Browse content similar to Operation Crossbow. Check below for episodes and series from the same categories and more!
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The Spitfire is a great British icon. | 0:00:04 | 0:00:08 | |
It helped win the Battle of Britain and defeat Nazi Germany in the Second World War. | 0:00:08 | 0:00:13 | |
This beautiful bird was a bird of destruction to the Germans, which is why we won the war. | 0:00:15 | 0:00:20 | |
But the Spitfire was more than just a fighter plane. | 0:00:20 | 0:00:24 | |
It was Britain's eyes in the sky. | 0:00:24 | 0:00:28 | |
Painted blue and armed with cameras rather than guns and bombs, | 0:00:28 | 0:00:33 | |
spy planes took tens of millions of aerial photographs. | 0:00:33 | 0:00:37 | |
The story of air intelligence | 0:00:40 | 0:00:42 | |
was one of the most important stories of the war. | 0:00:42 | 0:00:45 | |
A crack team of sleuths at RAF Medmenham | 0:00:45 | 0:00:49 | |
pieced together a vast jigsaw of clues from these photos. | 0:00:49 | 0:00:52 | |
But what the Germans didn't realise | 0:00:54 | 0:00:57 | |
was that they weren't just working in two dimensions. | 0:00:57 | 0:01:00 | |
The photo detective's secret weapon was a simple stereoscope, | 0:01:00 | 0:01:07 | |
which brought to life every contour of the enemy landscape in perfect 3D. | 0:01:07 | 0:01:13 | |
In 3D, the first thing you can get - height. | 0:01:13 | 0:01:16 | |
And at the same time you can measure very effectively, the width. | 0:01:16 | 0:01:19 | |
Battlefield Europe was recreated on the viewing tables of RAF Medmenham, | 0:01:22 | 0:01:27 | |
probing every hillside, railway line, ship, | 0:01:27 | 0:01:30 | |
building and most importantly, every unidentified new structure. | 0:01:30 | 0:01:36 | |
Modern computer graphics, | 0:01:39 | 0:01:41 | |
based on the original World War II photographs, | 0:01:41 | 0:01:43 | |
show just how the Nazi world was analysed in 3D. | 0:01:43 | 0:01:48 | |
You had to have a real terrier-like approach to sort of, | 0:01:52 | 0:01:56 | |
"We'll find out what this is, come hell or high water." | 0:01:56 | 0:02:00 | |
RAF Medmenham's finest hour would come into with Operation Crossbow | 0:02:03 | 0:02:09 | |
when it hunted down and identified Hitler's mysterious and deadly new V weapons - | 0:02:09 | 0:02:15 | |
rockets and pilotless drones unprecedented, | 0:02:15 | 0:02:18 | |
baffling and potentially capable of swinging the war. | 0:02:18 | 0:02:22 | |
In today's terminology, the V weapons were the first weapons of mass destruction. | 0:02:22 | 0:02:26 | |
Had he been able to deploy as many as he originally intended, | 0:02:29 | 0:02:34 | |
it would have almost certainly have destroyed London. | 0:02:34 | 0:02:37 | |
Working night and day, they saved thousands and thousands of lives. | 0:02:37 | 0:02:42 | |
'Attention, attention. Squadron XZ. Scramble.' | 0:02:55 | 0:02:58 | |
The heroic tales of World War II are legend. | 0:03:00 | 0:03:03 | |
Tales of Battle of Britain fighter aces, | 0:03:03 | 0:03:07 | |
or the brilliant boffins of Bletchley Park. | 0:03:07 | 0:03:10 | |
But there is another story. | 0:03:10 | 0:03:12 | |
A little-known story, which deserves to join this hall of fame. | 0:03:12 | 0:03:17 | |
Danesfield House, | 0:03:17 | 0:03:19 | |
60 kilometres west of London, was home to RAF Medmenham. | 0:03:19 | 0:03:24 | |
Here, a highly skilled group of photo interpreters, or PIs, | 0:03:24 | 0:03:28 | |
played a vital role in tracking, | 0:03:28 | 0:03:31 | |
exposing and crushing the German war machine. | 0:03:31 | 0:03:34 | |
It was an A1 source of information. | 0:03:34 | 0:03:37 | |
The photo interpreters were not only providing up to date information, | 0:03:37 | 0:03:42 | |
but accurate information. | 0:03:42 | 0:03:45 | |
The work that was done | 0:03:45 | 0:03:46 | |
was absolutely vital, as vital as Bletchley. | 0:03:46 | 0:03:51 | |
80% of British intelligence | 0:03:54 | 0:03:57 | |
came from photo reconnaissance and photo interpretation. | 0:03:57 | 0:04:00 | |
I think it was a German general who said | 0:04:01 | 0:04:03 | |
a country with the best intelligence will win, | 0:04:03 | 0:04:06 | |
and we provided intelligence. | 0:04:06 | 0:04:09 | |
Ten million of these wartime photographs survive, many in 3D, | 0:04:11 | 0:04:16 | |
and are today kept in Edinburgh. | 0:04:16 | 0:04:19 | |
Researcher Allan Williams is helping Wing Commander Mike Mockford | 0:04:23 | 0:04:27 | |
and Major Chris Halsall, who worked as photo interpreters after the war, | 0:04:27 | 0:04:31 | |
trace the photos which helped defeat the Nazis. | 0:04:31 | 0:04:35 | |
Nothing moved in Europe which we did not photograph | 0:04:35 | 0:04:39 | |
and it was absolutely critical | 0:04:39 | 0:04:41 | |
to the Allied success of the Second World War. | 0:04:41 | 0:04:44 | |
Without air reconnaissance, it is difficult to imagine | 0:04:44 | 0:04:48 | |
how we could have possibly achieved the results we did. | 0:04:48 | 0:04:52 | |
Air reconnaissance took a great leap forward in 1940 | 0:04:56 | 0:05:00 | |
with the creation of a specialist wing of the RAF, | 0:05:00 | 0:05:03 | |
the Photographic Reconnaissance Unit. | 0:05:03 | 0:05:05 | |
The secret of its success was transforming the star fighter, | 0:05:05 | 0:05:09 | |
the Spitfire, into the best spy plane in the world. | 0:05:09 | 0:05:13 | |
Jimmy Taylor flew reconnaissance missions | 0:05:13 | 0:05:18 | |
in a Spitfire like this one. | 0:05:18 | 0:05:21 | |
'It was a superb aeroplane. Absolutely wonderful.' | 0:05:21 | 0:05:25 | |
We were very privileged. | 0:05:25 | 0:05:27 | |
We were flying the fastest aeroplane, the most beautiful aeroplane. | 0:05:27 | 0:05:32 | |
No guns sticking out spoiling the outline. | 0:05:32 | 0:05:35 | |
You could say it was like a butterfly. | 0:05:35 | 0:05:37 | |
We had the best job in the Air Force, in my opinion. | 0:05:39 | 0:05:42 | |
It was an exceptional piece of equipment. | 0:05:48 | 0:05:51 | |
It could reach Berlin... | 0:05:53 | 0:05:55 | |
..it filmed the entire Ruhr in one mission. | 0:05:58 | 0:06:01 | |
Photo reconnaissance helped forge the special relationship | 0:06:05 | 0:06:09 | |
in intelligence gathering between Britain and America. | 0:06:09 | 0:06:12 | |
It meant US Air Force pilot John S Blyth | 0:06:12 | 0:06:15 | |
could achieve his boyhood dream of flying a Spitfire. | 0:06:15 | 0:06:20 | |
His war was documented in this rare colour footage | 0:06:21 | 0:06:25 | |
shot at Mount Farm airfield. | 0:06:25 | 0:06:26 | |
My job was as a photo reconnaissance pilot. | 0:06:26 | 0:06:31 | |
I loved the Spitfire and basically all round, | 0:06:31 | 0:06:36 | |
it was a wonderful aeroplane to fly. | 0:06:36 | 0:06:40 | |
It had a good rate of climb, good manoeuvrability. | 0:06:40 | 0:06:43 | |
I loved it. | 0:06:43 | 0:06:46 | |
It had cameras, no guns. | 0:06:46 | 0:06:48 | |
The planes had no guns, | 0:06:52 | 0:06:53 | |
but this lack of fire power didn't bother the pilots. | 0:06:53 | 0:06:56 | |
It was quite all right, actually, | 0:06:56 | 0:06:59 | |
because cruising speed of 360 mph and there weren't any aeroplanes | 0:06:59 | 0:07:03 | |
in 1944 which could do that until the German jets came. | 0:07:03 | 0:07:07 | |
It's painted blue, this rather lightish grey-blue, | 0:07:18 | 0:07:20 | |
in order to camouflage it against the blue sky | 0:07:20 | 0:07:25 | |
when it's flying 30,000 feet, | 0:07:25 | 0:07:26 | |
which was the optimum height for taking our photographs. | 0:07:26 | 0:07:32 | |
The biggest enemy we had was we might make a contrail | 0:07:32 | 0:07:36 | |
and it betrayed our position, | 0:07:36 | 0:07:39 | |
and flak could come up and equally the fighters. | 0:07:39 | 0:07:42 | |
The pilots were quite astonishing, out of this world. | 0:07:42 | 0:07:47 | |
They had to navigate their way to the target on their own, | 0:07:47 | 0:07:51 | |
looking out for interception, sometimes in difficult conditions. | 0:07:51 | 0:07:55 | |
The whole thing was a heart-stopping exercise, quite frankly. | 0:07:57 | 0:08:01 | |
I think they were marvellous! | 0:08:01 | 0:08:04 | |
But the great thing was when they found their target, | 0:08:04 | 0:08:09 | |
they had to fly a level course because | 0:08:09 | 0:08:11 | |
if they weren't flying straight and level it distorted the pictures. | 0:08:11 | 0:08:15 | |
They were the cream of the air crew. | 0:08:15 | 0:08:17 | |
You had to find your target, photograph it underneath you when you couldn't see it. | 0:08:17 | 0:08:22 | |
You'd have to get right over the target practically | 0:08:22 | 0:08:27 | |
and roll over and see the target and bring the aeroplane around | 0:08:27 | 0:08:32 | |
and level out and then fly straight | 0:08:32 | 0:08:35 | |
and level while the cameras were turning. | 0:08:35 | 0:08:39 | |
It had five cameras. | 0:08:42 | 0:08:44 | |
One was fitted under each wing here, and two in the fuselage. | 0:08:44 | 0:08:50 | |
And the camera's here - | 0:08:52 | 0:08:54 | |
as you can see, it's a pretty big one | 0:08:54 | 0:08:58 | |
and that would have to be put through this hatch here | 0:08:58 | 0:09:02 | |
and point down through one of these two port holes in the bottom of the fuselage. | 0:09:02 | 0:09:08 | |
At 30,000 feet you could take pictures of a man on a bicycle. | 0:09:12 | 0:09:17 | |
Interestingly, the first thing in the Spitfire | 0:09:18 | 0:09:21 | |
that they heated was the camera because they wanted good photographs. | 0:09:21 | 0:09:25 | |
The pilot froze, basically. | 0:09:25 | 0:09:26 | |
If you're gone for five hours, you might be at minus 50 degrees | 0:09:26 | 0:09:31 | |
and it was so cold sometimes your knees, | 0:09:31 | 0:09:34 | |
you could hardly bend them or anything. | 0:09:34 | 0:09:38 | |
A fat lot of good having done it all | 0:09:38 | 0:09:40 | |
unless they got the pictures back to us | 0:09:40 | 0:09:42 | |
and they did it, day after day, in very difficult conditions. | 0:09:42 | 0:09:45 | |
John S Blyth, like all reconnaissance pilots, | 0:09:47 | 0:09:52 | |
diced with death many times. | 0:09:52 | 0:09:53 | |
Once when his landing gear jammed, a moment that was caught on camera. | 0:09:53 | 0:09:58 | |
I felt kind of a thud | 0:09:58 | 0:10:01 | |
and I came in to land at Mount Farm and I dropped the gear | 0:10:01 | 0:10:04 | |
and the handle wouldn't move. | 0:10:04 | 0:10:08 | |
I was sweating like everything | 0:10:08 | 0:10:10 | |
and I thought, "I'm not going to get out of this one alive." | 0:10:10 | 0:10:14 | |
Finally, after about an hour I came in | 0:10:14 | 0:10:18 | |
and touched down and the wooden prop | 0:10:18 | 0:10:22 | |
which I've got a piece of here, flew all to pieces. | 0:10:22 | 0:10:27 | |
There's no point in asking a man to risk his life | 0:10:33 | 0:10:35 | |
and then not getting every bit of information that the film contains. | 0:10:35 | 0:10:41 | |
The photos were analysed with scientific precision in three phases. | 0:10:49 | 0:10:53 | |
The first, as soon as the plane had landed at the airfield. | 0:10:53 | 0:10:58 | |
They would look at the photographs | 0:10:58 | 0:11:00 | |
and if something needed immediate action within 24 hours or so, | 0:11:00 | 0:11:04 | |
where the army had to shell or the air force bomb some target, | 0:11:04 | 0:11:08 | |
a bridge in Germany where troops were crossing, | 0:11:08 | 0:11:12 | |
that would be a very important target straightaway. | 0:11:12 | 0:11:16 | |
The photographs were then printed on an industrial scale. | 0:11:16 | 0:11:21 | |
An astonishing 36 million prints were made in the war. | 0:11:21 | 0:11:25 | |
They'd send the more important photographs to Medmenham to the interpreters there, | 0:11:28 | 0:11:33 | |
who would then identify whether there was something that could be bombed | 0:11:33 | 0:11:37 | |
or attacked in the next week or so, which was phase two, | 0:11:37 | 0:11:40 | |
or whether it was a long-term thing | 0:11:40 | 0:11:42 | |
about the German war effort and they contributed to phase three. | 0:11:42 | 0:11:46 | |
Medmenham was so many sided, so many different things were going on. | 0:11:46 | 0:11:51 | |
It's quite unbelievable. | 0:11:51 | 0:11:52 | |
Most of us in our own little sections only knew what we were doing, | 0:11:52 | 0:11:56 | |
but we were impressed by the other things going on that we knew nothing about. | 0:11:56 | 0:12:00 | |
Well, I was in N Section, which was the night photograph section. | 0:12:00 | 0:12:06 | |
Flak and tracer and searchlights | 0:12:08 | 0:12:11 | |
were all recorded on the run in to the target, | 0:12:11 | 0:12:16 | |
and it was just like an incredible mass of lines | 0:12:16 | 0:12:20 | |
and waves and bursts of fire. | 0:12:20 | 0:12:23 | |
They recruited a lot of academics and particularly academics | 0:12:23 | 0:12:28 | |
who were accustomed to being precise and punctilious. | 0:12:28 | 0:12:33 | |
A lot of them were recruited from Oxford and Cambridge, | 0:12:33 | 0:12:37 | |
mathematicians, geologists, archaeologists. | 0:12:37 | 0:12:40 | |
Interpreting photographs was not just an academic skill. | 0:12:42 | 0:12:46 | |
It demanded creative minds and lateral thinking | 0:12:46 | 0:12:50 | |
to find the devil in the detail. | 0:12:50 | 0:12:52 | |
One of Medmenham's most inspired moves | 0:12:55 | 0:12:58 | |
was to recruit its talent from the Hollywood studios. | 0:12:58 | 0:13:02 | |
Disney legend, X Atencio, who later wrote Pirates Of The Caribbean, | 0:13:02 | 0:13:06 | |
was part of a large American contingent at Medmenham. | 0:13:06 | 0:13:11 | |
We had quite a few artists in our unit | 0:13:13 | 0:13:15 | |
because we had an eye for detail. | 0:13:15 | 0:13:20 | |
I was assigned to airfields | 0:13:20 | 0:13:23 | |
and that's how I became an expert on airfields. | 0:13:23 | 0:13:27 | |
We had Dirk Bogart as an actor. | 0:13:27 | 0:13:30 | |
He was in the army section. | 0:13:30 | 0:13:33 | |
I thought he was a bit of a poseur and dilettante. | 0:13:33 | 0:13:38 | |
But I think he was quite a reasonable PI. | 0:13:38 | 0:13:43 | |
Something new had happened too. They began to hire women. | 0:13:43 | 0:13:47 | |
And at one time, they had about 150 women working as photo interpreters. | 0:13:47 | 0:13:53 | |
Generally, the women didn't fly. | 0:13:53 | 0:13:56 | |
A lot of them were very hand picked, yes. | 0:13:56 | 0:13:59 | |
I wasn't, but a lot of them were. | 0:13:59 | 0:14:01 | |
The reconnaissance pilots and photo interpreters made a brilliant team. | 0:14:03 | 0:14:08 | |
As the bombing offensive against German cities intensified, | 0:14:10 | 0:14:14 | |
they played a vital role, not just in identifying targets, | 0:14:14 | 0:14:18 | |
but also assessing the damage inflicted on the enemy. | 0:14:18 | 0:14:22 | |
There's an incredible amount of smoke rising | 0:14:24 | 0:14:27 | |
and some clear fires burning in the city. | 0:14:27 | 0:14:30 | |
It was very necessary after every raid to analyse the damage. | 0:14:31 | 0:14:36 | |
In simple terms, did you need to go back again? | 0:14:36 | 0:14:39 | |
When you are at war, destroying the infrastructure is very important. | 0:14:39 | 0:14:43 | |
But what the PIs saw was not always to the liking of the bomber crews, | 0:14:45 | 0:14:49 | |
as Dino Brugioni found | 0:14:49 | 0:14:51 | |
when he returned from apparently successful missions. | 0:14:51 | 0:14:55 | |
You would brag about it. "We put our bombs right on the target area." | 0:14:55 | 0:15:00 | |
Well, what happened was a photo interpreter | 0:15:00 | 0:15:04 | |
would look at it and they'd say, "You missed the target." | 0:15:04 | 0:15:06 | |
First of all they'd deny it, then they'd get mad, | 0:15:06 | 0:15:11 | |
then they want to blame Intel like it was their fault, | 0:15:11 | 0:15:16 | |
but the imagery is truth. | 0:15:16 | 0:15:18 | |
Churchill asked to see the photographs and he sided with the photo interpreters. | 0:15:18 | 0:15:23 | |
In May 1942, the landmark Thousand Bomber Raid | 0:15:29 | 0:15:32 | |
was carried out against the German city of Cologne. | 0:15:32 | 0:15:35 | |
The scrambler rang, the secret phone, | 0:15:39 | 0:15:45 | |
and a voice said, "Is Cologne still there?" | 0:15:45 | 0:15:49 | |
And I said, "Yes, sir, there's quite a lot of it left." | 0:15:49 | 0:15:52 | |
He said, "Send the photographs immediately to the cabinet war room." | 0:15:52 | 0:15:58 | |
That was the great man himself. | 0:15:58 | 0:16:02 | |
Air reconnaissance was one thing, | 0:16:05 | 0:16:07 | |
but what was so revolutionary was how Medmenham | 0:16:07 | 0:16:12 | |
took an ordinary stereoscope, | 0:16:12 | 0:16:14 | |
the equivalent of the 3D glasses used in modern-day cinemas, | 0:16:14 | 0:16:18 | |
and turned it into an intelligence weapon which helped win the war. | 0:16:18 | 0:16:22 | |
The viewers they used were probably Victorian in origin, | 0:16:25 | 0:16:28 | |
part of a party game almost in the 19th century. | 0:16:28 | 0:16:32 | |
So stereo is as old as the hills. | 0:16:32 | 0:16:35 | |
For it to work, pilots like Jimmy Taylor | 0:16:37 | 0:16:40 | |
had to take the photos in a series of perfectly overlapping sequences. | 0:16:40 | 0:16:47 | |
These are the plots they made of my photographs. | 0:16:47 | 0:16:50 | |
I'm amazed that these have been recovered. | 0:16:50 | 0:16:54 | |
I haven't seen them myself. | 0:16:54 | 0:16:56 | |
We had to make sure when they were viewed by the photo interpreters, | 0:16:56 | 0:17:01 | |
each of these pictures overlapped the other by 60% | 0:17:01 | 0:17:07 | |
because everything on the photograph would then stand up in three dimensions. | 0:17:07 | 0:17:12 | |
The Medmenham PIs became experts at interpreting this 3rd dimension. | 0:17:14 | 0:17:18 | |
3D was as valuable a weapon as the bouncing bomb | 0:17:18 | 0:17:24 | |
during the legendary Dambusters raid against three dams in Germany. | 0:17:24 | 0:17:29 | |
By applying modern computer graphics to the original photo from May 1943, | 0:17:29 | 0:17:34 | |
you can see how a PI would have viewed it in 3D through a stereoscope. | 0:17:34 | 0:17:39 | |
We'd taken a photograph in 2D, it wouldn't show a thing. | 0:17:41 | 0:17:46 | |
That was the advantage of the 3D photography. | 0:17:46 | 0:17:49 | |
You got the detail and looked into it. | 0:17:49 | 0:17:53 | |
You get a wonderful impression of height. | 0:17:55 | 0:17:59 | |
It's not just dead flat. | 0:17:59 | 0:18:02 | |
You can see the contours of the land. | 0:18:02 | 0:18:06 | |
People would say it's obvious you've got a photograph, | 0:18:06 | 0:18:09 | |
you can see things and indeed you can, | 0:18:09 | 0:18:11 | |
but things aren't always what they appear to be. | 0:18:11 | 0:18:13 | |
3D allowed the PIs to see through a crafty German ploy | 0:18:13 | 0:18:18 | |
to conceal one of their cruisers in this fjord. | 0:18:18 | 0:18:23 | |
Going offshore there's this decoy and boom combined, | 0:18:23 | 0:18:27 | |
where they've lashed together tyres in the water, | 0:18:27 | 0:18:30 | |
joined them all up together | 0:18:30 | 0:18:33 | |
and made them look like a ship floating in the water. | 0:18:33 | 0:18:37 | |
3D aerial photography had come of age. | 0:18:37 | 0:18:41 | |
It was just as well because Medmenham | 0:18:43 | 0:18:45 | |
was about to be called upon to deliver its greatest victory in Operation Crossbow. | 0:18:45 | 0:18:51 | |
The story begins in May 1942, when a British reconnaissance Spitfire | 0:18:55 | 0:18:59 | |
took off from Benson air base and crisscrossed northern Germany. | 0:18:59 | 0:19:04 | |
While flying over a remote island off the Baltic coast, | 0:19:04 | 0:19:09 | |
something below caught the pilot's eye. | 0:19:09 | 0:19:13 | |
It was an obscure place called Peenemunde. | 0:19:13 | 0:19:17 | |
And that's how they found Peenemunde, | 0:19:19 | 0:19:21 | |
strictly by accident because he saw they were making an airfield. | 0:19:21 | 0:19:25 | |
Well, nothing attracts aerial intelligence like an airfield. | 0:19:25 | 0:19:29 | |
And the only thing there that attracted anybody's attention | 0:19:34 | 0:19:39 | |
were the three big concrete and earth circles. | 0:19:39 | 0:19:42 | |
Here we have the very first photograph of Peenemunde. | 0:19:46 | 0:19:50 | |
I think there was all sorts of conjecture as to what the three circles were. | 0:19:51 | 0:19:56 | |
As a PI looking at those in isolation | 0:19:56 | 0:19:58 | |
my immediate reaction would probably be to think that | 0:19:58 | 0:20:03 | |
they might be something to do with sewage actually. | 0:20:03 | 0:20:08 | |
So given the pressing nature of other things that they were doing | 0:20:11 | 0:20:16 | |
at the time, the photo interpreters shelved those photos in 1942. | 0:20:16 | 0:20:20 | |
This could have been one of the greatest mistakes | 0:20:21 | 0:20:24 | |
of World War 2 because, while the Allies had been honing | 0:20:24 | 0:20:28 | |
their aerial reconnaissance skills, the Germans were busy too, | 0:20:28 | 0:20:32 | |
building a new generation of weapons of terrifying sophistication. | 0:20:32 | 0:20:39 | |
The epicentre of their ominous weapons research | 0:20:41 | 0:20:43 | |
was a purpose built industrial complex at Peenemunde. | 0:20:43 | 0:20:47 | |
The rockets and missiles they were developing there, | 0:20:48 | 0:20:51 | |
were the fore-runners of the weapons that dominate our world today. | 0:20:51 | 0:20:55 | |
The Nazis spent a lot of money in Peenemunde. | 0:20:57 | 0:21:02 | |
This was the biggest research centre in the world between 1936 and 1945. | 0:21:02 | 0:21:06 | |
I think the Germans were far, | 0:21:08 | 0:21:11 | |
far ahead of us in terms of missile technology. | 0:21:11 | 0:21:14 | |
They had some brilliant men. | 0:21:14 | 0:21:17 | |
Men like scientist Werner von Braun were working on weapons that | 0:21:19 | 0:21:23 | |
were so advanced that they were a complete mystery to the Allies. | 0:21:23 | 0:21:27 | |
By 1942, their efforts were beginning to bear fruit. | 0:21:31 | 0:21:34 | |
First, a V1 cruise missile was successfully launched. | 0:21:38 | 0:21:42 | |
And then on the October 3rd, the Germans made one of the great | 0:21:45 | 0:21:49 | |
breakthroughs in the history of science and of warfare | 0:21:49 | 0:21:52 | |
when a V2 rocket soared into the stratosphere at supersonic speed. | 0:21:52 | 0:21:57 | |
Vergeltungswaffen, the revenge weapons, | 0:21:58 | 0:22:01 | |
Hitler hoped this big collection of new weapons | 0:22:01 | 0:22:05 | |
that he was developing would be in place | 0:22:05 | 0:22:07 | |
in time somehow to turn the tide. | 0:22:07 | 0:22:10 | |
The Nazis once again got hope, hope to win the war. | 0:22:10 | 0:22:15 | |
And the Allies knew nothing about their plans. | 0:22:25 | 0:22:27 | |
Until a key breakthrough came at Trent Park military prison | 0:22:30 | 0:22:33 | |
in March 1943 when British intelligence managed to bug | 0:22:33 | 0:22:39 | |
a conversation between two German generals. | 0:22:39 | 0:22:43 | |
The British overheard two German generals | 0:22:43 | 0:22:46 | |
captured in North Africa talking about this rocket. | 0:22:46 | 0:22:50 | |
This future weapon that would soon be raining down on the British | 0:22:50 | 0:22:54 | |
and might change the course of the war. | 0:22:54 | 0:22:57 | |
RAF Medmenham could be forgiven for overlooking | 0:23:01 | 0:23:03 | |
the significance of the earlier photographs of Peenemunde. | 0:23:03 | 0:23:06 | |
Now they had a second chance and at last something to go on. | 0:23:08 | 0:23:11 | |
The spy planes were scrambled to scour Germany | 0:23:15 | 0:23:18 | |
and northern France for any evidence they could get in camera. | 0:23:18 | 0:23:22 | |
Thousands of photos were rushed back | 0:23:28 | 0:23:30 | |
and the interpreters were asked to find clues of long range missiles | 0:23:30 | 0:23:34 | |
that could be fired at Britain from France. | 0:23:34 | 0:23:37 | |
They were told to look for something queer, | 0:23:37 | 0:23:41 | |
a tube out of which could be squirted a missile. | 0:23:41 | 0:23:44 | |
To ask a photo interpreter to do an analysis of a missile site | 0:23:44 | 0:23:48 | |
that has never seen one before was asking a lot. | 0:23:48 | 0:23:51 | |
You were trained to know what would be normal to look at | 0:23:53 | 0:23:57 | |
so you had to have a sense of anomalies. | 0:23:57 | 0:24:02 | |
And there's a certain amount of detective work in looking at clues. | 0:24:03 | 0:24:07 | |
I always felt it was like doing a gigantic jigsaw puzzle. | 0:24:07 | 0:24:12 | |
And with the help of 3D, a PI managed to spot a tube | 0:24:15 | 0:24:18 | |
on its side in one of the mysterious circles at Peenemunde. | 0:24:18 | 0:24:22 | |
All that seen was a tube. To see the initial image was one thing. | 0:24:23 | 0:24:28 | |
To work out what it was and what it could do was a very different one. | 0:24:28 | 0:24:33 | |
I think there was a great fear about these things. | 0:24:33 | 0:24:37 | |
Where were they aimed at, what shape would they take, | 0:24:37 | 0:24:41 | |
how would they attack us? | 0:24:41 | 0:24:43 | |
Now the real detective work began. | 0:24:45 | 0:24:47 | |
In Edinburgh the team is going back over the original photos that | 0:24:50 | 0:24:54 | |
helped change the course of the war. | 0:24:54 | 0:24:56 | |
This is absolutely great. We've got here a photograph which shows two rockets. | 0:24:58 | 0:25:02 | |
It's a significant moment in history without question | 0:25:02 | 0:25:05 | |
when they saw this for the first time. | 0:25:05 | 0:25:08 | |
People having looked at these, they said how do they launch them | 0:25:08 | 0:25:11 | |
and it was then that they started looking back over imagery and | 0:25:11 | 0:25:16 | |
they eventually discovered the first one that was actually sticking up vertically | 0:25:16 | 0:25:23 | |
and looked like a sort of pole really sticking up in the air. | 0:25:23 | 0:25:29 | |
-We've marked up where that first one is. -Really hard to see... | 0:25:29 | 0:25:34 | |
You can see the shadow of it there. | 0:25:34 | 0:25:36 | |
Sometimes you can learn more from the shadows than you can from the | 0:25:36 | 0:25:41 | |
object because you'll see the shadow on the ground and you can measure it. | 0:25:41 | 0:25:46 | |
So the PIs were able to work out that the V2 rocket was | 0:25:49 | 0:25:52 | |
an imposing 14 metres high. | 0:25:52 | 0:25:56 | |
But there was a problem... | 0:25:59 | 0:26:01 | |
Churchill's chief scientific adviser, Lord Cherwell, | 0:26:01 | 0:26:05 | |
refused to believe the Germans had the technology to build rockets. | 0:26:05 | 0:26:10 | |
It was all too new, like something from science fiction. | 0:26:10 | 0:26:13 | |
Now RAF Medmenham needed something more than stereoscopes to make sense of the threat. | 0:26:15 | 0:26:21 | |
It needed a step change in technology. | 0:26:21 | 0:26:24 | |
The answer was the Wild... | 0:26:26 | 0:26:29 | |
a state-of-the-art photogrammetric machine used for land surveys. | 0:26:29 | 0:26:33 | |
It alone could deliver the level of detail | 0:26:35 | 0:26:37 | |
and precision needed to convince the doubters. | 0:26:37 | 0:26:42 | |
But there was a shortage of Wild machines in Britain. | 0:26:44 | 0:26:47 | |
The only place to get them was Switzerland, | 0:26:47 | 0:26:50 | |
but that was a neutral country. | 0:26:50 | 0:26:52 | |
So one of the most daring missions of the war, | 0:26:54 | 0:26:56 | |
led by Squadron Leader Ramsay Matthews was launched to | 0:26:56 | 0:27:00 | |
bring not one but two new Wild machines to Medmenham. | 0:27:00 | 0:27:03 | |
He managed to persuade a Swedish intermediary to buy two | 0:27:04 | 0:27:11 | |
Wild A6s, and arranged for them to be shipped through Germany, | 0:27:11 | 0:27:16 | |
and moved them up to Sweden. | 0:27:16 | 0:27:19 | |
They then had the problem of how to bring them back to the UK. | 0:27:22 | 0:27:27 | |
Squadron leader Ramsay was flown out to Sweden, | 0:27:27 | 0:27:30 | |
acquired these two machines, stripped them down. | 0:27:30 | 0:27:34 | |
They were then put on board Mosquitoes. | 0:27:34 | 0:27:39 | |
Of course the Mosquito isn't a big aircraft | 0:27:41 | 0:27:43 | |
and he had to be strapped in the bomb bay with one of the Wilds. | 0:27:43 | 0:27:50 | |
They took off, and they got bounced by a German night fighter. | 0:27:54 | 0:27:58 | |
The pilot wanted to slow up in a hurry, so opened up everything | 0:27:58 | 0:28:04 | |
to slow it down suddenly, which included opening the bomb bay doors. | 0:28:04 | 0:28:09 | |
In the excitement of getting away from the German night fighter, | 0:28:11 | 0:28:15 | |
he then forgot to close the bomb bay doors. | 0:28:15 | 0:28:19 | |
And flying right across the North Sea, | 0:28:22 | 0:28:26 | |
our Squadron leader was sitting in there nearly frozen to death. | 0:28:26 | 0:28:29 | |
The whole episode showed how important these Wilds were considered. | 0:28:30 | 0:28:36 | |
The Wild could now be used to get a greater understanding of Peenemunde. | 0:28:37 | 0:28:43 | |
In the machine, built into the optics is a floating dot. | 0:28:43 | 0:28:46 | |
The floating dot enables you to trace a contour or to measure | 0:28:46 | 0:28:51 | |
precisely an object, in length, width and the height of an object. | 0:28:51 | 0:28:55 | |
In the V weapons saga, this particular machine was used | 0:28:57 | 0:29:01 | |
to measure the buildings and the rocket test sites | 0:29:01 | 0:29:05 | |
so that the models that were so vital in convincing the senior scientists | 0:29:05 | 0:29:09 | |
that there were indeed rocket development sites. | 0:29:09 | 0:29:12 | |
The precise measurements provided by the Wild enabled | 0:29:14 | 0:29:17 | |
the model makers to bring Peenemunde to life for the uninitiated. | 0:29:17 | 0:29:22 | |
The model they made in 1943 is now locked away in the store rooms | 0:29:25 | 0:29:29 | |
at the Imperial War Museum in Duxford. | 0:29:29 | 0:29:32 | |
Ah! Right, so this is the one original | 0:29:33 | 0:29:38 | |
surviving model of Peenemunde then. | 0:29:38 | 0:29:41 | |
Yep. It's in very good condition. | 0:29:41 | 0:29:44 | |
This is the first ballistic missile test site ever in the world. | 0:29:44 | 0:29:48 | |
It's perfect in almost every detail. | 0:29:48 | 0:29:51 | |
A modern fly through of the model gives some idea | 0:29:51 | 0:29:55 | |
of the sort of impression it would have made on Churchill | 0:29:55 | 0:29:58 | |
and his War Cabinet back in 1943. | 0:29:58 | 0:30:00 | |
They could come and study this and it would have been accurate | 0:30:02 | 0:30:05 | |
in every detail of measurement so they would have been able to size | 0:30:05 | 0:30:08 | |
the missile against the construction building and the engine test site. | 0:30:08 | 0:30:12 | |
I don't think the scientists at that time had any idea | 0:30:12 | 0:30:15 | |
and there was a lot of scepticism about what it was. | 0:30:15 | 0:30:18 | |
And that, of course, was one of the arguments that Cherwell used | 0:30:19 | 0:30:23 | |
that we'd never produced one, so how could the Germans? | 0:30:23 | 0:30:27 | |
This is the classic we can't do it, they can't do it and that is | 0:30:27 | 0:30:30 | |
one of the greatest intelligence mistakes anyone ever makes. | 0:30:30 | 0:30:34 | |
As the politicians bickered, spy planes monitoring | 0:30:35 | 0:30:38 | |
northern France came back with more alarming photographs. | 0:30:38 | 0:30:44 | |
Just a short hop across the Channel. | 0:30:48 | 0:30:50 | |
They find bunkers, large bunkers. | 0:30:53 | 0:30:55 | |
The bunkers didn't have any particular unique shape | 0:30:55 | 0:30:59 | |
that you could determine what was in them. | 0:30:59 | 0:31:02 | |
They were huge... monstrous concrete structures. | 0:31:03 | 0:31:06 | |
Obviously to start with, nobody knew what they were. | 0:31:06 | 0:31:09 | |
They were so strange. | 0:31:09 | 0:31:12 | |
These mysterious bunkers became known to the PIs as the heavy sites. | 0:31:12 | 0:31:16 | |
The heaviest of all was built in a quarry in a village called | 0:31:19 | 0:31:22 | |
Wizernes just 40 kilometres from the English Channel. | 0:31:22 | 0:31:25 | |
Not all photographs were taken from the safety of 9,000 metres. | 0:31:30 | 0:31:34 | |
Medmenham also needed heroic daredevils who would | 0:31:34 | 0:31:38 | |
risk their lives by flying at just 30 metres to capture amazingly | 0:31:38 | 0:31:44 | |
detailed close-up images like these. | 0:31:44 | 0:31:47 | |
This photograph...the most daring photograph of World War Two. | 0:31:55 | 0:32:01 | |
Here you can see the dome. | 0:32:01 | 0:32:04 | |
To fly into a quarry and pull up and get a photograph is just amazing. | 0:32:06 | 0:32:13 | |
I made about two runs over it and then they opened up on me | 0:32:14 | 0:32:18 | |
and the flak was so damn thick that I was diving, | 0:32:18 | 0:32:24 | |
doing all sharp turns and everything and I went out the Channel | 0:32:24 | 0:32:28 | |
and settled down because I was a little shaken. | 0:32:28 | 0:32:32 | |
There you go. Not quite the same angle | 0:32:35 | 0:32:37 | |
but it's pretty much the view the Spitfire got | 0:32:37 | 0:32:40 | |
-when he flew his very low level recce. -A true dicing sortie. | 0:32:40 | 0:32:46 | |
Here you are you've got the entire early structural stages here | 0:32:46 | 0:32:52 | |
with all the scaffolding, a lot of work going into the laying of the concrete etc. | 0:32:52 | 0:32:56 | |
Just a huge effort going into building something on the French coast | 0:32:56 | 0:33:00 | |
which was in reasonable shot of London. | 0:33:00 | 0:33:03 | |
Everybody agreed this is way too much effort | 0:33:05 | 0:33:09 | |
to be anything but nefarious. | 0:33:09 | 0:33:11 | |
And it's too far back from the coast to be | 0:33:15 | 0:33:18 | |
part of the defence works. | 0:33:18 | 0:33:20 | |
The PIs at Medmenham suspected these bunkers were potential | 0:33:24 | 0:33:28 | |
rocket launch sites and they would later be proved to be right. | 0:33:28 | 0:33:31 | |
Major firms in Germany were building them and they would manufacture the missile. | 0:33:33 | 0:33:38 | |
And not only that, then they would have rails outside, | 0:33:38 | 0:33:41 | |
places where they could fire the missile. | 0:33:41 | 0:33:43 | |
Adding it to the other heavy sites | 0:33:43 | 0:33:46 | |
and adding it to Peenemunde put it all together and say, well, | 0:33:46 | 0:33:51 | |
safest thing is to bomb this lot into extinction, if possible. | 0:33:51 | 0:33:55 | |
On the 17th and 18th August 1943, | 0:33:59 | 0:34:03 | |
more than 500 bombers set off from the UK with one aim... | 0:34:03 | 0:34:08 | |
the complete destruction of Peenemunde | 0:34:08 | 0:34:10 | |
and the elimination of the German rocket threat. | 0:34:10 | 0:34:13 | |
They launched the first night precision bombardment | 0:34:15 | 0:34:20 | |
raid against Peenemunde. | 0:34:20 | 0:34:22 | |
The air crews were told, if you don't get this, | 0:34:22 | 0:34:26 | |
you're going back again and that's kind of chilling. | 0:34:26 | 0:34:30 | |
It certainly underlines the importance of it. | 0:34:30 | 0:34:33 | |
The British were developing a fairly effective bomber force | 0:34:34 | 0:34:37 | |
that could in fact hit targets at night with pretty good effect. | 0:34:37 | 0:34:41 | |
John Bell was a bomb aimer on a Lancaster bomber. | 0:34:45 | 0:34:50 | |
The whole of the front of the aircraft was my office. | 0:34:50 | 0:34:53 | |
You'd line up with the target and look out for the spot flares | 0:34:53 | 0:34:57 | |
that you'd been told to aim at and carry out the procedure for | 0:34:57 | 0:35:02 | |
bombing which was fairly automatic once you'd lined up the bomb sight. | 0:35:02 | 0:35:05 | |
Even though there was heavy flak, even though the Luftwaffe did | 0:35:09 | 0:35:12 | |
respond with a certain number of aircraft the British were able | 0:35:12 | 0:35:16 | |
to get into the target and they were able to do very severe damage. | 0:35:16 | 0:35:20 | |
There was terrible devastation and awful loss of life | 0:35:29 | 0:35:34 | |
but we were fighting for our life! | 0:35:34 | 0:35:36 | |
The British bombing raid had in fact thrown the V2 programme | 0:35:39 | 0:35:42 | |
back eight weeks, maybe more like 12 weeks, but more importantly had | 0:35:42 | 0:35:47 | |
killed several of the most important scientists and put the Germans | 0:35:47 | 0:35:51 | |
very firmly on notice that the British knew what they were up to. | 0:35:51 | 0:35:55 | |
Of course as soon as Peenemunde had been bombed, they had to think about | 0:35:57 | 0:36:00 | |
the heavy sites in the Pas de Calais of which this was one, wasn't it? | 0:36:00 | 0:36:06 | |
So it was decided to bomb all those as well. | 0:36:06 | 0:36:10 | |
We're standing in this area, I think. | 0:36:10 | 0:36:13 | |
And on this photograph you can still see some | 0:36:13 | 0:36:15 | |
remnants of the construction programme actually | 0:36:15 | 0:36:18 | |
but the dome is complete and hugely thick and effectively bomb-proof. | 0:36:18 | 0:36:23 | |
This photo shows a German bunker at Watten after conventional | 0:36:26 | 0:36:30 | |
saturation bombing by the US Air Force. | 0:36:30 | 0:36:33 | |
Amazingly, the building emerged almost unscathed. | 0:36:33 | 0:36:38 | |
The conventional bombs were just bouncing off | 0:36:39 | 0:36:42 | |
and you look at the photography and the ground around the bunkers | 0:36:42 | 0:36:46 | |
are all chewed up, meaning the bombs hit the bunkers but did no damage. | 0:36:46 | 0:36:50 | |
They soon found out the bunkers, the only bomb did any significant damage was the Tallboy. | 0:36:50 | 0:36:57 | |
The 12,000-pound Tallboy, and its heavier brother, the Grand Slam, | 0:36:57 | 0:37:01 | |
was designed by bouncing bomb legend, Barnes Wallis. | 0:37:01 | 0:37:06 | |
John Bell dropped one on the bunker at Wizernes. | 0:37:06 | 0:37:09 | |
The Tallboy worked very well. | 0:37:12 | 0:37:13 | |
It was a very accurate weapon, quite a pleasure to drop really. | 0:37:13 | 0:37:18 | |
When we were aiming at Wizernes, all we had to see was a dome | 0:37:18 | 0:37:23 | |
sitting on the top of a hillside and that's really what we aimed at. | 0:37:23 | 0:37:28 | |
Fortunately the one I dropped was instrumental in making | 0:37:28 | 0:37:31 | |
the dome tilt to one side. It was perhaps fortunate that it did not | 0:37:31 | 0:37:36 | |
hit it, because otherwise the bomb might well have bounced off. | 0:37:36 | 0:37:39 | |
The near misses did the damage actually because they were earthquake effect | 0:37:39 | 0:37:44 | |
and they caused the whole site to sort of tilt a little bit. | 0:37:44 | 0:37:48 | |
We attacked it on several occasions and managed to put it out of action. | 0:37:48 | 0:37:52 | |
RAF Medmenham had dealt a major blow to the German war effort | 0:37:55 | 0:37:58 | |
and provided the Nazis with sobering evidence of just how | 0:37:58 | 0:38:02 | |
difficult it was to keep their plans veiled from Allied eyes. | 0:38:02 | 0:38:06 | |
But Hitler was determined to persevere. | 0:38:10 | 0:38:13 | |
The V weapons programme was relocated, well beyond | 0:38:13 | 0:38:17 | |
the spying lenses of the Spitfire, | 0:38:17 | 0:38:20 | |
to the distant forests of Poland and to the Harz Mountains | 0:38:20 | 0:38:25 | |
in the anonymous heartland of Germany itself. | 0:38:25 | 0:38:28 | |
Just outside the small town of Nordhausen, a mountainside was | 0:38:34 | 0:38:38 | |
turned into a massive underground factory to produce V weapons. | 0:38:38 | 0:38:43 | |
When you put it underground, first of all it is devilish hard | 0:38:45 | 0:38:51 | |
to bomb and it's impossible to tell what is going on inside. | 0:38:51 | 0:38:54 | |
The V2 was no mere dabbling in new technology... | 0:38:56 | 0:39:00 | |
the Nazis really believed it had the power to swing the outcome | 0:39:00 | 0:39:05 | |
of the war and threw their best minds and resources at it. | 0:39:05 | 0:39:08 | |
The ruthless SS, now in charge of the V weapons programme, | 0:39:11 | 0:39:15 | |
conscripted 60,000 slave labourers to work | 0:39:15 | 0:39:18 | |
in infernal darkness in the mountain factory. | 0:39:18 | 0:39:23 | |
I was selected for slave labour. | 0:39:23 | 0:39:25 | |
Entering the tunnel the place was lit up, massive it was, | 0:39:28 | 0:39:35 | |
the tunnel was 21km in total. | 0:39:35 | 0:39:37 | |
I immediately thought, good God, we're going to be kept here | 0:39:39 | 0:39:42 | |
and we're never going to see daylight again. | 0:39:42 | 0:39:45 | |
The dust and the dampness, it was unbelievable. | 0:39:47 | 0:39:51 | |
People either lost the will to live | 0:39:52 | 0:39:56 | |
or just through the conditions they couldn't cope with it and they perished. | 0:39:56 | 0:40:01 | |
There were dead bodies lying all over. | 0:40:02 | 0:40:06 | |
The human tragedy unfolding in the mountains and at | 0:40:08 | 0:40:10 | |
the Dora Concentration Camp was not evident to the PIs at Medmenham. | 0:40:10 | 0:40:16 | |
Even if it had been, | 0:40:16 | 0:40:18 | |
not even the Tallboy could have made a difference. | 0:40:18 | 0:40:21 | |
The V weapons could no longer be destroyed at source. | 0:40:26 | 0:40:30 | |
Now the only solution lay in finding | 0:40:30 | 0:40:32 | |
and wiping out their launch sites in Northern France. | 0:40:32 | 0:40:35 | |
A first lead came from the French resistance which | 0:40:35 | 0:40:39 | |
warned of a lot of clandestine German building. | 0:40:39 | 0:40:42 | |
The information that was being provided by | 0:40:42 | 0:40:44 | |
the French resistance was extremely good. | 0:40:44 | 0:40:47 | |
They were picking out areas which the Germans had kept | 0:40:47 | 0:40:51 | |
people form going into a particular area. That was a good sign | 0:40:51 | 0:40:54 | |
that something secretive was going on. | 0:40:54 | 0:40:57 | |
This time, the spy planes would have to look a lot harder to | 0:40:59 | 0:41:02 | |
find their targets. | 0:41:02 | 0:41:04 | |
The only thing you could really see was a ramp. | 0:41:04 | 0:41:07 | |
They put them in these little groups of woods. | 0:41:07 | 0:41:11 | |
I think the first time I spent about half an hour before I finally | 0:41:11 | 0:41:17 | |
caught on how I could actually see them | 0:41:17 | 0:41:19 | |
and after that it got easier, but they were still very difficult to spot. | 0:41:19 | 0:41:25 | |
What the PIs saw through their stereoscopes was perplexing... | 0:41:32 | 0:41:36 | |
woods full of new buildings, all of weird shapes and sizes. | 0:41:36 | 0:41:41 | |
As well as the ramps, there were buildings that | 0:41:41 | 0:41:44 | |
looked like skis turned on their side. | 0:41:44 | 0:41:47 | |
So they became known as the ski sites. | 0:41:47 | 0:41:49 | |
Looking at it from the air is one thing | 0:41:51 | 0:41:53 | |
but actually ground checking is fascinating. | 0:41:53 | 0:41:58 | |
Nobody could imagine what on earth you would build a building | 0:41:58 | 0:42:03 | |
this shape for. | 0:42:03 | 0:42:06 | |
In all 96 sites... all almost identical... | 0:42:08 | 0:42:11 | |
were identified by Medmenham. | 0:42:11 | 0:42:13 | |
When these were first seen, they were a complete mystery. | 0:42:13 | 0:42:16 | |
Nobody knew what they were for. | 0:42:16 | 0:42:20 | |
This has got the classic ski structure signatures on it, | 0:42:20 | 0:42:25 | |
which became, of course, the giveaway. | 0:42:25 | 0:42:27 | |
Looking at these photographs makes you realise what a challenge | 0:42:27 | 0:42:32 | |
it was for the PIs at that time. | 0:42:32 | 0:42:36 | |
There was a lot of searching in the dark, you might say. | 0:42:36 | 0:42:39 | |
The problem the PIs faced was that a vital piece of the jigsaw | 0:42:42 | 0:42:45 | |
was missing. They still knew nothing about the existence | 0:42:45 | 0:42:51 | |
of the V1 flying bomb. | 0:42:51 | 0:42:52 | |
It was not discovered until late 1943, on a photograph of Peenemunde. | 0:42:54 | 0:43:00 | |
To the untrained eye it looked like nothing at all. | 0:43:00 | 0:43:04 | |
You could see it was some sort of flying vehicle | 0:43:06 | 0:43:09 | |
but what sort of flying vehicle? | 0:43:09 | 0:43:11 | |
A lot of work was involved in inferring from what could be | 0:43:11 | 0:43:16 | |
seen from measurements, from experience, | 0:43:16 | 0:43:18 | |
from thinking of what it could be and what it could do. | 0:43:18 | 0:43:22 | |
A whisper went around the whole station so we were all very | 0:43:23 | 0:43:27 | |
well aware that this was something absolutely fantastically important. | 0:43:27 | 0:43:33 | |
It's just a small blur really. | 0:43:33 | 0:43:37 | |
It's just a tiny cruciform shape sitting on a ramp very similar to the ramp over there. | 0:43:37 | 0:43:42 | |
And that then with the ramp | 0:43:44 | 0:43:46 | |
and the sites that they'd already witnessed began to put | 0:43:46 | 0:43:50 | |
the story together and they realised that the threat was | 0:43:50 | 0:43:53 | |
almost certainly a small pilotless aircraft, | 0:43:53 | 0:43:56 | |
almost certainly a bomb, of course. | 0:43:56 | 0:43:58 | |
It took a great leap of the imagination from the PIs | 0:43:59 | 0:44:02 | |
to identify a blurred cross as a flying bomb. | 0:44:02 | 0:44:06 | |
Using modern computer graphics we can reveal what they saw... | 0:44:08 | 0:44:12 | |
a deadly V1 poised to be fired. | 0:44:12 | 0:44:16 | |
The mysterious ski shaped buildings | 0:44:21 | 0:44:24 | |
turned out to be V1 store rooms. | 0:44:24 | 0:44:27 | |
Suddenly all those strange structures in France meant something | 0:44:29 | 0:44:34 | |
and now they knew they were the ramps | 0:44:34 | 0:44:36 | |
that were going to launch the V1s. | 0:44:36 | 0:44:39 | |
They plotted the ramps and they could see | 0:44:41 | 0:44:43 | |
exactly where the V1's were headed... | 0:44:43 | 0:44:46 | |
Southampton, Portsmouth, London. | 0:44:48 | 0:44:50 | |
Thanks to the Wild machine, it was clear the Nazis were on | 0:44:52 | 0:44:55 | |
the verge of launching a devastating bombardment of the south of England. | 0:44:55 | 0:45:01 | |
The timing could not have been worse for the Allies who | 0:45:01 | 0:45:04 | |
were in the midst of plans to invade France. | 0:45:04 | 0:45:07 | |
They were planning on the D-day landings | 0:45:09 | 0:45:12 | |
and how was this going to affect those plans? | 0:45:12 | 0:45:15 | |
The Germans had planned to launch up to 2,000 V1s a day. | 0:45:15 | 0:45:20 | |
If you could have had a couple of those the V1s hit a troopship... | 0:45:21 | 0:45:27 | |
It was vital that they attacked them and wipe them out, | 0:45:29 | 0:45:32 | |
otherwise it wouldn't have been possible to invade. | 0:45:32 | 0:45:37 | |
This prompted the Allies to launch Operation Crossbow at the end of 1943. | 0:45:42 | 0:45:47 | |
Its success could determine the outcome of the whole war. | 0:45:47 | 0:45:51 | |
Bombing the ski sites became a priority. | 0:45:52 | 0:45:56 | |
It began two days before Christmas. | 0:45:56 | 0:46:00 | |
The heaviest bombing I ever saw... | 0:46:06 | 0:46:08 | |
you couldn't see much of anything. There were so many craters. | 0:46:08 | 0:46:11 | |
If it hadn't destroyed those sites, it's hard to tell | 0:46:15 | 0:46:18 | |
what would have happened to the Normandy invasion. | 0:46:18 | 0:46:21 | |
It would have probably had to have been put off. | 0:46:21 | 0:46:24 | |
There's no doubt at all that the intensive bombing | 0:46:26 | 0:46:29 | |
of the V1 sites must have prevented a substantial | 0:46:29 | 0:46:33 | |
part of the intended attack from ever arriving. | 0:46:33 | 0:46:35 | |
It was vital to the mounting of the invasion. | 0:46:36 | 0:46:39 | |
Now the biggest thing for Medmenham was to plan the invasion of Europe. | 0:46:39 | 0:46:45 | |
This was a fantastic effort. | 0:46:47 | 0:46:49 | |
Hundreds of daily flights monitoring all the activities. | 0:46:49 | 0:46:53 | |
On the Normandy landings, every platoon commander had | 0:46:56 | 0:46:59 | |
photographs of where he was landing, where the mines were | 0:46:59 | 0:47:04 | |
and where the obstacles were, everything was known. | 0:47:04 | 0:47:07 | |
Guided by Medmenham, Operation Overlord | 0:47:09 | 0:47:13 | |
was launched on June 6th 1944. | 0:47:13 | 0:47:19 | |
And the feared German missiles did not rain down on the Allies' parade. | 0:47:19 | 0:47:23 | |
But that particular nightmare had been merely postponed. | 0:47:27 | 0:47:32 | |
What came next, made it dramatically clear how important | 0:47:32 | 0:47:35 | |
it had been for D Day to happen on schedule. | 0:47:35 | 0:47:38 | |
The first V1 landed on London | 0:47:39 | 0:47:43 | |
a week after we were ashore at Normandy. | 0:47:43 | 0:47:46 | |
AIR-RAID SIREN WAILS | 0:47:49 | 0:47:52 | |
The V1 brought terror to the streets of London and soon became | 0:47:55 | 0:47:58 | |
known as the Doodlebug because of the sinister sound it made. | 0:47:58 | 0:48:04 | |
It went pup, pup, pup, then suddenly stopped and you hoped that you | 0:48:04 | 0:48:08 | |
weren't under or anywhere near | 0:48:08 | 0:48:10 | |
where it was going to drop. | 0:48:10 | 0:48:12 | |
EXPLOSION | 0:48:17 | 0:48:19 | |
Eileen Alexander was 11 when she heard that terrifying sound | 0:48:24 | 0:48:28 | |
overhead near her East London home. | 0:48:28 | 0:48:31 | |
Her ordeal that day made her national news. | 0:48:31 | 0:48:35 | |
There was a big explosion. | 0:48:35 | 0:48:37 | |
I was knocked from the door, right to the end of the shelter | 0:48:37 | 0:48:41 | |
and I was really badly bruised from head to toe. | 0:48:41 | 0:48:44 | |
It was really dark and black and you couldn't see anything, | 0:48:44 | 0:48:47 | |
I was very frightened. | 0:48:47 | 0:48:49 | |
When it cleared a little bit, I saw the devastation. | 0:48:49 | 0:48:53 | |
My house had gone. So I was crying then and then a fireman came along. | 0:48:53 | 0:48:59 | |
We'd lost everything, but we didn't lose our lives. | 0:49:01 | 0:49:06 | |
As the death toll mounted into the thousands, the British fought back | 0:49:08 | 0:49:12 | |
against these unmanned killing machines in any way they could. | 0:49:12 | 0:49:17 | |
RAF Medmenham played its part by uncovering the source | 0:49:22 | 0:49:25 | |
of these terror weapons. | 0:49:25 | 0:49:28 | |
It was a real game of cat and mouse. Every time they were caught out, | 0:49:30 | 0:49:33 | |
the Germans had an uncanny knack of finding a new way of doing things. | 0:49:33 | 0:49:39 | |
Now they were using less conspicuous launch areas | 0:49:43 | 0:49:47 | |
and artful camouflage to hide their V1 operations. | 0:49:47 | 0:49:52 | |
They developed very small sites | 0:49:53 | 0:49:57 | |
and they would bring the missiles at the last possible minute, | 0:49:57 | 0:50:00 | |
set up missile, fuel it, launch it and get out of there. | 0:50:00 | 0:50:04 | |
The 3D photos again came into their own as the PIs | 0:50:06 | 0:50:09 | |
looked for a needle in a haystack. | 0:50:09 | 0:50:12 | |
These were much harder to find. This is an example in Holland. | 0:50:12 | 0:50:16 | |
It's at a sugar factory | 0:50:16 | 0:50:17 | |
and the signatures that give away the site are actually very tentative. | 0:50:17 | 0:50:22 | |
There is scarring on the land. | 0:50:22 | 0:50:24 | |
There is damage on a building roof. | 0:50:26 | 0:50:29 | |
And the ramp is almost impossible to see, here tucked inside the building. | 0:50:32 | 0:50:38 | |
You see that pattern you've got there of those scarrings | 0:50:40 | 0:50:44 | |
were not something that's normal at all. | 0:50:44 | 0:50:47 | |
This shows the V1 taking off the ramp and the booster motor | 0:50:47 | 0:50:51 | |
and the dolly that supported it are dropping off | 0:50:51 | 0:50:54 | |
and that's what you're seeing here, causing scarring. | 0:50:54 | 0:50:58 | |
Under the direction of Medmenham, Allied bombers were able to | 0:50:58 | 0:51:01 | |
target these sites and limit the Doodlebug barrage against London. | 0:51:01 | 0:51:05 | |
This gave the ground forces time to sweep up | 0:51:07 | 0:51:10 | |
the V1 emplacements as they fought their way across Northern France. | 0:51:10 | 0:51:13 | |
But the Germans were not finished yet. An even greater threat | 0:51:17 | 0:51:21 | |
laid waiting in the wings. | 0:51:21 | 0:51:24 | |
We just thought what next? Because this was a new kind of thing... | 0:51:24 | 0:51:27 | |
rockets and so on. Hitler was capable of anything. | 0:51:27 | 0:51:31 | |
The last Doodlebug fell on the 7th September 1944 | 0:51:32 | 0:51:36 | |
and the Battle of London was declared over. | 0:51:36 | 0:51:40 | |
Just one day later, the unimaginable happened. | 0:51:42 | 0:51:45 | |
The first V2 rocket crashed into Chiswick in west London. | 0:51:45 | 0:51:51 | |
What made it so terrifying was that it travelled | 0:51:51 | 0:51:55 | |
at supersonic speed and came out of nowhere with no warning. | 0:51:55 | 0:52:03 | |
Defences against the V1 was possible. | 0:52:05 | 0:52:08 | |
There was no defence against the V2. | 0:52:08 | 0:52:10 | |
Once they fired, they're gone. | 0:52:13 | 0:52:15 | |
The notion that you could be blown up by something before you | 0:52:16 | 0:52:20 | |
even knew it was coming was always a bit alarming. | 0:52:20 | 0:52:23 | |
I was probably the first to see a V2 going up. | 0:52:24 | 0:52:29 | |
I was on my way to a target | 0:52:29 | 0:52:31 | |
and suddenly through the cloud came a vertical contrail. | 0:52:31 | 0:52:36 | |
And I thought hey that's funny. I thought it must be a rocket. | 0:52:36 | 0:52:40 | |
I tried to take a photograph of this contrail, but I failed. | 0:52:40 | 0:52:43 | |
When I got back to base, I reported this, of course, | 0:52:43 | 0:52:46 | |
but nobody else believed it and it was called it Taylor's Folly. | 0:52:46 | 0:52:51 | |
Taylor's Folly was Medmenham's worst nightmare. | 0:52:53 | 0:52:57 | |
This was a major problem, because the V2 was mobile. | 0:52:57 | 0:53:00 | |
So you'd fly and think, "dash here it is, here's one" | 0:53:02 | 0:53:04 | |
and you'd photograph it. | 0:53:04 | 0:53:07 | |
All they did was pour a big concrete slab and the trucks would come | 0:53:08 | 0:53:14 | |
and they'd erect the rocket itself and refuel it, | 0:53:14 | 0:53:17 | |
sitting on this concrete pad. | 0:53:17 | 0:53:21 | |
Then they'd fire it and drive off. | 0:53:26 | 0:53:30 | |
The whole thing about the missile system was shoot and scoot. | 0:53:30 | 0:53:34 | |
So Medmenham needed to find ways of containing the threat of the V2. | 0:53:34 | 0:53:38 | |
And here is the famous V2. | 0:53:39 | 0:53:41 | |
What RAF Medmenham did at the time was | 0:53:45 | 0:53:47 | |
they looked at the whole production facility in the Harz Mountains, | 0:53:47 | 0:53:51 | |
and they attacked the transport system and the type of vehicles | 0:53:51 | 0:53:54 | |
they were using and all the supporting infrastructure that | 0:53:54 | 0:53:56 | |
supported the V2 which made it an incredibly difficult challenge. | 0:53:56 | 0:54:00 | |
The only way to stop the V2 in the end was the army, | 0:54:02 | 0:54:05 | |
to overrun the launch sites which was what they did in the end. | 0:54:05 | 0:54:09 | |
By the time it went operational, forces on the ground had | 0:54:11 | 0:54:15 | |
almost pushed it out of range of the major targets. | 0:54:15 | 0:54:19 | |
The V weapons claimed about 9,000 lives in England | 0:54:22 | 0:54:26 | |
but it could have been so many more had it not been for Medmenham. | 0:54:26 | 0:54:30 | |
The PIs had been proved right. | 0:54:32 | 0:54:35 | |
Those mysterious tubes and ramps at Peenemunde had indeed | 0:54:35 | 0:54:39 | |
presaged an entirely new era of warfare that could easily | 0:54:39 | 0:54:42 | |
have rained untold destruction down on England. | 0:54:42 | 0:54:46 | |
It saved London from total obliteration. | 0:54:46 | 0:54:51 | |
The V2 was a testament to German ingenuity | 0:54:53 | 0:54:56 | |
and as soon as the war was over | 0:54:56 | 0:54:58 | |
the Americans and Soviets rushed to grab their technology. | 0:54:58 | 0:55:02 | |
We looked upon the Germans as great scientists and they were. | 0:55:02 | 0:55:06 | |
They provided us a lot of information. | 0:55:06 | 0:55:10 | |
The key figure in the development of the V2, Werner von Braun, | 0:55:12 | 0:55:15 | |
went on to become the architect of Saturn V which took man to the moon. | 0:55:15 | 0:55:22 | |
Von Braun, he should have been tried as a war criminal | 0:55:22 | 0:55:26 | |
and everybody who ran Dora Camp. | 0:55:26 | 0:55:28 | |
They were using slave labour, us, | 0:55:28 | 0:55:32 | |
who were really brought down to animal level. | 0:55:32 | 0:55:35 | |
The V2 was also built on German barbarism, as was clear, | 0:55:35 | 0:55:41 | |
when Dora was liberated. | 0:55:41 | 0:55:43 | |
The dead were stacked like cord wood. | 0:55:43 | 0:55:46 | |
Thousands of dead people were there, that were the Dora inmates. | 0:55:46 | 0:55:50 | |
They weren't burying the dead, they were just stacking them | 0:55:50 | 0:55:53 | |
outside the underground. | 0:55:53 | 0:55:55 | |
We were robbed of our future, of our youth. | 0:55:56 | 0:55:59 | |
It's just unbelievable... | 0:55:59 | 0:56:02 | |
..what we as humans are able to do to each other. | 0:56:04 | 0:56:10 | |
The appalling scenes at Dora were yet more proof of the kind of war | 0:56:12 | 0:56:16 | |
the PIs at Medmenham and the spy planes helped to win. | 0:56:16 | 0:56:22 | |
70 years on, and veterans from Medmenham are holding | 0:56:30 | 0:56:33 | |
a reunion at Danesfield House. | 0:56:33 | 0:56:36 | |
It's going to dive bomb us! | 0:56:40 | 0:56:41 | |
They may not have achieved the celebrity and recognition | 0:56:43 | 0:56:47 | |
of their intelligence colleagues at Bletchley Park. | 0:56:47 | 0:56:50 | |
The reconnaissance pilots lacked the glamour | 0:56:51 | 0:56:54 | |
of the fighter boys of the Battle of Britain, | 0:56:54 | 0:56:57 | |
but their unsung contribution to the war was as important as either. | 0:56:57 | 0:57:02 | |
Without the unique qualities of the people who worked there, | 0:57:02 | 0:57:06 | |
we would have been far worse off. | 0:57:06 | 0:57:08 | |
I think the war would have been extended by a year or two. They made a huge contribution. | 0:57:08 | 0:57:13 | |
I always felt that when the war was over | 0:57:13 | 0:57:16 | |
and I was demobbed, in a very small way | 0:57:16 | 0:57:19 | |
I had contributed something of value to the war effort. | 0:57:19 | 0:57:23 | |
People were doing it for the sake of the job | 0:57:24 | 0:57:26 | |
and because the job was worthwhile and exciting, valuable and you could see the point of it. | 0:57:26 | 0:57:31 | |
I feel we did a useful job and helped to shorten the war. | 0:57:31 | 0:57:39 | |
I just liked being my own boss. | 0:57:42 | 0:57:44 | |
I liked doing my own thing. | 0:57:44 | 0:57:48 | |
If I goofed up I was the one that goofed up. | 0:57:48 | 0:57:51 | |
It meant so much to me. It meant so much to the rest of my life. | 0:57:54 | 0:57:57 | |
And I loved it. | 0:57:58 | 0:58:00 | |
This is a wonderful aeroplane, and it still is really the love of my life. | 0:58:05 | 0:58:11 | |
It's not really a war machine because photographs can't | 0:58:13 | 0:58:17 | |
do any harm to anybody until we drop bombs on the Germans as | 0:58:17 | 0:58:21 | |
a result of these photographs which of course in the end won us the war. | 0:58:21 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:48 | |
E-mail [email protected] | 0:58:48 | 0:58:51 |