
Browse content similar to Cue The Queen: Celebrating the Christmas Speech. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
In the early summer of 1923, a remarkable event occurred. | 0:00:02 | 0:00:07 | |
'On this day, my people in all parts of the world | 0:00:09 | 0:00:16 | |
'join to celebrate their unity and to...' | 0:00:16 | 0:00:20 | |
For the first time ever, the voice of a British monarch | 0:00:20 | 0:00:23 | |
could be heard by his subjects at home and throughout the Empire. | 0:00:23 | 0:00:28 | |
'..has its own life to live...' | 0:00:28 | 0:00:30 | |
For over 60 years, each December, the Queen has prepared for her | 0:00:32 | 0:00:38 | |
Christmas Message to her people in Britain and the Commonwealth. | 0:00:38 | 0:00:41 | |
The technology may be different from that used by her grandfather, | 0:00:44 | 0:00:48 | |
George V, when he recorded his gramophone record here, | 0:00:48 | 0:00:52 | |
but the sentiments are still the same. | 0:00:52 | 0:00:54 | |
Every Christmas Day at three o'clock, the Queen | 0:00:57 | 0:01:01 | |
comes into our homes and speaks directly to her people. | 0:01:01 | 0:01:05 | |
I very much hope that this new medium will make my Christmas | 0:01:05 | 0:01:09 | |
message more personal and direct. | 0:01:09 | 0:01:12 | |
These are not the words of politicians, | 0:01:12 | 0:01:15 | |
but the Queen's own personal thoughts and reflections. | 0:01:15 | 0:01:19 | |
A festive tradition from Britain's longest-reigning monarch. | 0:01:19 | 0:01:24 | |
I hope you all have a very happy Christmas. | 0:01:24 | 0:01:27 | |
At the beginning of the 20th century, | 0:01:40 | 0:01:43 | |
it became possible to witness moving images of Britain's kings | 0:01:43 | 0:01:47 | |
and queens through the medium of film. | 0:01:47 | 0:01:49 | |
While the monarchy was happy to be filmed, | 0:01:56 | 0:01:59 | |
recording their voices was considered a step too far. | 0:01:59 | 0:02:02 | |
That was until 1923, when King George V was persuaded | 0:02:06 | 0:02:11 | |
to record a short message | 0:02:11 | 0:02:13 | |
here at Buckingham Palace for the children of the British Empire, | 0:02:13 | 0:02:17 | |
a process which, in those days, was by no means straightforward. | 0:02:17 | 0:02:21 | |
In 1923, the recording technology was | 0:02:21 | 0:02:25 | |
what is called acoustic recording, | 0:02:25 | 0:02:27 | |
so there were no microphones involved, | 0:02:27 | 0:02:29 | |
no electricity and the recording had to be made totally acoustic. | 0:02:29 | 0:02:34 | |
My first question there is - and I've got a few - | 0:02:34 | 0:02:36 | |
how do you make a recording without a microphone? | 0:02:36 | 0:02:38 | |
Well, what you do is you channel the sound down a horn | 0:02:38 | 0:02:42 | |
and I have one here... | 0:02:42 | 0:02:43 | |
I'm absolutely bamboozled by the idea that there was no microphone. | 0:02:43 | 0:02:46 | |
So this is instead, is it? | 0:02:46 | 0:02:49 | |
This is a recording horn. | 0:02:49 | 0:02:51 | |
Now, it would normally be fixed on a stand and the end | 0:02:51 | 0:02:55 | |
of the horn would be attached to a machine, a recording machine... | 0:02:55 | 0:02:59 | |
-Right. So you talk down that bit? -You talk down that bit... | 0:02:59 | 0:03:02 | |
-It looks unlikely. -Would you like me to have a go? | 0:03:02 | 0:03:05 | |
Yeah, I'd like you to have a go, yes. | 0:03:05 | 0:03:08 | |
I am Tony Locantro, speaking into a recording horn, | 0:03:08 | 0:03:12 | |
pretending to make an acoustic gramophone record. | 0:03:12 | 0:03:14 | |
KIRSTY LAUGHS | 0:03:14 | 0:03:16 | |
So would it have been a straightforward thing, | 0:03:16 | 0:03:19 | |
or was it a palaver? | 0:03:19 | 0:03:20 | |
How would the King have gone about that business of recording? | 0:03:20 | 0:03:22 | |
HE LAUGHS | 0:03:22 | 0:03:24 | |
You only did it once because you cut a groove into a wax master | 0:03:24 | 0:03:27 | |
and it had to be perfect for the whole | 0:03:27 | 0:03:29 | |
duration of the three or four minutes of the record. | 0:03:29 | 0:03:32 | |
-Quite a palaver. -It was, indeed, quite a palaver. | 0:03:32 | 0:03:35 | |
Do we know what was said by George V? | 0:03:37 | 0:03:39 | |
-We have the recording. -Right. | 0:03:39 | 0:03:41 | |
This is the disc and this disc, the... | 0:03:41 | 0:03:43 | |
-Can I take it out? -Yes, of course. | 0:03:43 | 0:03:45 | |
-It's got this wonderful sort of very regal royal purple. -Indeed. | 0:03:47 | 0:03:50 | |
It looks special and it says on this label, "To the boys | 0:03:50 | 0:03:53 | |
"and girls of the British Empire from His Majesty King George V | 0:03:53 | 0:03:57 | |
"and Her Majesty, the Queen Mary." | 0:03:57 | 0:03:59 | |
It was sent out in a sealed package to schools all over the British | 0:03:59 | 0:04:04 | |
Empire and on Empire Day, which was the 24th of May, the pupils | 0:04:04 | 0:04:10 | |
were assembled and the package was ceremoniously unwrapped and unsealed | 0:04:10 | 0:04:16 | |
and the record was then played on a traditional gramophone of the time. | 0:04:16 | 0:04:20 | |
'Each of our many people has his own life to live...' | 0:04:20 | 0:04:25 | |
I mean, it must have been hugely exciting for the children, | 0:04:25 | 0:04:29 | |
for the teachers, for everybody involved, to actually hear | 0:04:29 | 0:04:31 | |
the voice of the monarch, something that had never, up until then, | 0:04:31 | 0:04:34 | |
been heard before. | 0:04:34 | 0:04:35 | |
Absolutely. Nobody heard the voice of the monarch unless you happened | 0:04:35 | 0:04:38 | |
to be at some occasion where the monarch was speaking. | 0:04:38 | 0:04:42 | |
'..by brave and wise men and women in the past.' | 0:04:42 | 0:04:46 | |
This last year has been one of great celebration for many. | 0:04:48 | 0:04:52 | |
As well as her annual Christmas television message, | 0:04:52 | 0:04:56 | |
every year the Queen also makes a separate radio broadcast. | 0:04:56 | 0:05:00 | |
This is very good. | 0:05:00 | 0:05:02 | |
So I'll stop when I get to the bottom of this. | 0:05:02 | 0:05:06 | |
It was radio, in fact, which got the whole thing started. | 0:05:06 | 0:05:10 | |
RADIO TUNING | 0:05:10 | 0:05:13 | |
A few months before the King recorded his first gramophone record | 0:05:13 | 0:05:17 | |
at Buckingham Palace, a radio station started | 0:05:17 | 0:05:20 | |
broadcasting from a building on the Strand, about a mile away. | 0:05:20 | 0:05:25 | |
Its call sign was 2LO. | 0:05:25 | 0:05:28 | |
'2LO, Marconi House, London, calling, | 0:05:28 | 0:05:30 | |
'2LO, Marconi House, London, calling.' | 0:05:30 | 0:05:33 | |
It wasn't long before 2LO became the BBC. | 0:05:34 | 0:05:39 | |
WALTZ MUSIC | 0:05:44 | 0:05:45 | |
In those early days of the BBC there were no rules and regulations, | 0:05:58 | 0:06:03 | |
it was just a case of experimenting to the 30,000 listeners with | 0:06:03 | 0:06:07 | |
what you had and what you could do. | 0:06:07 | 0:06:10 | |
The person in charge of the BBC at the time was a young Scottish | 0:06:13 | 0:06:17 | |
engineer whose portrait hangs in the Council Chamber | 0:06:17 | 0:06:20 | |
at Broadcasting House. | 0:06:20 | 0:06:22 | |
At 6ft 6, John Reith was a giant of a man who believed in taste and | 0:06:24 | 0:06:29 | |
morality and would defend it with courage, arrogance and ferocity. | 0:06:29 | 0:06:34 | |
John Reith was also canny | 0:06:34 | 0:06:36 | |
and he realised the potential of his new radio, or the wireless, as it | 0:06:36 | 0:06:40 | |
was called, as a way for leaders to speak directly to their people. | 0:06:40 | 0:06:45 | |
He wrote to King George V, asking him | 0:06:45 | 0:06:47 | |
whether he would be interested in delivering a message | 0:06:47 | 0:06:51 | |
to his people, on Christmas or New Year's Day, live via the wireless. | 0:06:51 | 0:06:56 | |
He also added that it would help to boost radio manufacturers' sales. | 0:06:56 | 0:07:01 | |
Well, the King...declined. | 0:07:01 | 0:07:04 | |
REGAL MUSIC | 0:07:04 | 0:07:06 | |
George V had in fact already made a broadcast, | 0:07:12 | 0:07:15 | |
when he opened the 1924 Empire Exhibition at Wembley. | 0:07:15 | 0:07:19 | |
'You see before you a complete | 0:07:20 | 0:07:23 | |
'and vivid representation of all your Empire.' | 0:07:23 | 0:07:27 | |
Large numbers of people listened to the King on the wireless, | 0:07:28 | 0:07:32 | |
both at home and from loudspeakers placed in public areas. | 0:07:32 | 0:07:37 | |
George V's voice was clearly in demand, | 0:07:37 | 0:07:41 | |
much to the King's dismay. | 0:07:41 | 0:07:43 | |
He doesn't have confidence in himself as a speech giver | 0:07:45 | 0:07:48 | |
and therefore in the '20s, when some of these openings | 0:07:48 | 0:07:51 | |
want to be recorded by, you know, new organisations | 0:07:51 | 0:07:54 | |
such as the BBC, it adds to the stress of it | 0:07:54 | 0:07:58 | |
because not only are you saying this, but here you are, | 0:07:58 | 0:08:01 | |
you have a physical record of every time you stammer, every time you | 0:08:01 | 0:08:05 | |
mistake a word, so this is greatly concerning for the King, for a | 0:08:05 | 0:08:09 | |
man who, I would say if you got him to list his own personal qualities, | 0:08:09 | 0:08:13 | |
he would probably not list public speaking as one of his top ones. | 0:08:13 | 0:08:17 | |
It was Britain's Prime Minister, Ramsay MacDonald, who finally | 0:08:20 | 0:08:24 | |
persuaded George V that, as the Empire was transformed | 0:08:24 | 0:08:28 | |
into the Commonwealth, the monarchy was pivotal in maintaining unity. | 0:08:28 | 0:08:33 | |
A personal speech from the King to his subjects | 0:08:33 | 0:08:36 | |
throughout the world would do much in holding the Empire together. | 0:08:36 | 0:08:40 | |
The Empire was certainly important to George V, | 0:08:42 | 0:08:45 | |
I don't think there was any way that you could have had a British | 0:08:45 | 0:08:48 | |
king or queen in that period for whom the Empire wasn't seen as part | 0:08:48 | 0:08:52 | |
of almost like the meat and drink of who they were and what they did. | 0:08:52 | 0:08:55 | |
Having a role within the United Kingdom, but also having this | 0:08:55 | 0:08:59 | |
global role was very much part of the fabric of the institution. | 0:08:59 | 0:09:03 | |
It is even said that the deathbed words of George V | 0:09:03 | 0:09:07 | |
were, "How is the Empire?" | 0:09:07 | 0:09:09 | |
On the 19th of December 1932, here at Broadcasting House, | 0:09:11 | 0:09:15 | |
the BBC launched its Empire Service. | 0:09:15 | 0:09:18 | |
It was introduced by the now knighted Sir John Reith, | 0:09:18 | 0:09:22 | |
who spoke with brutal honesty. | 0:09:22 | 0:09:25 | |
'As to programmes, don't expect too much in the early days. | 0:09:25 | 0:09:30 | |
'The programmes will neither be very interesting, nor very good.' | 0:09:31 | 0:09:37 | |
What Reith had higher hopes for was the broadcast six days later, | 0:09:37 | 0:09:41 | |
on Christmas Day, when the King would speak live on the radio to | 0:09:41 | 0:09:45 | |
his people in Britain and around the world from his home in Sandringham. | 0:09:45 | 0:09:49 | |
The King had been heard on the wireless making speeches | 0:09:53 | 0:09:56 | |
on formal occasions 13 times, but never before had a monarch been | 0:09:56 | 0:10:02 | |
heard to speak personally and, more importantly, from their own home. | 0:10:02 | 0:10:06 | |
It's worth remembering that listening to the wireless was | 0:10:19 | 0:10:22 | |
an entirely new pastime for British households and, in that spirit, | 0:10:22 | 0:10:27 | |
the BBC produced some very useful advice in its yearbook. | 0:10:27 | 0:10:31 | |
It says to listeners, "Listen as carefully at home as you | 0:10:31 | 0:10:34 | |
"do in a theatre or concert hall. | 0:10:34 | 0:10:36 | |
"You can't get the best out of a programme | 0:10:36 | 0:10:38 | |
"if your mind is wandering or if you are playing bridge or | 0:10:38 | 0:10:42 | |
"reading, give it your full attention. | 0:10:42 | 0:10:44 | |
"Try turning out the lights | 0:10:44 | 0:10:46 | |
"so that your eye is not caught by familiar objects in the room. | 0:10:46 | 0:10:50 | |
"Your imagination will be twice as vivid." | 0:10:50 | 0:10:52 | |
And then, my particular favourite, "If you only listen with half | 0:10:52 | 0:10:57 | |
"an ear, you haven't a quarter of a right to criticise." | 0:10:57 | 0:11:01 | |
Three o'clock in the afternoon was chosen as the best time to reach | 0:11:03 | 0:11:07 | |
most of the Empire countries from short-wave transmitters in Britain. | 0:11:07 | 0:11:11 | |
For the King this would mean broadcasting at 3.30, as all | 0:11:13 | 0:11:17 | |
the Sandringham clocks were set half an hour | 0:11:17 | 0:11:19 | |
ahead of Greenwich Mean Time, | 0:11:19 | 0:11:21 | |
to make the most of daylight for shooting. | 0:11:21 | 0:11:25 | |
GUNSHOT | 0:11:25 | 0:11:26 | |
You know, there really was, well, nothing grand about the room | 0:11:26 | 0:11:29 | |
that was chosen for the Christmas broadcast. | 0:11:29 | 0:11:32 | |
It was actually the office of the Master Of The Household, | 0:11:32 | 0:11:34 | |
but, in fact, George V was said to have, well, rather appreciated | 0:11:34 | 0:11:38 | |
its somewhat limited space from his time aboard ships | 0:11:38 | 0:11:41 | |
whilst he was serving in the Navy. | 0:11:41 | 0:11:43 | |
It was suggested that the Empire's poet, Rudyard Kipling, write | 0:11:45 | 0:11:49 | |
the speech, so relieving George V of further anxiety. | 0:11:49 | 0:11:53 | |
The King was delighted. | 0:11:53 | 0:11:55 | |
Contrary to press reports in the week before the broadcast, | 0:11:57 | 0:12:00 | |
a special golden microphone was not used. | 0:12:00 | 0:12:03 | |
In fact, the two microphones that were used came from a London cinema | 0:12:05 | 0:12:09 | |
and were rehoused in Australian walnut to make them more dignified. | 0:12:09 | 0:12:13 | |
A small printed cue card was placed in front of the microphone | 0:12:15 | 0:12:19 | |
along with a heavy tablecloth to dampen the sound in case | 0:12:19 | 0:12:23 | |
the King rustled the script through nerves. | 0:12:23 | 0:12:25 | |
The King did agree to do some voice tests beforehand. | 0:12:27 | 0:12:30 | |
He also chose a small table on which the microphones would | 0:12:30 | 0:12:34 | |
sit, as well as his favourite wicker armchair, but just before the | 0:12:34 | 0:12:38 | |
actual broadcast, he's said to have sat down a little too heavily and he | 0:12:38 | 0:12:41 | |
went through the seat of the chair, exclaiming, "God bless my soul." | 0:12:41 | 0:12:45 | |
As the time for the speech drew near, | 0:12:49 | 0:12:52 | |
at the control room at Broadcasting House, engineers linked Post Office | 0:12:52 | 0:12:56 | |
cables from Sandringham to the vast transmitters which would broadcast | 0:12:56 | 0:13:00 | |
the King's Message live across Britain and onwards to the Empire. | 0:13:00 | 0:13:04 | |
'British people all the world over are listening for the voice | 0:13:06 | 0:13:10 | |
'of His Majesty the King.' | 0:13:10 | 0:13:12 | |
At 3.35, Sandringham time, King George V took a deep breath | 0:13:12 | 0:13:17 | |
as an announcer introduced the very first Christmas broadcast. | 0:13:17 | 0:13:22 | |
'His Majesty the King.' | 0:13:23 | 0:13:25 | |
'Through one of the marvels of modern science, | 0:13:28 | 0:13:34 | |
'I am enabled this Christmas Day | 0:13:34 | 0:13:39 | |
'to speak to all my people throughout the Empire. | 0:13:39 | 0:13:44 | |
'I take it as a good omen that wireless should have reached | 0:13:45 | 0:13:51 | |
'its present perfection at a time | 0:13:51 | 0:13:56 | |
'when the Empire has been linked in closer union.' | 0:13:56 | 0:14:02 | |
People were mesmerised by the King's voice, which one writer | 0:14:02 | 0:14:07 | |
described as "hoarse" as if roughened by weather. | 0:14:07 | 0:14:11 | |
The King was even heard to clear his throat during the broadcast. | 0:14:11 | 0:14:15 | |
'..that our future... | 0:14:15 | 0:14:17 | |
HE CLEARS HIS THROAT | 0:14:17 | 0:14:18 | |
'..will lay upon us...' | 0:14:18 | 0:14:20 | |
The broadcast would last just two-and-a-half minutes. | 0:14:20 | 0:14:25 | |
'I speak now from my home | 0:14:25 | 0:14:29 | |
'and from my heart to you all. | 0:14:29 | 0:14:34 | |
'I wish a happy Christmas, God bless you.' | 0:14:34 | 0:14:39 | |
The King had actually been very nervous during | 0:14:40 | 0:14:42 | |
the live broadcast but it had all gone remarkably well. | 0:14:42 | 0:14:45 | |
The Times newspaper described it as the most notable | 0:14:45 | 0:14:49 | |
event of Christmastide. | 0:14:49 | 0:14:51 | |
Some listeners swore they could hear a Sandringham clock | 0:14:51 | 0:14:54 | |
ticking in the background, whilst the Spectator magazine, | 0:14:54 | 0:14:58 | |
on hearing the King clearing his throat during the broadcast, | 0:14:58 | 0:15:00 | |
said, "A king who reads a message into a microphone from | 0:15:00 | 0:15:04 | |
"a manuscript may be a king, | 0:15:04 | 0:15:06 | |
"but a king who coughs is a fellow human being." | 0:15:06 | 0:15:09 | |
The speech was received incredibly well, | 0:15:11 | 0:15:14 | |
and not just for Kipling's words but also for the King's delivery. | 0:15:14 | 0:15:19 | |
George was very slow, very gravelly voiced and paced, | 0:15:19 | 0:15:23 | |
he wasn't trying to be a radio host, he was just like your dad | 0:15:23 | 0:15:27 | |
by the fireside, talking about the events of the year and I think | 0:15:27 | 0:15:31 | |
it's no surprise that our present Queen nicknamed him "Grandpa England". | 0:15:31 | 0:15:37 | |
Duty and tradition were as important to | 0:15:42 | 0:15:44 | |
Grandpa England as they are to his granddaughter, our present Queen. | 0:15:44 | 0:15:48 | |
The 1932 broadcast was the first tentative step in connecting | 0:15:52 | 0:15:56 | |
the monarchy to the people, | 0:15:56 | 0:15:59 | |
something which today we almost take for granted. | 0:15:59 | 0:16:04 | |
And yet, even at the parades and the parties, | 0:16:04 | 0:16:07 | |
the cameras might be closer and the portraits more intimate, | 0:16:07 | 0:16:11 | |
but we seldom hear the Queen's personal views. | 0:16:11 | 0:16:16 | |
This is left to the one time in the year | 0:16:16 | 0:16:18 | |
when she does talk to the people in her own words. | 0:16:18 | 0:16:22 | |
In 1990, the producer of the Christmas broadcast was | 0:16:28 | 0:16:32 | |
Sir David Attenborough. | 0:16:32 | 0:16:35 | |
A monarch in the 21st century has to combine two things. | 0:16:35 | 0:16:40 | |
It has to combine being a human being, | 0:16:40 | 0:16:44 | |
but also being something other than a normal human being. | 0:16:44 | 0:16:48 | |
And why do people turn out in millions to see the Queen? | 0:16:48 | 0:16:53 | |
Because she isn't as other human beings and yet of course she is. | 0:16:53 | 0:16:57 | |
And that's the magic. | 0:16:57 | 0:16:59 | |
-Oh, I see what you mean. -SHE LAUGHS | 0:16:59 | 0:17:01 | |
-It's for... It's for the radio... -This is for the radio. | 0:17:01 | 0:17:05 | |
-..version. -I see. -And a run through of the words. | 0:17:05 | 0:17:07 | |
Hmm-mm. | 0:17:07 | 0:17:09 | |
Clothes-wise, does it look all right with the background? | 0:17:09 | 0:17:13 | |
-Yes, it does. -I mean, jolly lucky, it'd be awful if you said no | 0:17:13 | 0:17:16 | |
because I'd have to go and find something else! | 0:17:16 | 0:17:19 | |
THEY ALL LAUGH | 0:17:19 | 0:17:21 | |
Yes, I mean, it's all right... | 0:17:21 | 0:17:23 | |
Whenever you're ready, Ma'am. | 0:17:29 | 0:17:32 | |
Cameraman Philip Bonham-Carter | 0:17:32 | 0:17:33 | |
has worked on over 30 of the Queen's Christmas messages. | 0:17:33 | 0:17:37 | |
Generally speaking, the Queen is absolutely terrific | 0:17:37 | 0:17:40 | |
and no question about it, she is always relaxed. | 0:17:40 | 0:17:45 | |
She would very, very seldom make any mistakes during the broadcast. | 0:17:45 | 0:17:50 | |
I mean, quite often we would have more than one take, | 0:17:50 | 0:17:54 | |
but more often it was from me than her. | 0:17:54 | 0:17:56 | |
'That is the threat of war in the Middle East.' | 0:17:56 | 0:17:58 | |
Over the years, the Queen has mastered delivering | 0:17:58 | 0:18:01 | |
the broadcast, something which initially didn't come easily | 0:18:01 | 0:18:05 | |
to her father, King George VI. | 0:18:05 | 0:18:08 | |
It was here, in London's Harley Street, that in 1926, | 0:18:11 | 0:18:15 | |
Prince Albert, Duke of York, the future King George VI, | 0:18:15 | 0:18:19 | |
first came to see a speech therapist in an attempt to help him control | 0:18:19 | 0:18:24 | |
a crippling stammer which had plagued him from a very young age. | 0:18:24 | 0:18:28 | |
The result of that meeting with Lionel Logue became known to | 0:18:30 | 0:18:34 | |
a wider audience in the 2010 Oscar-winning film, | 0:18:34 | 0:18:37 | |
The King's Speech. | 0:18:37 | 0:18:38 | |
So when did you first realise that there was this great stash | 0:18:40 | 0:18:45 | |
of unique papers of your grandfather's? | 0:18:45 | 0:18:48 | |
'A few years ago, Mark Logue stumbled across the letters, | 0:18:48 | 0:18:51 | |
'diaries and photographs belonging to his grandfather, Lionel Logue, | 0:18:51 | 0:18:55 | |
'the Australian speech therapist, who would help the future king.' | 0:18:55 | 0:18:59 | |
So this is my grandfather's consulting room. | 0:19:01 | 0:19:05 | |
And this is the very room. | 0:19:05 | 0:19:08 | |
This is it, this is pretty much untouched from when he was here. | 0:19:08 | 0:19:12 | |
So this is the room that Prince Albert, who would | 0:19:12 | 0:19:14 | |
go on to become George VI, would come to see your grandfather | 0:19:14 | 0:19:18 | |
to fix the problem that he thought was unfixable, really. | 0:19:18 | 0:19:21 | |
Yeah, yeah, this is right. | 0:19:21 | 0:19:23 | |
The King would come in and there'd be two chairs | 0:19:23 | 0:19:26 | |
facing each other near the fire and the King referred | 0:19:26 | 0:19:29 | |
to this area as the most comfortable seat in London. | 0:19:29 | 0:19:33 | |
Because it was a place where he felt so at home and able to be himself? | 0:19:33 | 0:19:37 | |
That's right. | 0:19:37 | 0:19:38 | |
This is your grandfather's handwriting here | 0:19:38 | 0:19:40 | |
and what is this we're looking at? | 0:19:40 | 0:19:42 | |
This is his medical appointment card | 0:19:42 | 0:19:44 | |
so it's titled "His Royal Highness The Duke Of York". | 0:19:44 | 0:19:48 | |
This obviously starts in 1926. | 0:19:48 | 0:19:49 | |
The first appointment he made on the back here, | 0:19:49 | 0:19:53 | |
"1926, October 19th" - that's the interview. | 0:19:53 | 0:19:55 | |
And then he details progress, | 0:19:55 | 0:19:57 | |
and what strikes me is how many appointments there were. | 0:19:57 | 0:20:01 | |
Yeah, after the interview, October 19th, | 0:20:01 | 0:20:03 | |
he books himself in | 0:20:03 | 0:20:04 | |
October 20th, and then every single day throughout October, November | 0:20:04 | 0:20:09 | |
and December, straight through till January 5th the following year. | 0:20:09 | 0:20:14 | |
I notice right at the bottom of this card, highlighted here in blue | 0:20:14 | 0:20:18 | |
"1937", which, of course, | 0:20:18 | 0:20:20 | |
would prove to be an entirely pivotal year. | 0:20:20 | 0:20:23 | |
The previous year, 1936, | 0:20:27 | 0:20:29 | |
the year of three kings, had seen the death of his father, | 0:20:29 | 0:20:32 | |
King George V, and the 10-month reign | 0:20:32 | 0:20:35 | |
of his elder brother, Edward VIII. | 0:20:35 | 0:20:38 | |
With Edward's abdication, George VI ascended to the throne | 0:20:39 | 0:20:43 | |
and, in 1937, like his father before him, the new King faced the daunting | 0:20:43 | 0:20:48 | |
prospect of the Christmas broadcast from him home at Sandringham. | 0:20:48 | 0:20:53 | |
And once again, it was Lionel Logue | 0:20:53 | 0:20:55 | |
that the King would turn to for help. | 0:20:55 | 0:20:57 | |
My grandfather was invited to Sandringham on Christmas Day | 0:21:00 | 0:21:03 | |
to help the King through his broadcast. | 0:21:03 | 0:21:06 | |
The King felt a certain comfort from having | 0:21:06 | 0:21:11 | |
my grandfather around, not just sort of psychological | 0:21:11 | 0:21:16 | |
but also the coaching and the training would | 0:21:16 | 0:21:19 | |
go on right up until the last minute. | 0:21:19 | 0:21:21 | |
And then he goes on to the point at which it is 2.55 in the afternoon | 0:21:21 | 0:21:28 | |
and just take me through what he says here. | 0:21:28 | 0:21:30 | |
"Five minutes to go. | 0:21:30 | 0:21:32 | |
"The King lights a cigarette and walks to and fro. | 0:21:32 | 0:21:35 | |
"Woods", who's the BBC engineer, "tries the red light to see that | 0:21:35 | 0:21:39 | |
"it's working correctly and we synchronise our watches. | 0:21:39 | 0:21:42 | |
"One minute to go. The King throws his cigarette into the fireplace | 0:21:42 | 0:21:46 | |
"and stands with his hands behind his back waiting. | 0:21:46 | 0:21:49 | |
"The red light flicks four times, the King steps up to the microphone, | 0:21:49 | 0:21:53 | |
"the red light ceases for a moment, then comes on full. | 0:21:53 | 0:21:56 | |
"The King gives me a little nod, takes a long breath, | 0:21:56 | 0:21:59 | |
"and begins in his beautifully modulated voice." | 0:21:59 | 0:22:02 | |
'Many of you will remember the Christmas broadcasts | 0:22:03 | 0:22:10 | |
'of former years | 0:22:10 | 0:22:14 | |
'when my father spoke | 0:22:14 | 0:22:17 | |
'to his people at home | 0:22:17 | 0:22:22 | |
'and overseas as the revered... | 0:22:22 | 0:22:26 | |
'..head of a great family. | 0:22:28 | 0:22:32 | |
'His words... | 0:22:33 | 0:22:35 | |
'..had brought... | 0:22:36 | 0:22:38 | |
'..happiness into the homes | 0:22:40 | 0:22:44 | |
'and into the hearts of listeners all over the world.' | 0:22:44 | 0:22:51 | |
He says here, "The speech lasts three minutes and 20 seconds and as | 0:22:53 | 0:22:58 | |
"the red light goes out, I turn to His Majesty and say, 'May I be | 0:22:58 | 0:23:02 | |
"'the first to congratulate you, sire, | 0:23:02 | 0:23:04 | |
"'on your first Christmas broadcast.'" | 0:23:04 | 0:23:07 | |
He says, "He shakes me by the hand | 0:23:10 | 0:23:11 | |
"and gives that lovely schoolboy grin of his | 0:23:11 | 0:23:15 | |
"and says, 'Let us go inside.'" | 0:23:15 | 0:23:17 | |
This is your grandfather, | 0:23:17 | 0:23:19 | |
a speech therapist from Australia, | 0:23:19 | 0:23:22 | |
at the centre of a moment of history. | 0:23:22 | 0:23:25 | |
That must be astonishing to think that he was there | 0:23:25 | 0:23:28 | |
-in the room at that moment. -No, it was incredible. | 0:23:28 | 0:23:30 | |
I mean, this piece of writing also describes the whole | 0:23:30 | 0:23:37 | |
present opening ceremony and having lunch with the Royal Family | 0:23:37 | 0:23:41 | |
in the most, the inner sanctum of the Royal Family, | 0:23:41 | 0:23:45 | |
not just sort of at a State banquet, | 0:23:45 | 0:23:47 | |
but with the family themselves. | 0:23:47 | 0:23:49 | |
There's a great bit on the last page about the two little princesses, | 0:23:49 | 0:23:52 | |
as he describes them, of course our Queen and her sister, Princess Margaret. | 0:23:52 | 0:23:56 | |
Just read me a little bit of what he says goes on between them. | 0:23:56 | 0:23:59 | |
"What struck me most was the simplicity of the children's | 0:23:59 | 0:24:02 | |
"presents and the beautiful informality of the whole procedure. | 0:24:02 | 0:24:05 | |
"The two little princesses and the Duchess of Kent's boy always | 0:24:05 | 0:24:09 | |
"joined in the fun and I played Ring A Ring o'Roses." | 0:24:09 | 0:24:12 | |
-He played Ring a Ring... -Yeah, yeah, he played with them | 0:24:12 | 0:24:15 | |
"..and a race game and disqualified the Duke Of Gloucester | 0:24:15 | 0:24:19 | |
-"for going outside the flag." -KIRSTY LAUGHS | 0:24:19 | 0:24:21 | |
He really was very relaxed, wasn't he? | 0:24:21 | 0:24:23 | |
And he adored the children. | 0:24:23 | 0:24:24 | |
"As I pass through, Queen Elizabeth..." - of course we know | 0:24:24 | 0:24:27 | |
as the Queen Mother, "..stops me at the microphone and, putting her hand | 0:24:27 | 0:24:30 | |
"on my arm said, 'Mr Logue, I do not know that Bertie and myself can ever | 0:24:30 | 0:24:35 | |
"'thank you enough for what you have done for him, | 0:24:35 | 0:24:38 | |
"'just look at him now. | 0:24:38 | 0:24:40 | |
"'I do not think I have ever known him so light-hearted and happy.'" | 0:24:40 | 0:24:45 | |
Fantastic. | 0:24:45 | 0:24:47 | |
King George VI was clear that his 1937 Christmas message | 0:24:48 | 0:24:52 | |
was to be a one-off and would not be repeated. | 0:24:52 | 0:24:57 | |
Indeed, there was no broadcast the following year. | 0:24:57 | 0:25:00 | |
AIR RAID SIRENS | 0:25:00 | 0:25:02 | |
But with the declaration of war in 1939, that Christmas, with | 0:25:04 | 0:25:09 | |
Logue at his side, the King once again took to the microphone. | 0:25:09 | 0:25:12 | |
It was his closing words which were to resonate with listeners, | 0:25:13 | 0:25:17 | |
struggling with uncertainty, just months after the outbreak of war. | 0:25:17 | 0:25:22 | |
'I said to the man who stood at the gate of the year, | 0:25:22 | 0:25:30 | |
'"Give me a light that I may tread safely | 0:25:30 | 0:25:36 | |
'"into the unknown." | 0:25:36 | 0:25:39 | |
'And he replied, | 0:25:39 | 0:25:41 | |
'"Go out into the darkness and put your hand | 0:25:41 | 0:25:48 | |
'"into the hand of God. | 0:25:48 | 0:25:53 | |
'"That shall be to you better than light | 0:25:53 | 0:25:57 | |
'"and safer than a known way."' | 0:25:57 | 0:26:01 | |
The lines of poetry quoted by the King that Christmas caused | 0:26:01 | 0:26:06 | |
a frenzy of excitement and, within hours, the press were trying | 0:26:06 | 0:26:09 | |
to establish the identity of the poem's author. | 0:26:09 | 0:26:12 | |
John Masefield, the poet laureate was consulted, | 0:26:12 | 0:26:15 | |
but, no, they weren't his words. | 0:26:15 | 0:26:17 | |
Then, on Boxing Day, at midnight, | 0:26:17 | 0:26:19 | |
the BBC announced that the mystery had finally been solved. | 0:26:19 | 0:26:22 | |
The words were those of an elderly academic who, as one paper | 0:26:22 | 0:26:26 | |
would later exclaim, was "a woman" and, with that, the press | 0:26:26 | 0:26:30 | |
descended on Crowborough in Sussex, where Miss Minnie Louise Haskins | 0:26:30 | 0:26:35 | |
was spending up till then a quiet Christmas with her brother. | 0:26:35 | 0:26:38 | |
-NEWSREEL: -'In Christmas card weather, | 0:26:38 | 0:26:40 | |
'Pathe Gazette cameramen meet the authoress of the quotation | 0:26:40 | 0:26:43 | |
'with which the King ended his Christmas broadcast. | 0:26:43 | 0:26:45 | |
'Miss Haskins has been made famous by her inspired words.' | 0:26:45 | 0:26:48 | |
And I said to the main who stood at the gate of the year, | 0:26:48 | 0:26:52 | |
"Give me a light that I may tread safely into the unknown." | 0:26:52 | 0:26:56 | |
And he replied, "Go out into the darkness | 0:26:56 | 0:26:59 | |
"and put your hand into the hand of God." | 0:26:59 | 0:27:02 | |
Every Christmas that followed, from the darkest days | 0:27:09 | 0:27:13 | |
of the war to the first glimmers of light, | 0:27:13 | 0:27:15 | |
the King spoke of his unswerving faith in the survival of Britain | 0:27:15 | 0:27:20 | |
and the Commonwealth of nations who were fighting alongside. | 0:27:20 | 0:27:23 | |
But perhaps the most poignant of all King George VI's | 0:27:29 | 0:27:31 | |
Christmas broadcasts was the one he made | 0:27:31 | 0:27:34 | |
here at Buckingham Palace, after the war had ended, in December 1951. | 0:27:34 | 0:27:39 | |
Three months earlier, King George VI had undergone major surgery. | 0:27:43 | 0:27:48 | |
As Christmas approached | 0:27:48 | 0:27:50 | |
so too did the prospect of the King's annual Christmas message. | 0:27:50 | 0:27:54 | |
I'm just looking now at this letter. | 0:27:58 | 0:28:00 | |
The King has written it on his personal stationery | 0:28:00 | 0:28:03 | |
and it is coming up to Christmas. | 0:28:03 | 0:28:05 | |
What is astonishing is that he's not just taken the time to write | 0:28:05 | 0:28:08 | |
to your grandfather personally, he's written him a six-page letter | 0:28:08 | 0:28:14 | |
and not only that, it is a very intimate | 0:28:14 | 0:28:18 | |
and, indeed, poignant letter. | 0:28:18 | 0:28:20 | |
So it starts with, "My dear Logue, thank you so much for sending me | 0:28:20 | 0:28:24 | |
"the books by my birthday, which are most acceptable. | 0:28:24 | 0:28:28 | |
"As for myself, I've spent a wretched year, culminating | 0:28:28 | 0:28:30 | |
"in that very severe operation from which I seem to be making | 0:28:30 | 0:28:34 | |
"a remarkable recovery. | 0:28:34 | 0:28:36 | |
"The voice is getting stronger all the time but is husky | 0:28:36 | 0:28:39 | |
"and, to me, it doesn't sound, to me, my voice. | 0:28:39 | 0:28:42 | |
"My Christmas broadcast will probably be recorded | 0:28:42 | 0:28:44 | |
"before I go to Sandringham. The effort may be too great on the day | 0:28:44 | 0:28:48 | |
"and my voice varies so. | 0:28:48 | 0:28:50 | |
"I am yours, most sincerely, George R." | 0:28:50 | 0:28:52 | |
That's astonishing, isn't it? | 0:28:54 | 0:28:57 | |
'As I speak to you today, | 0:28:57 | 0:28:59 | |
'I would like to wish you, wherever you may be, a happy Christmas. | 0:28:59 | 0:29:06 | |
'I myself have every cause for deeper thankfulness, | 0:29:06 | 0:29:12 | |
'for not only by the grace of God and through the faithful skill, | 0:29:12 | 0:29:18 | |
'my doctors, surgeons and nurses, have I come through my illness, | 0:29:18 | 0:29:25 | |
'but I have learnt once again that it is in bad times that we value | 0:29:25 | 0:29:31 | |
'most highly the support and sympathy of our friends.' | 0:29:31 | 0:29:36 | |
What is so remarkable about the broadcast is that it was | 0:29:37 | 0:29:40 | |
recorded by the King phrase by phrase over | 0:29:40 | 0:29:43 | |
the course of several hours at Buckingham Palace. | 0:29:43 | 0:29:45 | |
It was then taken back to the BBC | 0:29:45 | 0:29:48 | |
and edited together for Christmas Day. | 0:29:48 | 0:29:50 | |
It was the only one of the King's 14 Christmas messages | 0:29:50 | 0:29:54 | |
which was not broadcast live. | 0:29:54 | 0:29:56 | |
SONG: Funeral March by Chopin | 0:29:56 | 0:29:59 | |
Six weeks later, King George VI passed away in his sleep at Sandringham, | 0:30:04 | 0:30:09 | |
the home from where he had broadcast his first Christmas message in 1937. | 0:30:09 | 0:30:14 | |
The King was just 56 years old. | 0:30:17 | 0:30:20 | |
King George VI was laid to rest here at Windsor, | 0:30:22 | 0:30:26 | |
the place from which he had secretly broadcast | 0:30:26 | 0:30:29 | |
many of his Christmas messages during the Second World War. | 0:30:29 | 0:30:32 | |
Attached to the gates of the chapel where George VI is buried, | 0:30:36 | 0:30:40 | |
is the poem by Minnie Haskins, | 0:30:40 | 0:30:43 | |
made famous by the King in his inspirational Christmas message | 0:30:43 | 0:30:46 | |
a few months after the outbreak of the Second World War. | 0:30:46 | 0:30:50 | |
But the story doesn't end there. | 0:30:53 | 0:30:55 | |
I wonder how many of the mourners present at the funeral | 0:30:57 | 0:31:00 | |
of Queen Elizabeth the Queen Mother, | 0:31:00 | 0:31:01 | |
some 50 years after the death of her husband, King George VI, | 0:31:01 | 0:31:06 | |
would have realised the significance of that Minnie Haskins poem, | 0:31:06 | 0:31:09 | |
printed without any explanation on the final page | 0:31:09 | 0:31:13 | |
of the order of service. | 0:31:13 | 0:31:14 | |
It began, "I said to the man who stood at the gate of the year, | 0:31:14 | 0:31:18 | |
"give me a light that I might tread safely into the unknown." | 0:31:18 | 0:31:22 | |
His Christian faith was as important to King George VI as it is | 0:31:27 | 0:31:31 | |
to the Queen, who was crowned here, at Westminster Abbey, in June 1953. | 0:31:31 | 0:31:36 | |
The Christmas before her coronation, | 0:31:40 | 0:31:43 | |
the Queen ask that people should pray for her that day. | 0:31:43 | 0:31:47 | |
'To pray that God may give me wisdom | 0:31:47 | 0:31:49 | |
'and strength to carry out the solemn promises I shall be making | 0:31:49 | 0:31:55 | |
'and that I may faithfully serve Him | 0:31:55 | 0:31:59 | |
'and you all the days of my life.' | 0:31:59 | 0:32:02 | |
MUSIC: National Anthem - God Save The Queen | 0:32:02 | 0:32:06 | |
She speaks, in her Christmas broadcast, very clearly | 0:32:12 | 0:32:17 | |
and very definitely often | 0:32:17 | 0:32:19 | |
about the importance of Christian faith. | 0:32:19 | 0:32:22 | |
Not just about the Christmas story, but about the guiding light | 0:32:22 | 0:32:27 | |
that her Christian faith gives her. | 0:32:27 | 0:32:30 | |
For me, the life of Jesus Christ, the Prince Of Peace, whose birth | 0:32:30 | 0:32:35 | |
we celebrate today, | 0:32:35 | 0:32:37 | |
is an inspiration and an anchor in my life. | 0:32:37 | 0:32:40 | |
A role model of reconciliation and forgiveness, | 0:32:42 | 0:32:45 | |
he stretched out his hands in love, acceptance and healing. | 0:32:45 | 0:32:50 | |
There are times when she's very, very clear and explicit. | 0:32:50 | 0:32:52 | |
During 2000 for example, she said - not quite in these | 0:32:52 | 0:32:57 | |
terms, of course, - but, you know, "I'm going to speak rather | 0:32:57 | 0:33:00 | |
"more personally and rather more clearly about my faith | 0:33:00 | 0:33:03 | |
"in the 2,000th anniversary of our Lord's birth." | 0:33:03 | 0:33:07 | |
To many of us, our beliefs are of fundamental importance. | 0:33:07 | 0:33:12 | |
For me, the teachings of Christ, and my own personal accountability | 0:33:12 | 0:33:16 | |
before God, provide a framework in which I try to lead my life. | 0:33:16 | 0:33:21 | |
I, like so many of you, have drawn great comfort in difficult | 0:33:23 | 0:33:26 | |
times from Christ's words and example. | 0:33:26 | 0:33:30 | |
And she's spoken about how her faith directs her life, | 0:33:30 | 0:33:35 | |
that it's the light for her, and I believe that's completely true, | 0:33:35 | 0:33:40 | |
why would you say it if it weren't? | 0:33:40 | 0:33:42 | |
Along with her faith, | 0:33:45 | 0:33:47 | |
the Commonwealth has been a recurring theme in the Christmas | 0:33:47 | 0:33:50 | |
broadcast, not least because the Queen is head of | 0:33:50 | 0:33:53 | |
an organisation representing nearly a third of the world's population. | 0:33:53 | 0:33:57 | |
'From the window of far away England, | 0:34:00 | 0:34:02 | |
'she flew in over the blue Caribbean.' | 0:34:02 | 0:34:04 | |
Five months after her coronation, the Queen embarked on her first | 0:34:09 | 0:34:13 | |
tour of the Commonwealth, accompanied by Prince Philip. | 0:34:13 | 0:34:16 | |
I think it's immediately apparent to the Queen, | 0:34:23 | 0:34:26 | |
when she ascends to the throne, | 0:34:26 | 0:34:28 | |
that she has a new role, so when she begins the tour, | 0:34:28 | 0:34:32 | |
after her coronation, | 0:34:32 | 0:34:34 | |
for the first time, this is a British monarch | 0:34:34 | 0:34:37 | |
going overseas, not as the symbol of authority and rule, but almost as | 0:34:37 | 0:34:41 | |
someone asking that the countries of a newly-emerging, independent | 0:34:41 | 0:34:46 | |
Commonwealth remain together. | 0:34:46 | 0:34:47 | |
And I think that's a very, very significant change in the nature | 0:34:47 | 0:34:52 | |
of the relationship between the Queen and the Empire | 0:34:52 | 0:34:56 | |
that is transforming into the new Commonwealth. | 0:34:56 | 0:35:00 | |
Out of the old Empire sprang the Commonwealth family of nations | 0:35:00 | 0:35:04 | |
we know today | 0:35:04 | 0:35:06 | |
and that, too, has grown and changed over the years. | 0:35:06 | 0:35:10 | |
In October, 51 representatives of Commonwealth governments | 0:35:10 | 0:35:15 | |
met in Edinburgh, very much in the spirit of a family gathering. | 0:35:15 | 0:35:20 | |
We enjoyed it very much. | 0:35:20 | 0:35:24 | |
'The Commonwealth is hugely important for the Queen | 0:35:24 | 0:35:26 | |
'and I think it's worth remembering that when, for example,' | 0:35:26 | 0:35:29 | |
in the Queen's broadcast, the Commonwealth is showcased | 0:35:29 | 0:35:33 | |
it's because she's their Queen too, she's not just | 0:35:33 | 0:35:36 | |
a Queen of the people in the British Isles, but she is also Queen | 0:35:36 | 0:35:40 | |
of over a dozen countries overseas and of course she now has the | 0:35:40 | 0:35:43 | |
role of Head of the Commonwealth, so she's integrally linked to the | 0:35:43 | 0:35:49 | |
Commonwealth, it's, I think, very much in the DNA of her reign. | 0:35:49 | 0:35:52 | |
In 1957, exactly 25 years after her grandfather had broadcast | 0:36:01 | 0:36:06 | |
the first Christmas Message, from here at Sandringham, | 0:36:06 | 0:36:10 | |
the Queen allowed cameras into the house. | 0:36:10 | 0:36:13 | |
It was going to be televised, and just to add to the pressure, | 0:36:13 | 0:36:16 | |
like the radio broadcast before, it too would be live. | 0:36:16 | 0:36:20 | |
The move from radio to television required a much bigger | 0:36:23 | 0:36:26 | |
operation than in the past | 0:36:26 | 0:36:28 | |
and would be broadcast simultaneously on the BBC and ITV. | 0:36:28 | 0:36:33 | |
It was one thing to visit the TV studios and see the cameras, | 0:36:34 | 0:36:39 | |
but quite another to perform in front of them | 0:36:39 | 0:36:41 | |
and the prospect filled the Queen with dread. | 0:36:41 | 0:36:45 | |
She's essentially a very shy person | 0:36:52 | 0:36:54 | |
so sort of having to speak to camera didn't come naturally to her, | 0:36:54 | 0:36:59 | |
but of course she had to do it all the time, | 0:36:59 | 0:37:01 | |
but the Christmas speech was her really big sort of hurdle | 0:37:01 | 0:37:05 | |
when that started being televised. | 0:37:05 | 0:37:08 | |
This would not, in fact, be the first time the Queen had made | 0:37:09 | 0:37:13 | |
a live TV broadcast. | 0:37:13 | 0:37:15 | |
That July, in Ottawa, the Queen had spoken live to the Canadian people, | 0:37:15 | 0:37:20 | |
some of it in French. | 0:37:20 | 0:37:23 | |
Que vous soyez de langue francaise ou anglais, | 0:37:23 | 0:37:27 | |
que vous soyez nes en ce merveilleux pays, | 0:37:27 | 0:37:30 | |
ou encore venus de pays etranger, | 0:37:30 | 0:37:34 | |
vous faites tous partie d'une meme grande famille. | 0:37:34 | 0:37:39 | |
Preparations for the broadcast, which would come from here, | 0:37:39 | 0:37:42 | |
the Long Library, had begun in March, nine months earlier. | 0:37:42 | 0:37:46 | |
The Queen chose to broadcast from this, | 0:37:46 | 0:37:49 | |
the same desk and indeed the same chair, as her father | 0:37:49 | 0:37:52 | |
and grandfather before her, to maintain a sense of continuity. | 0:37:52 | 0:37:55 | |
Not everything was the same, though. | 0:37:55 | 0:37:57 | |
The Sandringham clocks had, by now, been moved back half an hour, | 0:37:57 | 0:38:01 | |
falling in line with the time used by the rest of the country. | 0:38:01 | 0:38:04 | |
Much interest had been shown during the 1950s | 0:38:10 | 0:38:14 | |
in the young Queen's dress sense. | 0:38:14 | 0:38:16 | |
So there was eager anticipation as to just what | 0:38:21 | 0:38:25 | |
she would wear for her first televised Christmas broadcast. | 0:38:25 | 0:38:29 | |
In the end, the Queen chose something that she had worn | 0:38:29 | 0:38:32 | |
a few months earlier. | 0:38:32 | 0:38:34 | |
Well, this is a dress that was worn by the Queen in Ottawa | 0:38:34 | 0:38:38 | |
as Queen of Canada. I believe it was for an early evening reception | 0:38:38 | 0:38:43 | |
and it's a gold brocade dress, slightly metallic | 0:38:43 | 0:38:47 | |
sheen in the fabric, designed for her by Hardy Amies. | 0:38:47 | 0:38:52 | |
The actual style, was it a style of the time? | 0:38:54 | 0:38:56 | |
What do you make of it? | 0:38:56 | 0:38:58 | |
Yes, it was a style of the time | 0:38:58 | 0:38:59 | |
but with a twist, for example, the bow in the bodice | 0:38:59 | 0:39:03 | |
is something that Hardy Amies designed for her | 0:39:03 | 0:39:06 | |
and wouldn't have been worn by any of his other clients. | 0:39:06 | 0:39:09 | |
As sovereign she wanted clothes that obviously showed the best of | 0:39:09 | 0:39:14 | |
what British design could achieve, but also they had to give her | 0:39:14 | 0:39:18 | |
a dignity and an elegance in her role as Queen of several countries. | 0:39:18 | 0:39:24 | |
The temporary TV studio constructed in the Long Library | 0:39:28 | 0:39:32 | |
at Sandringham provided the Queen's children, Princess Anne | 0:39:32 | 0:39:35 | |
and Prince Charles, with a somewhat different | 0:39:35 | 0:39:38 | |
kind of playground from the one they were used to. | 0:39:38 | 0:39:40 | |
Rehearsals for the broadcast began in October, | 0:39:44 | 0:39:47 | |
not here but at Buckingham Palace, where the team took the desk | 0:39:47 | 0:39:52 | |
and even the curtains from Sandringham to simulate conditions | 0:39:52 | 0:39:55 | |
and put the Queen at ease. | 0:39:55 | 0:39:57 | |
Rehearsals continued until the 23rd of December, when it was | 0:39:57 | 0:40:00 | |
decided that to carry on would only add to the Queen's nerves. | 0:40:00 | 0:40:04 | |
But there was one person, | 0:40:04 | 0:40:06 | |
more than any other, who helped the Queen that Christmas. | 0:40:06 | 0:40:10 | |
Prince Philip has been the backbone of this speech | 0:40:10 | 0:40:13 | |
if you like because he's always helped the Queen, | 0:40:13 | 0:40:16 | |
he was far more savvy with the media and with cameras | 0:40:16 | 0:40:22 | |
and with broadcasting than the Queen was at the beginning of her reign. | 0:40:22 | 0:40:26 | |
In 1956, the Duke Of Edinburgh had even introduced the Christmas | 0:40:31 | 0:40:36 | |
radio broadcast, live from the Royal Yacht Britannia in the Southern | 0:40:36 | 0:40:39 | |
Ocean, thousands of miles away from the Queen and his family in Norfolk. | 0:40:39 | 0:40:45 | |
Christmas was anything but usual | 0:41:05 | 0:41:07 | |
the following year at Sandringham as, with Prince Philip by her side, | 0:41:07 | 0:41:12 | |
the Queen prepared for her first televised Christmas broadcast. | 0:41:12 | 0:41:16 | |
The Queen came in... and everything was set up - | 0:41:16 | 0:41:20 | |
the camera was there, the cameramen, everything was running, | 0:41:20 | 0:41:23 | |
and, as soon as she sort of saw the autocue, she froze. | 0:41:23 | 0:41:27 | |
BELLS CHIME | 0:41:27 | 0:41:29 | |
EXCITED VOICES | 0:41:29 | 0:41:31 | |
'Eventually Prince Philip came to the rescue' | 0:41:33 | 0:41:37 | |
and on the day he stood behind one of the spare cameras and | 0:41:37 | 0:41:44 | |
he made the Queen laugh. | 0:41:44 | 0:41:46 | |
And as she was about to go on air | 0:41:46 | 0:41:49 | |
he said something funny and she relaxed | 0:41:49 | 0:41:51 | |
and delivered the speech perfectly. | 0:41:51 | 0:41:55 | |
Happy Christmas. | 0:41:55 | 0:41:56 | |
25 years ago, my grandfather broadcast the first | 0:41:58 | 0:42:02 | |
of these Christmas messages. | 0:42:02 | 0:42:05 | |
Today is another landmark because television has made it | 0:42:05 | 0:42:09 | |
possible for many of you to see me in your homes on Christmas Day. | 0:42:09 | 0:42:15 | |
People really felt she was coming into their home | 0:42:15 | 0:42:17 | |
when they saw the speech televised. | 0:42:17 | 0:42:19 | |
My own family often gather round to watch television... | 0:42:19 | 0:42:23 | |
Back then, you had to watch it probably in the one room that | 0:42:23 | 0:42:28 | |
had a television and a lot of people would sit round it and stand | 0:42:28 | 0:42:31 | |
for the National Anthem and it was a big part of Christmas Day. | 0:42:31 | 0:42:37 | |
At the time, it was quite extraordinary seeing the Queen | 0:42:37 | 0:42:40 | |
speak, surrounded by Christmas cards and photos of her children, | 0:42:40 | 0:42:45 | |
rather than simply hearing her words, as had happened in the past. | 0:42:45 | 0:42:49 | |
But now, at least for a few minutes, | 0:42:49 | 0:42:52 | |
I welcome you to the peace of my own home. | 0:42:52 | 0:42:55 | |
That Christmas, the Queen was watched | 0:42:55 | 0:42:58 | |
by 16-and-a-half million people, the highest viewing figures | 0:42:58 | 0:43:02 | |
for any TV broadcast since the coronation, four years earlier. | 0:43:02 | 0:43:06 | |
And so I wish you all, young and old, wherever you may be, | 0:43:08 | 0:43:14 | |
all the fun and enjoyment and the peace of a very happy Christmas. | 0:43:14 | 0:43:19 | |
The live television broadcast was deemed a great success | 0:43:23 | 0:43:27 | |
although ongoing strange atmospheric conditions meant that | 0:43:27 | 0:43:30 | |
that afternoon some viewers found the Queen's words | 0:43:30 | 0:43:33 | |
interrupted by the voices of American cops talking | 0:43:33 | 0:43:37 | |
on police radio networks somewhere on the other side of the Atlantic. | 0:43:37 | 0:43:41 | |
One viewer even heard an American policeman announce, | 0:43:41 | 0:43:44 | |
"Joe, I'm going to grab a quick coffee." | 0:43:44 | 0:43:47 | |
Then the sound crackled and the Queen's voice was back again. | 0:43:47 | 0:43:51 | |
The success of the broadcast meant that there was no going back and | 0:43:55 | 0:44:00 | |
the following Christmas the Queen was again live from Sandringham. | 0:44:00 | 0:44:04 | |
And having seen the monarch, the public now wanted more. | 0:44:07 | 0:44:12 | |
Some of you have written to say that you | 0:44:12 | 0:44:15 | |
would like to see our children on television this afternoon. | 0:44:15 | 0:44:20 | |
We value your interest in them and I can assure you that we have | 0:44:20 | 0:44:25 | |
thought about this a great deal before deciding against it. | 0:44:25 | 0:44:29 | |
We would like our son and daughter to grow up | 0:44:30 | 0:44:33 | |
as normally as possible so that they will be able to serve you and | 0:44:33 | 0:44:38 | |
the Commonwealth faithfully and well when they are old enough to do so. | 0:44:38 | 0:44:44 | |
However, by the mid '60s, the Royals had relented and their growing | 0:44:44 | 0:44:48 | |
family increasingly began to make appearances in the festive message. | 0:44:48 | 0:44:53 | |
In October this year, I took my son and daughter | 0:44:56 | 0:45:00 | |
with me to the opening of Parliament at Westminster. | 0:45:00 | 0:45:03 | |
-Oh, I see. -It's my grandfather. -Yeah. | 0:45:05 | 0:45:07 | |
King George V, and this was the first time he went to the... | 0:45:07 | 0:45:10 | |
FA Cup Final. | 0:45:10 | 0:45:12 | |
And that year was the year I was born. | 0:45:12 | 0:45:15 | |
By 1984, the Queen and her extended family were in full | 0:45:16 | 0:45:20 | |
and relaxed view as they gathered here, in the Green Drawing Room | 0:45:20 | 0:45:24 | |
at Windsor, for the christening of Prince Harry. | 0:45:24 | 0:45:26 | |
Look! Zara... | 0:45:33 | 0:45:35 | |
Zara! Go and get Zara. | 0:45:35 | 0:45:38 | |
-BABY CRIES Zara! -Look! | 0:45:38 | 0:45:40 | |
When the children are included in the visuals of | 0:45:40 | 0:45:44 | |
the Christmas speech it's always incredibly popular. | 0:45:44 | 0:45:46 | |
I remember William, I think, and Zara sort of running round | 0:45:46 | 0:45:50 | |
the robes of the Archbishop of Canterbury. | 0:45:50 | 0:45:53 | |
There were the corgis and there was the Queen chatting. | 0:45:53 | 0:45:57 | |
I think she was talking about how they named puppies. | 0:45:57 | 0:46:00 | |
-It's called Dash. -Dash! | 0:46:00 | 0:46:03 | |
Dash, and you know it's a word you use when you're cross. "Dash!" | 0:46:03 | 0:46:07 | |
And it comes out frightfully well as a dog's name, you see. | 0:46:07 | 0:46:10 | |
Until the early '60s, the Christmas message was always live, | 0:46:12 | 0:46:17 | |
which put a considerable strain on the monarch. | 0:46:17 | 0:46:19 | |
Indeed, George V had complained in 1932 | 0:46:19 | 0:46:22 | |
that it had "quite ruined" his Christmas. | 0:46:22 | 0:46:25 | |
Pre-recording it a few days before Christmas in different | 0:46:25 | 0:46:28 | |
locations, like here at Buckingham Palace, gave producers | 0:46:28 | 0:46:32 | |
like Sir David Attenborough the opportunity to be | 0:46:32 | 0:46:35 | |
just a bit more adventurous. | 0:46:35 | 0:46:37 | |
CAROL SINGERS: The Holly And The Ivy | 0:46:37 | 0:46:40 | |
Every year this Christmas party is held for the children | 0:46:40 | 0:46:43 | |
of the people living in the Mews at Buckingham Palace. | 0:46:43 | 0:46:46 | |
I thought that it was... | 0:46:48 | 0:46:50 | |
Just to vary from sitting at a desk, | 0:46:50 | 0:46:53 | |
couldn't we find an occasion on which the Queen was being | 0:46:53 | 0:46:58 | |
very queenly and regal and royal and yet, at the time, very human? | 0:46:58 | 0:47:04 | |
There was an event just before Christmas | 0:47:05 | 0:47:08 | |
when the Queen, by custom, holds a children's party | 0:47:08 | 0:47:13 | |
and that year it was being held in the Royal Stables. | 0:47:13 | 0:47:16 | |
And I thought, "That's great." | 0:47:16 | 0:47:17 | |
You know, a stable, Christmas, one thing and another. | 0:47:17 | 0:47:20 | |
These are some of the horses that were drawing | 0:47:20 | 0:47:23 | |
the carriages at the time of the wedding in the summer. | 0:47:23 | 0:47:27 | |
-Have you been to one of these parties before? -Yes. | 0:47:27 | 0:47:30 | |
Is this the first time you've been, is it? | 0:47:30 | 0:47:34 | |
I'll get bitten in a minute! | 0:47:34 | 0:47:36 | |
'Because it was a stables, there were horses in the background | 0:47:36 | 0:47:40 | |
'and the Queen came down and delivered her speech' | 0:47:40 | 0:47:44 | |
to, of course, a teleprompter, but absolutely immaculately | 0:47:44 | 0:47:48 | |
and perfectly and not a mistake at all, you see. | 0:47:48 | 0:47:51 | |
For the children, the party and the meeting with | 0:47:51 | 0:47:53 | |
Father Christmas are perhaps the most exciting part of the evening, | 0:47:53 | 0:47:58 | |
but I hope that a walk through the stables | 0:47:58 | 0:48:01 | |
also helps to bring the traditional Christmas story alive for them. | 0:48:01 | 0:48:05 | |
And I was... It was the first time I'd done it and was saying, | 0:48:05 | 0:48:10 | |
"Thank you so much, wonderful..." | 0:48:10 | 0:48:12 | |
All that. | 0:48:12 | 0:48:13 | |
And the cameraman plucked my sleeve and said, "No, go again." | 0:48:13 | 0:48:17 | |
I said, "What?" | 0:48:17 | 0:48:18 | |
"No, no, go again." | 0:48:18 | 0:48:20 | |
I couldn't think what he was talking about. | 0:48:20 | 0:48:22 | |
So, you know, "wonderful," and he said, "Go again!" | 0:48:22 | 0:48:25 | |
So I thought I'd better take notice so I said, | 0:48:25 | 0:48:27 | |
"I'm awfully sorry, there's just been a slight technical problem. | 0:48:27 | 0:48:30 | |
"Could we do it again?" | 0:48:30 | 0:48:32 | |
And the Queen, professional that she is, said, "Very well," and went | 0:48:32 | 0:48:36 | |
and did it again. | 0:48:36 | 0:48:37 | |
And as she went around I said to the cameraman, | 0:48:37 | 0:48:40 | |
"What on earth?! | 0:48:40 | 0:48:41 | |
"I mean, what, did you leave the lens cap on for heaven's sake?! | 0:48:41 | 0:48:43 | |
"What is the matter?" and he said, "Well, there was | 0:48:43 | 0:48:46 | |
"one of these horses that was immediately behind the Queen in the | 0:48:46 | 0:48:49 | |
"stables and just as she started, it got that itch on the lips that | 0:48:49 | 0:48:53 | |
"horses get and so it was going like this, you see." | 0:48:53 | 0:48:56 | |
And he said it looked as though the horse was a ventriloquist | 0:48:56 | 0:49:00 | |
or something, you see! | 0:49:00 | 0:49:01 | |
As the productions became more ambitious, so too did the locations. | 0:49:08 | 0:49:13 | |
In 1989, the Queen surprised an audience by delivering | 0:49:13 | 0:49:17 | |
her Christmas message live on stage. | 0:49:17 | 0:49:20 | |
I usually make my Christmas broadcast to | 0:49:21 | 0:49:25 | |
the Commonwealth from Windsor or Buckingham Palace. | 0:49:25 | 0:49:28 | |
This year, I thought I would use the presence of 2,000 children at this | 0:49:29 | 0:49:35 | |
occasion organised by the Save The Children Fund in the Albert Hall. | 0:49:35 | 0:49:40 | |
Those of you present are the immediate audience | 0:49:42 | 0:49:45 | |
for my broadcast, but I'm also speaking by radio | 0:49:45 | 0:49:50 | |
and television to people throughout the world. | 0:49:50 | 0:49:54 | |
Three years later, in 1992, the Queen and her Christmas message | 0:50:01 | 0:50:06 | |
returned once again to the peace of rural Norfolk, | 0:50:06 | 0:50:10 | |
after a break of over three decades. | 0:50:10 | 0:50:12 | |
The message had come full circle. | 0:50:12 | 0:50:16 | |
We did a link within the script to King George VI | 0:50:16 | 0:50:20 | |
and his broadcast from Sandringham, | 0:50:20 | 0:50:22 | |
and therefore it seemed quite nice for the Queen to walk | 0:50:22 | 0:50:25 | |
into the room and to look at pictures of her late father | 0:50:25 | 0:50:28 | |
and I think the Queen was quite pleased to be doing something | 0:50:28 | 0:50:32 | |
rather than just sitting. | 0:50:32 | 0:50:34 | |
My great grandfather, | 0:50:34 | 0:50:35 | |
King Edward VII, made Sandringham his country home in 1862 | 0:50:35 | 0:50:40 | |
and it was from this house that my grandfather, King George V, | 0:50:40 | 0:50:47 | |
and my father, used to speak over the radio, originally to the Empire | 0:50:47 | 0:50:52 | |
and then to the Commonwealth, on Christmas Day, all those years ago. | 0:50:52 | 0:50:58 | |
It was from here that I made my first Christmas broadcast | 0:50:58 | 0:51:02 | |
40 years ago. | 0:51:02 | 0:51:03 | |
The Queen is extremely good at trying to put | 0:51:04 | 0:51:08 | |
those around her at ease, but nevertheless, you do realise | 0:51:08 | 0:51:12 | |
that you basically are asking her to do things | 0:51:12 | 0:51:15 | |
and you're stopping her if perhaps the recording isn't going properly. | 0:51:15 | 0:51:19 | |
So it is a unique situation, actually, | 0:51:19 | 0:51:22 | |
it's quite difficult to explain in some ways. | 0:51:22 | 0:51:27 | |
I was particularly nervous one year because I was wearing my best | 0:51:27 | 0:51:30 | |
suit and realised while kneeling in front of the Queen that the zip | 0:51:30 | 0:51:35 | |
of my trousers had burst open and failed, so I had to kneel | 0:51:35 | 0:51:40 | |
in a very strange sideways position until the end of that recording. | 0:51:40 | 0:51:45 | |
And then, in fact, during the lunch break, | 0:51:45 | 0:51:48 | |
I was sewn back into my trousers. | 0:51:48 | 0:51:50 | |
But the 1992 Sandringham broadcast would make | 0:51:53 | 0:51:56 | |
the headlines for a very different reason that year. | 0:51:56 | 0:52:00 | |
'The One O'Clock News from the BBC.' | 0:52:00 | 0:52:02 | |
Good afternoon. | 0:52:04 | 0:52:05 | |
Buckingham Palace has said the Sun's advance | 0:52:05 | 0:52:07 | |
publication of the Queen's Christmas Message was very regrettable. | 0:52:07 | 0:52:11 | |
Today's edition contains what it says is the full text | 0:52:11 | 0:52:14 | |
of the broadcast, which is normally kept secret until transmission. | 0:52:14 | 0:52:18 | |
However, this was not the first time the content of the broadcast | 0:52:20 | 0:52:24 | |
had leaked out. | 0:52:24 | 0:52:25 | |
Five years earlier, in 1987, | 0:52:25 | 0:52:28 | |
it was the BBC itself that was in the spotlight. | 0:52:28 | 0:52:32 | |
Quite often the Christmas broadcasts are, by their very nature, | 0:52:32 | 0:52:37 | |
full of generalities and pleasantries, nothing wrong | 0:52:37 | 0:52:40 | |
with that, but in 1987, I think a different tone was taken. | 0:52:40 | 0:52:47 | |
On the 8th of November, there'd been a bomb outrage | 0:52:47 | 0:52:52 | |
in Enniskillen in Northern Ireland at the Remembrance Sunday service | 0:52:52 | 0:52:58 | |
at the war memorial and 11 people had been killed. | 0:52:58 | 0:53:03 | |
And the country | 0:53:03 | 0:53:05 | |
and, I think, the world was very much moved | 0:53:05 | 0:53:08 | |
by the account by a man called Gordon Wilson | 0:53:08 | 0:53:10 | |
who'd been buried in the rubble with his daughter, | 0:53:10 | 0:53:12 | |
Marie, who was a nurse. | 0:53:12 | 0:53:14 | |
And he described how she passed away as he was holding her hand | 0:53:14 | 0:53:19 | |
and the Queen made reference to this and I thought | 0:53:19 | 0:53:22 | |
she made a very telling point about it and I found it very moving. | 0:53:22 | 0:53:28 | |
Mr Gordon Wilson, whose daughter, Marie, lost her life | 0:53:28 | 0:53:33 | |
in the horrifying explosion at Enniskillen on Remembrance Sunday, | 0:53:33 | 0:53:38 | |
impressed the whole world by the depth of his forgiveness. | 0:53:38 | 0:53:42 | |
There was a correspondents' lunch, I was asked by someone | 0:53:42 | 0:53:47 | |
if I'd seen the Christmas broadcast. I said I had, the speech was | 0:53:47 | 0:53:52 | |
embargoed, I didn't think there was any harm in talking about it. | 0:53:52 | 0:53:55 | |
After the lunch, a colleague rang me up and said that | 0:53:55 | 0:53:58 | |
one of the people who'd been at the lunch had gone back to | 0:53:58 | 0:54:01 | |
his office and was writing up what I said as a front page story for his | 0:54:01 | 0:54:06 | |
tabloid newspaper and all the other journalists were following suit. | 0:54:06 | 0:54:10 | |
All of us will echo their prayer that out of the personal | 0:54:10 | 0:54:14 | |
tragedies of Enniskillen may come | 0:54:14 | 0:54:17 | |
a reconciliation between the communities. | 0:54:17 | 0:54:19 | |
Tabloid newspapers can make a front page headline out of one word. | 0:54:21 | 0:54:25 | |
It was to my profound and everlasting regret that they did. | 0:54:25 | 0:54:32 | |
I had no hesitation, | 0:54:32 | 0:54:33 | |
when I found out what was going to happen, to offer my resignation. | 0:54:33 | 0:54:38 | |
The tabloid press imagined Michael Cole's fate in an earlier time. | 0:54:41 | 0:54:45 | |
But the Palace said nothing and Cole survived, | 0:54:47 | 0:54:51 | |
albeit in a different role. | 0:54:51 | 0:54:53 | |
We all felt the shock and sorrow of Diana's death. | 0:55:00 | 0:55:04 | |
Thousands upon thousands of you expressed your grief most | 0:55:04 | 0:55:08 | |
poignantly in the wonderful flowers and messages left in tribute to her. | 0:55:08 | 0:55:12 | |
Thank you so much, thanks. | 0:55:12 | 0:55:14 | |
That was a great comfort to all those close to her. | 0:55:14 | 0:55:17 | |
At times, in her broadcast, the Queen has confronted events | 0:55:21 | 0:55:25 | |
of a deeply personal nature for her and her family. | 0:55:25 | 0:55:29 | |
None more so than the tragic death of Princess Diana in 1997, | 0:55:29 | 0:55:34 | |
when the Queen also acknowledged | 0:55:34 | 0:55:37 | |
the affect it had on the nation as well as those further afield. | 0:55:37 | 0:55:41 | |
MUSIC: Song Of Athene by John Tavener | 0:55:41 | 0:55:43 | |
Over the decades, the Christmas broadcast has | 0:55:52 | 0:55:54 | |
acted as a chronicle of personal, national and global events | 0:55:54 | 0:55:59 | |
which have affected the Queen as well as her audience. | 0:55:59 | 0:56:03 | |
At Christmas, we feel very fortunate to have our family around us. | 0:56:07 | 0:56:12 | |
The Queen continues to share the intimate moments of her own family | 0:56:16 | 0:56:20 | |
life, along with those of the bigger family of the Commonwealth, for | 0:56:20 | 0:56:24 | |
which she remains the figurehead, as well as the Armed Forces. | 0:56:24 | 0:56:29 | |
We are forever grateful to all those who put themselves | 0:56:29 | 0:56:33 | |
at risk to keep us safe. | 0:56:33 | 0:56:36 | |
The Royal Christmas Message has been a traditional | 0:56:36 | 0:56:39 | |
part of the festive season stretching back over 80 years. | 0:56:39 | 0:56:44 | |
Christmas is about tradition - the trees, the cards, | 0:56:44 | 0:56:47 | |
everything else, and this is part of it. | 0:56:47 | 0:56:50 | |
Today is another landmark because television has made it possible... | 0:56:50 | 0:56:55 | |
People still like the idea that the Queen | 0:56:55 | 0:56:57 | |
comes on television at three o'clock and it's unchanging, | 0:56:57 | 0:57:02 | |
it's above politics, it's part of Christmas. | 0:57:02 | 0:57:05 | |
Still the most watched programme on Christmas Day, | 0:57:06 | 0:57:10 | |
in 3D, on television, and online, | 0:57:10 | 0:57:14 | |
it's come a long way from the radio where it first started. | 0:57:14 | 0:57:19 | |
'I wish a happy Christmas, God bless you.' | 0:57:19 | 0:57:24 | |
'I wish you, from my heart, a happy Christmas. | 0:57:24 | 0:57:30 | |
A very happy Christmas to you all. | 0:57:30 | 0:57:33 |