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It was the invention that changed the war. | 0:00:09 | 0:00:11 | |
The invention that changed all wars. | 0:00:16 | 0:00:19 | |
Ingenious. Impersonal. Totally overwhelming. | 0:00:23 | 0:00:27 | |
This, the machine gun. | 0:00:27 | 0:00:29 | |
A weapon that could fire ten bullets per second. | 0:00:33 | 0:00:36 | |
Lethal at a distance of three kilometres. | 0:00:37 | 0:00:39 | |
A machine of mechanical annihilation. | 0:00:41 | 0:00:44 | |
The bullet's not making a smooth path through the body, | 0:00:49 | 0:00:52 | |
it's churning and spinning, and mincing the flesh. | 0:00:52 | 0:00:55 | |
Born from the fire and steel of the Industrial Revolution. | 0:00:57 | 0:01:01 | |
Forged by inspired, maverick inventors. | 0:01:01 | 0:01:05 | |
Men like Richard Gatling, | 0:01:05 | 0:01:07 | |
who proclaimed that his gun would save lives. | 0:01:07 | 0:01:09 | |
Or Hiram Maxim, | 0:01:11 | 0:01:12 | |
the American who built his gun in Britain, | 0:01:12 | 0:01:15 | |
then sold it to the Germans. | 0:01:15 | 0:01:18 | |
Their products were masterpieces of military design. | 0:01:20 | 0:01:23 | |
But for some in the British Army their products just weren't cricket. | 0:01:25 | 0:01:30 | |
There was a feeling that the machine gun was | 0:01:31 | 0:01:34 | |
an ungentlemanly weapon - that it killed in great droves | 0:01:34 | 0:01:38 | |
but it took away concepts like nobility, heroism, personal dash. | 0:01:38 | 0:01:43 | |
Yet, the machine gun became the great killer of the Great War. | 0:01:45 | 0:01:48 | |
In the final reckoning, only artillery shells killed more men. | 0:01:50 | 0:01:54 | |
One burst of fire could destroy a unit, a company, a community. | 0:01:56 | 0:02:03 | |
To really understand the impact of the machine gun, | 0:02:05 | 0:02:07 | |
you have to come to terms | 0:02:07 | 0:02:09 | |
with the sheer scale of the slaughter it unleashed. | 0:02:09 | 0:02:13 | |
Across Europe, across the world, entire communities were devastated. | 0:02:13 | 0:02:17 | |
From the farthest corners of Britain, young men, | 0:02:22 | 0:02:27 | |
their friends and brothers | 0:02:27 | 0:02:30 | |
lost their lives to this new, terrifying weapon. | 0:02:30 | 0:02:33 | |
This is a story that begins at its end. | 0:03:00 | 0:03:04 | |
A story that begins with the victims | 0:03:06 | 0:03:08 | |
of the bloodiest war the world had ever known. | 0:03:08 | 0:03:12 | |
These are the rolls of honour in the Scottish National War Memorial, | 0:03:19 | 0:03:23 | |
here in Edinburgh Castle. | 0:03:23 | 0:03:25 | |
These books are really just lists of name after name after name. | 0:03:25 | 0:03:30 | |
Husbands, sons, brothers. | 0:03:32 | 0:03:34 | |
The scale of it, it's heart-breaking to look at. | 0:03:34 | 0:03:38 | |
What you have throughout all the books | 0:03:38 | 0:03:41 | |
are repeated, localised clusters of deaths. | 0:03:41 | 0:03:46 | |
Now, if I look through here, for example... | 0:03:46 | 0:03:48 | |
..you have Arthur Cunningham from Hawick. | 0:03:49 | 0:03:54 | |
He died in the Dardanelles on 12th July 1915. | 0:03:54 | 0:03:58 | |
Directly below, there's Eli Cunningham. | 0:03:58 | 0:04:00 | |
Born in Hawick, died in the Dardanelles, 12th July 1915. | 0:04:00 | 0:04:05 | |
Just over the page, there is Scott Cuthill from Hawick. | 0:04:05 | 0:04:10 | |
Died in the Dardanelles, 12th July 1915. | 0:04:10 | 0:04:14 | |
This pattern of same place of birth | 0:04:15 | 0:04:19 | |
and same date and place of death | 0:04:19 | 0:04:23 | |
happens again and again and again. | 0:04:23 | 0:04:25 | |
To discover why, I'd arranged to meet Trevor Royle, | 0:04:28 | 0:04:32 | |
one of Scotland's leading military historians. | 0:04:32 | 0:04:35 | |
Two things come together in this particular memorial. | 0:04:38 | 0:04:41 | |
One is the monstrous killing power that was unleashed | 0:04:41 | 0:04:44 | |
during the First World War. | 0:04:44 | 0:04:46 | |
That's because of the introduction of artillery, | 0:04:46 | 0:04:50 | |
the introduction of aircraft | 0:04:50 | 0:04:51 | |
and, above all, the introduction of the machine gun | 0:04:51 | 0:04:54 | |
which, suddenly, could kill in huge swathes. | 0:04:54 | 0:04:58 | |
Now, this is going to happen in any war, | 0:04:58 | 0:05:00 | |
but what is particular about this war | 0:05:00 | 0:05:03 | |
is that all the regiments here are solidly territorial. | 0:05:03 | 0:05:07 | |
They recruited from communities. | 0:05:07 | 0:05:09 | |
So, when a German machine gunner opened up on a rifle company | 0:05:09 | 0:05:13 | |
from one of these attacking regiments, | 0:05:13 | 0:05:15 | |
the odds are that he wouldn't just kill the individual soldiers, | 0:05:15 | 0:05:19 | |
but he would also leave a lasting effect on the communities. | 0:05:19 | 0:05:22 | |
To understand just how these communities | 0:05:24 | 0:05:27 | |
had come to be devastated by the machine gun, | 0:05:27 | 0:05:30 | |
I needed to step back into the bloody history of firearms. | 0:05:30 | 0:05:34 | |
-She's now on full cock. -OK. -When you pull that trigger, | 0:05:37 | 0:05:41 | |
that flint will hit the frizzen and it will go off. | 0:05:41 | 0:05:44 | |
'I've come to an Army range near Bath | 0:05:45 | 0:05:47 | |
'to try out a muzzle-loading Brown Bess.' | 0:05:47 | 0:05:50 | |
There we go. Did I get him? | 0:05:55 | 0:05:57 | |
-You certainly did get him, yeah. -Where did I get him? | 0:05:57 | 0:06:00 | |
I'd say it was centre of the target. | 0:06:00 | 0:06:02 | |
People have been shooting at each other since the 13th century. | 0:06:08 | 0:06:12 | |
The Brown Bess was used in the 1700s and 1800s. | 0:06:18 | 0:06:22 | |
British infantrymen would have fired it at Napoleon's armies. | 0:06:23 | 0:06:27 | |
Look at that! | 0:06:29 | 0:06:30 | |
It's so obvious where the impact comes from the musket ball, isn't it? | 0:06:30 | 0:06:34 | |
If you can imagine the size of these lead balls | 0:06:34 | 0:06:37 | |
that we've been firing there, | 0:06:37 | 0:06:38 | |
if one of those just clipped you, | 0:06:38 | 0:06:40 | |
or even clipped a bone as it went through the body, | 0:06:40 | 0:06:42 | |
your bone would shatter. | 0:06:42 | 0:06:44 | |
-Puts you down, doesn't it? -It certainly would. | 0:06:44 | 0:06:47 | |
'A single musket ball could do serious damage. | 0:06:47 | 0:06:50 | |
'But this weapon had a serious flaw. | 0:06:53 | 0:06:56 | |
'The time it took to reload. | 0:06:58 | 0:07:01 | |
'Every single shot had to be primed, | 0:07:03 | 0:07:05 | |
'loaded with powder, | 0:07:05 | 0:07:08 | |
'then the ball...' | 0:07:08 | 0:07:09 | |
-Just drop down? -Drop down. | 0:07:11 | 0:07:13 | |
'..and finally all rammed into place.' | 0:07:13 | 0:07:16 | |
Now, as you can imagine, | 0:07:17 | 0:07:19 | |
this drill would be performed | 0:07:19 | 0:07:21 | |
with French cavalry coming down on you, | 0:07:21 | 0:07:23 | |
French infantrymen, in some cases, | 0:07:23 | 0:07:25 | |
no more than 50 to 60 metres away from where you were. | 0:07:25 | 0:07:28 | |
So, you can imagine that the British infantrymen | 0:07:28 | 0:07:31 | |
had to be well drilled in all of these matters. | 0:07:31 | 0:07:33 | |
How fast would a good musketeer or a good musket man | 0:07:33 | 0:07:36 | |
be able to go through that drill I've just performed? | 0:07:36 | 0:07:39 | |
Generally around three to four rounds a minute | 0:07:39 | 0:07:41 | |
for the elite guard units. | 0:07:41 | 0:07:43 | |
In time, better weapons allowed riflemen to fire faster and faster. | 0:07:46 | 0:07:51 | |
But the biggest step forward came in 1862 | 0:07:52 | 0:07:55 | |
at the height of the American Civil War. | 0:07:55 | 0:07:58 | |
A Carolina doctor, Richard Gatling, | 0:07:59 | 0:08:02 | |
filed a revolutionary patent for a king-sized two-man-operated weapon | 0:08:02 | 0:08:07 | |
that could fire 200 times per minute. | 0:08:07 | 0:08:09 | |
This was a weapon with a unique aim - | 0:08:11 | 0:08:15 | |
to save lives. | 0:08:15 | 0:08:17 | |
He discovered that for every 100 troops sent to the battlefield, | 0:08:18 | 0:08:23 | |
60, 70 of them went down with diseases, trench foot, | 0:08:23 | 0:08:28 | |
all kinds of problems of logistics | 0:08:28 | 0:08:30 | |
of supplying them. | 0:08:30 | 0:08:32 | |
So, he said that if we had a gun that was so good | 0:08:32 | 0:08:35 | |
that two men could operate, | 0:08:35 | 0:08:37 | |
we could have a lot less soldiers in the field | 0:08:37 | 0:08:39 | |
and therefore a lot less injuries or losses because of disease. | 0:08:39 | 0:08:43 | |
First, I've got to explain | 0:08:43 | 0:08:44 | |
the reason that Gatling made this with ten barrels | 0:08:44 | 0:08:47 | |
is because to fire rapidly with a single barrel, | 0:08:47 | 0:08:50 | |
the barrel would get so hot that it could even melt the metal, | 0:08:50 | 0:08:53 | |
it can cause a lot of problems. | 0:08:53 | 0:08:55 | |
So, what Gatling came up with was the idea that you have ten barrels | 0:08:55 | 0:08:59 | |
with ten bolts, the whole thing rotating, | 0:08:59 | 0:09:02 | |
and only one barrel is firing at any one time. | 0:09:02 | 0:09:05 | |
So, that gives each barrel time to cool down | 0:09:05 | 0:09:09 | |
-before it's pressed into service again? -Correct. | 0:09:09 | 0:09:12 | |
So, you have a hopper of cartridges which are fed down by gravity. | 0:09:12 | 0:09:16 | |
The weight has the rounds going down to the feed | 0:09:16 | 0:09:19 | |
and, as you crank, it picks one up and takes it in to the side. | 0:09:19 | 0:09:23 | |
As it's going round, it's pushing the cartridge in. | 0:09:23 | 0:09:26 | |
When it gets to the very bottom, | 0:09:26 | 0:09:28 | |
it's in position and fires. | 0:09:28 | 0:09:30 | |
And as it comes back round again, it throws out the empty case | 0:09:32 | 0:09:36 | |
-and gets ready to take the next one in. -Wow. | 0:09:36 | 0:09:38 | |
So, the whole thing is very simple, very straightforward. | 0:09:38 | 0:09:41 | |
Do you think he would have had any concept | 0:09:41 | 0:09:43 | |
of how devastating and dreadful | 0:09:43 | 0:09:46 | |
would be the consequences of this machine? | 0:09:46 | 0:09:48 | |
I'm sure he knew exactly how dreadful, | 0:09:48 | 0:09:51 | |
being a medical doctor, | 0:09:51 | 0:09:53 | |
but I think he thought that it would be so horrible | 0:09:53 | 0:09:56 | |
that people would give up having wars. | 0:09:56 | 0:09:59 | |
So, it would become some kind of deterrent | 0:09:59 | 0:10:01 | |
rather than an inspiration for war? | 0:10:01 | 0:10:03 | |
Yeah. Such an awesome weapon that people would be horrified | 0:10:03 | 0:10:06 | |
and no-one would do any more. | 0:10:06 | 0:10:08 | |
-That never worked. -It didn't work. | 0:10:08 | 0:10:10 | |
-Would you like to have a go? -Yes. I would like to have a go. | 0:10:10 | 0:10:15 | |
And back. | 0:10:25 | 0:10:27 | |
And again. | 0:10:35 | 0:10:38 | |
-It's very stiff, isn't it? -It is. -OK, leave it there. | 0:10:50 | 0:10:52 | |
What a sense of power. | 0:10:52 | 0:10:54 | |
What a sense of domination you get from that. | 0:10:54 | 0:10:57 | |
The Gatling was notoriously unreliable...and cumbersome, | 0:10:58 | 0:11:02 | |
but it was the first gun that could maintain rapid fire. | 0:11:02 | 0:11:06 | |
It was truly revolutionary. | 0:11:07 | 0:11:10 | |
But it was no overnight success. | 0:11:13 | 0:11:15 | |
The story goes that General Custer decided | 0:11:18 | 0:11:20 | |
not to take his Gatling guns to the Little Big Horn, | 0:11:20 | 0:11:23 | |
cos they were a bit heavy. | 0:11:23 | 0:11:25 | |
Not his best decision, eh? | 0:11:25 | 0:11:27 | |
Gatling brought his invention to Europe in the summer of 1867, | 0:11:30 | 0:11:34 | |
to the Great Exhibition in Paris. | 0:11:34 | 0:11:36 | |
The British military were impressed | 0:11:36 | 0:11:38 | |
and secured a licence to build their own Gatling guns. | 0:11:38 | 0:11:42 | |
And in 1879, Lord Chelmsford took them into battle | 0:11:42 | 0:11:46 | |
against the South African Zulus. | 0:11:46 | 0:11:49 | |
At a place called Ulundi his men lined up in this formation, | 0:11:55 | 0:11:59 | |
the square, a very traditional and very British way | 0:11:59 | 0:12:02 | |
of fighting a fair and noble battle. | 0:12:02 | 0:12:05 | |
But then Chelmsford placed two Gatling guns | 0:12:05 | 0:12:08 | |
into the front face of his square. | 0:12:08 | 0:12:10 | |
At that precise moment, | 0:12:10 | 0:12:12 | |
the encounter ceased to be noble, | 0:12:12 | 0:12:13 | |
far less fair. | 0:12:13 | 0:12:15 | |
It was a massacre. | 0:12:15 | 0:12:17 | |
The Zulus came on and took the full force of the Gatling guns. | 0:12:17 | 0:12:20 | |
After the battle, a journalist from the London Standard | 0:12:29 | 0:12:32 | |
counted 473 dead Zulus within 500 yards of the guns. | 0:12:32 | 0:12:37 | |
This was an early and convincing demonstration | 0:12:41 | 0:12:44 | |
of the power of Dr Gatling's invention, | 0:12:44 | 0:12:47 | |
that it was the ideal weapon for dealing with colonial unrest, | 0:12:47 | 0:12:51 | |
a role it would make its own all across Her Majesty's Empire. | 0:12:51 | 0:12:54 | |
I got a call last night from Trevor Royle. | 0:13:10 | 0:13:13 | |
He's been wading through mounds of regimental records. | 0:13:13 | 0:13:16 | |
He's asked me to come up to Inverness | 0:13:16 | 0:13:19 | |
because he thinks he's getting close to identifying a small community | 0:13:19 | 0:13:22 | |
that felt the full impact of the machine gun. | 0:13:22 | 0:13:25 | |
In the aftermath of the 18th-century Jacobite risings, | 0:13:30 | 0:13:34 | |
the Highlands were occupied by British Government forces. | 0:13:34 | 0:13:38 | |
Fort George, here on the Moray Firth, | 0:13:41 | 0:13:43 | |
was a mighty British garrison. | 0:13:43 | 0:13:46 | |
Today it's home to the archives of the Highland regiments, | 0:13:53 | 0:13:56 | |
telling stories of the clansmen who switched allegiance | 0:13:56 | 0:14:00 | |
and fought for Britain's Empire. | 0:14:00 | 0:14:02 | |
In the Great War, the Highlands paid a heavy price. | 0:14:02 | 0:14:07 | |
Well, I always had the feeling | 0:14:09 | 0:14:10 | |
that we were going to find a cluster of casualties | 0:14:10 | 0:14:13 | |
from a Highland battalion. | 0:14:13 | 0:14:15 | |
The battle that's drawn me back and back | 0:14:15 | 0:14:17 | |
is the Battle of Festubert, | 0:14:17 | 0:14:19 | |
which was fought in May 1915 | 0:14:19 | 0:14:22 | |
and in which a lot of Highland infantrymen first saw action. | 0:14:22 | 0:14:26 | |
And where are the clusters taking us, geographically speaking? | 0:14:26 | 0:14:30 | |
Well, to discover that, | 0:14:30 | 0:14:31 | |
I'm going through the list of Soldiers Died In The Great War | 0:14:31 | 0:14:35 | |
and here are the names of all Cameron Highlanders | 0:14:35 | 0:14:38 | |
who perished during the Great War. | 0:14:38 | 0:14:41 | |
Look at the typeface, look at the point size. | 0:14:41 | 0:14:45 | |
It's quite extraordinary, the names are given alphabetically, | 0:14:45 | 0:14:51 | |
but better still, they say where the man enlisted and where he came from. | 0:14:51 | 0:14:56 | |
So, it's possible to discover where casualties came from. | 0:14:56 | 0:15:00 | |
A number from Kingussie in Inverness-shire. | 0:15:00 | 0:15:02 | |
From Beauly, further north. | 0:15:02 | 0:15:04 | |
But there's one particular town | 0:15:04 | 0:15:06 | |
which keeps on occurring and reoccurring, | 0:15:06 | 0:15:09 | |
and that really does interest me. | 0:15:09 | 0:15:12 | |
Trevor's research took us west, across northern Scotland... | 0:15:15 | 0:15:19 | |
..over the sea to Skye... | 0:15:21 | 0:15:23 | |
..and the little harbour town of Portree. | 0:15:28 | 0:15:31 | |
And in the centre of Portree, on Somerled Square, | 0:15:36 | 0:15:39 | |
is the war memorial. | 0:15:39 | 0:15:41 | |
-Here are the names, here. -Oh, right. Oh, dear. | 0:15:43 | 0:15:46 | |
Ross... | 0:15:46 | 0:15:48 | |
'104 names - | 0:15:48 | 0:15:51 | |
'the final reckoning from four years of industrialised war.' | 0:15:51 | 0:15:54 | |
Murdo MacLeod. William MacDonald. | 0:15:56 | 0:15:59 | |
Iain MacLeod. | 0:15:59 | 0:16:01 | |
When you imagine how many people were here in 1915, | 0:16:01 | 0:16:05 | |
what the population was, to lose on that scale... | 0:16:05 | 0:16:08 | |
-All local names. -A lieutenant colonel, as well. | 0:16:08 | 0:16:11 | |
'Most of these men had grown up in the Portree of the early 1900s. | 0:16:13 | 0:16:19 | |
'A remote, Gaelic-speaking, God-fearing community | 0:16:19 | 0:16:23 | |
'of a thousand souls.' | 0:16:23 | 0:16:25 | |
The conditions on the crofts then | 0:16:30 | 0:16:32 | |
were difficult to imagine today. | 0:16:32 | 0:16:36 | |
They lived in squalor and poverty, to be quite frank about it. | 0:16:36 | 0:16:41 | |
And I think that is one of the reasons why things developed | 0:16:41 | 0:16:45 | |
in the way that they did in the early years of the Great War. | 0:16:45 | 0:16:49 | |
A special Highland blend of poverty and patriotism | 0:16:52 | 0:16:56 | |
had long brought Skye men to the British colours. | 0:16:56 | 0:16:59 | |
And in 1907, the Government announced plans for a new Army reserve - | 0:17:02 | 0:17:06 | |
the Territorials. | 0:17:06 | 0:17:09 | |
And the legendary swashbuckling Cameron Highlanders | 0:17:13 | 0:17:17 | |
would raise a battalion of Territorials, | 0:17:17 | 0:17:20 | |
with one company based in Portree. | 0:17:20 | 0:17:22 | |
Well, it was very much a community effort, | 0:17:25 | 0:17:28 | |
not just the village but also the surrounding area. | 0:17:28 | 0:17:31 | |
And it was here that the men would assemble, | 0:17:31 | 0:17:34 | |
it was where they trained, where they were equipped, | 0:17:34 | 0:17:37 | |
and it was what they considered to be their base. | 0:17:37 | 0:17:40 | |
They were the Portree company. | 0:17:40 | 0:17:42 | |
And the fact that they got paid for this | 0:17:42 | 0:17:45 | |
was a great inducement | 0:17:45 | 0:17:48 | |
for them to sign up. | 0:17:48 | 0:17:50 | |
And they got away for their fortnight's camp in the summertime | 0:17:50 | 0:17:54 | |
and this was, for them, like a holiday, away from home. | 0:17:54 | 0:17:58 | |
People who train together will go off to war together, | 0:17:58 | 0:18:01 | |
and they'll do it because they're in the company of friends. | 0:18:01 | 0:18:04 | |
That's a very great big factor in building up morale. | 0:18:04 | 0:18:09 | |
-A band of brothers. -A band of brothers, yes. | 0:18:09 | 0:18:12 | |
In charge of the Portree company was the local lawyer Captain MacDonald, | 0:18:16 | 0:18:21 | |
the son of an evicted crofter, and a graduate of Glasgow University. | 0:18:21 | 0:18:25 | |
MacDonald's right-hand man was a 45-year-old veteran - | 0:18:27 | 0:18:30 | |
Company Sergeant Major Willie Ross. | 0:18:30 | 0:18:33 | |
The Portree postman, a Highland Games champion. | 0:18:33 | 0:18:37 | |
In 1909, MacDonald and Ross had travelled to Windsor Castle | 0:18:40 | 0:18:44 | |
to be presented with their new regimental colours | 0:18:44 | 0:18:47 | |
by King Edward VII. | 0:18:47 | 0:18:50 | |
Under their command, the part-time recruits were nicknamed | 0:18:50 | 0:18:53 | |
the "Saturday Night Soldiers". | 0:18:53 | 0:18:55 | |
And of 100 or so men in the company, | 0:18:57 | 0:19:00 | |
28 lived within a few hundred yards of the Portree harbour. | 0:19:00 | 0:19:03 | |
On a hill overlooking the bay, | 0:19:08 | 0:19:10 | |
the Portree Lodge was home to Lady MacDonald and her household staff. | 0:19:10 | 0:19:15 | |
The caretaker was Kate MacDonald. | 0:19:15 | 0:19:17 | |
She had five children and her eldest, William, | 0:19:17 | 0:19:20 | |
worked as a clerk in Captain MacDonald's estate office. | 0:19:20 | 0:19:24 | |
This is Mill Road, and here, at number 1, | 0:19:27 | 0:19:31 | |
lived 24-year-old Sergeant Donald MacLeod | 0:19:31 | 0:19:34 | |
with his mother Donaldina and three siblings. | 0:19:34 | 0:19:36 | |
He worked for Captain MacDonald as well, in his law firm. | 0:19:36 | 0:19:39 | |
Round the corner is Bosville Terrace. | 0:19:43 | 0:19:45 | |
Here, at number 3, lived William Turnbull, a plasterer. | 0:19:45 | 0:19:48 | |
In 1914, he was 29 years old. | 0:19:48 | 0:19:51 | |
His father was the chairman of the parish council. | 0:19:51 | 0:19:54 | |
On Stormy Hill lived a tailor called Donald Kemp. | 0:19:57 | 0:20:00 | |
He had three sons - William, Finley and Roddy - | 0:20:00 | 0:20:04 | |
and they all joined up. | 0:20:04 | 0:20:05 | |
There used to be houses down here, | 0:20:11 | 0:20:14 | |
and number 43, Back Wentworth Street was the home of John Grant, | 0:20:14 | 0:20:18 | |
a 22-year-old stable boy. He lived with his mum. | 0:20:18 | 0:20:21 | |
Down on Bayfield, | 0:20:23 | 0:20:25 | |
and from this house two brothers signed up, | 0:20:25 | 0:20:27 | |
John and Alex Kennedy. | 0:20:27 | 0:20:29 | |
John worked for MacBrayne's, the ferry company. | 0:20:29 | 0:20:32 | |
And just 100 yards along the road, | 0:20:34 | 0:20:36 | |
this was the family home of John Nicholson, | 0:20:36 | 0:20:39 | |
a 24-year-old fisherman. | 0:20:39 | 0:20:41 | |
Down here on the harbour | 0:20:44 | 0:20:46 | |
was the wartime home of the MacFarlane family. | 0:20:46 | 0:20:48 | |
Thomas MacFarlane was a stonemason, | 0:20:48 | 0:20:51 | |
his son, John, was underage when he joined up. | 0:20:51 | 0:20:54 | |
And finally, this was the home of Private Charles Sinclair, | 0:20:57 | 0:21:00 | |
he was a 21-year-old boatman, | 0:21:00 | 0:21:02 | |
and it was said that he could navigate by the stars. | 0:21:02 | 0:21:06 | |
In the early summer of 1914, | 0:21:13 | 0:21:15 | |
the Portree company and the rest of the battalion | 0:21:15 | 0:21:19 | |
camped at Kingussie. | 0:21:19 | 0:21:20 | |
They pitched tents on the golf course. | 0:21:22 | 0:21:24 | |
They drilled, trained and paraded. | 0:21:24 | 0:21:27 | |
A month later... | 0:21:28 | 0:21:30 | |
..Europe exploded into war. | 0:21:34 | 0:21:36 | |
Immediately, the young men of Portree - | 0:21:45 | 0:21:49 | |
the bank clerk, the fishermen, the plasterer, the stable boy - | 0:21:49 | 0:21:53 | |
were all mobilised and prepared to leave their island home. | 0:21:53 | 0:21:56 | |
The 28 Portree men were part of a 100-strong company | 0:22:01 | 0:22:04 | |
that marched along the quayside here, in their kilts, | 0:22:04 | 0:22:07 | |
towards their waiting ship. | 0:22:07 | 0:22:09 | |
The soldiers, and the villagers watching them march by, | 0:22:09 | 0:22:12 | |
spontaneously burst into song - | 0:22:12 | 0:22:14 | |
God Save The King. | 0:22:14 | 0:22:16 | |
They trusted their officers, they trusted their sergeants. | 0:22:16 | 0:22:20 | |
By that stage, they were pretty well-equipped | 0:22:20 | 0:22:22 | |
and they thought they could go across there | 0:22:22 | 0:22:24 | |
and beat the Germans before Christmas. | 0:22:24 | 0:22:27 | |
The men and women of Skye understood the meaning of farewell. | 0:22:30 | 0:22:34 | |
For more than a century, they had watched | 0:22:34 | 0:22:36 | |
as folk had left from these shores bound for the New World. | 0:22:36 | 0:22:41 | |
Often, they had gone unwillingly. | 0:22:41 | 0:22:43 | |
So, the mothers, fathers and sisters who waved and cheered | 0:22:43 | 0:22:47 | |
as the soldiers went off to war | 0:22:47 | 0:22:48 | |
understood only too well | 0:22:48 | 0:22:50 | |
that the young men didn't always come back. | 0:22:50 | 0:22:54 | |
600 miles south of Skye, the Portree company found a new home, | 0:22:58 | 0:23:02 | |
the town of Bedford, headquarters of the Highland Division. | 0:23:02 | 0:23:06 | |
Here the Saturday Night Soldiers would be trained for the front line. | 0:23:06 | 0:23:10 | |
In London, I got back on the trail of the machine gun, | 0:23:23 | 0:23:26 | |
and a new, deadlier version | 0:23:26 | 0:23:28 | |
that the Portree men would soon come to know. | 0:23:28 | 0:23:31 | |
In the year 1881, | 0:23:33 | 0:23:35 | |
a 41-year-old American inventor | 0:23:35 | 0:23:37 | |
chose this building in Hatton Garden | 0:23:37 | 0:23:40 | |
to begin work on the machine gun that would take his name. | 0:23:40 | 0:23:43 | |
And his name was Hiram Maxim. | 0:23:45 | 0:23:48 | |
He was born in a very rural part of New England | 0:23:50 | 0:23:54 | |
in the United States, and he was a compulsive | 0:23:54 | 0:23:57 | |
but self-taught inventor. | 0:23:57 | 0:23:59 | |
By the 1880s, he had designed everything from a mousetrap | 0:23:59 | 0:24:04 | |
to gas appliances to the first light bulb. | 0:24:04 | 0:24:08 | |
How did he progress | 0:24:08 | 0:24:10 | |
from things as benign as light bulbs to machine guns? | 0:24:10 | 0:24:14 | |
He claims, in his biography, that he was told by a fellow American | 0:24:14 | 0:24:17 | |
that if you want to make some money, | 0:24:17 | 0:24:19 | |
invent something that will enable these Europeans | 0:24:19 | 0:24:21 | |
to cut each other's throats with greater facility. | 0:24:21 | 0:24:25 | |
He came to London and he took up premises | 0:24:25 | 0:24:28 | |
in that building over there, on the corner, | 0:24:28 | 0:24:31 | |
and in the basement of that building | 0:24:31 | 0:24:33 | |
he developed the world's first fully automatic gun. | 0:24:33 | 0:24:36 | |
The words "quantum leap" are used as a cliche, | 0:24:36 | 0:24:39 | |
but really this is what it was, it was a completely new technology. | 0:24:39 | 0:24:43 | |
I asked Paul to explain why Maxim's gun | 0:24:45 | 0:24:48 | |
was considered so much better than the Gatling | 0:24:48 | 0:24:51 | |
or anything that had gone before. | 0:24:51 | 0:24:53 | |
You press on the trigger | 0:24:53 | 0:24:55 | |
and a whole sequence of complex mechanical operations | 0:24:55 | 0:25:00 | |
happen inside the gun | 0:25:00 | 0:25:01 | |
which, to simplify, when the first round is fired, | 0:25:01 | 0:25:04 | |
the barrel recoils backwards, | 0:25:04 | 0:25:06 | |
and it's that movement that sets everything else in motion. | 0:25:06 | 0:25:09 | |
The backward movement unlocks the breech, | 0:25:09 | 0:25:11 | |
the breechblock moves backwards, | 0:25:11 | 0:25:13 | |
it draws out the spent, empty cartridge case, | 0:25:13 | 0:25:16 | |
and pushes it down a chute to drop out the bottom of the gun. | 0:25:16 | 0:25:19 | |
At the same time, it's pulling another one | 0:25:19 | 0:25:21 | |
out of the belt that's feeding the cartridges, | 0:25:21 | 0:25:23 | |
and that drops down into place, | 0:25:23 | 0:25:25 | |
and the whole thing is forced by springs | 0:25:25 | 0:25:28 | |
back into its firing position | 0:25:28 | 0:25:30 | |
and at the same time, putting the new cartridge | 0:25:30 | 0:25:32 | |
into the chamber of the gun | 0:25:32 | 0:25:34 | |
and, simultaneously, picking up a fresh one in the belt | 0:25:34 | 0:25:37 | |
ready for the next round. Now, all that is done in a split second. | 0:25:37 | 0:25:41 | |
One of Maxim's early guns amazed people | 0:25:41 | 0:25:44 | |
by firing 666 rounds in a single minute. | 0:25:44 | 0:25:48 | |
That's 11 times a second | 0:25:48 | 0:25:50 | |
that complex operation is happening inside the gun. | 0:25:50 | 0:25:54 | |
So, it's that level of automation | 0:25:58 | 0:26:02 | |
that's the quantum leap you were describing? | 0:26:02 | 0:26:04 | |
That's right. As long as you keep pulling the trigger | 0:26:04 | 0:26:07 | |
it keeps firing, as long as there are cartridges to fire. | 0:26:07 | 0:26:09 | |
This is what made it different. You didn't need any physical effort, | 0:26:09 | 0:26:12 | |
it's much easier than firing a rifle, | 0:26:12 | 0:26:14 | |
it's certainly much easier | 0:26:14 | 0:26:16 | |
than firing any of the automatic weapons that went before it. | 0:26:16 | 0:26:19 | |
It was an immediate sensation, | 0:26:19 | 0:26:21 | |
it was reported in the papers, | 0:26:21 | 0:26:22 | |
and the greatest and good in society came round to Hatton Garden | 0:26:22 | 0:26:26 | |
to have a look at the gun, and some of them even fired it, | 0:26:26 | 0:26:29 | |
including the Prince of Wales - later King Edward VII. | 0:26:29 | 0:26:32 | |
According to Maxim, it was Edward VII - Prince Edward - | 0:26:32 | 0:26:34 | |
who persuaded the Kaiser to go and have a look at the Maxim gun. | 0:26:34 | 0:26:38 | |
And what about military commanders, | 0:26:38 | 0:26:40 | |
are they quick to seize the opportunity presented by the gun? | 0:26:40 | 0:26:44 | |
Armies were not yet convinced that it would be of use to them. | 0:26:44 | 0:26:47 | |
One of the reasons was that at the time people used cartridges | 0:26:47 | 0:26:52 | |
which were propelled by gunpowder. | 0:26:52 | 0:26:54 | |
Gunpowder makes an awful lot of smoke. | 0:26:54 | 0:26:57 | |
So, if you were firing a Maxim gun | 0:26:57 | 0:26:59 | |
you'd make a lovely target on the battlefield | 0:26:59 | 0:27:01 | |
because of a huge plume of gunpowder smoke rising up from you. | 0:27:01 | 0:27:05 | |
The big change came when a French scientist | 0:27:05 | 0:27:08 | |
invented smokeless propellant for cartridges in the mid-1880s. | 0:27:08 | 0:27:13 | |
So, overnight, it made the Maxim gun ten times more effective | 0:27:13 | 0:27:16 | |
and interesting to armies than it previously had been. | 0:27:16 | 0:27:20 | |
It seems inconceivable to me that, plume of smoke or not, | 0:27:20 | 0:27:22 | |
a gun that fires 666 rounds a minute wouldn't just be lapped up. | 0:27:22 | 0:27:26 | |
It was to do with the mindset. | 0:27:26 | 0:27:28 | |
The British started showing how they could be used | 0:27:28 | 0:27:31 | |
because they used them in colonial campaigns, | 0:27:31 | 0:27:33 | |
used them against people who obviously weren't armed | 0:27:33 | 0:27:36 | |
with sophisticated modern weapons, but they were very effective. | 0:27:36 | 0:27:39 | |
But that also dissuaded armies in Europe from getting very excited, | 0:27:39 | 0:27:43 | |
because they thought, "This is a weapon for colonial wars. | 0:27:43 | 0:27:45 | |
"It's not a weapon for the European battlefield." | 0:27:45 | 0:27:49 | |
The man then called Britain's greatest living soldier | 0:27:50 | 0:27:54 | |
typified his country's inconsistency towards the machine gun. | 0:27:54 | 0:27:58 | |
In 1898, General Horatio Herbert Kitchener deployed Maxim guns | 0:28:00 | 0:28:06 | |
to devastating effect against Mahdist fundamentalists in Sudan. | 0:28:06 | 0:28:10 | |
16 years later, Kitchener became Secretary of State for War. | 0:28:14 | 0:28:19 | |
And despite what he'd seen in Africa, | 0:28:21 | 0:28:24 | |
the war Kitchener planned for Europe | 0:28:24 | 0:28:27 | |
was not a war of machine guns. | 0:28:27 | 0:28:29 | |
Nobody could have imagined | 0:28:30 | 0:28:32 | |
what the First World War was going to be like. | 0:28:32 | 0:28:34 | |
I mean, let's look back at the previous 20 or 30 years | 0:28:34 | 0:28:37 | |
of British military history before 1914. | 0:28:37 | 0:28:40 | |
Small colonial wars, wars fought against unequal native opposition. | 0:28:40 | 0:28:45 | |
Nobody understood the great industrial power | 0:28:45 | 0:28:49 | |
that would be unleashed on the Western Front after 1914. | 0:28:49 | 0:28:53 | |
Would it be fair to say | 0:28:53 | 0:28:55 | |
they couldn't imagine what the war was going to be like | 0:28:55 | 0:28:58 | |
because they were 19th-century soldiers | 0:28:58 | 0:29:00 | |
confronting a 20th-century war? | 0:29:00 | 0:29:03 | |
I think the central problem here | 0:29:03 | 0:29:05 | |
is that people like Kitchener and his subordinate field commanders | 0:29:05 | 0:29:09 | |
who took command of the armies in the field | 0:29:09 | 0:29:11 | |
still dreamed of a battlefield | 0:29:11 | 0:29:14 | |
where men showed individual dash, | 0:29:14 | 0:29:17 | |
heroism, courage, initiative, | 0:29:17 | 0:29:21 | |
and that they would lay the conditions on the front | 0:29:21 | 0:29:24 | |
for the use of this wonderful, wonderful piece of weaponry | 0:29:24 | 0:29:28 | |
which the British had. | 0:29:28 | 0:29:30 | |
Not the machine gun, no, but the cavalry, the "armes blanches". | 0:29:30 | 0:29:34 | |
The horse thundering into the enemy lines | 0:29:34 | 0:29:37 | |
and cutting apart the opposition - | 0:29:37 | 0:29:39 | |
that's got a much more heroic image | 0:29:39 | 0:29:42 | |
than firing lead bullets at serried ranks of men. | 0:29:42 | 0:29:46 | |
British politicians, in the main, shared Kitchener's view, | 0:29:52 | 0:29:56 | |
but the lack of British interest | 0:29:56 | 0:29:59 | |
didn't stop Maxim finding customers overseas. | 0:29:59 | 0:30:02 | |
He went off on tours around Europe | 0:30:04 | 0:30:06 | |
showing it to all the powers of Europe, basically. | 0:30:06 | 0:30:08 | |
He showed it to the Chinese and so on, | 0:30:08 | 0:30:10 | |
so he was showing it all over, | 0:30:10 | 0:30:12 | |
and would do demonstrations to show how effective a weapon it was. | 0:30:12 | 0:30:16 | |
When these countries decided to issue it to their armies, | 0:30:16 | 0:30:18 | |
they generally made arrangements with Maxim's company | 0:30:18 | 0:30:21 | |
to produce under licence. | 0:30:21 | 0:30:23 | |
So, a surprisingly sophisticated European arms industry, | 0:30:23 | 0:30:27 | |
many of whom licensed out their products | 0:30:27 | 0:30:30 | |
to their competitors and rivals. | 0:30:30 | 0:30:32 | |
And this is indeed what happened with the Maxim gun - | 0:30:32 | 0:30:35 | |
it was made under licence in Germany. | 0:30:35 | 0:30:37 | |
Maxim's gun had been created on these British streets, | 0:30:41 | 0:30:45 | |
but it was the German army | 0:30:45 | 0:30:46 | |
who would be the first to appreciate its value on the battlefield. | 0:30:46 | 0:30:50 | |
In the whole of 1914, | 0:30:53 | 0:30:55 | |
British factories produced fewer than 400 Maxim guns. | 0:30:55 | 0:30:59 | |
German factories produced 500... | 0:31:02 | 0:31:05 | |
every month. | 0:31:05 | 0:31:07 | |
This is an army that's thought deeply about it | 0:31:08 | 0:31:11 | |
and invested a lot of money. | 0:31:11 | 0:31:13 | |
They began the war with 5,500 of these weapons. | 0:31:13 | 0:31:17 | |
They reckoned that each gun was worth 80 riflemen | 0:31:17 | 0:31:20 | |
in terms of firepower. | 0:31:20 | 0:31:22 | |
Now, that can have a distinct effect on the battlefield. | 0:31:22 | 0:31:26 | |
And ready to face those German guns | 0:31:29 | 0:31:32 | |
were the men of the Portree company. | 0:31:32 | 0:31:34 | |
On 19th February 1915, | 0:31:34 | 0:31:36 | |
after six months of training in Bedford, | 0:31:36 | 0:31:39 | |
they began their journey to the front line. | 0:31:39 | 0:31:42 | |
More than two days after arriving on French soil, | 0:31:56 | 0:31:59 | |
their train finally ground to a halt right here, | 0:31:59 | 0:32:01 | |
at the little station of Merville. | 0:32:01 | 0:32:04 | |
They had travelled crammed into horse-cars, 34 men in each. | 0:32:04 | 0:32:07 | |
Portree's Saturday Night Soldiers had come to war. | 0:32:07 | 0:32:12 | |
The Territorials had arrived just a few miles from the front line. | 0:32:19 | 0:32:23 | |
A whole new and terrifying world... | 0:32:23 | 0:32:26 | |
..punctuated by the crash of artillery shells | 0:32:29 | 0:32:31 | |
and the rattle of the machine guns. | 0:32:31 | 0:32:34 | |
MACHINE GUNS RATTLE | 0:32:34 | 0:32:36 | |
Letters from the front were censored. | 0:32:40 | 0:32:43 | |
Private John MacFarlane, the stonemason's son, | 0:32:43 | 0:32:46 | |
painted a reassuring picture for his mother back in Portree. | 0:32:46 | 0:32:50 | |
"My dear Mother, we meet quite a number of soldiers | 0:32:54 | 0:32:57 | |
"who have been in the trenches, | 0:32:57 | 0:32:59 | |
"and they tell us they are not half so bad as people imagine. | 0:32:59 | 0:33:02 | |
"We are quite well and enjoying the fun immensely. | 0:33:02 | 0:33:07 | |
"Much love to all, Johnnie." | 0:33:07 | 0:33:09 | |
The Great War had begun in speed and movement. | 0:33:18 | 0:33:21 | |
The Germans had attacked Paris and had been beaten back. | 0:33:24 | 0:33:29 | |
The Allies had raced to secure the Channel ports, | 0:33:30 | 0:33:34 | |
but by the end of 1914 all movement had ended. | 0:33:34 | 0:33:38 | |
What remained was a tactical stalemate, | 0:33:38 | 0:33:41 | |
with the Germans dug in to reinforced positions, | 0:33:41 | 0:33:44 | |
defended by 5,000 machine guns. | 0:33:44 | 0:33:47 | |
For the Germans, the machine gun has suddenly become the key weapon. | 0:33:53 | 0:33:57 | |
It's central to their defensive system. | 0:33:57 | 0:33:59 | |
The machine gun is now the queen of the battlefield. | 0:33:59 | 0:34:02 | |
It gives them so many advantages in defending their positions. | 0:34:02 | 0:34:06 | |
I mean, look across the road to that bunker across there, | 0:34:06 | 0:34:10 | |
probably built in 1915. | 0:34:10 | 0:34:11 | |
It was there for a specific purpose, to defend this area. | 0:34:11 | 0:34:15 | |
This gives the Germans a priceless advantage | 0:34:15 | 0:34:18 | |
because, in the hands of a determined machine gun crew, | 0:34:18 | 0:34:22 | |
this position is pretty well impregnable. | 0:34:22 | 0:34:25 | |
'And this is a genuine German World War I Maxim gun. | 0:34:29 | 0:34:33 | |
'They called it a Spandau. | 0:34:35 | 0:34:37 | |
'A century old, extremely rare, and still absolutely deadly. | 0:34:39 | 0:34:43 | |
'This was the weapon that had changed everything.' | 0:34:49 | 0:34:52 | |
The German soldier and the British soldier | 0:34:53 | 0:34:56 | |
only had five- to ten-shot bolt-action rifles. | 0:34:56 | 0:34:58 | |
Now, you can imagine the amount of firepower | 0:34:58 | 0:35:01 | |
that can be brought about by those, | 0:35:01 | 0:35:03 | |
but times that by ten and you've got the Maxim gun. | 0:35:03 | 0:35:06 | |
-Can I have a go? -Certainly. | 0:35:06 | 0:35:08 | |
-Safety on? -The safety's on at the moment. | 0:35:08 | 0:35:11 | |
What I want you to do is, with your right hand gripping the pistol grip, | 0:35:11 | 0:35:14 | |
-then just bring it up into the shoulder. -Yeah. | 0:35:14 | 0:35:18 | |
OK, and if you just see there's a little safety catch | 0:35:18 | 0:35:20 | |
-on the side of the pistol grip. -Pull it back? -Yeah. | 0:35:20 | 0:35:23 | |
If you now want to align this gun onto the target | 0:35:23 | 0:35:26 | |
and then have a couple of bursts. | 0:35:26 | 0:35:29 | |
SHORT BURST OF GUNFIRE | 0:35:30 | 0:35:32 | |
That's some awful difference from the Brown Bess, isn't it? | 0:35:43 | 0:35:46 | |
It certainly is, yeah. | 0:35:46 | 0:35:47 | |
And that would have been the last sound | 0:35:48 | 0:35:51 | |
heard by thousands upon thousands of men 100 years ago. | 0:35:51 | 0:35:54 | |
WHISTLE BLOWS | 0:35:54 | 0:35:57 | |
MACHINE GUNS RATTLE | 0:35:58 | 0:36:00 | |
'To demonstrate the full power of this vintage weapon, | 0:36:07 | 0:36:11 | |
'we employed some very modern technology.' | 0:36:11 | 0:36:14 | |
This is a block of ballistic gel. | 0:36:18 | 0:36:21 | |
It's a material designed to demonstrate what happens | 0:36:21 | 0:36:25 | |
when a bullet passes through human flesh. | 0:36:25 | 0:36:28 | |
And we're going to fire this bullet through it. | 0:36:28 | 0:36:31 | |
GEL THUMPS | 0:36:35 | 0:36:37 | |
'Slowed down by a specialist high-speed camera, | 0:36:38 | 0:36:42 | |
'the effect of one bullet on the gel, or the human body, | 0:36:42 | 0:36:45 | |
'is truly chilling.' | 0:36:45 | 0:36:48 | |
We've got the entry wound. | 0:36:57 | 0:36:58 | |
As you can see, the entry wound is very small, | 0:36:58 | 0:37:01 | |
and this replicates what it would be like on a human being. | 0:37:01 | 0:37:04 | |
Now, the main trauma that's happened to the body, | 0:37:04 | 0:37:06 | |
if we look to the front here, | 0:37:06 | 0:37:08 | |
can you see this massive cavity that we've got inside the gel? | 0:37:08 | 0:37:11 | |
This is where the round has entered the sealed unit of the body | 0:37:11 | 0:37:14 | |
and it's created this massive energy moving in there. | 0:37:14 | 0:37:18 | |
So, that's an open space, or it's churned-up flesh inside. | 0:37:18 | 0:37:21 | |
It certainly is. Inside a human being we've got bones, organs - | 0:37:21 | 0:37:25 | |
all of these could be ruptured, fractured | 0:37:25 | 0:37:27 | |
or even broken by that energy, | 0:37:27 | 0:37:29 | |
creating a massive trauma within the person. | 0:37:29 | 0:37:32 | |
-And that's a single bullet. -That's a single bullet, yeah. | 0:37:32 | 0:37:34 | |
And we've been looking at a machine gun | 0:37:34 | 0:37:36 | |
that can fire hundreds of rounds a minute. | 0:37:36 | 0:37:39 | |
Right, here we go. | 0:37:42 | 0:37:43 | |
HE FIRES SHORT BURST | 0:37:44 | 0:37:46 | |
'We tried the experiment again to mimic repeated rapid fire. | 0:37:48 | 0:37:53 | |
'What we discovered was shocking.' | 0:37:53 | 0:37:55 | |
What do you notice about the two bullets that we've got there? | 0:38:01 | 0:38:05 | |
They are pointing back the way they came. | 0:38:05 | 0:38:07 | |
They certainly are. This is known as "tumbling". | 0:38:07 | 0:38:09 | |
This is basically where the round enters the body, | 0:38:09 | 0:38:11 | |
and then once it strikes matter within the body, | 0:38:11 | 0:38:14 | |
such as bones or soft flesh, it begins to tumble | 0:38:14 | 0:38:17 | |
and cut the area around which it's sort of passing through. | 0:38:17 | 0:38:21 | |
The bullet's not making a smooth path through the body. | 0:38:21 | 0:38:24 | |
It's churning and spinning, and mincing the flesh. | 0:38:24 | 0:38:27 | |
It certainly is. | 0:38:27 | 0:38:29 | |
'This destructive power, this gut-wrenching power | 0:38:33 | 0:38:37 | |
'was what the Portree men were set to face.' | 0:38:37 | 0:38:40 | |
Military maps called it the Moated Grange, | 0:38:47 | 0:38:49 | |
a farmhouse north-east of the village of Neuve-Chapelle. | 0:38:49 | 0:38:53 | |
It was here that the Portree Territorials | 0:38:55 | 0:38:58 | |
would face the German machine guns for the first time. | 0:38:58 | 0:39:01 | |
For two nights, 10th and 11th March 1915, | 0:39:07 | 0:39:11 | |
they had defended the farmhouse. | 0:39:11 | 0:39:14 | |
On the third night, and armed only with Lee Enfield rifles, | 0:39:14 | 0:39:17 | |
they were ordered towards the German machine guns. | 0:39:17 | 0:39:20 | |
The men were exhausted after two nights without sleep. | 0:39:24 | 0:39:28 | |
They marched across here in single file, | 0:39:28 | 0:39:30 | |
past wounded men crying out for water. | 0:39:30 | 0:39:33 | |
When they reached a point around here, | 0:39:33 | 0:39:35 | |
with the German trenches about 100 yards away in that direction, | 0:39:35 | 0:39:38 | |
they were ordered to stop and to lie down in a turnip field | 0:39:38 | 0:39:42 | |
and await orders. | 0:39:42 | 0:39:44 | |
They lay there in the mud with rifle fire, machine-gun fire, | 0:39:44 | 0:39:48 | |
and flares and artillery blazing away overhead. | 0:39:48 | 0:39:51 | |
But despite the noise and the flashes, | 0:39:51 | 0:39:53 | |
some of them still managed to get some sleep. | 0:39:53 | 0:39:55 | |
By dusk that night, they were ordered to withdraw. | 0:39:55 | 0:39:59 | |
But as they stood up and turned for home, | 0:39:59 | 0:40:01 | |
the Germans troops opened fire on them again | 0:40:01 | 0:40:03 | |
with machine gun and artillery. | 0:40:03 | 0:40:06 | |
Private John Kennedy, the man from Bayfield, | 0:40:06 | 0:40:09 | |
the man who worked for MacBrayne's ferries, | 0:40:09 | 0:40:11 | |
was fatally injured. | 0:40:11 | 0:40:14 | |
Three others were seriously wounded, | 0:40:14 | 0:40:16 | |
among them Sergeant Willie Ross's brother Angus, | 0:40:16 | 0:40:19 | |
and Roddy Kemp, the tailor's son. | 0:40:19 | 0:40:22 | |
The battle that had raged in these fields, | 0:40:31 | 0:40:34 | |
the battle of Neuve-Chapelle, was a strategic failure... | 0:40:34 | 0:40:38 | |
at a great cost. | 0:40:38 | 0:40:40 | |
Over 11,000 Allied troops killed, wounded or missing. | 0:40:40 | 0:40:45 | |
That's an unspent round. | 0:40:50 | 0:40:53 | |
Cartridge and bullet. | 0:40:53 | 0:40:55 | |
That's one that's been fired. | 0:40:55 | 0:40:57 | |
Some unidentifiable-to-me bit of kit. | 0:40:57 | 0:41:01 | |
It's quite exciting at first when you spot this stuff, | 0:41:01 | 0:41:04 | |
but then you remember what it's all about. | 0:41:04 | 0:41:06 | |
And it's this that these fields are sown with, | 0:41:06 | 0:41:09 | |
apart from any crop for people to eat, | 0:41:09 | 0:41:11 | |
it's steel and brass and lead from the First World War. | 0:41:11 | 0:41:15 | |
And it's stuff like this that was flying around their heads | 0:41:15 | 0:41:18 | |
and cutting them to bits. | 0:41:18 | 0:41:20 | |
Six days after the battle, John MacFarlane wrote home once again. | 0:41:28 | 0:41:32 | |
"My dear Mother, | 0:41:33 | 0:41:35 | |
"no doubt you will have seen in the papers | 0:41:35 | 0:41:39 | |
"John Kennedy was killed. | 0:41:39 | 0:41:41 | |
"Things like that you know must be. | 0:41:42 | 0:41:44 | |
"Now we are quite used to shot and shell. | 0:41:45 | 0:41:49 | |
"The only thing that pains me is you worrying so much about me. | 0:41:49 | 0:41:53 | |
"Your loving son, Johnnie." | 0:41:53 | 0:41:55 | |
After Neuve-Chapelle, | 0:42:04 | 0:42:06 | |
the Portree company were ordered back to the reserve lines. | 0:42:06 | 0:42:09 | |
Two months of relative calm, | 0:42:10 | 0:42:13 | |
a time of church parades, of route marches. | 0:42:13 | 0:42:17 | |
But then, on 11th May, | 0:42:21 | 0:42:23 | |
the company were dispatched to a new base, | 0:42:23 | 0:42:26 | |
in an orchard north of the village of Festubert. | 0:42:26 | 0:42:30 | |
Six days later, the Territorials would be ordered to attack | 0:42:32 | 0:42:36 | |
and would face all the terrible power of the German machine guns. | 0:42:36 | 0:42:40 | |
They had the misfortune to come up against a Jager Battalion, | 0:42:43 | 0:42:46 | |
the 11th Battalion from Marburg in Hessen, | 0:42:46 | 0:42:49 | |
who were regular troops. | 0:42:49 | 0:42:51 | |
They were elite, | 0:42:51 | 0:42:54 | |
they were above average in infantry skills, shooting, | 0:42:54 | 0:42:57 | |
and they also had their own machine-gun company, | 0:42:57 | 0:43:00 | |
so they had six guns. | 0:43:00 | 0:43:02 | |
Long before the war had begun, German military scientists | 0:43:05 | 0:43:09 | |
had conducted experiments in how best to deploy this new weapon. | 0:43:09 | 0:43:13 | |
They tested all kinds of things - | 0:43:16 | 0:43:18 | |
the ballistics, the patterns that the bullets formed, | 0:43:18 | 0:43:21 | |
the way they flew through the air - | 0:43:21 | 0:43:22 | |
so that's quite important in overhead fire. | 0:43:22 | 0:43:25 | |
People assume that you blaze away at troops attacking to your front. | 0:43:25 | 0:43:28 | |
That is not how you used machine guns then or, indeed, today. | 0:43:28 | 0:43:33 | |
The key is to have them firing from a flank | 0:43:33 | 0:43:37 | |
with fire intersecting with another gun, or guns, | 0:43:37 | 0:43:41 | |
so you create a complete dense zone in front of the position - | 0:43:41 | 0:43:46 | |
known as the killing zone, because that's exactly what happens - | 0:43:46 | 0:43:50 | |
where you concentrate the fire of these weapons, | 0:43:50 | 0:43:53 | |
and you try and ensure that | 0:43:53 | 0:43:55 | |
nobody can pass through this curtain of fire. | 0:43:55 | 0:43:58 | |
So, if you don't hit one man, | 0:43:58 | 0:44:00 | |
you'll hit the man on his right or the one beyond him. | 0:44:00 | 0:44:03 | |
So, in the brutal science of killing zones, | 0:44:03 | 0:44:08 | |
it is a more efficient use of your fire. | 0:44:08 | 0:44:11 | |
So, rather than targeting individuals, | 0:44:11 | 0:44:13 | |
you're creating a force field of bullets in front of your position | 0:44:13 | 0:44:16 | |
that no-one can penetrate? | 0:44:16 | 0:44:18 | |
A skilled gunner with a number two putting the ammunition in | 0:44:18 | 0:44:21 | |
and keeping it going continuously | 0:44:21 | 0:44:23 | |
can hold the trigger and with his hand | 0:44:23 | 0:44:27 | |
can tap the gun steadily, | 0:44:27 | 0:44:30 | |
a little bit at a time, right out to one extremity of the traverse, | 0:44:30 | 0:44:35 | |
and then take the gun the other way. | 0:44:35 | 0:44:37 | |
This keeps a continuous stream of bullets | 0:44:37 | 0:44:40 | |
going through the air into this zone. | 0:44:40 | 0:44:42 | |
'This technique of firing from the flanks, | 0:44:44 | 0:44:46 | |
'known to the military as "enfilade", | 0:44:46 | 0:44:49 | |
'dated back to the time of bows and arrows. | 0:44:49 | 0:44:52 | |
'In the flat land around Festubert, | 0:44:56 | 0:44:58 | |
'enfilade fire from skilled machine gunners | 0:44:58 | 0:45:01 | |
'could devastate an attacking force.' | 0:45:01 | 0:45:03 | |
What exactly were the Skye men here at Festubert to do? | 0:45:11 | 0:45:15 | |
The Skye men were on the south of the British line, | 0:45:15 | 0:45:18 | |
and they had a specific objective. | 0:45:18 | 0:45:21 | |
It was to attack the German lines, | 0:45:21 | 0:45:23 | |
hold it and maintain their hold on it. | 0:45:23 | 0:45:26 | |
The classic task of infantrymen. | 0:45:26 | 0:45:29 | |
Can you orientate me on the field here? | 0:45:29 | 0:45:31 | |
Where would the opposing forces have been? | 0:45:31 | 0:45:34 | |
Well, for the 4th Camerons, this was their target. | 0:45:34 | 0:45:37 | |
We can see this line here, | 0:45:37 | 0:45:40 | |
that's all that remains of the trench system. | 0:45:40 | 0:45:42 | |
It was called a breastwork, because this is very flat country, | 0:45:42 | 0:45:46 | |
you can't dig down too deep without getting into water, | 0:45:46 | 0:45:49 | |
so it was built up here along this line of grass. | 0:45:49 | 0:45:52 | |
'This British military map, dated April 1915, | 0:45:57 | 0:46:01 | |
'has the German breastwork marked, hurriedly, in pencil. | 0:46:01 | 0:46:05 | |
'600 yards away, across a muddy field | 0:46:07 | 0:46:10 | |
'strewn with water-filled ditches was reference point L4, | 0:46:10 | 0:46:15 | |
'the very position where the Portree men would begin their attack.' | 0:46:15 | 0:46:19 | |
And what about machine guns? | 0:46:22 | 0:46:24 | |
Who had them? Where were they? How were they used? | 0:46:24 | 0:46:26 | |
In this particular line, | 0:46:26 | 0:46:28 | |
one position was there on the right flank, | 0:46:28 | 0:46:31 | |
probably three or four machine guns there, | 0:46:31 | 0:46:33 | |
and here, where we're standing, on the left flank, | 0:46:33 | 0:46:37 | |
was the other German machine-gun position. | 0:46:37 | 0:46:40 | |
And it becomes quite obvious why they've done it, | 0:46:40 | 0:46:42 | |
because the machine guns on either side of the German line | 0:46:42 | 0:46:46 | |
put up a field of fire | 0:46:46 | 0:46:48 | |
which makes a pretty well impossible opposition | 0:46:48 | 0:46:52 | |
for any attacking force. | 0:46:52 | 0:46:54 | |
'On 17th May, just hours before the attack, | 0:47:03 | 0:47:07 | |
'Company Sergeant Major Willie Ross, the Portree postman, | 0:47:07 | 0:47:10 | |
'wrote home to his 17-year-old daughter.' | 0:47:10 | 0:47:14 | |
"My dear Anna, I have just got your tobacco and matches | 0:47:17 | 0:47:22 | |
"and I am enjoying a smoke of the good old twist. | 0:47:22 | 0:47:26 | |
"Give my love to dearest Mama, | 0:47:26 | 0:47:29 | |
"and may God bless and watch over you all." | 0:47:29 | 0:47:33 | |
ARTILLERY THUNDERS | 0:47:38 | 0:47:40 | |
'In advance of the attack, the British artillery | 0:47:42 | 0:47:46 | |
'had launched a colossal 48-hour barrage on the German positions.' | 0:47:46 | 0:47:50 | |
It was standard infantry practice | 0:47:53 | 0:47:55 | |
in the British Army at that time in the war. | 0:47:55 | 0:47:58 | |
You lay artillery fire down on the enemy position | 0:47:58 | 0:48:01 | |
in the hope that you're going to destroy the breastwork, | 0:48:01 | 0:48:05 | |
so that the British infantry can then stream through it. | 0:48:05 | 0:48:08 | |
And at the same time, you hope that the artillery fire | 0:48:08 | 0:48:12 | |
is going to destroy barbed wire, | 0:48:12 | 0:48:14 | |
and is also going to destroy | 0:48:14 | 0:48:16 | |
the machine-gun positions at either side. | 0:48:16 | 0:48:19 | |
Unfortunately, that didn't happen, | 0:48:19 | 0:48:21 | |
with the result that by the time the Camerons reached the German line, | 0:48:21 | 0:48:24 | |
the defences were still pretty much intact. | 0:48:24 | 0:48:27 | |
And for an infantryman, that really is dispiriting. | 0:48:27 | 0:48:31 | |
'At 6.30pm the German Jager - or "hunter" - Battalion, | 0:48:31 | 0:48:36 | |
'were reinforced by two companies of Bavarian reservists. | 0:48:36 | 0:48:40 | |
'At exactly the same time, and 600 yards across the muddy field, | 0:48:42 | 0:48:47 | |
'the Portree and Kingussie companies lined up, | 0:48:47 | 0:48:51 | |
'joined on their right flank by two companies from the Bedford Regiment.' | 0:48:51 | 0:48:55 | |
Their attack was put together in a hurry, | 0:48:56 | 0:48:58 | |
so there was no time or opportunity to plan it properly. | 0:48:58 | 0:49:02 | |
They were going over ground that they had never seen. | 0:49:02 | 0:49:05 | |
They also had no idea of the strength of the enemy | 0:49:05 | 0:49:08 | |
and only a slight indication | 0:49:08 | 0:49:09 | |
of where there might be some machine guns. | 0:49:09 | 0:49:12 | |
At 7.30pm the order was given - | 0:49:13 | 0:49:16 | |
first line 4th Camerons, charge. | 0:49:16 | 0:49:19 | |
As soon as they stepped forward they were engaged by machine-gun fire, | 0:49:19 | 0:49:23 | |
firing in enfilade. | 0:49:23 | 0:49:25 | |
They were in a classic kill zone. | 0:49:25 | 0:49:28 | |
The commanding officer, Captain MacDonald, the Portree lawyer, | 0:49:28 | 0:49:31 | |
was shot through the throat. | 0:49:31 | 0:49:33 | |
His Company Sergeant Major, Willie Ross, ran to assist him. | 0:49:33 | 0:49:37 | |
Realising that MacDonald would be doing no more fighting, | 0:49:37 | 0:49:40 | |
Ross took command and led a bayonet charge towards the German trench. | 0:49:40 | 0:49:44 | |
They got into the trench. | 0:49:44 | 0:49:45 | |
Four German soldiers raised their hands as if to surrender, | 0:49:45 | 0:49:48 | |
but when Ross dropped his guard, | 0:49:48 | 0:49:50 | |
those same four turned on Ross and shot him dead. | 0:49:50 | 0:49:53 | |
This act, this cowardly act, unleashed Highland fury, | 0:49:53 | 0:49:56 | |
and those four, in fact all the Germans in the trench, | 0:49:56 | 0:49:59 | |
were shot and killed. | 0:49:59 | 0:50:01 | |
The Portree men had made it, | 0:50:01 | 0:50:03 | |
but already four of their comrades lay dead and dying in the mud. | 0:50:03 | 0:50:07 | |
Under deadly machine-gun fire, | 0:50:09 | 0:50:11 | |
the Bedford companies had been forced back. | 0:50:11 | 0:50:14 | |
Only the Portree men and their comrades from the Kingussie company | 0:50:14 | 0:50:18 | |
had made it to the German trenches. | 0:50:18 | 0:50:21 | |
700 miles from home, the Scotsmen had made it as far as this trench. | 0:50:25 | 0:50:28 | |
Taking it had been a nightmare, | 0:50:28 | 0:50:30 | |
holding onto it would be harder still. | 0:50:30 | 0:50:33 | |
The trench itself was shallow, so offered scant protection | 0:50:33 | 0:50:36 | |
from machine-gun fire and heavy artillery. | 0:50:36 | 0:50:39 | |
By the early hours of the morning, with no relief in sight, | 0:50:39 | 0:50:42 | |
the men were running out of options. | 0:50:42 | 0:50:45 | |
The commanding officer, Captain John Campbell of the Kingussie company, | 0:50:45 | 0:50:48 | |
ordered a retreat. | 0:50:48 | 0:50:49 | |
Minutes later, Campbell himself was shot and killed, pistol in hand, | 0:50:49 | 0:50:53 | |
while attempting to cover the escape. | 0:50:53 | 0:50:56 | |
The survivors crawled through the mud and ditches, | 0:50:56 | 0:50:59 | |
all the way back to the British lines. | 0:50:59 | 0:51:01 | |
The retreat would claim the lives of a further four Portree men. | 0:51:01 | 0:51:05 | |
A single night of battle, | 0:51:11 | 0:51:13 | |
and the power and positioning of the German guns | 0:51:13 | 0:51:16 | |
had devastated a faraway Highland community. | 0:51:16 | 0:51:19 | |
Back in Portree, it was Captain MacDonald's maidservant, | 0:51:41 | 0:51:45 | |
Maggie Matheson, who first heard the news. | 0:51:45 | 0:51:48 | |
Maggie cried out in a panic, | 0:51:49 | 0:51:52 | |
"They're all killed! All the boys are killed in the war!" | 0:51:52 | 0:51:55 | |
Official telegrams told of men dead, injured, or missing, presumed dead. | 0:52:00 | 0:52:05 | |
That morning, 13 telegrams arrived in Portree. | 0:52:05 | 0:52:09 | |
Here, at what was the Lodge, | 0:52:22 | 0:52:25 | |
Kate MacDonald read that her eldest son William was presumed dead. | 0:52:25 | 0:52:29 | |
Back in Mill Road, and here at Number 1, | 0:52:30 | 0:52:33 | |
Mrs MacLeod learned of the death of her eldest son, Donald. | 0:52:33 | 0:52:37 | |
Into Bosville Terrace. | 0:52:39 | 0:52:41 | |
Thomas Turnbull, the plasterer, is told that | 0:52:41 | 0:52:43 | |
his eldest son, William, is presumed dead. | 0:52:43 | 0:52:46 | |
Here, the family of Company Sergeant William Ross | 0:52:49 | 0:52:52 | |
are told of his death. | 0:52:52 | 0:52:54 | |
All three of Donald Kemp's sons fought at Festubert. | 0:52:55 | 0:52:59 | |
Remarkably, all three survived. | 0:52:59 | 0:53:02 | |
To Back Wentworth Street. | 0:53:03 | 0:53:05 | |
John Grant, the stable boy - presumed dead. | 0:53:05 | 0:53:09 | |
Back on Bayfield, John Nicholson, the fisherman - dead. | 0:53:13 | 0:53:17 | |
Down on the harbour, John MacFarlane, who'd written home so many times - | 0:53:19 | 0:53:23 | |
he was dead too. | 0:53:23 | 0:53:25 | |
And Private Charles Sinclair, the celestial navigator, | 0:53:31 | 0:53:34 | |
he was dead as well. | 0:53:34 | 0:53:36 | |
A few weeks later, his mum was sent his personal effects, | 0:53:36 | 0:53:39 | |
including a tiny shattered compass. | 0:53:39 | 0:53:41 | |
Their commanding officer, Captain MacDonald, | 0:53:45 | 0:53:48 | |
never recovered from his throat wound. | 0:53:48 | 0:53:50 | |
He died in France a year later. | 0:53:50 | 0:53:53 | |
28 Portree men had left from this harbour. | 0:54:00 | 0:54:03 | |
They had sung God Save The King. | 0:54:03 | 0:54:05 | |
One night at Festubert had claimed ten of them. | 0:54:05 | 0:54:08 | |
Only eight would survive the war. | 0:54:08 | 0:54:10 | |
Later that awful day, the horrors of Festubert | 0:54:14 | 0:54:17 | |
arrived at the doors of Portree's old village school. | 0:54:17 | 0:54:20 | |
The children would have been taken out of class individually, | 0:54:38 | 0:54:42 | |
their mother would have come to the school, | 0:54:42 | 0:54:44 | |
and they would have been told that their dad, | 0:54:44 | 0:54:46 | |
or maybe their big brother, was dead. | 0:54:46 | 0:54:48 | |
The great Gaelic poet Sorley MacLean | 0:54:56 | 0:54:58 | |
was himself a pupil at the school | 0:54:58 | 0:55:00 | |
a decade after the war, | 0:55:00 | 0:55:02 | |
and he would come to describe how the horrors of Festubert | 0:55:02 | 0:55:05 | |
were brought home to the children of Portree. | 0:55:05 | 0:55:09 | |
'S dairirich nan gunnachan beaga | 0:55:13 | 0:55:16 | |
Is dairirich nan gunnachan mora... | 0:55:16 | 0:55:18 | |
-TRANSLATION: -Rattle of the little guns | 0:55:18 | 0:55:21 | |
And clangour of the big guns | 0:55:21 | 0:55:24 | |
Heavy doors being shut with the blast and crash of tempest | 0:55:25 | 0:55:30 | |
Whizz and whine of the shells | 0:55:36 | 0:55:38 | |
About Festubert of the mud and bloodshed | 0:55:38 | 0:55:42 | |
Big, heavy doors shutting on many a brave, strong young man | 0:55:48 | 0:55:53 | |
And the children going home | 0:55:56 | 0:55:59 | |
To weeping | 0:55:59 | 0:56:01 | |
Or to silence. | 0:56:02 | 0:56:04 | |
..Agus a chlann a-dol dhachaigh | 0:56:04 | 0:56:05 | |
Gu caoineadh neo gu tost. | 0:56:05 | 0:56:08 | |
The death of so many Portree men, the death of millions like them, | 0:56:25 | 0:56:29 | |
proved the grim value of the machine gun. | 0:56:29 | 0:56:33 | |
In 1914, Britain had produced fewer than 400 of these weapons. | 0:56:33 | 0:56:38 | |
In the last year of the war, she produced 41,000. | 0:56:38 | 0:56:41 | |
As machine guns came to be used in the British order of battle, | 0:56:47 | 0:56:51 | |
so, too, was it easier for commanders to direct a battle | 0:56:51 | 0:56:55 | |
without the terror of sending young men into the fight | 0:56:55 | 0:57:00 | |
with only their courage and their bare breast to protect them. | 0:57:00 | 0:57:03 | |
So, all this took time, | 0:57:03 | 0:57:05 | |
but it was a question, by the end of the war, of better late than never. | 0:57:05 | 0:57:09 | |
The weapon that had once been considered dishonourable, unethical | 0:57:17 | 0:57:21 | |
had been taken to the heart | 0:57:21 | 0:57:23 | |
of British and European military strategy. | 0:57:23 | 0:57:25 | |
For years to come, and all across the world, | 0:57:28 | 0:57:31 | |
mothers and fathers would pay the deadly price of | 0:57:31 | 0:57:34 | |
Mr Maxim's ingenious invention. | 0:57:34 | 0:57:37 | |
And in Portree, one particular father would raise a lasting tribute | 0:57:41 | 0:57:46 | |
to his fallen son. | 0:57:46 | 0:57:48 | |
The young letter writer, Private John MacFarlane, | 0:57:52 | 0:57:55 | |
his body was never found, | 0:57:55 | 0:57:56 | |
and it was his dad, Thomas, who built this memorial, | 0:57:56 | 0:58:00 | |
in tribute to the men of the village | 0:58:00 | 0:58:02 | |
and in memory of his son, lost for ever to the guns of Festubert. | 0:58:02 | 0:58:07 |