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New York, 4th of August. | 0:02:06 | 0:02:10 | |
I had to free myself. | 0:02:10 | 0:02:11 | |
Tomorrow, the Graf Zeppelin takes off | 0:02:13 | 0:02:16 | |
for a journey around the world. | 0:02:16 | 0:02:18 | |
I shall be on board. | 0:02:18 | 0:02:21 | |
The financier is William Randolph Hearst, | 0:02:21 | 0:02:24 | |
the newspaper king. | 0:02:24 | 0:02:26 | |
He was looking for one woman journalist | 0:02:26 | 0:02:30 | |
and I made sure he found me. | 0:02:30 | 0:02:32 | |
I shall write for him as if my life depended on it. | 0:02:34 | 0:02:38 | |
I had a bitter struggle for years, | 0:02:46 | 0:02:48 | |
scribbling for English women's magazines. | 0:02:48 | 0:02:51 | |
The latest weddings, smart cocktail parties. | 0:02:51 | 0:02:55 | |
This is my chance to write for a big, serious American paper. | 0:02:57 | 0:03:01 | |
For Hearst, it's a supreme opportunity to gain publicity and sell newspapers. | 0:03:03 | 0:03:09 | |
TYPEWRITER CLATTERS | 0:03:09 | 0:03:11 | |
What could provide better sales than a glamorous young thing like myself? | 0:03:11 | 0:03:18 | |
The excitement of the Graf Zeppelin's departure | 0:03:19 | 0:03:21 | |
has the whole city in its grip. | 0:03:21 | 0:03:25 | |
The journey will be in four stages. | 0:03:26 | 0:03:29 | |
From Lakehurst Airport in New York to Friedrichshafen in Germany. | 0:03:29 | 0:03:34 | |
Via Moscow, over Siberia to Tokyo. | 0:03:34 | 0:03:37 | |
Across the Pacific Ocean to Los Angeles and over the Midwest back to New York. | 0:03:39 | 0:03:45 | |
At the airport, men are working immensely hard to complete all the preparations. | 0:03:48 | 0:03:53 | |
70,000 cubic metres of gas is being injected into the Zeppelin. | 0:03:57 | 0:04:01 | |
2,040 pounds of food will be on board. | 0:04:04 | 0:04:08 | |
I love machinery. | 0:04:09 | 0:04:12 | |
The works of this giant airship are exquisite. | 0:04:12 | 0:04:17 | |
As perfect, as minute in their beauty | 0:04:17 | 0:04:21 | |
as those in my tiny platinum and diamond wristwatch. | 0:04:21 | 0:04:26 | |
This is the last day before take-off. | 0:04:26 | 0:04:29 | |
I buy a paper in the street. | 0:04:29 | 0:04:31 | |
The papers are full of the flight around the world. | 0:04:34 | 0:04:36 | |
Big headlines, the latest news. | 0:04:36 | 0:04:40 | |
Around lunchtime, I have a last meeting with Hearst. | 0:04:44 | 0:04:47 | |
He tells me my mission is to report on the journey from a woman's point of view. | 0:04:51 | 0:04:57 | |
Women are, after all, an important part of his paper's readership. | 0:04:57 | 0:05:02 | |
He says, "My lady, there is something special about you | 0:05:02 | 0:05:05 | |
"but you are a journalist with very little experience. | 0:05:05 | 0:05:08 | |
"So, you shall be working under the supervision of an experienced journalist, | 0:05:08 | 0:05:13 | |
"Karl von Wiegand." | 0:05:13 | 0:05:14 | |
I feel the blood drain from my face. | 0:05:17 | 0:05:19 | |
It is six months since Karl broke off our affair. | 0:05:20 | 0:05:23 | |
And I haven't seen him since. | 0:05:25 | 0:05:27 | |
I treat myself to a bench on the promenade. | 0:05:31 | 0:05:34 | |
To calm down and to look at the American women. | 0:05:36 | 0:05:39 | |
I met Karl on one of our working journeys. | 0:05:41 | 0:05:44 | |
It was love at first sight. | 0:05:47 | 0:05:49 | |
In his eyes I recognised my soul mate. | 0:05:51 | 0:05:54 | |
But Karl is a married man... | 0:05:56 | 0:05:58 | |
with a wife who is mentally ill. | 0:05:58 | 0:06:00 | |
It was his decision we should stop seeing each other. | 0:06:03 | 0:06:06 | |
He thought it was his duty to look after his wife. | 0:06:08 | 0:06:10 | |
Run out into Fifth Avenue like a headless chicken. | 0:06:18 | 0:06:22 | |
In record time spent hundreds of dollars buying last-minute things. | 0:06:23 | 0:06:27 | |
I buy a fantastic hat, three new dresses, gorgeous materials. | 0:06:30 | 0:06:34 | |
I even measured myself for a leather suit. | 0:06:34 | 0:06:38 | |
God knows what I'm about to experience... Or who with! | 0:06:42 | 0:06:47 | |
So, I must be prepared for everything. | 0:06:47 | 0:06:50 | |
I'm taking all my jewellery, plenty of gloves | 0:06:52 | 0:06:57 | |
and Chanel No. 5. | 0:06:57 | 0:07:00 | |
Hearst felt it was his duty to warn me. | 0:07:00 | 0:07:03 | |
We could crash in Siberia, far from help. | 0:07:03 | 0:07:07 | |
Die slowly, drown, burn. | 0:07:07 | 0:07:11 | |
His warnings only made me more determined. | 0:07:13 | 0:07:16 | |
New York, 7th August. | 0:07:22 | 0:07:25 | |
The last night. | 0:07:25 | 0:07:27 | |
I am all nerves. | 0:07:27 | 0:07:30 | |
Tonight, everyone will be at the Zeppelin ball. | 0:07:32 | 0:07:35 | |
Some people here are immensely rich. | 0:07:44 | 0:07:47 | |
Each family has its own aeroplane | 0:07:47 | 0:07:50 | |
and some of them - father, mother and daughter - | 0:07:50 | 0:07:53 | |
have three, like three cars, with pilots! | 0:07:53 | 0:07:56 | |
Getting drinks is no problem for them! | 0:07:58 | 0:08:00 | |
Through the crowd of dancers I see Karl. | 0:08:07 | 0:08:12 | |
For a moment, we look each other in the eyes. | 0:08:12 | 0:08:15 | |
He comes up to me. | 0:08:19 | 0:08:20 | |
Karl is cool, | 0:08:25 | 0:08:28 | |
he's distant. | 0:08:28 | 0:08:30 | |
He keeps it short. | 0:08:30 | 0:08:32 | |
Asks if I'm prepared. | 0:08:32 | 0:08:34 | |
That's all he says. | 0:08:36 | 0:08:38 | |
Then before I know it, he turns around and leaves the place. | 0:08:38 | 0:08:42 | |
I can't take any more of the party. | 0:08:42 | 0:08:45 | |
I want to walk, | 0:08:46 | 0:08:48 | |
for miles, | 0:08:48 | 0:08:50 | |
on my own legs, whilst I still have the chance. | 0:08:50 | 0:08:55 | |
'Thank you, Jack! It's a beautiful morning down here! | 0:09:00 | 0:09:04 | |
'And it's the day of the greatest aerial adventure in history! | 0:09:04 | 0:09:07 | |
'Crowds are gathering here at Lakehurst, New York, | 0:09:07 | 0:09:10 | |
'to take a last-minute glimpse of the beautiful Graf Zeppelin | 0:09:10 | 0:09:13 | |
'and they're here to watch the departure | 0:09:13 | 0:09:16 | |
'of her flight around the world. | 0:09:16 | 0:09:18 | |
'The band is playing out a stirring farewell!' | 0:09:18 | 0:09:22 | |
I arrive at the airport with my heavy suitcases only just in time. | 0:09:23 | 0:09:28 | |
I feel like Alice in Wonderland. | 0:09:30 | 0:09:32 | |
It's impossible to keep your eyes off this aerial colossus. | 0:09:34 | 0:09:39 | |
Lying in the hangar, | 0:09:39 | 0:09:40 | |
the airship reminds me of a huge pregnant creature, | 0:09:40 | 0:09:45 | |
ready to fulfil her promise. | 0:09:45 | 0:09:47 | |
Then German Commander Eckener comes in. | 0:09:47 | 0:09:51 | |
This whole expedition will be under his command. | 0:09:51 | 0:09:56 | |
He is the Zeppelin, | 0:09:56 | 0:09:58 | |
so closely has he identified himself with this giant airship. | 0:09:58 | 0:10:04 | |
The flight of the Graf Zeppelin around the world, | 0:10:04 | 0:10:07 | |
which we are about to start, | 0:10:07 | 0:10:10 | |
will be the fulfilment of our hopes regarding the airship, by air. | 0:10:10 | 0:10:17 | |
Auf wiedersehen. | 0:10:17 | 0:10:19 | |
When everything is ready, | 0:10:19 | 0:10:21 | |
I am suddenly pushed into the spotlights, next to Karl. | 0:10:21 | 0:10:25 | |
All right, Lady Hay, a few words, please. | 0:10:25 | 0:10:28 | |
I am looking forward to the trip very much indeed | 0:10:28 | 0:10:32 | |
and I realise what a great honour and a great privilege it is | 0:10:32 | 0:10:37 | |
to be the first woman to travel round the world by air. | 0:10:37 | 0:10:41 | |
We expect to have quite an exciting time | 0:10:41 | 0:10:45 | |
and experience many thrills. | 0:10:45 | 0:10:48 | |
-Hooray! -Thank you very much. | 0:10:48 | 0:10:50 | |
Unless one was shot to the moon, | 0:12:45 | 0:12:47 | |
a passenger to Mars | 0:12:47 | 0:12:49 | |
or climbed the unconquered Mount Everest, | 0:12:49 | 0:12:53 | |
I cannot conceive a greater thrill | 0:12:53 | 0:12:57 | |
than this trip around the world through air. | 0:12:57 | 0:13:01 | |
MORSE CODE BLEEPS | 0:13:44 | 0:13:46 | |
RADIO BROADCAST: Her silver radiance is dimmed to a dull slate | 0:13:50 | 0:13:53 | |
in the shadows of the clouds. | 0:13:53 | 0:13:55 | |
From under her sides twinkle the yellow cabin lights, | 0:13:55 | 0:13:58 | |
indicating where the 20 passengers are located. | 0:13:58 | 0:14:01 | |
And one of them is a woman. | 0:14:01 | 0:14:03 | |
Her name is Lady Grace Hay. | 0:14:03 | 0:14:06 | |
RADIO TRANSMISSION: Graf would appreciate weather reports | 0:14:11 | 0:14:13 | |
for vicinity of 40 degrees 12 northwest, 60 degrees 53 west, | 0:14:13 | 0:14:20 | |
720 miles east of New York, no fog, all is well. Over. | 0:14:20 | 0:14:25 | |
Graf, here is the weather report. | 0:14:26 | 0:14:28 | |
Clouds and showers, west wind moving to the northwest. | 0:14:28 | 0:14:31 | |
We wish you a good journey | 0:14:31 | 0:14:33 | |
and good luck. Over. | 0:14:33 | 0:14:35 | |
I'm still trembling all over. | 0:14:40 | 0:14:42 | |
The sensation of being airborne, | 0:14:44 | 0:14:47 | |
seeing everything fall away below us | 0:14:47 | 0:14:49 | |
and then the endless horizon, | 0:14:49 | 0:14:53 | |
that view from north to south, from east to west. | 0:14:53 | 0:14:58 | |
All around us the virgin sky. | 0:15:00 | 0:15:01 | |
I am filled with wonder. | 0:15:04 | 0:15:07 | |
All the passengers gather in the drawing room. | 0:15:27 | 0:15:30 | |
Tea and coffee is served, | 0:15:30 | 0:15:32 | |
sandwiches and a light snack. | 0:15:32 | 0:15:34 | |
All journalists from important agencies. | 0:15:35 | 0:15:39 | |
Some seem mightily interested in "the only woman" | 0:15:39 | 0:15:43 | |
and ask to be introduced. | 0:15:43 | 0:15:46 | |
Others stare unashamedly at me and follow me with their eyes. | 0:15:46 | 0:15:51 | |
I stare back at them, charmingly. | 0:15:51 | 0:15:54 | |
They don't know that I know the passenger list by heart. | 0:15:56 | 0:15:59 | |
Sir Hubert Wilkins, the doyen of explorers, | 0:16:01 | 0:16:04 | |
just back from Antarctica. | 0:16:04 | 0:16:07 | |
He mapped undiscovered land from a plane. | 0:16:07 | 0:16:10 | |
Heinz von Lichtenstein, German journalist. | 0:16:13 | 0:16:16 | |
His colleagues despise him but he has a huge readership. | 0:16:16 | 0:16:19 | |
Professor Karklin, the only Russian correspondent. | 0:16:22 | 0:16:26 | |
He will report from the airship when we are over Moscow. | 0:16:26 | 0:16:29 | |
Professor Fujiyosi, the Japanese scientist, | 0:16:31 | 0:16:34 | |
with us as far as Tokyo at the request of his government. | 0:16:34 | 0:16:37 | |
Very conspicuous, the American William Leeds, | 0:16:39 | 0:16:43 | |
the youngest and richest passenger, | 0:16:43 | 0:16:45 | |
the only one who could pay for his own ticket. | 0:16:45 | 0:16:49 | |
And then Karl. | 0:16:52 | 0:16:54 | |
I know he doesn't look like Hearst's star reporter. | 0:16:54 | 0:16:58 | |
But I have never met a journalist who looks at the world | 0:16:58 | 0:17:02 | |
in such an open, unprejudiced way as he does. | 0:17:02 | 0:17:06 | |
He is one of the most distinguished foreign correspondents in America, | 0:17:06 | 0:17:11 | |
and everybody on board looks up to him. | 0:17:11 | 0:17:14 | |
He offers me a chair. | 0:17:14 | 0:17:16 | |
It feels close, | 0:17:18 | 0:17:21 | |
sharing the same view again. | 0:17:21 | 0:17:23 | |
RADIO MESSAGE IN GERMAN | 0:17:23 | 0:17:25 | |
SPEAKS GERMAN | 0:17:25 | 0:17:27 | |
During the first hours above the ocean, | 0:17:43 | 0:17:45 | |
it is easy enough to spend the day simply sitting by the open window, | 0:17:45 | 0:17:50 | |
feeling the wind in my face, | 0:17:50 | 0:17:53 | |
observing the magical colours of the sea. | 0:17:53 | 0:17:56 | |
Everything is so well-organised. | 0:18:02 | 0:18:05 | |
The best wines at dinner, | 0:18:05 | 0:18:07 | |
a nice young steward who goes to an enormous trouble to look after us. | 0:18:07 | 0:18:12 | |
At tea time, we have an editorial meeting. | 0:18:15 | 0:18:18 | |
Karl and I make a division of tasks. | 0:18:19 | 0:18:22 | |
I shall write short daily travel impressions. | 0:18:22 | 0:18:26 | |
Karl will do a long article about European politics. | 0:18:26 | 0:18:30 | |
After Berlin, | 0:18:31 | 0:18:32 | |
he wants me to write a long piece about Russian politics. | 0:18:32 | 0:18:36 | |
I am alarmed, but keep a grip on myself. | 0:18:39 | 0:18:42 | |
I tell my neighbour that although I once had an interview with Mussolini | 0:18:46 | 0:18:50 | |
for a British ladies' magazine, I don't dare get close to Stalin. | 0:18:50 | 0:18:54 | |
Karl falls into one of his chilly silences. | 0:18:56 | 0:19:00 | |
"Look around," he says. "Get close to Karklin." | 0:19:00 | 0:19:04 | |
At twilight, fog and clouds come down low. | 0:19:10 | 0:19:15 | |
Commander Eckener keeps us under the clouds | 0:19:15 | 0:19:18 | |
until the darkness envelops us, | 0:19:18 | 0:19:20 | |
forcing us to go higher. | 0:19:20 | 0:19:22 | |
RADIO MESSAGE IN GERMAN | 0:19:22 | 0:19:24 | |
Oh, my word! | 0:19:25 | 0:19:27 | |
There it is - | 0:19:27 | 0:19:30 | |
an Arabian night's dream! | 0:19:30 | 0:19:32 | |
Karl stands in the doorway in the half-light. | 0:19:36 | 0:19:39 | |
He comes in, hands me my article with his corrections. | 0:19:39 | 0:19:43 | |
The moon shines clear. | 0:19:46 | 0:19:48 | |
Playful dashes of light fall on the mirror of the sea. | 0:19:48 | 0:19:52 | |
When I move towards him, | 0:19:54 | 0:19:56 | |
Karl holds up his hands like a wall between us. | 0:19:56 | 0:20:01 | |
"I am sorry, Grace," he says. | 0:20:01 | 0:20:03 | |
"Our relationship must remain purely professional." | 0:20:03 | 0:20:08 | |
He says good night. | 0:20:08 | 0:20:10 | |
After two days flying above the Atlantic, at 5.40 in the morning, | 0:20:33 | 0:20:37 | |
Captain Lehmann comes around calling out, "Land, land!" | 0:20:37 | 0:20:42 | |
The men on the bridge are wildly excited, | 0:20:42 | 0:20:45 | |
which brings us all out in greatest haste to see it. | 0:20:45 | 0:20:49 | |
RADIO BROADCAST: Yes, dear listeners, | 0:20:53 | 0:20:55 | |
so far the passengers have not experienced the slightest thrill. | 0:20:55 | 0:20:59 | |
They tackled their meals with good appetites. | 0:20:59 | 0:21:02 | |
Karl von Wiegand, correspondent on board, | 0:21:03 | 0:21:06 | |
said in his dispatch | 0:21:06 | 0:21:08 | |
that crossing the Atlantic from New York to Land's End | 0:21:08 | 0:21:11 | |
took the ship 44 hours with an average speed of 75 mph. | 0:21:11 | 0:21:17 | |
If the Zeppelin is able to maintain this speed, | 0:21:17 | 0:21:20 | |
she will arrive at a fully booked and crowded Friedrichshafen | 0:21:20 | 0:21:23 | |
by early afternoon. | 0:21:23 | 0:21:25 | |
It is wonderful to see people on the ground again. | 0:21:25 | 0:21:28 | |
Karl and I often used to go down to the sea. | 0:21:32 | 0:21:36 | |
We both love the scent of the sea breeze. | 0:21:36 | 0:21:38 | |
It was a lovely time then. | 0:21:38 | 0:21:41 | |
We delighted in each other. | 0:21:43 | 0:21:45 | |
He showed his warm, gentle side. | 0:21:45 | 0:21:48 | |
But we were never completely carefree. | 0:21:51 | 0:21:54 | |
There was always the shadow of Karl's wife, Inez. | 0:21:54 | 0:21:56 | |
I had only recently buried my husband. | 0:22:12 | 0:22:17 | |
Robert was 50 years older than me. | 0:22:17 | 0:22:19 | |
I met him through connections of my father's. | 0:22:19 | 0:22:23 | |
I thought he was a good match. | 0:22:23 | 0:22:25 | |
The marriage suffocated me. | 0:22:27 | 0:22:30 | |
God, how I longed for tenderness, | 0:22:30 | 0:22:35 | |
for closeness. | 0:22:35 | 0:22:37 | |
ACCORDION MUSIC | 0:22:43 | 0:22:45 | |
En route for Friedrichshafen, 11th August. | 0:22:45 | 0:22:50 | |
German Captain Lehmann comes by at regular intervals, | 0:22:50 | 0:22:54 | |
takes an interest in my welfare, | 0:22:54 | 0:22:56 | |
makes sure the steward takes good care of me. | 0:22:56 | 0:22:59 | |
He plays the accordion wonderfully. | 0:23:01 | 0:23:03 | |
I'm feminine enough to revel in small attentions. | 0:23:03 | 0:23:07 | |
MORSE CODE BLEEPS | 0:23:15 | 0:23:17 | |
We are flying over the remains of the war where our compatriots lie buried, | 0:23:18 | 0:23:24 | |
having died in the mass slaughter of a heroic struggle. | 0:23:24 | 0:23:27 | |
World leaders are still talking about the German reparations | 0:23:29 | 0:23:32 | |
that are to last for the next 59 years, | 0:23:32 | 0:23:36 | |
until 1989. | 0:23:36 | 0:23:37 | |
The discussions have become heated. | 0:23:44 | 0:23:46 | |
Europe is seen as a hotbed of conflict. | 0:23:46 | 0:23:51 | |
Opinions are divided. | 0:23:51 | 0:23:52 | |
Optimists like Leeds see a golden financial future. | 0:23:54 | 0:23:58 | |
Karklin is a rock-solid believer in the Communist utopia. | 0:23:58 | 0:24:03 | |
Karl takes no part in the discussions. | 0:24:03 | 0:24:07 | |
He's a man of few words. | 0:24:07 | 0:24:09 | |
What he has to say, he says in his articles. | 0:24:09 | 0:24:12 | |
We fly over Ypres and Verdun. | 0:24:21 | 0:24:24 | |
German crew members drop a wreath for their fallen compatriots. | 0:24:24 | 0:24:30 | |
The water of the Bodensee and the small town of Friedrichshafen | 0:24:42 | 0:24:46 | |
lie in the distance on the horizon. | 0:24:46 | 0:24:50 | |
"The Zeppelin is Germany's national showpiece," says Captain Lehmann. | 0:24:58 | 0:25:03 | |
The money to build it was raised by the German people. | 0:25:03 | 0:25:07 | |
The airship is a symbol of national unity. | 0:25:11 | 0:25:14 | |
"This is their airship," he says. | 0:25:15 | 0:25:17 | |
Their Zeppelin has come home. | 0:25:19 | 0:25:22 | |
BRASS BAND MUSIC | 0:26:35 | 0:26:37 | |
CROWD CHEERS | 0:27:13 | 0:27:17 | |
The people of Friedrichshafen are ecstatic, full of pride. | 0:27:24 | 0:27:29 | |
Their little town has become important, | 0:27:29 | 0:27:31 | |
thanks to the Zeppelin. | 0:27:31 | 0:27:34 | |
This great German achievement has restored their national pride. | 0:27:36 | 0:27:41 | |
"The Germans are not as happy as they look," says Lehmann. | 0:27:43 | 0:27:47 | |
The original plan was to fly from Friedrichshafen to Friedrichshafen. | 0:27:54 | 0:27:58 | |
Germany has no more money to spend, | 0:28:01 | 0:28:04 | |
so Hearst pays. | 0:28:04 | 0:28:06 | |
He owns the journey and flies from New York to New York. | 0:28:06 | 0:28:09 | |
The warm sun of August shines gently. | 0:28:32 | 0:28:35 | |
It's lovely to be in the park and to enjoy all the festivities. | 0:28:35 | 0:28:39 | |
Lehmann and I join some crew members | 0:28:41 | 0:28:43 | |
in the company of German girls. | 0:28:43 | 0:28:46 | |
Karl is with them. | 0:28:48 | 0:28:51 | |
The afternoon is bright and joyful. | 0:28:51 | 0:28:54 | |
We enjoy the moment completely, with childlike abandon. | 0:28:58 | 0:29:03 | |
I can't take my eyes off Karl. | 0:29:03 | 0:29:06 | |
I force myself to look away. | 0:29:10 | 0:29:12 | |
I sleep badly at night. | 0:29:20 | 0:29:23 | |
Too warm and stifled. | 0:29:23 | 0:29:26 | |
And dream that there are lots of snakes, | 0:29:26 | 0:29:29 | |
all chasing me, trying to bite me. | 0:29:29 | 0:29:34 | |
One big one comes after me, wants me to kiss it. | 0:29:34 | 0:29:38 | |
It is almost piteously aware of its repellent appearance, | 0:29:40 | 0:29:43 | |
and kind of shy. | 0:29:43 | 0:29:46 | |
And it knows I hate it. | 0:29:46 | 0:29:47 | |
I am frightened. | 0:29:48 | 0:29:50 | |
I beg and beg. | 0:29:51 | 0:29:53 | |
And it says that if I would only kiss it, | 0:29:53 | 0:29:57 | |
it would acquire a soul. | 0:29:57 | 0:29:58 | |
I'm in a dreadful fix. | 0:30:00 | 0:30:01 | |
For I see its fangs and fear it to be poisoned. | 0:30:01 | 0:30:05 | |
But I do let it touch my lips. | 0:30:06 | 0:30:08 | |
I wake up early, sweaty, | 0:30:13 | 0:30:16 | |
sicky and not well. | 0:30:16 | 0:30:18 | |
The morning of our departure, | 0:31:18 | 0:31:20 | |
there is a complete fuss about Commander Eckener. | 0:31:20 | 0:31:23 | |
In a talk he gave, | 0:31:24 | 0:31:25 | |
he said that the Graf Zeppelin is actually out of date | 0:31:25 | 0:31:29 | |
but that Germany is working on a technically more advanced airship. | 0:31:29 | 0:31:33 | |
Some of the passengers are highly agitated. | 0:31:34 | 0:31:38 | |
No wonder. | 0:31:38 | 0:31:39 | |
The most dangerous stage lies ahead of us. | 0:31:39 | 0:31:42 | |
We're not referring to Berlin or the plains of Poland, | 0:31:42 | 0:31:46 | |
but to the vast, desolate expanse of Russia and Siberia. | 0:31:46 | 0:31:51 | |
We have fuel for 150 hours to get us across 11,000 kilometres. | 0:31:51 | 0:31:57 | |
One of the passengers gives a radio interview full of self-importance. | 0:32:00 | 0:32:04 | |
"I must be very careful in view of the pledge of silence | 0:32:04 | 0:32:07 | |
"expected from me. | 0:32:07 | 0:32:08 | |
"I want to consult some fellow lawyers before I say anything." | 0:32:08 | 0:32:12 | |
Eckener addresses us. | 0:32:13 | 0:32:15 | |
He is honest and direct. | 0:32:15 | 0:32:17 | |
He has spoken to Stalin's staff. | 0:32:18 | 0:32:21 | |
Russia has opened her gates so that we may fly over her vastness. | 0:32:21 | 0:32:25 | |
This is an expedition! | 0:32:25 | 0:32:28 | |
Eckener will give his life for our safety. | 0:32:28 | 0:32:31 | |
Now we're heading for Berlin. | 0:34:21 | 0:34:23 | |
Everybody is happy to be on the move again and eager to see Berlin. | 0:34:25 | 0:34:29 | |
I find it hard to concentrate. | 0:34:31 | 0:34:34 | |
Political disagreements have melted away. | 0:34:37 | 0:34:41 | |
Everyone is singing, laughing and dancing, | 0:34:41 | 0:34:44 | |
looking like a bunch of idiots. | 0:34:44 | 0:34:47 | |
MORSE CODE BLEEPS | 0:34:55 | 0:34:57 | |
RADIO BROADCAST: In the last hour, the city has become thronged with people. | 0:34:57 | 0:35:01 | |
The traffic is chaotic, | 0:35:01 | 0:35:03 | |
businesses have shut down for the day. | 0:35:03 | 0:35:05 | |
People are standing on every flat roof. | 0:35:05 | 0:35:08 | |
Not everybody is celebrating the arrival of the Zeppelin. | 0:35:57 | 0:36:01 | |
Hundreds have assembled in the streets | 0:36:01 | 0:36:04 | |
to protest against the reparations. | 0:36:04 | 0:36:06 | |
SHOUTS IN GERMAN | 0:36:09 | 0:36:11 | |
CROWD SHOUT IN GERMAN | 0:36:15 | 0:36:17 | |
SHOUTING AND WHISTLING | 0:36:27 | 0:36:30 | |
EXPLOSION | 0:36:39 | 0:36:41 | |
GUNFIRE | 0:36:47 | 0:36:49 | |
Just passed the Polish frontier, 15th August. | 0:36:55 | 0:37:00 | |
The violence was horrible. | 0:37:04 | 0:37:06 | |
Commander Eckener looks worried, like all the Germans on board. | 0:37:12 | 0:37:15 | |
Deep down, I know I should write about it. | 0:37:17 | 0:37:20 | |
That it's important to take note of the present extremist violence. | 0:37:21 | 0:37:25 | |
I prefer to ignore it. | 0:37:28 | 0:37:30 | |
The crew have now warned us very seriously of what is coming | 0:37:32 | 0:37:36 | |
and put us all on a limited ration of water. | 0:37:36 | 0:37:39 | |
The men were advised not to bother | 0:37:40 | 0:37:42 | |
with shaving and washing from now on. | 0:37:42 | 0:37:44 | |
They make an exception for me. | 0:37:47 | 0:37:49 | |
Who wants to sit at a table with an unwashed woman? | 0:37:49 | 0:37:52 | |
I need to be alone for a bit, | 0:37:57 | 0:37:59 | |
to let all the experiences sink in. | 0:37:59 | 0:38:02 | |
I long for privacy but the walls here are paper-thin. | 0:38:05 | 0:38:09 | |
Tried to work all night on my article about Russian politics. | 0:38:19 | 0:38:22 | |
But everything I wrote I rejected, threw it away. | 0:38:22 | 0:38:25 | |
KNOCK AT DOOR | 0:38:41 | 0:38:43 | |
Karl comes in to collect my latest copy, to send it to Hearst. | 0:38:43 | 0:38:47 | |
I haven't written a word, the paper is still blank. | 0:38:47 | 0:38:50 | |
"For heaven's sake," he says. | 0:38:53 | 0:38:55 | |
"Do what you're good at. | 0:38:55 | 0:38:57 | |
"Write!" | 0:38:59 | 0:39:00 | |
Above Russia, 150 miles from Moscow, 16th August. | 0:39:41 | 0:39:47 | |
All my colleagues are busy writing. | 0:39:47 | 0:39:51 | |
Russia seems to inspire everyone. | 0:39:51 | 0:39:53 | |
I overcome my resistance and talk to Karklin. | 0:39:53 | 0:39:55 | |
He tells me that, in Moscow, | 0:40:02 | 0:40:04 | |
thousands of people are awaiting the Zeppelin. | 0:40:04 | 0:40:07 | |
He talks about this area, | 0:40:09 | 0:40:11 | |
a desolate territory where the revolution has never penetrated. | 0:40:11 | 0:40:15 | |
Collective farms are the way to bring the revolution | 0:40:15 | 0:40:17 | |
to the backward countryside. | 0:40:17 | 0:40:19 | |
I tell him that the stagnation of the revolution | 0:40:21 | 0:40:24 | |
seems an unquestionably positive matter. | 0:40:24 | 0:40:26 | |
The Bolshevik is distinctly annoyed. | 0:40:28 | 0:40:31 | |
MORSE CODE BLEEPS | 0:40:36 | 0:40:38 | |
The Pravda writes lyrically | 0:40:41 | 0:40:42 | |
about the blessings of Communism for the people. | 0:40:42 | 0:40:46 | |
The Russians expect that the revolution will spread to Germany | 0:40:46 | 0:40:49 | |
and then to the rest of Europe. | 0:40:49 | 0:40:51 | |
Below us lies a land that has sunk deep. | 0:40:52 | 0:40:55 | |
Suddenly, the airship makes a sharp turn to the north. | 0:41:48 | 0:41:53 | |
We all have to keep our balance. | 0:41:54 | 0:41:56 | |
Breathless moments pass. | 0:41:56 | 0:41:59 | |
Eckener has taken the unthinkable decision not to fly over Moscow. | 0:42:02 | 0:42:06 | |
A low-pressure area over the Caspian Sea | 0:42:09 | 0:42:12 | |
is creating contrary easterly winds. | 0:42:12 | 0:42:14 | |
It might be suicidal to waste eight or ten hours' fuel | 0:42:16 | 0:42:19 | |
merely to fly over Moscow. | 0:42:19 | 0:42:21 | |
Karklin storms into the wheelhouse, shouting at Eckener, | 0:42:24 | 0:42:28 | |
"This is an offence against Bolshevism and Stalin." | 0:42:28 | 0:42:31 | |
But there is little the Bolshevik can do. | 0:42:31 | 0:42:33 | |
Eckener stays calm. | 0:42:36 | 0:42:37 | |
The illegal Russian government is furious that we didn't go to Moscow. | 0:42:53 | 0:42:57 | |
They warn Eckener that, | 0:42:57 | 0:42:59 | |
if he wants a direct air route from Germany to Japan, | 0:42:59 | 0:43:02 | |
he should have stopped in Moscow. | 0:43:02 | 0:43:04 | |
They say that Russian airplanes were standing by to give us help. | 0:43:05 | 0:43:08 | |
In my opinion, Eckener was right | 0:43:08 | 0:43:10 | |
in not wanting to exchange information with the Soviets. | 0:43:10 | 0:43:13 | |
I am sick and tired of all the political talk in the drawing room. | 0:43:28 | 0:43:32 | |
Here in my cabin, I can get away from it. | 0:43:33 | 0:43:36 | |
KNOCK AT DOOR | 0:43:45 | 0:43:47 | |
Why does he keep coming to see me? | 0:43:47 | 0:43:49 | |
"Grace," he says, | 0:43:51 | 0:43:53 | |
"I would like to point out to you | 0:43:53 | 0:43:56 | |
"why Karklin is so hostile. | 0:43:56 | 0:43:57 | |
"Eckener is ignoring the Russian government | 0:43:57 | 0:44:00 | |
"to please America, Germany and Japan." | 0:44:00 | 0:44:02 | |
I tell him I'm not interested. | 0:44:04 | 0:44:08 | |
He says, "You would do well to confront reality for once." | 0:44:12 | 0:44:16 | |
I ask him, "What is the reality of this?" | 0:44:20 | 0:44:24 | |
I want to push him out of my cabin. | 0:44:26 | 0:44:27 | |
From crude gorgeousness to mysterious pastel depths. | 0:44:41 | 0:44:47 | |
From harsh jaggedness to the seduction of the intangible. | 0:44:47 | 0:44:51 | |
Falling night weaves a spell of romance | 0:44:52 | 0:44:55 | |
over the twilight-dimmed landscape. | 0:44:55 | 0:44:58 | |
Like a beautiful woman slowly and luxuriously decking herself with diamonds, | 0:45:02 | 0:45:08 | |
the mountains of Russia take on gleaming clusters | 0:45:08 | 0:45:13 | |
of sparkling lights as, one by one, | 0:45:13 | 0:45:16 | |
the tiny villages illuminate themselves against the darkness. | 0:45:16 | 0:45:20 | |
When I wake up, there is an entirely different landscape. | 0:45:30 | 0:45:33 | |
We look out at innumerable lakes and marshes | 0:45:39 | 0:45:44 | |
and the sinuous cold, black river Tunguska, | 0:45:44 | 0:45:48 | |
slithering 1,160 miles through endless forests, | 0:45:48 | 0:45:54 | |
where there is seldom a sign of human habitation. | 0:45:54 | 0:45:57 | |
I wrote Karl a letter last night. | 0:46:24 | 0:46:27 | |
I cancelled our collaboration in view of the incompatibility of our characters. | 0:46:27 | 0:46:33 | |
My decision is firm. | 0:46:34 | 0:46:37 | |
I shall continue as a one-man editorial staff. | 0:46:38 | 0:46:42 | |
This does feel wonderful. | 0:46:43 | 0:46:46 | |
The cook has found a stowaway in the storage area. | 0:47:24 | 0:47:28 | |
He's still a boy, no older than 16 - | 0:47:30 | 0:47:35 | |
on his way to Los Angeles to become a film star. | 0:47:35 | 0:47:39 | |
He's been given a hero's welcome. | 0:47:39 | 0:47:41 | |
Karl hasn't shown his face. | 0:47:48 | 0:47:50 | |
He's even had his dinner served in his cabin. | 0:47:52 | 0:47:56 | |
And I've informed him in a letter | 0:47:56 | 0:47:58 | |
that I claim the stowaway for my article. | 0:47:58 | 0:48:00 | |
He will do well to respect that. | 0:48:00 | 0:48:03 | |
30 hours above Siberia is exhausting. | 0:48:13 | 0:48:18 | |
The solitude feels poisonous. | 0:48:18 | 0:48:21 | |
There's a dark mood on board. | 0:48:24 | 0:48:27 | |
For much of the day, I lie in my eiderdown sleeping bag - | 0:48:29 | 0:48:34 | |
there's no other way to keep out the cold. | 0:48:34 | 0:48:38 | |
The Tunguska flows | 0:48:50 | 0:48:52 | |
into the northernmost ice lake of Siberia. | 0:48:52 | 0:48:55 | |
This must be Yakutsk, | 0:48:55 | 0:48:57 | |
a community of tens of thousands exiled by the tsarist regime - | 0:48:57 | 0:49:02 | |
criminals and political dissidents. | 0:49:02 | 0:49:04 | |
If you consider the distance we have travelled, | 0:49:08 | 0:49:11 | |
this place is a bleak wilderness of cold and isolation | 0:49:11 | 0:49:15 | |
from which nobody can ever escape. | 0:49:15 | 0:49:18 | |
The Stanovoy Range rises before us like a wall. | 0:50:29 | 0:50:34 | |
We assemble in the drawing room. | 0:50:34 | 0:50:37 | |
The inadequate map shows peaks of 3,400 feet, | 0:50:38 | 0:50:43 | |
but Eckener reckons we are facing peaks of 6,000 feet. | 0:50:43 | 0:50:47 | |
To prevent the airship smashing itself against the mountains, | 0:50:47 | 0:50:51 | |
it will have to rise to a height nobody considers possible. | 0:50:51 | 0:50:55 | |
The drawing room is jam-packed. | 0:50:56 | 0:50:58 | |
We go up in jerks. | 0:50:58 | 0:51:00 | |
Then, for a moment, we are stable. | 0:51:00 | 0:51:03 | |
Hundreds of litres of water are being discharged. | 0:51:03 | 0:51:06 | |
Then, with a jolt, we shoot up again. | 0:51:06 | 0:51:10 | |
I can't see anything. | 0:51:15 | 0:51:17 | |
And with every shock, I am pressed indecently close to those around me. | 0:51:17 | 0:51:21 | |
When I can stand no more, I wrestle myself free, | 0:51:23 | 0:51:27 | |
out of the drawing room, back to the wheelhouse. | 0:51:27 | 0:51:32 | |
I find myself next to Karl. | 0:51:36 | 0:51:39 | |
More water is discharged with a hard bang. | 0:52:03 | 0:52:08 | |
We shoot several metres up in the air and just clear the peaks. | 0:52:08 | 0:52:13 | |
The airship feels out of control. | 0:52:13 | 0:52:15 | |
We go up and up, higher and higher. | 0:52:15 | 0:52:19 | |
I catch Karl's eye. | 0:52:21 | 0:52:23 | |
We climb up through the clouds. | 0:52:30 | 0:52:32 | |
At last, through the gaps we see the West Pacific. | 0:52:32 | 0:52:35 | |
We have survived. | 0:52:37 | 0:52:39 | |
In the jubilation, Karl takes my hand. | 0:53:02 | 0:53:07 | |
"I'm sorry about my harsh words," he says. | 0:53:07 | 0:53:10 | |
"The thought that something might happen to you was the worst thing of all." | 0:53:10 | 0:53:14 | |
His eyes are soft and affectionate, | 0:53:16 | 0:53:20 | |
so I tell him it's all right. | 0:53:20 | 0:53:22 | |
Only because of the look in his eyes. | 0:53:26 | 0:53:29 | |
Only for that. | 0:53:30 | 0:53:32 | |
RADIO BROADCAST: This unprecedented air cruise, | 0:54:33 | 0:54:36 | |
as planned by the Hearst newspapers, has greatly impressed the Japanese. | 0:54:36 | 0:54:40 | |
Japan will never forget that moment when this wonderful airship | 0:54:40 | 0:54:43 | |
appeared in the blue sky above. | 0:54:43 | 0:54:46 | |
The Zeppelin has flown 6,600 miles | 0:54:47 | 0:54:52 | |
in a record time of 102 hours | 0:54:52 | 0:54:56 | |
and has arrived at Tokyo 22 hours earlier than expected. | 0:54:56 | 0:55:01 | |
-RADIO BROADCAST: -This brilliant success | 0:55:01 | 0:55:04 | |
of Germanic science and energy has shortened the distance | 0:55:04 | 0:55:07 | |
between the East and West to an extent hitherto unimagined. | 0:55:07 | 0:55:10 | |
It will have a tremendous effect on the development | 0:55:10 | 0:55:13 | |
of German air traffic with, we hope, great strengthening | 0:55:13 | 0:55:17 | |
of German-Japanese friendship. | 0:55:17 | 0:55:19 | |
Tokyo, 19th of August. | 0:55:19 | 0:55:21 | |
A continuous round of parties, receptions and interviews. | 0:55:21 | 0:55:27 | |
Hearst has instructed me to give as many interviews as possible. | 0:55:27 | 0:55:32 | |
Everywhere he goes, Eckener receives a hero's welcome. | 0:55:37 | 0:55:41 | |
CHEERS | 0:55:44 | 0:55:46 | |
Banzai! | 0:55:46 | 0:55:48 | |
CROWD CHEERS | 0:55:48 | 0:55:50 | |
Banzai! Banzai! | 0:55:51 | 0:55:54 | |
CROWD CHEERS Banzai! | 0:55:54 | 0:55:55 | |
CROWD CHEERS | 0:55:55 | 0:55:57 | |
Downstairs, in the hotel lobby, | 0:55:57 | 0:55:59 | |
the official festivities continue undiminished - | 0:55:59 | 0:56:03 | |
the banquet, the ball, the garden party. | 0:56:03 | 0:56:07 | |
Karl has excused himself, | 0:56:11 | 0:56:14 | |
he's too tired after the journey. | 0:56:14 | 0:56:16 | |
The hotel IS exquisite - | 0:56:21 | 0:56:24 | |
just like a temple. | 0:56:24 | 0:56:26 | |
After the hell of Siberia, this is a fairy tale. | 0:56:26 | 0:56:32 | |
The garden is full of flowers and ponds full of goldfish. | 0:56:32 | 0:56:36 | |
It's warm, thank heaven. | 0:56:38 | 0:56:40 | |
I'm feeling so starved of warmth. | 0:56:42 | 0:56:44 | |
I can't take my eyes off the geishas in the hotel. | 0:56:50 | 0:56:55 | |
The little girls who serve us, so delicate and refined. | 0:56:55 | 0:57:00 | |
Next to them, I feel so clumsy. | 0:57:02 | 0:57:05 | |
LIGHT TAPPING | 0:57:05 | 0:57:07 | |
Karl comes to my door. | 0:57:07 | 0:57:10 | |
He's wearing a light, white linen suit and looks very handsome. | 0:57:10 | 0:57:16 | |
He takes me by the arm. | 0:57:17 | 0:57:20 | |
We sneak out of the hotel. | 0:57:22 | 0:57:25 | |
As we wander through the streets, we talk about no matter what. | 0:57:25 | 0:57:29 | |
I feel a lot more myself again. | 0:57:31 | 0:57:33 | |
The warmth of the day has receded, | 0:57:55 | 0:57:59 | |
the air is soft and sultry. | 0:57:59 | 0:58:02 | |
I have put on my Eastern nightdress of black silk | 0:58:05 | 0:58:09 | |
embroidered with fierce green-eyed dragons, | 0:58:09 | 0:58:12 | |
with slippers to match. | 0:58:12 | 0:58:14 | |
Karl stands before me. | 0:58:18 | 0:58:21 | |
We say nothing. | 0:58:23 | 0:58:24 | |
I hesitate a moment, | 0:58:27 | 0:58:29 | |
then take his hand. | 0:58:29 | 0:58:31 | |
His fingers entwine gratefully with mine. | 0:58:34 | 0:58:38 | |
Hearst has sent me a warm, fatherly message. | 0:59:41 | 0:59:45 | |
He says that my articles are brilliant front-page material | 0:59:45 | 0:59:49 | |
and the sales are enormous. | 0:59:49 | 0:59:53 | |
I feel well, had a good night's sleep. | 0:59:53 | 0:59:56 | |
I'm full of energy and joyful expectation. | 0:59:56 | 0:59:59 | |
Karl looks happier than he has done for ages. | 0:59:59 | 1:00:02 | |
But then the steward appears, | 1:00:06 | 1:00:09 | |
holding a telegraph in his hand. | 1:00:09 | 1:00:10 | |
It's from Karl's wife, Inez. | 1:00:12 | 1:00:14 | |
My heart sinks. | 1:00:16 | 1:00:18 | |
She must have a sixth sense. | 1:00:25 | 1:00:27 | |
She announces that she'll be waiting for Karl | 1:00:29 | 1:00:31 | |
in the hotel in Los Angeles. | 1:00:31 | 1:00:34 | |
THUNDER RUMBLES | 1:00:47 | 1:00:50 | |
RADIO TRANSMISSION: Graf will appreciate | 1:00:56 | 1:00:59 | |
weather reports en route for 150 degrees east, 54 degrees north. Over. | 1:00:59 | 1:01:07 | |
-RADIO TRANSMISSION: -Graf, here is the weather report. | 1:01:07 | 1:01:10 | |
Clouds and showers. Very strong wind west, moving to the northwest. | 1:01:10 | 1:01:14 | |
Devastating storm expected, and typhoon. | 1:01:14 | 1:01:17 | |
Try to return to Japan. Over. | 1:01:17 | 1:01:19 | |
Thank you for your help. | 1:01:19 | 1:01:21 | |
We cannot turn around, the wind is sucking us in, there is no way back. | 1:01:21 | 1:01:26 | |
May God help us to get through. | 1:01:26 | 1:01:30 | |
MORSE CODE BEEPS | 1:01:30 | 1:01:32 | |
CLANGING | 1:02:02 | 1:02:05 | |
I see Karl fall, his glasses spinning across the floor, | 1:02:21 | 1:02:26 | |
groping helplessly around him. | 1:02:26 | 1:02:29 | |
It was too short for us. | 1:02:35 | 1:02:37 | |
The step between life and death is a small one. | 1:02:40 | 1:02:43 | |
I'm not afraid. | 1:02:46 | 1:02:48 | |
I'm NOT afraid. | 1:02:50 | 1:02:52 | |
RADIO BROADCAST: There are fears that a tragedy has taken place. | 1:02:54 | 1:02:58 | |
It appears that the Graf may be lost. | 1:02:58 | 1:03:01 | |
As far as is known, the airship ran into a storm. | 1:03:01 | 1:03:04 | |
Since that moment, radio contact has been broken. | 1:03:04 | 1:03:07 | |
-RADIO BROADCAST: -The Graf appears to have disappeared | 1:03:07 | 1:03:10 | |
in a storm above the Pacific. | 1:03:10 | 1:03:12 | |
-BOY: -Extra! Paper! | 1:03:20 | 1:03:23 | |
Morgen Post! Morgen Post! | 1:03:24 | 1:03:26 | |
We are still alive after all. | 1:04:04 | 1:04:07 | |
But I don't know if we shall ever see America again. | 1:04:09 | 1:04:12 | |
We were blown off course | 1:04:16 | 1:04:18 | |
and came to rest in a bay of a small unpopulated island. | 1:04:18 | 1:04:22 | |
It's clear that this distresses Eckener. | 1:04:24 | 1:04:26 | |
It is his heavy responsibility to get us away from here. | 1:04:28 | 1:04:31 | |
The crew tries to repair the damage. | 1:04:34 | 1:04:36 | |
A sort of no-man's-land. | 1:04:38 | 1:04:42 | |
All the urgency of the journey has melted away. | 1:04:42 | 1:04:45 | |
Around us is nothing but water. | 1:04:45 | 1:04:49 | |
A calm ocean - | 1:04:49 | 1:04:51 | |
serene and estranging. | 1:04:51 | 1:04:53 | |
RADIO BROADCAST: No one knows if those on board are still alive. | 1:05:19 | 1:05:23 | |
Search operations from Japan and America are underway. | 1:05:23 | 1:05:27 | |
We can only pray for the lives of Commander Eckener, | 1:05:27 | 1:05:30 | |
his passengers and his crew. | 1:05:30 | 1:05:32 | |
It's incredible that we have survived. | 1:05:35 | 1:05:38 | |
Just a few people slightly injured. | 1:05:38 | 1:05:41 | |
We take turns at keeping watch by the window day and night, | 1:05:43 | 1:05:48 | |
looking out for land. | 1:05:48 | 1:05:49 | |
We all realise we can do nothing. | 1:06:10 | 1:06:14 | |
Just keep calm, | 1:06:14 | 1:06:16 | |
hoping, waiting. | 1:06:16 | 1:06:18 | |
Everyone feels anxious... | 1:06:24 | 1:06:25 | |
..but not me. | 1:06:29 | 1:06:31 | |
RADIO MESSAGE: An airship, by all odds the Graf Zeppelin, | 1:07:20 | 1:07:23 | |
has flown over us, the Edward Luckenbach, | 1:07:23 | 1:07:27 | |
13 miles from Point Sur, Monterey County, at 8.40pm. | 1:07:27 | 1:07:31 | |
The drawing room has changed into a news room. | 1:08:29 | 1:08:31 | |
We bring the good news - | 1:08:31 | 1:08:33 | |
we are back and we have survived. | 1:08:33 | 1:08:36 | |
We are all in competition. | 1:08:36 | 1:08:38 | |
I am working like mad to finish my dispatch | 1:08:38 | 1:08:41 | |
whilst trying to be civil to people. | 1:08:41 | 1:08:43 | |
I want to be the first to go into the radio room. | 1:08:43 | 1:08:46 | |
RADIO BROADCAST: Here is Radio San Francisco. | 1:08:51 | 1:08:56 | |
The Graf Zeppelin has been found again after being missing | 1:08:56 | 1:08:59 | |
for two days, and is now flying over our city. | 1:08:59 | 1:09:03 | |
The Graf has managed to cross the great Pacific Ocean. | 1:09:03 | 1:09:07 | |
We set course for Los Angeles, | 1:09:18 | 1:09:21 | |
our last stop. | 1:09:21 | 1:09:22 | |
The Americans stand in their hundreds along the road, | 1:09:24 | 1:09:27 | |
they are delirious. | 1:09:27 | 1:09:29 | |
We are back in reality. | 1:09:40 | 1:09:42 | |
I am scared to death of coming face to face with Inez. | 1:09:46 | 1:09:50 | |
CROWD MURMURS | 1:10:02 | 1:10:04 | |
People are all around, grabbing at me. | 1:10:20 | 1:10:23 | |
A car whisks me away as soon as I arrive. | 1:10:23 | 1:10:27 | |
In my hand, there is a piece of paper | 1:10:27 | 1:10:29 | |
that appears to be a programme for the next few hours - | 1:10:29 | 1:10:33 | |
talks, receptions, interviews. | 1:10:33 | 1:10:36 | |
I'm exhausted when I get to this jam-packed hotel. | 1:10:42 | 1:10:46 | |
This crowd of merrymakers | 1:10:47 | 1:10:48 | |
consists of local politicians and businessmen. | 1:10:48 | 1:10:51 | |
They all want a piece of the pie. | 1:10:53 | 1:10:55 | |
I torment myself by waiting. | 1:11:00 | 1:11:02 | |
Karl is going to arrive with Inez. | 1:11:05 | 1:11:07 | |
When I see them dance affectionately, | 1:11:19 | 1:11:24 | |
so close... | 1:11:24 | 1:11:26 | |
I know it can't be. It cannot be. | 1:11:26 | 1:11:31 | |
I must move on. | 1:11:34 | 1:11:35 | |
I write him a letter. | 1:11:37 | 1:11:39 | |
"My dearest Karl..." | 1:11:41 | 1:11:43 | |
A letter of farewell. | 1:11:43 | 1:11:44 | |
"..I am ALWAYS thinking of you. | 1:11:46 | 1:11:50 | |
"I have never known a love so powerful. | 1:11:50 | 1:11:53 | |
"Do not forget the exquisite beauty of what we've shared... | 1:11:53 | 1:11:58 | |
"..I will always love you. | 1:12:00 | 1:12:04 | |
"Your Gracie." | 1:12:04 | 1:12:06 | |
MUSIC: Doin' The New Lowdown by Cab Calloway | 1:12:11 | 1:12:14 | |
One new passenger has come onboard, GD Godfrey, stockbroker. | 1:13:07 | 1:13:12 | |
He wants to be the first man to deal in shares on board an airship. | 1:13:13 | 1:13:17 | |
There is a feverish atmosphere since Godfrey started trading in shares. | 1:13:27 | 1:13:32 | |
In the radio room, | 1:13:35 | 1:13:37 | |
Godfrey is in contact with his assistant on the exchange floor. | 1:13:37 | 1:13:41 | |
He constantly buys and sells shares. | 1:13:41 | 1:13:45 | |
He earns an immense amount of money. | 1:13:45 | 1:13:48 | |
It has an infectious effect on the other men. | 1:13:48 | 1:13:51 | |
They get greedy and try to follow in Godfrey's footsteps. | 1:13:51 | 1:13:55 | |
We glide over the Midwest. | 1:13:57 | 1:14:00 | |
All that seems to matter to them is the Stock Exchange. | 1:14:00 | 1:14:03 | |
Karl and I don't talk any more. | 1:14:08 | 1:14:11 | |
He maintains a deep silence about my letter. | 1:14:11 | 1:14:16 | |
In 21 days, we flew over mountains, valleys, | 1:14:28 | 1:14:33 | |
over fields full of flowers, dark virgin forest. | 1:14:33 | 1:14:38 | |
We explored countries where people live as prisoners, | 1:14:38 | 1:14:42 | |
where human life has no value. | 1:14:42 | 1:14:45 | |
Here, in the land of the free, there seems no limit to the horizon. | 1:14:46 | 1:14:51 | |
To see this world, to live this journey. | 1:14:55 | 1:14:59 | |
Nothing can ever be the same. | 1:15:01 | 1:15:03 | |
RADIO REPORT: We ARE in radio contact with the Graf. | 1:15:07 | 1:15:11 | |
We hear that, after a good rest, | 1:15:11 | 1:15:13 | |
Eckener has come out of his cabin to fly the airship over New York. | 1:15:13 | 1:15:17 | |
The old man is back in front. | 1:15:20 | 1:15:23 | |
After sending my last dispatches to the news room, | 1:15:24 | 1:15:27 | |
I get an enthusiastic message back from Hearst. | 1:15:27 | 1:15:31 | |
"You'd better prepare yourself, girl, | 1:15:31 | 1:15:34 | |
"for a splendid reception in New York." Gosh! | 1:15:34 | 1:15:38 | |
RADIO BROADCAST: What a glorious moment. | 1:15:42 | 1:15:44 | |
The airship salutes our Statue Of Liberty. | 1:15:44 | 1:15:47 | |
We have all gathered in the wheelhouse. | 1:16:11 | 1:16:14 | |
It's a breathtaking and solemn moment. | 1:16:14 | 1:16:18 | |
We are silent and moved. | 1:16:19 | 1:16:22 | |
Karl comes to me. | 1:17:00 | 1:17:03 | |
I tell him I'm not afraid. | 1:17:03 | 1:17:06 | |
I must move on. | 1:17:07 | 1:17:09 | |
He says, "Believe me, | 1:17:11 | 1:17:15 | |
"you're the lucky one." | 1:17:15 | 1:17:17 | |
RADIO REPORT: Yes, people, 5,000 men, women and children | 1:17:26 | 1:17:30 | |
are sitting on newspapers in the park. | 1:17:30 | 1:17:32 | |
The streets are PACKED, all available parking places have been taken. | 1:17:32 | 1:17:38 | |
Deafening cheers rise up when the Zeppelin appears on the horizon. | 1:17:38 | 1:17:42 | |
But, when the airship flies over, | 1:17:42 | 1:17:44 | |
the thousands standing to watch are silent. | 1:17:44 | 1:17:49 | |
-RADIO BROADCAST: -Drivers are breaking all the rules, | 1:17:50 | 1:17:53 | |
putting the brakes on and climbing onto the roofs of their automobiles. | 1:17:53 | 1:17:57 | |
The police are trying to keep everything under control. | 1:17:57 | 1:18:00 | |
They issue warnings and blow their whistles, | 1:18:00 | 1:18:03 | |
but no-one pays any attention. | 1:18:03 | 1:18:06 | |
Pretty soon, the officers give up, shrug their shoulders | 1:18:06 | 1:18:09 | |
and turn their eyes up to the sky to join the watchers. | 1:18:09 | 1:18:12 | |
Yes, people, New York has gone crazy. | 1:18:12 | 1:18:17 | |
Well, well, well. Here we are, right at the official stand. | 1:18:46 | 1:18:50 | |
Within a few moments, the Graf Zeppelin will be back home. | 1:18:50 | 1:18:55 | |
CHEERS | 1:19:08 | 1:19:10 | |
Leeds, Wilkins and Lehmann are the first to disembark. | 1:19:55 | 1:20:00 | |
They are given a hero's welcome. | 1:20:00 | 1:20:03 | |
Eckener is received with great enthusiasm. | 1:20:12 | 1:20:15 | |
I can see that he's happy. | 1:20:15 | 1:20:17 | |
I wait until it is my turn. | 1:20:27 | 1:20:30 | |
Then I realise that outside, the crowd is clamouring for me. | 1:20:30 | 1:20:36 | |
For me. | 1:20:38 | 1:20:40 | |
CHEERS | 1:20:40 | 1:20:42 | |
Here we are now in front of City Hall, | 1:21:10 | 1:21:13 | |
waiting for the parade to start, | 1:21:13 | 1:21:16 | |
and millions of people are waiting. | 1:21:16 | 1:21:18 | |
BRASS BAND MUSIC | 1:21:23 | 1:21:26 | |
I ride in the parade behind Eckener. | 1:21:42 | 1:21:45 | |
What I see is overwhelming. | 1:21:47 | 1:21:49 | |
I have enjoyed the privilege | 1:21:57 | 1:21:59 | |
of being the first woman to fly around the Earth. | 1:21:59 | 1:22:02 | |
I am the luckiest girl in the world. | 1:22:06 | 1:22:09 | |
Subtitles by Red Bee Media Ltd | 1:22:31 | 1:22:34 | |
E-mail [email protected] | 1:22:34 | 1:22:37 |