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All is not well in the bedrooms of Britain. | 0:00:03 | 0:00:06 | |
-SHE SCREAMS -What's happening?! | 0:00:06 | 0:00:08 | |
We're a nation in the grip of a sleep crisis. | 0:00:08 | 0:00:10 | |
SHE YAWNS | 0:00:10 | 0:00:13 | |
More than ten million prescriptions for sleeping pills | 0:00:13 | 0:00:16 | |
were issued last year... | 0:00:16 | 0:00:17 | |
HE SNORES | 0:00:17 | 0:00:19 | |
..and tired workers cost businesses £1.6 billion. | 0:00:19 | 0:00:24 | |
It can be a problem that affects the entire family | 0:00:25 | 0:00:28 | |
and can ruin lives. | 0:00:28 | 0:00:30 | |
Last time, our sleep experts used night vision cameras | 0:00:32 | 0:00:36 | |
to spy on the nocturnal troubles | 0:00:36 | 0:00:38 | |
of some of the nation's worst sleepers. | 0:00:38 | 0:00:41 | |
There is something magical about watching somebody fall asleep. | 0:00:41 | 0:00:44 | |
SNORING | 0:00:44 | 0:00:46 | |
The experts then brought them to our sleep house... | 0:00:48 | 0:00:51 | |
I think I'm looking like a cyber man. | 0:00:51 | 0:00:54 | |
..where state-of-the-art technology | 0:00:54 | 0:00:56 | |
monitored their brains and bodies throughout the night. | 0:00:56 | 0:00:58 | |
You've completely stopped breathing there. | 0:00:58 | 0:01:01 | |
I'm really worried, to tell you the truth. | 0:01:01 | 0:01:04 | |
The challenge sounds simple... | 0:01:04 | 0:01:05 | |
Fix someone's sleep, | 0:01:05 | 0:01:07 | |
you pretty much give them a lot of their lives back. | 0:01:07 | 0:01:10 | |
..and tonight, our experts will employ some surprising... | 0:01:10 | 0:01:13 | |
Night-night, Darth Vader. | 0:01:13 | 0:01:15 | |
Night-night. | 0:01:15 | 0:01:16 | |
SHRILL BEEPING | 0:01:16 | 0:01:18 | |
..even bizarre treatments. | 0:01:18 | 0:01:19 | |
It looks like a medieval means of torture. | 0:01:19 | 0:01:22 | |
From extreme make-overs... | 0:01:22 | 0:01:24 | |
How would you feel about not having Boo in the bedroom? | 0:01:24 | 0:01:27 | |
..to sleep restriction... | 0:01:27 | 0:01:28 | |
Time for going to bed is 2am. | 0:01:28 | 0:01:31 | |
..that'll push our sleep sufferers to their limits. | 0:01:33 | 0:01:37 | |
I can barely breathe with this thing in my mouth. | 0:01:37 | 0:01:39 | |
You're a very nice man, but I really don't like you very much. | 0:01:39 | 0:01:42 | |
THEY LAUGH | 0:01:42 | 0:01:44 | |
But can they be freed from the broken sleep | 0:01:44 | 0:01:46 | |
that plagues their lives, and, in the process, | 0:01:46 | 0:01:49 | |
offer some hope to the millions of others | 0:01:49 | 0:01:52 | |
who crave a good night's sleep? | 0:01:52 | 0:01:55 | |
Welcome back to the Goodnight Britain sleep house, | 0:02:03 | 0:02:06 | |
where, last time, our experts worked out exactly what was wrong | 0:02:06 | 0:02:10 | |
with our sleep-deprived five and how they were going to treat them. | 0:02:10 | 0:02:14 | |
Well, our volunteers are now back home with their families | 0:02:14 | 0:02:16 | |
and it's there that the hard work will really begin. | 0:02:16 | 0:02:20 | |
Our Goodnight Britain sleep experts, | 0:02:23 | 0:02:25 | |
Dr Kirstie Anderson and Dr Jason Ellis, | 0:02:25 | 0:02:28 | |
will be watching their every move | 0:02:28 | 0:02:30 | |
with the help of our roving sleep laboratory, the Sleep Mobile, | 0:02:30 | 0:02:34 | |
and they're determined that our five will be cured. | 0:02:34 | 0:02:38 | |
So, Kirstie and Jason, we know what's wrong with everyone. | 0:02:38 | 0:02:41 | |
What happens now? | 0:02:41 | 0:02:43 | |
Now we're going to hit the road | 0:02:43 | 0:02:44 | |
and we're going to deal with each of our patients one at a time. | 0:02:44 | 0:02:47 | |
There's definitely some which are going to be harder work, | 0:02:47 | 0:02:51 | |
because we're really looking at changing some quite bad habits. | 0:02:51 | 0:02:54 | |
And how do you change those habits? | 0:02:54 | 0:02:56 | |
They've been developed over years, for many of them. | 0:02:56 | 0:02:59 | |
A lot of the things we ask people to do initially | 0:02:59 | 0:03:01 | |
don't feel comfortable at first, | 0:03:01 | 0:03:03 | |
but make a great difference in the long term. | 0:03:03 | 0:03:06 | |
-You've got your work cut out, haven't you? -Absolutely. -And lots of it! | 0:03:06 | 0:03:09 | |
-Good luck. -Thanks. | 0:03:09 | 0:03:11 | |
Jason and Kirstie's odyssey will take them across the UK | 0:03:13 | 0:03:17 | |
as they treat our five volunteers one by one. | 0:03:17 | 0:03:19 | |
Each poses a different challenge, | 0:03:21 | 0:03:23 | |
but they all suffer from sleep problems | 0:03:23 | 0:03:26 | |
that plague millions of Britons every night. | 0:03:26 | 0:03:28 | |
Their first port of call is Norfolk | 0:03:28 | 0:03:32 | |
and a case that has them really worried. | 0:03:32 | 0:03:34 | |
SNORING | 0:03:34 | 0:03:37 | |
When the experts first met Paul Ashbury... | 0:03:37 | 0:03:39 | |
-SNORING -..his snoring could wake the dead... | 0:03:39 | 0:03:42 | |
HE SNORES | 0:03:42 | 0:03:44 | |
You see what it's like. Loud, innit? | 0:03:44 | 0:03:47 | |
..and it was driving his partner Clare to her wits' end. | 0:03:48 | 0:03:52 | |
I am really tired. | 0:03:52 | 0:03:54 | |
I haven't had a proper night's sleep ever since I can remember. | 0:03:54 | 0:03:58 | |
But when Jason and Kirstie watched the night footage, | 0:03:58 | 0:04:01 | |
they saw a more serious issue. | 0:04:01 | 0:04:04 | |
It was what was happening between Paul's snores | 0:04:04 | 0:04:07 | |
that really worried them. | 0:04:07 | 0:04:09 | |
The snoring stopped. | 0:04:09 | 0:04:11 | |
But, in fact, there was a pause in the breathing. | 0:04:11 | 0:04:14 | |
And they went on a little bit longer than I'd be comfortable with. | 0:04:14 | 0:04:18 | |
At the sleep house, the experts confirmed their worst fears. | 0:04:18 | 0:04:22 | |
Paul has a condition called obstructive sleep apnoea, | 0:04:24 | 0:04:27 | |
which is potentially life-threatening when severe. | 0:04:27 | 0:04:30 | |
HE SNORES | 0:04:30 | 0:04:32 | |
There's quite a prolonged pause | 0:04:32 | 0:04:34 | |
where it doesn't move at all. | 0:04:34 | 0:04:35 | |
You've completely stopped breathing there. | 0:04:35 | 0:04:38 | |
Right, OK. | 0:04:38 | 0:04:39 | |
Sleep apnoea leaves sufferers feeling so exhausted | 0:04:42 | 0:04:45 | |
they can be a danger on the road. | 0:04:45 | 0:04:47 | |
Paul could no longer drive. | 0:04:49 | 0:04:51 | |
And as a van driver, that meant he couldn't work. | 0:04:51 | 0:04:54 | |
So a major shock to my system to think, you know, | 0:04:56 | 0:04:59 | |
"What am I going to do now?" | 0:04:59 | 0:05:00 | |
It's important that Paul's treatment starts as soon as possible. | 0:05:02 | 0:05:06 | |
Kirstie has bought along sleep technician Ros | 0:05:06 | 0:05:09 | |
to introduce Paul to his new bedtime companion - | 0:05:09 | 0:05:12 | |
a contraption that looks more like a life support system | 0:05:12 | 0:05:15 | |
than a sleep aid. | 0:05:15 | 0:05:17 | |
Luckily, we've got a really good treatment, the CPAP machine. | 0:05:17 | 0:05:21 | |
CPAP, short for Continuous Positive Airway Pressure, | 0:05:21 | 0:05:24 | |
works by blowing a flow of air into the mouth and nose, | 0:05:24 | 0:05:28 | |
and that prevents the airways getting blocked. | 0:05:28 | 0:05:31 | |
But it does mean Paul will have to sleep | 0:05:31 | 0:05:33 | |
with a mask strapped to his face. | 0:05:33 | 0:05:37 | |
Right, that looks good. Medium looks good. | 0:05:37 | 0:05:39 | |
What sometimes happens is, for the first few nights, | 0:05:39 | 0:05:42 | |
you wake up in the middle of the night thinking, | 0:05:42 | 0:05:44 | |
"Oh, what's this? This feels a bit odd." | 0:05:44 | 0:05:47 | |
So we need to know that you're using it for most of the night | 0:05:47 | 0:05:50 | |
and we usually want at least four or more hours. | 0:05:50 | 0:05:53 | |
Can you just hold that in position? Good. | 0:05:53 | 0:05:56 | |
What does that feel like? | 0:06:01 | 0:06:02 | |
-Quite comfortable. -Different, isn't it? | 0:06:02 | 0:06:04 | |
-So how does it feel? -Good. | 0:06:04 | 0:06:06 | |
-Happy? -Mmm-hmm. | 0:06:06 | 0:06:08 | |
Whether Paul likes it or not, there's no escape. | 0:06:08 | 0:06:12 | |
A chip in the machine will record | 0:06:12 | 0:06:13 | |
exactly how long he wears the mask each night, | 0:06:13 | 0:06:16 | |
and the data will be checked | 0:06:16 | 0:06:18 | |
before he's given the all-clear to drive again. | 0:06:18 | 0:06:21 | |
Now, just take the mask off, release the clips... | 0:06:21 | 0:06:23 | |
Paul's hopeful that just a few weeks with the mask will see him right. | 0:06:23 | 0:06:27 | |
What is the long term...treatment? | 0:06:29 | 0:06:31 | |
I mean, how long do I have this for? | 0:06:31 | 0:06:34 | |
I think it's better to plan in your head for taking this, | 0:06:34 | 0:06:37 | |
putting it into your routine, and using it long-term. | 0:06:37 | 0:06:39 | |
Mmm-hmm. | 0:06:39 | 0:06:41 | |
So, no, not just for a month. | 0:06:41 | 0:06:43 | |
You need to plan to use this over the years. | 0:06:43 | 0:06:46 | |
Right, OK. | 0:06:46 | 0:06:47 | |
For many sufferers, the mask is for life. | 0:06:47 | 0:06:51 | |
And now it's time to introduce his partner Clare to his new nightwear. | 0:06:51 | 0:06:55 | |
And here we have... | 0:06:55 | 0:06:58 | |
-the mask. -It's like a Darth Vader mask! -Oh, it is. | 0:06:58 | 0:07:01 | |
That's not really scary. | 0:07:02 | 0:07:04 | |
It's daunting. It is really daunting to see something like that. | 0:07:05 | 0:07:08 | |
So it's not going to hurt you, it's going to help you, so... | 0:07:08 | 0:07:12 | |
..I don't mind. | 0:07:14 | 0:07:16 | |
As long as you don't. | 0:07:16 | 0:07:17 | |
On here. | 0:07:17 | 0:07:19 | |
SHE LAUGHS | 0:07:19 | 0:07:20 | |
The Sleep Mobile is parked up outside, | 0:07:25 | 0:07:28 | |
so Jason and Kirstie can keep a close eye | 0:07:28 | 0:07:31 | |
on how Paul and Clare cope on his first night. | 0:07:31 | 0:07:34 | |
Because, frankly, the mask's not the easiest of things to wear in bed... | 0:07:34 | 0:07:37 | |
..or the most attractive. | 0:07:39 | 0:07:41 | |
That's it. | 0:07:41 | 0:07:42 | |
All right. Night-night, Darth Vader. | 0:07:42 | 0:07:44 | |
Night-night! | 0:07:46 | 0:07:47 | |
And may the Force be with you. | 0:07:47 | 0:07:49 | |
THEY GIGGLE | 0:07:49 | 0:07:51 | |
Most people find the mask uncomfortable to begin with, | 0:07:54 | 0:07:57 | |
and Paul's no exception. | 0:07:57 | 0:07:59 | |
Every now and then, you just get someone who rips it straight off | 0:07:59 | 0:08:03 | |
and, you know, if you're really claustrophobic, it's a bit tough. | 0:08:03 | 0:08:07 | |
Clare kisses Paul good night, hoping for her first silent night in years. | 0:08:07 | 0:08:12 | |
There is something magical about watching somebody fall asleep. | 0:08:18 | 0:08:21 | |
Paul is now deep asleep and there's not a snore to be heard. | 0:08:22 | 0:08:27 | |
When you know about sleep apnoea, I hate listening to the pauses. | 0:08:33 | 0:08:37 | |
You're sitting there going, "Come on, breathe." | 0:08:37 | 0:08:41 | |
The mask might look scary, but it seems to work. | 0:08:44 | 0:08:47 | |
For the first time in years, silence reigns in Paul and Clare's bedroom. | 0:08:47 | 0:08:53 | |
Until... | 0:08:54 | 0:08:55 | |
But there's... | 0:08:55 | 0:08:56 | |
The snoring could be a sign the mask isn't working... | 0:08:59 | 0:09:02 | |
GENTLE SNORING | 0:09:02 | 0:09:03 | |
..that is, if it's Paul who's snoring. | 0:09:03 | 0:09:06 | |
Well, we were a bit distracted because we heard snoring, | 0:09:06 | 0:09:10 | |
but it's Clare. | 0:09:10 | 0:09:12 | |
We're just trying to work out where the snoring is coming from | 0:09:12 | 0:09:16 | |
but Paul definitely isn't guilty this time. | 0:09:16 | 0:09:18 | |
But one night's successful sleep | 0:09:21 | 0:09:23 | |
doesn't mean the treatment has worked. | 0:09:23 | 0:09:26 | |
About 30% of people who are prescribed the mask | 0:09:26 | 0:09:29 | |
eventually give up on the device. | 0:09:29 | 0:09:31 | |
Paul's first night with the CPAP machine appears to have been | 0:09:36 | 0:09:39 | |
a success, but he'll have to wear it a while longer to see | 0:09:39 | 0:09:42 | |
if it's worked well enough to get his driving licence back. | 0:09:42 | 0:09:46 | |
In the meantime, the Sleep Mobile is on its way to Scunthorpe | 0:09:46 | 0:09:49 | |
to catch up with the human whirlwind | 0:09:49 | 0:09:52 | |
who was surviving on hardly any sleep at all. | 0:09:52 | 0:09:55 | |
When we first met Sheila Bowie, she was busy cramming being a mum, | 0:09:58 | 0:10:01 | |
wife and town councillor into a hectic schedule. | 0:10:01 | 0:10:05 | |
But when Jason and Kirstie watched what Sheila got up to at night, | 0:10:07 | 0:10:10 | |
they discovered that, if anything, she was even busier. | 0:10:10 | 0:10:14 | |
Not common to get up and bake in the middle of the night. | 0:10:14 | 0:10:17 | |
Some nights, you can see the dogs and they're looking really exhausted | 0:10:17 | 0:10:21 | |
and they're like, "Oh, God, she's up again." | 0:10:21 | 0:10:23 | |
And it's like, "For the love of God, woman, go to sleep." | 0:10:23 | 0:10:26 | |
It was the sleep house that provided a vital clue. | 0:10:26 | 0:10:31 | |
She's only just settling, look, now four in the morning. | 0:10:31 | 0:10:34 | |
OK. | 0:10:34 | 0:10:35 | |
So... Boy, she's gone straight into deep sleep, though. | 0:10:35 | 0:10:39 | |
The reading showed that when Sheila finally did feel tired, | 0:10:39 | 0:10:43 | |
she fell immediately into a deep, nourishing sleep. | 0:10:43 | 0:10:46 | |
Kirstie and Jason's diagnosis was that Sheila's body clock was broken. | 0:10:50 | 0:10:54 | |
She didn't follow the normal routine of feeling sleepy at night | 0:10:54 | 0:10:57 | |
and awake during the day. | 0:10:57 | 0:10:59 | |
The experts' challenge is to reset her body clock, | 0:10:59 | 0:11:03 | |
so Sheila can sleep at the same time as the rest of her family. | 0:11:03 | 0:11:06 | |
And the first thing they want to do | 0:11:09 | 0:11:11 | |
is check out where she spends her hectic nights. | 0:11:11 | 0:11:14 | |
As you can see, it's full of all my bits and bobs, you know. | 0:11:16 | 0:11:20 | |
-Wow, it certainly is. -It is, I'm afraid. | 0:11:20 | 0:11:23 | |
Sheila's room is every bit as busy as she is. | 0:11:23 | 0:11:27 | |
-Cook books, making things, and that's work. -Yup. Yup. | 0:11:27 | 0:11:31 | |
If I'm sort of struggling with my sleep, | 0:11:31 | 0:11:34 | |
then I make keyrings and things and I might do a bit of crochet. | 0:11:34 | 0:11:37 | |
And you - we've seen you on the cameras already. | 0:11:37 | 0:11:40 | |
-You're on here every night, aren't you? -Yeah. | 0:11:40 | 0:11:43 | |
I don't sleep, but he sleeps. | 0:11:43 | 0:11:44 | |
Jason and Kirstie's surprising approach is to tackle the room | 0:11:44 | 0:11:49 | |
before they deal with the patient. | 0:11:49 | 0:11:51 | |
There's just too much in here for a quiet night's sleep. | 0:11:51 | 0:11:54 | |
Sheila's bedroom, yeah, if it's a scale of one to ten, | 0:11:55 | 0:11:59 | |
she's about a 25. | 0:11:59 | 0:12:01 | |
We have pretty much everything in there. | 0:12:01 | 0:12:03 | |
She's moved things in from the kitchen, from the bathroom, | 0:12:03 | 0:12:06 | |
from the living room... It's a disaster zone. | 0:12:06 | 0:12:10 | |
So Jason is taking Sheila to task. | 0:12:13 | 0:12:16 | |
-Let's go into the bedroom. -Yes, yes. | 0:12:16 | 0:12:19 | |
He's demanding that she removes anything in the bedroom | 0:12:19 | 0:12:22 | |
that might keep her awake at night. | 0:12:22 | 0:12:24 | |
He wants to improve what the experts call the room's sleep hygiene, | 0:12:24 | 0:12:29 | |
and it's got nothing to do with cleanliness. | 0:12:29 | 0:12:32 | |
Sleep hygiene is things like making sure that the bedroom is cool, | 0:12:32 | 0:12:37 | |
dark, and quiet, cos those things disrupt your sleep. | 0:12:37 | 0:12:42 | |
But it's also what you bring into the bedroom. | 0:12:42 | 0:12:44 | |
Taking your laptop into your bedroom has two problems to it. | 0:12:44 | 0:12:48 | |
Not only does it have light, which tells you that you're awake, | 0:12:48 | 0:12:52 | |
but also waiting for that midnight email is going to disrupt your sleep. | 0:12:52 | 0:12:56 | |
Well, it's easy enough to get rid of the laptop. | 0:12:58 | 0:13:00 | |
But how will Jason fare with Sheila's most precious night-time companion? | 0:13:00 | 0:13:04 | |
Boo the terrier. | 0:13:04 | 0:13:07 | |
How would you feel about not having Boo in the bedroom? | 0:13:07 | 0:13:11 | |
Er, no, no. I'm sorry, cos I would literally fret all night | 0:13:11 | 0:13:15 | |
and I'd worry about him. | 0:13:15 | 0:13:16 | |
And if he gets a bit restless, he's going to make you a bit restless. | 0:13:16 | 0:13:20 | |
I'm sorry. I have said I've changed his name to Mr Non-Negotiable, so... | 0:13:20 | 0:13:24 | |
OK, so you're going to de-clutter the rest for me? | 0:13:24 | 0:13:26 | |
-Yes, I promise. -I'm not going to stand over your shoulder. -No, no, no, I promise, yeah. | 0:13:26 | 0:13:30 | |
I will be coming back to have a look, | 0:13:30 | 0:13:32 | |
-but this one's down to you, it's your health, at the end of the day. -Definitely. | 0:13:32 | 0:13:37 | |
All right? | 0:13:37 | 0:13:38 | |
Jason and Kirstie leave Sheila to get on with the mammoth task | 0:13:41 | 0:13:45 | |
of de-cluttering her bedroom. | 0:13:45 | 0:13:47 | |
I'm reasonable at being told what to do. | 0:13:49 | 0:13:51 | |
Obviously, I get to keep my little furry companion, | 0:13:51 | 0:13:54 | |
so that was the main sort of sticking point. | 0:13:54 | 0:13:57 | |
But can a bedroom makeover really be the cure for Sheila? | 0:13:57 | 0:14:01 | |
And if it is all about emptying the room of distractions, | 0:14:01 | 0:14:05 | |
what does that mean for Boo? | 0:14:05 | 0:14:07 | |
Right. | 0:14:07 | 0:14:09 | |
The Sleep Mobile's next port of call | 0:14:09 | 0:14:12 | |
is the Scottish Borders town of Peebles, and Gwen. | 0:14:12 | 0:14:15 | |
Like Sheila, Gwen gets very little sleep, | 0:14:15 | 0:14:18 | |
but it's not because of the night-time baking. | 0:14:18 | 0:14:21 | |
Gwen's chronic insomnia means each night is a tortuous endurance test. | 0:14:21 | 0:14:26 | |
Gwen and her husband Derek have lived with her sleeplessness | 0:14:28 | 0:14:30 | |
for 30 years. | 0:14:30 | 0:14:32 | |
The Sleep Mobile's last visit captured another night of anguish. | 0:14:34 | 0:14:38 | |
I never, ever look forward to going to bed. | 0:14:38 | 0:14:41 | |
This bed I refer to as a bed of thistles. | 0:14:41 | 0:14:44 | |
Just didn't look like she fell asleep at all there. | 0:14:47 | 0:14:50 | |
No. She looks miserable. | 0:14:50 | 0:14:52 | |
Gwen's stay at the sleep house continued that painful theme. | 0:14:56 | 0:15:00 | |
She's drowsy. | 0:15:00 | 0:15:01 | |
She's drowsy, but she's just not connecting into the sleep. | 0:15:01 | 0:15:05 | |
Hmm. | 0:15:05 | 0:15:06 | |
But by monitoring her brain activity, | 0:15:06 | 0:15:08 | |
Jason and Kirstie discovered a surprising result. | 0:15:08 | 0:15:12 | |
You're sleeping for just over 50% of the time you're in bed, | 0:15:12 | 0:15:16 | |
so a rotten night's sleep, | 0:15:16 | 0:15:18 | |
but still, in fact, just under four hours of sleep. | 0:15:18 | 0:15:22 | |
That amazes me that I actually slept for four hours. | 0:15:22 | 0:15:25 | |
Although Gwen was only sleeping in tiny chunks throughout the night, | 0:15:29 | 0:15:32 | |
it was a ray of hope for the experts. | 0:15:32 | 0:15:34 | |
Jason has a plan of action to get her sleeping longer and more deeply. | 0:15:36 | 0:15:41 | |
-Hello. -Hello. | 0:15:41 | 0:15:43 | |
But first, he wants to see Gwen's so-called bed of thistles | 0:15:43 | 0:15:46 | |
to check that bad sleep hygiene isn't causing the problem. | 0:15:46 | 0:15:51 | |
So, Gwen, do you get light streaming through in the morning? | 0:15:51 | 0:15:54 | |
-They are blackout blinds. -Radiator. -Mmm-hmm. | 0:15:54 | 0:15:57 | |
-On or off? -Off! I like a cold room. | 0:15:57 | 0:16:01 | |
You've got to have a cold room. Excellent, that's a great start. | 0:16:01 | 0:16:04 | |
The alarm clock, do you watch it, do you...? | 0:16:04 | 0:16:08 | |
No, cos I'd rather not know the time. | 0:16:08 | 0:16:10 | |
Clocks are not good things for people with insomnia. | 0:16:10 | 0:16:14 | |
Both the main and spare rooms | 0:16:14 | 0:16:16 | |
are perfect examples of how a bedroom should be | 0:16:16 | 0:16:19 | |
and yet they don't seem to help Gwen sleep at all. | 0:16:19 | 0:16:22 | |
Out in the Sleep Mobile, | 0:16:24 | 0:16:26 | |
Kirstie is hearing husband Derek's side of the story. | 0:16:26 | 0:16:29 | |
Do you always start off together and she shifts? Is that what happens? | 0:16:29 | 0:16:32 | |
We used to always start off together. | 0:16:32 | 0:16:34 | |
Yeah. How many years going into the spare room? | 0:16:34 | 0:16:37 | |
Oh, 20 years. | 0:16:37 | 0:16:38 | |
-To be fair, the norm is we don't wake up together. -No, absolutely. | 0:16:38 | 0:16:41 | |
Ever. But it's a nice feeling to have someone in bed with you. | 0:16:41 | 0:16:44 | |
Definitely, yeah. | 0:16:44 | 0:16:46 | |
I suppose I've just become accustomed to that not being the case. | 0:16:46 | 0:16:50 | |
It's believed that 15% of couples now spend the night apart | 0:16:50 | 0:16:54 | |
because of sleep problems. | 0:16:54 | 0:16:56 | |
But there is one place Gwen can fall asleep. | 0:16:59 | 0:17:02 | |
Why can I sleep on the sofa with the TV on full belt, | 0:17:03 | 0:17:08 | |
-lights on, lots of noise... -Mmm-hmm. Absolutely. | 0:17:08 | 0:17:11 | |
..go upstairs to bed, complete silence, comfortable bed, | 0:17:11 | 0:17:16 | |
-soft pillow and I can't sleep? -Mmm-hmm. Yeah. | 0:17:16 | 0:17:19 | |
Very common for people with insomnia to say they'll fall asleep | 0:17:19 | 0:17:23 | |
on the couch, and then they head to the bedroom | 0:17:23 | 0:17:26 | |
and as soon as they get to the bedroom | 0:17:26 | 0:17:28 | |
or even something as simple as brushing their teeth... | 0:17:28 | 0:17:31 | |
-Yeah. -..the act of brushing the teeth... -Yeah. | 0:17:31 | 0:17:34 | |
-..switches everything up. -Yeah. | 0:17:34 | 0:17:36 | |
That's so true. | 0:17:36 | 0:17:38 | |
So, essentially, you've now got an association between the bedroom | 0:17:38 | 0:17:43 | |
-and no sleep. -It makes such a lot of sense, that, doesn't it? | 0:17:43 | 0:17:46 | |
Because every time that you go to the bedroom, | 0:17:46 | 0:17:50 | |
you're going to feel more anxious, | 0:17:50 | 0:17:51 | |
you're going to feel your pulse racing, | 0:17:51 | 0:17:54 | |
-you're going to feel angry sometimes, I would imagine? -Yeah, very. | 0:17:54 | 0:17:58 | |
-And fearful. -Yeah, absolutely. | 0:17:58 | 0:18:01 | |
That's what we need to break. | 0:18:01 | 0:18:02 | |
And to do this, Jason has another radical solution - | 0:18:02 | 0:18:07 | |
one that sounds ridiculous to someone who craves sleep. | 0:18:07 | 0:18:11 | |
-Bed, you, sleep. -Sleep. | 0:18:11 | 0:18:14 | |
He's banning insomniac Gwen from the bedroom for most of the night. | 0:18:15 | 0:18:21 | |
Your time for going to bed... | 0:18:21 | 0:18:24 | |
is 2am. | 0:18:24 | 0:18:25 | |
-2am, oh, God. -Two o'clock in the morning. | 0:18:26 | 0:18:29 | |
-I'll be on my knees. -You will for a couple of days. | 0:18:29 | 0:18:32 | |
I'll be honest with you, it's the hardest part of this whole therapy, | 0:18:33 | 0:18:37 | |
because I've got to prevent you from sleeping. | 0:18:37 | 0:18:39 | |
-And no napping elsewhere. -Yeah. | 0:18:39 | 0:18:42 | |
You're a really nice man, but I really don't like you very much. | 0:18:42 | 0:18:45 | |
BOTH LAUGH | 0:18:45 | 0:18:47 | |
For a chronic insomniac, this regime couldn't be more punishing. | 0:18:49 | 0:18:53 | |
Gwen will only be allowed in bed between two and seven | 0:18:53 | 0:18:56 | |
in the morning. | 0:18:56 | 0:18:58 | |
Even Kirstie is shocked. | 0:18:58 | 0:19:01 | |
-It's a little aggressive. -Five hours is tough. | 0:19:01 | 0:19:04 | |
I have allowed her to either bedroom. | 0:19:04 | 0:19:05 | |
-Although her ideal is to get back into the marital bed. -Yeah. | 0:19:05 | 0:19:10 | |
Jason is unrepentant. | 0:19:10 | 0:19:13 | |
The thing is, Gwen and Derek, | 0:19:15 | 0:19:17 | |
they've tried lotions and potions for years. They haven't approached it | 0:19:17 | 0:19:22 | |
from a behavioural perspective before, | 0:19:22 | 0:19:24 | |
and these are the things that we know work, | 0:19:24 | 0:19:27 | |
there is evidence to say that it works, but it's not easy. | 0:19:27 | 0:19:30 | |
The Sleep Mobile is off to the next problem sleeper, | 0:19:33 | 0:19:36 | |
but Gwen's new regime starts tonight | 0:19:36 | 0:19:38 | |
and the cameras will record whether she sticks to the rules. | 0:19:38 | 0:19:41 | |
She's banned from the bedroom until 2am. | 0:19:43 | 0:19:46 | |
I just have to accept what he's given me | 0:19:49 | 0:19:51 | |
and we'll just sort of... | 0:19:51 | 0:19:53 | |
SHE SIGHS | 0:19:53 | 0:19:55 | |
You know, what can I do? | 0:19:55 | 0:19:57 | |
I'm willing to try anything. | 0:19:57 | 0:19:58 | |
-TV: -'That's it till tomorrow. I'm back then. Till then, good night.' | 0:20:00 | 0:20:05 | |
Husband Derek sticks it out until 11.20... | 0:20:07 | 0:20:10 | |
..but then leaves Gwen to it. | 0:20:12 | 0:20:14 | |
She's still got almost three hours to get through. | 0:20:14 | 0:20:17 | |
-TV: -'So it'll be a blustery day on Thursday. Sunshine and showers...' | 0:20:17 | 0:20:21 | |
By 1.30, Gwen has nodded off. | 0:20:23 | 0:20:25 | |
It's only for ten minutes, but she's still broken the rules. | 0:20:31 | 0:20:35 | |
When she finally goes to bed at two, it's yet another sleepless night. | 0:20:38 | 0:20:42 | |
Jason warned it would be tough, | 0:20:48 | 0:20:50 | |
but has Gwen got the willpower to stay the course? | 0:20:50 | 0:20:53 | |
Our next case involves Kathryn | 0:21:02 | 0:21:04 | |
and some very strange night-time behaviour. | 0:21:04 | 0:21:07 | |
She can't remember a thing about it. | 0:21:07 | 0:21:09 | |
That can't be said for her poor flatmate, though. | 0:21:09 | 0:21:13 | |
Once every couple of weeks, the night-time peace | 0:21:15 | 0:21:17 | |
of Londoner Kathryn's flat was shattered. | 0:21:17 | 0:21:20 | |
Aaargh! What's happening? | 0:21:20 | 0:21:23 | |
I scream, I shout, I think something's in my bed. | 0:21:23 | 0:21:26 | |
And flatmate Alison was bearing the brunt of the outbursts. | 0:21:27 | 0:21:31 | |
Aaargh! Aaargh! | 0:21:31 | 0:21:34 | |
As if she's seen a ghost. | 0:21:34 | 0:21:35 | |
It was clear to the experts | 0:21:35 | 0:21:37 | |
that Kathryn suffered from some sort of parasomnia, | 0:21:37 | 0:21:40 | |
a condition where people do all manner of strange things while asleep. | 0:21:40 | 0:21:44 | |
Kathryn had never really taken her condition that seriously... | 0:21:48 | 0:21:53 | |
until her visit to the sleep house, | 0:21:53 | 0:21:54 | |
when, for the first time, she saw for herself what she did at night. | 0:21:54 | 0:21:58 | |
Oh, no! | 0:21:59 | 0:22:01 | |
Oh, no. | 0:22:01 | 0:22:02 | |
SHE GASPS | 0:22:06 | 0:22:08 | |
Kathryn has decided not to take medication to control the condition, | 0:22:13 | 0:22:17 | |
so Jason and Kirstie have to come up with a more creative solution. | 0:22:17 | 0:22:21 | |
One of the problems is that people can do incredibly complicated things | 0:22:21 | 0:22:26 | |
and appear extremely agitated, | 0:22:26 | 0:22:29 | |
and sometimes they're charging around the bedroom at high speed. | 0:22:29 | 0:22:32 | |
We need to look at her environment. Can we make it safe? | 0:22:34 | 0:22:37 | |
Can we do anything to keep her in her bedroom? | 0:22:37 | 0:22:41 | |
So it's safety first, | 0:22:44 | 0:22:45 | |
as Kirstie aims to make Kathryn's bedroom sleepwalk-proof. | 0:22:45 | 0:22:50 | |
-There's not much space, is there, bed to door? -No. | 0:22:50 | 0:22:53 | |
It won't take you long to sort of wander there if you're doing | 0:22:53 | 0:22:56 | |
something in the night. | 0:22:56 | 0:22:58 | |
There's a few sharp edges that you can crash into, bump into. | 0:22:58 | 0:23:00 | |
You know, people wake with sort of blood dripping down their chin. | 0:23:00 | 0:23:04 | |
And the window, some of my patients have climbed out, | 0:23:04 | 0:23:07 | |
-jumped out of windows and things like that. -Gosh. | 0:23:07 | 0:23:10 | |
-So, sometimes, you know, window locks... -Yeah. | 0:23:10 | 0:23:12 | |
..making sure there's nice thick drapes so they can't smash glass. | 0:23:12 | 0:23:16 | |
Kirstie's plan is to make Kathryn a virtual prisoner in her own bedroom. | 0:23:17 | 0:23:21 | |
We sometimes use simple things like window and door alarms. | 0:23:21 | 0:23:26 | |
They simply beep, buzz, | 0:23:26 | 0:23:28 | |
they wake you up briefly and you go straight back to bed. | 0:23:28 | 0:23:31 | |
Most people put alarms in their house to keep people out. | 0:23:34 | 0:23:37 | |
But will these alarms keep Kathryn in her bedroom and out of Alison's? | 0:23:37 | 0:23:41 | |
Before I go to sleep, I have to do the on-off button. | 0:23:42 | 0:23:47 | |
That's on. And then when you open the door... | 0:23:48 | 0:23:52 | |
ALARM WAILS | 0:23:52 | 0:23:55 | |
-ALARM STOPS -Really annoying. | 0:23:55 | 0:23:57 | |
It's a bit strange with the alarm, I've got to be honest. | 0:23:57 | 0:24:00 | |
I will hear the alarm go off, so it is a bit odd, but it's worth a go. | 0:24:00 | 0:24:04 | |
Kirstie and the Sleep Mobile have now left, | 0:24:04 | 0:24:07 | |
but the cameras stay to record Kathryn over the next couple of weeks | 0:24:07 | 0:24:11 | |
to see if the alarms are successful. | 0:24:11 | 0:24:14 | |
ALARM WAILS | 0:24:14 | 0:24:15 | |
ALARM WAILS | 0:24:17 | 0:24:20 | |
It's bedtime, and once again the cameras capture | 0:24:25 | 0:24:27 | |
Kathryn sleep-talking... | 0:24:27 | 0:24:29 | |
This is... | 0:24:31 | 0:24:32 | |
..and one half of imagined conversations. | 0:24:34 | 0:24:37 | |
No, I'm not... | 0:24:37 | 0:24:39 | |
This is not... This is not what I need, really. | 0:24:40 | 0:24:44 | |
But will this lead to any sleepwalking? | 0:24:44 | 0:24:46 | |
It looks better like that. | 0:24:48 | 0:24:50 | |
Well, by the end of the night, it looks like her flatmate | 0:24:53 | 0:24:56 | |
won't have any rude awakenings, after all. | 0:24:56 | 0:24:59 | |
-ALARM WAILS -Oh, my God! | 0:25:02 | 0:25:04 | |
-BLEEP -hell! | 0:25:04 | 0:25:07 | |
That is, until Kathryn gets up the following morning. | 0:25:07 | 0:25:10 | |
If Alison wasn't awake before, she certainly is now. | 0:25:10 | 0:25:15 | |
Our last case is Chris from Flitwick in Bedfordshire. | 0:25:17 | 0:25:20 | |
Now, he's been working shifts for 30 years, | 0:25:20 | 0:25:23 | |
and on the face of it that seemed to be at the root cause | 0:25:23 | 0:25:26 | |
of his and his new partner's sleeping problems. | 0:25:26 | 0:25:29 | |
But when Jason and Kirstie got him n his own in the sleep house, | 0:25:29 | 0:25:32 | |
it turned out it was a bit more complicated. | 0:25:32 | 0:25:35 | |
The Sleep Mobile's visit to Chris' house revealed another problem. | 0:25:37 | 0:25:41 | |
His incredibly loud snoring was disturbing new partner Charlie. | 0:25:43 | 0:25:48 | |
Once at the sleep house, | 0:25:54 | 0:25:56 | |
the experts discovered that Chris was capable of a very good night's sleep... | 0:25:56 | 0:26:00 | |
when by himself. | 0:26:00 | 0:26:02 | |
Yeah, you can see bouts of snoring going on. | 0:26:05 | 0:26:08 | |
But at home, new girlfriend Charlie was banishing him to the sofa. | 0:26:08 | 0:26:13 | |
And it was happening more and more. | 0:26:13 | 0:26:15 | |
How often is it that you're actually ending up on the couch? | 0:26:18 | 0:26:20 | |
-How many nights a week? -Five. -About five out of seven? | 0:26:20 | 0:26:24 | |
-Four or five, yeah. -Mmm-hmm. | 0:26:24 | 0:26:26 | |
It's a double challenge for the experts. | 0:26:26 | 0:26:28 | |
They have to make sure Chris can sleep no matter what | 0:26:28 | 0:26:31 | |
time of the day or night he's working, and solve his snoring. | 0:26:31 | 0:26:35 | |
It looks like they've got their work cut out. | 0:26:37 | 0:26:39 | |
See, the irony is, it's been worse | 0:26:39 | 0:26:41 | |
-since he got back from the sleep house, actually, it's... -OK. | 0:26:41 | 0:26:44 | |
-Before then it was bad, but it's been really bad, hasn't it? -Yeah. | 0:26:44 | 0:26:48 | |
Jason's first job is to create | 0:26:48 | 0:26:50 | |
the perfect bedtime environment for Chris, day or night. | 0:26:50 | 0:26:55 | |
But he's appalled by Chris' sleep hygiene. | 0:26:55 | 0:26:58 | |
-I've had that one since I was very small. -Yeah. | 0:26:58 | 0:27:01 | |
Yeah, I quite like my flat pillow. | 0:27:01 | 0:27:03 | |
-Yeah, let's just talk about this, shall we? -Yes. | 0:27:03 | 0:27:06 | |
Hold a pillow like that, if it bends in half... | 0:27:06 | 0:27:09 | |
-Mmm-hmm. It's had it. -..it's not so good. | 0:27:09 | 0:27:12 | |
Pillows are actually quite important. | 0:27:12 | 0:27:14 | |
-They don't cause sleep problems... -Mmm-hmm. | 0:27:14 | 0:27:16 | |
..but they're not going to make you have a brilliant night. | 0:27:16 | 0:27:19 | |
You're going to be shifting a lot, trying to get comfortable | 0:27:19 | 0:27:22 | |
-and it's resulting in some of those awakenings during the night that we see. -Ah. | 0:27:22 | 0:27:26 | |
And it can actually lead to some horrible problems with your neck. | 0:27:26 | 0:27:30 | |
It's an even worse story down in the living room, | 0:27:30 | 0:27:33 | |
where Chris tries to do most of his sleeping. | 0:27:33 | 0:27:35 | |
-It's got so much light coming in. -Yes. | 0:27:35 | 0:27:38 | |
And looking at these curtains... | 0:27:38 | 0:27:40 | |
-Very thin. -They're very thin. -They are. | 0:27:40 | 0:27:42 | |
The other thing is, it's a couch. | 0:27:42 | 0:27:44 | |
It was never designed for you to sleep on it. | 0:27:44 | 0:27:47 | |
-You can't even fit in it. -No! | 0:27:50 | 0:27:52 | |
Chris, I think the sofa is going to be off-limits... | 0:27:52 | 0:27:56 | |
-I think you're right. -..for any sleeping. -Oh, good. | 0:27:56 | 0:27:59 | |
The living room is a sleep no-no from now on. | 0:27:59 | 0:28:03 | |
If you are going to sleep during the day, make sure it's dark, | 0:28:05 | 0:28:10 | |
cool and quiet. The simple rules. | 0:28:10 | 0:28:13 | |
Chris needs a room he can comfortably nod off in, | 0:28:13 | 0:28:16 | |
no matter what time it is. | 0:28:16 | 0:28:18 | |
-OK, Chris, so this is the new environment. -Yep. | 0:28:19 | 0:28:23 | |
This room, normally used by Chris' kids when they stay over, | 0:28:23 | 0:28:26 | |
is his temporary new bedroom, and with blackout on the windows | 0:28:26 | 0:28:31 | |
and it's cool, quiet atmosphere, | 0:28:31 | 0:28:33 | |
it's the perfect refuge for a shift worker. | 0:28:33 | 0:28:36 | |
-Just use this room for sleep. -Yeah. -Nothing else, all right? | 0:28:36 | 0:28:40 | |
OK. That sounds a good idea. | 0:28:40 | 0:28:41 | |
But this is just stage one. | 0:28:41 | 0:28:43 | |
The key aim is to get Charlie and Chris back in bed together. | 0:28:43 | 0:28:46 | |
That requires another bizarre night-time accessory. | 0:28:46 | 0:28:50 | |
So the thing we're going to try is a device called | 0:28:50 | 0:28:54 | |
a Mandibular Advancement Device. | 0:28:54 | 0:28:56 | |
Here we go. | 0:28:56 | 0:28:57 | |
This mouthguard will push Chris' lower jaw slightly forward, | 0:28:57 | 0:29:01 | |
clearing his airways and hopefully stopping any snoring. | 0:29:01 | 0:29:05 | |
-Oh, good look(!) Can I do that? -Mmm! | 0:29:05 | 0:29:07 | |
Mmm-mm-mm-mm! | 0:29:08 | 0:29:10 | |
SHE LAUGHS | 0:29:10 | 0:29:12 | |
-Very rubbery. -Hmm, it's like kissing an old man. -Oh, charming(!) | 0:29:12 | 0:29:16 | |
And so Kirstie and Jason leave Charlie and Chris | 0:29:18 | 0:29:21 | |
to their first night under their new regime. | 0:29:21 | 0:29:24 | |
Charlie gets to stay in the main bedroom, while Chris retreats | 0:29:26 | 0:29:30 | |
to the bunk beds with just his new mouthguard for company. | 0:29:30 | 0:29:33 | |
It's felt like a right punishment having to sleep in here, | 0:29:36 | 0:29:38 | |
it's like being in quarantine. But, then again, | 0:29:38 | 0:29:41 | |
I don't mind being in quarantine if the results are OK. | 0:29:41 | 0:29:46 | |
For the moment, it seems that Chris' future happiness with Charlie | 0:29:46 | 0:29:50 | |
will be decided by this little piece of plastic. | 0:29:50 | 0:29:53 | |
But he's finding it hard to get comfortable. | 0:30:03 | 0:30:06 | |
Cor, I can barely breathe with this thing in me mouth. | 0:30:09 | 0:30:12 | |
I'll give it another go. | 0:30:14 | 0:30:16 | |
But it's absolutely horrible. | 0:30:17 | 0:30:20 | |
Can he stay the course? | 0:30:23 | 0:30:25 | |
I just can't... can't get used to this thing. | 0:30:32 | 0:30:35 | |
Keeps on making my heart race, | 0:30:35 | 0:30:37 | |
due to the fact that I can't breathe through me nose very well, | 0:30:37 | 0:30:40 | |
which isn't very good. | 0:30:40 | 0:30:42 | |
Chris gives up and soon he's snoring again. | 0:30:42 | 0:30:47 | |
SNORING | 0:30:47 | 0:30:51 | |
Ever the optimist, Chris is hopeful that this | 0:30:53 | 0:30:56 | |
is the beginning of a new chapter in his and Charlie's lives, | 0:30:56 | 0:31:00 | |
and he's prepared to put his money where his mouth is. | 0:31:00 | 0:31:04 | |
Due to the fact that we're going through this process | 0:31:04 | 0:31:06 | |
has shown that I am committed to Charlie, | 0:31:06 | 0:31:08 | |
and, basically, I'm doing it for both of us, | 0:31:08 | 0:31:11 | |
so we can get a better sleep, and I thought it would be nice | 0:31:11 | 0:31:13 | |
to get engaged as well, just to show more commitment. | 0:31:13 | 0:31:16 | |
His plans for the big day now rely on him | 0:31:16 | 0:31:19 | |
getting back into the same room and bed as Charlie. | 0:31:19 | 0:31:23 | |
And that means getting used to the mouthguard. | 0:31:23 | 0:31:26 | |
Come on. | 0:31:28 | 0:31:29 | |
Back in Lincolnshire, | 0:31:31 | 0:31:32 | |
cake-baker Sheila is warming to the task of de-cluttering her room. | 0:31:32 | 0:31:36 | |
Come on, fishies! | 0:31:36 | 0:31:38 | |
It's amazing the amount of junk you collect over the years. | 0:31:38 | 0:31:41 | |
She's even given it a makeover, but will it be enough to convince | 0:31:41 | 0:31:44 | |
Jason she's serious about calming her night-time activities? | 0:31:44 | 0:31:48 | |
The finishing touches are a new bed for Sheila, | 0:31:49 | 0:31:52 | |
and Jason's brought a new bed for someone else. | 0:31:52 | 0:31:55 | |
-We have a brand-new bed for Boo as well. -What's that? | 0:31:55 | 0:31:58 | |
-What's that thing? -Come on. | 0:31:58 | 0:32:00 | |
Are you going to go in it? Look, what's this? | 0:32:00 | 0:32:04 | |
Oh, look at that, do you like it? | 0:32:04 | 0:32:07 | |
This is a really nice, calming bedroom. | 0:32:07 | 0:32:11 | |
Exactly, this is a sleep room now, | 0:32:11 | 0:32:13 | |
-as opposed to the workroom that it was before. -Absolutely. | 0:32:13 | 0:32:16 | |
The experts have created the perfect, peaceful room | 0:32:16 | 0:32:20 | |
for Sheila to sleep in. | 0:32:20 | 0:32:22 | |
Now for their next challenge. | 0:32:22 | 0:32:24 | |
Jason and Kirstie suspect that Sheila's body has forgotten | 0:32:26 | 0:32:29 | |
when to sleep, because her bedroom was such a hive of activity. | 0:32:29 | 0:32:32 | |
Now that's changed, they need to discover the perfect time | 0:32:32 | 0:32:36 | |
for Sheila to go to bed to get the best night's sleep. | 0:32:36 | 0:32:39 | |
It's really important to realise that the best time to go to bed | 0:32:41 | 0:32:45 | |
is when you feel really sleepy. | 0:32:45 | 0:32:48 | |
-It's not an issue of insomnia here. -No. | 0:32:48 | 0:32:50 | |
This is a body clock problem. | 0:32:50 | 0:32:53 | |
Absolutely. We've got to let her find the time | 0:32:53 | 0:32:56 | |
when she's most comfortable falling asleep. | 0:32:56 | 0:32:58 | |
Then it'll give her better quality sleep | 0:32:58 | 0:33:01 | |
and then we can work out how best to get the night-times right for her. | 0:33:01 | 0:33:05 | |
The experts' plan is to ban Sheila | 0:33:05 | 0:33:08 | |
from all her regular night-time antics from now on. | 0:33:08 | 0:33:12 | |
We actually need to get your mum not to cook at night. | 0:33:12 | 0:33:17 | |
BOTH: Awww! | 0:33:17 | 0:33:19 | |
-It's very time-orientated. -Yeah. | 0:33:19 | 0:33:21 | |
Once you've started it, you don't stop. | 0:33:21 | 0:33:24 | |
-No, that's it, you've got to see it through, haven't you? -That's right. | 0:33:24 | 0:33:27 | |
For the next four days, I want you to go to bed when you are tired. | 0:33:27 | 0:33:31 | |
-Right. -Not before. -Not before. | 0:33:31 | 0:33:33 | |
So I want you to stay up until you're absolutely ready for your sleep. | 0:33:33 | 0:33:37 | |
-So even if it's the early hours? -Absolutely. | 0:33:37 | 0:33:39 | |
Until I'm so tired that I really think I'm going to drop off. | 0:33:39 | 0:33:43 | |
As the sun sets, Sheila faces up to her first gadget-free, | 0:33:45 | 0:33:48 | |
cookery-free and almost dog-free, night. | 0:33:48 | 0:33:52 | |
Come on... | 0:33:53 | 0:33:55 | |
By 10.30, the family are safely tucked up in bed. | 0:33:55 | 0:33:58 | |
But until she's tired, Jason's confined her to the living room. | 0:33:58 | 0:34:02 | |
'I'm not sure what time I'll be sort of starting to get sleepy.' | 0:34:02 | 0:34:07 | |
Hopefully it won't be four or five in the morning, | 0:34:07 | 0:34:09 | |
cos that's going to be make for a very long and boring evening. | 0:34:09 | 0:34:11 | |
Usually, Sheila would be emailing into the early hours, | 0:34:12 | 0:34:16 | |
but Jason's strict rules means she must be off the tablet by 11. | 0:34:16 | 0:34:22 | |
I shall switch off and do as I'm told. | 0:34:22 | 0:34:24 | |
There you go. | 0:34:28 | 0:34:30 | |
Boring. | 0:34:30 | 0:34:31 | |
Deprived of her distractions, | 0:34:35 | 0:34:37 | |
something strange is happening to Sheila. | 0:34:37 | 0:34:40 | |
She's starting to feel tired. | 0:34:44 | 0:34:47 | |
And it's only 1.15. | 0:34:47 | 0:34:50 | |
Come on. Come on, baby. | 0:34:54 | 0:34:57 | |
Right, so it's now 1.30ish | 0:35:02 | 0:35:06 | |
in the morning. | 0:35:06 | 0:35:08 | |
Everybody else is fast asleep | 0:35:08 | 0:35:11 | |
and I'm going to settle, I think. | 0:35:11 | 0:35:13 | |
Nearly four hours earlier than normal, Sheila falls fast asleep. | 0:35:14 | 0:35:20 | |
Jason's treatment plan seems to be working like a dream. | 0:35:20 | 0:35:25 | |
# Lullaby and good night | 0:35:25 | 0:35:31 | |
# With roses... # | 0:35:31 | 0:35:33 | |
Unfortunately, the same can't be said for our problem sleeper | 0:35:37 | 0:35:42 | |
230 miles north of Sheila. | 0:35:42 | 0:35:44 | |
Because in Scotland, Gwen is struggling with her sleep regime. | 0:35:44 | 0:35:49 | |
It's 1.20 and I've got another 45 minutes to go | 0:35:49 | 0:35:53 | |
and I just can't keep my eyes open. I'm knackered. | 0:35:53 | 0:35:57 | |
She's only meant to sleep between two and seven in the morning, | 0:35:58 | 0:36:01 | |
but it's proving impossible. | 0:36:01 | 0:36:03 | |
Jason has said, "If you fall asleep | 0:36:05 | 0:36:08 | |
"then I'm going to put you on a dining room chair," he said. | 0:36:08 | 0:36:13 | |
Dining room chair! | 0:36:13 | 0:36:15 | |
That's like... Well, it is like the naughty step. | 0:36:15 | 0:36:18 | |
Gwen's exhausted, but once she gets to bed, | 0:36:20 | 0:36:23 | |
the sleep she craves disappears. | 0:36:23 | 0:36:25 | |
Quarter past three and I'm still awake. | 0:36:31 | 0:36:35 | |
I can't fall asleep. | 0:36:37 | 0:36:40 | |
Poor Gwen's getting less sleep now | 0:36:42 | 0:36:45 | |
than she was before she went to the sleep house. | 0:36:45 | 0:36:48 | |
Terrible, terrible, terrible night. | 0:36:48 | 0:36:51 | |
I really struggled at one o'clock in the morning to keep my eyes open. | 0:36:53 | 0:36:58 | |
One till two is like another two... | 0:37:00 | 0:37:04 | |
It feels like another two hours. | 0:37:04 | 0:37:05 | |
And long-suffering husband Derek has noticed Gwen's rapid decline. | 0:37:08 | 0:37:12 | |
It hasn't really worked for her at all. | 0:37:12 | 0:37:15 | |
She hasn't been able to get into the pattern, | 0:37:15 | 0:37:17 | |
albeit it's early days. | 0:37:17 | 0:37:19 | |
It's just a complete break of pattern for her, | 0:37:19 | 0:37:24 | |
which she's had for years and years and years and years. | 0:37:24 | 0:37:27 | |
Jason's treatment seems to be failing. Gwen is giving up. | 0:37:28 | 0:37:33 | |
I would challenge anybody to do it, | 0:37:33 | 0:37:35 | |
but it certainly won't be me, | 0:37:35 | 0:37:37 | |
and it certainly won't be me sitting here tomorrow night. | 0:37:37 | 0:37:39 | |
No way on this planet. | 0:37:41 | 0:37:44 | |
She's on her way to Newcastle for an emergency appointment | 0:37:46 | 0:37:50 | |
with a concerned Jason at his sleep surgery. | 0:37:50 | 0:37:53 | |
Trying to stay awake to two o'clock in the morning is a real problem. | 0:37:54 | 0:37:58 | |
I mean, if you'd seen me that day... I was crying, | 0:37:58 | 0:38:01 | |
-I was...I was good for nothing. -Hmm. | 0:38:01 | 0:38:04 | |
And I thought, "If this is the way it's going to go on..." | 0:38:04 | 0:38:07 | |
You don't want to do it. | 0:38:07 | 0:38:09 | |
No, I can't do it. I'd rather have sleepless... | 0:38:09 | 0:38:11 | |
I'd rather not be able to sleep. | 0:38:11 | 0:38:12 | |
Jason agrees to let Gwen go to bed at 12, | 0:38:12 | 0:38:15 | |
but she must get up an hour earlier, at six. | 0:38:15 | 0:38:19 | |
He also brings in a new rule. | 0:38:19 | 0:38:21 | |
If you're in bed | 0:38:21 | 0:38:23 | |
and you're not asleep for more than 15 minutes, | 0:38:23 | 0:38:28 | |
or, at least, how long it feels to you, 15 minutes, | 0:38:28 | 0:38:32 | |
you've got to get out of the bed. | 0:38:32 | 0:38:34 | |
So now if I'm awake with my head full of mush - get up. | 0:38:34 | 0:38:38 | |
Get up, go downstairs. | 0:38:38 | 0:38:40 | |
We're re-establishing bed equals sleep. | 0:38:40 | 0:38:44 | |
-Confident? -Yeah. | 0:38:44 | 0:38:46 | |
I think the 15-minute rule does make sense, because, yeah... | 0:38:46 | 0:38:51 | |
You know, 15 minutes, you toss and turn | 0:38:51 | 0:38:54 | |
and then 15 becomes 30 and then 30 becomes 45. | 0:38:54 | 0:38:58 | |
So you're right - out of bed, downstairs. | 0:38:58 | 0:39:02 | |
This new routine may be Jason's last chance | 0:39:05 | 0:39:08 | |
to conquer Gwen's chronic insomnia. | 0:39:08 | 0:39:10 | |
And the experts' treatment plan for shift-worker Chris | 0:39:14 | 0:39:17 | |
is also proving a struggle. | 0:39:17 | 0:39:19 | |
He just can't get used to the mouthguard. | 0:39:19 | 0:39:22 | |
Hopefully, I might have a bit of success tonight. | 0:39:24 | 0:39:27 | |
It's the third time I've tried it. | 0:39:27 | 0:39:30 | |
It's only lasted 45 minutes so far, cos I can't breathe with it. | 0:39:30 | 0:39:34 | |
Until he can use it, | 0:39:34 | 0:39:36 | |
he isn't allowed back in the bedroom with Charlie. | 0:39:36 | 0:39:40 | |
Here we are, it's about day five or six now | 0:39:40 | 0:39:44 | |
of this sleeping apart lark, | 0:39:44 | 0:39:46 | |
and, I have to say, I'm not enjoying it at all | 0:39:46 | 0:39:49 | |
and I miss him. | 0:39:49 | 0:39:51 | |
I wish he was here. | 0:39:52 | 0:39:54 | |
The whole point of this is to try | 0:39:54 | 0:39:56 | |
and find a way that we can sleep together more productively, | 0:39:56 | 0:40:00 | |
and that's not happening and I'm missing him a lot. | 0:40:00 | 0:40:04 | |
With Chris hoping to propose to Charlie soon, | 0:40:04 | 0:40:08 | |
he's called Jason and Kirstie for help. | 0:40:08 | 0:40:10 | |
The mouthguard hasn't been a good success at all. | 0:40:10 | 0:40:14 | |
In and out, in and out, not... Well, I'd say after five minutes | 0:40:14 | 0:40:17 | |
of really feeling like I was going to suffocate sort of thing. | 0:40:17 | 0:40:20 | |
-Right. -OK, so the key problem is you can't even keep it in | 0:40:20 | 0:40:23 | |
-without feeling claustrophobic. Is that the problem? -That's right, yeah. | 0:40:23 | 0:40:27 | |
And is that because of that feeling of not being able | 0:40:27 | 0:40:29 | |
to breathe through the mouth, is that...? | 0:40:29 | 0:40:32 | |
Yeah, that's half the problem, | 0:40:32 | 0:40:33 | |
but it also feels like I've got a tennis ball in me mouth as well. | 0:40:33 | 0:40:36 | |
It's just not very comfortable. | 0:40:36 | 0:40:38 | |
Jason and Kirstie aren't giving up. | 0:40:41 | 0:40:43 | |
They've sent Chris to be fitted for a top-of-the-range bespoke device | 0:40:47 | 0:40:52 | |
that will allow him to breathe through his mouth. | 0:40:52 | 0:40:55 | |
-I've got one that, actually, I wear myself. -OK. | 0:40:55 | 0:41:00 | |
So there it is, I can still talk OK with it, | 0:41:03 | 0:41:06 | |
I can have a little sip of water. | 0:41:06 | 0:41:09 | |
As you see, look, there's really little in my mouth. | 0:41:09 | 0:41:12 | |
-Yeah, that's quite impressive. -It's all down on the outside. | 0:41:12 | 0:41:16 | |
In spite of appearances, this mouthpiece is meant to be more comfortable, | 0:41:17 | 0:41:22 | |
although the fitting certainly isn't. | 0:41:22 | 0:41:24 | |
I'll just put something in your ears. | 0:41:26 | 0:41:29 | |
You keep that nice and still for us. | 0:41:29 | 0:41:31 | |
Looks like a medieval means of torture, this, | 0:41:31 | 0:41:34 | |
but I promise you, it isn't painful. | 0:41:34 | 0:41:37 | |
You get a much better chance of a really comfortable affair. | 0:41:37 | 0:41:41 | |
OK, that's lovely. Good. | 0:41:41 | 0:41:44 | |
It will now take a week to turn this mould into Chris' new mouthpiece. | 0:41:44 | 0:41:48 | |
Until then, he and Charlie must endure their nights apart. | 0:41:50 | 0:41:54 | |
But what about lorry driver Paul in Norfolk | 0:41:57 | 0:42:00 | |
and his own instrument of torture? | 0:42:00 | 0:42:02 | |
Try and get this comfortable, so... | 0:42:04 | 0:42:07 | |
it doesn't let any air out. | 0:42:07 | 0:42:09 | |
He must wear this mask for at least four hours a night | 0:42:09 | 0:42:12 | |
if he's to pass an assessment that will allow him to drive again. | 0:42:12 | 0:42:16 | |
-How do you feel today? -Full of life. | 0:42:16 | 0:42:19 | |
-More refreshed? -Full of beans, could go and do the marathon. | 0:42:19 | 0:42:23 | |
But as the days have gone on, it's not always been easy. | 0:42:23 | 0:42:27 | |
What are you doing now, just adjusting it? | 0:42:27 | 0:42:30 | |
Right, good night, God bless. | 0:42:33 | 0:42:35 | |
By two o'clock in the morning, Paul's had enough. | 0:42:46 | 0:42:49 | |
The machine will record this, | 0:42:50 | 0:42:52 | |
and it could go against him at the assessment. | 0:42:52 | 0:42:55 | |
PAUL SNORES | 0:42:57 | 0:43:00 | |
With partner Clare at the wheel, it's time for Paul to discover | 0:43:00 | 0:43:05 | |
if he's had enough hours with the mask | 0:43:05 | 0:43:07 | |
to get his driving licence back. | 0:43:07 | 0:43:08 | |
Come on, then, tell me, how are you feeling? | 0:43:10 | 0:43:12 | |
I'm feeling OK. | 0:43:12 | 0:43:14 | |
A bit of the old... The old tummy's going a bit, | 0:43:14 | 0:43:17 | |
but, you know, I'll keep my fingers crossed and hope for the best. | 0:43:17 | 0:43:20 | |
-That's all you can do, at the end of the day, isn't it? -Yeah. | 0:43:20 | 0:43:24 | |
Kirstie's referred Paul to his local sleep consultant | 0:43:26 | 0:43:29 | |
for his ongoing treatment. | 0:43:29 | 0:43:31 | |
So how have you been? | 0:43:33 | 0:43:35 | |
I'm feeling very well, really alert. | 0:43:35 | 0:43:38 | |
I haven't felt this much, you know, | 0:43:38 | 0:43:41 | |
awake for a long time, and I've been getting loads of sleep | 0:43:41 | 0:43:45 | |
and I've just got loads of energy now, I don't know what to do with it. | 0:43:45 | 0:43:49 | |
It's important to look at the data, | 0:43:49 | 0:43:51 | |
because we can't just take people's word for it. | 0:43:51 | 0:43:54 | |
-Precaution. -That's why we have the chip. | 0:43:54 | 0:43:57 | |
-And the chip never lies. -No, the chip doesn't lie, unfortunately. | 0:43:57 | 0:44:01 | |
You started therapy on the 10th | 0:44:04 | 0:44:07 | |
and on the first night you went for about 45 minutes | 0:44:07 | 0:44:10 | |
and then had a little break, | 0:44:10 | 0:44:11 | |
and then you went for a straight seven-hour, four-minute sleep. | 0:44:11 | 0:44:15 | |
Paul's first two nights were good. | 0:44:16 | 0:44:18 | |
But it's clear by night three | 0:44:18 | 0:44:20 | |
he was beginning to find the mask irritating. | 0:44:20 | 0:44:23 | |
It was a bit more fragmented. | 0:44:23 | 0:44:25 | |
-Probably adjusting the mask and getting used to things. -Yeah. | 0:44:25 | 0:44:29 | |
So has Paul done enough to get back his licence and his career? | 0:44:30 | 0:44:34 | |
Looking at your compliance data | 0:44:35 | 0:44:38 | |
and also the fact that your fatigue score has dropped | 0:44:38 | 0:44:41 | |
from 17 down to two, it would mean that you are complying with therapy, | 0:44:41 | 0:44:44 | |
and you've responded very well so you've had a positive outcome. | 0:44:44 | 0:44:47 | |
From my point of view, you'd be compliant to drive. | 0:44:47 | 0:44:50 | |
This is a brilliant result for you. It's lots of positive support - | 0:44:50 | 0:44:54 | |
you're feeling better, you're keeping all your numbers right, | 0:44:54 | 0:44:57 | |
and you want to continue doing that. | 0:44:57 | 0:44:59 | |
Jason and Kirstie's treatment has been a success. | 0:45:01 | 0:45:05 | |
I'm feeling very relieved. | 0:45:05 | 0:45:07 | |
Excited, as well, that I can return back to work | 0:45:07 | 0:45:10 | |
and do what I know I can do best, which is obviously driving. | 0:45:10 | 0:45:15 | |
So I'm really pleased that the results have gone my way. | 0:45:15 | 0:45:17 | |
Better than to be expected, actually. | 0:45:17 | 0:45:19 | |
# Dream, lover | 0:45:19 | 0:45:21 | |
# So I don't have to dream alone. # | 0:45:21 | 0:45:24 | |
Back in Scotland, Gwen is now two weeks | 0:45:29 | 0:45:31 | |
into her 12 till six sleep routine, | 0:45:31 | 0:45:34 | |
and at least one member of the family | 0:45:34 | 0:45:37 | |
is already reaping the benefits. | 0:45:37 | 0:45:39 | |
Getting up at this time in the morning is a new regime for me, | 0:45:40 | 0:45:44 | |
getting out of bed at six. | 0:45:44 | 0:45:47 | |
And if somebody had said to me two weeks ago, which I've done, | 0:45:47 | 0:45:50 | |
"You have to get out of bed at six," | 0:45:50 | 0:45:52 | |
I'd have said, "No, I can't do that," | 0:45:52 | 0:45:54 | |
and certainly can't go to bed at 12 and get up at six. | 0:45:54 | 0:45:56 | |
But I can, and I've done it, | 0:45:56 | 0:45:58 | |
and we're getting up at six every morning | 0:45:58 | 0:46:00 | |
and we're coming here. | 0:46:00 | 0:46:02 | |
We're in the park, quarter past six, 20 past six. | 0:46:02 | 0:46:05 | |
If it's like this, there's absolutely nothing better. | 0:46:05 | 0:46:09 | |
An advantage of going to bed at 12 | 0:46:12 | 0:46:14 | |
is that husband Derek can stay up and give Gwen some moral support. | 0:46:14 | 0:46:20 | |
And if I do fall asleep, which I sometimes do, | 0:46:20 | 0:46:22 | |
Derek shouts at me, "Come on keep, awake until 12!" | 0:46:22 | 0:46:26 | |
YAWN MUFFLES SPEECH | 0:46:26 | 0:46:29 | |
Gwen and Derek are turning a corner. | 0:46:31 | 0:46:33 | |
But will this be the routine | 0:46:33 | 0:46:35 | |
that will eventually let them spend the whole night together? | 0:46:35 | 0:46:38 | |
Someone else who's keen to fall back in step | 0:46:42 | 0:46:45 | |
with the rest of her family is baker Sheila. | 0:46:45 | 0:46:47 | |
Jason's ban on night-time activities | 0:46:47 | 0:46:50 | |
now means Sheila regularly goes to bed at half past one | 0:46:50 | 0:46:54 | |
and sleeps for five to six hours a night. | 0:46:54 | 0:46:58 | |
Wind-down time, how's that working? | 0:46:58 | 0:47:00 | |
No, it's good. The girls and Neil go off and settle, | 0:47:00 | 0:47:02 | |
and then I settle and sit and read my mags. | 0:47:02 | 0:47:05 | |
So I'm having a good couple of hours of actual sort of wind-down, | 0:47:05 | 0:47:09 | |
as opposed to sending emails at three o'clock in the morning. | 0:47:09 | 0:47:12 | |
Literally, straight into bed, lights off, and that's it. | 0:47:12 | 0:47:15 | |
The next stage will be more challenging. | 0:47:15 | 0:47:18 | |
The experts want to try to reset her body clock | 0:47:18 | 0:47:22 | |
so she can eventually go to bed | 0:47:22 | 0:47:23 | |
at the same time as the rest of her family. | 0:47:23 | 0:47:26 | |
You're going to move 15 minutes earlier to bed. | 0:47:28 | 0:47:31 | |
Right, right. | 0:47:31 | 0:47:33 | |
If you tolerate that, move it forward again by another 15 minutes. | 0:47:33 | 0:47:37 | |
So let's play with that and see where we get. | 0:47:37 | 0:47:40 | |
The aim is to slowly push Sheila's bedtime back, | 0:47:40 | 0:47:44 | |
in the hope her body clock will gradually adjust | 0:47:44 | 0:47:48 | |
and she'll eventually feel sleepier much earlier. | 0:47:48 | 0:47:51 | |
The first step is a gentle move | 0:47:54 | 0:47:56 | |
from Sheila's current 1.30 bedtime to 1.15. | 0:47:56 | 0:48:00 | |
So we're going to see if we can bring me forward 15 minutes, | 0:48:03 | 0:48:06 | |
and then hopefully more, and then that will be really nice | 0:48:06 | 0:48:09 | |
if I can then maybe go to bed at the same time as the rest of the family, | 0:48:09 | 0:48:13 | |
which would be lovely, | 0:48:13 | 0:48:14 | |
instead of sitting up on my own for hours while everyone else is asleep. | 0:48:14 | 0:48:18 | |
But just that 15-minute block has a disastrous effect. | 0:48:22 | 0:48:26 | |
I've had a really crappy night tonight. | 0:48:29 | 0:48:33 | |
Erm... I don't know what's going on. | 0:48:33 | 0:48:36 | |
I came up as normal, then, for some reason, just can't sleep. | 0:48:36 | 0:48:41 | |
So I don't know what's the matter. | 0:48:41 | 0:48:43 | |
I can't decide whether to get up or try and go back to sleep again, | 0:48:43 | 0:48:46 | |
but at the minute I'm thinking there's not much point, really. | 0:48:46 | 0:48:49 | |
# Mr Sandman | 0:48:49 | 0:48:52 | |
# Bring me a dream... # | 0:48:52 | 0:48:54 | |
Jason and Kirstie return to find that moving Sheila's bedtime earlier | 0:48:54 | 0:48:59 | |
hasn't had the desired effect. | 0:48:59 | 0:49:01 | |
But for them, it's the final piece of the jigsaw. | 0:49:02 | 0:49:05 | |
Sheila is what sleep experts call a night owl - | 0:49:05 | 0:49:09 | |
someone whose natural bedtime is in the small hours of the morning. | 0:49:09 | 0:49:13 | |
It appears that the half past one | 0:49:13 | 0:49:15 | |
-is the time that is good for you to get to bed... -Yeah. | 0:49:15 | 0:49:18 | |
..in time for you to get up in the morning, ready for the girls. | 0:49:18 | 0:49:20 | |
Cos you wanted that six-hour window, didn't you? | 0:49:20 | 0:49:22 | |
-Yeah. -Absolutely. | 0:49:22 | 0:49:24 | |
Not many people are really comfortable going to sleep at 1.30, | 0:49:24 | 0:49:27 | |
but, for you, it's where your body clock is naturally set. | 0:49:27 | 0:49:31 | |
And Sheila is not just a night owl, she's also a short sleeper - | 0:49:34 | 0:49:38 | |
one of the 10% of people | 0:49:38 | 0:49:40 | |
that need just four to six hours of sleep a night. | 0:49:40 | 0:49:44 | |
We're taught from the media, from lots of different people, | 0:49:44 | 0:49:47 | |
that eight hours is the standard norm that people should get. | 0:49:47 | 0:49:51 | |
And it actually simply isn't true. | 0:49:51 | 0:49:52 | |
-It's never going to be absolutely plain sailing. -No. | 0:49:52 | 0:49:55 | |
And there's always going to be things to work through. | 0:49:55 | 0:49:58 | |
-We found the point. -Yeah. | 0:49:58 | 0:49:59 | |
You need six hours, but if you try getting into bed before that, | 0:49:59 | 0:50:02 | |
-it's not going to work for you. -No, that's right. | 0:50:02 | 0:50:05 | |
It's part of your biology and who you are. | 0:50:05 | 0:50:07 | |
Well, that's just me, then! | 0:50:07 | 0:50:08 | |
Jason, Kirstie and the Sleep Mobile | 0:50:10 | 0:50:12 | |
are now on the final tour of Britain, | 0:50:12 | 0:50:14 | |
as the treatments for our problem sleepers reach their conclusion. | 0:50:14 | 0:50:19 | |
They're now back in London where it's been six weeks | 0:50:19 | 0:50:22 | |
since parasomniac Kathryn had alarms installed in her bedroom. | 0:50:22 | 0:50:26 | |
The cameras have captured lots of sleep talking. | 0:50:30 | 0:50:32 | |
SHE MUMBLES | 0:50:32 | 0:50:36 | |
But something else strange has happened. | 0:50:36 | 0:50:39 | |
Since the alarms have been put in place, | 0:50:39 | 0:50:42 | |
I haven't sleepwalked. | 0:50:42 | 0:50:43 | |
-Excellent! -And I do actually think that subconsciously, perhaps, | 0:50:43 | 0:50:48 | |
in some way, I know those buzzes, | 0:50:48 | 0:50:50 | |
that the alarm is on the door and... | 0:50:50 | 0:50:52 | |
Yeah. Yeah. | 0:50:52 | 0:50:54 | |
..and I haven't activated it, or gone to leave the room. | 0:50:54 | 0:50:59 | |
The relief of knowing a bit more about it | 0:50:59 | 0:51:01 | |
and of Alison not being so bothered subconsciously feeds back, | 0:51:01 | 0:51:05 | |
and you've got a bit less stress about it, so you're doing it less. | 0:51:05 | 0:51:09 | |
The goal of this was to have you sleep well and Alison sleep well, | 0:51:09 | 0:51:12 | |
and, at the moment, that's happening. | 0:51:12 | 0:51:14 | |
With Kathryn's treatment successfully completed, | 0:51:15 | 0:51:18 | |
the Sleep Mobile is moving north. | 0:51:18 | 0:51:21 | |
Next stop, a final visit to shift-worker and snorer Chris, | 0:51:21 | 0:51:25 | |
who's now the proud owner | 0:51:25 | 0:51:26 | |
of some sophisticated anti-snoring hardware. | 0:51:26 | 0:51:30 | |
As easy as that. | 0:51:32 | 0:51:33 | |
It's not uncomfortable, fits perfectly, | 0:51:33 | 0:51:36 | |
it's been designed for my particular mouth, | 0:51:36 | 0:51:38 | |
and, yeah, I wholly recommend them to everyone. | 0:51:38 | 0:51:41 | |
It makes a big difference on our whole lives, basically. | 0:51:41 | 0:51:44 | |
Actually waking up feeling really good, | 0:51:44 | 0:51:47 | |
Charlie feeling pretty good as well, and actually smiling. | 0:51:47 | 0:51:51 | |
Thanks to Jason and Kirstie, Chris conquered his snoring, | 0:51:53 | 0:51:56 | |
meaning he can be reunited with Charlie. | 0:51:56 | 0:51:59 | |
And if that wasn't enough... | 0:52:01 | 0:52:03 | |
We have got one other bit of news, haven't we? | 0:52:03 | 0:52:05 | |
-Mmm-hmm. -Yeah. We got engaged. | 0:52:05 | 0:52:07 | |
Congratulations! | 0:52:07 | 0:52:09 | |
So mission accomplished. | 0:52:09 | 0:52:11 | |
One couple separated through sleep, | 0:52:11 | 0:52:12 | |
now reunited through a small piece of metal. | 0:52:12 | 0:52:15 | |
-Cheers! -Cheers! | 0:52:15 | 0:52:17 | |
And a snore guard means more to me than an engagement ring! | 0:52:17 | 0:52:21 | |
Exactly, yeah. | 0:52:21 | 0:52:22 | |
Up in Lincolnshire, | 0:52:22 | 0:52:25 | |
a revitalised Sheila is back in the kitchen, | 0:52:25 | 0:52:28 | |
but, this time, it's most definitely during the day. | 0:52:28 | 0:52:31 | |
# Mr Sandman | 0:52:31 | 0:52:34 | |
# Bring me a dream... # | 0:52:34 | 0:52:35 | |
So it's a win-win situation. | 0:52:35 | 0:52:37 | |
Night owl Sheila has stuck | 0:52:37 | 0:52:40 | |
to Jason and Kirstie's strict night-time rules, | 0:52:40 | 0:52:43 | |
and the whole family is reaping the benefits. | 0:52:43 | 0:52:47 | |
She doesn't get as grumpy as she used to. | 0:52:47 | 0:52:50 | |
I think the number of hours | 0:52:50 | 0:52:52 | |
that she's actually sleeping now is amazing. | 0:52:52 | 0:52:55 | |
And it's really good for her to get six hours, | 0:52:55 | 0:52:58 | |
because she's been a lot happier and jollier. | 0:52:58 | 0:53:02 | |
# Mr Sandman | 0:53:02 | 0:53:05 | |
# Bring me a dream... # | 0:53:05 | 0:53:06 | |
And Sheila now has the energy for yet another venture - | 0:53:06 | 0:53:09 | |
a homemade cake stall at the local market. | 0:53:09 | 0:53:12 | |
Comparing how I am now to how I was | 0:53:14 | 0:53:16 | |
before I started treatment is amazing, really. | 0:53:16 | 0:53:19 | |
I mean, you know, I'd be so tired all the time | 0:53:19 | 0:53:22 | |
and I kept feeling dizzy | 0:53:22 | 0:53:23 | |
and my appetite was shot to pieces. | 0:53:23 | 0:53:25 | |
And now I'm sort of waking up feeling pretty chipper | 0:53:27 | 0:53:30 | |
and sort of ready for a new day. | 0:53:30 | 0:53:32 | |
So, you know, it's brilliant. | 0:53:32 | 0:53:34 | |
And Sheila's made sure the children haven't lost out. | 0:53:34 | 0:53:38 | |
We still do get our cake, but not in the morning. | 0:53:41 | 0:53:44 | |
We get it in the day time. | 0:53:44 | 0:53:46 | |
Over in Norfolk, someone else is also enjoying a new lease of life. | 0:53:50 | 0:53:54 | |
Since getting the all-clear, | 0:53:56 | 0:53:58 | |
things have just got better and better for lorry driver Paul. | 0:53:58 | 0:54:02 | |
Thanks for listening! | 0:54:03 | 0:54:05 | |
When I first wake up, I notice a change straightaway. | 0:54:05 | 0:54:08 | |
I don't wake up feeling as if I've been shaken or woken. | 0:54:08 | 0:54:12 | |
I'm waking up more naturally, not feeling tired. | 0:54:12 | 0:54:15 | |
Right. | 0:54:15 | 0:54:16 | |
I've actually lost near enough half a stone. | 0:54:16 | 0:54:19 | |
It was like a disease | 0:54:19 | 0:54:20 | |
that overtook my body. | 0:54:20 | 0:54:23 | |
Sleep doesn't control me now. | 0:54:23 | 0:54:26 | |
I control the sleep. | 0:54:26 | 0:54:29 | |
Paul's now feeling so good about himself, | 0:54:31 | 0:54:34 | |
he's decided to fulfil his lifetime ambition | 0:54:34 | 0:54:36 | |
and to train to become a fully-licensed HGV driver. | 0:54:36 | 0:54:39 | |
Jumping in there, I was a bit nervy at first. | 0:54:41 | 0:54:43 | |
Once I was out on the open road, it really felt good. | 0:54:43 | 0:54:46 | |
There's no going back now for me. | 0:54:48 | 0:54:50 | |
This is what I've been building up for, | 0:54:50 | 0:54:52 | |
so this is my goal now and this is my aim. | 0:54:52 | 0:54:55 | |
This is it. | 0:54:55 | 0:54:57 | |
It will have been four, six weeks ago | 0:54:57 | 0:55:00 | |
I couldn't even think about it, | 0:55:00 | 0:55:03 | |
so today's just like... It's my life starting today. | 0:55:03 | 0:55:07 | |
# Time to hit the road | 0:55:08 | 0:55:11 | |
# Time to hit the road. # | 0:55:12 | 0:55:15 | |
And that now leaves us with just our final case | 0:55:20 | 0:55:23 | |
up in Peebles in Scotland. | 0:55:23 | 0:55:25 | |
It's six weeks since Jason put Gwen on a strict sleep regime, | 0:55:28 | 0:55:32 | |
and by this time of the morning she should be out of bed, | 0:55:32 | 0:55:35 | |
but today she's breaking the rules. | 0:55:35 | 0:55:38 | |
# Cuddle up a little closer... # | 0:55:40 | 0:55:45 | |
For the first time in ten years, | 0:55:45 | 0:55:47 | |
Gwen has woken up beside husband Derek. | 0:55:47 | 0:55:50 | |
-Hello! -Hello, Gwen! How are you? | 0:55:58 | 0:56:01 | |
-I'm fine, how are you? Nice to see you. -Good to see you. | 0:56:01 | 0:56:05 | |
Come on, in you come. | 0:56:05 | 0:56:07 | |
-Thank you. -Come through. | 0:56:07 | 0:56:09 | |
I'm doing really well. | 0:56:09 | 0:56:11 | |
Most of the time I go to bed at 12. | 0:56:11 | 0:56:13 | |
I actually go to bed, into bed, turn the light off, | 0:56:13 | 0:56:17 | |
and within 10, 15 minutes, I'm generally sleeping. | 0:56:17 | 0:56:20 | |
-I'm sleeping much better. -Mmm! | 0:56:20 | 0:56:22 | |
I feel much better. | 0:56:22 | 0:56:24 | |
Mmm-hmm. | 0:56:24 | 0:56:26 | |
I think I look a bit better. | 0:56:26 | 0:56:28 | |
Is it still a bed of thistles? | 0:56:28 | 0:56:31 | |
No, no. No, it's not. | 0:56:31 | 0:56:32 | |
It's not quite a bed of feathers, you know, | 0:56:32 | 0:56:34 | |
which is what we were aiming for. | 0:56:34 | 0:56:36 | |
But I don't just have any dread any more, as such. | 0:56:36 | 0:56:39 | |
I don't panic coming up the stairs, thinking, "Here we go again." | 0:56:39 | 0:56:43 | |
And it's not just Gwen who's had to adapt to this new routine. | 0:56:43 | 0:56:48 | |
Oh, it's a culture shock to me, Jason. | 0:56:50 | 0:56:52 | |
I mean, you know, I can't starfish in the bed any more! | 0:56:52 | 0:56:55 | |
-THEY LAUGH -I used to have plenty of room! | 0:56:55 | 0:56:59 | |
But, no, joking apart... | 0:56:59 | 0:57:01 | |
I didn't think it could ever have happened this quickly. | 0:57:01 | 0:57:05 | |
I thought it was too deep-rooted. | 0:57:05 | 0:57:07 | |
-As I did. -And you did as well. | 0:57:07 | 0:57:08 | |
A really dramatic improvement in her mood, | 0:57:08 | 0:57:11 | |
in her energy levels. | 0:57:11 | 0:57:14 | |
This solution isn't the solution that we expected, | 0:57:14 | 0:57:17 | |
but you're such a persuasive man... | 0:57:17 | 0:57:20 | |
-THEY LAUGH -..we fell in with it! | 0:57:20 | 0:57:23 | |
-Bed? -Yeah. | 0:57:26 | 0:57:28 | |
Come on. Turn the lights off. | 0:57:28 | 0:57:30 | |
Jason and Kirstie's work is done. | 0:57:33 | 0:57:37 | |
At times, the treatments may have seemed bizarre, | 0:57:42 | 0:57:45 | |
but all five of our volunteers | 0:57:45 | 0:57:47 | |
have achieved what they once thought was impossible... | 0:57:47 | 0:57:50 | |
..a good night's sleep. | 0:57:52 | 0:57:53 | |
I've had to almost be taught to sleep again, | 0:57:58 | 0:58:01 | |
and with the tools I've been given, I've been able to do it. | 0:58:01 | 0:58:05 | |
And hopefully we've all picked up a few tips | 0:58:05 | 0:58:08 | |
on how to get a better night's sleep. | 0:58:08 | 0:58:10 | |
Good night, Britain. Oh, and sweet dreams. | 0:58:10 | 0:58:13 | |
That bother you? | 0:58:21 | 0:58:22 | |
SHE LAUGHS | 0:58:22 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |