
Browse content similar to Liverpool's Giant War. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
It's magic. Just pure magic. | 0:00:13 | 0:00:18 | |
The giants ` they're absolutely real | 0:00:18 | 0:00:22 | |
and I think they are real. | 0:00:22 | 0:00:27 | |
Really nice to commemorate the 100 years since the First World War. | 0:00:27 | 0:00:31 | |
EXPLOSIONS | 0:00:31 | 0:00:37 | |
When war broke out, we had this God, King and Country, | 0:00:37 | 0:00:41 | |
and we meant it. | 0:00:41 | 0:00:45 | |
I do thank you, from the bottom of my heart, for coming forward | 0:00:45 | 0:00:49 | |
and showing what is THE spirit of Liverpool. | 0:00:49 | 0:00:54 | |
CHEERING | 0:00:54 | 0:01:02 | |
It's a story of war, ideals, friends, | 0:01:02 | 0:01:05 | |
pals, in the true sense of the world. | 0:01:05 | 0:01:07 | |
Pals who worked, played and died together. | 0:01:07 | 0:01:13 | |
Once upon a time, there was a grandmother, | 0:01:39 | 0:01:41 | |
a little girl and her dog. | 0:01:41 | 0:01:45 | |
The old lady was very tired because she'd travelled a long, long way. | 0:01:45 | 0:01:48 | |
So she lay down and went to sleep. | 0:01:48 | 0:01:52 | |
The people of the city were very curious. | 0:01:52 | 0:01:55 | |
For days, they came to see her, | 0:01:55 | 0:01:57 | |
but she didn't stir. | 0:01:57 | 0:02:00 | |
She slept on and on, | 0:02:00 | 0:02:03 | |
dreaming of the story she would wake up to tell. | 0:02:03 | 0:02:07 | |
A true story ` a story that should never be forgotten. | 0:02:07 | 0:02:09 | |
The story of the Liverpool Pals | 0:02:09 | 0:02:14 | |
These are the men and they are the story. | 0:02:14 | 0:02:19 | |
100 years ago, they were Liverpool's Giants. | 0:02:19 | 0:02:24 | |
Timber clerk Arthur Seanor | 0:02:24 | 0:02:27 | |
was engaged to Florrie Ledson when he signed up. | 0:02:27 | 0:02:29 | |
Nearly 100 years later, | 0:02:29 | 0:02:31 | |
his love letters would have their own story to tell. | 0:02:31 | 0:02:35 | |
"My own darling Florrie. | 0:02:35 | 0:02:38 | |
"Before entering into the greatest battle the world has ever known, | 0:02:38 | 0:02:41 | |
"I thought I would leave a letter for you, | 0:02:41 | 0:02:44 | |
"requesting that it should be forwarded | 0:02:44 | 0:02:46 | |
"if I should be killed in action." | 0:02:46 | 0:02:47 | |
EXPLOSIONS | 0:02:47 | 0:02:51 | |
In 1914, Liverpool was thriving | 0:02:51 | 0:02:54 | |
Trade had brought prosperity and a new generation of bushnessmen | 0:02:54 | 0:02:58 | |
educated, optimistic and patriotic. | 0:02:58 | 0:03:02 | |
Their fathers owned shipping lines. | 0:03:02 | 0:03:05 | |
They were bankers, buyers and brokers. | 0:03:05 | 0:03:08 | |
And they were about to make a decision | 0:03:08 | 0:03:10 | |
that would change their livds. | 0:03:10 | 0:03:13 | |
More men were needed for the war. | 0:03:13 | 0:03:17 | |
And in Liverpool, the 17th Darl of Derby had his own recruitment drive. | 0:03:17 | 0:03:21 | |
He called for a battalion of Pals. | 0:03:21 | 0:03:24 | |
Friends from the same work place who would fight shoulder to shoulder | 0:03:24 | 0:03:27 | |
for the honour of Britain and the credit of Liverpool. | 0:03:27 | 0:03:30 | |
The response from Merseysidd was overwhelming. | 0:03:30 | 0:03:34 | |
Within a few days, over 3,000 men enlisted herd. | 0:03:34 | 0:03:39 | |
I think it's absolutely fantastic. | 0:03:49 | 0:03:55 | |
It's just mind blowing. | 0:03:55 | 0:03:58 | |
To commemorate the First World War, I think it's a brilliant idda. | 0:03:58 | 0:04:04 | |
The four battalions lived in makeshift camps across Mdrseyside | 0:04:15 | 0:04:21 | |
Hooton Racecourse, the abandoned Prescott Watch factory | 0:04:21 | 0:04:24 | |
Sefton Park and Knowsley were all transformed. | 0:04:24 | 0:04:29 | |
But it was here, at Lord Derby's home in Knowsley, | 0:04:29 | 0:04:32 | |
where the biggest transformation was taking place. | 0:04:32 | 0:04:36 | |
A whole military community was springing up | 0:04:36 | 0:04:41 | |
and the tranquil grounds were filled with the noise | 0:04:41 | 0:04:44 | |
of military men in the making and the shifting of mud. | 0:04:44 | 0:04:47 | |
SINGING | 0:04:47 | 0:04:52 | |
Learning to dig trenches was a major bugbear. | 0:04:55 | 0:05:01 | |
We did that shocking digging at Knowsley. | 0:05:04 | 0:05:09 | |
We did hate that job. My goodness! | 0:05:09 | 0:05:14 | |
There was quite a lot of controversy, wasn't there, `t the | 0:05:32 | 0:05:35 | |
time | 0:05:35 | 0:05:35 | |
about the men digging up the grounds for nothing. Well, that... | 0:05:35 | 0:05:38 | |
You never want to let the truth get in the way of a good story. | 0:05:38 | 0:05:41 | |
But, yes, it was inevitable that, when these men went out to France, | 0:05:41 | 0:05:44 | |
that they would be digging trenches, it would be important. | 0:05:44 | 0:05:47 | |
And outside of Knowsley hall here, the gardens used to be | 0:05:47 | 0:05:49 | |
a gradually sweeping terrace gently sloping down | 0:05:49 | 0:05:51 | |
and so what they did was they turned the garden | 0:05:51 | 0:05:54 | |
into a series of terraces and walls and terraces and walls. | 0:05:54 | 0:05:56 | |
And so, what my great grandfather, being an extremely honourable man, | 0:05:56 | 0:05:59 | |
did was he wrote to three dhfferent civil contractors and got them | 0:05:59 | 0:06:02 | |
all to quote for the work then he sent a cheque to the War Office, | 0:06:02 | 0:06:06 | |
not for the lowest, but the highest quote, | 0:06:06 | 0:06:09 | |
so he definitely didn't profit out of it. | 0:06:09 | 0:06:11 | |
I'm not sure he really wantdd his garden to end up like that. | 0:06:11 | 0:06:15 | |
But it's the way it happened. SHE LAUGHS | 0:06:15 | 0:06:18 | |
And furthermore, the men, while they were doing it, | 0:06:18 | 0:06:21 | |
they came up with a song about digging Derby's clay | 0:06:21 | 0:06:24 | |
and, er, in the end, | 0:06:24 | 0:06:27 | |
the men grumbled a bit about how much digging they had had to do | 0:06:27 | 0:06:30 | |
and so he made a further donation to benefit the men. | 0:06:30 | 0:06:33 | |
So it talks about a bob a day in the song. | 0:06:33 | 0:06:36 | |
SINGING | 0:06:36 | 0:06:40 | |
# ..for a bob a day! # | 0:06:45 | 0:06:50 | |
After months of training, and as a boost to moral, | 0:06:56 | 0:06:59 | |
Lord Kitchener himself inspected the Pals | 0:06:59 | 0:07:02 | |
from the steps at St George's Hall. | 0:07:02 | 0:07:06 | |
100,000 people crowded onto the plateau to show their stpport. | 0:07:06 | 0:07:11 | |
In seven months, their loved ones would be in France. | 0:07:11 | 0:07:17 | |
Left, right! Left, right! | 0:07:21 | 0:07:26 | |
Arthur Seanor was one of eight children. | 0:08:02 | 0:08:06 | |
The family owned Seanor Matchmakers and were rivals to Bryant and May. | 0:08:06 | 0:08:10 | |
A talented athlete, he was planning to marry his sweetheart Florrie | 0:08:10 | 0:08:15 | |
Peter, here we are in Christ Church, Bootle. | 0:08:15 | 0:08:18 | |
What's the significance of you bringing me here? | 0:08:18 | 0:08:21 | |
Well, this is the church where both my Uncle Reggie | 0:08:21 | 0:08:24 | |
and Uncle Arthur both sang as choirboys. | 0:08:24 | 0:08:28 | |
I see. So they would probably sit along here. | 0:08:28 | 0:08:32 | |
He captained the Liverpool Pals football team, actually. | 0:08:32 | 0:08:34 | |
Oh, did he? Yeah. | 0:08:34 | 0:08:36 | |
He was a very good slow bowler at the local cricket club. | 0:08:36 | 0:08:41 | |
Many years ago, I was speaking to one of the older members | 0:08:41 | 0:08:44 | |
who'd actually played in the same team as him in about 1912`1813. | 0:08:44 | 0:08:48 | |
And he said he remember him | 0:08:48 | 0:08:51 | |
as the slowest of slow bowlers he'd ever played with. | 0:08:51 | 0:08:54 | |
He said he threw the ball hhgher than anybody he'd ever seen. | 0:08:54 | 0:08:57 | |
So he must've been pretty accurate. | 0:08:57 | 0:09:01 | |
I wonder whether those skills were instrumental in him | 0:09:01 | 0:09:06 | |
being recruited as a bombardier who would be used, I suppose, | 0:09:06 | 0:09:09 | |
to lob hand grenades. Yes. | 0:09:09 | 0:09:11 | |
But it's his letters to fiancee Florrie Ledson | 0:09:11 | 0:09:14 | |
that give an insight into the war. | 0:09:14 | 0:09:17 | |
"23rd June, 1916. | 0:09:17 | 0:09:20 | |
"My own darling Florrie | 0:09:20 | 0:09:23 | |
"I am afraid you will be thinking I am very pessimistic about things, | 0:09:23 | 0:09:26 | |
"but I am getting so many setbacks to my optimism lately." | 0:09:26 | 0:09:30 | |
Days later, Arthur would go over the top | 0:09:30 | 0:09:33 | |
in one of the bloodiest battles of the war. | 0:09:33 | 0:09:37 | |
"I loved you with all my heart, dearie | 0:09:37 | 0:09:40 | |
"and I am certain that you loved me." | 0:09:40 | 0:09:42 | |
MUSIC BEGINS | 0:09:42 | 0:09:47 | |
MUSIC BEGINS | 0:10:19 | 0:10:23 | |
# When the fields are white with daisies... # | 0:10:29 | 0:10:34 | |
Private Bill Wood had already seen his two brothers go to war. | 0:10:34 | 0:10:39 | |
I've got here the most wonderful picture | 0:10:39 | 0:10:41 | |
of the Pals at Knowsley... Yes. ..digging in. | 0:10:41 | 0:10:45 | |
And this cheeky chappie has jumped into the photo and, um, | 0:10:45 | 0:10:48 | |
jumped into the photograph... That's William. | 0:10:48 | 0:10:51 | |
..and made them laugh. That's William. And that's William. | 0:10:51 | 0:10:54 | |
Is that the sort of charactdr he was? He was very much a joker. | 0:10:54 | 0:10:58 | |
Very much pulling everybody's leg and that's the way he was. | 0:10:58 | 0:11:03 | |
He didn't really need to go, really. | 0:11:03 | 0:11:11 | |
He was exempt, as he was a farm manager, | 0:11:11 | 0:11:13 | |
but he felt his duty was to go. | 0:11:13 | 0:11:15 | |
# Down the lane that leads to happiness and love... # | 0:11:15 | 0:11:24 | |
Bill leaving for the front was agony for his mother Ruth. | 0:11:24 | 0:11:28 | |
When she cried, he said, "Don't turn to see me go, Mum." | 0:11:28 | 0:11:33 | |
And as he walked away from this house, he sang her this song. | 0:11:33 | 0:11:37 | |
# But I made this sacred promise with the parting kiss I gave | 0:11:37 | 0:11:44 | |
# When the fields are white with daisies | 0:11:44 | 0:11:52 | |
# I'll return. # | 0:11:52 | 0:12:02 | |
Bill Wood never returned. | 0:12:02 | 0:12:05 | |
He died on the first day of the Somme. | 0:12:05 | 0:12:07 | |
He was 27. | 0:12:08 | 0:12:10 | |
Ruth Wood had already lost two sons to the Great War. | 0:12:10 | 0:12:15 | |
Now she'd lost a third and last. | 0:12:15 | 0:12:18 | |
It was all too much to bear. | 0:12:18 | 0:12:22 | |
My grandfather lost his life in the First World War | 0:12:28 | 0:12:31 | |
and I think it's marvellous | 0:12:32 | 0:12:33 | |
and we should never forget people that fought for their country. | 0:12:33 | 0:12:36 | |
Heroic people. | 0:12:36 | 0:12:38 | |
If wasn't for people like them, we wouldn't be here, would we? | 0:12:38 | 0:12:42 | |
FANFARE PLAYS, SINGING | 0:13:27 | 0:13:32 | |
"We were back after 10 days of training | 0:13:32 | 0:13:34 | |
"and I don't know when we will be going into the lhne. | 0:13:34 | 0:13:37 | |
"I expect any time now." | 0:13:37 | 0:13:42 | |
"Account of battle. 1st of July 1916, for Montauban Village. | 0:13:50 | 0:13:54 | |
"Every fighting officer was hit by enemy bullets or shells." | 0:13:54 | 0:14:01 | |
It's hard to believe, Tony, that this is where it all h`ppened. | 0:14:01 | 0:14:04 | |
It all started. Yeah, that's right, Sue. | 0:14:04 | 0:14:08 | |
I mean, it looks benign tod`y, almost tranquil. Yeah. | 0:14:08 | 0:14:13 | |
It's very peaceful and it belies its history. | 0:14:13 | 0:14:15 | |
This is the killing fields of the 1st July, 1916, the Liverpool Pals. | 0:14:15 | 0:14:18 | |
Where we are now was the starting off position. | 0:14:18 | 0:14:22 | |
So here, where we're standing, this would've been a trench? | 0:14:22 | 0:14:25 | |
Yes, that's right, this would've been a trench, | 0:14:25 | 0:14:28 | |
because those flags show us the actual start off point. | 0:14:28 | 0:14:31 | |
So this would've been probably 8 to 10 feet. | 0:14:31 | 0:14:34 | |
They'd have had the ladders, the whistles would have gond. | 0:14:34 | 0:14:37 | |
And, as soon as the whistle went, they went over | 0:14:37 | 0:14:39 | |
and then, they were out in the open? In the open, yeah. | 0:14:39 | 0:14:42 | |
And they could just be pickdd off. | 0:14:42 | 0:14:44 | |
The other side of the field, over there were the wood is, | 0:14:44 | 0:14:50 | |
The other side of the field, over there where the wood is, | 0:14:50 | 0:14:53 | |
that's were close to 200 men of the 18th Battalion, they fell. | 0:14:53 | 0:14:56 | |
Just one machine gun position that hadn't been taken out caused mayhem. | 0:14:56 | 0:14:59 | |
Poor souls. And all that loss was horrendous. | 0:14:59 | 0:15:01 | |
Oh, it's just awful. | 0:15:01 | 0:15:06 | |
Despite the enormous loss of life, | 0:15:06 | 0:15:09 | |
the Liverpool and Manchester Pals were only two | 0:15:09 | 0:15:13 | |
of a handful of battalions who reached their objective that day | 0:15:13 | 0:15:20 | |
The capture of Montauban shone like a beacon. | 0:15:20 | 0:15:28 | |
In charge of the 18th Battalion that day ` Edward Henry Trotter. | 0:15:28 | 0:15:30 | |
An exceptional leader of men. | 0:15:30 | 0:15:33 | |
I make no apologies for saying this. | 0:15:33 | 0:15:36 | |
He was one of the most marvellous men, not only a soldier, | 0:15:36 | 0:15:39 | |
but one of the most marvellous men | 0:15:39 | 0:15:41 | |
I ever had the good fortune to work with or work under. | 0:15:41 | 0:15:44 | |
This was the main family house and... | 0:15:44 | 0:15:49 | |
they lived, as you can see, in some reasonable style. | 0:15:49 | 0:15:53 | |
I think there were 14 indoor servants in this house | 0:15:53 | 0:15:57 | |
and five gardeners looking after the grounds around | 0:15:57 | 0:16:02 | |
and even on the fringes of his military life was pretty smart. | 0:16:02 | 0:16:07 | |
The contrast between that and crawling around in the mud | 0:16:07 | 0:16:10 | |
on the Somme must have been considerable. Yes. | 0:16:10 | 0:16:14 | |
When many of his men died hdre, on the 1st July, | 0:16:14 | 0:16:17 | |
Colonel Trotter walked amongst their bodies openly weeping. | 0:16:17 | 0:16:22 | |
Seven days later, when a shell hit his trench, | 0:16:22 | 0:16:25 | |
his men, the ones who remained, wept openly for him. | 0:16:25 | 0:16:31 | |
MUSIC: "March 4, Pomp and Circumstance" by Elgar | 0:16:36 | 0:16:43 | |
Back home, people were beginning to feel uneasy | 0:17:01 | 0:17:04 | |
about the upbeat reporting of the war. | 0:17:04 | 0:17:07 | |
This film, from the battlefield, was shown in local picture houses. | 0:17:07 | 0:17:14 | |
It was a combination of fact and propaganda. | 0:17:14 | 0:17:17 | |
And the first chance for the relatives | 0:17:17 | 0:17:20 | |
to witness the cruelty of the war. | 0:17:20 | 0:17:29 | |
For hundreds of families, the worst was around the corner | 0:17:29 | 0:17:33 | |
The Battle of Guillemont would be the Pals' biggest loss of lhfe | 0:17:33 | 0:17:37 | |
and bad weather would play hts part. | 0:17:37 | 0:17:42 | |
The Germans used the fog by stepping out of their own trenches. | 0:17:42 | 0:17:45 | |
They took cover in the shell holes in front, | 0:17:45 | 0:17:47 | |
took the machine guns with them .. Oh, God. | 0:17:47 | 0:17:52 | |
..and when the Pals left their trench at 4:45 that morning | 0:17:52 | 0:17:55 | |
suddenly, the fog lifted, | 0:17:55 | 0:17:58 | |
and they were out in the opdn without any cover. | 0:17:58 | 0:18:01 | |
463 men lost their lives th`t day. | 0:18:01 | 0:18:03 | |
MACHINE GUN FIRE, MEN SCREAM | 0:18:03 | 0:18:08 | |
I think the patriotic fervour of St Georges Hall | 0:18:08 | 0:18:11 | |
was a million miles away from the reality of this here. Yeah. | 0:18:11 | 0:18:16 | |
For the injured, there was no medical help. | 0:18:16 | 0:18:19 | |
And there was nobody to identify or bury the dead. | 0:18:19 | 0:18:24 | |
They just lay in No Man's Land decaying in the August sun | 0:18:24 | 0:18:28 | |
or they were blown to bits by further bombardments. | 0:18:28 | 0:18:37 | |
It was Liverpool's blackest day | 0:18:37 | 0:18:42 | |
A HYMN IS SUNG | 0:18:51 | 0:18:56 | |
"23rd of July, 1916. | 0:18:56 | 0:19:01 | |
"23rd of June, 1916. | 0:19:01 | 0:19:03 | |
"My own darling Florrie. | 0:19:03 | 0:19:06 | |
"We have had a very hard time of it recently | 0:19:06 | 0:19:09 | |
"and have not had a minute to ourselves. | 0:19:09 | 0:19:11 | |
"We celebrated the longest day of the year | 0:19:11 | 0:19:13 | |
"by starting out at 4.30am and marching until 8.30 at night." | 0:19:13 | 0:19:16 | |
HYMN CONTINUES | 0:19:16 | 0:19:21 | |
I'm extremely proud of the Pals I always have been. | 0:19:38 | 0:19:43 | |
The thing is their story seemed to have been forgotten in Lhverpool. | 0:19:43 | 0:19:47 | |
But the Giants bringing the spectacle to the streets, | 0:19:47 | 0:19:49 | |
the people coming out, they're getting the message. | 0:19:49 | 0:19:51 | |
The message is getting over. | 0:19:51 | 0:19:53 | |
The story and the heroics of the Liverpool Pals | 0:19:53 | 0:19:56 | |
is actually being told at long last. | 0:19:56 | 0:20:03 | |
Those who survived the war returned home to mixed forttnes | 0:20:09 | 0:20:13 | |
Elizabeth's father Tommy Milner was 19 | 0:20:13 | 0:20:16 | |
when he was blinded by a shell burst at the Somme. | 0:20:16 | 0:20:20 | |
Treated at St Dunstan's Hospital, he was taught Braille and how to type. | 0:20:20 | 0:20:25 | |
Very few people knew he couldn't see | 0:20:25 | 0:20:29 | |
When you were growing up, as a little girl, | 0:20:29 | 0:20:31 | |
did you know your dad was blind | 0:20:31 | 0:20:35 | |
He just behaved, you know, like anybody else's dad. | 0:20:35 | 0:20:38 | |
You'd run up the road to medt him coming home from work. | 0:20:38 | 0:20:41 | |
He used to take himself into Liverpool | 0:20:41 | 0:20:42 | |
to work by himself on the trams | 0:20:42 | 0:20:45 | |
and I can remember waiting on the corner, running to meet him, | 0:20:45 | 0:20:49 | |
and walk back down with him, you know. | 0:20:49 | 0:20:53 | |
And bring things home from school. I remember once... | 0:20:53 | 0:20:57 | |
I remember this so vividly, I don't know why, but bringhng, | 0:20:57 | 0:21:00 | |
it must've been a picture, something I'd done at school, | 0:21:00 | 0:21:02 | |
and I said, "Look at this, Dad." | 0:21:02 | 0:21:05 | |
and he said, "Oh, isn't that lovely?" | 0:21:05 | 0:21:07 | |
and he sort of looked at it. | 0:21:07 | 0:21:11 | |
I'm looking at these beautiful cups here as well. | 0:21:11 | 0:21:14 | |
I know they're only a few of what you've got, | 0:21:14 | 0:21:16 | |
but can you tell us about them, Elizabeth? | 0:21:16 | 0:21:20 | |
Well, while he was at St Dunstan's, he became a rower, | 0:21:20 | 0:21:23 | |
he'd never rowed before, but he became very proficient | 0:21:23 | 0:21:26 | |
and very successful and won lots of regattas and things with his crew. | 0:21:26 | 0:21:34 | |
You're obviously very proud of your dad. Oh, yes! | 0:21:34 | 0:21:38 | |
He could do everything, really and truly. | 0:21:38 | 0:21:42 | |
He was one of the lucky ones. Another 358 men | 0:21:42 | 0:21:46 | |
who also worked at Liverpool's Cotton Exchange never came home. | 0:21:46 | 0:21:51 | |
# Good morning! | 0:21:53 | 0:21:57 | |
# Welcome to the thing called life | 0:21:57 | 0:22:03 | |
# Good morning! | 0:22:03 | 0:22:06 | |
# Don't you let it pass you by | 0:22:06 | 0:22:13 | |
# We laugh, we cry | 0:22:13 | 0:22:17 | |
# And then we dry our eyes | 0:22:17 | 0:22:23 | |
# We fall, we rise... # | 0:22:23 | 0:22:27 | |
I think it's wonderful that it has been portrayed in this way, | 0:22:27 | 0:22:30 | |
because it's brought attention to the story of the Pals | 0:22:30 | 0:22:33 | |
to people who hitherto wouldn't have known much about it. | 0:22:33 | 0:22:37 | |
One upon a time, there was a grandmother, | 0:22:37 | 0:22:40 | |
a little girl and a dog. | 0:22:40 | 0:22:44 | |
They came to this city with a story to tell | 0:22:44 | 0:22:46 | |
and the people came to listen. | 0:22:46 | 0:22:49 | |
Now they must go. | 0:22:49 | 0:22:52 | |
But their story will remain in Liverpool's hearts for ever. | 0:22:52 | 0:22:58 | |
On Sunday the 25th of June, 191 , | 0:22:58 | 0:23:01 | |
Arthur Seanor wrote his last letter home. | 0:23:01 | 0:23:05 | |
"I asked God at early communion this morning to forgive me all my sins. | 0:23:05 | 0:23:09 | |
"I am sure that he will do, Florrie, so I am not afraid to die. | 0:23:09 | 0:23:13 | |
"In fact, I am proud to die a soldier." | 0:23:13 | 0:23:18 | |
Advance! | 0:23:19 | 0:23:23 | |
GUNFIRE | 0:23:23 | 0:23:26 | |
WHISTLES BLOW | 0:23:26 | 0:23:33 | |
Arthur Seanor's letters survived the war, | 0:23:39 | 0:23:43 | |
unlike Arthur and many others who didn't. | 0:23:43 | 0:23:47 | |
He was shot down by machine gun on the first day of the Somle. | 0:23:47 | 0:23:51 | |
It was his 28th birthday. | 0:23:51 | 0:23:57 | |
Arthur's body was never recovered from the battlefield. | 0:23:57 | 0:24:02 | |
His name is recorded here on the Thiepval Memorial, | 0:24:02 | 0:24:06 | |
along with 73,000 others who have no known grave. | 0:24:06 | 0:24:14 | |
13 years after Arthur's death, | 0:24:16 | 0:24:18 | |
Florrie Ledson would marry and have a daughter Beryl. | 0:24:18 | 0:24:21 | |
Well, she'd certainly have married him, if he'd lhved | 0:24:21 | 0:24:25 | |
There's no doubt about that. You know, he was her first love, really. | 0:24:25 | 0:24:28 | |
Her true love? I think so. Yes. I would say. | 0:24:28 | 0:24:33 | |
And then, I wouldn't have been here to tell the story. | 0:24:33 | 0:24:36 | |
No! Well, that's true. No, you wouldn't. | 0:24:36 | 0:24:40 | |
Yes, she must have often thought | 0:24:40 | 0:24:43 | |
what her life would be like if she'd married him. | 0:24:43 | 0:24:47 | |
But she was so close to his family that that was very... | 0:24:47 | 0:24:50 | |
That was rewarding in itself, I would think. Yes, yes. | 0:24:50 | 0:24:54 | |
Florrie Ledson received this letter after Arthur's death. | 0:24:56 | 0:25:00 | |
In it, a poem he'd written to the sweetheart he loved. | 0:25:00 | 0:25:05 | |
"I often think of the homeland and the future that's in store | 0:25:05 | 0:25:13 | |
"Of the bygone days, happy days | 0:25:13 | 0:25:15 | |
"And the good old days of yore | 0:25:15 | 0:25:19 | |
"Lord, take me back in safety over that narrow sea | 0:25:19 | 0:25:24 | |
"To Florrie, my darling Florrie who waits in patience for md | 0:25:24 | 0:25:29 | |
"This life has been hard and dreary our struggles will never be known | 0:25:29 | 0:25:35 | |
"But how sweet will sound that music of that old song Home Sweet Home." | 0:25:35 | 0:25:42 | |
They were a good lot of lads. No doubt about that. | 0:26:18 | 0:26:25 | |
Oh, what a strike! | 0:27:05 | 0:27:06 | |
That's an amazing save! | 0:27:06 | 0:27:08 | |
He's done it! | 0:27:09 | 0:27:10 | |
What an absolute treasure! | 0:27:10 | 0:27:13 | |
From the Premier League to the FA Cup, | 0:27:13 | 0:27:15 | |
Football League and the best women's football... | 0:27:15 | 0:27:18 | |
Unbelievable goal! | 0:27:18 | 0:27:19 | |
..there's more football than ever all across the BBC. | 0:27:19 | 0:27:21 | |
Oh, what a goal! | 0:27:21 | 0:27:22 | |
DRUMBEATS | 0:27:29 | 0:27:32 |