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It's early morning in August. | 0:00:09 | 0:00:11 | |
The year is 1535, and a young woman is on a mission. | 0:00:11 | 0:00:15 | |
She's on her way to collect a head | 0:00:15 | 0:00:17 | |
which is rotting on a spike on London Bridge. | 0:00:17 | 0:00:21 | |
The only way to identify it is by a missing tooth. | 0:00:24 | 0:00:28 | |
When she collects the skull, she wraps it in a linen cloth | 0:00:28 | 0:00:31 | |
and hides it in her basket. | 0:00:31 | 0:00:34 | |
The severed head is her father's. | 0:00:43 | 0:00:46 | |
Sir Thomas More, one of the greatest intellectuals in Tudor England. | 0:00:46 | 0:00:50 | |
And now a traitor who'd been imprisoned in the Tower of London | 0:00:50 | 0:00:54 | |
by his former friend Henry VIII. | 0:00:54 | 0:00:58 | |
She is More's devoted daughter Margaret, | 0:01:00 | 0:01:02 | |
and she's just risked everything to retrieve her father's remains. | 0:01:02 | 0:01:07 | |
But this isn't just a tale of courage | 0:01:13 | 0:01:16 | |
in the face of a brutal regime. | 0:01:16 | 0:01:17 | |
Thomas More's plucky daughter also tells a very different story, | 0:01:17 | 0:01:21 | |
about the transforming power of knowledge. | 0:01:21 | 0:01:24 | |
The intellectual forces at work in the 16th century | 0:01:30 | 0:01:35 | |
proved pivotal for education. | 0:01:35 | 0:01:38 | |
At the start of the Tudor period, | 0:01:38 | 0:01:40 | |
most children learned little more than their letters and prayers. | 0:01:40 | 0:01:45 | |
But the ideas that shaped Margaret More's life | 0:01:45 | 0:01:49 | |
changed the history of education. | 0:01:49 | 0:01:52 | |
And with it, the cultural life of the nation. | 0:01:52 | 0:01:55 | |
The Tudor age began in 1485. | 0:02:12 | 0:02:15 | |
The vast majority of people worked on the land, | 0:02:15 | 0:02:20 | |
and education was beyond the reach of most. | 0:02:20 | 0:02:22 | |
The children who did get some kind of schooling were mainly boys. | 0:02:22 | 0:02:26 | |
Parents rarely encouraged their daughters. | 0:02:26 | 0:02:30 | |
But Margaret's experience would be very different. | 0:02:30 | 0:02:34 | |
Margaret More was born in London in 1505. | 0:02:34 | 0:02:37 | |
Most of the city she knew was destroyed in the Great Fire, | 0:02:37 | 0:02:40 | |
but you can still find traces of Tudor London | 0:02:40 | 0:02:44 | |
that Margaret would have recognised. | 0:02:44 | 0:02:46 | |
Like the Church of St Bartholomew the Great. | 0:02:46 | 0:02:49 | |
Now Protestant, it still holds part of its services in Latin, | 0:02:51 | 0:02:55 | |
as it would have done in Margaret's day. | 0:02:55 | 0:02:58 | |
Back then, England, like the rest of Europe, was Catholic, | 0:03:03 | 0:03:07 | |
and knowledge and education were firmly in the grip of the Church. | 0:03:07 | 0:03:12 | |
Margaret's father Thomas More was a fervent Catholic. | 0:03:16 | 0:03:19 | |
He was also a successful lawyer and influential writer. | 0:03:21 | 0:03:26 | |
He was to become Lord Chancellor, | 0:03:27 | 0:03:30 | |
one of Henry VIII's most trusted advisers. | 0:03:30 | 0:03:33 | |
Thomas had been well educated, | 0:03:33 | 0:03:35 | |
and he was determined to give his daughters | 0:03:35 | 0:03:37 | |
the same education as his son. | 0:03:37 | 0:03:40 | |
We take that for granted, but then it was a truly radical idea. | 0:03:40 | 0:03:45 | |
At the turn of the 16th century, | 0:03:49 | 0:03:52 | |
the majority of women barely needed an education. | 0:03:52 | 0:03:55 | |
Most would have to cook and clean when they grew up, | 0:03:55 | 0:03:58 | |
so that's what their mothers taught them. | 0:03:58 | 0:04:00 | |
My experience is entirely different. | 0:04:00 | 0:04:03 | |
I'm a terrible cook, but I got a brilliant education. | 0:04:03 | 0:04:07 | |
In Tudor England, though, they weren't expected to do much more | 0:04:07 | 0:04:11 | |
than learn the alphabet and memorise the Lord's Prayer. | 0:04:11 | 0:04:14 | |
But Margaret was a gentleman's daughter. | 0:04:14 | 0:04:17 | |
And Thomas had bold plans for her, | 0:04:17 | 0:04:20 | |
because he was one of the new breed of thinkers, a humanist. | 0:04:20 | 0:04:24 | |
Humanism was born in the city states of 14th century Italy - | 0:04:32 | 0:04:36 | |
Padua, Verona, Florence. | 0:04:36 | 0:04:40 | |
But now it was spreading through northern Europe. | 0:04:40 | 0:04:43 | |
This philosophical and cultural movement | 0:04:46 | 0:04:48 | |
of the Italian Renaissance was based on the study of the classics. | 0:04:48 | 0:04:53 | |
Humanists believed that education was about becoming a good citizen. | 0:04:53 | 0:04:57 | |
True nobility didn't depend on who your father was, | 0:04:57 | 0:05:00 | |
but on how you behaved. | 0:05:00 | 0:05:02 | |
So children needed a curriculum that reflected real human experience. | 0:05:02 | 0:05:06 | |
One modelled on classical ideas about education. | 0:05:06 | 0:05:11 | |
They should study languages, rhetoric, history and literature. | 0:05:11 | 0:05:16 | |
Margaret was reading at the age of three, | 0:05:19 | 0:05:21 | |
and one of her first books was Aesop's Fables. | 0:05:21 | 0:05:25 | |
A hungry fox saw some grapes hanging from a trellis, | 0:05:30 | 0:05:33 | |
and decided to get hold of them. | 0:05:33 | 0:05:37 | |
But he was unable to do so, and went off muttering to himself, | 0:05:37 | 0:05:43 | |
"They're not ripe, anyway." | 0:05:43 | 0:05:46 | |
So with some men, when they are too weak to achieve their purpose, | 0:05:46 | 0:05:51 | |
they blame the times. | 0:05:51 | 0:05:53 | |
This is the first English edition of Aesop's Fables, | 0:05:56 | 0:05:59 | |
produced by William Caxton in 1484. | 0:05:59 | 0:06:02 | |
It could have been this very edition Margaret read. | 0:06:04 | 0:06:07 | |
The pictures are so full of life, and the print is so fresh, | 0:06:07 | 0:06:11 | |
it almost could have been printed yesterday. | 0:06:11 | 0:06:14 | |
The Mores' house is long gone, | 0:06:27 | 0:06:29 | |
but they'd have lived somewhere like this, | 0:06:29 | 0:06:32 | |
a big, bustling household with lots of servants. | 0:06:32 | 0:06:35 | |
And at its heart was something Thomas called his school. | 0:06:35 | 0:06:39 | |
He wanted to inspire his children to use their minds, | 0:06:39 | 0:06:43 | |
so the serious business of education also needed to be fun. | 0:06:43 | 0:06:48 | |
Life in the More house was filled with intellectual challenges, | 0:06:48 | 0:06:52 | |
quizzes and conundrums. | 0:06:52 | 0:06:54 | |
If a clock has an hour hand and a minute hand, | 0:07:02 | 0:07:05 | |
when and how often will they overlap? | 0:07:05 | 0:07:10 | |
But was it all fun and games in the More school room? | 0:07:16 | 0:07:19 | |
It depends what you mean by fun and games. | 0:07:19 | 0:07:22 | |
Thomas More was strict, Margaret's father, | 0:07:22 | 0:07:24 | |
about what you could do with your spare time. | 0:07:24 | 0:07:27 | |
Amateur dramatics were fine, and they did that, | 0:07:27 | 0:07:29 | |
and I'm sure that involved a lot of dressing up. | 0:07:29 | 0:07:31 | |
Margaret, when she was very little, had pets. | 0:07:31 | 0:07:34 | |
She had a pet monkey, she had a rabbit, she kept hens. | 0:07:34 | 0:07:36 | |
But what More thought was really the best were games that improved | 0:07:36 | 0:07:41 | |
the children's minds. | 0:07:41 | 0:07:42 | |
So what was Margaret's daily educational routine? | 0:07:42 | 0:07:46 | |
The language of learning was Latin. | 0:07:46 | 0:07:48 | |
At first, of course, you would learn the grammar. | 0:07:48 | 0:07:51 | |
And then you would move to translation. | 0:07:51 | 0:07:54 | |
You would translate from Latin. | 0:07:54 | 0:07:56 | |
Quite often you would translate your English back into Latin | 0:07:56 | 0:07:59 | |
and compare your version with the original text | 0:07:59 | 0:08:02 | |
so that you could learn about style. | 0:08:02 | 0:08:04 | |
And in the More household, | 0:08:04 | 0:08:06 | |
the children would sit round the table | 0:08:06 | 0:08:08 | |
and write letters to each other or their tutor, | 0:08:08 | 0:08:11 | |
describing what they'd done the previous day, | 0:08:11 | 0:08:13 | |
or what they were going to do tomorrow. | 0:08:13 | 0:08:15 | |
Of course, they all knew those things, | 0:08:15 | 0:08:17 | |
but it was the practice that was involved. | 0:08:17 | 0:08:20 | |
And have any of her letters survived? | 0:08:20 | 0:08:23 | |
There is a copy here of a letter which Margaret wrote | 0:08:23 | 0:08:26 | |
later in life, ten years later in life. | 0:08:26 | 0:08:29 | |
You can see this is an extraordinarily special | 0:08:29 | 0:08:31 | |
sort of handwriting. | 0:08:31 | 0:08:32 | |
It is an italic hand. That means that it was | 0:08:32 | 0:08:35 | |
a hand that was first pioneered in Italy | 0:08:35 | 0:08:37 | |
by the founders of the humanist movement. | 0:08:37 | 0:08:40 | |
Look at these very, very tall, beautifully spaced consonants. | 0:08:40 | 0:08:44 | |
If she was doing the laundry list, it wouldn't look like this, | 0:08:44 | 0:08:47 | |
it would be scribble. | 0:08:47 | 0:08:49 | |
If she was writing a quick note to a friend, | 0:08:49 | 0:08:52 | |
it wouldn't look like that. | 0:08:52 | 0:08:53 | |
But Margaret was also taught something that very few girls | 0:08:53 | 0:08:56 | |
would ever learn, and even fewer would need. | 0:08:56 | 0:08:59 | |
Of course, the Holy Grail was rhetoric. | 0:08:59 | 0:09:02 | |
Rhetoric is essentially persuasion. | 0:09:02 | 0:09:04 | |
Imagine a barrister who is going into court for the prosecution. | 0:09:04 | 0:09:08 | |
He makes a brilliant speech, | 0:09:08 | 0:09:09 | |
and the defendant is convicted and sent to prison. | 0:09:09 | 0:09:12 | |
In these rhetorical games which they played, | 0:09:12 | 0:09:15 | |
and again they thought this was great fun, | 0:09:15 | 0:09:17 | |
you came out of the room, and you went back | 0:09:17 | 0:09:19 | |
and gave the winning speech for the defence. | 0:09:19 | 0:09:21 | |
And then the question was, which winning speech was more winning? | 0:09:21 | 0:09:25 | |
Rhetoric trains you for public life. | 0:09:25 | 0:09:28 | |
The public world that was of course denied, at that time, to women. | 0:09:28 | 0:09:32 | |
Margaret had to push the boundaries to be allowed to practise speeches. | 0:09:32 | 0:09:36 | |
Margaret relished the art of rhetoric. | 0:09:36 | 0:09:40 | |
And her father, like all humanists, | 0:09:40 | 0:09:42 | |
encouraged the reading of the classics. | 0:09:42 | 0:09:45 | |
And in particular, the works of the Roman orator Cicero. | 0:09:45 | 0:09:48 | |
The questions he had asked 1,500 years before | 0:09:48 | 0:09:51 | |
lay at the very heart of Tudor life. | 0:09:51 | 0:09:54 | |
Should one remain in one's country even under a tyranny? | 0:10:00 | 0:10:04 | |
Should a man who has done great service to his country | 0:10:05 | 0:10:09 | |
go out of his way to run risks for it? | 0:10:09 | 0:10:12 | |
Or should he be permitted to take thought for himself | 0:10:12 | 0:10:16 | |
and his loved ones, | 0:10:16 | 0:10:18 | |
abandoning endless struggles against those who have the power? | 0:10:18 | 0:10:22 | |
Before long, the question of working for a tyrant | 0:10:29 | 0:10:31 | |
would become all too real for Thomas More. | 0:10:31 | 0:10:34 | |
It would be a century in which people were often forced to choose | 0:10:37 | 0:10:40 | |
between personal beliefs | 0:10:40 | 0:10:42 | |
and the pragmatic question of political survival. | 0:10:42 | 0:10:46 | |
Subjects hotly debated by Thomas More and his fellow humanists. | 0:10:46 | 0:10:49 | |
In England, humanism first took hold in Oxford. | 0:11:00 | 0:11:03 | |
With just a handful of followers, | 0:11:03 | 0:11:07 | |
maybe just another wave of doomed idealists. | 0:11:07 | 0:11:10 | |
But they were soon to get a supporter with a lot of clout. | 0:11:10 | 0:11:14 | |
Their teachings influenced a child who was to become | 0:11:15 | 0:11:19 | |
the future King of England, Henry VIII. | 0:11:19 | 0:11:21 | |
When Henry came to the throne in 1509, he was 17, | 0:11:24 | 0:11:27 | |
and already the best educated king England had ever had, | 0:11:27 | 0:11:30 | |
thanks to his humanist education. | 0:11:30 | 0:11:33 | |
He'd studied classics, poetry, history and languages, | 0:11:33 | 0:11:37 | |
and he developed a passion for astronomy | 0:11:37 | 0:11:39 | |
which he shared with Margaret More. | 0:11:39 | 0:11:42 | |
They shared a teacher, too. | 0:11:44 | 0:11:46 | |
In 1519, Thomas brought home | 0:11:46 | 0:11:48 | |
a brilliant Bavarian called Nicholas Kratzer, | 0:11:48 | 0:11:52 | |
who thrilled the children with the wonders of the stars. | 0:11:52 | 0:11:56 | |
A year later, he was appointed the king's personal astronomer. | 0:11:56 | 0:12:01 | |
Thomas was delighted by his daughter's enthusiasm for science. | 0:12:01 | 0:12:04 | |
He wrote to tell her as much while he was away on royal business. | 0:12:04 | 0:12:08 | |
I hear you are so far advanced in that science that you cannot | 0:12:11 | 0:12:15 | |
only point out the Polar Star or the Dog Star, | 0:12:15 | 0:12:19 | |
or any of the ordinary stars, | 0:12:19 | 0:12:21 | |
but are able also to distinguish the sun from the moon. | 0:12:21 | 0:12:26 | |
Onward, then, in that new and admirable science | 0:12:26 | 0:12:30 | |
by which you ascend to the stars. | 0:12:30 | 0:12:32 | |
Dr Jim Bennett is the director | 0:12:39 | 0:12:41 | |
of Oxford's Museum of the History of Science. | 0:12:41 | 0:12:44 | |
If I were Nicholas Kratzer, say, teaching Margaret More astronomy, | 0:12:44 | 0:12:48 | |
I would definitely start with the armillary sphere. | 0:12:48 | 0:12:51 | |
This is for beginners? | 0:12:51 | 0:12:53 | |
It is for beginners, and it brings the heavens into | 0:12:53 | 0:12:57 | |
a small instrument that you can demonstrate very easily. | 0:12:57 | 0:13:00 | |
You can see the celestial equator. | 0:13:00 | 0:13:03 | |
You can see the band of the Zodiac. Sagittarius. Capricorn. | 0:13:03 | 0:13:09 | |
And the whole heavens turn around. | 0:13:11 | 0:13:13 | |
Just in the way that you see the heavens themselves turning | 0:13:13 | 0:13:16 | |
when you are outside. | 0:13:16 | 0:13:18 | |
One of the most obvious things for us | 0:13:18 | 0:13:19 | |
is that the sun isn't at the centre, but the Earth. | 0:13:19 | 0:13:22 | |
In Margaret's universe, before Copernicus, | 0:13:22 | 0:13:24 | |
the Earth is at rest in the centre. | 0:13:24 | 0:13:28 | |
And if one wanted to go further with astronomy, | 0:13:28 | 0:13:31 | |
might one use other instruments as well? | 0:13:31 | 0:13:33 | |
We know that Margaret More was taught to use an astrolabe. | 0:13:33 | 0:13:37 | |
Yes. This is an astrolabe. | 0:13:37 | 0:13:39 | |
It is a more complicated instrument than the armillary sphere, | 0:13:39 | 0:13:42 | |
but essentially a projection of the heavens on to a flat surface. | 0:13:42 | 0:13:47 | |
You have the stars, | 0:13:47 | 0:13:48 | |
so each of these little curly points represents a star. | 0:13:48 | 0:13:53 | |
And just as the heavens turn around the Earth in Margaret's universe, | 0:13:53 | 0:13:57 | |
once a day, so the star map on the astrolabe can turn. | 0:13:57 | 0:14:01 | |
So Margaret really was very privileged to have access | 0:14:02 | 0:14:06 | |
to this kind of cutting-edge equipment? | 0:14:06 | 0:14:08 | |
Indeed she was. The idea of learning astronomy from an astrolabe... | 0:14:08 | 0:14:12 | |
The astrolabe is the most advanced astronomical instrument of its time. | 0:14:12 | 0:14:16 | |
The idea of having Nicholas Kratzer as your tutor was extraordinary, | 0:14:17 | 0:14:21 | |
one of the leading astronomers of Europe, | 0:14:21 | 0:14:24 | |
and I would say her father chose her astronomical tutor | 0:14:24 | 0:14:27 | |
extraordinarily well. | 0:14:27 | 0:14:29 | |
Being taught astronomy shows just how exceptional | 0:14:34 | 0:14:37 | |
Margaret's education was, | 0:14:37 | 0:14:38 | |
expanding her intellectual horizons way beyond the City of London. | 0:14:38 | 0:14:43 | |
But for the king and his ambitious merchants, | 0:14:43 | 0:14:45 | |
Nicholas Kratzer's brand of astronomy would eventually have | 0:14:45 | 0:14:49 | |
a much more practical use, in navigation. | 0:14:49 | 0:14:52 | |
This was the Age of Discovery, | 0:14:58 | 0:15:00 | |
when Europe began to explore new territories and trade routes. | 0:15:00 | 0:15:04 | |
Spanish and Portuguese sailors had been using | 0:15:07 | 0:15:10 | |
sophisticated scientific instruments for some time. | 0:15:10 | 0:15:13 | |
But it didn't take long for England to catch up. | 0:15:15 | 0:15:19 | |
And with greater geographical and scientific expertise | 0:15:19 | 0:15:23 | |
came greater prowess in trade and war. | 0:15:23 | 0:15:26 | |
Henry sponsored trade expeditions, built up the Navy, | 0:15:28 | 0:15:32 | |
and defended England against French invasion. | 0:15:32 | 0:15:34 | |
And England had lost no ground to its competitors | 0:15:45 | 0:15:48 | |
in another sphere of technological innovation. | 0:15:48 | 0:15:52 | |
One which would increase literacy, | 0:15:52 | 0:15:55 | |
lay the foundations for a rich literary culture | 0:15:55 | 0:15:59 | |
and revolutionise education. | 0:15:59 | 0:16:01 | |
This is a replica printing press. | 0:16:03 | 0:16:05 | |
And printing introduced the mass production of books | 0:16:05 | 0:16:09 | |
for the first time. | 0:16:09 | 0:16:10 | |
Here are the cases where the type is kept. | 0:16:10 | 0:16:13 | |
You can see that in our upper case | 0:16:13 | 0:16:15 | |
we've got the capitals and numerals | 0:16:15 | 0:16:17 | |
In the lower case here, the small letters. | 0:16:17 | 0:16:19 | |
When we talk about upper and lower case letters today, | 0:16:19 | 0:16:22 | |
these are the physical cases in the printing house. | 0:16:22 | 0:16:24 | |
That's where it comes from? The actual cases. | 0:16:24 | 0:16:27 | |
Wonderful. So here I have a "y". | 0:16:27 | 0:16:30 | |
'After a clumsy attempt at lining up a single word, | 0:16:30 | 0:16:34 | |
'I realise how skilled Tudor typesetters must have been.' | 0:16:34 | 0:16:37 | |
You don't need to press down hard at all. | 0:16:39 | 0:16:42 | |
-The ink will do the work. -Exactly. | 0:16:42 | 0:16:44 | |
It's very tricky getting the ink right to the edges, isn't it? | 0:16:44 | 0:16:48 | |
-So this has to come down. -That's it. | 0:16:48 | 0:16:51 | |
-It just folds over there. -Fold this down on top. | 0:16:52 | 0:16:56 | |
-Oh, it's quite heavy isn't it? -It is a bit. | 0:16:56 | 0:16:58 | |
Just gently put it down. | 0:16:58 | 0:17:00 | |
You don't want it to bounce at all. | 0:17:00 | 0:17:02 | |
-That's it. -And that's ready to go. | 0:17:02 | 0:17:04 | |
-All set. -All set. | 0:17:04 | 0:17:06 | |
So you turn the handle anti-clockwise. | 0:17:06 | 0:17:08 | |
-That will roll the whole bed underneath the pattern. -Like rowing! | 0:17:08 | 0:17:13 | |
-As far as it will go? -As far as it will go. -Like that? | 0:17:15 | 0:17:18 | |
So now, the moment of truth. | 0:17:25 | 0:17:27 | |
And there's our first attempt. | 0:17:31 | 0:17:34 | |
And what's so striking about this, | 0:17:41 | 0:17:43 | |
even for a beginner having a first go, is the speed of it. | 0:17:43 | 0:17:48 | |
Compared to a medieval clerk or scribe handwriting a page of text. | 0:17:48 | 0:17:53 | |
This is so fast. It's really revolutionary, isn't it? | 0:17:53 | 0:17:57 | |
Once the presses are rolling, thousands of copies can come off | 0:17:57 | 0:18:00 | |
-without too much further ado. -Absolutely. | 0:18:00 | 0:18:03 | |
Printing didn't just revolutionise publishing. | 0:18:03 | 0:18:07 | |
It helped lay the foundations of a national curriculum | 0:18:07 | 0:18:10 | |
by mass producing textbooks. | 0:18:10 | 0:18:14 | |
It would also play a key role in administration. | 0:18:14 | 0:18:17 | |
Paperwork was at the heart of government and commerce | 0:18:17 | 0:18:21 | |
as a new economic era dawned. | 0:18:21 | 0:18:25 | |
Henry VIII's father, Henry VII, had expanded the role of government | 0:18:25 | 0:18:30 | |
and created the beginnings of a modern civil service. | 0:18:30 | 0:18:33 | |
A new political culture had been born. | 0:18:33 | 0:18:37 | |
It was a world which would need businessmen, lawyers and diplomats. | 0:18:37 | 0:18:41 | |
To keep up with their neighbours, these future professionals | 0:18:41 | 0:18:44 | |
would need to be masters of negotiation and debate. | 0:18:44 | 0:18:47 | |
Europe was enjoying a period of economic growth, | 0:18:50 | 0:18:53 | |
and its population was increasing. | 0:18:53 | 0:18:56 | |
Political alliances were crucial. | 0:18:56 | 0:18:59 | |
Each nation needed to hold its own | 0:18:59 | 0:19:01 | |
with its allies and trading partners. | 0:19:01 | 0:19:04 | |
To supply young men to represent it on the international stage, | 0:19:05 | 0:19:08 | |
England looked to its grammar schools. | 0:19:08 | 0:19:11 | |
Grammar schools weren't a new idea. | 0:19:19 | 0:19:21 | |
They'd been around since 12th century. | 0:19:21 | 0:19:24 | |
The large ones at Eton and Winchester | 0:19:24 | 0:19:26 | |
had been set up to give boys a free education. | 0:19:26 | 0:19:30 | |
Some were part of a monastery. | 0:19:32 | 0:19:33 | |
And many of the boys who studied there | 0:19:33 | 0:19:36 | |
went on to careers in the church. | 0:19:36 | 0:19:39 | |
By the early 16th century, | 0:19:42 | 0:19:43 | |
England already had several hundred grammar schools. | 0:19:43 | 0:19:47 | |
They offered an education based on the study of Latin. | 0:19:47 | 0:19:52 | |
Teachers used exercises called vulgaria to teach the basic grammar. | 0:19:59 | 0:20:05 | |
This is the Stanbridge Vulgaria, one of the best-selling grammar | 0:20:05 | 0:20:08 | |
books of the 16th century, and this particular copy we know | 0:20:08 | 0:20:12 | |
belonged to someone, perhaps a boy, named Thomas Frognall, | 0:20:12 | 0:20:14 | |
because he wrote in it several times to say so. | 0:20:14 | 0:20:16 | |
And it begins with a poem telling the reader what to do with the book. | 0:20:16 | 0:20:20 | |
"Choose Latin words in your heart to impress, to the end that ye may | 0:20:20 | 0:20:24 | |
"with all your intelligence serve God your maker holy unto his reverence. | 0:20:24 | 0:20:29 | |
"And if ye do not, the rod must not spare | 0:20:29 | 0:20:32 | |
"You for to learn with his sharp moral sense. | 0:20:32 | 0:20:34 | |
"Take thou good heed and harken your vulgare." | 0:20:34 | 0:20:38 | |
What's wonderful about this is that it isn't a book for show. | 0:20:38 | 0:20:42 | |
It's a book to be used, | 0:20:42 | 0:20:43 | |
and you can see the thought processes of Tudor education on every page. | 0:20:43 | 0:20:48 | |
And here at the beginning of Stanbridge's vocabulary, we have a | 0:20:48 | 0:20:53 | |
wonderful woodcut of a schoolmaster sitting, teaching his charges. | 0:20:53 | 0:20:57 | |
Only three of them sitting round his feet, rather than the hubbub | 0:20:57 | 0:21:01 | |
of most grammar school rooms, | 0:21:01 | 0:21:03 | |
and in his hand his birch twigs, in case they get out of line. | 0:21:03 | 0:21:07 | |
And then the sentences begin that | 0:21:10 | 0:21:11 | |
boys needed to learn how to translate into Latin. | 0:21:11 | 0:21:13 | |
"Good morrow. Good night. God speed. How farest thou?" | 0:21:13 | 0:21:17 | |
And down here we get to the word for a goggle-eyed woman. | 0:21:19 | 0:21:22 | |
Where would we be without that?! | 0:21:22 | 0:21:25 | |
This is Magdalen College School in Oxford. | 0:21:36 | 0:21:40 | |
Latin is still on the curriculum here, | 0:21:40 | 0:21:42 | |
but it's studied very differently now. | 0:21:42 | 0:21:45 | |
Today they're going to find out how it was done in Tudor classrooms. | 0:21:45 | 0:21:49 | |
There would have been a bit of teacher violence here and there... | 0:21:51 | 0:21:57 | |
Just like Margaret More, grammar school boys were taught Latin | 0:21:57 | 0:22:01 | |
as the cornerstone of a humanist education. | 0:22:01 | 0:22:05 | |
But their translations were a little more earthy. | 0:22:05 | 0:22:07 | |
These students have been given sentences from the vulgaria | 0:22:09 | 0:22:13 | |
to translate from Latin into English, | 0:22:13 | 0:22:15 | |
so they can experience what their Tudor counterparts had to deal with. | 0:22:15 | 0:22:19 | |
My Latin's not what it was, but I'm going to have a go at them too. | 0:22:21 | 0:22:25 | |
Some of them are very, very strange. | 0:22:29 | 0:22:32 | |
Any major problems? | 0:22:34 | 0:22:37 | |
Any other bits of vocab? | 0:22:37 | 0:22:39 | |
-Merda. -Merda? | 0:22:39 | 0:22:42 | |
Think to your knowledge of French. | 0:22:42 | 0:22:44 | |
OK, merde as in crap. | 0:22:49 | 0:22:52 | |
So what did you think? Were these hard? Harder than normal? | 0:22:58 | 0:23:02 | |
-Unusual. -Unusual? Unusual. OK. | 0:23:02 | 0:23:06 | |
It's a long time since I was in a Latin class, | 0:23:06 | 0:23:09 | |
more than 20 years, so I'm sure you'll have done better than me. | 0:23:09 | 0:23:11 | |
Who got something for the first one? | 0:23:11 | 0:23:14 | |
Sum in articulo purgandi viscera. I got completely stuck with this one. | 0:23:14 | 0:23:18 | |
Anyone prepared to have a go? | 0:23:18 | 0:23:20 | |
OK. You got? | 0:23:20 | 0:23:23 | |
This one was like, "I'm on the point of cleaning out my innards." | 0:23:23 | 0:23:29 | |
Which quite literally means, "I'm about to visit the toilet"! | 0:23:29 | 0:23:33 | |
Diarrhoea, probably, we're talking about, aren't we? | 0:23:33 | 0:23:35 | |
What about the next one? | 0:23:35 | 0:23:37 | |
Caput meum est plenum pediculorum. | 0:23:37 | 0:23:40 | |
-OK. -"My head is full of lice." | 0:23:42 | 0:23:45 | |
Lovely. So what do you make of this? | 0:23:45 | 0:23:47 | |
What do you think is the point of having sentences like this? | 0:23:47 | 0:23:52 | |
Connects you with your school life. | 0:23:52 | 0:23:55 | |
Stuff that would captivate students' attention. | 0:23:55 | 0:23:57 | |
Captivates the students' attention. So you think poo, lice and diarrhoea | 0:23:57 | 0:24:02 | |
and things like that is a good way to get attention? | 0:24:02 | 0:24:06 | |
Yes. It's the sad truth! | 0:24:06 | 0:24:07 | |
Joking aside, the vulgaria were just the starting point. | 0:24:13 | 0:24:17 | |
A Tudor grammar school boy could | 0:24:19 | 0:24:21 | |
spend up to seven years mastering the finer points of Latin. | 0:24:21 | 0:24:24 | |
When the bell rings, | 0:24:30 | 0:24:32 | |
these pupils can leave their Latin in the classroom. | 0:24:32 | 0:24:34 | |
But in a Tudor school, boys had to talk in Latin all the time. | 0:24:34 | 0:24:39 | |
And learning to talk persuasively, the art of rhetoric, | 0:24:39 | 0:24:43 | |
gave them a great start in life. | 0:24:43 | 0:24:46 | |
It was, after all, vital for anyone wanting a career in government, | 0:24:46 | 0:24:50 | |
and meant they could aspire to some | 0:24:50 | 0:24:52 | |
of the top jobs in the country, no matter what their background. | 0:24:52 | 0:24:56 | |
Social mobility might seem like a very modern phenomenon. | 0:25:01 | 0:25:04 | |
In fact, it's been around for centuries. | 0:25:04 | 0:25:07 | |
In Tudor England, a bright boy from a poor background who'd learnt Latin | 0:25:07 | 0:25:11 | |
at grammar school stood a real chance of climbing the greasy pole. | 0:25:11 | 0:25:15 | |
Take the story of Thomas Wolsey. | 0:25:15 | 0:25:18 | |
He rose to become the second most powerful man in England. | 0:25:18 | 0:25:21 | |
Entirely thanks to his education, | 0:25:21 | 0:25:23 | |
because he came from a very humble family. | 0:25:23 | 0:25:27 | |
I'm off to East Anglia | 0:25:32 | 0:25:34 | |
to find out some more about the rise of this remarkable man. | 0:25:34 | 0:25:39 | |
Wolsey was born in the early 1470s in Ipswich. | 0:25:44 | 0:25:49 | |
His family lived here in St Nicholas Street. | 0:25:49 | 0:25:52 | |
There are still documents that mention Wolsey's father | 0:25:54 | 0:25:58 | |
in the local record office. | 0:25:58 | 0:26:00 | |
Wolsey senior was an innkeeper and butcher, | 0:26:00 | 0:26:03 | |
but barely managed to stay on the right side of the law. | 0:26:03 | 0:26:07 | |
Robert Wolsey was an habitue of the courts of Ipswich | 0:26:07 | 0:26:11 | |
and every time they met, which was only once a year, | 0:26:11 | 0:26:14 | |
on a Tuesday in Whitsun week, he had to answer about a dozen charges. | 0:26:14 | 0:26:19 | |
And I think we have an example here. What was the charge in this? | 0:26:19 | 0:26:22 | |
I think this is one of his most serious charges, | 0:26:22 | 0:26:27 | |
when he's accused of keeping a house of ill fame. | 0:26:27 | 0:26:30 | |
But the actual wording is "fostering harlots and adulterers | 0:26:30 | 0:26:36 | |
"within his house against the peace of the King." | 0:26:36 | 0:26:41 | |
And he and a number of other people are paying fines, | 0:26:41 | 0:26:43 | |
and he's paying 40 pence. | 0:26:43 | 0:26:45 | |
40 pence, which is a big one. | 0:26:45 | 0:26:47 | |
40 pence was the equivalent of about a week's wages | 0:26:48 | 0:26:51 | |
for a skilled craftsman. | 0:26:51 | 0:26:53 | |
With a rocky start in life, | 0:26:53 | 0:26:55 | |
the local grammar school would prove to be Wolsey's salvation. | 0:26:55 | 0:26:59 | |
Wolsey was prodigiously clever, | 0:26:59 | 0:27:02 | |
and from his Ipswich grammar school he went on to Oxford. | 0:27:02 | 0:27:06 | |
It was the beginning of a stellar career. | 0:27:06 | 0:27:08 | |
At the turn of the 16th century, | 0:27:12 | 0:27:14 | |
the Church provided a ready-made career structure | 0:27:14 | 0:27:18 | |
for well-educated boys. | 0:27:18 | 0:27:21 | |
Wolsey would rise to be a cardinal, | 0:27:21 | 0:27:23 | |
one of the highest positions in the Church. | 0:27:23 | 0:27:26 | |
Eventually he would also become Lord Chancellor, | 0:27:27 | 0:27:31 | |
and the King's right-hand man. | 0:27:31 | 0:27:33 | |
Education had broadened his mind and his horizons. | 0:27:33 | 0:27:38 | |
He wasn't alone. | 0:27:42 | 0:27:45 | |
Grammar schools were offering more and more boys from humble backgrounds | 0:27:45 | 0:27:48 | |
a route to the top. | 0:27:48 | 0:27:50 | |
Some of Henry VIII's most influential advisers | 0:27:50 | 0:27:54 | |
made their way into the political elite through their education. | 0:27:54 | 0:27:57 | |
But there was no slacking if you wanted to move up in the world. | 0:28:08 | 0:28:12 | |
I'm going to Stratford, to one of the oldest remaining | 0:28:12 | 0:28:14 | |
Tudor schools in the country, to get a flavour of daily life. | 0:28:14 | 0:28:19 | |
Hard work was what humanist teachers expected from their pupils. | 0:28:27 | 0:28:32 | |
The school day was 12 hours long. | 0:28:32 | 0:28:35 | |
Lessons began at 6am in the summer and 7am in the winter. | 0:28:35 | 0:28:39 | |
Imagine all those boys climbing these steps every morning | 0:28:43 | 0:28:47 | |
trying to remember their Latin verbs. | 0:28:47 | 0:28:49 | |
No food was provided at school and they had to bring their own | 0:28:53 | 0:28:58 | |
ink and candles to study by. | 0:28:58 | 0:29:00 | |
It's said that William Shakespeare studied in this very schoolroom, | 0:29:02 | 0:29:07 | |
and suffered too, because pupils lived in constant fear of beatings. | 0:29:07 | 0:29:12 | |
"Now at five of the clock by the moonlight | 0:29:20 | 0:29:23 | |
"I must go to my book and let sleep and sloth alone. | 0:29:23 | 0:29:29 | |
"And if our master hopes to wake us, he brings a rod instead of a candle." | 0:29:29 | 0:29:35 | |
There could well have been 100 boys in this classroom. | 0:29:41 | 0:29:45 | |
And there is a seat beside the door which is where the usher sits. | 0:29:45 | 0:29:51 | |
Now, the usher is the schoolmaster's assistant. | 0:29:51 | 0:29:55 | |
And at the other end, we have the great seat of the schoolmaster, | 0:29:55 | 0:30:01 | |
where he is presiding over the room. | 0:30:01 | 0:30:03 | |
The boys are arranged on forms, which are simply benches. | 0:30:03 | 0:30:09 | |
No back, no desk in front of it. | 0:30:09 | 0:30:12 | |
You sit in long lines on these benches. | 0:30:12 | 0:30:14 | |
And you're all down the sides of the room, facing inwards. | 0:30:14 | 0:30:18 | |
So that the master and the usher see the whole of the room in profile. | 0:30:18 | 0:30:24 | |
And I think that was an easy way to see if somebody was misbehaving. | 0:30:24 | 0:30:30 | |
So what would be the worst punishment a boy might have to face? | 0:30:30 | 0:30:34 | |
If anybody has seriously erred against school discipline, | 0:30:34 | 0:30:39 | |
or haven't learnt their lesson properly, they will be beaten. | 0:30:39 | 0:30:43 | |
For that purpose, you call out some other boys to help. | 0:30:43 | 0:30:48 | |
Sometimes you hoist the naughty boy onto the back of another boy. | 0:30:48 | 0:30:54 | |
You then pull his trousers down | 0:30:54 | 0:30:57 | |
and the master will administer the birch, which is a bundle of twigs, | 0:30:57 | 0:31:02 | |
onto his bare bottom. | 0:31:02 | 0:31:04 | |
So this is real pain being inflicted? | 0:31:04 | 0:31:06 | |
There would be real pain. | 0:31:06 | 0:31:08 | |
And there are lots of mentions of this in school exercises. | 0:31:08 | 0:31:13 | |
"I had a beating earlier this morning", and the master will say, | 0:31:13 | 0:31:17 | |
"Well, that's warmed you up for the day, hasn't it?" | 0:31:17 | 0:31:21 | |
Why was it held to be necessary or perhaps even good to beat boys? | 0:31:21 | 0:31:28 | |
It's because of their theory of human development. | 0:31:28 | 0:31:32 | |
They believed that if you left children to their own devices, | 0:31:32 | 0:31:35 | |
they would only play. | 0:31:35 | 0:31:37 | |
So in order to instil knowledge and virtue at that age, | 0:31:37 | 0:31:43 | |
you've got to call them to attention. | 0:31:43 | 0:31:45 | |
You've got to lick them into shape | 0:31:45 | 0:31:47 | |
as bears were believed to do with their cubs. | 0:31:47 | 0:31:49 | |
I think it's all part of manliness. | 0:31:49 | 0:31:53 | |
It's all very male and very character forming. | 0:31:53 | 0:31:56 | |
Education was still very much a male preserve. But change was afoot. | 0:32:16 | 0:32:22 | |
By the 1520s the influence of humanism in England was growing. | 0:32:22 | 0:32:25 | |
Margaret More's schooling had made the unthinkable thinkable. | 0:32:25 | 0:32:29 | |
And women's education was beginning to be taken seriously | 0:32:29 | 0:32:32 | |
at a very high level, by the Court itself. | 0:32:32 | 0:32:36 | |
Henry VIII and his Spanish wife, Catherine of Aragon, | 0:32:40 | 0:32:43 | |
often visited Cardinal Wolsey here at his home at Hampton Court Palace. | 0:32:43 | 0:32:49 | |
They'd spend days in conversation | 0:32:49 | 0:32:51 | |
with some of Europe's finest intellectuals. | 0:32:51 | 0:32:54 | |
Among them, one of Spain's leading humanists, Juan Luis Vives. | 0:32:54 | 0:32:59 | |
In 1524, in the hope that the King and Queen would be his patrons, | 0:33:03 | 0:33:08 | |
Vives published a book, The Instruction Of A Christian Woman. | 0:33:08 | 0:33:12 | |
It gave advice on how to bring up girls. | 0:33:14 | 0:33:18 | |
Vives argued that girls should be educated, | 0:33:18 | 0:33:21 | |
but he had some reservations. | 0:33:21 | 0:33:23 | |
It might seem extraordinary today, but essentially he was worried | 0:33:23 | 0:33:27 | |
about them having their own opinions. | 0:33:27 | 0:33:30 | |
"A woman must not follow her own judgment | 0:33:36 | 0:33:39 | |
"lest with her slight initiation into learning and the study of letters, | 0:33:39 | 0:33:43 | |
"she mistake false for true, harmful for salutary. | 0:33:43 | 0:33:49 | |
"Her whole motivation for learning should be to live | 0:33:49 | 0:33:52 | |
"a more upright life, and she should be careful in her judgment, | 0:33:52 | 0:33:56 | |
"and hold firm to what is approved by the authority of the Church | 0:33:56 | 0:34:00 | |
"or the unanimous accord of good men." | 0:34:00 | 0:34:04 | |
Thomas More had educated Margaret way beyond what Vives had suggested. | 0:34:08 | 0:34:12 | |
But even he believed that education for girls had its limits | 0:34:12 | 0:34:16 | |
and that it was about making them more virtuous. | 0:34:16 | 0:34:19 | |
It certainly wasn't for public display. | 0:34:22 | 0:34:26 | |
But his brilliant daughter had other ideas. | 0:34:26 | 0:34:31 | |
In 1524, in the full knowledge that her father would be appalled, | 0:34:32 | 0:34:36 | |
she wrote and published a book. | 0:34:36 | 0:34:39 | |
It was a translation of a book about the Lord's Prayer | 0:34:39 | 0:34:42 | |
by the leading humanist thinker of the day, Erasmus. | 0:34:42 | 0:34:47 | |
It was the very first time that an English woman who wasn't royal, | 0:34:51 | 0:34:55 | |
had published a book in her own lifetime. | 0:34:55 | 0:34:59 | |
A rare copy is kept here in the British Library. | 0:34:59 | 0:35:02 | |
In Tudor England, a woman publishing a book was shocking. | 0:35:05 | 0:35:10 | |
And the only concession Margaret made | 0:35:10 | 0:35:12 | |
was not to put her own name on the title page. | 0:35:12 | 0:35:17 | |
It doesn't say "by Margaret More". | 0:35:17 | 0:35:19 | |
What it actually says is | 0:35:19 | 0:35:21 | |
"by a young, virtuous and well-learned gentlewoman | 0:35:21 | 0:35:23 | |
"of 19 years of age". | 0:35:23 | 0:35:25 | |
And lo and behold, immediately below | 0:35:25 | 0:35:27 | |
is this fantastic picture of Margaret More | 0:35:27 | 0:35:30 | |
standing at her - you stood then, you didn't sit - | 0:35:30 | 0:35:33 | |
at her writing desk, surrounded by her books. | 0:35:33 | 0:35:36 | |
Where she crossed the line is that, as a woman, | 0:35:36 | 0:35:38 | |
she shouldn't have been doing it. | 0:35:38 | 0:35:39 | |
-So this was a radical step? -It was explosive. | 0:35:39 | 0:35:43 | |
Not only was she a woman, she'd crossed the boundaries. | 0:35:43 | 0:35:47 | |
It was a transgression. It was also a religious book. | 0:35:47 | 0:35:51 | |
And that's incredibly sensitive. | 0:35:51 | 0:35:53 | |
You are not supposed to publish a religious book, | 0:35:53 | 0:35:56 | |
especially on a major topic like the Lord's Prayer, | 0:35:56 | 0:35:59 | |
that hasn't been vetted by the Church. | 0:35:59 | 0:36:02 | |
For the Church, this is as if the roof is going to fall in. | 0:36:02 | 0:36:06 | |
And did the roof fall in? What were the ramifications? | 0:36:06 | 0:36:09 | |
The printer is called to the Church Court to be investigated for heresy. | 0:36:09 | 0:36:12 | |
Margaret isn't having any of that. | 0:36:12 | 0:36:14 | |
She goes straight to the top, to Cardinal Wolsey, and amazingly, | 0:36:14 | 0:36:17 | |
he licences this book. | 0:36:17 | 0:36:20 | |
And we know that because on back of this title page | 0:36:20 | 0:36:24 | |
there is Wolsey's coat of arms, indicating he's approved this book. | 0:36:24 | 0:36:30 | |
-Was it popular, Margaret's book? -I think it was. | 0:36:30 | 0:36:33 | |
This is clearly the second edition. | 0:36:33 | 0:36:35 | |
It can't be the first, because it's got Wolsey's special licence | 0:36:35 | 0:36:39 | |
on the title page. There are three editions that are known to survive. | 0:36:39 | 0:36:42 | |
Why was it so popular? | 0:36:42 | 0:36:44 | |
It was in English that people wanted to read. | 0:36:44 | 0:36:47 | |
Margaret wrote like an angel. | 0:36:47 | 0:36:48 | |
Her English is probably 20 years ahead of its time. | 0:36:48 | 0:36:52 | |
It's fluent, it's colloquial. | 0:36:52 | 0:36:54 | |
It draws you into the work. | 0:36:54 | 0:36:57 | |
The language used is almost as important as the subject matter. | 0:36:57 | 0:37:00 | |
O, Father in Heaven, | 0:37:06 | 0:37:08 | |
which of thy exceeding goodness most plenteously feedest all things | 0:37:09 | 0:37:13 | |
that thou has so wondrously created. | 0:37:13 | 0:37:16 | |
Provide for us, thy children, | 0:37:16 | 0:37:18 | |
which are chosen to dwell in thy celestial and heavenly house. | 0:37:18 | 0:37:23 | |
So had Margaret had more of a chance to publish, | 0:37:27 | 0:37:30 | |
we could have seen greater things? | 0:37:30 | 0:37:33 | |
This is the tragedy. | 0:37:33 | 0:37:34 | |
What the people were crying out for was a vernacular Scripture, | 0:37:34 | 0:37:37 | |
a Scripture in English, | 0:37:37 | 0:37:38 | |
not in the Latin vulgate that they couldn't read. | 0:37:38 | 0:37:41 | |
She could have done this better than anybody else in England, | 0:37:41 | 0:37:44 | |
but it doesn't enter their head she's a woman. | 0:37:44 | 0:37:47 | |
She's not on the agenda, she doesn't exist. | 0:37:47 | 0:37:50 | |
I found it so moving to see Margaret's extraordinary education | 0:37:52 | 0:37:57 | |
distilled into one small book, | 0:37:57 | 0:37:59 | |
and to think how much of a risk she took in publishing it. | 0:37:59 | 0:38:03 | |
Margaret was an educational trailblazer, | 0:38:03 | 0:38:06 | |
but Thomas was terrified | 0:38:06 | 0:38:07 | |
that by publishing a book and drawing attention to herself, | 0:38:07 | 0:38:11 | |
she'd bring the whole idea of female education into disrepute, | 0:38:11 | 0:38:15 | |
maybe even stop it in its tracks. | 0:38:15 | 0:38:18 | |
But the publication of Margaret's book | 0:38:29 | 0:38:31 | |
would soon be eclipsed by more devastating questions. | 0:38:31 | 0:38:34 | |
A chain of events was about to unfold | 0:38:34 | 0:38:36 | |
which would leave Tudor England changed for ever. | 0:38:36 | 0:38:39 | |
A woman's right to publish and the Church's power to censor | 0:38:39 | 0:38:43 | |
would be overshadowed by the life-or-death question | 0:38:43 | 0:38:46 | |
of loyalty to one's sovereign. | 0:38:46 | 0:38:48 | |
For the Mores, 1533 turned out to be a terrible year. | 0:38:49 | 0:38:54 | |
From being a favoured Royal adviser, Thomas now found himself | 0:38:56 | 0:39:00 | |
in dramatic conflict with Henry VIII. | 0:39:00 | 0:39:03 | |
He was forced to choose between his God and his King. | 0:39:03 | 0:39:08 | |
Henry wanted a son and heir. | 0:39:09 | 0:39:12 | |
He was convinced his marriage to Catherine of Aragon was invalid | 0:39:12 | 0:39:15 | |
and that he should be allowed to marry Anne Boleyn. | 0:39:15 | 0:39:18 | |
But for that, he needed the blessing of the Pope. | 0:39:18 | 0:39:21 | |
And the Pope said no. | 0:39:24 | 0:39:26 | |
Henry spent several years sending envoys to His Holiness | 0:39:26 | 0:39:30 | |
to try to convince him to change his mind, | 0:39:30 | 0:39:32 | |
but the answer was always the same. | 0:39:32 | 0:39:35 | |
When the Pope refused, | 0:39:38 | 0:39:39 | |
Henry did something extraordinary for a Catholic King. | 0:39:39 | 0:39:43 | |
He married Anne anyway, and broke with the Church of Rome. | 0:39:43 | 0:39:46 | |
Then, in 1534, he made himself supreme head of the English Church. | 0:39:46 | 0:39:51 | |
The English Reformation had begun. | 0:39:51 | 0:39:54 | |
Shock waves reverberated throughout Tudor England. | 0:39:59 | 0:40:02 | |
When Henry severed ties with Rome, | 0:40:04 | 0:40:06 | |
he demanded total loyalty from his subjects. | 0:40:06 | 0:40:09 | |
Thomas More found himself | 0:40:11 | 0:40:13 | |
torn between the two great forces in his life - | 0:40:13 | 0:40:16 | |
the King and his faith. | 0:40:16 | 0:40:18 | |
In the end, God won. | 0:40:18 | 0:40:21 | |
More was imprisoned in the Tower of London for just over a year | 0:40:23 | 0:40:26 | |
before he was found guilty of treason and sentenced to death. | 0:40:26 | 0:40:31 | |
BELL TOLLS | 0:40:31 | 0:40:33 | |
Margaret was about to lose not only her father | 0:40:41 | 0:40:44 | |
but the man who had educated her. | 0:40:44 | 0:40:48 | |
While he was in the Tower, she wrote to him constantly. | 0:40:48 | 0:40:52 | |
The letter Margaret wrote to her father before his execution | 0:40:52 | 0:40:56 | |
is the very poignant expression of a daughter's love. | 0:40:56 | 0:40:59 | |
Give me, your most loving, obedient daughter and hand-maid, | 0:41:06 | 0:41:10 | |
and all us, your children and friends, | 0:41:10 | 0:41:13 | |
to follow that that we praise in you, | 0:41:13 | 0:41:18 | |
and to our only comfort | 0:41:18 | 0:41:19 | |
remember that we may, in conclusion, meet with you, | 0:41:19 | 0:41:23 | |
mine own dear father, | 0:41:23 | 0:41:26 | |
in the bliss of heaven. | 0:41:26 | 0:41:29 | |
Thomas More was beheaded on 6th July 1535. | 0:41:37 | 0:41:40 | |
BIRD CAWS | 0:41:47 | 0:41:49 | |
The effects of Henry's break with Rome | 0:41:49 | 0:41:51 | |
were felt not just by the More family | 0:41:51 | 0:41:55 | |
but by the whole nation. | 0:41:55 | 0:41:58 | |
BIRD CAWS | 0:42:02 | 0:42:05 | |
England was convulsed by Henry's Reformation. | 0:42:05 | 0:42:10 | |
What was to follow | 0:42:10 | 0:42:11 | |
was one of the greatest acts of vandalism in English history - | 0:42:11 | 0:42:15 | |
the dissolution of the monasteries. | 0:42:15 | 0:42:19 | |
Henry started selling off Church land | 0:42:19 | 0:42:21 | |
and in under five years, over 800 monasteries, | 0:42:21 | 0:42:25 | |
friaries and nunneries were destroyed. | 0:42:25 | 0:42:28 | |
This is the kind of place that sends shivers down your spine. | 0:42:33 | 0:42:37 | |
It's the the bare skeleton of what was once a magnificent building, | 0:42:37 | 0:42:40 | |
and it's a last trace of Catholic England, | 0:42:40 | 0:42:43 | |
a world that's gone for ever. | 0:42:43 | 0:42:45 | |
Reading Abbey was once one of the richest in England... | 0:42:48 | 0:42:52 | |
until 1539, | 0:42:52 | 0:42:55 | |
when it fell victim to Henry's dissolution of the monasteries. | 0:42:55 | 0:42:58 | |
And it wasn't only the monks who suffered | 0:42:58 | 0:43:00 | |
when the monasteries were closed. | 0:43:00 | 0:43:02 | |
With them went the grammar schools they'd supported. | 0:43:02 | 0:43:05 | |
By the end of the 1540s, | 0:43:05 | 0:43:06 | |
thousands of children had nowhere to go to school. | 0:43:06 | 0:43:09 | |
But the pupils at Reading were lucky. | 0:43:12 | 0:43:14 | |
Henry decided to preserve the free grammar school | 0:43:14 | 0:43:17 | |
set up here by the monks. | 0:43:17 | 0:43:19 | |
Not wanting the dissolution of the monasteries to damage education, | 0:43:21 | 0:43:24 | |
he established several King's schools across the country. | 0:43:24 | 0:43:29 | |
Henry also saw an opportunity to use education | 0:43:39 | 0:43:42 | |
to force the Reformation through. | 0:43:42 | 0:43:44 | |
All education was now by Royal appointment. | 0:43:47 | 0:43:51 | |
Royal injunctions dictated how children should be brought up | 0:43:51 | 0:43:54 | |
as faithful members of the Church of England | 0:43:54 | 0:43:56 | |
rather than the Church of Rome. | 0:43:56 | 0:43:58 | |
The new Church used a powerful tool to install religious doctrine, | 0:43:58 | 0:44:02 | |
a question-and-answer method known as the Catechism. | 0:44:02 | 0:44:06 | |
That comes from humanism. The humanists believed very strongly | 0:44:07 | 0:44:11 | |
in dialogue as the best way of teaching. | 0:44:11 | 0:44:13 | |
They thought dialogue really engaged the person | 0:44:13 | 0:44:16 | |
in their own education, | 0:44:16 | 0:44:18 | |
and it's also just a way of breaking down | 0:44:18 | 0:44:21 | |
this vast body of dogma | 0:44:21 | 0:44:23 | |
into manageable sentences that a child can understand and learn. | 0:44:23 | 0:44:26 | |
Who would have taught children the Catechism? | 0:44:28 | 0:44:32 | |
In the first instance, it would've been your local church, | 0:44:32 | 0:44:35 | |
your local vicar, | 0:44:35 | 0:44:37 | |
but, really, this ended up being devolved into families, | 0:44:37 | 0:44:40 | |
mothers and, particularly, godmothers. | 0:44:40 | 0:44:42 | |
"What is your name?" | 0:44:48 | 0:44:50 | |
"Eleanor Palmer." | 0:44:50 | 0:44:51 | |
"Who gave you this name?" | 0:44:53 | 0:44:55 | |
"My godfathers and godmothers in my baptism." | 0:44:55 | 0:45:00 | |
"What did your godfathers and godmothers then for you?" | 0:45:02 | 0:45:06 | |
"They did promise and vow three things in my name. | 0:45:06 | 0:45:10 | |
"First, that I should forsake the Devil and all his works. | 0:45:10 | 0:45:15 | |
"Secondly, that I should believe all the articles of the Christian faith. | 0:45:15 | 0:45:19 | |
"And thirdly, that I should keep God's Holy will." | 0:45:19 | 0:45:24 | |
So when parents were catechising their children, | 0:45:30 | 0:45:32 | |
this was something fundamentally important to their child's entire future? | 0:45:32 | 0:45:37 | |
Their child's entire salvation, | 0:45:37 | 0:45:40 | |
because without that fully-instructed, rational faith, they couldn't be saved. | 0:45:40 | 0:45:45 | |
Learning the catechism was therefore literally a life-saving kind of business, | 0:45:45 | 0:45:50 | |
'more like doing a first aid course nowadays.' | 0:45:50 | 0:45:52 | |
It's very hard to imagine your average schoolchild | 0:45:53 | 0:45:56 | |
learning great swathes of religious doctrine like this today. | 0:45:56 | 0:46:00 | |
And not only that, but a law was later passed | 0:46:00 | 0:46:02 | |
saying that if children didn't know their catechism | 0:46:02 | 0:46:04 | |
by the time they were eight, their families would be fined. | 0:46:04 | 0:46:07 | |
'By 1550, the Protestant Reformation was firmly established. | 0:46:13 | 0:46:18 | |
'And at its heart was the English Bible.' | 0:46:20 | 0:46:23 | |
It had been published in the 1530s | 0:46:23 | 0:46:25 | |
and was becoming the most widely read book in the country. | 0:46:25 | 0:46:28 | |
It offered direct access to the word of God. | 0:46:28 | 0:46:31 | |
What better incentive to learn to read? | 0:46:31 | 0:46:33 | |
'Literacy levels rose, | 0:46:37 | 0:46:39 | |
'but children didn't limit themselves to religious texts.' | 0:46:39 | 0:46:42 | |
'The printing press had revolutionised publishing, | 0:46:47 | 0:46:51 | |
'and in Margaret More's London, more books than ever were passing from hand to hand.' | 0:46:51 | 0:46:56 | |
The Tudor sense of humour tended toward the scatological. | 0:46:59 | 0:47:02 | |
Rude jokes usually went down well. | 0:47:02 | 0:47:04 | |
But the 16th century did have its disapproving voices. | 0:47:04 | 0:47:07 | |
William Tyndale, the first translator of the Bible into English, | 0:47:07 | 0:47:11 | |
was concerned that children were being corrupted | 0:47:11 | 0:47:14 | |
by the popular texts pouring off the presses. | 0:47:14 | 0:47:17 | |
'Tales like The Friar And The Boy, a favourite among Tudor children, | 0:47:17 | 0:47:21 | |
'with its story of Jack, | 0:47:21 | 0:47:23 | |
'who casts a farting spell on his wicked stepmother.' | 0:47:23 | 0:47:26 | |
"She stared him in the face. | 0:47:31 | 0:47:35 | |
"With that, she let go such a blast as made the people all aghast. | 0:47:35 | 0:47:42 | |
"It sounded through the place, each one did laugh | 0:47:42 | 0:47:46 | |
"and made good game. | 0:47:46 | 0:47:48 | |
"But the cursed wife grew red through shame and wished she had been gone." | 0:47:49 | 0:47:55 | |
'This was an era of great cultural upheaval. | 0:48:03 | 0:48:06 | |
'Change was happening so fast that, without the supportive relationship with her father, | 0:48:07 | 0:48:13 | |
'Margaret withdrew into a world of religious contemplation, | 0:48:13 | 0:48:17 | |
'devoting her energies to her father's memory | 0:48:17 | 0:48:20 | |
'and educating her own children according to his principles.' | 0:48:20 | 0:48:23 | |
In the years since Margaret began her extraordinary education, | 0:48:27 | 0:48:30 | |
humanism had permeated English culture | 0:48:30 | 0:48:33 | |
and the Reformation had begun to transform Tudor society. | 0:48:33 | 0:48:37 | |
These momentous changes unleashed a burst of unprecedented artistic activity | 0:48:37 | 0:48:43 | |
under the aegis of another woman who had had a first-class humanist education. | 0:48:43 | 0:48:48 | |
Unlike Margaret, though, she used it in a very public way. | 0:48:48 | 0:48:53 | |
'Elizabeth I was born in 1533, | 0:48:57 | 0:49:00 | |
'the only child of Henry VIII and Anne Boleyn. | 0:49:00 | 0:49:04 | |
'Her mother was executed, and it was only at the age of nine, | 0:49:05 | 0:49:09 | |
'when she was taken under the wing of Henry's sixth wife, Catherine Parr, | 0:49:09 | 0:49:13 | |
'that Elizabeth's education really took off.' | 0:49:13 | 0:49:17 | |
She was a gifted pupil who threw herself into her studies. | 0:49:17 | 0:49:21 | |
Elizabeth received the same superb education as her brother, Edward. | 0:49:21 | 0:49:25 | |
She studied astronomy, maths and history, | 0:49:25 | 0:49:28 | |
and was taught both classical and modern languages. | 0:49:28 | 0:49:30 | |
'Elizabeth made this beautiful book for Catherine Parr when she was 11.' | 0:49:33 | 0:49:38 | |
It's her translation of a French poem called The Mirror Of A Sinful Soul. | 0:49:38 | 0:49:42 | |
'It's written in her own hand | 0:49:42 | 0:49:44 | |
'and bound in a piece of exquisite embroidery. | 0:49:44 | 0:49:47 | |
'The needlework was a traditionally feminine skill.' | 0:49:47 | 0:49:50 | |
The scholarship of the words most certainly wasn't. | 0:49:50 | 0:49:54 | |
'At the beginning of the book, before the translation starts, | 0:49:56 | 0:50:00 | |
'Elizabeth has written a dedication to her stepmother | 0:50:00 | 0:50:04 | |
to show off not only her beautiful handwriting, of which she was very proud, | 0:50:04 | 0:50:08 | |
but also her skill at putting together a rhetorical address. | 0:50:08 | 0:50:11 | |
And she begins, | 0:50:11 | 0:50:12 | |
"To our most noble and virtuous Queen Catherine, | 0:50:12 | 0:50:16 | |
"Elizabeth, her humble daughter, wisheth perpetual felicity and everlasting joy." | 0:50:16 | 0:50:21 | |
'Elizabeth follows her letter to Catherine with a note to the reader.' | 0:50:21 | 0:50:26 | |
"If thou dost read this whole work, behold rather the matter, and excuse the speech, | 0:50:26 | 0:50:31 | |
"considering it is the work of a woman which hath in her neither science or knowledge." | 0:50:31 | 0:50:36 | |
It's extraordinary that at the age of 11, | 0:50:36 | 0:50:38 | |
Elizabeth has already mastered the rhetorical skill of false modesty | 0:50:38 | 0:50:42 | |
that was to serve her so well as Queen. | 0:50:42 | 0:50:45 | |
I fell in love with history when I was five years old | 0:50:51 | 0:50:53 | |
and I read a book about Elizabeth's childhood. | 0:50:53 | 0:50:56 | |
This book has been in my imagination ever since. | 0:50:56 | 0:50:59 | |
When Elizabeth was studying, her fate was deeply uncertain. | 0:51:06 | 0:51:09 | |
But when she eventually come to the throne in 1558, her training in rhetoric gave her a great advantage. | 0:51:09 | 0:51:15 | |
Her extraordinary speeches played a huge part in establishing her authority as Queen. | 0:51:15 | 0:51:21 | |
When the Spanish Armada was threatening England in 1588, | 0:51:22 | 0:51:26 | |
Elizabeth gave one of her most famous speeches. | 0:51:26 | 0:51:29 | |
I know I have the body of a weak and feeble woman, | 0:51:38 | 0:51:43 | |
but I have the heart and stomach of a king, and of a king of England, too. | 0:51:43 | 0:51:50 | |
And think foul scorn that Parma or Spain, | 0:51:50 | 0:51:55 | |
or any Prince of Europe, should dare to invade the borders of my realm, | 0:51:55 | 0:52:01 | |
to which, rather than any dishonour shall grow by me, I myself will take up arms. | 0:52:01 | 0:52:08 | |
I myself will be you general, judge | 0:52:08 | 0:52:11 | |
and rewarder of every one of your virtues in the field. | 0:52:11 | 0:52:17 | |
Elizabeth's education helped make her one of the greatest monarchs England had ever had. | 0:52:26 | 0:52:30 | |
Under her rule, England defended its borders against the Spanish | 0:52:30 | 0:52:34 | |
and expanded them in exploring new worlds. | 0:52:34 | 0:52:38 | |
She was the glorious queen of a flourishing kingdom. | 0:52:38 | 0:52:41 | |
But, as a woman, Elizabeth was in an exceptional position. | 0:52:41 | 0:52:46 | |
She could put her education to very public use. | 0:52:46 | 0:52:50 | |
Unlike Margaret More, who died in 1544. | 0:52:54 | 0:52:58 | |
She may never have achieved real recognition, | 0:53:01 | 0:53:05 | |
but she had been in the vanguard of an intellectual revolution. | 0:53:05 | 0:53:09 | |
The humanist values underpinning her education | 0:53:09 | 0:53:13 | |
were the foundation stones of the English Renaissance, | 0:53:13 | 0:53:17 | |
which would reach its height in the reign of Elizabeth. | 0:53:17 | 0:53:23 | |
From the Queen down, education was playing a new part in shaping what it meant to be English. | 0:53:23 | 0:53:28 | |
And at the heart of this English Renaissance | 0:53:28 | 0:53:31 | |
was a grammar-school boy from Stratford, William Shakespeare. | 0:53:31 | 0:53:34 | |
Shakespeare's memories of his grammar school education in the 1570s clearly influenced his work. | 0:53:37 | 0:53:44 | |
And he wrote one of the most memorable accounts of growing up in As You Like It. | 0:53:44 | 0:53:49 | |
One man in his time plays many parts, his acts being seven ages. | 0:53:55 | 0:54:02 | |
At first the infant, mewling and puking in the nurse's arms. | 0:54:02 | 0:54:09 | |
Then the whining school boy, with his satchel | 0:54:09 | 0:54:13 | |
and shining morning face, creeping like snail unwillingly to school. | 0:54:13 | 0:54:19 | |
One of the wonderful things about Shakespeare is that he | 0:54:26 | 0:54:28 | |
leaves all sorts of fingerprints of his background in his work. | 0:54:28 | 0:54:32 | |
So, for instance, in his comedy The Merry Wives of Windsor, | 0:54:32 | 0:54:35 | |
there's a wonderful scene that offers a Latin lesson. | 0:54:35 | 0:54:38 | |
There's a Welsh schoolmaster, and we know Shakespeare had a Welsh schoolmaster here in Stratford, | 0:54:38 | 0:54:43 | |
and there's a clever, cheeky boy who's being given a grammar lesson | 0:54:43 | 0:54:46 | |
and the boy, surprise surprise, is called William. | 0:54:46 | 0:54:49 | |
Is there any way of telling whether he enjoyed it, enjoyed school? | 0:54:49 | 0:54:52 | |
Well, does any little boy enjoy getting up at 6.00am | 0:54:52 | 0:54:56 | |
and studying 12 hours of Latin grammar and syntax every day? | 0:54:56 | 0:55:00 | |
That said, when it actually came to studying the literature that was available in the upper forms, | 0:55:00 | 0:55:06 | |
Shakespeare was clearly very excited. | 0:55:06 | 0:55:08 | |
His imagination was fired by the poetry, the stories of the great poets of ancient Rome. | 0:55:08 | 0:55:13 | |
Can we tell what he read at school? | 0:55:13 | 0:55:16 | |
One of the key texts was by the great humanist educator Erasmus. | 0:55:16 | 0:55:21 | |
It would teach you the art of using language in clever and varied ways. | 0:55:21 | 0:55:27 | |
So, for example, an exercise Shakespeare would have done | 0:55:27 | 0:55:30 | |
would have begun with the boys saying, "greetings" in Latin. | 0:55:30 | 0:55:33 | |
"Salve!" And then, "greetings to you". | 0:55:33 | 0:55:36 | |
"Salve et tu". Then, "Greetings to you father". "Salve et tu pater". | 0:55:36 | 0:55:40 | |
Making it more and more complicated, then maybe throwing in a bit of comedy | 0:55:40 | 0:55:44 | |
to keep it lively for the boys. | 0:55:44 | 0:55:45 | |
"Greetings to you, you who fills the bottomless pit | 0:55:45 | 0:55:49 | |
"of your stomach with cake and indulges in an excess of ale". | 0:55:49 | 0:55:53 | |
You suddenly see there the language is becoming | 0:55:53 | 0:55:56 | |
like that of Shakespeare's comedies, of Falstaff, for example. | 0:55:56 | 0:55:59 | |
If he hadn't had this grammar school education, | 0:55:59 | 0:56:02 | |
could he still have become the William Shakespeare we know today? | 0:56:02 | 0:56:05 | |
I really don't think he could. I think there's an absolutely symbiotic relationship between | 0:56:05 | 0:56:10 | |
the Tudor educational revolution, | 0:56:10 | 0:56:12 | |
the great expansion of the number of grammar schools in 16th century, | 0:56:12 | 0:56:15 | |
and the literary renaissance of the Elizabethan era. | 0:56:15 | 0:56:19 | |
That's to say, the grammar schools were founded for the mundane reason | 0:56:19 | 0:56:23 | |
of providing a generation of boys who could become | 0:56:23 | 0:56:27 | |
civil servants, legal administrators, secretaries to politicians, | 0:56:27 | 0:56:32 | |
but the brightest, most imaginative boys were inspired | 0:56:32 | 0:56:35 | |
by what they learnt of the techniques of language and the literature of the ancient world, | 0:56:35 | 0:56:40 | |
inspired to become poets and dramatists themselves, not to become civil servants. | 0:56:40 | 0:56:45 | |
So, the flowering of the theatre and poetry | 0:56:45 | 0:56:48 | |
in the last 20 years of Queen Elizabeth's reign | 0:56:48 | 0:56:51 | |
really was precisely to do with that educational revolution. | 0:56:51 | 0:56:54 | |
Shakespeare, as a poet, as a playwright, really began in school. | 0:56:54 | 0:56:59 | |
Shakespeare's achievement | 0:57:07 | 0:57:09 | |
was to show just how rich a language English could be. | 0:57:09 | 0:57:13 | |
And, along with the publication of the English Bible, | 0:57:13 | 0:57:15 | |
Shakespeare played the greatest part in creating the language we speak today. | 0:57:15 | 0:57:21 | |
The England Shakespeare knew was very different from the one | 0:57:25 | 0:57:28 | |
Margaret More grew up in almost a century before. | 0:57:28 | 0:57:31 | |
The Church of England had given the country a new identity with the English language at its core. | 0:57:34 | 0:57:41 | |
And the flowering of that language in literature and philosophy | 0:57:41 | 0:57:45 | |
had given us the English Renaissance. | 0:57:45 | 0:57:48 | |
The ideas about education that had shaped Margaret More's life | 0:57:48 | 0:57:52 | |
had helped to change England forever. | 0:57:52 | 0:57:54 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:18 | |
E-mail [email protected] | 0:58:18 | 0:58:21 |