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It's one of the most famous and mysterious faces in history. | 0:00:05 | 0:00:10 | |
A teenage Pharaoh who ruled over Ancient Egypt. | 0:00:13 | 0:00:17 | |
Tutankhamun. | 0:00:19 | 0:00:21 | |
But who was Tutankhamun? | 0:00:22 | 0:00:25 | |
How did he live? | 0:00:25 | 0:00:26 | |
And, most intriguingly, how did he die? | 0:00:26 | 0:00:29 | |
For decades, there have been many competing theories | 0:00:38 | 0:00:41 | |
about how Tut died. | 0:00:41 | 0:00:43 | |
A chariot accident, | 0:00:46 | 0:00:48 | |
a mysterious illness, | 0:00:48 | 0:00:51 | |
even murder. | 0:00:51 | 0:00:53 | |
Now we're getting closer to solving this mystery. | 0:00:58 | 0:01:02 | |
To find out how he died, we're going back in time. | 0:01:07 | 0:01:11 | |
Oh, look at the eyes! The eyes have all been painted. | 0:01:11 | 0:01:15 | |
Using 21st-century science, | 0:01:20 | 0:01:24 | |
we'll be carrying out a virtual postmortem on the Pharaoh's body. | 0:01:24 | 0:01:27 | |
It's just mind-blowing, the views that you get. | 0:01:28 | 0:01:32 | |
And looking at conclusive DNA evidence | 0:01:34 | 0:01:38 | |
to expose a shocking family secret. | 0:01:38 | 0:01:40 | |
It fits together. I said, "Oh, my God. | 0:01:45 | 0:01:48 | |
"This cannot be true. We've found it, we've got it, finally!" | 0:01:48 | 0:01:51 | |
For the first time, | 0:01:56 | 0:01:57 | |
we'll reconstruct the entire body of the boy king | 0:01:57 | 0:02:01 | |
and reveal a revolutionary new theory | 0:02:01 | 0:02:05 | |
of what really killed Tutankhamun. | 0:02:05 | 0:02:08 | |
The investigation begins here, on the edge of the blistering Sahara, | 0:02:35 | 0:02:41 | |
in one of Ancient Egypt's most sacred places. | 0:02:41 | 0:02:45 | |
Here we are. This is it, and I've got to say | 0:02:51 | 0:02:55 | |
it's actually quite ordinary and anonymous-looking. | 0:02:55 | 0:02:58 | |
If you didn't actually know where you are, | 0:02:58 | 0:03:01 | |
you'd probably just drive straight past it. | 0:03:01 | 0:03:03 | |
It's not like pulling up next to the Pyramids. | 0:03:03 | 0:03:05 | |
It could be any valley in Egypt, really, | 0:03:05 | 0:03:07 | |
but this particular valley just happens to be | 0:03:07 | 0:03:10 | |
one of the most important sites in all of Egyptian history. | 0:03:10 | 0:03:14 | |
It's the final resting place of the great Pharaohs. | 0:03:20 | 0:03:23 | |
Today, we know it simply as the Valley of the Kings. | 0:03:27 | 0:03:31 | |
Up here, you get a wonderful sense of the valley, | 0:03:42 | 0:03:44 | |
so you look down it and you can see how all the different tombs | 0:03:44 | 0:03:47 | |
are laid out, but you also get a terrific sense of | 0:03:47 | 0:03:50 | |
the physical geography of the valley, | 0:03:50 | 0:03:51 | |
so behind me you've got these wonderful cliffs | 0:03:51 | 0:03:54 | |
that form a natural barrier. | 0:03:54 | 0:03:56 | |
Looking down the valley, there's a small opening - | 0:03:56 | 0:03:58 | |
it would have been very small back in the day - down there. | 0:03:58 | 0:04:01 | |
So the whole place would be like a giant cul-de-sac - | 0:04:01 | 0:04:04 | |
very protected. | 0:04:04 | 0:04:06 | |
The Egyptians started to bury their rulers here around 1500 BC. | 0:04:07 | 0:04:11 | |
Before that, they'd been buried in pyramids, | 0:04:12 | 0:04:16 | |
and they chose this protected valley | 0:04:16 | 0:04:19 | |
because they assumed it would safe from the tomb-raiders | 0:04:19 | 0:04:22 | |
who had broken into the pyramids. | 0:04:22 | 0:04:24 | |
And just over there, above the cliffs, | 0:04:26 | 0:04:29 | |
there's a natural pyramid, | 0:04:29 | 0:04:31 | |
which would have been worshipped by the Ancient Egyptians. | 0:04:31 | 0:04:34 | |
That pyramid was a goddess called Meretseger, | 0:04:34 | 0:04:37 | |
which means "she who loves silence". | 0:04:37 | 0:04:41 | |
She would have liked it here. | 0:04:41 | 0:04:43 | |
Over the centuries, | 0:04:48 | 0:04:50 | |
thieves managed to raid all of the tombs in this valley... | 0:04:50 | 0:04:53 | |
except one. | 0:04:53 | 0:04:55 | |
This one. | 0:04:56 | 0:04:58 | |
In 1922, the tomb of Tutankhamun was discovered here | 0:05:03 | 0:05:09 | |
by archaeologist Howard Carter. | 0:05:09 | 0:05:11 | |
Inside was a breathtaking treasure trove | 0:05:16 | 0:05:19 | |
that made the name Tutankhamun known across the world. | 0:05:19 | 0:05:23 | |
Given that he's so globally famous now, | 0:05:27 | 0:05:30 | |
we actually know remarkably little about Tut's life, | 0:05:30 | 0:05:33 | |
and that's partly because his reign was cut short | 0:05:33 | 0:05:35 | |
when he was around about the age of 19. | 0:05:35 | 0:05:38 | |
But it's his cause of death that's become one of Egypt's | 0:05:38 | 0:05:41 | |
most enduring mysteries. | 0:05:41 | 0:05:43 | |
To see why his death is such a mystery, | 0:05:47 | 0:05:50 | |
I'm heading for his tomb with Egyptologist Gayle Gibson. | 0:05:50 | 0:05:54 | |
-They would've had to dig all this out? -Every bit of it. | 0:05:58 | 0:06:01 | |
Wondering every minute what was at the end. | 0:06:01 | 0:06:03 | |
'From the moment Howard Carter entered this place, | 0:06:16 | 0:06:19 | |
'there were signs that there was | 0:06:19 | 0:06:21 | |
'something strange about Tut's death.' | 0:06:21 | 0:06:23 | |
Why give him this? | 0:06:23 | 0:06:25 | |
'For a start, when compared to the other tombs in the valley, | 0:06:27 | 0:06:30 | |
'this one was a lot smaller.' | 0:06:30 | 0:06:32 | |
It is surprisingly small. | 0:06:32 | 0:06:34 | |
-It's not at all what you'd expect for a royal tomb. -No. | 0:06:34 | 0:06:37 | |
It is very strange, this very bare and small tomb. | 0:06:37 | 0:06:42 | |
This was the room with the chariots and beds and boxes | 0:06:42 | 0:06:45 | |
and all kinds of stuff. | 0:06:45 | 0:06:47 | |
'This modest tomb was jammed full of all the royal possessions | 0:06:49 | 0:06:52 | |
'that were usually buried with a king.' | 0:06:52 | 0:06:55 | |
It can't have been meant to be all jumbled up like that. | 0:06:55 | 0:06:59 | |
People are just trying to cram as much stuff as possible | 0:06:59 | 0:07:03 | |
into this small space. | 0:07:03 | 0:07:04 | |
-Shall we go down? -Yeah. I can't believe we're going to do this. | 0:07:06 | 0:07:11 | |
'Another unusual thing is the decoration... | 0:07:11 | 0:07:14 | |
'or rather, lack of it. | 0:07:14 | 0:07:16 | |
'Other royal tombs are adorned in hundreds of intricate | 0:07:17 | 0:07:21 | |
'portraits of the Pharaohs and the gods. | 0:07:21 | 0:07:24 | |
'By comparison, this one just doesn't look very royal.' | 0:07:25 | 0:07:29 | |
The paintings here are interesting. | 0:07:29 | 0:07:32 | |
Everything is on a very large scale. | 0:07:32 | 0:07:34 | |
Very mysterious. These are odd paintings for a king. | 0:07:34 | 0:07:37 | |
'And lastly, on top of the paintings, | 0:07:42 | 0:07:44 | |
'something that has only recently been identified... | 0:07:44 | 0:07:48 | |
'..3,000-year-old mould.' | 0:07:50 | 0:07:52 | |
It looks like these paintings were done on wet plaster, | 0:07:54 | 0:07:57 | |
very fast, painted on and then, bang, bring in everything, | 0:07:57 | 0:08:00 | |
close up the tomb very quickly. | 0:08:00 | 0:08:03 | |
But this is still wet and so the mould has a chance to grow, | 0:08:03 | 0:08:07 | |
even though there's nobody here for the next 3,000 years. | 0:08:07 | 0:08:10 | |
So it kind of does suggest a hurried burial, perhaps? | 0:08:12 | 0:08:15 | |
You know, "Caution, wet paint. | 0:08:15 | 0:08:18 | |
-"Never mind, we'll just seal it up anyway." -Yeah. | 0:08:18 | 0:08:21 | |
I think that's one of the best bits of evidence that it's a rushed burial. | 0:08:21 | 0:08:25 | |
And in another corner, still resting in his tomb, | 0:08:32 | 0:08:37 | |
is the mummified body of Tutankhamun himself. | 0:08:37 | 0:08:40 | |
Poor Tut's mummy's in pretty bad shape. | 0:08:43 | 0:08:46 | |
It was sawn in half, the head's come off and bits are missing | 0:08:46 | 0:08:49 | |
and it's not great, really. | 0:08:49 | 0:08:52 | |
The reality is this. | 0:08:52 | 0:08:54 | |
It's actually just a young man... | 0:08:54 | 0:08:56 | |
..cut down in his prime. | 0:08:58 | 0:09:00 | |
We know that Tut was around 19 when he died. | 0:09:02 | 0:09:05 | |
A surprisingly young age. | 0:09:05 | 0:09:07 | |
That, together with the unusual burial, | 0:09:07 | 0:09:10 | |
suggests it was not a natural death. | 0:09:10 | 0:09:12 | |
So, we've got a small tomb, an apparent hurried burial, | 0:09:14 | 0:09:17 | |
his age, the type of art that you see here. | 0:09:17 | 0:09:20 | |
They're all factors that seem to point to a sudden | 0:09:20 | 0:09:24 | |
and unexpected death, and for many years, for many people, | 0:09:24 | 0:09:28 | |
the most tantalising explanation was foul play. | 0:09:28 | 0:09:32 | |
Had the young Pharaoh been murdered? | 0:09:35 | 0:09:38 | |
HORNS TOOT | 0:09:45 | 0:09:47 | |
Hi, there! How are you? | 0:09:51 | 0:09:53 | |
'If he was murdered, then there must have been a motive. | 0:09:53 | 0:09:57 | |
'To try and find one, I'm leaving the bustling city behind.' | 0:09:59 | 0:10:04 | |
Come on, let me see you do a dive. | 0:10:04 | 0:10:07 | |
-Hi. -OK. | 0:10:11 | 0:10:13 | |
'I'm heading 200 miles down the sacred River Nile | 0:10:13 | 0:10:17 | |
'to a remarkable place. | 0:10:17 | 0:10:19 | |
'Amarna. | 0:10:19 | 0:10:21 | |
'The murder theory gathered pace in 1968 | 0:10:37 | 0:10:40 | |
'when, for the very first time, scientists X-rayed Tut's mummy.' | 0:10:40 | 0:10:45 | |
I've got an actual X-ray of Tut's head, which got people excited. | 0:10:51 | 0:10:56 | |
And here, you can see these intracranial bone fragments, | 0:10:56 | 0:10:59 | |
just there, that white spot. | 0:10:59 | 0:11:02 | |
Little bits of broken bone inside the head. | 0:11:02 | 0:11:05 | |
These things were interpreted as possible evidence | 0:11:05 | 0:11:08 | |
for a blow to the head. | 0:11:08 | 0:11:10 | |
But why would anyone assassinate a Pharaoh? | 0:11:13 | 0:11:17 | |
They were the ultimate political and religious leaders of the country, | 0:11:17 | 0:11:21 | |
but much more than that. | 0:11:21 | 0:11:23 | |
Pharaohs were seen as living gods, | 0:11:24 | 0:11:26 | |
so the idea of murdering one is even more extreme than | 0:11:26 | 0:11:29 | |
killing a mere mortal, | 0:11:29 | 0:11:31 | |
and actually, throughout Egyptian history, | 0:11:31 | 0:11:34 | |
we see very, very few examples of Pharaohs being bumped off. | 0:11:34 | 0:11:39 | |
So, to murder Tutankhamun, someone must have had a very strong motive. | 0:11:47 | 0:11:52 | |
I've arrived at Amarna. | 0:12:06 | 0:12:08 | |
This city was built by Tut's predecessor, | 0:12:12 | 0:12:15 | |
the rebel Pharaoh Akhenaten. | 0:12:15 | 0:12:17 | |
The clues to the murder plot lie hidden in these remains. | 0:12:17 | 0:12:22 | |
And it all hinges on Akhenaten's obsession with one god, | 0:12:22 | 0:12:27 | |
the sun disc, | 0:12:27 | 0:12:29 | |
the Aten. | 0:12:29 | 0:12:31 | |
Akhenaten worshipped the Aten as the supreme god, | 0:12:33 | 0:12:36 | |
the giver and creator of life, and he did it right here. | 0:12:36 | 0:12:41 | |
Records show that Akhenaten even had religious visions | 0:12:46 | 0:12:50 | |
so powerful that he built this entire city in the desert | 0:12:50 | 0:12:54 | |
and made it the new capital. | 0:12:54 | 0:12:56 | |
It ran for about six miles along the Nile. | 0:13:05 | 0:13:09 | |
There were rich palaces and lavish homes, | 0:13:14 | 0:13:17 | |
and, at its heart, a vast temple to the sun god, the Aten. | 0:13:17 | 0:13:22 | |
But what the Pharaoh had done here was more than build a new city. | 0:13:30 | 0:13:35 | |
He had created a new religion with the Aten as the supreme god. | 0:13:35 | 0:13:41 | |
And this radical change made him enemies. | 0:13:43 | 0:13:46 | |
When Akhenaten died, | 0:13:56 | 0:13:58 | |
the young Tutankhamun inherited a country in chaos | 0:13:58 | 0:14:02 | |
and many powerful enemies. | 0:14:02 | 0:14:04 | |
CHILDREN CHATTER | 0:14:06 | 0:14:09 | |
He would only have been round about nine years old. | 0:14:16 | 0:14:18 | |
This nine-year-old kid in charge of the whole show | 0:14:18 | 0:14:22 | |
in one of Egypt's most turbulent periods. | 0:14:22 | 0:14:25 | |
The murder theory suggests that when Tut reached maturity, | 0:14:38 | 0:14:42 | |
his advisors, fearing for a loss of their own power, | 0:14:42 | 0:14:45 | |
or perhaps wary of a return to the previous regime, had him killed. | 0:14:45 | 0:14:51 | |
It does seem to fit with the evidence. | 0:15:00 | 0:15:03 | |
A sudden death... | 0:15:05 | 0:15:07 | |
..a blow to the head... | 0:15:08 | 0:15:10 | |
..and a convincing political motive for murder. | 0:15:12 | 0:15:16 | |
But now, new scientific evidence is challenging this. | 0:15:30 | 0:15:33 | |
I'm about to attend an autopsy, a virtual autopsy, | 0:15:35 | 0:15:39 | |
on Tut's 3,000-year-old body. | 0:15:39 | 0:15:42 | |
-Shall we bring up our subject? -OK. -Shall we have a little look? | 0:15:44 | 0:15:48 | |
-Our great king. Yes. Sure. -Here he is. | 0:15:48 | 0:15:52 | |
Here he is. | 0:15:52 | 0:15:54 | |
This state-of-the-art technology | 0:15:58 | 0:16:01 | |
creates detailed 3-D images of Tut's mummified remains. | 0:16:01 | 0:16:05 | |
It's just mind-blowing, the views that you get. | 0:16:08 | 0:16:11 | |
You can get three-dimensional image. Bones and soft tissues. | 0:16:12 | 0:16:17 | |
This is unique. | 0:16:17 | 0:16:19 | |
It's almost like we're looking through the body. | 0:16:19 | 0:16:22 | |
Yes. You're going, like, sections and sections... | 0:16:22 | 0:16:25 | |
Radiologist Professor Ashraf Selim is about to conduct | 0:16:26 | 0:16:30 | |
a virtual postmortem of King Tutankhamun. | 0:16:30 | 0:16:34 | |
Just to start with the beginning here, | 0:16:35 | 0:16:38 | |
that we can see that the mummy is in a very bad state. | 0:16:38 | 0:16:41 | |
The whole body is cut into pieces. | 0:16:41 | 0:16:45 | |
Hundreds of fractures, | 0:16:45 | 0:16:47 | |
probably when they tried to remove the heavy golden mask | 0:16:47 | 0:16:52 | |
that was stuck to the chest and the abdomen of the King Tut. | 0:16:52 | 0:16:57 | |
And was stuck with...like a glue. | 0:16:57 | 0:17:00 | |
'As we begin, there's a key question I want answered. | 0:17:01 | 0:17:04 | |
'Was Tut murdered by a blow to the back of the head?' | 0:17:06 | 0:17:10 | |
So much of the discussion has been about this skull, | 0:17:10 | 0:17:13 | |
that somehow Tut was killed or murdered | 0:17:13 | 0:17:15 | |
by a blow to the back of the head. | 0:17:15 | 0:17:17 | |
Yeah, because of these bone fragments. | 0:17:17 | 0:17:19 | |
If you can see with me now... | 0:17:19 | 0:17:21 | |
This is the skull we're going into. | 0:17:21 | 0:17:24 | |
These bone fragments lying loose within the skull cavity. | 0:17:27 | 0:17:33 | |
'It's a crucial finding. | 0:17:33 | 0:17:35 | |
'If the fragments had come from a fatal blow to Tut's head, | 0:17:36 | 0:17:40 | |
'they would have been stuck in the embalming resin | 0:17:40 | 0:17:44 | |
'poured into his skull when he was mummified. | 0:17:44 | 0:17:47 | |
'The fact that they're not stuck in the resin means one thing.' | 0:17:47 | 0:17:51 | |
Meaning what? | 0:17:51 | 0:17:53 | |
Meaning that these bone fragments got inside after mummification, | 0:17:53 | 0:17:57 | |
that's why they're loose. | 0:17:57 | 0:18:00 | |
So, we can say, without a shadow of a doubt, | 0:18:00 | 0:18:02 | |
that Tut wasn't murdered by a blow to the back of the head | 0:18:02 | 0:18:06 | |
-as has been suggested? -Sure. 100%. | 0:18:06 | 0:18:08 | |
-We've killed that... -That should close this issue for good. | 0:18:08 | 0:18:13 | |
That solved the mystery. | 0:18:13 | 0:18:16 | |
-Completely? -Completely, with no doubts. | 0:18:16 | 0:18:18 | |
-He was not murdered by a blow to the head. -OK. | 0:18:18 | 0:18:21 | |
'So if it wasn't murder... then what killed him?' | 0:18:26 | 0:18:32 | |
This is the whole mummy in front of us on the big screen. | 0:18:35 | 0:18:37 | |
'Our virtual autopsy has further clues.' | 0:18:37 | 0:18:41 | |
All the bones are fractured. | 0:18:44 | 0:18:46 | |
Most, if not all, 99% of the fractures were induced postmortem. | 0:18:46 | 0:18:52 | |
'The virtual autopsy shows the clear evidence | 0:18:52 | 0:18:55 | |
'that these bones were broken after Tut died. | 0:18:55 | 0:18:58 | |
'A huge amount of damage was done | 0:18:58 | 0:19:01 | |
'when the mummy was moved by Howard Carter.' | 0:19:01 | 0:19:04 | |
Are there any breaks that we can categorically say, | 0:19:04 | 0:19:07 | |
"This happened before he died"? | 0:19:07 | 0:19:10 | |
There's only one site that we could say that. | 0:19:10 | 0:19:15 | |
It's the knee. | 0:19:15 | 0:19:17 | |
This is the fracture. | 0:19:17 | 0:19:19 | |
-So, this is the fracture here? This black area? -This black area. | 0:19:19 | 0:19:23 | |
It's a big trauma. | 0:19:27 | 0:19:29 | |
-It is. -Your femur, it's the biggest bone in your body. | 0:19:29 | 0:19:32 | |
It is. It's a big trauma. Not just fell down on it. It's a big trauma. | 0:19:32 | 0:19:35 | |
-You see these dense white lines there? -Mm-hm. | 0:19:35 | 0:19:39 | |
This is the resin that coated the fracture edges. | 0:19:39 | 0:19:43 | |
This fracture happened shortly before he died | 0:19:43 | 0:19:46 | |
AND before embalming. | 0:19:46 | 0:19:49 | |
'This fracture happened so close to the time of death, | 0:19:51 | 0:19:55 | |
'it's almost certainly linked to what killed him. | 0:19:55 | 0:19:58 | |
And, fortunately for us, | 0:20:19 | 0:20:21 | |
we have a unique window into the life of this Pharaoh... | 0:20:21 | 0:20:25 | |
..the thousands of belongings, big and small, he was buried with. | 0:20:27 | 0:20:32 | |
These are exact replicas of the objects found in Tut's tomb. | 0:20:35 | 0:20:39 | |
They've been painstakingly recreated from the originals and they've all | 0:20:39 | 0:20:43 | |
been laid out exactly as they would have been when Carter found them. | 0:20:43 | 0:20:47 | |
'Because, like all Pharaohs, Tut was considered a god, | 0:20:54 | 0:20:58 | |
'he was buried with the things he would need in the afterlife. | 0:20:58 | 0:21:02 | |
'These objects give us | 0:21:03 | 0:21:04 | |
'a picture of what really mattered to this young man.' | 0:21:04 | 0:21:07 | |
This is interesting. This is a dismantled chariot, | 0:21:12 | 0:21:15 | |
or rather six chariots that were found in the tomb all together | 0:21:15 | 0:21:18 | |
and obviously they had to dismantle them to be able to get them inside. | 0:21:18 | 0:21:21 | |
Down here would have been leather webbing that he would have stood on. | 0:21:21 | 0:21:26 | |
And you can see along here, that's the shaft that would have | 0:21:26 | 0:21:29 | |
attached to a pair of horses to drag you across the desert at high speed. | 0:21:29 | 0:21:33 | |
In Ancient Egypt, chariots were used for hunting or battle. | 0:21:38 | 0:21:43 | |
And in Tut's tomb, there wasn't just one, there were six. | 0:21:43 | 0:21:47 | |
So we know that there is only one injury that could be | 0:21:52 | 0:21:55 | |
connected with Tut's demise. | 0:21:55 | 0:21:57 | |
And it's this one - | 0:21:57 | 0:21:59 | |
it's the fracture just above the left knee. | 0:21:59 | 0:22:02 | |
But could a fall from a chariot whilst out hunting | 0:22:02 | 0:22:05 | |
or in battle have caused that accident that led to his death? | 0:22:05 | 0:22:10 | |
Knowing the exact nature of the injury, | 0:22:24 | 0:22:27 | |
we can now try and find out what might have happened. | 0:22:27 | 0:22:30 | |
'Helping me is Professor Albert Zink, | 0:22:42 | 0:22:44 | |
'a world authority on ancient mummies, | 0:22:44 | 0:22:47 | |
'and Dr Richard Frampton, a crash injuries expert.' | 0:22:47 | 0:22:51 | |
It looks quite royal. | 0:22:53 | 0:22:55 | |
I'm coming at this from the point of view of car crashes | 0:22:56 | 0:22:59 | |
in the modern world. | 0:22:59 | 0:23:00 | |
I mean, after all, this is the Egyptian sports car of the day. | 0:23:00 | 0:23:03 | |
-Yeah. -Looking at this now, | 0:23:03 | 0:23:05 | |
there's a great big chance here of being thrown from the chariot. | 0:23:05 | 0:23:08 | |
It's very difficult. It looks very unstable. | 0:23:08 | 0:23:11 | |
-I think you need some good balance. -Yeah. | 0:23:11 | 0:23:13 | |
Certainly, it doesn't have a crash-worthiness structure at all. | 0:23:13 | 0:23:18 | |
No. How much force would you need to fracture just above the knee? | 0:23:18 | 0:23:21 | |
The force to fracture a human femur is | 0:23:21 | 0:23:23 | |
somewhere around about ten kilonewtons. | 0:23:23 | 0:23:26 | |
About the weight of a small European car. | 0:23:26 | 0:23:28 | |
It's the strongest bone in the body. | 0:23:28 | 0:23:30 | |
So what do you say to make the horse go fast? | 0:23:32 | 0:23:34 | |
-She! -She? -She'alla! | 0:23:34 | 0:23:36 | |
She'alla! So I just... | 0:23:36 | 0:23:38 | |
'So can the chariot generate the same impact force as a modern car?' | 0:23:38 | 0:23:43 | |
This, here, like this? | 0:23:43 | 0:23:45 | |
I think the first thing we need to really establish | 0:23:45 | 0:23:47 | |
is how fast these things can go. | 0:23:47 | 0:23:49 | |
She! She! | 0:23:51 | 0:23:53 | |
Whoa! Come on! | 0:23:53 | 0:23:56 | |
She! | 0:23:56 | 0:23:57 | |
She! | 0:23:59 | 0:24:00 | |
Richard is measuring my top speed. | 0:24:05 | 0:24:07 | |
She! She! | 0:24:08 | 0:24:11 | |
'And, after a little bit of practice, | 0:24:14 | 0:24:17 | |
'and some gentle horse whispering...' | 0:24:17 | 0:24:20 | |
All right. Yeah, this is good. | 0:24:27 | 0:24:30 | |
10, 21, 21 ,21... | 0:24:30 | 0:24:34 | |
-Great. You did it. -You were absolutely flying. | 0:24:43 | 0:24:46 | |
-How was that? 21mph! 21? -Yeah. -That's not bad! | 0:24:46 | 0:24:50 | |
If I'd come off... And I didn't, thankfully. | 0:24:50 | 0:24:52 | |
At that kind of speed, coming off onto a hard surface, | 0:24:52 | 0:24:56 | |
any type of bone fracture is possible, really. | 0:24:56 | 0:24:59 | |
Among Egyptologists, a chariot accident is one of the more | 0:25:10 | 0:25:14 | |
accepted theories of what killed Tutankhamun. | 0:25:14 | 0:25:17 | |
'But there's one thing that really struck me about riding that chariot.' | 0:25:21 | 0:25:25 | |
She! | 0:25:25 | 0:25:26 | |
'You're not just a passenger. | 0:25:28 | 0:25:30 | |
'This is a really physically demanding activity.' | 0:25:30 | 0:25:33 | |
It was great. It's a bit hairy at first | 0:25:34 | 0:25:37 | |
but then all your weight and all your balance is on your legs | 0:25:37 | 0:25:39 | |
and you have to use both your legs as if you were snowboarding | 0:25:39 | 0:25:42 | |
or skateboarding, so it's not an easy thing. | 0:25:42 | 0:25:45 | |
'And, knowing that, | 0:25:49 | 0:25:50 | |
'I now want to have a closer look at Tut's physical abilities.' | 0:25:50 | 0:25:54 | |
And that means a closer look at the virtual autopsy. | 0:26:01 | 0:26:04 | |
You see here? | 0:26:06 | 0:26:08 | |
Now look at this. | 0:26:08 | 0:26:09 | |
When you really examine his feet, | 0:26:10 | 0:26:12 | |
you can see that the left foot is bent and twisted. | 0:26:12 | 0:26:16 | |
Now, these bones, they're crowded, especially at the bases. | 0:26:17 | 0:26:21 | |
So it's basically these bits, if you like, | 0:26:21 | 0:26:23 | |
-they're being sort of squished together. -Yes, exactly. | 0:26:23 | 0:26:26 | |
The toes appear more or less divergent. | 0:26:26 | 0:26:30 | |
They're sort of sticking out at a bit of an angle? | 0:26:30 | 0:26:32 | |
Exactly. | 0:26:32 | 0:26:33 | |
I mean, what would we call this in sort of layman's terms? | 0:26:33 | 0:26:36 | |
Layman terms, we call it the club foot. | 0:26:36 | 0:26:38 | |
The club foot, we can see it here. | 0:26:41 | 0:26:44 | |
Let me have a look. | 0:26:44 | 0:26:45 | |
A club foot is a bone deformity that would have caused Tut's foot | 0:26:46 | 0:26:49 | |
to twist under his body. | 0:26:49 | 0:26:51 | |
And what would that have meant for him? | 0:26:54 | 0:26:56 | |
-He would have had difficulty walking? -Yes. | 0:26:56 | 0:26:58 | |
-Would he have walked with a limp? -Definitely he was limping | 0:26:58 | 0:27:00 | |
at that time, heavily. | 0:27:00 | 0:27:02 | |
Right. | 0:27:02 | 0:27:04 | |
But there are even more problems with his foot. | 0:27:05 | 0:27:07 | |
Next he developed a new disease while in the adolescent age, | 0:27:09 | 0:27:14 | |
let's say starting from the age of 13, 14. | 0:27:14 | 0:27:18 | |
What we call it, Kohler's disease. | 0:27:18 | 0:27:20 | |
Kohler's disease? | 0:27:20 | 0:27:21 | |
Yes. And that's what's meaning... It's necrosis of the bones. | 0:27:21 | 0:27:26 | |
And necrosis means, well, it means death, I suppose. | 0:27:26 | 0:27:29 | |
Death. Death of a small part of the bone. | 0:27:29 | 0:27:32 | |
That's the area. | 0:27:32 | 0:27:33 | |
Kohler's disease is a painful, disabling condition. | 0:27:37 | 0:27:41 | |
The bones gradually collapse and can't support any weight. | 0:27:41 | 0:27:44 | |
The end of this long bone, the metatarsus, is frayed | 0:27:46 | 0:27:49 | |
and separated and becomes dense. | 0:27:49 | 0:27:52 | |
And that is what we have in here - separated, fragmented, | 0:27:52 | 0:27:57 | |
unlike the other, sound foot. | 0:27:57 | 0:27:59 | |
You can see the joints intact. | 0:27:59 | 0:28:01 | |
And this would have been incredibly painful? | 0:28:01 | 0:28:03 | |
Yes, it is painful. | 0:28:03 | 0:28:05 | |
-OK, so we've got a congenital condition. -Yes. -This club foot. | 0:28:09 | 0:28:13 | |
We've got this Kohler's disease on top of that. | 0:28:13 | 0:28:15 | |
I mean, it completely changes our whole picture of Tutankhamun. | 0:28:15 | 0:28:18 | |
Of course. | 0:28:18 | 0:28:19 | |
This evidence, taken together, | 0:28:23 | 0:28:25 | |
means that Tut would have struggled to walk. | 0:28:25 | 0:28:27 | |
Pharaohs, of course, liked to portray themselves as great warriors | 0:28:45 | 0:28:49 | |
and heroic leaders. | 0:28:49 | 0:28:51 | |
But when you look closely at some of the smaller objects that were | 0:28:52 | 0:28:56 | |
found in Tut's tomb, there are clues to the real Pharaoh. | 0:28:56 | 0:29:01 | |
Around about 130 canes, like this, | 0:29:05 | 0:29:08 | |
all different shapes and sizes, | 0:29:08 | 0:29:10 | |
and some of them showed evidence of wear and tear. | 0:29:10 | 0:29:13 | |
It all adds to the evidence that here was somebody who | 0:29:13 | 0:29:17 | |
was in pain, who struggled. | 0:29:17 | 0:29:19 | |
It's a very, very different image to the boy king we're familiar with. | 0:29:19 | 0:29:23 | |
It casts a rather different light on the chariot accident theory | 0:29:26 | 0:29:30 | |
as the cause of Tut's death. | 0:29:30 | 0:29:31 | |
She! | 0:29:40 | 0:29:42 | |
'I've experienced how physically demanding it is | 0:29:42 | 0:29:45 | |
'to balance and steer a chariot. | 0:29:45 | 0:29:47 | |
'So how could Tut do it with his acutely painful condition?' | 0:29:48 | 0:29:52 | |
I can't do it with two legs, let alone one leg. | 0:29:57 | 0:30:01 | |
Yeah. I think it's almost impossible. | 0:30:01 | 0:30:04 | |
OK, so this condition on the foot, | 0:30:07 | 0:30:11 | |
you reckon he would have been in a lot of pain | 0:30:11 | 0:30:13 | |
and wouldn't actually have been able to put any pressure on it? | 0:30:13 | 0:30:16 | |
Yeah, so the CT scans show that he had so-called Kohler's syndrome. | 0:30:16 | 0:30:20 | |
It's an acute inflammation of the foot bones. | 0:30:20 | 0:30:23 | |
For me, it's very difficult to imagine that somebody with | 0:30:23 | 0:30:25 | |
such a disease, the acute form of the disease, steps on a chariot | 0:30:25 | 0:30:30 | |
and even riding the chariot. | 0:30:30 | 0:30:32 | |
So, in my opinion, it's almost impossible that King Tut did | 0:30:32 | 0:30:36 | |
ride the chariot and have an accident. | 0:30:36 | 0:30:38 | |
So whatever caused Tut's injury, | 0:30:42 | 0:30:45 | |
it seems unlikely it was done riding a chariot. | 0:30:45 | 0:30:48 | |
The evidence shown in the virtual autopsy has cast serious doubt | 0:31:00 | 0:31:04 | |
on some of the more popular theories of Tut's death. | 0:31:04 | 0:31:07 | |
But more than that, they've actually enabled us to meet him in person. | 0:31:10 | 0:31:14 | |
Using forensic reconstruction techniques, | 0:31:25 | 0:31:28 | |
we've recreated Tut's face | 0:31:28 | 0:31:31 | |
and his entire body. | 0:31:31 | 0:31:33 | |
This is the first ever accurate full-size image of him. | 0:31:35 | 0:31:39 | |
This is the real Pharaoh, | 0:31:50 | 0:31:52 | |
the boy behind the golden mask. | 0:31:52 | 0:31:53 | |
And the problem with his foot | 0:31:58 | 0:32:00 | |
is the most important clue | 0:32:00 | 0:32:02 | |
as to what might have killed him. | 0:32:02 | 0:32:04 | |
The revelation of Tut's foot has opened up a new line of inquiry. | 0:32:23 | 0:32:27 | |
It's a defect that can be genetic | 0:32:30 | 0:32:32 | |
and could have been passed down by his family. | 0:32:32 | 0:32:35 | |
I need to investigate Tut's family background. | 0:32:36 | 0:32:39 | |
Until recently, all we had to go on | 0:32:44 | 0:32:45 | |
were statues and written records and monuments | 0:32:45 | 0:32:48 | |
but, actually, the Egyptians left something even more valuable. | 0:32:48 | 0:32:52 | |
They left themselves. | 0:32:53 | 0:32:54 | |
'I'm travelling seven hours south of Cairo, | 0:32:58 | 0:33:00 | |
'deep into the Sahara desert... | 0:33:00 | 0:33:02 | |
'..to the Valley of the Golden Mummies.' | 0:33:04 | 0:33:06 | |
This is one of the places in Egypt | 0:33:14 | 0:33:16 | |
where mummies still lie where they were buried. | 0:33:16 | 0:33:19 | |
Oh, my God! Look at these mummies. | 0:33:44 | 0:33:47 | |
There's just mummies just stacked up! | 0:33:47 | 0:33:50 | |
Jeepers creepers! This is the stuff of nightmares, right here. | 0:33:51 | 0:33:56 | |
You can make out their expressions... | 0:33:56 | 0:33:58 | |
-Ah, look at the eyes! -HE GASPS | 0:33:58 | 0:34:00 | |
The eyes have all been painted. | 0:34:00 | 0:34:02 | |
God, look at this. You can see they've been gilded. | 0:34:04 | 0:34:07 | |
They're gold. | 0:34:07 | 0:34:09 | |
You can just see on the nose. There, look. | 0:34:09 | 0:34:11 | |
They've all been painted. | 0:34:11 | 0:34:13 | |
The Egyptian technique of mummification | 0:34:16 | 0:34:19 | |
aimed to preserve the entire body - hair, skin, teeth, and bones - | 0:34:19 | 0:34:24 | |
for eternity. | 0:34:24 | 0:34:25 | |
And recently, a new science has opened a door | 0:34:34 | 0:34:37 | |
to the time of the Pharaohs. | 0:34:37 | 0:34:40 | |
I think we'll make 40 minutes enough... | 0:34:40 | 0:34:42 | |
It's now possible to extract and accurately analyse | 0:34:42 | 0:34:46 | |
traces of ancient mummy DNA. | 0:34:46 | 0:34:48 | |
But what makes it so difficult is that, after 3,000 years, | 0:34:53 | 0:34:58 | |
little DNA survives | 0:34:58 | 0:35:01 | |
and it's easily contaminated. | 0:35:01 | 0:35:03 | |
So Professor Zink had to go deep into the bones to get his samples. | 0:35:05 | 0:35:10 | |
And he extracted DNA from the most famous mummy of all. | 0:35:13 | 0:35:16 | |
MAN SHOUTS | 0:35:23 | 0:35:24 | |
I'm meeting up with him in the desert to hear about his results. | 0:35:30 | 0:35:33 | |
The DNA has given us, for the first time, | 0:35:35 | 0:35:37 | |
the chance to find out for certain who Tut's mum and dad were. | 0:35:37 | 0:35:42 | |
Getting DNA out of ancient Egyptian mummies is almost impossible. | 0:35:50 | 0:35:53 | |
In the beginning, it was a mess. | 0:35:53 | 0:35:55 | |
But when we managed to get this way to clean out the samples, | 0:35:55 | 0:35:58 | |
we got really pure DNA to manage to tell something about him | 0:35:58 | 0:36:02 | |
and especially about his ancestry. | 0:36:02 | 0:36:04 | |
To untangle Tut's complex family tree, Albert analysed DNA | 0:36:06 | 0:36:11 | |
from ten royal mummies suspected of being related to Tut. | 0:36:11 | 0:36:15 | |
One was Akhenaten, the Rebel Pharaoh and Tut's predecessor. | 0:36:17 | 0:36:22 | |
Of course, sons often succeed their father | 0:36:23 | 0:36:26 | |
but it certainly wasn't always the case. | 0:36:26 | 0:36:29 | |
There was one idea that maybe the skeleton of Akhenaten was the father, | 0:36:30 | 0:36:34 | |
but nobody had the proof for this, | 0:36:34 | 0:36:36 | |
and the only way to find this out was to analyse the DNA. | 0:36:36 | 0:36:40 | |
He began by analysing the Y-chromosome, | 0:36:42 | 0:36:45 | |
which is only found in males, | 0:36:45 | 0:36:47 | |
comparing Tut's with Akhenaten's, | 0:36:47 | 0:36:49 | |
also known as KV55. | 0:36:49 | 0:36:52 | |
We got, from both mummies, good results and we could compare them. | 0:36:53 | 0:36:57 | |
-You can see here, you get this peak here. This is for King Tut. -Yeah. | 0:36:57 | 0:37:02 | |
And you get the same peak here for Akhenaten. | 0:37:02 | 0:37:05 | |
The match of the Y-chromosome | 0:37:08 | 0:37:09 | |
established there was a blood relationship | 0:37:09 | 0:37:12 | |
between Tutankhamun and Akhenaten. | 0:37:12 | 0:37:14 | |
But this only shows you whether they are paternally related. | 0:37:14 | 0:37:18 | |
This means they could be also father and grandson, | 0:37:18 | 0:37:21 | |
they could be father and cousin, father and brother, | 0:37:21 | 0:37:24 | |
so we need to go to the next step and | 0:37:24 | 0:37:26 | |
make a complete generic profile, a so-called genetic fingerprinting. | 0:37:26 | 0:37:30 | |
So it's not just the Y-chromosome, | 0:37:30 | 0:37:33 | |
it's a whole battery of different things? | 0:37:33 | 0:37:35 | |
-Exactly. -OK. | 0:37:35 | 0:37:37 | |
We compared the genetic fingerprint of King Tut and KV55. | 0:37:37 | 0:37:42 | |
And, in every one of these, we have the same marker in King Tut and KV55. | 0:37:42 | 0:37:47 | |
And these results clearly show that they are father and son. | 0:37:48 | 0:37:52 | |
Professor Zink had proved who Tut's dad was. | 0:37:54 | 0:37:57 | |
It fits together. | 0:37:59 | 0:38:01 | |
I said, "Oh, my God! This cannot be true! | 0:38:01 | 0:38:04 | |
"We've found it. We've got it finally!" | 0:38:04 | 0:38:06 | |
So there's no doubt, there's no debate any more? | 0:38:06 | 0:38:09 | |
There's no debate any more. | 0:38:09 | 0:38:10 | |
TRADITIONAL MUSIC | 0:38:10 | 0:38:12 | |
The 3,000-year-old paternity test has identified Tut's dad... | 0:38:22 | 0:38:27 | |
..Akhenaten. | 0:38:31 | 0:38:32 | |
But that's only one half of the puzzle. | 0:38:36 | 0:38:39 | |
The real mystery is who his mum was. | 0:38:42 | 0:38:45 | |
CHEERING | 0:38:48 | 0:38:49 | |
No-one's been able to identify her from records. | 0:38:58 | 0:39:02 | |
'But a clue to who she was lies deep inside a place | 0:39:02 | 0:39:05 | |
'that not many people get to see.' | 0:39:05 | 0:39:08 | |
Shocking. | 0:39:08 | 0:39:09 | |
A real royal tomb. Watch your head. | 0:39:10 | 0:39:13 | |
'It's one of the most lavish tombs in Egypt.' | 0:39:13 | 0:39:16 | |
-Carry on down? -Yeah, we keep going down and down and down. | 0:39:16 | 0:39:19 | |
There it is. | 0:39:19 | 0:39:20 | |
There's the room. | 0:39:20 | 0:39:22 | |
This is what a king is supposed to have. | 0:39:22 | 0:39:24 | |
That's wild. | 0:39:27 | 0:39:28 | |
The tomb belonged to Amenhotep II | 0:39:32 | 0:39:35 | |
and it's a world away from the basic adornments found in Tut's tomb. | 0:39:35 | 0:39:39 | |
When it was discovered, did they actually find the king himself? | 0:39:40 | 0:39:44 | |
Yes. He was in his own sarcophagus, right there. | 0:39:44 | 0:39:47 | |
-Which is pretty wonderful. -That's amazing, isn't it? Look at that. | 0:39:47 | 0:39:50 | |
But the real find here was the discovery | 0:39:54 | 0:39:57 | |
of an extraordinary group of royal mummies, | 0:39:57 | 0:40:00 | |
all thought to be linked to Tut's father, Akhenaten. | 0:40:00 | 0:40:03 | |
There were three bodies on the floor - | 0:40:05 | 0:40:08 | |
a person they call the elder lady, a young boy | 0:40:08 | 0:40:11 | |
and a very mysterious Younger Lady. | 0:40:11 | 0:40:14 | |
And have we any idea who the Younger Lady is? | 0:40:14 | 0:40:17 | |
For a long time, we had no idea | 0:40:17 | 0:40:19 | |
but now the suspicion is that she's King Tut's mum. | 0:40:19 | 0:40:22 | |
This Younger Lady is a truly mysterious person. | 0:40:27 | 0:40:31 | |
There are no hieroglyphs to explain who she was... | 0:40:31 | 0:40:35 | |
but we do have her DNA. | 0:40:35 | 0:40:36 | |
OK, I leave you with this... | 0:40:39 | 0:40:41 | |
This time, as well as genetic fingerprinting, | 0:40:41 | 0:40:43 | |
Albert is testing mitochondrial DNA. | 0:40:43 | 0:40:46 | |
I just put the jelly in the fridge... | 0:40:46 | 0:40:47 | |
It's only inherited from the mother. | 0:40:47 | 0:40:50 | |
-Oh, very good. -The sequence is very good, it's very clear. | 0:40:50 | 0:40:54 | |
Together they can prove conclusively and for the first time | 0:40:54 | 0:40:58 | |
who Tut's mum was. | 0:40:58 | 0:40:59 | |
'To reveal the results, | 0:41:14 | 0:41:16 | |
'we're going to the famous Egyptian Museum in Cairo, | 0:41:16 | 0:41:19 | |
'to meet the Younger Lady face-to-face.' | 0:41:19 | 0:41:22 | |
-So, here we are. -Here we are. | 0:41:26 | 0:41:28 | |
Gosh, she's in pretty bad shape. | 0:41:28 | 0:41:30 | |
But maybe it's because she had a big injury in the face here. | 0:41:30 | 0:41:34 | |
The pattern of the injury is typical for a horse kick. | 0:41:34 | 0:41:36 | |
Gosh, so that damage was actually done when she was still alive? | 0:41:36 | 0:41:39 | |
Yeah, yeah. I think it's actually the cause of death | 0:41:39 | 0:41:42 | |
because there's no sign of healing. | 0:41:42 | 0:41:44 | |
So what do we know about this mummy | 0:41:44 | 0:41:46 | |
and what work have you been able to do on it? | 0:41:46 | 0:41:48 | |
We did some CT scans of this mummy. | 0:41:48 | 0:41:51 | |
We found out that she had a little extra single bone | 0:41:51 | 0:41:53 | |
on the back of her skull in the sutures, which is quite uncommon. | 0:41:53 | 0:41:57 | |
But the same little bone, we found in King Tut also. | 0:41:57 | 0:42:00 | |
This was really surprising and this made us believe | 0:42:00 | 0:42:03 | |
maybe there's a link between these. | 0:42:03 | 0:42:06 | |
And then you do the DNA work. | 0:42:06 | 0:42:09 | |
Now, what did you find with the DNA work? | 0:42:09 | 0:42:11 | |
We took samples from this mummy and did the DNA analysis. | 0:42:11 | 0:42:14 | |
'I was sitting in front of my computer late at night | 0:42:17 | 0:42:20 | |
'in the laboratory, looking at the data, a lot of numbers. | 0:42:20 | 0:42:23 | |
'Slowly the picture comes together' | 0:42:23 | 0:42:25 | |
and I aligned all the different numbers and I thought, | 0:42:25 | 0:42:28 | |
"They all look the same - King Tut, Younger Lady. Wow. | 0:42:28 | 0:42:32 | |
"Oh, my God, that's it. | 0:42:32 | 0:42:34 | |
"This is the mother of King Tut, I can't believe it." | 0:42:34 | 0:42:37 | |
It was like I was shocked. | 0:42:37 | 0:42:38 | |
I cannot believe that this is true, | 0:42:38 | 0:42:40 | |
we've really found out who is the mother of King Tut. | 0:42:40 | 0:42:43 | |
I mean, that's a huge discovery. | 0:42:43 | 0:42:45 | |
This is really more than a dream come true. | 0:42:45 | 0:42:47 | |
I think it's the most important findings I've made in my life. | 0:42:47 | 0:42:51 | |
Albert's identified the Younger Lady definitively | 0:42:58 | 0:43:01 | |
as Tut's genetic mother. | 0:43:01 | 0:43:02 | |
We're finally getting closer to Tutankhamun and his relatives - | 0:43:14 | 0:43:19 | |
catching glimpses of them, not as great rulers or gods, | 0:43:19 | 0:43:22 | |
but as a family. | 0:43:22 | 0:43:24 | |
This is the tomb that was probably meant for the Younger Lady. | 0:43:25 | 0:43:28 | |
Have a look at this - this is an image that's really intrigued people | 0:43:33 | 0:43:37 | |
since this tomb was discovered. | 0:43:37 | 0:43:39 | |
You can see it's not very clear but it's a woman in profile. | 0:43:39 | 0:43:42 | |
You can just see it's her feet there up to her head, | 0:43:42 | 0:43:45 | |
and she seems to be holding an umbrella or a parasol of some kind. | 0:43:45 | 0:43:48 | |
And there's perhaps a nurse behind her looking after her | 0:43:48 | 0:43:52 | |
and she seems to be holding a figure, a baby. | 0:43:52 | 0:43:56 | |
Could that be the very first baby picture of Tut? | 0:43:56 | 0:43:59 | |
The DNA results identified the members of Tut's family... | 0:44:15 | 0:44:19 | |
..but they also uncovered something completely unexpected | 0:44:20 | 0:44:24 | |
about his parents. | 0:44:24 | 0:44:25 | |
When he compared the DNA of Tut's father Akhenaten... | 0:44:36 | 0:44:39 | |
..with the DNA of Tut's mother... | 0:44:43 | 0:44:45 | |
..Albert made a remarkable discovery. | 0:44:47 | 0:44:49 | |
And you know there's some more I can tell you about these two mummies - | 0:44:52 | 0:44:55 | |
not only that this is the father and this is the mother of King Tut, | 0:44:55 | 0:45:00 | |
they...it turned out that they are brother and sister, | 0:45:00 | 0:45:03 | |
which was a big surprise for us. | 0:45:03 | 0:45:05 | |
So Tut's mother and father, | 0:45:05 | 0:45:07 | |
so they're mother and father, | 0:45:07 | 0:45:09 | |
they were also brother and sister, | 0:45:09 | 0:45:11 | |
so Tut was a product of incest? | 0:45:11 | 0:45:14 | |
That's right. It turned out - wow - they're brother and sister. | 0:45:14 | 0:45:17 | |
A lot of incest happened. | 0:45:21 | 0:45:23 | |
They didn't like to get royal and non-royal blood mixed, | 0:45:23 | 0:45:26 | |
so they tried to keep it within the royal family. | 0:45:26 | 0:45:29 | |
The Ancient Egyptians believed incest kept the bloodline pure. | 0:45:31 | 0:45:34 | |
In reality, of course, it did the opposite. | 0:45:37 | 0:45:40 | |
They would have had no idea about | 0:45:42 | 0:45:44 | |
the health implications of incest? | 0:45:44 | 0:45:47 | |
We know that this can have a negative impact on your health | 0:45:47 | 0:45:50 | |
and it caused a lot of troubles in the health of the offspring. | 0:45:50 | 0:45:53 | |
The DNA tests proved that Tut's parents were brother and sister. | 0:45:56 | 0:46:00 | |
Tutankhamun was a product of incest. | 0:46:02 | 0:46:05 | |
So, meet the parents. This is Tutankhamun's dad, Akhenaten. | 0:46:06 | 0:46:11 | |
And if we come this way, next to Dad, we've got | 0:46:11 | 0:46:15 | |
Tutankhamun's granny... | 0:46:15 | 0:46:16 | |
..who looks the best out of all of them, actually. | 0:46:19 | 0:46:21 | |
And here we've got Tutankhamun's mum, who's also his aunt, | 0:46:21 | 0:46:26 | |
which makes Dad also his uncle | 0:46:26 | 0:46:28 | |
because they were brother and sister as well. | 0:46:28 | 0:46:31 | |
A fascinating picture is starting to develop... | 0:46:40 | 0:46:42 | |
..a sudden death and burial... | 0:46:46 | 0:46:48 | |
..an unusual and life-threatening fracture to his knee... | 0:46:50 | 0:46:53 | |
..a disabled foot, from a disease which may have run in the family... | 0:46:57 | 0:47:00 | |
..and incest, which dramatically increases | 0:47:05 | 0:47:08 | |
the chance of inheriting certain diseases. | 0:47:08 | 0:47:10 | |
'And now there's one man who thinks he's pieced together | 0:47:27 | 0:47:30 | |
'all of these clues.' | 0:47:30 | 0:47:32 | |
OK, so we've got to be really careful coming in here. | 0:47:33 | 0:47:35 | |
There's a big hole. | 0:47:35 | 0:47:37 | |
Ah, the light. | 0:47:37 | 0:47:39 | |
'Dr Hutan Ashrafian is a leading surgeon | 0:47:39 | 0:47:41 | |
'who specialises in cold cases from the ancient past.' | 0:47:41 | 0:47:45 | |
Ah, this is great. | 0:47:48 | 0:47:50 | |
There you go, this is the best view of Karnak. | 0:47:50 | 0:47:52 | |
From this vantage point, we can see the whole of Karnak beneath us. | 0:48:01 | 0:48:05 | |
It's the biggest temple in Ancient Egypt, | 0:48:07 | 0:48:10 | |
built by generations of Pharaohs, including Tut and his ancestors. | 0:48:10 | 0:48:15 | |
By studying the entire family history, Hutan's noticed | 0:48:17 | 0:48:22 | |
three distinct medical patterns that could help explain how Tut died. | 0:48:22 | 0:48:28 | |
The family are very interesting in that they all died relatively young. | 0:48:36 | 0:48:40 | |
We know that Akhenaten died early, | 0:48:42 | 0:48:44 | |
we know that Tutankhamun, his son, died early, | 0:48:44 | 0:48:47 | |
we know that the great-grandfather died relatively early. | 0:48:47 | 0:48:50 | |
They've died at a sequentially younger age. | 0:48:50 | 0:48:53 | |
But couldn't that just be due to other causes, that, you know, | 0:49:00 | 0:49:03 | |
by chance they all died at a particularly young age | 0:49:03 | 0:49:06 | |
for a whole host of reasons? | 0:49:06 | 0:49:08 | |
Of course, certainly it could be, but there is a pattern there | 0:49:08 | 0:49:12 | |
and it would be unfair for us to discount that. | 0:49:12 | 0:49:14 | |
'The fact that each generation died younger than the previous one | 0:49:22 | 0:49:26 | |
'could be an indication that there's an inherited disease | 0:49:26 | 0:49:29 | |
'running through the family... | 0:49:29 | 0:49:31 | |
'..but what was it? | 0:49:37 | 0:49:38 | |
'There are clues in some of the artwork of the period.' | 0:49:38 | 0:49:42 | |
So this is Tut's dad, we think? | 0:49:49 | 0:49:51 | |
So this is the statue of Akhenaten. | 0:49:51 | 0:49:54 | |
Let's have a look at him, | 0:49:54 | 0:49:55 | |
and, you know, clearly this isn't... not a male form. | 0:49:55 | 0:49:58 | |
It does look very feminine, wider hips? | 0:49:58 | 0:50:01 | |
This is meant to be a Pharaoh | 0:50:01 | 0:50:03 | |
but he doesn't look like a normal man. | 0:50:03 | 0:50:05 | |
'Looked through a medical doctor's eyes, | 0:50:08 | 0:50:10 | |
'this is not just a statue, it's a symptom.' | 0:50:10 | 0:50:14 | |
But aren't we just seeing an exaggerated, stylistic, | 0:50:14 | 0:50:18 | |
symbolic art style? | 0:50:18 | 0:50:20 | |
It could be, but actually we know that Akhenaten himself during | 0:50:20 | 0:50:23 | |
his lifetime asked for things to be depicted according to real life | 0:50:23 | 0:50:28 | |
and so if we take that on board, then clearly this figure is abnormal. | 0:50:28 | 0:50:31 | |
'These feminised features like wider hips | 0:50:33 | 0:50:36 | |
'and enhanced breasts suggest some kind of hormone imbalance | 0:50:36 | 0:50:40 | |
'and they appear throughout the generations, including Tut himself.' | 0:50:40 | 0:50:44 | |
It's a hormonal condition, which can be passed down through | 0:50:47 | 0:50:50 | |
the genes that would cause them to look like a woman. | 0:50:50 | 0:50:52 | |
Again, this unusual condition seems to run in the family - | 0:50:57 | 0:51:01 | |
but what might cause it? | 0:51:01 | 0:51:03 | |
To narrow it down, Hutan's identified another pattern... | 0:51:16 | 0:51:20 | |
..and evidence of what it is can be found here | 0:51:21 | 0:51:24 | |
in one of the most famous sites in Ancient Egypt. | 0:51:24 | 0:51:27 | |
I wonder how many photos have been taken of that view? | 0:51:55 | 0:52:00 | |
Tourists have been coming here for millennia | 0:52:00 | 0:52:03 | |
just to marvel at the scale of it all. | 0:52:03 | 0:52:06 | |
Empires have come, empires have gone - | 0:52:06 | 0:52:09 | |
and the Sphinx has witnessed it all. | 0:52:09 | 0:52:11 | |
'The final clue to this family condition | 0:52:18 | 0:52:21 | |
'lies in an unlikely place - | 0:52:21 | 0:52:23 | |
'between the giant paws of the Sphinx. | 0:52:23 | 0:52:26 | |
'With me is Egyptologist Yasmin El Shazly.' | 0:52:29 | 0:52:32 | |
-Gosh, I've never been this close to it. -Yes. | 0:52:34 | 0:52:37 | |
-It's beautiful. -Isn't it?! It's amazing. | 0:52:37 | 0:52:39 | |
'This stone tablet is known as the Dream Stele of Thutmosis IV, | 0:52:42 | 0:52:47 | |
'who was Tut's great-grandfather... | 0:52:47 | 0:52:49 | |
'and it tells the story of a strange hallucination.' | 0:52:50 | 0:52:53 | |
It says Thutmosis IV was on a hunting trip and then | 0:52:56 | 0:53:00 | |
he decided to take a rest and he fell asleep and he had a vision. | 0:53:00 | 0:53:05 | |
Back then, the Sphinx was covered in sand up to its neck. | 0:53:10 | 0:53:14 | |
The Sphinx was telling him, "Please, if you remove the sand from my body, | 0:53:14 | 0:53:18 | |
-"I will make you king." -Right. | 0:53:18 | 0:53:19 | |
Thutmosis IV removed the sand from the body of the Sphinx | 0:53:19 | 0:53:23 | |
and cleaned the Sphinx and became king. | 0:53:23 | 0:53:25 | |
It could simply be a symbolic political statement | 0:53:31 | 0:53:34 | |
but if literally true, it suggests | 0:53:34 | 0:53:37 | |
that Tut's great-grandfather had a powerful vision. | 0:53:37 | 0:53:40 | |
Akhenaten, Tutankhamun's father, | 0:53:42 | 0:53:44 | |
is also recorded as having similar religious visions. | 0:53:44 | 0:53:48 | |
This family pattern is the final clue. | 0:53:55 | 0:53:57 | |
Hutan now believes he knows what killed Tutankhamun. | 0:54:00 | 0:54:03 | |
It's an illness that can be inherited... | 0:54:07 | 0:54:09 | |
..that causes early death, affects hormone levels... | 0:54:12 | 0:54:16 | |
..and crucially, triggers visions. | 0:54:19 | 0:54:22 | |
It can even explain the fracture in Tut's knee. | 0:54:31 | 0:54:34 | |
Adding together everything that happened in his life | 0:54:36 | 0:54:39 | |
and his whole family line - | 0:54:39 | 0:54:41 | |
if we add all that together and we say, | 0:54:41 | 0:54:44 | |
"What could describe this condition?" | 0:54:44 | 0:54:46 | |
And we have now the tangible evidence from the body with a fracture... | 0:54:46 | 0:54:51 | |
..the only thing that adds all those things at the moment | 0:54:54 | 0:54:59 | |
is that he might have had temporal lobe epilepsy. | 0:54:59 | 0:55:01 | |
It is a controversial diagnosis | 0:55:06 | 0:55:09 | |
but it does seem to make sense of a lot of the symptoms. | 0:55:09 | 0:55:12 | |
Epilepsy affects the brain, causing hallucinations, | 0:55:14 | 0:55:17 | |
it can interfere with hormone production, | 0:55:17 | 0:55:19 | |
and the seizures themselves can lead to unexpected fractures. | 0:55:19 | 0:55:24 | |
We have to think about Tutankhamun as someone who is epileptic | 0:55:27 | 0:55:30 | |
but without treatment | 0:55:30 | 0:55:32 | |
and without treatment, you have a much higher risk of having | 0:55:32 | 0:55:37 | |
unexpected falls, unexpected accidents | 0:55:37 | 0:55:40 | |
and unexpected fractures as a result. | 0:55:40 | 0:55:42 | |
So let me be clear. | 0:55:43 | 0:55:44 | |
It's not the epilepsy itself that would have killed him. | 0:55:44 | 0:55:47 | |
It's the epilepsy that could have led to a fracture, | 0:55:47 | 0:55:49 | |
-which would then have killed him? -Absolutely. | 0:55:49 | 0:55:51 | |
So the epilepsy would lead to the fracture | 0:55:51 | 0:55:54 | |
and the fracture would have all sorts of complications like bleeding | 0:55:54 | 0:55:58 | |
and infection and that's probably what killed Tutankhamun. | 0:55:58 | 0:56:00 | |
It is a radical new solution to this 3,000-year-old mystery... | 0:56:16 | 0:56:20 | |
..an illness passed on to him from earlier generations | 0:56:25 | 0:56:28 | |
and made worse by being the product of incest. | 0:56:28 | 0:56:31 | |
At the age of 19, | 0:56:39 | 0:56:41 | |
the body of Tutankhamun was put into a tomb in the Valley of the Kings... | 0:56:41 | 0:56:45 | |
..where he remained undiscovered for 3,000 years, | 0:56:49 | 0:56:52 | |
forgotten by history. | 0:56:52 | 0:56:54 | |
But in death, he achieved the goal of every Pharaoh... | 0:56:56 | 0:56:59 | |
..to cross the vast ocean of time | 0:57:05 | 0:57:08 | |
and keep his name alive... | 0:57:08 | 0:57:11 | |
..to achieve immortality. | 0:57:13 | 0:57:15 | |
This is much more than just the most famous treasure ever discovered. | 0:57:26 | 0:57:30 | |
It's more than just a mask - the mask IS Tutankhamun. | 0:57:30 | 0:57:35 | |
When people look at it, they say his name. | 0:57:36 | 0:57:39 |