Browse content similar to Emergency. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
An amazing lump of blancmange that weighs about a kilo. | 0:00:06 | 0:00:08 | |
The human brain has 100 billion neurons, | 0:00:08 | 0:00:11 | |
which makes it the most powerful learning tool in the world. | 0:00:11 | 0:00:14 | |
Your entire person is encapsulated in that little blob of blancmange. | 0:00:14 | 0:00:21 | |
Jay Jayamohan is a senior paediatric neurosurgeon | 0:00:22 | 0:00:26 | |
at the John Radcliffe Hospital in Oxford. | 0:00:26 | 0:00:29 | |
He is part of an almost 100-strong team of consultants | 0:00:29 | 0:00:32 | |
who deal with every conceivable problem of the brain. | 0:00:32 | 0:00:36 | |
We are making life-and-death decisions. | 0:00:36 | 0:00:38 | |
One split second decides everything. | 0:00:38 | 0:00:43 | |
Each year, they perform almost 4,500 operations. | 0:00:45 | 0:00:49 | |
You're concentrating constantly. Is it in the right place? | 0:00:49 | 0:00:53 | |
Stop any bleeding. | 0:00:53 | 0:00:54 | |
So you're already in that mindset of think, think, think, think, think. | 0:00:54 | 0:00:57 | |
Cutting-edge procedures that carry high risk. | 0:00:57 | 0:01:01 | |
It can be a bit like walking on a tightrope in very high winds. | 0:01:01 | 0:01:06 | |
You could fall off and die. | 0:01:06 | 0:01:08 | |
Their interventions can mean the difference between life and death. | 0:01:08 | 0:01:12 | |
You've got to respect the organ. | 0:01:14 | 0:01:15 | |
You've got to respect the fact that what you do to it | 0:01:15 | 0:01:18 | |
can have huge implications for the patient. | 0:01:18 | 0:01:20 | |
The John Radcliffe Hospital | 0:01:32 | 0:01:33 | |
is Oxfordshire's main accident and emergency centre. | 0:01:33 | 0:01:37 | |
PHONE RINGS | 0:01:38 | 0:01:41 | |
Hello, neurosurgery? | 0:01:43 | 0:01:45 | |
What's the story? | 0:01:45 | 0:01:47 | |
-Do you want one? -No. | 0:01:47 | 0:01:49 | |
All right, I'll come down. OK. Bye. | 0:01:49 | 0:01:52 | |
I've got to go to A&E. | 0:01:52 | 0:01:54 | |
Neuro registrar Tim Lawrence is on call. | 0:01:55 | 0:01:59 | |
He's overseeing the wards and theatres | 0:01:59 | 0:02:01 | |
in the neuroscience department. | 0:02:01 | 0:02:03 | |
I usually walk through the door with a bit of trepidation, | 0:02:03 | 0:02:07 | |
because you don't know what's happening. | 0:02:07 | 0:02:09 | |
You know that things can go wrong very, very quickly, | 0:02:09 | 0:02:11 | |
and if you haven't prepared yourself for the eventualities, | 0:02:11 | 0:02:14 | |
then you'll come unstuck. | 0:02:14 | 0:02:16 | |
So there has to be a small amount of fear. | 0:02:16 | 0:02:18 | |
I think that's probably fairly healthy. | 0:02:18 | 0:02:20 | |
Hello, Tim Lawrence, neurosurgery? | 0:02:23 | 0:02:25 | |
I can't hold on. I can't hold on one moment, sorry. | 0:02:25 | 0:02:28 | |
He also deals with A&E patients | 0:02:28 | 0:02:31 | |
who come through the door with head injuries. | 0:02:31 | 0:02:33 | |
Let's get blocks on. Alex, start doing primary survey, please, ASAP. | 0:02:33 | 0:02:37 | |
So, head looks smashed... | 0:02:37 | 0:02:39 | |
The patient, Tracey, has been unconscious for over an hour, | 0:02:39 | 0:02:43 | |
and there's fear of extensive brain damage. | 0:02:43 | 0:02:45 | |
Decompress the chest on the left-hand side. | 0:02:47 | 0:02:49 | |
Was there anything out of that drain, guys? | 0:02:49 | 0:02:51 | |
-No blood. -No blood at all? | 0:02:51 | 0:02:53 | |
The patient's been involved in a bad car accident. | 0:02:53 | 0:02:56 | |
Conscious level is very bad. We think it's a primary head injury. | 0:02:56 | 0:02:59 | |
Watch your hands. Chest X-ray about to take place. | 0:02:59 | 0:03:02 | |
Pelvis looks fine on chest X-ray. No long bone. | 0:03:02 | 0:03:06 | |
Tracey, a midwife and a mum with two grown-up sons, | 0:03:06 | 0:03:09 | |
was out with her husband when their car crashed. | 0:03:09 | 0:03:12 | |
We need to know what's going on with her. | 0:03:12 | 0:03:14 | |
-Yeah, yeah, let's get a head scan. -Let's just get her moving now. | 0:03:14 | 0:03:17 | |
Let's just get her into CP. OK? | 0:03:17 | 0:03:18 | |
A scan will help Tim decide on the best treatment. | 0:03:18 | 0:03:22 | |
'You listen to what information you have, | 0:03:23 | 0:03:25 | |
'scans you have to look at, make a decision | 0:03:25 | 0:03:28 | |
'about how life-threatening the condition is | 0:03:28 | 0:03:31 | |
'and in what sort of timescale | 0:03:31 | 0:03:32 | |
'that condition is life-threatening for the patient.' | 0:03:32 | 0:03:35 | |
Ready, steady, slide. | 0:03:35 | 0:03:37 | |
'And sometimes you have a case where you have to drop everything else, | 0:03:39 | 0:03:44 | |
'take that patient straight to theatre.' | 0:03:44 | 0:03:47 | |
Kerry, it's Tim. Is Sister there? | 0:03:49 | 0:03:52 | |
Well, I need to speak to her pretty urgently. | 0:03:52 | 0:03:55 | |
I need to know if there's space in theatre now. | 0:03:55 | 0:03:57 | |
I'm just with a patient in the scanner at the moment. | 0:03:57 | 0:03:59 | |
If we could just hold Theatre 11 until I am absolutely clear | 0:03:59 | 0:04:03 | |
I'm not bringing this patient, that would be great. Don't let... | 0:04:03 | 0:04:06 | |
Fine. I'll let you know. | 0:04:06 | 0:04:09 | |
The scan reveals a major bleed | 0:04:09 | 0:04:11 | |
that's bruised and swollen Tracey's brain, | 0:04:11 | 0:04:14 | |
cutting off the vital supply of oxygen. | 0:04:14 | 0:04:16 | |
There's nothing Tim can do until the swelling abates. | 0:04:16 | 0:04:19 | |
There's nothing on the scan that we're going to operate on. | 0:04:21 | 0:04:23 | |
The question is how we manage her from here, | 0:04:23 | 0:04:25 | |
and I suppose it's going to be ICP monitor and brain... | 0:04:25 | 0:04:29 | |
Yeah, yeah. | 0:04:29 | 0:04:30 | |
Yeah, in a convertible sports car that's been T-boned. | 0:04:32 | 0:04:35 | |
I think I'm going to stick in a pressure monitor | 0:04:35 | 0:04:37 | |
and I expect her pressures to be through the roof, | 0:04:37 | 0:04:39 | |
and then talk to the family about brainstem testing. | 0:04:39 | 0:04:44 | |
Nothing else for theatre at the moment, no. | 0:04:47 | 0:04:49 | |
There's another trauma that came with this one, | 0:04:49 | 0:04:51 | |
so the other passenger who's just come in, | 0:04:51 | 0:04:53 | |
so we'll see what happens with that, but nothing else for theatre. | 0:04:53 | 0:04:58 | |
Great. Thanks, Orlando. Cheers. Bye. | 0:04:58 | 0:05:01 | |
Hello? | 0:05:01 | 0:05:02 | |
Yeah, it's gone nuts, yeah. HE LAUGHS | 0:05:03 | 0:05:07 | |
The neuroscience department looks after over 3,000 patients a year. | 0:05:07 | 0:05:12 | |
Adult and paediatric wards function side by side, | 0:05:12 | 0:05:16 | |
with theatres on standby 24/7. | 0:05:16 | 0:05:19 | |
Jay Jayamohan is one of four paediatric neurosurgeons at the hospital. | 0:05:21 | 0:05:25 | |
I keep saying that because I met her first, antenatally. | 0:05:25 | 0:05:28 | |
He begins his day with the morning ward round. | 0:05:28 | 0:05:31 | |
So you're going to pressure monitor to kick off. | 0:05:32 | 0:05:35 | |
-And then you can do Jack. -You do the pressure monitor, then I'll do Jack. | 0:05:35 | 0:05:38 | |
-Yeah. -Then your guy will be in, hopefully, by then. | 0:05:38 | 0:05:41 | |
-And then Abbey after that? -Yeah. -OK. | 0:05:41 | 0:05:44 | |
BABY CRIES | 0:05:44 | 0:05:46 | |
-He's looking very well, isn't he? -He's had a good discussion with you. | 0:05:47 | 0:05:50 | |
Yes. | 0:05:50 | 0:05:52 | |
Across the way, at the neurointensive care unit, | 0:05:54 | 0:05:58 | |
Tim's handing over to the day shift. | 0:05:58 | 0:06:00 | |
That's a bit worrying, isn't it? | 0:06:03 | 0:06:05 | |
Where's the patient? | 0:06:05 | 0:06:06 | |
The NICU is where the most critical patients come | 0:06:10 | 0:06:14 | |
for round-the-clock care. | 0:06:14 | 0:06:16 | |
This week, it's the domain of neuroanaesthetic consultant Mhairi Speirs. | 0:06:18 | 0:06:23 | |
Back to my favourite occupation of filing! | 0:06:23 | 0:06:26 | |
-Yes, we've got to stay close, Mhairi. -Oh! | 0:06:28 | 0:06:31 | |
SHE LAUGHS | 0:06:31 | 0:06:32 | |
All my Christmases come at once! | 0:06:32 | 0:06:35 | |
Good morning. | 0:06:35 | 0:06:37 | |
This is the ward round. We're just going to talk about you, OK? | 0:06:37 | 0:06:40 | |
Do you know where you are? | 0:06:40 | 0:06:41 | |
No, you're in Oxford. | 0:06:41 | 0:06:43 | |
Tracey has now been sedated and moved to neurointensive care. | 0:06:45 | 0:06:49 | |
So, Tracey. | 0:06:50 | 0:06:51 | |
Tracey Lake. | 0:06:51 | 0:06:53 | |
GCS4 at the scene, fixed pupils at the scene. | 0:06:53 | 0:06:55 | |
Her scan shows traumatic subarachnoid haemorrhage. | 0:06:55 | 0:06:58 | |
She's got C2 lateral mass fracture and multiple left-sided rib fractures | 0:06:58 | 0:07:02 | |
and some right-sided rib fractures. | 0:07:02 | 0:07:04 | |
Left-sided lung contusions, bilateral chest drains. | 0:07:04 | 0:07:07 | |
She'll probably survive, but it's a severe injury. | 0:07:07 | 0:07:11 | |
We spoke to cardiac yesterday. Bianca spoke to them. | 0:07:11 | 0:07:14 | |
They don't want to fix the ribs unless she can't wean, | 0:07:14 | 0:07:18 | |
which we haven't tried yet, or she's got a lot of pain. | 0:07:18 | 0:07:21 | |
But let's scan her, and then see what her head looks like, | 0:07:21 | 0:07:23 | |
because that will determine her weaning. | 0:07:23 | 0:07:25 | |
Tracey's level of consciousness must be assessed | 0:07:25 | 0:07:29 | |
before she can be weaned off the ventilator. | 0:07:29 | 0:07:32 | |
Now, can we ask James to attack a shunt...? | 0:07:32 | 0:07:35 | |
Before going to theatre, Jay checks on his patient. | 0:07:35 | 0:07:38 | |
Hello, hello. You all right? | 0:07:40 | 0:07:41 | |
Very leopard-y, tiger-y... | 0:07:41 | 0:07:44 | |
14-year-old Georgia has swelling | 0:07:44 | 0:07:47 | |
where the brain and spinal cord meet. | 0:07:47 | 0:07:49 | |
It's affecting her mobility and causing a lot of pain. | 0:07:49 | 0:07:53 | |
So, about 45 minutes or so, OK? | 0:07:53 | 0:07:56 | |
-See you later, guys. BOTH: -See you. | 0:07:58 | 0:08:00 | |
It's what you do in Liverpool if you hear someone running behind you. | 0:08:03 | 0:08:06 | |
You start jogging. | 0:08:06 | 0:08:07 | |
Jay has spent 16 years becoming a senior paediatric neurosurgeon. | 0:08:09 | 0:08:14 | |
He's done thousands of operations and countless procedures. | 0:08:14 | 0:08:18 | |
Theatre is his second home. | 0:08:18 | 0:08:21 | |
Ah, whose is this speaker? | 0:08:21 | 0:08:23 | |
-It's mine. -Can I plug it in? | 0:08:23 | 0:08:25 | |
And music keeps him going. | 0:08:25 | 0:08:29 | |
It's shuffle. | 0:08:29 | 0:08:31 | |
It's just random, man. | 0:08:32 | 0:08:34 | |
They're both for the larger gentleman. | 0:08:38 | 0:08:40 | |
Maybe I haven't been sticking to my diet as strictly as I should be. | 0:08:40 | 0:08:43 | |
Been going to the gym a lot. | 0:08:43 | 0:08:45 | |
And I did lose some weight. | 0:08:45 | 0:08:47 | |
Then I went on holiday, and it all just piled back on again. | 0:08:47 | 0:08:50 | |
I did end up after the gym, after my dinner, | 0:08:50 | 0:08:53 | |
having home-made banana cake with Nutella on it. Mmm. | 0:08:53 | 0:08:58 | |
But I don't think it helps me lose weight. | 0:08:58 | 0:09:00 | |
J will open the back of Georgia's neck | 0:09:01 | 0:09:04 | |
to make more space for the junction | 0:09:04 | 0:09:06 | |
between the base of the brain and the spinal cord. | 0:09:06 | 0:09:09 | |
That's her spinal cord. | 0:09:12 | 0:09:13 | |
All those little blood vessels are feeding the spinal cord. | 0:09:13 | 0:09:16 | |
We don't want to injure them. | 0:09:16 | 0:09:17 | |
These big fat chubbers here, those are the cerebellar tonsils. | 0:09:17 | 0:09:22 | |
OK, so we want to release the compression off of there. | 0:09:22 | 0:09:25 | |
We want to shrink them down a little bit. | 0:09:25 | 0:09:28 | |
They are quite big and pushing quite hard | 0:09:28 | 0:09:32 | |
onto the junction of the spinal cord and brain. | 0:09:32 | 0:09:35 | |
You can see these have gone pale. I've buzzed them. | 0:09:35 | 0:09:38 | |
And as I buzz them with the coagulation, | 0:09:38 | 0:09:41 | |
they actually shrink a little bit. | 0:09:41 | 0:09:43 | |
Oh, yeah. So we've got a flow. See that red? | 0:09:46 | 0:09:49 | |
It means that you've lifted the pressure off | 0:09:49 | 0:09:51 | |
so that fluid can flow through. | 0:09:51 | 0:09:53 | |
So I am happy. Lights on. | 0:09:53 | 0:09:55 | |
Top lights, please? Scope can go. | 0:09:55 | 0:09:58 | |
So, closure. | 0:09:59 | 0:10:01 | |
The NICU team look after 1,500 patients a year. | 0:10:06 | 0:10:11 | |
They can't do anything without an admission number. | 0:10:12 | 0:10:15 | |
Three admissions in the last 20 minutes. | 0:10:17 | 0:10:20 | |
One, two, three. | 0:10:20 | 0:10:21 | |
With one consultant, a registrar and 25 specialist nurses | 0:10:21 | 0:10:27 | |
caring for patients around the clock, | 0:10:27 | 0:10:29 | |
bed space is at a premium. | 0:10:29 | 0:10:31 | |
No, there's no bed. We've got no emergency bed. | 0:10:31 | 0:10:34 | |
So the whole time, we're juggling somebody in | 0:10:34 | 0:10:36 | |
and juggling somebody out, | 0:10:36 | 0:10:37 | |
so we've got two patients that could go to the ward, | 0:10:37 | 0:10:40 | |
but there's no ward beds and we've got four admissions coming in, | 0:10:40 | 0:10:42 | |
so it's going to be a bit tight. | 0:10:42 | 0:10:44 | |
We are like ducks. Very calm on top, but paddling like mad underneath. | 0:10:44 | 0:10:49 | |
So, five admissions in one hour. | 0:10:52 | 0:10:54 | |
That's taking a record. | 0:10:54 | 0:10:56 | |
Martin is one of the latest admissions to the NICU. | 0:11:03 | 0:11:07 | |
His condition began with flu-like symptoms | 0:11:08 | 0:11:11 | |
that rapidly deteriorated into complete paralysis. | 0:11:11 | 0:11:15 | |
Come on, babe. Can you squeeze my hand? | 0:11:15 | 0:11:18 | |
Come on, babe, open your eyes. | 0:11:21 | 0:11:23 | |
There you go. | 0:11:23 | 0:11:24 | |
Hi. Marty. | 0:11:24 | 0:11:27 | |
Hi. | 0:11:27 | 0:11:28 | |
This rare disease of the brain | 0:11:28 | 0:11:30 | |
affects just eight in a million people. | 0:11:30 | 0:11:33 | |
Oh, just for a second. | 0:11:34 | 0:11:36 | |
Oh, lovey. | 0:11:39 | 0:11:40 | |
Martin and Lisa have been married for 10 years. | 0:11:43 | 0:11:46 | |
It's been like a really bad dream. | 0:11:50 | 0:11:52 | |
It did, it felt like we were grieving, almost, | 0:11:52 | 0:11:56 | |
but now, you know, we've got some hope. | 0:11:56 | 0:11:59 | |
His eyes seemed to move a little bit. | 0:11:59 | 0:12:01 | |
Today they just opened ever so slightly | 0:12:01 | 0:12:04 | |
when I first came in and he heard me. | 0:12:04 | 0:12:07 | |
And that's what's helping me get through. | 0:12:07 | 0:12:11 | |
It's the gradual, you know, | 0:12:11 | 0:12:14 | |
the positive changes that he is going to recover. | 0:12:14 | 0:12:21 | |
So... | 0:12:21 | 0:12:22 | |
Yeah. | 0:12:25 | 0:12:27 | |
MACHINE BLEEPS | 0:12:33 | 0:12:36 | |
Tracey has now been in a deep coma for 48 hours. | 0:12:38 | 0:12:42 | |
Everything will be all right. | 0:12:42 | 0:12:43 | |
Trace? It's John. | 0:12:46 | 0:12:48 | |
Can you hear me? | 0:12:48 | 0:12:49 | |
You just keep fighting. | 0:12:58 | 0:12:59 | |
Her husband John, a fireman for 25 years, | 0:13:00 | 0:13:04 | |
was also involved in the crash, but escaped with minor injuries. | 0:13:04 | 0:13:08 | |
And I promise... | 0:13:10 | 0:13:11 | |
no more silly classical cars. | 0:13:11 | 0:13:13 | |
-Mr Lake? I've got the scan up for you if you want to see it. -OK, yeah. | 0:13:18 | 0:13:22 | |
Come on, I'll show you. | 0:13:22 | 0:13:24 | |
John's friend Mike, a doctor, has come to give support. | 0:13:24 | 0:13:29 | |
-We know that her head was shaken. -Yeah. | 0:13:29 | 0:13:31 | |
We know that she took the impact on the left side. | 0:13:31 | 0:13:35 | |
You know, that's where most of her injuries are. | 0:13:35 | 0:13:37 | |
You can see that from her face alone. | 0:13:37 | 0:13:39 | |
This here is not normal, so that's a bruise. | 0:13:39 | 0:13:42 | |
OK. | 0:13:42 | 0:13:44 | |
Although lots of people don't believe in contrecoup, that is... | 0:13:45 | 0:13:49 | |
-Sorry, what's...? -Contrecoup, it means... | 0:13:49 | 0:13:51 | |
So contrecoup is... | 0:13:51 | 0:13:52 | |
You know in all these scans you see of boxers in slow motion, | 0:13:52 | 0:13:55 | |
they go back? So it's not... | 0:13:55 | 0:13:58 | |
the brain is in a hard box on a very small lollipop stick, | 0:13:58 | 0:14:03 | |
-which is your spinal cord. -Mm-hm. -And it shakes about a lot. | 0:14:03 | 0:14:07 | |
So you take the smack at the front, and the brain, | 0:14:07 | 0:14:10 | |
the jelly inside it is still going bang, bang. | 0:14:10 | 0:14:14 | |
So contrecoup means a hit on the other side. It's just French. | 0:14:14 | 0:14:17 | |
-Right. -So... | 0:14:17 | 0:14:18 | |
Ah, right. | 0:14:18 | 0:14:19 | |
Yeah, contre, opposite, blow on the left side. | 0:14:19 | 0:14:22 | |
We've taken the sedation right down, and the numbers are good, | 0:14:22 | 0:14:25 | |
but they could be falsely good because we've got a CSF leak. | 0:14:25 | 0:14:29 | |
Right, OK. | 0:14:29 | 0:14:30 | |
But the numbers are good, | 0:14:31 | 0:14:33 | |
-so we're going to keep the sedation off. -OK. | 0:14:33 | 0:14:35 | |
-She's kind of moved her eye for me today. -Right. | 0:14:36 | 0:14:40 | |
She kind of, when I was doing something mean to her. | 0:14:40 | 0:14:43 | |
She doesn't really cough much when I put a suction cast in. | 0:14:43 | 0:14:47 | |
-I've done a sample from her chest. She didn't cough much. -Right. | 0:14:47 | 0:14:51 | |
Too early to say. | 0:14:54 | 0:14:55 | |
We're not out of the woods yet. I'm sorry. We're not. | 0:14:59 | 0:15:02 | |
OK. Thank you. | 0:15:02 | 0:15:05 | |
Tracey had just qualified as a midwife, | 0:15:10 | 0:15:13 | |
and I had just qualified as a fireman, | 0:15:13 | 0:15:18 | |
and we met on a Christmas do. | 0:15:18 | 0:15:20 | |
And it's so sort of cliched, you know, | 0:15:20 | 0:15:22 | |
nurses and midwives on a night out and a load of firemen. | 0:15:22 | 0:15:26 | |
That was 24 years ago. | 0:15:27 | 0:15:29 | |
I love her to bits. We've got two sons. | 0:15:30 | 0:15:33 | |
I don't think in all that time, | 0:15:35 | 0:15:36 | |
we've never really had a cross word between us. | 0:15:36 | 0:15:39 | |
Tracey always says that the night we met, | 0:15:40 | 0:15:44 | |
she knew we were going to get married. | 0:15:44 | 0:15:46 | |
We all make all these plans about, you know, | 0:15:51 | 0:15:53 | |
what are you going to do for the weekend and next month | 0:15:53 | 0:15:56 | |
and next year and next decade, | 0:15:56 | 0:15:59 | |
but for hundreds, if not thousands of people up and down the country, | 0:15:59 | 0:16:05 | |
those plans never really work out, because of just a random event. | 0:16:05 | 0:16:09 | |
One split second decides everything. | 0:16:13 | 0:16:18 | |
In one second... | 0:16:18 | 0:16:20 | |
..that's it. | 0:16:22 | 0:16:23 | |
Game over. | 0:16:25 | 0:16:26 | |
I think we're more here to try and bring order | 0:16:30 | 0:16:33 | |
to what is a completely disordered event that happens. | 0:16:33 | 0:16:37 | |
-What noise? -A constant beep. | 0:16:40 | 0:16:43 | |
I don't think she's going to wake up. | 0:16:43 | 0:16:45 | |
I think she's going to be like this. | 0:16:47 | 0:16:49 | |
There's nothing pharmacological keeping her asleep, | 0:16:51 | 0:16:55 | |
but she was on a lot of sedation yesterday, | 0:16:55 | 0:16:57 | |
but now she's on basically nothing, | 0:16:57 | 0:17:00 | |
and she doesn't respond and her pupils are reacting, | 0:17:00 | 0:17:05 | |
but she hasn't moved yet. | 0:17:05 | 0:17:07 | |
Maybe I'm just being a bit premature. I hope I'm wrong. | 0:17:07 | 0:17:10 | |
For those on the neurointensive care unit, | 0:17:15 | 0:17:18 | |
life hangs in the balance. | 0:17:18 | 0:17:20 | |
This morning, Mhairi's lost another patient. | 0:17:20 | 0:17:23 | |
Hello. Dr De Souza's patient? | 0:17:24 | 0:17:27 | |
Good morning, it's Mhairi Speirs. | 0:17:32 | 0:17:33 | |
I am an ICU consultant at the West Wing of the John Radcliffe. | 0:17:33 | 0:17:36 | |
May I discuss a death, please? | 0:17:36 | 0:17:38 | |
Died at 3:33 this morning. | 0:17:38 | 0:17:42 | |
Was on the normal post-op, in fact, the elective admission bed. | 0:17:42 | 0:17:46 | |
Cardiac arrest. Call went out 15:53. | 0:17:46 | 0:17:49 | |
Found unresponsive, gasping respiration. | 0:17:51 | 0:17:54 | |
I saw him last week, actually, which makes it even worse. | 0:17:54 | 0:17:57 | |
We did quite a lot to get him back, so... | 0:17:57 | 0:18:01 | |
SHE SIGHS | 0:18:04 | 0:18:07 | |
I don't know what you can say. | 0:18:09 | 0:18:10 | |
For Mhairi and the staff of the NICU, | 0:18:15 | 0:18:19 | |
death is an occupational hazard. | 0:18:19 | 0:18:21 | |
But some days, it just gets to you | 0:18:25 | 0:18:27 | |
when you've told five families in a row | 0:18:27 | 0:18:29 | |
that their relative is not going to survive | 0:18:29 | 0:18:31 | |
or you can't do anything else. | 0:18:31 | 0:18:34 | |
I do go home and I'm quiet. | 0:18:35 | 0:18:37 | |
I only live at the bottom of the road. | 0:18:37 | 0:18:40 | |
So sometimes I will cycle home, and it's much better, | 0:18:40 | 0:18:43 | |
but I sometimes drive here and you could probably do with | 0:18:43 | 0:18:47 | |
a bit of extra time to forget everything as you go home. | 0:18:47 | 0:18:50 | |
I mean, you can't.... | 0:18:51 | 0:18:53 | |
You know, some wee boy's just gone home, | 0:18:57 | 0:18:59 | |
and his mum's not coming home tonight. | 0:18:59 | 0:19:01 | |
Sharon? | 0:19:05 | 0:19:07 | |
Sharon? | 0:19:07 | 0:19:08 | |
Sharon? | 0:19:08 | 0:19:10 | |
Come on, Sharon. | 0:19:10 | 0:19:11 | |
Martin? Martin? | 0:19:11 | 0:19:15 | |
Martin? | 0:19:27 | 0:19:29 | |
I mean, we were fine this morning. | 0:19:29 | 0:19:30 | |
We had so many beds, and now we don't have any beds. | 0:19:30 | 0:19:34 | |
It just needs one really sick patient, bed 10, | 0:19:34 | 0:19:39 | |
to concentrate us all day, | 0:19:39 | 0:19:41 | |
and you worry about all the other patients, and then... | 0:19:41 | 0:19:44 | |
How do you cope? | 0:19:44 | 0:19:46 | |
How do you cope when you have so many things? | 0:19:46 | 0:19:49 | |
You just have to, so that the relatives aren't upset. | 0:19:52 | 0:19:55 | |
You just have to. | 0:19:59 | 0:20:01 | |
Anyway. | 0:20:02 | 0:20:03 | |
Time to go home. | 0:20:06 | 0:20:07 | |
I'll just go and hand over to the night shift to make sure. | 0:20:07 | 0:20:10 | |
It's been nearly a week since Tracey was in a head-on collision. | 0:20:13 | 0:20:17 | |
There's growing concern that her lack of responses | 0:20:17 | 0:20:20 | |
means she'll be in a coma for the long term. | 0:20:20 | 0:20:24 | |
I carry the weight of every patient with me. | 0:20:33 | 0:20:36 | |
And it's difficult. | 0:20:36 | 0:20:38 | |
Because when it's good, like the kid this morning, | 0:20:41 | 0:20:44 | |
it's fantastic, and you feel great | 0:20:44 | 0:20:48 | |
and you feel like you've done something amazing. | 0:20:48 | 0:20:50 | |
But when it's bad... | 0:20:50 | 0:20:52 | |
you just feel horrendous. | 0:20:52 | 0:20:55 | |
Yeah. | 0:21:00 | 0:21:01 | |
It's a bit like being a manic depressive, I think. | 0:21:03 | 0:21:06 | |
Neurosurgery is a bit like being mentally ill. | 0:21:06 | 0:21:09 | |
HE LAUGHS | 0:21:09 | 0:21:11 | |
Hello, stranger. | 0:21:17 | 0:21:19 | |
All right? How is she? | 0:21:19 | 0:21:22 | |
Tim sees one of Jay's regular patients, seven-year-old Charlie. | 0:21:22 | 0:21:27 | |
If you hit me with that, who's going to do my operation? | 0:21:27 | 0:21:32 | |
She's a frequent flyer, clocking up 22 procedures in seven years. | 0:21:32 | 0:21:38 | |
Now she's back, suffering from acute headaches. | 0:21:38 | 0:21:42 | |
So, am I not having an operation today? | 0:21:43 | 0:21:46 | |
I don't think so, no. | 0:21:46 | 0:21:47 | |
-So am I allowed something to eat? -Well, that's a very good question. | 0:21:47 | 0:21:51 | |
Yeah, I think you can have something to eat. | 0:21:51 | 0:21:53 | |
You've already had your dinner! | 0:21:53 | 0:21:54 | |
Yeah, you've had your dinner > and everything. | 0:21:54 | 0:21:57 | |
-Thank you. -CHARLIE LAUGHS | 0:21:58 | 0:22:01 | |
-Just down the corridor, Jay visits Georgia in recovery. -Georgia? | 0:22:02 | 0:22:09 | |
-Georgia? -My head hurts. | 0:22:09 | 0:22:11 | |
Your head is sore, huh? It will get better, OK? | 0:22:11 | 0:22:14 | |
Do you remember, we said it was going to be a bit sore for a bit? | 0:22:15 | 0:22:18 | |
-Yes. -OK. Good girl, you're doing really good. | 0:22:18 | 0:22:20 | |
Just wiggle your hands for me. | 0:22:20 | 0:22:22 | |
And the other one. Yeah, good. | 0:22:22 | 0:22:24 | |
And your toes. Oh, yeah. Good, good, good. | 0:22:24 | 0:22:27 | |
Everything is done, all right? | 0:22:27 | 0:22:28 | |
It will get better. | 0:22:28 | 0:22:30 | |
It doesn't matter how much you explain it's going to be sore. | 0:22:32 | 0:22:34 | |
Nobody really quite believes you until it happens. | 0:22:34 | 0:22:37 | |
You have to get them as ready as you can. | 0:22:37 | 0:22:40 | |
They're still always surprised by how sore it is. | 0:22:40 | 0:22:43 | |
Which is a bit rubbish, but it will get better. | 0:22:44 | 0:22:47 | |
Do you want beans? | 0:23:11 | 0:23:13 | |
Or recycled vegetables? | 0:23:13 | 0:23:16 | |
Er... Beans. | 0:23:16 | 0:23:17 | |
Oh right, beans. Beans. | 0:23:17 | 0:23:19 | |
Beans. | 0:23:19 | 0:23:21 | |
Well, I normally cook on a Sunday night | 0:23:21 | 0:23:24 | |
for a Monday night tea, because I'm normally on call on a Monday night. | 0:23:24 | 0:23:27 | |
-Sit down. Have you washed your hands? -No. | 0:23:27 | 0:23:29 | |
Could you wash your hands, please? | 0:23:29 | 0:23:31 | |
So, yeah. No, I do like cooking. I like baking better. | 0:23:31 | 0:23:35 | |
I like my time on a Sunday morning at the rugby club. | 0:23:35 | 0:23:37 | |
Maybe it's just a chance to be bossy | 0:23:37 | 0:23:39 | |
without the surgeons answering back to me. | 0:23:39 | 0:23:41 | |
Right, pie. | 0:23:41 | 0:23:43 | |
-Recycled pie. There you are. -Thank you. | 0:23:43 | 0:23:46 | |
Not deep-fried. | 0:23:46 | 0:23:48 | |
Not deep-fried? | 0:23:48 | 0:23:49 | |
That's his genes. His genes. He's scorning his genes! | 0:23:51 | 0:23:54 | |
I mean, my husband is a doctor, | 0:23:56 | 0:23:57 | |
so I suppose we always talk to each other about it. | 0:23:57 | 0:23:59 | |
In fact, you've got to remember you've got a 10-year-old. | 0:23:59 | 0:24:01 | |
Sometimes you have completely inappropriate conversations | 0:24:01 | 0:24:04 | |
over the dinner table, then... | 0:24:04 | 0:24:05 | |
he dropped his knife and fork the other day and said, | 0:24:05 | 0:24:08 | |
"I'd like to remind you I'm 10!" | 0:24:08 | 0:24:09 | |
I don't need to be talking about penises. | 0:24:09 | 0:24:11 | |
SHE LAUGHS | 0:24:11 | 0:24:13 | |
Poor Duncan always has his tea on his own. | 0:24:13 | 0:24:16 | |
Could always make him wear a hat and scrum. | 0:24:17 | 0:24:20 | |
You know, the other day, he fell. He came, he tripped on the stairs | 0:24:20 | 0:24:23 | |
coming out of the playroom and fell all the way across the ground. | 0:24:23 | 0:24:25 | |
I said, "Oh, for goodness' sake, just get up," and he said, | 0:24:25 | 0:24:29 | |
"If you were a proper mum, you would have been caring." | 0:24:29 | 0:24:32 | |
But it's the same with any nurses' child. | 0:24:32 | 0:24:35 | |
Unless their leg is hanging off, | 0:24:35 | 0:24:36 | |
then you're not going to do anything about it. | 0:24:36 | 0:24:38 | |
Like, I think he's got a broken finger just now, | 0:24:38 | 0:24:41 | |
but we just strapped his fingers. He'll be fine. | 0:24:41 | 0:24:43 | |
I mean, you have to just come in and keep going. | 0:24:43 | 0:24:45 | |
I only live close to the hospital, so you haven't got time to unwind, | 0:24:45 | 0:24:48 | |
so you've just got to come in and clean school shoes | 0:24:48 | 0:24:50 | |
and put the dishwasher on and do the laundry and tidy up | 0:24:50 | 0:24:54 | |
and get the schoolbag organised and all the things that mums do, | 0:24:54 | 0:24:58 | |
whether they've just certified somebody dead or not. | 0:24:58 | 0:25:01 | |
Shall we go in the treatment room? | 0:25:09 | 0:25:12 | |
Yeah? | 0:25:12 | 0:25:13 | |
Charlie's dwarfism affects every cell in her body. | 0:25:13 | 0:25:17 | |
She has hydrocephalus. | 0:25:17 | 0:25:19 | |
Fluid circulation in the brain has been disrupted, | 0:25:19 | 0:25:22 | |
and the pressure in her head is rising. | 0:25:22 | 0:25:25 | |
It's regulated by a drain called a shunt. | 0:25:25 | 0:25:28 | |
You look all sleepy now. | 0:25:29 | 0:25:31 | |
Did we wake you up? | 0:25:31 | 0:25:32 | |
Did he wake you up? | 0:25:34 | 0:25:35 | |
Please don't press too hard. | 0:25:39 | 0:25:41 | |
OK. I'm not allowed to press too hard. | 0:25:41 | 0:25:44 | |
Jay told me to. | 0:25:45 | 0:25:46 | |
-No, he didn't. -He did! | 0:25:47 | 0:25:49 | |
-He didn't! -Jay can do no wrong. | 0:25:49 | 0:25:51 | |
Jay can do no wrong? | 0:25:51 | 0:25:53 | |
-Ow. -Sorry, sorry, sorry. | 0:25:55 | 0:25:57 | |
Can I hold this thing again? | 0:25:57 | 0:26:01 | |
-You want to do it? -Yeah. -Yeah, OK. | 0:26:01 | 0:26:03 | |
Tim is going to try to relieve Charlie's pain | 0:26:03 | 0:26:06 | |
using a magnetic device to release the pressure in her shunt. | 0:26:06 | 0:26:10 | |
Right, turn it that way. Keep going. | 0:26:10 | 0:26:12 | |
-Good girl. -Keep going. A bit more. | 0:26:13 | 0:26:15 | |
Brilliant. Now let it set. | 0:26:16 | 0:26:19 | |
OK. | 0:26:24 | 0:26:25 | |
Do you want to check it, feel it? | 0:26:25 | 0:26:27 | |
-Does it feel all right? -Yeah. | 0:26:27 | 0:26:29 | |
Excellent. | 0:26:29 | 0:26:30 | |
All done, all done. | 0:26:31 | 0:26:33 | |
Good girl. | 0:26:33 | 0:26:35 | |
I said you could pull the scab off. | 0:26:35 | 0:26:37 | |
-I didn't pull the scab off. -You did. | 0:26:37 | 0:26:39 | |
No, I didn't! It's still there. | 0:26:39 | 0:26:40 | |
See you. | 0:26:42 | 0:26:43 | |
Tim's been a registrar for five years. | 0:26:48 | 0:26:52 | |
It's a long apprenticeship before he can become | 0:26:52 | 0:26:54 | |
a consultant neurosurgeon like Jay. | 0:26:54 | 0:26:58 | |
You have to do your time. | 0:26:58 | 0:27:00 | |
The general rules are, your boss has worked harder | 0:27:00 | 0:27:04 | |
under worse conditions than you will ever do. | 0:27:04 | 0:27:08 | |
And we work harder than the SHOs and the house officers | 0:27:08 | 0:27:12 | |
and the medical students will ever work. | 0:27:12 | 0:27:15 | |
So there's a very clear hierarchy. | 0:27:15 | 0:27:18 | |
A registrar on call works long hours through the night, | 0:27:18 | 0:27:22 | |
looking after all the wards and theatres. | 0:27:22 | 0:27:25 | |
Tonight, Andy is the registrar on duty. | 0:27:26 | 0:27:29 | |
The new Pirelli calendar, is that? | 0:27:29 | 0:27:32 | |
I'm not joking. | 0:27:32 | 0:27:34 | |
MACHINE BLEEPS | 0:27:34 | 0:27:36 | |
-Hello. -Hiya. | 0:27:36 | 0:27:37 | |
-Are you bed managing at the moment? -No, it's actually Kaya. | 0:27:37 | 0:27:40 | |
-No, it's Binu. Binu. -Oh, it's Binu. | 0:27:40 | 0:27:43 | |
Binu? Can I just quickly ask if you know what the bed state is? | 0:27:43 | 0:27:47 | |
Have we got any space at the inn? | 0:27:47 | 0:27:49 | |
Would you have any space on the ward | 0:27:49 | 0:27:51 | |
if we had to admit anybody? | 0:27:51 | 0:27:52 | |
-We can bring one emergency in. -We've got one bed. | 0:27:54 | 0:27:58 | |
-That's empty, that bay, is it? -There's one patient in that bay. -OK. | 0:27:58 | 0:28:01 | |
-Then we have a few beds. -OK. Is it staying open for the weekend? | 0:28:01 | 0:28:03 | |
It is at the moment, yes. | 0:28:03 | 0:28:05 | |
So it's always good when you're starting your shift, | 0:28:05 | 0:28:07 | |
whether it's day, weekend or night shift, | 0:28:07 | 0:28:09 | |
to know how many beds you've got to play with - | 0:28:09 | 0:28:11 | |
ward beds, intensive care beds, paediatric beds, | 0:28:11 | 0:28:14 | |
because even if something is an emergency, | 0:28:14 | 0:28:17 | |
you may be tempted just to take them over | 0:28:17 | 0:28:19 | |
and operate immediately and deal with the bed situation afterwards, | 0:28:19 | 0:28:22 | |
but in a situation where it's not critical, | 0:28:22 | 0:28:24 | |
you'll spend the next few hours on the phone trying to sell the patient | 0:28:24 | 0:28:27 | |
to a different neurosurgical unit somewhere else in the British Isles. | 0:28:27 | 0:28:30 | |
We have got staff to cover another... | 0:28:30 | 0:28:32 | |
-One more acute admission. If the need arises. -Yes. | 0:28:32 | 0:28:36 | |
-Yes, we have. -Great. Thank you. | 0:28:36 | 0:28:39 | |
Don't know if you saw at the end of the ward, | 0:28:45 | 0:28:47 | |
we had two resident police officers. | 0:28:47 | 0:28:49 | |
It's not unusual to have members of our local constabulary on the ward. | 0:28:49 | 0:28:53 | |
We do get a number of admissions with a forensic background. | 0:28:53 | 0:28:56 | |
But it's relatively genteel in Oxford. | 0:28:56 | 0:28:59 | |
We had, obviously, a lot of assaults in the London hospitals | 0:28:59 | 0:29:03 | |
with firearms and knives, | 0:29:03 | 0:29:05 | |
and Oxford is more of a Chinese burn type sort of place, | 0:29:05 | 0:29:10 | |
or someone might accidentally misquote Shakespeare, | 0:29:10 | 0:29:12 | |
but it tends not to be so heavy on shootings and stabbings. | 0:29:12 | 0:29:15 | |
Our beds are at a tremendous premium, | 0:29:21 | 0:29:23 | |
so when we have so few beds, we have to really be quite callous | 0:29:23 | 0:29:27 | |
and have a think about who is going to benefit most | 0:29:27 | 0:29:31 | |
from that degree of intervention. | 0:29:31 | 0:29:33 | |
You know, she is unlikely to survive | 0:29:33 | 0:29:35 | |
a period on an intensive care unit and neurosurgical procedure. OK. | 0:29:35 | 0:29:39 | |
If the patient is unwell enough that they are going to deteriorate | 0:29:39 | 0:29:42 | |
within the hour, then they are unlikely to do that well anyway. | 0:29:42 | 0:29:46 | |
We are seen as the gatekeepers that always say no, | 0:29:46 | 0:29:49 | |
so as a result, we're not liked, | 0:29:49 | 0:29:50 | |
and I suspect if you looked up "hate" in the dictionary, | 0:29:50 | 0:29:52 | |
you would either have a neurosurgeon or more specifically, | 0:29:52 | 0:29:55 | |
perhaps, my picture next to it. | 0:29:55 | 0:29:57 | |
There is one call that Andy can't refuse. | 0:29:59 | 0:30:01 | |
A teenage boy admitted to his local A&E with amnesia. | 0:30:01 | 0:30:06 | |
Was he confused before then, as well? | 0:30:08 | 0:30:11 | |
What time was that? | 0:30:11 | 0:30:12 | |
I thought you said he had been confused all morning, at school? | 0:30:14 | 0:30:17 | |
Or...? | 0:30:17 | 0:30:18 | |
By the way, could you ask your CT department if they could do | 0:30:19 | 0:30:22 | |
coronal and surgical reconstructions on those images as well? | 0:30:22 | 0:30:27 | |
If there was a great big tumour lying in the brainstem that's | 0:30:27 | 0:30:32 | |
contributing to this, then I need to know that now. | 0:30:32 | 0:30:35 | |
I do need to speak to Jay now. | 0:30:35 | 0:30:36 | |
Would you mind putting me through to Mr Jayamohan? | 0:30:36 | 0:30:39 | |
He's on call, isn't he? | 0:30:39 | 0:30:40 | |
The number of times you're on call that you will need to ask | 0:30:40 | 0:30:43 | |
one of the consultants who is on call with you, | 0:30:43 | 0:30:45 | |
wake them up in the middle of the night and ask their advice. | 0:30:45 | 0:30:48 | |
But if you reach a point where you need some | 0:30:48 | 0:30:50 | |
senior input then so be it. | 0:30:50 | 0:30:52 | |
Hi, it's Andy here. Is that Jay? | 0:30:52 | 0:30:56 | |
I got a call just a few minutes ago from Horton A&E. | 0:30:56 | 0:30:59 | |
They have got a 14-year-old boy, who went to school today, | 0:31:00 | 0:31:04 | |
came back home after school and he has been confused. | 0:31:04 | 0:31:07 | |
He can't remember what happened at school throughout the morning. | 0:31:07 | 0:31:10 | |
There is a confounding story of him | 0:31:10 | 0:31:12 | |
being hit in the head by a football at school. | 0:31:12 | 0:31:15 | |
He has got gross hydrocephalus and it is clearly chronic. | 0:31:15 | 0:31:17 | |
OK, thanks, Jay, cheers, bye. | 0:31:17 | 0:31:19 | |
Adam's case is so serious that Jay has decided to come in | 0:31:21 | 0:31:25 | |
and do the operation himself. | 0:31:25 | 0:31:27 | |
That's the key for my locker, feel free to fish around in my pockets. | 0:31:27 | 0:31:31 | |
-And you want your iPhone? -Yes, please. | 0:31:31 | 0:31:33 | |
I will write you a good reference! | 0:31:33 | 0:31:34 | |
Jay plans to pierce a hole far inside the brain, | 0:31:36 | 0:31:39 | |
to release the build-up of fluid that is pressing | 0:31:39 | 0:31:42 | |
dangerously on Adam's fornix, a crucial structure for memory. | 0:31:42 | 0:31:47 | |
I need to be able to get the telescope into the right place, | 0:31:47 | 0:31:50 | |
I then need to be able to see safely to be able to make the hole | 0:31:50 | 0:31:53 | |
without damaging any of the other structures. | 0:31:53 | 0:31:56 | |
-Finished yet, Jay? -She is trying to bring bloody Scottish malarkey. | 0:31:56 | 0:32:03 | |
-Two albums, two albums. -That is brilliant. | 0:32:03 | 0:32:07 | |
-These aren't Scottish! -They are all Scottish. | 0:32:07 | 0:32:10 | |
That is why they are on there, the clue is in the title. | 0:32:10 | 0:32:13 | |
-Wait, wait, wait. The Waterboys are Scottish? -Yeah, Scottish. -Are they? | 0:32:13 | 0:32:17 | |
-Are the Proclaimers on there? -Yes. | 0:32:17 | 0:32:19 | |
When I come back there had better be some better behaviour in here. | 0:32:19 | 0:32:23 | |
D'you want a CD through, we have got one? | 0:32:23 | 0:32:25 | |
No! | 0:32:25 | 0:32:27 | |
Here is the thing with this operation. | 0:32:28 | 0:32:31 | |
If it works, it is absolutely fantastic. | 0:32:31 | 0:32:34 | |
It is great for the patient and, for us | 0:32:34 | 0:32:37 | |
as surgical staff in particular, it is a really good | 0:32:37 | 0:32:39 | |
view of anatomical parts of the brain that we do not normally see. | 0:32:39 | 0:32:43 | |
So it is a very beautiful operation, if it works. | 0:32:43 | 0:32:45 | |
If it doesn't, it's a real pig. But...it'll work. | 0:32:47 | 0:32:51 | |
As Jay scrubs up for one operation, | 0:32:53 | 0:32:55 | |
Andy admits another patient. | 0:32:55 | 0:32:57 | |
A mother of two, Wai Fong, | 0:33:01 | 0:33:03 | |
who collapsed suddenly with severe headaches. | 0:33:03 | 0:33:06 | |
He consults the adult neurosurgeon on call about Wai's case. | 0:33:08 | 0:33:13 | |
Fine. And she basically came into A&E | 0:33:13 | 0:33:14 | |
because for the last couple of days she became diplopic | 0:33:14 | 0:33:17 | |
on the back of a couple of weeks' vomiting, that was severe today. | 0:33:17 | 0:33:20 | |
My feeling is that this is a massive high-grade glioma | 0:33:20 | 0:33:23 | |
with lots of vasogenic oedema around it. | 0:33:23 | 0:33:25 | |
Midline shift. It's in the left anterior frontal lobe. | 0:33:25 | 0:33:29 | |
Wai has a massive tumour | 0:33:29 | 0:33:31 | |
that has spread right across the two hemispheres of her brain. | 0:33:31 | 0:33:35 | |
This is really bad news, this is a tumour | 0:33:35 | 0:33:38 | |
that she is not going to get on top of. | 0:33:38 | 0:33:40 | |
This is a rapid decline. | 0:33:40 | 0:33:43 | |
The art, I think, is not in | 0:33:43 | 0:33:45 | |
working out what is wrong with the patient | 0:33:45 | 0:33:48 | |
but it's working out what to do. | 0:33:48 | 0:33:50 | |
What is right for one person may not be right for the next one. | 0:33:50 | 0:33:53 | |
I think I may have just stolen that line from Diff'rent Strokes! | 0:33:54 | 0:33:58 | |
Oh, Dan! | 0:33:58 | 0:33:59 | |
While you're here, mate, you couldn't unlock it | 0:34:01 | 0:34:04 | |
and stick it on to my speaker so we could have a few tunes, could you? | 0:34:04 | 0:34:07 | |
There is an on-switch and underneath there's a jack. | 0:34:08 | 0:34:12 | |
The sense of achievement is overwhelming, actually, doing this. | 0:34:14 | 0:34:18 | |
This is the neurosurgeon of the future. | 0:34:18 | 0:34:21 | |
You can't plug it in. | 0:34:21 | 0:34:23 | |
MUSIC PLAYS | 0:34:23 | 0:34:25 | |
Addicted To Bass, that'd be all right, yeah. | 0:34:25 | 0:34:27 | |
That'll wake us up a bit. | 0:34:27 | 0:34:28 | |
I feel uncomfortable with that music. | 0:34:33 | 0:34:36 | |
It's like walking into the supermarket | 0:34:36 | 0:34:38 | |
and realising you have no pants on. | 0:34:38 | 0:34:40 | |
You want the thing? Don't squash it. Don't squash it. | 0:34:41 | 0:34:45 | |
Andy must warn Wai's husband | 0:34:45 | 0:34:48 | |
and their friend of the dangers of operating. | 0:34:48 | 0:34:51 | |
There is a chance that she might not wake up. | 0:34:51 | 0:34:53 | |
And there is a chance, of course, | 0:34:53 | 0:34:55 | |
that she might not get through the operation. | 0:34:55 | 0:34:57 | |
I think he is just very, very upset about this. | 0:35:02 | 0:35:05 | |
-Shall we put him in a bed? -He has collapsed. | 0:35:07 | 0:35:10 | |
-It's all right, he has got a pulse. What's his name? -His name is Jimmy. | 0:35:10 | 0:35:16 | |
Jimmy, Jimmy, you all right? | 0:35:16 | 0:35:20 | |
God. Is it OK? This guy has collapsed. I need some help now, OK? | 0:35:22 | 0:35:28 | |
Let's just get a monitor on him first. | 0:35:30 | 0:35:32 | |
All right, I think he will be OK. | 0:35:39 | 0:35:41 | |
Yeah, I think he just needs some oxygen and some fluids. | 0:35:44 | 0:35:47 | |
He became very sweaty, but he's not really become | 0:35:48 | 0:35:51 | |
particularly tachycardic either. | 0:35:51 | 0:35:52 | |
He has had a decent pulse. What did you say his BM is? | 0:35:52 | 0:35:56 | |
Right, OK. | 0:35:56 | 0:35:58 | |
Yes, he has been responding. | 0:35:58 | 0:36:00 | |
Wai and her husband now occupy two beds in adjoining rooms. | 0:36:03 | 0:36:07 | |
Are you ready to take trochlear out? Take it out, thanks. | 0:36:10 | 0:36:14 | |
To release the pressure in Adam's brain, Jay must pierce | 0:36:14 | 0:36:17 | |
a hole in the ventricle where the cerebrospinal fluid is trapped. | 0:36:17 | 0:36:22 | |
That is us now in the ventricles | 0:36:22 | 0:36:23 | |
in the middle of the fluid spaces of the brain. | 0:36:23 | 0:36:26 | |
Right between the red dot at the top and the red line at the bottom, | 0:36:26 | 0:36:30 | |
is our landing pad. | 0:36:30 | 0:36:33 | |
It's OK at the moment, thanks. | 0:36:37 | 0:36:38 | |
We need to obviously be very careful about where we make our hole, | 0:36:40 | 0:36:43 | |
we don't want to damage either the basilar artery | 0:36:43 | 0:36:45 | |
or the pituitary gland. | 0:36:45 | 0:36:46 | |
Just stretching... Now getting a little tiny dot of a hole. | 0:36:50 | 0:36:55 | |
Just trying to make it open up by itself, so kind of passively | 0:36:55 | 0:36:59 | |
trying to get it to open up rather than having to tear a hole. | 0:36:59 | 0:37:03 | |
This is one of my favourite operations, I absolutely love them. | 0:37:03 | 0:37:06 | |
Because this is real hallowed ground for neurosurgeons, this area. | 0:37:09 | 0:37:12 | |
This is stuff which, 30 years ago operating in this region was | 0:37:12 | 0:37:18 | |
one of the most dangerous operations a neurosurgeon would do. | 0:37:18 | 0:37:22 | |
And now, I won't say we can do it with impunity | 0:37:23 | 0:37:26 | |
because that would be madness, but it wasn't quite a death sentence | 0:37:26 | 0:37:29 | |
but it was highly, highly dangerous for the patient. | 0:37:29 | 0:37:33 | |
Jay is now precariously close to the fornix, | 0:37:34 | 0:37:37 | |
where memories are made and stored. | 0:37:37 | 0:37:40 | |
This is the most intricate part of the procedure. | 0:37:40 | 0:37:43 | |
That is the fornix, | 0:37:43 | 0:37:45 | |
that structure there which sort of makes the wall of that hole. | 0:37:45 | 0:37:48 | |
We have got to watch that because if you damage that you can | 0:37:48 | 0:37:51 | |
severely impair their ability to make new memories. | 0:37:51 | 0:37:55 | |
Clearly, in a schoolkid... Well, it is important for anyone, | 0:37:55 | 0:37:58 | |
but someone who wants to learn. | 0:37:58 | 0:38:00 | |
Andy knows that because Wai's tumour is so huge, | 0:38:10 | 0:38:13 | |
he will only be able to remove a third of it at best. | 0:38:13 | 0:38:16 | |
And he will be taking healthy brain tissue with it. | 0:38:16 | 0:38:19 | |
It's an enormous tumour, | 0:38:22 | 0:38:23 | |
it's spread from the left to the right side of the brain. | 0:38:23 | 0:38:26 | |
It has crossed the midline. | 0:38:26 | 0:38:28 | |
Like Adam, the part of Wai's brain affected includes her fornix. | 0:38:30 | 0:38:34 | |
But in Wai's case, it may have to be sacrificed to prolong her life. | 0:38:35 | 0:38:39 | |
I would like to think that this procedure was enough to make | 0:38:42 | 0:38:46 | |
her alert, more orientated | 0:38:46 | 0:38:49 | |
and perhaps go home for a few weeks, maybe a few months. | 0:38:49 | 0:38:53 | |
Until Wai comes round, it is | 0:38:58 | 0:39:00 | |
impossible to know the extent of her memory loss. | 0:39:00 | 0:39:04 | |
Even though her prognosis is pretty abysmal, I can't stand by | 0:39:04 | 0:39:09 | |
and let her deteriorate because of something I can do something about. | 0:39:09 | 0:39:14 | |
There are operations where you think, | 0:39:27 | 0:39:28 | |
"Oh, my word", and there are operations where you think, | 0:39:28 | 0:39:31 | |
"Yeah, that sounds like it's going to be good." | 0:39:31 | 0:39:34 | |
The other good bit about this operation | 0:39:34 | 0:39:37 | |
is it has a very good chance of fixing him for life. | 0:39:37 | 0:39:41 | |
And whatever people tell you, you can't do any job that is | 0:39:44 | 0:39:49 | |
constantly about being knocked down about disaster and death. | 0:39:49 | 0:39:53 | |
You have got to have some successes and some nice outcomes. | 0:39:53 | 0:39:58 | |
And these are the sort of operations | 0:39:58 | 0:40:00 | |
where you can have a really good outcome | 0:40:00 | 0:40:02 | |
in a short period of time and send people home, essentially cured. | 0:40:02 | 0:40:06 | |
Thank you. | 0:40:12 | 0:40:14 | |
See you later, guys. | 0:40:15 | 0:40:16 | |
Are you running? | 0:40:16 | 0:40:18 | |
Uh? I am done. I just do my operations and run, man. | 0:40:18 | 0:40:23 | |
I'm the Scarlet Pimpernel. | 0:40:23 | 0:40:25 | |
After five anxious hours, Adam's parents visit their son in recovery. | 0:40:27 | 0:40:33 | |
How you doing? Eh, you all right? | 0:40:35 | 0:40:40 | |
-Yeah. -All finished now. | 0:40:40 | 0:40:43 | |
-You should be all better. -You all right? | 0:40:45 | 0:40:47 | |
Yeah, he says he doesn't know whether he's got a headache or | 0:40:47 | 0:40:49 | |
-if it's just the top of his head is sore. -Probably a bit of both. | 0:40:49 | 0:40:52 | |
You have just had an operation on your brain. | 0:40:52 | 0:40:54 | |
Anyway, I think we have fixed you now, OK? | 0:40:54 | 0:40:56 | |
We're going to let you rest up and see how you go. | 0:40:56 | 0:40:59 | |
Back on the NICU, Tracey has been in a deep coma for almost a week | 0:41:19 | 0:41:23 | |
and is still not responding. | 0:41:23 | 0:41:25 | |
We'll have been married 24 years this year. | 0:41:30 | 0:41:33 | |
And I just think about all the good times we have had together and | 0:41:35 | 0:41:38 | |
all the things that we have still got planned to do, and that we will do. | 0:41:38 | 0:41:43 | |
You know, you just... | 0:41:44 | 0:41:45 | |
Tracey's my soul mate. | 0:41:49 | 0:41:50 | |
I just love her so much. | 0:41:53 | 0:41:55 | |
Tracey will pull through this. | 0:41:58 | 0:41:59 | |
And all the things that we have got planned to do, | 0:41:59 | 0:42:01 | |
we will still be able to do. | 0:42:01 | 0:42:04 | |
We may have to buy in for a bit, but nothing is going to change. | 0:42:04 | 0:42:07 | |
Nothing is going to change. | 0:42:09 | 0:42:11 | |
We can't undo brain damage. | 0:42:23 | 0:42:25 | |
We can rewire, we can prevent a secondary injury | 0:42:25 | 0:42:29 | |
but we can't undo what happened in the morning. | 0:42:29 | 0:42:32 | |
And if she's left like this, worse than death, | 0:42:34 | 0:42:40 | |
she is left like this for ever. | 0:42:40 | 0:42:42 | |
It is the end of a long night on call, | 0:43:02 | 0:43:04 | |
and Andy is finally going home. | 0:43:04 | 0:43:07 | |
I have no idea what is going on with me. | 0:43:10 | 0:43:13 | |
His patient, Wai, has woken up confused after her operation. | 0:43:13 | 0:43:17 | |
Erm, I'm from China and my husband is from Hong Kong. | 0:43:22 | 0:43:25 | |
We have two daughters, we met here. | 0:43:27 | 0:43:29 | |
My two daughters, one is 12, one is ten. | 0:43:29 | 0:43:37 | |
They both are in grammar school. | 0:43:38 | 0:43:40 | |
I am quite proud of them. | 0:43:42 | 0:43:45 | |
I don't know what is going on with myself, to be honest. | 0:43:49 | 0:43:55 | |
When I wake up, all I noticed was I have got a scar on my head. | 0:43:57 | 0:44:02 | |
I think probably I've got a tumour inside my head. | 0:44:04 | 0:44:08 | |
Did I? | 0:44:08 | 0:44:09 | |
-BEHIND CAMERA: -Yeah. | 0:44:11 | 0:44:12 | |
Why I have a tumour inside my head? | 0:44:15 | 0:44:18 | |
The operation has given Wai some precious extra time | 0:44:20 | 0:44:24 | |
with her daughters and husband, who's now recovered. | 0:44:24 | 0:44:27 | |
On the NICU, there's finally a breakthrough | 0:44:32 | 0:44:35 | |
with one of Mhairi's coma patients. | 0:44:35 | 0:44:38 | |
Hello, Mr Coates. How are you today? | 0:44:38 | 0:44:40 | |
Martin? Hello, how are you? | 0:44:40 | 0:44:42 | |
You're doing really well. | 0:44:42 | 0:44:45 | |
Opened his eyes. Yeah. Hello! | 0:44:45 | 0:44:47 | |
Great! OK. | 0:44:47 | 0:44:49 | |
The immunoglobulins and the methylprednisolone | 0:44:49 | 0:44:53 | |
is now starting to work. | 0:44:53 | 0:44:54 | |
So he's six days since that was started. | 0:44:54 | 0:44:57 | |
It finished two days ago, yeah. | 0:44:57 | 0:44:59 | |
So it's starting to work, which is good. | 0:44:59 | 0:45:01 | |
So the antibiotics were the right thing, | 0:45:01 | 0:45:04 | |
and he's much more awake. | 0:45:04 | 0:45:06 | |
-TV: -'I was already a blood-sucking parasite. | 0:45:27 | 0:45:29 | |
-'All I needed was a briefcase! -Have a great afternoon!' | 0:45:29 | 0:45:33 | |
CHARLIE GROANS | 0:45:34 | 0:45:37 | |
CHARLIE GROANS | 0:45:41 | 0:45:43 | |
Charlie's headaches are getting worse. | 0:45:43 | 0:45:46 | |
A warning sign of a dangerous build-up of cerebrospinal fluid. | 0:45:46 | 0:45:49 | |
Jay wants to operate as soon as possible. | 0:45:54 | 0:45:57 | |
It'll be probably early afternoon. | 0:45:58 | 0:46:00 | |
-That's fine. -She'll be on the list. | 0:46:00 | 0:46:02 | |
Lisa's got some good news. | 0:46:07 | 0:46:09 | |
Martin's medication is having an impact. | 0:46:09 | 0:46:11 | |
Hi, lovey! | 0:46:11 | 0:46:13 | |
Hi! | 0:46:14 | 0:46:15 | |
Hello! Aw! | 0:46:15 | 0:46:18 | |
Hi, darling! | 0:46:20 | 0:46:21 | |
Can you feel my cold hands? | 0:46:25 | 0:46:26 | |
Hey, can you squeeze me? | 0:46:28 | 0:46:31 | |
Oh, that's lovely! Thank you! | 0:46:32 | 0:46:35 | |
Can you look at me? | 0:46:35 | 0:46:37 | |
Aw, hi! Can you see me? | 0:46:37 | 0:46:40 | |
Give me a squeeze if you can see me. Oh! | 0:46:41 | 0:46:45 | |
I did my hair and make-up today for you. Cos you're waking up. | 0:46:46 | 0:46:49 | |
I didn't want to look scary. | 0:46:51 | 0:46:53 | |
Oh, love, it's all right. | 0:46:54 | 0:46:56 | |
The doctors expect you to recover. | 0:46:56 | 0:46:59 | |
They expect you to get your movement back. | 0:46:59 | 0:47:02 | |
It just might take some time. | 0:47:02 | 0:47:04 | |
-Aw! -SHE KISSES HIS HAND | 0:47:05 | 0:47:07 | |
I love you. | 0:47:11 | 0:47:12 | |
Open your eyes, darling. | 0:47:15 | 0:47:17 | |
It's me. It's John. Open your eyes. | 0:47:17 | 0:47:21 | |
Open your eyes. | 0:47:21 | 0:47:24 | |
The doctors here have done all they can | 0:47:28 | 0:47:30 | |
to help Tracey recover, | 0:47:30 | 0:47:32 | |
but her condition isn't improving. | 0:47:32 | 0:47:34 | |
Open your eyes, darling. It's me. | 0:47:34 | 0:47:37 | |
It's time to move her to a local hospital | 0:47:37 | 0:47:40 | |
for less invasive therapy. | 0:47:40 | 0:47:42 | |
Mhairi calls John in to break the news. | 0:47:46 | 0:47:49 | |
She hasn't made as much neurological recovery | 0:47:49 | 0:47:54 | |
as we might have expected. | 0:47:54 | 0:47:57 | |
She opens her eyes. | 0:47:57 | 0:47:59 | |
-I know yesterday, you thought she was trying to speak to you. -Yeah. | 0:47:59 | 0:48:02 | |
Family members often see more than we actually see. | 0:48:02 | 0:48:07 | |
I think it's wishful thinking, as well. | 0:48:07 | 0:48:09 | |
You just hope that it's not as bad as you think. | 0:48:09 | 0:48:13 | |
I've tried to stay as positive as I can, | 0:48:13 | 0:48:16 | |
but I can tell that you would expect to see more. | 0:48:16 | 0:48:18 | |
I hoped we would see more. | 0:48:21 | 0:48:24 | |
But from the word go, | 0:48:24 | 0:48:25 | |
and I can't ever take away your hope at the beginning, | 0:48:25 | 0:48:28 | |
but what was worrying us at the beginning | 0:48:28 | 0:48:30 | |
was that she was deeply unconscious at scene. | 0:48:30 | 0:48:34 | |
Um, it's only two weeks. | 0:48:34 | 0:48:37 | |
I know it seems like a lifetime for you, | 0:48:37 | 0:48:39 | |
but it's too early for us to really see. | 0:48:39 | 0:48:42 | |
I mean, the next step is going to be for her and you | 0:48:42 | 0:48:45 | |
getting her closer to home. | 0:48:45 | 0:48:47 | |
But this is the normal... | 0:48:47 | 0:48:49 | |
what we would do when the patient doesn't need | 0:48:49 | 0:48:52 | |
the specialist care that we give. | 0:48:52 | 0:48:54 | |
Things move on and, you know, | 0:48:54 | 0:48:56 | |
this is just sort of a moment in time and it's a long journey. | 0:48:56 | 0:49:01 | |
And we're just at the start of it. | 0:49:01 | 0:49:03 | |
And, you know, we'll get there. | 0:49:03 | 0:49:05 | |
I think he knows. He's been really cheery from the word go. | 0:49:12 | 0:49:15 | |
But, you know, if she's like this | 0:49:15 | 0:49:17 | |
for the rest of her life, she's only 50. | 0:49:17 | 0:49:19 | |
That's a... | 0:49:21 | 0:49:23 | |
damning lifestyle for him as well as her. | 0:49:23 | 0:49:26 | |
He's going to be visiting her for ever. | 0:49:26 | 0:49:29 | |
Sometimes, you always just take the bad. Tell them the bad stuff. | 0:49:31 | 0:49:35 | |
But if you tell them the bad stuff first, then... | 0:49:37 | 0:49:40 | |
Then I want them to go home... | 0:49:41 | 0:49:44 | |
Somebody said to Claire the other day, | 0:49:44 | 0:49:47 | |
"That doctor was wrong. This patient is awake." | 0:49:47 | 0:49:49 | |
Great. I want to be wrong. | 0:49:49 | 0:49:51 | |
But if nobody ever told them just how bad it could be... | 0:49:53 | 0:49:56 | |
And if I'm the person who tells them that and then they say, | 0:49:59 | 0:50:02 | |
"Well, she didn't know..." | 0:50:02 | 0:50:04 | |
There's sometimes I am right. | 0:50:04 | 0:50:05 | |
And you can remember all the ones you've been right about. | 0:50:09 | 0:50:11 | |
The ones that have died. | 0:50:11 | 0:50:12 | |
I hope it's never me. | 0:50:17 | 0:50:18 | |
I hope it's never my family member. | 0:50:18 | 0:50:20 | |
But you don't know. | 0:50:23 | 0:50:24 | |
Will I ever get my Tracey back? I don't know. | 0:50:35 | 0:50:39 | |
I don't know what I'll do without her, | 0:50:39 | 0:50:41 | |
but I need to be there for my sons. | 0:50:41 | 0:50:43 | |
I need to be strong for Tracey. I need to be there for her. | 0:50:43 | 0:50:46 | |
The future for Tracey is uncertain, | 0:50:49 | 0:50:51 | |
but John lives in hope for her recovery. | 0:50:51 | 0:50:53 | |
Yeah, this is the right size! | 0:51:08 | 0:51:09 | |
-That's the perfect size, isn't it? -I'm a bigger baby. | 0:51:09 | 0:51:13 | |
'I saw Charlie on Saturday. She said, "Ooh, I like your trainers!' | 0:51:13 | 0:51:16 | |
"Where did you get your jeans from?" | 0:51:16 | 0:51:18 | |
I said, "Oh, do you think I've lost weight?" | 0:51:18 | 0:51:20 | |
She looked at me and she went, "Nah, not really." | 0:51:20 | 0:51:23 | |
Very depressing when your child tells you that. | 0:51:25 | 0:51:27 | |
Jay's been looking after Charlie since she was born. | 0:51:30 | 0:51:33 | |
This will be her 23rd procedure. | 0:51:37 | 0:51:41 | |
Down here somewhere. | 0:51:41 | 0:51:42 | |
Here we go! Sprint finish! | 0:51:42 | 0:51:45 | |
Oh, are you tired now, Charlie? All that running? | 0:51:45 | 0:51:49 | |
Come on then, doodles. | 0:51:49 | 0:51:51 | |
Good girl! | 0:51:51 | 0:51:52 | |
Need some more scrub, please. | 0:51:55 | 0:51:57 | |
You can give Andy the leftovers in that one. He can use that. | 0:51:57 | 0:52:01 | |
Andy's assisting Jay with Charlie's operation. | 0:52:01 | 0:52:04 | |
It's always a bit disheartening when you get the same people in. | 0:52:04 | 0:52:08 | |
There's that kind of depression, isn't there? | 0:52:08 | 0:52:11 | |
When you say, "Charlie's back in," and everyone goes, "Oh..." | 0:52:11 | 0:52:14 | |
And the anaesthetist goes, | 0:52:14 | 0:52:15 | |
"Oh, Charlie again? Why can't you fix her?" | 0:52:15 | 0:52:18 | |
The shunt, a plastic pipe that drains the CSF fluid, | 0:52:19 | 0:52:23 | |
is malfunctioning. | 0:52:23 | 0:52:25 | |
Jay needs to work out what's gone wrong and try to repair it. | 0:52:25 | 0:52:30 | |
So the end is full of brain and crud. | 0:52:30 | 0:52:33 | |
Just watch your sucker. | 0:52:33 | 0:52:35 | |
If it's touching my thing, you'll make a circuit. | 0:52:35 | 0:52:37 | |
A lot of the time, it's actually just unexplainable bad luck, | 0:52:37 | 0:52:42 | |
why these things go wrong. | 0:52:42 | 0:52:44 | |
But shunts go wrong more than just about anything else we do. | 0:52:44 | 0:52:47 | |
And, guaranteed, you're going to have shunt disasters. | 0:52:49 | 0:52:52 | |
You're going to have people who get infected, people who get blocked. | 0:52:52 | 0:52:56 | |
As Jay tries to remove the blocked shunt, | 0:52:56 | 0:53:00 | |
he finds it's entwined with Charlie's blood vessels. | 0:53:00 | 0:53:03 | |
I'm worried that it's going to poke a vessel. | 0:53:03 | 0:53:07 | |
We've already got some bleeding there now. | 0:53:07 | 0:53:10 | |
HE TUTS Shite! | 0:53:10 | 0:53:12 | |
Finished yet, Jay? | 0:53:16 | 0:53:18 | |
No, it's stuck right the way through the hole, | 0:53:18 | 0:53:21 | |
so even though we're burning what's in the centre, | 0:53:21 | 0:53:24 | |
through the actual thickness of the tubing, | 0:53:24 | 0:53:27 | |
it's stuck in those bits. | 0:53:27 | 0:53:29 | |
They're quite big vessels in there. | 0:53:29 | 0:53:31 | |
There, you can see it's wrapped around it. | 0:53:31 | 0:53:34 | |
Like a boa constrictor. | 0:53:34 | 0:53:36 | |
Come on, you! | 0:53:36 | 0:53:38 | |
With the mood I'm in, | 0:53:39 | 0:53:42 | |
Rage Against the Shunt! | 0:53:42 | 0:53:44 | |
I can bipolar it under direct vision now, cos it's so close. | 0:53:44 | 0:53:48 | |
So I need a bipolar, please. | 0:53:48 | 0:53:50 | |
Can we turn it down to two, but stand by to turn it up. | 0:53:50 | 0:53:53 | |
I need the bipolar pedal. Is it back on? | 0:53:53 | 0:53:55 | |
Am I still using the normal bipolar pedal? | 0:53:55 | 0:53:57 | |
-Yes. -Thanks. | 0:53:57 | 0:53:59 | |
Suction, please. | 0:53:59 | 0:54:01 | |
OK, Andy, can you see what I'm doing there? | 0:54:05 | 0:54:07 | |
-Yeah. -Bits stuck on the end there. -Yeah. | 0:54:07 | 0:54:11 | |
-As it comes through, you will see it. -Up to six, please, bipolar. | 0:54:11 | 0:54:14 | |
Hold it, hold it, hold it! | 0:54:20 | 0:54:22 | |
Hold it really carefully there. | 0:54:22 | 0:54:24 | |
Right, I need some normal scissors. Oh, got it. | 0:54:29 | 0:54:31 | |
Finally, Jay removes the blocked shunt | 0:54:34 | 0:54:37 | |
that's been giving Charlie so much trouble. | 0:54:37 | 0:54:40 | |
Beautiful! Local, thank you. | 0:54:40 | 0:54:43 | |
-I think we should probably do a little hair-wash. -Yeah. | 0:54:43 | 0:54:46 | |
Right, thanks, super troops! I hopefully won't see you again. | 0:54:47 | 0:54:50 | |
We'll see how she's doing. | 0:54:50 | 0:54:52 | |
'Everyone who knows me says I'm a grumpy git, | 0:54:52 | 0:54:55 | |
'but work makes me happy, because I feel like I've done something good.' | 0:54:55 | 0:54:59 | |
Best job ever! | 0:54:59 | 0:55:01 | |
Without doubt. There's nothing else that comes close. | 0:55:03 | 0:55:05 | |
Great, OK. | 0:55:05 | 0:55:07 | |
There should be no real problems. | 0:55:07 | 0:55:10 | |
It's a bit...like that it's all right, yeah? | 0:55:10 | 0:55:13 | |
Yeah, yeah. Absolutely fine. Good! | 0:55:13 | 0:55:14 | |
-Hi, there! How are you? -I'm fine. | 0:55:14 | 0:55:17 | |
Good, good. | 0:55:17 | 0:55:18 | |
Where is he? | 0:55:19 | 0:55:21 | |
It's a week since Martin first opened his eyes | 0:55:21 | 0:55:24 | |
and started to react consciously. | 0:55:24 | 0:55:27 | |
Can they...can they turn your voice..? | 0:55:30 | 0:55:32 | |
-Shall we ask if they can turn Daddy's voice on? -Yeah. | 0:55:34 | 0:55:37 | |
Would you like him to have some sound? | 0:55:37 | 0:55:40 | |
Oh, this is a special trick, this is! | 0:55:41 | 0:55:44 | |
-Dad is in his nightgown. -He is! | 0:55:44 | 0:55:49 | |
I think that means they washed him and they changed his gown. | 0:55:49 | 0:55:53 | |
-HE MOUTHS -Every day he gets washed, | 0:55:53 | 0:55:55 | |
and they put a fresh gown on him | 0:55:55 | 0:55:58 | |
so he looks handsome. | 0:55:58 | 0:56:00 | |
It's his evening gown. | 0:56:01 | 0:56:04 | |
Hospital fashion. | 0:56:04 | 0:56:05 | |
-NURSE: -Try it? | 0:56:07 | 0:56:09 | |
Hello! | 0:56:09 | 0:56:10 | |
Martin Coates, BBC! THEY LAUGH | 0:56:10 | 0:56:13 | |
SHE GIGGLES | 0:56:13 | 0:56:16 | |
That's all right, eh? | 0:56:16 | 0:56:18 | |
It is Thursday 21st June, 2012. | 0:56:18 | 0:56:25 | |
Good night! SHE GIGGLES | 0:56:25 | 0:56:28 | |
-Oh, I love you! -Love you too. | 0:56:31 | 0:56:33 | |
Oh, it's good to hear you talking. | 0:56:33 | 0:56:35 | |
I did really well. | 0:56:35 | 0:56:37 | |
I sat up. I didn't fall over. | 0:56:37 | 0:56:40 | |
I can hold myself up. | 0:56:40 | 0:56:43 | |
I can feel myself working. | 0:56:43 | 0:56:45 | |
It's going to be a lot of hard work, but once you get into rehab... | 0:56:45 | 0:56:50 | |
Honey, don't pull on the wire. | 0:56:50 | 0:56:52 | |
-Oh, sorry, Dad! -Do you know what I mean? | 0:56:52 | 0:56:54 | |
-Yeah, well, logically... -I'm so close. -I know, I know. | 0:56:54 | 0:56:58 | |
-While you were sedated, could you hear me? -Yeah. | 0:56:58 | 0:57:01 | |
You could hear me when you were sedated? | 0:57:01 | 0:57:03 | |
So all the time I was talking to you... | 0:57:03 | 0:57:05 | |
Yeah, I remember you going, "Marty, it's Lisa. | 0:57:05 | 0:57:08 | |
-"Can you hear me?" -Oh, my God! | 0:57:08 | 0:57:11 | |
"Squeeze my..." | 0:57:11 | 0:57:12 | |
Hand! I would say that every day! | 0:57:12 | 0:57:16 | |
And I'd squeeze it. | 0:57:17 | 0:57:20 | |
Or try to. | 0:57:20 | 0:57:21 | |
-Aw! -I don't know if I did. | 0:57:21 | 0:57:23 | |
You couldn't open your eyes, though, could you? | 0:57:23 | 0:57:26 | |
You were awake, you couldn't open your eyes. | 0:57:26 | 0:57:29 | |
I was just in a dream world. | 0:57:29 | 0:57:31 | |
Look at you. Now you're awake. You're alive. | 0:57:31 | 0:57:34 | |
-Yes. -And you're getting your movement back. | 0:57:34 | 0:57:37 | |
And you're going to walk again. | 0:57:37 | 0:57:39 | |
-MHAIRI: -'It is brilliant when the patients come back. | 0:57:39 | 0:57:41 | |
'When Martin woke up, that was great.' | 0:57:41 | 0:57:44 | |
Every one of us is so cocooned in your own wee world, | 0:57:44 | 0:57:46 | |
you don't think just how precious that world is. | 0:57:46 | 0:57:51 | |
You think you're invincible. | 0:57:51 | 0:57:52 | |
Charlie may be a frequent flyer, | 0:57:54 | 0:57:57 | |
but for now, she's back to her old self. | 0:57:57 | 0:57:59 | |
Helicopters! | 0:58:01 | 0:58:02 | |
Six months on, Martin is well on the road to a full recovery. | 0:58:05 | 0:58:09 | |
It's so lovely to see. | 0:58:12 | 0:58:14 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 |