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'This is the story of a remarkable journey | 0:00:03 | 0:00:06 | |
'that began as the echo of the guns from the Great War died away. | 0:00:06 | 0:00:10 | |
'A French pilot and his cameraman climbed into an airship | 0:00:10 | 0:00:15 | |
'and flew over the Western Front. | 0:00:15 | 0:00:17 | |
'They made this unique film | 0:00:19 | 0:00:22 | |
'and captured with astonishing clarity the aftermath of devastating conflict. | 0:00:22 | 0:00:27 | |
'90 years later, I'm retracing that journey, | 0:00:30 | 0:00:35 | |
'flying on a rather safer airship over that very same landscape. | 0:00:35 | 0:00:39 | |
'And visiting the battlegrounds where such terrible slaughter took place.' | 0:00:41 | 0:00:46 | |
What would we have seen then? | 0:00:48 | 0:00:50 | |
It would have been total devastation, very much like a lunar landscape, | 0:00:50 | 0:00:54 | |
but with just the awfulness of modern war thrown in. | 0:00:54 | 0:00:58 | |
'I'll also uncover another of World War One's secrets - | 0:00:59 | 0:01:03 | |
'a collection of revolutionary aerial photographs. | 0:01:03 | 0:01:07 | |
'They gave the generals a bird's-eye view of the battlefield. | 0:01:12 | 0:01:17 | |
'Now these images can be brought to life using today's state-of-the-art technology.' | 0:01:17 | 0:01:23 | |
Three, two, one... | 0:01:27 | 0:01:30 | |
'And I'll be taking to the air in one of those flimsy early aircraft flown by those brave pilots. | 0:01:33 | 0:01:40 | |
'Like most people, I've always imagined World War One from the ground. | 0:01:43 | 0:01:48 | |
'But seeing it from the air will give me a totally new perspective. | 0:01:50 | 0:01:54 | |
'The trench networks that ran for thousands of miles. | 0:01:54 | 0:01:58 | |
'The epic destruction that the war left behind. | 0:01:59 | 0:02:02 | |
'And the memory of millions advancing to their deaths.' | 0:02:06 | 0:02:10 | |
The bullets are coming from this side and that side, so what you had to do | 0:02:10 | 0:02:15 | |
was to walk through a stream of lead. | 0:02:15 | 0:02:18 | |
'Above all, this is a story of human courage. | 0:02:19 | 0:02:22 | |
'And my journey will end with an extraordinary encounter | 0:02:24 | 0:02:27 | |
'when I meet the daughter of the airship pilot of 90 years ago.' | 0:02:27 | 0:02:31 | |
What does it mean to you, seeing him like this? | 0:02:31 | 0:02:35 | |
I couldn't expect seeing my father alive. | 0:02:35 | 0:02:39 | |
'From the intimate to the truly epic, | 0:02:43 | 0:02:46 | |
'here is the conflict in a way we thought we'd never see it - | 0:02:46 | 0:02:51 | |
'the First World War from above.' | 0:02:51 | 0:02:53 | |
Deep inside the vaults of the French army's film archives in Paris, | 0:03:09 | 0:03:14 | |
a unique snapshot of our history has been unearthed. | 0:03:14 | 0:03:18 | |
A 78-minute film which has spent nearly a century hidden from view. | 0:03:22 | 0:03:27 | |
It follows the flight of an airship along the Western Front, | 0:03:27 | 0:03:32 | |
the infamous battle line that divided the Allies and Germans during the First World War. | 0:03:32 | 0:03:38 | |
The airship's pilot Jacques Trolley de Prevaux and his cameraman Lucien Le Saint captured a lost world | 0:03:40 | 0:03:47 | |
just months after the end of the fighting. | 0:03:47 | 0:03:50 | |
A city with its proud medieval cathedral reduced to ruins. | 0:03:51 | 0:03:55 | |
Battlefields scarred with shell holes where men waited to die. | 0:03:57 | 0:04:01 | |
And ghostly figures, | 0:04:03 | 0:04:05 | |
people still holding their street market in front of their shattered homes. | 0:04:05 | 0:04:10 | |
This breathtaking film isn't simply a record of the First World War. | 0:04:11 | 0:04:15 | |
It's a showcase for two of the greatest inventions in modern times - | 0:04:15 | 0:04:20 | |
flight and film. | 0:04:20 | 0:04:22 | |
The First World War had brought about a revolution in the technology of the air and photography. | 0:04:26 | 0:04:33 | |
What this footage represents is a marriage of the two | 0:04:33 | 0:04:37 | |
to create a vision of the battlefield | 0:04:37 | 0:04:40 | |
quite unlike anything that had ever been seen before. | 0:04:40 | 0:04:44 | |
Over 90 years later, I'm about to look down | 0:04:47 | 0:04:50 | |
on those former battlegrounds from a modern-day airship. | 0:04:50 | 0:04:54 | |
I'll fly over the same landscape filmed in 1919 | 0:04:54 | 0:04:58 | |
to see what remains of the Western Front. | 0:04:58 | 0:05:01 | |
This heavily defended line of trenches stretched for 400 miles | 0:05:09 | 0:05:13 | |
from the English Channel down to the Swiss Alps. | 0:05:13 | 0:05:17 | |
The French airship made a series of journeys along that front line. | 0:05:18 | 0:05:23 | |
The story starts at Nieuport on the Belgian coast, | 0:05:25 | 0:05:28 | |
a town just 50 miles across the Channel from England, | 0:05:28 | 0:05:33 | |
but marking the most northerly point of the Western Front. | 0:05:33 | 0:05:37 | |
Here in the early years of the war, the Belgians flooded the low-lying fields with sea water, | 0:05:38 | 0:05:43 | |
slowing the German advance and pushing the enemy inland. | 0:05:43 | 0:05:47 | |
After Nieuport, the airship flew down from the coast, | 0:05:50 | 0:05:53 | |
its camera capturing some of the worst killing grounds of the war. | 0:05:53 | 0:05:58 | |
One infamous combat zone was Chemin des Dames. | 0:06:00 | 0:06:04 | |
This plateau in northern France lay between the German army and Paris | 0:06:04 | 0:06:08 | |
and saw some of the fiercest fighting in the war. | 0:06:08 | 0:06:12 | |
This footage shows French tanks lying abandoned in No Man's Land. | 0:06:13 | 0:06:18 | |
And enormous trenches stretching as far as the eye can see. | 0:06:22 | 0:06:27 | |
Today, there are very few trenches left in the former battlefields. | 0:06:28 | 0:06:33 | |
This small area of woodland near Wytschaete in Belgium | 0:06:33 | 0:06:36 | |
still contains part of the old German front line. | 0:06:36 | 0:06:40 | |
I've come here with archaeologist Nick Saunders, an expert on trench warfare. | 0:06:40 | 0:06:45 | |
How much protection was provided by these trenches? How safe could a soldier feel in here? | 0:06:47 | 0:06:53 | |
Well, they could feel safe from horizontal shrapnel, | 0:06:53 | 0:06:56 | |
but they certainly couldn't feel safe from a direct hit | 0:06:56 | 0:07:00 | |
or indeed a hit on the other side which blew in vast amounts of earth on top and often buried people alive. | 0:07:00 | 0:07:07 | |
-Why did they dig in a zig-zag pattern? -This was basically for protection. | 0:07:07 | 0:07:12 | |
They found out in the beginning of the war that when artillery shells landed, | 0:07:12 | 0:07:17 | |
the blast effect near a trench could go all the way along a trench and kill half a dozen soldiers, | 0:07:17 | 0:07:23 | |
so the basic idea of the design was a quick change to a zig-zag, so that only one or two or three got killed | 0:07:23 | 0:07:29 | |
and the other three, four, five on the other side of the zig-zag were safe. | 0:07:29 | 0:07:33 | |
We're in one tiny section of trench, but it was a vast network on both sides, wasn't it? | 0:07:33 | 0:07:38 | |
Yeah, because you had the Allied trenches and these were mirrored on the other side by the Germans. | 0:07:38 | 0:07:44 | |
And they have support trenches and communication trenches. | 0:07:44 | 0:07:49 | |
So it just goes on and on and on. | 0:07:49 | 0:07:51 | |
There are literally tens of thousands of miles of interconnected trenches | 0:07:51 | 0:07:55 | |
from the English Channel to the Swiss border. | 0:07:55 | 0:07:58 | |
Using exact details from Allied and German trench maps, | 0:08:00 | 0:08:04 | |
we can re-create the scars that ran across the Western Front. | 0:08:04 | 0:08:08 | |
An alien landscape of man-made furrows. | 0:08:08 | 0:08:12 | |
Rat runs where men lived, fought and died. | 0:08:13 | 0:08:16 | |
The trenches were not only photographed by the French airship in 1919. | 0:08:17 | 0:08:23 | |
During the war, there had been another revolutionary way of looking at these vital communication lines. | 0:08:23 | 0:08:29 | |
For the first time, commanders would no longer rely on the worm's eye view from the trenches. | 0:08:31 | 0:08:37 | |
Now they could look down on enemy positions. | 0:08:37 | 0:08:40 | |
Photography from aeroplanes would change warfare for ever. | 0:08:40 | 0:08:44 | |
'Today, many of World War One's aerial photographs, the first ever taken, | 0:08:51 | 0:08:57 | |
'are kept safe by the Imperial War Museum in their original wooden caskets. | 0:08:57 | 0:09:03 | |
'Dave Parry, the museum's aerial photography expert, | 0:09:05 | 0:09:09 | |
'has brought me to see these images known as the Box Collection.' | 0:09:09 | 0:09:13 | |
Look at all of these. | 0:09:13 | 0:09:15 | |
How many? | 0:09:16 | 0:09:18 | |
In all, about 145,000 to 150,000 remaining. | 0:09:18 | 0:09:21 | |
There were about half a million, but these are the only ones that survive. | 0:09:21 | 0:09:26 | |
What were these pilots looking for as they were flying over the Western Front? | 0:09:26 | 0:09:31 | |
What kind of material can we see in these incredibly heavy boxes? | 0:09:31 | 0:09:35 | |
-LAUGHTER -That is so... | 0:09:35 | 0:09:38 | |
All right, here's one. Let's take a look at this. Wow, look at that! | 0:09:38 | 0:09:42 | |
Now, what are we seeing here? What's all this? | 0:09:42 | 0:09:45 | |
These look like trenches under construction. | 0:09:45 | 0:09:48 | |
Because it's a negative, all the spoil which is thrown up by the trenches looks dark, | 0:09:48 | 0:09:54 | |
-but it is in fact chalk. -Chalky soil. | 0:09:54 | 0:09:56 | |
-Chalky soil. -In northern France. -That's right. | 0:09:56 | 0:09:59 | |
I'm trying to imagine the British commanders' reaction when the first box of these glass plates comes in | 0:09:59 | 0:10:06 | |
and they see for the first time in the history of warfare an aerial photograph of the enemy. | 0:10:06 | 0:10:12 | |
It must have been quite a moment. | 0:10:12 | 0:10:14 | |
It's a revelation to them. They've never seen anything like this before. | 0:10:14 | 0:10:19 | |
For the first time, they could see the depth of the defences, | 0:10:19 | 0:10:23 | |
the number of machine-gun posts, trench mortars. | 0:10:23 | 0:10:26 | |
It was all laid out for them with amazing clarity. | 0:10:26 | 0:10:29 | |
I presume developing these must have been an incredibly primitive business, | 0:10:29 | 0:10:34 | |
-given that the conditions are, to put it mildly, far from ideal. -It was very difficult indeed. | 0:10:34 | 0:10:40 | |
Very often, the members of the photo section were reduced to washing them in ditches by the sides of the roads. | 0:10:40 | 0:10:46 | |
-And they've survived. It's our last link with these men and their flying machines. -Indeed it is. | 0:10:46 | 0:10:52 | |
These flying machines were another revolutionary part of the First World War. | 0:10:54 | 0:11:00 | |
For the first time, men took war to the skies. | 0:11:01 | 0:11:05 | |
And I've come to try out one of the original aircraft | 0:11:05 | 0:11:09 | |
at the Shuttleworth Collection in Bedfordshire. | 0:11:09 | 0:11:13 | |
During the war, more pilots died in training than in actual battle. | 0:11:14 | 0:11:19 | |
Three, two, one, go! | 0:11:21 | 0:11:24 | |
And the most dangerous part of all was take-off. | 0:11:26 | 0:11:29 | |
If the engine cut before you got airborne, | 0:11:29 | 0:11:32 | |
the plane simply drove itself and the pilot into the ground. | 0:11:32 | 0:11:37 | |
This was an advanced aircraft for its time | 0:11:50 | 0:11:53 | |
as it was built in 1917 towards the end of the war. | 0:11:53 | 0:11:57 | |
Travelling in it today is petrifying. | 0:11:57 | 0:12:00 | |
You really do get a sense of the risks taken by the pilots. | 0:12:00 | 0:12:04 | |
Flying these planes over the Western Front was phenomenally dangerous. | 0:12:06 | 0:12:10 | |
You had ground fire coming up, enemy fighters trying to hunt you down. | 0:12:10 | 0:12:15 | |
These early pioneers of aerial photography were men of untold courage. | 0:12:15 | 0:12:21 | |
It's extraordinary to think that when the First World War started, | 0:12:27 | 0:12:31 | |
men had been flying for barely a decade. | 0:12:31 | 0:12:35 | |
It was only in 1909 | 0:12:36 | 0:12:38 | |
that Frenchman Louis Bleriot had developed an aircraft good enough to fly across the English Channel. | 0:12:38 | 0:12:44 | |
Just five years later in August 1914, | 0:12:49 | 0:12:53 | |
four squadrons of Britain's Royal Flying Corps flew back across the Channel to France. | 0:12:53 | 0:12:59 | |
This time, they were going to fight in the Great War against the Kaiser's men. | 0:12:59 | 0:13:04 | |
Britain's first wartime aircraft were a ramshackle collection. | 0:13:09 | 0:13:13 | |
The technology was new and unreliable. | 0:13:13 | 0:13:16 | |
One plane had even crashed before it reached Dover, killing both of its crew. | 0:13:17 | 0:13:22 | |
As for the men who made it to France, | 0:13:22 | 0:13:26 | |
flying over the Western Front would carry even more danger. | 0:13:26 | 0:13:30 | |
Now they were targets for German anti-aircraft fire. | 0:13:35 | 0:13:39 | |
And as I come to the end of my flight today, | 0:13:39 | 0:13:43 | |
I can begin to understand why the life expectancy for pilots was actually worse | 0:13:43 | 0:13:48 | |
than for men in the trenches. | 0:13:48 | 0:13:50 | |
Well, there we are, terra firma at last. | 0:14:02 | 0:14:05 | |
What an extraordinary experience! You know what I felt up there? | 0:14:05 | 0:14:10 | |
-The most amazing vulnerability. -Very much so. -And we were doing this on a beautiful summer's day. | 0:14:10 | 0:14:16 | |
What was it like in winter with fire coming at you from every angle? | 0:14:16 | 0:14:20 | |
What was it like for them? | 0:14:20 | 0:14:22 | |
Well, they were a long way up. | 0:14:22 | 0:14:25 | |
They operated over the front lines at over 12,000 feet, | 0:14:25 | 0:14:29 | |
so it was cold, freezing cold. | 0:14:29 | 0:14:31 | |
There would be fighters to contend with. There would be anti-aircraft fire. | 0:14:31 | 0:14:36 | |
There were lots of things to contend with, as well as taking photographs. | 0:14:36 | 0:14:40 | |
-Which must have been pretty cumbersome if you had to lean out of this aircraft that far up? -Indeed. | 0:14:40 | 0:14:46 | |
The camera was big. The air speed was high. You've just experienced it. | 0:14:46 | 0:14:50 | |
Although it's an old aeroplane, we were travelling at 100mph, | 0:14:50 | 0:14:54 | |
so to hold a camera over the edge steady enough to take a photograph of something 12,000 feet below you | 0:14:54 | 0:15:01 | |
must have been hugely difficult. | 0:15:01 | 0:15:03 | |
Despite their primitive and unwieldy cameras, | 0:15:03 | 0:15:07 | |
the Royal Flying Corps managed to take hundreds of thousands of detailed photographs. | 0:15:07 | 0:15:13 | |
The results of their work were invaluable for the British generals planning the war | 0:15:13 | 0:15:18 | |
and 100 years later, these images still have stories to tell. | 0:15:18 | 0:15:23 | |
Belgian archaeologist Birger Stichelbaut has been digging deeper into the aerial photographs. | 0:15:29 | 0:15:35 | |
I think it's a major overlooked source. Nobody ever looked at the entity of world war photographs. | 0:15:39 | 0:15:45 | |
Nobody ever looked at using them as a primary source of information. | 0:15:45 | 0:15:49 | |
Many people who study World War One use trench maps. | 0:15:49 | 0:15:53 | |
They look at perhaps some aerial photographs, | 0:15:53 | 0:15:56 | |
but one mistake they make is they focus on the area of the battles, | 0:15:56 | 0:16:00 | |
but much more happened 40, 50 kilometres behind the front line. | 0:16:00 | 0:16:04 | |
This photograph taken over Diksmuide in Belgium shows | 0:16:04 | 0:16:08 | |
how some German soldiers unwittingly gave away their position. | 0:16:08 | 0:16:12 | |
The men's barracks were safely camouflaged under trees, | 0:16:12 | 0:16:16 | |
but to relieve the boredom, the soldiers had been gardening. | 0:16:16 | 0:16:20 | |
And to the British photographic experts, the German flower beds were clearly visible from above. | 0:16:20 | 0:16:26 | |
Many of the officers or men on the ground didn't have an idea of how things look like from the air. | 0:16:27 | 0:16:33 | |
On this photograph, we can see a lot of military barracks, in fact, | 0:16:33 | 0:16:37 | |
but we can see that something else happened here. | 0:16:37 | 0:16:40 | |
When we go to a detailed photograph of this... | 0:16:40 | 0:16:44 | |
..we can see that these are the barracks | 0:16:45 | 0:16:48 | |
and in fact, these are actually flower beds, | 0:16:48 | 0:16:51 | |
flower beds that were constructed | 0:16:51 | 0:16:54 | |
to make life in this camp more comfortable, to feel more at home. | 0:16:54 | 0:16:58 | |
But the new technology of aerial photography was about to bring devastation to the German soldiers. | 0:16:59 | 0:17:05 | |
Once the British commanders saw the flower beds, | 0:17:05 | 0:17:08 | |
they uncovered the barracks and directed the big guns on to the position. | 0:17:08 | 0:17:13 | |
The act of making flower beds really draws the attention towards the site. | 0:17:13 | 0:17:18 | |
This is actually what happened a couple of months later. | 0:17:18 | 0:17:22 | |
Around the area, we can see that the landscape is already peppered with these shell holes | 0:17:22 | 0:17:28 | |
and a lot of the barracks have already been destroyed. | 0:17:28 | 0:17:32 | |
The art of interpreting aerial photographs soon became highly developed in the war. | 0:17:32 | 0:17:38 | |
As experts scrutinised each inch of the enemy front line, | 0:17:38 | 0:17:42 | |
life on the ground would no longer be hidden. | 0:17:42 | 0:17:45 | |
As the war progresses, you have aerial photography and it completely changes life | 0:17:49 | 0:17:55 | |
for men in the trenches because now everything can be seen from above | 0:17:55 | 0:17:59 | |
and there's much more accurate targeting. | 0:17:59 | 0:18:02 | |
That's true, but as time went on, different sides decided that they could develop the idea of camouflage, | 0:18:02 | 0:18:08 | |
so there was a lot of feint and counter-feinting going on here. | 0:18:08 | 0:18:12 | |
And basically, it was much more developed, the systems were deeper, they were more organised, | 0:18:12 | 0:18:18 | |
yet at the same time, the aerial photography from the other side enabled them to take camouflage. | 0:18:18 | 0:18:23 | |
-Let me have a look. You've got some examples of aerial photography here. -That's right. | 0:18:23 | 0:18:28 | |
What do these patterns tell you about the experience of the men | 0:18:28 | 0:18:32 | |
who lived and died in these trenches? | 0:18:32 | 0:18:35 | |
I think it was chaotic and horrific. | 0:18:35 | 0:18:38 | |
The trenches gave a lot of protection. It was partly psychological. | 0:18:38 | 0:18:43 | |
But it was constantly trying to outwit the enemy, | 0:18:43 | 0:18:46 | |
outthink the enemy, outdig the enemy. | 0:18:46 | 0:18:48 | |
There's a German side, and on the British side, you were constantly finding new trenches being built, | 0:18:48 | 0:18:54 | |
new connections being made to get troops from one place to another safely. | 0:18:54 | 0:18:59 | |
So, for the ordinary soldier on the ground, there was a psychological dimension to the safety, | 0:18:59 | 0:19:04 | |
particularly in a dugout, but in reality, at the end of the day, | 0:19:04 | 0:19:08 | |
they had to get out of the trench and go across No Man's Land and that was just lethal. | 0:19:08 | 0:19:13 | |
No Man's Land, the thin strip of ground separating the two armies, | 0:19:17 | 0:19:22 | |
turned into a vision of hell after unceasing pounding by heavy artillery. | 0:19:22 | 0:19:27 | |
Villages and towns were reduced to shells. | 0:19:28 | 0:19:33 | |
And the French airship captured this destruction in intimate detail. | 0:19:33 | 0:19:37 | |
Flying over Armentieres on the border between Belgium and France, | 0:19:40 | 0:19:44 | |
pilot Jacques Trolley de Prevaux flew so close to the shattered church, | 0:19:44 | 0:19:49 | |
he and his cameraman nearly came to grief. | 0:19:49 | 0:19:52 | |
The two men filmed mile after mile of the ruined landscape. | 0:19:54 | 0:19:58 | |
But there's one infamous battlefield you won't find in the footage - | 0:19:59 | 0:20:03 | |
the Somme, the place where I'm heading now. | 0:20:03 | 0:20:07 | |
In summer 1916, | 0:20:08 | 0:20:11 | |
this 15-mile stretch of the Western Front would see the darkest days | 0:20:11 | 0:20:15 | |
in the history of the British army. | 0:20:15 | 0:20:18 | |
And the build-up to this epic battle was captured by tens of thousands of photographs | 0:20:18 | 0:20:23 | |
of the German defences taken by British aerial photographers. | 0:20:23 | 0:20:27 | |
Using these images, we can reconstruct a part of the German front line | 0:20:30 | 0:20:35 | |
just days before the Battle of the Somme began. | 0:20:35 | 0:20:39 | |
The photos show just how complex the German trenches had become. | 0:20:39 | 0:20:43 | |
A network of interlocking lines and heavily defended redoubts. | 0:20:44 | 0:20:49 | |
Crucially, the Germans also held the high ground, | 0:20:49 | 0:20:53 | |
in some cases, just yards above the British positions. | 0:20:53 | 0:20:57 | |
The attack was planned for the 1st of July. | 0:21:00 | 0:21:04 | |
For seven long days before, there was a massive artillery barrage, | 0:21:04 | 0:21:08 | |
an attempt to weaken the German defences. | 0:21:08 | 0:21:11 | |
120,000 soldiers assembled in the front-line trenches, | 0:21:12 | 0:21:16 | |
ready to go over the top. | 0:21:16 | 0:21:19 | |
These men now sat waiting in the tense moments before the start of the battle. | 0:21:20 | 0:21:25 | |
On the day of the battle, the pilots were out early, | 0:21:33 | 0:21:36 | |
photographing the German front lines. | 0:21:36 | 0:21:39 | |
18-year-old Cecil Lewis was one of those flying above the Somme that morning in July. | 0:21:39 | 0:21:44 | |
Years later, he wrote about one of the most shocking things he'd witnessed - | 0:21:44 | 0:21:49 | |
a massive explosion just moments before the attack began. | 0:21:49 | 0:21:53 | |
"The earth heaved and flashed. | 0:21:56 | 0:21:59 | |
"A tremendous and magnificent column rose up into the sky. | 0:22:00 | 0:22:04 | |
"There was an ear-splitting roar, | 0:22:04 | 0:22:07 | |
"drowning all the guns, flinging the machine sideways in the repercussing air. | 0:22:07 | 0:22:12 | |
"Then the dust cleared. | 0:22:12 | 0:22:15 | |
"The infantry were over the top. | 0:22:16 | 0:22:18 | |
"The attack had begun." | 0:22:18 | 0:22:20 | |
Up in the air, Lewis could have had no real idea of what was about to unfold. | 0:22:24 | 0:22:29 | |
On the ground, as soon as the men climbed out of their trenches, | 0:22:29 | 0:22:34 | |
the battle plan went catastrophically wrong. | 0:22:34 | 0:22:37 | |
Historian Peter Barton is taking me across a stretch of No Man's Land at La Boisselle, | 0:22:40 | 0:22:45 | |
one of the Somme's most notorious killing fields. | 0:22:45 | 0:22:48 | |
We're just crossing the British front line now. | 0:22:48 | 0:22:51 | |
You would have climbed out of a trench here to go into the attack across No Man's Land, | 0:22:51 | 0:22:56 | |
so all those German front lines ahead of us would have been erupting day and night for a week | 0:22:56 | 0:23:02 | |
and that filled everybody with a tremendous sense of confidence. | 0:23:02 | 0:23:06 | |
You can see that in the testimony and letters. "We're going to do great things tomorrow." And... | 0:23:06 | 0:23:11 | |
-Within seconds of getting... Many men didn't make it over the parapet. -Yes, the Germans were prepared. | 0:23:11 | 0:23:17 | |
The moment that barrage lifted, that was the signal for the Germans to start firing. | 0:23:17 | 0:23:23 | |
Across this ground here, at the height of this wheat, | 0:23:23 | 0:23:26 | |
they would fire their machine guns at the height of this wheat, so you were being cut down here. | 0:23:26 | 0:23:32 | |
That's why you read so many accounts of people being cut down as if they're being scythed down. | 0:23:32 | 0:23:38 | |
They were being scythed down. And the bullets were coming from this side and that side. | 0:23:38 | 0:23:43 | |
So what you had to do was to walk through a stream of lead. | 0:23:43 | 0:23:47 | |
And men kept going. | 0:23:47 | 0:23:49 | |
I think that's what the... | 0:23:49 | 0:23:52 | |
The thing that affects me so much is that the second wave would have seen what happened to the first wave. | 0:23:53 | 0:23:59 | |
The third wave would have seen what happened to the second wave and on and on. | 0:23:59 | 0:24:04 | |
One of the things which a lot of the accounts tell us is that whenever the firing stopped, | 0:24:04 | 0:24:11 | |
men could suddenly hear the sound of skylarks and other birds. | 0:24:11 | 0:24:15 | |
We can hear it now, what they would have heard. | 0:24:15 | 0:24:19 | |
BIRDS SING That's right. There were little windows in that barrage. | 0:24:19 | 0:24:23 | |
The birds just kept on singing. | 0:24:23 | 0:24:25 | |
By the end of the first day of the Battle of the Somme, | 0:24:30 | 0:24:34 | |
60,000 British soldiers had been killed or wounded. | 0:24:34 | 0:24:38 | |
All but a handful of the attacks had failed | 0:24:38 | 0:24:41 | |
and the slaughter would continue for another four months. | 0:24:41 | 0:24:45 | |
By the time the battle ended in November 1916, | 0:24:48 | 0:24:51 | |
there had been more than a million casualties. | 0:24:51 | 0:24:55 | |
To this day, here in No Man's Land, they're still finding fragments of the lost | 0:24:55 | 0:25:00 | |
like this button belonging to the tunic of a French soldier. | 0:25:00 | 0:25:04 | |
A British private, J McCauley, who was assigned to bury the dead, | 0:25:04 | 0:25:08 | |
remembered how for weeks afterwards the smell of decay lingered in his nostrils. | 0:25:08 | 0:25:13 | |
"If only the world could see this," he wrote, | 0:25:13 | 0:25:16 | |
"how nearer we would be to perpetual peace." | 0:25:16 | 0:25:20 | |
McCauley must have known, of course, that he was writing more in hope than anticipation. | 0:25:20 | 0:25:26 | |
Today, it's hard to imagine | 0:25:28 | 0:25:31 | |
that this peaceful landscape was the scene of such terrible slaughter, | 0:25:31 | 0:25:35 | |
but inside this area of woodland, owned by a local French family, | 0:25:35 | 0:25:39 | |
the ground has been left pretty much as it was when the fighting stopped. | 0:25:39 | 0:25:44 | |
-What was in here? -You're walking through a German communication trench, | 0:25:45 | 0:25:51 | |
leading to the front line up here. | 0:25:51 | 0:25:53 | |
-This path takes us up to the German front line from where they could easily have seen the British. -Yeah. | 0:25:53 | 0:25:59 | |
At the top of this crest, you can see how close they were. | 0:25:59 | 0:26:02 | |
Here is your German front line along this crater's edge. | 0:26:02 | 0:26:05 | |
On the far crater's edge is the British front line, 35 metres away. | 0:26:05 | 0:26:09 | |
-They would've seen them very, very close. -They could smell each other's cooking. | 0:26:09 | 0:26:15 | |
What's this down here? | 0:26:16 | 0:26:18 | |
It looks like a German shell. This is the most common shell that the Germans used. | 0:26:18 | 0:26:23 | |
-That's a large shell. Is that still live? -It is, yeah. | 0:26:23 | 0:26:27 | |
It's been fired. You can tell by the band at the back of it. | 0:26:27 | 0:26:30 | |
The fuse is still on it, that is still live, so we don't kick it. | 0:26:30 | 0:26:34 | |
Let's move on. | 0:26:34 | 0:26:36 | |
Areas like this which, as you can see, there's craters within craters, | 0:26:36 | 0:26:40 | |
over 18 months of war, this ground has been thrown up in the air and landed back on top | 0:26:40 | 0:26:46 | |
and again and again and again, | 0:26:46 | 0:26:48 | |
and whoever was buried in here is still buried in here. | 0:26:48 | 0:26:51 | |
We know there are many Frenchmen beneath our feet, British and Germans, | 0:26:51 | 0:26:56 | |
so this is a mass grave that we're walking on and there's no way these men could ever be found. | 0:26:56 | 0:27:01 | |
-And there you have the dead. -That's right. | 0:27:01 | 0:27:04 | |
And that's precisely why this family preserve this piece of ground on their behalf. | 0:27:04 | 0:27:11 | |
'One feature of the Battle of the Somme still stands out among the wheat fields - | 0:27:17 | 0:27:23 | |
'an immense crater right in the middle of what was once the German front line. | 0:27:23 | 0:27:28 | |
'This is a different part of the Somme story. | 0:27:28 | 0:27:31 | |
'The great explosion Cecil Lewis saw from the air | 0:27:31 | 0:27:34 | |
'was really a drama played out underground | 0:27:34 | 0:27:37 | |
'because it was on the Somme | 0:27:37 | 0:27:40 | |
'that the British High Command turned to an old form of warfare - | 0:27:40 | 0:27:44 | |
'tunnelling under the enemy and setting off enormous mines.' | 0:27:44 | 0:27:48 | |
To create this mine, what did they have to do? | 0:27:48 | 0:27:52 | |
They started tunnelling several hundred metres back in that direction, in the valley behind, | 0:27:52 | 0:27:57 | |
dug down to a depth of about 90, 95 feet, then went under No Man's Land to this point here, | 0:27:57 | 0:28:03 | |
planted the mine in two chambers, | 0:28:03 | 0:28:06 | |
and then blew it at a time given by the divisional commander. | 0:28:06 | 0:28:09 | |
What's it like when a man is digging or a group of men are digging their way towards the German lines? | 0:28:09 | 0:28:15 | |
The tunnelling war was a very particular kind of conflict. | 0:28:15 | 0:28:20 | |
It was private, it was secret, it was in tiny, constricted spaces | 0:28:20 | 0:28:24 | |
underneath No Man's Land, underneath the enemy lines. | 0:28:24 | 0:28:27 | |
You're either listening for the enemy coming your way and trying to destroy them underground | 0:28:27 | 0:28:32 | |
or you are trying to undermine his trenches. | 0:28:32 | 0:28:35 | |
The closer you get to the enemy, although you're 90 feet down, you have to be ever more quiet, | 0:28:35 | 0:28:40 | |
so by the time they've reached this spot, they'd pick out lumps of chalk with a bayonet | 0:28:40 | 0:28:45 | |
and catch them before they hit the ground, so they couldn't be heard by the Germans. | 0:28:45 | 0:28:50 | |
One of the strange things about this is although they're only working, digging with one candle, | 0:28:50 | 0:28:55 | |
they are surrounded by pure white chalk and they became snow-blind in these tunnels. | 0:28:55 | 0:29:00 | |
They had to be taken out of the tunnels until their vision came back again | 0:29:00 | 0:29:05 | |
and you'd go back in and it would happen all over again. | 0:29:05 | 0:29:08 | |
If you're tunnelling and you hear the enemy, how do you kill him if you can't see him? | 0:29:08 | 0:29:14 | |
Well, you can hear him tunnelling towards you. | 0:29:14 | 0:29:17 | |
What you do is, after his tunnel has got close enough to yours, you plant a charge in your tunnel, | 0:29:17 | 0:29:23 | |
block your tunnel off with sandbags and then blow that charge. | 0:29:23 | 0:29:27 | |
You either obliterate him or entomb him or gas him underground with gas from the explosion. | 0:29:27 | 0:29:33 | |
Those men are trapped down there. And if you got trapped underground, | 0:29:33 | 0:29:38 | |
your comrades would make every possible effort to find you. | 0:29:38 | 0:29:42 | |
If you are killed underground... | 0:29:42 | 0:29:44 | |
Try to imagine. Decay on the surface is bad enough, decay of the human body on the surface. | 0:29:44 | 0:29:50 | |
Trapped within a tunnel, deep under No Man's Land... | 0:29:50 | 0:29:54 | |
Tunnels are always dug on a slight upward angle for drainage purposes, | 0:29:54 | 0:29:58 | |
so the remains of that man would drain back towards the rescue team, if you know what I mean. | 0:29:58 | 0:30:05 | |
-So the blood would run through the chalk. -One of the starkest images of warfare I've ever heard. | 0:30:05 | 0:30:11 | |
It's utterly unimaginable. | 0:30:11 | 0:30:14 | |
And anybody who was on top of this in the German positions, they were obliterated in an instant. | 0:30:14 | 0:30:20 | |
Vaporised, these men. Yeah. | 0:30:20 | 0:30:22 | |
As a result of the tunnelling, this mine and nine others exploded on the first day of the Somme. | 0:30:24 | 0:30:30 | |
This was a war of annihilation, | 0:30:30 | 0:30:33 | |
as seen in this Box Collection photograph. | 0:30:33 | 0:30:36 | |
The Somme proved that tunnelling could be devastatingly effective. | 0:30:39 | 0:30:44 | |
The British would escalate their use of mines in 1917 at Messines, | 0:30:44 | 0:30:50 | |
an area of high ground, stretching south from the most famous city on the Western Front, Ypres. | 0:30:50 | 0:30:57 | |
The story of Ypres in Belgium has come to symbolise the First World War's epic destruction. | 0:31:00 | 0:31:06 | |
Over the course of the war, the medieval city was pounded relentlessly by artillery fire. | 0:31:09 | 0:31:16 | |
Using data from aerial photographs, we can re-imagine those four long years of bombardment. | 0:31:18 | 0:31:24 | |
When the guns were at last quiet and the French airship flew over the city centre, | 0:31:29 | 0:31:35 | |
all that was left of this once-beautiful place were | 0:31:35 | 0:31:38 | |
the remains of its 13th-century cloth hall and cathedral. | 0:31:38 | 0:31:43 | |
Pilot Jacques Trolley de Prevaux waved down at people wandering through the ruins. | 0:31:44 | 0:31:50 | |
He then directed his airship towards the battlefields, beyond the city's medieval moat. | 0:31:50 | 0:31:56 | |
Today Ypres has been rebuilt in almost the exact image of what it once was. | 0:32:03 | 0:32:09 | |
Beyond the city, you can look down on the scene of a surprising British breakthrough. | 0:32:10 | 0:32:16 | |
The Messines Ridge is a line of villages stretching for nine miles, | 0:32:18 | 0:32:23 | |
on high ground that in 1917 was held by the Germans. | 0:32:23 | 0:32:27 | |
If you look today, there are 17 deep craters now filled with water. | 0:32:27 | 0:32:32 | |
These holes were all made within 30 seconds of each other, with huge amounts of high explosive, | 0:32:33 | 0:32:39 | |
450 tonnes of it planted right under the Germans' feet, | 0:32:39 | 0:32:43 | |
culmination of the biggest British tunnelling operation of the war. | 0:32:43 | 0:32:49 | |
These photos show the heavily-defended Messines Ridge before the start of the battle. | 0:32:53 | 0:32:59 | |
The audacious British plan was to dig tunnels for over a year | 0:33:00 | 0:33:04 | |
and place mines beneath the German lines. | 0:33:04 | 0:33:07 | |
The would all be detonated at three in the morning, shortly before the infantry attacked. | 0:33:08 | 0:33:14 | |
When the mines exploded, the enemy defences would be obliterated in an instant. | 0:33:14 | 0:33:20 | |
In the early hours of June 7th, 1917, a British general turned to his officers and said, | 0:33:22 | 0:33:28 | |
"Gentlemen, we may not make history, but we'll certainly change the geography." In fact, they did both. | 0:33:28 | 0:33:35 | |
The biggest explosion in the long, bloody story of warfare | 0:33:35 | 0:33:40 | |
ripped through this countryside. | 0:33:40 | 0:33:42 | |
Mankind came face to face with his own capacity for destruction. | 0:33:42 | 0:33:48 | |
One by one, the mines exploded, sending pillars of flame into the sky. | 0:33:54 | 0:33:59 | |
The explosions echoed across Western Europe, even rattling the teacups in Downing Street. | 0:34:08 | 0:34:14 | |
Two years later, the French airship filmed parts of this battlefield. | 0:34:20 | 0:34:25 | |
Pilot Jacques Trolley de Prevaux flew over Mont Kemmel, | 0:34:27 | 0:34:30 | |
the highest point overlooking the Battle of Messines. | 0:34:30 | 0:34:34 | |
Kemmel offered the perfect viewpoint for the British generals | 0:34:37 | 0:34:41 | |
to see if their tunnelling operation would work. | 0:34:41 | 0:34:45 | |
'At three in the morning on the day of the attack, the top brass gathered here to watch.' | 0:34:45 | 0:34:52 | |
There had been an artillery bombardment, so the Germans were pretty shaken up as it was, | 0:34:52 | 0:34:58 | |
but they had no idea of what was coming next. | 0:34:58 | 0:35:02 | |
No, they didn't. They knew that there was probably a battle coming | 0:35:02 | 0:35:06 | |
and they might have expected artillery and perhaps a mine or two, | 0:35:06 | 0:35:10 | |
but they had no idea there would be 19 mines in sequence. That would take them completely by surprise. | 0:35:10 | 0:35:16 | |
-That's one reason why the battle was such a success for the British. -That crucial element of surprise. | 0:35:16 | 0:35:22 | |
-And this awesome explosive power. -Yeah. And also, psychologically, | 0:35:22 | 0:35:27 | |
they saw the mines exploding and coming towards them, | 0:35:27 | 0:35:31 | |
so by the time you get down to the south, by Plug Street Wood, | 0:35:31 | 0:35:35 | |
-they'd had a chance to see and hear the others. -In quick sequence. | 0:35:35 | 0:35:39 | |
-Just in a few seconds. -There's nowhere to run. -Nowhere to go. | 0:35:39 | 0:35:44 | |
By the time the last one went off, | 0:35:44 | 0:35:47 | |
the Germans around there were in complete shock. Totally paralysed. | 0:35:47 | 0:35:51 | |
They had never heard or seen anything like this before. | 0:35:51 | 0:35:56 | |
I read that the largest part of a German they found after these explosions was a foot in a boot. | 0:35:56 | 0:36:02 | |
I think that was true. A foot in a boot is probably what they found after the battle, | 0:36:02 | 0:36:08 | |
but when we do archaeology here, we find bits and pieces of humans no bigger than a fingernail clipping. | 0:36:08 | 0:36:14 | |
-Completely fragmented. -Tiny pieces of bone. -Yeah, miniscule fragments. | 0:36:14 | 0:36:18 | |
That's all that's left of the Germans who were underneath the mines. | 0:36:18 | 0:36:22 | |
To understand the underground attack on Messines, it's best to take to the air. | 0:36:28 | 0:36:33 | |
The craters left by 17 of the mines that exploded look today like pretty ponds on the landscape. | 0:36:35 | 0:36:42 | |
Until you think of how they were made. | 0:36:45 | 0:36:48 | |
Basically, we have three big craters here that have been reincorporated | 0:36:49 | 0:36:54 | |
into a rebuilt farm after the war. | 0:36:54 | 0:36:57 | |
They're now part of people's gardens. And this is the southernmost part of those mines. | 0:36:57 | 0:37:03 | |
They stretch up towards Ypres. | 0:37:03 | 0:37:06 | |
This big one over here. What's that? Is that from a mine? | 0:37:08 | 0:37:12 | |
That's almost certainly two mine craters | 0:37:12 | 0:37:16 | |
because of the huge size of these things. They've also been incorporated into modern buildings. | 0:37:16 | 0:37:23 | |
In fact, they've been incorporated into a golf course. | 0:37:23 | 0:37:26 | |
Quite extraordinary. | 0:37:30 | 0:37:32 | |
It's also something to bear in mind | 0:37:33 | 0:37:36 | |
that almost certainly there are many, many human remains at the bottom of these lakes. | 0:37:36 | 0:37:42 | |
So although they may be landscaped for a golf course or as part of somebody's garden, | 0:37:42 | 0:37:47 | |
if you dried them out and excavated them, you'd almost certainly find human remains. | 0:37:47 | 0:37:53 | |
'Below the craters, many of the tunnels are still there | 0:37:58 | 0:38:02 | |
'and relics of the underground war can be found across this region. | 0:38:02 | 0:38:06 | |
'Even today, solid ground can suddenly collapse, | 0:38:06 | 0:38:10 | |
'as one farmer's wife discovered to her terror.' | 0:38:10 | 0:38:14 | |
TRANSLATED: I'd finished cleaning the windows and was taking my ladder to the barn. | 0:38:14 | 0:38:20 | |
I looked down and I saw some weeds. | 0:38:22 | 0:38:24 | |
Right here. | 0:38:25 | 0:38:27 | |
So I came back to get my bucket, | 0:38:29 | 0:38:31 | |
but when I stepped here I fell down a hole. | 0:38:31 | 0:38:35 | |
It led into a network of tunnels, the roof of which was just three feet below the farm's foundations. | 0:38:37 | 0:38:44 | |
Waist-deep in the muddy water, | 0:38:45 | 0:38:47 | |
Simone Duleux had no idea of what had just happened or how she'd get out. | 0:38:47 | 0:38:53 | |
TRANSLATED: At first, I thought I'd fallen into a cesspit. | 0:38:53 | 0:38:57 | |
Then I had to wait an hour for my husband to get home. | 0:38:57 | 0:39:01 | |
I knew he wouldn't be out forever. | 0:39:01 | 0:39:04 | |
I was already in for a ticking off for staying out too long. | 0:39:04 | 0:39:08 | |
I had to look for her. I searched everywhere, even in the attic. | 0:39:08 | 0:39:13 | |
Then I changed into my normal clothes and went to look again. | 0:39:13 | 0:39:17 | |
While I was standing by the kitchen table, I looked out of the window and I saw her hand sticking out, | 0:39:17 | 0:39:24 | |
just her hand, that was all. She had her hand up like that. | 0:39:24 | 0:39:28 | |
Then, of course, I ran to find a ladder. I lowered that in and she was able to get out. | 0:39:28 | 0:39:35 | |
For the men who dug the tunnels, Messines was a stunning victory. | 0:39:36 | 0:39:41 | |
Once the mines had exploded, the British infantry easily overran the German trenches on the ridge. | 0:39:41 | 0:39:47 | |
After Messines, it seemed as if the stalemate was at last over. | 0:39:49 | 0:39:54 | |
The British commander General Haig told his men they were now to wear down the enemy's resistance. | 0:39:54 | 0:40:00 | |
But on the German side, General Erich Ludendorff ordered | 0:40:00 | 0:40:04 | |
that every piece of ground lost was to be retaken by ferocious counter-offensive. | 0:40:04 | 0:40:10 | |
It was that determination which created the mud and the slaughter of a place | 0:40:10 | 0:40:16 | |
whose name has become synonymous with the sacrifice of World War One. | 0:40:16 | 0:40:20 | |
Passchendaele. | 0:40:20 | 0:40:22 | |
The Battle of Passchendaele would be defined not by trenches or tunnels, but by weather. | 0:40:24 | 0:40:30 | |
The summer of 1917 was one of the wettest since records began. | 0:40:31 | 0:40:36 | |
The French airship would film a stretch of the Western Front | 0:40:38 | 0:40:43 | |
that had been turned into a sea of mud and blood. | 0:40:43 | 0:40:47 | |
During the fighting, men were as likely to drown as they were to be shot dead. | 0:40:47 | 0:40:53 | |
Today Passchendaele has returned to what it once was - a tranquil village in rural Belgium. | 0:40:58 | 0:41:05 | |
But the Box Collection photographs show how the fighting in World War One flattened everything here. | 0:41:06 | 0:41:12 | |
Britain and its allies fought for control of the village | 0:41:12 | 0:41:16 | |
in an attempt to outflank the German army. | 0:41:16 | 0:41:20 | |
After four months of shelling, Passchendaele was almost wiped off the map. | 0:41:20 | 0:41:25 | |
All that was left were the shattered ruins of the church. | 0:41:25 | 0:41:29 | |
'I've met up with the historian Nigel Steel to find out more about those aerial images.' | 0:41:30 | 0:41:37 | |
-The photographs tell a huge amount of the story. -Yes. | 0:41:37 | 0:41:41 | |
We can learn a lot by looking at the sequences you can find. | 0:41:41 | 0:41:45 | |
This is a nice example here. | 0:41:45 | 0:41:48 | |
This is a photograph taken before the battle begins. It shows Passchendaele. | 0:41:48 | 0:41:53 | |
You can see the roads from Zonnebeke, going around the top. | 0:41:53 | 0:41:57 | |
You can just see the church in the middle of the village. | 0:41:57 | 0:42:01 | |
And when the battle reaches the top of the ridge and washes over it, | 0:42:01 | 0:42:06 | |
-it becomes something almost inconceivable. -Good lord! | 0:42:06 | 0:42:10 | |
-That is extraordinary. -This is something you only see from the air. | 0:42:10 | 0:42:15 | |
You can still see - just - the shape of the road, the remains of the church that sits in the middle. | 0:42:15 | 0:42:21 | |
Everything else obliterated. | 0:42:21 | 0:42:24 | |
-And everywhere these shell craters filled with water. In which men drowned. -That's right. | 0:42:24 | 0:42:30 | |
Carry any weight of equipment, you'd go down. If you fell into it, often you'd drown, get sucked down. | 0:42:30 | 0:42:37 | |
It was like crossing quicksand. | 0:42:37 | 0:42:39 | |
How many lives did it take to capture small pieces of ground? If you wanted to advance a mile? | 0:42:39 | 0:42:46 | |
Well, over the course of the battle, | 0:42:46 | 0:42:48 | |
275,000 casualties are thrown up as a result of moving from the start line to the top of the ridge. | 0:42:48 | 0:42:56 | |
We're talking about 20,000 plus casualties to gain 1,500 yards, at one point. | 0:42:56 | 0:43:02 | |
And that's for something that looks like a relative success. | 0:43:02 | 0:43:06 | |
When you see this period in September and October, when it stops raining | 0:43:06 | 0:43:10 | |
and they're able to go forward and hold the ground, | 0:43:10 | 0:43:14 | |
you still incur casualties of around 20,000 per step. | 0:43:14 | 0:43:18 | |
When you say those words nowadays, people find them hard to believe. | 0:43:18 | 0:43:22 | |
You simply wouldn't accept that in a modern war with the British Army. | 0:43:22 | 0:43:26 | |
No, it's inconceivable and it's something which today still makes people shudder. | 0:43:26 | 0:43:32 | |
It sits at the back of your mind as the worst of the First World War. | 0:43:32 | 0:43:37 | |
If you know what to look for, this aerial photograph of No Man's Land contains a secret story - | 0:43:39 | 0:43:45 | |
a famous British tank bogged down in the mire. | 0:43:45 | 0:43:49 | |
The crew of nine men inside it found themselves stranded between British and German lines | 0:43:50 | 0:43:56 | |
at the height of the battle for Passchendaele. The tank's commander had a sense of humour | 0:43:56 | 0:44:02 | |
and he gave it the nickname Fray Bentos, after a famous tinned meat. | 0:44:02 | 0:44:07 | |
'And now the photograph has helped to pinpoint the very spot where this happened.' | 0:44:09 | 0:44:15 | |
We're right in the middle of the German battle zone. | 0:44:15 | 0:44:19 | |
Almost smack bang in the middle - British front lines over here, Germans coming up to here. | 0:44:19 | 0:44:25 | |
The British bring up tanks ahead of the infantry and one tank gets isolated. | 0:44:25 | 0:44:31 | |
Yeah, the Fray Bentos tank ditched in this hollow here. | 0:44:31 | 0:44:35 | |
It ground to a halt. The problem was that it was in the front line with the infantry, | 0:44:35 | 0:44:41 | |
but they were driven back by the Germans, | 0:44:41 | 0:44:45 | |
so Fray Bentos found itself way out in front of the British line | 0:44:45 | 0:44:49 | |
and it gradually became surrounded by Germans. Over three days, | 0:44:49 | 0:44:53 | |
the guys inside the tank fought off the Germans. They were on the roof, firing at them, | 0:44:53 | 0:44:58 | |
trying to blow them up, they were hit by shells coming over the top. | 0:44:58 | 0:45:03 | |
All they could do was try to make their way back over here, past where they'd come from, | 0:45:03 | 0:45:09 | |
to get back to the British lines, which they did. This stands out | 0:45:09 | 0:45:13 | |
because that little group became very heavily decorated. | 0:45:13 | 0:45:18 | |
Two Military Crosses for the officers, two Distinguished Conduct Medals and four Military Medals. | 0:45:18 | 0:45:24 | |
Eight people with a gallantry award, which is a testament to the repeated bravery that they showed | 0:45:24 | 0:45:30 | |
in fighting off the people who were literally swarming over their tank. | 0:45:30 | 0:45:34 | |
Passchendaele was eventually taken by Canadian troops on 10th November, 1917. | 0:45:34 | 0:45:41 | |
Corporal HC Baker wrote that, "the village was so thickly strewn with shell-exploded bodies | 0:45:42 | 0:45:47 | |
"that a fellow couldn't step without stepping on corruption". | 0:45:47 | 0:45:52 | |
Just over a mile from the village, | 0:45:53 | 0:45:55 | |
Tyne Cot, the largest cemetery for Commonwealth forces in the world, | 0:45:55 | 0:46:00 | |
holds 12,000 of the men who died. | 0:46:00 | 0:46:02 | |
When you add the names of those whose bodies were never found, the numbers are even more sobering. | 0:46:03 | 0:46:09 | |
140,000 men killed just to capture five miles of enemy territory. | 0:46:11 | 0:46:17 | |
Barely two inches of ground for each man lost. | 0:46:18 | 0:46:22 | |
A senior British officer who came to Passchendaele after the battle and saw the destruction | 0:46:25 | 0:46:31 | |
burst into tears and asked, "My God, did we really send men to fight in this?" | 0:46:31 | 0:46:37 | |
Well, they did. And again and again for another year of war. | 0:46:37 | 0:46:42 | |
In the year following Passchendaele, the tide of war turned in favour of the Allies. | 0:46:47 | 0:46:53 | |
America finally committed to joining the conflict | 0:46:53 | 0:46:57 | |
and by the middle of 1918 the influx of new soldiers was helping to tip the balance. | 0:46:57 | 0:47:03 | |
As the year came to a close, German soldiers started to surrender in massive numbers | 0:47:03 | 0:47:08 | |
and in October Germany admitted defeat. | 0:47:08 | 0:47:12 | |
At 11am on the 11th of November, the guns were at last quiet. | 0:47:15 | 0:47:20 | |
Slowly, the people of France and Belgium came back to their shattered lands. | 0:47:29 | 0:47:35 | |
The airship filmed extraordinary scenes as communities tried to rebuild lives out of nothing. | 0:47:35 | 0:47:41 | |
Jacques Trolley de Prevaux flew low over the French city of Lens. | 0:47:42 | 0:47:47 | |
Here they still held their weekly market, | 0:47:48 | 0:47:52 | |
next to houses so damaged all that remained were the gaping holes of what were once cellars. | 0:47:52 | 0:47:58 | |
'Therese de la Rouelle still lives in the same area that her parents returned to in 1918.' | 0:48:00 | 0:48:06 | |
After the war, when your parents came back, what did they find? What was here? | 0:48:06 | 0:48:13 | |
TRANSLATED: Everything was demolished. There was nothing left. | 0:48:13 | 0:48:17 | |
It was a field of ruins. | 0:48:17 | 0:48:20 | |
My father had always dreamed of going back to his farm, and he was ruined. | 0:48:20 | 0:48:26 | |
But they wanted to have a nice family and what mattered to them most was the children's education. | 0:48:26 | 0:48:32 | |
What did they find? Was there anything left of what they'd owned? | 0:48:33 | 0:48:38 | |
When they came back, my parents had absolutely nothing, | 0:48:38 | 0:48:42 | |
but they did find one thing under the ruins of the house. | 0:48:42 | 0:48:47 | |
I'll show it to you. | 0:48:47 | 0:48:49 | |
It's what people used in those days for a bread knife, before the First World War, | 0:48:49 | 0:48:54 | |
because my grandparents had a bake house, with a bread oven. | 0:48:54 | 0:48:59 | |
This was the only thing that was left from the ruins of the war? A bread knife. | 0:48:59 | 0:49:05 | |
Yes, a bread knife. | 0:49:08 | 0:49:10 | |
And she also had her clock. My grandmother had taken it with her. | 0:49:10 | 0:49:14 | |
It was her treasured possession. | 0:49:15 | 0:49:17 | |
She'd taken it to Normandy when they were refugees. | 0:49:19 | 0:49:23 | |
And these are the only two things we have left that belonged to our grandparents before WWI. | 0:49:23 | 0:49:29 | |
In the months and years that followed the war, life began again in this ravaged corner of Europe. | 0:49:31 | 0:49:37 | |
But there remained the task of burying the dead. | 0:49:38 | 0:49:42 | |
Hundreds of British and Commonwealth cemeteries were built along the Western Front. | 0:49:42 | 0:49:48 | |
'There were also a handful of German cemeteries, like this one at Fricourt on the Somme, | 0:49:52 | 0:49:58 | |
'where 17,000 soldiers lie buried.' | 0:49:58 | 0:50:01 | |
By the time the war ended, there were a million and a half dead Germans | 0:50:03 | 0:50:09 | |
and the country faced a massive bill for reparations - six and a half billion pounds. | 0:50:09 | 0:50:15 | |
Already broken, Germany would now be humiliated | 0:50:15 | 0:50:18 | |
and made to pay. | 0:50:18 | 0:50:21 | |
After his epic journey along the Western Front, | 0:50:23 | 0:50:27 | |
Jacques Trolley de Prevaux turned his airship back home to Paris, | 0:50:27 | 0:50:31 | |
filming the French capital untouched by war. | 0:50:31 | 0:50:35 | |
Near here, the world's leaders had gathered to discuss how to deal with Germany in the fighting's aftermath. | 0:50:36 | 0:50:43 | |
At the grand Palace of Versailles, they drew up a peace treaty | 0:50:48 | 0:50:52 | |
designed to punish Germany and to ensure that this really was the war to end all wars. | 0:50:52 | 0:50:59 | |
By the time the Treaty of Versailles was signed on June 7th, 1919, | 0:50:59 | 0:51:05 | |
most of the men who had fought in the war and survived | 0:51:05 | 0:51:09 | |
had gone back home to try to rebuild civilian lives they'd known before. | 0:51:09 | 0:51:13 | |
But the conflict had also created a restless generation, | 0:51:13 | 0:51:17 | |
men who now looked to the future for adventure and challenges, | 0:51:17 | 0:51:21 | |
men like the airship pilot Jacques Trolley de Prevaux. | 0:51:21 | 0:51:26 | |
De Prevaux's flights over the Western Front had been a unique experience, | 0:51:26 | 0:51:32 | |
starting with its most northerly point and the floods over Nieuport, | 0:51:32 | 0:51:37 | |
flying over landscapes studded with shell holes and scarred with lines of trenches. | 0:51:38 | 0:51:44 | |
And filming towns and villages that lay in ruins. | 0:51:44 | 0:51:48 | |
But just 20 years later, the great promises of Versailles were broken | 0:51:52 | 0:51:56 | |
and de Prevaux's country threatened once again. | 0:51:56 | 0:52:00 | |
A new world war began and Paris was occupied by the Germans. | 0:52:00 | 0:52:05 | |
Jacques Trolley de Prevaux would fight the enemy in very different circumstances. | 0:52:07 | 0:52:13 | |
Flying the airship along the ruins of the Western Front had turned de Prevaux | 0:52:13 | 0:52:18 | |
into a staunch patriot, determined to defend France in the future. | 0:52:18 | 0:52:23 | |
And that determination would lead him, ultimately, to tragedy. | 0:52:24 | 0:52:29 | |
20 years after his flight, when the Second World War began, | 0:52:34 | 0:52:38 | |
Jacques Trolley de Prevaux was living in Paris. | 0:52:38 | 0:52:42 | |
There he met and married a beautiful Polish fashion model, Lotka. | 0:52:45 | 0:52:49 | |
Three years into the fighting, in 1943, they had a daughter named Aude. | 0:52:51 | 0:52:56 | |
'Aude still lives in Paris, and I'm going to meet her to find out more about her father. | 0:52:59 | 0:53:05 | |
'Both her parents died when she was still a baby, but in the last few years, Aude's been piecing together | 0:53:05 | 0:53:11 | |
'their incredible life story.' | 0:53:11 | 0:53:14 | |
By the time of WWII, your father is a captain in the French navy, | 0:53:16 | 0:53:20 | |
but he decides he's not going to give up, not going to surrender. And so he stays. | 0:53:20 | 0:53:26 | |
-And he acts as an agent, a spy, along with your mother. -Yes. -A team. | 0:53:26 | 0:53:30 | |
What was their life like during that period? | 0:53:30 | 0:53:34 | |
Em, my mother was always on the roads... | 0:53:34 | 0:53:38 | |
..with documents to deliver. | 0:53:39 | 0:53:42 | |
Or accompanying people to hide them | 0:53:42 | 0:53:46 | |
or to bring them to a safe place. | 0:53:46 | 0:53:49 | |
And my father was pretending he was a shopkeeper, | 0:53:49 | 0:53:53 | |
travelling with goods to show and to sell. | 0:53:53 | 0:53:57 | |
-That was his cover. -Yeah. His cover. -The Gestapo eventually closed in on your parents, they arrested them. | 0:53:57 | 0:54:03 | |
Mm-hm. There was among them a traitor. | 0:54:03 | 0:54:06 | |
And they went to my mother's house and arrested her | 0:54:06 | 0:54:11 | |
and she had just a few seconds to take me | 0:54:11 | 0:54:15 | |
and give me very quickly to my nurse. | 0:54:15 | 0:54:19 | |
Saying, "Hide the baby!" So she was taken, too, and they were arrested | 0:54:19 | 0:54:24 | |
and tortured and nobody...nobody told anything. | 0:54:24 | 0:54:29 | |
They kept a silence. | 0:54:29 | 0:54:32 | |
-It was pretty brutal torture. -It was. -They used electric shocks, they immersed them in water. | 0:54:32 | 0:54:39 | |
-Yes. -Among other things. -Yes. -But they never spoke. -They never spoke. | 0:54:39 | 0:54:44 | |
After their arrest, did they ever see each other again? | 0:54:44 | 0:54:48 | |
They saw each other when they were killed, when they were shot, yes. | 0:54:49 | 0:54:53 | |
-They took them to this airfield and they dug trenches? -Yes. | 0:54:54 | 0:54:58 | |
-Stood them in front of the trenches and machine-gunned them. -Yes. | 0:54:58 | 0:55:02 | |
And...yes. That was the end. | 0:55:05 | 0:55:08 | |
Do you know...that your father | 0:55:08 | 0:55:12 | |
took an airship right across the Western Front at the end of the Great War? | 0:55:12 | 0:55:18 | |
-No. -Yes. -Uh-huh? | 0:55:18 | 0:55:21 | |
And he also brought with him a cameraman and they filmed it. | 0:55:21 | 0:55:26 | |
-Ah? -Yes. -Really? | 0:55:26 | 0:55:28 | |
Yeah. | 0:55:28 | 0:55:30 | |
-And there is footage, there is a film... -Uh-huh? -..which was taken by your father. | 0:55:30 | 0:55:36 | |
-Are you sure? -I'm absolutely positive. -Well! | 0:55:36 | 0:55:41 | |
And you can see your father in this film. | 0:55:41 | 0:55:45 | |
-Would you like to see it? -Oh, yes! A film? -Yeah. | 0:55:45 | 0:55:49 | |
Yes. | 0:55:49 | 0:55:51 | |
He was smiling. Was he? | 0:56:11 | 0:56:13 | |
-Yeah. -I never... | 0:56:13 | 0:56:16 | |
In all the photos, he is always so severe. | 0:56:17 | 0:56:21 | |
I couldn't imagine him smiling. And now I saw him smiling. | 0:56:21 | 0:56:26 | |
What does it mean to you, watching him like this, seeing him like this? | 0:56:30 | 0:56:34 | |
It's very moving. | 0:56:34 | 0:56:36 | |
I couldn't expect seeing my father alive. | 0:56:36 | 0:56:41 | |
Ah. It's a complete shock. | 0:56:42 | 0:56:44 | |
Ahh. | 0:56:53 | 0:56:54 | |
This is a happy moment? | 0:57:02 | 0:57:05 | |
Oh, yes. Happy, but painful, too. | 0:57:05 | 0:57:07 | |
Yes. | 0:57:07 | 0:57:09 | |
It's a great moment. | 0:57:09 | 0:57:11 | |
-It's like as if he was alive. -Really? -Ah, yes. | 0:57:11 | 0:57:15 | |
The story of men like Jacques Trolley de Prevaux epitomises a generation | 0:57:25 | 0:57:31 | |
that faced the challenge of total war. | 0:57:31 | 0:57:34 | |
On the other side of Paris, beneath the Arc de Triomphe, is a monument | 0:57:37 | 0:57:42 | |
commemorating those who died in the First World War. | 0:57:42 | 0:57:46 | |
The Tomb of the Unknown Soldier. | 0:57:47 | 0:57:50 | |
A single grave containing the body of one unidentified combatant. | 0:57:51 | 0:57:55 | |
Killed in a struggle that had claimed the lives of some 16 million people. | 0:57:57 | 0:58:03 | |
Those four years between 1914 and 1918 | 0:58:04 | 0:58:08 | |
would change forever the way war was fought, | 0:58:08 | 0:58:12 | |
but couldn't alter a fundamental truth of the battlefield - | 0:58:12 | 0:58:16 | |
war is fought between individuals. | 0:58:16 | 0:58:19 | |
And to them belongs its courage, its terror | 0:58:19 | 0:58:23 | |
and its sacrifice. | 0:58:23 | 0:58:26 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:58:46 | 0:58:50 | |
Email [email protected] | 0:58:51 | 0:58:54 |