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Early in 1941, Hitler's bombers crossed the Channel. | 0:00:08 | 0:00:12 | |
It was Wales' turn for the blitzkrieg, the lightning war. | 0:00:12 | 0:00:16 | |
75 years ago, Britain came under the heaviest attack in its history. | 0:00:22 | 0:00:26 | |
First, London endured 57 nights of intensive bombing. | 0:00:28 | 0:00:32 | |
Then the terror spread, devastating 16 cities | 0:00:35 | 0:00:39 | |
in England, Scotland, Northern Ireland and Wales. | 0:00:39 | 0:00:43 | |
So we're going to do now, as it were, a sort of dummy bombing run. | 0:00:48 | 0:00:53 | |
I'm John Humphrys | 0:00:53 | 0:00:54 | |
and I'm taking to the skies above my home city of Cardiff | 0:00:54 | 0:00:58 | |
to follow the flight paths of the Luftwaffe bombers. | 0:00:58 | 0:01:02 | |
What we're looking at now was just wiped out. | 0:01:02 | 0:01:05 | |
Their bomb went right through the shop, | 0:01:06 | 0:01:10 | |
right through into the cellar, exploded. | 0:01:10 | 0:01:13 | |
I'll also fly over Swansea, | 0:01:13 | 0:01:15 | |
where the Three Nights' Blitz destroyed its centre | 0:01:15 | 0:01:18 | |
and changed the landscape for ever. | 0:01:18 | 0:01:21 | |
It was burning from Swansea Castle down to St Helens Road, | 0:01:21 | 0:01:25 | |
and people were running for the beach, | 0:01:25 | 0:01:27 | |
because if the worst came to the worst, | 0:01:27 | 0:01:29 | |
they could get into the water, see? | 0:01:29 | 0:01:31 | |
I'll see the reminders of the war, | 0:01:31 | 0:01:33 | |
meet those who lived through the bombings | 0:01:33 | 0:01:36 | |
and discover how they changed the face of our cities. | 0:01:36 | 0:01:39 | |
I was born in Cardiff in 1943, a war baby. | 0:01:56 | 0:01:59 | |
I came into a world ravaged by conflict | 0:02:01 | 0:02:04 | |
and into a city shattered by bombs. | 0:02:04 | 0:02:06 | |
The fighting and the fear would last for another two years. | 0:02:09 | 0:02:13 | |
This is the house where I was born - 193 Pearl Street. | 0:02:25 | 0:02:29 | |
The middle of five children. | 0:02:29 | 0:02:32 | |
I THINK I remember the bombs dropping. | 0:02:32 | 0:02:35 | |
Certainly, I learned about it later. | 0:02:35 | 0:02:38 | |
And I know what happened to us when the bombs did fall. | 0:02:38 | 0:02:41 | |
We were taken to the shop on the corner. | 0:02:41 | 0:02:44 | |
It's a house now, but it was a shop then, a chemist's shop. | 0:02:44 | 0:02:47 | |
Vivian Morgan's chemist's shop. | 0:02:47 | 0:02:49 | |
And they had a cellar and that's where we took shelter. | 0:02:49 | 0:02:53 | |
And I was told afterwards that they put me in a cardboard box... | 0:02:53 | 0:02:58 | |
I was only a baby, after all. | 0:02:58 | 0:02:59 | |
..and took me down to the cellar and there we were safe from the bombs. | 0:02:59 | 0:03:04 | |
Those bombs fell everywhere. | 0:03:13 | 0:03:15 | |
First, causing carnage in London. | 0:03:15 | 0:03:17 | |
Then throughout Britain. | 0:03:17 | 0:03:19 | |
Any city with strategic or economic importance | 0:03:19 | 0:03:22 | |
was on the Luftwaffe's target list. | 0:03:22 | 0:03:25 | |
And that meant Cardiff was near the top. | 0:03:25 | 0:03:27 | |
This port was the reason. | 0:03:30 | 0:03:32 | |
In the years before the war, | 0:03:32 | 0:03:33 | |
more coal passed through here than almost anywhere else in the world. | 0:03:33 | 0:03:38 | |
Welsh coal was central to the British economy, | 0:03:40 | 0:03:43 | |
powering industry, railways, shipping. | 0:03:43 | 0:03:46 | |
The docks were a vital part of the war effort. | 0:03:48 | 0:03:51 | |
The Germans wanted to destroy them. | 0:03:53 | 0:03:56 | |
They didn't succeed, but they got perilously close. | 0:03:56 | 0:03:59 | |
On January 2nd 1941, around 100 of their planes | 0:04:12 | 0:04:15 | |
took off from airfields in occupied France | 0:04:15 | 0:04:18 | |
heading directly for South Wales. | 0:04:18 | 0:04:21 | |
The pilots were well briefed. They had clear targets in mind. | 0:04:26 | 0:04:30 | |
And the reason for that was simple - they'd done their research. | 0:04:30 | 0:04:34 | |
-The tools of the trade, if you like. -Yeah. | 0:04:38 | 0:04:41 | |
These are the documents they took with them. | 0:04:41 | 0:04:43 | |
You've got the docks, you've got the steelworks. | 0:04:43 | 0:04:46 | |
'Chris Going is an aerial archaeologist. | 0:04:46 | 0:04:49 | |
'He has the reconnaissance photographs the Nazis took, | 0:04:49 | 0:04:51 | |
'rather chillingly, even before the war started.' | 0:04:51 | 0:04:54 | |
This is Cardiff, and they have very clearly delineated the targets | 0:04:54 | 0:04:59 | |
that they were going, ultimately, to try to hit. | 0:04:59 | 0:05:03 | |
It was a bureaucratic process, the creation of these things. | 0:05:03 | 0:05:06 | |
The graphics are being printed up, | 0:05:06 | 0:05:08 | |
they're going into a filing cabinet somewhere, in a buff envelope, | 0:05:08 | 0:05:12 | |
stamped "GB". | 0:05:12 | 0:05:14 | |
This one is labelled "4561". | 0:05:14 | 0:05:18 | |
-Now, 45 is the code for dock targets. -Hence what we're seeing down here. | 0:05:18 | 0:05:22 | |
Hence exactly what you're seeing down there. | 0:05:22 | 0:05:25 | |
They are analysing and pulling apart very carefully | 0:05:25 | 0:05:28 | |
the dock facilities and so on. | 0:05:28 | 0:05:30 | |
Obviously, they've got the steelworks there. | 0:05:30 | 0:05:33 | |
And I have a particular interest in those steelworks, | 0:05:33 | 0:05:36 | |
because my father was ordered to work in them during the war, | 0:05:36 | 0:05:41 | |
because he'd lost his sight as a young man and as a boy. | 0:05:41 | 0:05:44 | |
And they made people like him work in the steelworks. | 0:05:44 | 0:05:47 | |
-He was working in the works. -Which is what he did. | 0:05:47 | 0:05:49 | |
He was working there. So, he was a target. | 0:05:49 | 0:05:51 | |
-Your father worked in target GB 7032. -There we are. | 0:05:51 | 0:05:56 | |
And could easily have been, one night, under the aiming point. | 0:05:56 | 0:06:00 | |
-And I wouldn't have been here. -And you wouldn't have been there. | 0:06:00 | 0:06:03 | |
-A sobering thought. -Very true. | 0:06:03 | 0:06:05 | |
So, let's go to this picture, then, and if I'm right... | 0:06:05 | 0:06:10 | |
And you'll certainly tell me if I'm wrong! My home... | 0:06:10 | 0:06:14 | |
Can't quite see the house! But that's Pearl Street. | 0:06:14 | 0:06:17 | |
That's Pearl Street, in Splott, which is... | 0:06:17 | 0:06:20 | |
Not that far from lots of targets, which would explain, of course, | 0:06:20 | 0:06:25 | |
why many bombs dropped within the neighbourhood. | 0:06:25 | 0:06:28 | |
-We're talking about, what? -One kilometre. | 0:06:28 | 0:06:30 | |
You're talking about three-quarters of a second of flying time, really. | 0:06:30 | 0:06:34 | |
Mm. No wonder some of the bombs went astray. | 0:06:34 | 0:06:36 | |
Indeed, a lot of them went astray. | 0:06:36 | 0:06:38 | |
The Luftwaffe certainly had strong intelligence | 0:06:39 | 0:06:41 | |
and lots of accurate information | 0:06:41 | 0:06:43 | |
about the port and industrial targets. | 0:06:43 | 0:06:46 | |
I want to see for myself how so many of the bombs could go astray, | 0:06:50 | 0:06:54 | |
dropping on civilian homes. | 0:06:54 | 0:06:56 | |
-OK, everyone secure and happy? -Secure and happy. | 0:06:58 | 0:07:02 | |
Nearly 75 years after the German pilots flew over Cardiff, | 0:07:04 | 0:07:08 | |
I'm following their flight path to see the city as they did. | 0:07:08 | 0:07:12 | |
-It's fantastic visibility. -Isn't it just? -Wonderful. | 0:07:36 | 0:07:39 | |
-That's the Millennium Stadium. This is Cardiff Castle grounds. -Yep. | 0:07:44 | 0:07:49 | |
-I think it is, just there, by the river. -It has to be. | 0:07:49 | 0:07:52 | |
There's the river. | 0:07:52 | 0:07:54 | |
-So, we're going to do, now, as it were, a sort of... -We'll go... | 0:07:54 | 0:07:59 | |
-..a dummy bombing run. -Yep. | 0:07:59 | 0:08:01 | |
This is almost certainly how you'd have done it. | 0:08:01 | 0:08:05 | |
Looking at it now from this angle, Chris, | 0:08:05 | 0:08:08 | |
we can see the whole of the port over to the east. | 0:08:08 | 0:08:13 | |
It is so compressed, isn't it? | 0:08:13 | 0:08:15 | |
And you have so little time to get rid of your bombs. | 0:08:15 | 0:08:19 | |
-You have almost no time. -Almost no time at all. | 0:08:19 | 0:08:23 | |
You've got Victorian streets just there, you know, | 0:08:23 | 0:08:27 | |
and they've been completely cleared and replaced to the north of them. | 0:08:27 | 0:08:31 | |
But they were very heavily populated. | 0:08:31 | 0:08:33 | |
-They were very heavily populated. -Yeah. | 0:08:33 | 0:08:35 | |
So, this was the very reason why Cardiff was bombed. | 0:08:35 | 0:08:39 | |
All of the docks here. | 0:08:39 | 0:08:42 | |
You've got Queen Alexandra Dock just down below us, | 0:08:42 | 0:08:46 | |
which was a major aiming point. | 0:08:46 | 0:08:48 | |
But cheek by jowl, all of the workers' houses nearby, | 0:08:48 | 0:08:53 | |
which became targets, too. | 0:08:53 | 0:08:55 | |
What amazes me is that it looks so easy | 0:08:55 | 0:08:58 | |
when you're looking at a map, doesn't it? | 0:08:58 | 0:09:00 | |
You can imagine them | 0:09:00 | 0:09:01 | |
sitting in Luftwaffe headquarters, or whatever it was, | 0:09:01 | 0:09:04 | |
"We'll bomb that bit there | 0:09:04 | 0:09:06 | |
"and then we'll move on and bomb that bit there". | 0:09:06 | 0:09:08 | |
-But it ain't like that, is it? -It ain't like that. | 0:09:08 | 0:09:11 | |
And what is cynically called collateral damage, | 0:09:11 | 0:09:14 | |
a lot of this sort of description, masks the reality of what this was, | 0:09:14 | 0:09:20 | |
and it was high explosives on civilians. | 0:09:20 | 0:09:24 | |
Well, I'm trying to imagine | 0:09:30 | 0:09:31 | |
that I'm flying a German bomber at this stage, | 0:09:31 | 0:09:34 | |
and we're flying now at about 160mph. | 0:09:34 | 0:09:37 | |
The Germans would have been flying a bit more than that - about 200, 220. | 0:09:37 | 0:09:42 | |
We're at about 2,000 feet. | 0:09:42 | 0:09:44 | |
They were way above that - 4,000 or 5,000 feet. | 0:09:44 | 0:09:46 | |
Maybe even more than that. | 0:09:46 | 0:09:48 | |
It's a beautiful, sunny day. | 0:09:48 | 0:09:51 | |
Then, for them, of course, it was pitch dark. | 0:09:51 | 0:09:54 | |
And they have... | 0:09:54 | 0:09:57 | |
In fact, we're just over the docks now. | 0:09:57 | 0:10:00 | |
They'd have had literally seconds to get rid of those bombs. Seconds. | 0:10:00 | 0:10:04 | |
And now, even as I speak, we're away from the docks, | 0:10:04 | 0:10:08 | |
and we're into some fairly heavily populated areas. | 0:10:08 | 0:10:13 | |
A lot of houses down there. | 0:10:13 | 0:10:15 | |
They've got to get rid of their bombs. | 0:10:15 | 0:10:17 | |
Demonstrates yet again the random nature of aerial war. | 0:10:17 | 0:10:22 | |
Where would they drop? Who knows? | 0:10:22 | 0:10:24 | |
Like many people in South Wales, my parents may have thought | 0:10:30 | 0:10:33 | |
they'd escaped the worst horrors of the Blitz. | 0:10:33 | 0:10:37 | |
By December 1940, the Nazi bombardment was four months old | 0:10:37 | 0:10:42 | |
and the number of raids over other cities had started to wane. | 0:10:42 | 0:10:46 | |
At Christmas, they stopped altogether. | 0:10:46 | 0:10:48 | |
It was, indeed, a time for peace. | 0:10:48 | 0:10:50 | |
But then came the New Year, a new wave of attacks and renewed terror. | 0:10:52 | 0:10:56 | |
Thursday, January 2nd in 1941 was cold and clear with a full moon. | 0:10:59 | 0:11:04 | |
A so-called "bomber's moon", providing near-perfect visibility. | 0:11:04 | 0:11:08 | |
Sirens wailed | 0:11:10 | 0:11:12 | |
as the advance bombers appeared in the skies above the Bristol Channel. | 0:11:12 | 0:11:17 | |
The first bombs fell at 6.37pm. | 0:11:17 | 0:11:20 | |
More followed for ten hours. | 0:11:21 | 0:11:24 | |
If you were in Cardiff on January 2nd 1941, | 0:11:29 | 0:11:33 | |
you'd probably remember what happened that dreadful night. | 0:11:33 | 0:11:37 | |
If you were here in Grangetown, | 0:11:37 | 0:11:39 | |
on the corner of Corporation Road and Stockland Street, | 0:11:39 | 0:11:43 | |
those events would surely be seared into your memory. | 0:11:43 | 0:11:47 | |
AIR-RAID SIREN WAILS | 0:11:47 | 0:11:49 | |
This dockland neighbourhood was the first to be hit. | 0:11:49 | 0:11:53 | |
Then, as now, it was densely populated | 0:11:53 | 0:11:56 | |
with family homes and small businesses. | 0:11:56 | 0:11:59 | |
On this corner, there used to stand the local bakery, Hollymans. | 0:11:59 | 0:12:02 | |
It was destroyed in the worst single atrocity of the Cardiff Blitz. | 0:12:02 | 0:12:07 | |
I used to go in there and I used to give him a hand kneading the bread. | 0:12:08 | 0:12:12 | |
John Williams is now 89, but in 1941, | 0:12:12 | 0:12:15 | |
he worked at Hollymans as a delivery boy. | 0:12:15 | 0:12:19 | |
On January 2nd, he called by the bakery on his way home. | 0:12:19 | 0:12:24 | |
I'd been out on my round, I'd come back and they said, | 0:12:24 | 0:12:27 | |
"Oh, come in and have some soup before you go home." | 0:12:27 | 0:12:30 | |
So, I went down the cellar with them and I had my soup. | 0:12:30 | 0:12:34 | |
But this night, Bill Holliman said, | 0:12:34 | 0:12:38 | |
"There's a lot of air activity coming across today," he said. | 0:12:38 | 0:12:43 | |
"I think you'd better go home, | 0:12:43 | 0:12:45 | |
"because I think your mother and father might be worried." | 0:12:45 | 0:12:49 | |
-You were 14 at the time? -I was 14. So, I went home. | 0:12:49 | 0:12:52 | |
'Tragically, many others didn't. | 0:12:52 | 0:12:55 | |
'When the siren sounded, they took shelter in the bakery cellar. | 0:12:55 | 0:12:59 | |
'It took a direct hit.' | 0:12:59 | 0:13:01 | |
I went to work the next day, didn't know anything had happened. | 0:13:01 | 0:13:04 | |
I turned the corner and it was all flat. | 0:13:04 | 0:13:09 | |
They were bringing out bodies wrapped up in sacks and things like that. | 0:13:09 | 0:13:14 | |
But it was never ascertained how many people were down there. | 0:13:14 | 0:13:18 | |
-But certainly more than 30. -Well, they say there was about 30. | 0:13:18 | 0:13:22 | |
Bill Hollyman, the man who owned the bakery, | 0:13:22 | 0:13:26 | |
he was down in the cellar with everybody else. | 0:13:26 | 0:13:28 | |
Yeah, him and his wife and his daughter | 0:13:28 | 0:13:31 | |
and one of his uncles and his sister. | 0:13:31 | 0:13:34 | |
And all the rest were people that had got called down there. | 0:13:34 | 0:13:38 | |
Just neighbours who were looking for somewhere to shelter. | 0:13:38 | 0:13:41 | |
-Yeah, that's right. -So, he was... | 0:13:41 | 0:13:43 | |
He thought, obviously, he was doing people a favour | 0:13:43 | 0:13:46 | |
-by giving them shelter, and they all got killed. -Yes. Yes. | 0:13:46 | 0:13:49 | |
And what were you doing yourself | 0:13:49 | 0:13:51 | |
when the bombs were falling that night? | 0:13:51 | 0:13:54 | |
I was in an Anderson shelter | 0:13:54 | 0:13:56 | |
with my mother and father and my sister and brother, | 0:13:56 | 0:13:59 | |
in one of these Anderson shelters, in 6 Devon Street in Grangetown | 0:13:59 | 0:14:05 | |
And you could hear the bombs falling? | 0:14:05 | 0:14:07 | |
And we heard the bombs falling. And we had a little... | 0:14:07 | 0:14:10 | |
-We had a gramophone in there, we used to play records. -Oh! | 0:14:10 | 0:14:14 | |
God! Oh... | 0:14:14 | 0:14:16 | |
-Were you not scared? -No. | 0:14:16 | 0:14:19 | |
Well, I mean, we went to work the next day. | 0:14:19 | 0:14:22 | |
Carry on with life, don't you? | 0:14:22 | 0:14:23 | |
-But they weren't so lucky here, were they? -No, they weren't. | 0:14:23 | 0:14:26 | |
MUSIC: Come Rain Or Come Shine | 0:14:26 | 0:14:28 | |
This photo shows the gap amongst rows of houses | 0:14:37 | 0:14:40 | |
where the bakery once stood. | 0:14:40 | 0:14:42 | |
What strikes you so powerfully about a story like John's | 0:14:48 | 0:14:53 | |
is the sheer random nature of aerial warfare. | 0:14:53 | 0:14:58 | |
If John had gone down into the shelter that night, | 0:15:00 | 0:15:03 | |
as he very well might have done, | 0:15:03 | 0:15:05 | |
he would have been one of those 30-odd people | 0:15:05 | 0:15:07 | |
who were blown to bits by that bomb. | 0:15:07 | 0:15:11 | |
Instead, he was in another shelter, in another place, | 0:15:11 | 0:15:16 | |
listening to music... | 0:15:16 | 0:15:18 | |
..and lived to tell us about it today. | 0:15:20 | 0:15:23 | |
That first night of bombing claimed 165 lives and 430 casualties. | 0:15:44 | 0:15:51 | |
It also created memories that can never be erased. | 0:15:51 | 0:15:55 | |
Keith Flynn was a schoolboy at the time. | 0:15:57 | 0:16:00 | |
Fear is a strange thing. | 0:16:02 | 0:16:04 | |
Although we were in very dire circumstances, | 0:16:04 | 0:16:07 | |
could have been killed any moment, | 0:16:07 | 0:16:09 | |
and although bombs passed quite close and felt quite close, | 0:16:09 | 0:16:13 | |
I don't think we ever showed any outward sign of distress in any way. | 0:16:13 | 0:16:19 | |
No... Certainly, no crying or screaming. | 0:16:19 | 0:16:24 | |
Next morning, when the noise had stopped, | 0:16:24 | 0:16:27 | |
it was a brilliant, lovely, crystal clear morning. | 0:16:27 | 0:16:30 | |
Turned the corner into Glamorgan Street, | 0:16:30 | 0:16:35 | |
not knowing that a bomb had fallen there. | 0:16:35 | 0:16:39 | |
And this lady was standing to my right. | 0:16:39 | 0:16:41 | |
As I say, she was standing there. | 0:16:41 | 0:16:43 | |
I remember it was a navy blue overcoat, over her nightclothes. | 0:16:43 | 0:16:48 | |
I do remember her rather long, dark hair. | 0:16:48 | 0:16:52 | |
And I noticed that she was staring at that rubble. | 0:16:52 | 0:16:55 | |
Just staring. Not crying. Not making a sound. | 0:16:56 | 0:17:00 | |
Until she suddenly said, "My mother's under that lot." | 0:17:01 | 0:17:05 | |
And then my aunt and I walked up to Llandaff Cathedral. | 0:17:10 | 0:17:14 | |
Because we... | 0:17:14 | 0:17:16 | |
Simply because we were told that it had been destroyed. | 0:17:16 | 0:17:21 | |
It hadn't been destroyed, but an awful mess. | 0:17:21 | 0:17:24 | |
Whether it was an accident or a deliberate attempt to damage morale, | 0:17:26 | 0:17:31 | |
the Luftwaffe did hit this famous city landmark, | 0:17:31 | 0:17:34 | |
Llandaff Cathedral. | 0:17:34 | 0:17:36 | |
A bomber dropped a parachute mine overhead | 0:17:38 | 0:17:41 | |
and it floated down silently by the spire. | 0:17:41 | 0:17:44 | |
The parachute got caught on that spire, | 0:17:46 | 0:17:49 | |
caused some damage to the spire, just because the sheer weight of it. | 0:17:49 | 0:17:52 | |
But then it dropped, and that's where it fell. | 0:17:52 | 0:17:56 | |
And you see that stone down there. | 0:17:56 | 0:17:58 | |
That is the point at which the land mine hit the ground and exploded. | 0:17:58 | 0:18:03 | |
Dr John Kenyon is the cathedral archivist. | 0:18:32 | 0:18:35 | |
The most damaged part is the south aisle | 0:18:35 | 0:18:38 | |
and the south side of the nave roof, | 0:18:38 | 0:18:41 | |
because all this collapsed | 0:18:41 | 0:18:43 | |
and all the debris came down on part of the cathedral stalls. | 0:18:43 | 0:18:47 | |
Most of the windows were blown out, so the glass all went. | 0:18:50 | 0:18:53 | |
And, obviously, some of the tombs and other items in the cathedral | 0:18:53 | 0:18:56 | |
were damaged simply by the falling debris - stonework and timberwork. | 0:18:56 | 0:19:00 | |
So, it wasn't just the force of the blast. It was... | 0:19:00 | 0:19:04 | |
It was what then came down as a result of the blast. | 0:19:04 | 0:19:07 | |
And so the photographs show this debris | 0:19:07 | 0:19:10 | |
occupying the whole of this area here. | 0:19:10 | 0:19:12 | |
-So, we're going up to the archives now, John? -Yes, take care. | 0:19:15 | 0:19:20 | |
This is a very old staircase. | 0:19:20 | 0:19:23 | |
-So, this is how you get to the office? -Indeed. | 0:19:23 | 0:19:27 | |
'Up in the rafters, I'm about to see a fragment | 0:19:28 | 0:19:31 | |
'of what caused so much destruction.' | 0:19:31 | 0:19:34 | |
And here's the evidence for it, with part of the cord | 0:19:34 | 0:19:39 | |
and the parachute itself, which remains in the archives. | 0:19:39 | 0:19:42 | |
I'm sure most of it was taken away elsewhere for souvenirs. | 0:19:42 | 0:19:46 | |
Yes, I imagine there are little bits in lots of houses. | 0:19:46 | 0:19:49 | |
But they were into the cathedral fairly quickly, | 0:19:49 | 0:19:52 | |
trying to remove as much as they could that was salvageable. | 0:19:52 | 0:19:55 | |
And, of course, Dean Jones, here... Very Reverend David Jones. | 0:19:55 | 0:19:58 | |
According to one of the local recollections, | 0:19:58 | 0:20:00 | |
the Dean couldn't find a hard hat, | 0:20:00 | 0:20:02 | |
so he borrowed his wife's colander and came down. | 0:20:02 | 0:20:04 | |
-And according to... -No great dignity involved in it! | 0:20:04 | 0:20:08 | |
And, of course, stained glass smashed everywhere | 0:20:08 | 0:20:11 | |
and some fragments have been collected. | 0:20:11 | 0:20:15 | |
We don't know where this came from. | 0:20:15 | 0:20:17 | |
-You've got a nice squirrel's head there. -Oh, right, so it is. | 0:20:17 | 0:20:20 | |
-I thought it was a rat. -Yes, yes. | 0:20:20 | 0:20:21 | |
No, I think a squirrel rather than a rat! | 0:20:21 | 0:20:24 | |
But here is the Garden of Remembrance, | 0:20:24 | 0:20:27 | |
which you were looking at. | 0:20:27 | 0:20:28 | |
-That's where the mine actually landed? -This is the crater here. | 0:20:28 | 0:20:31 | |
-Yep. -And, of course, where the land mine landed, there were burials | 0:20:31 | 0:20:35 | |
and there were bones scattered over Llandaff, | 0:20:35 | 0:20:39 | |
so they had to be gathered up... | 0:20:39 | 0:20:40 | |
Really? They were blown up into the air? | 0:20:40 | 0:20:42 | |
Along with all the memorials, as well, | 0:20:42 | 0:20:44 | |
and so that caused a lot of damage to the houses with falling gravestones. | 0:20:44 | 0:20:48 | |
Within weeks, the cathedral was holding services again, | 0:20:48 | 0:20:51 | |
in part of the building, at least. | 0:20:51 | 0:20:53 | |
Today, of course, it's fully repaired, although one scar remains. | 0:20:53 | 0:20:57 | |
The force of the explosion created a crater | 0:20:57 | 0:21:01 | |
and you can see how big the crater is. | 0:21:01 | 0:21:03 | |
It's surrounded by those rosebushes that were planted since then | 0:21:03 | 0:21:07 | |
to mark out where it fell. | 0:21:07 | 0:21:09 | |
Here's the thing, though. | 0:21:09 | 0:21:10 | |
Had it fallen another 20, 30 yards in any direction, | 0:21:10 | 0:21:16 | |
the damage to the cathedral would have been utterly devastating. | 0:21:16 | 0:21:22 | |
You could say there but for the grace of God. | 0:21:22 | 0:21:26 | |
Near misses, tragedies, tales of incredible courage. | 0:21:41 | 0:21:45 | |
The blitz and subsequent bombing raids created them all. | 0:21:45 | 0:21:49 | |
And many of those stories and visual records | 0:21:49 | 0:21:52 | |
are preserved here at the Glamorgan Archives in Cardiff. | 0:21:52 | 0:21:55 | |
It also stores copies of newspapers from down the decades, | 0:21:57 | 0:22:00 | |
including my own. | 0:22:00 | 0:22:01 | |
I left school when I was 15 and went to work for the Penarth Times, | 0:22:05 | 0:22:10 | |
a little newspaper in a seaside town five or six miles outside Cardiff. | 0:22:10 | 0:22:15 | |
Now, this in front of me, and I'm careful about touching it, | 0:22:15 | 0:22:18 | |
because it is the original, was the copy of the Penarth Times | 0:22:18 | 0:22:23 | |
that was published a few hours before the Cardiff Blitz began. | 0:22:23 | 0:22:29 | |
So, we had been at war already for a couple of years. | 0:22:29 | 0:22:34 | |
Almost no coverage of the war on the front page of the newspaper, | 0:22:34 | 0:22:38 | |
except in the gossip column, the Have You Heard column. | 0:22:38 | 0:22:42 | |
And there are some wonderful little snippets about the war. | 0:22:42 | 0:22:46 | |
One of them, to be proven very soon tragically wrong, says this. | 0:22:46 | 0:22:51 | |
"One of the blessings this Christmas was that there were no air raids." | 0:22:51 | 0:22:56 | |
Within hours, of course, of people reading that, | 0:22:56 | 0:22:59 | |
the blitz was to begin. | 0:22:59 | 0:23:01 | |
There are even jokes in the newspaper | 0:23:02 | 0:23:05 | |
and one that I particularly like is this. | 0:23:05 | 0:23:09 | |
The landlord says to the tenant, "I'm putting your rent up." | 0:23:09 | 0:23:13 | |
The tenant asks why. | 0:23:13 | 0:23:15 | |
The landlord said, | 0:23:15 | 0:23:17 | |
"Because after last night's raid, your house is now detached." | 0:23:17 | 0:23:22 | |
Managing to find humour when a house has been blown away. | 0:23:23 | 0:23:28 | |
But, they had to have something to keep them going, didn't they? | 0:23:28 | 0:23:32 | |
This is St Agnes Road in the Heath, | 0:23:35 | 0:23:38 | |
and we can see an entire section of the street just taken out here. | 0:23:38 | 0:23:42 | |
'The archivist Rhian Phillips has a collection of records | 0:23:42 | 0:23:46 | |
'which give a window into everyday life during that time.' | 0:23:46 | 0:23:50 | |
Rhian, these pictures are interesting material from that time. | 0:23:50 | 0:23:55 | |
-I like the air-raid wardens here. -Yes. | 0:23:55 | 0:23:58 | |
Because this gives us a nice idea | 0:23:58 | 0:24:01 | |
of the mix of people who were volunteers, in some cases, | 0:24:01 | 0:24:06 | |
in other cases dragooned to become... | 0:24:06 | 0:24:08 | |
Just run me through that. | 0:24:08 | 0:24:10 | |
It's interesting, because looking at the people who are in there, | 0:24:10 | 0:24:13 | |
you realise all the young men | 0:24:13 | 0:24:14 | |
would have been away serving with the forces. | 0:24:14 | 0:24:17 | |
So, it's the older men who weren't in the Army | 0:24:17 | 0:24:19 | |
-and the women who were involved with the ARP system. -Right. | 0:24:19 | 0:24:23 | |
-So, quite a mixture and a social mix and all the rest of it. -Definitely. | 0:24:23 | 0:24:27 | |
-And here they are, all ready to go. -Yes. | 0:24:27 | 0:24:30 | |
Yes, with their gas masks on, ready for action, I think. | 0:24:30 | 0:24:33 | |
-Looking terribly sinister. -Exactly. | 0:24:33 | 0:24:35 | |
But how important it was that they had those. | 0:24:35 | 0:24:38 | |
And now, the bomb damage. | 0:24:38 | 0:24:40 | |
This one was my old employer, the Western Mail printing works. | 0:24:40 | 0:24:45 | |
Yes, that was the printing works on Tudor Road and, of course, | 0:24:45 | 0:24:48 | |
I mean, that would have been devastating for the Western Mail. | 0:24:48 | 0:24:50 | |
Trying to get their newspaper out to the public, to the presses. | 0:24:50 | 0:24:54 | |
And finding their works then destroyed, really, in this way, | 0:24:54 | 0:24:58 | |
would have had an impact on their business, certainly. | 0:24:58 | 0:25:01 | |
-And our newspapers were very important. -They were. | 0:25:01 | 0:25:03 | |
At that time especially so, because it was the main means | 0:25:03 | 0:25:06 | |
of people getting the news and finding out what was happening. | 0:25:06 | 0:25:09 | |
-Yes, no telly. -No, exactly. Yes. -Radio, of course. | 0:25:09 | 0:25:11 | |
Yes, there was the wireless. | 0:25:11 | 0:25:13 | |
-We mustn't forget the Home Service was very important. -Indeed. | 0:25:13 | 0:25:16 | |
Now, this I find absolutely fascinating, | 0:25:16 | 0:25:19 | |
and I know I mustn't pick it up and wave it around, | 0:25:19 | 0:25:22 | |
because it might well fall apart. | 0:25:22 | 0:25:24 | |
But tell me what it is. | 0:25:24 | 0:25:26 | |
It's the log of a primary school, a particular primary school. | 0:25:26 | 0:25:29 | |
Yes, it's the logbook for the Splott Road primary school. | 0:25:29 | 0:25:32 | |
-Which is where I went! -It was, yes. -At the age of four, or nearly five. | 0:25:32 | 0:25:35 | |
-Yes. -And so this was a diary that the head teacher kept. | 0:25:35 | 0:25:39 | |
We see here an alert at 11.30. All clear, 12. | 0:25:39 | 0:25:42 | |
Alert, 3.10. All clear, 3.30. | 0:25:42 | 0:25:44 | |
This would have been hugely disruptive for the school day | 0:25:44 | 0:25:47 | |
and we see, as well, a note here that attendance was very low. | 0:25:47 | 0:25:50 | |
Only 87 of the children present | 0:25:50 | 0:25:52 | |
owing to the raids the previous night. | 0:25:52 | 0:25:55 | |
So, if the children had been up all night in the shelters | 0:25:55 | 0:25:57 | |
with the bombing going on, | 0:25:57 | 0:25:59 | |
they weren't coming to school the next day due to exhaustion. | 0:25:59 | 0:26:02 | |
But it's as though they're saying... | 0:26:02 | 0:26:03 | |
Because it's all terribly formal | 0:26:03 | 0:26:05 | |
and records must be kept under all circumstances. | 0:26:05 | 0:26:08 | |
-It's as if they're saying "Tut, tut, tut". -Exactly. | 0:26:08 | 0:26:10 | |
"Children weren't coming to school". | 0:26:10 | 0:26:12 | |
There is that sort of attitude coming in there a little. | 0:26:12 | 0:26:15 | |
Extraordinary, isn't it? | 0:26:15 | 0:26:16 | |
-You think, my God, they're lucky to be alive. -Yes. | 0:26:16 | 0:26:18 | |
Here's something else that interests me - this map. | 0:26:18 | 0:26:22 | |
A bombing map. This was a bit after the Blitz. This was in...? | 0:26:22 | 0:26:26 | |
-This is 1943. May '43, this is. -Right. | 0:26:26 | 0:26:29 | |
And it shows us what their target was, | 0:26:29 | 0:26:33 | |
which, obviously, was the docks, as we've been hearing. | 0:26:33 | 0:26:35 | |
-Yes. -That's what they were really after. | 0:26:35 | 0:26:39 | |
-But this is the Splott area. -Yes. | 0:26:39 | 0:26:42 | |
Where, of course, I lived. | 0:26:42 | 0:26:45 | |
-And this is Pearl Street. -Yeah. -And there's a bomb... | 0:26:45 | 0:26:49 | |
-It looks as if it is just... -Right at the end of the street. | 0:26:49 | 0:26:53 | |
Right at the end of the street, which is where I lived. | 0:26:53 | 0:26:56 | |
-That's quite chilling, actually, looking and seeing how close... -Yes. | 0:26:56 | 0:27:00 | |
Even though I knew about the bombsites, | 0:27:00 | 0:27:02 | |
looking at that map and seeing... | 0:27:02 | 0:27:05 | |
If that bomb had been delayed by a fraction of a second... | 0:27:05 | 0:27:11 | |
I wouldn't be here talking to you now. | 0:27:11 | 0:27:13 | |
-Exactly. Yeah, it's scary. -Mm. | 0:27:13 | 0:27:16 | |
The bombing permeated every part of life. | 0:27:23 | 0:27:27 | |
Cardiff would endure sporadic bombing and many air-raid warnings, | 0:27:27 | 0:27:31 | |
the horrors of each of these raids | 0:27:31 | 0:27:33 | |
lasting long after the bombers had gone. | 0:27:33 | 0:27:36 | |
For Keith Flynn, the dread of another Blitz was always there. | 0:27:36 | 0:27:40 | |
Probably every night a siren would go, pretty well. | 0:27:40 | 0:27:43 | |
When you'd had a good dose of it and you know what to expect, | 0:27:45 | 0:27:48 | |
that was the worst part. | 0:27:48 | 0:27:50 | |
At about six o'clock every evening... | 0:27:51 | 0:27:54 | |
It was dark in those days. ..I'd go out into the back garden. | 0:27:54 | 0:27:58 | |
And I had my favourite place where I'd stand and look, | 0:27:58 | 0:28:01 | |
to look at the weather. | 0:28:01 | 0:28:04 | |
Was there a moon? Or were clouds coming up? | 0:28:04 | 0:28:08 | |
Or was there going to be rain? | 0:28:08 | 0:28:10 | |
If there was a moon, there was going to be an air raid. | 0:28:10 | 0:28:14 | |
Your life was governed by this sort of thing. | 0:28:14 | 0:28:16 | |
The presence of war and the constant threat of attack was everywhere. | 0:28:20 | 0:28:24 | |
Cardiff Castle. | 0:28:26 | 0:28:28 | |
For centuries, millennia, | 0:28:28 | 0:28:30 | |
a magnificent symbol of defence and defiance. | 0:28:30 | 0:28:34 | |
But during those dark days of 1941, it became something else as well. | 0:28:34 | 0:28:40 | |
A refuge. | 0:28:40 | 0:28:41 | |
Existing spaces within the castle walls | 0:28:46 | 0:28:49 | |
were turned into air-raid shelters. | 0:28:49 | 0:28:51 | |
Four large holes were made in the walls | 0:28:51 | 0:28:54 | |
and ramps were built to allow quick access. | 0:28:54 | 0:28:57 | |
When the siren sounded, | 0:28:57 | 0:28:59 | |
hundreds of people who lived and worked in the city | 0:28:59 | 0:29:02 | |
would rush here looking for safety. | 0:29:02 | 0:29:04 | |
AIR-RAID SIREN WAILS | 0:29:04 | 0:29:06 | |
This really is the grandaddy of all air-raid shelters. | 0:29:36 | 0:29:40 | |
This tunnel... | 0:29:40 | 0:29:43 | |
Just paced it out. | 0:29:43 | 0:29:44 | |
..is about 200 yards, a bit more than 200 yards, | 0:29:44 | 0:29:47 | |
from one end to the other. | 0:29:47 | 0:29:49 | |
And you can see the benches where people sat. | 0:29:49 | 0:29:54 | |
Not... Not desperately comfortable. | 0:29:54 | 0:29:56 | |
I have to say, I wouldn't want to be sitting here for too long. | 0:29:56 | 0:29:59 | |
You certainly have to sit upright. | 0:29:59 | 0:30:01 | |
And...some comforts. | 0:30:01 | 0:30:05 | |
There's a kitchen. So, if you needed a cup of tea... | 0:30:05 | 0:30:08 | |
Various tins of this, that and the other. | 0:30:12 | 0:30:15 | |
This plan from the time shows how the castle walls | 0:30:18 | 0:30:21 | |
were divided into eight separate sections. | 0:30:21 | 0:30:23 | |
If one took a direct hit, blast barriers made of brick | 0:30:23 | 0:30:27 | |
would protect those in other parts of the castle walls. | 0:30:27 | 0:30:30 | |
And they could fit as many as 1,800 people in here. | 0:30:45 | 0:30:50 | |
1,800 people. | 0:30:50 | 0:30:51 | |
And if the air raid was a really long one | 0:30:53 | 0:30:56 | |
and people needed them - bunk beds. | 0:30:56 | 0:31:00 | |
They could spend a reasonably restful night, | 0:31:04 | 0:31:07 | |
although whether you could get any rest at all | 0:31:07 | 0:31:10 | |
when you're hearing the bombs drop | 0:31:10 | 0:31:13 | |
and waiting for that precious sound of the all-clear, I rather doubt. | 0:31:13 | 0:31:19 | |
EXPLOSIONS | 0:31:21 | 0:31:23 | |
MUSIC: Stardust | 0:31:24 | 0:31:27 | |
Thankfully, the castle shelters were never tested by a direct hit. | 0:31:42 | 0:31:47 | |
Other shelters had been built across the city | 0:31:51 | 0:31:54 | |
in cellars, gardens and streets. | 0:31:54 | 0:31:57 | |
After 75 years, there are few people now | 0:31:57 | 0:32:00 | |
who can tell us what it was like to spend nights in a shelter. | 0:32:00 | 0:32:03 | |
And I went over into this shelter, | 0:32:05 | 0:32:07 | |
where there were about half a dozen people sheltering, | 0:32:07 | 0:32:12 | |
frightened... | 0:32:12 | 0:32:14 | |
in the darkness, because there was no light in there. | 0:32:14 | 0:32:18 | |
The great Welsh entertainer Wyn Calvin, 90 now, | 0:32:18 | 0:32:22 | |
was an Army Cadet during the war. | 0:32:22 | 0:32:25 | |
But I did recognise two of the people who were there, | 0:32:25 | 0:32:32 | |
that I knew were very keen members of the church nearby. | 0:32:32 | 0:32:38 | |
And I thought, "Oh, maybe I'm in good company here." | 0:32:39 | 0:32:45 | |
Because by now, | 0:32:45 | 0:32:47 | |
the screaming sound of a bomb falling, | 0:32:47 | 0:32:52 | |
followed very swiftly by the explosion of the bomb, | 0:32:52 | 0:32:56 | |
and with it all, | 0:32:56 | 0:32:58 | |
the sound of anti-aircraft fire, | 0:32:58 | 0:33:01 | |
made a cacophony of sound that was... | 0:33:01 | 0:33:04 | |
..frightening and memorable. | 0:33:06 | 0:33:10 | |
Although the sort of memory that one would prefer to forget. | 0:33:11 | 0:33:16 | |
EXPLOSIONS | 0:33:16 | 0:33:18 | |
I was thinking, "Perhaps we should pray. What do we do?" | 0:33:19 | 0:33:24 | |
And the only prayer that I could think of was, | 0:33:24 | 0:33:27 | |
"For what we are now about to receive, | 0:33:27 | 0:33:29 | |
"May the Lord make us truly thankful." | 0:33:29 | 0:33:32 | |
I didn't laugh about it then. | 0:33:34 | 0:33:35 | |
As the Blitz continued and the number of targets increased, | 0:33:45 | 0:33:48 | |
prayers were being said throughout the whole of Wales. | 0:33:48 | 0:33:51 | |
The port of Pembroke in the west had already suffered badly. | 0:34:04 | 0:34:07 | |
In August 1940, a direct hit on one oil tank | 0:34:07 | 0:34:11 | |
sparked the biggest blaze in Britain since the Great Fire of London. | 0:34:11 | 0:34:15 | |
EXPLOSIONS | 0:34:16 | 0:34:19 | |
It burned for nearly three weeks, destroyed 33 million gallons of oil | 0:34:20 | 0:34:26 | |
and threatened to engulf the town. | 0:34:26 | 0:34:28 | |
It took more than 600 firefighters to put it out. | 0:34:32 | 0:34:36 | |
Five of them from Cardiff were killed. | 0:34:36 | 0:34:39 | |
North Wales didn't escape, either. | 0:34:41 | 0:34:43 | |
Bangor, Llandudno and Holyhead were all hit, | 0:34:43 | 0:34:46 | |
primarily because they were on the Luftwaffe's flight path | 0:34:46 | 0:34:49 | |
to the Liverpool docks. | 0:34:49 | 0:34:51 | |
On 24th October 1941, three people in Bangor lost their lives | 0:34:52 | 0:34:57 | |
as a result of parachute land mines. | 0:34:57 | 0:35:00 | |
Ironically, many vital national services, | 0:35:00 | 0:35:03 | |
including the Inland Revenue and the BBC light entertainment department, | 0:35:03 | 0:35:07 | |
had relocated to this area to escape heavy bombing in London. | 0:35:07 | 0:35:11 | |
Bangor became a hive of entertainment industry, | 0:35:13 | 0:35:18 | |
and so many of these great names of variety, | 0:35:18 | 0:35:21 | |
in those days, of entertainment, were there in Bangor. | 0:35:21 | 0:35:26 | |
Some of it... | 0:35:26 | 0:35:28 | |
Some of them stationed there for several years. | 0:35:28 | 0:35:31 | |
'It's That Man Again.' | 0:35:31 | 0:35:34 | |
Among the biggest names was Tommy Handley, who used the Bangor studio | 0:35:34 | 0:35:38 | |
to record his hugely popular wireless programme | 0:35:38 | 0:35:41 | |
It's That Man Again. | 0:35:41 | 0:35:43 | |
'..his infantile indefatigability...' | 0:35:43 | 0:35:45 | |
One evening, while that was being broadcast live, | 0:35:45 | 0:35:50 | |
a plane that had been, they think, | 0:35:50 | 0:35:53 | |
damaged by anti-aircraft fire over Liverpool | 0:35:53 | 0:35:58 | |
was leaping back from whence it had come. | 0:35:58 | 0:36:03 | |
And wanting to get rid of its... | 0:36:03 | 0:36:07 | |
the bomb that it had left onboard, | 0:36:07 | 0:36:10 | |
just let it go | 0:36:10 | 0:36:12 | |
and it fell on Bangor. | 0:36:12 | 0:36:14 | |
It was heard over the air, | 0:36:14 | 0:36:18 | |
but nobody knew what the sound of this in the distance was. | 0:36:18 | 0:36:22 | |
A bomb blast can just be heard in the background of this recording. | 0:36:22 | 0:36:28 | |
'# It ain't what you do... #' | 0:36:28 | 0:36:31 | |
FAINT EXPLOSION | 0:36:31 | 0:36:32 | |
'# It's the way that you do it... #' | 0:36:32 | 0:36:34 | |
But with true Blitz spirit, the show went on. | 0:36:34 | 0:36:37 | |
That was the bombing of Bangor. | 0:36:37 | 0:36:42 | |
North Wales was spared the worst. | 0:36:46 | 0:36:49 | |
The bombing never reached the intensity of the Cardiff Blitz. | 0:36:49 | 0:36:52 | |
Back in the capital, the people continued to call | 0:36:52 | 0:36:55 | |
on their own reserves of courage and resilience. | 0:36:55 | 0:36:58 | |
But they also relied on others. | 0:36:58 | 0:37:00 | |
The war brought out a spirit of selflessness, | 0:37:00 | 0:37:03 | |
typified by one young woman - Edith Shute. | 0:37:03 | 0:37:07 | |
She was 23 when the Cardiff Blitz started. | 0:37:07 | 0:37:09 | |
She had a driving licence and basic first-aid training, | 0:37:09 | 0:37:12 | |
so she volunteered for the ambulance service. | 0:37:12 | 0:37:15 | |
She is now 98. | 0:37:15 | 0:37:17 | |
I drove the ambulance twice or three times, I think, | 0:37:17 | 0:37:22 | |
before I went out on duty. | 0:37:22 | 0:37:24 | |
-So, you just did it. -Oh, we just did it. | 0:37:27 | 0:37:30 | |
I think a lot of other people did the same. | 0:37:30 | 0:37:33 | |
-You did see some terrible things, didn't you? -Yes. | 0:37:34 | 0:37:38 | |
On one occasion, we were called out to Violet Row in Whitchurch | 0:37:38 | 0:37:44 | |
and we had to stand by while they dug people out. | 0:37:44 | 0:37:49 | |
-Because the bomb had flattened their house? -Yes. | 0:37:49 | 0:37:53 | |
And we were... | 0:37:53 | 0:37:56 | |
They loaded up this patient and... | 0:37:56 | 0:38:00 | |
..we were instructed to go to Whitchurch Hospital. | 0:38:02 | 0:38:09 | |
So, we went into this hospital | 0:38:09 | 0:38:11 | |
and the man came out and said, "Why have you brought this woman here?" | 0:38:11 | 0:38:17 | |
And I cottoned on to what it was all about | 0:38:19 | 0:38:22 | |
and said, "Who am I to say she was dead?" | 0:38:22 | 0:38:25 | |
Because he thought you should have taken her straight to the morgue. | 0:38:25 | 0:38:28 | |
He was a doctor. | 0:38:28 | 0:38:30 | |
I said, "I'm not qualified to," you know, | 0:38:30 | 0:38:34 | |
"to express a person's life or death." | 0:38:34 | 0:38:39 | |
When there were a lot of raids, | 0:38:39 | 0:38:41 | |
you were taking more people to the morgue... | 0:38:41 | 0:38:44 | |
Oh, I went more to the morgue than hospital. | 0:38:44 | 0:38:49 | |
Because it was mostly bodies that were being brought out? | 0:38:49 | 0:38:52 | |
Yes, that's right. | 0:38:52 | 0:38:54 | |
There was one occasion when a bomb had fallen near a bridge | 0:38:54 | 0:38:59 | |
and quite a few people were very badly hurt. | 0:38:59 | 0:39:03 | |
Do you remember that? | 0:39:03 | 0:39:05 | |
A piece of the bridge came down, | 0:39:05 | 0:39:08 | |
bringing three men with it who were trying to repair it. | 0:39:08 | 0:39:13 | |
We were trying to tie one man's legs together | 0:39:13 | 0:39:19 | |
to stop them moving around. | 0:39:19 | 0:39:22 | |
And a lady doctor who lived in that area, she came along and said, | 0:39:22 | 0:39:29 | |
"I wouldn't bother, if I were you, love. | 0:39:29 | 0:39:31 | |
"You'll be lucky if he lasts very long. | 0:39:31 | 0:39:34 | |
"Get him to hospital as quickly as you can." | 0:39:34 | 0:39:37 | |
And one man's blood was running like a river in the gutter. | 0:39:37 | 0:39:43 | |
And then we had to drive to St David's Hospital. | 0:39:43 | 0:39:47 | |
And the one man breathed his last | 0:39:47 | 0:39:51 | |
as we were entering the precincts of the hospital. | 0:39:51 | 0:39:55 | |
-Because nothing had prepared you for this. -No. No. | 0:39:55 | 0:40:01 | |
Nothing had prepared us for it. | 0:40:01 | 0:40:03 | |
And no training, or proper training, or anything. | 0:40:03 | 0:40:05 | |
-No, no. No proper training. -So you just had to...? | 0:40:05 | 0:40:08 | |
You had to learn on the spot. | 0:40:08 | 0:40:10 | |
You see, to people listening to you today, they would just say, | 0:40:11 | 0:40:16 | |
"Well, that must have been terrifying, awful." | 0:40:16 | 0:40:19 | |
Well... | 0:40:21 | 0:40:23 | |
If you had somebody in trouble beside you, | 0:40:23 | 0:40:26 | |
you have to do what you can to help. | 0:40:26 | 0:40:29 | |
There were more than a dozen heavy bombing raids on Cardiff in total. | 0:40:31 | 0:40:35 | |
By the end, countless buildings and many lives were in ruins. | 0:40:35 | 0:40:39 | |
But the Luftwaffe wasn't finished with South Wales. | 0:40:41 | 0:40:45 | |
They'd already selected another target 40 miles to the west. | 0:40:45 | 0:40:50 | |
They'd launched a few attacks. | 0:40:50 | 0:40:52 | |
Now, they were to return with unexpected ferocity | 0:40:52 | 0:40:57 | |
and with devastating results. | 0:40:57 | 0:41:00 | |
AIR-RAID SIREN WAILS | 0:41:01 | 0:41:03 | |
Like Cardiff, prewar Swansea was a crucial port | 0:41:03 | 0:41:07 | |
and a centre for military-based industries. | 0:41:07 | 0:41:10 | |
So, it was inevitable the city would appear on the Nazis' hit list. | 0:41:10 | 0:41:14 | |
This image, which is, I think, quite the most chilling graphic | 0:41:15 | 0:41:22 | |
you can possibly look at of Swansea, | 0:41:22 | 0:41:25 | |
shows just how dense the dock facilities were | 0:41:25 | 0:41:32 | |
and how close by the housing was. | 0:41:32 | 0:41:36 | |
And literally, if you were... | 0:41:36 | 0:41:38 | |
If you press a button a second late, two seconds late, | 0:41:38 | 0:41:41 | |
your bombs will, without any doubt, have gone into the town. | 0:41:41 | 0:41:45 | |
And, indeed, the early attacks in February 1941 | 0:41:45 | 0:41:50 | |
effectively destroyed the... sort of the city centre. | 0:41:50 | 0:41:55 | |
They missed the docks. | 0:41:55 | 0:41:56 | |
-They really did miss the docks. -That is extraordinary, isn't it? | 0:41:56 | 0:42:00 | |
And they flattened the city centre. | 0:42:00 | 0:42:03 | |
What was not happening during these raids, of course, | 0:42:03 | 0:42:06 | |
was great squadrons of massed bombers coming in. | 0:42:06 | 0:42:11 | |
It was very different from that. | 0:42:11 | 0:42:13 | |
But you believe, in a sense, even more frightening. | 0:42:13 | 0:42:18 | |
If you are looking at two or three hours | 0:42:18 | 0:42:21 | |
and 50 or 60 aircraft, maybe 100 aircraft, | 0:42:21 | 0:42:24 | |
they're coming in at the rate of sort one every minute, minute and a half. | 0:42:24 | 0:42:29 | |
You know, there you are, you can hear the engines rising, it's coming in. | 0:42:30 | 0:42:37 | |
Then you would probably hear bombs. | 0:42:37 | 0:42:39 | |
And then you'd think there's another one coming, and another one coming. | 0:42:39 | 0:42:43 | |
-Psychological effect. -Another one coming, and another, and another. | 0:42:43 | 0:42:46 | |
And that must have had a really perturbing effect. | 0:42:46 | 0:42:50 | |
The psychological effect. | 0:42:50 | 0:42:52 | |
-"Is the next one going to drop on me?" -Absolutely. | 0:42:52 | 0:42:54 | |
Viewed from the air, | 0:43:03 | 0:43:05 | |
you can see why this place was a sitting duck for the Luftwaffe. | 0:43:05 | 0:43:08 | |
Even without any modern navigational aids, | 0:43:09 | 0:43:13 | |
the Germans would have had absolutely no trouble | 0:43:13 | 0:43:15 | |
finding Swansea even at night, because, of course, | 0:43:15 | 0:43:19 | |
you just come up the Channel, you stick to the coast, and there it is. | 0:43:19 | 0:43:24 | |
And you've got the hills behind to tell you where the port is, | 0:43:24 | 0:43:27 | |
even if you can't see the actual dock buildings. | 0:43:27 | 0:43:30 | |
So, an easy target to find. | 0:43:30 | 0:43:33 | |
And, as we now know, tragically, | 0:43:33 | 0:43:37 | |
a very easy target to cause massive, massive damage to. | 0:43:37 | 0:43:44 | |
Swansea was so badly hit. | 0:43:44 | 0:43:46 | |
All of the focus... | 0:43:56 | 0:43:59 | |
is it just that area enclosed by that outer breakwater there. | 0:43:59 | 0:44:04 | |
-Yeah, that's it. Yes, we can see it in one sweep. -Absolutely. | 0:44:04 | 0:44:09 | |
That's the entire old centre, isn't it, which was completely flattened. | 0:44:09 | 0:44:13 | |
Yes, exactly. What we're looking at now... | 0:44:13 | 0:44:17 | |
In Feb '41, there were three attacks in so many days | 0:44:17 | 0:44:22 | |
and they destroyed the city centre. | 0:44:22 | 0:44:24 | |
-Shudder to think what those few days must have been like, eh? -Ohh. | 0:44:27 | 0:44:31 | |
Horrifying. | 0:44:31 | 0:44:33 | |
Just to give you an idea of the concentrated nature of the bombing, | 0:44:36 | 0:44:41 | |
40 acres of Swansea town centre was flattened. | 0:44:41 | 0:44:46 | |
That is the most concentrated bit of bombing of the war. | 0:44:46 | 0:44:51 | |
Between 19th and 21st February, | 0:44:58 | 0:45:01 | |
bombs fell for a total of 13 hours and 48 minutes. | 0:45:01 | 0:45:06 | |
They set whole districts ablaze. | 0:45:06 | 0:45:08 | |
This is the only known photograph | 0:45:10 | 0:45:12 | |
taken during the three nights' blitz. | 0:45:12 | 0:45:15 | |
The attacks killed 230 people and injured more than 400. | 0:45:15 | 0:45:19 | |
857 properties were destroyed, 11,000 damaged, | 0:45:20 | 0:45:25 | |
and 7,000 people were made homeless. | 0:45:25 | 0:45:28 | |
Elaine Kidwell was the youngest warden in Britain. She was 17. | 0:45:33 | 0:45:37 | |
What they said to me was, "18?" "I'm in my 18th year," I said. | 0:45:38 | 0:45:43 | |
So, I didn't lie. | 0:45:43 | 0:45:44 | |
So, let's just go back to the Swansea Blitz, and it was so bad. | 0:45:46 | 0:45:52 | |
It was, yes. | 0:45:52 | 0:45:53 | |
Just describe what it was like on those nights | 0:45:53 | 0:45:55 | |
when they were bombing and bombing and bombing. | 0:45:55 | 0:45:58 | |
Well, we'd come running out and we'd be blowing our whistles and yelling. | 0:45:58 | 0:46:02 | |
And the shelters were open. | 0:46:02 | 0:46:03 | |
Stand and say, "Come on, come on, get in there." | 0:46:03 | 0:46:07 | |
And they were machine-gunning the balloons down, | 0:46:07 | 0:46:10 | |
because they were over the docks, you see. | 0:46:10 | 0:46:12 | |
And I remember running along Quay Parade for my life, | 0:46:12 | 0:46:15 | |
because the bullets were coming behind me, you know. | 0:46:15 | 0:46:18 | |
And then I dived into a doorway and they went past, you know. | 0:46:18 | 0:46:22 | |
Then I heard a whistle going, blowing frantically. | 0:46:22 | 0:46:27 | |
I rushed down the steps and over to... | 0:46:27 | 0:46:31 | |
where the whistling was coming from. | 0:46:31 | 0:46:33 | |
And when I got there - it was in Quay Parade - | 0:46:33 | 0:46:36 | |
there was a warden leaning over a body on the ground. | 0:46:36 | 0:46:39 | |
So, I went up and he said, "This is for you." | 0:46:39 | 0:46:42 | |
He said, "You'd know what to do." "Where is it?" | 0:46:42 | 0:46:44 | |
He said, "I don't know. He's bleeding from somewhere." | 0:46:44 | 0:46:46 | |
Anyway, it was black, you see, you couldn't tell. And I said... | 0:46:46 | 0:46:51 | |
The man, he was unconscious, thank goodness. | 0:46:51 | 0:46:53 | |
Anyway, I felt around and then where his leg was, there was nothing. | 0:46:53 | 0:46:56 | |
"Oh, God, blood. The leg's gone." | 0:46:56 | 0:46:58 | |
So, put a tourniquet on him now and put everything right. | 0:46:58 | 0:47:03 | |
In any case, this ambulance came along, which was really a van. | 0:47:03 | 0:47:08 | |
And he said to me, "All right?" I said, "Yes." I said, "I'm fine." | 0:47:08 | 0:47:12 | |
"Right," he said. "Listen now," he said. "You saved his life. | 0:47:12 | 0:47:16 | |
"All right, he hasn't got a leg, but he's going to live." | 0:47:16 | 0:47:20 | |
Anyway, he came to see me some years later and he said, | 0:47:20 | 0:47:24 | |
"How in hell did you get through the Blitz? | 0:47:24 | 0:47:27 | |
"Cos you were always out in it." | 0:47:27 | 0:47:29 | |
I said, "I rather would have been out than been in," | 0:47:29 | 0:47:31 | |
cos your imagination can... when you're in | 0:47:31 | 0:47:33 | |
and you hear the banging and the banging. | 0:47:33 | 0:47:36 | |
When you're out, you can see what's happening, you know. | 0:47:36 | 0:47:39 | |
So, there we were. But the damage was so bad. | 0:47:39 | 0:47:43 | |
I remember I went up the top of one street where... | 0:47:43 | 0:47:47 | |
there were three men now of a bomb squad, taking a bomb apart. | 0:47:47 | 0:47:52 | |
And I got up just before the explosion | 0:47:52 | 0:47:56 | |
and, of course, it was terrible. | 0:47:56 | 0:47:59 | |
The three had been blown to bits. | 0:47:59 | 0:48:02 | |
There were bits of bodies everywhere, all blood... | 0:48:02 | 0:48:06 | |
And that spot I can still go up and I avert my...like that. | 0:48:06 | 0:48:12 | |
I know the exact spot where those three were killed, and I knew them. | 0:48:12 | 0:48:15 | |
She was just a girl and she was seeing things | 0:48:18 | 0:48:21 | |
most of us would hope never to have to see. | 0:48:21 | 0:48:24 | |
There was one thing I haven't forgotten, | 0:48:27 | 0:48:29 | |
but I'm coming to terms even though it's a long time ago. | 0:48:29 | 0:48:33 | |
I was coming off duty | 0:48:33 | 0:48:35 | |
and they were bringing the dead from where there was a lot of casualties. | 0:48:35 | 0:48:40 | |
And in the back of this car, now I can see... The hood was down. | 0:48:40 | 0:48:45 | |
And I could see two little babies in a white box like that. | 0:48:45 | 0:48:51 | |
And one was lying... | 0:48:51 | 0:48:53 | |
The little girl lying like this, and the little boy was a bit older, | 0:48:53 | 0:48:58 | |
had his arm on her, but he was dead, too. | 0:48:58 | 0:49:01 | |
And I still can't get over it. | 0:49:02 | 0:49:04 | |
But I'm not grieving and I'm glad that they both went together. | 0:49:04 | 0:49:08 | |
You know what I mean? | 0:49:08 | 0:49:10 | |
But the waste of it, you know. It was so wicked. | 0:49:10 | 0:49:14 | |
-Yeah. -And they were still bombing us. | 0:49:14 | 0:49:17 | |
That night, I remember going up and seeing | 0:49:17 | 0:49:21 | |
that from Swansea Castle down to... | 0:49:21 | 0:49:25 | |
Oh. | 0:49:25 | 0:49:27 | |
..the bottom of St Helens Road was burning. | 0:49:27 | 0:49:31 | |
-And it burned... -The whole swathe of it? | 0:49:31 | 0:49:33 | |
Yeah. And it burned from... | 0:49:33 | 0:49:35 | |
..that side to that side, the same. | 0:49:36 | 0:49:39 | |
Everything was in flames. | 0:49:39 | 0:49:41 | |
And people were running for the beach. | 0:49:41 | 0:49:43 | |
Because if the worst came to the worst, | 0:49:43 | 0:49:45 | |
they could get into the water, see? | 0:49:45 | 0:49:47 | |
-The heat must have been tremendous. -Terrible. -It sounds like a hell. | 0:49:47 | 0:49:52 | |
It was hell. There was no other word for it. | 0:49:52 | 0:49:55 | |
'Morning is breaking over Wales at war.' | 0:50:09 | 0:50:12 | |
Dylan Thomas was a Swansea man. | 0:50:12 | 0:50:14 | |
His writing showed how haunted he was | 0:50:14 | 0:50:17 | |
by the destruction of his hometown. | 0:50:17 | 0:50:19 | |
Thomas had been declared medically unfit for military service, | 0:50:19 | 0:50:23 | |
so he spent much of the war writing scripts | 0:50:23 | 0:50:25 | |
for the Ministry of Information propaganda films. | 0:50:25 | 0:50:29 | |
'In the furnaces of Llanelli...' | 0:50:29 | 0:50:31 | |
Those who studied his life | 0:50:31 | 0:50:32 | |
believe he was actually in Swansea at the height of the attacks. | 0:50:32 | 0:50:37 | |
There's testimony from a very close friend of his | 0:50:37 | 0:50:40 | |
who saw Dylan and his wife, Caitlin, | 0:50:40 | 0:50:41 | |
walking through the streets of bombed Swansea | 0:50:41 | 0:50:43 | |
after the Blitz in that February. | 0:50:43 | 0:50:46 | |
And Dylan turned to his friend | 0:50:46 | 0:50:47 | |
and said, "Our Swansea has died." | 0:50:47 | 0:50:50 | |
So, parts of the town that he knew and loved and was so familiar with, | 0:50:50 | 0:50:54 | |
had written about in his short stories, were just flattened. | 0:50:54 | 0:50:58 | |
In a sense, what one would love to see | 0:50:58 | 0:51:01 | |
is his chronicling of the terrible events | 0:51:01 | 0:51:04 | |
of early 1941 here in Swansea. | 0:51:04 | 0:51:07 | |
-But he didn't do that, did he? He wrote later. -That's right. | 0:51:07 | 0:51:10 | |
It took him six years to absorb those traumatic events of Swansea, | 0:51:10 | 0:51:16 | |
the destruction of the Swansea he knew and loved. | 0:51:16 | 0:51:19 | |
Return Journey was the great play that he wrote in 1947. | 0:51:19 | 0:51:25 | |
Yes, that's right. This is the original script. | 0:51:25 | 0:51:28 | |
-This is the actual broadcast script that he'd have read from. -Yes. | 0:51:28 | 0:51:31 | |
He was very keen to get every detail right in this script, | 0:51:31 | 0:51:33 | |
to the extent that he checked the order | 0:51:33 | 0:51:36 | |
of all the shops that had been bombed, | 0:51:36 | 0:51:38 | |
to make sure he had them in the correct order | 0:51:38 | 0:51:40 | |
when he was writing about them in this piece. | 0:51:40 | 0:51:42 | |
'WHSmith, Boots Cash Chemists, Leslie's Stores, Upson's Shoes, | 0:51:42 | 0:51:46 | |
'Prince of Wales, Tucker's Fish, Stead And Simpson, | 0:51:46 | 0:51:49 | |
'all the shops bombed and vanished.' | 0:51:49 | 0:51:52 | |
But he even wrote to a former grammar school master of his | 0:51:52 | 0:51:55 | |
to get the names of those former boys who had died in the war | 0:51:55 | 0:51:58 | |
who were on the roll of honour | 0:51:58 | 0:52:00 | |
so he could include their names in this broadcast. | 0:52:00 | 0:52:02 | |
BELL TOLLS | 0:52:02 | 0:52:03 | |
'Evans KJ. | 0:52:03 | 0:52:05 | |
'Haynes GC. | 0:52:05 | 0:52:07 | |
'Roberts IL. | 0:52:07 | 0:52:09 | |
'Moxham J. | 0:52:09 | 0:52:11 | |
'Thomas H. Baines W.' | 0:52:11 | 0:52:13 | |
And it's not an attempt to put a gloss on what happened | 0:52:13 | 0:52:17 | |
in any sense at all. | 0:52:17 | 0:52:18 | |
It's not lyrical in that sense, is it? | 0:52:18 | 0:52:21 | |
-In fact, it's brutally truthful. -Yes. -But there is... | 0:52:21 | 0:52:24 | |
-Well, there's a beauty in it. -Yes, and it's an elegy. | 0:52:24 | 0:52:28 | |
It's a very beautiful elegy, I think, | 0:52:28 | 0:52:30 | |
to a lost Swansea, a lost childhood, which resonated with so many people. | 0:52:30 | 0:52:34 | |
It's a very, very long time since Dylan Thomas wrote that play. | 0:52:55 | 0:52:59 | |
He was in his thirties then. | 0:52:59 | 0:53:01 | |
And, obviously, nothing that he describes is as it was then. | 0:53:01 | 0:53:05 | |
This is the new Swansea. None of the old remains. | 0:53:05 | 0:53:10 | |
But his words remain, | 0:53:10 | 0:53:12 | |
and they are as colourful and evocative today | 0:53:12 | 0:53:16 | |
as they were when he wrote them. | 0:53:16 | 0:53:18 | |
Let's give you another flavour of it. | 0:53:18 | 0:53:21 | |
"Boys romped, calling high and clear, | 0:53:22 | 0:53:25 | |
"on top of a levelled chemist's and a shoe-shop, | 0:53:25 | 0:53:27 | |
"and a little girl..." | 0:53:27 | 0:53:29 | |
"..wearing a man's cap, | 0:53:29 | 0:53:30 | |
"threw a snowball in a chill deserted garden | 0:53:30 | 0:53:33 | |
"that had once been the Jug and Bottle of the Prince of Wales." | 0:53:33 | 0:53:36 | |
"..for where the squat and tall shops | 0:53:36 | 0:53:39 | |
"had shielded the town from the sea | 0:53:39 | 0:53:40 | |
"lay their blitzed flat graves marbled with snow | 0:53:40 | 0:53:45 | |
"and headstoned with fences." | 0:53:45 | 0:53:47 | |
"David Evans, Gregory Confectioners, Bovega, Burton's, Lloyds Bank, | 0:53:47 | 0:53:52 | |
"and nothing." | 0:53:52 | 0:53:53 | |
One of the pubs reduced to dust and rubble was the King's Head. | 0:53:57 | 0:54:01 | |
It had been home to Marion Garnett's family. | 0:54:01 | 0:54:04 | |
She was just a baby at the time. | 0:54:04 | 0:54:06 | |
On the third night of the blitz, | 0:54:06 | 0:54:09 | |
my mother was standing opposite our pub | 0:54:09 | 0:54:13 | |
and a man came down and said to her, "You'd better move from there, | 0:54:13 | 0:54:19 | |
"because that pub will be up in flames." | 0:54:19 | 0:54:24 | |
With the centre of Swansea burning, they had to flee for their lives. | 0:54:24 | 0:54:28 | |
My mother told me that she walked over bodies | 0:54:28 | 0:54:32 | |
and then we all went down to the air-raid shelter. | 0:54:32 | 0:54:36 | |
The family survived, but the pub was gone. | 0:54:37 | 0:54:40 | |
All they had left were the clothes they wore. | 0:54:40 | 0:54:43 | |
My mother was in quite a bad emotional state | 0:54:43 | 0:54:46 | |
because, of course, she had lost everything. | 0:54:46 | 0:54:49 | |
But she had a glimmer of hope, | 0:54:49 | 0:54:51 | |
knowing my father would be coming home | 0:54:51 | 0:54:54 | |
and then, perhaps, life would start as normal again. | 0:54:54 | 0:54:57 | |
But it never did. | 0:54:59 | 0:55:00 | |
Marion's father had been serving in Africa. | 0:55:00 | 0:55:03 | |
The year after the blitz, | 0:55:03 | 0:55:05 | |
the family received the worst possible news. | 0:55:05 | 0:55:08 | |
My mother and I had been to the Post Office to collect her Army pay. | 0:55:08 | 0:55:13 | |
And we came back, and Nana - I can see it now in my mind's eye - | 0:55:13 | 0:55:18 | |
was waving a telegram. | 0:55:18 | 0:55:22 | |
And my mother took it. | 0:55:22 | 0:55:24 | |
She opened it and she sat down on a big armchair near the fire... | 0:55:24 | 0:55:31 | |
..and started to cry. | 0:55:33 | 0:55:36 | |
And that scene is, really, my first memory, | 0:55:38 | 0:55:42 | |
and it's something that will always be with me. | 0:55:42 | 0:55:46 | |
The sadness was so intense. | 0:55:46 | 0:55:48 | |
Not only my mother had lost her house and home. | 0:55:48 | 0:55:53 | |
Now she'd lost her husband and my father. | 0:55:53 | 0:55:56 | |
Her family devastated, a town destroyed. | 0:56:01 | 0:56:05 | |
In Swansea, many lives were changed for ever. | 0:56:05 | 0:56:07 | |
But what the bombs and the flames never killed | 0:56:11 | 0:56:15 | |
was the spirit of the locals. | 0:56:15 | 0:56:17 | |
It survived and the place itself was rebuilt. | 0:56:17 | 0:56:21 | |
The centre is now full of tall buildings, | 0:56:21 | 0:56:23 | |
unrecognisable from what it was before the war. | 0:56:23 | 0:56:26 | |
Despite all the careful preparation and planning, | 0:56:27 | 0:56:30 | |
Hitler's blitzkrieg, lightning war, failed to break Britain. | 0:56:30 | 0:56:35 | |
I know now just how close his pilots came to dropping a bomb on my home. | 0:56:38 | 0:56:42 | |
And yet it, like the people and the nation, | 0:56:42 | 0:56:46 | |
stood firm against the onslaught. | 0:56:46 | 0:56:48 | |
Back on the ground in Splott, | 0:56:54 | 0:56:56 | |
the bombsites that were once my forbidden playgrounds are long gone. | 0:56:56 | 0:57:01 | |
In their place, family homes for the next generation. | 0:57:01 | 0:57:05 | |
Childhood produces a million false memories | 0:57:07 | 0:57:10 | |
and, of course, I was a baby when the bombs were actually falling. | 0:57:10 | 0:57:13 | |
So, it's been fascinating to talk to people who were older | 0:57:13 | 0:57:16 | |
and who really do remember what it was like | 0:57:16 | 0:57:18 | |
when the bombs were dropping. | 0:57:18 | 0:57:20 | |
What I remember, and this is a real memory, is playing on the bombsites. | 0:57:20 | 0:57:24 | |
They were all around here, the bombs dropped on these streets, | 0:57:24 | 0:57:29 | |
and so there'd be that gap, and the house would be utterly destroyed. | 0:57:29 | 0:57:34 | |
And now, well, the streets are back to normal, | 0:57:34 | 0:57:37 | |
houses are painted a little more brightly than they were then. | 0:57:37 | 0:57:41 | |
And things have changed. | 0:57:41 | 0:57:43 | |
Everything has changed. | 0:57:43 | 0:57:45 | |
Our memories, though, for those who really can remember, are vivid. | 0:57:45 | 0:57:51 |