Browse content similar to Gulag. Check below for episodes and series from the same categories and more!
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INSPIRATIONAL SONG IN RUSSIAN | 0:08:33 | 0:08:36 | |
JAUNTY ORCHESTRAL MUSIC | 0:09:13 | 0:09:16 | |
STRIDENT ORCHESTRAL MARCH | 0:21:18 | 0:21:21 | |
MUSIC: "Macarena" by Del Los Rio | 0:25:49 | 0:25:52 | |
SILENT FILM | 0:26:45 | 0:26:49 | |
ROMANTIC PIANO CONCERTO | 0:28:31 | 0:28:34 | |
MUSIC BUILDS INTO CLIMAX | 0:29:07 | 0:29:11 | |
MUSIC STOPS | 0:29:32 | 0:29:34 | |
LENIN HUMS TO HIMSELF | 0:30:10 | 0:30:13 | |
Da! | 0:30:16 | 0:30:18 | |
THEY SPEAK IN RUSSIAN | 0:31:36 | 0:31:41 | |
CAWING OF SEA BIRDS | 0:36:45 | 0:36:48 | |
MUFFLED PUBLIC ADDRESS ANNOUNCEMENT | 0:38:00 | 0:38:03 | |
TRAIN HORN | 0:38:16 | 0:38:19 | |
SPEECH INAUDIBLE | 0:42:36 | 0:42:39 | |
CLOCK TICKING | 0:44:02 | 0:44:05 | |
KNOCKS ON DOOR | 0:49:27 | 0:49:29 | |
KEY TURNS IN LOCK | 0:49:45 | 0:49:47 | |
Zdraz. | 0:49:49 | 0:49:51 | |
THEY SPEAK IN RUSSIAN | 0:50:00 | 0:50:04 | |
Zdraz. | 0:51:27 | 0:51:30 | |
Da. | 0:51:40 | 0:51:42 | |
Da. | 0:52:08 | 0:52:10 | |
ANDREI: 'You could hear the sirens as the Black Marias picked up the prisoners. | 0:52:12 | 0:52:19 | |
'So we all knew what it meant.' | 0:52:19 | 0:52:22 | |
When they came for my mother, I was asleep. It was the dead of night. | 0:52:22 | 0:52:29 | |
And my mother came in and turned on the light | 0:52:29 | 0:52:33 | |
and said, "You'll have to wake up." | 0:52:33 | 0:52:37 | |
And I straightaway gathered that there was a strange man in the room. | 0:52:38 | 0:52:44 | |
He was already rummaging about my bits of copy books on my desk. | 0:52:44 | 0:52:50 | |
I said, "Have they come for you as well?" | 0:52:50 | 0:52:54 | |
I remember that rather well - the man. | 0:52:54 | 0:52:58 | |
That was the end. | 0:52:59 | 0:53:02 | |
Then my mother told me um...that they'd come to take her away. | 0:53:02 | 0:53:09 | |
And when she's gone, | 0:53:09 | 0:53:12 | |
there is a gold coin that she particularly treasured and her rings, | 0:53:12 | 0:53:18 | |
and she put it the dirty linen basket whilst they were searching. | 0:53:18 | 0:53:24 | |
She said, "Find them and hide them." I remember that very well. | 0:53:26 | 0:53:32 | |
In those days, possession of gold was almost equivalent to a death sentence. | 0:53:32 | 0:53:39 | |
So I did that. | 0:53:39 | 0:53:42 | |
I don't really remember how the rest of the night passed. | 0:53:42 | 0:53:47 | |
'My neighbour came in and I remember | 0:54:07 | 0:54:10 | |
'that they had a ticket to the opera Carmen on that following night. | 0:54:10 | 0:54:17 | |
'Ever since then, I associate Carmen with the arrest of my mother.' | 0:54:17 | 0:54:24 | |
MUSIC: "Prelude (Act 1) From Carmen" by Bizet | 0:54:25 | 0:54:29 | |
MUSIC STOPS | 0:55:29 | 0:55:31 | |
WOMAN SINGS IN RUSSIAN | 0:55:49 | 0:55:52 | |
NEW WOMAN SPEAKER: | 0:59:58 | 1:00:01 | |
MALE SPEAKER: I came out here with my dad. That was back in 1932. | 1:03:10 | 1:03:16 | |
I came out with him just for the adventure of coming out here. | 1:03:16 | 1:03:22 | |
He was a communist in South Africa. | 1:03:24 | 1:03:27 | |
He came out, together with me, | 1:03:27 | 1:03:31 | |
to help the Soviets... | 1:03:31 | 1:03:33 | |
..industrialise their country. | 1:03:35 | 1:03:38 | |
That's the way we came out. | 1:03:38 | 1:03:40 | |
He read a lot about...the Soviet Union. | 1:03:40 | 1:03:45 | |
And he wanted to help the country | 1:03:46 | 1:03:50 | |
There you are, instead of helping, they helped him be put away. | 1:03:50 | 1:03:56 | |
He was arrested for no reason at all. We still don't know why. | 1:04:07 | 1:04:12 | |
You daren't say, "What's wrong with this country?" | 1:04:13 | 1:04:17 | |
You daren't say a word, er...bad about then Stalin. | 1:04:17 | 1:04:24 | |
or in general that things were bad in the Soviet Union. | 1:04:24 | 1:04:29 | |
You had to keep quiet, otherwise you'd be arrested. | 1:04:29 | 1:04:33 | |
And when I was arrested, | 1:04:33 | 1:04:36 | |
they told me a lot of things I'd never said to anybody. | 1:04:36 | 1:04:40 | |
They had to arrest a person. | 1:04:40 | 1:04:42 | |
Of course, you're forced to tell afterwards | 1:04:42 | 1:04:46 | |
that you really did say that and undersign it. | 1:04:46 | 1:04:51 | |
If you didn't, you were sent down to the dark room. | 1:04:51 | 1:04:55 | |
So dark and cold, brrr! | 1:04:55 | 1:04:58 | |
GENRICH GOLTSIN: | 1:07:22 | 1:07:26 | |
JOE GLAZER: They knew perfectly well | 1:08:30 | 1:08:32 | |
that you would sign anything they said, | 1:08:32 | 1:08:36 | |
which I had to do, because I could stand it any more. | 1:08:36 | 1:08:40 | |
It was terrible. | 1:08:40 | 1:08:43 | |
A night in the cellar, a day not being able to sleep, | 1:08:43 | 1:08:47 | |
and the same day, but in the evening, | 1:08:47 | 1:08:50 | |
you were taken again to be interrogated - ten o'clock. | 1:08:50 | 1:08:54 | |
You don't understand what you're talking about. | 1:08:54 | 1:08:58 | |
You hadn't slept. You know what it means not to sleep for 48 hours. | 1:08:58 | 1:09:03 | |
You sign everything they tell you to. | 1:09:03 | 1:09:06 | |
If not, then down in the cold cellar. | 1:09:06 | 1:09:09 | |
So I decided to sign it. That's all. | 1:09:09 | 1:09:13 | |
I had to, nothing could be done about it. | 1:09:14 | 1:09:17 | |
I'm not a hero. | 1:09:18 | 1:09:21 | |
I'm not a coward, but I don't know, | 1:09:21 | 1:09:24 | |
it's the terrible torture that you go through during interrogation. | 1:09:24 | 1:09:30 | |
You'd sign anything they would tell you to. | 1:09:30 | 1:09:34 | |
I don't want to remember those days at all. | 1:09:41 | 1:09:44 | |
I like to remember these days with my family, my wife helping me. | 1:09:44 | 1:09:50 | |
AEROPLANE FLIES OVERHEAD | 1:10:54 | 1:10:57 | |
# Each little dream would take wing and my life would be true | 1:11:02 | 1:11:06 | |
# Besame, besame mucho | 1:11:06 | 1:11:11 | |
# Hold me, my darling, and say that you'll always be mine | 1:11:11 | 1:11:16 | |
# This joy is something you, my arms enfolding you | 1:11:16 | 1:11:20 | |
# Never knew this thrill before | 1:11:20 | 1:11:23 | |
# Who ever thought I'd be holding you close to me? | 1:11:23 | 1:11:27 | |
# Whispering, "It's you that I adore, my dearest one" | 1:11:27 | 1:11:33 | |
# Should you believe me? | 1:11:33 | 1:11:37 | |
# Dum, tara-ta, ta-ta, tum, tara-tum, ta-ta, ta-tum | 1:11:37 | 1:11:41 | |
# Besame, besame mucho | 1:11:41 | 1:11:46 | |
# Hold me, my darling, and say that you'll always be mine. # | 1:11:46 | 1:11:51 | |
-Cha-cha-cha. -Cha-cha-cha. | 1:11:53 | 1:11:56 | |
MUSIC: "Russian Dance from The Nutcracker Suite" by Tchaikovsky | 1:12:01 | 1:12:05 | |
BIRDSONG | 1:13:00 | 1:13:03 | |
NEW SPEAKER: | 1:15:21 | 1:15:24 | |
HE LAUGHS RUEFULLY | 1:15:56 | 1:15:58 | |
Da. | 1:15:59 | 1:16:00 | |
NEW MALE SPEAKER: | 1:19:08 | 1:19:11 | |
COCKEREL CROWS | 1:22:14 | 1:22:18 | |
I got off the tram and walked along the embankment | 1:30:09 | 1:30:13 | |
to the prison there. | 1:30:13 | 1:30:17 | |
See the arch in the centre? That's where you went in the prison. | 1:30:17 | 1:30:23 | |
You queued there until your turn. | 1:30:23 | 1:30:26 | |
You always remember the dirt and the smell of the prison. | 1:30:26 | 1:30:32 | |
Prisoners, because of the lack of washing facilities | 1:30:32 | 1:30:38 | |
and, at the same time, a liberal use of disinfectant | 1:30:38 | 1:30:41 | |
produces a very specific prison smell. | 1:30:41 | 1:30:47 | |
When you took the parcel there, | 1:30:47 | 1:30:52 | |
they found something that wasn't according to the regulations | 1:30:52 | 1:30:58 | |
and they could refuse the parcel. | 1:30:58 | 1:31:02 | |
But if they accepted the parcel, | 1:31:02 | 1:31:04 | |
then you got the return parcel from the prisoner | 1:31:04 | 1:31:10 | |
with the dirty linen. | 1:31:10 | 1:31:12 | |
And you went home happily. | 1:31:12 | 1:31:15 | |
I had to catch the train back and go to school. | 1:31:15 | 1:31:18 | |
I don't remember what the excuse in school was | 1:31:18 | 1:31:23 | |
why I was late twice a week. | 1:31:23 | 1:31:26 | |
-REPORTER: -Did you also deliver to your mother? | 1:31:26 | 1:31:29 | |
My mother was in the Syayetnaya Prison on the other side of the river. | 1:31:29 | 1:31:36 | |
So, it was one day - for a fairly short period there were two prisons, | 1:31:36 | 1:31:43 | |
because my mother was arrested on March 8th | 1:31:43 | 1:31:49 | |
and...my father was sent away from that prison there on April 13th. | 1:31:49 | 1:31:57 | |
It was a fairly short period of time when I did both prisons. | 1:31:57 | 1:32:02 | |
You were a very young child, a ten-year-old. | 1:32:02 | 1:32:06 | |
-Was it natural that both parents... -I knew I wasn't the only one. | 1:32:06 | 1:32:12 | |
Inmates were allowed a visit before going to the concentration camps, | 1:32:20 | 1:32:25 | |
and I took my grandmother to the prison so she could see him. | 1:32:25 | 1:32:33 | |
And they refused. | 1:32:33 | 1:32:36 | |
We stood there on the other side - in those days it was a grass bank - | 1:32:36 | 1:32:41 | |
and she stood by the river and cried into the water. People were passing. | 1:32:41 | 1:32:47 | |
I felt ashamed that a grown-up woman should weep openly in the street. | 1:32:47 | 1:32:53 | |
I still remember her words, "I shall never see him again." | 1:32:53 | 1:32:58 | |
CHURCH CHOIR SINGS: "Maria, Maria, Farewell To Lithuania" | 1:35:24 | 1:35:29 | |
CLICKETY-CLACK OF TRAIN | 1:40:24 | 1:40:27 | |
MAN SINGS IN CRIMEAN TATAR | 1:47:28 | 1:47:31 | |
MAN WHISTLES | 1:48:09 | 1:48:12 | |
HE RECITES KORAN VERSES | 1:49:29 | 1:49:32 | |
WOMEN PRAY | 1:49:52 | 1:49:55 | |
'It's well over 60 years since I've been back. | 1:56:00 | 1:56:04 | |
'I remember it all very well. | 1:56:04 | 1:56:07 | |
'When my father arrived from prison in the camp, | 1:56:09 | 1:56:13 | |
'the prisoners were sorted according to their specialities and abilities. | 1:56:13 | 1:56:19 | |
'My father was a fish scientist. | 1:56:21 | 1:56:25 | |
'He was sent to Kandalashka to establish a fishing camp. | 1:56:25 | 1:56:30 | |
'And because of the success in reaching record figures, | 1:56:30 | 1:56:37 | |
'he was given permission | 1:56:37 | 1:56:39 | |
'of seeing his family on the site of his work for ten days. | 1:56:39 | 1:56:46 | |
'He took this opportunity, | 1:56:48 | 1:56:52 | |
'and planned his escape from his camp.' | 1:56:52 | 1:56:55 | |
So it's somewhere down here? | 1:57:05 | 1:57:08 | |
We started from the little village | 1:57:08 | 1:57:13 | |
about 15 or 20 miles away. | 1:57:13 | 1:57:18 | |
We rowed right across here | 1:57:18 | 1:57:20 | |
and finished up in the base of that bay. | 1:57:20 | 1:57:26 | |
We unloaded the boat, took all the provisions and rucksacks, | 1:57:28 | 1:57:34 | |
and we just marched on. | 1:57:34 | 1:57:37 | |
We had to avoid any possible meeting with humans | 1:57:42 | 1:57:47 | |
because there was a reward on capture of all prisoners escaping - | 1:57:47 | 1:57:54 | |
the price of a sack of flour - | 1:57:54 | 1:57:57 | |
which in those days, was an enormous price. | 1:57:57 | 1:58:00 | |
-So... -It was somewhere down here that...that the boat was? | 1:58:02 | 1:58:08 | |
In the furthest corner that you can see straight ahead, | 1:58:08 | 1:58:12 | |
not in that little promontory on the right there, | 1:58:12 | 1:58:17 | |
but further still, right at the bottom of that bay. | 1:58:17 | 1:58:21 | |
And we started walking up the hill. | 1:58:21 | 1:58:26 | |
We got about as far as there and I felt very tired. | 1:58:26 | 1:58:31 | |
When did you realise you were escaping? | 1:58:31 | 1:58:35 | |
That would be exactly when I was told. | 1:58:35 | 1:58:39 | |
I thought we would camp for the night or at least have a rest. | 1:58:39 | 1:58:45 | |
That's when my parents said, | 1:58:45 | 1:58:48 | |
"We're not going to rest tonight because we're escaping from Russia." | 1:58:48 | 1:58:53 | |
My mother, perhaps, was a little nostalgic. | 1:59:02 | 1:59:05 | |
She showed me the panorama east over the tops of the mountains. | 1:59:05 | 1:59:13 | |
And she said, "That's your homeland you're leaving." | 1:59:13 | 1:59:17 | |
At which time I felt, shall we say, slightly sick and frightened. | 1:59:20 | 1:59:26 | |
I knew that all prisoners are shot eventually. | 1:59:26 | 1:59:29 | |
And probably Mother would be shot as well. | 1:59:29 | 1:59:33 | |
That much... | 1:59:33 | 1:59:35 | |
It wasn't a question of logic reasoning why I was frightened. I was just frightened. | 1:59:36 | 1:59:41 | |
It took us 22 days from the start. | 1:59:41 | 1:59:44 | |
I knew that we just had to go on till we got to Finland. | 1:59:44 | 1:59:47 | |
We ended up in England. | 2:00:01 | 2:00:04 | |
My mother wrote The Escape From The Soviets, | 2:00:04 | 2:00:08 | |
and my father wrote I Speak For The Silent. | 2:00:08 | 2:00:12 | |
The idea was that my father owed it to the prisoners to tell the world | 2:00:15 | 2:00:21 | |
of the conditions and the repression that was going on at the time. | 2:00:21 | 2:00:27 | |
But if it didn't make any difference, naturally, that was that. | 2:00:27 | 2:00:33 | |
HE SINGS | 2:00:43 | 2:00:46 | |
MELANCHOLIC ORCHESTRAL MUSIC | 2:11:36 | 2:11:39 | |
HE SPEAKS IN RUSSIAN | 2:14:17 | 2:14:21 | |
HEROIC ORCHESTRAL MUSIC | 2:15:58 | 2:16:01 | |
JAUNTY ACCORDION FOLK MUSIC | 2:18:52 | 2:18:55 | |
MAN SINGS IN RUSSIAN | 2:19:13 | 2:19:16 | |
NEW SPEAKER: | 2:36:30 | 2:36:33 | |
Zdrazvuitye. | 2:37:37 | 2:37:38 | |
WOMAN SPEAKS | 2:37:40 | 2:37:43 | |
Zdraz. | 2:37:43 | 2:37:44 | |
WOMAN INTERJECTS IN RUSSIAN | 2:39:45 | 2:39:49 | |
WOMAN: | 2:40:42 | 2:40:46 | |
SHE SINGS MELANCHOLIC RUSSIAN SONG | 2:42:52 | 2:42:55 | |
THEY INTERRUPT WITH TUNELESS CHANTS | 2:43:24 | 2:43:29 | |
THEY SCREAM | 2:43:34 | 2:43:36 | |
SONG CONTINUES | 2:43:37 | 2:43:40 | |
SONG FADES AWAY | 2:44:13 | 2:44:16 | |
WIND HOWLS | 2:44:16 | 2:44:19 | |
HE SINGS IN RUSSIAN | 2:51:12 | 2:51:15 | |
Subtitles by Ericsson | 2:59:48 | 2:59:51 |