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Ambulance. Is the patient breathing? | 0:00:05 | 0:00:06 | |
Every year in Britain, 12 million people dial 999 | 0:00:13 | 0:00:16 | |
for an emergency ambulance, | 0:00:16 | 0:00:18 | |
more than 3,000 a day in the West Midlands. | 0:00:18 | 0:00:20 | |
Right, stop screaming and listen to me. | 0:00:20 | 0:00:23 | |
Listen, don't be afraid to push too hard. | 0:00:23 | 0:00:25 | |
One and two and three, one and two and three. | 0:00:25 | 0:00:27 | |
CPR in progress. | 0:00:27 | 0:00:29 | |
SIRENS BLARE | 0:00:29 | 0:00:30 | |
Everyone, clear. | 0:00:30 | 0:00:32 | |
Each call tells the story of a person in desperate need... | 0:00:32 | 0:00:36 | |
Can you upgrade it to a red, please? He's been badly beaten. | 0:00:36 | 0:00:39 | |
Do you know what it was you were stabbed with, Dom? | 0:00:39 | 0:00:41 | |
..and with call numbers doubling in the last decade... | 0:00:41 | 0:00:44 | |
Keep going! He's here. The head's here, the head's here, nearly. Yeah. | 0:00:44 | 0:00:47 | |
I can't! You can! | 0:00:47 | 0:00:49 | |
..for our public services, a situation that is now critical. | 0:00:49 | 0:00:53 | |
They've got to find somewhere for him. | 0:00:53 | 0:00:55 | |
They can't just say there's no beds. | 0:00:55 | 0:00:57 | |
Is this literally what you've got, what you're standing up in? | 0:00:57 | 0:01:00 | |
You've got nothing else? | 0:01:00 | 0:01:02 | |
OK. | 0:01:02 | 0:01:03 | |
The failure of the system. | 0:01:03 | 0:01:04 | |
Oh, God. | 0:01:04 | 0:01:06 | |
Oh, my God. | 0:01:07 | 0:01:09 | |
What was he doing? | 0:01:09 | 0:01:11 | |
All right, guys, just one minute. | 0:01:11 | 0:01:13 | |
Cameras follow cases as they unfold, minute by minute... | 0:01:13 | 0:01:16 | |
Two ambulances, please, if possible. | 0:01:16 | 0:01:18 | |
OK, yeah, as long as you're all right | 0:01:18 | 0:01:20 | |
I'll get everybody to you as quick as I can. | 0:01:20 | 0:01:22 | |
..in the control room... Confirmed, life extinct. | 0:01:22 | 0:01:24 | |
Oh, man. | 0:01:25 | 0:01:27 | |
..and on the ground... | 0:01:27 | 0:01:29 | |
Sorry for your loss. | 0:01:29 | 0:01:30 | |
..as the West Midlands Ambulance Service race to save lives. | 0:01:30 | 0:01:34 | |
They are coming to you, blue lights and sirens, | 0:01:34 | 0:01:36 | |
as fast as they possibly can. | 0:01:36 | 0:01:38 | |
Is he breathing? | 0:01:39 | 0:01:41 | |
Can you see the helicopter? | 0:01:41 | 0:01:43 | |
You're no trouble, honestly. | 0:01:43 | 0:01:44 | |
Everybody needs help sometimes, don't they? | 0:01:44 | 0:01:46 | |
This is the story behind the sirens. | 0:01:46 | 0:01:49 | |
Nee-naw. Nee-naw, nee-naw. | 0:01:49 | 0:01:52 | |
Get out the way, I'm driving. | 0:01:52 | 0:01:54 | |
SIRENS BLARE | 0:01:54 | 0:01:57 | |
This programme contains strong language and scenes which some viewers may find upsetting | 0:02:00 | 0:02:04 | |
Ambulance Service. Is the patient breathing? | 0:02:07 | 0:02:09 | |
OK, and she's not breathing? | 0:02:14 | 0:02:16 | |
OK, do you want to start CPR? | 0:02:20 | 0:02:22 | |
Wednesday, half an hour into the day shift | 0:02:24 | 0:02:27 | |
and the West Midlands Ambulance Service | 0:02:27 | 0:02:29 | |
is dealing with seven chest pains, | 0:02:29 | 0:02:31 | |
12 falls and an elderly woman who is in cardiac arrest. | 0:02:31 | 0:02:35 | |
You're doing really well. | 0:02:36 | 0:02:37 | |
WEEPING | 0:02:37 | 0:02:39 | |
In Staffordshire, paramedics are on scene with a 75-year-old woman who | 0:02:47 | 0:02:51 | |
called with abdominal pain. | 0:02:51 | 0:02:53 | |
Yeah, stand by. | 0:03:02 | 0:03:04 | |
After assessing the patient, the paramedics have discovered that | 0:03:04 | 0:03:07 | |
she's having a serious heart attack. | 0:03:07 | 0:03:09 | |
They've requested another ambulance to assist them. | 0:03:09 | 0:03:12 | |
Control dispatch the nearest available crew, Dave and Mick, | 0:03:16 | 0:03:19 | |
to back them up. | 0:03:19 | 0:03:21 | |
4452. | 0:03:21 | 0:03:23 | |
You're on scene at this one, please. Salt Avenue in Stafford. | 0:03:23 | 0:03:26 | |
The lady there's having an MI. Asking for a second crew, please. | 0:03:26 | 0:03:30 | |
Roger. | 0:03:30 | 0:03:31 | |
You've just been flashed. | 0:03:34 | 0:03:36 | |
I do apologise. Will you pay the fine? | 0:03:36 | 0:03:40 | |
It's your turn this time. Is it? Yeah. | 0:03:40 | 0:03:43 | |
I'll have to save up. | 0:03:43 | 0:03:44 | |
Those pensions are poor. | 0:03:44 | 0:03:46 | |
Mick retired eight years ago, but missed his life and rejoined. | 0:03:49 | 0:03:54 | |
At 71, he has no plans to retire soon. | 0:03:54 | 0:03:57 | |
SIRENS BLARE | 0:03:58 | 0:04:02 | |
By the time they arrive, | 0:04:02 | 0:04:04 | |
the patient has been showing symptoms for over two hours. | 0:04:04 | 0:04:07 | |
Hello. This is Dave, Denise. | 0:04:10 | 0:04:12 | |
Hello. How are you? | 0:04:12 | 0:04:14 | |
What's the lady's name? It's Denise. | 0:04:14 | 0:04:17 | |
You're very cold, Denise. | 0:04:17 | 0:04:20 | |
We're going to get you in. | 0:04:20 | 0:04:22 | |
Oh, dear. | 0:04:25 | 0:04:26 | |
Oh, Denise. | 0:04:28 | 0:04:30 | |
We've got an ambulance here, that's the right thing. | 0:04:30 | 0:04:33 | |
Are you all right? | 0:04:33 | 0:04:35 | |
Coping? All right? | 0:04:35 | 0:04:37 | |
We'll sort her out for you, all right? | 0:04:37 | 0:04:39 | |
How long have you been married, then? | 0:04:43 | 0:04:45 | |
50-odd years. Have you? | 0:04:47 | 0:04:51 | |
Come on, it's going to be all right. Have you got somebody you can ring? | 0:04:51 | 0:04:54 | |
I've rung my son to tell him. | 0:04:54 | 0:04:57 | |
Are you going to come with us? Yeah, if you don't mind? | 0:04:57 | 0:04:59 | |
That's no problem at all. | 0:04:59 | 0:05:01 | |
Let's put this on the head, make it more comfortable for you a bit. | 0:05:01 | 0:05:05 | |
Is that all right? | 0:05:05 | 0:05:07 | |
Don't run around too much, | 0:05:08 | 0:05:10 | |
else we'll be picking you up off t'floor as well. | 0:05:10 | 0:05:12 | |
Denise, do you feel sick? | 0:05:17 | 0:05:19 | |
Yeah? This is anti-sickness, this is, darling, OK? | 0:05:19 | 0:05:22 | |
Quite often you've got two patients, | 0:05:23 | 0:05:27 | |
the actual patient and the near relative, | 0:05:27 | 0:05:30 | |
because what's happening to their relative, it's upsetting. | 0:05:30 | 0:05:34 | |
One more and you're there. | 0:05:35 | 0:05:37 | |
So you have got to treat both. | 0:05:37 | 0:05:39 | |
We're on the way, sir. We'll be going a bit fast. | 0:05:41 | 0:05:43 | |
That's all right. All right? OK. | 0:05:43 | 0:05:46 | |
That's so your wife can have the best treatment possible | 0:05:47 | 0:05:50 | |
in the shortest time, all right? OK. | 0:05:50 | 0:05:53 | |
I seem to be able to talk with people and have empathy with them. | 0:05:54 | 0:06:00 | |
But I think we've all got this compassionate side, | 0:06:01 | 0:06:05 | |
otherwise you wouldn't do this job. | 0:06:05 | 0:06:06 | |
There's a hospital two miles away, | 0:06:08 | 0:06:11 | |
but Denise needs specialist care from the cardiac unit | 0:06:11 | 0:06:14 | |
at Royal Stoke and that is 16 miles away. | 0:06:14 | 0:06:18 | |
At this time of day, even on blue lights, | 0:06:18 | 0:06:20 | |
because it's really busy up there, | 0:06:20 | 0:06:22 | |
it's going to be about 20 minutes and it's all time critical now. | 0:06:22 | 0:06:26 | |
SIRENS BLARE | 0:06:26 | 0:06:28 | |
Oh, my God. | 0:06:28 | 0:06:29 | |
They're not going to let you through. | 0:06:34 | 0:06:37 | |
Is she all right? | 0:06:42 | 0:06:44 | |
She's OK, John, yeah, yeah. | 0:06:44 | 0:06:47 | |
Just trying to get rid of some of this nasty pain for her. | 0:06:47 | 0:06:49 | |
OK? Good. We're looking after her, John. Are you OK? | 0:06:49 | 0:06:52 | |
Yeah. | 0:06:52 | 0:06:54 | |
We'll look after her. | 0:06:54 | 0:06:56 | |
Got it? Done, yeah. | 0:07:03 | 0:07:06 | |
We'll get you in straightaway, Denise, don't worry. | 0:07:06 | 0:07:09 | |
Denise has been suffering her heart attack for over three hours. | 0:07:09 | 0:07:12 | |
The cardiac team must urgently unblock her arteries. | 0:07:14 | 0:07:18 | |
You just relax, all right? | 0:07:18 | 0:07:20 | |
You're going to be all right, don't worry. | 0:07:20 | 0:07:23 | |
Ready, steady, slide. | 0:07:23 | 0:07:24 | |
Hiya. Sorry to be so long. | 0:07:46 | 0:07:49 | |
As you know, John, your wife's had a heart attack. | 0:07:50 | 0:07:54 | |
She has had a heart attack. She has, yeah. | 0:07:54 | 0:07:58 | |
Which we knew at the time when we've come here. | 0:07:58 | 0:08:01 | |
Yeah. They've took her in to unblock the arteries. | 0:08:01 | 0:08:06 | |
I would imagine you've had a lot of challenges | 0:08:08 | 0:08:11 | |
during your marriage over the years. | 0:08:11 | 0:08:14 | |
This is another one and it's going in the right direction | 0:08:14 | 0:08:17 | |
at the moment, mate, all right? | 0:08:17 | 0:08:19 | |
OK? | 0:08:21 | 0:08:22 | |
She's in the best place, she's having the best treatment. | 0:08:24 | 0:08:28 | |
OK. All right? I believe you, yeah. | 0:08:28 | 0:08:30 | |
And everything's going right at the moment, OK? | 0:08:30 | 0:08:34 | |
She is, John, she's a lot more settled. | 0:08:34 | 0:08:36 | |
You'll be able to see her in a moment, all right? | 0:08:36 | 0:08:38 | |
They'll have you through with her very soon. | 0:08:38 | 0:08:40 | |
Three miles from Royal Stoke Hospital, | 0:08:50 | 0:08:52 | |
Matt and Ryan have just cleared from their second elderly patient | 0:08:52 | 0:08:55 | |
of the morning. Want to eat the oatcakes now? | 0:08:55 | 0:08:58 | |
There was two bacon. I think that's bacon and cheese. | 0:09:00 | 0:09:04 | |
Are they both bacon? Yeah... That's bacon. | 0:09:04 | 0:09:07 | |
That's bacon and sausage. | 0:09:07 | 0:09:09 | |
That's yours. That's sausage. | 0:09:09 | 0:09:11 | |
Oh, right, this must be bacon. | 0:09:11 | 0:09:13 | |
Oh, that's just nice. | 0:09:13 | 0:09:15 | |
It's quite warm now. | 0:09:15 | 0:09:17 | |
Better with brown sauce on it but they didn't have any brown sauce. | 0:09:18 | 0:09:23 | |
Always got to complain, haven't you? | 0:09:23 | 0:09:24 | |
Ambulance Service. Is the patient breathing? | 0:09:26 | 0:09:29 | |
OK. | 0:09:33 | 0:09:34 | |
The shower or the shed? | 0:09:35 | 0:09:37 | |
OK. How old is he, please? | 0:09:39 | 0:09:41 | |
This morning in Staffordshire, | 0:09:43 | 0:09:45 | |
almost half of all calls have been for people over 70. | 0:09:45 | 0:09:48 | |
Somebody's fallen in a shed and hurt his hip. | 0:09:48 | 0:09:51 | |
He says he's got cancer of the spine as well. | 0:09:51 | 0:09:54 | |
What's he doing in the shed? Yeah. | 0:09:54 | 0:09:56 | |
Hello, sir. Let's get to you, mate. | 0:10:04 | 0:10:07 | |
Have you hurt this hip before at all? | 0:10:07 | 0:10:09 | |
Right, and have you not been able to move it since you've fallen? | 0:10:12 | 0:10:15 | |
Shall we have a quick feel? | 0:10:18 | 0:10:20 | |
Is it round in your bottom or so? | 0:10:20 | 0:10:22 | |
Up here in, like, your pelvis? | 0:10:23 | 0:10:25 | |
What were you doing in your shed? | 0:10:27 | 0:10:29 | |
Tidying up? Do you keep pigeons? | 0:10:31 | 0:10:33 | |
Are they pigeons that you keep? | 0:10:33 | 0:10:34 | |
Oh, right. OK. | 0:10:35 | 0:10:36 | |
What did you used to do for a job? | 0:10:38 | 0:10:40 | |
Were you? It's pretty standard, isn't it, for round here? | 0:10:41 | 0:10:44 | |
Another one. | 0:10:46 | 0:10:47 | |
We'll get you some gas and air for now. | 0:10:47 | 0:10:49 | |
There's a possibility that you might have broken your hip. | 0:10:52 | 0:10:54 | |
We've got to move you at some point. | 0:10:56 | 0:10:57 | |
We obviously want to give you some pain relief. | 0:10:57 | 0:10:59 | |
We don't want to just move you without. All right, then. | 0:10:59 | 0:11:02 | |
I'm going to get you some gas and air and you can start taking that | 0:11:02 | 0:11:04 | |
now and that should kick in by the time we have to move you. | 0:11:04 | 0:11:07 | |
All right. I'll go grab that. | 0:11:07 | 0:11:09 | |
He's a proper Stokie, aren't you? | 0:11:09 | 0:11:11 | |
How did you manage to let your wife know that you'd fallen? | 0:11:13 | 0:11:16 | |
Right. | 0:11:18 | 0:11:19 | |
What's your missus going to be doing? | 0:11:21 | 0:11:23 | |
Is she going to be coming with us? | 0:11:23 | 0:11:25 | |
All right, we'll go to speak to her. | 0:11:25 | 0:11:28 | |
That's normal for it to change the tone of your voice, OK? Yeah. | 0:11:28 | 0:11:32 | |
So... | 0:11:32 | 0:11:34 | |
No. You might have to have an operation on this leg to correct it. | 0:11:36 | 0:11:41 | |
Have they? | 0:11:43 | 0:11:45 | |
You seem very optimistic about it all! | 0:11:45 | 0:11:47 | |
It may not be that, we'll see. | 0:11:50 | 0:11:51 | |
In relation to the long-term, I don't know... | 0:11:51 | 0:11:54 | |
That's obviously the hospital's decision in what they do. | 0:11:54 | 0:11:57 | |
Yeah, OK. | 0:12:00 | 0:12:03 | |
Ryan's going to grab your leg so they go together, OK? | 0:12:03 | 0:12:07 | |
That's it. | 0:12:08 | 0:12:10 | |
Ready? One, two, three. | 0:12:12 | 0:12:14 | |
OK. | 0:12:16 | 0:12:17 | |
Bring that leg in for me. | 0:12:18 | 0:12:20 | |
Yeah. So you can see how your leg is that much shorter | 0:12:20 | 0:12:23 | |
than the other one. | 0:12:23 | 0:12:27 | |
I think it's pretty... It's a good cert | 0:12:27 | 0:12:29 | |
that you've got a bit of a fracture to this hip somewhere. | 0:12:29 | 0:12:32 | |
It isn't really good, is it? | 0:12:34 | 0:12:36 | |
You're looking good, my love. | 0:12:38 | 0:12:40 | |
Hair's looking good. | 0:12:40 | 0:12:42 | |
Is it good? Yeah, it looks better than mine, doesn't it? | 0:12:42 | 0:12:45 | |
Oh, dear. Don't worry about it. | 0:12:48 | 0:12:50 | |
We think he might have broken his hip, unfortunately. | 0:12:50 | 0:12:54 | |
Are you coming up the hospital with him? | 0:12:56 | 0:12:58 | |
His son's on his way somewhere. OK. | 0:12:58 | 0:13:00 | |
No, no, no. | 0:13:02 | 0:13:04 | |
I know! | 0:13:11 | 0:13:13 | |
You can leave me here now, if you want. | 0:13:15 | 0:13:17 | |
You're comfortable? | 0:13:17 | 0:13:18 | |
So, head end. | 0:13:24 | 0:13:26 | |
It's the opposite way to where we are. OK. | 0:13:26 | 0:13:30 | |
When did you retire, then? How old were you when you retired? | 0:13:35 | 0:13:38 | |
Was that from the pot bank? Yeah. | 0:13:41 | 0:13:43 | |
I bet you have oatcakes at least once a week, don't you? | 0:13:44 | 0:13:47 | |
Cost kick a bo against a wo. | 0:13:53 | 0:13:55 | |
Ambulance Service. Is the patient breathing? | 0:14:03 | 0:14:06 | |
Hello, this is the Ambulance Service. | 0:14:07 | 0:14:09 | |
In the control room, a call is in progress for a woman | 0:14:15 | 0:14:18 | |
who thinks she's in labour in a car | 0:14:18 | 0:14:20 | |
on the side of a road near Bridgnorth. | 0:14:20 | 0:14:24 | |
How far from Highley are you? | 0:14:24 | 0:14:26 | |
WOMAN: | 0:14:26 | 0:14:27 | |
MAN: | 0:14:29 | 0:14:31 | |
Say that again. What did the other man say? | 0:14:31 | 0:14:33 | |
Open the sac. | 0:14:45 | 0:14:47 | |
Right, OK, don't pull that baby. Do not pull that baby. | 0:14:51 | 0:14:55 | |
Is the baby out the sac? | 0:15:01 | 0:15:02 | |
OK, is the baby breathing? | 0:15:04 | 0:15:06 | |
Tap on his feet for me, is he crying? | 0:15:08 | 0:15:11 | |
OK, is he awake? | 0:15:12 | 0:15:14 | |
Come on, baby. | 0:15:14 | 0:15:15 | |
OK, so he's not. Is he breathing? Listen to me - is he breathing? | 0:15:15 | 0:15:19 | |
Is he breathing? Is he breathing? | 0:15:21 | 0:15:24 | |
Is he breathing? | 0:15:26 | 0:15:28 | |
Tap his feet, is he breathing? | 0:15:30 | 0:15:32 | |
He hasn't cried yet. Is he breathing, though? | 0:15:32 | 0:15:34 | |
You need to take him and put your mouth completely over | 0:15:36 | 0:15:38 | |
the baby's mouth and nose. | 0:15:38 | 0:15:40 | |
Blow gently two to three seconds. Do this five times. | 0:15:40 | 0:15:44 | |
Do it now. | 0:15:44 | 0:15:45 | |
Yes. | 0:15:46 | 0:15:48 | |
Blow gently. | 0:15:48 | 0:15:50 | |
Have you done that five times? | 0:15:53 | 0:15:54 | |
Yeah? Is the baby breathing? | 0:15:55 | 0:15:57 | |
Is he breathing? | 0:15:59 | 0:16:01 | |
Lovely, that's a good noise to hear. | 0:16:04 | 0:16:06 | |
How old's Mum? | 0:16:06 | 0:16:07 | |
She didn't know she was pregnant? | 0:16:12 | 0:16:14 | |
OK, all right. | 0:16:14 | 0:16:15 | |
You've done really, really well. | 0:16:21 | 0:16:23 | |
I'll leave you, Victoria. | 0:16:24 | 0:16:26 | |
Thank you for your help. | 0:16:26 | 0:16:28 | |
Not a problem. | 0:16:28 | 0:16:30 | |
Congratulations to Mum. Thank you. Bye. | 0:16:30 | 0:16:32 | |
It's that one there as well? It's attached to it. | 0:16:40 | 0:16:43 | |
Mick and Dave have been at the station on a break | 0:16:44 | 0:16:47 | |
and are back on stand-by, ready for action. | 0:16:47 | 0:16:49 | |
That young girl... Yeah. | 0:16:52 | 0:16:54 | |
She said, "Who are you with?" I says, "Dave Minard." | 0:16:54 | 0:16:59 | |
I think she's in love with you, mate. | 0:16:59 | 0:17:01 | |
You can't be saying stuff like that, Mick. | 0:17:04 | 0:17:07 | |
Don't get me into any trouble with the wife! | 0:17:07 | 0:17:09 | |
4452. | 0:17:14 | 0:17:17 | |
52, thank you. | 0:17:17 | 0:17:19 | |
Mick, Andover Place, Cannock, please. | 0:17:19 | 0:17:21 | |
56-year-old, cardiac arrest, please. | 0:17:21 | 0:17:23 | |
SIRENS BLARE | 0:17:23 | 0:17:26 | |
Mick and Dave are three miles from the patient. | 0:17:33 | 0:17:36 | |
To back them up, the control room also dispatches William and Gail | 0:17:36 | 0:17:41 | |
in Ambulance 4453. | 0:17:41 | 0:17:44 | |
53. 4453, thank you. | 0:17:44 | 0:17:47 | |
Cannock, please, for a cardiac arrest. | 0:17:47 | 0:17:50 | |
He's very young to be cardiac arrest. 56? | 0:17:51 | 0:17:55 | |
We've got two crews running on it, they're both running | 0:17:55 | 0:17:57 | |
between two and a half and three and a half miles for it. | 0:17:57 | 0:18:01 | |
For a cardiac arrest, we always send two in case CPR's needed, | 0:18:01 | 0:18:04 | |
because it's real hard work for one crew. | 0:18:04 | 0:18:06 | |
We back up, naturally. You know, this is life and death. | 0:18:06 | 0:18:10 | |
4452. | 0:18:13 | 0:18:15 | |
The other crew are with you. | 0:18:15 | 0:18:16 | |
It's very much neck and neck at the moment. | 0:18:16 | 0:18:18 | |
I think you'll be slightly ahead going in. | 0:18:18 | 0:18:21 | |
Thank you. | 0:18:21 | 0:18:23 | |
If you grab the two bags, Mick, I'll grab those. OK. | 0:18:23 | 0:18:27 | |
Is that it there? | 0:18:30 | 0:18:31 | |
She's there. | 0:18:32 | 0:18:34 | |
Hiya. | 0:18:47 | 0:18:49 | |
OK, when was he last seen alive? | 0:18:49 | 0:18:52 | |
Half past four was the last breath he took. OK. | 0:18:52 | 0:18:56 | |
BEEPING | 0:18:56 | 0:18:58 | |
He's gone, I think. | 0:18:58 | 0:19:00 | |
There's no point in another coming. | 0:19:00 | 0:19:02 | |
No, no. | 0:19:02 | 0:19:04 | |
He's got a DNR? OK. | 0:19:04 | 0:19:05 | |
The patient, Paul, had been suffering from cancer | 0:19:08 | 0:19:11 | |
and signed a do not resuscitate request. | 0:19:11 | 0:19:14 | |
4452, just to confirm this is a K22. | 0:19:14 | 0:19:18 | |
The gent has got a DNR in place as well. | 0:19:18 | 0:19:22 | |
So there's no requirement for the other crew. | 0:19:22 | 0:19:25 | |
Thank you, they're just pulling up outside. | 0:19:25 | 0:19:27 | |
I'll let them know. Thank you. | 0:19:27 | 0:19:28 | |
53. | 0:19:30 | 0:19:32 | |
Gail, you can cancel, please. | 0:19:32 | 0:19:34 | |
Stand down, stand down. | 0:19:34 | 0:19:36 | |
Unfortunately this gent's... Patient's deceased. | 0:19:36 | 0:19:38 | |
The other crew are there. OK. | 0:19:38 | 0:19:41 | |
THEY WEEP | 0:19:44 | 0:19:47 | |
The DNR was only signed on the 9th of this month. | 0:19:49 | 0:19:53 | |
He's got metastatic bowel cancer. | 0:19:54 | 0:19:56 | |
Poor chap. | 0:20:02 | 0:20:04 | |
I'll just lift his head a bit | 0:20:04 | 0:20:06 | |
and we might be able to shut his mouth a bit. | 0:20:06 | 0:20:09 | |
For the family. | 0:20:09 | 0:20:10 | |
OK, sir. Come on. | 0:20:12 | 0:20:14 | |
Hiya. | 0:20:22 | 0:20:23 | |
We've confirmed that Paul's unfortunately passed. | 0:20:23 | 0:20:27 | |
Obviously it's a difficult time for yourselves now. | 0:20:27 | 0:20:30 | |
If you don't mind, | 0:20:30 | 0:20:31 | |
we might have to ask you a few questions just to fill in the gaps, | 0:20:31 | 0:20:35 | |
if that's OK with yourselves. That's fine. OK. | 0:20:35 | 0:20:38 | |
My name's Dave and this is Mick. I'm Mick. | 0:20:38 | 0:20:40 | |
Has he been in the hospital recently at all? | 0:20:40 | 0:20:42 | |
He was in hospital eight weeks ago. | 0:20:42 | 0:20:44 | |
They discharged him approximately eight weeks ago | 0:20:44 | 0:20:47 | |
from Newcross Hospital. OK. | 0:20:47 | 0:20:49 | |
He's been on palliative care ever since. | 0:20:49 | 0:20:51 | |
Right. OK. They gave him between six and 12 weeks, approximately. | 0:20:51 | 0:20:57 | |
OK. | 0:20:57 | 0:20:59 | |
I've got to ask for a next of kin. | 0:21:04 | 0:21:07 | |
That's me. That's yourself. | 0:21:07 | 0:21:09 | |
Daughter, wasn't it? Yeah, middle daughter. Yeah. | 0:21:09 | 0:21:11 | |
And your full name, sorry? | 0:21:11 | 0:21:13 | |
Hello, TeleMed, it's 4452. | 0:21:29 | 0:21:31 | |
Can I pass all these details of Form 12s, please? | 0:21:31 | 0:21:34 | |
Yeah, sure. The patient's name was a Paul Steven Jellyman. | 0:21:36 | 0:21:41 | |
He was born in Stoke-on-Trent. | 0:21:41 | 0:21:44 | |
Yeah, he was a delivery driver previously. | 0:21:44 | 0:21:47 | |
I confirmed at 16:57. | 0:21:49 | 0:21:52 | |
He was found supine in his bed. | 0:21:56 | 0:21:58 | |
Certainly most people who get towards my age | 0:22:04 | 0:22:07 | |
have come across death quite a few times in their life. | 0:22:07 | 0:22:11 | |
And I've had experience of holding someone while they were | 0:22:13 | 0:22:18 | |
completely passing away. | 0:22:18 | 0:22:21 | |
My first wife cardiac arrested on me. | 0:22:22 | 0:22:26 | |
So you can understand what people are going to go through. | 0:22:30 | 0:22:35 | |
It's like shell shock in a battle. | 0:22:39 | 0:22:42 | |
What helped me was my son and my daughter, | 0:22:45 | 0:22:51 | |
and I had plenty of memories to think about. | 0:22:51 | 0:22:55 | |
Good memories. | 0:22:57 | 0:22:58 | |
Undertakers generally come out within an hour. | 0:23:00 | 0:23:03 | |
They've got our number as well if there's any problems and obviously | 0:23:03 | 0:23:06 | |
Emma's as well, and I'm sure there won't be. OK? | 0:23:06 | 0:23:09 | |
All right. I'm sorry for your loss, anyway. It's all right. | 0:23:09 | 0:23:12 | |
Come on. | 0:23:12 | 0:23:13 | |
OK? Yeah. | 0:23:20 | 0:23:21 | |
Hello, it's the Ambulance Service. Are you the patient? | 0:23:35 | 0:23:38 | |
Hello, sweetheart. I understand you've been bitten twice | 0:23:38 | 0:23:40 | |
on your leg by a dog, is that right? | 0:23:40 | 0:23:42 | |
OK. Don't worry, we're going to arrange some help for you. | 0:23:42 | 0:23:45 | |
Do you know what type of dog it is, what breed it is? | 0:23:45 | 0:23:49 | |
Jack Russell, OK. | 0:23:49 | 0:23:51 | |
HE HUMS A TUNE | 0:23:51 | 0:23:53 | |
Vehicle not required. | 0:23:53 | 0:23:55 | |
It's the Thursday day shift. | 0:23:56 | 0:23:58 | |
Controller Mike is working out where to send Matt and Ryan. | 0:23:58 | 0:24:02 | |
HE EXHALES | 0:24:02 | 0:24:04 | |
50, you're not going to believe it, | 0:24:04 | 0:24:06 | |
our regular is asking us to attend him at Coral bookmakers. | 0:24:06 | 0:24:10 | |
No way! | 0:24:10 | 0:24:11 | |
Third time today we've been out to him, anyway. | 0:24:11 | 0:24:15 | |
Went mid morning, we went about two hours ago. | 0:24:15 | 0:24:18 | |
Third ambulance today! | 0:24:18 | 0:24:21 | |
Yeah, we'll go and have a word with him. | 0:24:21 | 0:24:24 | |
This will be the 17th time the Ambulance Service has seen | 0:24:24 | 0:24:27 | |
this patient this month. | 0:24:27 | 0:24:30 | |
He just goes out, calls an ambulance. | 0:24:30 | 0:24:32 | |
When we get there, he refuses treatment, just wants taken home. | 0:24:32 | 0:24:36 | |
You know, within minutes or hours, he's back out the door again. | 0:24:36 | 0:24:39 | |
You're losing the battle, really. | 0:24:40 | 0:24:42 | |
I'd love to know how many times we've been to him. Hundreds. | 0:24:44 | 0:24:48 | |
That's him there, smoking. | 0:24:50 | 0:24:52 | |
All I want is to go home. You need a taxi, not an ambulance. | 0:25:03 | 0:25:06 | |
We can't take you back home. | 0:25:06 | 0:25:07 | |
Please tell me you haven't asked for an ambulance to take you home? | 0:25:07 | 0:25:10 | |
I haven't asked for an ambulance. | 0:25:10 | 0:25:11 | |
The lady just said you keep asking everybody to ring you an ambulance. | 0:25:11 | 0:25:14 | |
No. Three ambulances you've had today. Have I? | 0:25:14 | 0:25:18 | |
BOTH: Yeah. | 0:25:18 | 0:25:19 | |
You've been taken home twice already. | 0:25:19 | 0:25:22 | |
10:30 this morning and then you... | 0:25:22 | 0:25:24 | |
I might have done, I don't know. | 0:25:24 | 0:25:26 | |
It's definite. It's definitely happened. | 0:25:26 | 0:25:29 | |
That's quite worrying, isn't it, from our point of view? | 0:25:29 | 0:25:31 | |
No. Right. | 0:25:32 | 0:25:34 | |
OK. Just so you know... I want to go... | 0:25:35 | 0:25:39 | |
We're not happy with your clinical situation at the moment. | 0:25:39 | 0:25:41 | |
We're not happy. There's nothing wrong with it. | 0:25:41 | 0:25:44 | |
You keep repeating yourself over and over, and over. | 0:25:44 | 0:25:46 | |
I have to because you keep on... | 0:25:46 | 0:25:48 | |
But you're telling me you can't remember having two ambulances out. | 0:25:49 | 0:25:53 | |
How can you not remember that? | 0:25:53 | 0:25:55 | |
VOICE-OVER: We go to many different regulars. | 0:25:58 | 0:26:00 | |
They expect us to just take them home. | 0:26:00 | 0:26:02 | |
They expect us to take them to the pub. | 0:26:02 | 0:26:06 | |
You name it, I've probably come across it in 14 years. | 0:26:06 | 0:26:10 | |
It's costing the Ambulance Service, and the NHS as a whole, a fortune | 0:26:10 | 0:26:15 | |
if these people are having 50, 60, 70 attendances through the year. | 0:26:15 | 0:26:20 | |
And the implications it has on other patients who could have had that | 0:26:20 | 0:26:24 | |
ambulance. So there's other pathways to look at for these people. | 0:26:24 | 0:26:28 | |
You've got to draw the line at some point. | 0:26:28 | 0:26:31 | |
I'm a bit concerned about his mental health, to be quite honest. | 0:26:32 | 0:26:35 | |
If he's saying that he can't remember having two ambulances | 0:26:35 | 0:26:38 | |
and being taken home twice, | 0:26:38 | 0:26:39 | |
it's not right to sort of keep allowing this to happen, really. | 0:26:39 | 0:26:43 | |
Yeah, roger that. I'll chase it up with the police. | 0:26:47 | 0:26:50 | |
Matt and Ryan hope police can persuade the patient | 0:26:51 | 0:26:54 | |
to accept long-term help, but they can't leave him on his own | 0:26:54 | 0:26:57 | |
so need to wait until officers arrive. | 0:26:57 | 0:27:00 | |
Oh, dear. | 0:27:02 | 0:27:04 | |
Ambulance Service. Is the patient breathing? | 0:27:04 | 0:27:06 | |
Yes. | 0:27:07 | 0:27:08 | |
Let me find out what's going on. | 0:27:13 | 0:27:15 | |
Are you coming with us, yeah? | 0:27:15 | 0:27:17 | |
Are you on the phone to the Ambulance Service, sir? | 0:27:19 | 0:27:22 | |
Why have you asked for it? | 0:27:22 | 0:27:23 | |
We can't take you home. | 0:27:23 | 0:27:25 | |
Yes, you can. No, we can't. | 0:27:25 | 0:27:26 | |
We're an emergency Ambulance Service. | 0:27:26 | 0:27:29 | |
DISPATCHER: Right, OK, I can hear what's going on. | 0:27:29 | 0:27:31 | |
You've just rang... You've knocked on this chap's door. | 0:27:31 | 0:27:33 | |
It's OK, darling. I work for the Ambulance Service. | 0:27:33 | 0:27:36 | |
We're on vehicle 4450. | 0:27:36 | 0:27:37 | |
Yeah, this gentleman's now walked up the road | 0:27:37 | 0:27:40 | |
and knocked on number 46. | 0:27:40 | 0:27:41 | |
I think we've just had another call for it. | 0:27:41 | 0:27:44 | |
He's asked for an ambulance to take him home again. | 0:27:46 | 0:27:48 | |
I can't believe he's knocked on there. | 0:27:52 | 0:27:55 | |
PHONE RINGS | 0:27:55 | 0:27:56 | |
Hello. | 0:27:56 | 0:27:57 | |
Can I request your attendance on this one, please? | 0:27:57 | 0:28:00 | |
He's a real handful. | 0:28:00 | 0:28:02 | |
We could do with some officers there pronto, please. | 0:28:02 | 0:28:05 | |
He's knocking on members of the public's door | 0:28:05 | 0:28:07 | |
asking for them to send him an ambulance, | 0:28:07 | 0:28:09 | |
even though there's one following him several yards behind. | 0:28:09 | 0:28:12 | |
This is the third time we've been called to him today. | 0:28:12 | 0:28:16 | |
There's a question over his capacity. | 0:28:16 | 0:28:19 | |
He's flagging somebody else down now. | 0:28:20 | 0:28:23 | |
He's going to be doing it again and again, and again. | 0:28:23 | 0:28:26 | |
We're with him, mate. He keeps walking off from us. | 0:28:28 | 0:28:31 | |
We'll deal with it, yeah. You're on your way. | 0:28:31 | 0:28:34 | |
Watch your feet, Matt. Why are you stopping cars now? | 0:28:34 | 0:28:37 | |
I'm not stopping cars. He stopped. We've just seen you. | 0:28:37 | 0:28:40 | |
We just watched. He just stopped. We saw you flag him down. | 0:28:40 | 0:28:43 | |
You're a bloody liar. | 0:28:43 | 0:28:45 | |
Right, come here a minute. | 0:28:45 | 0:28:47 | |
He keeps walking off every time they go near him to try and... | 0:28:47 | 0:28:50 | |
..to try and deal with him in any way or do anything with him. | 0:28:52 | 0:28:55 | |
It takes 30 minutes for the police to arrive. | 0:28:55 | 0:28:58 | |
He wants an ambulance? Yeah, he's asking everybody for an ambulance. | 0:28:58 | 0:29:01 | |
Now he's saying he doesn't. He said he hasn't had an ambulance today. | 0:29:01 | 0:29:04 | |
He's had three. All he wants, mate, is an ambulance | 0:29:04 | 0:29:06 | |
to take him home every single time. That's all he wants. | 0:29:06 | 0:29:08 | |
They arrange for their mental health team to assess the patient. | 0:29:08 | 0:29:12 | |
We'll follow him down and I'll get a few details | 0:29:12 | 0:29:14 | |
and make sure everything's OK. All right. You can shoot off. | 0:29:14 | 0:29:16 | |
All right. Cheers, chaps. Thank you very much. | 0:29:16 | 0:29:19 | |
Something needs to be done. | 0:29:19 | 0:29:21 | |
He's got dementia or something that nobody's picked up on. | 0:29:21 | 0:29:24 | |
There's got to... There's got to be something. The only way... | 0:29:24 | 0:29:27 | |
The sooner we put a stop to it, the better. Unreal. | 0:29:27 | 0:29:31 | |
Ambulance Service. Is the patient breathing? | 0:29:35 | 0:29:38 | |
Are they conscious? | 0:29:41 | 0:29:42 | |
OK, what's happened? | 0:29:43 | 0:29:45 | |
A wound to the throat? Has the patient been assaulted? | 0:29:48 | 0:29:51 | |
Right. OK, help is being arranged. | 0:29:58 | 0:30:00 | |
Can you calm down? Is she breathing noisily... | 0:30:03 | 0:30:06 | |
11pm, and twin sisters Karen and Julie | 0:30:18 | 0:30:21 | |
are working their regular Friday night shift together. | 0:30:21 | 0:30:25 | |
Right, listen... Listen, if you're saying... | 0:30:27 | 0:30:30 | |
If she's not breathing in and out normally, | 0:30:31 | 0:30:33 | |
you need to help her breathing, OK? | 0:30:33 | 0:30:35 | |
So, put me on loudspeaker now. | 0:30:35 | 0:30:38 | |
Karen is trying to talk an aggressive caller through first aid. | 0:30:38 | 0:30:42 | |
Paramedics and police have been dispatched. | 0:30:42 | 0:30:44 | |
Is she able to talk to you? | 0:30:46 | 0:30:48 | |
Right, all we're trying to do is help her, OK? | 0:30:54 | 0:30:56 | |
If the blood comes through that wound, | 0:30:56 | 0:30:58 | |
put another cover on top so it doesn't bleed out. | 0:30:58 | 0:31:01 | |
Can you please stop shouting and swearing? | 0:31:05 | 0:31:07 | |
What's your name, please? | 0:31:07 | 0:31:09 | |
There is an ambulance there, OK? | 0:31:11 | 0:31:14 | |
They're coming as quickly as they can. | 0:31:14 | 0:31:15 | |
Are the crew there with you, sir? | 0:31:24 | 0:31:26 | |
I'll let you go, sir. All the best. | 0:31:28 | 0:31:29 | |
The police are there. He said the police are there, yeah. | 0:31:34 | 0:31:37 | |
The police are there? Yeah. | 0:31:37 | 0:31:38 | |
I'm sorry, Deirdre, I don't normally get like this. It's OK. | 0:31:48 | 0:31:52 | |
It's OK. Don't worry. | 0:31:55 | 0:31:57 | |
OK. | 0:32:02 | 0:32:04 | |
Karen's call was the 90th trauma of the Friday night shift. | 0:32:07 | 0:32:11 | |
By 11:15pm, the control room is taking a new 999 call | 0:32:12 | 0:32:17 | |
every 20 seconds. | 0:32:17 | 0:32:18 | |
A quarter of them are alcohol-related. | 0:32:20 | 0:32:23 | |
What's happened? | 0:32:23 | 0:32:24 | |
Is he intoxicated? | 0:32:35 | 0:32:37 | |
In east Staffordshire, there's an emergency call | 0:32:40 | 0:32:43 | |
for a 17-year-old in need. | 0:32:43 | 0:32:45 | |
Right. Is he awake? | 0:32:47 | 0:32:48 | |
Paramedics Connor and Sam are the nearest available crew. | 0:32:53 | 0:32:56 | |
# Where you think you're going, baby | 0:32:56 | 0:32:59 | |
# Hey, I just met you and this is crazy | 0:32:59 | 0:33:03 | |
# But here's my number so call me maybe | 0:33:03 | 0:33:06 | |
# Hey, I just met you... # | 0:33:06 | 0:33:08 | |
Sad that I know the words to this, isn't it? I don't know the words. | 0:33:08 | 0:33:11 | |
# But here's my number so call me maybe. # | 0:33:11 | 0:33:15 | |
BEEPING | 0:33:15 | 0:33:18 | |
New job. We're going to a 17-year-old gentleman | 0:33:18 | 0:33:22 | |
who is short of breath and fighting for breath. | 0:33:22 | 0:33:24 | |
See, I feel incomplete because we didn't manage to finish the song. | 0:33:26 | 0:33:29 | |
SHE LAUGHS | 0:33:29 | 0:33:31 | |
Ah, here we go. | 0:33:31 | 0:33:33 | |
Hiya. | 0:33:34 | 0:33:36 | |
I've been to you before. You've been to me before. Yeah. | 0:33:36 | 0:33:40 | |
I'm only joking. Calm down. Let's sort Reece out. | 0:33:40 | 0:33:43 | |
THEY JEER | 0:33:43 | 0:33:46 | |
OK, right, stop, stop. | 0:33:46 | 0:33:47 | |
Stop, stop! | 0:33:47 | 0:33:49 | |
Listen, all of you, right? | 0:33:49 | 0:33:52 | |
Just shut up a minute. | 0:33:52 | 0:33:54 | |
Shut up a minute. Let's sort him out, yeah? Yeah? | 0:33:54 | 0:33:58 | |
I said I'd go with him... Right, lovely, thank you. | 0:33:58 | 0:34:01 | |
A bit of quiet. Right, Reece, what's happening, sweetheart? | 0:34:01 | 0:34:04 | |
HE SHOUTS | 0:34:04 | 0:34:05 | |
Reece, how much have you had to drink? | 0:34:05 | 0:34:07 | |
Just a little bit. Yeah. | 0:34:07 | 0:34:09 | |
So, what's happened to you tonight, then, Reece? | 0:34:09 | 0:34:12 | |
I've had some shots! | 0:34:12 | 0:34:14 | |
He's all right now. | 0:34:15 | 0:34:17 | |
Yeah. | 0:34:19 | 0:34:21 | |
Have we just been drinking, or...? | 0:34:21 | 0:34:23 | |
Just been drinking, yeah? | 0:34:23 | 0:34:25 | |
Obviously, we can't do our assessment on him, | 0:34:26 | 0:34:28 | |
we can't hear what he's saying while | 0:34:28 | 0:34:31 | |
everyone's going mad and shouting, yeah? Right, Reece... | 0:34:31 | 0:34:34 | |
Any family or girlfriend? | 0:34:34 | 0:34:37 | |
I think I've had a bit too much to drink. | 0:34:37 | 0:34:39 | |
Yeah, I think you have as well. | 0:34:39 | 0:34:41 | |
Sam, I think we'd be better going to the ambulance, | 0:34:50 | 0:34:53 | |
getting him out of this situation. | 0:34:53 | 0:34:55 | |
We'll get you down to the ambulance first... | 0:34:58 | 0:35:00 | |
Sam and Connor are concerned, | 0:35:00 | 0:35:02 | |
but to make a proper assessment | 0:35:02 | 0:35:04 | |
they must persuade Reece to go to the ambulance. | 0:35:04 | 0:35:06 | |
The problem is... The problem we've got, Reece, | 0:35:06 | 0:35:09 | |
is your heart rate and your blood pressure are too high, right? | 0:35:09 | 0:35:13 | |
Well, I'll sit down and do it proper now. | 0:35:13 | 0:35:15 | |
Listen, you've had your chance now, | 0:35:15 | 0:35:17 | |
so we're going to go to the ambulance where it's quiet and calm, | 0:35:17 | 0:35:19 | |
and we're going to assess you there. I ain't going anywhere. | 0:35:19 | 0:35:22 | |
While Connor and Sam negotiate with Reece, | 0:35:23 | 0:35:26 | |
15 miles away, a woman is calling because | 0:35:26 | 0:35:28 | |
her father is in cardiac arrest. | 0:35:28 | 0:35:30 | |
It's the highest category of call. | 0:35:34 | 0:35:36 | |
Two ambulance crews and a paramedic officer are immediately dispatched. | 0:35:36 | 0:35:42 | |
Can you hear or feel any breathing now? | 0:35:42 | 0:35:45 | |
In the control room, Karen's twin sister Julie | 0:35:45 | 0:35:48 | |
must give CPR instructions over the phone. | 0:35:48 | 0:35:52 | |
Right, OK. Stop screaming and listen to me. | 0:35:52 | 0:35:54 | |
Listen. Kneel by his side. | 0:35:54 | 0:35:56 | |
Put the heel of your hand in the centre of his chest and your other | 0:35:56 | 0:35:59 | |
hand on top. Keep your arms straight and press down | 0:35:59 | 0:36:02 | |
at least two inches. Don't be afraid to push too hard. | 0:36:02 | 0:36:06 | |
You're doing it at a speed of | 0:36:06 | 0:36:08 | |
one and two and three, one and two and three. | 0:36:08 | 0:36:10 | |
Keep going. | 0:36:12 | 0:36:13 | |
Don't stop. Help's being arranged, love. | 0:36:13 | 0:36:16 | |
Stay on the line with me. | 0:36:16 | 0:36:18 | |
Keep going, love. If he starts... Listen, listen. It's all right. | 0:36:18 | 0:36:22 | |
If he starts to breathe and move normally, | 0:36:22 | 0:36:25 | |
then just turn him onto his side, all right? | 0:36:25 | 0:36:27 | |
About one minute, two minutes for both crews. OK. | 0:36:27 | 0:36:31 | |
Keep going, love. Lock your elbows out. | 0:36:31 | 0:36:33 | |
Remember, you're going down about two inches. | 0:36:33 | 0:36:35 | |
One and two and three, one and two and three. | 0:36:35 | 0:36:38 | |
Keep going. | 0:36:38 | 0:36:41 | |
Is that the crew, love? | 0:36:41 | 0:36:42 | |
12 minutes after the patient's family started CPR, | 0:36:43 | 0:36:47 | |
the first ambulance has arrived. | 0:36:47 | 0:36:49 | |
OK, love. Well done. Bye-bye, now. | 0:36:49 | 0:36:51 | |
What a night. What a night. | 0:36:59 | 0:37:00 | |
Never mind. Well done. Thank you. | 0:37:02 | 0:37:05 | |
After continuing resuscitation, | 0:37:09 | 0:37:11 | |
paramedics have managed to get Julie's patient's heart going. | 0:37:11 | 0:37:15 | |
It is a ROSC. | 0:37:15 | 0:37:17 | |
So, if you wouldn't mind telling Julie. | 0:37:17 | 0:37:19 | |
The Ambulance Service calls this return of spontaneous circulation, | 0:37:19 | 0:37:24 | |
or ROSC. | 0:37:24 | 0:37:26 | |
Job 208. Yes? | 0:37:26 | 0:37:28 | |
It was a ROSC. Oh, was it? | 0:37:28 | 0:37:29 | |
Yes. Well done. That's great news. | 0:37:29 | 0:37:32 | |
That's really good. Good, well done. Thank you. | 0:37:32 | 0:37:36 | |
Thank you. | 0:37:37 | 0:37:39 | |
Oh, that's really good. | 0:37:39 | 0:37:41 | |
Oh, I'm chuffed to bits about that. | 0:37:41 | 0:37:43 | |
I've earned my cup of tea tonight. | 0:37:46 | 0:37:48 | |
I'm glad you sit next to me. | 0:37:53 | 0:37:55 | |
I'm glad you sit next to me. | 0:37:55 | 0:37:57 | |
Come on, mate. Come on. | 0:38:06 | 0:38:07 | |
Connor and Sam have persuaded 17-year-old Reece | 0:38:10 | 0:38:13 | |
that the party's over. | 0:38:13 | 0:38:15 | |
I've got a hole in my sock! | 0:38:16 | 0:38:18 | |
Right, then, Reece. What going on tonight? | 0:38:23 | 0:38:26 | |
I've just had a bit too much to drink, that's all. | 0:38:26 | 0:38:28 | |
He drank a whole bottle of Ciroc. A whole bottle? Yeah. | 0:38:28 | 0:38:31 | |
SAM: What is Ciroc? It's like a... | 0:38:31 | 0:38:33 | |
If you need to be sick, you be sick in that. | 0:38:33 | 0:38:37 | |
OK. I can hack a session, mate! Dude... | 0:38:37 | 0:38:40 | |
Right, if you're sick, sick in the bowl, all right? | 0:38:40 | 0:38:43 | |
Can I have some gas and air? Why? | 0:38:43 | 0:38:45 | |
To get HIGH. | 0:38:45 | 0:38:47 | |
I think you've had enough, mate. You can't have gas and air. | 0:38:47 | 0:38:50 | |
You've had enough. | 0:38:50 | 0:38:51 | |
That's better. Now we're out of that situation, | 0:38:51 | 0:38:54 | |
we've calmed down quite a bit. | 0:38:54 | 0:38:55 | |
Reece, the problem we've got is, Reece, | 0:38:55 | 0:38:57 | |
is you're 17 years old, right? | 0:38:57 | 0:39:00 | |
You're pissed. Yeah? | 0:39:00 | 0:39:03 | |
So, our advice is that you need to go home. | 0:39:03 | 0:39:05 | |
Well, I'm sure I'm just going to go to sleep when I get up there. | 0:39:05 | 0:39:08 | |
CONNOR: Really? Yeah. Because I believe that. | 0:39:08 | 0:39:11 | |
We're all back down to normal again now. | 0:39:11 | 0:39:13 | |
Get back on the session! | 0:39:13 | 0:39:16 | |
Let's do your temperature. What's going on? | 0:39:16 | 0:39:18 | |
I'm taking his temperature at the moment, mate. | 0:39:18 | 0:39:21 | |
Are you going to hospital or what? | 0:39:21 | 0:39:22 | |
Nah, I'm coming back in for the sesh. | 0:39:22 | 0:39:24 | |
Whoa! I'm taking your temperature! | 0:39:24 | 0:39:27 | |
Ah! Oh, Jesus Christ! How old are you? | 0:39:27 | 0:39:31 | |
That hurt my ear, that one did. | 0:39:31 | 0:39:33 | |
VOICE-OVER: It's hard when you are with someone that is intoxicated, | 0:39:36 | 0:39:41 | |
because at that moment in time, you've got a duty of care to that | 0:39:41 | 0:39:43 | |
individual who's called you because they're intoxicated, | 0:39:43 | 0:39:46 | |
and you can't leave that individual until you know that they're safe. | 0:39:46 | 0:39:51 | |
Ooh! Hang on! | 0:39:51 | 0:39:53 | |
You didn't tell me you were doing that! I did! | 0:39:53 | 0:39:56 | |
Maybe you should listen a bit. REECE LAUGHS | 0:39:56 | 0:39:59 | |
Try listening. | 0:39:59 | 0:40:01 | |
You've got to be so careful that you don't get stuck in this mentality | 0:40:01 | 0:40:04 | |
of, "I'm only here to deal with the cardiac arrests, the RTCs, | 0:40:04 | 0:40:08 | |
"the people that are on death's door." | 0:40:08 | 0:40:10 | |
Yeah, that's a part of the job that we do, | 0:40:10 | 0:40:13 | |
but the job is completely different now. | 0:40:13 | 0:40:16 | |
This whole social side, it's the world live in now. | 0:40:16 | 0:40:19 | |
That's what we deal with. | 0:40:19 | 0:40:21 | |
After checking Reece over, Connor and Sam are satisfied | 0:40:21 | 0:40:25 | |
there's nothing medically wrong with him. | 0:40:25 | 0:40:27 | |
They leave him in the care of his 18-year-old friend. | 0:40:27 | 0:40:30 | |
You can't go out that door. You've got to go out the side door. | 0:40:30 | 0:40:32 | |
I'm all right, mate. Thanks for coming. Yes, boss, man! My dog. | 0:40:32 | 0:40:37 | |
Watch your step, now. I respect you for that, you know? | 0:40:37 | 0:40:40 | |
I'm so sorry. | 0:40:40 | 0:40:41 | |
Take care. | 0:40:43 | 0:40:44 | |
Across Britain, paramedics spend more than a third of their time | 0:40:49 | 0:40:53 | |
dealing with alcohol-related incidents. | 0:40:53 | 0:40:56 | |
All right, Baz. Morning, mate. | 0:40:58 | 0:41:00 | |
Lots of drunks and overdoses... Friday night. | 0:41:00 | 0:41:05 | |
Everybody's on that needs to be. OK. | 0:41:05 | 0:41:07 | |
And there's no obvious problems, no mixed crews or anything, so... | 0:41:07 | 0:41:10 | |
Excellent. | 0:41:10 | 0:41:11 | |
Bye. Have a good one. | 0:41:11 | 0:41:12 | |
The following evening, Connor and Sam are back on | 0:41:21 | 0:41:24 | |
for another 12-hour night shift. | 0:41:24 | 0:41:26 | |
Hello? Hiya. | 0:41:28 | 0:41:31 | |
Their first call is to 81-year-old Thelma, who's fallen at home. | 0:41:31 | 0:41:35 | |
So, what's happened today, then? | 0:41:35 | 0:41:37 | |
Well, what happened was, I was going in the bathroom, had my wash... | 0:41:37 | 0:41:41 | |
OK. ..turned round to come through that door | 0:41:41 | 0:41:46 | |
and as I came through, I just... My legs just went. | 0:41:46 | 0:41:49 | |
Your legs went? OK. Yeah. | 0:41:49 | 0:41:51 | |
And I landed on my bottom, really. Right. But there's nothing... | 0:41:51 | 0:41:55 | |
Not hurting anywhere? ..hurting. | 0:41:56 | 0:41:58 | |
Can I have a little feel of your wrist | 0:41:58 | 0:42:00 | |
while we're having a chat, sweetie? | 0:42:00 | 0:42:02 | |
Did you go funny in your head at all? No. | 0:42:02 | 0:42:04 | |
Or did you just feel like your legs | 0:42:04 | 0:42:05 | |
just went out from underneath you? Yeah. OK. | 0:42:05 | 0:42:07 | |
And you didn't hit your head when you fell over? No. | 0:42:07 | 0:42:10 | |
One, two, three. | 0:42:10 | 0:42:13 | |
Ooh, me knee. | 0:42:13 | 0:42:14 | |
SHE GROANS | 0:42:14 | 0:42:16 | |
You did that all by yourself. | 0:42:16 | 0:42:18 | |
That's it. | 0:42:18 | 0:42:19 | |
You just get your balance. OK. Don't lose me. | 0:42:19 | 0:42:22 | |
We're not going to lose you, don't worry. | 0:42:22 | 0:42:24 | |
I want to sit down somewhere. We will. | 0:42:24 | 0:42:25 | |
We're going to get you sat down on that bed. | 0:42:25 | 0:42:29 | |
That's it. And do a little turn. Turn and face me. | 0:42:29 | 0:42:32 | |
Is that your frame just there, just behind you? | 0:42:34 | 0:42:37 | |
I bet you've got a girlfriend. I have, I've got a fiancee. | 0:42:38 | 0:42:41 | |
Oh, fiancee. I have. Very posh. | 0:42:41 | 0:42:44 | |
Very posh? We're getting married this year. | 0:42:44 | 0:42:46 | |
That's it. Is that better? That's better. There we go. | 0:42:49 | 0:42:53 | |
Like I say, if you need us, call us back. | 0:42:53 | 0:42:55 | |
He's a nice little boy, isn't he? Lovely, isn't he? He's beautiful. | 0:42:55 | 0:42:58 | |
I'll smack his arse. | 0:42:58 | 0:43:00 | |
THEY LAUGH | 0:43:00 | 0:43:02 | |
You'll make me go red, Thelma. | 0:43:02 | 0:43:05 | |
You be a good boy. I will be, I will be. | 0:43:05 | 0:43:08 | |
Take care, Thelma. | 0:43:08 | 0:43:10 | |
Ambulance Service. Is the patient breathing? | 0:43:21 | 0:43:24 | |
Is the patient conscious? | 0:43:25 | 0:43:27 | |
OK. And is it possible to speak to the patient directly? | 0:43:29 | 0:43:33 | |
Is it a cardiac nature, or...? | 0:43:35 | 0:43:37 | |
"Stabbing and twisting pains worsening, | 0:43:51 | 0:43:53 | |
"chest and back pain, short of breath, cancer patient." | 0:43:53 | 0:43:55 | |
Morning. Hello. | 0:44:10 | 0:44:12 | |
What's happening with you, then, this evening? | 0:44:14 | 0:44:16 | |
OK. I've got... | 0:44:16 | 0:44:19 | |
I've got the full English breakfast of cancers. | 0:44:19 | 0:44:21 | |
The full English breakfast? The full English breakfast, so... Go for it. | 0:44:21 | 0:44:24 | |
Bowel, liver, spine... | 0:44:24 | 0:44:27 | |
Yeah. I've missed one. | 0:44:27 | 0:44:28 | |
..bone. | 0:44:28 | 0:44:30 | |
The other thing was that, the cancer was... | 0:44:30 | 0:44:33 | |
I was given under 12 months. I've made ten. | 0:44:33 | 0:44:36 | |
Do you want to...? | 0:44:38 | 0:44:40 | |
You grab onto me, sweetheart. | 0:44:42 | 0:44:44 | |
That's it. Do you want a bit of gas and air to try? | 0:44:44 | 0:44:46 | |
Oh, I don't know. Fucking hell... Sorry. | 0:44:46 | 0:44:49 | |
You swear as much as you want. This is it, this is where the... | 0:44:49 | 0:44:52 | |
No? | 0:44:53 | 0:44:54 | |
As soon as you move, the knives are in. | 0:44:56 | 0:44:58 | |
OK. Just try and relax. And... | 0:44:58 | 0:45:01 | |
It was yesterday... | 0:45:01 | 0:45:02 | |
I've never realised what it's like not to breathe. | 0:45:02 | 0:45:05 | |
So, you're trying to breathe in... | 0:45:05 | 0:45:08 | |
But the more you're breathing in, the more it's hurting. | 0:45:08 | 0:45:12 | |
So, is it actually...? The more you shallow it... | 0:45:12 | 0:45:15 | |
And this is where... I'm glad you're seeing it now. | 0:45:15 | 0:45:18 | |
Trust me, you are breathing... Oh, I know I'm breathing. | 0:45:18 | 0:45:20 | |
..which is good. | 0:45:20 | 0:45:22 | |
So, shall we do a few checks on you, then? | 0:45:22 | 0:45:24 | |
The usual stuff, and then we'll go from there. | 0:45:24 | 0:45:27 | |
38.4. | 0:45:28 | 0:45:30 | |
Temperature's fine. No, it's high. That's high. Oh, is it? Yeah. | 0:45:30 | 0:45:34 | |
38.4. | 0:45:34 | 0:45:37 | |
You've got a slight temperature, your heart rate's slightly raised, | 0:45:37 | 0:45:41 | |
so you might have a bit of an infection going on. | 0:45:41 | 0:45:44 | |
Good news is, you get to spend a bit more time with me. | 0:45:44 | 0:45:47 | |
A trip to the hospital. | 0:45:47 | 0:45:49 | |
A trip to the hospital, I'm afraid. | 0:45:49 | 0:45:51 | |
Sorry. We're going to pop him up the hospital. | 0:45:51 | 0:45:53 | |
I thought that was going to happen. Yeah. I'm afraid so. | 0:45:53 | 0:45:56 | |
A bit of a temperature. | 0:45:56 | 0:45:57 | |
And with everything else that's going on, | 0:45:57 | 0:45:59 | |
and obviously, with the pain relief, get the pain under control, | 0:45:59 | 0:46:01 | |
get this query infection under control and... | 0:46:01 | 0:46:04 | |
We haven't tried the trumpet yet, have we, love? | 0:46:04 | 0:46:07 | |
He's got an air horn in there, so when he needs me, | 0:46:07 | 0:46:10 | |
I have to come running, you see? Is that to get your attention? | 0:46:10 | 0:46:12 | |
A friend thought it was a good idea. | 0:46:12 | 0:46:14 | |
Just bear in mind it is quarter past one. Ready? | 0:46:14 | 0:46:17 | |
AIR HORN BLARES | 0:46:17 | 0:46:19 | |
LAUGHTER | 0:46:19 | 0:46:22 | |
I bet your neighbours love you, don't they? | 0:46:22 | 0:46:26 | |
Thank you. | 0:46:26 | 0:46:28 | |
Nige, do you want me to let the boys know? | 0:46:28 | 0:46:32 | |
I don't know what difference it will make, love. | 0:46:32 | 0:46:34 | |
No. Why disturb their night's sleep? | 0:46:34 | 0:46:36 | |
Bolt upright, or...? | 0:46:38 | 0:46:41 | |
Basically, do what we tell you to do. | 0:46:41 | 0:46:43 | |
INDISTINCT | 0:46:43 | 0:46:44 | |
THEY LAUGH | 0:46:44 | 0:46:46 | |
I'll set Sam on you. | 0:46:46 | 0:46:48 | |
She'll have you if you don't listen to her. | 0:46:48 | 0:46:50 | |
Anyone would think my driving's bad with all these straps on you. | 0:46:52 | 0:46:56 | |
It's like a racing harness, this is. You want to see me go. | 0:46:56 | 0:47:00 | |
Well, I ride motorbikes, and I also ride... | 0:47:00 | 0:47:03 | |
I also ride for blood bikes as well, so... Do you? | 0:47:03 | 0:47:06 | |
Yeah. We like... I like my bikes. Oh, do you do blood bikes? Yeah. | 0:47:06 | 0:47:10 | |
See, I've always wanted to ride a bike, | 0:47:10 | 0:47:12 | |
and I've said that if I ever did, I'd want a Bonneville Triumph. | 0:47:12 | 0:47:16 | |
Oh, my God. Right, so you're going back classic, then? Yeah. | 0:47:16 | 0:47:19 | |
Shall we get going? | 0:47:19 | 0:47:21 | |
She starts misbehaving on the way in, you give me a shout, Nige. | 0:47:21 | 0:47:24 | |
No, I won't be telling you, don't worry. | 0:47:24 | 0:47:25 | |
I don't think you would. | 0:47:25 | 0:47:26 | |
So, how many children have you got? | 0:47:32 | 0:47:34 | |
Well, I come from Southampton, | 0:47:34 | 0:47:35 | |
so I've got two daughters down on the south coast. | 0:47:35 | 0:47:40 | |
And then I've got two boys up here. Yeah. | 0:47:40 | 0:47:43 | |
And Oliver, my oldest boy, he gets married | 0:47:43 | 0:47:46 | |
at the beginning of July, | 0:47:46 | 0:47:48 | |
and Nick is going to have my other grandson at the beginning of July, | 0:47:48 | 0:47:53 | |
so... So exciting. Oh, it is so exciting. | 0:47:53 | 0:47:56 | |
I just want to make it. | 0:47:58 | 0:47:59 | |
I just want to make it. | 0:48:01 | 0:48:03 | |
One thing that... | 0:48:05 | 0:48:06 | |
It might sound strange to you, | 0:48:08 | 0:48:10 | |
but the one benefit I've found from having cancer | 0:48:10 | 0:48:14 | |
is that we, Karen and I, have managed to get our life... | 0:48:14 | 0:48:20 | |
BEEPING | 0:48:20 | 0:48:22 | |
So, our insurances have paid out. | 0:48:22 | 0:48:24 | |
Both boys, we're in the process of buying their houses, | 0:48:24 | 0:48:27 | |
stuff like that. | 0:48:27 | 0:48:28 | |
So, I can actually possibly lay here, | 0:48:28 | 0:48:31 | |
and I have done quite a few times, and say I'm quite happy. | 0:48:31 | 0:48:35 | |
It sounds awful, doesn't it? No, not at all. It sounds awful. | 0:48:35 | 0:48:38 | |
Why does it? It just does. | 0:48:38 | 0:48:40 | |
You know, I'm lying here happy, thinking... | 0:48:40 | 0:48:44 | |
I don't want to die, obviously, | 0:48:44 | 0:48:46 | |
but just the fact that you can help your kids out. | 0:48:46 | 0:48:50 | |
That's the gold in life, isn't it? That is the gold in life. | 0:48:50 | 0:48:52 | |
Every cloud... Every cloud. | 0:48:54 | 0:48:57 | |
Reality's starting to hit now, though. | 0:48:57 | 0:49:00 | |
That's the worst part of it. | 0:49:00 | 0:49:02 | |
I think we see the best in people. | 0:49:10 | 0:49:12 | |
I don't know where people get this inner strength from. | 0:49:14 | 0:49:17 | |
Are you going to hold these on your lap? Yep. Is that OK? | 0:49:25 | 0:49:29 | |
Was that a comfortable position, then? That was cracking. | 0:49:29 | 0:49:32 | |
Was it? We don't want to move you now. | 0:49:32 | 0:49:35 | |
I don't particularly want to move now. | 0:49:35 | 0:49:36 | |
Shall we just keep you on for the rest of the shift? Yeah. | 0:49:36 | 0:49:39 | |
I don't think you know until you get put in a situation | 0:49:41 | 0:49:44 | |
where you have to be strong, | 0:49:44 | 0:49:47 | |
you don't really know how strong you are. | 0:49:47 | 0:49:50 | |
Right, then, let's get you sorted out. | 0:49:50 | 0:49:52 | |
Can we just pass them to you? | 0:49:57 | 0:49:59 | |
You're going to roll towards me. | 0:49:59 | 0:50:01 | |
OK. I'm glad we... I know. | 0:50:01 | 0:50:03 | |
Stay relaxed. You've wanted that cuddle | 0:50:03 | 0:50:05 | |
ever since I arrived, haven't you? I just want to touch your tats. | 0:50:05 | 0:50:08 | |
You do. Feel free. | 0:50:08 | 0:50:11 | |
I'm glad you said tats then. | 0:50:11 | 0:50:12 | |
Honestly, Nigel. OK. | 0:50:12 | 0:50:14 | |
Ready, steady, slide. | 0:50:16 | 0:50:19 | |
Cancer. | 0:50:25 | 0:50:26 | |
OK, can we get him booked in? Yeah. I'll get it sorted. | 0:50:28 | 0:50:31 | |
All right, then, Nige. Look after yourself. Thank you, folks. | 0:50:31 | 0:50:34 | |
All the best, buddy, OK? Thank you very much. Take care. | 0:50:34 | 0:50:37 | |
It's always hard when you see someone | 0:50:39 | 0:50:42 | |
that you know may not survive. | 0:50:42 | 0:50:44 | |
How you deal with it, you know... | 0:50:46 | 0:50:48 | |
It's quite an internal thing. | 0:50:50 | 0:50:53 | |
Like anything, you relate it to your personal experience in life, | 0:50:53 | 0:50:55 | |
don't you? | 0:50:55 | 0:50:56 | |
My fiancee got diagnosed with cervical cancer when she was 24. | 0:50:59 | 0:51:03 | |
She's been battling that for quite a while. | 0:51:05 | 0:51:08 | |
When she was about 26, her bowel perforated | 0:51:08 | 0:51:11 | |
and she had to have emergency surgery for that. | 0:51:11 | 0:51:13 | |
Since then, they've said everything's stable | 0:51:15 | 0:51:18 | |
and they've classed her as being in remission. | 0:51:18 | 0:51:20 | |
But there's always that thought in the back of my mind | 0:51:22 | 0:51:24 | |
that, you know, maybe one day it will come back. | 0:51:24 | 0:51:28 | |
I don't know if I've come to terms with that yet. | 0:51:29 | 0:51:31 | |
Mate. Come here, mate. Come here. | 0:51:37 | 0:51:40 | |
It's not something that I talk about. | 0:51:45 | 0:51:49 | |
I just bottle it up. | 0:51:49 | 0:51:51 | |
It's just easier that way. | 0:51:52 | 0:51:54 | |
A lot easier. | 0:51:56 | 0:51:58 | |
It's not though, is it, in the long run? | 0:51:59 | 0:52:02 | |
It may never happen. It may be fine. | 0:52:02 | 0:52:04 | |
But I worry about stupid things. | 0:52:04 | 0:52:07 | |
Selfish things. | 0:52:10 | 0:52:11 | |
I get upset about how I'm going to cope if she does go. | 0:52:16 | 0:52:19 | |
It's selfish, because it's not me. Why is that selfish? | 0:52:20 | 0:52:24 | |
Because I'm not the one that's going through it. | 0:52:24 | 0:52:27 | |
Well, you are. You're going through it together, though, aren't you? | 0:52:29 | 0:52:32 | |
She's so strong when she goes through it. | 0:52:32 | 0:52:34 | |
I just... I can't, mate. I just struggle. | 0:52:37 | 0:52:40 | |
You look at him, and you just think he's... | 0:52:43 | 0:52:46 | |
He's just amazing, isn't he? | 0:52:46 | 0:52:48 | |
How can he go through all that and still be so... | 0:52:48 | 0:52:50 | |
..have such a good outlook? | 0:52:52 | 0:52:54 | |
It's... Exactly, yeah. That's why you talk about it. | 0:52:54 | 0:52:58 | |
I think it upsets the relatives and the family more than | 0:52:58 | 0:53:02 | |
it upsets the individuals going through it a lot of the time | 0:53:02 | 0:53:06 | |
because they can... | 0:53:06 | 0:53:08 | |
They accept that it's going to happen to them, | 0:53:08 | 0:53:10 | |
but it's everyone around that can't accept it. | 0:53:10 | 0:53:14 | |
Well, in my case, anyway. | 0:53:14 | 0:53:17 | |
I need a cup of tea. I do, too. | 0:53:17 | 0:53:19 | |
Really need a cup of tea after that. | 0:53:19 | 0:53:22 | |
All right. Let's do it. Off to the next one. | 0:53:22 | 0:53:25 | |
You driving or am I driving? It's up to you. You'll drive. | 0:53:30 | 0:53:33 | |
Where have I put the keys? I don't know. | 0:53:33 | 0:53:35 | |
Are they in there? Right. | 0:53:36 | 0:53:38 | |
Shake it off. | 0:53:39 | 0:53:41 | |
Let's do it. Let's go. | 0:53:42 | 0:53:44 | |
Mick and Dave have returned to Royal Stoke Hospital | 0:53:58 | 0:54:01 | |
where they brought Denise after her heart attack. | 0:54:01 | 0:54:04 | |
A colleague has news. | 0:54:04 | 0:54:06 | |
I spoke to Kath in critical care. Yeah? | 0:54:06 | 0:54:09 | |
Unfortunately, she passed away in critical care. | 0:54:09 | 0:54:12 | |
No. Yeah. Oh, shit. | 0:54:12 | 0:54:15 | |
Shit. | 0:54:18 | 0:54:19 | |
And I don't care if I'm swearing. | 0:54:19 | 0:54:22 | |
Her husband... John, weren't it? Oh, Christ. | 0:54:24 | 0:54:27 | |
He won't be... | 0:54:27 | 0:54:30 | |
A lovely, lovely guy. | 0:54:30 | 0:54:31 | |
Cheers, Stu. Cheers. All right. | 0:54:37 | 0:54:39 | |
Shit. It has upset me. | 0:54:45 | 0:54:48 | |
You what? | 0:54:48 | 0:54:49 | |
It has upset me. | 0:54:49 | 0:54:52 | |
Yeah. | 0:54:52 | 0:54:53 | |
# Later here this morning... # | 0:54:53 | 0:54:57 | |
Oh, shit. | 0:54:57 | 0:54:59 | |
# If the crowds hold back the rain | 0:54:59 | 0:55:04 | |
# I'll declare my intent to race again. # | 0:55:05 | 0:55:12 | |
You do feel some jobs more than others. | 0:55:13 | 0:55:17 | |
You empathise with people's pain, if you like. | 0:55:17 | 0:55:21 | |
But the job doesn't get me down. | 0:55:23 | 0:55:27 | |
It's a privilege to be able to help people in their hour of need. | 0:55:27 | 0:55:31 | |
I like to be useful, | 0:55:33 | 0:55:36 | |
and it gets me out the house. | 0:55:36 | 0:55:40 | |
# And I've got nothing on the inside left to charm | 0:55:42 | 0:55:50 | |
# Just look at me | 0:55:50 | 0:55:53 | |
# And I've got nothing to live up to | 0:55:53 | 0:56:00 | |
# And nothing to reveal | 0:56:00 | 0:56:05 | |
# Go on, run for me | 0:56:06 | 0:56:11 | |
# Go on, run for me | 0:56:12 | 0:56:16 | |
# Go on, run for me | 0:56:19 | 0:56:22 | |
# Because I can't take it back | 0:56:22 | 0:56:26 | |
# Gone the summer | 0:56:26 | 0:56:29 | |
# Gone the past | 0:56:29 | 0:56:32 | |
# Now it's done | 0:56:32 | 0:56:35 | |
# Now it's done. # | 0:56:38 | 0:56:40 | |
Next on Ambulance... | 0:56:45 | 0:56:47 | |
Oh, God. | 0:56:47 | 0:56:49 | |
Oh, shit. Oh, my God. | 0:56:49 | 0:56:51 | |
What was he doing? Two ambulances, please, if possible. | 0:56:51 | 0:56:54 | |
I'm Nigel. | 0:57:26 | 0:57:27 | |
I believe your husband called us about a valuation on your prop... | 0:57:27 | 0:57:30 | |
When I get an opportunity, I look for a way to get my son back | 0:57:30 | 0:57:33 | |
and remove her from my life. | 0:57:33 | 0:57:35 | |
How's your son? Fine, I think. | 0:57:35 | 0:57:38 | |
I'm winning. | 0:57:38 | 0:57:39 |