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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
Ambulance Service. Is the patient breathing? | 0:00:04 | 0:00:06 | |
Every year in Britain, | 0:00:09 | 0:00:11 | |
12 million people dial 999 for an emergency ambulance, | 0:00:11 | 0:00:15 | |
more than 3,000 a day in the West Midlands. | 0:00:15 | 0:00:17 | |
Right. Stop screaming and listen to me, listen, | 0:00:17 | 0:00:20 | |
don't be afraid to push too hard. | 0:00:20 | 0:00:22 | |
One and two and three. | 0:00:22 | 0:00:24 | |
-One and two... -CPR in progress. | 0:00:24 | 0:00:26 | |
SIREN WAILS | 0:00:26 | 0:00:28 | |
Everyone clear? | 0:00:28 | 0:00:29 | |
Each call tells the story of a person in desperate need. | 0:00:29 | 0:00:33 | |
Can you upgrade it to a red, please? He's been badly beaten. | 0:00:33 | 0:00:36 | |
Do you know what it was you were stabbed with, Don? | 0:00:36 | 0:00:38 | |
And with call numbers doubling in the last decade... | 0:00:38 | 0:00:41 | |
Keep going! His hair! The head's here, the head's here, nearly. Yeah. | 0:00:41 | 0:00:44 | |
-I can't! -You can. | 0:00:44 | 0:00:46 | |
..for our public services, a situation that is now critical. | 0:00:46 | 0:00:50 | |
They've got to find somewhere for him, | 0:00:50 | 0:00:52 | |
they can't just say there's no beds. | 0:00:52 | 0:00:54 | |
Is this literally what you've got? What you're standing up in? | 0:00:54 | 0:00:56 | |
You've got nothing else? | 0:00:56 | 0:00:58 | |
-OK. -The failure of the system. | 0:00:59 | 0:01:01 | |
-AMBULANCE SIREN -Oh, God. | 0:01:01 | 0:01:03 | |
-Oh... -Oh, my God. | 0:01:03 | 0:01:05 | |
What was he doing? | 0:01:06 | 0:01:08 | |
All right, guys. Just, just one minute. | 0:01:08 | 0:01:10 | |
Cameras follow cases as they unfold, minute by minute. | 0:01:10 | 0:01:13 | |
Two ambulances, please, if possible. | 0:01:13 | 0:01:15 | |
OK, yeah. As long as you're all right, | 0:01:15 | 0:01:17 | |
I'll get everybody to you as quick as I can. | 0:01:17 | 0:01:19 | |
In the control room... | 0:01:19 | 0:01:20 | |
Confirmed life extinct. | 0:01:20 | 0:01:21 | |
-LOW TONE -Oh, man. | 0:01:21 | 0:01:24 | |
..and on the ground... | 0:01:24 | 0:01:26 | |
Sorry for your loss. | 0:01:26 | 0:01:27 | |
..as the West Midlands Ambulance Service race to save lives. | 0:01:27 | 0:01:31 | |
They are coming to you, blue lights and sirens, | 0:01:31 | 0:01:33 | |
as fast as they possibly can. | 0:01:33 | 0:01:35 | |
SIREN WAILS | 0:01:35 | 0:01:37 | |
Is he breathing? | 0:01:37 | 0:01:38 | |
Can you see the helicopter? | 0:01:38 | 0:01:40 | |
You're no trouble, honestly. | 0:01:40 | 0:01:41 | |
Everybody needs help sometimes, don't they? | 0:01:41 | 0:01:44 | |
This is the story behind the sirens. | 0:01:44 | 0:01:46 | |
-Nee-naw... -Nee-naw, nee-naw... | 0:01:46 | 0:01:49 | |
Get out the way, I'm driving. | 0:01:49 | 0:01:52 | |
SIREN STARTS | 0:01:52 | 0:01:53 | |
Ambulance Service. Is the patient breathing? | 0:02:06 | 0:02:08 | |
Can you get any response from him at all? | 0:02:11 | 0:02:14 | |
All right. Can you say the word "now" for me | 0:02:14 | 0:02:17 | |
every time he takes a breath? | 0:02:17 | 0:02:19 | |
And the next one. | 0:02:19 | 0:02:20 | |
INDISTINCT VOICE | 0:02:24 | 0:02:26 | |
Has he taken another one? | 0:02:26 | 0:02:28 | |
Listen to me, then. | 0:02:30 | 0:02:32 | |
Pull him onto the floor for me. It's really important. | 0:02:32 | 0:02:34 | |
He's a big man... | 0:02:34 | 0:02:35 | |
Listen, put the phone to one side and go and help him. | 0:02:35 | 0:02:38 | |
It's an hour and a half into the Saturday night shift. | 0:02:38 | 0:02:41 | |
The CPR call in progress is a category one, | 0:02:41 | 0:02:45 | |
the most life-threatening. | 0:02:45 | 0:02:46 | |
Put the heel of your hand in the centre of his chest | 0:02:46 | 0:02:48 | |
and the other hand on top of it. | 0:02:48 | 0:02:50 | |
Press down on his chest at least two inches | 0:02:50 | 0:02:52 | |
while you keep your arms straight. | 0:02:52 | 0:02:53 | |
And don't be afraid to push too hard. | 0:02:53 | 0:02:56 | |
It's one of 193 999 calls | 0:02:56 | 0:02:59 | |
the West Midlands Ambulance Service is currently dealing with. | 0:02:59 | 0:03:02 | |
Do it at the rate of one and two and three. | 0:03:02 | 0:03:04 | |
And one and two and three. | 0:03:04 | 0:03:06 | |
Five miles away, crewmates Katie and Sarah have just become free. | 0:03:06 | 0:03:10 | |
FAINT BEEPING | 0:03:10 | 0:03:12 | |
-Rowley Regis. -Unconscious, not breathing. | 0:03:12 | 0:03:14 | |
CPR in progress. | 0:03:16 | 0:03:17 | |
And just a bit quicker for me. | 0:03:23 | 0:03:25 | |
One and two and three. | 0:03:25 | 0:03:26 | |
That's it. Can you count out loud so I can hear you doing it? | 0:03:28 | 0:03:31 | |
You're doing really well. We're coming as quickly as we can. | 0:03:32 | 0:03:35 | |
I haven't done an OS for ages. | 0:03:35 | 0:03:37 | |
I can't even remember the last one I did. | 0:03:37 | 0:03:39 | |
This is the first one I've done since I've been back on the road. | 0:03:39 | 0:03:41 | |
-CALLER: -We need, please, somebody to come, because nothing's happening! | 0:03:41 | 0:03:46 | |
-We are coming as quickly as we can. -There's nothing happening. | 0:03:46 | 0:03:49 | |
Keep going, though. | 0:03:49 | 0:03:50 | |
One, two, three. | 0:03:50 | 0:03:53 | |
-You've got your steth in your pocket, haven't you? -Yeah. | 0:03:53 | 0:03:56 | |
If you take your steth, I'll grab... | 0:03:56 | 0:03:58 | |
-..the suction... -I'll grab... -..and take in the ALS bag. -Yeah. | 0:03:59 | 0:04:04 | |
-IN VOICEOVER: -I get nervous. | 0:04:04 | 0:04:05 | |
I try and keep it under wraps, but deep down, you know, | 0:04:05 | 0:04:09 | |
this person's life is in your hands | 0:04:09 | 0:04:11 | |
and it's your responsibility not to get it wrong. | 0:04:11 | 0:04:14 | |
Katie and Sarah are nine minutes from the patient's house. | 0:04:15 | 0:04:19 | |
With the patient's heart stopped, | 0:04:19 | 0:04:21 | |
two crews are needed for the best chance of survival, | 0:04:21 | 0:04:24 | |
so a second ambulance is on its way. | 0:04:24 | 0:04:26 | |
Is he breathing? | 0:04:29 | 0:04:30 | |
Have a look if he's breathing. Look at his chest. | 0:04:31 | 0:04:33 | |
Nothing at all? Keep going with the chest compressions. | 0:04:35 | 0:04:38 | |
That's it. Keep going. We're coming as quickly as we can. | 0:04:40 | 0:04:42 | |
Do NOT try and walk out. | 0:04:44 | 0:04:46 | |
Jesus Christ. | 0:04:47 | 0:04:49 | |
I think he actually thought we were going to let him go. | 0:04:49 | 0:04:51 | |
-CALLER: -Come on, Terry. Come on. -Keep going. | 0:04:51 | 0:04:54 | |
Keep going. Don't stop until I tell you to. | 0:04:54 | 0:04:56 | |
The other crew arrives first. | 0:04:56 | 0:04:59 | |
-CALLER: -..three. One, two, three. | 0:04:59 | 0:05:02 | |
I won't leave you until I can hear them in the room, OK? | 0:05:02 | 0:05:05 | |
The patient's wife has been doing CPR for eight and a half minutes. | 0:05:05 | 0:05:09 | |
What's his name? | 0:05:16 | 0:05:18 | |
Has he ever had any cardiac events or anything? | 0:05:19 | 0:05:22 | |
That's it, Terry. | 0:05:26 | 0:05:28 | |
What's your name, sweetheart? | 0:05:28 | 0:05:30 | |
Are you Terry's wife, Joan? | 0:05:30 | 0:05:32 | |
-Can you charge that, mate? -Yeah. | 0:05:32 | 0:05:34 | |
-Charged. -OK. Everyone clear. | 0:05:37 | 0:05:39 | |
Shocking. | 0:05:39 | 0:05:40 | |
So first shock. Has anyone got a time? | 0:05:43 | 0:05:45 | |
-IN VOICEOVER: -Programmes on TV and reality are quite different things. | 0:05:51 | 0:05:55 | |
People will get their hopes up because of what they've seen on TV, | 0:05:55 | 0:05:59 | |
where their loved one has CPR performed | 0:05:59 | 0:06:01 | |
and they're back to life and it's all happy. | 0:06:01 | 0:06:03 | |
But the chances of that happening are quite slim. | 0:06:06 | 0:06:09 | |
I've been to 15 cardiac arrests, | 0:06:11 | 0:06:14 | |
only two survived long enough to be discharged home. | 0:06:14 | 0:06:19 | |
-Sarah, if you get the flush out, I'll just swap over. -Yeah. | 0:06:20 | 0:06:24 | |
-OK. Ready? -Yeah. | 0:06:27 | 0:06:29 | |
OK. Charging again. | 0:06:32 | 0:06:35 | |
Everyone clear? | 0:06:35 | 0:06:36 | |
Yeah? Back on chest. | 0:06:36 | 0:06:38 | |
Check pulse. | 0:06:39 | 0:06:40 | |
Back on chest. | 0:06:43 | 0:06:44 | |
-IN VOICEOVER: -All your adrenaline is going because this is it. | 0:06:44 | 0:06:48 | |
It's now or never. | 0:06:48 | 0:06:49 | |
You have got to do absolutely everything you can | 0:06:49 | 0:06:52 | |
because as time goes on, the chance of survival decreases. | 0:06:52 | 0:06:55 | |
OK. Adrenaline just going in now. | 0:06:56 | 0:06:59 | |
We've not got nothing, have we? | 0:07:05 | 0:07:07 | |
It's 26 minutes since Terry first went into cardiac arrest. | 0:07:07 | 0:07:11 | |
OK, everyone clear. | 0:07:20 | 0:07:21 | |
Yeah, press it. Yeah. | 0:07:21 | 0:07:22 | |
-I've got a pulse. -Got a pulse? -Yeah. | 0:07:33 | 0:07:35 | |
-He's making a good effort now. -OK. Cool. | 0:07:38 | 0:07:41 | |
Right, let's get ready. | 0:07:41 | 0:07:43 | |
Yeah. Someone will go in... | 0:07:47 | 0:07:49 | |
There's two ambulances going, so one can go in the one at the back, | 0:07:49 | 0:07:52 | |
OK, cos we obviously need quite... | 0:07:52 | 0:07:54 | |
Yeah, that's absolutely fine. | 0:07:54 | 0:07:56 | |
We need quite a lot of space. At the moment, he has got a pulse, | 0:07:56 | 0:07:59 | |
but things can change, all right, sweetheart? | 0:07:59 | 0:08:01 | |
I don't want to get your hopes up, all right? | 0:08:01 | 0:08:03 | |
We'll get him straight to the hospital now, all right? | 0:08:03 | 0:08:05 | |
That's it, Terry. That's the ambulance. | 0:08:05 | 0:08:07 | |
We're going to get you to the hospital now, sweetheart. | 0:08:07 | 0:08:10 | |
You're doing really well. | 0:08:10 | 0:08:11 | |
Right then. On three. One, two, three... | 0:08:11 | 0:08:13 | |
OK, we're going to have two go up. | 0:08:16 | 0:08:19 | |
Can you support that arm? | 0:08:19 | 0:08:20 | |
That's it, we're through. | 0:08:25 | 0:08:26 | |
Right. OK. | 0:08:35 | 0:08:37 | |
Right, let's reassess. | 0:08:39 | 0:08:40 | |
SHE EXHALES | 0:08:40 | 0:08:42 | |
Let's have your arm, Terry. That's it. | 0:08:44 | 0:08:46 | |
He's gagging now as well. | 0:08:48 | 0:08:50 | |
Is he? | 0:08:50 | 0:08:51 | |
He's definitely got a pulse. | 0:08:52 | 0:08:54 | |
Just going to put a mask on your face. | 0:08:55 | 0:08:57 | |
We've got a blink there as well. | 0:08:58 | 0:09:00 | |
Well done, Terry. Well done. | 0:09:00 | 0:09:02 | |
Doing really well, Terry. | 0:09:02 | 0:09:03 | |
I'm going to take this ambulance, they're going to take Terry. | 0:09:07 | 0:09:09 | |
You can both come. That's not a problem. All right? | 0:09:09 | 0:09:12 | |
I'm just going to shut your doors now, all right, chuck? | 0:09:12 | 0:09:14 | |
All right, then, my lovely. If you two have a seat there. | 0:09:22 | 0:09:26 | |
OK? | 0:09:26 | 0:09:27 | |
At this point... | 0:09:30 | 0:09:31 | |
It's difficult to know. | 0:09:31 | 0:09:33 | |
He is making a really, really good effort at the moment. | 0:09:33 | 0:09:35 | |
A really good effort. | 0:09:35 | 0:09:37 | |
Yeah. And I can see that. | 0:09:38 | 0:09:40 | |
He is fighting. | 0:09:40 | 0:09:42 | |
All right? | 0:09:42 | 0:09:43 | |
Aw, bless him. | 0:09:44 | 0:09:46 | |
Well, we'll do our best for him and we'll get him there | 0:09:46 | 0:09:48 | |
as quickly as we can, all right, my love? | 0:09:48 | 0:09:50 | |
All right, ladies. | 0:10:41 | 0:10:42 | |
I'll take you inside. Don't worry. | 0:10:46 | 0:10:48 | |
They'll have taken him straight through to the resus area. | 0:10:48 | 0:10:51 | |
It may just be for the first sort of five or ten minutes, | 0:10:51 | 0:10:54 | |
they may just need you to wait. | 0:10:54 | 0:10:55 | |
Go ahead, over. | 0:11:00 | 0:11:01 | |
In the control room, | 0:11:01 | 0:11:03 | |
team three are four hours into their Saturday night shift. | 0:11:03 | 0:11:06 | |
All right, mate. I'll speak to you in a bit, OK? Give us an update. | 0:11:06 | 0:11:10 | |
Give us an update. | 0:11:10 | 0:11:11 | |
Controllers Glennis and Richard are responsible | 0:11:11 | 0:11:13 | |
for sending all ambulances across Birmingham tonight. | 0:11:13 | 0:11:16 | |
The patient's 41 weeks' pregnant and she's urging to push. | 0:11:16 | 0:11:19 | |
So I'll try and get you a second vehicle, | 0:11:19 | 0:11:21 | |
and I'll get you another update shortly, over. | 0:11:21 | 0:11:23 | |
News of Katie and Sarah's ROSC - getting a patient's pulse back - | 0:11:23 | 0:11:27 | |
is filtering through. | 0:11:27 | 0:11:28 | |
4449 went out to the cardiac arrest to the 75-year-old patient. | 0:11:28 | 0:11:34 | |
The crew got there, got an output, and it's a ROSC. | 0:11:34 | 0:11:37 | |
-Oh, nice one. -Which means...he's alive. | 0:11:37 | 0:11:41 | |
A ROSC is awesome for ourselves and for the staff, | 0:11:41 | 0:11:44 | |
but it's just maintaining that then | 0:11:44 | 0:11:46 | |
and seeing how we get on with the patient's ambition. | 0:11:46 | 0:11:49 | |
The next few hours will be crucial. | 0:11:49 | 0:11:50 | |
My very first cardiac arrest, we got a ROSC | 0:11:52 | 0:11:55 | |
and she was discharged from hospital two weeks later. | 0:11:55 | 0:11:58 | |
-Really? -Yeah. -I've never known any of mine... -Yeah. | 0:11:58 | 0:12:00 | |
In fact... | 0:12:01 | 0:12:03 | |
..he's probably the best ROSC I've ever had. | 0:12:04 | 0:12:07 | |
-Really? -Mm. | 0:12:07 | 0:12:08 | |
-Normally... -It was good. | 0:12:08 | 0:12:10 | |
..I get a ROSC and they go, and doctors call it in resus. | 0:12:10 | 0:12:14 | |
I whispered to you, "We need to turn the telly off." | 0:12:16 | 0:12:18 | |
I think we just happened to glance at the telly at the same point | 0:12:18 | 0:12:21 | |
and all I saw was an ambulance | 0:12:21 | 0:12:23 | |
and I just thought, "Oh, my God. Casualty's on. How inappropriate." | 0:12:23 | 0:12:27 | |
SHE LAUGHS | 0:12:27 | 0:12:28 | |
COMPUTER CHIMES | 0:12:28 | 0:12:30 | |
New job. A 32-year-old female with left-hand-side lower-back pain. | 0:12:30 | 0:12:36 | |
Just getting a few jobs in now. It's getting busy now. | 0:12:39 | 0:12:41 | |
There are 51 ambulances on shift in Birmingham at the moment, | 0:12:41 | 0:12:45 | |
but all of them are tied up with patients. | 0:12:45 | 0:12:47 | |
So we've got three... four outstanding. | 0:12:47 | 0:12:50 | |
We've got RTCs we can't cover. | 0:12:50 | 0:12:53 | |
Um, I've got a middle-back injury from an RTC. | 0:12:53 | 0:12:57 | |
That's another job. | 0:12:57 | 0:12:58 | |
Every person that rings for an ambulance, it's their emergency, | 0:12:59 | 0:13:04 | |
but I have to take on everybody's tragedy. | 0:13:04 | 0:13:08 | |
It's all right in an ideal world - | 0:13:08 | 0:13:10 | |
when you've got lots of ambulances, it's fine. | 0:13:10 | 0:13:12 | |
But when you haven't, you're having to prioritise. | 0:13:12 | 0:13:16 | |
Right, we've got a 33-year-old kicked in the knee. | 0:13:17 | 0:13:20 | |
He needs to just wait. | 0:13:20 | 0:13:23 | |
Wait for the ambulance because that won't be coming any time soon. | 0:13:24 | 0:13:28 | |
That's awesome, thank you. I'll book you clear. | 0:13:28 | 0:13:30 | |
If you can just stand by for the moment, | 0:13:30 | 0:13:32 | |
cos we are stacking a few nines, over. | 0:13:32 | 0:13:34 | |
As pubs begin to close, the 999 calls pour in. | 0:13:34 | 0:13:37 | |
Ambulance Service. Is the patient breathing? | 0:13:37 | 0:13:39 | |
OK, what's he done? | 0:13:43 | 0:13:44 | |
LOW TONE | 0:13:51 | 0:13:52 | |
What's the reason for the call? | 0:13:54 | 0:13:56 | |
LOW TONE | 0:14:02 | 0:14:03 | |
Oh, right. OK. What's the address of the emergency? | 0:14:09 | 0:14:12 | |
You called to say you've injured your knee and can't walk. | 0:14:17 | 0:14:20 | |
Can I ask whereabouts you are, please? | 0:14:20 | 0:14:22 | |
You're in an alleyway? | 0:14:24 | 0:14:26 | |
In an alleyway in a cul-de-sac? | 0:14:29 | 0:14:32 | |
-Yeah. -OK, let me just have a little look on the map, | 0:14:32 | 0:14:35 | |
where my ambulance crew are. | 0:14:35 | 0:14:37 | |
So I can try and locate you. | 0:14:37 | 0:14:39 | |
Are you able to shuffle on your bottom | 0:14:39 | 0:14:41 | |
so you're visible from the street for me at all? | 0:14:41 | 0:14:44 | |
I know you can't stand up. | 0:14:44 | 0:14:45 | |
I'm going to tell the crew to put the lights and sirens on, all right, | 0:14:47 | 0:14:50 | |
and see if he can hear them. | 0:14:50 | 0:14:52 | |
Can you put your lights and sirens on, just quickly, | 0:14:52 | 0:14:54 | |
to see if the patient can hear them? | 0:14:54 | 0:14:57 | |
Ungie and Maria are near to where the patient says he is. | 0:14:57 | 0:15:01 | |
-SIREN WAILS -Yeah, they're on. | 0:15:01 | 0:15:03 | |
Yeah. | 0:15:06 | 0:15:07 | |
Farnhurst Road, yeah? | 0:15:07 | 0:15:09 | |
Where, sorry? | 0:15:09 | 0:15:10 | |
-Farnhurst Road. -Farnhurst, I've got you now. | 0:15:10 | 0:15:14 | |
They're not in right place. They need to go down Farnhurst Road. | 0:15:14 | 0:15:18 | |
Apparently you need to go down Farnhurst Road. | 0:15:18 | 0:15:22 | |
Is he on Farnhurst Road then? | 0:15:22 | 0:15:24 | |
I don't know where he is. | 0:15:24 | 0:15:26 | |
I don't think he knows where he is. | 0:15:26 | 0:15:28 | |
Can you see the ambulance yet? | 0:15:28 | 0:15:30 | |
No. | 0:15:30 | 0:15:31 | |
They're being as quick as they can. | 0:15:35 | 0:15:37 | |
I bet it is cold on the floor. | 0:15:37 | 0:15:39 | |
We'll get you in the nice, warm ambulance in a bit. | 0:15:39 | 0:15:41 | |
We just need to get the crew to you. | 0:15:41 | 0:15:44 | |
It does look like a bit of a rabbit warren there. | 0:15:47 | 0:15:50 | |
Is it lots of little alleyways? | 0:15:50 | 0:15:52 | |
Hello? | 0:15:52 | 0:15:53 | |
Maurice! | 0:15:55 | 0:15:56 | |
-Maurice! -Maurice! | 0:15:56 | 0:15:58 | |
Is there anyone down there with you? | 0:15:59 | 0:16:02 | |
Maurice! | 0:16:02 | 0:16:03 | |
I know that, sweetheart. I know that. | 0:16:07 | 0:16:09 | |
And I know you're uncomfortable. We're being as quick as we can. | 0:16:09 | 0:16:12 | |
Can you hear any voices? | 0:16:12 | 0:16:14 | |
No. | 0:16:14 | 0:16:15 | |
Whilst on the phone to Maurice, 48 new 999 calls come in, | 0:16:16 | 0:16:21 | |
including several fights. | 0:16:21 | 0:16:23 | |
If all crews can be aware of High Street in Dudley | 0:16:24 | 0:16:28 | |
and surrounding streets. | 0:16:28 | 0:16:30 | |
I believe there is a fight in progress. | 0:16:30 | 0:16:32 | |
There's several fights ongoing the moment. | 0:16:32 | 0:16:35 | |
I don't know what's happening, | 0:16:35 | 0:16:37 | |
but I know it's quite tense in the city centre at the moment. | 0:16:37 | 0:16:40 | |
There might be. | 0:16:57 | 0:16:58 | |
Crikey. | 0:17:01 | 0:17:02 | |
OK. I take it you're en route? | 0:17:06 | 0:17:09 | |
Crikey, that's going to be... | 0:17:12 | 0:17:13 | |
I'm in an alleyway. | 0:17:17 | 0:17:19 | |
I... | 0:17:19 | 0:17:20 | |
I know you're in the alleyway. | 0:17:20 | 0:17:21 | |
But you know when you walked into the cul-de-sac... | 0:17:21 | 0:17:24 | |
Have you seen this RTC, Julia? | 0:17:24 | 0:17:26 | |
This is a big fight going on. | 0:17:26 | 0:17:29 | |
Right, warn the crew. | 0:17:29 | 0:17:30 | |
There's a fight in progress. | 0:17:30 | 0:17:32 | |
No, there's a fight in progress and somebody's been hit by a car. | 0:17:32 | 0:17:37 | |
Tell them not to approach until we've got police there. | 0:17:37 | 0:17:40 | |
There's a fight in progress and a person's been hit by a car. | 0:17:40 | 0:17:43 | |
Police are en route. Just stand by, safe distance. | 0:17:43 | 0:17:47 | |
Yeah, thank you. | 0:17:47 | 0:17:48 | |
Mark and Jacob are three miles from the fight. | 0:17:49 | 0:17:52 | |
Paramedic manager James is also en route, | 0:17:53 | 0:17:56 | |
to coordinate the scene with the other emergency services. | 0:17:56 | 0:17:59 | |
His is a BMW X5. | 0:17:59 | 0:18:01 | |
There's no way I'm going to be able to beat him in this thing. | 0:18:01 | 0:18:04 | |
I'm going to be expecting a lot of people around, though. | 0:18:08 | 0:18:10 | |
Yeah, it could be a bit carnage. | 0:18:10 | 0:18:12 | |
They arrive in seven minutes. | 0:18:13 | 0:18:15 | |
There's a few cop shop vehicles about. | 0:18:16 | 0:18:19 | |
-OK. -We'll have a look. -All right, fella. | 0:18:25 | 0:18:27 | |
All right, let's have a look at this arm. | 0:18:29 | 0:18:30 | |
It's just gone through the top. | 0:18:33 | 0:18:35 | |
I couldn't tell you, to be honest, mate. | 0:18:42 | 0:18:44 | |
There is a further casualty. | 0:18:44 | 0:18:46 | |
-Is there? -Query, baseball bat. | 0:18:46 | 0:18:47 | |
Yeah, yeah. I'll go and check him. | 0:18:47 | 0:18:49 | |
While Jacob stays with the man with suspected stab wounds, | 0:18:51 | 0:18:54 | |
Mark and James prioritise the more seriously injured man, | 0:18:54 | 0:18:58 | |
who they think's been attacked with a baseball bat. | 0:18:58 | 0:19:01 | |
Hello. | 0:19:01 | 0:19:02 | |
We're just going to get you sorted out now, all right? | 0:19:02 | 0:19:06 | |
Can I just have a quick listen to your breathing, OK? | 0:19:06 | 0:19:08 | |
You weren't knocked out, where you? | 0:19:10 | 0:19:11 | |
OK. | 0:19:12 | 0:19:14 | |
You feel sick? | 0:19:17 | 0:19:18 | |
HE RETCHES | 0:19:18 | 0:19:20 | |
Try and keep your neck still, if you can. | 0:19:20 | 0:19:23 | |
-Upgraded to a Red. -Breathe nice, slow, deep breaths. | 0:19:23 | 0:19:25 | |
A second ambulance has been requested. | 0:19:25 | 0:19:27 | |
But worried about the man's neck | 0:19:29 | 0:19:30 | |
and how long it will take to arrive on a busy Saturday night, | 0:19:30 | 0:19:33 | |
James contacts Control. | 0:19:33 | 0:19:35 | |
This gentleman needs to be immobilised - | 0:19:35 | 0:19:37 | |
he's been battered with a baseball bat. | 0:19:37 | 0:19:38 | |
He's conscious and breathing but looks pasty. | 0:19:38 | 0:19:40 | |
So I'd prefer them not to be diverted. | 0:19:40 | 0:19:43 | |
Yeah, roger. I'll get it sorted. Stand by. | 0:19:43 | 0:19:47 | |
Case 14. Can you upgrade it to a Red, please? | 0:19:47 | 0:19:51 | |
He's been badly beaten. | 0:19:51 | 0:19:53 | |
14. Ta, mate. | 0:19:53 | 0:19:55 | |
The fight victim is the highest priority patient currently | 0:19:55 | 0:19:58 | |
in Birmingham. He takes Glennis's last ambulance. | 0:19:58 | 0:20:02 | |
Seven other patients in the city will now be left waiting | 0:20:02 | 0:20:05 | |
until a new crew becomes free. | 0:20:05 | 0:20:07 | |
It's going to be a horrible night tonight. Really horrible. | 0:20:07 | 0:20:11 | |
We know it's going to be horrible now. | 0:20:11 | 0:20:13 | |
So I'm going to have to come under this shoulder as well. | 0:20:14 | 0:20:16 | |
I'm going to support your neck. Keep nice and still. | 0:20:16 | 0:20:20 | |
We are going to lower you to the floor, onto this board. All right? | 0:20:20 | 0:20:23 | |
On "lower", then. Ready? Set. Lower. | 0:20:23 | 0:20:25 | |
Well done, mate. Keep nice and still. | 0:20:27 | 0:20:30 | |
-HE GROANS -All right. Relax back. | 0:20:30 | 0:20:33 | |
Good lad. Well done. | 0:20:33 | 0:20:35 | |
All right, all right. | 0:20:35 | 0:20:36 | |
Perfect. | 0:20:37 | 0:20:39 | |
-IN VOICEOVER: -If someone's severely beaten, | 0:20:40 | 0:20:43 | |
especially around the head and neck, it's going to cause serious damage | 0:20:43 | 0:20:47 | |
to the point where they might not walk again. | 0:20:47 | 0:20:50 | |
Keep nice and still for me, mate, OK? | 0:20:50 | 0:20:52 | |
In reality, it's going to affect, not just the person that's injured, | 0:20:52 | 0:20:56 | |
but the family. And then the repercussions from that | 0:20:56 | 0:20:59 | |
sort of escalate out. It's like a ripple effect. | 0:20:59 | 0:21:01 | |
-OK. -Shall we slide him? | 0:21:03 | 0:21:04 | |
Yeah. | 0:21:04 | 0:21:05 | |
-PATIENT GROANS -All right, mate. | 0:21:07 | 0:21:09 | |
Doing really well. | 0:21:09 | 0:21:10 | |
I am surprised what people will do to each other. | 0:21:11 | 0:21:14 | |
It's almost like it's out of a film. | 0:21:14 | 0:21:16 | |
One, two, three. | 0:21:16 | 0:21:18 | |
But in the film, people will take a knife wound, | 0:21:18 | 0:21:20 | |
but get up and still carry on fighting. | 0:21:20 | 0:21:22 | |
When, in reality, that doesn't happen. | 0:21:22 | 0:21:25 | |
Well done, mate. | 0:21:25 | 0:21:26 | |
Go. | 0:21:26 | 0:21:28 | |
-ON RADIO: -Approximately 20-year-old male, | 0:21:28 | 0:21:30 | |
been assaulted with a baseball bat, | 0:21:30 | 0:21:33 | |
with numerous external injuries. | 0:21:33 | 0:21:35 | |
He's immobilised. Pain relief en route. | 0:21:35 | 0:21:37 | |
Off scene now for Heartlands. | 0:21:37 | 0:21:40 | |
ETA - 08 minutes. | 0:21:40 | 0:21:42 | |
Well done, mate. | 0:21:48 | 0:21:49 | |
-Are you happy for us to go, James, yeah? -Yeah. | 0:21:49 | 0:21:52 | |
Blues and twos, mate, all the way in. | 0:21:55 | 0:21:56 | |
How's your pain at the moment, mate? | 0:21:59 | 0:22:01 | |
Right, I'm going to use paracetamol, OK? | 0:22:03 | 0:22:05 | |
Intravenously. I'm going to look after you, bud. | 0:22:05 | 0:22:08 | |
So do you remember what happened, then? | 0:22:13 | 0:22:15 | |
Yeah. | 0:22:17 | 0:22:18 | |
Right, OK. | 0:22:22 | 0:22:23 | |
Yeah. | 0:22:24 | 0:22:25 | |
OK. Do you remember what the incident was all about? | 0:22:30 | 0:22:32 | |
Why it all started? | 0:22:32 | 0:22:33 | |
-IN VOICEOVER: -I'd expect fights to be over important things. | 0:22:39 | 0:22:43 | |
Being chivalrous, protecting your family. | 0:22:43 | 0:22:45 | |
Your loved ones. | 0:22:45 | 0:22:46 | |
But it ends up being over really silly, petty things, | 0:22:46 | 0:22:50 | |
when really we should just be nice to each other and get along. | 0:22:50 | 0:22:53 | |
It would make my job ten times easier. | 0:22:53 | 0:22:55 | |
Right, we're just pulling in to the hospital now. All right? | 0:22:56 | 0:22:59 | |
There's going to be doctors asking you questions | 0:22:59 | 0:23:01 | |
and prodding and poking you. All right? | 0:23:01 | 0:23:03 | |
Completely normal. You've seen it on Casualty a million times. | 0:23:03 | 0:23:07 | |
Aren't you? | 0:23:08 | 0:23:09 | |
Well, you're doing all right, mate. You're doing all right. | 0:23:10 | 0:23:13 | |
What we'll do is we'll just get you to sit outside for a second | 0:23:22 | 0:23:24 | |
while we get you handed over to the doctors. | 0:23:24 | 0:23:26 | |
We'll get you in all right. | 0:23:26 | 0:23:28 | |
Just two miles away, Ungie and Maria have been searching | 0:23:29 | 0:23:32 | |
for their patient, Maurice, for nearly half an hour. | 0:23:32 | 0:23:35 | |
We've had a look down those ones, and we couldn't see him down there. | 0:23:38 | 0:23:41 | |
-OVER RADIO: -Have you got your sirens on now? | 0:23:41 | 0:23:44 | |
Put your sirens on. | 0:23:44 | 0:23:46 | |
SIREN WAILS | 0:23:46 | 0:23:48 | |
All right, say that to me again? | 0:23:48 | 0:23:50 | |
Cos I'm sure that's different to what you told me first. | 0:23:50 | 0:23:53 | |
You'd come to the bottom of Farnhurst Road, and what did you do? | 0:23:53 | 0:23:56 | |
-First left. -Left? | 0:23:56 | 0:23:59 | |
-Left. First right. -Left and then right? | 0:23:59 | 0:24:02 | |
Right, OK. I think we're going to have to start again. | 0:24:02 | 0:24:05 | |
Can you go again to the bottom of Asholme Close and turn right? | 0:24:05 | 0:24:10 | |
-They're on the way. -And there's a cul-de-sac, | 0:24:12 | 0:24:14 | |
and I've got a young man who is going to flag them down. | 0:24:14 | 0:24:16 | |
In York Drive, there's a cul-de-sac. | 0:24:16 | 0:24:18 | |
The ambulance crew should be coming round the corner, | 0:24:21 | 0:24:24 | |
so hopefully we'll be there with you in a minute. | 0:24:24 | 0:24:28 | |
Oh, there you go. | 0:24:28 | 0:24:29 | |
Straight down there, yeah? Cheers. | 0:24:29 | 0:24:33 | |
-I'm not going to get... -There he is. -Yeah, there he is, OK. | 0:24:33 | 0:24:36 | |
Thank you for that, guys. | 0:24:46 | 0:24:47 | |
-Hello. Is it Maurice? -That's right. | 0:24:49 | 0:24:52 | |
How you doing, buddy? My name's Ungie. | 0:24:52 | 0:24:53 | |
Sorry we took so long to get to you. | 0:24:53 | 0:24:55 | |
We were trying to find where you were. | 0:24:55 | 0:24:57 | |
-Thanks for that. Cheers. -What have you done, buddy? | 0:24:57 | 0:24:59 | |
Oh, dear. | 0:25:03 | 0:25:04 | |
Let's have a quick feel of your wrists there. | 0:25:04 | 0:25:06 | |
So what happened, you just tripped over and went down? | 0:25:06 | 0:25:09 | |
-Yeah. -OK. Have you hurt your neck at all? | 0:25:09 | 0:25:11 | |
-No. -Nothing where I'm pressing here at all? | 0:25:11 | 0:25:14 | |
-That's all right. -OK. | 0:25:14 | 0:25:15 | |
Did you land full-force just on that one knee there? | 0:25:15 | 0:25:17 | |
Just fell down and that was it. | 0:25:17 | 0:25:18 | |
-You weren't knocked out? You didn't lose consciousness or anything? -No. | 0:25:18 | 0:25:22 | |
OK. We'll get the stretcher out of the ambulance | 0:25:22 | 0:25:24 | |
and we'll get you on that, | 0:25:24 | 0:25:25 | |
get you into the warmth and we'll have a good look at you in there, | 0:25:25 | 0:25:28 | |
so you're off the floor. | 0:25:28 | 0:25:29 | |
-Who do you live with? -I lost me parents. | 0:25:29 | 0:25:32 | |
OK. Are you living on your own at the minute? | 0:25:32 | 0:25:35 | |
Mum and Dad... | 0:25:35 | 0:25:37 | |
OK. Has it been a long time since they've gone? | 0:25:37 | 0:25:39 | |
-Too long. -OK. | 0:25:39 | 0:25:41 | |
Let's get a proper splint on it. | 0:25:41 | 0:25:43 | |
We'll just pop a little splint on this leg | 0:25:45 | 0:25:47 | |
to support it and keep it still. All right? | 0:25:47 | 0:25:49 | |
And then we'll get you up onto the stretcher. | 0:25:49 | 0:25:51 | |
-Sound like a plan? -Yeah. | 0:25:51 | 0:25:53 | |
-Bless you. How old are you? -62. -62. | 0:25:53 | 0:25:57 | |
I'll be 63 in April, with a bit of luck. Touch wood. | 0:25:57 | 0:26:01 | |
-We'll support you. -Just be wary of this leg. | 0:26:01 | 0:26:04 | |
Try not to catch it on the stretcher as you bring it up. | 0:26:04 | 0:26:06 | |
-OK. -On three, Maurice. -Ready? | 0:26:06 | 0:26:09 | |
On three, Maurice. Push up on this good leg and we'll pull you up. | 0:26:10 | 0:26:13 | |
-I won't... -You will. | 0:26:13 | 0:26:15 | |
-On three. -One, two, three. Push up on your good leg. | 0:26:15 | 0:26:17 | |
HE SCREAMS | 0:26:17 | 0:26:19 | |
-I've got your leg. -Hold that one up as well, buddy. | 0:26:19 | 0:26:21 | |
-Hang on. -We've got it. | 0:26:21 | 0:26:23 | |
Let's cover you up. Keep you warm. | 0:26:24 | 0:26:26 | |
At least you're off the floor now. | 0:26:28 | 0:26:29 | |
-In we go, buddy. -Ready? | 0:26:32 | 0:26:34 | |
Little bump. | 0:26:38 | 0:26:39 | |
Let's just shut the doors, too. | 0:26:41 | 0:26:43 | |
All right, we'll get the heaters on to keep you warm. | 0:26:43 | 0:26:46 | |
Other than the pain in your knee, any pain anywhere else at all? | 0:26:47 | 0:26:50 | |
-No. -OK. Can you wiggle your toes on this foot? | 0:26:50 | 0:26:53 | |
So obviously, we don't know what you've done to that knee, | 0:26:55 | 0:26:57 | |
cos we can't see into it. | 0:26:57 | 0:26:59 | |
It doesn't look too badly deformed or anything like that. | 0:26:59 | 0:27:01 | |
We'll pop you down to the hospital and get them to have a look at it, | 0:27:01 | 0:27:04 | |
see what's going on. You got any other family that are around? | 0:27:04 | 0:27:07 | |
Any brothers, sisters, partner? | 0:27:07 | 0:27:09 | |
-Children? -No. | 0:27:09 | 0:27:11 | |
-Nothing at all? -Do you live alone? | 0:27:11 | 0:27:14 | |
I live alone but with a cat. | 0:27:14 | 0:27:16 | |
What's your cat called? | 0:27:22 | 0:27:24 | |
-Libby. -Debbie? | 0:27:24 | 0:27:26 | |
-Libby. -Libby. | 0:27:26 | 0:27:27 | |
How are you coping at home? | 0:27:33 | 0:27:35 | |
All right. | 0:27:36 | 0:27:38 | |
Do you need any more support or help? | 0:27:38 | 0:27:40 | |
I've got a support worker in. | 0:27:40 | 0:27:42 | |
Yeah. Just pulling into the hospital now, Maurice. | 0:27:42 | 0:27:45 | |
-You're tired, aren't you? -Yeah. | 0:27:50 | 0:27:52 | |
-What time do you finish? -Seven in the morning. | 0:27:52 | 0:27:55 | |
Blimey. | 0:27:55 | 0:27:56 | |
I know. | 0:27:56 | 0:27:58 | |
Long day, ain't it? | 0:27:58 | 0:28:00 | |
Another six hours, 15 minutes to go. | 0:28:00 | 0:28:03 | |
Then you have a day off? | 0:28:03 | 0:28:05 | |
Er, no, I'm back in tonight. | 0:28:05 | 0:28:06 | |
Do it all again. | 0:28:08 | 0:28:09 | |
-Bonkers. -Somebody's got to do it. | 0:28:10 | 0:28:13 | |
-Ready, steady, go. -Go. | 0:28:17 | 0:28:20 | |
A couple of bumps. | 0:28:20 | 0:28:22 | |
There we go. | 0:28:23 | 0:28:25 | |
-ON PHONE: -Ambulance Service. | 0:28:31 | 0:28:32 | |
OK, I need to know, are they breathing? | 0:28:37 | 0:28:39 | |
OK, are they still fighting? | 0:28:43 | 0:28:44 | |
Hang on one second. I'll just have a look. | 0:28:44 | 0:28:46 | |
Yeah. | 0:28:48 | 0:28:49 | |
OK. So he was punched and knocked out? | 0:28:51 | 0:28:53 | |
What do you mean, he's gone? | 0:28:56 | 0:28:57 | |
Hang on, hang on. Is the patient breathing? | 0:29:02 | 0:29:05 | |
Right, OK. How did it happen? | 0:29:08 | 0:29:10 | |
Yeah, roger, will do. Thank you. | 0:29:14 | 0:29:16 | |
Standing by. | 0:29:16 | 0:29:17 | |
We've got 13 outstanding jobs. | 0:29:19 | 0:29:21 | |
It's three o'clock in the morning. | 0:29:21 | 0:29:23 | |
They're all bleeding, alcohol-related. | 0:29:23 | 0:29:26 | |
Overdoses. Assaults. | 0:29:26 | 0:29:28 | |
Drink related. Then they're having a fight and then they feel sick. | 0:29:28 | 0:29:31 | |
Oh, we've just had a call from police | 0:29:31 | 0:29:33 | |
to say this patient's been glassed and we are required. | 0:29:33 | 0:29:37 | |
But I still haven't got anybody. | 0:29:37 | 0:29:39 | |
-IN VOICEOVER: -I've been doing this job now 20 years. | 0:29:42 | 0:29:45 | |
When I first started, if you had a stabbing it was like, | 0:29:45 | 0:29:48 | |
"Oh, my God, I've got a stabbing!" | 0:29:48 | 0:29:51 | |
But now it's matter-of-fact. | 0:29:51 | 0:29:54 | |
It's like the weapons they use - glasses, hammers, knives... | 0:29:54 | 0:29:58 | |
You name it, they'll use it. It worries me. | 0:29:58 | 0:30:01 | |
I don't like going to pubs and things if I don't know people | 0:30:02 | 0:30:05 | |
cos I'm thinking, "Oh, my God, I hope nothing happens." | 0:30:05 | 0:30:08 | |
So that's the way the job affects me. | 0:30:08 | 0:30:11 | |
Bear with us, my love, OK? | 0:30:11 | 0:30:12 | |
We're exceptionally busy across the area with life-threatening cases, | 0:30:12 | 0:30:15 | |
but we are getting to patients as fast as we can. | 0:30:15 | 0:30:18 | |
On this Saturday night, | 0:30:19 | 0:30:21 | |
the Ambulance Service has dealt with nearly 1,500 patients, | 0:30:21 | 0:30:25 | |
20% up on a weeknight. | 0:30:25 | 0:30:27 | |
I need a nice, extra large coffee. | 0:30:27 | 0:30:30 | |
I might even have two. | 0:30:30 | 0:30:32 | |
One of their first patients of the shift, Terry, | 0:30:32 | 0:30:35 | |
who was in cardiac arrest, has survived through till morning. | 0:30:35 | 0:30:38 | |
-Morning. -Morning, morning. | 0:30:45 | 0:30:47 | |
It's the start of a new shift for Team Three. | 0:30:47 | 0:30:51 | |
4453, roger, thank you. Good morning. | 0:30:51 | 0:30:53 | |
I'll get you booked on. I hope you have a good shift. | 0:30:53 | 0:30:56 | |
# Sun is shining. | 0:30:57 | 0:30:59 | |
# The weather is... # | 0:30:59 | 0:31:00 | |
This a day makes me happy. | 0:31:00 | 0:31:03 | |
94 ambulance crews are on duty today across Birmingham | 0:31:03 | 0:31:06 | |
and the Black Country. | 0:31:06 | 0:31:07 | |
-OVER RADIO: -Good morning. I'll get you booked on. Have a good shift. | 0:31:07 | 0:31:10 | |
It's a lovely sunny day. | 0:31:10 | 0:31:12 | |
Ooh, you've said it now. | 0:31:14 | 0:31:15 | |
The sunny part, I hope it remains sunny. I've got my Ray-Bans on, | 0:31:15 | 0:31:18 | |
so I'm all set for the day, over. | 0:31:18 | 0:31:20 | |
-We good to go? -Yeah, absolutely. | 0:31:20 | 0:31:22 | |
I can definitely take my coat off now. | 0:31:22 | 0:31:24 | |
LOW TONE | 0:31:28 | 0:31:29 | |
Ambulance Services. Is the patient breathing? | 0:31:29 | 0:31:31 | |
Yes, my wife is nine months pregnant. | 0:31:31 | 0:31:34 | |
Right, so is she an labour, do we think? | 0:31:34 | 0:31:37 | |
I think so, but I don't understand why it's bleeding. | 0:31:37 | 0:31:40 | |
Has she got a bleeding from her vagina right now? | 0:31:40 | 0:31:42 | |
-I don't know. -No, we need to know now. | 0:31:42 | 0:31:44 | |
Can you ask her right now if she losing blood? | 0:31:44 | 0:31:47 | |
Er... Yes. | 0:31:47 | 0:31:49 | |
If you touch her stomach, does that hurt her? | 0:31:49 | 0:31:52 | |
If you touch it gently on the stomach? | 0:31:52 | 0:31:54 | |
-Yes. -It does hurt there if you touch it? -Yes. | 0:31:54 | 0:31:58 | |
Oh, here we go. | 0:31:58 | 0:32:00 | |
Natalie and Nat are nearest to the maternity call. | 0:32:00 | 0:32:02 | |
-ON RADIO: -It's a 25-year-old female, 40 weeks pregnant, that's bleeding. | 0:32:02 | 0:32:08 | |
It does say that the patient's got an urge to push. | 0:32:08 | 0:32:11 | |
If you could give us an early update, that would be great. | 0:32:11 | 0:32:14 | |
Oh, gosh, we will do. | 0:32:14 | 0:32:16 | |
Yeah, we'll let you know when we're there, over. | 0:32:16 | 0:32:19 | |
-Roger. Thank you, standing by. -This could be happening for me. | 0:32:19 | 0:32:22 | |
-With you. -It's a baby, a baby, a baby. | 0:32:22 | 0:32:25 | |
I've not been to one on the road. | 0:32:25 | 0:32:27 | |
In the four and a half years, I have never been to one. | 0:32:27 | 0:32:30 | |
I'm just going to stand at the bottom. | 0:32:30 | 0:32:32 | |
Ah, it'll be fine. | 0:32:32 | 0:32:34 | |
-It's not good, though, with blood, bird. -Hm? | 0:32:37 | 0:32:39 | |
It's not good if it's red, fresh blood. | 0:32:39 | 0:32:41 | |
-40 weeks. -Has she got the placenta previa, though? | 0:32:41 | 0:32:44 | |
Or the placenta abruption? | 0:32:44 | 0:32:46 | |
-We don't want that. Let's not have... -I know. | 0:32:46 | 0:32:49 | |
I know, but what's she bleeding for at 40 weeks? | 0:32:49 | 0:32:52 | |
-Suspected placenta abruption. -Oh, sh...sugar. -Advanced labour. | 0:32:54 | 0:32:59 | |
Patient in bath now. | 0:32:59 | 0:33:01 | |
This one? | 0:33:01 | 0:33:02 | |
-ON PHONE: -Just go and get the door open for us | 0:33:03 | 0:33:05 | |
and I'll stay on the line here with you. | 0:33:05 | 0:33:07 | |
Hello. | 0:33:10 | 0:33:11 | |
Is it your first baby? | 0:33:11 | 0:33:13 | |
No? OK. | 0:33:13 | 0:33:14 | |
Any problems with your pregnancy, my darling? | 0:33:14 | 0:33:17 | |
No. Has your blood pressure been OK? | 0:33:17 | 0:33:20 | |
Sometimes more, sometimes high. | 0:33:20 | 0:33:22 | |
OK. And what baby is this? | 0:33:22 | 0:33:23 | |
Baby number...? | 0:33:23 | 0:33:25 | |
Three. | 0:33:25 | 0:33:27 | |
Oh, I'm sorry. | 0:33:29 | 0:33:31 | |
-This one. Do you know what this one is? -It's a boy. | 0:33:32 | 0:33:34 | |
Little boy? Lovely! | 0:33:34 | 0:33:36 | |
Lovely. OK, then. | 0:33:36 | 0:33:38 | |
Right. So, if we get you some gas and air, darling. | 0:33:38 | 0:33:41 | |
All right? To help you with the pain. | 0:33:41 | 0:33:43 | |
Are you having another contraction now? | 0:33:43 | 0:33:44 | |
-No. -No? | 0:33:44 | 0:33:46 | |
-Only the pain. -You've just got constant pain? | 0:33:46 | 0:33:48 | |
-Yes. -It's there all the time? | 0:33:48 | 0:33:50 | |
OK. All right, my darling. | 0:33:50 | 0:33:53 | |
Was your last baby stillborn? | 0:33:53 | 0:33:55 | |
OK, my darling. | 0:33:56 | 0:33:57 | |
-So, Nat, this lady is on her third pregnancy. -Uh-huh. | 0:33:59 | 0:34:02 | |
Full term? | 0:34:04 | 0:34:05 | |
Yeah. | 0:34:05 | 0:34:07 | |
It's not so much a contraction any more, it's severe lower pain. | 0:34:08 | 0:34:11 | |
-There was some blood in the toilet. -OK. -Red fresh blood. | 0:34:11 | 0:34:15 | |
Are you consultant led? | 0:34:15 | 0:34:17 | |
-Yeah. -She's consultant led. | 0:34:17 | 0:34:18 | |
Because of previous. | 0:34:18 | 0:34:20 | |
So previously they didn't find out what the cause was? No? | 0:34:20 | 0:34:25 | |
-What was your due date, darling? -13th. -A couple of days early. | 0:34:25 | 0:34:30 | |
He wanted to come meet you. | 0:34:30 | 0:34:31 | |
-Yeah. -Come and say hi. | 0:34:32 | 0:34:34 | |
With signs of bleeding, and having lost a baby already, | 0:34:36 | 0:34:39 | |
Natalie and Nat want to get mother Ionela to hospital | 0:34:39 | 0:34:42 | |
as quickly as possible. | 0:34:42 | 0:34:44 | |
Is this the bag that she's packed for the hospital? | 0:34:44 | 0:34:47 | |
-Yes. -OK. Perfect. | 0:34:47 | 0:34:49 | |
Lovely. OK, you are going to need to put a couple of those in | 0:34:49 | 0:34:51 | |
for the little baby. | 0:34:51 | 0:34:53 | |
SHE SOBS | 0:34:53 | 0:34:54 | |
-Do you feel the urge to push? -Yes. -All right, darling. | 0:34:54 | 0:34:57 | |
-OK, OK. -Calm, calm. -Deep breaths, my darling. | 0:34:57 | 0:35:01 | |
OK, try your gas. | 0:35:01 | 0:35:03 | |
Just a little... | 0:35:03 | 0:35:05 | |
-Slow, slow. -Slow. | 0:35:07 | 0:35:09 | |
-OK. -Look at me, look at me. | 0:35:09 | 0:35:10 | |
Breathe through your mouth, darling. | 0:35:10 | 0:35:12 | |
-Is it happening again? -Yes. | 0:35:12 | 0:35:14 | |
All right, darling. | 0:35:14 | 0:35:15 | |
SHE SOBS | 0:35:15 | 0:35:18 | |
-Is it just the contractions now? -Yes. | 0:35:18 | 0:35:21 | |
-Yeah? OK. -All right. | 0:35:21 | 0:35:23 | |
I can feel, like, down, the baby. | 0:35:23 | 0:35:25 | |
-It's coming down. -OK. | 0:35:25 | 0:35:27 | |
SHE SCREAMS | 0:35:28 | 0:35:30 | |
All right, my darling. | 0:35:30 | 0:35:32 | |
SHE CONTINUES SCREAMING | 0:35:32 | 0:35:36 | |
Do you feel you need to push? | 0:35:36 | 0:35:37 | |
Yeah, OK. | 0:35:37 | 0:35:38 | |
All right, darling. Use the gas, my darling. | 0:35:40 | 0:35:43 | |
Big breaths. | 0:35:43 | 0:35:44 | |
No, we can't. | 0:35:52 | 0:35:53 | |
Ionela's contractions are speeding up, and despite her history, | 0:35:53 | 0:35:57 | |
there is no choice - the baby will need to be delivered at home. | 0:35:57 | 0:36:01 | |
-Nothing we can do about it. -Yeah, I know. | 0:36:01 | 0:36:03 | |
They'll need a second crew to help in case of complications. | 0:36:04 | 0:36:09 | |
52, thanks. | 0:36:09 | 0:36:10 | |
Yeah, we are going to have another crew after all | 0:36:10 | 0:36:14 | |
cos I don't think we're going to get the chance to... | 0:36:14 | 0:36:17 | |
move with this patient, so I think we are going to need another crew, | 0:36:17 | 0:36:20 | |
please. Over. | 0:36:20 | 0:36:21 | |
RADIO CHATTER | 0:36:21 | 0:36:26 | |
Lovely, thank you. | 0:36:26 | 0:36:29 | |
So when you contract, | 0:36:29 | 0:36:31 | |
your body will tell you when it's time to push. | 0:36:31 | 0:36:34 | |
When you need to push, tell us that you need to push | 0:36:34 | 0:36:38 | |
-and you need to push, OK? -OK. | 0:36:38 | 0:36:41 | |
-IN VOICEOVER: -I think it's one of the hardest things, | 0:36:47 | 0:36:49 | |
when a patient tells you they've lost a child. | 0:36:49 | 0:36:52 | |
Delivering a baby at home doesn't come without risks | 0:36:55 | 0:36:57 | |
and, as a paramedic, we know our capabilities are somewhat limited. | 0:36:57 | 0:37:02 | |
We haven't got a doctor on scene, | 0:37:02 | 0:37:04 | |
we haven't got a theatre for an emergency Caesarean. | 0:37:04 | 0:37:07 | |
So it's a massive responsibility. | 0:37:07 | 0:37:09 | |
Massive. | 0:37:09 | 0:37:10 | |
Well done. | 0:37:10 | 0:37:11 | |
They've asked for Amber backup, then, | 0:37:14 | 0:37:17 | |
and the crew are showing about nine minutes away. | 0:37:17 | 0:37:19 | |
With a second ambulance urgently needed at the maternity call, | 0:37:20 | 0:37:23 | |
there are now just three emergency ambulances available | 0:37:23 | 0:37:27 | |
to cover the 2.2 million people of Birmingham and the Black Country. | 0:37:27 | 0:37:32 | |
Three new 999 calls are coming in every minute. | 0:37:33 | 0:37:36 | |
Ambulance Service. Is the patient breathing? | 0:37:36 | 0:37:39 | |
Right, OK, what's the problem? | 0:37:42 | 0:37:44 | |
Don't swear at me. | 0:37:45 | 0:37:47 | |
LOW TONE | 0:37:48 | 0:37:50 | |
Is the patient breathing? | 0:37:50 | 0:37:51 | |
Not breathing. | 0:37:51 | 0:37:52 | |
LOW TONE | 0:37:55 | 0:37:56 | |
Give him a light shake on his shoulder, | 0:38:01 | 0:38:02 | |
call his name and tell me exactly what he's doing. | 0:38:02 | 0:38:05 | |
LOW TONE | 0:38:05 | 0:38:06 | |
Is he conscious? | 0:38:11 | 0:38:12 | |
Right, get him out the pond. | 0:38:19 | 0:38:21 | |
Have you just got him out the pond, just this second? | 0:38:21 | 0:38:23 | |
And he's definitely not breathing? | 0:38:26 | 0:38:28 | |
You can't see any signs of him breathing? | 0:38:28 | 0:38:30 | |
What's the address? | 0:38:32 | 0:38:34 | |
It looks like Thailand's out the window for me. | 0:38:34 | 0:38:36 | |
-Why? -Because these flights are just ridiculous. | 0:38:36 | 0:38:39 | |
Darren and Mel are two miles from the pond and have just become free. | 0:38:39 | 0:38:43 | |
I'm not going to pay, like, 550 quid for ten days, | 0:38:43 | 0:38:47 | |
and the flights are going to be, like, what? | 0:38:47 | 0:38:49 | |
-Two days long. -Yeah, 20 hours or something. | 0:38:49 | 0:38:52 | |
We've got a job. Pavilion, Heath Road. | 0:38:52 | 0:38:55 | |
Drowning? | 0:38:55 | 0:38:56 | |
-RADIO: -49, thank you. Cardiac arrest, please. | 0:38:59 | 0:39:01 | |
Patient had been fishing. | 0:39:01 | 0:39:02 | |
They've fallen into the pond. | 0:39:02 | 0:39:04 | |
Now I believe pulled out and not breathing. | 0:39:04 | 0:39:06 | |
Second crew responding. | 0:39:06 | 0:39:07 | |
ETA eight minutes away. | 0:39:07 | 0:39:09 | |
Okey dokey. Thanks a lot. | 0:39:11 | 0:39:13 | |
What I need you to do is gently tilt his head back | 0:39:15 | 0:39:17 | |
and lift his chin upwards and pinch his nostrils together. | 0:39:17 | 0:39:21 | |
I need someone to put their lips around his mouth and blow steadily | 0:39:21 | 0:39:24 | |
-into the mouth to make the chest rise. -OK. | 0:39:24 | 0:39:27 | |
Have you got the ambulance on its way? | 0:39:27 | 0:39:29 | |
We've got some help on its way to you. | 0:39:29 | 0:39:31 | |
We're going to get this guy back. | 0:39:36 | 0:39:38 | |
We've got a crew that have just said they're nearly there. | 0:39:41 | 0:39:43 | |
Is someone looking for them? | 0:39:43 | 0:39:45 | |
Yes. They're nearly there. | 0:39:45 | 0:39:47 | |
I'll get somebody up to the car park and look for them now, | 0:39:47 | 0:39:50 | |
OK, love? | 0:39:50 | 0:39:51 | |
Right, we'll stay on the line with you until they get there. | 0:40:01 | 0:40:04 | |
OK, then. | 0:40:04 | 0:40:06 | |
Have you seen them yet? | 0:40:06 | 0:40:07 | |
Huh? I can't see anyone waving. | 0:40:09 | 0:40:12 | |
-The police went that way. -Yeah. | 0:40:14 | 0:40:16 | |
It looks as though he's getting a bit of breath now. | 0:40:16 | 0:40:19 | |
Is he taking regular breaths, though? | 0:40:19 | 0:40:22 | |
-It's the ambulance men. -The ambulance are there. | 0:40:22 | 0:40:26 | |
-Is he conscious? -Conscious, yeah. -He is conscious? | 0:40:26 | 0:40:29 | |
Hello, sweetheart. We're going to roll you over. | 0:40:29 | 0:40:32 | |
Has he had an epileptic fit and then gone in? | 0:40:32 | 0:40:34 | |
-We don't know. -That's all we've heard. | 0:40:34 | 0:40:36 | |
With no obvious explanation for the accident, | 0:40:37 | 0:40:40 | |
Darren and Mel are keen to get the man into a warm ambulance | 0:40:40 | 0:40:44 | |
as quickly as possible. | 0:40:44 | 0:40:46 | |
-HE GROANS LOUDLY -Let's get him over. | 0:40:46 | 0:40:48 | |
All right, sweetheart. All right? | 0:40:48 | 0:40:52 | |
Yeah. | 0:40:52 | 0:40:55 | |
That's his mobility? So he's...straight in? | 0:40:55 | 0:40:58 | |
I would imagine his scooter into there and gone into there. | 0:40:58 | 0:41:01 | |
-Driven his scooter in? -Yeah, his scooter's still in there. | 0:41:01 | 0:41:03 | |
-He's bitten his tongue. -He's had some sort of fit. | 0:41:03 | 0:41:06 | |
Paramedic officer Chris has been dispatched | 0:41:06 | 0:41:08 | |
to manage the scene so the crews can focus on the patient. | 0:41:08 | 0:41:12 | |
Patient query driven scooter into a lake. | 0:41:12 | 0:41:15 | |
Query seizure at time. | 0:41:15 | 0:41:17 | |
I don't know whether he's actually still mid-seizure | 0:41:17 | 0:41:19 | |
or whether it's just shock. | 0:41:19 | 0:41:21 | |
We're getting him in the warm first - he's freezing. | 0:41:22 | 0:41:24 | |
One, two, three. | 0:41:24 | 0:41:26 | |
All right, lovely. What we're going to do, if you just dry him, | 0:41:27 | 0:41:30 | |
let's whip these off and get the dry ones on him. | 0:41:30 | 0:41:33 | |
So he's just trundling, trundling, and all of the sudden... | 0:41:35 | 0:41:38 | |
-Yuugh! -Just goes in. -Who dragged him out? | 0:41:38 | 0:41:41 | |
Some members of the public. | 0:41:41 | 0:41:42 | |
Some members of the public dragged him out. | 0:41:42 | 0:41:44 | |
-Pulled him out. -As he was or...? | 0:41:44 | 0:41:46 | |
As you've seen him. I don't think he was breathing, | 0:41:46 | 0:41:48 | |
or he wasn't responsive at first when they got him out. | 0:41:48 | 0:41:51 | |
So unresponsive to start with? | 0:41:51 | 0:41:52 | |
-And then he's gone to this level, and that's it. -Yeah. | 0:41:52 | 0:41:56 | |
I'm just trying to work it out. He's not... | 0:41:56 | 0:41:58 | |
Basically, he could have had a fit before he's gone in. | 0:41:58 | 0:42:00 | |
He could have had a fit as he was going in. I don't know. | 0:42:00 | 0:42:05 | |
Any ID that you found? | 0:42:05 | 0:42:08 | |
Does anybody here know him? | 0:42:08 | 0:42:09 | |
OK. | 0:42:11 | 0:42:13 | |
All right. | 0:42:13 | 0:42:15 | |
Cheers, mate. We're going to have the second crew travel on this one. | 0:42:18 | 0:42:22 | |
Not happy with patient's presentation. | 0:42:22 | 0:42:24 | |
Can't rule out whether he's had a stroke or anything beforehand, | 0:42:24 | 0:42:27 | |
judging the way he's gone at the moment. | 0:42:27 | 0:42:28 | |
So, yeah, they're going to travel. One person's going to go in, | 0:42:28 | 0:42:31 | |
one person's going to take the vehicle afterwards, all right? | 0:42:31 | 0:42:33 | |
Yeah, that's all received. Thanks very much. Over. | 0:42:33 | 0:42:36 | |
One of the crew has travelled on 49. | 0:42:39 | 0:42:43 | |
They're driving the second truck up, | 0:42:43 | 0:42:45 | |
but the first person has travelled to treat him on the back of that, | 0:42:45 | 0:42:48 | |
on the drowning. They've been on scene for 17 minutes and we've gone. | 0:42:48 | 0:42:51 | |
So we've took him straight in. | 0:42:51 | 0:42:52 | |
The crew are not messing around, really. | 0:42:52 | 0:42:54 | |
Rather than sort of treat and delay anything, | 0:42:54 | 0:42:56 | |
we're getting him straight to hospital. | 0:42:56 | 0:42:59 | |
PATIENT GROANS LOUDLY | 0:42:59 | 0:43:01 | |
OK, mate. All right. | 0:43:03 | 0:43:05 | |
At the moment, we've got no details, | 0:43:07 | 0:43:09 | |
we've got not medical history, no name, no age. | 0:43:09 | 0:43:11 | |
All we know is what passers-by have told us. | 0:43:11 | 0:43:14 | |
He was on his own, so we don't know anything else at the moment. | 0:43:14 | 0:43:17 | |
It's hard in circumstances like that | 0:43:17 | 0:43:18 | |
because obviously we've got no indication, nothing to call him, | 0:43:18 | 0:43:22 | |
and I don't like not knowing patient's names. | 0:43:22 | 0:43:24 | |
Cos I think you should always try and call them... | 0:43:24 | 0:43:27 | |
..by their name, even if they are unconscious or reduced GCS, | 0:43:28 | 0:43:32 | |
to make them more of a person. | 0:43:32 | 0:43:34 | |
I don't think it's right to not know somebody's name. | 0:43:34 | 0:43:36 | |
I think it's quite difficult. We've literally... | 0:43:36 | 0:43:39 | |
Man unknown is all we've got. | 0:43:39 | 0:43:41 | |
He could have a wife at home who has no idea. | 0:43:43 | 0:43:46 | |
So I just hope he was found in time. | 0:43:47 | 0:43:49 | |
Poor chappie. | 0:43:51 | 0:43:52 | |
-IONELA SCREAMS -Push. -OK, keep pushing. | 0:43:56 | 0:43:59 | |
-Nice. -Off the gas. -Take it off the gas. | 0:43:59 | 0:44:01 | |
Off the gas. Push. OK? | 0:44:01 | 0:44:03 | |
It's been 16 minutes since Natalie and Nat decided it wouldn't be safe | 0:44:03 | 0:44:07 | |
to transfer Ionela to hospital... | 0:44:07 | 0:44:09 | |
Pushing, that's it. | 0:44:09 | 0:44:11 | |
..and they'd have had to deliver the baby themselves. | 0:44:11 | 0:44:14 | |
-SHE SCREAMS -OK, push. -OK, keep pushing. | 0:44:14 | 0:44:17 | |
Nice and quiet. Perfect. Good girl, that's it. | 0:44:17 | 0:44:20 | |
That's OK. | 0:44:23 | 0:44:25 | |
They're worried mother and baby are getting into difficulty. | 0:44:35 | 0:44:38 | |
52, sorry. | 0:44:49 | 0:44:50 | |
Yeah, we need that other crew ASAP, please. Over. | 0:44:50 | 0:44:54 | |
-RADIO: -10-4, 52. Thank you, they are on the way. | 0:44:54 | 0:44:57 | |
They're less than a minute now. | 0:44:57 | 0:44:59 | |
OK. That's it. In through your mouth. | 0:44:59 | 0:45:01 | |
Nice, slow breaths. | 0:45:04 | 0:45:05 | |
You're doing really well. | 0:45:05 | 0:45:07 | |
Another one. | 0:45:07 | 0:45:08 | |
-Hello. -Hello. | 0:45:12 | 0:45:14 | |
We got here about 40 minutes ago, I think. | 0:45:14 | 0:45:17 | |
We've tried to move once - it weren't happening. | 0:45:17 | 0:45:20 | |
Obviously, we've got no way of monitoring baby, have we? | 0:45:20 | 0:45:23 | |
And that's the thing, you see. | 0:45:23 | 0:45:26 | |
Pushing. Got to push. | 0:45:26 | 0:45:28 | |
Breath. Air down, air down. | 0:45:29 | 0:45:31 | |
Hold your breath. Good girl. You've got to push. Keep pushing. | 0:45:31 | 0:45:34 | |
I know it's going to hurt, sweetie. I know. | 0:45:34 | 0:45:37 | |
SHE GROANS | 0:45:37 | 0:45:39 | |
-IN VOICEOVER: -They have to push the baby over a dip in the birth canal. | 0:45:39 | 0:45:44 | |
And it's getting them through that dip that's the hardest work. | 0:45:44 | 0:45:48 | |
So if a mum tires and she can't do it, | 0:45:48 | 0:45:51 | |
then you start to worry about baby becoming distressed. | 0:45:51 | 0:45:54 | |
Hold on to me, hold on to me. That's it. Good girl. That's it. | 0:45:58 | 0:46:01 | |
Listen, listen to me. | 0:46:03 | 0:46:04 | |
Listen to me. To get this baby out, you need to push it out, yeah? | 0:46:04 | 0:46:09 | |
-Yeah. -Every time you get these contractions | 0:46:09 | 0:46:12 | |
and you feel that urge to push, you've got to really, really push. | 0:46:12 | 0:46:16 | |
-IN VOICEOVER: -I know how horribly wrong they can go. | 0:46:17 | 0:46:20 | |
My first two births were fine, absolutely fine. | 0:46:20 | 0:46:25 | |
Jessica's wasn't good. | 0:46:25 | 0:46:26 | |
I had a ruptured uterus. | 0:46:28 | 0:46:29 | |
Subsequently, Jessica's severely disabled | 0:46:30 | 0:46:33 | |
and has been starved of oxygen. | 0:46:33 | 0:46:35 | |
She's 15. She's tube fed, she can't walk, she can't talk. | 0:46:35 | 0:46:38 | |
So I know what starvation of oxygen can do. | 0:46:40 | 0:46:44 | |
I know we've only got that ten-minute window. | 0:46:44 | 0:46:46 | |
OK? Ready. | 0:46:48 | 0:46:50 | |
Give it everything you've got, yeah? Each time. | 0:46:50 | 0:46:52 | |
Yeah, if we can... Yeah, absolutely. | 0:46:54 | 0:46:57 | |
Hold my hand, darling. Hold Natalie's hand. | 0:46:59 | 0:47:02 | |
Well done. Go ahead, darling. | 0:47:02 | 0:47:04 | |
That's it. Well done. Well done. | 0:47:07 | 0:47:09 | |
We just need one good push over that birth canal. | 0:47:15 | 0:47:18 | |
-Keep pushing in your bottom. Right in your bottom. -I can't! | 0:47:20 | 0:47:23 | |
You can. You can. | 0:47:23 | 0:47:24 | |
-I can't... -You can, you can. | 0:47:24 | 0:47:25 | |
It means we're nearly there when you feel like that. | 0:47:25 | 0:47:28 | |
OK? I know, darling. | 0:47:28 | 0:47:29 | |
-It does. It does. -Ow... | 0:47:29 | 0:47:32 | |
We either need to really go for it here or move. | 0:47:32 | 0:47:35 | |
So, it's up... You know, we can't... | 0:47:35 | 0:47:39 | |
We don't know what's happening with baby. | 0:47:39 | 0:47:41 | |
When we get that contraction and when you want to push, | 0:47:41 | 0:47:44 | |
you've got to really push, all right? | 0:47:44 | 0:47:45 | |
So we're going to come off this. | 0:47:45 | 0:47:46 | |
We can. How else is he going to come out? | 0:47:46 | 0:47:49 | |
-I can't. -You can! -No. | 0:47:49 | 0:47:52 | |
We want to meet him. We want to meet him. | 0:47:52 | 0:47:54 | |
Right, up we get. Up high. | 0:47:54 | 0:47:56 | |
Got to push, got to push. | 0:47:56 | 0:47:57 | |
-I can't. -You can! | 0:47:57 | 0:47:59 | |
Eight miles away, Darren and Mel | 0:48:02 | 0:48:04 | |
have finished handing over the drowning victim to A&E staff. | 0:48:04 | 0:48:09 | |
-What would you think? Epileptic? -Seizure. -Seizure. Bleed on his... | 0:48:09 | 0:48:12 | |
-Wow, I was thinking... Yeah, his tongue's been bitten. -Yeah. | 0:48:12 | 0:48:15 | |
As we've handed him over to the doctor, | 0:48:15 | 0:48:17 | |
he spoke for the first time, and he goes, "Let me die." | 0:48:17 | 0:48:20 | |
-And I was just like, "Ooh..." -What? | 0:48:20 | 0:48:22 | |
"I don't want to live any more." | 0:48:22 | 0:48:24 | |
Has he got any family? | 0:48:24 | 0:48:26 | |
No. I asked him, "Do you have any family?" | 0:48:26 | 0:48:28 | |
And he was like, "No, got no family." | 0:48:28 | 0:48:30 | |
I said, "Have you done this on purpose today | 0:48:30 | 0:48:32 | |
"and gone and drove into the pond?" | 0:48:32 | 0:48:34 | |
And he goes, "Yes. Let me die. I don't want to live any more. | 0:48:34 | 0:48:37 | |
"I hate life. I want to die." | 0:48:37 | 0:48:39 | |
-88 years old. -That's so sad. | 0:48:39 | 0:48:41 | |
So he's just... | 0:48:41 | 0:48:44 | |
drove himself into the pond on his mobility scooter. | 0:48:44 | 0:48:46 | |
88, yeah. | 0:48:47 | 0:48:49 | |
-No kids, no family. That's what he said. -What a shame. | 0:48:49 | 0:48:52 | |
Mm. It is. | 0:48:52 | 0:48:54 | |
-RADIO BEEPS -Go ahead. | 0:48:56 | 0:48:59 | |
49, thanks. | 0:48:59 | 0:49:00 | |
Have you got an ETC? | 0:49:00 | 0:49:02 | |
Yeah, I was talking to Mel about that job. | 0:49:02 | 0:49:04 | |
We're ready to go. You can clear us. | 0:49:04 | 0:49:06 | |
-Joan? -Yeah? | 0:49:17 | 0:49:19 | |
I've got another update on that. | 0:49:19 | 0:49:21 | |
-On what? -The drowning. -Oh, yeah? | 0:49:21 | 0:49:23 | |
-He died at hospital. -Did he really? | 0:49:24 | 0:49:27 | |
-Yeah. -Really? -Yeah. | 0:49:27 | 0:49:30 | |
Oh, man. | 0:49:32 | 0:49:33 | |
Oh, man. | 0:49:35 | 0:49:36 | |
-Really? -Yeah. | 0:49:37 | 0:49:40 | |
How quick did we get there? | 0:49:44 | 0:49:45 | |
We got there quick enough, didn't we? But... Oh, shit... | 0:49:45 | 0:49:48 | |
What has he died of? | 0:49:48 | 0:49:50 | |
Secondary drowning. | 0:49:50 | 0:49:51 | |
Oh, really? So he's got to have been under for a while, then. | 0:49:51 | 0:49:54 | |
-Yeah, he's died. -Really? | 0:49:55 | 0:49:58 | |
-We just found out he died in hospital. -Oh, man. | 0:49:58 | 0:50:00 | |
Oh, I thought you'd found out it was a suicide attempt. | 0:50:00 | 0:50:03 | |
I didn't see that coming at all. | 0:50:08 | 0:50:10 | |
-Secondary drowning? -Yeah. | 0:50:10 | 0:50:12 | |
Oh, man. | 0:50:13 | 0:50:14 | |
People do die and we know they die, | 0:50:20 | 0:50:22 | |
but you're not normal if it doesn't affect you. | 0:50:22 | 0:50:25 | |
I've dealt with thousands and thousands and thousands of jobs, | 0:50:26 | 0:50:30 | |
but there are probably four or five that I still think about, | 0:50:30 | 0:50:34 | |
and he will remember that job, probably, now, | 0:50:34 | 0:50:37 | |
like I remember my jobs. | 0:50:37 | 0:50:39 | |
But you do have to think, | 0:50:39 | 0:50:41 | |
"You have done your best to get to somebody." | 0:50:41 | 0:50:45 | |
SHE SCREAMS | 0:50:48 | 0:50:49 | |
-Please push. -You've got to push. You've got to push. | 0:50:49 | 0:50:53 | |
-Push. -She needs to push. -Push. | 0:50:53 | 0:50:55 | |
Push this baby out. | 0:50:55 | 0:50:57 | |
We're getting to the stage now where we either need to have the baby | 0:50:59 | 0:51:03 | |
or we need to go to... We don't know what baby is doing in there. | 0:51:03 | 0:51:05 | |
We can't monitor baby. | 0:51:05 | 0:51:07 | |
We can feel him kicking and moving and having a lovely wriggle. | 0:51:07 | 0:51:10 | |
-You've got to... -SHE WHIMPERS | 0:51:11 | 0:51:13 | |
I know. | 0:51:13 | 0:51:15 | |
Good, good. | 0:51:16 | 0:51:18 | |
Just like that. Good girl. | 0:51:18 | 0:51:20 | |
Up we go, up we go. | 0:51:20 | 0:51:21 | |
Push, push, push, push. | 0:51:21 | 0:51:23 | |
-Push hard. Push. Come on. You can do this. Come on. -I can't. -But you can. | 0:51:25 | 0:51:29 | |
You can. You are nearly there. You can. Come on. Push. | 0:51:29 | 0:51:32 | |
-HE SPEAKS IN HIS LANGUAGE -Push. Push. | 0:51:32 | 0:51:36 | |
Keep going, keep going. | 0:51:36 | 0:51:37 | |
Keep going. His hair! The head's here. | 0:51:39 | 0:51:41 | |
The head's here, nearly, yeah. | 0:51:41 | 0:51:42 | |
-Keep going, keep going. -Push, push. | 0:51:42 | 0:51:45 | |
-Push. -He's there. The head's there. | 0:51:45 | 0:51:47 | |
-Good girl. -OK, my darling. | 0:51:47 | 0:51:49 | |
Well done. | 0:51:49 | 0:51:50 | |
Stop when she tells you to. | 0:51:50 | 0:51:52 | |
Let's meet this little boy. | 0:51:54 | 0:51:56 | |
Good girl. Good. There we go. | 0:51:58 | 0:52:01 | |
-All right, Nat? -Yeah, we're all good. | 0:52:01 | 0:52:03 | |
Awesome. Push, push, push. | 0:52:03 | 0:52:06 | |
Keep pushing, keep pushing. | 0:52:06 | 0:52:08 | |
-He's just there. -Ooh, hello, little baby. | 0:52:11 | 0:52:13 | |
Oh, gosh. Here he is. | 0:52:17 | 0:52:18 | |
You see, Dad? He's coming. | 0:52:18 | 0:52:21 | |
-His hair. -Awesome, awesome. | 0:52:21 | 0:52:22 | |
There he is! Hello! | 0:52:22 | 0:52:26 | |
Catch your breath and push. | 0:52:26 | 0:52:27 | |
OK. I've got his head. | 0:52:30 | 0:52:32 | |
One more push. | 0:52:32 | 0:52:33 | |
Yeah, it's turning, it's turning. | 0:52:35 | 0:52:36 | |
-I've got him. -Yay! | 0:52:36 | 0:52:38 | |
Keep going, keep going. | 0:52:40 | 0:52:41 | |
keep pushing, my darling. Hello, hello! | 0:52:41 | 0:52:45 | |
-Hello! -You did it! Well done. | 0:52:45 | 0:52:48 | |
-Good girl, good girl. -BABY CRIES | 0:52:55 | 0:52:58 | |
Good girl. | 0:52:58 | 0:53:00 | |
-Hello! -Hello, young man. -Hello, beautiful. | 0:53:00 | 0:53:04 | |
OK, darling. Here he is. There he is! | 0:53:10 | 0:53:13 | |
Well done. Well done. | 0:53:31 | 0:53:33 | |
Oh, Nat... | 0:53:33 | 0:53:35 | |
We've got a beautiful little baby boy. Time - 11.02. | 0:54:00 | 0:54:04 | |
As far as babies go, this one's pretty cute. Over. | 0:54:04 | 0:54:07 | |
52, that is wonderful. | 0:54:07 | 0:54:08 | |
Congratulations to all there. | 0:54:08 | 0:54:10 | |
Glad everything is all right. | 0:54:10 | 0:54:12 | |
Thank you ever so much for that update. Over. | 0:54:12 | 0:54:14 | |
Thanks, sweetheart. | 0:54:14 | 0:54:16 | |
-So we got an update on the baby case. -OK. | 0:54:16 | 0:54:19 | |
Baby boy, born at 11.02. | 0:54:19 | 0:54:22 | |
Aw. Oh, that's good news. | 0:54:22 | 0:54:25 | |
Good news. Bless her. | 0:54:25 | 0:54:29 | |
I do, I like the jobs like this. | 0:54:29 | 0:54:30 | |
# Don't play that song for me | 0:54:33 | 0:54:35 | |
# Cos it brings back memories... # | 0:54:37 | 0:54:40 | |
What a privilege. | 0:54:41 | 0:54:42 | |
-I mean, I was the first person that held that baby. -Yeah. | 0:54:42 | 0:54:45 | |
And that is an amazing feeling. | 0:54:45 | 0:54:48 | |
To pass a baby to their mum is just lovely. | 0:54:48 | 0:54:53 | |
It's like, "Here, this beautiful, beautiful baby boy." | 0:54:53 | 0:54:59 | |
Who's that? | 0:55:00 | 0:55:02 | |
-Who was it? -I don't know. | 0:55:02 | 0:55:03 | |
# Cos I remember just what he said | 0:55:03 | 0:55:06 | |
# He said, "Darlin'..." # | 0:55:06 | 0:55:10 | |
-ON RADIO: -Go ahead. | 0:55:10 | 0:55:11 | |
I've just got a bit of an update for you regarding case 885. | 0:55:11 | 0:55:16 | |
Patient now deceased. Confirmed by ED. | 0:55:16 | 0:55:19 | |
So that guy has died?! | 0:55:19 | 0:55:21 | |
-I can't believe that. -Of what? | 0:55:21 | 0:55:23 | |
I think it's secondary drowning. | 0:55:23 | 0:55:25 | |
The chest was clear. | 0:55:25 | 0:55:27 | |
The doctors assessed it, I assessed it. | 0:55:27 | 0:55:29 | |
I'm really shocked. | 0:55:29 | 0:55:31 | |
There was nothing more we could have done, was there? | 0:55:31 | 0:55:33 | |
All you can do is listen and see if there's any bubbling. | 0:55:33 | 0:55:36 | |
But even if you did think he had fluid on his lungs, | 0:55:36 | 0:55:38 | |
-what could you do? There's nothing you can give him. -That poor bloke. | 0:55:38 | 0:55:41 | |
# I remember on our first date | 0:55:41 | 0:55:44 | |
# He kissed me and he walked away... # | 0:55:46 | 0:55:48 | |
It's a privilege, my job. | 0:55:50 | 0:55:52 | |
Sometimes between life and death stands a paramedic. | 0:55:52 | 0:55:56 | |
I'll never forget, a lady said to me once, "This can't be happening. | 0:55:57 | 0:56:01 | |
"Ten minutes ago, he was drinking a hot chocolate." | 0:56:01 | 0:56:04 | |
And that is the reality. | 0:56:04 | 0:56:06 | |
People's lives can change within ten minutes, | 0:56:06 | 0:56:08 | |
and we're there through the whole time. | 0:56:08 | 0:56:12 | |
Then you get back to the station, you put your keys in the cupboard, | 0:56:15 | 0:56:19 | |
you put your drugs away and you pick your child up from Brownies | 0:56:19 | 0:56:22 | |
on the way home. Because life goes on. | 0:56:22 | 0:56:25 | |
# Oh, don't let him play it | 0:56:27 | 0:56:30 | |
# Oh, no | 0:56:30 | 0:56:32 | |
-# It fills my heart with pain -It hurts | 0:56:32 | 0:56:37 | |
# Please stop it right away | 0:56:37 | 0:56:40 | |
# Cos I remember just what he said | 0:56:40 | 0:56:44 | |
-# He said, "Darlin', I -Darlin', I | 0:56:44 | 0:56:47 | |
# "I know that I lied... # | 0:56:47 | 0:56:51 | |
Next on Ambulance... | 0:56:52 | 0:56:53 | |
-Is the patient breathing? -Yeah, he's breathing. | 0:56:53 | 0:56:56 | |
He's been stabbed. There's about five different stab wounds. | 0:56:56 | 0:56:59 | |
He's got stab wounds twice to his head here. | 0:56:59 | 0:57:01 | |
What I want you to do, mate, is keep talking to us. OK? | 0:57:01 | 0:57:03 | |
We're trying to help you. | 0:57:03 | 0:57:04 |