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In January 1901, | 0:00:02 | 0:00:05 | |
Britain and the Empire mourned the passing of an era. | 0:00:05 | 0:00:09 | |
For more than six decades, | 0:00:12 | 0:00:14 | |
Queen Victoria had stamped her presence on the throne | 0:00:14 | 0:00:17 | |
with a dignified and sober authority. | 0:00:17 | 0:00:19 | |
Now, few could imagine life without her. | 0:00:19 | 0:00:23 | |
People were dreading the death of Queen Victoria. | 0:00:24 | 0:00:28 | |
Partly because she was a fixture of everybody's lives, | 0:00:28 | 0:00:32 | |
but also because they were rather worried | 0:00:32 | 0:00:34 | |
about the kind of king her son would make. | 0:00:34 | 0:00:37 | |
You know, would this man be a worthy successor? | 0:00:37 | 0:00:40 | |
There had been very little evidence that he would. | 0:00:40 | 0:00:44 | |
There was a very strong feeling that he wasn't up to much. | 0:00:44 | 0:00:47 | |
He was nicknamed Edward the Caresser as opposed to Edward the Confessor. | 0:00:47 | 0:00:51 | |
There was a lot of talk that he was a vulgar philistine | 0:00:51 | 0:00:55 | |
and he would be quite incapable of the gravitas and the mastery | 0:00:55 | 0:01:01 | |
that you needed to be king. | 0:01:01 | 0:01:03 | |
King Edward VII, known to the family as Bertie, | 0:01:03 | 0:01:07 | |
couldn't have had a more different public image from that of his mother. | 0:01:07 | 0:01:11 | |
Fat, 59 years old, and with a reputation for frivolity, | 0:01:13 | 0:01:19 | |
Bertie had been pursued by scandal | 0:01:19 | 0:01:21 | |
and written off as an idle, playboy Prince. | 0:01:21 | 0:01:24 | |
Basically, nobody thought he was going to be a good king. | 0:01:25 | 0:01:29 | |
Not even Bertie, actually - | 0:01:29 | 0:01:31 | |
it's widely attested that he was depressed at the time he became king, | 0:01:31 | 0:01:36 | |
because he thought nobody would respect him and he wasn't going to manage. | 0:01:36 | 0:01:40 | |
So it was a very inauspicious start. | 0:01:40 | 0:01:43 | |
Before he'd even been crowned, it seemed the new king was on the verge of a nervous breakdown. | 0:01:43 | 0:01:48 | |
But Edward VII's popular touch would turn out to be his secret weapon. | 0:01:48 | 0:01:53 | |
The man of whom many predicted disaster | 0:01:53 | 0:01:55 | |
turned out to be the king who reinvented monarchy | 0:01:55 | 0:01:58 | |
for the modern age. | 0:01:58 | 0:02:00 | |
In the 1840s, Queen Victoria and her consort Prince Albert | 0:02:17 | 0:02:21 | |
embarked on a mission. | 0:02:21 | 0:02:22 | |
Under the reign of their predecessors, | 0:02:24 | 0:02:26 | |
the high-living Hanoverians, | 0:02:26 | 0:02:28 | |
the monarchy had become a byword for corruption and immorality. | 0:02:28 | 0:02:32 | |
Victoria and Albert believed that if it was to survive in an era of revolution, | 0:02:34 | 0:02:39 | |
the Royal Family must become a model of public duty and immaculate private morality. | 0:02:39 | 0:02:45 | |
Albert and Victoria were very aware of this sort of Hanoverian hangover, | 0:02:47 | 0:02:53 | |
this moral legacy from the Regency days. | 0:02:53 | 0:02:57 | |
The irony was, Victoria was a highly sexed individual | 0:02:57 | 0:03:01 | |
and enjoyed her sex life, | 0:03:01 | 0:03:02 | |
and revelled in it and explored it and wrote about it. | 0:03:02 | 0:03:07 | |
But they knew that the symbol of monarchy | 0:03:07 | 0:03:10 | |
had to be a far more moral endeavour. | 0:03:10 | 0:03:12 | |
Central to Victoria and Albert's plans | 0:03:14 | 0:03:17 | |
was their first son and heir, Bertie, Prince of Wales. | 0:03:17 | 0:03:21 | |
To groom the boy for kingship, | 0:03:21 | 0:03:23 | |
they subjected him to a gruelling programme of moral and intellectual enlightenment. | 0:03:23 | 0:03:29 | |
Prince Albert had an idea | 0:03:29 | 0:03:32 | |
that princes had to be kind of super-people. | 0:03:32 | 0:03:35 | |
And he developed this educational regime for his children, | 0:03:35 | 0:03:39 | |
whereby pretty much every waking moment | 0:03:39 | 0:03:42 | |
was stuffed with improving educational experiences | 0:03:42 | 0:03:46 | |
from the age of about three. | 0:03:46 | 0:03:48 | |
Constantly impressed on Bertie was the fact that he was going to be king | 0:03:48 | 0:03:52 | |
and he had to be good and he had to achieve | 0:03:52 | 0:03:55 | |
and everything had to be improving. | 0:03:55 | 0:03:57 | |
And it was suffocating. | 0:03:57 | 0:03:59 | |
His whole day was parcelled out half hour by half hour into lessons | 0:03:59 | 0:04:04 | |
from early in the morning until six o'clock at night. | 0:04:04 | 0:04:09 | |
And he behaved appallingly. | 0:04:09 | 0:04:11 | |
He behaved like the sort of legendary naughty boy. | 0:04:11 | 0:04:14 | |
He stood in the corner and stamped and screamed, | 0:04:14 | 0:04:17 | |
he behaved as abominably as he possibly could. He refused to work. | 0:04:17 | 0:04:20 | |
"Today I had to do some arithmetic with the Prince of Wales. | 0:04:22 | 0:04:26 | |
"Immediately the pencil was flung to the end of the room. | 0:04:26 | 0:04:29 | |
"The stool was kicked away. | 0:04:29 | 0:04:31 | |
"The Prince was very rude, throwing stones in my face." | 0:04:31 | 0:04:35 | |
Bertie's parents were in despair. | 0:04:38 | 0:04:41 | |
"I never in my life met such a thorough and cunning lazybones. | 0:04:42 | 0:04:47 | |
"It does grieve me when it is my own son, | 0:04:47 | 0:04:50 | |
"and that he might be called upon at any moment | 0:04:50 | 0:04:52 | |
"to take over the reins of a country where the sun never sets. | 0:04:53 | 0:04:56 | |
"His intellect, alas, is weak. | 0:04:58 | 0:05:01 | |
"He listens to nothing you tell him, but seems in a sort of dreaminess, | 0:05:01 | 0:05:07 | |
"which alarms us for his brain." | 0:05:07 | 0:05:10 | |
Victoria and Albert are pretty upset, anxious and confused | 0:05:10 | 0:05:14 | |
by their son's refusal to respond to this educational plan. | 0:05:14 | 0:05:19 | |
They bring in a phrenologist, a man called George Coombe. | 0:05:21 | 0:05:26 | |
Phrenology was this sort of mid-19th century pseudo-science | 0:05:26 | 0:05:30 | |
that declared that if you felt the bumps on a person's head, | 0:05:30 | 0:05:34 | |
then you could determine something about their character, | 0:05:34 | 0:05:37 | |
about the way they were put together. | 0:05:37 | 0:05:39 | |
Now, Combe felt all over young Bertie's head | 0:05:40 | 0:05:44 | |
and declared that his centres of self esteem were too highly developed. | 0:05:44 | 0:05:48 | |
"The boy is a nervous and excitable child with little power of endurance | 0:05:52 | 0:05:56 | |
"or sustained action in any direction." | 0:05:56 | 0:06:00 | |
"The brain is feeble and abnormal, | 0:06:00 | 0:06:02 | |
"making him liable to fits of passion and obstinacy. | 0:06:02 | 0:06:07 | |
Despite Bertie's lack of academic promise, | 0:06:10 | 0:06:13 | |
at the age of 17 he was packed off to university. | 0:06:13 | 0:06:16 | |
The Prince took every opportunity to give his royal minders the slip | 0:06:18 | 0:06:22 | |
and applied himself enthusiastically | 0:06:22 | 0:06:24 | |
to the study of gambling, horses and strong cigars. | 0:06:24 | 0:06:29 | |
Bertie desperately wanted friends. | 0:06:30 | 0:06:32 | |
He really wanted to meet boys of his own age. | 0:06:32 | 0:06:37 | |
That's what he really wanted, he wanted friendship. | 0:06:37 | 0:06:39 | |
He's not ever allowed to sort of rub shoulders with people | 0:06:39 | 0:06:43 | |
as equals of his own age. He never goes anywhere near a school. | 0:06:43 | 0:06:48 | |
And even when he goes to university, Albert is terribly careful to ensure | 0:06:48 | 0:06:52 | |
that he is secluded, so he is brought up very much in isolation. | 0:06:52 | 0:06:56 | |
And this for him was really difficult, | 0:06:56 | 0:06:58 | |
because he was by nature an incredible extrovert. | 0:06:58 | 0:07:00 | |
Despairing of his son's academic abilities, in 1861 Prince Albert | 0:07:06 | 0:07:11 | |
decided to knock his son into shape with a taste of military life. | 0:07:11 | 0:07:15 | |
Bertie was ordered to attend an army camp in Ireland. | 0:07:18 | 0:07:22 | |
But if Albert hoped boot camp would be the making of his son, | 0:07:28 | 0:07:32 | |
he was to be disappointed. | 0:07:32 | 0:07:33 | |
Soon after Bertie's arrival, | 0:07:35 | 0:07:37 | |
fellow officers smuggled a friendly young actress by the name of Nellie Clifden into his sleeping quarters. | 0:07:37 | 0:07:43 | |
The Prince recorded the momentous event in his personal diary. | 0:07:46 | 0:07:51 | |
"6th September, NC, first time. | 0:07:51 | 0:07:55 | |
"9th September, NC, second time. | 0:07:55 | 0:08:00 | |
"10th September, NC, third time." | 0:08:00 | 0:08:06 | |
Temptation comes, and he's ready for it. | 0:08:06 | 0:08:09 | |
He is brimming over with the desire to share the delights | 0:08:09 | 0:08:14 | |
of this beautiful woman that pretty well is put in his bed. | 0:08:14 | 0:08:19 | |
And when his father hears about this, of course horror strikes him. | 0:08:19 | 0:08:24 | |
Bertie is weak in spirit and flesh | 0:08:24 | 0:08:26 | |
and you have this terrible tension between the ideals of monarchy | 0:08:26 | 0:08:32 | |
and this ideal of this bourgeois, mid-Victorian industrious, dutiful monarchy | 0:08:32 | 0:08:39 | |
and what Bertie likes to get up to in the barracks. | 0:08:39 | 0:08:43 | |
It's both an attack upon on their ideal of family but also crucially, I think, | 0:08:44 | 0:08:50 | |
Albert is very worried that it is undermining politically of the monarchy. | 0:08:50 | 0:08:56 | |
"I write to you with heavy heart | 0:08:57 | 0:08:59 | |
"on a subject that has caused me the deepest pain. | 0:08:59 | 0:09:03 | |
"I knew that you were thoughtless and weak, | 0:09:05 | 0:09:07 | |
"but I could not think you depraved." | 0:09:07 | 0:09:09 | |
Bertie couldn't have chosen a worse time to be caught in the act. | 0:09:13 | 0:09:17 | |
His father, Prince Albert, | 0:09:17 | 0:09:19 | |
already suffering the early symptoms of typhoid fever, was crushed with worry. | 0:09:19 | 0:09:25 | |
When he died soon afterwards at Windsor castle, it was Bertie who took the blame. | 0:09:25 | 0:09:31 | |
In the Queen's eyes he was a martyr | 0:09:31 | 0:09:33 | |
who had died because of the wickedness of his son. | 0:09:33 | 0:09:36 | |
He'd sacrificed his life | 0:09:36 | 0:09:39 | |
and she never altogether forgave the Prince of Wales | 0:09:39 | 0:09:43 | |
for what she saw as this appalling misdemeanour | 0:09:43 | 0:09:47 | |
which led to the death of her beloved Albert. | 0:09:47 | 0:09:50 | |
Albert's death has a profoundly negative affect | 0:09:50 | 0:09:54 | |
on the relationship between Bertie and Victoria. | 0:09:54 | 0:09:58 | |
Victoria was completely, well, shocked, | 0:09:58 | 0:10:01 | |
and blames Bertie for Albert's death. | 0:10:01 | 0:10:04 | |
Victoria, she says, "Whenever I see Bertie, I shudder. | 0:10:04 | 0:10:09 | |
"I can't bear to have him in the room. I can't bear to be near him". | 0:10:09 | 0:10:12 | |
The Prince had never enjoyed a warm relationship with his mother. | 0:10:14 | 0:10:18 | |
For the next 40 years it would be positively frosty. | 0:10:18 | 0:10:22 | |
To keep her son and heir from further trouble, | 0:10:23 | 0:10:26 | |
the Queen now resorted to a desperate remedy - marriage. | 0:10:26 | 0:10:29 | |
The royal houses of Europe were scoured for a suitable partner. | 0:10:30 | 0:10:35 | |
The winning candidate was the beautiful, albeit penniless, | 0:10:35 | 0:10:39 | |
Alexandra of Denmark. | 0:10:39 | 0:10:42 | |
In the 18-year-old princess, | 0:10:42 | 0:10:45 | |
it seemed the matchmakers had found the perfect bride. | 0:10:45 | 0:10:49 | |
Alexandra was in fact an ideal wife for the Prince of Wales. | 0:10:49 | 0:10:54 | |
Compared with the starchy correctness and the infinite tedium | 0:10:54 | 0:10:59 | |
of Victoria's court, | 0:10:59 | 0:11:01 | |
the Danish Royal court was a delight for the Prince of Wales | 0:11:01 | 0:11:06 | |
because they took everything cheerfully. | 0:11:06 | 0:11:08 | |
Their idea of relaxation was romps and practical jokes and jolly songs. | 0:11:08 | 0:11:14 | |
It was said about the Danish Royal Family | 0:11:15 | 0:11:17 | |
that nobody was ever allowed to read a book, | 0:11:17 | 0:11:20 | |
and if they saw you reading a book in the sitting room | 0:11:20 | 0:11:23 | |
they'd all run up after you and go, "boo!" | 0:11:23 | 0:11:26 | |
And that was really not all right, they wanted to be galloping around | 0:11:26 | 0:11:31 | |
and playing parlour games and throwing wet towels at each other. | 0:11:31 | 0:11:35 | |
In 1863 the 21-year-old Prince of Wales | 0:11:37 | 0:11:40 | |
married his fun-loving Danish bride. | 0:11:40 | 0:11:43 | |
For the wedding photograph, | 0:11:43 | 0:11:45 | |
Queen Victoria arranged for Albert to join them, | 0:11:45 | 0:11:48 | |
to make sure that nobody had too much fun. | 0:11:48 | 0:11:51 | |
Installed in their opulent marital home, Marlborough House, | 0:11:53 | 0:11:56 | |
the newlyweds quickly became the centre of London's high society. | 0:11:56 | 0:12:00 | |
Amid a ceaseless round of dances, dinner parties and entertainments, | 0:12:02 | 0:12:07 | |
Bertie's true personality could now flourish. | 0:12:07 | 0:12:11 | |
He knew that he wasn't clever like his father. | 0:12:11 | 0:12:15 | |
He knew that he wasn't authoritative like his mother. | 0:12:15 | 0:12:18 | |
What he had was a charm, an easy way of dealing with people. | 0:12:18 | 0:12:23 | |
People found him good company. | 0:12:23 | 0:12:26 | |
He was well behaved, he knew what to say. | 0:12:26 | 0:12:28 | |
He was a good person to be sitting next to at dinner. | 0:12:28 | 0:12:31 | |
It was an arranged marriage, and that was made completely plain. | 0:12:33 | 0:12:37 | |
But I think that Alex, right from the start, | 0:12:37 | 0:12:39 | |
fell in love with him, | 0:12:39 | 0:12:40 | |
and in a way she remained in love with him for the rest of her life. | 0:12:40 | 0:12:44 | |
She said to one of Bertie's sisters, | 0:12:44 | 0:12:46 | |
"You think I'm marrying your brother because of his position, | 0:12:46 | 0:12:49 | |
"but if he was a cowboy, I'd marry him just the same." | 0:12:49 | 0:12:52 | |
The once lonely, isolated youth now had what he'd always craved, | 0:12:54 | 0:12:59 | |
friendship, fun and the unquestioning devotion of a beautiful woman. | 0:12:59 | 0:13:03 | |
But as the Royal Family's most senior male representative, | 0:13:03 | 0:13:08 | |
he also had unfulfilled ambitions. | 0:13:08 | 0:13:11 | |
The Prince of Wales felt, as the heir to the throne, | 0:13:11 | 0:13:14 | |
he ought to be playing a prominent part in the affairs of state. | 0:13:14 | 0:13:19 | |
And he was in fact very ready to do so. He was a man of considerable ability, great energy. | 0:13:19 | 0:13:23 | |
The trouble was that his mother felt that he was irresponsible, | 0:13:23 | 0:13:28 | |
frivolous and incapable a playing a serious role. | 0:13:28 | 0:13:32 | |
Bertie thought what he wanted to do | 0:13:32 | 0:13:35 | |
was to have access to government papers, particularly to Foreign Office dispatches, | 0:13:35 | 0:13:41 | |
because he was always interested in foreign policy and saw that as his special area. | 0:13:41 | 0:13:45 | |
Every time he asked for access to dispatches, what he always asked for was the key. | 0:13:45 | 0:13:50 | |
There was a particular gold key that opened the box of secret papers | 0:13:50 | 0:13:54 | |
from the Foreign Office, and that's what he wanted. | 0:13:54 | 0:13:57 | |
And Queen Victoria, whenever he asked, Queen Victoria would say no, | 0:13:57 | 0:14:00 | |
he can't have access, he's too indiscreet. | 0:14:00 | 0:14:04 | |
Edward said late in his mother's life that everyone had an eternal father, | 0:14:04 | 0:14:10 | |
but he himself was blessed with an eternal mother. | 0:14:10 | 0:14:14 | |
The sort of remark, in fact, | 0:14:14 | 0:14:16 | |
that the present Prince of Wales might actually make. | 0:14:16 | 0:14:20 | |
And, of course, there is this permanent tension between the Prince of Wales, | 0:14:20 | 0:14:24 | |
who is heir to the throne, and the person who's actually occupying it. | 0:14:24 | 0:14:28 | |
Frustrated in his ambition by his mother, | 0:14:29 | 0:14:32 | |
relations between Bertie and his wife | 0:14:32 | 0:14:34 | |
also began to come under pressure. | 0:14:34 | 0:14:36 | |
Three children in the first four years of marriage | 0:14:36 | 0:14:40 | |
had taken the early sparkle out of married life. | 0:14:40 | 0:14:44 | |
Eight months into her third pregnancy, | 0:14:44 | 0:14:46 | |
the Princess fell gravely ill with rheumatic fever. | 0:14:46 | 0:14:51 | |
The crisis was a turning point in the marriage. | 0:14:51 | 0:14:55 | |
It really played, I think, to his worst, his least likeable qualities. | 0:14:55 | 0:15:00 | |
It's said that they had to send three telegrams | 0:15:00 | 0:15:02 | |
to get him to come away from the races to come to her sickbed, | 0:15:02 | 0:15:06 | |
and when he did come he didn't want to stay. | 0:15:06 | 0:15:08 | |
Bertie's reaction is not good. | 0:15:10 | 0:15:13 | |
And he goes out night after night, | 0:15:13 | 0:15:16 | |
saying he'd be back and she waits up and waits up | 0:15:16 | 0:15:20 | |
and he says he'll be back at midnight, but he doesn't come back until three, | 0:15:20 | 0:15:24 | |
and she's meanwhile weeping. You know, very dependent on him. | 0:15:24 | 0:15:28 | |
The illness took a heavy physical toll on the Princess, leaving her lame and increasingly deaf. | 0:15:28 | 0:15:34 | |
It had also opened up deep, underlying tensions in her relationship with the Prince. | 0:15:36 | 0:15:41 | |
I think that he was mixed up, selfish and perhaps a self-obsessed figure. | 0:15:41 | 0:15:48 | |
I think the trouble partly was that Bertie's conflicted | 0:15:48 | 0:15:52 | |
because he was forced to marry her and he resented that. | 0:15:52 | 0:15:56 | |
I mean, 21, forced into an arranged marriage, | 0:15:56 | 0:15:58 | |
no time sow his wild oats, all of that kind of stuff. | 0:15:58 | 0:16:01 | |
But on the other hand, he actually is very fond of her, | 0:16:01 | 0:16:06 | |
so that he treats her badly but at the same time he loves her. | 0:16:06 | 0:16:10 | |
It's quite complicated, I think. | 0:16:10 | 0:16:12 | |
Over the coming years, Alexandra would increasingly retreat from society life | 0:16:14 | 0:16:18 | |
behind the gates of her Sandringham home... | 0:16:18 | 0:16:21 | |
..While Bertie turned elsewhere to satisfy his emotional and physical needs. | 0:16:22 | 0:16:28 | |
There's no doubt he liked the company of women, | 0:16:28 | 0:16:31 | |
and there's no doubt he had lots of mistresses. | 0:16:31 | 0:16:33 | |
There are all these stories about him going off to Paris | 0:16:33 | 0:16:37 | |
and going to brothels where there were lovely ladies. | 0:16:37 | 0:16:39 | |
He would haunt the Cafe Anglais, where orgies were said to occur. | 0:16:45 | 0:16:49 | |
He would visit the Moulin Rouge, where one of the dancers said... | 0:16:49 | 0:16:54 | |
"Hello Wales, will you pay for my champagne?" | 0:16:54 | 0:16:57 | |
And he did pay for her champagne. | 0:16:57 | 0:16:59 | |
There was this very celebrated brothel called Le Chabanais, where Bertie visited. | 0:17:00 | 0:17:06 | |
There is a chair that was in that brothel | 0:17:06 | 0:17:11 | |
that was displayed to people as Bertie's chair. | 0:17:11 | 0:17:15 | |
And it's something that has been designed to allow a man | 0:17:16 | 0:17:22 | |
to indulge in the sexual practices that he wanted to | 0:17:22 | 0:17:26 | |
without breaking into a sweat really. | 0:17:26 | 0:17:29 | |
He was at one point known as Kingky, | 0:17:29 | 0:17:32 | |
which is kind of awful, isn't it? | 0:17:32 | 0:17:35 | |
He would sit in this most incredible bath | 0:17:35 | 0:17:38 | |
that had this sort of swan-necked, mythological figure | 0:17:38 | 0:17:43 | |
and he would sit in this bath with a with a lady of his choice, | 0:17:43 | 0:17:48 | |
not with water in there, but with champagne. | 0:17:48 | 0:17:51 | |
And I guess they would both sit there and listen to the sound | 0:17:51 | 0:17:54 | |
of his father spinning in his grave. | 0:17:54 | 0:17:56 | |
Bertie's frequent trips to the Continent allowed him to indulge his peccadilloes | 0:17:58 | 0:18:03 | |
at a safe distance from his wife, his mother | 0:18:03 | 0:18:06 | |
and the prying eyes of the British press. | 0:18:06 | 0:18:08 | |
But the Prince had also begun to play dangerous games closer to home. | 0:18:10 | 0:18:15 | |
And in 1870, | 0:18:15 | 0:18:17 | |
his secret life was exposed in a most shocking public manner. | 0:18:17 | 0:18:21 | |
My great-great-grandmother | 0:18:23 | 0:18:25 | |
was rather bubbly and rather frivolous, | 0:18:25 | 0:18:28 | |
but obviously rather amusing company. | 0:18:28 | 0:18:32 | |
Everyone seems to have loved her. | 0:18:32 | 0:18:34 | |
She was very popular. | 0:18:34 | 0:18:35 | |
In 1869, the Prince of Wales began a flirtation | 0:18:37 | 0:18:40 | |
with the 21-year-old Lady Harriet Mordaunt, | 0:18:40 | 0:18:43 | |
wife of a prominent Member of Parliament. | 0:18:43 | 0:18:46 | |
He would pay her these afternoon visits. | 0:18:46 | 0:18:49 | |
He would arrive in a hansom cab. | 0:18:49 | 0:18:51 | |
He didn't come in his own carriage, so he obviously wanted to be discreet. | 0:18:51 | 0:18:56 | |
Instructions were given to the servants that no-one else was to be admitted if they came to call. | 0:18:56 | 0:19:01 | |
The visits usually lasted for about an hour and a half. | 0:19:01 | 0:19:05 | |
There was certainly time to get up to mischief, if that's what they wanted to do. | 0:19:05 | 0:19:09 | |
In the summer of 1869, | 0:19:11 | 0:19:13 | |
Harriet's husband, a keen sportsman, went on a fishing trip to Norway. | 0:19:13 | 0:19:18 | |
Bertie took the opportunity | 0:19:19 | 0:19:21 | |
to enjoy Harriet's company at her country residence, Walton Hall. | 0:19:21 | 0:19:26 | |
What they couldn't have known | 0:19:27 | 0:19:29 | |
was that 1869 was a miserable year for the Norwegian salmon. | 0:19:29 | 0:19:33 | |
Sir Charles was back. | 0:19:35 | 0:19:37 | |
Sir Charles cuts short his holiday, arrives back unexpectedly | 0:19:37 | 0:19:42 | |
he sees his wife driving around two white ponies, | 0:19:42 | 0:19:47 | |
which Sir Charles had actually earlier bought from the Prince of Wales. | 0:19:47 | 0:19:51 | |
And watching as they sort of prance around | 0:19:51 | 0:19:55 | |
is the Prince of Wales himself. | 0:19:55 | 0:19:57 | |
Sir Charles flies into the most appalling rage | 0:19:57 | 0:20:01 | |
and instructs his gardener to take off these beautiful white ponies | 0:20:01 | 0:20:05 | |
and shoot them, | 0:20:05 | 0:20:06 | |
and he forces his wife to watch as they're shot. | 0:20:06 | 0:20:10 | |
GUNSHOTS | 0:20:10 | 0:20:13 | |
Bertie beat a hasty retreat. | 0:20:14 | 0:20:16 | |
Soon afterwards, a tearful Harriet confessed | 0:20:16 | 0:20:20 | |
to "sinning with the Prince of Wales and other men, often and in open day." | 0:20:20 | 0:20:25 | |
Sir Charles was furious and vowed to divorce her. | 0:20:26 | 0:20:31 | |
Bertie faced disgrace in the witness box of a public divorce trial. | 0:20:31 | 0:20:36 | |
The case was front page news. | 0:20:36 | 0:20:39 | |
But the Prince still had one supporter. | 0:20:39 | 0:20:42 | |
Recently discovered letters reveal Princess Alexandra, at least, | 0:20:42 | 0:20:47 | |
refused to see any ill in her husband. | 0:20:47 | 0:20:50 | |
"My sweet Minny, I have to mention to you a terrible scandal | 0:20:53 | 0:20:58 | |
"which has shocked everybody here more than words can tell. | 0:20:58 | 0:21:01 | |
"It is a man, Charles Mordaunt, a terrible brute, | 0:21:01 | 0:21:05 | |
"who wants to be separated from his wife, | 0:21:05 | 0:21:07 | |
"who accused herself to be unfaithful, and mentioned my Bertie as her lover! | 0:21:07 | 0:21:12 | |
"To see one's husband being accused in such a scandalous, mean way | 0:21:12 | 0:21:17 | |
"is nearly more than one can bear." | 0:21:17 | 0:21:19 | |
This was the first time for many centuries | 0:21:21 | 0:21:23 | |
that the heir to the throne had appeared in court. | 0:21:23 | 0:21:28 | |
I mean, this in itself was shocking, | 0:21:28 | 0:21:30 | |
and the nature of the case was shocking, too. | 0:21:30 | 0:21:33 | |
It opened a window. It was a revelation to the public | 0:21:33 | 0:21:37 | |
of the goings on in the Prince of Wales's circles. | 0:21:37 | 0:21:40 | |
I think it was a real crisis to Victorian public opinion, | 0:21:40 | 0:21:43 | |
and it really did threaten the monarchy. | 0:21:43 | 0:21:45 | |
The Tory politician Lord Stanley noted: | 0:21:45 | 0:21:49 | |
"Another trial like that would create a Republican Party | 0:21:49 | 0:21:53 | |
"bent on putting an end to the monarchy. | 0:21:53 | 0:21:55 | |
"His folly almost amounts to insanity. | 0:21:55 | 0:21:58 | |
"No warning seems to have any effect." | 0:21:58 | 0:22:01 | |
On 23rd February 1870, a packed courtroom heard the Prince deny | 0:22:04 | 0:22:09 | |
any impropriety with Lady Mordaunt. | 0:22:09 | 0:22:13 | |
But the damage to the Prince and the Crown's reputation had been done. | 0:22:13 | 0:22:18 | |
As for Harriet, a worse fate awaited her. | 0:22:19 | 0:22:23 | |
Her family are thrown into a complete panic | 0:22:23 | 0:22:26 | |
by the prospect of this sort of very lurid case. | 0:22:26 | 0:22:30 | |
But her father decides that the thing to do | 0:22:30 | 0:22:33 | |
is to say that Harriet's insane. | 0:22:33 | 0:22:35 | |
They were very keen to preserve the family honour, | 0:22:37 | 0:22:41 | |
and although you might think that it's a rather odd way to go about it | 0:22:41 | 0:22:44 | |
by establishing you've got a lunatic in the family, | 0:22:44 | 0:22:47 | |
somehow that was considered preferable to the fact | 0:22:47 | 0:22:51 | |
that you had this very promiscuous young woman. | 0:22:51 | 0:22:54 | |
Lady Harriet was committed to a lunatic asylum. | 0:22:55 | 0:22:59 | |
She died there 36 years later. | 0:22:59 | 0:23:03 | |
It's an absolutely appalling story. | 0:23:03 | 0:23:05 | |
It is like something straight out of Wilkie Collins, | 0:23:05 | 0:23:09 | |
a true gothic horror story. | 0:23:09 | 0:23:11 | |
The fate of a young woman who steps out of line was very grim indeed, | 0:23:11 | 0:23:16 | |
if that suited society and the men around her. | 0:23:16 | 0:23:22 | |
Bertie's reckless behaviour had contributed to the ruin of a young woman | 0:23:23 | 0:23:27 | |
and tarnished of the monarchy's image at a time of growing Republican sentiment. | 0:23:27 | 0:23:32 | |
The jeers Bertie suffered in public | 0:23:34 | 0:23:37 | |
were as nothing to the roasting he was about to receive | 0:23:37 | 0:23:40 | |
from his mother. | 0:23:40 | 0:23:41 | |
"He really is more and more careless, | 0:23:42 | 0:23:46 | |
"being dragged into the dirt and mixed up | 0:23:46 | 0:23:49 | |
"in one of the most disgusting and scandalous trials on record." | 0:23:49 | 0:23:53 | |
Victoria was appalled to learn that the Prince of Wales was behaving badly. | 0:23:55 | 0:24:00 | |
But on the other hand, the other side of it | 0:24:00 | 0:24:03 | |
was that the more intelligence she could accumulate of Bertie's bad behaviour, | 0:24:03 | 0:24:08 | |
the more she could say, well, he's absolutely not fit to be King. | 0:24:08 | 0:24:12 | |
You know, he's a wastrel, he's completely no good. | 0:24:12 | 0:24:14 | |
I must stay with all the power, he cannot be trusted. | 0:24:14 | 0:24:18 | |
Queen Victoria wasn't very good at sharing responsibility. | 0:24:18 | 0:24:21 | |
She didn't even like doing it with Albert very much, | 0:24:21 | 0:24:24 | |
who she absolutely adored. | 0:24:24 | 0:24:26 | |
So, she really did her best to try and prevent him from having | 0:24:26 | 0:24:31 | |
any kind of serious duty, and some of the heads of the administrations | 0:24:31 | 0:24:36 | |
that she dealt with agreed. | 0:24:36 | 0:24:38 | |
Disraeli didn't want a sensitive document of any sort | 0:24:38 | 0:24:42 | |
to be put into Bertie's hands, and he was probably right. | 0:24:42 | 0:24:44 | |
Because when he was given things, he had the tendency to kind of pass them around at dinner parties | 0:24:44 | 0:24:49 | |
and ask the guests what they thought. | 0:24:49 | 0:24:51 | |
You know, this wasn't really very useful behaviour. | 0:24:51 | 0:24:54 | |
Bertie grew increasingly disgruntled | 0:24:56 | 0:24:58 | |
at his mother's refusal to share power. | 0:24:58 | 0:25:01 | |
He poured out his anger in a letter to his private secretary. | 0:25:01 | 0:25:05 | |
"The game is not to let me see any interesting or important dispatches. | 0:25:06 | 0:25:11 | |
"This has been going on for years under successive governments | 0:25:11 | 0:25:15 | |
"and it would be far better if the Foreign Office sent me no more, | 0:25:15 | 0:25:19 | |
"which is preferable to the rubbish they do send." | 0:25:19 | 0:25:22 | |
Because he's not trusted with this kind of material, | 0:25:26 | 0:25:29 | |
he is more or less infantilised. | 0:25:29 | 0:25:31 | |
Cartoons of the period will depict him as a baby in a pram. | 0:25:31 | 0:25:37 | |
He's not going to be allowed to involve himself much | 0:25:37 | 0:25:41 | |
in the serious business of state, | 0:25:41 | 0:25:43 | |
so he turns pleasure into a serious business | 0:25:43 | 0:25:46 | |
and commits himself to that. | 0:25:46 | 0:25:48 | |
So that the complexities of his social diary | 0:25:48 | 0:25:51 | |
and what parties he's going to | 0:25:51 | 0:25:54 | |
actually in a way take the place | 0:25:54 | 0:25:56 | |
of sitting there with a red box going through the documents. | 0:25:56 | 0:26:00 | |
And it's almost as if his energies are diverted into that. | 0:26:00 | 0:26:06 | |
As youth gave way to an increasingly corpulent middle age, | 0:26:09 | 0:26:13 | |
the Prince threw himself body and soul into a life of leisure. | 0:26:13 | 0:26:17 | |
He lived an extraordinary raffish existence. | 0:26:19 | 0:26:22 | |
First of all there was the food, and he had... I mean, by modern standards | 0:26:22 | 0:26:27 | |
Edwardian gluttony was simply something to amaze you. | 0:26:27 | 0:26:30 | |
Huge breakfasts, mid-morning meals, | 0:26:30 | 0:26:35 | |
eight-course lunches, tea, | 0:26:35 | 0:26:38 | |
and 12-course dinners, and then sandwiches before you go to bed. | 0:26:38 | 0:26:43 | |
But in the meantime, he would go out and he would attend the music hall. | 0:26:43 | 0:26:49 | |
He would go to cockpits, he would go to billiard rooms that were showing pornographic photographs. | 0:26:49 | 0:26:55 | |
He would go to brothels. | 0:26:55 | 0:26:57 | |
A moment would not go by when he was not diverted. | 0:26:57 | 0:27:01 | |
Bertie did have this sort of gargantuan appetite for everything. | 0:27:01 | 0:27:05 | |
I think a lot of it does come out of having this miserable childhood | 0:27:05 | 0:27:09 | |
where he feels that things are constantly denied him. | 0:27:09 | 0:27:12 | |
When he wasn't devouring a favourite midnight feast of cold roast chicken, | 0:27:14 | 0:27:18 | |
Bertie continued to work his way through a series of mistresses, | 0:27:18 | 0:27:22 | |
including model turned actress, Lily Langtree, and Jennie Churchill, | 0:27:22 | 0:27:27 | |
mother of a pushy young lad named Winston. | 0:27:27 | 0:27:30 | |
Then, at the age of 48, something odd happened. | 0:27:32 | 0:27:36 | |
Perhaps for the first time in his life, Bertie fell in love. | 0:27:36 | 0:27:40 | |
Daisy Warwick was the original It girl. | 0:27:42 | 0:27:45 | |
A combination of beauty and charm all rolled into one. | 0:27:45 | 0:27:50 | |
She was one of those society beauties that had their likeness | 0:27:50 | 0:27:55 | |
put onto these little cards, and you could buy them in the shops. | 0:27:55 | 0:27:59 | |
Daisy, Countess of Warwick was 20 years younger than the Prince of Wales, | 0:27:59 | 0:28:03 | |
fabulously rich and thoroughly scandalous. | 0:28:03 | 0:28:07 | |
At her grand homes, Warwick Castle and Easton Lodge in Essex, | 0:28:07 | 0:28:11 | |
she was famous for hosting lavish entertainments. | 0:28:11 | 0:28:15 | |
Daisy Warwick was incredibly extravagant. She spent money like there was no tomorrow. | 0:28:15 | 0:28:20 | |
She had her own railway branch built to bring guests to her house, luxury everywhere, | 0:28:20 | 0:28:27 | |
and these were the famously racy house parties where Daisy sort of organised adultery really. | 0:28:27 | 0:28:34 | |
There would be flowers on your dressing table, | 0:28:34 | 0:28:37 | |
there were buttonholes for the men, | 0:28:37 | 0:28:40 | |
there were printed lists of who was there for dinner, | 0:28:40 | 0:28:43 | |
and who you were to take in to dinner. | 0:28:43 | 0:28:45 | |
You didn't touch each other, | 0:28:45 | 0:28:47 | |
but there were ways of little notes being left by the candles | 0:28:47 | 0:28:51 | |
saying, "Come and see me, I'm in room...whatever." | 0:28:51 | 0:28:55 | |
It was at one such house party in 1886 that Bertie was introduced to the Countess. | 0:28:55 | 0:29:02 | |
Although their 10-year affair would become common knowledge, | 0:29:04 | 0:29:07 | |
documentary evidence of the relationship has been scarce. | 0:29:07 | 0:29:12 | |
Until now. | 0:29:12 | 0:29:13 | |
The affair with Daisy Warwick was incredibly intense, | 0:29:13 | 0:29:17 | |
but until recently nobody actually knew what went on between them. | 0:29:17 | 0:29:22 | |
It was a puzzle because there was absolutely no evidence at all. | 0:29:22 | 0:29:27 | |
But then, looking at the diary that Bertie kept, | 0:29:27 | 0:29:31 | |
I suddenly realised there was a symbol that I didn't understand | 0:29:31 | 0:29:35 | |
which seems to be occurring increasingly frequently, | 0:29:35 | 0:29:39 | |
sometimes twice a day. | 0:29:39 | 0:29:41 | |
Bertie's diaries reveal the philandering Prince | 0:29:43 | 0:29:45 | |
was using code to cover his tracks. | 0:29:45 | 0:29:48 | |
A letter D written backwards, | 0:29:48 | 0:29:50 | |
signifying his increasingly frequent liaisons with Daisy. | 0:29:50 | 0:29:54 | |
It's possible to see from this to see very clearly | 0:29:56 | 0:29:59 | |
that this was an incredibly intense relationship. | 0:29:59 | 0:30:01 | |
He would meet Daisy twice a day. | 0:30:01 | 0:30:03 | |
He'd have tea with her every day when she was in London. | 0:30:03 | 0:30:06 | |
He'd meet her in the morning, they'd have intimate suppers in the evening. | 0:30:06 | 0:30:10 | |
He called her, "My darling Daisy wife." It was a sort of second marriage. | 0:30:10 | 0:30:14 | |
I think she could fairly be described as the the love of his life. | 0:30:17 | 0:30:21 | |
He wrote to her several times a day, | 0:30:21 | 0:30:24 | |
he saw her all the time and went to stay with her. | 0:30:24 | 0:30:27 | |
I think he was strongly, strongly devoted to her. | 0:30:27 | 0:30:31 | |
"My own lovely little Daisy, tomorrow I go to the races. | 0:30:35 | 0:30:39 | |
"I have two horses running, but I fear they are not any good. | 0:30:39 | 0:30:43 | |
"Don't forget, my darling, to expect me from five on Sunday next. | 0:30:43 | 0:30:46 | |
"I only wish it could be before. | 0:30:46 | 0:30:48 | |
"Goodnight and God keep you, my adored little Daisy." | 0:30:48 | 0:30:53 | |
Bertie's wife, Princess Alexandra | 0:30:55 | 0:30:58 | |
had long since learned to turn a blind eye | 0:30:58 | 0:31:00 | |
to her husband's stable of mistresses. | 0:31:00 | 0:31:04 | |
But in the Countess of Warwick, she had come up against a real rival. | 0:31:04 | 0:31:09 | |
Daisy Warwick | 0:31:11 | 0:31:12 | |
was unlike the professional beauties and slightly marginal society ladies. | 0:31:12 | 0:31:16 | |
Daisy Warwick was right in the middle of the court, a court insider. | 0:31:16 | 0:31:21 | |
She was the mistress with whom Alex couldn't cope | 0:31:21 | 0:31:25 | |
because she threatened Alex's whole world. | 0:31:25 | 0:31:28 | |
Alexandra becomes increasingly distant and she punishes Bertie | 0:31:28 | 0:31:33 | |
by going abroad and by staying abroad. | 0:31:33 | 0:31:35 | |
She goes and stays with her family. | 0:31:35 | 0:31:36 | |
She cables back laconically, "I'm so sorry, have got delayed." | 0:31:36 | 0:31:42 | |
Doesn't show any indication of coming back. This was public humiliation for Bertie. | 0:31:42 | 0:31:48 | |
Bertie had brought his relationship with the Princess to breaking point. | 0:31:48 | 0:31:52 | |
Alexandra needn't have worried. | 0:31:52 | 0:31:55 | |
The Prince's prodigious energies had begun to fail him | 0:31:55 | 0:31:59 | |
in one crucial area. | 0:31:59 | 0:32:01 | |
We know Bertie's health was poor at the time of his relationship | 0:32:01 | 0:32:04 | |
with Daisy Warwick. | 0:32:04 | 0:32:05 | |
And it's also true that in his diary, | 0:32:05 | 0:32:09 | |
Bertie does talk about electrical treatment. | 0:32:09 | 0:32:13 | |
Now what could this be? | 0:32:15 | 0:32:18 | |
One of the things that a male patient might have visited a doctorto be cured for | 0:32:18 | 0:32:24 | |
was impotence problems. | 0:32:24 | 0:32:27 | |
Because it was thought that a shock of electricity | 0:32:27 | 0:32:30 | |
could restore the body's sort of vital energy. | 0:32:30 | 0:32:35 | |
For Daisy, I think the physical side of their relationship | 0:32:36 | 0:32:39 | |
was hugely important. | 0:32:39 | 0:32:40 | |
I think that she loved sex. | 0:32:40 | 0:32:42 | |
She always worrying about it and wanting to meet people. | 0:32:42 | 0:32:48 | |
I found a draft of her letters that said she "mated naturally | 0:32:48 | 0:32:53 | |
"with physical strength or beauty." | 0:32:53 | 0:32:55 | |
Beauty had never been an attribute Bertie could lay claim to. | 0:32:57 | 0:33:01 | |
Now his strength was in question. | 0:33:01 | 0:33:04 | |
In 1898, the still highly-charged Countess | 0:33:04 | 0:33:08 | |
fell pregnant by another man. | 0:33:08 | 0:33:11 | |
To Alexandra's delight, | 0:33:11 | 0:33:13 | |
Daisy wrote to the Prince, ending the 10-year affair. | 0:33:13 | 0:33:17 | |
Her letter is long-since destroyed. | 0:33:17 | 0:33:19 | |
But Bertie's reply is on record. | 0:33:19 | 0:33:23 | |
"My lovely little Daisy, you could not help, my loved one, | 0:33:24 | 0:33:29 | |
"writing to me as you did, though it gave me a pang. | 0:33:29 | 0:33:32 | |
"I gave your letter to the Princess. | 0:33:32 | 0:33:35 | |
"She was moved to tears, | 0:33:35 | 0:33:37 | |
"and said that out of evil, good would come." | 0:33:37 | 0:33:40 | |
The Prince of Wales once again faced an empty existence, | 0:33:43 | 0:33:48 | |
but all that was about to end. | 0:33:48 | 0:33:50 | |
The Queen's health was failing. | 0:33:52 | 0:33:55 | |
In January 1901, | 0:33:57 | 0:33:58 | |
Bertie was summoned to Osborne House on the Isle of Wight. | 0:33:58 | 0:34:02 | |
For the first time in his life, he entered his mother's bedroom. | 0:34:02 | 0:34:07 | |
When she saw Bertie, her eldest son, | 0:34:08 | 0:34:11 | |
in whom for a great deal of her life she had not been best pleased, | 0:34:11 | 0:34:16 | |
I don't think he expected to receive | 0:34:16 | 0:34:19 | |
quite the warmth that some of his siblings got. | 0:34:19 | 0:34:23 | |
But she completely opened her arms to him, | 0:34:23 | 0:34:25 | |
by saying "Bertie" and pulling him forward and hugging him. | 0:34:25 | 0:34:29 | |
And he was reduced to tears. | 0:34:29 | 0:34:31 | |
The reconciliation had come too late. | 0:34:33 | 0:34:36 | |
Minutes later his mother lapsed into unconsciousness and died. | 0:34:36 | 0:34:40 | |
The moment Bertie had been waiting for all his life had arrived. | 0:34:40 | 0:34:45 | |
The accession of an overweight 59-year-old philanderer | 0:34:52 | 0:34:55 | |
hardly thrilled the public imagination. | 0:34:55 | 0:34:59 | |
Few sovereigns have come to the throne with lower expectations. | 0:35:00 | 0:35:05 | |
But from his first command as King, | 0:35:05 | 0:35:07 | |
Bertie was determined to send a signal of intent to his doubters. | 0:35:07 | 0:35:12 | |
He must have recognised that his sense of insecurity | 0:35:14 | 0:35:18 | |
was also reflected by the whole nation's and Empire's view | 0:35:18 | 0:35:23 | |
that he was not quite up to job as she, his mother, had been. | 0:35:23 | 0:35:27 | |
And when he went down to join the yachts that were lined up | 0:35:28 | 0:35:32 | |
to take Queen Victoria's body back from the Isle of Wight to Portsmouth, | 0:35:32 | 0:35:36 | |
he looked up in the rigging | 0:35:36 | 0:35:38 | |
and saw that the Royal Standard was flying at half mast. | 0:35:38 | 0:35:41 | |
And he asked the captain why that was the case, | 0:35:41 | 0:35:44 | |
and the captain, perplexed, said, "Well, the Queen is dead." | 0:35:44 | 0:35:48 | |
And he said "No, the King is alive." | 0:35:48 | 0:35:51 | |
And I think that was a sort of florid way where, | 0:35:52 | 0:35:56 | |
with the spectacular nature of using a symbol, | 0:35:56 | 0:36:01 | |
he was able to show that no, this show goes on. | 0:36:01 | 0:36:04 | |
On January 21st, 1901, | 0:36:09 | 0:36:11 | |
Bertie followed the late Queen's funeral cortege | 0:36:11 | 0:36:14 | |
on its journey towards its final resting place at Windsor. | 0:36:14 | 0:36:19 | |
But even as the King bade farewell to his mother, Bertie was determined | 0:36:19 | 0:36:23 | |
to break with the traditions of her reign and forge his own distinctive brand of monarchy. | 0:36:23 | 0:36:30 | |
After the death of Prince Albert, | 0:36:31 | 0:36:33 | |
Queen Victoria had led an increasingly reclusive existence | 0:36:33 | 0:36:36 | |
behind the walls of Windsor Castle | 0:36:36 | 0:36:38 | |
and her forbidding Highland retreat, Balmoral. | 0:36:38 | 0:36:41 | |
These 20 seconds of film footage, | 0:36:45 | 0:36:48 | |
showing Victoria taking a carriage ride at Balmoral, | 0:36:48 | 0:36:52 | |
are one of the rare glimpses into royal life | 0:36:52 | 0:36:55 | |
the Queen was prepared to allow. | 0:36:55 | 0:36:57 | |
There was great and growing deal of concern about Victoria's withdrawal from public life. | 0:36:59 | 0:37:04 | |
Obviously, her mourning was profound and everyone respected that, | 0:37:04 | 0:37:09 | |
but when it went on, and on, and on | 0:37:09 | 0:37:11 | |
and she didn't open Parliament, she didn't appear, | 0:37:11 | 0:37:14 | |
it fed into a growing Republican move within Britain. | 0:37:14 | 0:37:19 | |
There were these royals taking salaries and not doing the job. | 0:37:19 | 0:37:24 | |
In the 1870s, Britain came closer to becoming a Republic than at any time | 0:37:24 | 0:37:30 | |
in the 18th, 19th or 20th centuries. | 0:37:30 | 0:37:34 | |
The Queen had become extremely unpopular. | 0:37:34 | 0:37:37 | |
She was viewed as being a kind of selfish, extravagant figure, | 0:37:37 | 0:37:41 | |
just sulking in her castle, doing nothing for the country. | 0:37:41 | 0:37:45 | |
In stark contrast to his mother, the Prince of Wales couldn't have been more visible. | 0:37:48 | 0:37:53 | |
Bertie's response to this criticism was basically to say that the monarch needs to be seen in public. | 0:37:55 | 0:38:01 | |
To go and open hospitals, lay foundation stones, to cut tapes, | 0:38:01 | 0:38:07 | |
to launch ships - all of the things that members of the Royal Family do today. | 0:38:07 | 0:38:11 | |
By doing these things, I think Bertie was conscious that he was fighting back. | 0:38:11 | 0:38:16 | |
That this was a new role that the monarchy must perform. | 0:38:16 | 0:38:19 | |
Installed in Buckingham Palace, | 0:38:21 | 0:38:23 | |
and free from his mother's apron strings, | 0:38:23 | 0:38:26 | |
the new King threw himself into preparations | 0:38:26 | 0:38:28 | |
for a dazzling coronation | 0:38:28 | 0:38:30 | |
that would put the Royal Family back at heart of national life. | 0:38:30 | 0:38:34 | |
But Bertie's lack of experience in dealing with affairs of state | 0:38:37 | 0:38:41 | |
soon began to tell. | 0:38:41 | 0:38:42 | |
He was completely overwhelmed with all the things, all his projects, all the things that he wanted to do. | 0:38:46 | 0:38:51 | |
The work itself was something completely new. | 0:38:51 | 0:38:53 | |
All these boxes full of documents that he had no training of going through. | 0:38:53 | 0:38:57 | |
He read everything. He hadn't learnt how to delegate at all. | 0:38:57 | 0:39:01 | |
All the sort of detail, even down to what tune the soldiers played | 0:39:01 | 0:39:05 | |
outside his window at Windsor Castle, he had to decide everything. | 0:39:05 | 0:39:09 | |
He is overwhelmed by all this responsibility. | 0:39:09 | 0:39:13 | |
Dangerously overweight, and chain smoking cigars, | 0:39:16 | 0:39:19 | |
the King appeared to be sinking beneath the burden of responsibility. | 0:39:19 | 0:39:24 | |
Doctors began to fear for his health. | 0:39:24 | 0:39:28 | |
"I saw the King every morning in his bedroom at nine. | 0:39:28 | 0:39:31 | |
"I found him surrounded by letters, telegrams and papers | 0:39:31 | 0:39:35 | |
"which covered the whole bed. | 0:39:35 | 0:39:37 | |
"He was evidently greatly perturbed | 0:39:37 | 0:39:39 | |
"and drew attention to the litter around him with a gesture of despair." | 0:39:39 | 0:39:44 | |
He begins to do things like eating far too much. | 0:39:46 | 0:39:50 | |
I mean, he'd always eaten far too much, but to eat in a sort of bulimic way, sort of stuff. | 0:39:50 | 0:39:55 | |
Alexandra complained that at meals he just stuffed. | 0:39:55 | 0:39:58 | |
He never sort of chewed, he just stuffed himself with food. | 0:39:58 | 0:40:02 | |
So he does seem at the beginning to be going through a kind of mental crisis. | 0:40:02 | 0:40:07 | |
The King's mental crisis was about to trigger a national drama. | 0:40:08 | 0:40:13 | |
A few days before the coronation ceremony, | 0:40:14 | 0:40:17 | |
the King collapsed with abdominal pains. | 0:40:17 | 0:40:21 | |
Doctors diagnosed acute appendicitis, | 0:40:21 | 0:40:24 | |
a potentially fatal condition at the turn of the 20th century. | 0:40:24 | 0:40:28 | |
The top doctors are called in to deal with it. | 0:40:28 | 0:40:31 | |
It's a guy called Frederick Treves, | 0:40:31 | 0:40:34 | |
the man who looked after the Elephant Man at the hospital in Whitechapel. | 0:40:34 | 0:40:40 | |
Here, called in to deal with another sort of 19th century monster, | 0:40:40 | 0:40:45 | |
Bertie, who is lumbering around in pain, in this sort of dyspeptic agony. | 0:40:45 | 0:40:52 | |
You know, this organ is swelling inside him and demanding attention | 0:40:52 | 0:40:57 | |
and causing him the most exquisite pain. | 0:40:57 | 0:41:00 | |
The royal surgeon insisted that the coronation be delayed. | 0:41:00 | 0:41:05 | |
The King raged. | 0:41:05 | 0:41:07 | |
"The coronation cannot be postponed. | 0:41:07 | 0:41:10 | |
"I cannot and will not disappoint the people. | 0:41:10 | 0:41:13 | |
"I will go the Abbey at any cost. | 0:41:13 | 0:41:16 | |
"I will go to the Abbey if I die there." | 0:41:16 | 0:41:20 | |
Being crowned, having the holy oil poured on him, | 0:41:20 | 0:41:23 | |
this was an enormously important event for him. | 0:41:23 | 0:41:26 | |
The thing that he had been waiting for all his life, | 0:41:26 | 0:41:30 | |
much as Prince Charles has been waiting for his mother to depart this life so that he can become King. | 0:41:30 | 0:41:35 | |
This was the purpose in life, and so when he got ill and the coronation, | 0:41:35 | 0:41:41 | |
all the plans had been made, all the invitations had been sent, | 0:41:41 | 0:41:45 | |
all the china had been produced, | 0:41:45 | 0:41:47 | |
the dishcloths, everything had been ready, and he got ill. | 0:41:47 | 0:41:52 | |
And so he was determined to try and keep it up. | 0:41:52 | 0:41:54 | |
The assumption of power, | 0:41:56 | 0:41:58 | |
after having waited for so long, is incredibly important to him. | 0:41:58 | 0:42:02 | |
But Treves presents him with an ultimatum. | 0:42:02 | 0:42:05 | |
He says, if you don't postpone the coronation | 0:42:05 | 0:42:08 | |
you will be going to Westminster Abbey in a box. | 0:42:08 | 0:42:11 | |
Finally the King gave way. | 0:42:12 | 0:42:15 | |
At noon on 24th June, | 0:42:15 | 0:42:17 | |
he climbed onto an operating table in Buckingham Palace | 0:42:17 | 0:42:20 | |
and submitted to the surgeon's knife. | 0:42:20 | 0:42:23 | |
The flags are all up, it's all been paid for | 0:42:26 | 0:42:28 | |
and everybody is made to wait while the King undergoes | 0:42:28 | 0:42:31 | |
this very difficult and dangerous operation. | 0:42:31 | 0:42:34 | |
You know, a lot of people died of appendicitis in this period. | 0:42:34 | 0:42:38 | |
This is a new procedure, and it doesn't go well. | 0:42:38 | 0:42:42 | |
The King stops breathing. The King turns blue in the face. | 0:42:44 | 0:42:48 | |
And you can imagine the whole Empire holding its breath at this moment, | 0:42:50 | 0:42:55 | |
because this man has been waiting for decades to be the king of this country | 0:42:55 | 0:43:00 | |
and it looks as if he's not going to get his chance | 0:43:00 | 0:43:03 | |
to prove what he's capable of doing. | 0:43:03 | 0:43:06 | |
The doctors did their job. | 0:43:13 | 0:43:15 | |
Bertie WOULD go to the Abbey, | 0:43:15 | 0:43:17 | |
not in a box, | 0:43:17 | 0:43:19 | |
but the golden state coach of his ancestor, King George III. | 0:43:19 | 0:43:22 | |
On 9th August 1902, | 0:43:24 | 0:43:27 | |
the one-time prodigal prince was crowned King Edward VII | 0:43:27 | 0:43:30 | |
in a dazzling display of pomp and pageantry. | 0:43:30 | 0:43:33 | |
Edward VII expected the ceremony to be delivered absolutely perfectly. | 0:43:36 | 0:43:41 | |
He watched every detail of it with care and concern. | 0:43:41 | 0:43:45 | |
He wanted to send a message to the whole Empire | 0:43:45 | 0:43:48 | |
that they had a new emperor with all the panoply he could muster. | 0:43:48 | 0:43:52 | |
And he looked into the great dressing-up box of British history | 0:43:52 | 0:43:56 | |
and he opened all the files and papers going back in time | 0:43:56 | 0:44:00 | |
to conjure a coronation of fabulous splendour | 0:44:00 | 0:44:04 | |
in order to deliver utter impact. | 0:44:04 | 0:44:07 | |
Bertie was very much ahead of his time as monarch because he was one of the first to understand | 0:44:11 | 0:44:16 | |
that if the monarchy was to survive in the 20th century, | 0:44:16 | 0:44:20 | |
it must be ornamental. | 0:44:20 | 0:44:21 | |
It must be something that people could identify with, that they could see. | 0:44:21 | 0:44:26 | |
He is becoming the kind of monarch | 0:44:26 | 0:44:28 | |
that England needed in the 20th century. | 0:44:28 | 0:44:31 | |
Almost overnight, | 0:44:32 | 0:44:34 | |
Edward VII transformed the public face of the monarchy. | 0:44:34 | 0:44:37 | |
Now he set about sweeping away the physical evidence | 0:44:37 | 0:44:40 | |
of Queen Victoria's reign. | 0:44:40 | 0:44:42 | |
Determined to bring light into his mother's fusty apartments, | 0:44:44 | 0:44:48 | |
he hired technicians to install electric lights | 0:44:48 | 0:44:51 | |
and theatre designers to transform Buckingham Palace | 0:44:51 | 0:44:55 | |
into a sea of white and gold. | 0:44:55 | 0:44:57 | |
Bertie embarks on a full scale clear-out. | 0:44:59 | 0:45:03 | |
He marches around, | 0:45:03 | 0:45:05 | |
pictures of Albert, pictures of her dogs, all of it is swept aside. | 0:45:05 | 0:45:09 | |
All the old clutter that Victoria had accumulated is swept aside | 0:45:09 | 0:45:14 | |
and the place is made into a palace. | 0:45:14 | 0:45:17 | |
This was a statement about what he thought the monarchy should be. | 0:45:20 | 0:45:24 | |
That it must be grandly, some people would say slightly vulgarly, | 0:45:28 | 0:45:33 | |
but it must be grand, and it must give a sense of theatre. | 0:45:33 | 0:45:37 | |
Edward VII realised that, on its own, | 0:45:38 | 0:45:41 | |
the restoration of traditional ceremonial | 0:45:41 | 0:45:43 | |
wasn't enough to preserve the monarchy. | 0:45:43 | 0:45:46 | |
In an era of rapid social change, | 0:45:50 | 0:45:52 | |
Bertie believed the Crown should move with the times. | 0:45:52 | 0:45:56 | |
Edward VII was very much aware | 0:46:03 | 0:46:06 | |
that the monarchy needed to reach out beyond the aristocracy to other classes. | 0:46:06 | 0:46:12 | |
In a way, he is the first democratic king. | 0:46:12 | 0:46:15 | |
He didn't judge people on the basis of your position in Burke's Peerage. | 0:46:15 | 0:46:21 | |
He was somebody who invited Americans, Jews, people like that | 0:46:21 | 0:46:27 | |
who might not have been welcomed in the most blue blooded circles. | 0:46:27 | 0:46:31 | |
With trades unions and the Labour movement on the march, | 0:46:34 | 0:46:37 | |
the People's King even extended the hand of friendship to sworn enemies of the Crown. | 0:46:37 | 0:46:43 | |
He wants to be a symbol of unity. | 0:46:43 | 0:46:45 | |
For example, there's a story about him meeting Keir Hardie, the Labour MP, | 0:46:45 | 0:46:51 | |
who at the time was the absolute bete noire of all royalty | 0:46:51 | 0:46:55 | |
and all the aristocracy and the Tory Party, | 0:46:55 | 0:46:58 | |
because he was highly critical of privilege and very vociferous about saying so. | 0:46:58 | 0:47:02 | |
And Edward VII meets Keir Hardie | 0:47:02 | 0:47:04 | |
and he is extraordinarily charming and polite to this class enemy. | 0:47:04 | 0:47:09 | |
And one of his friends looks at him and says rather sarcastically, | 0:47:09 | 0:47:13 | |
"Well, you were very nice to him." | 0:47:13 | 0:47:15 | |
And Edward turns to him very quickly and very sharply says, | 0:47:15 | 0:47:18 | |
"No, you don't understand. I mean to be King of all the people." | 0:47:18 | 0:47:22 | |
To the surprise of many of his contemporaries, | 0:47:24 | 0:47:28 | |
Edward VII was proving himself a more than capable monarch. | 0:47:28 | 0:47:32 | |
But much as he relished his new public responsibilities, | 0:47:32 | 0:47:36 | |
the King saw no reason to change the private habits of a lifetime. | 0:47:36 | 0:47:40 | |
Even at the sacred moment of his coronation, | 0:47:40 | 0:47:44 | |
the King signalled his intent with his unconventional choice of guests. | 0:47:44 | 0:47:49 | |
Pride of place in the Abbey was given to a special box | 0:47:49 | 0:47:52 | |
for his lady friends past and present, including new mistress Alice Keppel. | 0:47:52 | 0:47:59 | |
He made sure that all the women who were important to him, | 0:47:59 | 0:48:03 | |
some of whom he slept with, | 0:48:03 | 0:48:05 | |
were close at hand at this prime moment of his life. | 0:48:05 | 0:48:10 | |
He made sure that those women, | 0:48:10 | 0:48:13 | |
without trying put out his wife in any way, | 0:48:13 | 0:48:16 | |
were accorded a position around him whenever he could provide that. | 0:48:16 | 0:48:21 | |
And no less so than at the coronation. | 0:48:21 | 0:48:25 | |
Edward VII was made like that. He loved his Queen, | 0:48:25 | 0:48:29 | |
he adored his children, but he just needed a little bit of extra. | 0:48:29 | 0:48:33 | |
Edward VII worked out for himself a new style of monarchy | 0:48:34 | 0:48:40 | |
which involved a lot of public appearances, doing the ceremonial job perfectly. | 0:48:40 | 0:48:46 | |
And yet at the same time, he drew a very, very strict line between that and his private life. | 0:48:46 | 0:48:53 | |
I think he had this very realistic idea, | 0:48:53 | 0:48:55 | |
in a way much more realistic than putting the whole Royal Family on show, | 0:48:55 | 0:49:00 | |
of saying, "I'm King, I will do my job as King, | 0:49:00 | 0:49:03 | |
"but the deal is that I'm allowed a private life." | 0:49:03 | 0:49:06 | |
For the rest of his life, the King continued to enjoy | 0:49:08 | 0:49:11 | |
all the luxuries of his position, with Mrs Keppel never far from his side. | 0:49:11 | 0:49:17 | |
Queen Alexandra had little choice but to put up with her husband's behaviour. | 0:49:17 | 0:49:21 | |
But nobody else seemed to mind much, | 0:49:21 | 0:49:24 | |
and in 1903 the King's passion for beautiful women | 0:49:24 | 0:49:28 | |
would even prove the key to his greatest political triumph. | 0:49:28 | 0:49:32 | |
In the early years of the 20th century, one issue dominated British foreign policy over all others. | 0:49:34 | 0:49:41 | |
Germany under the King's troublesome nephew, Kaiser Wilhelm, | 0:49:41 | 0:49:46 | |
was building up its armed forces at terrifying speed. | 0:49:46 | 0:49:49 | |
As Prince of Wales, Bertie had been blocked in his ambition to influence foreign and military affairs. | 0:49:53 | 0:49:59 | |
Now he was determined to put his inside family knowledge to good use. | 0:49:59 | 0:50:05 | |
The Kaiser is a very difficult man and very paranoid. | 0:50:05 | 0:50:10 | |
Bertie understood that in a kind of intuitive way. | 0:50:10 | 0:50:14 | |
Bertie understood very clearly it was not going to be possible for him | 0:50:14 | 0:50:17 | |
to restrain Germany, or anybody to restrain Germany. | 0:50:17 | 0:50:20 | |
And he also understood | 0:50:20 | 0:50:22 | |
that the Kaiser was never going to be a reliable friend, | 0:50:22 | 0:50:26 | |
so he saw, | 0:50:26 | 0:50:28 | |
and saw incredibly clearly that war was a real danger. | 0:50:28 | 0:50:33 | |
He didn't want war. | 0:50:33 | 0:50:34 | |
But he felt if war was going to come, Britain must be prepared. | 0:50:34 | 0:50:38 | |
Britain needed allies. | 0:50:40 | 0:50:42 | |
Finding them wasn't going to be easy. | 0:50:42 | 0:50:45 | |
The recent war in South Africa against the Boers had made Britain highly unpopular in Europe. | 0:50:45 | 0:50:51 | |
But the King had a plan. | 0:50:54 | 0:50:55 | |
In May 1903, he set out on a mission of diplomacy to one of the favourite haunts of his youth, Paris. | 0:50:56 | 0:51:04 | |
Bertie didn't tell them his plans. | 0:51:08 | 0:51:10 | |
He makes this a completely secret agenda. | 0:51:10 | 0:51:15 | |
He didn't even tell his secretaries. | 0:51:15 | 0:51:17 | |
And when the Royal train arrives and Bertie gets out at the station, | 0:51:17 | 0:51:22 | |
he's met with incredibly hostile French crowds. | 0:51:22 | 0:51:25 | |
Bertie turns up in Paris, a place where the British | 0:51:25 | 0:51:29 | |
are incredibly unpopular at the time, and when he arrives he's booed. | 0:51:29 | 0:51:34 | |
There are newspaper editorials saying "Go back to England" | 0:51:35 | 0:51:39 | |
and basically listing every English insult since the burning of Joan of Arc. | 0:51:39 | 0:51:45 | |
Faced with a French mob, the English King's love of Parisian culture and women was about to pay dividends. | 0:51:46 | 0:51:55 | |
He goes to the theatre, and the audience in the theatre is incredibly unfriendly and sullen. | 0:51:55 | 0:52:02 | |
And to the dismay of the French police, the King insists during the interval on going into the foyer | 0:52:02 | 0:52:09 | |
and he spots an actress, and he goes up to her. | 0:52:09 | 0:52:13 | |
And kisses her hand and says, | 0:52:13 | 0:52:16 | |
"Mademoiselle, when I last saw you in London you were superb." | 0:52:16 | 0:52:21 | |
Edward really does have a magic touch. | 0:52:23 | 0:52:27 | |
Immediately the rumour mill in Paris puts this about, | 0:52:27 | 0:52:31 | |
he'd been incredibly charming to this famous actress. | 0:52:31 | 0:52:34 | |
The next day he walks out into the crowds, he shakes hands, | 0:52:34 | 0:52:38 | |
he says how he loves Paris, he looks happy, | 0:52:38 | 0:52:42 | |
and he charms the pants off the French. | 0:52:42 | 0:52:46 | |
The mood changes like this, you know, it just flips. | 0:52:46 | 0:52:50 | |
Suddenly, there's outbursts of cheering wherever he goes. | 0:52:52 | 0:52:55 | |
There's a real sense that he is one of them. | 0:52:55 | 0:53:00 | |
You need to remember, | 0:53:00 | 0:53:02 | |
no English politician spoke French like that. | 0:53:02 | 0:53:05 | |
none of them knew Paris like that and that is critically important | 0:53:05 | 0:53:09 | |
in causing a huge change in French opinion. | 0:53:09 | 0:53:12 | |
The King's weakness for French wine, women and song | 0:53:12 | 0:53:15 | |
had helped him pave the way for a crucial strategic alliance with the old enemy. | 0:53:15 | 0:53:20 | |
There's a sort of French love of an English Milord, | 0:53:22 | 0:53:25 | |
I mean, Milord is what they called English, upper class aristocrats who came to Paris to have a good time. | 0:53:25 | 0:53:32 | |
And as Prince of Wales, Edward VII had come a lot in the '80s and '60s and '70s | 0:53:32 | 0:53:38 | |
and was famous for his great enjoyment of the theatre, | 0:53:38 | 0:53:42 | |
and also his use of French brothels. | 0:53:42 | 0:53:45 | |
And I'm sure that Milord reputation | 0:53:45 | 0:53:50 | |
didn't do him any harm when he came back in 1903 as King. | 0:53:50 | 0:53:54 | |
Next, Bertie threw his support behind admirals arguing | 0:53:55 | 0:54:00 | |
for a new generation of warships, the Dreadnoughts, to keep pace with the German naval threat. | 0:54:00 | 0:54:06 | |
The King was, if anything, ahead of his ministers | 0:54:10 | 0:54:13 | |
in realising how vitally important it was that the British Navy must, at all costs, be built up. | 0:54:13 | 0:54:20 | |
And I think that the King made a very serious contribution | 0:54:20 | 0:54:24 | |
in pressing his ministers to build new, better ships, | 0:54:24 | 0:54:28 | |
to look to the future. | 0:54:28 | 0:54:29 | |
It was a future the 69-year-old King would not live to see. | 0:54:31 | 0:54:37 | |
The 12-course dinners and the trademark cigars were catching up with him. | 0:54:37 | 0:54:41 | |
Already seriously ill with chronic emphysema, | 0:54:43 | 0:54:46 | |
in 1910 the King suffered a series of heart attacks. | 0:54:46 | 0:54:50 | |
As he slipped in and out of consciousness at Buckingham Palace, | 0:54:52 | 0:54:56 | |
he was joined by two women - | 0:54:56 | 0:54:58 | |
his long-suffering wife, Queen Alexandra, | 0:54:58 | 0:55:02 | |
and his mistress, Alice Keppel. | 0:55:02 | 0:55:05 | |
Alexandra remained devoted to Bertie, very close to him throughout his life. | 0:55:11 | 0:55:18 | |
After Bertie's death, | 0:55:18 | 0:55:20 | |
the undertakers were always making appointments | 0:55:20 | 0:55:23 | |
to come and put the body into a coffin | 0:55:23 | 0:55:25 | |
and it was always announced in The Times that this was going to happen. | 0:55:25 | 0:55:29 | |
And day after day, Alexandra would say, "No, I can't bear to part with him." | 0:55:29 | 0:55:33 | |
People who came said that for the first time she had Bertie to herself. | 0:55:33 | 0:55:39 | |
For eight days the Queen clung to her husband. | 0:55:41 | 0:55:45 | |
But even in death, Bertie was a People's King. | 0:55:45 | 0:55:48 | |
In recognition of his unique popularity, | 0:55:50 | 0:55:52 | |
it was decided that his body would lie in state at Westminster | 0:55:52 | 0:55:56 | |
for the public to pay its respects. | 0:55:56 | 0:55:58 | |
The first British Monarch ever to do so. | 0:55:58 | 0:56:01 | |
I think only when King Edward VII died | 0:56:03 | 0:56:08 | |
did the British people realise how much they liked having him around. | 0:56:08 | 0:56:13 | |
He'd been around for so long, | 0:56:15 | 0:56:18 | |
and then suddenly he'd gone, | 0:56:18 | 0:56:20 | |
and so they surged out in their hundreds of thousands | 0:56:20 | 0:56:24 | |
to show they mourned his passing. | 0:56:24 | 0:56:27 | |
Queues of people, humble people, poor people, | 0:56:32 | 0:56:36 | |
they snaked round Westminster, something like seven mile queues. | 0:56:36 | 0:56:40 | |
This really does show to a much greater extent than when Queen Victoria died, | 0:56:42 | 0:56:46 | |
just how successful he had been in making this connection | 0:56:46 | 0:56:51 | |
between the monarchy and the people. | 0:56:51 | 0:56:54 | |
He is this sort of libertine figure. He does seem like a fragment of an earlier age. | 0:56:57 | 0:57:04 | |
You can imagine him careering about 18th century London | 0:57:04 | 0:57:07 | |
with a big wig on and a beauty spot. | 0:57:07 | 0:57:09 | |
And I think in a way, although he seems to be the absolute opposite of his father, | 0:57:09 | 0:57:15 | |
he also seems like the right man for the job in the early part of the 20th century. | 0:57:15 | 0:57:20 | |
Edward VII's creation of a modern public monarchy, together with his fast-living lifestyle, | 0:57:22 | 0:57:28 | |
earned him the affection of his people, and raised the Royal Family to new levels of popularity. | 0:57:28 | 0:57:34 | |
His vision of monarchy as a showy theatre of pageantry | 0:57:36 | 0:57:40 | |
continues to this day. | 0:57:40 | 0:57:42 | |
But the example the King set in his personal life would be rejected. | 0:57:51 | 0:57:56 | |
Bertie's descendants would attempt, with mixed results, | 0:57:56 | 0:58:01 | |
to return to the family values of his mother, Queen Victoria. | 0:58:01 | 0:58:05 | |
Subtitles by Red Bee Media Ltd | 0:58:10 | 0:58:14 | |
Email [email protected] | 0:58:14 | 0:58:16 |