Browse content similar to Alan Johnson: The Post Office and Me. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Well, I can't do that, they need to send me an e-mail. | 0:00:04 | 0:00:08 | |
OK, fine. | 0:00:08 | 0:00:09 | |
Thanks, bye. | 0:00:09 | 0:00:11 | |
'I've been an MP for nearly 20 years.' | 0:00:11 | 0:00:14 | |
I can't do that meeting for 9.30. | 0:00:14 | 0:00:17 | |
'In that time, communication has changed beyond all recognition.' | 0:00:17 | 0:00:22 | |
'I remember receiving my very first e-mail.' | 0:00:22 | 0:00:26 | |
It felt like a revolution. | 0:00:26 | 0:00:27 | |
But people do still send me letters. | 0:00:27 | 0:00:31 | |
And I'm pleased to say that most of them are delivered | 0:00:31 | 0:00:34 | |
by the Royal Mail. | 0:00:34 | 0:00:35 | |
# Wait, oh, yes, wait a minute, Mr Postman... # | 0:00:35 | 0:00:39 | |
Back in 1968, at the age of 18, I had the privilege | 0:00:39 | 0:00:43 | |
of joining that great British institution as a postman. | 0:00:43 | 0:00:46 | |
I never imagined that one day I'd become General Secretary | 0:00:48 | 0:00:51 | |
of the Postal Workers Union and ultimately be elected to Parliament. | 0:00:51 | 0:00:56 | |
So the Post Office changed my life. | 0:00:56 | 0:00:58 | |
But throughout history, it also changed Britain. | 0:00:59 | 0:01:02 | |
Now, nearly 40 years after I delivered my last letter, | 0:01:03 | 0:01:07 | |
I'm going back in time to find out how this happened. | 0:01:07 | 0:01:11 | |
It's a part of the Post Office that I never saw. | 0:01:11 | 0:01:13 | |
How the first revolution in mass communication was created here. | 0:01:13 | 0:01:18 | |
The first day cover to end all first day covers. | 0:01:18 | 0:01:21 | |
How the British Post Office became the envy of the world. | 0:01:22 | 0:01:27 | |
This is the kind of speed I used to sort it. | 0:01:27 | 0:01:29 | |
It was the perfect job for a bigamist. | 0:01:30 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
And how even in the age of e-mail, | 0:01:34 | 0:01:36 | |
our postmen and women still bind the country together. | 0:01:36 | 0:01:40 | |
Someone could come here from any part of the world, | 0:01:40 | 0:01:43 | |
they know they're in this country when they see a red pillar box. | 0:01:43 | 0:01:46 | |
# Give me a ticket for an aeroplane | 0:01:52 | 0:01:55 | |
# Ain't got time to take a fast train... # | 0:01:55 | 0:01:58 | |
Imagine for a moment that it's 1968. | 0:02:00 | 0:02:03 | |
I'm an 18-year-old postman on my way to work. | 0:02:04 | 0:02:07 | |
Six days a week, I'd cycle from Notting Hill, where I lived, | 0:02:07 | 0:02:11 | |
across Hammersmith Bridge to the sorting office on Barnes Green. | 0:02:11 | 0:02:16 | |
We had to report for duty at 5.30am. | 0:02:16 | 0:02:19 | |
And I'm sorry to say that I struggled with the early mornings. | 0:02:19 | 0:02:24 | |
But I loved the job. | 0:02:26 | 0:02:27 | |
My old sorting office has since closed down. | 0:02:28 | 0:02:31 | |
Today, the mail for my old walks in Barnes is sorted down the road, | 0:02:31 | 0:02:35 | |
here in Mortlake. | 0:02:35 | 0:02:37 | |
I've come to see what else has changed for the local London postie. | 0:02:37 | 0:02:41 | |
I sometimes have dreams about being back as a postman in Barnes. | 0:02:41 | 0:02:45 | |
I was only here for a year. | 0:02:45 | 0:02:47 | |
The ethos of being a postman meant something. | 0:02:47 | 0:02:51 | |
When I joined the General Post Office, | 0:02:51 | 0:02:54 | |
or GPO, as it was called, | 0:02:54 | 0:02:55 | |
it was actually a department of Government. | 0:02:55 | 0:02:57 | |
And us employees were uniformed civil servants. | 0:02:57 | 0:03:00 | |
The GPO had the monopoly on delivering mail | 0:03:00 | 0:03:04 | |
and it was also responsible for parcels, telephones, | 0:03:04 | 0:03:07 | |
broadcasting and a bank. | 0:03:07 | 0:03:09 | |
Today, all that has changed. | 0:03:11 | 0:03:13 | |
But I wonder, is the actual job of delivering the mail any different? | 0:03:13 | 0:03:17 | |
-Nadine, how are you? -Hello, hi. -Good to see you. | 0:03:17 | 0:03:20 | |
I've got you just as you are getting a bundle together. Good to see you. | 0:03:20 | 0:03:24 | |
You've got a lot of bulky stuff here. | 0:03:24 | 0:03:26 | |
-Do you still...? -Yes, this one is quite heavy. -Is it? -Yeah. -Yeah. | 0:03:26 | 0:03:30 | |
We used to have all the bundles and we had to number them | 0:03:30 | 0:03:33 | |
because they went into a sack, something like this. | 0:03:33 | 0:03:37 | |
And then you put it across your back and you'd tie it, | 0:03:37 | 0:03:41 | |
you'd have a penny piece there, so the string could wrap around it, | 0:03:41 | 0:03:44 | |
and tie it round there. | 0:03:44 | 0:03:46 | |
And off you'd go and step on the bus. | 0:03:46 | 0:03:48 | |
That would be your whole walk? Just that bit in the sack? | 0:03:48 | 0:03:51 | |
-Just that. -OK. -See, you think we had an easy time, didn't you? | 0:03:51 | 0:03:55 | |
-Yeah. -It was... It was awful, it was really hard. | 0:03:55 | 0:03:58 | |
You've got all this. | 0:03:59 | 0:04:00 | |
You've got all this. | 0:04:03 | 0:04:05 | |
And here, you've got another... | 0:04:05 | 0:04:08 | |
a pouch, on there as well. | 0:04:08 | 0:04:10 | |
That is incredible. You wouldn't get that lot on a bicycle. | 0:04:10 | 0:04:13 | |
Nadine is every bit a 21st-century postwoman. | 0:04:16 | 0:04:20 | |
But she delivers to most of the streets on my old round. | 0:04:20 | 0:04:24 | |
She's agreed to take me along. | 0:04:24 | 0:04:26 | |
-Is it difficult to push? -Um... -Can I have a go? | 0:04:26 | 0:04:30 | |
-Yeah, of course. -Let me have a go. | 0:04:30 | 0:04:31 | |
Oh, right, yeah. | 0:04:31 | 0:04:33 | |
Good morning. | 0:04:33 | 0:04:35 | |
Hi. | 0:04:35 | 0:04:37 | |
Good morning. | 0:04:40 | 0:04:42 | |
These are exactly the same. No change whatsoever. | 0:04:42 | 0:04:45 | |
-Can I deliver these? -Yeah. | 0:04:47 | 0:04:49 | |
It'll be my first time for, I don't know, 50 years. | 0:04:49 | 0:04:53 | |
When we had an address where there was a packet, | 0:04:54 | 0:04:57 | |
we used to turn it over that way, so it would tell you there's a packet. | 0:04:57 | 0:05:01 | |
-Yeah, that's what I do. -You still do that? | 0:05:01 | 0:05:03 | |
-Everyone does that. -Hey, something that's survived. | 0:05:03 | 0:05:06 | |
All right, you're going in here, we'll see you in a few minutes. | 0:05:06 | 0:05:10 | |
This has been absolutely wonderful. | 0:05:10 | 0:05:14 | |
It just connects... 47 years have just disappeared. | 0:05:14 | 0:05:17 | |
You're a piece of continuity in this community | 0:05:17 | 0:05:20 | |
and they like to see Nadine walking along every morning, | 0:05:20 | 0:05:25 | |
just as I hope they liked to see me when I was doing the deliveries. | 0:05:25 | 0:05:29 | |
But continuity isn't the whole story. | 0:05:31 | 0:05:33 | |
Since I joined, the business has been transformed. | 0:05:33 | 0:05:37 | |
The Royal Mail Group is now a private company | 0:05:37 | 0:05:40 | |
operating in a highly competitive global market. | 0:05:40 | 0:05:43 | |
The sale was controversial, particularly with me. | 0:05:43 | 0:05:46 | |
But it was part of a much longer story. | 0:05:46 | 0:05:48 | |
One that has seen the post | 0:05:48 | 0:05:50 | |
and its role in British society go through many transformations. | 0:05:50 | 0:05:54 | |
Because, believe it or not, the Royal Mail is now 500 years old. | 0:05:56 | 0:06:01 | |
Henry VIII founded the Royal Mail as long ago as 1516. | 0:06:09 | 0:06:14 | |
And in the centuries that followed, | 0:06:14 | 0:06:16 | |
it grew into a network that was the envy of the world. | 0:06:16 | 0:06:20 | |
By the late 18th century, | 0:06:20 | 0:06:22 | |
the postal system worked well for the upper crust. | 0:06:22 | 0:06:25 | |
But for ordinary people, | 0:06:25 | 0:06:27 | |
sending a simple letter was completely unaffordable. | 0:06:27 | 0:06:30 | |
And there was another, | 0:06:30 | 0:06:31 | |
perhaps even more serious problem with the system. | 0:06:31 | 0:06:34 | |
The price of postage wasn't paid by the person sending a letter, | 0:06:34 | 0:06:38 | |
but by the unfortunate recipient. | 0:06:38 | 0:06:41 | |
Historian Dominic Sandbrook is an expert in British social history. | 0:06:43 | 0:06:49 | |
At that point, in the sort of 1830s, | 0:06:49 | 0:06:51 | |
you know, you got a letter, you had to pay for it. | 0:06:51 | 0:06:54 | |
You had to pay so much per sheet. | 0:06:54 | 0:06:57 | |
Yeah, so people dreaded the arrival of the postman. | 0:06:57 | 0:07:00 | |
Particularly people further down the social scale | 0:07:00 | 0:07:03 | |
because the postman pitches up with a letter five pages long, | 0:07:03 | 0:07:06 | |
from your point of view, that's a nightmare. | 0:07:06 | 0:07:08 | |
You've got to find the money from somewhere. | 0:07:08 | 0:07:10 | |
There are stories of people who'd refuse to have letters | 0:07:10 | 0:07:12 | |
or would communicate with one another with a code on the envelope. | 0:07:12 | 0:07:17 | |
So you'd look at the envelope, you'd see the code and say, | 0:07:17 | 0:07:20 | |
"No, thank you, I don't want to pay for it." | 0:07:20 | 0:07:22 | |
But you'd have got the message anyway. | 0:07:22 | 0:07:24 | |
But by the early 19th century, change was coming. | 0:07:26 | 0:07:29 | |
In 1835, a man by the name of Rowland Hill took it upon himself | 0:07:30 | 0:07:36 | |
to revolutionise the British postal system. | 0:07:36 | 0:07:40 | |
Duncan Campbell-Smith has written an official history of the Royal Mail. | 0:07:40 | 0:07:44 | |
He's come to know Rowland Hill well. | 0:07:44 | 0:07:46 | |
I've heard him described as a very early special adviser, | 0:07:46 | 0:07:50 | |
-what we would call a special adviser. -Yeah. | 0:07:50 | 0:07:53 | |
He wasn't part of the Post Office. | 0:07:53 | 0:07:55 | |
Not at all, the Post Office loathed him, they thought he was mad. | 0:07:55 | 0:07:59 | |
And they were only half wrong. | 0:07:59 | 0:08:01 | |
He was a man of fierce self-belief... | 0:08:01 | 0:08:04 | |
..and utter conviction that he was going to change the world. | 0:08:05 | 0:08:09 | |
He just didn't know in what way. | 0:08:09 | 0:08:11 | |
The Old Post Office, as it was always referred to, | 0:08:11 | 0:08:15 | |
was ripe for reform. | 0:08:15 | 0:08:17 | |
Hill set out his radical ideas in a pamphlet entitled | 0:08:17 | 0:08:21 | |
Post Office Reform, Its Importance And Practicability. | 0:08:21 | 0:08:25 | |
In it, Hill laid the foundations | 0:08:25 | 0:08:27 | |
for a complete revolution in mass communication. | 0:08:27 | 0:08:31 | |
The gist of it was three big ideas. | 0:08:32 | 0:08:34 | |
The first one was prepayment. | 0:08:34 | 0:08:36 | |
The second is one price. | 0:08:36 | 0:08:39 | |
This is a really radical idea. | 0:08:39 | 0:08:41 | |
So all these dozens, hundreds of clerks, sitting there, | 0:08:41 | 0:08:45 | |
poring over every individual letter to work out where its address is | 0:08:45 | 0:08:48 | |
and decide what the price of it should be, | 0:08:48 | 0:08:51 | |
all that's gone, we'll have one price. | 0:08:51 | 0:08:52 | |
And the third of the three big points - | 0:08:52 | 0:08:55 | |
a real shocker to all his contemporaries, many of whom said | 0:08:55 | 0:08:59 | |
look, this is rather mad - we'll have one price, it'll be one penny. | 0:08:59 | 0:09:03 | |
Hill's ideas didn't make him popular with the Post Office's hierarchy. | 0:09:05 | 0:09:09 | |
But in Victorian England, | 0:09:09 | 0:09:11 | |
the urge for reform often shifted the status quo. | 0:09:11 | 0:09:15 | |
He had this enormous amount of flak. | 0:09:15 | 0:09:18 | |
But what he was able to capitalise on, I think, | 0:09:18 | 0:09:20 | |
was the argument that this is a country which is itching | 0:09:20 | 0:09:24 | |
to throw itself into consumerism and into trade and this kind of thing. | 0:09:24 | 0:09:28 | |
And this reform, this is what will benefit. | 0:09:28 | 0:09:31 | |
Of course, it wasn't just ordinary people who benefited, | 0:09:31 | 0:09:34 | |
businesses benefited hugely from the penny post. | 0:09:34 | 0:09:36 | |
So, in 1839, Rowland Hill was parachuted into the Post Office | 0:09:37 | 0:09:42 | |
on a mission to shake things up. | 0:09:42 | 0:09:44 | |
And one of the first changes he introduced would turn out to be | 0:09:44 | 0:09:48 | |
his most famous invention of all. | 0:09:48 | 0:09:50 | |
It was a solution to the problem of how postage should be prepaid. | 0:09:50 | 0:09:55 | |
He said, well, the way we'll do it is | 0:09:55 | 0:09:57 | |
we'll have huge piles of prepaid stationery at post offices. | 0:09:57 | 0:10:03 | |
So you go in with your letter | 0:10:03 | 0:10:06 | |
and you can take this prepaid bit of stationery | 0:10:06 | 0:10:08 | |
and wrap it around your letter, | 0:10:08 | 0:10:10 | |
or you can write it on the prepaid stationery, and then people said, | 0:10:10 | 0:10:13 | |
"Well, you know, that's not going to work very well because | 0:10:13 | 0:10:17 | |
"what happens if the person who comes in is somebody's servant | 0:10:17 | 0:10:20 | |
"and they're illiterate, they won't be able to write." | 0:10:20 | 0:10:23 | |
In other words, you have to have a piece of prepaid literature | 0:10:23 | 0:10:26 | |
which is more portable than that, | 0:10:26 | 0:10:28 | |
so it doesn't just have to sit inside a post office, | 0:10:28 | 0:10:31 | |
people could have it in their homes or something. | 0:10:31 | 0:10:33 | |
Ah! What we'll do is we'll take a little piece of paper, | 0:10:33 | 0:10:37 | |
and this is where you get this famous bit of paper | 0:10:37 | 0:10:40 | |
covered at the back with glutinous wash | 0:10:40 | 0:10:43 | |
known to us as a stamp. | 0:10:43 | 0:10:46 | |
The world's first postage stamp, | 0:10:48 | 0:10:51 | |
the iconic Penny Black, has become a collectors' item. | 0:10:51 | 0:10:54 | |
They still sell for big money. | 0:10:55 | 0:10:58 | |
But to see the most precious examples | 0:10:58 | 0:11:00 | |
of this revolutionary British invention, | 0:11:00 | 0:11:03 | |
you need a very special invitation. | 0:11:03 | 0:11:05 | |
At a secret location, deep inside one of London's Royal palaces, | 0:11:05 | 0:11:10 | |
what is possibly the world's greatest stamp collection | 0:11:10 | 0:11:13 | |
is kept under lock and key. | 0:11:13 | 0:11:15 | |
Begun by King Edward VII, | 0:11:16 | 0:11:18 | |
it was expanded by avid philatelist George V. | 0:11:18 | 0:11:22 | |
The collection is now the private property of the Queen | 0:11:22 | 0:11:26 | |
and it's worth untold millions. | 0:11:26 | 0:11:28 | |
Its keeper, Michael Sefi, has agreed to let me take a look. | 0:11:28 | 0:11:32 | |
Wow. | 0:11:32 | 0:11:34 | |
So, this is the stamp collection to end all stamp collections, I'd think. | 0:11:34 | 0:11:39 | |
328 albums which consist of | 0:11:39 | 0:11:43 | |
around 50 pages in each album. | 0:11:43 | 0:11:47 | |
I think, of its kind, | 0:11:47 | 0:11:49 | |
it's the finest collection there is because the coverage is so wide. | 0:11:49 | 0:11:53 | |
In that it's Great Britain and the Commonwealth, | 0:11:55 | 0:11:58 | |
or Empire, as was then. | 0:11:58 | 0:11:59 | |
Rowland Hill might have come up with the idea of the postage stamp, | 0:12:02 | 0:12:06 | |
but he didn't know how it should be designed. | 0:12:06 | 0:12:09 | |
So he launched a competition which attracted thousands of entries. | 0:12:09 | 0:12:13 | |
The Royal Collection contains some fascinating examples of these | 0:12:13 | 0:12:17 | |
"might have been" stamp designs. | 0:12:17 | 0:12:21 | |
The need for reform had to be accompanied | 0:12:21 | 0:12:24 | |
with a different method of payment for postage, | 0:12:24 | 0:12:27 | |
which up until then had been done on the basis of distance, | 0:12:27 | 0:12:30 | |
which was a known feature, and how many sheets you had. | 0:12:30 | 0:12:33 | |
So, this competition was held in 1839 | 0:12:33 | 0:12:36 | |
under the supervision of Rowland Hill, by the Treasury, | 0:12:36 | 0:12:40 | |
asking the public for ideas | 0:12:40 | 0:12:42 | |
about how the postal services could be reformed. | 0:12:42 | 0:12:46 | |
And one of my favourites is this. | 0:12:46 | 0:12:49 | |
This was an idea for a stamp booklet. | 0:12:49 | 0:12:51 | |
Right, by John Little. | 0:12:51 | 0:12:53 | |
-John Little. -To the Treasury. -To the Treasury. | 0:12:53 | 0:12:56 | |
And he said... Let's have... | 0:12:56 | 0:12:58 | |
But his artwork hardly has... | 0:12:58 | 0:13:01 | |
-Wasn't so good! -I mean, the Queen with a moustache. | 0:13:01 | 0:13:05 | |
-Yes. -That's meant to be the Queen. | 0:13:05 | 0:13:07 | |
But this was an idea that was, what, 70 years before its time? | 0:13:07 | 0:13:12 | |
-Yes, stamp books didn't arrive... -Until 1904. -1904. Goodness gracious. | 0:13:12 | 0:13:16 | |
And this was bought by the Queen. | 0:13:17 | 0:13:20 | |
She approved the purchase. | 0:13:20 | 0:13:22 | |
But only if we realised enough by selling duplicates. | 0:13:22 | 0:13:27 | |
And we bought this for £250,000. | 0:13:27 | 0:13:30 | |
It's the first day cover to end all first day covers. | 0:13:33 | 0:13:37 | |
Because it has a block of ten of the Penny Black used on 6 May 1840, | 0:13:37 | 0:13:41 | |
which was the first day of use. | 0:13:41 | 0:13:43 | |
And the next largest multiple on a cover is a pair. | 0:13:43 | 0:13:46 | |
Well, how wonderful. | 0:13:46 | 0:13:49 | |
Today, we take the post for granted. | 0:13:50 | 0:13:53 | |
Sometimes even deriding it as snail mail. | 0:13:53 | 0:13:55 | |
We think of it as something old-fashioned. | 0:13:55 | 0:13:58 | |
But the creation of the uniform penny post was one of | 0:13:58 | 0:14:01 | |
the most transformative innovations in all of British history. | 0:14:01 | 0:14:05 | |
At a stroke, Rowland Hill had laid the foundations | 0:14:05 | 0:14:08 | |
for mass communication. He had democratised the mail. | 0:14:08 | 0:14:12 | |
You could compare it with the impact of e-mails in the 1990s. | 0:14:13 | 0:14:17 | |
I think it was even more of a momentous event, actually, | 0:14:17 | 0:14:21 | |
-in the history of communication, writ large, than e-mails. -Yes. | 0:14:21 | 0:14:25 | |
Suddenly, for the first time in history, | 0:14:25 | 0:14:28 | |
people with no money at all, or next to no money, | 0:14:28 | 0:14:31 | |
can communicate with their relatives on the other side of the country. | 0:14:31 | 0:14:34 | |
It was a huge breakthrough. | 0:14:34 | 0:14:36 | |
Under Rowland Hill, Britain's postal system | 0:14:36 | 0:14:38 | |
became a model for the whole world. | 0:14:38 | 0:14:40 | |
And since this was the time when proper government archives | 0:14:40 | 0:14:44 | |
were being set up, its records still exist. | 0:14:44 | 0:14:47 | |
Today, this extraordinary collection is looked after | 0:14:47 | 0:14:51 | |
by the British Postal Museum and Archive. | 0:14:51 | 0:14:53 | |
The objects here tell the story of how the Post Office changed Britain. | 0:14:53 | 0:14:58 | |
Curator Vicky Parkinson has picked out one intriguing example | 0:14:58 | 0:15:01 | |
for me to have a look at. | 0:15:01 | 0:15:03 | |
This was the first idea, 1838, of dividing London up in districts, | 0:15:04 | 0:15:10 | |
identifying what Greater London was. | 0:15:10 | 0:15:12 | |
Because if you look, | 0:15:12 | 0:15:13 | |
-it goes out, Croydon is down here and it goes up to Cheshunt. -Right. | 0:15:13 | 0:15:17 | |
-Which is the kind of border of Greater London now. -Yeah. | 0:15:17 | 0:15:22 | |
This is fascinating because it's the precursor to postcodes | 0:15:22 | 0:15:25 | |
-that came in 100-odd years later. -In its infancy, yeah. | 0:15:25 | 0:15:28 | |
If you have a look, you can see there are two areas | 0:15:28 | 0:15:31 | |
that don't exist any more. | 0:15:31 | 0:15:32 | |
And I know exactly what those are because I had to learn | 0:15:32 | 0:15:36 | |
the London postal districts as part of my training. | 0:15:36 | 0:15:38 | |
-North Eastern and Southern. -Indeed. Southern didn't last very long. | 0:15:38 | 0:15:42 | |
If you look at the areas, it's quite a rural area, | 0:15:42 | 0:15:45 | |
so they split that between South East and South West. | 0:15:45 | 0:15:49 | |
North East didn't go until 1875. | 0:15:49 | 0:15:51 | |
And that was only less than 25 years | 0:15:51 | 0:15:54 | |
since the creation of the postal districts. | 0:15:54 | 0:15:56 | |
But there was already that connotation of a district | 0:15:56 | 0:16:00 | |
denoting social status | 0:16:00 | 0:16:01 | |
because there were so many complaints from people, | 0:16:01 | 0:16:04 | |
particularly ones who didn't want to move from NE to E | 0:16:04 | 0:16:08 | |
because there was that snobbery there already. | 0:16:08 | 0:16:10 | |
So we have a letter from a doctor in Hackney who basically | 0:16:10 | 0:16:15 | |
complains bitterly because he thinks he's going to lose his business | 0:16:15 | 0:16:18 | |
-if people have to come to a doctor who is an E post. -In east London. | 0:16:18 | 0:16:22 | |
Because that was the working-class, | 0:16:22 | 0:16:24 | |
where the less refined population of London lived. | 0:16:24 | 0:16:27 | |
There are still...NE road signs in Clapton to this day. | 0:16:27 | 0:16:32 | |
-They've still got North East? -They've still got NE, yeah. | 0:16:32 | 0:16:35 | |
Between 1840 and 1920, the volume of mail being carried | 0:16:36 | 0:16:40 | |
rose from about 80 million items a year to almost 6 billion. | 0:16:40 | 0:16:45 | |
And during this period, the Post Office was becoming | 0:16:46 | 0:16:49 | |
more than just a useful service. | 0:16:49 | 0:16:51 | |
It was changing the very relationship | 0:16:51 | 0:16:53 | |
between the Government and the citizen. | 0:16:53 | 0:16:56 | |
I can't think of a comparable example so early, actually, | 0:16:56 | 0:16:59 | |
of the state being a kind of benign servant of the people. | 0:16:59 | 0:17:03 | |
Generally, when you came into contact with the state, you know, | 0:17:03 | 0:17:07 | |
the Post Office apart, right up to the 20th century, | 0:17:07 | 0:17:10 | |
the state was making your life a misery in one way or another. | 0:17:10 | 0:17:13 | |
It was trying to stop you having fun, or tell you what to do, | 0:17:13 | 0:17:15 | |
or take some of your money or all these kinds of things. | 0:17:15 | 0:17:18 | |
The idea that the state was there to help you was an outlandish idea. | 0:17:18 | 0:17:22 | |
And I think the Post Office, its image, | 0:17:22 | 0:17:25 | |
and the image of the postman, changed almost overnight. | 0:17:25 | 0:17:27 | |
Suddenly, the Post Office was woven into the fabric of daily life | 0:17:27 | 0:17:31 | |
in a way it simply hadn't been before then. | 0:17:31 | 0:17:34 | |
By the 1890s, a network of 25,000 sub post offices | 0:17:35 | 0:17:40 | |
had sprung up right across the country. | 0:17:40 | 0:17:43 | |
This was probably the most extensive communication network in the world. | 0:17:43 | 0:17:48 | |
At Blists Hill Museum in Shropshire, | 0:17:48 | 0:17:50 | |
you can visit a typical late-19th-century sub post office | 0:17:50 | 0:17:55 | |
and find out how it worked. | 0:17:55 | 0:17:56 | |
-Good morning, Postmaster. -Good morning. | 0:17:59 | 0:18:01 | |
And how are you on this fine day... | 0:18:01 | 0:18:04 | |
-I'm very fine, thank you, sir, and yourself? -..in 1890? | 0:18:04 | 0:18:07 | |
I'm very well, thank you. | 0:18:07 | 0:18:08 | |
Much like today, a post office like this would sell | 0:18:08 | 0:18:12 | |
stationery and writing supplies. | 0:18:12 | 0:18:14 | |
But the one thing it wouldn't sell | 0:18:14 | 0:18:16 | |
was something we take for granted today - an envelope. | 0:18:16 | 0:18:19 | |
What you've done is you've wrote your letter, | 0:18:19 | 0:18:23 | |
you're using the back of the letter as the envelope. | 0:18:23 | 0:18:26 | |
So we're leaving a tab right at the top there. | 0:18:26 | 0:18:30 | |
And then we fold that tab over. | 0:18:30 | 0:18:32 | |
Ah, cos you didn't have an envelope, in those days. | 0:18:32 | 0:18:35 | |
No, you're literally using the back of the letter. | 0:18:35 | 0:18:38 | |
Envelopes came later, yeah. | 0:18:38 | 0:18:39 | |
And then we're putting a dozen drops of wax on here. | 0:18:39 | 0:18:42 | |
Crikey, it's quite a long process. | 0:18:42 | 0:18:45 | |
It is, it's very slow. | 0:18:45 | 0:18:47 | |
-Then we would put that out in a candle snuffer. -And then the seal. | 0:18:47 | 0:18:51 | |
And then we'd just drop it on there and just wait for that to dry. | 0:18:51 | 0:18:54 | |
Two fingers either side and pull straight off. | 0:18:54 | 0:18:57 | |
There's your seal. The best postal service in the world at that time. | 0:18:57 | 0:19:00 | |
And everybody else followed suit | 0:19:00 | 0:19:02 | |
-and tried to keep up with the British GPO. -Indeed, very much so. | 0:19:02 | 0:19:05 | |
I think it's impossible to exaggerate what it meant | 0:19:06 | 0:19:10 | |
for individuals and families. | 0:19:10 | 0:19:12 | |
You know, in the days before the penny post, | 0:19:12 | 0:19:15 | |
if your aunt went off to Aberdeen, that's it, bye-bye, | 0:19:15 | 0:19:20 | |
you probably wouldn't hear from her. | 0:19:20 | 0:19:22 | |
And the transformation between that and the world where... | 0:19:22 | 0:19:25 | |
You know, people would go for a day trip to Blackpool | 0:19:25 | 0:19:29 | |
and they would send their parents a postcard before lunch | 0:19:29 | 0:19:34 | |
to say I'll be back home at 5.30. | 0:19:34 | 0:19:37 | |
And such was the post that if you lived near enough by, | 0:19:37 | 0:19:40 | |
they could have got it before you got home. | 0:19:40 | 0:19:42 | |
And this notice to the public, so this is | 0:19:42 | 0:19:45 | |
"by command of the Postmaster General, notice to the public. | 0:19:45 | 0:19:49 | |
"Rapid delivery of letters." | 0:19:49 | 0:19:51 | |
This is GPO, May 1849, | 0:19:51 | 0:19:54 | |
nine years after Rowland Hill introduced the penny post. | 0:19:54 | 0:19:57 | |
"The Postmaster General is desirous of calling attention | 0:19:57 | 0:20:00 | |
"to the greater rapidity of delivery which would obviously be consequent | 0:20:00 | 0:20:04 | |
"on the general adoption of street-door letterboxes, or slits, | 0:20:04 | 0:20:09 | |
"in private dwelling houses, | 0:20:09 | 0:20:10 | |
"and indeed wherever the postman is at present kept waiting." | 0:20:10 | 0:20:14 | |
This is the letterbox, | 0:20:14 | 0:20:15 | |
he is telling people to cut a hole in their front door | 0:20:15 | 0:20:19 | |
to make it easier for the postman to put the letters through. | 0:20:19 | 0:20:23 | |
I only wish he'd added on there, for the sake of poor postmen like me, | 0:20:23 | 0:20:28 | |
"Please, put them at an acceptable height. | 0:20:28 | 0:20:32 | |
"Don't put them right down near the pavement." | 0:20:32 | 0:20:35 | |
Which means it's the greatest cause of bad backs for postmen. | 0:20:35 | 0:20:41 | |
Today, the Post Office is still publicly owned, | 0:20:42 | 0:20:44 | |
but it's a different company from Royal Mail. | 0:20:44 | 0:20:47 | |
There are now post office counters | 0:20:47 | 0:20:49 | |
inside a wide range of high street shops. | 0:20:49 | 0:20:52 | |
But, for some rural communities, | 0:20:52 | 0:20:54 | |
that old idea of the sub post office as the hub of the village lives on. | 0:20:54 | 0:20:59 | |
# Wait! Oh, yes, wait a minute, Mr postman | 0:20:59 | 0:21:03 | |
# Wait! Wait, Mr postman... # | 0:21:03 | 0:21:07 | |
A few years ago, the Post Office and shop here in Dunsfold, Surrey, | 0:21:11 | 0:21:17 | |
was under threat of closure. | 0:21:17 | 0:21:19 | |
So the local people clubbed together and bought it, | 0:21:19 | 0:21:22 | |
and despite stiff competition from FedEx, DHL and all the rest, | 0:21:22 | 0:21:26 | |
it seems to be thriving. | 0:21:26 | 0:21:28 | |
Could I have these two newspapers, please? | 0:21:28 | 0:21:30 | |
You're part of the local community, you are volunteering? | 0:21:30 | 0:21:33 | |
I am a volunteer and a shareholder. | 0:21:33 | 0:21:36 | |
-Right, so, everyone who... -As we all are. | 0:21:36 | 0:21:39 | |
Or at least as many of us who wanted to be. | 0:21:39 | 0:21:41 | |
And that was most people would put something in? | 0:21:41 | 0:21:43 | |
I think a fair proportion of people did, but it wasn't compulsory. | 0:21:43 | 0:21:47 | |
But we wanted to save the shop. | 0:21:47 | 0:21:49 | |
The thing is, you hear the gossip first here? | 0:21:49 | 0:21:52 | |
You hear the gossip here first and, yes, | 0:21:52 | 0:21:55 | |
if you want to know anything, you know... | 0:21:55 | 0:21:58 | |
-It's not so much the local newspaper, it's what you hear here. -I love it. | 0:21:58 | 0:22:01 | |
But it must be great, particularly people who are elderly, | 0:22:01 | 0:22:04 | |
living on their own, to have this place to come to | 0:22:04 | 0:22:07 | |
-where it stops them feeling isolated. -Exactly. -Lonely. | 0:22:07 | 0:22:10 | |
So it's a proper community resource. Marvellous. | 0:22:10 | 0:22:13 | |
-There should be more of them. Thank you for my newspapers. -Pleasure. | 0:22:13 | 0:22:17 | |
And the proud tradition of the sub postmistress is also being | 0:22:17 | 0:22:21 | |
upheld here by Annie Wace. | 0:22:21 | 0:22:23 | |
The Post Office came under threat of closure. | 0:22:23 | 0:22:26 | |
We did, and in 2008 we almost lost this Post Office. | 0:22:26 | 0:22:29 | |
We went out to the village and said, | 0:22:29 | 0:22:31 | |
"How much does this Post Office mean to you? | 0:22:31 | 0:22:33 | |
"How much does this little shop mean to you?" | 0:22:33 | 0:22:36 | |
And that quick, we signed a petition and we saved this Post Office. | 0:22:36 | 0:22:40 | |
-And it's fun. -If the shop had gone, | 0:22:40 | 0:22:42 | |
-the Post Office would have gone as well. -That's right. | 0:22:42 | 0:22:44 | |
So we work in tandem with each other | 0:22:44 | 0:22:46 | |
because they come in obviously to post their parcels, | 0:22:46 | 0:22:48 | |
but while they're here, they can get things they need, | 0:22:48 | 0:22:51 | |
or while they're waiting, | 0:22:51 | 0:22:53 | |
"I forgot milk today, I need tea, I need bread." | 0:22:53 | 0:22:55 | |
-This is incredible. Dry cleaning. -Everything. -Off-licence, newsagent. | 0:22:55 | 0:23:00 | |
-So yeah, it's lovely. -But it's also the hub for this rural community. | 0:23:00 | 0:23:04 | |
It's what keeps everything going. | 0:23:04 | 0:23:06 | |
I think this place is a real inspiration. | 0:23:09 | 0:23:12 | |
And it reminds me of my second job with the Royal Mail | 0:23:12 | 0:23:15 | |
when I left London behind | 0:23:15 | 0:23:16 | |
and moved out to Buckinghamshire with my young family. | 0:23:16 | 0:23:20 | |
From there, my new delivery route took me right out | 0:23:21 | 0:23:24 | |
into the countryside, which for a city boy like me was heaven. | 0:23:24 | 0:23:27 | |
I had become a proper rural postman. | 0:23:29 | 0:23:32 | |
Here in Dunsfold, that tradition is alive and well. | 0:23:32 | 0:23:35 | |
The sorting office is a shed behind the shop. | 0:23:35 | 0:23:39 | |
And the daily delivery round covers miles of country lanes | 0:23:39 | 0:23:42 | |
and isolated addresses. | 0:23:42 | 0:23:44 | |
Postman Dave knows it like the back of his hand. | 0:23:44 | 0:23:47 | |
I have to say, Dave, these were not... | 0:23:47 | 0:23:51 | |
-Shorts were not part of the uniform. -I know. | 0:23:51 | 0:23:53 | |
-Indeed, the collar and tie and a waistcoat. -That's it. | 0:23:53 | 0:23:57 | |
-I've still got my ties. -Have you? | 0:23:57 | 0:23:59 | |
I did a delivery like this, Littleworth Common, | 0:23:59 | 0:24:03 | |
which was a rural delivery, had about 120 drops. | 0:24:03 | 0:24:06 | |
-You've got about, what...? -About 190. -190, a bit more. | 0:24:06 | 0:24:10 | |
But, you know, rather than Acacia Avenue, numbers 2 to 40, | 0:24:10 | 0:24:16 | |
these are all rural addresses. | 0:24:16 | 0:24:18 | |
Friar's Cross Cottages. Wilcot. Timbers. | 0:24:18 | 0:24:22 | |
Hurlands. | 0:24:22 | 0:24:23 | |
So it's a completely different world, being a rural postman, isn't it? | 0:24:23 | 0:24:28 | |
-Yeah. From the town one, yeah. -You know your customers. | 0:24:28 | 0:24:33 | |
-Yeah, I know their first name, second name. -You know the families. | 0:24:33 | 0:24:37 | |
That's it. | 0:24:37 | 0:24:38 | |
# Return to sender | 0:24:39 | 0:24:42 | |
# Return to sender | 0:24:43 | 0:24:45 | |
# I gave a letter to the postman | 0:24:47 | 0:24:50 | |
# He put it in his sack | 0:24:50 | 0:24:53 | |
# By early next morning | 0:24:54 | 0:24:57 | |
# He brought my letter back | 0:24:57 | 0:25:00 | |
# She wrote upon it... # | 0:25:00 | 0:25:02 | |
How long did it take you to learn this route? | 0:25:02 | 0:25:04 | |
-Did you get a week's tuition kind of thing? -No, one day. -One day?! | 0:25:05 | 0:25:10 | |
Yeah, one day. | 0:25:10 | 0:25:12 | |
I had to learn this one. | 0:25:12 | 0:25:14 | |
# We had a quarrel... # | 0:25:16 | 0:25:18 | |
-Hello. -Good morning. | 0:25:19 | 0:25:22 | |
How much do you rely on Royal Mail still? | 0:25:22 | 0:25:24 | |
-It's a very, very important service here. -It is? | 0:25:24 | 0:25:27 | |
We use it for all our parcels outgoing, | 0:25:27 | 0:25:30 | |
so we use the Post Office as well in the village. | 0:25:30 | 0:25:32 | |
You can't send parcels through the internet, that's for sure. | 0:25:32 | 0:25:35 | |
-That's right. -It strikes me that Dave is the person | 0:25:35 | 0:25:38 | |
that kind of holds all this together. | 0:25:38 | 0:25:40 | |
We couldn't survive without him. | 0:25:40 | 0:25:42 | |
-See you. -Cheers, Dave, see you tomorrow. | 0:25:42 | 0:25:44 | |
# She wrote upon it | 0:25:44 | 0:25:46 | |
# Return to sender | 0:25:46 | 0:25:49 | |
# Address unknown... # | 0:25:49 | 0:25:52 | |
I had an Irish wolfhound on the delivery I did. | 0:25:55 | 0:25:58 | |
And it was huge, up to there, looked you in the eye as you went in. | 0:25:58 | 0:26:02 | |
And it insisted on taking you by the elbow | 0:26:02 | 0:26:04 | |
and just guiding you to the front door. | 0:26:04 | 0:26:06 | |
That's what it wanted to do. | 0:26:06 | 0:26:08 | |
# And if it comes back the very next day | 0:26:08 | 0:26:11 | |
# Then I'll understand... # | 0:26:11 | 0:26:14 | |
It looked to me like you had a narrow escape there. | 0:26:15 | 0:26:17 | |
-No, no, he's all right. -Was he all right? -Yeah. | 0:26:17 | 0:26:19 | |
Cos tiny dogs nip just as hard as the big ones. | 0:26:19 | 0:26:22 | |
I was just letting him sniff me first and then he was fine. | 0:26:22 | 0:26:26 | |
# No such zone... # | 0:26:26 | 0:26:28 | |
It's another "Beware of the dog". | 0:26:30 | 0:26:32 | |
-Yeah, they haven't even got a dog. -Haven't they? -No. | 0:26:33 | 0:26:37 | |
-So this is another small business? -Yeah. | 0:26:41 | 0:26:44 | |
Operating in the middle of the countryside. | 0:26:44 | 0:26:46 | |
-Yeah, Magnum Enterprises. -Right. | 0:26:46 | 0:26:48 | |
-I'm Alan Johnson. -Nice to meet you. | 0:26:48 | 0:26:50 | |
I'm just following Dave on his round. | 0:26:50 | 0:26:52 | |
Thank you very much. | 0:26:52 | 0:26:54 | |
To see how important the Post Office is | 0:26:54 | 0:26:56 | |
to communities out in rural areas like this. | 0:26:56 | 0:26:58 | |
You need the post to run the business? | 0:26:58 | 0:27:02 | |
We couldn't live without the Post Office really. | 0:27:02 | 0:27:05 | |
Really, not even with the internet? And new technologies? | 0:27:05 | 0:27:07 | |
Well, we have changed a little bit, | 0:27:07 | 0:27:10 | |
but, look, we still have post here | 0:27:10 | 0:27:14 | |
-early in the morning. -Cheques and orders. Right. | 0:27:14 | 0:27:18 | |
-And this is a clothing company. -Industry, yes, that's right. | 0:27:18 | 0:27:21 | |
We supply schools and private businesses. | 0:27:21 | 0:27:26 | |
Does he collect your letters to go out as well? | 0:27:26 | 0:27:28 | |
Not now, but we're working on that | 0:27:28 | 0:27:30 | |
because now we are trying to make selling through the internet. | 0:27:30 | 0:27:34 | |
So now we are starting to do that. | 0:27:34 | 0:27:35 | |
-So he can take... -So he can take all the packages and the rest. | 0:27:35 | 0:27:39 | |
-It was lovely to meet you, thank you very much. -And you, bye-bye. | 0:27:39 | 0:27:43 | |
# Return to sender... # | 0:27:43 | 0:27:45 | |
These businesses won't just be using Royal Mail. | 0:27:45 | 0:27:48 | |
Since its monopoly ended in 2000, | 0:27:48 | 0:27:51 | |
plenty of other companies have started delivering here. | 0:27:51 | 0:27:54 | |
But Dave and Annie do seem to be part of this community. | 0:27:56 | 0:27:59 | |
Maybe they've got history to thank for that. | 0:28:01 | 0:28:03 | |
Because throughout the 20th century, | 0:28:07 | 0:28:09 | |
the Post Office grew into a monumental | 0:28:09 | 0:28:12 | |
and ubiquitous feature of British society. | 0:28:12 | 0:28:15 | |
By 1934, it employed a quarter of a million people. | 0:28:16 | 0:28:21 | |
It offered a promising career path. | 0:28:21 | 0:28:23 | |
And workers were represented by | 0:28:23 | 0:28:25 | |
one of the best organised unions in the country, | 0:28:25 | 0:28:28 | |
the Post Office Workers Union, | 0:28:28 | 0:28:29 | |
later the Union of Communication Workers, | 0:28:29 | 0:28:31 | |
of which I was General Secretary. | 0:28:31 | 0:28:33 | |
And it didn't just deliver letters, | 0:28:33 | 0:28:35 | |
it ran the telegraph and telephone systems as well. | 0:28:35 | 0:28:38 | |
This recruitment film, called A Job In A Million, from 1934, | 0:28:40 | 0:28:44 | |
shows how school leavers as young as 14 | 0:28:44 | 0:28:47 | |
were keen to join up as telegram boys. | 0:28:47 | 0:28:49 | |
We take boys in from all types of homes. | 0:28:49 | 0:28:52 | |
For some boys, it is not so easy to study at home in the evenings. | 0:28:52 | 0:28:56 | |
Others are more fortunate. | 0:28:56 | 0:28:58 | |
But in the Post Office, each boy is given an equal chance. | 0:28:58 | 0:29:01 | |
Now, we want our boys to be happy | 0:29:01 | 0:29:03 | |
and we want to help them out of their difficulties. | 0:29:03 | 0:29:06 | |
So come up and see me if ever you are in that position. | 0:29:06 | 0:29:09 | |
Above all, the Post Office was beginning to embody a new idea - | 0:29:10 | 0:29:14 | |
the spirit of public service. | 0:29:14 | 0:29:16 | |
This spirit was often at its strongest not out on delivery, | 0:29:16 | 0:29:21 | |
but where I started off working, in the sorting office. | 0:29:21 | 0:29:25 | |
Conditions weren't great - it was dusty, stuffy, | 0:29:25 | 0:29:29 | |
and you worked standing up. | 0:29:29 | 0:29:31 | |
But there was a sense of teamwork, of camaraderie, | 0:29:31 | 0:29:34 | |
and the satisfaction of getting the job done against the clock. | 0:29:34 | 0:29:38 | |
There was a huge network of these offices right across the country. | 0:29:38 | 0:29:42 | |
And some of them actually crossed the country. | 0:29:42 | 0:29:45 | |
Starting in 1858, travelling post offices began crisscrossing | 0:29:48 | 0:29:53 | |
the nation through the night, their staff sorting the mail as they went. | 0:29:53 | 0:29:58 | |
These were the men commemorated in the famous film Night Mail. | 0:29:58 | 0:30:02 | |
This is the night mail crossing the Border | 0:30:04 | 0:30:06 | |
Bringing the cheque and the postal order | 0:30:06 | 0:30:08 | |
Letters for the rich, letters for the poor | 0:30:08 | 0:30:10 | |
The shop at the corner, the girl next door. | 0:30:10 | 0:30:13 | |
Pulling up Beattock, a steady climb | 0:30:13 | 0:30:15 | |
The gradient's against her, but she's on time... | 0:30:15 | 0:30:18 | |
Here at the Nene Valley Railway, | 0:30:20 | 0:30:22 | |
they've got one of the best surviving examples of the TPO, | 0:30:22 | 0:30:26 | |
or Travelling Post Office. | 0:30:26 | 0:30:28 | |
They've also got a chap who worked on one - Brian White. | 0:30:30 | 0:30:34 | |
I love this. | 0:30:35 | 0:30:37 | |
I'd forgotten about this. | 0:30:37 | 0:30:38 | |
-So, as they pulled into each station, you could post a letter. -Oh, yes. | 0:30:38 | 0:30:42 | |
Why were they sorting as they travelled along? | 0:30:42 | 0:30:46 | |
Was that because they'd been posted so late? | 0:30:46 | 0:30:48 | |
-Yeah, it allowed them to get a later posting. -Right. | 0:30:48 | 0:30:52 | |
But you remember the old days in the Post Office, with the evening rush. | 0:30:52 | 0:30:57 | |
-Yeah, yeah. -To get that clear, | 0:30:57 | 0:31:00 | |
these were very handy | 0:31:00 | 0:31:03 | |
because they could bung the last knockings on here | 0:31:03 | 0:31:06 | |
and get it delivered first thing next morning. | 0:31:06 | 0:31:08 | |
-And that was the element of it that was really crucial. -Yeah. | 0:31:08 | 0:31:12 | |
First division coming over. | 0:31:12 | 0:31:14 | |
-And again, Bill. -Second division. | 0:31:14 | 0:31:16 | |
Wow, goodness gracious! | 0:31:16 | 0:31:18 | |
This is that great Grierson documentary - | 0:31:18 | 0:31:23 | |
"This is the night mail crossing the border." This is it exactly. | 0:31:23 | 0:31:27 | |
How that looked. | 0:31:28 | 0:31:29 | |
Each sorter has 48 pigeonholes, each representing a town. | 0:31:29 | 0:31:34 | |
The packets are sorted separately. | 0:31:35 | 0:31:37 | |
As the train progresses, | 0:31:39 | 0:31:40 | |
the names, scribbled in chalk over the pigeonholes, have to be changed. | 0:31:40 | 0:31:44 | |
Every frame was like this. | 0:31:44 | 0:31:46 | |
No mechanisation, everything was dealt with manually. | 0:31:46 | 0:31:49 | |
You'd manually sort. | 0:31:49 | 0:31:51 | |
And you'd know the frame really well, | 0:31:51 | 0:31:53 | |
this is the kind of speed I used to sort at. | 0:31:53 | 0:31:57 | |
And I used to love starting with a stack of mail | 0:31:57 | 0:32:01 | |
and ending up clearing the whole lot. | 0:32:01 | 0:32:03 | |
There was a satisfaction in that. | 0:32:03 | 0:32:05 | |
When a pigeonhole is filled, the letters are tied in a bundle. | 0:32:05 | 0:32:08 | |
The bundles are put into the labelled bags | 0:32:08 | 0:32:10 | |
hanging behind the sorters. | 0:32:10 | 0:32:12 | |
So, you started on the TPOs in 1960, | 0:32:13 | 0:32:16 | |
-you started in the Post Office in '52. -Yeah. | 0:32:16 | 0:32:18 | |
I did hear a few stories, they were perhaps myths going around, | 0:32:18 | 0:32:23 | |
about TPO men, particularly on the Up Special, | 0:32:23 | 0:32:26 | |
-who had one life in Glasgow and another life down here. -Oh, yeah! | 0:32:26 | 0:32:29 | |
Yeah, yeah. | 0:32:29 | 0:32:30 | |
-Including whole families. -Yeah, yeah, yeah, | 0:32:30 | 0:32:33 | |
oh, yeah, that's absolutely true. | 0:32:33 | 0:32:36 | |
It was the perfect job for a bigamist. | 0:32:36 | 0:32:38 | |
THEY LAUGH | 0:32:38 | 0:32:41 | |
Key to the success and speed of the TPO was a cunning piece of kit, | 0:32:41 | 0:32:47 | |
known as the apparatus. | 0:32:47 | 0:32:49 | |
This allowed mailbags to be dropped off, | 0:32:49 | 0:32:52 | |
and others simultaneously picked up, | 0:32:52 | 0:32:54 | |
without the train stopping or even slowing down. | 0:32:54 | 0:32:57 | |
MAN SHOUTING | 0:32:57 | 0:32:59 | |
The Nene Valley Railway has one of these historical devices | 0:32:59 | 0:33:03 | |
in full working order. | 0:33:03 | 0:33:04 | |
Right, now I feel the part. | 0:33:04 | 0:33:06 | |
'So I'm going to give it a go.' | 0:33:06 | 0:33:08 | |
# Hey, look yonder comin' | 0:33:16 | 0:33:18 | |
# Comin' down that railroad track | 0:33:19 | 0:33:22 | |
# Hey, look yonder comin' | 0:33:22 | 0:33:25 | |
# Comin' down that railroad track | 0:33:25 | 0:33:29 | |
# It's that Orange Blossom special | 0:33:29 | 0:33:32 | |
# Bringin' my baby back... # | 0:33:32 | 0:33:34 | |
INDISTINCT SPEECH | 0:33:34 | 0:33:38 | |
-Hang her out now? -No, no. | 0:33:42 | 0:33:44 | |
You want two bridges and 45 beats. | 0:33:44 | 0:33:47 | |
One, two... | 0:33:50 | 0:33:51 | |
Now! | 0:33:54 | 0:33:55 | |
Perfect. | 0:33:57 | 0:33:59 | |
One off, one back. | 0:34:01 | 0:34:03 | |
I'm quite proud of myself for that. | 0:34:10 | 0:34:12 | |
One dropped off, one picked up. | 0:34:23 | 0:34:24 | |
That great John Grierson film, | 0:34:30 | 0:34:32 | |
with the WH Auden poem, "This is the night mail crossing the border | 0:34:32 | 0:34:36 | |
"Bringing the cheque and the post in order," | 0:34:36 | 0:34:38 | |
for many people, | 0:34:38 | 0:34:40 | |
that sums up everything we've been talking about | 0:34:40 | 0:34:44 | |
with the Post Office and its long history and... | 0:34:44 | 0:34:47 | |
and its importance in people's lives. | 0:34:47 | 0:34:51 | |
I just wish I'd spent one night working as part of the team | 0:34:51 | 0:34:57 | |
on a TPO, just one night. | 0:34:57 | 0:34:59 | |
Cos anyone watching the Grierson film has to realise, | 0:34:59 | 0:35:03 | |
that was early '30s, it was exactly like that... | 0:35:03 | 0:35:06 | |
..at the Millennium, which was the last time these TPOs ran... | 0:35:07 | 0:35:11 | |
nothing had changed. | 0:35:11 | 0:35:13 | |
But in the early 1900s, | 0:35:17 | 0:35:19 | |
the Post Office was facing another transport headache. | 0:35:19 | 0:35:22 | |
London to Glasgow was a cinch. | 0:35:22 | 0:35:24 | |
But getting across London itself was becoming a nightmare. | 0:35:24 | 0:35:29 | |
So in 1927, the Post Office drew up some plans | 0:35:29 | 0:35:32 | |
for a system of tunnels and began to dig. | 0:35:32 | 0:35:36 | |
Here, under Mount Pleasant sorting office, the remains of this | 0:35:36 | 0:35:39 | |
secret underground are maintained by engineer Ray Middlesworth. | 0:35:39 | 0:35:43 | |
-So, Ray, this has been your workplace for the last 28 years. -Yeah. | 0:35:46 | 0:35:51 | |
For the last 12 years, nothing much has happened on it. | 0:35:51 | 0:35:55 | |
But this was a great innovation, wasn't it? | 0:35:55 | 0:35:58 | |
-The Post Office's own underground railway system. -It was. | 0:35:58 | 0:36:02 | |
They were concerned in 1909 about the congestion in London's streets | 0:36:02 | 0:36:06 | |
and the Post Office proposed the idea of an electric railway | 0:36:06 | 0:36:10 | |
to connect their district offices in central London | 0:36:10 | 0:36:13 | |
to deal with that problem. | 0:36:13 | 0:36:14 | |
Skinner KB, ready to start up at ten o'clock. | 0:36:15 | 0:36:18 | |
This Tube has 6.5 miles of track, | 0:36:18 | 0:36:21 | |
stretching from Paddington in the west | 0:36:21 | 0:36:23 | |
to Liverpool Street in the east, | 0:36:23 | 0:36:25 | |
linking with six other major sorting offices en route. | 0:36:25 | 0:36:27 | |
This was a completely... Post Office system. | 0:36:29 | 0:36:31 | |
It was isolated from the other networks, | 0:36:31 | 0:36:34 | |
there was no physical connection | 0:36:34 | 0:36:36 | |
other than chutes connecting us to the railway stations. | 0:36:36 | 0:36:39 | |
While central London's road traffic crawls overhead at an average 12mph, | 0:36:39 | 0:36:44 | |
these fully automatic miniature trains speed | 0:36:44 | 0:36:46 | |
300 tonnes of mail across the capital every day without interruption. | 0:36:46 | 0:36:50 | |
There's very few people who know this exists. | 0:36:52 | 0:36:55 | |
This used to be called the Post Office's best-kept secret. | 0:36:55 | 0:36:58 | |
And for a long time it was. | 0:36:58 | 0:37:00 | |
Cos the Royal Mail would get on with their business | 0:37:00 | 0:37:02 | |
and wouldn't really advertise what they'd done to achieve their ends, | 0:37:02 | 0:37:07 | |
although it was very innovative and they were pioneers in lots of ways. | 0:37:07 | 0:37:11 | |
What's the future for Mail Rail? | 0:37:11 | 0:37:13 | |
Well, Mount Pleasant Station is going to become a museum | 0:37:13 | 0:37:17 | |
and a theme ride for the public, so they can come down, | 0:37:17 | 0:37:21 | |
ride on a modified train | 0:37:21 | 0:37:22 | |
and experience a mail bag's view of Mail Rail. | 0:37:22 | 0:37:25 | |
'The museum won't open until 2017, | 0:37:26 | 0:37:29 | |
'but today I'm getting a free preview ride.' | 0:37:29 | 0:37:31 | |
Right, so I can get in anywhere? | 0:37:31 | 0:37:34 | |
Yeah, you can take your pick of seats. | 0:37:34 | 0:37:36 | |
-I recommend this one. -Yeah? In the middle there, OK. | 0:37:36 | 0:37:39 | |
Wonderful. | 0:37:41 | 0:37:43 | |
Wow. | 0:37:44 | 0:37:46 | |
This is terrific. | 0:37:48 | 0:37:49 | |
Any mail travelling between Whitechapel and Paddington | 0:38:15 | 0:38:18 | |
had probably made this route. | 0:38:18 | 0:38:21 | |
It's a bit like a ghost railway, like one of those things at the funfair. | 0:38:21 | 0:38:27 | |
You go on a ghost train. | 0:38:27 | 0:38:29 | |
But it's a part of the Post Office that I never saw. | 0:38:29 | 0:38:32 | |
People who worked in Mount Pleasant all their working lives, | 0:38:32 | 0:38:36 | |
40 years, and never came down here. | 0:38:36 | 0:38:38 | |
The Mail Rail might have been hidden from public view, | 0:38:41 | 0:38:44 | |
but the rest of Royal Mail's kit certainly isn't. | 0:38:44 | 0:38:47 | |
For 100 years, its bright red bikes, vans and pillar boxes | 0:38:47 | 0:38:50 | |
have been a defining feature of the British landscape. | 0:38:50 | 0:38:54 | |
Here at the British Postal Museum storage facility, | 0:38:54 | 0:38:57 | |
an incredible archive of objects, | 0:38:57 | 0:38:59 | |
tracing the physical history of the Royal Mail, | 0:38:59 | 0:39:03 | |
is lovingly maintained by curator Julian Stray. | 0:39:03 | 0:39:06 | |
-It's British social history, isn't it? -Absolutely. In artefacts. | 0:39:08 | 0:39:11 | |
The Post Office has touched everyone's life | 0:39:11 | 0:39:14 | |
and continues to do so even today. | 0:39:14 | 0:39:17 | |
This is very familiar to me because that's the moped that I rode. | 0:39:17 | 0:39:23 | |
Runabout, was it? A Raleigh Runabout? | 0:39:23 | 0:39:25 | |
-That's the one, the Raleigh Runabout. -There you go. | 0:39:25 | 0:39:27 | |
Usually, cos I had the heaviest delivery in Europe, obviously, | 0:39:27 | 0:39:30 | |
two bags on the back, | 0:39:30 | 0:39:33 | |
so each one 40 pounds, so 80 pounds of mail on the back, | 0:39:33 | 0:39:36 | |
but what I used to do | 0:39:36 | 0:39:38 | |
was leave this behind some old people's flats | 0:39:38 | 0:39:41 | |
in Dropmore Road in Burnham, | 0:39:41 | 0:39:43 | |
take one of the sacks and walk around | 0:39:43 | 0:39:46 | |
and leave the other one there. | 0:39:46 | 0:39:48 | |
And, you know, nothing ever got nicked. | 0:39:48 | 0:39:51 | |
-A Morris Commercial. -Gorgeous, aren't they? -Yeah. | 0:39:55 | 0:39:58 | |
I never drove that. I drove the Leyland. | 0:39:58 | 0:40:01 | |
I drove the 240 Austin. | 0:40:01 | 0:40:03 | |
I drove the...the one on the end. | 0:40:03 | 0:40:06 | |
-It's easier to say which you never drove, isn't it? -It is, yeah. | 0:40:06 | 0:40:10 | |
It makes me feel very old. | 0:40:10 | 0:40:11 | |
I never went on a horse and cart. | 0:40:11 | 0:40:14 | |
But taking pride of place in this collection | 0:40:16 | 0:40:18 | |
is the most iconic item of all - the pillar box, | 0:40:18 | 0:40:21 | |
in all its many variations. | 0:40:21 | 0:40:23 | |
The first pillar boxes were erected in London in 1855. | 0:40:23 | 0:40:29 | |
None of those survive now. | 0:40:29 | 0:40:31 | |
What does survive is one of the original collection plates. | 0:40:31 | 0:40:35 | |
If you look, we've got one, two, three, four, five, six, seven | 0:40:35 | 0:40:39 | |
-eight, nine, ten collections of mail... -Yeah. | 0:40:39 | 0:40:43 | |
..and the same number of deliveries the same day. | 0:40:43 | 0:40:46 | |
You could post a letter first thing in the morning, | 0:40:46 | 0:40:49 | |
-have it delivered perhaps a couple of hours later... -Yeah. | 0:40:49 | 0:40:52 | |
-..have a reply sent to you... -Yeah. | 0:40:52 | 0:40:55 | |
..post a reply to that. | 0:40:55 | 0:40:57 | |
Almost the equivalent of an e-mail these days, isn't it? | 0:40:57 | 0:41:00 | |
Yeah, and this was before the telephone. | 0:41:00 | 0:41:02 | |
-Each one of these was bespoke to the box it was on. -Yeah. | 0:41:02 | 0:41:06 | |
Cos it actually said the distance you are | 0:41:06 | 0:41:08 | |
-from the head post office as well. -Yeah. | 0:41:08 | 0:41:10 | |
George Orwell wrote a famous essay, | 0:41:14 | 0:41:17 | |
The Lion And The Unicorn, | 0:41:17 | 0:41:19 | |
about England and talking about cricket and warm beer | 0:41:19 | 0:41:25 | |
and red postboxes, he said. | 0:41:25 | 0:41:28 | |
And it is...Britain. | 0:41:28 | 0:41:30 | |
It's interwoven into our history. | 0:41:30 | 0:41:34 | |
Someone could come here from any part of the world, | 0:41:34 | 0:41:38 | |
just like they know they're in London | 0:41:38 | 0:41:40 | |
when they see a double-decker red bus, | 0:41:40 | 0:41:43 | |
they know they're in this country when they see a red pillar box. | 0:41:43 | 0:41:46 | |
It's an amazing bit of continuity. | 0:41:46 | 0:41:49 | |
Orwell wrote that love letter to England and the pillar box | 0:41:54 | 0:41:57 | |
in the 1940s. | 0:41:57 | 0:41:59 | |
By the time I joined the Post Office in the late '60s, | 0:42:02 | 0:42:05 | |
that image was only half the story because, after decades of stability, | 0:42:05 | 0:42:11 | |
some would say stagnation, | 0:42:11 | 0:42:13 | |
the Royal Mail was once again feeling the winds of change. | 0:42:13 | 0:42:17 | |
In many ways, by the 1960s, | 0:42:19 | 0:42:20 | |
it's become a lot like it was in the 1830s. | 0:42:20 | 0:42:24 | |
Remember we talked about in the 1830s, | 0:42:24 | 0:42:26 | |
people were going round saying, | 0:42:26 | 0:42:27 | |
"It's nice, the Post Office, | 0:42:27 | 0:42:29 | |
"it's a wonderful, historic institution, | 0:42:29 | 0:42:32 | |
"but it's backward-looking, it's too conservative, | 0:42:32 | 0:42:36 | |
"it's not open-minded, it doesn't embrace new ideas. | 0:42:36 | 0:42:39 | |
"Society's moved on. | 0:42:39 | 0:42:41 | |
"And the Post Office needs to be given a really good shake." | 0:42:41 | 0:42:47 | |
And Rowland Hill did it. | 0:42:47 | 0:42:49 | |
Well, in the 1960s, that feeling is growing - | 0:42:49 | 0:42:52 | |
it has to be given a really good shake. | 0:42:52 | 0:42:54 | |
And then they got a really good shaker. | 0:42:54 | 0:42:57 | |
MUSIC: You Really Got Me by The Kinks | 0:42:57 | 0:43:00 | |
In 1964, Anthony Wedgwood Benn, better known as Tony, | 0:43:02 | 0:43:06 | |
was appointed Postmaster General by Prime Minister Harold Wilson. | 0:43:06 | 0:43:11 | |
Just 39 at the time, he was determined to modernise | 0:43:11 | 0:43:13 | |
what he thought was an institution firmly stuck in a rut. | 0:43:13 | 0:43:16 | |
'Tony's son Hillary remembers the period well.' | 0:43:18 | 0:43:21 | |
Your father came in as a young man into an institution | 0:43:22 | 0:43:27 | |
that had hardly changed since 1840, I guess. | 0:43:27 | 0:43:30 | |
It was a big job to take on as Postmaster General. | 0:43:30 | 0:43:34 | |
He walked through the door and discovered the Post Office | 0:43:34 | 0:43:37 | |
employed nearly 400,000 people, | 0:43:37 | 0:43:39 | |
it ran a bank, it was responsible for broadcasting, telecoms, | 0:43:39 | 0:43:46 | |
satellites, and of course the Post Office | 0:43:46 | 0:43:49 | |
and its very own railway. | 0:43:49 | 0:43:50 | |
Dad started by saying, "I want to meet all of the director generals | 0:43:50 | 0:43:53 | |
"and I want to hear about what they do." | 0:43:53 | 0:43:56 | |
So he was restless, he was energetic, | 0:43:56 | 0:43:58 | |
he had a lot of ideas, but I think the senior officials | 0:43:58 | 0:44:02 | |
and the permanent secretary just didn't know what had hit them. | 0:44:02 | 0:44:05 | |
# See, don't ever set me free | 0:44:05 | 0:44:08 | |
# I always want to be by your side... # | 0:44:08 | 0:44:10 | |
One Christmas Day evening, he said to me, | 0:44:10 | 0:44:13 | |
"H, do you want to come with me? | 0:44:13 | 0:44:14 | |
-"I'm going to the two post offices that are open." -Did he call you H? | 0:44:14 | 0:44:18 | |
-Were you H? -I was H, that's me. | 0:44:18 | 0:44:20 | |
And we went to Trafalgar Square and, I think, King Edward Street | 0:44:20 | 0:44:23 | |
and he took two bottles of whisky, | 0:44:23 | 0:44:25 | |
which he handed across the counter to the staff in there. | 0:44:25 | 0:44:28 | |
I think they were slightly bemused to see this bloke turning up | 0:44:28 | 0:44:30 | |
on Christmas Day evening, claiming to be the Postmaster General. | 0:44:30 | 0:44:35 | |
But he went to say, "Look, thanks very much for working | 0:44:35 | 0:44:37 | |
"cos we've got the day off and you haven't and thanks for what you do." | 0:44:37 | 0:44:41 | |
He decided the Post Office must break away from the civil service | 0:44:44 | 0:44:48 | |
where it had been virtually since 1516 | 0:44:48 | 0:44:51 | |
and should split between post and telecoms | 0:44:51 | 0:44:55 | |
and that was something that, if he hadn't been Postmaster General, | 0:44:55 | 0:44:59 | |
would never have happened because the Treasury disapproved. | 0:44:59 | 0:45:02 | |
Callaghan, as the Chancellor, disapproved and normally, | 0:45:02 | 0:45:05 | |
that would have been the end of the matter, but he fought it through. | 0:45:05 | 0:45:08 | |
He did and he had a lot of battles. | 0:45:08 | 0:45:10 | |
This is the middle of the 1960s, | 0:45:10 | 0:45:12 | |
this is a time of extraordinary change. | 0:45:12 | 0:45:14 | |
I mean, Wilson had talked in '63 about the white heat of technology | 0:45:14 | 0:45:18 | |
and Dad was really keen on all of this | 0:45:18 | 0:45:22 | |
and of course the Post Office Tower, | 0:45:22 | 0:45:24 | |
which put Britain at the leading edge of technological innovation. | 0:45:24 | 0:45:28 | |
The Post Office Tower became a symbol of modern, hi-tech Britain. | 0:45:31 | 0:45:35 | |
This was a time before Canary Wharf and the Shard, | 0:45:35 | 0:45:38 | |
before private money swept into London | 0:45:38 | 0:45:40 | |
and started changing the skyline beyond recognition. | 0:45:40 | 0:45:44 | |
A time when it was taken for granted | 0:45:44 | 0:45:46 | |
that a service could be both publicly owned | 0:45:46 | 0:45:49 | |
and right at the cutting edge of progress. | 0:45:49 | 0:45:51 | |
This new spirit of optimism was expressed in another | 0:45:53 | 0:45:56 | |
of Tony Benn's many innovations - | 0:45:56 | 0:45:58 | |
he decided that the Great British postage stamp | 0:45:58 | 0:46:01 | |
was in need of a revamp. | 0:46:01 | 0:46:03 | |
'To help him do this, he enlisted | 0:46:05 | 0:46:07 | |
'one of Britain's most creative young artists, David Gentleman. | 0:46:07 | 0:46:11 | |
'David began designing stamps in 1962 | 0:46:11 | 0:46:14 | |
'when the idea of a commemorative issue was first introduced. | 0:46:14 | 0:46:19 | |
'He would go on to become | 0:46:19 | 0:46:21 | |
'one of the most prolific stamp designers in the country.' | 0:46:21 | 0:46:25 | |
When I started work, | 0:46:25 | 0:46:26 | |
what I most wanted to do was for my work to be seen. | 0:46:26 | 0:46:31 | |
I didn't mind what it was, as long as it was seen. | 0:46:31 | 0:46:34 | |
The excitement of knowing that there were millions in circulation | 0:46:34 | 0:46:39 | |
was quite heady for a while. | 0:46:39 | 0:46:42 | |
One day, Tony Benn rang up and said, "Come and visit me," | 0:46:42 | 0:46:47 | |
in his very grand office. | 0:46:47 | 0:46:50 | |
It was like the private being called in to see the field marshal. | 0:46:50 | 0:46:54 | |
I was terrified, but he was unbelievably, as you can imagine, | 0:46:54 | 0:46:57 | |
charming and easy to get on with. | 0:46:57 | 0:47:01 | |
Britain was the only country in the world | 0:47:01 | 0:47:04 | |
that wasn't named on its stamps. | 0:47:04 | 0:47:06 | |
It was the unmistakable image of the Queen's head | 0:47:06 | 0:47:09 | |
that told you where the stamp was from, | 0:47:09 | 0:47:11 | |
but Benn asked David to do the unthinkable - | 0:47:11 | 0:47:14 | |
design a range of stamps that left the head out altogether. | 0:47:14 | 0:47:18 | |
Beheading the Queen here, you are! | 0:47:18 | 0:47:22 | |
And the Post Office top brass were really amazingly appalled. | 0:47:22 | 0:47:29 | |
And Tony didn't stop there. | 0:47:29 | 0:47:32 | |
As a privy councillor, he had access to Her Majesty herself | 0:47:32 | 0:47:35 | |
so he simply went round to show her the new designs - in person. | 0:47:35 | 0:47:41 | |
And he got down on his knees | 0:47:41 | 0:47:43 | |
because he laid the books out in front of him | 0:47:43 | 0:47:46 | |
and his diary records how he handed them to the Queen | 0:47:46 | 0:47:48 | |
-so she could examine them. -So the Queen says, | 0:47:48 | 0:47:52 | |
"Well, the trouble is I've never seen anything like this," | 0:47:52 | 0:47:55 | |
and your dad says, "Well, it just so happens I have some with me." | 0:47:55 | 0:47:59 | |
-And he's on his... -He's on his knees. | 0:47:59 | 0:48:02 | |
On the carpet, in front of Her Majesty. | 0:48:02 | 0:48:04 | |
In front of the Queen, passing these designs | 0:48:04 | 0:48:06 | |
so she could have a look at them. | 0:48:06 | 0:48:08 | |
So it must have been quite a spectacle, | 0:48:08 | 0:48:10 | |
but the Palace was not amused. | 0:48:10 | 0:48:12 | |
In the back of my mind, I had a kind of fallback position, | 0:48:15 | 0:48:18 | |
which was that it would be much easier to fit in alongside | 0:48:18 | 0:48:24 | |
the other elements in a pictorial or emblematic design | 0:48:24 | 0:48:28 | |
if it was a little emblem itself. | 0:48:28 | 0:48:31 | |
So I suggested it should be made into a silhouette. | 0:48:31 | 0:48:34 | |
-Right, and every subsequent issue had the silhouette head. -That's correct. | 0:48:34 | 0:48:38 | |
-Rather than the photograph of Her Majesty. -Correct. | 0:48:38 | 0:48:41 | |
David still has the original woodcut he made | 0:48:41 | 0:48:44 | |
that became the new-style Queen's head silhouette - | 0:48:44 | 0:48:48 | |
a very British compromise. | 0:48:48 | 0:48:50 | |
The changes to the Post Office ushered in by Benn | 0:48:50 | 0:48:52 | |
might have seemed radical, but they were really | 0:48:52 | 0:48:55 | |
just the beginning of the biggest revolution the service had ever seen. | 0:48:55 | 0:48:59 | |
Automatic sorting systems kept getting better, | 0:48:59 | 0:49:02 | |
which in turn transformed the job and reduced the workforce. | 0:49:02 | 0:49:06 | |
Mechanical handling and sorting for letters | 0:49:06 | 0:49:09 | |
is the real postal revolution. | 0:49:09 | 0:49:11 | |
The first machine separates the fat and oversized letters | 0:49:11 | 0:49:14 | |
from those the equipment can handle. | 0:49:14 | 0:49:16 | |
The next machine sizes them into long and short | 0:49:16 | 0:49:19 | |
and then divides the stream into first- and second-class mail. | 0:49:19 | 0:49:22 | |
This is code sorting. | 0:49:22 | 0:49:25 | |
The postman types the postal code onto the letter | 0:49:25 | 0:49:27 | |
in two lines of phosphor dots. | 0:49:27 | 0:49:29 | |
The postal code, if fully used, cuts out all hand-sorting. | 0:49:29 | 0:49:33 | |
The electronic translator does the whole operation. | 0:49:33 | 0:49:38 | |
Then in the 1980s under Margaret Thatcher, | 0:49:38 | 0:49:40 | |
the telephone part of the business was privatised as British Telecom. | 0:49:40 | 0:49:44 | |
# Gimme a ticket for an aeroplane | 0:49:44 | 0:49:47 | |
# Ain't got time to take a fast train... # | 0:49:47 | 0:49:50 | |
It was around this time | 0:49:50 | 0:49:51 | |
that I started getting seriously involved in union work | 0:49:51 | 0:49:54 | |
until I finally left the Post Office | 0:49:54 | 0:49:56 | |
to become a full-time officer of the Communication Workers Union. | 0:49:56 | 0:50:00 | |
I delivered my last letter in 1987 from this sorting office | 0:50:00 | 0:50:05 | |
in Slough, just west of London, where I had worked for almost 20 years. | 0:50:05 | 0:50:10 | |
Nothing has changed at all. All of this is exactly as I remember it. | 0:50:10 | 0:50:16 | |
I'd put my name forward for branch chairman, | 0:50:17 | 0:50:20 | |
and if I hadn't become branch chairman in '76, | 0:50:20 | 0:50:22 | |
I wouldn't have become an executive council member, | 0:50:22 | 0:50:24 | |
I wouldn't have become general secretary, | 0:50:24 | 0:50:26 | |
I wouldn't have gone into Parliament. | 0:50:26 | 0:50:28 | |
I'd have been a postman, just now thinking about retirement, probably. | 0:50:28 | 0:50:32 | |
Er, and that would have suited me fine! | 0:50:32 | 0:50:36 | |
What I couldn't have predicted was that a revolution even bigger | 0:50:38 | 0:50:42 | |
than Rowland Hill's penny black was on the way - e-mail. | 0:50:42 | 0:50:46 | |
For a while, it seemed that the postman's days were numbered, | 0:50:47 | 0:50:50 | |
but today, things seem to be looking up. | 0:50:50 | 0:50:53 | |
And it's parcels, not letters, that look set to define | 0:50:57 | 0:51:02 | |
the future of the Royal Mail and to take the business global. | 0:51:02 | 0:51:06 | |
This state-of-the-art facility on the edge of Heathrow Airport | 0:51:09 | 0:51:13 | |
is where the future of my old employer is to be found. | 0:51:13 | 0:51:17 | |
Here, the job that used to require thousands of workers - sorting - | 0:51:17 | 0:51:20 | |
can be done by a handful of staff with the help of technology. | 0:51:20 | 0:51:24 | |
I've seen some equipment and I've seen some pretty jazzy stuff. | 0:51:28 | 0:51:31 | |
I've not seen anything like this. This is HUGE! | 0:51:31 | 0:51:34 | |
This site is the one site | 0:51:34 | 0:51:37 | |
through which all the international letter mail leaves the country, | 0:51:37 | 0:51:40 | |
and this machine actually automatically | 0:51:40 | 0:51:43 | |
sorts parcels for us through hybrid coding systems. | 0:51:43 | 0:51:48 | |
Somewhere in there are human beings looking at the parcel, | 0:51:48 | 0:51:53 | |
-saying, "Zimbabwe." -Correct. -Just as simple as that. | 0:51:53 | 0:51:59 | |
And there shouldn't be any further intervention, | 0:51:59 | 0:52:01 | |
anyone touching that item, until it gets to Zimbabwe. | 0:52:01 | 0:52:04 | |
When this site was built, letter was king, parcel was not as great | 0:52:06 | 0:52:11 | |
and I think what we're seeing in the current era is parcel, | 0:52:11 | 0:52:17 | |
through e-commerce and internet shopping, | 0:52:17 | 0:52:20 | |
is huge, and of course letter mail is beginning to diminish a bit. | 0:52:20 | 0:52:24 | |
And in this vast emporium here, is there no-one in some little corner, | 0:52:24 | 0:52:29 | |
standing in front of a sorting frame, manually sorting letters? | 0:52:29 | 0:52:33 | |
-Yes, it still has to happen. -Does it? | 0:52:33 | 0:52:37 | |
There are still some items that we can't sort by machine | 0:52:37 | 0:52:42 | |
so we do have oversizes and that sort of thing | 0:52:42 | 0:52:45 | |
and there are still items that cannot, | 0:52:45 | 0:52:47 | |
in this day and age, be read automatically. | 0:52:47 | 0:52:50 | |
Visiting this futuristic sorting office really brings home to me | 0:52:51 | 0:52:55 | |
just how much things have moved on since my day. | 0:52:55 | 0:52:59 | |
I wonder if I would have been happy | 0:52:59 | 0:53:01 | |
to be delivering more parcels than letters. | 0:53:01 | 0:53:03 | |
There was something about delivering a letter that felt personal | 0:53:03 | 0:53:06 | |
and there was a satisfaction in that for me. | 0:53:06 | 0:53:09 | |
With the shift to e-mail, not to mention texts and tweets, | 0:53:09 | 0:53:14 | |
I can't help thinking we're in danger of losing something precious. | 0:53:14 | 0:53:19 | |
'Author Simon Garfield has written about letters | 0:53:19 | 0:53:21 | |
'and their power to change lives.' | 0:53:21 | 0:53:24 | |
Simon, I loved your description of letters | 0:53:24 | 0:53:27 | |
as "the lubricant of human interaction". | 0:53:27 | 0:53:30 | |
I delivered these letters at a time | 0:53:30 | 0:53:33 | |
without really thinking about it profoundly, | 0:53:33 | 0:53:36 | |
when they were still that crucial link between people. | 0:53:36 | 0:53:41 | |
Do you think, looking at the history of it, | 0:53:41 | 0:53:45 | |
that somehow e-mails can replace them or text messages can replace them? | 0:53:45 | 0:53:50 | |
-No... -Is it not just a new form of transmission? | 0:53:50 | 0:53:53 | |
No, there's a kind of irony | 0:53:53 | 0:53:55 | |
that we communicate more now than we ever did. | 0:53:55 | 0:53:58 | |
I don't think we write with as much depth as we used to write letters. | 0:53:58 | 0:54:03 | |
Researching a recent book, Simon stumbled across a treasure trove | 0:54:03 | 0:54:07 | |
of correspondence that really shows the power of the humble letter. | 0:54:07 | 0:54:12 | |
These letters were adapted for the stage, | 0:54:12 | 0:54:14 | |
performed by Sherlock's Benedict Cumberbatch and Louise Brealey. | 0:54:14 | 0:54:18 | |
I mean, who can't relate to this? It's so lovely. | 0:54:18 | 0:54:22 | |
"11th of December 1944. | 0:54:22 | 0:54:26 | |
"Dearest Christopher, it is not easy to surrender myself so completely | 0:54:26 | 0:54:33 | |
"as I am doing at my age, | 0:54:33 | 0:54:35 | |
"a much more tender age to be in love than at 20. | 0:54:35 | 0:54:39 | |
"You have caused an upheaval within - | 0:54:39 | 0:54:42 | |
"an upheaval that contains so much sweetness, ecstasy and pain, | 0:54:42 | 0:54:48 | |
"something I didn't think I was going to know, | 0:54:48 | 0:54:51 | |
"something that I thought did not exist | 0:54:51 | 0:54:54 | |
"because I had not known it. | 0:54:54 | 0:54:55 | |
"It is new to me. | 0:54:55 | 0:54:57 | |
"You are new to me." | 0:54:57 | 0:54:59 | |
The correspondence was from a man called Chris Barker, | 0:55:01 | 0:55:04 | |
who was a career postman, | 0:55:04 | 0:55:07 | |
but when he was called up | 0:55:07 | 0:55:09 | |
and obviously reserved occupation for a bit | 0:55:09 | 0:55:11 | |
and then called up finally in 1943, he wrote to everyone - | 0:55:11 | 0:55:16 | |
his family and all of his friends | 0:55:16 | 0:55:18 | |
and he wrote to a woman called Bessie Moore. | 0:55:18 | 0:55:20 | |
And Bessie Moore was someone he used to work with. | 0:55:20 | 0:55:23 | |
They'd went away on a sort of training camp for the Post Office, | 0:55:23 | 0:55:26 | |
they were sort of friends, but not intimate. | 0:55:26 | 0:55:30 | |
Within about three months, there was this incredibly passionate affair, | 0:55:30 | 0:55:35 | |
just conducted through the mail. | 0:55:35 | 0:55:37 | |
They couldn't really remember what they looked like, even, | 0:55:37 | 0:55:39 | |
but they were falling in love with their words and the post. | 0:55:39 | 0:55:43 | |
Oh, this is lovely! | 0:55:43 | 0:55:45 | |
"Oh, for the time when I might awaken during the night, | 0:55:45 | 0:55:49 | |
"hear you breathing beside me, feel the warmth from your body | 0:55:49 | 0:55:53 | |
"and snuggle down in sheer happiness | 0:55:53 | 0:55:55 | |
"and comfort in the knowledge of your presence." | 0:55:55 | 0:55:58 | |
I mean, of course he was going to fall in love with her. | 0:55:58 | 0:56:02 | |
She's amazing. | 0:56:02 | 0:56:03 | |
I think one of the most extraordinary things about it | 0:56:03 | 0:56:06 | |
is they would never have the courage to say those words to each other. | 0:56:06 | 0:56:11 | |
There's a moment where he describes kissing, | 0:56:11 | 0:56:13 | |
he kisses his own signature - this is Chris, | 0:56:13 | 0:56:16 | |
this sort of funny, stiff, little sort of lovely bloke - | 0:56:16 | 0:56:19 | |
and he's a little embarrassed by this, | 0:56:19 | 0:56:21 | |
but he still tells her that he's done it | 0:56:21 | 0:56:24 | |
because he thinks if she then kisses it, | 0:56:24 | 0:56:26 | |
that they have exchanged something physical, and I think that the sort | 0:56:26 | 0:56:31 | |
of physical fact of letters is worth reminding ourselves of. | 0:56:31 | 0:56:38 | |
The thing that I would think | 0:56:39 | 0:56:41 | |
is that we will never find that kind of trove. | 0:56:41 | 0:56:44 | |
We will not find love e-mails in the attic. | 0:56:44 | 0:56:48 | |
We've communicated by and through the mail | 0:56:48 | 0:56:52 | |
in one form or another going back 2,000 years, | 0:56:52 | 0:56:55 | |
but we're just happy to abandon that. | 0:56:55 | 0:56:58 | |
When I left the Post Office, I didn't just leave a job. | 0:56:58 | 0:57:02 | |
It felt like leaving a family, corny as it sounds. | 0:57:02 | 0:57:05 | |
Today, most of my old mates from those days | 0:57:05 | 0:57:08 | |
are enjoying their retirement. | 0:57:08 | 0:57:10 | |
I wonder what they'd make of the changes I've seen. | 0:57:10 | 0:57:13 | |
And look at this lot! It's as if it's 1987. | 0:57:13 | 0:57:18 | |
-There's a bunch I remember. Charlie! -Pleased to meet you, Alan. | 0:57:18 | 0:57:22 | |
-Long time no see! -You've filled out a little bit, but... | 0:57:22 | 0:57:25 | |
Only 5st, not a lot! | 0:57:25 | 0:57:27 | |
The great thing about this office was we had people from all over. | 0:57:27 | 0:57:32 | |
You transferred in from Wales, I transferred in from London | 0:57:32 | 0:57:35 | |
and of course you had people from Pakistan and from India. | 0:57:35 | 0:57:38 | |
The camaraderie then was brilliant, wasn't it? | 0:57:38 | 0:57:42 | |
My conclusion to you bunch of old codgers, | 0:57:42 | 0:57:45 | |
apart from you, cos you're still working, | 0:57:45 | 0:57:47 | |
is that it's a much harder job nowadays | 0:57:47 | 0:57:49 | |
-than it used to be in our day. -I can't believe it. | 0:57:49 | 0:57:52 | |
You're not having any of that, no, no, no. | 0:57:52 | 0:57:54 | |
MUSIC: Please Mr Postman by The Beatles | 0:57:54 | 0:57:58 | |
'I'm proud I was a postman. | 0:57:58 | 0:58:00 | |
'I always felt I was part of a great public service. | 0:58:00 | 0:58:03 | |
'Whether that service will survive the 21st century, who can say? | 0:58:03 | 0:58:07 | |
'I guess it depends on us using it. | 0:58:07 | 0:58:10 | |
'So why not use it tomorrow to send someone a letter? | 0:58:10 | 0:58:13 | |
'You could even write to your MP.' | 0:58:13 | 0:58:16 | |
# There must be some word today | 0:58:17 | 0:58:21 | |
# From my girlfriend so far away | 0:58:21 | 0:58:25 | |
# Please, Mr Postman, look and see | 0:58:25 | 0:58:29 | |
# If there's a letter A letter for me | 0:58:29 | 0:58:33 | |
# I been standing here waiting, Mr Postman | 0:58:33 | 0:58:37 | |
# So patiently | 0:58:37 | 0:58:41 | |
# For just a card or just a letter... # | 0:58:41 | 0:58:46 |