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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
-Emergency ambulance... -Tell me exactly what's happened. | 0:00:06 | 0:00:09 | |
When the most serious emergencies strike, | 0:00:09 | 0:00:12 | |
the ambulance has eight minutes to respond. | 0:00:12 | 0:00:15 | |
FRANTIC VOICE ON PHONE | 0:00:15 | 0:00:17 | |
I'm going to... Sir, I'm going to tell you what to do, right? | 0:00:17 | 0:00:20 | |
With 999 calls doubling in London over the past ten years... | 0:00:20 | 0:00:24 | |
I'm not asking if you're an atheist, | 0:00:24 | 0:00:26 | |
I'm asking, do you want an ambulance? | 0:00:26 | 0:00:28 | |
..in the control centre, | 0:00:28 | 0:00:29 | |
every single one needs a split-second decision. | 0:00:29 | 0:00:32 | |
Who needs an ambulance quickest? | 0:00:32 | 0:00:35 | |
It's so critical that we try and cut him down. | 0:00:35 | 0:00:37 | |
It's the only way we're going to be able to try and save his life. | 0:00:37 | 0:00:40 | |
And who must wait? | 0:00:40 | 0:00:42 | |
Kathleen, the ambulance will not be coming to you tonight. | 0:00:43 | 0:00:46 | |
Following calls from the moment they come in... | 0:00:48 | 0:00:51 | |
He's been stabbed in the stomach. | 0:00:51 | 0:00:52 | |
Looking for any ambulance for | 0:00:52 | 0:00:54 | |
a 16-year-old who's had her hands slashed by a machete. | 0:00:54 | 0:00:57 | |
Another stabbing?! | 0:00:57 | 0:00:58 | |
..as crews race to save lives. | 0:00:58 | 0:01:01 | |
Seconds feel like minutes, minutes feel like hours | 0:01:01 | 0:01:03 | |
when you're waiting for an ambulance. | 0:01:03 | 0:01:05 | |
My name's Peter, all right? We're going to look after you. | 0:01:05 | 0:01:08 | |
We're going to give you some very strong pain medicines. | 0:01:08 | 0:01:10 | |
Got a 94-year-old female who's fallen. | 0:01:10 | 0:01:12 | |
I need to know if he's breathing or not. It's really important. | 0:01:12 | 0:01:15 | |
He's as drunk as a thousand people. | 0:01:15 | 0:01:17 | |
With the NHS under unprecedented pressure... | 0:01:17 | 0:01:20 | |
There was a hanging, there was a four-year-old who's fallen 20 foot, | 0:01:20 | 0:01:25 | |
and now we've got another double stabbing. | 0:01:25 | 0:01:27 | |
You're the Queen of England? So why have you dialled 999? | 0:01:27 | 0:01:31 | |
..and with London growing by over 100,000 people a year... | 0:01:31 | 0:01:34 | |
-You've overdosed, fella. -Eh? -You've overdosed. | 0:01:34 | 0:01:37 | |
..ambulances are struggling to keep up. | 0:01:37 | 0:01:40 | |
The situation is now critical. | 0:01:40 | 0:01:42 | |
Someone's taken my Echo-231 for something else! | 0:01:42 | 0:01:45 | |
Another cardiac arrest, another deceased. | 0:01:45 | 0:01:47 | |
Please, God, be an ambulance. Be an ambulance. | 0:01:47 | 0:01:49 | |
This is the story behind the sirens... | 0:01:51 | 0:01:53 | |
FEEDBACK CRACKLES | 0:01:53 | 0:01:55 | |
..through the eyes of the London Ambulance Service. | 0:01:55 | 0:01:57 | |
Did you see what you were shot with? A shotgun? | 0:01:57 | 0:02:00 | |
I think essentially we should say that she's gone. It's time to stop. | 0:02:02 | 0:02:06 | |
Sometimes it's just not easy. | 0:02:06 | 0:02:09 | |
-But you go on to your next job... -Marvellous! | 0:02:10 | 0:02:14 | |
..cos there's somebody else you can help. | 0:02:14 | 0:02:16 | |
Oh! London has woken up. Here we go. | 0:02:16 | 0:02:19 | |
SIREN WAILS | 0:02:19 | 0:02:22 | |
One, two, three, four. | 0:02:33 | 0:02:36 | |
One, two, three, four. | 0:02:36 | 0:02:40 | |
PERSON ON PHONE JOINS IN: One, two, three, four. | 0:02:40 | 0:02:43 | |
One, two, three, four. | 0:02:43 | 0:02:46 | |
OK, my love, I'm going to tell you how to give mouth-to-mouth, OK? | 0:02:46 | 0:02:49 | |
Just do two breaths, and then once you've done the breaths, | 0:02:51 | 0:02:53 | |
we're going to go back to the compressions, OK? | 0:02:53 | 0:02:55 | |
Wednesday morning in the London Ambulance Control Centre, | 0:03:00 | 0:03:03 | |
and today is a normal day. | 0:03:03 | 0:03:05 | |
I believe you were having some chest tightness and coughing | 0:03:05 | 0:03:08 | |
from inhaling bathroom bleach, is that correct? | 0:03:08 | 0:03:11 | |
The 75-strong team on shift have been at work for two hours. | 0:03:11 | 0:03:16 | |
Yeah, it's ticking over. | 0:03:16 | 0:03:18 | |
You know, we get very experienced very quickly in here, | 0:03:19 | 0:03:22 | |
of getting a rough gauge of | 0:03:22 | 0:03:24 | |
what sort of day you're going to have. | 0:03:24 | 0:03:25 | |
I need to know if he's breathing or not. It's really important. | 0:03:25 | 0:03:29 | |
Across London, there's probably 50 attempted suicides, | 0:03:29 | 0:03:32 | |
around 50 drug overdoses a day. | 0:03:32 | 0:03:34 | |
70 road traffic collisions. | 0:03:34 | 0:03:36 | |
Lots of elderly fallers. | 0:03:36 | 0:03:38 | |
Cardiac arrests, average in London is 28. | 0:03:38 | 0:03:41 | |
I'm organising help for you now, so just stay on the line | 0:03:41 | 0:03:43 | |
and I'll tell you exactly what to do next, OK? | 0:03:43 | 0:03:45 | |
Yeah. It's all... | 0:03:45 | 0:03:47 | |
It's reasonable so far. | 0:03:48 | 0:03:50 | |
5,000 calls will come in today. | 0:04:00 | 0:04:03 | |
But with only 386 crews at their disposal, | 0:04:03 | 0:04:06 | |
the split-second decisions they have to make | 0:04:06 | 0:04:08 | |
can have ongoing consequences across the city. | 0:04:08 | 0:04:12 | |
And for the patient, mean the difference between life and death. | 0:04:12 | 0:04:15 | |
BABY CRIES | 0:04:19 | 0:04:21 | |
THEY LAUGH | 0:04:26 | 0:04:28 | |
In the east, a Red 1, the most urgent of calls, is in progress. | 0:04:30 | 0:04:35 | |
Ambulance crew Scott and Andy are closest, | 0:04:45 | 0:04:48 | |
and they've just become free. | 0:04:48 | 0:04:50 | |
Right. Oh, Red 1. | 0:04:50 | 0:04:52 | |
Oh, Red 1. Cardiac arrest. | 0:04:52 | 0:04:54 | |
'999, road, activate.' | 0:04:54 | 0:04:56 | |
SIREN STARTS UP | 0:04:56 | 0:04:58 | |
Every second counts when you're dealing with a cardiac arrest. | 0:05:05 | 0:05:09 | |
They're not breathing, their heart's not beating. | 0:05:09 | 0:05:12 | |
Their tissue and organs are starting to die. | 0:05:12 | 0:05:14 | |
The quicker we start chest compressions | 0:05:16 | 0:05:18 | |
and we get that blood moving round the body, | 0:05:18 | 0:05:20 | |
the better chance we've got of saving his life. | 0:05:20 | 0:05:22 | |
-WOMAN SHOUTS: -Wake up! Wake up! | 0:05:26 | 0:05:29 | |
DOG BARKS | 0:05:32 | 0:05:34 | |
Hello! Ambulance! In here? | 0:05:34 | 0:05:36 | |
When did you last see him, sweetheart? | 0:05:37 | 0:05:39 | |
Right. | 0:05:46 | 0:05:48 | |
Let's get those pads on. | 0:05:48 | 0:05:49 | |
The 62-year-old patient, Paul, lives with his sister Dawn. | 0:05:51 | 0:05:55 | |
Not seen since last night. | 0:05:55 | 0:05:56 | |
She found him when she came downstairs for breakfast. | 0:05:56 | 0:05:59 | |
-COMPUTER: -If no signs of circulation, start CPR. | 0:06:01 | 0:06:04 | |
When we do CPR, it's brutal. | 0:06:07 | 0:06:09 | |
It is absolutely brutal. | 0:06:09 | 0:06:11 | |
We're putting airways in and we're doing chest compressions | 0:06:11 | 0:06:14 | |
and ribs are getting broke and... | 0:06:14 | 0:06:16 | |
for the family, it's just raw. | 0:06:16 | 0:06:18 | |
You know, the emotion that you get within a room. | 0:06:18 | 0:06:21 | |
And that can be really difficult. | 0:06:21 | 0:06:23 | |
28, 29, 30. | 0:06:27 | 0:06:29 | |
Yeah, adrenaline. | 0:06:33 | 0:06:35 | |
Ten mil, it's in date. | 0:06:35 | 0:06:36 | |
-COMPUTER: -3, 2, 1, ventilate. | 0:06:36 | 0:06:39 | |
Ventilate. | 0:06:40 | 0:06:42 | |
Ventilate. | 0:06:43 | 0:06:44 | |
20 miles from Paul's house, | 0:06:46 | 0:06:48 | |
another man is suffering a cardiac arrest at his doctor's surgery. | 0:06:48 | 0:06:52 | |
Two ambulances are on scene, | 0:06:53 | 0:06:55 | |
and have requested urgent backup from an advanced paramedic. | 0:06:55 | 0:06:59 | |
The problem is the only one available | 0:06:59 | 0:07:01 | |
is stuck in heavy traffic in Central London - | 0:07:01 | 0:07:04 | |
13 miles away. | 0:07:04 | 0:07:05 | |
So 51-year-old male, | 0:07:10 | 0:07:13 | |
now confirmed with an ambulance on scene | 0:07:13 | 0:07:15 | |
saying the patient is in cardiac arrest | 0:07:15 | 0:07:17 | |
and has had one shock delivered. | 0:07:17 | 0:07:19 | |
Er... | 0:07:19 | 0:07:20 | |
Oh, nightmare. | 0:07:24 | 0:07:25 | |
There's no other way we can go at the moment. | 0:07:25 | 0:07:28 | |
In a two-year period since becoming an advanced paramedic, | 0:07:28 | 0:07:31 | |
I've done approaching 250 cardiac arrests. | 0:07:31 | 0:07:35 | |
The average paramedic in London | 0:07:35 | 0:07:37 | |
will attend between three to five in a year. | 0:07:37 | 0:07:40 | |
Dan is sent to the more complex cardiac arrests, | 0:07:40 | 0:07:44 | |
where his expertise can make the difference between life...and death. | 0:07:44 | 0:07:47 | |
Even if we get a pulse back... | 0:07:47 | 0:07:50 | |
that's actually the most difficult period | 0:07:50 | 0:07:51 | |
for cardiac arrest management. | 0:07:51 | 0:07:53 | |
And that's where my strengths certainly will come in. | 0:07:53 | 0:07:56 | |
Chelsea? Can you call Romeo-101 on their Bravo set | 0:07:56 | 0:08:00 | |
regarding that cardiac arrest, please? | 0:08:00 | 0:08:02 | |
Romeo-101, hello, it's Chelsea on the APP desk. | 0:08:02 | 0:08:06 | |
Chelsea is co-ordinating | 0:08:07 | 0:08:08 | |
the advanced paramedics across London today. | 0:08:08 | 0:08:10 | |
Give me a sec, I'll tell you exactly where he is. | 0:08:11 | 0:08:14 | |
So he's still a little bit to you, but he's making good progress. | 0:08:14 | 0:08:16 | |
Cheers, bye. | 0:08:16 | 0:08:18 | |
That's one of the ambulance crew that are on the scene | 0:08:18 | 0:08:21 | |
of this cardiac arrest that I've sent Dan to. | 0:08:21 | 0:08:23 | |
They've got a pulse back on this patient, | 0:08:23 | 0:08:26 | |
but they know that he's having an MI | 0:08:26 | 0:08:27 | |
and he's got a blocked artery in his heart. | 0:08:27 | 0:08:30 | |
Surviving a cardiac arrest is... | 0:08:33 | 0:08:36 | |
I think you've got a one in ten chance or something like that. | 0:08:36 | 0:08:39 | |
So the reality of running out, | 0:08:39 | 0:08:40 | |
jumping up and down on someone's chest and shocking them, | 0:08:40 | 0:08:43 | |
and everyone surviving like you see on TV, | 0:08:43 | 0:08:45 | |
is actually pretty rare. | 0:08:45 | 0:08:46 | |
It takes Dan 36 minutes to reach the scene. | 0:08:46 | 0:08:50 | |
'You are acutely aware that you've got someone's life in the balance. | 0:08:52 | 0:08:55 | |
'I think you have to have... kind of like tunnel vision. | 0:08:55 | 0:08:59 | |
'Without sounding too cold about it, | 0:08:59 | 0:09:01 | |
'you have to look at it as disease processes in front of you, | 0:09:01 | 0:09:04 | |
'and try to avoid thinking about an individual | 0:09:04 | 0:09:07 | |
'as a dad, as a son, as a member of someone's family.' | 0:09:07 | 0:09:09 | |
Have we got any family members here at all? | 0:09:09 | 0:09:11 | |
Yeah, yeah, yeah. They were made aware. | 0:09:11 | 0:09:13 | |
Earlier this morning, the patient, Saeed, | 0:09:14 | 0:09:16 | |
was walking his dog when he felt chest pains. | 0:09:16 | 0:09:18 | |
He went to his GP surgery, where he collapsed. | 0:09:18 | 0:09:21 | |
How we doing? Just the one shock? | 0:09:24 | 0:09:26 | |
-Yeah, just one shock... -OK. | 0:09:26 | 0:09:28 | |
-And what's his name? -Saeed. -Saeed. | 0:09:28 | 0:09:31 | |
Obviously he's in a pretty fragile state | 0:09:31 | 0:09:33 | |
so we just aim to keep him as flat as we possibly can. | 0:09:33 | 0:09:36 | |
Minimal movement wherever we can, | 0:09:36 | 0:09:37 | |
and bear in mind that when we start to roll him around, | 0:09:37 | 0:09:39 | |
there's always the possibility he might re-arrest. | 0:09:39 | 0:09:42 | |
SAEED MOANS Dan must stabilise Saeed | 0:09:42 | 0:09:45 | |
before it is safe to transport him to a specialist heart attack centre. | 0:09:45 | 0:09:49 | |
His level of consciousness is starting to come up. | 0:09:49 | 0:09:51 | |
The problem with that is the whole time that happens, | 0:09:51 | 0:09:53 | |
he's going to start to put more and more pressure | 0:09:53 | 0:09:56 | |
on his fragile heart muscle. | 0:09:56 | 0:09:57 | |
OK, cool. Going to give him this and then we're going to get going, guys. | 0:09:57 | 0:10:01 | |
So can you just timestamp on this, | 0:10:01 | 0:10:02 | |
press the "event" button, then just press "morphine" for me? | 0:10:02 | 0:10:06 | |
SAEED GROANS | 0:10:06 | 0:10:08 | |
All right, Saeed. | 0:10:08 | 0:10:10 | |
I'm just going to go and have a quick word with his family. | 0:10:11 | 0:10:14 | |
Are you all right getting him out on to the trolley bed | 0:10:14 | 0:10:16 | |
-and just carrying on to the ambulance from now on? -Yeah. | 0:10:16 | 0:10:18 | |
Hi, there, my name's Dan. | 0:10:18 | 0:10:20 | |
I've come to assist the guys here at the moment. | 0:10:20 | 0:10:22 | |
It all looks quite scary, but try to kind of reassure yourself | 0:10:22 | 0:10:25 | |
that we're on top of this at the moment. | 0:10:25 | 0:10:27 | |
Do one of you want to come in the ambulance, | 0:10:27 | 0:10:29 | |
or will you follow up separately, or...? | 0:10:29 | 0:10:31 | |
-If you can take her... -Yeah, certainly. | 0:10:31 | 0:10:33 | |
All right, Saeed. | 0:10:38 | 0:10:39 | |
Just keep reassuring him at the top end, that's awesome. | 0:10:42 | 0:10:45 | |
SIREN WAILS | 0:10:45 | 0:10:47 | |
25, 26, 27, 28, 29, 30. | 0:10:54 | 0:10:58 | |
-COMPUTER: -3, 2, 1, ventilate. | 0:10:58 | 0:11:01 | |
I mean, we've had nothing at all. | 0:11:05 | 0:11:06 | |
-Not a bleep, not even with adrenaline. -Yeah. | 0:11:06 | 0:11:08 | |
What we have had so far, just...? | 0:11:08 | 0:11:11 | |
-Yeah. -Yeah. | 0:11:11 | 0:11:12 | |
In East London, Scott and Andy have been trying to resuscitate | 0:11:12 | 0:11:15 | |
Dawn's brother Paul for 40 minutes. | 0:11:15 | 0:11:17 | |
For us, its someone we've never met, but for the family, | 0:11:20 | 0:11:23 | |
it's their loved one, | 0:11:23 | 0:11:24 | |
they're the most important person in their life... | 0:11:24 | 0:11:27 | |
MACHINE: Three, two, one...ventilate. | 0:11:27 | 0:11:29 | |
..and they think that we can perform miracles. | 0:11:29 | 0:11:33 | |
There comes a point where we can't do any more and we need to | 0:11:35 | 0:11:39 | |
let the person pass peacefully. | 0:11:39 | 0:11:41 | |
And he's not been seen since last night. | 0:11:46 | 0:11:48 | |
You know, no other reversibles. | 0:11:48 | 0:11:50 | |
Yeah, yeah, will do. | 0:11:52 | 0:11:53 | |
It is a really difficult decision because you know the impact | 0:11:53 | 0:11:57 | |
that it's going to have on people's lives, the family... | 0:11:57 | 0:12:00 | |
It doesn't look like we're going to have much success. | 0:12:00 | 0:12:03 | |
Hmm. | 0:12:03 | 0:12:05 | |
I just need to speak with our clinical people, | 0:12:05 | 0:12:07 | |
and talk about what's going to happen next, OK? | 0:12:07 | 0:12:09 | |
-Yeah. -But erm, I should imagine we'll probably stop what we're doing. | 0:12:09 | 0:12:12 | |
We've done everything we can for him and at the moment... | 0:12:12 | 0:12:14 | |
He's passed away? | 0:12:14 | 0:12:16 | |
It does seem that way. | 0:12:16 | 0:12:17 | |
After 46 minutes, | 0:12:22 | 0:12:24 | |
they decide there's nothing more that can be done for Paul. | 0:12:24 | 0:12:28 | |
When we have to stop a resuscitation, sometimes the hardest | 0:12:40 | 0:12:43 | |
bit of the whole process is gathering the family together and | 0:12:43 | 0:12:46 | |
helping them to understand what's happened. | 0:12:46 | 0:12:49 | |
The ambulance driver said it was quick... | 0:12:49 | 0:12:52 | |
It was quick, you know. | 0:12:56 | 0:12:58 | |
It might be that we've not managed to save the patient, | 0:13:00 | 0:13:04 | |
but I think sometimes probably the most important thing we do is just | 0:13:04 | 0:13:08 | |
to show a little bit of humanity and a little bit of kindness to | 0:13:08 | 0:13:11 | |
the people that are left behind, | 0:13:11 | 0:13:13 | |
cos they're the people that have got to deal with what's left. | 0:13:13 | 0:13:16 | |
We're off now, sweetheart. | 0:13:20 | 0:13:22 | |
-Thank you so much. -All right. | 0:13:22 | 0:13:24 | |
You've been so helpful. I really appreciate it. | 0:13:24 | 0:13:26 | |
-Thank you. -You know if there's anything you need or anything, | 0:13:26 | 0:13:29 | |
you can always call, you know, | 0:13:29 | 0:13:30 | |
if you find yourself in a bit of a crisis. | 0:13:30 | 0:13:32 | |
-OK. -All right? -Thank you so much. | 0:13:32 | 0:13:33 | |
-All right? We're very sorry. -Thank you. | 0:13:33 | 0:13:36 | |
Thank you. Thank you. | 0:13:38 | 0:13:41 | |
All right, Saeed? | 0:13:49 | 0:13:50 | |
We're at the hospital now, Saeed. | 0:13:50 | 0:13:52 | |
Do you want to follow us? Yeah, you follow us through, yeah, definitely. | 0:13:54 | 0:13:57 | |
Sorry, what was your name? | 0:13:57 | 0:13:59 | |
-Sufi. -Sufi? | 0:13:59 | 0:14:01 | |
An hour and 20 minutes after going into cardiac arrest at his | 0:14:01 | 0:14:04 | |
doctor's surgery, Saeed's been brought five miles to one of | 0:14:04 | 0:14:08 | |
London's specialist heart attack centres. | 0:14:08 | 0:14:11 | |
Hang on, I'm just going to check the pulse. | 0:14:12 | 0:14:15 | |
Just check for a pulse a second, guys. | 0:14:15 | 0:14:18 | |
You got a pulse? | 0:14:18 | 0:14:20 | |
Have you got a pulse? | 0:14:23 | 0:14:24 | |
Hang on, let's get him out the lift. | 0:14:25 | 0:14:28 | |
Just into this area here for a second. | 0:14:28 | 0:14:31 | |
Just pop that down on the floor. | 0:14:31 | 0:14:34 | |
Hang on. | 0:14:34 | 0:14:36 | |
Yeah, he's got a good pulse. | 0:14:39 | 0:14:41 | |
So just get that back onto his face and just actually hold it | 0:14:41 | 0:14:43 | |
-like that, cos it's... -Hold it just like that? | 0:14:43 | 0:14:45 | |
No, no, no, hold it like you had it before. | 0:14:45 | 0:14:48 | |
OK, cool. Ready, brace, lift. | 0:14:48 | 0:14:49 | |
Hang on, hang on. | 0:14:51 | 0:14:53 | |
Just one second, cos I need to get these straps off. OK, cool. | 0:14:53 | 0:14:56 | |
SAEED GROANS | 0:14:59 | 0:15:01 | |
Obviously the pressure's on to get this in and get... Here we go, | 0:15:03 | 0:15:06 | |
so the dye's going in now. | 0:15:06 | 0:15:08 | |
Over the next hour, the cardiac surgeon will remove the blockage | 0:15:08 | 0:15:12 | |
from Saeed's artery and insert a stent to keep it open. | 0:15:12 | 0:15:15 | |
I think luck does play a part in people's lives. | 0:15:18 | 0:15:21 | |
Having your cardiac arrest in a GP's surgery, where there's | 0:15:21 | 0:15:24 | |
a defibrillator and a trained medical professional is | 0:15:24 | 0:15:26 | |
probably the luckiest you're going to get. | 0:15:26 | 0:15:28 | |
In the city today, the ambulance service has dealt | 0:15:31 | 0:15:35 | |
with 26 cardiac arrests - | 0:15:35 | 0:15:37 | |
they've saved the lives of four of them. | 0:15:37 | 0:15:39 | |
Are you scared of dying? | 0:15:50 | 0:15:52 | |
It's not really something I've ever given really much thought about. | 0:15:52 | 0:15:56 | |
I wonder if this job changes... Because we do see | 0:15:56 | 0:15:58 | |
quite a lot of death. | 0:15:58 | 0:16:00 | |
I think it does. | 0:16:00 | 0:16:02 | |
I know this might sound really soft...but I think because | 0:16:02 | 0:16:06 | |
-I understand that, you know, life's quite fragile... -Huh-uh. | 0:16:06 | 0:16:08 | |
-..and we could go at any time... -Yeah. | 0:16:08 | 0:16:10 | |
-And because my boys are sort of spread... -Uhmm. | 0:16:10 | 0:16:12 | |
-..a little bit and everything else... -Yeah. | 0:16:12 | 0:16:15 | |
..every time I speak to them, I always make sure I tell 'em | 0:16:15 | 0:16:17 | |
-I love 'em. -Yeah. | 0:16:17 | 0:16:18 | |
-And I think that has definitely changed... -Uh-huh. | 0:16:18 | 0:16:21 | |
..since I've been doing this. | 0:16:21 | 0:16:22 | |
You know, with this job, at some point, you're going to see it. | 0:16:22 | 0:16:25 | |
You know, if you work in an office, you know, the biggest thing | 0:16:25 | 0:16:28 | |
-you've got to worry about is your pen running out. -Yeah. | 0:16:28 | 0:16:31 | |
Well, I checked the ponds last night and there is not a tadpole in sight. | 0:16:38 | 0:16:42 | |
-Is there not? -No, my fish have eaten them all. | 0:16:42 | 0:16:45 | |
Really? | 0:16:45 | 0:16:46 | |
I'm devastated. I'm not going to be a mum to frogs this year. | 0:16:46 | 0:16:50 | |
How many? | 0:16:53 | 0:16:54 | |
It looks like it's a care home. | 0:16:59 | 0:17:00 | |
A resident has assaulted a member of staff. | 0:17:00 | 0:17:02 | |
That member of staff has been stabbed and is in a bad way. | 0:17:02 | 0:17:05 | |
The police have reported that one of them may be in cardiac arrest. | 0:17:05 | 0:17:08 | |
They want two ambulances. | 0:17:08 | 0:17:09 | |
'When we get a major trauma job, they're always quite heavily | 0:17:09 | 0:17:13 | |
'resourced because we know we may have multiple patients and | 0:17:13 | 0:17:16 | |
'you can deplete your resources quite quickly. | 0:17:16 | 0:17:19 | |
'You suddenly find your stress level ramps up a gear.' | 0:17:19 | 0:17:23 | |
Two patients at the care home are suffering major trauma and | 0:17:23 | 0:17:26 | |
blood loss, and multiple crews are needed on scene. | 0:17:26 | 0:17:30 | |
All available ambulances in the area are dispatched. | 0:17:30 | 0:17:34 | |
Right, sorry, but I've got to cancel them. | 0:17:40 | 0:17:43 | |
There's quite a lot of crews at the moment, but there's | 0:17:43 | 0:17:46 | |
a larger incident, but obviously while that's going on, | 0:17:46 | 0:17:49 | |
calls are still incoming for the area. | 0:17:49 | 0:17:51 | |
Now I've got a red call... | 0:17:51 | 0:17:54 | |
12 miles from the stabbing at the care home, | 0:17:55 | 0:17:57 | |
another life-threatening emergency is in progress in East London. | 0:17:57 | 0:18:01 | |
Seen it. | 0:18:06 | 0:18:08 | |
Chelsea needs to quickly assesses | 0:18:08 | 0:18:09 | |
whether she has an advanced paramedic available. | 0:18:09 | 0:18:12 | |
HEMS as well, here we go - boom. | 0:18:13 | 0:18:15 | |
DIALLING | 0:18:15 | 0:18:17 | |
-AUTOMATED VOICE: -Incident updated. | 0:18:17 | 0:18:20 | |
Three people have been shot, one in the leg, one in the back. | 0:18:20 | 0:18:23 | |
Dan, its Chelsea. Your next job is a shooting. | 0:18:25 | 0:18:28 | |
Two patients, HEMS are also attending. | 0:18:28 | 0:18:30 | |
I'll confirm the RVP with you shortly. | 0:18:30 | 0:18:33 | |
Yeah, roger, that's all received. It's right next to my flat. | 0:18:33 | 0:18:36 | |
Dan is 12 minutes away. | 0:18:38 | 0:18:40 | |
Two ambulances, | 0:18:40 | 0:18:42 | |
a first-response car and the air ambulance are also en route. | 0:18:42 | 0:18:45 | |
'If a bullet enters your leg, the difference between a couple | 0:18:57 | 0:18:59 | |
'of millimetres either side of one of the largest vessels in your body, | 0:18:59 | 0:19:02 | |
'is the difference between you living | 0:19:02 | 0:19:04 | |
'and potentially bleeding to death in the back of an ambulance or | 0:19:04 | 0:19:07 | |
'before an ambulance even gets to you.' | 0:19:07 | 0:19:08 | |
So the clock is ticking. | 0:19:08 | 0:19:10 | |
'The very nature of these calls is they tend to be pretty chaotic. | 0:19:28 | 0:19:31 | |
'There's always the possibility that there's someone still running | 0:19:31 | 0:19:34 | |
'around with a gun or a knife. | 0:19:34 | 0:19:36 | |
'The people that are involved in this incident were all running | 0:19:36 | 0:19:38 | |
'around and screaming and shouting, | 0:19:38 | 0:19:40 | |
'they're massively adrenalized and scared as well.' | 0:19:40 | 0:19:43 | |
Cool, how we doing? | 0:19:43 | 0:19:45 | |
'I may give off a certain air of calm, but, underneath, my heart's | 0:19:45 | 0:19:48 | |
'going as fast as everyone else's.' | 0:19:48 | 0:19:51 | |
While the air ambulance crew deal with the man shot in the back, | 0:19:51 | 0:19:55 | |
Dan, as the most senior paramedic on scene, | 0:19:55 | 0:19:57 | |
takes charge of the other victim. | 0:19:57 | 0:19:59 | |
How we doing? | 0:19:59 | 0:20:01 | |
This guy's got, erm, shot in the leg. | 0:20:01 | 0:20:04 | |
Was he shot in the car or... Do we know where it's all happened? | 0:20:04 | 0:20:06 | |
No, outside the car, he got put in the car. | 0:20:06 | 0:20:08 | |
-And it's... -Single gunshot wound exactly there... | 0:20:08 | 0:20:11 | |
-OK. -..and no exit wound. -No exit wound, thank you. | 0:20:11 | 0:20:13 | |
Can you see the bullet anywhere near the surface, or anything like that, at all? | 0:20:13 | 0:20:17 | |
I'll find it in a second. | 0:20:17 | 0:20:18 | |
-And we've got no idea, at the moment, what he's been shot with? -Er, no. -OK, cool. Right... | 0:20:18 | 0:20:22 | |
-That's my brother! -Yeah, well, let's get you... Listen, | 0:20:22 | 0:20:25 | |
-let's get you in the ambulance first. -I want my brother! | 0:20:25 | 0:20:28 | |
I know, we'll get you in the ambulance first, mate, all right? | 0:20:28 | 0:20:30 | |
We've got one wound, erm, a single entry, | 0:20:30 | 0:20:32 | |
no exit wound on the back of his thigh. | 0:20:32 | 0:20:34 | |
No obvious underlying haematoma at all. Yeah. | 0:20:34 | 0:20:37 | |
I'm not going to undress it, but I want just | 0:20:37 | 0:20:39 | |
a quick look at your leg, mate. | 0:20:39 | 0:20:40 | |
Right. | 0:20:40 | 0:20:42 | |
I think we'll go and we'll do everything kind of en route. | 0:20:42 | 0:20:46 | |
Yeah. | 0:20:46 | 0:20:47 | |
So the kind of things we're kind of worrying about - where that | 0:20:47 | 0:20:50 | |
wound is, cos obviously you've got a big blood vessel that kind of runs up the inside of your thigh, | 0:20:50 | 0:20:54 | |
but it doesn't appear to be actively involved with that at the moment. | 0:20:54 | 0:20:57 | |
Right, cool. | 0:20:57 | 0:20:59 | |
No, no, no... | 0:20:59 | 0:21:01 | |
What's this scar from? | 0:21:03 | 0:21:04 | |
Did you? | 0:21:07 | 0:21:09 | |
So you just take it nice and easy mate, yeah? | 0:21:11 | 0:21:14 | |
6-2... | 0:21:14 | 0:21:17 | |
Yeah, Dan, go ahead with your report. | 0:21:17 | 0:21:20 | |
Yeah, can I put a blue call in to the Royal London when you're read details? | 0:21:20 | 0:21:24 | |
We've got a 22-year-old male, erm, with a single gunshot wound | 0:21:24 | 0:21:27 | |
at the back of his... ..And rear of his right thigh. | 0:21:27 | 0:21:31 | |
We've got an entry wound going in, with no exit wound seen. | 0:21:31 | 0:21:35 | |
I'm about to give him some morphine for analgesia, | 0:21:35 | 0:21:38 | |
but no further drugs administered... Understood? | 0:21:38 | 0:21:40 | |
And we've got an ETA of approximately 15 minutes, | 0:21:40 | 0:21:42 | |
this is going to be the second patient, following the HEMS patient | 0:21:42 | 0:21:45 | |
-that I believe is just ahead of us. -Yeah, no worries. | 0:21:45 | 0:21:48 | |
This is just a bit of morphine. You might feel a bit of cold in your arm. | 0:21:48 | 0:21:51 | |
All right, I can give you more of this but obviously I can't take it away. | 0:21:51 | 0:21:54 | |
So I can always keep topping it up buddy, all right? | 0:21:54 | 0:21:56 | |
Listen, all your numbers that we're looking at are really good, | 0:21:56 | 0:21:59 | |
so there's nothing to suggest | 0:21:59 | 0:22:00 | |
you're bleeding heavily in your legs. | 0:22:00 | 0:22:02 | |
I know it hurts, all right, and I'm giving you stuff | 0:22:02 | 0:22:04 | |
and I can give you some more for that on the way, all right? | 0:22:04 | 0:22:07 | |
I know it's really... Huh? | 0:22:07 | 0:22:08 | |
I know, mate. | 0:22:10 | 0:22:12 | |
Mate, don't be brave about it. | 0:22:12 | 0:22:13 | |
I can give you plenty more, so that's not a problem, all right? | 0:22:13 | 0:22:15 | |
I know, I know, so to start off with, | 0:22:15 | 0:22:18 | |
you're going to have lots and lots of adrenaline running around you. | 0:22:18 | 0:22:21 | |
But that adrenalin's going to start to wear off. | 0:22:21 | 0:22:23 | |
Yeah, I know. | 0:22:23 | 0:22:25 | |
Did you see what you were shot with? | 0:22:25 | 0:22:27 | |
Was it a hand gun, was it? | 0:22:27 | 0:22:29 | |
-I think it was a shit gun. -Right, a shotgun? | 0:22:29 | 0:22:31 | |
A shit. | 0:22:31 | 0:22:32 | |
Oh, shit gun, sorry, OK, yeah. | 0:22:32 | 0:22:35 | |
-Was it pretty close-range, then, was it? -Yeah. -Yeah, OK. | 0:22:35 | 0:22:38 | |
We're not far now, mate. Probably a couple of minutes. | 0:22:39 | 0:22:43 | |
-Is the pain still there at the moment? -Yeah. | 0:22:43 | 0:22:44 | |
Yeah, let me give you a little bit more, mate, | 0:22:44 | 0:22:46 | |
cos obviously when that adrenaline starts to wear off... | 0:22:46 | 0:22:49 | |
'It's not my concern to think about what this person has done | 0:23:35 | 0:23:38 | |
'or not done to end up in the back of my ambulance. | 0:23:38 | 0:23:42 | |
'I don't want to know what's happened prior to me arriving | 0:23:43 | 0:23:45 | |
'and that way I can impartially treat everyone that's involved. | 0:23:45 | 0:23:49 | |
'I went to the Lee Rigby job and we didn't know what had happened. | 0:23:51 | 0:23:54 | |
'We thought it was just some gang thing, so we treated the two | 0:23:54 | 0:23:57 | |
'that killed him and it was only when we got back that someone went, | 0:23:57 | 0:24:01 | |
'"Put Sky News on," when we realised what had happened. | 0:24:01 | 0:24:05 | |
'I'm glad I didn't know.' | 0:24:05 | 0:24:06 | |
Lovely, all right, mate. | 0:24:11 | 0:24:13 | |
The East London shooting is just one of eight major trauma cases | 0:24:18 | 0:24:22 | |
currently in progress, | 0:24:22 | 0:24:24 | |
all requiring multiple crews on scene. | 0:24:24 | 0:24:27 | |
In the control centre, they're struggling to find ambulances | 0:24:27 | 0:24:30 | |
for the new high priority calls coming in. | 0:24:30 | 0:24:33 | |
If anybody can please assist us | 0:24:33 | 0:24:35 | |
with any of the following emergency calls - | 0:24:35 | 0:24:37 | |
chest pain in Thornton Heath, | 0:24:37 | 0:24:39 | |
a chest pain in Biggin Hill, | 0:24:39 | 0:24:42 | |
an unresponsive person in Croydon... | 0:24:42 | 0:24:45 | |
The allocators must appeal to crews to make themselves available | 0:24:45 | 0:24:48 | |
for the next patient as quickly as possible. | 0:24:48 | 0:24:51 | |
I was talking to 17, 18, | 0:24:51 | 0:24:53 | |
still looking for an ambulance, please, for a category four, SE1. | 0:24:53 | 0:24:56 | |
I'm afraid the cupboard is bare. | 0:24:56 | 0:24:57 | |
SHE EXHALES | 0:24:57 | 0:24:59 | |
'There can be times it makes you nervous.' | 0:24:59 | 0:25:01 | |
I was on duty on July 7th 2005 and there's always that thought | 0:25:01 | 0:25:05 | |
in the back of your mind, | 0:25:05 | 0:25:06 | |
"What is the next call going to be?" | 0:25:06 | 0:25:08 | |
What the flipping heck is going on today? | 0:25:21 | 0:25:25 | |
We've now got two people stabbed, | 0:25:25 | 0:25:27 | |
an 18-year-old male in the stomach and somebody else. | 0:25:27 | 0:25:31 | |
You're in your school uniform, stabbing other students, God. | 0:25:31 | 0:25:36 | |
Chelsea's coordinating three advanced paramedics across London. | 0:25:37 | 0:25:42 | |
Two are currently busy treating patients. | 0:25:42 | 0:25:45 | |
Dan is at the hospital with the shooting victim | 0:25:45 | 0:25:48 | |
and the other with a man who's in cardiac arrest | 0:25:48 | 0:25:51 | |
at King's Cross Station. | 0:25:51 | 0:25:52 | |
Chelsea must decide whether to commit the only other one available | 0:25:54 | 0:25:57 | |
to support the regular crews at the stabbing call that's just come in. | 0:25:57 | 0:26:02 | |
When you've got a limited number of vehicles | 0:26:02 | 0:26:05 | |
and plenty of calls coming in, | 0:26:05 | 0:26:07 | |
you have to decide, "Right, who's the sickest? | 0:26:07 | 0:26:10 | |
"Who am I hedging my bets with here?" | 0:26:10 | 0:26:12 | |
Tell me exactly what's happened there. | 0:26:12 | 0:26:14 | |
Oh, my God, there's another hanging. | 0:26:16 | 0:26:17 | |
I've just sent AP60. | 0:26:34 | 0:26:35 | |
Chelsea decides to dispatch her last available advanced paramedic | 0:26:36 | 0:26:40 | |
to the hanging, while an air ambulance crew | 0:26:40 | 0:26:42 | |
deal with the schoolboys who've been stabbed. | 0:26:42 | 0:26:45 | |
-'I'm worried as well.' -OK. | 0:26:48 | 0:26:50 | |
Er... | 0:26:56 | 0:26:58 | |
At the moment, the best thing we can do for this patient | 0:26:58 | 0:27:00 | |
is to cut him down, because until he's cut down, | 0:27:00 | 0:27:03 | |
we can't start doing resuscitation on him. | 0:27:03 | 0:27:06 | |
'I can completely understand he wouldn't want to go back in.' | 0:27:06 | 0:27:08 | |
It's quite an ask for a member of the public | 0:27:08 | 0:27:10 | |
who's never seen anything like that before. | 0:27:10 | 0:27:12 | |
I understand, I do understand that you're worried, my love... | 0:27:17 | 0:27:20 | |
You do need to do this. You have to help us until we can get to him. | 0:27:20 | 0:27:24 | |
No, listen to me, sir, | 0:27:24 | 0:27:26 | |
it's so critical that we try and cut him down. | 0:27:26 | 0:27:28 | |
It's the only way that we're going to be able to try and save his life. | 0:27:28 | 0:27:31 | |
Is the ambulance with you? | 0:27:34 | 0:27:36 | |
-'Yeah, yeah.' -Can you see them? | 0:27:36 | 0:27:37 | |
-'Yeah, yeah.' -All right, my love. | 0:27:37 | 0:27:39 | |
I'll leave you with the paramedics. Thank you, bye-bye. | 0:27:39 | 0:27:42 | |
SHE EXHALES | 0:27:42 | 0:27:44 | |
It's gone crazy this afternoon. | 0:27:44 | 0:27:46 | |
Absolutely crazy. | 0:27:48 | 0:27:50 | |
-Chelsea? -Got it. | 0:27:50 | 0:27:52 | |
Thank you. | 0:27:52 | 0:27:54 | |
A call has come in for a man | 0:27:54 | 0:27:56 | |
who's reported to have fallen from height. | 0:27:56 | 0:27:59 | |
At the Royal London Hospital, | 0:27:59 | 0:28:01 | |
advanced paramedic Dan has just finished handing over his patient | 0:28:01 | 0:28:04 | |
who had been shot. | 0:28:04 | 0:28:05 | |
Dan? | 0:28:06 | 0:28:08 | |
-AP62? -Are you in a position at all to go green for a call? | 0:28:08 | 0:28:11 | |
-Yeah, yeah. Yeah, yeah. -Great. -I'm listening, yeah, go on. | 0:28:11 | 0:28:14 | |
A gentleman who's reported to have jumped | 0:28:14 | 0:28:16 | |
from the ninth floor of a hotel. | 0:28:16 | 0:28:18 | |
Great, and at the minute you're the only resource dispatched. | 0:28:18 | 0:28:21 | |
Yeah, no worries, yeah. Leaving. | 0:28:21 | 0:28:22 | |
The ninth floor, 600 foot. | 0:28:22 | 0:28:24 | |
OK, yeah, leave me on it, mate. | 0:28:24 | 0:28:26 | |
Yeah, will do. Cheers, bye-bye. | 0:28:26 | 0:28:28 | |
Bye-bye, bye-bye. | 0:28:28 | 0:28:29 | |
-INTERVIEWER: -What's happened? | 0:28:29 | 0:28:31 | |
Er, so someone has jumped off a building from the ninth floor, | 0:28:31 | 0:28:35 | |
so they're sending me at the moment. | 0:28:35 | 0:28:37 | |
No other ambulances are available in the area, | 0:28:39 | 0:28:42 | |
so Dan takes the two at the hospital who are just finishing up | 0:28:42 | 0:28:45 | |
with the double shooting. | 0:28:45 | 0:28:46 | |
HEMS are currently not available. | 0:28:46 | 0:28:48 | |
He doesn't appear to be breathing, is what we've been told, | 0:28:52 | 0:28:54 | |
and he's not responding. | 0:28:54 | 0:28:55 | |
With a... With a head injury. | 0:28:55 | 0:28:57 | |
SIREN WAILS | 0:28:57 | 0:28:59 | |
'Even if something sounds hopeless, if we get there early enough, | 0:28:59 | 0:29:02 | |
'there is always a minute chance that we can do something about it.' | 0:29:02 | 0:29:08 | |
It's going to be down here somewhere, I'd imagine. | 0:29:09 | 0:29:12 | |
'I don't want to be the person that thinks "if only. | 0:29:12 | 0:29:14 | |
'"If only I'd tried, if only I'd checked for more injuries," | 0:29:14 | 0:29:18 | |
'I don't want that "if only" sort of hanging over me.' | 0:29:18 | 0:29:21 | |
Is there any obvious kind of brain matter anywhere | 0:29:21 | 0:29:23 | |
-that you can see, or...? -No. | 0:29:23 | 0:29:25 | |
-OK. Are you happy for me to move him? -Yeah, yeah. | 0:29:27 | 0:29:30 | |
I'll just put the pads on him. I think realistically... | 0:29:33 | 0:29:36 | |
I mean, this is... | 0:29:38 | 0:29:40 | |
He's got massive chest injuries. | 0:29:40 | 0:29:41 | |
Pupils are fixed and dilated. | 0:29:48 | 0:29:51 | |
We've got blood coming out of there, we've got no pulse. | 0:29:51 | 0:29:53 | |
He is...he's deceased. | 0:29:53 | 0:29:54 | |
We'll get a time officially off this as well. | 0:29:54 | 0:29:56 | |
I take it this has literally just happened, hasn't it? | 0:29:56 | 0:29:58 | |
-We're declaring at 17... -17:12, yeah. | 0:29:58 | 0:30:00 | |
Yeah, AP62, just a quick update when you're ready for details. | 0:30:02 | 0:30:05 | |
Yeah, I'm ready, Dan, go ahead. | 0:30:05 | 0:30:07 | |
Erm, he has got injuries incompatible with life | 0:30:07 | 0:30:10 | |
and we have recognised life extinct at 17:12. | 0:30:10 | 0:30:14 | |
Er, plenty of police officers on the scene. | 0:30:14 | 0:30:16 | |
Yeah, roger that. | 0:30:16 | 0:30:18 | |
Recognition of life extinct, 17:12. | 0:30:18 | 0:30:20 | |
Injuries incompatible with life. Thanks. | 0:30:20 | 0:30:22 | |
Thank you, mate, I'll call you shortly. | 0:30:22 | 0:30:25 | |
Blimey, OK. | 0:30:26 | 0:30:28 | |
'By the very nature of what I do, | 0:30:31 | 0:30:33 | |
'there is every chance that I'm going to pronounce someone dead | 0:30:33 | 0:30:36 | |
'at least once a shift. | 0:30:36 | 0:30:37 | |
'It has now become the norm for me. | 0:30:38 | 0:30:41 | |
'That's not to be confused with saying I'm used to it. | 0:30:44 | 0:30:47 | |
'I don't think you should ever become used to it, | 0:30:47 | 0:30:49 | |
'because then something's a bit broken inside you. | 0:30:49 | 0:30:51 | |
'But it's important to accept that it's part of the norm for my job, | 0:30:51 | 0:30:55 | |
'and you build up a level of resilience | 0:30:55 | 0:30:57 | |
'that you don't become too attached to that individual | 0:30:57 | 0:31:01 | |
'because the next call is inevitably going to be | 0:31:01 | 0:31:04 | |
'just as critical as the one I've just attended.' | 0:31:04 | 0:31:07 | |
WOMAN GROANS IN PAIN | 0:31:16 | 0:31:18 | |
INDISTINCT | 0:31:20 | 0:31:22 | |
It's all done. | 0:31:22 | 0:31:24 | |
Monday morning and across the city, | 0:31:25 | 0:31:28 | |
all 408 crews on shift are working at full capacity. | 0:31:28 | 0:31:31 | |
-You all right? -Yeah. | 0:31:35 | 0:31:37 | |
We don't offer brandies, I'm afraid, otherwise I'd give you one. | 0:31:37 | 0:31:40 | |
He looks like he needs one, doesn't he? | 0:31:40 | 0:31:42 | |
SHE CHUCKLES | 0:31:42 | 0:31:43 | |
I understand that you've never done it before. | 0:31:43 | 0:31:46 | |
If the baby is ready to come, | 0:31:46 | 0:31:48 | |
we're going to have to help your wife. | 0:31:48 | 0:31:51 | |
In the control centre, | 0:31:51 | 0:31:52 | |
the past two hours have seen an unexpected spike | 0:31:52 | 0:31:55 | |
in life-threatening red calls. | 0:31:55 | 0:31:57 | |
Steph, can we have a report from the IRO | 0:31:58 | 0:32:00 | |
on that hanging one, please, love? | 0:32:00 | 0:32:02 | |
Stay on the line, I'll tell you exactly what to do next, OK? | 0:32:02 | 0:32:05 | |
We've also got another one there, 87-year-old not breathing. | 0:32:05 | 0:32:08 | |
You do think to yourself that absolutely every resident of London | 0:32:08 | 0:32:13 | |
has picked up the phone. | 0:32:13 | 0:32:15 | |
We have a whole department of people looking into trends | 0:32:15 | 0:32:19 | |
and sometimes it is just everybody gets sick. | 0:32:19 | 0:32:22 | |
With critical calls stacking up, | 0:32:22 | 0:32:24 | |
they're running out of ambulances. | 0:32:24 | 0:32:26 | |
You don't really want to see any yellow on the map. | 0:32:28 | 0:32:31 | |
We've got quite a big portion of London | 0:32:31 | 0:32:33 | |
that's not got any cover at the moment. | 0:32:33 | 0:32:35 | |
The patient has been on the floor for 50 minutes | 0:32:35 | 0:32:37 | |
waiting for an ambulance to become available. | 0:32:37 | 0:32:40 | |
We just don't have enough ambulances. | 0:32:40 | 0:32:43 | |
And there's still no let-up in new calls coming in. | 0:32:44 | 0:32:47 | |
CALLER SOBS | 0:33:46 | 0:33:47 | |
-Surge purple enhanced. -Purple enhanced. | 0:33:55 | 0:33:59 | |
With a new emergency call now coming in every 12 seconds, | 0:33:59 | 0:34:02 | |
they're at risk of not reaching them all in time. | 0:34:02 | 0:34:06 | |
Senior clinicians decide they must escalate to a state | 0:34:06 | 0:34:10 | |
known as "surge purple enhanced". | 0:34:10 | 0:34:12 | |
We're struggling to provide a safe response to London. | 0:34:13 | 0:34:16 | |
We have to start making sure we're getting to the sickest quickest | 0:34:16 | 0:34:19 | |
and we have to say "no" or "not yet" | 0:34:19 | 0:34:22 | |
to those who aren't as seriously ill or injured. | 0:34:22 | 0:34:26 | |
OK, so based on the information that you've provided, | 0:34:26 | 0:34:28 | |
we have assessed that an emergency ambulance is not required | 0:34:28 | 0:34:31 | |
at this moment because you need a further assessment. | 0:34:31 | 0:34:34 | |
We have to start being a lot more ruthless | 0:34:34 | 0:34:36 | |
with the calls that we're holding. | 0:34:36 | 0:34:38 | |
We refer people to the 111 service, | 0:34:38 | 0:34:40 | |
we start advising people that they should be contacting their GP | 0:34:40 | 0:34:43 | |
or, if they're able to do so, make their own way to an A&E department. | 0:34:43 | 0:34:46 | |
..cos at the moment, we don't need to send you an emergency ambulance. | 0:34:46 | 0:34:50 | |
Once you ring 111, and you give them that information, | 0:34:50 | 0:34:54 | |
they will assess you and if they feel that they need | 0:34:54 | 0:34:56 | |
to provide transport, they'll automatically do that for you. | 0:34:56 | 0:34:59 | |
No, I understand that, OK, that's why I'm arranging this help for you | 0:34:59 | 0:35:04 | |
but at the moment, | 0:35:04 | 0:35:05 | |
an emergency ambulance is not required for yourself. | 0:35:05 | 0:35:08 | |
Well, give... | 0:35:08 | 0:35:10 | |
He's hung up on me. | 0:35:11 | 0:35:13 | |
It can be really difficult telling someone, | 0:35:13 | 0:35:16 | |
"No, sorry, we're not sending you an ambulance." | 0:35:16 | 0:35:20 | |
OK, who's in the house with you? | 0:35:20 | 0:35:22 | |
You can have people calling for help for their loved ones | 0:35:22 | 0:35:25 | |
or for themselves but we haven't got the vehicles or the staff | 0:35:25 | 0:35:28 | |
so that can be difficult and you do feel quite...heartless sometimes. | 0:35:28 | 0:35:35 | |
Only 15 ambulances are currently available | 0:35:37 | 0:35:40 | |
for the 8.5 million people of London. | 0:35:40 | 0:35:43 | |
And now a life-threatening call is coming in. | 0:35:48 | 0:35:50 | |
DEVICE BLARES | 0:35:50 | 0:35:53 | |
Oh, I know where we're going. Cool. | 0:35:53 | 0:35:55 | |
The last remaining crews in the area are dispatched. | 0:36:01 | 0:36:04 | |
Is he breathing, Mo? Shall we get him down off the steps, mate? | 0:36:13 | 0:36:17 | |
Just start bagging him up first | 0:36:17 | 0:36:19 | |
and then we'll get him moving once the crew's here. | 0:36:19 | 0:36:21 | |
Cool. So, it looks to me, opiate overdose as given. | 0:36:23 | 0:36:26 | |
Yeah, we'll get him down and get him off the steps. | 0:36:26 | 0:36:28 | |
Careful, everyone. Careful, careful, careful. | 0:36:28 | 0:36:30 | |
OK, keep going, keep going, keep going, keep going. | 0:36:30 | 0:36:32 | |
OK, that'll do. | 0:36:32 | 0:36:33 | |
Mind his head, mind his head. Cool, OK, so we'll start bagging him. | 0:36:33 | 0:36:36 | |
We'll need some Narcan. | 0:36:36 | 0:36:37 | |
Just see what his veins are like first of all. | 0:36:37 | 0:36:39 | |
They're not horrendous. | 0:36:39 | 0:36:40 | |
No, they're not awful, so just be aware of sharps, guys. | 0:36:40 | 0:36:44 | |
I've got some Narcan here which I'll draw up for you. | 0:36:46 | 0:36:50 | |
-You happy at the top end still, guys? -Yeah. -Yeah. | 0:36:50 | 0:36:52 | |
Chest ain't moving... | 0:36:52 | 0:36:54 | |
Dan administers a drug, Narcan, that reverses the effects of the heroin. | 0:36:54 | 0:36:58 | |
So he's had 400, I'll give him another 400 in a minute. | 0:36:59 | 0:37:02 | |
I'm hearing his respiratory... | 0:37:02 | 0:37:03 | |
Yeah, we've got a pulse. | 0:37:03 | 0:37:05 | |
Open your eyes for us, fella. Hello, mate, how you doing? | 0:37:05 | 0:37:07 | |
-MAN GROANS -Hello, mate. Just lie still for a minute, fella. | 0:37:07 | 0:37:11 | |
Just lie still for a minute. Shall we just get a 100% mask? | 0:37:11 | 0:37:15 | |
Just lie still for me, fella, lie still for me. | 0:37:15 | 0:37:17 | |
-You've overdosed, fella. -Eh? -You've overdosed. | 0:37:19 | 0:37:23 | |
Yeah? | 0:37:23 | 0:37:25 | |
Yeah. | 0:37:25 | 0:37:26 | |
Yeah? You're all right? | 0:37:27 | 0:37:29 | |
So, my name's Dan, I'm a paramedic | 0:37:29 | 0:37:30 | |
and these guys all around you are paramedics too as well, OK? | 0:37:30 | 0:37:34 | |
So just relax. | 0:37:34 | 0:37:35 | |
Just get them in as soon as we can, yeah? | 0:37:35 | 0:37:37 | |
Do it on that arm. All right, buddy? Do it on that arm. | 0:37:37 | 0:37:40 | |
Not sure. We found you up on the steps, mate, | 0:37:42 | 0:37:45 | |
so we're just going to give you a little bit of oxygen. | 0:37:45 | 0:37:47 | |
Just leave that one on cos that's just measuring it. All right, buddy? | 0:37:47 | 0:37:52 | |
What's your name? | 0:37:52 | 0:37:53 | |
OVERLAPPING CONVERSATIONS | 0:37:54 | 0:37:56 | |
Emergency ambulance, what's the address of the emergency? | 0:37:56 | 0:37:59 | |
We're going to be with you as soon as we can, OK? | 0:37:59 | 0:38:01 | |
I do need to advise you, though, it may take up to an hour | 0:38:01 | 0:38:03 | |
for an ambulance to be dispatched because we are very busy. | 0:38:03 | 0:38:07 | |
No, we haven't actually got any units at the moment to send to you. | 0:38:07 | 0:38:10 | |
Yeah, it may take up to an hour because we're very busy. | 0:38:10 | 0:38:14 | |
It will be as soon as we can, though. It will be... | 0:38:14 | 0:38:17 | |
I under... | 0:38:18 | 0:38:20 | |
I understand that it's an emergency | 0:38:20 | 0:38:23 | |
and we always get there as soon as we can, | 0:38:23 | 0:38:25 | |
it's just because we're very busy at the moment. | 0:38:25 | 0:38:28 | |
RADIO MESSAGE | 0:38:30 | 0:38:34 | |
Shaney and Gary have just finished treating a patient with a bad cut... | 0:38:34 | 0:38:38 | |
-SIRENS BLARE -One in, one out. | 0:38:38 | 0:38:41 | |
..and already they've been dispatched to the home of | 0:38:41 | 0:38:43 | |
an 88-year-old man with dementia whose condition is deteriorating. | 0:38:43 | 0:38:48 | |
I think it's just right here. | 0:38:48 | 0:38:49 | |
-Royal Free's now getting busy. -Is Royal Free busy as well? | 0:38:49 | 0:38:53 | |
Waiting times of up to 60 minutes. | 0:38:53 | 0:38:55 | |
DOGS BARK | 0:39:01 | 0:39:03 | |
-Hello. -Hello. | 0:39:03 | 0:39:05 | |
Have we come for you? | 0:39:05 | 0:39:07 | |
We haven't done anything yet, don't be thanking us just yet. | 0:39:09 | 0:39:12 | |
And what's happened today? Why...? | 0:39:12 | 0:39:14 | |
He appears to be struggling a bit? | 0:39:19 | 0:39:21 | |
Sir? Hello. | 0:39:36 | 0:39:38 | |
-I'm fine, how are you? -Thank you. | 0:39:40 | 0:39:43 | |
Your wife's very worried about you so what we're going to do is | 0:39:43 | 0:39:47 | |
we're going to pop you downstairs, get you on the ambulance, | 0:39:47 | 0:39:51 | |
all right, and take you to hospital, OK? | 0:39:51 | 0:39:55 | |
HE COUGHS WHEEZILY | 0:39:55 | 0:39:56 | |
-Oh, dear. -WOMAN SOBBING: -I don't want it... | 0:39:56 | 0:39:59 | |
Oh, darling, don't worry, it's all right. | 0:39:59 | 0:40:01 | |
SHE SOBS | 0:40:01 | 0:40:02 | |
-Sweetheart, listen, OK? -Please... | 0:40:02 | 0:40:06 | |
Listen, if he's not very well, he's not very well, is he? | 0:40:06 | 0:40:09 | |
All right? You've done the right thing by calling us. OK? | 0:40:09 | 0:40:13 | |
Oh, whoa, there'll be no talk of that. | 0:40:17 | 0:40:20 | |
There'll be no talk of that, far too much paperwork to do. | 0:40:20 | 0:40:23 | |
-No talk of that. Let's get him back up the hospital. -Yes. | 0:40:23 | 0:40:27 | |
That's a nice hat and scarf. | 0:40:27 | 0:40:29 | |
Is that all right? | 0:40:30 | 0:40:32 | |
Not at all, my lovely. | 0:40:33 | 0:40:34 | |
I know. | 0:40:36 | 0:40:38 | |
(Oh, gosh.) | 0:40:39 | 0:40:41 | |
He's not fat, but he's quite tall and heavy | 0:40:42 | 0:40:44 | |
and that's what I'm worried about. | 0:40:44 | 0:40:46 | |
-That lift's not big enough for a stretcher, is it? -No. | 0:40:46 | 0:40:50 | |
..202, the patient is not weight-bearing at all. | 0:40:50 | 0:40:54 | |
And we're just getting him into the chair and then onto the bed | 0:40:54 | 0:40:57 | |
so it's going to be a difficult lift. Over. | 0:40:57 | 0:40:59 | |
-RADIO: -Yeah, roger that. Absolutely. Don't be doing yourself an injury. | 0:40:59 | 0:41:03 | |
Could you get another crew running on this call, | 0:41:03 | 0:41:07 | |
preferably a double crew? Over. | 0:41:07 | 0:41:09 | |
-RADIO: -Sorry, mate. Currently no. | 0:41:09 | 0:41:12 | |
In East London, three crews are still with their overdose patient... | 0:41:21 | 0:41:26 | |
Do you know where you are, buddy? | 0:41:26 | 0:41:29 | |
Tell me where you are. | 0:41:29 | 0:41:31 | |
..and Dan's drugs are working their magic. | 0:41:31 | 0:41:33 | |
OK, don't worry, it's just... That's all right, you can put it back in. | 0:41:36 | 0:41:39 | |
No, don't worry. We've had to give you a little bit of that already. | 0:41:39 | 0:41:42 | |
You've already had some cos that's what's woken you. | 0:41:42 | 0:41:44 | |
You weren't really breathing properly. | 0:41:44 | 0:41:46 | |
Well, you were barely breathing at all... | 0:41:46 | 0:41:48 | |
so we've got some oxygen on at the moment | 0:41:48 | 0:41:50 | |
and we've obviously had to give you some of the naloxone. | 0:41:50 | 0:41:52 | |
You are at the moment but obviously you know probably full well | 0:41:54 | 0:41:57 | |
that the drug we've given you wears off a lot quicker. | 0:41:57 | 0:42:00 | |
We're going to get you up onto our trolley bed in a minute. | 0:42:00 | 0:42:02 | |
Listen, we just need to get you on the ambulance | 0:42:02 | 0:42:05 | |
so we can do some checks on you. | 0:42:05 | 0:42:07 | |
Yeah, well, you are at the moment but because of what we've given you, | 0:42:07 | 0:42:09 | |
you know full well that wears off quicker | 0:42:09 | 0:42:12 | |
than the heroin that you've taken. | 0:42:12 | 0:42:14 | |
'There's always the chance that if he wanders off without our help, | 0:42:15 | 0:42:18 | |
'he could go back into respiratory depression and respiratory arrest | 0:42:18 | 0:42:21 | |
'so he could overdose again.' | 0:42:21 | 0:42:23 | |
Let's just put some oxygen on you, buddy. | 0:42:23 | 0:42:26 | |
Just sit yourself up, fella. | 0:42:27 | 0:42:29 | |
There we go. | 0:42:29 | 0:42:30 | |
Right. | 0:42:32 | 0:42:33 | |
'They never thank you for saving their lives. | 0:42:34 | 0:42:36 | |
'As soon as you start waving syringes around, | 0:42:36 | 0:42:37 | |
'they know what you've done | 0:42:37 | 0:42:39 | |
'and they don't want you to give them any more.' | 0:42:39 | 0:42:41 | |
However they've paid for it, they got their hit | 0:42:41 | 0:42:43 | |
and if you turn up and ruin it by administering the drug, | 0:42:43 | 0:42:45 | |
they don't particularly like it, so... | 0:42:45 | 0:42:47 | |
You understand the potential of you walking away here is that | 0:42:49 | 0:42:52 | |
you could overdose again and stop breathing, you understand that? | 0:42:52 | 0:42:55 | |
Yeah, I know you've no intention but you have to understand | 0:42:56 | 0:42:59 | |
and you need to repeat it back to me. | 0:42:59 | 0:43:00 | |
Yeah? | 0:43:02 | 0:43:03 | |
Fantastic, right. | 0:43:07 | 0:43:08 | |
Well, sorry, mate, | 0:43:10 | 0:43:12 | |
cos we thought you were in cardiac arrest at the time. | 0:43:12 | 0:43:14 | |
-I'm sorry about that. -Can you sign there? | 0:43:14 | 0:43:16 | |
Cos you weren't breathing and you were blue. | 0:43:18 | 0:43:21 | |
To all intents and purposes, you were dead. | 0:43:21 | 0:43:23 | |
'You can become very angry and very disillusioned doing this job | 0:43:25 | 0:43:28 | |
'if you got judgmental with every single patient. | 0:43:28 | 0:43:31 | |
'My job is to treat what's put in front of me. | 0:43:32 | 0:43:36 | |
'If I suddenly got to the point where I'm judging and deciding | 0:43:36 | 0:43:38 | |
'who gets my assistance and who doesn't get my assistance, | 0:43:38 | 0:43:41 | |
'you're getting into the realms of playing God a little bit there.' | 0:43:41 | 0:43:45 | |
Come on, pop your jacket on. | 0:43:45 | 0:43:46 | |
If you want to leave, feel free to leave now, | 0:43:46 | 0:43:49 | |
otherwise stay with us and we'll take you to hospital. | 0:43:49 | 0:43:52 | |
Right. | 0:43:52 | 0:43:53 | |
'People aren't born onto the streets. | 0:43:57 | 0:43:59 | |
'They all have a story. | 0:43:59 | 0:44:01 | |
'In the time that I've been with the ambulance service, | 0:44:01 | 0:44:03 | |
'homelessness has definitely gone up. | 0:44:03 | 0:44:06 | |
'I've been to homeless people who went to public schools, | 0:44:06 | 0:44:09 | |
'who had good jobs, | 0:44:09 | 0:44:10 | |
'who were married and had children and are now living homeless.' | 0:44:10 | 0:44:13 | |
Your mates are all up the top. | 0:44:13 | 0:44:15 | |
With your dog. | 0:44:15 | 0:44:16 | |
All right? | 0:44:16 | 0:44:18 | |
OK, well, the dog that was with you, then. | 0:44:18 | 0:44:21 | |
'People who are kind of living on the streets have no-one. | 0:44:21 | 0:44:25 | |
'It... It's sad.' | 0:44:25 | 0:44:26 | |
Yeah, well, because he's at an angle, if I hold it like this, | 0:44:30 | 0:44:33 | |
it'll be... | 0:44:33 | 0:44:34 | |
Cyrus's carer has arrived | 0:44:34 | 0:44:37 | |
and offered to help Shaney and Gary move him down to the ambulance. | 0:44:37 | 0:44:40 | |
Does he normally go to hospital with you? | 0:44:40 | 0:44:42 | |
-It's not on properly, no? -No, it needs to come up. | 0:44:44 | 0:44:47 | |
One, two, three... | 0:44:47 | 0:44:49 | |
-Is that OK? -Yes, fine. | 0:44:49 | 0:44:52 | |
Thank you so much for your help. | 0:44:52 | 0:44:54 | |
No, you've saved another ambulance coming. | 0:44:54 | 0:44:56 | |
-I'll give them a call. -Did you cancel it? | 0:44:56 | 0:44:59 | |
Yeah, it's Echo 202. You can cancel. | 0:44:59 | 0:45:02 | |
We've worked around it with the help of the carer, over. | 0:45:02 | 0:45:05 | |
Of course, of course, are you ready to go? | 0:45:07 | 0:45:09 | |
I'm going to get this up. | 0:45:13 | 0:45:14 | |
Sweetheart, just give us a second. | 0:45:18 | 0:45:20 | |
We're just going to get your husband on the bed | 0:45:20 | 0:45:22 | |
and then we'll get you in, all right? | 0:45:22 | 0:45:23 | |
All right, you ready? | 0:45:24 | 0:45:26 | |
One, two, three... | 0:45:26 | 0:45:27 | |
Perfect. | 0:45:28 | 0:45:29 | |
You should get a job in the ambulance service. | 0:45:29 | 0:45:31 | |
-I just said that to him. -Did you? | 0:45:31 | 0:45:32 | |
THEY LAUGH | 0:45:32 | 0:45:34 | |
Erm... Four. | 0:45:45 | 0:45:49 | |
Not yet. Not yet! | 0:45:50 | 0:45:52 | |
Where are you from? | 0:45:54 | 0:45:56 | |
Oh, really? | 0:45:56 | 0:45:57 | |
When did you come over here? | 0:45:58 | 0:46:00 | |
Really? | 0:46:02 | 0:46:03 | |
Oh, I see. | 0:46:05 | 0:46:06 | |
36 years! | 0:46:06 | 0:46:08 | |
Oh, honey. I know, it must have been horrific. | 0:46:13 | 0:46:16 | |
How was...? | 0:46:16 | 0:46:17 | |
Wow. | 0:46:28 | 0:46:29 | |
Well, that's pretty horrific. | 0:46:31 | 0:46:33 | |
This is your ex-husband? | 0:46:37 | 0:46:38 | |
Do you still live together though? | 0:46:41 | 0:46:43 | |
Wow! | 0:46:55 | 0:46:57 | |
It's a good job you do love him, isn't it? | 0:47:03 | 0:47:05 | |
Sorry, darling? | 0:47:14 | 0:47:17 | |
Yeah, we're here. | 0:47:17 | 0:47:18 | |
You all right, darling? | 0:47:28 | 0:47:30 | |
Yes, of course. | 0:47:30 | 0:47:32 | |
Don't rush! | 0:47:32 | 0:47:33 | |
By five o'clock, | 0:47:38 | 0:47:40 | |
call volume across London has fallen and normal service has resumed. | 0:47:40 | 0:47:44 | |
Is there a person there that needs an ambulance? | 0:47:57 | 0:48:00 | |
You don't need... | 0:48:02 | 0:48:04 | |
Tell me exactly what's happened. | 0:48:04 | 0:48:06 | |
Right. | 0:48:14 | 0:48:16 | |
OK. | 0:48:16 | 0:48:17 | |
Ambulance emergency, what is the address you need the ambulance? | 0:48:18 | 0:48:22 | |
Sorry, you're the Queen? | 0:48:26 | 0:48:27 | |
You're the Queen of England? | 0:48:27 | 0:48:29 | |
All right. So why have you dialled 999? | 0:48:30 | 0:48:32 | |
Emergency ambulance, what's the address of the emergency? | 0:48:33 | 0:48:37 | |
Sir, sir, I'm going to tell you what to do, right. | 0:48:46 | 0:48:49 | |
OK, is everyone safe and out of danger? | 0:48:49 | 0:48:51 | |
You think he's dead? | 0:48:57 | 0:48:58 | |
Right, so you... | 0:49:05 | 0:49:06 | |
Yeah, OK, listen to me. | 0:49:06 | 0:49:08 | |
Help is on the way. We're getting the fire brigade. | 0:49:08 | 0:49:10 | |
How many now? | 0:49:10 | 0:49:11 | |
Three now? | 0:49:12 | 0:49:14 | |
So you've just got a third person out, yeah? | 0:49:14 | 0:49:17 | |
And they're burnt as well, are they? | 0:49:17 | 0:49:19 | |
IP62. | 0:49:21 | 0:49:23 | |
Pete is the nearest advanced paramedic. | 0:49:23 | 0:49:26 | |
Stoke Newington area, there's a fire call. | 0:49:26 | 0:49:28 | |
There's lots and lots of people at the scene. | 0:49:28 | 0:49:30 | |
I think there's a lot of smoke. Involving a flat. | 0:49:30 | 0:49:32 | |
Some people are reporting an explosion. | 0:49:32 | 0:49:34 | |
But there's one person trapped inside and there's one person | 0:49:34 | 0:49:37 | |
outside that was either on fire or something to that effect. | 0:49:37 | 0:49:40 | |
We had multiple calls and by multiple I mean in excess of ten. | 0:49:40 | 0:49:44 | |
I will go. Be green in two seconds. | 0:49:44 | 0:49:46 | |
All right, bye. | 0:49:46 | 0:49:47 | |
'Multiple calls normally triggers alarm bells | 0:49:49 | 0:49:52 | |
'that what you're responding to is going to be big. | 0:49:52 | 0:49:57 | |
'It does make you step up a gear and focus.' | 0:49:57 | 0:50:01 | |
Four ambulances, five first response cars, advanced paramedic Pete, | 0:50:03 | 0:50:08 | |
the air ambulance team and the fire brigade are all en route. | 0:50:08 | 0:50:12 | |
Yeah, so you've got everybody coming down there as fast as they can. | 0:50:12 | 0:50:15 | |
Well, they're all on the way. | 0:50:15 | 0:50:16 | |
Ambulance, police and the fire brigade. Everyone's on the way. | 0:50:16 | 0:50:20 | |
They are coming as fast as they can. | 0:50:22 | 0:50:24 | |
Seconds feel like minutes, minutes feel like hours, | 0:50:26 | 0:50:29 | |
when you're waiting for an ambulance, don't they? | 0:50:29 | 0:50:32 | |
You're doing really well though. Just keep flushing out with water. | 0:50:37 | 0:50:40 | |
Yes? | 0:50:48 | 0:50:49 | |
I can't talk to you at the moment. | 0:50:49 | 0:50:51 | |
OK, I can't talk to you. | 0:50:51 | 0:50:52 | |
The air ambulance team will deal with the patient feared dead | 0:50:59 | 0:51:02 | |
inside the flat. | 0:51:02 | 0:51:03 | |
Pete is responsible for the other three patients | 0:51:03 | 0:51:06 | |
who are scattered across the site. | 0:51:06 | 0:51:08 | |
Hello, mate. | 0:51:08 | 0:51:09 | |
Yeah. | 0:51:11 | 0:51:12 | |
Yeah. | 0:51:13 | 0:51:14 | |
Yeah. | 0:51:15 | 0:51:16 | |
Yeah. | 0:51:18 | 0:51:19 | |
-OK. -OK? | 0:51:23 | 0:51:24 | |
-Do we know the cause of the explosion? -We don't yet... | 0:51:24 | 0:51:27 | |
All right, no worries, I'll go and start triaging. | 0:51:27 | 0:51:29 | |
Yeah, hello, mate, you all right? | 0:51:30 | 0:51:32 | |
-OK, so, open your mouth, stick your tongue out and say, "Ah". -Ahhh... | 0:51:32 | 0:51:35 | |
And does your... Does your throat feel burnt at all? | 0:51:35 | 0:51:39 | |
I'm just going to look up your nose. | 0:51:39 | 0:51:40 | |
-It does feel burnt. -OK, so he's got singeing to his nose hair. | 0:51:40 | 0:51:44 | |
-What happened? -I don't know, mate. | 0:51:44 | 0:51:46 | |
OK, all right. | 0:51:46 | 0:51:47 | |
Let's leave these on here for another ten minutes | 0:51:47 | 0:51:49 | |
so the burns gels have been on for 15 minutes. | 0:51:49 | 0:51:51 | |
-You're going to stay with this guy, OK, all right? -OK. | 0:51:51 | 0:51:53 | |
And you guys are going to transport him. | 0:51:53 | 0:51:55 | |
-Is this patient number three? -No, it's only patient number four. | 0:52:00 | 0:52:02 | |
Injuries, quickly? | 0:52:02 | 0:52:03 | |
-He's got quite a lot of singeing. -Got you. | 0:52:03 | 0:52:05 | |
-Dude, open up your mouth and say, "Ah." -Ahhh... | 0:52:05 | 0:52:09 | |
OK, so there's no soot in the airway. | 0:52:09 | 0:52:11 | |
-I couldn't see anything. -No singeing. | 0:52:11 | 0:52:13 | |
OK, cool. I'm happy to leave you with him. | 0:52:13 | 0:52:15 | |
-OK? All right. -Yeah, no worries. | 0:52:15 | 0:52:17 | |
-Hello. -Are you the LAS paramedic? | 0:52:18 | 0:52:19 | |
-Yes, yeah. -We're about ready to go, he wants you to come with him. | 0:52:19 | 0:52:22 | |
The explosion's happened in the middle of an Orthodox Jewish area | 0:52:22 | 0:52:26 | |
and the community Hatzola ambulance has come to lend a hand. | 0:52:26 | 0:52:29 | |
-GROANING MAN: -All right, all right. | 0:52:31 | 0:52:33 | |
Hello, man, how are you? I'm Pete, you all right? | 0:52:33 | 0:52:35 | |
How you doing? Nice to meet you, mate. | 0:52:35 | 0:52:37 | |
-Injuries? -There's burns on his face. | 0:52:37 | 0:52:38 | |
-His neck... His neck. His two hands, both have deformed. -OK. | 0:52:38 | 0:52:42 | |
And he's got the both legs and his buttocks. | 0:52:42 | 0:52:44 | |
How long have these burns gels been on? | 0:52:44 | 0:52:46 | |
Have they been on for more than 15 minutes? | 0:52:46 | 0:52:49 | |
-Um... Just about, yes... -OK, right. So, guys, all burns gels off. | 0:52:49 | 0:52:53 | |
I want clingfilm on the burns you can see, | 0:52:53 | 0:52:55 | |
don't wrap them all the way around his arms. | 0:52:55 | 0:52:57 | |
Once the clingfilm's on, | 0:52:57 | 0:52:59 | |
I want him completely covered to stop him getting cold. | 0:52:59 | 0:53:01 | |
Sir, my name's Peter, all right? We're going to look after you. | 0:53:01 | 0:53:04 | |
We're going to give you some very, very strong pain medicines. | 0:53:04 | 0:53:06 | |
Does your airway, does your throat feel burnt at all or sore? | 0:53:06 | 0:53:09 | |
-MAN: -Yeah. -OK. OK, right, this guy needs to go. | 0:53:09 | 0:53:12 | |
OK, I'm worried about his airway. | 0:53:12 | 0:53:14 | |
Just going to give you some strong painkillers, OK? | 0:53:14 | 0:53:16 | |
Some really, really strong painkillers. | 0:53:16 | 0:53:19 | |
Yeah, Papa 6-2, can you show me blue with Hatzola | 0:53:19 | 0:53:21 | |
to the Royal London Major Trauma Centre, please? | 0:53:21 | 0:53:24 | |
-OVER RADIO: -'Blue for the London with Hatzola.' | 0:53:25 | 0:53:27 | |
He has partial and full thickness burns. | 0:53:28 | 0:53:31 | |
I haven't worked out a percentage yet. He does have airway burns. | 0:53:31 | 0:53:36 | |
He's currently GCS 15 and talking. | 0:53:38 | 0:53:42 | |
He's been given IV ketamine and our ETA to the Royal London | 0:53:42 | 0:53:46 | |
is going to be 15, 1-5 minutes, over. | 0:53:46 | 0:53:48 | |
'Pete, I got all of that loud and clear.' | 0:53:48 | 0:53:50 | |
Thanks, I'm going to pass for you now. | 0:53:50 | 0:53:52 | |
How's that pain? I gave you a really strong painkiller. How's the pain? | 0:53:54 | 0:53:57 | |
Is it a little bit better? OK, cool. Right, let's go, please. | 0:53:57 | 0:54:00 | |
Thanks very much. All right, all right, it's OK, it's OK. | 0:54:00 | 0:54:04 | |
He's got full thickness burns to his face, hands, buttocks and both | 0:54:04 | 0:54:08 | |
lower limbs, and confirmed to have airway burns, which presents a huge | 0:54:08 | 0:54:12 | |
problem because it isn't long before the airways start swelling. | 0:54:12 | 0:54:15 | |
Hence the need to go very, very swiftly to hospital | 0:54:17 | 0:54:20 | |
with this gentleman. | 0:54:20 | 0:54:21 | |
And I'm sure Pete will be watching him like a hawk the whole way there. | 0:54:22 | 0:54:27 | |
Yeah, of course, yeah. No, it's fine. | 0:54:27 | 0:54:29 | |
Each day can be... | 0:54:32 | 0:54:35 | |
mentally, emotionally and quite physically draining. | 0:54:35 | 0:54:38 | |
It takes its toll, that's for sure. | 0:54:38 | 0:54:41 | |
-PHONE RINGS -'Hi!' | 0:54:42 | 0:54:45 | |
Oh, hello. | 0:54:45 | 0:54:47 | |
-'Hello, how are you?' -Yeah. More importantly, how are you? | 0:54:47 | 0:54:50 | |
'Ah, yeah, good, good. I'm tired now.' | 0:54:50 | 0:54:52 | |
'I bet you are.' | 0:54:52 | 0:54:53 | |
I'd love to talk to you for longer but I want to go home. | 0:54:53 | 0:54:56 | |
-SHE LAUGHS -'I'll speak to you tonight.' | 0:54:56 | 0:54:57 | |
-All right. Take care, sleep well. -'Bye!' | 0:54:57 | 0:54:59 | |
-Bye-bye! -'Bye.' | 0:54:59 | 0:55:01 | |
He sounds fine, you know. | 0:55:01 | 0:55:02 | |
To be fair, we're all pretty resilient. | 0:55:02 | 0:55:04 | |
You've got to be, otherwise, after years of doing this I think... | 0:55:04 | 0:55:09 | |
-I'd probably be a jibbering wreck! -SHE LAUGHS | 0:55:09 | 0:55:12 | |
# Oh, my | 0:55:13 | 0:55:14 | |
# I didn't know what it means to believe | 0:55:15 | 0:55:19 | |
# Mmm | 0:55:20 | 0:55:22 | |
# Oh, my | 0:55:22 | 0:55:24 | |
# I didn't know what it means to believe... # | 0:55:25 | 0:55:28 | |
With the greatest of respect, the governing party of the UK | 0:55:28 | 0:55:31 | |
isn't really relevant as to whether you need an ambulance at the moment. | 0:55:31 | 0:55:34 | |
Frederick, Frederick? | 0:55:34 | 0:55:36 | |
OK, Frederick, I don't think God is going to punch me on the nose today. | 0:55:36 | 0:55:39 | |
Frederick, you're going to need to listen to me. | 0:55:39 | 0:55:41 | |
# Oh, Lord | 0:55:41 | 0:55:43 | |
# I'mma getting ready | 0:55:43 | 0:55:45 | |
# To believe | 0:55:45 | 0:55:48 | |
# Oh, my... # | 0:55:50 | 0:55:52 | |
My sister asked me not that long ago about how many dead people | 0:55:52 | 0:55:54 | |
I reckon I'd seen and I genuinely have long ago lost count. | 0:55:54 | 0:55:59 | |
It's only when you talk about it or chat to relatives or friends | 0:55:59 | 0:56:03 | |
who aren't involved in this, | 0:56:03 | 0:56:04 | |
you realise that what we do is not entirely normal. | 0:56:04 | 0:56:08 | |
HE CHUCKLES | 0:56:08 | 0:56:09 | |
# But if I hold on tight is it true? | 0:56:09 | 0:56:14 | |
# Would you take care of all that I do? | 0:56:14 | 0:56:18 | |
# Oh, Lord... # | 0:56:18 | 0:56:19 | |
-SHE GROANS -I'm pleased that day's over! | 0:56:19 | 0:56:22 | |
Yeah, I bet. | 0:56:22 | 0:56:23 | |
SHE LAUGHS | 0:56:23 | 0:56:26 | |
It was a nice way to finish, though. | 0:56:26 | 0:56:28 | |
# Then we'll be waving hands singing freely | 0:56:28 | 0:56:31 | |
# Singing standing tall It's now coming easy | 0:56:32 | 0:56:36 | |
# Mmm | 0:56:36 | 0:56:37 | |
# No more looking down, honey Can't you see? # | 0:56:37 | 0:56:40 | |
-Home, James. -Yep. | 0:56:41 | 0:56:43 | |
I'm done. | 0:56:43 | 0:56:44 | |
-London's had it all. -JAMES CHUCKLES | 0:56:45 | 0:56:48 | |
# I'mma getting ready | 0:56:48 | 0:56:50 | |
# Oh, Lord | 0:56:50 | 0:56:52 | |
# I'mma getting ready | 0:56:53 | 0:56:55 | |
# To believe. # | 0:56:55 | 0:56:59 | |
Next time, it's the night shift. | 0:57:03 | 0:57:07 | |
I need you to keep calm, keep taking the gas and air, darling. | 0:57:07 | 0:57:10 | |
FEMALE WHINES WITH PAIN | 0:57:10 | 0:57:11 | |
Unfortunately, we've got too many calls and not enough trucks | 0:57:11 | 0:57:14 | |
and a lot of very sick people tonight. | 0:57:14 | 0:57:15 |