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70 years ago, one of the greatest amphibious assaults in history | 0:00:02 | 0:00:05 | |
was launched from here on the south coast of England. | 0:00:05 | 0:00:08 | |
Fire! EXPLOSION | 0:00:08 | 0:00:10 | |
And within a matter of hours, | 0:00:10 | 0:00:12 | |
7,000 vessels had landed 156,000 troops on the beaches of Normandy. | 0:00:12 | 0:00:17 | |
'This is the day and this is the hour.' | 0:00:17 | 0:00:19 | |
It was a manoeuvre that changed the course of the War | 0:00:19 | 0:00:21 | |
and tested innovations in science and engineering for the first time. | 0:00:21 | 0:00:26 | |
'My name's Rob Bell, and I'm an engineer. | 0:00:26 | 0:00:28 | |
'I'm obsessed with discovering how machines work, | 0:00:28 | 0:00:30 | |
'from today's cutting edge technology...' | 0:00:30 | 0:00:33 | |
This is amazing. | 0:00:33 | 0:00:34 | |
'..to the engineering feats of the past.' | 0:00:34 | 0:00:36 | |
Wo-ho-how! | 0:00:36 | 0:00:38 | |
'On this programme, I'm going to be looking at the nuts and bolts | 0:00:38 | 0:00:41 | |
'which made such a staggering invasion possible.' | 0:00:41 | 0:00:44 | |
I've never experienced anything like this before. | 0:00:44 | 0:00:46 | |
'From giant troop-carrying gliders | 0:00:46 | 0:00:48 | |
'to tanks that could drive on water.' | 0:00:48 | 0:00:51 | |
Put that on the water and it floats. | 0:00:51 | 0:00:53 | |
'How necessity really did become the mother of invention.' | 0:00:53 | 0:00:57 | |
Liquid flame coming at you at great speed with a huge roar. | 0:00:57 | 0:01:01 | |
'Like many new inventions, not all of them worked, | 0:01:01 | 0:01:04 | |
'and the results were devastating.' | 0:01:04 | 0:01:06 | |
The carnage on that beach... | 0:01:06 | 0:01:08 | |
Thank God they never show pictures of it. | 0:01:08 | 0:01:11 | |
It's probably the biggest human undertaking of all time. | 0:01:11 | 0:01:14 | |
This is The Science of D-Day. | 0:01:15 | 0:01:18 | |
'The planning started in 1943 for a mass invasion of Northern France. | 0:01:29 | 0:01:35 | |
'But everyone knew that launching an attack from the sea was | 0:01:35 | 0:01:38 | |
'a highly risky business. | 0:01:38 | 0:01:40 | |
'The Germans were expecting us and held a strong defensive position.' | 0:01:40 | 0:01:44 | |
Churchill was desperate to avoid mistakes that would cost lives. | 0:01:44 | 0:01:48 | |
In 1942, an Allied force was sent on a daring raid of Dieppe. | 0:01:48 | 0:01:52 | |
Many of them left from here in Southampton, | 0:01:52 | 0:01:55 | |
but it was clear from the start they just didn't have the right kit. | 0:01:55 | 0:01:59 | |
'As the tanks were driven onto the beaches, | 0:01:59 | 0:02:01 | |
'their rubber tracks were shredded by the shingle, | 0:02:01 | 0:02:04 | |
'and the bogged down vehicles became sitting ducks for German guns. | 0:02:04 | 0:02:08 | |
'The infantry were slaughtered.' | 0:02:08 | 0:02:10 | |
4,000 men were left behind, either killed, wounded or taken prisoner. | 0:02:11 | 0:02:17 | |
If Britain were to try anything like this botched attempt again, | 0:02:17 | 0:02:20 | |
it needed new engineering solutions. | 0:02:20 | 0:02:23 | |
'It was clear tanks had to be completely rethought, | 0:02:25 | 0:02:28 | |
'with a specific task in mind. | 0:02:28 | 0:02:30 | |
'New planes were needed. | 0:02:30 | 0:02:32 | |
'They had to be bigger, but lighter and stronger. | 0:02:32 | 0:02:35 | |
'Ships needed to be fast, silent, but capable of withstanding | 0:02:35 | 0:02:40 | |
'the attack they'd undoubtedly meet on the other side. | 0:02:40 | 0:02:43 | |
'Capable of the biggest invasion the world had ever seen. | 0:02:43 | 0:02:47 | |
'At the Tank Museum in Dorset, | 0:02:53 | 0:02:55 | |
'a strange looking object symbolises the ingenuity of the solutions made. | 0:02:55 | 0:03:01 | |
'In terms of design and function, | 0:03:01 | 0:03:03 | |
'it's got all my engineering juices flowing.' | 0:03:03 | 0:03:06 | |
This is the Sherman Duplex Drive tank, | 0:03:06 | 0:03:09 | |
more commonly known as the Donald Duck. | 0:03:09 | 0:03:12 | |
No prizes for guessing why. | 0:03:12 | 0:03:14 | |
It's 30 tonnes of iron and steel that's been adapted to float. | 0:03:14 | 0:03:19 | |
This one here is one of the best remaining examples of | 0:03:19 | 0:03:22 | |
the tanks that were floated in on D-Day. | 0:03:22 | 0:03:25 | |
And I've never seen anything like it before. | 0:03:25 | 0:03:28 | |
The Allies need some form of armour on the beach very quickly | 0:03:31 | 0:03:36 | |
to support the infantry | 0:03:36 | 0:03:38 | |
because they're going to have to engage with these German positions. | 0:03:38 | 0:03:41 | |
We know where some of them are, we don't know where all of them are, | 0:03:41 | 0:03:45 | |
but their worry was, if you put all your tanks onto one landing craft, | 0:03:45 | 0:03:48 | |
and that landing craft hits a mine or is hit by German shell fire, | 0:03:48 | 0:03:53 | |
you're losing the lot. | 0:03:53 | 0:03:54 | |
So they loved this idea of the floating tank | 0:03:54 | 0:03:57 | |
because it's a way of spreading your risk. | 0:03:57 | 0:03:59 | |
So how did the floating tank actually work, then, David? | 0:03:59 | 0:04:02 | |
The whole idea behind the floating tank is displacement. | 0:04:02 | 0:04:05 | |
If you can push out, as it were, enough water, | 0:04:05 | 0:04:09 | |
-you can make anything float. -OK. | 0:04:09 | 0:04:11 | |
So you need to displace 30 tonnes of water, | 0:04:11 | 0:04:14 | |
because a Sherman tank weighs about 30 tonnes. | 0:04:14 | 0:04:16 | |
So, what we've got here, here's a model of a Sherman tank. | 0:04:16 | 0:04:19 | |
-This one's only plastic. -OK. | 0:04:19 | 0:04:21 | |
But if we imagine that, 30 tonnes, put it in the water, it sinks. | 0:04:21 | 0:04:24 | |
-It works its way down. -Down it goes. | 0:04:24 | 0:04:27 | |
Now, if we put a canvas screen round the same type of model, | 0:04:27 | 0:04:30 | |
so, another 30-tonne Sherman tank. | 0:04:30 | 0:04:32 | |
-It's the same tank. -Same tank there. -Yeah. -Canvas screen around, | 0:04:32 | 0:04:35 | |
put that on the water, | 0:04:35 | 0:04:37 | |
and it floats. | 0:04:37 | 0:04:39 | |
So, then, the height and volume of that screen was calculated and | 0:04:39 | 0:04:42 | |
designed to be able to displace the amount of water, 30 tonnes of water, | 0:04:42 | 0:04:46 | |
so that this tank could actually float into shore. | 0:04:46 | 0:04:49 | |
And, of course, propellers at the back, | 0:04:49 | 0:04:51 | |
so they propel you through at about three miles an hour. | 0:04:51 | 0:04:54 | |
And then, once you're on the beach, on land...? | 0:04:54 | 0:04:56 | |
Canvas screen is collapsed | 0:04:56 | 0:04:58 | |
and there you are ready with a fighting tank straight away. | 0:04:58 | 0:05:01 | |
'To transform a 30-tonne Sherman into a seaworthy machine, | 0:05:01 | 0:05:05 | |
'it had to undergo a dramatic transformation. | 0:05:05 | 0:05:09 | |
'The lower hull was sealed, a propeller drive was added, | 0:05:09 | 0:05:11 | |
'and a pair of propellers at the rear provided propulsion. | 0:05:11 | 0:05:16 | |
'The base of the canvas flotation screen was attached to | 0:05:16 | 0:05:19 | |
'a horizontal boat-shaped platform welded to the tank's hull. | 0:05:19 | 0:05:22 | |
'The screen was supported by horizontal metal hoops | 0:05:24 | 0:05:27 | |
'and by 36 vertical rubber tubes. | 0:05:27 | 0:05:29 | |
'A system of compressed air bottles | 0:05:29 | 0:05:32 | |
'and pipes inflated the rubber tubes to give the curtain rigidity. | 0:05:32 | 0:05:35 | |
'The screen could be erected in 15 minutes, | 0:05:35 | 0:05:38 | |
'and quickly collapsed once the tank reached the shore. | 0:05:38 | 0:05:41 | |
'This is an early version of the Donald Duck, | 0:05:46 | 0:05:49 | |
'a modified Valentine tank. | 0:05:49 | 0:05:50 | |
'It's been lovingly restored by tank enthusiast Jonathan Pearson.' | 0:05:52 | 0:05:56 | |
One of the odd things about this is when you find out that | 0:05:56 | 0:05:59 | |
actually the pieces are just standard commercial parts, | 0:05:59 | 0:06:02 | |
they're brake parts or bits off lorries or bits off trains, | 0:06:02 | 0:06:06 | |
erm, that have been put together in an unusual way. | 0:06:06 | 0:06:09 | |
Very little of it was actually designed from scratch. | 0:06:09 | 0:06:12 | |
-So, John, can we see the propeller at the back? -Yeah, certainly. | 0:06:12 | 0:06:15 | |
So, even though the turret's facing this way, this is the back? | 0:06:15 | 0:06:18 | |
Yes, this is the back of the vehicle. | 0:06:18 | 0:06:19 | |
That was one of the problems was the turret had to be reversed. | 0:06:19 | 0:06:22 | |
When you're going cross-country, it's lifted up | 0:06:22 | 0:06:25 | |
and locked up in the raise position, which takes it out of gear. | 0:06:25 | 0:06:29 | |
And then the steering consists of... | 0:06:31 | 0:06:33 | |
..that. | 0:06:34 | 0:06:36 | |
So you'd have the captain of the tank, | 0:06:36 | 0:06:40 | |
for want of a better word, would be at this tiller here then? | 0:06:40 | 0:06:43 | |
Yes, for the initial run ashore. | 0:06:43 | 0:06:45 | |
Er, when you get closer to the enemy shore | 0:06:45 | 0:06:47 | |
then you take this tiller out, he'd get inside the turret, | 0:06:47 | 0:06:50 | |
and it's the driver that would be driving by, er, by compass. | 0:06:50 | 0:06:55 | |
'After 20 years of restoration, | 0:06:55 | 0:06:58 | |
'thanks to Jonathan this tank is now in complete working order. | 0:06:58 | 0:07:02 | |
'And, boy, am I in for a real treat!' | 0:07:02 | 0:07:05 | |
OK, yeah, we've got... | 0:07:05 | 0:07:07 | |
We're moving here. Wow! | 0:07:07 | 0:07:09 | |
HE CHUCKLES | 0:07:09 | 0:07:10 | |
It's coming alive. | 0:07:10 | 0:07:11 | |
-So these are right up with pressure. Oh, wow, yeah. -Lean on the top. | 0:07:13 | 0:07:17 | |
AIR HISSES | 0:07:17 | 0:07:19 | |
So that's air that's keeping that up? | 0:07:19 | 0:07:20 | |
We haven't put the metal props in. | 0:07:20 | 0:07:22 | |
To have faith that this was actually going to float | 0:07:24 | 0:07:27 | |
and that you weren't going to get sunk down in a tank... | 0:07:27 | 0:07:31 | |
would just have been... I don't know how they did it. | 0:07:31 | 0:07:35 | |
Absolute courage and bravery | 0:07:35 | 0:07:37 | |
and trust in the designers | 0:07:37 | 0:07:40 | |
and the engineers behind this whole project. | 0:07:40 | 0:07:43 | |
It's just outstanding. | 0:07:43 | 0:07:44 | |
'And it was these Valentine tanks that provided invaluable lessons, | 0:07:48 | 0:07:51 | |
'but at great cost to lives. | 0:07:51 | 0:07:54 | |
'Overlooking Studland Bay in Dorset stands Fort Henry, | 0:07:58 | 0:08:02 | |
'one of D-Day's most important relics.' | 0:08:02 | 0:08:04 | |
Six weeks before June 6th 1944, | 0:08:05 | 0:08:09 | |
troops gathered here in these waters behind me to rehearse the invasion. | 0:08:09 | 0:08:13 | |
It was the largest training exercise for what would be an epic operation. | 0:08:13 | 0:08:18 | |
'And watching over them were names etched in British history. | 0:08:18 | 0:08:21 | |
'Sir Winston Churchill, King George VI | 0:08:21 | 0:08:24 | |
'and General Eisenhower, Supreme Commander of the Allied Forces, | 0:08:24 | 0:08:29 | |
'all gathered here to direct operations. | 0:08:29 | 0:08:32 | |
'They'd chosen Studland Beach | 0:08:33 | 0:08:35 | |
'because it so closely resembles the beaches of Northern France. | 0:08:35 | 0:08:39 | |
'Operation Smash, as it was called, was the first major test | 0:08:39 | 0:08:43 | |
'for the Valentine DD tank, but on the day of the exercise, | 0:08:43 | 0:08:46 | |
'the weather was bleak.' | 0:08:46 | 0:08:47 | |
Despite concerns from engineers | 0:08:50 | 0:08:52 | |
over how the DDs would cope in swelling seas, | 0:08:52 | 0:08:55 | |
orders were given to launch. | 0:08:55 | 0:08:57 | |
The Valentines' six-cylinder diesel engines roared into life. | 0:08:57 | 0:09:01 | |
Fumes and sea spray choked the atmosphere. | 0:09:01 | 0:09:04 | |
And as they were lowered into the water, | 0:09:04 | 0:09:06 | |
waves broke against the massive bow ramps of the landing craft. | 0:09:06 | 0:09:10 | |
The soldiers on board ran into difficulties immediately, | 0:09:11 | 0:09:14 | |
with the canvas screens providing little, | 0:09:14 | 0:09:16 | |
if any, protection from the incoming waves. | 0:09:16 | 0:09:20 | |
Six tanks plummeted to the seabed, | 0:09:20 | 0:09:22 | |
and tragically, not everyone on board managed to swim free in time. | 0:09:22 | 0:09:27 | |
Six men lost their lives that day, | 0:09:28 | 0:09:31 | |
some trapped beneath the canvas screens constructed to protect them, | 0:09:31 | 0:09:35 | |
but which proved no match for the power of the sea. | 0:09:35 | 0:09:38 | |
'This memorial remembers the men who were lost.' | 0:09:42 | 0:09:46 | |
There was a heavy, heavy swell that, er, | 0:09:49 | 0:09:53 | |
that just knocked the screens of the tanks flat. | 0:09:53 | 0:09:58 | |
'Cecil Newton was part of the DD Tank Division, | 0:09:58 | 0:10:02 | |
'and witnessed the disaster from the shore.' | 0:10:02 | 0:10:05 | |
There were drivers trapped, | 0:10:05 | 0:10:07 | |
with a canvas screen | 0:10:07 | 0:10:09 | |
coming down on top of them and trapping them in the Valentine. | 0:10:09 | 0:10:15 | |
Our particular tank crew came back in, | 0:10:16 | 0:10:21 | |
and they didn't like to talk about it. They were traumatised. | 0:10:21 | 0:10:24 | |
They were 20-year-olds. It must have been terrible for them. | 0:10:24 | 0:10:28 | |
We learned the lesson, | 0:10:30 | 0:10:31 | |
take the tanks as close to the beach as possible if the sea is choppy. | 0:10:31 | 0:10:36 | |
Take the risk, take your landing craft in closer | 0:10:36 | 0:10:39 | |
before you launch the floating tanks. | 0:10:39 | 0:10:42 | |
'Six weeks later, | 0:10:43 | 0:10:44 | |
'Cecil found himself approaching the shores of Normandy.' | 0:10:44 | 0:10:48 | |
I can always remember the French coast. | 0:10:48 | 0:10:51 | |
A grey, grey strip in front of you. Mm. | 0:10:51 | 0:10:56 | |
'Thanks to the knowledge gained from Exercise Smash, | 0:10:59 | 0:11:02 | |
'Cecil's Donald Duck tank was launched close to the beach.' | 0:11:02 | 0:11:07 | |
-You were in the Sherman tank and you were floating to shore. -Yeah. | 0:11:07 | 0:11:12 | |
-There was absolute confidence in the canopy... -Yeah, no problems at all. | 0:11:12 | 0:11:16 | |
-No problem at all. -..in the design. -Yeah, no problem at all. | 0:11:16 | 0:11:20 | |
Didn't think about it. | 0:11:20 | 0:11:22 | |
'The Donald Duck tank was one of many specialised vehicles | 0:11:25 | 0:11:28 | |
'dreamt up by a man who wasn't even in the Army when war was declared. | 0:11:28 | 0:11:32 | |
'Major Percy Hobart was a bit of a maverick in his day. | 0:11:32 | 0:11:36 | |
'Having been in charge of tank brigades in the '30s,' | 0:11:36 | 0:11:39 | |
he was then retired, partly due to his unconventional ideas | 0:11:39 | 0:11:43 | |
about replacing manpower and horses with machines. | 0:11:43 | 0:11:47 | |
'At the time, the military establishment just wasn't ready | 0:11:48 | 0:11:52 | |
'for that kind of thinking, but now it needed it. | 0:11:52 | 0:11:56 | |
'Hobart was languishing in the Home Guard in 1940 | 0:11:56 | 0:11:59 | |
'when he was summoned to Chequers by Sir Winston Churchill. | 0:11:59 | 0:12:03 | |
'He went on to oversee the design of some incredible vehicles | 0:12:03 | 0:12:06 | |
'which were all used in D-Day. | 0:12:06 | 0:12:08 | |
'Collectively, they were known as "Hobart's Funnies," | 0:12:08 | 0:12:11 | |
'but, crucially, they worked. | 0:12:11 | 0:12:14 | |
'The most feared of all was the flame-throwing Crocodile.' | 0:12:14 | 0:12:17 | |
The mere sound of a Crocodile jetting flame towards a German strong point | 0:12:18 | 0:12:23 | |
or bunker was 99% certain to actually get the occupants to surrender, | 0:12:23 | 0:12:28 | |
put their arms up and surrender, er, it was that terrifying. | 0:12:28 | 0:12:31 | |
It's a kind of a vision from Hell, I suppose. | 0:12:34 | 0:12:36 | |
Erm, liquid flame coming at you at great speed | 0:12:36 | 0:12:39 | |
with a huge roar, | 0:12:39 | 0:12:41 | |
it's kind of a scene almost from the, you know, Dante's Inferno, it's... | 0:12:41 | 0:12:46 | |
So, er, overall, then, | 0:12:46 | 0:12:47 | |
would you say that Hobart was critical to the success of D-Day? | 0:12:47 | 0:12:51 | |
Erm, yeah, I think he was, | 0:12:51 | 0:12:53 | |
and his contribution as the Commander of the 79th Armoured Division | 0:12:53 | 0:12:57 | |
was vital, in as much as it allowed the troops | 0:12:57 | 0:13:02 | |
and the armour and the vehicles to actually get off the beaches | 0:13:02 | 0:13:05 | |
more quickly than they would have been able to | 0:13:05 | 0:13:08 | |
without specialised engineer support. | 0:13:08 | 0:13:11 | |
Erm, so, obviously, save time, save lives. | 0:13:11 | 0:13:13 | |
While Hobart was working on how to transport tanks onto the | 0:13:21 | 0:13:24 | |
shores of Normandy, others had to work on transporting the manpower. | 0:13:24 | 0:13:29 | |
How to get thousands and thousands of soldiers | 0:13:29 | 0:13:31 | |
onto the beaches to fight. | 0:13:31 | 0:13:33 | |
ARTILLERY THUNDERS | 0:13:33 | 0:13:35 | |
During the First World War, British soldiers invading | 0:13:40 | 0:13:43 | |
Gallipoli in Turkey had nothing but rowing boats, not dissimilar | 0:13:43 | 0:13:47 | |
to this, providing little, if any, protection from artillery. | 0:13:47 | 0:13:51 | |
Thousands of lives were lost, and it was clear that new methods | 0:13:51 | 0:13:55 | |
had to be engineered for the biggest invasion ever planned. | 0:13:55 | 0:13:59 | |
'So the Ministry of Defence put out a tender for a landing carrier, | 0:14:00 | 0:14:04 | |
'and it was the Southampton shipbuilder Thornycroft | 0:14:04 | 0:14:08 | |
'that came up with the winning design. | 0:14:08 | 0:14:10 | |
'The Landing Craft Assault was 41 feet long and weighed four tonnes. | 0:14:10 | 0:14:15 | |
'Due to the shortage of steel, | 0:14:15 | 0:14:17 | |
'the hull was made from Canadian rock elm. | 0:14:17 | 0:14:20 | |
'Armoured steel plates gave strength and protection. | 0:14:20 | 0:14:23 | |
'The two Ford V8 engines were | 0:14:24 | 0:14:25 | |
'so quiet they couldn't be heard from 25 yards away. | 0:14:25 | 0:14:29 | |
'Together with its low profile on the water, this made it stealthy. | 0:14:30 | 0:14:35 | |
'Unlike most landers, | 0:14:35 | 0:14:36 | |
'the LCA had a long central well section fitted with three benches, | 0:14:36 | 0:14:40 | |
'one centre, one port and one starboard for seating troops. | 0:14:40 | 0:14:45 | |
'Immediately behind the bulkhead were the steering shelter | 0:14:45 | 0:14:48 | |
'on the starboard and the Lewis gun shelter on the port. | 0:14:48 | 0:14:52 | |
'The steering shelter was fitted with a telegraph and voice pipe | 0:14:52 | 0:14:55 | |
'for communication with the stoker. | 0:14:55 | 0:14:57 | |
'These photographs show Allied troops in an LCA. | 0:15:01 | 0:15:05 | |
'The craft may have been well designed, | 0:15:05 | 0:15:07 | |
'but the journey was unforgettable. | 0:15:07 | 0:15:10 | |
'At the D-Day Museum in Southsea, I've come to meet a man with | 0:15:11 | 0:15:15 | |
'first hand experience of landing on the beaches of Normandy.' | 0:15:15 | 0:15:18 | |
Quickly went seasick. Very quickly. | 0:15:18 | 0:15:22 | |
'Frank Rosier was only 18 | 0:15:22 | 0:15:24 | |
'when he made the crossing over to France.' | 0:15:24 | 0:15:26 | |
Smell of engine oil, it was hot, and it was pretty awful. | 0:15:26 | 0:15:30 | |
The expression was, going out, | 0:15:30 | 0:15:32 | |
"Soon as we get off this so-and-so boat the better." | 0:15:32 | 0:15:35 | |
-Oh, really? -Yeah. -So it was... | 0:15:35 | 0:15:36 | |
You know, I mean, even knowing what we were going into, | 0:15:36 | 0:15:39 | |
"Soon as we get off this boat the better." | 0:15:39 | 0:15:41 | |
-Wow. -No, we'd had enough. | 0:15:41 | 0:15:42 | |
The first arrival on the beach, and that shock-horror sort of thing, | 0:15:54 | 0:15:57 | |
was among the worst days of my life. | 0:15:57 | 0:15:59 | |
You knew what was coming and you knew what was happening, | 0:16:01 | 0:16:03 | |
you wonder how you're going to... | 0:16:03 | 0:16:05 | |
You know, "Am I going to get out of this?" | 0:16:05 | 0:16:07 | |
I mean, fair didn't come into it. | 0:16:09 | 0:16:12 | |
It was... I felt so ill. I mean, as soon as you hit the shore | 0:16:12 | 0:16:15 | |
that sickness seemed to disappear, but then the horror on the beach. | 0:16:15 | 0:16:20 | |
I mean, I won't try to describe to you what was on that beach. | 0:16:20 | 0:16:23 | |
You're family. | 0:16:24 | 0:16:27 | |
You are as close as that. You are brothers. | 0:16:27 | 0:16:29 | |
Our orders were if your mate got it you left him there. | 0:16:29 | 0:16:32 | |
Sounds easy to do but it's not, | 0:16:32 | 0:16:34 | |
leaving a mate on a beach like that, it's quite a bit to do. | 0:16:34 | 0:16:38 | |
This 18-year-old lad had never seen a dead person in his life, | 0:16:39 | 0:16:44 | |
even in the Blitz, and for a few seconds, | 0:16:44 | 0:16:47 | |
the carnage on that beach... | 0:16:47 | 0:16:49 | |
Just the shock of it. | 0:16:50 | 0:16:52 | |
You know, you... Thank God they never show pictures of it, | 0:16:52 | 0:16:57 | |
but, I'm holding me rifle if you imagine. | 0:16:57 | 0:17:00 | |
You know, a few seconds. | 0:17:00 | 0:17:03 | |
You know, that's a boy, that's a kid. | 0:17:03 | 0:17:05 | |
It's absolutely impossible for me to imagine, or even picture, | 0:17:12 | 0:17:17 | |
what it would have been like for someone like Frank, on D-Day, | 0:17:17 | 0:17:20 | |
travelling across the Channel on something not dissimilar to this, | 0:17:20 | 0:17:24 | |
feeling more sick | 0:17:24 | 0:17:25 | |
than probably you've ever felt before in your life, | 0:17:25 | 0:17:29 | |
with the sound of war going on all the way around you, | 0:17:29 | 0:17:32 | |
and knowing, when you got off this and back on shore, | 0:17:32 | 0:17:35 | |
there's no guarantee that you're going to get out of that alive. | 0:17:35 | 0:17:39 | |
When I was 18, the biggest things I had to worry about was acne | 0:17:39 | 0:17:43 | |
and what I was going to do after school. | 0:17:43 | 0:17:45 | |
It's just such a completely different world | 0:17:45 | 0:17:47 | |
and enormously humbling, and really hits home how brave those guys were. | 0:17:47 | 0:17:53 | |
It took a long time for me to ever go to sea again. | 0:17:54 | 0:17:57 | |
It, er, you know, and even then, if I go now over to France, I will | 0:17:57 | 0:18:03 | |
find a corner and I will sit there and I won't move till we get there. | 0:18:03 | 0:18:07 | |
This is the American equivalent of the LCA. | 0:18:10 | 0:18:13 | |
It's nicknamed a Higgins boat after its designer, Andrew Higgins, | 0:18:13 | 0:18:17 | |
and was designed to carry up to 36 troops. | 0:18:17 | 0:18:21 | |
'As those landing carriers | 0:18:22 | 0:18:23 | |
'made their way onto the Normandy beaches, | 0:18:23 | 0:18:26 | |
'they were faced with a barrage of German bullets. | 0:18:26 | 0:18:29 | |
'To have any chance of survival, | 0:18:29 | 0:18:31 | |
'Allied troops needed masses of firepower. | 0:18:31 | 0:18:35 | |
'I've come to the Royal Armouries Museum at Fort Nelson | 0:18:35 | 0:18:38 | |
'in Hampshire to learn about a weapon of choice | 0:18:38 | 0:18:40 | |
'that had been in development since the First World War.' | 0:18:40 | 0:18:45 | |
ARTILLERY THUNDERS | 0:18:45 | 0:18:47 | |
'During the Great War, the Army used two sorts of field gun. | 0:18:47 | 0:18:50 | |
'The 18 pounder and the 4½ inch Howitzer. | 0:18:50 | 0:18:54 | |
'The Howitzer had a high angle of fire, useful for firing over walls. | 0:18:54 | 0:18:59 | |
'The 18=pounder was used for flat direct fire, like shooting at tanks. | 0:18:59 | 0:19:04 | |
'But carrying two field guns around was hefty work. | 0:19:04 | 0:19:08 | |
'The Army needed a machine | 0:19:08 | 0:19:09 | |
'that would combine both directions of fire. | 0:19:09 | 0:19:12 | |
'The 25-pounder was born. | 0:19:12 | 0:19:14 | |
'The gun weighed almost two tonnes | 0:19:16 | 0:19:18 | |
'and had a barrel length of eight feet. | 0:19:18 | 0:19:21 | |
'It could shoot a shell almost 12,000 metres. | 0:19:21 | 0:19:25 | |
'That's seven and a half miles. | 0:19:25 | 0:19:27 | |
'A crew of six could fire almost six rounds per minute. | 0:19:27 | 0:19:31 | |
'For rapid traversing, it had a turnable platform under the wheels, | 0:19:31 | 0:19:35 | |
'but crucially for D-Day, the addition of the muzzle brake | 0:19:35 | 0:19:38 | |
'allowed the firing of a supercharged shell.' | 0:19:38 | 0:19:41 | |
The muzzle brake was very necessary because | 0:19:43 | 0:19:48 | |
when you engage tanks you need an extra charge called a supercharge. | 0:19:48 | 0:19:53 | |
And that would have had, what, | 0:19:53 | 0:19:55 | |
too much stress on the whole gun without...? | 0:19:55 | 0:19:57 | |
Without the muzzle brake, yes, | 0:19:57 | 0:19:59 | |
and therefore, you would reduce the life of the barrel. | 0:19:59 | 0:20:03 | |
I mean, what I love about this, it's a relatively simple | 0:20:03 | 0:20:06 | |
piece of engineering design, but brought about by necessity. | 0:20:06 | 0:20:10 | |
And I guess, arguably, | 0:20:10 | 0:20:12 | |
could have been part of the success of the Allied forces on D-Day. | 0:20:12 | 0:20:15 | |
Indeed. Quite a simple device, as is often the case with these things. | 0:20:15 | 0:20:21 | |
It was a gunners' favourite, | 0:20:21 | 0:20:22 | |
and served in most theatres during the Second World War. | 0:20:22 | 0:20:27 | |
So we're lucky enough today to be able to | 0:20:27 | 0:20:29 | |
actually fire this 25 pounder that we've got out here | 0:20:29 | 0:20:32 | |
so we can see specifically how the muzzle brake works at the end there. | 0:20:32 | 0:20:38 | |
And we've got a super-slow-mo camera filming on that so we can actually | 0:20:38 | 0:20:42 | |
see the effect of this quite simple but brilliant piece of engineering. | 0:20:42 | 0:20:46 | |
So, Phil, talk us through it. What do we need? What have we got here? | 0:20:46 | 0:20:50 | |
OK, what we have in our special box is a genuine, | 0:20:50 | 0:20:55 | |
er, 25 pounder cartridge, | 0:20:55 | 0:20:59 | |
and inside here we have a small brown paper bag, | 0:20:59 | 0:21:02 | |
eight ounces of gunpowder, | 0:21:02 | 0:21:04 | |
with a white paper bag of wood shavings on top. | 0:21:04 | 0:21:07 | |
-OK, so that's the wood shavings we can see there. -In the white bag. | 0:21:07 | 0:21:11 | |
-And behind that is...? -Brown paper bag, eight ounces of gunpowder. -Boom. | 0:21:11 | 0:21:16 | |
Then at this end, because the firing pin has to | 0:21:16 | 0:21:20 | |
act on that little silvery primer... | 0:21:20 | 0:21:23 | |
-Yep. -..which will spark into the bag charge. | 0:21:23 | 0:21:26 | |
-And that's that in the centre there. -That little silvery bit there, yes. | 0:21:26 | 0:21:30 | |
So that gets tapped, sparked, bang. | 0:21:30 | 0:21:32 | |
Hopefully. | 0:21:32 | 0:21:33 | |
OK, I'll just check we're safe. | 0:21:33 | 0:21:35 | |
OK, counting down. | 0:21:35 | 0:21:37 | |
Five, four, three, two, one, fire. | 0:21:37 | 0:21:44 | |
GUN BOOMS | 0:21:44 | 0:21:46 | |
RATTLING | 0:21:47 | 0:21:49 | |
Wo-ho-ho-ho-how! | 0:21:50 | 0:21:52 | |
That was amazing, look at the smoke still coming out of this! | 0:21:54 | 0:21:56 | |
It's incredible! So, would that be hot to touch right now, or...? | 0:21:56 | 0:22:00 | |
It's warm, it's warm. | 0:22:00 | 0:22:02 | |
Yeah, OK, it's quite warm, yeah. OK. | 0:22:02 | 0:22:05 | |
'We can see the effects of the muzzle brake | 0:22:05 | 0:22:07 | |
'from the slow motion camera. | 0:22:07 | 0:22:09 | |
'When the gas behind a fired round exits the barrel the muzzle | 0:22:09 | 0:22:13 | |
'partially diverts combustion gases at a sideways angle, | 0:22:13 | 0:22:17 | |
'reducing the recoil and stress on the gun.' | 0:22:17 | 0:22:20 | |
The smell you're getting from the gunpowder | 0:22:21 | 0:22:24 | |
as well as just the boom when it went! | 0:22:24 | 0:22:27 | |
You know it's going to be loud, but, yeah, that was loud. | 0:22:27 | 0:22:29 | |
And, even though it's a smaller charge as well, | 0:22:29 | 0:22:32 | |
you still feel that there's a kick, sat on that seat there, | 0:22:32 | 0:22:35 | |
the whole thing just, whoa, gives a kick. There's some power in that. | 0:22:35 | 0:22:38 | |
So you can imagine what it was like for a detachment of men | 0:22:38 | 0:22:41 | |
who were having to fire as many as they could, | 0:22:41 | 0:22:45 | |
as many rounds as they could in a minute. | 0:22:45 | 0:22:47 | |
-So another one straight back in, bang? -Yeah. Indeed. | 0:22:47 | 0:22:49 | |
That's got my heart going, it's got my heart going. | 0:22:49 | 0:22:52 | |
I'm stood here now and I can feel my adrenaline racing through me. | 0:22:52 | 0:22:55 | |
-I'm pleased, I'm pleased. -That's an impressive piece of kit. | 0:22:55 | 0:22:59 | |
GUN BOOMS | 0:22:59 | 0:23:01 | |
Getting men onto the beaches was a perilous task. | 0:23:01 | 0:23:05 | |
Getting them in behind enemy lines was downright lethal. | 0:23:05 | 0:23:09 | |
In the early hours of June 6th, | 0:23:09 | 0:23:11 | |
a small detachment of British airborne troops | 0:23:11 | 0:23:13 | |
took off from a small airfield in Dorset, RAF Tarrant Rushton. | 0:23:13 | 0:23:18 | |
Their aim, to capture two bridges in Normandy, to prevent | 0:23:18 | 0:23:22 | |
the Germans from sending reinforcements to the beaches. | 0:23:22 | 0:23:25 | |
-'Cut loose.' -Roger. So long. | 0:23:25 | 0:23:27 | |
'Trying to deliver 181 soldiers within walking distance of | 0:23:27 | 0:23:32 | |
two bridges in Northern France posed a particular problem. | 0:23:32 | 0:23:35 | |
'Parachuting men in wasn't an option. | 0:23:37 | 0:23:39 | |
'It just wasn't accurate enough, and landing a motor powered plane | 0:23:39 | 0:23:43 | |
'would be noisy and ruin any element of surprise.' | 0:23:43 | 0:23:46 | |
-There's a fancy fold that just went in there. -Looks good. | 0:23:46 | 0:23:49 | |
-Best of luck. -May the best man win. -Or the best design win. | 0:23:49 | 0:23:52 | |
'Here at Leon Solent in Hampshire, | 0:23:52 | 0:23:54 | |
'Henry Freeborn is a bit of a whizz at flying planes.' | 0:23:54 | 0:23:57 | |
Go on! Ohhh! | 0:23:57 | 0:23:59 | |
-What?! -HENRY LAUGHS | 0:24:01 | 0:24:03 | |
Another go? | 0:24:03 | 0:24:04 | |
'Well, I'm certainly no aircraft designer!' | 0:24:04 | 0:24:08 | |
So much better! So much better, you blew me out of the water! | 0:24:08 | 0:24:12 | |
'But unlike me, | 0:24:14 | 0:24:15 | |
it took just ten months for British engineers to design a machine | 0:24:15 | 0:24:18 | |
'that was capable of delivering | 0:24:18 | 0:24:20 | |
'an entire troop of men into enemy territory.' | 0:24:20 | 0:24:23 | |
Keeping the wings level now. | 0:24:23 | 0:24:25 | |
'To breach the German defences they needed accuracy and stealth.' | 0:24:25 | 0:24:29 | |
We're now airborne. | 0:24:29 | 0:24:31 | |
A bit of hail from above. | 0:24:31 | 0:24:32 | |
What they came up with was a glider like this one, | 0:24:37 | 0:24:40 | |
but on a giant scale, capable of carrying not just two | 0:24:40 | 0:24:44 | |
but 25 men. | 0:24:44 | 0:24:46 | |
'That glider was the Airspeed Horsa. | 0:24:48 | 0:24:51 | |
'The Horsa had a wingspan of 27 metres and was 20 metres long. | 0:24:51 | 0:24:56 | |
'When fully loaded, it weighed almost seven tonnes. | 0:24:57 | 0:25:00 | |
'The fuselage was built in three sections bolted together. | 0:25:00 | 0:25:04 | |
'The front section held the pilot's compartment | 0:25:04 | 0:25:06 | |
'and main freight loading door. | 0:25:06 | 0:25:08 | |
'The middle section was accommodation for troops or freight. | 0:25:08 | 0:25:12 | |
'And the rear section supported the tail unit. | 0:25:12 | 0:25:15 | |
'The wing carried large barn door flaps which, | 0:25:15 | 0:25:17 | |
'when lowered, made a steep, high rate of descent landing | 0:25:17 | 0:25:20 | |
'possible, allowing the pilots to land in constricted spaces.' | 0:25:20 | 0:25:24 | |
The premise of a glider is that it's small and it's light. | 0:25:26 | 0:25:30 | |
There are no engines to take up space or create weight, | 0:25:30 | 0:25:33 | |
and these 60-foot wings are what's keeping us up, catching thermals | 0:25:33 | 0:25:37 | |
with minimal drag, and keeping us up in the air for as long as possible. | 0:25:37 | 0:25:41 | |
And that's just with me and Henry on board. | 0:25:41 | 0:25:44 | |
As we come in to land now, | 0:25:47 | 0:25:48 | |
I can only imagine what it must have felt like for those soldiers going | 0:25:48 | 0:25:51 | |
into Normandy, not knowing at all what awaited them on the other side. | 0:25:51 | 0:25:56 | |
We're coming down in a nice flat airfield. | 0:25:58 | 0:26:00 | |
They would have come down in whatever field or flat area | 0:26:00 | 0:26:03 | |
that they would have been able to find | 0:26:03 | 0:26:07 | |
for that element of surprise and stealth | 0:26:07 | 0:26:09 | |
to try and make their landing. | 0:26:09 | 0:26:11 | |
Now, that was, that might have seemed like | 0:26:21 | 0:26:24 | |
a fairly bumpy landing for us. | 0:26:24 | 0:26:26 | |
Just imagine what that would have been like in a Horsa. | 0:26:26 | 0:26:29 | |
Whoo! | 0:26:29 | 0:26:30 | |
'At the Army Flying Museum in Middle Wallop, | 0:26:32 | 0:26:35 | |
'they have one of the last remaining gliders.' | 0:26:35 | 0:26:38 | |
And here it is, the Airspeed Horsa. | 0:26:38 | 0:26:41 | |
Around 700 of these specifically designed assault gliders were built, | 0:26:41 | 0:26:45 | |
tested and maintained at the Airspeed Factory in Christchurch. | 0:26:45 | 0:26:50 | |
'By the very nature of gliders, pilots only had one go at landing. | 0:26:50 | 0:26:54 | |
In fact, they were designed almost exclusively for one-way missions.' | 0:26:54 | 0:26:58 | |
To allow quick disembarkation of troops and equipment, | 0:26:58 | 0:27:02 | |
small explosives could be detonated to break off the tail section. | 0:27:02 | 0:27:06 | |
But touching the aircraft down in the first place was often perilous. | 0:27:06 | 0:27:10 | |
Glider troops had an alarmingly high fatality rate, | 0:27:10 | 0:27:13 | |
with most deaths happening on landing. | 0:27:13 | 0:27:16 | |
'Scenes like this were not uncommon. | 0:27:19 | 0:27:21 | |
'BBC war reporter Chester Wilmot recorded this radio broadcast | 0:27:21 | 0:27:25 | |
'on D-Day in a Horsa. | 0:27:25 | 0:27:28 | |
'It describes the dramatic experience of landing | 0:27:28 | 0:27:30 | |
'in one of these gliders.' | 0:27:30 | 0:27:32 | |
'We stiffened ourselves for the jolt of the touchdown and lifted our feet | 0:27:32 | 0:27:36 | |
'clear of the floor in case something might rip through the belly. | 0:27:36 | 0:27:39 | |
'And as the wheels bounced and lurched over the furrows and ditches, | 0:27:39 | 0:27:43 | |
'we heard the harsh straining of the wooden fuselage, | 0:27:43 | 0:27:46 | |
'the crash of posts hitting the nose and undercarriage. | 0:27:46 | 0:27:49 | |
'We shouted with joy and relief and bundled out into the field. | 0:27:49 | 0:27:52 | |
'Around us we could see the silhouettes of other gliders, | 0:27:52 | 0:27:55 | |
'twisted and wrecked, making grotesque patterns against the sky. | 0:27:55 | 0:28:00 | |
'Some had buried their noses in the soil. | 0:28:00 | 0:28:03 | |
'Two had crashed into each other.' | 0:28:03 | 0:28:05 | |
'Luckily, the Pegasus mission was a success. | 0:28:06 | 0:28:09 | |
'The bridge was heavily guarded by Germans, | 0:28:09 | 0:28:11 | |
'but the Horsa gliders allowed the British troops to land unnoticed.' | 0:28:11 | 0:28:15 | |
The bridges were captured with relative ease, the mission | 0:28:16 | 0:28:19 | |
hailed as the single most important 10 minutes of the War. | 0:28:19 | 0:28:24 | |
Technology was the silent ally. | 0:28:24 | 0:28:26 | |
It paved the way for men to fight on the beaches of Normandy, | 0:28:26 | 0:28:29 | |
and without it, victory might not have come so soon. | 0:28:29 | 0:28:32 |