 | |
what we were cooking and where we were having it. | 0:02:47 | 0:02:50 | |
All right. All right. You all right? | 0:02:55 | 0:02:59 | |
Come on, don't be crying into the peas. | 0:03:05 | 0:03:07 | |
'A lot's changed in the last 11 years.' | 0:03:09 | 0:03:12 | |
Ohhh... Yeah, good, thanks. | 0:03:12 | 0:03:14 | |
'I didn't have a career then.' | 0:03:14 | 0:03:15 | |
Hi, how you doing? | 0:03:15 | 0:03:17 | |
'I work in the art world now.' | 0:03:17 | 0:03:18 | |
I've got a new partner, Duane. | 0:03:20 | 0:03:22 | |
And my youngest son Benjamin is 14 years old. | 0:03:23 | 0:03:27 | |
He was three when Mark died. | 0:03:27 | 0:03:29 | |
Alexis was 13. He's just turned 25. | 0:03:30 | 0:03:35 | |
-Down at the other end. -Yep. | 0:03:35 | 0:03:37 | |
We often talk about Mark. We want them to remember him | 0:03:37 | 0:03:42 | |
positively and not just because of that one night. | 0:03:42 | 0:03:45 | |
We wanted the boys to grow up and | 0:03:45 | 0:03:48 | |
for it to be about how Mark lived and how funny he was | 0:03:48 | 0:03:51 | |
and how he thought he was an amazing cook when he probably wasn't | 0:03:51 | 0:03:54 | |
and how he thought he was an amazing musician when he probably wasn't. | 0:03:54 | 0:03:57 | |
Frustrated musician, he was! THEY LAUGH | 0:03:57 | 0:03:59 | |
But we wanted it to be about that, didn't we? | 0:03:59 | 0:04:01 | |
-We didn't want it to just be about... -We wanted it to be good memories, not about... | 0:04:01 | 0:04:04 | |
Well, not just about how he died, it was really important... | 0:04:04 | 0:04:08 | |
It was how he lived. | 0:04:08 | 0:04:10 | |
GUESTS CHATTER | 0:04:10 | 0:04:12 | |
Thank you. | 0:04:12 | 0:04:14 | |
Duane, where are you going, in between the kids? | 0:04:14 | 0:04:16 | |
-JENNY: I'll go in between. -Are you going in between the kids? | 0:04:16 | 0:04:20 | |
'When this happens to you, as an ordinary person, | 0:04:20 | 0:04:23 | |
'as an ordinary family, very, very quickly you become aware | 0:04:23 | 0:04:26 | |
'of the stigma attached to somebody taking their own life. | 0:04:26 | 0:04:30 | |
'There's lots of people that don't know how to speak to you, | 0:04:30 | 0:04:32 | |
'there's lots of people who treat you differently.' | 0:04:32 | 0:04:35 | |
Does anybody else want mushy peas? | 0:04:35 | 0:04:37 | |
I think the only way we can help to challenge the stigma | 0:04:40 | 0:04:46 | |
and deal with the legacy of this is to be really honest and open, | 0:04:46 | 0:04:50 | |
and I'm kind of hoping that that's what me talking about | 0:04:50 | 0:04:56 | |
my experiences is going to - | 0:04:56 | 0:04:58 | |
in some very, very tiny way - help to achieve. | 0:04:58 | 0:05:03 | |
There you go. | 0:05:04 | 0:05:06 | |
Oh, yes... | 0:05:11 | 0:05:13 | |
I think we were probably both 16 in this picture. | 0:05:21 | 0:05:25 | |
And it was when we'd kind of not long started dating. | 0:05:25 | 0:05:28 | |
And, er, we thought it would be great to go on this day out, | 0:05:28 | 0:05:32 | |
to Southport I think it was. | 0:05:32 | 0:05:35 | |
You can see how young I am and how young he is. | 0:05:35 | 0:05:40 | |
Me and Mark met when we were at school. | 0:05:40 | 0:05:43 | |
I was 16 and he was only 15, | 0:05:43 | 0:05:45 | |
and we went on a date. | 0:05:45 | 0:05:48 | |
And his friends were saying to him, | 0:05:48 | 0:05:50 | |
"Oh, my God, you're going out with a sixth former, that's great", | 0:05:50 | 0:05:53 | |
and my friends were saying to me, | 0:05:53 | 0:05:55 | |
"What are you doing with a fifth year, what are you doing?" | 0:05:55 | 0:05:58 | |
And it kind of went from there really. | 0:05:58 | 0:06:00 | |
He was great fun, he was quirky, | 0:06:00 | 0:06:03 | |
he was interesting, he was dangerous. | 0:06:03 | 0:06:07 | |
I was 18 when I had Alexis. | 0:06:08 | 0:06:11 | |
At that point we kind of thought we knew it all, | 0:06:11 | 0:06:12 | |
and actually you look back and we didn't know anything, | 0:06:12 | 0:06:16 | |
we were kind of just muddling our way through. | 0:06:16 | 0:06:19 | |
And then this picture is Mark and me and Benjamin. | 0:06:19 | 0:06:22 | |
Benjamin was born when I was 29 and Mark was 28. | 0:06:24 | 0:06:29 | |
I mean, I look back and think, was that time of excitement | 0:06:29 | 0:06:32 | |
and kind of hope, was that just a sticking plaster? | 0:06:32 | 0:06:36 | |
So the relationship building up to Mark's death, | 0:06:38 | 0:06:41 | |
I was feeling very restless. | 0:06:41 | 0:06:43 | |
We'd always kind of managed to talk through things, | 0:06:43 | 0:06:47 | |
so we talked about it a lot, we talked about the fact that | 0:06:47 | 0:06:50 | |
I was feeling as if I was kind of, almost claustrophobic. | 0:06:50 | 0:06:53 | |
We decided that we were going to live separately for a little while. | 0:06:56 | 0:06:59 | |
If I'd have realised the potential consequences of then | 0:07:01 | 0:07:05 | |
what happened, maybe I wouldn't have said anything, | 0:07:05 | 0:07:08 | |
maybe I would have just continued things | 0:07:08 | 0:07:10 | |
and kept quiet, who knows? | 0:07:10 | 0:07:12 | |
Hindsight's a wonderful thing, isn't it? | 0:07:14 | 0:07:16 | |
This is the park that we used to come to a lot. | 0:07:25 | 0:07:29 | |
And, er, the house where we... | 0:07:29 | 0:07:32 | |
where Mark's death occurred is actually just over the way there. | 0:07:32 | 0:07:36 | |
I haven't been back here for years, it's... | 0:07:40 | 0:07:44 | |
mixed emotions, definitely. | 0:07:44 | 0:07:45 | |
On the day that Mark actually died, I had just started a new job. | 0:07:50 | 0:07:56 | |
The boys went off to school and Mark normally left just before me, | 0:07:56 | 0:08:00 | |
but actually I left first that morning. | 0:08:00 | 0:08:03 | |
In the afternoon I got a call from Mark's work | 0:08:04 | 0:08:09 | |
saying that he hadn't turned in. | 0:08:09 | 0:08:11 | |
And it wasn't until 6 o'clock that I actually managed to | 0:08:13 | 0:08:17 | |
get hold of him on the phone, and he said, | 0:08:17 | 0:08:20 | |
"Remember that I love you, | 0:08:20 | 0:08:22 | |
"and look, I'm really, really sorry." | 0:08:22 | 0:08:25 | |
And I thought that he was apologising | 0:08:25 | 0:08:27 | |
for the fact he hadn't gone to work. | 0:08:27 | 0:08:31 | |
I collected the boys from my mum's house and drove home. | 0:08:31 | 0:08:34 | |
I walked up the path, put the key in the door, opened the door, | 0:08:36 | 0:08:40 | |
and then as I opened the door, I could just see his...his outline. | 0:08:40 | 0:08:46 | |
And at that point I realised that in fact Mark | 0:08:46 | 0:08:48 | |
had hung himself in the hallway. | 0:08:48 | 0:08:50 | |
And behind me I could hear the boys laughing. | 0:08:54 | 0:08:57 | |
It was the most unreal, surreal situation. | 0:08:58 | 0:09:03 | |
I can't... I find it hard to describe it really, | 0:09:03 | 0:09:07 | |
because it was just something that never ever | 0:09:07 | 0:09:11 | |
enters your head in your wildest imagination. | 0:09:11 | 0:09:15 | |
Mark's death was devastating for me, | 0:09:31 | 0:09:34 | |
but as I've since discovered, it wasn't unusual. | 0:09:34 | 0:09:37 | |
Four out of every five people who take their own lives are male, | 0:09:37 | 0:09:41 | |
and suicide is the biggest killer of men under 50 in Britain. | 0:09:41 | 0:09:45 | |
But I didn't know any of that 11 years ago. | 0:09:47 | 0:09:50 | |
I was just one of the many people left in shock, | 0:09:50 | 0:09:53 | |
with very little guidance about where to go or who to talk to. | 0:09:53 | 0:09:58 | |
It wasn't until about nine months after Mark died that one morning | 0:09:58 | 0:10:02 | |
I woke up and I felt very disorientated. | 0:10:02 | 0:10:06 | |
I felt as if I didn't know | 0:10:06 | 0:10:09 | |
if I wanted to sit down or stand up, or eat or drink, or... | 0:10:09 | 0:10:13 | |
Just felt very, very disorientated. | 0:10:13 | 0:10:15 | |
Fortunately I found a support group known as SOBS. | 0:10:17 | 0:10:22 | |
At first when I saw the acronym of "Survivors of Bereavement by Suicide", | 0:10:22 | 0:10:28 | |
I genuinely didn't know what to expect. | 0:10:28 | 0:10:30 | |
I think for me when I lost my son, er, and I look back now | 0:10:32 | 0:10:36 | |
and they were very dark days, and I was just desperate. | 0:10:36 | 0:10:40 | |
Desperate for help in how to deal with the feelings, | 0:10:40 | 0:10:45 | |
the emotions, the unanswered questions. | 0:10:45 | 0:10:48 | |
I get loads of support, I've got wonderful friends and family, | 0:10:48 | 0:10:52 | |
but sometimes I think, "Do they really understand us? | 0:10:52 | 0:10:55 | |
"Do people understand?" | 0:10:55 | 0:10:57 | |
Because I think that death by suicide is...horrendous, | 0:10:57 | 0:11:01 | |
and it's worse than any other kind of death, I think. | 0:11:01 | 0:11:06 | |
Well, I used the word a few years ago, | 0:11:06 | 0:11:08 | |
-but a tsunami of grief hits you. -Yeah. | 0:11:08 | 0:11:12 | |
You think you're doing all right, | 0:11:12 | 0:11:14 | |
you're having an all right day. And then wham. And, er... | 0:11:14 | 0:11:18 | |
Ooph. | 0:11:20 | 0:11:21 | |
Some of the people here have been coming to | 0:11:21 | 0:11:23 | |
the support group for many years. | 0:11:23 | 0:11:27 | |
Others like Rebecca are much more recently bereaved. | 0:11:27 | 0:11:31 | |
I can't understand why my husband's left my children, | 0:11:31 | 0:11:34 | |
-and I see the pain in their faces. -Yep. | 0:11:34 | 0:11:36 | |
I don't know how you can write | 0:11:36 | 0:11:38 | |
a letter to your children and then take your life. | 0:11:38 | 0:11:41 | |
-How old are they? -14 and 18. | 0:11:41 | 0:11:44 | |
-And how long's it been? -Five weeks. | 0:11:44 | 0:11:47 | |
-It is very recent, isn't it? -Yeah. | 0:11:47 | 0:11:49 | |
I feel guilty in that I should have recognised that | 0:11:49 | 0:11:52 | |
he was in that dark place, | 0:11:52 | 0:11:54 | |
and I feel partly responsible for not perhaps understanding, | 0:11:54 | 0:11:59 | |
when he was a bit low, but I never thought he'd do this. | 0:11:59 | 0:12:02 | |
My son, there were no signs whatsoever. | 0:12:02 | 0:12:05 | |
-No. -As a mum, you question yourself, "Have I been a bad parent, | 0:12:06 | 0:12:11 | |
"what have I done that's made him do this?" | 0:12:11 | 0:12:15 | |
But there were no signs. It was just...like that. | 0:12:15 | 0:12:20 | |
Losing someone in this way is a very specific type of bereavement. | 0:12:22 | 0:12:27 | |
We experience emotions that are very specific to suicide. | 0:12:27 | 0:12:31 | |
And it doesn't follow a natural pattern, there's no book that is | 0:12:31 | 0:12:34 | |
going to say to you, "You're going to go through this process, | 0:12:34 | 0:12:37 | |
"your grief is going to follow this path | 0:12:37 | 0:12:39 | |
"and this is what you're going to experience at this time." | 0:12:39 | 0:12:42 | |
It's literally that you can feel different emotions from | 0:12:42 | 0:12:46 | |
hour to hour, from minute to minute sometimes. | 0:12:46 | 0:12:49 | |
It is different. | 0:12:49 | 0:12:50 | |
You can go for a little bit, and you're all right, | 0:12:50 | 0:12:52 | |
and then all of a sudden it smacks you again. | 0:12:52 | 0:12:55 | |
What are you supposed to do, just stay in bed all day, | 0:12:55 | 0:12:58 | |
and just hope it's all going to go away? | 0:12:58 | 0:13:00 | |
Because, believe me, I do, and yesterday I've thought | 0:13:00 | 0:13:03 | |
to myself, "What is the point? What is the point to all this?" | 0:13:03 | 0:13:07 | |
There's something about being bereaved by suicide | 0:13:07 | 0:13:10 | |
and the fact that that person that you loved and you knew - | 0:13:10 | 0:13:13 | |
or you thought you knew - has taken their own life by their own hand. | 0:13:13 | 0:13:18 | |
Coming to terms with that can be very, very difficult | 0:13:18 | 0:13:21 | |
and can be a very long road. | 0:13:21 | 0:13:23 | |
If my husband had had a heart attack, been murdered, | 0:13:25 | 0:13:28 | |
knocked off his bike, although it would have been desperate, | 0:13:28 | 0:13:31 | |
I could have perhaps... | 0:13:31 | 0:13:32 | |
It was out of his hands, but it's the thought | 0:13:32 | 0:13:35 | |
that that morning he got up, he made me a cup of tea in bed, | 0:13:35 | 0:13:37 | |
he had his breakfast, he washed his dishes, | 0:13:37 | 0:13:40 | |
he emptied the dishwasher, he drove to work... | 0:13:40 | 0:13:43 | |
and three hours later he was dead. | 0:13:43 | 0:13:45 | |
And that's what I find very, very hard to understand. | 0:13:45 | 0:13:48 | |
The grief is unbelievable. | 0:13:51 | 0:13:53 | |
I can't tell you how painful, the grief... It's like, um... | 0:13:53 | 0:13:57 | |
if you've ever lost your wallet, or something happens | 0:13:57 | 0:14:01 | |
and you get a shock, and your heart stops. | 0:14:01 | 0:14:03 | |
That's it, but it's constant. Constant. | 0:14:03 | 0:14:06 | |
And I want the world to stop, but it's not, it's carrying on. | 0:14:06 | 0:14:11 | |
You know, it's very, very... Very, very strange. | 0:14:11 | 0:14:14 | |
When you openly talk about suicide, people are frightened of it. | 0:14:17 | 0:14:21 | |
And that's not because people don't necessarily | 0:14:21 | 0:14:23 | |
want to understand it, it's because, for a long time, | 0:14:23 | 0:14:26 | |
those conversations haven't been happening. | 0:14:26 | 0:14:29 | |
SOBS is just ordinary people who have been bereaved in the | 0:14:29 | 0:14:34 | |
same way who are willing to come along and share their experiences. | 0:14:34 | 0:14:39 | |
We are trying in our small way to deal with the taboo of the subject. | 0:14:39 | 0:14:46 | |
One of the questions that haunts you after suicide is "Why?" | 0:14:51 | 0:14:54 | |
Mark hadn't shown any obvious signs of depression, | 0:14:57 | 0:15:00 | |
and, like most people who take their own lives, | 0:15:00 | 0:15:03 | |
he didn't leave a note. | 0:15:03 | 0:15:04 | |
I've come to Glasgow University to meet Professor Rory O'Connor, | 0:15:05 | 0:15:10 | |
one of the UK's leading experts on suicide, | 0:15:10 | 0:15:13 | |
to see if he's got any answers for me. | 0:15:13 | 0:15:15 | |
What a place to work, it's absolutely gorgeous. | 0:15:17 | 0:15:20 | |
Great to meet you. Nice to meet you. | 0:15:20 | 0:15:22 | |
-So maybe we take a wee wander round? -Yeah, great. | 0:15:22 | 0:15:24 | |
For me, the big question after Mark died was, why did he take his life? | 0:15:26 | 0:15:31 | |
Our research can never answer the question of why | 0:15:31 | 0:15:33 | |
a particular individual... So for example, we can't answer, | 0:15:33 | 0:15:36 | |
the question, sadly, of why Mark took his own life. | 0:15:36 | 0:15:38 | |
What we try and do is understand the | 0:15:38 | 0:15:40 | |
common features of the suicidal mind, we speak to people who have | 0:15:40 | 0:15:44 | |
tried to kill themselves, we try and understand | 0:15:44 | 0:15:47 | |
the factors which led up to why they attempted to end their own lives. | 0:15:47 | 0:15:51 | |
And it's not a selfish act. Suicide is not a selfish act. | 0:15:51 | 0:15:56 | |
It's an expression of unbearable pain. | 0:15:56 | 0:15:58 | |
People take their own lives often not because they want to | 0:15:58 | 0:16:01 | |
kill themselves, but because they want the pain to end. | 0:16:01 | 0:16:03 | |
We talk about this constricted thinking, this tunnel vision, | 0:16:03 | 0:16:07 | |
this tunnel logic, so that the person | 0:16:07 | 0:16:10 | |
maybe is not necessarily looking outwardly distressed, | 0:16:10 | 0:16:14 | |
but has decided themselves that for whatever | 0:16:14 | 0:16:16 | |
set of reasons, usually complex reasons, "I'm going to kill myself." | 0:16:16 | 0:16:21 | |
In a way, that's the end of their problems, | 0:16:21 | 0:16:23 | |
because in their mind they've found the solution. | 0:16:23 | 0:16:26 | |
Professor O'Connor and his team have conducted tests | 0:16:28 | 0:16:31 | |
with over 2,000 people who have attempted suicide. | 0:16:31 | 0:16:33 | |
I'm going to apply it gradually harder, I would like you to say stop | 0:16:39 | 0:16:42 | |
when it first feels uncomfortable. | 0:16:42 | 0:16:44 | |
Stop. | 0:16:47 | 0:16:48 | |
I'll just take over for a second, Karen. | 0:16:49 | 0:16:51 | |
So this is a pressure metre, or an algometer. | 0:16:51 | 0:16:53 | |
We exert pressure on people's hands, and what that does | 0:16:53 | 0:16:57 | |
-is it gets some sort of objective measure of pain and sensitivity. -OK. | 0:16:57 | 0:17:01 | |
Because what we think might be going on is that people who | 0:17:01 | 0:17:04 | |
attempt suicide have a higher pain threshold. | 0:17:04 | 0:17:07 | |
They can put up with more physical pain than the average person. | 0:17:07 | 0:17:12 | |
Yeah. So this is a measure of pain tolerance. | 0:17:12 | 0:17:14 | |
Say stop when you feel this becoming too uncomfortable to continue. | 0:17:14 | 0:17:17 | |
Stop. | 0:17:21 | 0:17:22 | |
'The pain threshold test is one of many conducted at the lab, | 0:17:23 | 0:17:26 | |
'from which Professor O'Connor has built up a picture | 0:17:26 | 0:17:30 | |
'of the common factors that can lead to suicide.' | 0:17:30 | 0:17:33 | |
So this is us trying to piece together the sort of pathway to suicide. | 0:17:33 | 0:17:38 | |
How is it that some people develop suicidal thoughts and others don't? | 0:17:38 | 0:17:42 | |
And what we think is vitally important, if you're | 0:17:42 | 0:17:44 | |
feeling defeated and humiliated and you feel you can't escape | 0:17:44 | 0:17:48 | |
from that, you feel trapped, you're much more likely to become suicidal. | 0:17:48 | 0:17:52 | |
In particular, this sense of being trapped. | 0:17:52 | 0:17:54 | |
So if you've got that defeat plus the feeling of | 0:17:54 | 0:17:59 | |
this conical, constricted view of the world, | 0:17:59 | 0:18:03 | |
-then that seems to be a pretty lethal combination. -Absolutely. | 0:18:03 | 0:18:07 | |
I'm just wondering, | 0:18:07 | 0:18:09 | |
when you're looking at things like entrapment, it must be | 0:18:09 | 0:18:12 | |
such a subjective thing, how do you even start having that conversation? | 0:18:12 | 0:18:17 | |
What we use are established questionnaires. I'll show you. | 0:18:17 | 0:18:22 | |
It's 16 questions, and crucially, we don't just look at one question, | 0:18:23 | 0:18:27 | |
they come together and tell us an overall score | 0:18:27 | 0:18:29 | |
of how trapped you feel. | 0:18:29 | 0:18:31 | |
So we've got... | 0:18:31 | 0:18:33 | |
SHE READS ALOUD | 0:18:39 | 0:18:42 | |
They feel like very poignant questions, | 0:18:43 | 0:18:45 | |
do people sometimes find them difficult to answer? | 0:18:45 | 0:18:49 | |
We've been doing this work now for 20 years, and in general | 0:18:49 | 0:18:52 | |
people are really, really glad somebody's asking about them. | 0:18:52 | 0:18:56 | |
And trying to understand why suicide happens. | 0:18:56 | 0:18:59 | |
Professor O'Connor's commitment to answering that question | 0:18:59 | 0:19:02 | |
is more than just professional. | 0:19:02 | 0:19:05 | |
Like me, he's lost someone to suicide. | 0:19:05 | 0:19:08 | |
Six years ago a very close friend of mine took her own life, | 0:19:08 | 0:19:12 | |
and that really was, er, just devastating, | 0:19:12 | 0:19:15 | |
and particularly devastating because I'd been working | 0:19:15 | 0:19:19 | |
in this area for so long, and I just felt such a failure. | 0:19:19 | 0:19:22 | |
That I'd let that person down, and that we were really, really close | 0:19:22 | 0:19:25 | |
and basically, why couldn't I have prevented her suicide? | 0:19:25 | 0:19:29 | |
What it really highlights for me is, yes, as a researcher I understand | 0:19:29 | 0:19:33 | |
the importance of objectivity, but it's more personal now. | 0:19:33 | 0:19:37 | |
Really, really much more personal now. | 0:19:37 | 0:19:39 | |
When Rory described how in the suicidal mind, | 0:19:45 | 0:19:48 | |
you know, that constriction of the world view, | 0:19:48 | 0:19:52 | |
and how problems that you or I may consider as small | 0:19:52 | 0:19:56 | |
may be magnified within that constricted view | 0:19:56 | 0:19:59 | |
and may seem insurmountable. | 0:19:59 | 0:20:01 | |
I could just kind of feel myself really, really relating to that | 0:20:03 | 0:20:07 | |
and just wondering whether that was how | 0:20:07 | 0:20:09 | |
Mark's view of the world had changed. | 0:20:09 | 0:20:11 | |
BELLS RING | 0:20:13 | 0:20:15 | |
It's really got me thinking about it in a completely different way, | 0:20:17 | 0:20:21 | |
in a way I haven't thought about it in 11 years. | 0:20:21 | 0:20:23 | |
For people like me who've lost a partner to suicide, | 0:20:28 | 0:20:31 | |
one of the biggest problems is how you explain | 0:20:31 | 0:20:33 | |
what's happened to your children. | 0:20:33 | 0:20:35 | |
This is a picture of Ben, | 0:20:38 | 0:20:40 | |
and it's when he was about two-and-a-half. | 0:20:40 | 0:20:43 | |
And, erm, he's got his buggy here, he used to love pushing his buggy. | 0:20:43 | 0:20:48 | |
Not a care in the world. | 0:20:48 | 0:20:50 | |
Benjamin's questions used to be, "Why did Daddy die?" | 0:20:50 | 0:20:54 | |
So we had that question quite a lot, | 0:20:54 | 0:20:57 | |
"When is Daddy back, when is Daddy back?" | 0:20:57 | 0:20:59 | |
And he would say that over and over again, and I would then have | 0:20:59 | 0:21:02 | |
to answer him each time saying, "Daddy's not coming back, Benjamin." | 0:21:02 | 0:21:07 | |
And then there's another picture here that's a little bit later, | 0:21:07 | 0:21:11 | |
this was done in 2009. | 0:21:11 | 0:21:13 | |
And then at about five I think it was, instead of saying to me, | 0:21:15 | 0:21:19 | |
"Why did Daddy die?", he said, "How did Daddy die?" | 0:21:19 | 0:21:23 | |
So that one word completely changed the question. | 0:21:23 | 0:21:27 | |
So I said to him, | 0:21:27 | 0:21:29 | |
"Do you know when Mummy tells you that you can't | 0:21:29 | 0:21:31 | |
"tie a scarf around your neck, tight, why do I tell you that?" | 0:21:31 | 0:21:34 | |
And he said, "Because it will stop me breathing." | 0:21:34 | 0:21:38 | |
And I said "Well, Daddy knew that if he tied something | 0:21:38 | 0:21:44 | |
"very, very, very, very tight that it would stop him breathing, | 0:21:44 | 0:21:49 | |
"and he would go to heaven, | 0:21:49 | 0:21:52 | |
"so that's what happened to Daddy." | 0:21:52 | 0:21:54 | |
And he said, "OK." | 0:21:54 | 0:21:56 | |
'I just remember that moment, it took me | 0:21:58 | 0:22:01 | |
'a few minutes to get myself together and | 0:22:01 | 0:22:04 | |
'be able to actually look at him.' | 0:22:04 | 0:22:05 | |
My fear for the boys was that, | 0:22:07 | 0:22:09 | |
although I always wanted to talk very openly about their father | 0:22:09 | 0:22:13 | |
with them, I also didn't want it to...become an option for them. | 0:22:13 | 0:22:18 | |
So it was a... It continues to be a very, very, fine line | 0:22:20 | 0:22:24 | |
between having the conversation - | 0:22:24 | 0:22:27 | |
that I feel very strongly should happen - | 0:22:27 | 0:22:32 | |
and yet not having the conversation to the point where it becomes | 0:22:32 | 0:22:36 | |
so normalised that it becomes, like, an OK thing to consider. | 0:22:36 | 0:22:41 | |
Talking to my boys about their dad's death wasn't helped | 0:22:49 | 0:22:52 | |
by the wall of silence around suicide. | 0:22:52 | 0:22:54 | |
But now, a few people in the public eye | 0:22:56 | 0:22:58 | |
are starting to speak out about their experiences. | 0:22:58 | 0:23:01 | |
I've come to West London to meet the actor David Robb, | 0:23:04 | 0:23:07 | |
who plays Dr Clarkson in the TV series Downton Abbey. | 0:23:07 | 0:23:11 | |
18 months ago his wife, the actress Briony McRoberts, | 0:23:13 | 0:23:17 | |
having struggled with anorexia, | 0:23:17 | 0:23:19 | |
took her own life at a local tube station. | 0:23:19 | 0:23:21 | |
-Angela. -Hello. Nice to meet you. -Hello, come in. | 0:23:26 | 0:23:29 | |
Can I interest you in a tea or a coffee? | 0:23:30 | 0:23:33 | |
I would love a cup of tea, please. That would be great. | 0:23:33 | 0:23:35 | |
Right, come through to the kitchen. | 0:23:35 | 0:23:38 | |
-Thank you, that's great. -Do you want to come through? -Yes, please, yes. | 0:23:38 | 0:23:43 | |
I'll follow you, I'm on your turf. | 0:23:43 | 0:23:45 | |
HE LAUGHS | 0:23:45 | 0:23:46 | |
These are sort of random photos. So, this is Briony. | 0:23:49 | 0:23:54 | |
About five, six years ago. Pretty lady. | 0:23:54 | 0:23:57 | |
-Absolutely beautiful. -So she's about 50, I should think. -Wow. | 0:23:57 | 0:24:01 | |
-She doesn't look anywhere near 50. -No. | 0:24:02 | 0:24:06 | |
And that's the play that we met in. Betsy. | 0:24:06 | 0:24:09 | |
And there she is, 18. Me, 28. we had this luurve scene. | 0:24:09 | 0:24:15 | |
-LAUGHING: -And did it just last a bit longer each night? | 0:24:16 | 0:24:18 | |
It sort of did, yeah. | 0:24:18 | 0:24:20 | |
She had to grow up in it, | 0:24:20 | 0:24:22 | |
and the last act she had her hair up, I always remember. | 0:24:22 | 0:24:24 | |
And I used to have to stand behind her, | 0:24:24 | 0:24:26 | |
walking on stage at one point, and I loved the back of her ears. | 0:24:26 | 0:24:30 | |
I can remember quite clearly, | 0:24:30 | 0:24:31 | |
-sort of falling in love with the back of her head. -Really? | 0:24:31 | 0:24:34 | |
It was a long time ago, 1975. | 0:24:36 | 0:24:38 | |
How long is it since your husband died? | 0:24:41 | 0:24:44 | |
It's a little while now, it's, er, 11 years. | 0:24:44 | 0:24:47 | |
-You found Mark, didn't you? -Yeah, I did, yeah. | 0:24:47 | 0:24:49 | |
I just can't imagine the level of shock that that must have involved. | 0:24:49 | 0:24:53 | |
I had the opposite. | 0:24:53 | 0:24:55 | |
Briony left the house before I came down in the morning... | 0:24:55 | 0:24:59 | |
and didn't come back. | 0:24:59 | 0:25:02 | |
-And then the police turned up. -Really? | 0:25:02 | 0:25:04 | |
At about 4 o'clock in the afternoon, | 0:25:04 | 0:25:06 | |
because she had my Oyster card, my, you know, ticket thing. | 0:25:06 | 0:25:11 | |
And... | 0:25:11 | 0:25:14 | |
-I was advised by the police and the coroner not to see her body. -Mmm. | 0:25:14 | 0:25:18 | |
So I never saw her, she just walked out of my life. | 0:25:18 | 0:25:24 | |
So it's as if she's been erased in a nuclear explosion. | 0:25:24 | 0:25:27 | |
That's a very weird thing, and when I think of the memory, | 0:25:29 | 0:25:34 | |
the, you know, the physical memory, | 0:25:34 | 0:25:36 | |
and the smell of her and the back of her ears, | 0:25:36 | 0:25:40 | |
and all of the things that made her unique...no longer exist. | 0:25:40 | 0:25:46 | |
How? How? | 0:25:46 | 0:25:48 | |
Because I touched them for 38 years. | 0:25:48 | 0:25:50 | |
And that's difficult, really difficult. | 0:25:52 | 0:25:56 | |
Really difficult. | 0:25:59 | 0:26:01 | |
I have the opposite in that the last time I held him | 0:26:04 | 0:26:09 | |
was when he'd already passed away. | 0:26:09 | 0:26:12 | |
And so although my head can compute that it was kind of... | 0:26:12 | 0:26:17 | |
I know that it was very real and all of that, | 0:26:17 | 0:26:20 | |
it still has that same surreal sense that you have, | 0:26:20 | 0:26:25 | |
-so it's a small comfort. Small comfort. -Mm. | 0:26:25 | 0:26:30 | |
It must have been so difficult for you to go through | 0:26:30 | 0:26:33 | |
such a private time so publicly. | 0:26:33 | 0:26:36 | |
It exploded in the media. Only for 24 hours, but it was huge. | 0:26:36 | 0:26:41 | |
And you suddenly realise that it wasn't just the people | 0:26:41 | 0:26:44 | |
you invited to the funeral that were going to pitch up, | 0:26:44 | 0:26:47 | |
there were going to be hundreds of other people. | 0:26:47 | 0:26:50 | |
And in some ways that was rather magnificent. | 0:26:50 | 0:26:54 | |
It was stupendous, and if she'd seen... I mean, everybody said, | 0:26:54 | 0:26:58 | |
-"God, if she could see..." -Yeah. | 0:26:58 | 0:27:00 | |
I had a supermarket thing where a total stranger | 0:27:00 | 0:27:02 | |
came up and said, "I'm so sorry, I just want to say | 0:27:02 | 0:27:06 | |
"I always used to see you and your wife | 0:27:06 | 0:27:08 | |
"in here on a Saturday morning, and I know what happened | 0:27:08 | 0:27:11 | |
"and I'm just so terribly sorry." | 0:27:11 | 0:27:12 | |
-Well, that's very touching as well. -Yeah, of course it is. | 0:27:12 | 0:27:16 | |
For me, 18 months was a really difficult time, | 0:27:17 | 0:27:20 | |
because it felt as if everyone else's life was carrying on. | 0:27:20 | 0:27:23 | |
-Well, everyone else gets used to it. -And I think that's what I found difficult. | 0:27:23 | 0:27:27 | |
And they should, because it's quite right that people | 0:27:27 | 0:27:29 | |
are getting on, and... | 0:27:29 | 0:27:31 | |
Not forgetting, but it falls into some kind of perspective, | 0:27:31 | 0:27:33 | |
but it's not really falling into perspective for me. | 0:27:33 | 0:27:37 | |
You kind of think, "So who was this person that I was with?" | 0:27:37 | 0:27:40 | |
Because she wouldn't have done that. | 0:27:40 | 0:27:42 | |
And I don't think there's any real coming to terms with that, | 0:27:44 | 0:27:48 | |
you just have to somehow live with it. | 0:27:48 | 0:27:50 | |
-Tell me it gets better. -Yeah. | 0:27:50 | 0:27:53 | |
-I can absolutely promise you that it gets better. -Really? | 0:27:53 | 0:27:57 | |
-Yeah, absolutely. -I've lost the person who was a rock for me. | 0:27:57 | 0:28:01 | |
You know, and in terms of taste, and being a homemaker | 0:28:01 | 0:28:07 | |
-and a brilliant partner and a glamorous woman... -Mm. | 0:28:07 | 0:28:11 | |
HE EXHALES | 0:28:11 | 0:28:12 | |
You OK? | 0:28:17 | 0:28:19 | |
Unbelievable. | 0:28:22 | 0:28:23 | |
(You all right? You all right?) | 0:28:27 | 0:28:29 | |
Yeah. | 0:28:31 | 0:28:33 | |
So, it goes round and round, doesn't it? | 0:28:35 | 0:28:38 | |
Meeting David has taken me right back to where I was 18 months | 0:28:53 | 0:28:56 | |
after Mark's death, when I was still lost in the sense | 0:28:56 | 0:29:00 | |
of utter disbelief that the person I thought I knew | 0:29:00 | 0:29:03 | |
could take their own life. | 0:29:03 | 0:29:05 | |
It makes you feel as though you'll never be able to fully trust | 0:29:07 | 0:29:11 | |
anyone or anything ever again. | 0:29:11 | 0:29:12 | |
When you're in that place, | 0:29:16 | 0:29:18 | |
it feels impossible that you can ever rebuild your life. | 0:29:18 | 0:29:21 | |
But my experience is that you can - if you can talk about it. | 0:29:21 | 0:29:26 | |
11 years after Mark's death, | 0:29:32 | 0:29:34 | |
my oldest son Alexis feels like he's done all of his talking. | 0:29:34 | 0:29:39 | |
His dad was a keen amateur guitarist | 0:29:39 | 0:29:41 | |
and Alexis now expresses himself as the drummer of a band. | 0:29:41 | 0:29:45 | |
Whooo! | 0:29:47 | 0:29:48 | |
His brother Benjamin and I, of course, are his biggest fans. | 0:29:51 | 0:29:55 | |
# I'd love to wrap the stars around the moon | 0:29:56 | 0:30:00 | |
# Of you-ou-ou... # | 0:30:00 | 0:30:03 | |
Alexis started drumming when he was about 14. | 0:30:09 | 0:30:11 | |
I don't know whether some of it was | 0:30:11 | 0:30:14 | |
because he'd not long lost his dad, or whether it was just something | 0:30:14 | 0:30:18 | |
that would have happened naturally anyway. | 0:30:18 | 0:30:21 | |
But now he's been drumming for ten years and you can tell he loves it. | 0:30:22 | 0:30:26 | |
As a parent, you kind of live for those moments where you | 0:30:28 | 0:30:31 | |
see your child just completely absorbed in what they're doing | 0:30:31 | 0:30:36 | |
and just completely enjoying what they're doing | 0:30:36 | 0:30:38 | |
and you get a real sense of that when you see Alexis drum. | 0:30:38 | 0:30:41 | |
When he first started playing gigs, it was really, really difficult | 0:30:48 | 0:30:52 | |
because when I used to go and watch him play, | 0:30:52 | 0:30:54 | |
and it's still the case now, really, | 0:30:54 | 0:30:56 | |
you do kind of wish every time he's on stage that his dad could | 0:30:56 | 0:31:00 | |
see what he was doing, really, | 0:31:00 | 0:31:01 | |
because I think he'd be so proud of him. | 0:31:01 | 0:31:03 | |
Nights like tonight, he would have loved this. | 0:31:09 | 0:31:12 | |
# I am the mountain now | 0:31:12 | 0:31:17 | |
# And the rain. # | 0:31:18 | 0:31:22 | |
CHEERING | 0:31:25 | 0:31:27 | |
SINGER: Thank you, we love you all, thank you very much! | 0:31:28 | 0:31:32 | |
I understand now that there was a part of Mark that couldn't share | 0:31:54 | 0:31:58 | |
how he was really feeling with us, his family. | 0:31:58 | 0:32:01 | |
But I've often wondered | 0:32:02 | 0:32:03 | |
whether things might have turned out differently | 0:32:03 | 0:32:06 | |
if he'd been able to get away for a bit and speak to someone else. | 0:32:06 | 0:32:09 | |
Here in a residential street in North London there's an organisation | 0:32:12 | 0:32:16 | |
called The Maytree, | 0:32:16 | 0:32:17 | |
which offers that option to people who feel suicidal. | 0:32:17 | 0:32:21 | |
I've come to meet Angela Rodrigues, | 0:32:24 | 0:32:26 | |
who's worked here for the last eight years. | 0:32:26 | 0:32:30 | |
-Hello, is it Angela? -It is, hello. Welcome to Maytree. | 0:32:30 | 0:32:33 | |
-Thank you so much. -Come in. | 0:32:33 | 0:32:35 | |
So, Angela, when people come here, what are they coming here for? | 0:32:45 | 0:32:49 | |
Because it's not... It's quite a special place, isn't it? | 0:32:49 | 0:32:52 | |
It is, a lot of our callers will have been googling ways | 0:32:52 | 0:32:56 | |
to kill themselves. | 0:32:56 | 0:32:57 | |
-Really? -Yeah. | 0:32:57 | 0:32:59 | |
We pop up at the top of the page and then they see Maytree, | 0:32:59 | 0:33:03 | |
and they'll have a read, | 0:33:03 | 0:33:04 | |
and that's, they then have a think about it, then they'll call us. | 0:33:04 | 0:33:08 | |
And is Maytree a one-off? | 0:33:08 | 0:33:10 | |
You know, are there other Maytrees around the country or is this | 0:33:10 | 0:33:14 | |
-the only...? -No, this is the only one so far. | 0:33:14 | 0:33:17 | |
What we do, we offer a safe space. | 0:33:17 | 0:33:19 | |
We work with suicide. This is where you can come in and be honest, | 0:33:19 | 0:33:24 | |
without that fear of feeling judged or upsetting anyone. | 0:33:24 | 0:33:28 | |
After an initial assessment, Maytree offers its guests a five-day | 0:33:29 | 0:33:33 | |
residential break from the pressures of everyday life. | 0:33:33 | 0:33:38 | |
So, on this floor we've got two bedrooms and a bathroom. | 0:33:38 | 0:33:42 | |
And this is one of our newly decorated rooms. | 0:33:42 | 0:33:46 | |
So they're spacious and they're airy. | 0:33:46 | 0:33:48 | |
Oh, wow. This is lovely. | 0:33:48 | 0:33:50 | |
And as you can see, we've got nurse alarms for people that have... | 0:33:52 | 0:33:57 | |
If anyone has difficulty in the night, they press that. | 0:33:57 | 0:34:00 | |
So they're designed with, you know | 0:34:00 | 0:34:02 | |
with safety - again, you'll notice that the curtain pole, it bends. | 0:34:02 | 0:34:05 | |
These are collapsible, aren't they? | 0:34:05 | 0:34:07 | |
I noticed that as soon as I walked in... | 0:34:07 | 0:34:09 | |
Yeah, so if anyone does try and make an attempt, it's not going to work. | 0:34:09 | 0:34:14 | |
Have you ever had guests here who have actually taken it | 0:34:14 | 0:34:18 | |
-as an opportunity to attempt to take their lives here? -Yeah. | 0:34:18 | 0:34:23 | |
And what we say to guests, we make it very clear, | 0:34:23 | 0:34:25 | |
we have a guest agreement, er, that if someone does make an attempt | 0:34:25 | 0:34:30 | |
here, that, er, we will have to intervene. | 0:34:30 | 0:34:33 | |
The most important part if that happens, is being with them | 0:34:33 | 0:34:38 | |
and trying to hold on to our relationship with them and not | 0:34:38 | 0:34:41 | |
to just hand it over to someone and walk away - we wouldn't do that. | 0:34:41 | 0:34:45 | |
-We'll be with them, we'll stay with them at the hospital. -OK. | 0:34:45 | 0:34:48 | |
And hopefully, depending how bad it would ever be, | 0:34:48 | 0:34:51 | |
if they're able to come back and finish their stay, they come back. | 0:34:51 | 0:34:55 | |
The Maytree was set up 20 years ago by two former Samaritans, | 0:34:59 | 0:35:03 | |
who wanted to offer a refuge to people who felt isolated | 0:35:03 | 0:35:07 | |
by their suicidal feelings. | 0:35:07 | 0:35:08 | |
I mean, the stigma around suicide, | 0:35:11 | 0:35:13 | |
I mean, I've felt it as a bereaved person, er, | 0:35:13 | 0:35:18 | |
is it something that you feel or that you think that the guests feel? | 0:35:18 | 0:35:23 | |
Oh, absolutely, we need to be talking about suicide, | 0:35:23 | 0:35:26 | |
we live in a society that's scared to talk about death, let alone suicide. | 0:35:26 | 0:35:31 | |
We need to be able to be open | 0:35:31 | 0:35:35 | |
and talk about it, without that fear of being judged. | 0:35:35 | 0:35:38 | |
That is so important. | 0:35:38 | 0:35:40 | |
We need to use the word, stop hiding from it, | 0:35:40 | 0:35:42 | |
stop hiding from it, let's talk about it and that's the key - talking. | 0:35:42 | 0:35:47 | |
How did you first come across Maytree? | 0:35:47 | 0:35:49 | |
Was it in a working capacity or was it in a different...? | 0:35:49 | 0:35:53 | |
No, I'd actually...have made several attempts myself, | 0:35:53 | 0:36:00 | |
I've been through the mental health system, | 0:36:00 | 0:36:03 | |
er, I'd been in psychiatric units. | 0:36:03 | 0:36:06 | |
Er... | 0:36:06 | 0:36:08 | |
And I struggled to find a reason to live. | 0:36:08 | 0:36:12 | |
I mean, I couldn't even leave the house, | 0:36:12 | 0:36:15 | |
I couldn't even take my children to school. | 0:36:15 | 0:36:17 | |
How many children did you have then? | 0:36:17 | 0:36:19 | |
I have three daughters, yeah, who were small. | 0:36:19 | 0:36:22 | |
I suppose we're on opposite sides of the fence, because I have wanted | 0:36:22 | 0:36:28 | |
and thought about how Mark must have felt | 0:36:28 | 0:36:31 | |
just before he took his life. That's been a major part | 0:36:31 | 0:36:33 | |
of my bereavement, my grief, really, is trying desperately | 0:36:33 | 0:36:37 | |
to understand how it feels to be | 0:36:37 | 0:36:42 | |
in that place where you really are convinced 100% that your children | 0:36:42 | 0:36:48 | |
will be better off without you. | 0:36:48 | 0:36:49 | |
I remember kissing my children good night... | 0:36:51 | 0:36:54 | |
Here goes... | 0:36:54 | 0:36:55 | |
-Sorry. -It's OK. | 0:37:01 | 0:37:02 | |
And just thinking that they would be better off. | 0:37:04 | 0:37:07 | |
That they would not have to... watch their mother not cope. | 0:37:08 | 0:37:15 | |
Mm. | 0:37:15 | 0:37:16 | |
You are in a box, whichever way you turn, | 0:37:17 | 0:37:21 | |
it's just blackness all around you. | 0:37:21 | 0:37:23 | |
It's almost like being in, you know... I remember times thinking, | 0:37:23 | 0:37:27 | |
"Come on, there must be a way" and it's like being in treacle, | 0:37:27 | 0:37:31 | |
you cannot move, you're rooted and the world's just whizzing past you, | 0:37:31 | 0:37:36 | |
you can't see, and that's what's so important here, | 0:37:36 | 0:37:40 | |
because for someone that's walking through this door that is suicidal, | 0:37:40 | 0:37:45 | |
at that point, they may never have had contact with someone else who | 0:37:45 | 0:37:49 | |
is suicidal, so when you see guests sitting down and talking, that also | 0:37:49 | 0:37:56 | |
enables them to see that, "Wow, it's not just me, other people do suffer." | 0:37:56 | 0:38:02 | |
And around this table, the conversation, it can just happen, | 0:38:02 | 0:38:07 | |
it's very organic, it's very natural. | 0:38:07 | 0:38:09 | |
It's just been wonderful to see this today | 0:38:09 | 0:38:12 | |
because you're doing amazing things here. | 0:38:12 | 0:38:15 | |
-Thank you. -Thank you. | 0:38:15 | 0:38:16 | |
Almost all of Maytree's guests say that they suffer fewer | 0:38:24 | 0:38:27 | |
suicidal thoughts and attempts after staying here. | 0:38:27 | 0:38:31 | |
Which makes you wonder why, when suicide is such a big problem, | 0:38:31 | 0:38:35 | |
this is the only house of its kind in the UK. | 0:38:35 | 0:38:38 | |
Hindsight is a wonderful thing, but I just wish that | 0:38:41 | 0:38:45 | |
if Mark had known about somewhere like Maytree then maybe | 0:38:45 | 0:38:48 | |
he could've come somewhere like this for a few days. | 0:38:48 | 0:38:51 | |
I just wish that he'd have known about this. | 0:38:51 | 0:38:53 | |
If the stigma around suicide can make it difficult for adults | 0:38:59 | 0:39:03 | |
to talk about it, imagine what it's like being a child. | 0:39:03 | 0:39:06 | |
When Mark died, my boys, Alexis and Ben, lost one parent | 0:39:08 | 0:39:12 | |
and were left with me, the other, completely traumatised. | 0:39:12 | 0:39:16 | |
While I did my best to let them know that they could always talk | 0:39:16 | 0:39:20 | |
about what had happened to us, | 0:39:20 | 0:39:22 | |
I'm interested in how other families deal with suicide | 0:39:22 | 0:39:25 | |
and I've come to meet the Ebdons, who live in rural Somerset. | 0:39:25 | 0:39:29 | |
It was something like that. | 0:39:29 | 0:39:32 | |
Then everyone's happy. | 0:39:32 | 0:39:34 | |
Farmer Simon Ebdon lost his wife Domine to suicide five years ago, | 0:39:34 | 0:39:39 | |
leaving him to bring up their five daughters on his own. | 0:39:39 | 0:39:43 | |
Three years ago, he met his new partner Vicky. | 0:39:44 | 0:39:48 | |
Where shall we put it? There we are. | 0:39:48 | 0:39:50 | |
Where's mine gone? | 0:39:50 | 0:39:52 | |
There we are. There's yours, Em. | 0:39:52 | 0:39:53 | |
-Do we need a bigger tree to fit it all on? -Yeah. | 0:39:53 | 0:39:57 | |
'They've kindly invited me to their home a few days before Christmas.' | 0:39:57 | 0:40:01 | |
-Hello. -Hello. -Nice to meet you. | 0:40:02 | 0:40:05 | |
-Nice to meet you, too. -Come on in, come through. -Thank you. | 0:40:05 | 0:40:08 | |
And then you can meet the family. | 0:40:08 | 0:40:10 | |
-Hi, girls! -Hi. -Hello. | 0:40:10 | 0:40:14 | |
So this is Rosie. | 0:40:14 | 0:40:15 | |
Hello, Rosie, nice to meet you. | 0:40:15 | 0:40:17 | |
-This is Molly. -Hello, Molly. | 0:40:17 | 0:40:19 | |
-And that is Izzie. -Izzie. | 0:40:19 | 0:40:22 | |
And there's Charlotte. | 0:40:22 | 0:40:24 | |
Great to meet you. You're Em, aren't you? | 0:40:24 | 0:40:27 | |
I just spotted all your pictures, they're gorgeous. | 0:40:27 | 0:40:30 | |
'Vicky came to live with the Ebdon girls two years after | 0:40:31 | 0:40:35 | |
'the death of their mum, Domine.' | 0:40:35 | 0:40:37 | |
When you first became part of the family, | 0:40:37 | 0:40:41 | |
you weren't just dealing with Simon's grief, you were dealing with | 0:40:41 | 0:40:44 | |
the five girls, as well, and the baby was a baby... | 0:40:44 | 0:40:47 | |
There were days when, you know, Mum's name would be mentioned | 0:40:47 | 0:40:51 | |
and they would get upset, and Simon would do... He would cry | 0:40:51 | 0:40:56 | |
all the time, and the girls would... | 0:40:56 | 0:40:59 | |
They just couldn't bear it, | 0:40:59 | 0:41:01 | |
so it stopped them from crying, so they were too scared to cry | 0:41:01 | 0:41:07 | |
because it would make Simon cry | 0:41:07 | 0:41:08 | |
and then it was just a vicious circle. | 0:41:08 | 0:41:12 | |
I've come from a family where we do a lot of talking. | 0:41:12 | 0:41:15 | |
I think it's important if you have something inside you, | 0:41:15 | 0:41:19 | |
that you let it out. | 0:41:19 | 0:41:21 | |
'Vicky contacted Winston's Wish, a charity which works with bereaved | 0:41:22 | 0:41:27 | |
'children, including those who've lost their mum | 0:41:27 | 0:41:30 | |
'or their dad to suicide.' | 0:41:30 | 0:41:31 | |
So when you went to Winton's Wish, tell me about that. | 0:41:31 | 0:41:36 | |
They talked to us and told us about, like, the camp. | 0:41:36 | 0:41:41 | |
-OK. -The weekend we went, | 0:41:41 | 0:41:43 | |
then we went to it, and it was really fun, cos there wasn't | 0:41:43 | 0:41:47 | |
actually much talking. | 0:41:47 | 0:41:49 | |
-Well, there was, -It was, but they tried not to make it... | 0:41:49 | 0:41:53 | |
-Too upsetting. -Yeah. | 0:41:53 | 0:41:54 | |
We, like, had, on the first day, we did loads of... | 0:41:54 | 0:41:57 | |
Activities and stuff. | 0:41:57 | 0:41:59 | |
Activities like archery, and we were in, like, groups, each of us | 0:41:59 | 0:42:03 | |
were in a different group. | 0:42:03 | 0:42:04 | |
We did all the games first, so I think it was like a | 0:42:04 | 0:42:07 | |
trust-building thing, and we all sort of, like, learned | 0:42:07 | 0:42:10 | |
a lot about each other, sounds like stupid stuff but it does matter... | 0:42:10 | 0:42:15 | |
No, but you got to know each other first as, kind of, people. | 0:42:15 | 0:42:18 | |
-It was good, cos you realise that you're really not the only one. -Yeah, OK. | 0:42:18 | 0:42:22 | |
Even though they say that you're not, like, you don't | 0:42:22 | 0:42:24 | |
really know anyone, | 0:42:24 | 0:42:26 | |
but then you go there and everyone's in the exact same boat. | 0:42:26 | 0:42:29 | |
You struggled, Char, didn't you? | 0:42:29 | 0:42:31 | |
-You found it really upsetting, you didn't like it. -Nope. -No. | 0:42:31 | 0:42:34 | |
She still doesn't like it. | 0:42:34 | 0:42:35 | |
-Still doesn't like talking about it -Tell me why. | 0:42:35 | 0:42:38 | |
I just don't feel the need to. It's not that I don't want to, | 0:42:38 | 0:42:42 | |
I don't mind talking about it, I just... It's OK, | 0:42:42 | 0:42:45 | |
-it's just, yeah, it is upsetting. -Yeah. -Yeah. | 0:42:45 | 0:42:48 | |
-This is Domine. -Let's have a look at this. This is your one. | 0:42:50 | 0:42:53 | |
This is on holiday, a fantastic place. | 0:42:53 | 0:42:55 | |
-Do you have this one in your bedroom? -Yeah. | 0:42:55 | 0:42:58 | |
My boys have pictures of their dad in their bedroom, too. | 0:42:58 | 0:43:01 | |
This is quite a nice natural photo, er, | 0:43:01 | 0:43:05 | |
which we only found a few days ago. | 0:43:05 | 0:43:09 | |
Domine was my best friend, the person I loved, she was everything. | 0:43:09 | 0:43:15 | |
Fantastic mother, you know. You'd never think | 0:43:17 | 0:43:20 | |
she would do anything like that, you know, but obviously she was | 0:43:20 | 0:43:25 | |
in a bad place, you know, | 0:43:25 | 0:43:27 | |
and was just... Well, couldn't take it any longer. | 0:43:27 | 0:43:30 | |
(Are you all right?) | 0:43:30 | 0:43:32 | |
You're OK. | 0:43:34 | 0:43:36 | |
You all right? You OK? | 0:43:36 | 0:43:38 | |
It's very sad. | 0:43:42 | 0:43:43 | |
There are days when it's actually really difficult. | 0:43:46 | 0:43:50 | |
But they are coming through it, and maybe they won't ever | 0:43:50 | 0:43:56 | |
get over it, I don't... You can't get over something like that, | 0:43:56 | 0:44:00 | |
but you can adjust, and you can learn to live and live alongside | 0:44:00 | 0:44:05 | |
what's happened and that's kind of what I wanted for them. | 0:44:05 | 0:44:08 | |
I just think from everything that I've heard today, | 0:44:08 | 0:44:11 | |
the fact that you came into the family | 0:44:11 | 0:44:14 | |
and enabled those conversations to happen, I think is probably | 0:44:14 | 0:44:19 | |
the greatest gift that you could have given any of those five girls. | 0:44:19 | 0:44:23 | |
-Did you get a bird, as well? -No. | 0:44:23 | 0:44:25 | |
And where's Rosie's? | 0:44:25 | 0:44:28 | |
Lovely! | 0:44:28 | 0:44:29 | |
-It all looks beautiful, doesn't it? -Yep. | 0:44:29 | 0:44:35 | |
That's all right, though, Em. | 0:44:35 | 0:44:36 | |
-Izzie, can you put this next to you? -Yeah. | 0:44:40 | 0:44:43 | |
Before I head home for Christmas myself, | 0:44:52 | 0:44:54 | |
I'm heading to Norfolk to meet a woman called Jacqui Page. | 0:44:54 | 0:44:58 | |
I think going to see Jacqui today is going to be really difficult | 0:44:59 | 0:45:04 | |
out of all the people that we've met. | 0:45:04 | 0:45:08 | |
Jacqui has had to deal with one of the most tragic aspects of suicide. | 0:45:08 | 0:45:11 | |
That those left behind are sometimes at risk themselves. | 0:45:11 | 0:45:16 | |
24 years ago, her husband Rod took his own life. | 0:45:18 | 0:45:22 | |
Seven years ago, her son Simon did the same. | 0:45:23 | 0:45:26 | |
Today is going to be me facing my worst fears really - | 0:45:28 | 0:45:32 | |
so it's going to be a tricky one, I think. | 0:45:32 | 0:45:34 | |
That was Simon when he was probably about three or four there, | 0:45:41 | 0:45:45 | |
in the snow with his rabbit, bless him. | 0:45:45 | 0:45:48 | |
That was on holiday in Cornwall with Katie. | 0:45:48 | 0:45:52 | |
And that was graduation day. | 0:45:52 | 0:45:55 | |
We just asked someone if they'd take a photograph, that was 2001, | 0:45:55 | 0:46:00 | |
-so it was six years later, almost to the day, that he died. -Yeah. | 0:46:00 | 0:46:03 | |
Wow. | 0:46:05 | 0:46:06 | |
You lost your husband Rod, he took his own life... | 0:46:06 | 0:46:10 | |
-In 1990. -In 1990. | 0:46:10 | 0:46:12 | |
It was very, very hard when he died, | 0:46:12 | 0:46:15 | |
I was left with two small children - an eight-year-old and | 0:46:15 | 0:46:19 | |
a ten-year-old. | 0:46:19 | 0:46:20 | |
Simon asked me a lot of questions about how Rod died, but those were | 0:46:20 | 0:46:25 | |
questions he asked me a lot when he was much older, I'd say when | 0:46:25 | 0:46:29 | |
he was in probably his early 20s, | 0:46:29 | 0:46:31 | |
er, and I've regretted at times actually telling him | 0:46:31 | 0:46:34 | |
because, you know, he said, "How did Dad die, Mum?" | 0:46:34 | 0:46:36 | |
and obviously Rod hung himself, and I think, "Was I too open?" | 0:46:36 | 0:46:40 | |
You know, but, as a parent I've always been honest with them | 0:46:40 | 0:46:44 | |
and open in that way. | 0:46:44 | 0:46:46 | |
He went down to London, he wanted to go into finance, | 0:46:46 | 0:46:50 | |
er, and then his troubles began, really. | 0:46:50 | 0:46:54 | |
He'd ring me virtually every day, he'd got anxiety, er, | 0:46:54 | 0:47:00 | |
and stress with the job, and he started to become ill. | 0:47:00 | 0:47:03 | |
But anyway, he came home and even though he was so ill | 0:47:03 | 0:47:08 | |
we had six amazing months, really. | 0:47:08 | 0:47:11 | |
And I'm grateful that I had those six months with him. | 0:47:11 | 0:47:14 | |
The day that Simon died, I came home, I walked in the house | 0:47:18 | 0:47:23 | |
and, er, his boots were by the door, | 0:47:23 | 0:47:26 | |
and I sort of... | 0:47:26 | 0:47:28 | |
The landing light, the light was on at the bottom of the stairs | 0:47:28 | 0:47:31 | |
and I just...he was there hanged at the top of the stairs. | 0:47:31 | 0:47:35 | |
Er... | 0:47:37 | 0:47:38 | |
I just went absolutely hysterical. | 0:47:41 | 0:47:43 | |
And I remember holding him, it was just horrendous. | 0:47:44 | 0:47:47 | |
Absolutely horrendous. | 0:47:47 | 0:47:49 | |
I mean, for me listening to you now it's, er... | 0:47:49 | 0:47:53 | |
I knew today was going to be difficult, because... | 0:47:55 | 0:48:00 | |
-Are you all right? -Mmm, yeah. | 0:48:00 | 0:48:01 | |
My worst fear is that, you know, | 0:48:04 | 0:48:07 | |
one of the boys would... do the same thing. | 0:48:07 | 0:48:11 | |
It really is my worst fear. | 0:48:11 | 0:48:13 | |
You can't go through the rest of your life thinking that... | 0:48:14 | 0:48:19 | |
My circumstances aren't necessarily going to become your circumstances. | 0:48:19 | 0:48:23 | |
-I mean, there's no guarantees, is there? -No. | 0:48:23 | 0:48:26 | |
But if you keep talking to them and... | 0:48:26 | 0:48:29 | |
I think that's the thing really, you know, you do, you keep having | 0:48:29 | 0:48:32 | |
the conversations, don't you? And you keep kind of, you keep | 0:48:32 | 0:48:36 | |
the lines of communication open. | 0:48:36 | 0:48:38 | |
Yeah. | 0:48:38 | 0:48:40 | |
-And so, where are you at now? -Where am I at now? -Yeah. | 0:48:40 | 0:48:44 | |
I'm at acceptance with it. | 0:48:44 | 0:48:46 | |
I don't want to accept it, but I can't change it. | 0:48:46 | 0:48:49 | |
And I think when I got to about two and half years | 0:48:49 | 0:48:53 | |
after Simon's death, I reached... I used to go to his grave every day, | 0:48:53 | 0:48:57 | |
but then I got to a stage when I was thinking about moving to | 0:48:57 | 0:49:02 | |
Norfolk and I just thought, "You can't continue like this, you've got to change," | 0:49:02 | 0:49:07 | |
-and Norfolk's been a turning point for me. -Really? | 0:49:07 | 0:49:10 | |
I love it down here. | 0:49:10 | 0:49:12 | |
'Since moving to the Norfolk coast, | 0:49:22 | 0:49:25 | |
'Jacqui has started a new career and set up a support group | 0:49:25 | 0:49:28 | |
'for others who've lost people they love to suicide.' | 0:49:28 | 0:49:32 | |
What did you hope to gain by moving here, Jacqui? | 0:49:34 | 0:49:37 | |
Peace of mind, I think. | 0:49:37 | 0:49:39 | |
Time for myself, some reflection time, | 0:49:39 | 0:49:42 | |
it's been a turning point, really. I love the place, I'm home now. | 0:49:42 | 0:49:48 | |
-Really? -Yeah. | 0:49:48 | 0:49:50 | |
I mean, it's so beautiful here, I can definitely see why. | 0:49:50 | 0:49:53 | |
Life isn't wonderful all the time, is it? | 0:49:53 | 0:49:56 | |
Nobody's is, but everything since I've been here has gone right. | 0:49:56 | 0:50:00 | |
-For me personally, it's been a healer, really. -Yeah. | 0:50:00 | 0:50:04 | |
I knew today was going to be really difficult. | 0:50:10 | 0:50:13 | |
Once Jackie started to talk about Simon, you know, losing her son, | 0:50:13 | 0:50:17 | |
I knew it was going to be emotional, | 0:50:17 | 0:50:19 | |
but, er, I think that...yeah, | 0:50:19 | 0:50:22 | |
I kind of hadn't realised what an impact that was actually going to have on me. | 0:50:22 | 0:50:27 | |
Before going home to my boys, there's someone I'm keen | 0:50:40 | 0:50:43 | |
to catch up with. | 0:50:43 | 0:50:45 | |
I've been thinking a lot about Rebecca, | 0:50:45 | 0:50:47 | |
who I met at the Liverpool support group. | 0:50:47 | 0:50:50 | |
'It's only ten weeks since her husband Andy died.' | 0:50:52 | 0:50:56 | |
-It's really nice to see you again. -And you. | 0:50:58 | 0:51:00 | |
'After any suspected suicide there has to be a public inquest | 0:51:00 | 0:51:05 | |
'and the one into Andy's death took place yesterday, | 0:51:05 | 0:51:08 | |
'just before Christmas.' | 0:51:08 | 0:51:10 | |
That's in, er, Turkey, just before he died, actually - | 0:51:10 | 0:51:14 | |
about a month before. | 0:51:14 | 0:51:15 | |
And then that's one of us at a charity ball a few years ago. | 0:51:17 | 0:51:21 | |
-You look amazing! -Oh, well, yeah. -Absolutely amazing. | 0:51:21 | 0:51:25 | |
Have the hair done. | 0:51:25 | 0:51:27 | |
-That's the one with sugar, yeah? -Yeah. | 0:51:27 | 0:51:29 | |
It's so lovely to see you again, | 0:51:32 | 0:51:34 | |
after I met you in the support group. | 0:51:34 | 0:51:37 | |
And yesterday was the inquest, a particularly difficult day. | 0:51:37 | 0:51:41 | |
I was a little bit disappointed that, er, | 0:51:41 | 0:51:43 | |
-it went ahead with it only being three days before Christmas. -Yeah. | 0:51:43 | 0:51:46 | |
I asked if it would be postponed because the children are on holiday | 0:51:46 | 0:51:50 | |
from school. I mean, they're not little, but even so, | 0:51:50 | 0:51:53 | |
you have to consider them, don't you? | 0:51:53 | 0:51:54 | |
-Yeah. And did it last for a long time, the session? -No. | 0:51:54 | 0:51:58 | |
-How long were you... -Gosh, it must've only been about 30 minutes, if that. | 0:51:58 | 0:52:03 | |
It just felt as though we were dealing with, I don't know, | 0:52:03 | 0:52:06 | |
a parking ticket or a shoplifting offence or something. | 0:52:06 | 0:52:10 | |
And I don't agree with it being open to the public, either. | 0:52:10 | 0:52:13 | |
I can't understand why. He wasn't a criminal, he'd done nothing wrong, | 0:52:13 | 0:52:18 | |
you know, he hadn't hurt anybody else, but, yes, it's such a private | 0:52:18 | 0:52:23 | |
thing that becomes so public, and you have no control over. | 0:52:23 | 0:52:26 | |
Yeah, that's right. | 0:52:26 | 0:52:27 | |
So, did they go through the events of the day? | 0:52:27 | 0:52:30 | |
They went through, obviously, the date and the time he was found, | 0:52:30 | 0:52:33 | |
who found him, who identified him, | 0:52:33 | 0:52:35 | |
and then they went into the cause of death, | 0:52:35 | 0:52:37 | |
but they went...and that really upset me because I burst into tears | 0:52:37 | 0:52:42 | |
because they went into detail about the rope around his neck. | 0:52:42 | 0:52:45 | |
Apparently he died very quickly. | 0:52:45 | 0:52:48 | |
I was comforted in a little way that he died quickly, | 0:52:48 | 0:52:51 | |
-but I don't think I needed to know the full details. -Mm. | 0:52:51 | 0:52:55 | |
And then the verdict was, er, suicide. | 0:52:55 | 0:52:58 | |
That my husband was depressed. | 0:52:58 | 0:53:00 | |
-OK. -And that was it, basically. | 0:53:00 | 0:53:03 | |
He honestly didn't realise all the impact of what he did. | 0:53:05 | 0:53:09 | |
And the after effects. And he wouldn't have wanted to leave me, | 0:53:09 | 0:53:12 | |
-I don't think, with all of this to deal with. -No. | 0:53:12 | 0:53:15 | |
But he has. | 0:53:15 | 0:53:17 | |
He was in a dark place and, you know, couldn't take any more. | 0:53:17 | 0:53:20 | |
How did you feel, did you feel let down? | 0:53:20 | 0:53:23 | |
I feel a bit angry and let down. Yeah, I do. | 0:53:23 | 0:53:26 | |
He's died and I'm now left | 0:53:26 | 0:53:28 | |
with a lot of things he couldn't cope with, | 0:53:28 | 0:53:31 | |
on my own, so, yes, he's out of pain | 0:53:31 | 0:53:35 | |
-but my pain's started now. -Mm. | 0:53:35 | 0:53:37 | |
Yeah. | 0:53:39 | 0:53:41 | |
It's hard. | 0:53:42 | 0:53:43 | |
Yeah, it really, really is. | 0:53:43 | 0:53:46 | |
Yeah. | 0:53:47 | 0:53:49 | |
Sorry. | 0:53:49 | 0:53:50 | |
No, it's all right. | 0:53:50 | 0:53:51 | |
And how do the boys grow up, you know? | 0:53:52 | 0:53:55 | |
How do they form relationships? That worries me, as well. | 0:53:55 | 0:53:58 | |
You know, always say that things happen in a child's life | 0:54:01 | 0:54:04 | |
affect them when they get older, don't they? | 0:54:04 | 0:54:07 | |
And that's what worries me. When they grow up. | 0:54:07 | 0:54:10 | |
I think that is, for me, you've kind of just hit | 0:54:11 | 0:54:14 | |
the nail on the head, really. For me, that is the most difficult part | 0:54:14 | 0:54:18 | |
of the legacy of this, really, is we share the same fear. | 0:54:18 | 0:54:23 | |
You know, er, I mean, I have to say, Rebecca, | 0:54:23 | 0:54:27 | |
you strike me as somebody who is just incredibly strong, | 0:54:27 | 0:54:32 | |
I mean, the fact that we're sitting here having a conversation today | 0:54:32 | 0:54:36 | |
and it's the day after the inquest, and it's only ten weeks since... | 0:54:36 | 0:54:41 | |
since you lost your husband. | 0:54:41 | 0:54:43 | |
My GP wants me to go in on the 5th of January with a five-year plan. | 0:54:43 | 0:54:47 | |
I don't quite know what my five-year plan's going to be, cos I can't | 0:54:49 | 0:54:53 | |
think about what my next five-minute plan is, never mind five years. | 0:54:53 | 0:54:56 | |
-A five-year... A five-year plan? -A five-year plan. | 0:54:56 | 0:54:59 | |
Oh, God, I don't think I could even do that now, | 0:54:59 | 0:55:02 | |
-let alone three months after Mark died. -I know. | 0:55:02 | 0:55:05 | |
I've made it home to Birkenhead for Christmas | 0:55:14 | 0:55:17 | |
and while I'm still convinced that honesty | 0:55:17 | 0:55:20 | |
and openness are the best way to deal with losing someone you love | 0:55:20 | 0:55:23 | |
to suicide, when it comes to your own kids, you never stop worrying. | 0:55:23 | 0:55:27 | |
I've been speaking to lots of different people, | 0:55:29 | 0:55:33 | |
and some of it's been quite upsetting, and it kind of just | 0:55:33 | 0:55:38 | |
got me thinking about whether the fact that we'd always been really | 0:55:38 | 0:55:41 | |
honest with each other and we'd always been able to talk about it, | 0:55:41 | 0:55:45 | |
well, whether you felt, actually, we had always been able to talk | 0:55:45 | 0:55:48 | |
-about it... -We have, I think. | 0:55:48 | 0:55:50 | |
-Mm. -But, yeah, on the... | 0:55:50 | 0:55:53 | |
On the whole, I think I've come to terms with it quite well. | 0:55:53 | 0:55:57 | |
Yeah. Do you think you'll always have questions? | 0:55:57 | 0:56:00 | |
No, I think I've asked all my questions, but again, | 0:56:00 | 0:56:04 | |
-I will ask the same questions, because I forget the answers. -Yeah. | 0:56:04 | 0:56:09 | |
You know what worries me about the way that Dad died, | 0:56:09 | 0:56:13 | |
and it worries me that if you were ever feeling, | 0:56:13 | 0:56:20 | |
you know, you kind of were struggling with anything | 0:56:20 | 0:56:22 | |
and I always say to you, don't I, | 0:56:22 | 0:56:24 | |
-that... -I can talk to you about it. -Yeah. | 0:56:24 | 0:56:28 | |
Do you think that because of what we've been through, | 0:56:28 | 0:56:31 | |
-you will always be able to talk to me about things? -Yeah. | 0:56:31 | 0:56:35 | |
I would always tell you, of course, | 0:56:35 | 0:56:37 | |
before I actually felt the need to do something. | 0:56:37 | 0:56:41 | |
-Yeah. -Yeah. | 0:56:41 | 0:56:42 | |
So do you think that we're OK? | 0:56:44 | 0:56:48 | |
-Yeah. -Do you think I did the right thing by telling you? | 0:56:48 | 0:56:51 | |
-Absolutely. -Yeah? -Positively. | 0:56:51 | 0:56:53 | |
-Thank you. -You're welcome. | 0:56:53 | 0:56:55 | |
'We're not having Sunday lunch this week because it's Christmas, | 0:57:00 | 0:57:04 | |
'but my mum's organised a Christmas Eve tea.' | 0:57:04 | 0:57:07 | |
We've got some of Mrs Bishton's delightful caramel cupcakes. | 0:57:07 | 0:57:12 | |
'And, as usual, there's enough to feed an army.' | 0:57:13 | 0:57:17 | |
Ham, cranberry and stuffing on them, plain ham, ham and tomato | 0:57:17 | 0:57:22 | |
and some plain turkey. | 0:57:22 | 0:57:23 | |
'Mark's death was the worst thing that's ever happened to us | 0:57:24 | 0:57:28 | |
'as a family, | 0:57:28 | 0:57:29 | |
'but 11 years on, like Benjamin, I think we're doing OK.' | 0:57:29 | 0:57:34 | |
-Alexis, are you still working on Christmas Day? -Yeah. -Aw! | 0:57:35 | 0:57:38 | |
'You don't ever get over losing someone to suicide. | 0:57:40 | 0:57:43 | |
'But if you can talk about it, then one day you can be happy again. | 0:57:43 | 0:57:48 | |
'More than anything, that's what I've learnt.' | 0:57:49 | 0:57:53 |