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'Ambulance Service. Tell me exactly what's happened.' | 0:00:02 | 0:00:04 | |
'It's me husband. I can't wake him up. | 0:00:04 | 0:00:07 | |
-'Just confirm for me, is he awake?' -'He's, like, comatose. | 0:00:07 | 0:00:10 | |
'I'm trying to feel a pulse, but I can't...' | 0:00:10 | 0:00:12 | |
'He's on the floor, he's unresponsive.' | 0:00:12 | 0:00:14 | |
RADIO: 'Er, cardiac arrest...' | 0:00:16 | 0:00:18 | |
A call to a cardiac arrest. | 0:00:20 | 0:00:22 | |
The paramedics have just eight minutes to get to the scene... | 0:00:22 | 0:00:25 | |
..and just 12 minutes to save the patient's life. | 0:00:27 | 0:00:31 | |
Do you want to do another pulse check just before we move him? | 0:00:31 | 0:00:34 | |
It's a scenario that can test the most experienced paramedic. | 0:00:36 | 0:00:40 | |
But what if you're a first-year student and you're new on the job? | 0:00:42 | 0:00:46 | |
Meet the Junior Paramedics. | 0:00:51 | 0:00:53 | |
Does this make me look vain? | 0:00:53 | 0:00:55 | |
'It is quite scary and daunting.' | 0:00:55 | 0:00:57 | |
I am only 19. | 0:00:57 | 0:00:58 | |
You got little ticklish feet? | 0:00:58 | 0:01:01 | |
When we go to a really serious job, like a cardiac arrest, | 0:01:01 | 0:01:04 | |
I will have to get involved. | 0:01:04 | 0:01:06 | |
You feel like you're doing something that means something, | 0:01:07 | 0:01:10 | |
and it's making a difference. | 0:01:10 | 0:01:12 | |
Flying around with the blue lights on, that'll be good. | 0:01:12 | 0:01:14 | |
I'm not going to lie! | 0:01:14 | 0:01:15 | |
MAN SPLUTTERS | 0:01:15 | 0:01:18 | |
Let's go do some shots. | 0:01:20 | 0:01:22 | |
The shifts are going to be hard to get used to. | 0:01:22 | 0:01:24 | |
I hate mornings, I'm not a morning person, at all. | 0:01:24 | 0:01:26 | |
All of the paramedics I've spoken to have said that there'll always be | 0:01:28 | 0:01:31 | |
one thing, when you get there, | 0:01:31 | 0:01:33 | |
you don't know why, but it affects you really badly. | 0:01:33 | 0:01:37 | |
You've got to be prepared to go into someone's house | 0:01:37 | 0:01:40 | |
and not be scared of the outcome. | 0:01:40 | 0:01:41 | |
I'm definitely quite worried dealing with my first fatal | 0:01:41 | 0:01:45 | |
or, you know, the first body that I come to. | 0:01:45 | 0:01:48 | |
Being a paramedic's my dream. It's something that I've always wanted. | 0:01:48 | 0:01:51 | |
Studying for a degree in paramedic science is tough. | 0:01:51 | 0:01:54 | |
Failure is not an option. | 0:01:56 | 0:01:57 | |
Six weeks of dealing with real people in real emergencies | 0:02:01 | 0:02:04 | |
is even tougher... | 0:02:04 | 0:02:06 | |
I'm yawning all the time and I'm shattered already. | 0:02:06 | 0:02:09 | |
..working gruelling shifts... | 0:02:09 | 0:02:11 | |
We're with you. Ambulance is here with you. | 0:02:11 | 0:02:12 | |
..and being put under immense pressure. | 0:02:12 | 0:02:15 | |
-Why am I doing this? -There we go. | 0:02:15 | 0:02:17 | |
Why am I out in the cold at two o'clock in the morning? | 0:02:17 | 0:02:20 | |
They're young. They're inexperienced. | 0:02:20 | 0:02:23 | |
Oh, my God. | 0:02:23 | 0:02:24 | |
And every day is a matter of life or death. | 0:02:24 | 0:02:28 | |
I was like, a-a-agh! Adrenaline! | 0:02:28 | 0:02:30 | |
For these Junior Paramedics, | 0:02:30 | 0:02:31 | |
it's make or break on the emergency front line. | 0:02:31 | 0:02:34 | |
Do you know how to open it? Stop! SHE LAUGHS | 0:02:34 | 0:02:37 | |
Previously on Junior Paramedics... | 0:02:45 | 0:02:47 | |
Lots of drugs problems round here, so it could be an opiate overdose... | 0:02:47 | 0:02:50 | |
As they started their placements, | 0:02:52 | 0:02:54 | |
all nine Junior Paramedics were thrown in at the deep end, | 0:02:54 | 0:02:57 | |
experiencing real trauma for the first time. | 0:02:57 | 0:03:00 | |
-Take a deep breath. -Yeah. | 0:03:01 | 0:03:03 | |
Steph was given a baptism of fire, | 0:03:03 | 0:03:06 | |
as she attended a suspected cardiac arrest... | 0:03:06 | 0:03:09 | |
I don't think I've ever had | 0:03:09 | 0:03:11 | |
an adrenaline rush like that in my life. | 0:03:11 | 0:03:13 | |
..before impressing during a major road-traffic incident. | 0:03:13 | 0:03:17 | |
-You haven't got any allergies at all? -No. -No. | 0:03:17 | 0:03:19 | |
She did really well, I'm really pleased with her. | 0:03:19 | 0:03:22 | |
Meanwhile, Lucy Mellor struggled with her bedside manner. | 0:03:22 | 0:03:26 | |
-Awkward silence. -Are you busy? | 0:03:26 | 0:03:29 | |
..whilst Amy was left feeling emotional. | 0:03:29 | 0:03:32 | |
I feel really stupid for, like, getting teary about it, | 0:03:32 | 0:03:34 | |
but it, sort of, brings it home like that. | 0:03:34 | 0:03:37 | |
Although their first week might have been tough, | 0:03:37 | 0:03:40 | |
that was just the beginning. | 0:03:40 | 0:03:41 | |
With five weeks left on placement, and being constantly assessed | 0:03:42 | 0:03:46 | |
on their performance, this is the reality of life | 0:03:46 | 0:03:49 | |
when you're a Junior Paramedic. | 0:03:49 | 0:03:51 | |
'Hello, East Midlands Ambulance Service.' | 0:03:53 | 0:03:55 | |
'Tell me exactly what's happened.' | 0:03:55 | 0:03:57 | |
'Yeah, the wife has tumbled in the kitchen...' | 0:03:57 | 0:03:59 | |
'My husband's fell off a ladder outside. | 0:03:59 | 0:04:02 | |
'He's on the floor and he's struggling breathing.' | 0:04:02 | 0:04:05 | |
'OK, I'm organising help for you now. Stay on the line, OK?' | 0:04:05 | 0:04:08 | |
At the heart of England, | 0:04:10 | 0:04:12 | |
the East Midlands Ambulance Service provides | 0:04:12 | 0:04:14 | |
emergency medical assistance for 4.8 million residents, | 0:04:14 | 0:04:18 | |
receiving 2,000 999 calls every day. | 0:04:18 | 0:04:21 | |
BEEPING AND RADIO CHATTER | 0:04:22 | 0:04:24 | |
Across Northamptonshire and Leicestershire, | 0:04:26 | 0:04:28 | |
all nine Junior Paramedics | 0:04:28 | 0:04:30 | |
are starting their second week on placement. | 0:04:30 | 0:04:33 | |
And at Mereway Ambulance Station in Northampton, 19-year-old Bryn | 0:04:33 | 0:04:37 | |
and his mentor, Charlotte, are braced for their first call. | 0:04:37 | 0:04:40 | |
Bryn hasn't learnt the noises yet. | 0:04:44 | 0:04:46 | |
Every time it goes off he's like this. | 0:04:46 | 0:04:49 | |
BEEPING | 0:04:49 | 0:04:51 | |
-Enjoy. -I'll see you in a bit. | 0:04:53 | 0:04:54 | |
In his first shifts, Bryn has been excelling in his new role. | 0:05:05 | 0:05:09 | |
It'll go on your toe like that. | 0:05:14 | 0:05:15 | |
-Oh... -Oh! No, I didn't think so! | 0:05:17 | 0:05:20 | |
He's impressed his patients with his relaxed bedside manner... | 0:05:21 | 0:05:25 | |
-Can you say "British constitution" for me? -British constitution. | 0:05:25 | 0:05:30 | |
-Good, and "Baby hippopotamus?" -Baby hippopotamus. | 0:05:30 | 0:05:34 | |
Good, you can do it better than I can. | 0:05:34 | 0:05:36 | |
..has immediately bonded with his mentor, Charlotte... | 0:05:36 | 0:05:40 | |
One, two, boot! | 0:05:40 | 0:05:41 | |
..and he's a hit with the other students on the course. | 0:05:46 | 0:05:49 | |
Most of all, he's passionate about becoming a great paramedic. | 0:05:52 | 0:05:56 | |
'I want to be a paramedic | 0:06:03 | 0:06:04 | |
'because I've always been interested in emergency care.' | 0:06:04 | 0:06:07 | |
So, you know, when I was younger, when I first got my diabetes, | 0:06:07 | 0:06:11 | |
I was introduced to hospitals and the hospital environment, | 0:06:11 | 0:06:13 | |
so I was in there quite a lot. | 0:06:13 | 0:06:15 | |
If I don't take my insulin then my blood sugars will go up, | 0:06:15 | 0:06:17 | |
and then, if I left it for a long time | 0:06:17 | 0:06:19 | |
then I'd get diabetic ketoacidosis and die. | 0:06:19 | 0:06:23 | |
If I left it for a long time it could be quite bad, but, erm, | 0:06:23 | 0:06:25 | |
we won't be doing that, so... | 0:06:25 | 0:06:27 | |
If you're on two shifts in a row, you don't have time for a thing. | 0:06:27 | 0:06:30 | |
So, what sort of thing do you eat in the middle of the night? | 0:06:30 | 0:06:33 | |
Oh, Super Noodles. | 0:06:33 | 0:06:34 | |
Something very unhealthy. | 0:06:34 | 0:06:36 | |
'My family are quite excited for me to go down the paramedic route,' | 0:06:36 | 0:06:40 | |
and hope that I can be the best that I can be, really. | 0:06:40 | 0:06:44 | |
It's a big leap into the unknown, | 0:06:45 | 0:06:47 | |
so I am a little bit nervous for him, but I'm very confident in him. | 0:06:47 | 0:06:51 | |
I think that he will be loving it, which makes me feel a little | 0:06:51 | 0:06:55 | |
bit better, because if he's happy then I will be happy as well. | 0:06:55 | 0:06:58 | |
'So I do a bit of a range of sports. | 0:06:59 | 0:07:03 | |
Coming to uni, I've picked up lacrosse. | 0:07:03 | 0:07:05 | |
It's quite a fast game. | 0:07:06 | 0:07:08 | |
You know, it's a contact sport as well, | 0:07:08 | 0:07:10 | |
so it's good to get a bit of aggression out. | 0:07:10 | 0:07:13 | |
You get tired out. | 0:07:13 | 0:07:14 | |
I feel ready to become a Junior Paramedic, | 0:07:20 | 0:07:23 | |
so, I feel prepared theoretically, | 0:07:23 | 0:07:27 | |
but it's another thing being mentally prepared and then actually | 0:07:27 | 0:07:30 | |
physically being in that situation and having to deal with it. | 0:07:30 | 0:07:33 | |
As temperatures plummet in Northampton, | 0:07:38 | 0:07:41 | |
Bryn's been attending a series of low-key jobs, | 0:07:41 | 0:07:44 | |
so he's desperate for some action. | 0:07:44 | 0:07:47 | |
RADIO BEEPS 534? | 0:07:47 | 0:07:49 | |
Not a problem. Thank you very much. | 0:07:58 | 0:08:00 | |
His moment has finally come, | 0:08:04 | 0:08:06 | |
but will he be able to cope under the pressure? | 0:08:06 | 0:08:09 | |
So, what's really important with an ankle injury? | 0:08:09 | 0:08:12 | |
What do we need to do to assess it? | 0:08:12 | 0:08:13 | |
Er, expose it first of all, so if he was, I don't know, | 0:08:13 | 0:08:16 | |
say, if he was playing football or something... | 0:08:16 | 0:08:18 | |
-So, expose and examine, yeah? -Yeah. -But what are we comparing it to? | 0:08:18 | 0:08:21 | |
-The other ankle. -Yay. | 0:08:21 | 0:08:23 | |
After racing to the scene, | 0:08:26 | 0:08:27 | |
they discover that, to get to their patient, | 0:08:27 | 0:08:29 | |
they need to drive straight on to a busy football pitch. | 0:08:29 | 0:08:32 | |
Do you think I'm going to get through that? | 0:08:32 | 0:08:34 | |
I don't know. Yeah, you might do! | 0:08:34 | 0:08:36 | |
As they arrive, they discover | 0:08:37 | 0:08:39 | |
an amateur footballer lay on the ground, | 0:08:39 | 0:08:42 | |
who is remarkably calm, | 0:08:42 | 0:08:43 | |
considering his foot is pointing 90 degrees in the wrong direction. | 0:08:43 | 0:08:49 | |
How much pain out of ten? | 0:08:50 | 0:08:52 | |
If you could score it out of ten. A four. | 0:08:52 | 0:08:54 | |
Just get you on some gas and air for a minute. | 0:08:54 | 0:08:57 | |
Does it hurt at the moment? Maybe you've turned it a bit. No. | 0:09:00 | 0:09:03 | |
It's an horrific-looking injury, | 0:09:03 | 0:09:05 | |
which could distress any Junior Paramedic, yet Bryn is unfazed. | 0:09:05 | 0:09:10 | |
If you hold that to your mouth and just take some deep breaths in. | 0:09:10 | 0:09:13 | |
-Have you ever had this before, buddy? -No. -You haven't. | 0:09:16 | 0:09:19 | |
My gut feeling is that it is dislocated. | 0:09:25 | 0:09:27 | |
This doesn't look deformed in the fact that it's broken, and it looks | 0:09:27 | 0:09:31 | |
that your ankle's come out of place, so I'd say it's more dislocated. | 0:09:31 | 0:09:35 | |
The injury looks severe, | 0:09:35 | 0:09:36 | |
but Bryn and Charlotte still need to expose and examine the ankle, | 0:09:36 | 0:09:40 | |
to see the full extent of the damage. | 0:09:40 | 0:09:41 | |
Sorry, buddy, you are going to have to get some new shoes. | 0:09:41 | 0:09:44 | |
-Can you feel me touching your foot and everything? -Yeah, I can, yeah. | 0:09:44 | 0:09:48 | |
If the dislocated bone stretches the flesh too far, | 0:09:49 | 0:09:52 | |
the patient could get critical skin, | 0:09:52 | 0:09:55 | |
where blood vessels are strained so much | 0:09:55 | 0:09:57 | |
the blood supply to both the skin and the limb could get cut off. | 0:09:57 | 0:10:01 | |
The critical skin is minimal, | 0:10:11 | 0:10:13 | |
but the patient will now need urgent medical attention at hospital, | 0:10:13 | 0:10:17 | |
since extreme cases can lead to amputation. | 0:10:17 | 0:10:20 | |
Yeah, 534, can you give me a heads-up | 0:10:22 | 0:10:23 | |
when the crew are about five minutes away, | 0:10:23 | 0:10:25 | |
so I can get someone to come and meet them? | 0:10:25 | 0:10:27 | |
Yeah, no worries, thank you. | 0:10:34 | 0:10:36 | |
The ambulance being delayed is a huge blow. | 0:10:37 | 0:10:40 | |
Bryn and Charlotte must now do all they can to keep the patient stable | 0:10:40 | 0:10:44 | |
in the rapidly-falling temperatures. | 0:10:44 | 0:10:45 | |
-Are you freezing cold? -I'm getting pretty cold. -Yeah? | 0:10:45 | 0:10:49 | |
I'm going to pop this here, cos that'll keep you warm, | 0:10:49 | 0:10:51 | |
I know you look a bit silly, but it'll keep your head warm. | 0:10:51 | 0:10:55 | |
As everyone starts to struggle with the cold, Bryn starts to realise how | 0:10:57 | 0:11:01 | |
the most simple of tasks can become difficult with freezing fingers. | 0:11:01 | 0:11:05 | |
My hands were so cold, I just, I couldn't get packets open | 0:11:05 | 0:11:08 | |
and things like that, so I couldn't really... | 0:11:08 | 0:11:10 | |
I should have been a bit quicker | 0:11:10 | 0:11:12 | |
just getting that pain relief as soon as possible. | 0:11:12 | 0:11:14 | |
I'm going to give you some morphine now, all right, mate? | 0:11:14 | 0:11:17 | |
'It makes it more difficult when you have to do things, | 0:11:17 | 0:11:19 | |
'and it was kind of fiddly things, like Charlotte put a cannula in.' | 0:11:19 | 0:11:22 | |
'For her doing that, it's quite a fine procedure, | 0:11:22 | 0:11:24 | |
'and when your hands are freezing cold that must have been really difficult.' | 0:11:24 | 0:11:27 | |
Luckily, I don't have to do that yet! | 0:11:27 | 0:11:29 | |
You're quite a fit guy, so it'll probably heal quicker. | 0:11:29 | 0:11:32 | |
LAUGHTER | 0:11:32 | 0:11:34 | |
Oh, brilliant(!) | 0:11:34 | 0:11:36 | |
As Charlotte squirms with embarrassment... | 0:11:36 | 0:11:39 | |
Brilliant. CHARLOTTE LAUGHS | 0:11:39 | 0:11:41 | |
..the ambulance finally arrives, | 0:11:41 | 0:11:43 | |
and since time is of the essence, Bryn takes charge of the situation. | 0:11:43 | 0:11:47 | |
We've got 29-year-old Ivor, he's, uh... | 0:11:47 | 0:11:50 | |
Looks like a dislocation to his ankle, | 0:11:50 | 0:11:52 | |
it's quite obviously deformed. | 0:11:52 | 0:11:55 | |
It's his first handover, | 0:11:55 | 0:11:57 | |
but with the patient's condition deteriorating, | 0:11:57 | 0:11:59 | |
there's no time for nerves. | 0:11:59 | 0:12:01 | |
OK, we're going to lift on "lift." Ready, brace, lift. | 0:12:02 | 0:12:06 | |
Having experienced his first dramatic incident, | 0:12:23 | 0:12:25 | |
Bryn now feels ready for anything. | 0:12:25 | 0:12:28 | |
He just needed pain relief, that's why I was going... | 0:12:28 | 0:12:31 | |
I know, I was taking for ever. | 0:12:31 | 0:12:32 | |
We need to get him some... No, don't worry. | 0:12:32 | 0:12:34 | |
My hands were so cold, I was like that, I can't actually get this out! | 0:12:34 | 0:12:38 | |
I felt so sorry for this guy | 0:12:40 | 0:12:41 | |
cos all he was doing was just training for a match, probably, | 0:12:41 | 0:12:44 | |
but he dislocated his ankle and then later we found out | 0:12:44 | 0:12:48 | |
he'd actually broken his tibia and fibula. | 0:12:48 | 0:12:50 | |
I think this chap actually was quite lucky in the fact that, | 0:12:52 | 0:12:56 | |
when he had got seen, | 0:12:56 | 0:12:57 | |
he had managed to just about get there in time to save the skin, | 0:12:57 | 0:13:01 | |
so he wouldn't have had to have a skin graft, | 0:13:01 | 0:13:03 | |
but it is an emergency situation if somebody has this critical skin | 0:13:03 | 0:13:06 | |
where it has gone really, really white. | 0:13:06 | 0:13:09 | |
-I embarrassed myself with that bunch of lads, as well. -Why? | 0:13:09 | 0:13:12 | |
-Oh, when you called him fit. -I didn't mean it like that. | 0:13:12 | 0:13:16 | |
I was like, "Oh, no, I'm blushing now." | 0:13:16 | 0:13:18 | |
"You just called me fit. Brilliant, thank you." | 0:13:18 | 0:13:21 | |
It's so embarrassing, I didn't mean it like that. | 0:13:21 | 0:13:24 | |
Over at Gorse Hill Ambulance Station, another Junior Paramedic | 0:13:33 | 0:13:36 | |
starting a nightshift is 19-year-old Lucy Wright. | 0:13:36 | 0:13:39 | |
-Hello! -Hello, evening. All right? | 0:13:41 | 0:13:43 | |
-Yeah, you? -Yes, fine, thank you. | 0:13:43 | 0:13:45 | |
Like Bryn, Lucy's proven to have a solid understanding of both | 0:13:46 | 0:13:50 | |
medical procedure and the technical aspects of the job. | 0:13:50 | 0:13:53 | |
-Well done. -Brilliant. | 0:13:54 | 0:13:58 | |
However, Lucy has struggled to communicate with some patients, | 0:13:58 | 0:14:01 | |
often finding it difficult to reassure them | 0:14:01 | 0:14:03 | |
and make them feel at ease. | 0:14:03 | 0:14:05 | |
There we go. | 0:14:05 | 0:14:07 | |
But she knows that, if she can improve her bedside manner, | 0:14:12 | 0:14:15 | |
she'll be on course to become a success. | 0:14:15 | 0:14:18 | |
A lot of my friends were shocked when I said I was | 0:14:20 | 0:14:22 | |
going to be a paramedic, they thought I was a bit crazy. | 0:14:22 | 0:14:25 | |
"Why the hell would you want to do this for a living?" | 0:14:25 | 0:14:27 | |
My dad was quite poorly a while ago. | 0:14:30 | 0:14:32 | |
That was when I decided to get involved | 0:14:32 | 0:14:34 | |
with the care and stuff like that, | 0:14:34 | 0:14:35 | |
and it really made me want to, like, chase what I wanted to do. | 0:14:35 | 0:14:39 | |
I would describe myself as a geek, definitely. | 0:14:44 | 0:14:47 | |
Going out for me is not a big thing. | 0:14:47 | 0:14:49 | |
I really like gaming, so... Playing games like zombie games. | 0:14:49 | 0:14:53 | |
-I haven't been out with you yet. -Yeah, we have. -No, we haven't. | 0:14:53 | 0:14:57 | |
-You were begging me to get drunk. -You weren't drunk, you stayed here. | 0:14:57 | 0:15:00 | |
The thing that I'm most dreading is having the awkwardness | 0:15:05 | 0:15:08 | |
of talking to a patient when I'm not really prepared to, | 0:15:08 | 0:15:11 | |
so I won't know what questions to ask and how sensitive to be. | 0:15:11 | 0:15:14 | |
I need to actually talk to patients more, which is | 0:15:14 | 0:15:17 | |
the thing I'm most dreading. | 0:15:17 | 0:15:18 | |
Certain things come natural and certain things don't. | 0:15:18 | 0:15:21 | |
'Ambulance, tell me exactly what's happened.' | 0:15:28 | 0:15:30 | |
'Hello, calling from LeicesterCare Lifeline, | 0:15:30 | 0:15:32 | |
'got a 67-year-old female with breathing difficulties.' | 0:15:32 | 0:15:36 | |
SIREN WAILS | 0:15:36 | 0:15:38 | |
On shift in Leicester, mentor Natalie is keen to see Lucy progress | 0:15:40 | 0:15:44 | |
if she's going to pass her placement, | 0:15:44 | 0:15:46 | |
so the time has come to push her harder. | 0:15:46 | 0:15:49 | |
We'll let you lead this one. See how you go. | 0:15:49 | 0:15:52 | |
Remember your questioning, A-B-Cs. | 0:15:54 | 0:15:56 | |
Natalie wants Lucy to deal with the patient directly, | 0:15:57 | 0:16:00 | |
ascertain her medical history, and assess her condition. | 0:16:00 | 0:16:03 | |
Hello? Hello, I'm Lucy, I'm a student paramedic. How are we feeling today? | 0:16:06 | 0:16:11 | |
However, once inside, they find the patient is gasping for air. | 0:16:13 | 0:16:17 | |
We're going to have a listen to your chest. | 0:16:17 | 0:16:19 | |
-Have you got asthma? -COPD! -COPD, right, OK. | 0:16:21 | 0:16:26 | |
Since the patient is in such a distressed state, | 0:16:26 | 0:16:29 | |
Natalie has no choice but to step in and take control. | 0:16:29 | 0:16:33 | |
Have you had a nebuliser before? Yeah. | 0:16:33 | 0:16:37 | |
PATIENT SPLUTTERS | 0:16:37 | 0:16:38 | |
Shall I put this on you? | 0:16:38 | 0:16:40 | |
The patient's breathing problems are | 0:16:45 | 0:16:47 | |
a symptom of chronic obstructive pulmonary disease - or COPD, | 0:16:47 | 0:16:51 | |
which is often caused by lung damage as a result of excessive smoking. | 0:16:51 | 0:16:55 | |
No, don't worry, you don't have to talk. | 0:16:57 | 0:16:59 | |
-You just concentrate on your breathing. -It's 39. -39. -Yeah. | 0:16:59 | 0:17:03 | |
Right, Ann, we're going to be really mean, | 0:17:05 | 0:17:07 | |
cos you've got a really, really high temperature. | 0:17:07 | 0:17:10 | |
So I'm going to take this off, and just put your dressing gown on. | 0:17:10 | 0:17:15 | |
I know you're really cold, | 0:17:15 | 0:17:16 | |
but it's because you've got a really high temperature. | 0:17:16 | 0:17:20 | |
Whilst Natalie goes off to chat with the patient's husband... | 0:17:20 | 0:17:23 | |
So, these are all the ones that she takes? | 0:17:23 | 0:17:25 | |
That's the ones she starts the day with, yeah. | 0:17:25 | 0:17:27 | |
..Lucy begins to carry out general observations... | 0:17:27 | 0:17:30 | |
Try not to move them too much, you don't need to move too much. | 0:17:30 | 0:17:33 | |
..a series of tests monitoring blood pressure, | 0:17:33 | 0:17:36 | |
blood sugar level and pulse. | 0:17:36 | 0:17:37 | |
It's also Lucy's job to keep the patient calm and reassured | 0:17:43 | 0:17:47 | |
at all times. | 0:17:47 | 0:17:49 | |
But shyness has got the better of her. | 0:17:51 | 0:17:53 | |
As another ambulance arrives to take the patient to hospital, | 0:17:58 | 0:18:01 | |
Lucy has a chance to earn some brownie points, | 0:18:01 | 0:18:04 | |
if she can successfully perform a case handover to the new crew. | 0:18:04 | 0:18:08 | |
Do you want to tell Shab what's been going on, Luce? | 0:18:08 | 0:18:12 | |
Er, this is Ann, she's got COPD. | 0:18:12 | 0:18:14 | |
Erm, she's just struggling to breathe at the minute, | 0:18:14 | 0:18:17 | |
we've given her Salbutamol. | 0:18:17 | 0:18:19 | |
Erm... | 0:18:19 | 0:18:21 | |
Basically, she was feeling unwell earlier. | 0:18:21 | 0:18:24 | |
Erm, her husband wanted to ring her in... | 0:18:24 | 0:18:26 | |
Remembering every detail of a patient's medical history is tough, | 0:18:26 | 0:18:30 | |
so despite her best efforts, | 0:18:30 | 0:18:31 | |
Natalie has stepped in to help Lucy complete the handover. | 0:18:31 | 0:18:35 | |
-That's it, throw me your legs round. -That's it, well done, Ann. | 0:18:35 | 0:18:40 | |
I know, you're all puffed out, aren't you? | 0:18:40 | 0:18:42 | |
As the patient is taken to the waiting ambulance, | 0:18:44 | 0:18:46 | |
Natalie takes the time to reassure her worried husband. | 0:18:46 | 0:18:50 | |
She's going to be fine, it's just taken hold of her a little bit, | 0:18:51 | 0:18:55 | |
-so we've obviously got the nebuliser going... -Yeah. | 0:18:55 | 0:18:58 | |
..and that's helping her a little bit, she's calmed down a little bit. | 0:18:58 | 0:19:02 | |
For Lucy, it's the perfect demonstration | 0:19:02 | 0:19:04 | |
of good bedside manner. | 0:19:04 | 0:19:06 | |
We're going to get her on the ambulance and I'll come back | 0:19:06 | 0:19:08 | |
and let you know what hospital we're going to. | 0:19:08 | 0:19:10 | |
-Are you going to be all right? -Yeah. -All right. Just grab the stuff. | 0:19:10 | 0:19:13 | |
Back in the fast-response vehicle, | 0:19:16 | 0:19:18 | |
Lucy's mentor gives her some feedback. | 0:19:18 | 0:19:21 | |
You need a lot of pushing to approach the patient. | 0:19:21 | 0:19:24 | |
You said at the very start of this placement that you do | 0:19:24 | 0:19:26 | |
struggle to speak to people, or some people. | 0:19:26 | 0:19:29 | |
That is evident, because obviously | 0:19:29 | 0:19:31 | |
one of the biggest things about this job is communication, | 0:19:31 | 0:19:35 | |
and it doesn't have to be on a clinical basis. | 0:19:35 | 0:19:38 | |
I'm just scared of offending people, mainly. Cos I'm so young, | 0:19:38 | 0:19:41 | |
especially, like, elderly, I don't want to say anything wrong, | 0:19:41 | 0:19:44 | |
and I just don't know how to chat as such, but I hope I'll get used to it. | 0:19:44 | 0:19:49 | |
It is only small talk. | 0:19:49 | 0:19:50 | |
Erm, it's not important when it comes to your university, | 0:19:50 | 0:19:55 | |
you know, doing your exams, doing your practical examinations, | 0:19:55 | 0:20:00 | |
things like that. | 0:20:00 | 0:20:01 | |
It's something that you need to master when you become a paramedic. | 0:20:01 | 0:20:05 | |
Although Lucy needs to concentrate on building her confidence, | 0:20:13 | 0:20:17 | |
she's not the only Junior Paramedic feeling out of their depth. | 0:20:17 | 0:20:21 | |
I'm going to pop this on your finger, is that all right? | 0:20:22 | 0:20:24 | |
In the first week, every little call that I got made my heart stop. | 0:20:24 | 0:20:27 | |
I was like, "What's happened?" | 0:20:27 | 0:20:29 | |
I'm doing the whole handover here. | 0:20:29 | 0:20:30 | |
There are times when they're like, | 0:20:30 | 0:20:32 | |
"Oh, do you want to do this handover in A & E?" And I'm like, "No way." | 0:20:32 | 0:20:35 | |
Because inside I'm just thinking, "I can't do that." | 0:20:35 | 0:20:38 | |
No, no, OK, just try to breathe normal. | 0:20:39 | 0:20:42 | |
I've learned, if a patient sees a panic on your face, | 0:20:42 | 0:20:45 | |
that must mean that it's gone really bad, and it's time for them | 0:20:45 | 0:20:48 | |
to be panicked, which isn't going to help them. | 0:20:48 | 0:20:50 | |
-Hello. -Hello! My name's Amy and this is Shay. How can we help you today? | 0:20:50 | 0:20:55 | |
'Both my mentors now have started | 0:20:55 | 0:20:57 | |
'to let us take a bit of history from the patient.' | 0:20:57 | 0:20:59 | |
Is that all right to do some observations on you? | 0:20:59 | 0:21:01 | |
But I definitely wouldn't want to be in that situation on my own yet. | 0:21:01 | 0:21:04 | |
You've got to be able to hack it. | 0:21:06 | 0:21:08 | |
It's not just dealing with the patients, it's doing the long hours, | 0:21:08 | 0:21:11 | |
going into hospitals, doing the handovers, | 0:21:11 | 0:21:13 | |
and I think you need to be confident in everything. | 0:21:13 | 0:21:15 | |
Just push through it, really. Just man up. | 0:21:15 | 0:21:18 | |
Eat a Snickers. Drink some Red Bull. | 0:21:18 | 0:21:21 | |
-Oh, it's hurting again! -You can lean on me, that's all right. | 0:21:21 | 0:21:25 | |
That's all right. | 0:21:25 | 0:21:26 | |
Confidence is key, and that's something Junior Paramedic Ashley | 0:21:26 | 0:21:30 | |
has never been short of. | 0:21:30 | 0:21:32 | |
And having previously worked in the Ambulance Service as a coordinator, | 0:21:32 | 0:21:36 | |
she has an idea of what the job entails. | 0:21:36 | 0:21:39 | |
My name's Ashley, I'm 27 years old. | 0:21:41 | 0:21:44 | |
I think I am really caring, erm, | 0:21:44 | 0:21:46 | |
but I am really ambitious and very competitive. | 0:21:46 | 0:21:49 | |
Hello, can you hear me? Can you open your eyes? | 0:21:51 | 0:21:53 | |
Yeah, there's a response, now I'm just going to listen for heartbeats. | 0:21:53 | 0:21:57 | |
I have a boyfriend, his name is Jamie, and he is a paramedic. | 0:21:57 | 0:22:01 | |
Do you think you could work with me? | 0:22:01 | 0:22:03 | |
-I don't think so. -I don't think I could ever work with you, | 0:22:03 | 0:22:06 | |
because I think we're really similar characters, and I think I would | 0:22:06 | 0:22:10 | |
think I was right, and you would insist that you were right. | 0:22:10 | 0:22:14 | |
-OK, I'm going to go now. -OK, darling. | 0:22:14 | 0:22:17 | |
The relationship with my grandparents is great. | 0:22:17 | 0:22:20 | |
I've always been really close with them. | 0:22:20 | 0:22:22 | |
I've grown up with them, and actually, | 0:22:22 | 0:22:24 | |
before coming to university, I've probably seen them every single day. | 0:22:24 | 0:22:28 | |
-Bye! -All her life, she's always had loads of energy, hasn't she? | 0:22:28 | 0:22:33 | |
She's always full of enthusiasm. | 0:22:33 | 0:22:36 | |
-Nothing really fazes her, does it? -No. | 0:22:36 | 0:22:38 | |
I think doing my previous job | 0:22:40 | 0:22:42 | |
and having friends and my partner in the industry, it definitely helps. | 0:22:42 | 0:22:47 | |
Would you have any advice for me for my first placement? | 0:22:47 | 0:22:50 | |
First placement? | 0:22:50 | 0:22:53 | |
Hmm, make sure you make a good cup of tea. | 0:22:53 | 0:22:56 | |
'I am highly driven, | 0:22:57 | 0:22:59 | |
'and I want to achieve something' | 0:22:59 | 0:23:01 | |
that I'm proud of, that isn't easy, | 0:23:01 | 0:23:03 | |
that is going to challenge me daily, that's going to have highs and lows. | 0:23:03 | 0:23:07 | |
I want to do something that means something | 0:23:07 | 0:23:09 | |
and I want to make a difference. | 0:23:09 | 0:23:11 | |
Since starting her placement in Northampton, Ashley's been eager | 0:23:22 | 0:23:26 | |
to roll up her sleeves, don the rubber gloves, | 0:23:26 | 0:23:28 | |
and get involved on every call. | 0:23:28 | 0:23:30 | |
THEY CHAT | 0:23:33 | 0:23:35 | |
So I need to change the green, cos that's compromised. | 0:23:36 | 0:23:39 | |
Good girl, well spotted. On the ball this morning. | 0:23:39 | 0:23:42 | |
Hello, it's the police. | 0:23:45 | 0:23:47 | |
But Ashley and her fellow Junior Paramedics have been shocked | 0:23:48 | 0:23:51 | |
by the level of social deprivation they've encountered | 0:23:51 | 0:23:54 | |
in the first days of their placement. | 0:23:54 | 0:23:56 | |
Why can't I just put them in order? | 0:23:58 | 0:23:59 | |
Many of their patients face day-to-day hardships | 0:23:59 | 0:24:02 | |
such as poverty, poor living conditions, | 0:24:02 | 0:24:05 | |
or ill health through substance addiction. | 0:24:05 | 0:24:08 | |
If Ashley is to succeed as a paramedic, | 0:24:12 | 0:24:14 | |
dealing with social deprivation | 0:24:14 | 0:24:16 | |
and learning to cope with such vulnerable patients is essential. | 0:24:16 | 0:24:20 | |
It's 1:30am, and Ashley and mentor Simon's next patient | 0:24:34 | 0:24:39 | |
is taking shelter in a local kebab shop. | 0:24:39 | 0:24:42 | |
-Hello, mate. Have a sit down, me old buddy. -Thank you, thank you. | 0:24:49 | 0:24:54 | |
-How you doing? -Not too good. -Not too good. | 0:24:54 | 0:24:57 | |
-I met you the other night, didn't I? -You did. | 0:24:57 | 0:25:00 | |
It's a homeless man known to many of the paramedics in Northampton. | 0:25:00 | 0:25:04 | |
So, what have we been called for tonight? | 0:25:04 | 0:25:07 | |
Right, how long's it been like this for? | 0:25:07 | 0:25:11 | |
A couple of days. | 0:25:12 | 0:25:13 | |
OK, did you see... Have you seen your doctor? | 0:25:15 | 0:25:17 | |
The patient's complaining of difficulty in breathing, | 0:25:19 | 0:25:21 | |
but when you talk to him, he's just so cold, he's so cold, | 0:25:21 | 0:25:24 | |
he doesn't know what to do, he has nowhere to go, | 0:25:24 | 0:25:26 | |
and he's just really hungry. | 0:25:26 | 0:25:28 | |
-Have you had any drink, any alcohol? -No. -No? | 0:25:28 | 0:25:31 | |
All right, buddy. | 0:25:31 | 0:25:33 | |
What are we going to do with you tonight, then? | 0:25:33 | 0:25:36 | |
A bit cold out there, innit? | 0:25:36 | 0:25:38 | |
I think really he just needs somewhere for the night, | 0:25:41 | 0:25:44 | |
and we have a duty of care, we can't just leave a vulnerable person | 0:25:44 | 0:25:47 | |
who's complaining of not feeling good. | 0:25:47 | 0:25:50 | |
Do you mind if I just check your pulse? | 0:25:50 | 0:25:52 | |
Just need to touch your wrist if that's OK. | 0:25:52 | 0:25:54 | |
Thank you, my love. | 0:25:56 | 0:25:57 | |
Although his situation is upsetting, | 0:25:57 | 0:26:00 | |
Ashley and Simon can only take a patient to hospital | 0:26:00 | 0:26:03 | |
if they are actually ill. | 0:26:03 | 0:26:04 | |
He's probably fought for his country | 0:26:06 | 0:26:08 | |
and he ends up sleeping on the streets. | 0:26:08 | 0:26:10 | |
Just another side, how people do live, | 0:26:10 | 0:26:12 | |
is quite heartbreaking to see sometimes. | 0:26:12 | 0:26:15 | |
-Have you had anything to eat today? -No. -No? Are you hungry or thirsty? | 0:26:16 | 0:26:22 | |
-I am very hungry. -You're very hungry. -Yeah. | 0:26:22 | 0:26:26 | |
'This placement is an eye-opener for me, | 0:26:26 | 0:26:28 | |
'although I think I have got some good life experience.' | 0:26:28 | 0:26:32 | |
It's kind of been really shocking. | 0:26:32 | 0:26:34 | |
And it's kind of been more some of the social issues, | 0:26:34 | 0:26:37 | |
such as people who don't have any family, any friends, | 0:26:37 | 0:26:39 | |
any home, anything. | 0:26:39 | 0:26:42 | |
That's kind of hit home a little bit more. | 0:26:42 | 0:26:45 | |
Do you want a tissue? I'll get you a tissue if you like. | 0:26:45 | 0:26:49 | |
Ashley and Simon's examination | 0:26:52 | 0:26:54 | |
reveals the patient has developed a respiratory infection. | 0:26:54 | 0:26:58 | |
Since he has a genuine complaint, | 0:26:58 | 0:26:59 | |
he will spend the night in hospital after all. | 0:26:59 | 0:27:02 | |
There's a step. Yeah. | 0:27:08 | 0:27:10 | |
Don't you worry. | 0:27:13 | 0:27:14 | |
'They don't have anything and they probably never will. | 0:27:21 | 0:27:23 | |
'And there's just... There's nothing to support them. | 0:27:23 | 0:27:26 | |
'And that's a really sad prospect.' | 0:27:29 | 0:27:31 | |
Ashley's already learning that there's more to being a paramedic | 0:27:37 | 0:27:40 | |
than just tending to the sick and the injured. | 0:27:40 | 0:27:43 | |
It involves acting as a medic, a social worker and, | 0:27:43 | 0:27:46 | |
most importantly, a Good Samaritan. | 0:27:46 | 0:27:48 | |
It makes you realise how lucky you are, I suppose. | 0:27:52 | 0:27:55 | |
It's just sad that he doesn't have anyone, as well. | 0:27:55 | 0:27:58 | |
Let's see if you've remembered anything. What is this? | 0:28:12 | 0:28:16 | |
Oh, I can't say it. | 0:28:16 | 0:28:18 | |
The University of Northampton's Paramedic Science course | 0:28:18 | 0:28:22 | |
is incredibly tough to get on, and no-one is more aware of this | 0:28:22 | 0:28:25 | |
than 25-year-old Vicki. | 0:28:25 | 0:28:28 | |
She's desperate to become a paramedic, | 0:28:28 | 0:28:31 | |
but she failed to get on the course four times | 0:28:31 | 0:28:34 | |
before finally being accepted this year. | 0:28:34 | 0:28:36 | |
It's massively important to me. | 0:28:38 | 0:28:40 | |
I've never stopped trying to develop myself for it and be ready for it. | 0:28:40 | 0:28:44 | |
Finally this year, I managed to get my place at Northampton. | 0:28:44 | 0:28:47 | |
What's the problem? What have you called for? | 0:28:49 | 0:28:51 | |
Since starting her placement, Vicki has found the reality of the job | 0:28:51 | 0:28:54 | |
to be far more demanding than expected, | 0:28:54 | 0:28:57 | |
and at times has struggled to absorb essential information | 0:28:57 | 0:29:01 | |
provided by patients. | 0:29:01 | 0:29:02 | |
Should that fill up with blood? What should that fill up with? | 0:29:02 | 0:29:06 | |
-Faeces. -Right, OK. | 0:29:06 | 0:29:08 | |
It's taken me a while to sink things in. | 0:29:08 | 0:29:11 | |
I know it's only my first shift, | 0:29:11 | 0:29:12 | |
but I don't want to just stand there and do nothing. | 0:29:12 | 0:29:15 | |
She's bonded well with her mentor George, | 0:29:15 | 0:29:18 | |
but Vicki is her own biggest critic, | 0:29:18 | 0:29:20 | |
piling the pressure on herself to make the grade on placement. | 0:29:20 | 0:29:25 | |
This is all the drugs. I'll test you now, | 0:29:25 | 0:29:27 | |
-see if you can remember where everything is. -Oh, God! | 0:29:27 | 0:29:31 | |
SIREN WAILS | 0:29:31 | 0:29:33 | |
There you are. You've now got to go up the stairs with that. | 0:29:38 | 0:29:41 | |
Today Vicki and George are one of the teams | 0:29:41 | 0:29:43 | |
covering the Leicester area, | 0:29:43 | 0:29:45 | |
where they've been called to help a man | 0:29:45 | 0:29:46 | |
who seems to have fallen in his flat. | 0:29:46 | 0:29:48 | |
But when they arrive, getting access to treat the patient | 0:29:50 | 0:29:53 | |
is far from straightforward. | 0:29:53 | 0:29:55 | |
-Is he up again? Did they say...? -Have you got a key to his house? -No. | 0:29:55 | 0:29:59 | |
Has anybody? | 0:29:59 | 0:30:00 | |
-Just a minute. -He has. Have they? -Oh, here he is. -Oh, brilliant.. | 0:30:00 | 0:30:05 | |
-Hello. -Have you got the key? | 0:30:05 | 0:30:07 | |
Do you have the key? The key? | 0:30:10 | 0:30:13 | |
-No. -No? -I show you the key. -Oh, can you let us in? -Yeah. | 0:30:13 | 0:30:16 | |
-Ambulance. -All right. -Out of breath. | 0:30:16 | 0:30:20 | |
Having no idea what condition the patient is in, | 0:30:20 | 0:30:22 | |
time is of the essence. | 0:30:22 | 0:30:24 | |
But getting the front door opened is proving to be a frustrating task. | 0:30:24 | 0:30:28 | |
Have you found it? Are you looking for it? | 0:30:28 | 0:30:31 | |
-Can't find it. -He can't find it. | 0:30:31 | 0:30:34 | |
Have you got your key in there? Can you pass it to me? | 0:30:34 | 0:30:37 | |
Oh, that's not it. | 0:30:39 | 0:30:40 | |
-He's here on the floor. -Behind the door? -Yeah, well, he's trying... | 0:30:40 | 0:30:44 | |
He's making his way to try and pass me the key. | 0:30:44 | 0:30:46 | |
Just take your time. There's no rush. | 0:30:46 | 0:30:49 | |
-Is he crawling? -He's scooting on his bum. -Aw, that's all right. | 0:30:49 | 0:30:53 | |
We'll probably get the keys at the same time. | 0:30:53 | 0:30:55 | |
Have you got it? Thank you. | 0:30:55 | 0:30:56 | |
-Have you got it? -Yeah. | 0:30:56 | 0:30:58 | |
Are you going to scoot back, so I don't open the door on you? | 0:30:58 | 0:31:01 | |
-Just pass it through the letter box. -Take your time. | 0:31:01 | 0:31:04 | |
I've got it. Thank you. | 0:31:04 | 0:31:06 | |
Hello. | 0:31:08 | 0:31:09 | |
-I can't get up. -It's OK. No worries. That's what we're here for. It's OK. | 0:31:09 | 0:31:14 | |
Since Vicki's already spoken to the patient, she continues to | 0:31:14 | 0:31:18 | |
take the lead, hoping to prove to George that she's up to the job. | 0:31:18 | 0:31:21 | |
-Are you hurt anywhere? -Hit? -Hurt. Are you sore? Aching? | 0:31:21 | 0:31:26 | |
Yeah. | 0:31:26 | 0:31:28 | |
Grab my elbow. There we go. | 0:31:28 | 0:31:30 | |
-That's OK. -Are you up? -OK. | 0:31:34 | 0:31:36 | |
-There you go. -That's OK. -Give us your hand. | 0:31:36 | 0:31:40 | |
There you go. | 0:31:41 | 0:31:42 | |
Just when everything seems to be under control, the situation | 0:31:42 | 0:31:45 | |
takes a sudden turn for the worse. | 0:31:45 | 0:31:47 | |
What happened then? | 0:31:47 | 0:31:48 | |
MAN GROANS | 0:31:48 | 0:31:50 | |
We're with you. We're with you. | 0:31:55 | 0:31:58 | |
The patient is having a seizure and although drugs can be | 0:31:59 | 0:32:02 | |
administered to ease the severity, it's often best | 0:32:02 | 0:32:05 | |
to make sufferers comfortable and reassure them until it's over. | 0:32:05 | 0:32:09 | |
We're with you. Ambulance is here with you. | 0:32:09 | 0:32:12 | |
Crew required, please. You come round here. | 0:32:15 | 0:32:17 | |
I'll go round there. He's stopped fitting now. | 0:32:17 | 0:32:20 | |
-But he's not come round any. -'It's a little bit surreal, | 0:32:20 | 0:32:24 | |
'cos he literally was talking to us and then he just went | 0:32:24 | 0:32:28 | |
'and I just talked to him cos I know that they can panic' | 0:32:28 | 0:32:30 | |
when they come out of it and they are confused. | 0:32:30 | 0:32:33 | |
So I just thought talking to him might give him a bit of reassurance. | 0:32:33 | 0:32:37 | |
Relax, it's OK, we're the ambulance. | 0:32:37 | 0:32:39 | |
Although he's mid-seizure, | 0:32:39 | 0:32:41 | |
Vicki and George still have procedures to follow | 0:32:41 | 0:32:43 | |
and take all the patient's observations | 0:32:43 | 0:32:46 | |
before the ambulance arrives. | 0:32:46 | 0:32:48 | |
-Relax. It's OK. It's OK. -Hello. Hello. -It's OK. -All right. All right. | 0:32:48 | 0:32:52 | |
Ambulance. | 0:32:52 | 0:32:53 | |
Hello. Hello. | 0:32:53 | 0:32:56 | |
We're here to help you. Leave it in. Leave it in. | 0:32:56 | 0:32:59 | |
-Take the nasal thing out, or...? -Yeah, probably just... He'll be all right. | 0:32:59 | 0:33:03 | |
He's not fitting, so we can take it out. Take it out. That's it. | 0:33:03 | 0:33:08 | |
-He's coming round. -Just relax. Just relax. | 0:33:08 | 0:33:11 | |
At this stage, it's impossible to diagnose the reason for the seizure | 0:33:11 | 0:33:15 | |
since the symptoms could be indicative | 0:33:15 | 0:33:17 | |
of anything from epilepsy to a stroke. | 0:33:17 | 0:33:20 | |
20 minutes after collapsing, the patient already seems to be | 0:33:24 | 0:33:27 | |
regaining full awareness. | 0:33:27 | 0:33:29 | |
Minute by minute, Vicki's confidence also seems to growing. | 0:33:29 | 0:33:34 | |
Just stay there for now. Just relax there. OK. | 0:33:34 | 0:33:38 | |
-Hello. -Are you all right? -I'm all right, thank you. | 0:33:38 | 0:33:42 | |
The second paramedic team arrive to take over | 0:33:42 | 0:33:45 | |
and transport the patient to hospital, | 0:33:45 | 0:33:47 | |
leaving Vicki and George to reflect on | 0:33:47 | 0:33:50 | |
a job well done. | 0:33:50 | 0:33:51 | |
Vicki handled herself really well. | 0:33:51 | 0:33:53 | |
I did say, "Oh, he's fitting," but the dynamics changed | 0:33:53 | 0:33:55 | |
and she just went into, "Right, let's get on with it. | 0:33:55 | 0:33:58 | |
"Let's deal with it." That's what you need as a paramedic. | 0:33:58 | 0:34:00 | |
Things change all the time and you need to make plans, | 0:34:00 | 0:34:03 | |
new directions and think about what you're doing. | 0:34:03 | 0:34:06 | |
No rush. Take your time. | 0:34:06 | 0:34:08 | |
By using her initiative and getting us into the flat quicker, | 0:34:08 | 0:34:11 | |
it was really important | 0:34:11 | 0:34:12 | |
because that was the difference of us being with the patient | 0:34:12 | 0:34:15 | |
and managing his seizure, and managing his airway, | 0:34:15 | 0:34:18 | |
to him doing that without us | 0:34:18 | 0:34:19 | |
and, potentially, could have had life-changing effects for him. | 0:34:19 | 0:34:23 | |
Despite continuously putting herself under pressure to do better, | 0:34:23 | 0:34:27 | |
Vicki's starting to feel like she's making some real progress. | 0:34:27 | 0:34:31 | |
The more you go out, the more confident you get. | 0:34:31 | 0:34:33 | |
I definitely feel from day one of placement that I've grown | 0:34:33 | 0:34:36 | |
and developed, particularly confidence-wise, I've come on. | 0:34:36 | 0:34:41 | |
But there's a hell of a long way to go | 0:34:41 | 0:34:43 | |
and, particularly, not having a backup behind you of a mentor | 0:34:43 | 0:34:46 | |
is a scary thought. | 0:34:46 | 0:34:48 | |
SIREN WAILS | 0:34:48 | 0:34:51 | |
It's inevitable that every paramedic will face moments | 0:34:56 | 0:34:59 | |
where they question whether they're really cut out for the job. | 0:34:59 | 0:35:02 | |
After being shocked by the amount of social-deprivation cases | 0:35:05 | 0:35:08 | |
and the long working hours, Ashley is already wondering | 0:35:08 | 0:35:11 | |
if she was right to chase a new career. | 0:35:11 | 0:35:14 | |
Why am I doing this? | 0:35:14 | 0:35:17 | |
Why am I out in the cold at two o'clock in the morning? | 0:35:17 | 0:35:20 | |
This is potentially my life. | 0:35:20 | 0:35:22 | |
So she's off to see her nan, | 0:35:24 | 0:35:26 | |
a former ward clerk in a hospital emergency unit, | 0:35:26 | 0:35:29 | |
to ask for some advice. | 0:35:29 | 0:35:30 | |
-Hi, Nan. -Hello. -How are you? -I'm fine. Lovely to see you. | 0:35:32 | 0:35:38 | |
-Yes. -Lovely to see you. | 0:35:38 | 0:35:39 | |
-How long are you here for? -Oh, not too long. -Yeah? | 0:35:39 | 0:35:42 | |
So, how have your first few shifts been? | 0:35:43 | 0:35:46 | |
Are you getting really into it? Are you enjoying it? | 0:35:46 | 0:35:49 | |
It's been really good, | 0:35:49 | 0:35:50 | |
but I wobbled a lot sooner than expected. | 0:35:50 | 0:35:54 | |
With the big jobs I've been OK. | 0:35:54 | 0:35:57 | |
It's some of the other things that you think, "Oh," | 0:35:57 | 0:36:00 | |
-cos it's sad to see how people live. -Mm. | 0:36:00 | 0:36:02 | |
It's a very emotional job at times. | 0:36:02 | 0:36:04 | |
You will see awful things, but you're there to help. | 0:36:04 | 0:36:10 | |
Because without you, what would they have done? | 0:36:10 | 0:36:13 | |
I did go to one job. It was a patient with no home. | 0:36:13 | 0:36:17 | |
They were clearly homeless. And I found that it really got to me. | 0:36:17 | 0:36:20 | |
You're there to help and you think, | 0:36:20 | 0:36:22 | |
"I don't know how to help you. I don't know what I can do." | 0:36:22 | 0:36:24 | |
Because they're still suffering, | 0:36:24 | 0:36:27 | |
whereas a dead person is now at peace. | 0:36:27 | 0:36:31 | |
The person that you'd seen, who was cold and had nowhere, | 0:36:31 | 0:36:34 | |
he still had to go on that night. | 0:36:34 | 0:36:37 | |
There are lots of people | 0:36:37 | 0:36:39 | |
who I think lead really, really good lives | 0:36:39 | 0:36:41 | |
and people have real bad fortune. | 0:36:41 | 0:36:43 | |
When it's a social issue, it makes it much more complicated. | 0:36:43 | 0:36:47 | |
You have to think about all sorts of other dynamics. | 0:36:47 | 0:36:49 | |
What's the standard of living, you know? | 0:36:49 | 0:36:51 | |
Are you observing anything that's concerning, you know? | 0:36:51 | 0:36:54 | |
There's just all these other things. It's not straightforward. | 0:36:54 | 0:36:57 | |
It's compassion for people like that, and you have to keep that. | 0:36:57 | 0:37:02 | |
The more you get involved in your job, | 0:37:02 | 0:37:04 | |
the more you'll love it. You'll just come home and think, "Wow! | 0:37:04 | 0:37:09 | |
"that was a great job I've done today. | 0:37:09 | 0:37:12 | |
"I've helped somebody who needed my help." | 0:37:12 | 0:37:15 | |
Her nan might have offered some encouraging advice, | 0:37:15 | 0:37:19 | |
but will it be enough to lay Ashley's doubts to rest? | 0:37:19 | 0:37:23 | |
SIREN WAILS | 0:37:25 | 0:37:27 | |
-Hello. -Evening. Are you all right? -Yes, fine, thank you. | 0:37:29 | 0:37:33 | |
As Lucy starts her night shift in Leicester, | 0:37:33 | 0:37:36 | |
a call comes in to control. | 0:37:36 | 0:37:37 | |
SIREN WAILS | 0:37:47 | 0:37:49 | |
Lucy, mentor Natalie, and paramedic Naomi | 0:37:49 | 0:37:52 | |
are immediately dispatched to the scene. | 0:37:52 | 0:37:54 | |
We're going to a 28-year-old male. | 0:37:56 | 0:37:58 | |
It's come through as a male on the floor not responding. | 0:37:58 | 0:38:01 | |
-The patient is on the pavement. Querying maybe drink. -Right. OK. | 0:38:01 | 0:38:05 | |
So this is going to be our first drunk young person, so... | 0:38:05 | 0:38:10 | |
Drunken patients can often be a struggle to deal with, | 0:38:10 | 0:38:13 | |
particularly when you're a 19-year-old junior | 0:38:13 | 0:38:16 | |
who's new to the job. | 0:38:16 | 0:38:17 | |
Some people can be so drunk that no matter what you do, | 0:38:17 | 0:38:20 | |
they just don't come round. | 0:38:20 | 0:38:22 | |
And it's strange because it is literally just drink-related. | 0:38:22 | 0:38:26 | |
A lot of them are absolutely fine, | 0:38:26 | 0:38:27 | |
but some people don't really want you to help. | 0:38:27 | 0:38:30 | |
They're very unpredictable. So we still have to be mindful. | 0:38:30 | 0:38:33 | |
Lucy's been making a more concerted effort to interact with her patients | 0:38:35 | 0:38:39 | |
but now she'll need to toughen up, take control | 0:38:39 | 0:38:42 | |
and be prepared for anything. | 0:38:42 | 0:38:43 | |
Oh, he's up. He's looking quite good for being unconscious. He's there. | 0:38:43 | 0:38:47 | |
-Is it this gent? -This gentleman, yeah. | 0:38:52 | 0:38:53 | |
Medical conditions such as epilepsy or diabetes | 0:38:53 | 0:38:57 | |
can display symptoms that suggest a sufferer is drunk. | 0:38:57 | 0:39:00 | |
Shall we get you on the ambulance then? | 0:39:00 | 0:39:02 | |
So Lucy and Natalie can't make any assumptions | 0:39:02 | 0:39:04 | |
about the patient's state until they examine him. | 0:39:04 | 0:39:07 | |
Wait for us to get the ramp down. | 0:39:07 | 0:39:09 | |
Whoa, whoa, whoa. Wait a second. | 0:39:10 | 0:39:12 | |
HE MUMBLES | 0:39:12 | 0:39:14 | |
Yeah, well, you'll fall over, won't you? | 0:39:14 | 0:39:16 | |
Right, up on there. Take a seat on the seat for us. | 0:39:16 | 0:39:18 | |
What's happened? | 0:39:18 | 0:39:20 | |
You've had an epileptic fit? | 0:39:23 | 0:39:25 | |
And you got scared. | 0:39:26 | 0:39:27 | |
Oh, the guy got scared. | 0:39:29 | 0:39:30 | |
You've got a sore head. Shall we have a look at it? | 0:39:32 | 0:39:34 | |
Do you want to take his hat off and have a look? | 0:39:34 | 0:39:36 | |
-MAN: -It's nothing to do with it. | 0:39:36 | 0:39:38 | |
No. Sit up. Come on, sit up. | 0:39:39 | 0:39:41 | |
-Watch your language, one... -Am I allowed to take your hat off? | 0:39:42 | 0:39:45 | |
We'll take your hat off and take a look at your head. | 0:39:45 | 0:39:47 | |
No neck pain? | 0:39:49 | 0:39:50 | |
No? | 0:39:51 | 0:39:53 | |
Around this side? | 0:39:54 | 0:39:55 | |
-Sit up. Come on, sit up. -How much have you had to drink? | 0:39:58 | 0:40:02 | |
Two pints. How many... | 0:40:04 | 0:40:05 | |
No, you shouldn't. How many fits do you normally have? | 0:40:07 | 0:40:11 | |
About three a week. Watch yourself. Come on, sit up. | 0:40:13 | 0:40:16 | |
-You're not BLEEP... -'Ey, 'ey, 'ey, calm down. Just watch him. | 0:40:17 | 0:40:21 | |
-Just calm down. What's up? -It's all right. | 0:40:21 | 0:40:23 | |
Don't hit yourself in the head. Come on. | 0:40:23 | 0:40:26 | |
Suddenly Lucy and Natalie are in a potentially volatile situation. | 0:40:27 | 0:40:31 | |
They need to keep the patient calm | 0:40:31 | 0:40:33 | |
whilst making sure they don't put themselves in harm's way. | 0:40:33 | 0:40:36 | |
Come on. | 0:40:39 | 0:40:40 | |
Calm down. Come on, calm down. | 0:40:40 | 0:40:43 | |
Let's take this... Uh-uh, come on. Come on. | 0:40:46 | 0:40:48 | |
Well, we know you're not going to hurt us, | 0:40:52 | 0:40:54 | |
but we don't want you to hurt yourself. | 0:40:54 | 0:40:56 | |
Why wouldn't I like you? | 0:40:58 | 0:40:59 | |
You've not done anything to me. | 0:41:00 | 0:41:02 | |
Lucy still needs to carry out basic observations | 0:41:02 | 0:41:05 | |
but, on such an erratic patient, | 0:41:05 | 0:41:07 | |
she is going to have to communicate with him | 0:41:07 | 0:41:10 | |
and keep him reassured - the two skills she lacks confidence in. | 0:41:10 | 0:41:14 | |
Do you want to keep yourself sat up for me? | 0:41:14 | 0:41:17 | |
I don't want you to fall over. | 0:41:17 | 0:41:18 | |
-The green? Do you like it? -Suits us. -It does suit us. | 0:41:25 | 0:41:30 | |
As the patient continues to recover from his seizure, | 0:41:30 | 0:41:33 | |
he seems keen to prove that he's a lover and not a fighter. | 0:41:33 | 0:41:37 | |
You've got a fan, Luce. | 0:41:40 | 0:41:41 | |
Thank you. | 0:41:42 | 0:41:43 | |
Thank you. | 0:41:45 | 0:41:46 | |
-It comes natural. -She's just got a pretty face, obviously. | 0:41:51 | 0:41:54 | |
She has got a pretty face. | 0:41:54 | 0:41:57 | |
-Um, no. Not right now. -You can't stroke people. | 0:41:57 | 0:42:01 | |
No, no, no, no, no. I don't think Lucy wants you to stroke her. | 0:42:01 | 0:42:05 | |
-That's enough. -There we go. | 0:42:07 | 0:42:09 | |
Lucy has successfully coped with an unpredictable patient | 0:42:09 | 0:42:12 | |
in a rapidly-changing situation | 0:42:12 | 0:42:14 | |
by being adaptable and able to communicate - | 0:42:14 | 0:42:17 | |
essential skills needed by every paramedic. | 0:42:17 | 0:42:20 | |
Finally her confidence is starting to grow. | 0:42:23 | 0:42:26 | |
I don't really feel vulnerable on my own, but I am wary. | 0:42:27 | 0:42:32 | |
But you've just got to handle it, be responsible, | 0:42:32 | 0:42:35 | |
and look out for yourself as well. | 0:42:35 | 0:42:37 | |
All across Leicester and Northampton, | 0:42:49 | 0:42:52 | |
there's an eerie chill in the air. | 0:42:52 | 0:42:54 | |
The junior paramedics are preparing for a truly gruesome event | 0:42:54 | 0:42:57 | |
that will leave some dazed and confused - | 0:42:57 | 0:43:00 | |
it's the Halloween fancy-dress party! | 0:43:00 | 0:43:02 | |
# What's that coming over the hill Is it a monster? | 0:43:02 | 0:43:07 | |
# Is it a monster... # | 0:43:07 | 0:43:10 | |
-Happy Halloween. -Yay. | 0:43:10 | 0:43:12 | |
After working extreme hours and dealing with shocking situations, | 0:43:12 | 0:43:15 | |
it's inevitable the junior paramedics | 0:43:15 | 0:43:17 | |
will need to let their hair down. | 0:43:17 | 0:43:19 | |
ALL: Cheers! | 0:43:19 | 0:43:21 | |
# ..Is it a monster? # | 0:43:21 | 0:43:23 | |
All of us on the course, we do enjoy going out | 0:43:23 | 0:43:25 | |
and socialising with each other, | 0:43:25 | 0:43:27 | |
that's one of the great things about it, because you're so close - | 0:43:27 | 0:43:30 | |
there's such a small amount of people on the course. | 0:43:30 | 0:43:32 | |
-What are you today, Amy? -I'm supposed to be Jigsaw, so... | 0:43:32 | 0:43:36 | |
-I get it. -Can you not tell? | 0:43:36 | 0:43:37 | |
-Yes, I get it. -I'm just missing the little tricycle. | 0:43:37 | 0:43:41 | |
It will definitely be nice, a bit of a release, | 0:43:41 | 0:43:44 | |
you know, to just go out with my friends maybe, | 0:43:44 | 0:43:46 | |
like, the day after I've had, like, quite a rough shift | 0:43:46 | 0:43:49 | |
and just so I can switch off and just forget about it. | 0:43:49 | 0:43:52 | |
You have to have that release, I think, | 0:43:52 | 0:43:54 | |
it's really important, otherwise you'll just go insane. | 0:43:54 | 0:43:57 | |
However, there is one student who is a little less excited | 0:44:00 | 0:44:03 | |
about a night on the blood-soaked tiles. | 0:44:03 | 0:44:05 | |
I don't mind having a good time and I'll do it once in a while, | 0:44:05 | 0:44:09 | |
but I prefer to go back and do work and that. | 0:44:09 | 0:44:11 | |
I know it comes across as a bit sad, but that's what I'm there for. | 0:44:11 | 0:44:16 | |
I'd be drunk off one vodka - a cheap night. | 0:44:16 | 0:44:19 | |
DISCO MUSIC | 0:44:19 | 0:44:25 | |
If I work hard, I can party hard later. | 0:44:25 | 0:44:27 | |
One junior paramedic who hasn't made the party is Ashley, | 0:44:31 | 0:44:35 | |
she's on a late shift and still having doubts | 0:44:35 | 0:44:37 | |
about whether she really wants to be a paramedic. | 0:44:37 | 0:44:40 | |
The downside in this job, | 0:44:42 | 0:44:44 | |
you can be pretty down, | 0:44:44 | 0:44:45 | |
so you have to be quite resilient | 0:44:45 | 0:44:48 | |
and not let that be a bit of a deadweight to you. | 0:44:48 | 0:44:52 | |
I think, otherwise, that can really affect you, not just in your job, | 0:44:52 | 0:44:55 | |
but you can really take this job home. | 0:44:55 | 0:44:57 | |
Although her nan provided some encouragement, | 0:45:00 | 0:45:02 | |
Ashley needs to regain her belief | 0:45:02 | 0:45:04 | |
that she can still make a positive impact | 0:45:04 | 0:45:07 | |
on a patient's life. | 0:45:07 | 0:45:08 | |
But while she contemplates where her future lies, | 0:45:12 | 0:45:15 | |
Ashley has to put any doubts behind her | 0:45:15 | 0:45:17 | |
as she and mentor Simon | 0:45:17 | 0:45:19 | |
go to an elderly lady who's apparently had a fall. | 0:45:19 | 0:45:22 | |
Oh, we are helping you. I just can't rush anything | 0:45:25 | 0:45:27 | |
because we want to make sure that you're OK before we move you. | 0:45:27 | 0:45:31 | |
On arrival, they find their patient, Gwen, on the floor | 0:45:31 | 0:45:34 | |
behind the bedroom door. | 0:45:34 | 0:45:35 | |
-Have you got any pain in your chest? -No, I did have. | 0:45:36 | 0:45:39 | |
When? OK. But nothing at the moment? | 0:45:39 | 0:45:43 | |
All right. | 0:45:43 | 0:45:45 | |
I need to get you up onto your bed. | 0:45:48 | 0:45:49 | |
Then we can have a proper look at your heart. | 0:45:49 | 0:45:55 | |
Can you jump on the bed and get across to the lady's legs? | 0:45:55 | 0:45:58 | |
I just need to get an ECG on her. | 0:45:58 | 0:46:00 | |
Ashley heads into the bedroom to comfort Gwen | 0:46:00 | 0:46:03 | |
whilst the ECG monitors her heart. | 0:46:03 | 0:46:05 | |
But when Simon passes the results to Ashley to analyse, | 0:46:06 | 0:46:10 | |
she makes a vital discovery. | 0:46:10 | 0:46:12 | |
I spotted that she was having an MI, myocardial infarction, | 0:46:15 | 0:46:19 | |
looked like a heart attack. | 0:46:19 | 0:46:20 | |
That's like BAD. | 0:46:21 | 0:46:23 | |
Need to get a line in ASAP. | 0:46:25 | 0:46:27 | |
Can you get me an IV kit? | 0:46:27 | 0:46:29 | |
A myocardial infarction, or heart attack as it's more commonly known, | 0:46:29 | 0:46:34 | |
is often the first stage of a cardiac arrest. | 0:46:34 | 0:46:37 | |
Ashley and Simon now fight to keep Gwen alive. | 0:46:37 | 0:46:40 | |
Stay with us, sweetheart, OK? I'm going to have to cut this nightie off you. | 0:46:40 | 0:46:44 | |
The job changed very quickly. | 0:46:46 | 0:46:49 | |
We need to get the de-fib pads on because she could go, | 0:46:49 | 0:46:52 | |
so, yeah, like, adrenaline. | 0:46:52 | 0:46:55 | |
Suddenly, Gwen starts to lose consciousness. | 0:46:56 | 0:47:00 | |
Staying with us? Gwen? | 0:47:00 | 0:47:02 | |
Gwen, your heart's not working properly at the moment. | 0:47:06 | 0:47:09 | |
All right? | 0:47:09 | 0:47:10 | |
I know you do, sweetheart. Your heart's not pumping properly | 0:47:13 | 0:47:16 | |
and you've got a blockage in one of your coronary arteries. | 0:47:16 | 0:47:19 | |
Not while you're with me, darling. | 0:47:24 | 0:47:26 | |
How long have you had chest pains for? | 0:47:30 | 0:47:32 | |
All right, sweetheart. | 0:47:35 | 0:47:37 | |
I don't know if this is the sickest patient I've seen, | 0:47:37 | 0:47:39 | |
but we're catching this patient in the process | 0:47:39 | 0:47:41 | |
and that, kind of, makes the process completely different. | 0:47:41 | 0:47:45 | |
Gwen? Excuse me. Gwen. | 0:47:45 | 0:47:49 | |
Come round the back of me. Gwen? Stay awake. Stay awake. | 0:47:49 | 0:47:53 | |
If you go to someone and they're dying | 0:47:53 | 0:47:55 | |
or they're in cardiac arrest, or something, | 0:47:55 | 0:47:57 | |
that process has happened and you're just intervening and you've missed that. | 0:47:57 | 0:48:01 | |
When you go in and see someone have that deterioration | 0:48:01 | 0:48:04 | |
and then suddenly you kind of see that process, | 0:48:04 | 0:48:07 | |
it's completely different. | 0:48:07 | 0:48:09 | |
The feelings, the anxiety, the pressure - | 0:48:09 | 0:48:12 | |
"Oh, my God, this is really serious." | 0:48:12 | 0:48:15 | |
Are you all right, Gwen? | 0:48:15 | 0:48:16 | |
Gwen needs to get to hospital urgently | 0:48:16 | 0:48:18 | |
and when more paramedics arrive, she is soon on the move. | 0:48:18 | 0:48:21 | |
How are we doing? Stay with us. Keep talking to me. | 0:48:21 | 0:48:25 | |
But her condition continues to deteriorate rapidly. | 0:48:26 | 0:48:30 | |
We've got the patent on the ambulance. We're just trying to stabilise | 0:48:30 | 0:48:33 | |
and she's going to be taken to hospital as quickly as possible | 0:48:33 | 0:48:36 | |
because she's having a heart attack. | 0:48:36 | 0:48:38 | |
It's very serious | 0:48:38 | 0:48:40 | |
and she's very on the brink of having a cardiac arrest. | 0:48:40 | 0:48:43 | |
Gwen is rushed to Kettering General Hospital | 0:48:46 | 0:48:49 | |
where she is diagnosed with having two blocked arteries | 0:48:49 | 0:48:52 | |
but is now on the mend. | 0:48:52 | 0:48:54 | |
By noticing the irregularity on the ECG, | 0:49:00 | 0:49:03 | |
Ashley's attention to detail helped save Gwen's life. | 0:49:03 | 0:49:07 | |
I was really chuffed that I was able to interpret that | 0:49:07 | 0:49:10 | |
and be, like, really confident in interpreting that, | 0:49:10 | 0:49:13 | |
that was a real turning point for me, that was a real positive. | 0:49:13 | 0:49:17 | |
Gwen's close call has reminded Ashley | 0:49:17 | 0:49:19 | |
exactly why she wanted to be a paramedic in the first place. | 0:49:19 | 0:49:23 | |
And I got to stay to see her into hospital | 0:49:23 | 0:49:26 | |
and see her perk up and start being the person she was | 0:49:26 | 0:49:31 | |
before she was suddenly in this really horrendous place. | 0:49:31 | 0:49:34 | |
One of those jobs you'll remember - "My first MI, I'll remember that." | 0:49:34 | 0:49:39 | |
It seems Ashley's "wobble" is over, | 0:49:39 | 0:49:43 | |
but not all patients are as lucky as Gwen. | 0:49:43 | 0:49:45 | |
# Even though the dancing's done | 0:50:00 | 0:50:03 | |
# The night is young | 0:50:03 | 0:50:06 | |
# Who cares where we go We're ready for the afterglow... # | 0:50:07 | 0:50:10 | |
It's been a long and eye-opening week for Lucy | 0:50:12 | 0:50:15 | |
as she's finally started gaining some much-needed confidence. | 0:50:15 | 0:50:18 | |
# ..Afterglow We're ready for the afterglow. # | 0:50:18 | 0:50:23 | |
From being held back by her own shyness | 0:50:23 | 0:50:26 | |
to successfully dealing with potentially volatile patients, | 0:50:26 | 0:50:30 | |
Lucy's growing into her new role. | 0:50:30 | 0:50:32 | |
If it's a cardiac arrest, | 0:50:32 | 0:50:34 | |
I'll start compressions and you can manage the airway. | 0:50:34 | 0:50:38 | |
So check the airway, | 0:50:38 | 0:50:39 | |
make sure it's not obstructed or anything like that. | 0:50:39 | 0:50:42 | |
It's got no saliva or blood in... | 0:50:42 | 0:50:45 | |
However, she's about to face the biggest challenge of her life | 0:50:45 | 0:50:48 | |
as she and her mentor Natalie race to help a man | 0:50:48 | 0:50:51 | |
suffering a suspected cardiac arrest. | 0:50:51 | 0:50:54 | |
Does he suffer with anything that's been causing him to be unwell? | 0:50:56 | 0:51:00 | |
-No. -OK. Do you want to just stop for a second? | 0:51:00 | 0:51:03 | |
Inside the house, the patient's son has been carrying out CPR | 0:51:03 | 0:51:07 | |
but without success. | 0:51:07 | 0:51:08 | |
OK, you need to step back, | 0:51:08 | 0:51:10 | |
because I need to shock him. OK, Lucy, he's in VF. | 0:51:10 | 0:51:13 | |
All right. I'm just going to charge. Keep everything away. | 0:51:13 | 0:51:18 | |
OK, I'm going to shock. | 0:51:18 | 0:51:20 | |
Nothing. Right, back on the chest. | 0:51:22 | 0:51:24 | |
-Lucy, do you want to take over and let me do it? -Yes. | 0:51:24 | 0:51:26 | |
It's a critical situation and the man's life is now in Lucy's hands. | 0:51:26 | 0:51:32 | |
She must continue to pump the man's heart | 0:51:32 | 0:51:34 | |
and keep blood moving around his body | 0:51:34 | 0:51:37 | |
to have any chance of reviving him. | 0:51:37 | 0:51:39 | |
-Do you want me to take over and you do some bagging? -Yes. | 0:51:39 | 0:51:42 | |
Obviously keep his airway nice and... Pull his airway up. | 0:51:42 | 0:51:46 | |
Stop. | 0:51:46 | 0:51:48 | |
As more paramedics arrive, | 0:51:48 | 0:51:51 | |
every effort is made to restart the patient's heart. | 0:51:51 | 0:51:55 | |
He was in VF so I shocked him once. | 0:51:55 | 0:51:57 | |
-Quite a bit of saliva. -We'll do a bit of suctioning. | 0:51:57 | 0:52:00 | |
-Do a suction? -Yes. Put your finger over. That's it. | 0:52:00 | 0:52:04 | |
Suction what you can see. | 0:52:04 | 0:52:06 | |
Not long ago, Lucy was studying for her A-levels, | 0:52:11 | 0:52:15 | |
now she's experiencing the most dramatic situation of her life. | 0:52:15 | 0:52:19 | |
How's it looking for cannula? | 0:52:19 | 0:52:21 | |
It's mad to be doing this at such a young age, 19, | 0:52:21 | 0:52:24 | |
but you've got to be a certain type of person to do it. | 0:52:24 | 0:52:28 | |
Lucy, we're looking at reversible causes, | 0:52:28 | 0:52:30 | |
so what do we need to be looking at? | 0:52:30 | 0:52:33 | |
Um... | 0:52:33 | 0:52:35 | |
Hypoxia. | 0:52:35 | 0:52:36 | |
Even in tense situations such as this, | 0:52:36 | 0:52:39 | |
mentors keep pushing the junior paramedics | 0:52:39 | 0:52:43 | |
to test their medical knowledge. | 0:52:43 | 0:52:45 | |
But Lucy's proving to be capable and in full control. | 0:52:45 | 0:52:49 | |
-Hypoglycaemia. -Yes. -Hypovolaemic. Toxicity. | 0:52:49 | 0:52:53 | |
Fantastic. | 0:52:53 | 0:52:56 | |
Suddenly there's a sign of life. | 0:52:56 | 0:52:58 | |
-Has he got a pulse? -Yes. | 0:52:58 | 0:53:00 | |
-OK, right. -Charge up. -Charge it up. -Just take the oxygen away. | 0:53:00 | 0:53:05 | |
-Just pull that off. -That? -Just pull it up and then don't touch him, Lucy. | 0:53:05 | 0:53:11 | |
Stand clear. | 0:53:11 | 0:53:12 | |
As his wife watches on, | 0:53:12 | 0:53:14 | |
the patient is given another massive electric shock | 0:53:14 | 0:53:16 | |
to try and restart the heart. | 0:53:16 | 0:53:18 | |
Lovely. Back on the chest. | 0:53:18 | 0:53:21 | |
But it's not working. | 0:53:21 | 0:53:22 | |
Feel the pulse. There's the fluid. Just feel for a pulse. | 0:53:23 | 0:53:27 | |
-No, he's not got a pulse. That's gone VT, hasn't it? -Yes. -Yeah. | 0:53:30 | 0:53:32 | |
-Right, we need to shock him again. -Stand clear. | 0:53:32 | 0:53:35 | |
-Yeah. -Lovely. | 0:53:35 | 0:53:37 | |
OK, that's four shocks. He's had that now, hasn't he? | 0:53:37 | 0:53:42 | |
Despite their best efforts, | 0:53:42 | 0:53:43 | |
Lucy and the paramedics are losing the battle to save their patient. | 0:53:43 | 0:53:48 | |
And in consultation with his wife, | 0:53:48 | 0:53:50 | |
there's some tough decisions to be made. | 0:53:50 | 0:53:52 | |
-His heart's not beating. -Would you prefer us to just stop? | 0:53:52 | 0:53:55 | |
-Well, I... I don't want him suffering. -No. | 0:53:55 | 0:54:00 | |
I think we're just going to stop. | 0:54:01 | 0:54:03 | |
The family said that they don't want him to go to hospital, | 0:54:05 | 0:54:07 | |
they prefer him to just stay here. | 0:54:07 | 0:54:10 | |
It's left to Lucy to check the patient's eyes | 0:54:10 | 0:54:12 | |
for any last sign of life. | 0:54:12 | 0:54:14 | |
They're fixed and dilated, yes? | 0:54:17 | 0:54:19 | |
So we'll go with the family's wishes. They want him to stay here. | 0:54:19 | 0:54:25 | |
Lucy's just witnessed her first death | 0:54:27 | 0:54:30 | |
since becoming a junior paramedic. | 0:54:30 | 0:54:32 | |
-I feel really emotional. I feel emotional for once. -Do you? -Yeah. | 0:54:49 | 0:54:54 | |
What do you feel emotional about? | 0:54:54 | 0:54:56 | |
I just feel sad. It's the end of his life | 0:54:56 | 0:54:59 | |
and he's been suffering for a very long time, by the sounds of it. | 0:54:59 | 0:55:04 | |
-And... -Yeah. -He wasn't in, you know... | 0:55:04 | 0:55:08 | |
He was in pain anyway, but... | 0:55:08 | 0:55:11 | |
This is it, you know. Like I said. | 0:55:13 | 0:55:17 | |
His wife, as well, doesn't want him to be in pain. | 0:55:17 | 0:55:19 | |
-No. -I think, you know... | 0:55:19 | 0:55:22 | |
And the doctor had obviously heard her. | 0:55:22 | 0:55:26 | |
It's not like a complete shock, | 0:55:26 | 0:55:28 | |
-but, still, it isn't nice. -No. | 0:55:28 | 0:55:30 | |
It is very shocking still. | 0:55:30 | 0:55:32 | |
Having previously struggled to engage with her patients, | 0:55:36 | 0:55:39 | |
the man's death is a major turning point for Lucy. | 0:55:39 | 0:55:43 | |
I think, yeah, it's good that you do feel something. | 0:55:44 | 0:55:47 | |
I think a lot of paramedics will say the same. No-one's a robot. | 0:55:47 | 0:55:49 | |
Everyone has feelings, it'll affect you eventually. | 0:55:49 | 0:55:53 | |
I feel a bit more human than normal. | 0:55:53 | 0:55:56 | |
I'm just really sad. I've got a heavy heart now, so... | 0:55:56 | 0:55:59 | |
SIREN WAILS | 0:56:06 | 0:56:07 | |
Next time... The long shifts begin | 0:56:07 | 0:56:10 | |
to take their toll on the junior paramedics. | 0:56:10 | 0:56:13 | |
I'm too tired to talk. | 0:56:13 | 0:56:15 | |
They are pushed to the brink with some traumatic cases. | 0:56:16 | 0:56:19 | |
He was about to kick off, that guy. | 0:56:21 | 0:56:23 | |
It was the first situation when I actually genuinely really | 0:56:23 | 0:56:27 | |
shit my pants. | 0:56:27 | 0:56:29 | |
And Max shows nerves of steel... | 0:56:29 | 0:56:31 | |
-Are you all right? Are you staying with us? -Yeah. | 0:56:31 | 0:56:34 | |
..in his first major road accident. | 0:56:34 | 0:56:36 | |
I've got to keep calm and kind of get the job done. | 0:56:36 | 0:56:40 | |
# If you gave me a chance I would take it | 0:56:40 | 0:56:45 | |
# It's a shot in the dark but I'll make it | 0:56:45 | 0:56:48 | |
# Knowing no way you can shame me | 0:56:48 | 0:56:52 | |
# When I am with you There's no place I'd rather be | 0:56:52 | 0:56:56 | |
# No place I'd rather be | 0:56:58 | 0:57:01 | |
# No, no, no place I'd rather be | 0:57:01 | 0:57:05 | |
# When I am with you There's no place I'd rather be. # | 0:57:05 | 0:57:08 |