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Hello and welcome to Digging For Ireland, | 0:00:04 | 0:00:06 | |
the programme that promises to bring you this year's most | 0:00:06 | 0:00:08 | |
outstanding new archaeology. | 0:00:08 | 0:00:11 | |
We've got highlights from all the digs, | 0:00:11 | 0:00:13 | |
we'll have in-depth analysis, and we've also got some really amazing | 0:00:13 | 0:00:16 | |
treasures from the past. | 0:00:16 | 0:00:18 | |
All year, in hundreds of digs across Ireland and Britain, | 0:00:22 | 0:00:26 | |
archaeologists have once again been | 0:00:26 | 0:00:28 | |
unearthing our history. | 0:00:28 | 0:00:30 | |
They've gone to extraordinary lengths to uncover long lost | 0:00:30 | 0:00:33 | |
treasures, retelling our story in a way only archaeology can. | 0:00:33 | 0:00:39 | |
Our archaeologists have been out filming themselves to make | 0:00:39 | 0:00:43 | |
sure that we were there for every moment of discovery. | 0:00:43 | 0:00:46 | |
And they'll be joining us back here at the Ulster Museum, | 0:00:46 | 0:00:48 | |
to help us understand of what these new finds really mean. | 0:00:48 | 0:00:51 | |
Tonight, we'll reveal a 3,000-year-old bog body. | 0:00:53 | 0:00:57 | |
Could this be a murdered king? | 0:00:58 | 0:01:01 | |
And we'll see the perfectly preserved boat of the warriors who fought the Vikings. | 0:01:04 | 0:01:10 | |
And we'll meet the dead from the notorious prison | 0:01:12 | 0:01:15 | |
known as Ireland's Alcatraz. | 0:01:15 | 0:01:17 | |
The Ulster Museum's collection has been built up over nearly 200 years. | 0:01:31 | 0:01:36 | |
The archaeological treasures it holds connect us to people long gone | 0:01:36 | 0:01:40 | |
and to vanished worlds in a unique way, | 0:01:40 | 0:01:44 | |
from the Malone Hoard, | 0:01:44 | 0:01:46 | |
ceremonial axe-heads unearthed in the middle of Belfast... | 0:01:46 | 0:01:50 | |
..to the Corrard gold torc, a Bronze Age offering to the gods, pulled | 0:01:52 | 0:01:56 | |
from a bog in County Fermanagh. | 0:01:56 | 0:02:00 | |
We've taken over the Ulster Museum | 0:02:00 | 0:02:02 | |
to tell the story of Ireland like never before. | 0:02:02 | 0:02:08 | |
We begin with a dig exploring the shift in power that reshaped | 0:02:08 | 0:02:12 | |
the North of Ireland. Alongside an iconic ruined castle, | 0:02:12 | 0:02:16 | |
a long-lost village which tells the stories of the English | 0:02:16 | 0:02:20 | |
and Scottish settlers brought into Ulster in the 17th century | 0:02:20 | 0:02:24 | |
in what's known as the Plantation. | 0:02:24 | 0:02:27 | |
For over 500 years, | 0:02:34 | 0:02:36 | |
Dunluce Castle has towered over the North Antrim coast. | 0:02:36 | 0:02:40 | |
Though it hasn't been lived in for over 300 years, | 0:02:43 | 0:02:46 | |
this year, there is plenty of action in the castle grounds. | 0:02:46 | 0:02:51 | |
A team of archaeologists are kicking off a five-year dig. | 0:02:51 | 0:02:56 | |
This is their video diary as they search | 0:02:56 | 0:02:59 | |
for clues into the castle's most important and controversial period in history. | 0:02:59 | 0:03:04 | |
In 1608, Dunluce became the seat of power for a new planned | 0:03:04 | 0:03:09 | |
settlement, a plantation. | 0:03:09 | 0:03:13 | |
The plantations were ordered by King James to civilise the North of Ireland. | 0:03:13 | 0:03:19 | |
Controversially, Scottish and English settlers were brought in to work | 0:03:19 | 0:03:23 | |
and live in newly formed towns and villages, displacing the indigenous Gaelic population. | 0:03:23 | 0:03:30 | |
This ushered in a new economy, one that replaced subsistence farming. | 0:03:30 | 0:03:35 | |
Evidence of this monumental shift is being | 0:03:35 | 0:03:39 | |
pulled from one of the trenches. | 0:03:39 | 0:03:42 | |
We're right at the very edge here of the 17th-century garden. | 0:03:42 | 0:03:46 | |
So, we've got our 17th-century topsoil layer here. | 0:03:46 | 0:03:48 | |
And it's been quite an interesting layer so far. | 0:03:48 | 0:03:51 | |
We've picked up a few finds, | 0:03:51 | 0:03:53 | |
but some of the most interesting ones have been this coin | 0:03:53 | 0:03:56 | |
and a musket ball. | 0:03:56 | 0:03:57 | |
The coin is silver. | 0:03:57 | 0:03:59 | |
We're starting to see the introduction of money and currency. | 0:03:59 | 0:04:02 | |
We're starting to see people paying rent rather than just | 0:04:02 | 0:04:05 | |
living off the land and paying in crops and whatever else. | 0:04:05 | 0:04:08 | |
The landlord of this estate, Randal MacDonnell, was the largest | 0:04:10 | 0:04:14 | |
landowner in County Antrim, owning over 300,000 acres. | 0:04:14 | 0:04:19 | |
When he ruled this estate in the 1620s, | 0:04:19 | 0:04:21 | |
it grew into a successful plantation. | 0:04:21 | 0:04:25 | |
Almost 400 years later, | 0:04:25 | 0:04:27 | |
clues to life on the estate are emerging every day, | 0:04:27 | 0:04:30 | |
with valuable artefacts kept in the dig's conservation room. | 0:04:30 | 0:04:35 | |
The most interesting find we've got, or the personal find, you | 0:04:35 | 0:04:39 | |
can imagine somebody using it, is this little seal matrix, it's called. | 0:04:39 | 0:04:44 | |
It's a stamp for creating a seal on wax. | 0:04:44 | 0:04:48 | |
So, if you're writing your letter, or verifying a document, | 0:04:48 | 0:04:51 | |
you'd have used this. | 0:04:51 | 0:04:53 | |
-Tell me about this seal. -This is a copper alloy seal matrix. | 0:04:53 | 0:04:57 | |
This is the object you would use to put your impression | 0:04:57 | 0:05:00 | |
-into the red wax seal of an official document. -It's lovely. | 0:05:00 | 0:05:04 | |
-It is, isn't it? -Yes. So what's the picture on it? | 0:05:04 | 0:05:07 | |
It seems to be a representation of a castle. | 0:05:07 | 0:05:09 | |
Dunluce town is established around a marketplace | 0:05:09 | 0:05:11 | |
and it would have been merchant families who were | 0:05:11 | 0:05:13 | |
brought in by the MacDonnells to | 0:05:13 | 0:05:15 | |
populate the town and undertake trade. | 0:05:15 | 0:05:17 | |
This could have been associated with one of | 0:05:17 | 0:05:19 | |
those Scottish merchant families. Perhaps they have taken the | 0:05:19 | 0:05:21 | |
image of Dunluce as their family symbol, the symbol of their business. | 0:05:21 | 0:05:24 | |
The image of the castle, yes. Tell me more about Randal MacDonnell. Who was he? | 0:05:24 | 0:05:27 | |
Randal was the chieftain of the MacDonnell clan in Ulster. | 0:05:27 | 0:05:30 | |
He's a really interesting character because he transcends | 0:05:30 | 0:05:33 | |
the period from the late medieval through to the early modern period. | 0:05:33 | 0:05:37 | |
At the start of the 17th century, he undertakes his own private | 0:05:37 | 0:05:40 | |
plantation scheme in order to secure the favour of the king. | 0:05:40 | 0:05:44 | |
What was that scheme? What is a plantation scheme? | 0:05:44 | 0:05:47 | |
You might have heard of the Ulster Plantation, and that's | 0:05:47 | 0:05:49 | |
a scheme in the opening decades of the 17th century where | 0:05:49 | 0:05:53 | |
a lot of people from England and Scotland were brought across | 0:05:53 | 0:05:56 | |
into Ulster to basically set up new towns | 0:05:56 | 0:05:59 | |
and populate the landscape, | 0:05:59 | 0:06:01 | |
and the idea was to populate what was previously a rebellious | 0:06:01 | 0:06:05 | |
Gaelic province with loyal British subjects. | 0:06:05 | 0:06:09 | |
The interesting thing about Randal MacDonnell and Dunluce | 0:06:09 | 0:06:12 | |
is that this is a plantation enterprise | 0:06:12 | 0:06:14 | |
undertaken by a Gaelic Catholic landlord, which is | 0:06:14 | 0:06:16 | |
in contrast to the normal narrative of the Plantation. | 0:06:16 | 0:06:19 | |
Randal is the only major Gaelic lord at that time who holds | 0:06:19 | 0:06:23 | |
on to his lands and in fact he's the largest land-holder in Ulster at the | 0:06:23 | 0:06:27 | |
start of the 17th century because he's gained the favour of the king. | 0:06:27 | 0:06:30 | |
What about these other artefacts? What about the pottery from the dig? What does that tell us? | 0:06:30 | 0:06:34 | |
The people who would have been brought in to live | 0:06:34 | 0:06:36 | |
at Dunluce town, we think a lot of them would have been merchants, | 0:06:36 | 0:06:39 | |
quite wealthy people who would have come in, built a house and then undertaken trade through | 0:06:39 | 0:06:43 | |
the marketplace which the town was founded around. | 0:06:43 | 0:06:46 | |
We also see them bringing in new types of pottery that hadn't | 0:06:46 | 0:06:49 | |
been seen before, so in contrast to, in the late medieval period, | 0:06:49 | 0:06:53 | |
we found this type of pottery which is known as Ulster coarse ware pottery, | 0:06:53 | 0:06:58 | |
and that is basically a type of locally produced cooking pot. | 0:06:58 | 0:07:01 | |
-It looks pretty basic doesn't it? -Exactly, yes, so with | 0:07:01 | 0:07:03 | |
the new type of economy in the 17th century, | 0:07:03 | 0:07:06 | |
we see imports from England, | 0:07:06 | 0:07:07 | |
so this would have been imported from the Midlands in England | 0:07:07 | 0:07:10 | |
and that's the base of a little cup or mug. | 0:07:10 | 0:07:12 | |
You can see one of the handles on that side. | 0:07:12 | 0:07:15 | |
It's probably the merchant class, the people of Dunluce | 0:07:15 | 0:07:17 | |
buying expensive goods just to show off their wealth and status. | 0:07:17 | 0:07:20 | |
So we've got the arrival of English-speaking Protestant | 0:07:20 | 0:07:24 | |
rulers into Ireland. | 0:07:24 | 0:07:26 | |
Is this the beginning of Northern Ireland as we know it? | 0:07:26 | 0:07:28 | |
There are massive shifts in the demographics | 0:07:28 | 0:07:31 | |
and the population make-up in Ulster, | 0:07:31 | 0:07:33 | |
so there's this massive influx of people from lowland Scotland | 0:07:33 | 0:07:36 | |
and from England and that's a Protestant population coming in. | 0:07:36 | 0:07:40 | |
Now we see that shift in demographics | 0:07:40 | 0:07:43 | |
down to the modern day | 0:07:43 | 0:07:45 | |
and, really, you can see some of the origins of modern Ulster, | 0:07:45 | 0:07:48 | |
modern Northern Ireland, | 0:07:48 | 0:07:50 | |
in the population changes that were happening at that time. | 0:07:50 | 0:07:53 | |
The town at Dunluce grew up in the shadow of the castle | 0:07:53 | 0:07:57 | |
under Randal MacDonnell's influence. | 0:07:57 | 0:07:59 | |
In the second phase of this year's dig, | 0:08:01 | 0:08:03 | |
the team are searching beyond the castle garden walls, looking | 0:08:03 | 0:08:07 | |
for the lost town where the estate workers lived. | 0:08:07 | 0:08:11 | |
We're in the middle of the 17th-century town | 0:08:11 | 0:08:13 | |
and this surface I'm standing on would have | 0:08:13 | 0:08:16 | |
been where the 17th-century roadway was. | 0:08:16 | 0:08:18 | |
So you can see down the slope where the grass was cut, | 0:08:18 | 0:08:21 | |
that's the line of the 17th-century road. | 0:08:21 | 0:08:23 | |
And it would have been flanked by houses on either side. | 0:08:23 | 0:08:27 | |
So we've positioned some of our trenches over these houses, | 0:08:27 | 0:08:29 | |
so we've positioned them on the corners to see if we can try | 0:08:29 | 0:08:32 | |
and find out what size they were. | 0:08:32 | 0:08:34 | |
We are standing at the side, the end gable of one of the houses. | 0:08:34 | 0:08:37 | |
Cormac is over here trying to expose the other side | 0:08:37 | 0:08:41 | |
and trying to find any evidence for a chimney or a fireplace. | 0:08:41 | 0:08:44 | |
There would have been a series of houses running up the slope | 0:08:44 | 0:08:49 | |
here and all opening out onto the marketplace. | 0:08:49 | 0:08:54 | |
The team is mapping the vanished town that reflected the vision | 0:08:54 | 0:08:59 | |
of landlord Randal MacDonnell, forming the economic hub of his estate. | 0:08:59 | 0:09:04 | |
What he was doing here was establishing a new type | 0:09:04 | 0:09:06 | |
of settlement in this landscape, which hadn't been seen before. | 0:09:06 | 0:09:09 | |
It was a mercantile settlement, | 0:09:09 | 0:09:11 | |
an economic town built around a market place. | 0:09:11 | 0:09:15 | |
So, very much a modern type of development. | 0:09:15 | 0:09:18 | |
The world was changing. This emerging local economy | 0:09:18 | 0:09:22 | |
was also connecting to places much further afield. And this is a | 0:09:22 | 0:09:27 | |
change seen in the artefacts coming out of the ground. | 0:09:27 | 0:09:30 | |
In the 17th century, it's kind of the beginning of tobacco smoking | 0:09:33 | 0:09:37 | |
coming from the Americas. | 0:09:37 | 0:09:39 | |
I've got some pipes here that we found onsite. | 0:09:39 | 0:09:42 | |
It's almost like cigarette butts, we start seeing them | 0:09:42 | 0:09:45 | |
being thrown away whenever they break. | 0:09:45 | 0:09:47 | |
They are maybe quite fragile. | 0:09:47 | 0:09:49 | |
As smoking becomes more fashionable, we start seeing an increase in these pipes. | 0:09:49 | 0:09:54 | |
While some aspects of society may have changed, | 0:09:55 | 0:09:57 | |
the team are finding that certain class boundaries still remained. | 0:09:57 | 0:10:03 | |
This wall acted as the boundary wall | 0:10:03 | 0:10:05 | |
between the 17th-century town | 0:10:05 | 0:10:07 | |
and the 17th-century formal gardens. | 0:10:07 | 0:10:10 | |
Your gardens would have been very private, | 0:10:10 | 0:10:13 | |
so you would have wanted a large boundary wall, | 0:10:13 | 0:10:15 | |
giving you some privacy | 0:10:15 | 0:10:16 | |
from the sights and smells of the 17th-century town. | 0:10:16 | 0:10:21 | |
This dig is providing an uncensored snapshot | 0:10:22 | 0:10:26 | |
of what life was like in a plantation town. | 0:10:26 | 0:10:29 | |
But the reason that this site | 0:10:29 | 0:10:31 | |
is offering quite so much amazing archaeology | 0:10:31 | 0:10:34 | |
is because of how the town met its end. | 0:10:34 | 0:10:36 | |
So, looking at Dunluce today, there's a ruined castle | 0:10:39 | 0:10:43 | |
and just empty fields. So, what happened? | 0:10:43 | 0:10:46 | |
In 1641, there is the Irish Rebellion, | 0:10:46 | 0:10:50 | |
which starts in County Tyrone but quickly spreads throughout Ulster. | 0:10:50 | 0:10:54 | |
And in January of 1642, it arrives at Dunluce. | 0:10:54 | 0:10:56 | |
So there's an attempt to capture the castle by rebellious forces. | 0:10:56 | 0:11:01 | |
They're unsuccessful. | 0:11:01 | 0:11:03 | |
The garrison in the castle refused to surrender | 0:11:03 | 0:11:05 | |
and they're successful in defending it. | 0:11:05 | 0:11:06 | |
But in the aftermath of that, the forces, | 0:11:06 | 0:11:08 | |
some of the soldiers set fire to some of the buildings | 0:11:08 | 0:11:12 | |
in the town and the fire spreads and burns everything down. | 0:11:12 | 0:11:14 | |
So, who was actually leading this rebellion? | 0:11:14 | 0:11:17 | |
Well, this rising was led by the native Irish | 0:11:17 | 0:11:19 | |
and there are a lot of different reasons behind it. | 0:11:19 | 0:11:22 | |
But at a local level, a lot of the local people who would've | 0:11:22 | 0:11:25 | |
been dispossessed through the Plantation | 0:11:25 | 0:11:28 | |
saw this as an opportunity to settle scores, to get back | 0:11:28 | 0:11:31 | |
some of what had been taken from them during the plantation process. | 0:11:31 | 0:11:34 | |
So it became very brutal and violent at a local level | 0:11:34 | 0:11:38 | |
with murders and massacres going on. | 0:11:38 | 0:11:40 | |
And that really sounds the death knell for the settlement. | 0:11:40 | 0:11:42 | |
And within a number of decades, it's abandoned | 0:11:42 | 0:11:45 | |
and it reverts back to just being grassy, green fields again. | 0:11:45 | 0:11:48 | |
And it's because of that abandonment, | 0:11:48 | 0:11:49 | |
and there was no subsequent development into the modern era, | 0:11:49 | 0:11:52 | |
that the archaeology is so well preserved. | 0:11:52 | 0:11:55 | |
Inches beneath the surface of the fields around Dunluce Castle | 0:11:55 | 0:11:58 | |
today, you have a real-time capsule of life in the 17th century. | 0:11:58 | 0:12:02 | |
So, have you found archaeological evidence of this | 0:12:02 | 0:12:04 | |
period of violence and uprising? | 0:12:04 | 0:12:07 | |
Some of the really interesting finds we've found | 0:12:07 | 0:12:09 | |
include this nice musket ball. | 0:12:09 | 0:12:11 | |
And you couldn't really ask for a more tangible object | 0:12:11 | 0:12:15 | |
-associated with violence than a musket ball. -Has it been fired? | 0:12:15 | 0:12:18 | |
That one hasn't been fired. | 0:12:18 | 0:12:19 | |
It's still pristine from the mould that it would've been pressed in. | 0:12:19 | 0:12:23 | |
You can still see the impressions of that. | 0:12:23 | 0:12:26 | |
Whereas this one is more interesting. | 0:12:26 | 0:12:27 | |
This is half a musket ball. | 0:12:27 | 0:12:29 | |
So, it's been cut in half? Why on earth would you want to do that? | 0:12:29 | 0:12:32 | |
It's been deliberately cut in half to make it more deadly. | 0:12:32 | 0:12:35 | |
But because it's that funny shape, it's very inaccurate, | 0:12:35 | 0:12:38 | |
so it's a close-quarters weapon. | 0:12:38 | 0:12:40 | |
And you can imagine it would've been quite brutal fighting that | 0:12:40 | 0:12:42 | |
would've been involved in. | 0:12:42 | 0:12:44 | |
It is a very familiar story, this tension between | 0:12:44 | 0:12:47 | |
Gaelic-speaking Catholics and English-speaking Protestants. | 0:12:47 | 0:12:51 | |
Absolutely. | 0:12:51 | 0:12:52 | |
And you see that in some of the violence in the 17th century. | 0:12:52 | 0:12:55 | |
But we also see incidences of local people | 0:12:55 | 0:12:58 | |
and English and Scottish people living side by side peaceably. | 0:12:58 | 0:13:01 | |
And that's part of the story of Dunluce town as well. | 0:13:01 | 0:13:04 | |
The vanished town beneath Dunluce Castle | 0:13:09 | 0:13:13 | |
was witness to a seismic shift of power in Ireland. | 0:13:13 | 0:13:17 | |
Found less than ten miles away, | 0:13:22 | 0:13:24 | |
the Ulster Museum houses an astonishing hoard. | 0:13:24 | 0:13:28 | |
Just decades earlier, | 0:13:28 | 0:13:30 | |
Protestant England faced an invasion by a Catholic superpower. | 0:13:30 | 0:13:34 | |
The Spanish Armada. | 0:13:37 | 0:13:39 | |
This is a fantastic collection of some of your treasure | 0:13:40 | 0:13:43 | |
here at Ulster Museum. What is it? | 0:13:43 | 0:13:45 | |
This is just a small sample of treasure from one of our | 0:13:45 | 0:13:47 | |
most prized collections. | 0:13:47 | 0:13:49 | |
It's a collection of international importance from the Spanish | 0:13:49 | 0:13:52 | |
Armada shipwreck, the Girona, | 0:13:52 | 0:13:54 | |
which sank off the north Irish coast on 26th October in 1588. | 0:13:54 | 0:13:58 | |
The Girona was discovered in 1967. | 0:13:58 | 0:14:01 | |
And there was a particular effort made to shoot | 0:14:01 | 0:14:04 | |
a series of underwater footage. | 0:14:04 | 0:14:05 | |
And what really that allows us | 0:14:05 | 0:14:07 | |
to do is imagine we're down with the divers. | 0:14:07 | 0:14:09 | |
It was place name evidence. | 0:14:14 | 0:14:16 | |
And ironically, the names had been staring | 0:14:16 | 0:14:18 | |
people in the face for hundreds of years on a map. | 0:14:18 | 0:14:21 | |
The Girona was discovered at an area known as Lacada Point. | 0:14:21 | 0:14:26 | |
Beside Lacada Point, you have Port Na Spaniagh, Spanish Cave | 0:14:26 | 0:14:30 | |
and Spanish Rock. | 0:14:30 | 0:14:31 | |
And it almost sounded too good to be true, | 0:14:31 | 0:14:34 | |
but that's what proved to be the key factor in discovering the wreck. | 0:14:34 | 0:14:38 | |
It's a very treacherous coastline, subject to strong tides. | 0:14:39 | 0:14:42 | |
And it was a combination of these factors, including a storm, | 0:14:42 | 0:14:45 | |
that eventually led to the ship going down. | 0:14:45 | 0:14:48 | |
-This is the discovery, well, the excavation in the '60s. -Yeah. | 0:14:48 | 0:14:51 | |
-It was discovered... -Is that gold there? | 0:14:51 | 0:14:53 | |
Well, what we're actually looking at is a series of gold coins. | 0:14:53 | 0:14:56 | |
When we talk about an Armada wreck being laden with treasure, | 0:14:56 | 0:14:59 | |
the Girona hits all the marks. | 0:14:59 | 0:15:01 | |
There was something in the region of over 400 gold coins discovered. | 0:15:01 | 0:15:06 | |
And there was almost something like 800 silver coins, | 0:15:06 | 0:15:09 | |
including the classic pieces of eight. | 0:15:09 | 0:15:11 | |
Is that a cannonball? | 0:15:15 | 0:15:16 | |
Yeah, that's a cannonball. | 0:15:16 | 0:15:18 | |
The Girona was well-armed. She had in the region of 15 cannon on board. | 0:15:18 | 0:15:23 | |
But a number of the cannon were deliberately jettisoned | 0:15:23 | 0:15:26 | |
in order to make room for more crew. | 0:15:26 | 0:15:28 | |
More gold coins. | 0:15:28 | 0:15:30 | |
-What's that? -Well, this is one of... I think it was something like 12. | 0:15:35 | 0:15:39 | |
-This is a massive gold chain. -Is it like this one here? | 0:15:39 | 0:15:42 | |
I think it actually is the one here. | 0:15:42 | 0:15:44 | |
It's something like 2.3 metres in length | 0:15:44 | 0:15:46 | |
and this is it actually being discovered. | 0:15:46 | 0:15:48 | |
Not necessarily the sort of practice that | 0:15:51 | 0:15:53 | |
we'd like to see from archaeologists today. | 0:15:53 | 0:15:55 | |
There were quite a few rings discovered, so we definitely | 0:15:55 | 0:15:58 | |
don't recommend trying those on, in case you can't get them off! | 0:15:58 | 0:16:01 | |
Why was the ship so laden with treasure? | 0:16:03 | 0:16:06 | |
I mean, this is part of the Armada. This was an attack fleet. | 0:16:06 | 0:16:09 | |
The reason why it was laden with treasure, | 0:16:09 | 0:16:11 | |
and that's the key to understanding the Girona, is that it had | 0:16:11 | 0:16:15 | |
held up for repairs in Killybegs in County Donegal | 0:16:15 | 0:16:18 | |
and it took on board the remains of two other shipwrecked crews. | 0:16:18 | 0:16:22 | |
Although the Girona was originally designed to hold 500 people, | 0:16:22 | 0:16:25 | |
when it eventually set sail again, | 0:16:25 | 0:16:27 | |
it was holding 1,300 people. | 0:16:27 | 0:16:29 | |
And this included members of some of the most famous | 0:16:29 | 0:16:32 | |
and rich families in Spain. | 0:16:32 | 0:16:34 | |
They imagined they were going to be victorious | 0:16:34 | 0:16:37 | |
and would parade through the streets of London wearing all their finery, | 0:16:37 | 0:16:40 | |
but, of course, fate was to decide otherwise. | 0:16:40 | 0:16:42 | |
And out of the 1,300 people on board, only five survived. | 0:16:42 | 0:16:46 | |
This is just a small sample of some of the gold objects from the Girona. | 0:16:46 | 0:16:51 | |
It looks like a book that held something | 0:16:51 | 0:16:53 | |
of precious religious values. | 0:16:53 | 0:16:55 | |
Both of those items there are kind of for protection and good luck. | 0:16:55 | 0:16:58 | |
Presumably, the same goes for this one here. That's a little cross. | 0:16:58 | 0:17:01 | |
This is a little cross belonging to an order of chivalry, | 0:17:01 | 0:17:05 | |
Santiago de Compostela. | 0:17:05 | 0:17:07 | |
It was awarded to comparatively few people, | 0:17:07 | 0:17:10 | |
but very interesting to know that one of the people it was | 0:17:10 | 0:17:12 | |
awarded to was one of the commanders of the Armada. | 0:17:12 | 0:17:17 | |
And we know that he was actually on board the Girona | 0:17:17 | 0:17:20 | |
when it set sail on its fateful voyage. | 0:17:20 | 0:17:22 | |
So when the little cross was discovered, | 0:17:22 | 0:17:24 | |
the significance of that was that they knew beyond | 0:17:24 | 0:17:27 | |
probably any reasonable doubt that it was Girona shipwreck | 0:17:27 | 0:17:30 | |
that they had discovered. | 0:17:30 | 0:17:32 | |
From treasure that allowed archaeologists | 0:17:32 | 0:17:35 | |
to tell the story of the Spanish Armada's doomed invasion, | 0:17:35 | 0:17:39 | |
to a skirmish in Ireland's Wild West. | 0:17:39 | 0:17:43 | |
Irish history has caused many arguments. | 0:17:43 | 0:17:47 | |
In County Fermanagh, a war of words | 0:17:47 | 0:17:50 | |
has broken out between historians and locals. | 0:17:50 | 0:17:53 | |
It's war about a battle. | 0:17:53 | 0:17:56 | |
Where exactly did the Battle of the Ford of the Biscuits | 0:17:56 | 0:17:59 | |
take place in 1594? | 0:17:59 | 0:18:02 | |
Along the Arney River, six miles from Enniskillen, | 0:18:05 | 0:18:09 | |
a group of enthusiasts has gathered to find the exact spot | 0:18:09 | 0:18:12 | |
where Irish forces surprised English troops | 0:18:12 | 0:18:15 | |
at the start of the Nine Years' War. | 0:18:15 | 0:18:17 | |
The team is basing their search around local knowledge. | 0:18:19 | 0:18:23 | |
Knowledge that differs from where | 0:18:23 | 0:18:25 | |
the history books claim the battle should be. | 0:18:25 | 0:18:28 | |
Chief archaeologist, Paul Logue, believes the history books. | 0:18:28 | 0:18:33 | |
We'll check out the field | 0:18:33 | 0:18:34 | |
and then we'll check out the base of that slope. | 0:18:34 | 0:18:38 | |
And we'll just see what we get. | 0:18:38 | 0:18:39 | |
If we get nothing, or if we get bored, | 0:18:39 | 0:18:40 | |
what we'll do is we'll go back, get a cup a tea | 0:18:40 | 0:18:43 | |
and then we'll go over to Dromane, where I think it actually is. | 0:18:43 | 0:18:48 | |
-So if you just want to go out, enjoy yourself for a while. -OK. | 0:18:48 | 0:18:51 | |
Don't find any musket balls. | 0:18:51 | 0:18:53 | |
THEY LAUGH | 0:18:53 | 0:18:54 | |
You've been warned. | 0:18:54 | 0:18:56 | |
In the 1590s, English troops were coming up | 0:18:58 | 0:19:00 | |
from their stronghold at Dublin Castle | 0:19:00 | 0:19:03 | |
intent on conquering Ulster, | 0:19:03 | 0:19:05 | |
the last area of Gaelic rule. | 0:19:05 | 0:19:08 | |
This battle was one of the first skirmishes in a struggle for power | 0:19:08 | 0:19:13 | |
that would last nearly a decade. | 0:19:13 | 0:19:15 | |
Paul believes the battle took place in another nearby field, | 0:19:17 | 0:19:22 | |
but he and the history books are very quickly faced with a dilemma. | 0:19:22 | 0:19:26 | |
Yep. Musket ball. | 0:19:28 | 0:19:30 | |
Paul? | 0:19:32 | 0:19:33 | |
First find. | 0:19:35 | 0:19:37 | |
INDISTINCT | 0:19:37 | 0:19:39 | |
PAUL SIGHS | 0:19:40 | 0:19:42 | |
There's two sizes of shot and weight that are quite close. | 0:19:43 | 0:19:47 | |
And they date widely apart. | 0:19:47 | 0:19:50 | |
So, looking at this one, | 0:19:50 | 0:19:53 | |
without weighing it and measuring it, | 0:19:53 | 0:19:56 | |
it's either going to date to the late 1700s, | 0:19:56 | 0:20:00 | |
or it's going to date to the time of the battle. | 0:20:00 | 0:20:04 | |
I'm guessing, actually, that it's 18th-century, | 0:20:04 | 0:20:06 | |
but that's partly because I want it to be 18th-century. | 0:20:06 | 0:20:11 | |
This is the way it starts. | 0:20:11 | 0:20:13 | |
We'll see if we start picking up any more. | 0:20:13 | 0:20:15 | |
The English troops were heading for the besieged Enniskillen Castle. | 0:20:15 | 0:20:20 | |
The soldiers there were desperate for supplies. | 0:20:20 | 0:20:23 | |
But after the ambush, the much-needed provisions, | 0:20:23 | 0:20:26 | |
including biscuits, floated downriver, | 0:20:26 | 0:20:29 | |
providing a name for this battle. | 0:20:29 | 0:20:31 | |
Its exact location has never been archaeologically confirmed. | 0:20:31 | 0:20:36 | |
HIGH-PITCHED WHIR | 0:20:38 | 0:20:40 | |
Well, it's a musket ball, roughly about, I would say, | 0:20:40 | 0:20:43 | |
about an ounce in weight, down about four inches under the soil. | 0:20:43 | 0:20:48 | |
I think it's very exciting. | 0:20:48 | 0:20:50 | |
It's the little boy in me looking for treasure. | 0:20:51 | 0:20:54 | |
A very, very old little boy, but nevertheless, a little boy at heart. | 0:20:54 | 0:20:59 | |
Now, there's something else here. I'm not quite sure what it is. | 0:20:59 | 0:21:02 | |
So I'm going to look further. | 0:21:02 | 0:21:05 | |
Yep. Another one. | 0:21:10 | 0:21:12 | |
Hello? | 0:21:15 | 0:21:17 | |
Remember we were talking about when somebody finds one | 0:21:17 | 0:21:21 | |
and then it just all starts? | 0:21:21 | 0:21:22 | |
This could've been a battle site, | 0:21:22 | 0:21:24 | |
or they could've been sighting in their muskets. | 0:21:24 | 0:21:26 | |
-Yeah. Somebody's clearly either firing at this hill... -Yeah. | 0:21:26 | 0:21:30 | |
That's made my day. | 0:21:30 | 0:21:32 | |
I'm not sure if it's made mine, but we found what we came to look for. | 0:21:35 | 0:21:39 | |
HIGH-PITCHED WHIR | 0:21:39 | 0:21:41 | |
Paul? | 0:21:41 | 0:21:42 | |
Have you got another one? | 0:21:42 | 0:21:44 | |
-Pfft! -Similar to the other one I found. | 0:21:46 | 0:21:49 | |
Once you get one, you get a hotspot and there's a few. | 0:21:49 | 0:21:51 | |
There could've been a hedgerow along here where the troops cover | 0:21:51 | 0:21:54 | |
if they were firing, or being fired at. They're all in one line. | 0:21:54 | 0:21:57 | |
So we'll keep our fingers crossed that | 0:21:57 | 0:21:59 | |
it's the time of the battle, 1590s. | 0:21:59 | 0:22:02 | |
I think that's about 15. | 0:22:04 | 0:22:05 | |
Faced with this growing evidence, | 0:22:05 | 0:22:07 | |
Paul is trying to understand the dynamics of the battle. | 0:22:07 | 0:22:11 | |
If you can imagine you have a firing line of men | 0:22:11 | 0:22:14 | |
and they're standing here and firing out this direction, | 0:22:14 | 0:22:18 | |
what you should get is the odd dropped shot here | 0:22:18 | 0:22:21 | |
that the men have dropped during combat that have never been fired. | 0:22:21 | 0:22:25 | |
And then you would hopefully get the enemy's rounds coming in | 0:22:25 | 0:22:28 | |
and hitting where these men are standing. | 0:22:28 | 0:22:31 | |
And that's what you might have there. | 0:22:31 | 0:22:32 | |
So if we were over where I want the battle to be, | 0:22:32 | 0:22:35 | |
I would be absolutely ecstatic. | 0:22:35 | 0:22:38 | |
But...it's starting to look like the battle may be here. | 0:22:38 | 0:22:44 | |
The English would ultimately win the war, | 0:22:44 | 0:22:48 | |
changing the course of Irish history. | 0:22:48 | 0:22:50 | |
And the musket balls the team are unearthing here | 0:22:50 | 0:22:53 | |
suggest that they have indeed found the site of this battle. | 0:22:53 | 0:22:57 | |
The local story is that the battle is out here to my right, | 0:22:57 | 0:23:00 | |
but it actually looks like what might be happening | 0:23:00 | 0:23:03 | |
is that the Irish troops are in a line along here | 0:23:03 | 0:23:05 | |
and they're firing up behind me to the English troops, | 0:23:05 | 0:23:09 | |
who are moving along this ridgeline, trying to get into Enniskillen. | 0:23:09 | 0:23:12 | |
It's a very rare day, in my experience, | 0:23:14 | 0:23:16 | |
that we would actually find this much. | 0:23:16 | 0:23:18 | |
It's so rare that I'm not really believing it | 0:23:18 | 0:23:20 | |
because it's not meant to happen. | 0:23:20 | 0:23:22 | |
This is so good, what's happened today, | 0:23:22 | 0:23:24 | |
I can't quite believe it's happened. | 0:23:24 | 0:23:27 | |
To give everybody an idea of how rare this is, | 0:23:27 | 0:23:31 | |
the last battlefield we looked at and we found, it took us | 0:23:31 | 0:23:35 | |
two years to find as much as we've found here in one day. | 0:23:35 | 0:23:39 | |
So...it's absolutely amazing. | 0:23:39 | 0:23:42 | |
-HIGH-PITCHED WHIR -Another one! | 0:23:42 | 0:23:44 | |
That lost battle, with its precise location | 0:23:53 | 0:23:56 | |
preserved in local knowledge, | 0:23:56 | 0:23:58 | |
was a small part of a long war that reshaped Ireland. | 0:23:58 | 0:24:02 | |
Now, we travel 200 miles away and three millennia back in time | 0:24:02 | 0:24:07 | |
to Ireland's Bronze Age, | 0:24:07 | 0:24:09 | |
and evidence of another group of incomers. | 0:24:09 | 0:24:13 | |
In County Wexford, a team of archaeologists | 0:24:13 | 0:24:15 | |
have been working on a site that's far, far older. | 0:24:15 | 0:24:19 | |
While carrying out test excavations ahead of a new roadway, | 0:24:19 | 0:24:23 | |
they discovered a 3,000-year-old cemetery | 0:24:23 | 0:24:26 | |
dating to a time when Irish people | 0:24:26 | 0:24:29 | |
had just started to bury their cremated dead, | 0:24:29 | 0:24:32 | |
as incomers brought new customs with them. | 0:24:32 | 0:24:34 | |
We're looking at a Bronze Age flat cemetery | 0:24:40 | 0:24:43 | |
which contains a number of discreet burials, | 0:24:43 | 0:24:46 | |
each of which contains cremations | 0:24:46 | 0:24:50 | |
and some of which we've already observed contain pots. | 0:24:50 | 0:24:53 | |
All of which seem to be inverted. | 0:24:53 | 0:24:55 | |
So they're turned upside down inside the pit. | 0:24:55 | 0:24:58 | |
This type of burial began around 2000 BC | 0:24:59 | 0:25:02 | |
and continued for 1,500 years into the Iron Age. | 0:25:02 | 0:25:07 | |
It was a new way of burying the dead. | 0:25:07 | 0:25:10 | |
Previous traditions might have included sky burials, | 0:25:10 | 0:25:12 | |
where the dead were left to the open elements | 0:25:12 | 0:25:15 | |
and lost to history. | 0:25:15 | 0:25:17 | |
But in the Bronze Age, this all changed. | 0:25:17 | 0:25:20 | |
Cremation's very important, because the burial itself can be postponed. | 0:25:20 | 0:25:25 | |
And that allows time for news of the death to get around, | 0:25:25 | 0:25:29 | |
for relatives perhaps not living close by to gather together. | 0:25:29 | 0:25:33 | |
The urns are in impeccable condition, | 0:25:33 | 0:25:37 | |
and the process of excavation is painstaking. | 0:25:37 | 0:25:40 | |
So this is our urn, and this is the cut of our pit here. | 0:25:42 | 0:25:46 | |
We're going to lift out the urn next, | 0:25:46 | 0:25:48 | |
and then we're going to explore what's going on at this side. | 0:25:48 | 0:25:51 | |
We would have thousands of examples of these kind of graves. | 0:25:51 | 0:25:55 | |
Most of what we have are from very old excavations | 0:25:55 | 0:25:58 | |
which weren't scientifically conducted. | 0:25:58 | 0:26:00 | |
It's the scientific side that's rare, | 0:26:00 | 0:26:03 | |
because these burials don't turn up that often in the modern world. | 0:26:03 | 0:26:06 | |
This cemetery gives us a window into burial practices | 0:26:06 | 0:26:10 | |
from 3,000 years ago. | 0:26:10 | 0:26:13 | |
The conservation may take several years. | 0:26:13 | 0:26:16 | |
We're coming literally face to face with our ancestors. | 0:26:16 | 0:26:19 | |
It's about the human interaction between ourselves | 0:26:19 | 0:26:23 | |
and people who are our ancestors. | 0:26:23 | 0:26:26 | |
And from whom we can learn a great deal | 0:26:26 | 0:26:27 | |
about the way that humans interact with the world. | 0:26:27 | 0:26:30 | |
These burials are part of a massive cultural shift. | 0:26:31 | 0:26:35 | |
Archaeologists believe this was partly due to new people | 0:26:35 | 0:26:38 | |
coming to the island, as trade routes opened up. | 0:26:38 | 0:26:42 | |
So who were these new people, | 0:26:42 | 0:26:44 | |
and what other customs and goods did they bring with them? | 0:26:44 | 0:26:48 | |
Archaeology can help us piece together a vanished world | 0:26:48 | 0:26:52 | |
when Ireland was Europe's golden capital. | 0:26:52 | 0:26:56 | |
Ireland was known at that time, I suppose, | 0:26:56 | 0:27:00 | |
as the El Dorado of western Europe | 0:27:00 | 0:27:02 | |
simply because of the quality and quantity of the goldwork. | 0:27:02 | 0:27:06 | |
Now I have to say my eye has been drawn all the time | 0:27:07 | 0:27:10 | |
by this beautiful object here, | 0:27:10 | 0:27:11 | |
and you've very kindly said that I can pick it up. | 0:27:11 | 0:27:14 | |
This is one of the most spectacular single items | 0:27:14 | 0:27:16 | |
of prehistoric gold jewellery ever discovered in Ireland. | 0:27:16 | 0:27:20 | |
It dates from around 1300 to 1100 BC. | 0:27:20 | 0:27:23 | |
Is it very delicate? | 0:27:23 | 0:27:24 | |
You can tell me whether you think it's delicate or not. | 0:27:24 | 0:27:27 | |
No, it's not at all, is it? | 0:27:29 | 0:27:31 | |
It's so solid! | 0:27:31 | 0:27:32 | |
-And heavy. -It was found in 2009 | 0:27:32 | 0:27:36 | |
in a town called Corrard. | 0:27:36 | 0:27:38 | |
It would originally have formed a circular hoop, | 0:27:38 | 0:27:41 | |
and the ends acted like a clasp on a necklace, | 0:27:41 | 0:27:44 | |
or a belt with a buckle, allowing it to be opened and closed. | 0:27:44 | 0:27:48 | |
And is it local gold? Are they finding this gold locally? | 0:27:48 | 0:27:51 | |
That's sort of the 64 million question. | 0:27:51 | 0:27:54 | |
We do know that there are a number of sources of Irish gold today. | 0:27:54 | 0:27:58 | |
My dentist told me that he had panned enough gold in the Sperrins | 0:27:58 | 0:28:01 | |
to fill a tooth. | 0:28:01 | 0:28:02 | |
So where the source of the gold is, we're not sure, | 0:28:02 | 0:28:05 | |
but it was almost certainly alluvial gold - | 0:28:05 | 0:28:07 | |
that means gold that was our classic vision of people panning in rivers. | 0:28:07 | 0:28:11 | |
And in terms of who would have worn this, | 0:28:11 | 0:28:13 | |
I'm imagining it would have been somebody of extremely high status - | 0:28:13 | 0:28:16 | |
perhaps even a Bronze Age king or queen? | 0:28:16 | 0:28:18 | |
We don't know. Again, one of the unusual things | 0:28:18 | 0:28:21 | |
is that no torc has been found with skeleton remains. | 0:28:21 | 0:28:24 | |
But it must have belonged to somebody, you know, | 0:28:24 | 0:28:27 | |
of really high status. Another unusual thing about this metalwork | 0:28:27 | 0:28:31 | |
is that it's often found in boggy locations. | 0:28:31 | 0:28:35 | |
These include rivers, lakes and bogs. | 0:28:35 | 0:28:37 | |
So they must have been regarded as some form of sacred landscape. | 0:28:37 | 0:28:41 | |
Finds like the Corrard torc suggest that for the ancient people, | 0:28:41 | 0:28:45 | |
peat bogs were sacred places | 0:28:45 | 0:28:48 | |
between earth and water, | 0:28:48 | 0:28:50 | |
where ritual offerings to the gods could be made. | 0:28:50 | 0:28:53 | |
But unique discoveries of human remains | 0:28:53 | 0:28:56 | |
are evidence that these divine gifts were sometimes quite macabre. | 0:28:56 | 0:29:02 | |
As a physical anthropologist, | 0:29:02 | 0:29:04 | |
I am absolutely fascinated by our next story. | 0:29:04 | 0:29:08 | |
You can't really come to Ireland and look at archaeology | 0:29:08 | 0:29:12 | |
without looking at bog bodies. | 0:29:12 | 0:29:14 | |
And there are some extraordinary new theories emerging here - | 0:29:14 | 0:29:18 | |
theories about ancient ritual, | 0:29:18 | 0:29:21 | |
prehistoric kingship, | 0:29:21 | 0:29:23 | |
and human sacrifice. | 0:29:23 | 0:29:25 | |
In the conservation rooms of the National Museum of Ireland, | 0:29:32 | 0:29:36 | |
numerous bog bodies are in storage - literally frozen in time. | 0:29:36 | 0:29:40 | |
Ned Kelly has been tracking these bodies | 0:29:51 | 0:29:53 | |
as they come out of the ground for years. | 0:29:53 | 0:29:56 | |
This body was reported in December of 2012. | 0:29:58 | 0:30:02 | |
It was found when | 0:30:02 | 0:30:06 | |
a pile of peat was moved. | 0:30:06 | 0:30:09 | |
We now realise that | 0:30:09 | 0:30:10 | |
the body had actually been | 0:30:10 | 0:30:12 | |
extracted from the bog | 0:30:12 | 0:30:14 | |
perhaps as much as two years previously, | 0:30:14 | 0:30:16 | |
so it was lying on this pile of peat, drying out, | 0:30:16 | 0:30:20 | |
which is why it has desiccated | 0:30:20 | 0:30:23 | |
and shrivelled up. | 0:30:23 | 0:30:24 | |
Peat has been dug out of Ireland's bogs to heat homes for centuries. | 0:30:24 | 0:30:29 | |
But modern industrial extraction | 0:30:31 | 0:30:33 | |
is tearing an extraordinary harvest from the wetlands. | 0:30:33 | 0:30:37 | |
In the past decade, | 0:30:38 | 0:30:40 | |
eight bog bodies have been found dotted across the island | 0:30:40 | 0:30:44 | |
wherever peat is mined. | 0:30:44 | 0:30:46 | |
When examined by the state pathologist, | 0:30:48 | 0:30:50 | |
many of them have proved to have been horrifically murdered. | 0:30:50 | 0:30:54 | |
It's a ritual that stretches back | 0:30:54 | 0:30:56 | |
deep into Ireland's prehistory. | 0:30:56 | 0:30:59 | |
This bog body dates to around 900 BC, | 0:31:00 | 0:31:04 | |
which is during the later Bronze Age. | 0:31:04 | 0:31:06 | |
So here's the left... | 0:31:08 | 0:31:10 | |
the left arm and hand. | 0:31:10 | 0:31:12 | |
The right arm here - | 0:31:12 | 0:31:15 | |
the end of it has been cut away by a milling machine. | 0:31:15 | 0:31:19 | |
And the head also is missing. | 0:31:20 | 0:31:22 | |
Again, we're fairly sure | 0:31:23 | 0:31:25 | |
that that's a result of action by the milling machine | 0:31:25 | 0:31:29 | |
rather than an ancient decapitation, | 0:31:29 | 0:31:32 | |
because all the neck vertebrae are in place there. | 0:31:32 | 0:31:35 | |
Based on previous findings, it almost certainly is a male. | 0:31:35 | 0:31:37 | |
It appears to be a young adult male. | 0:31:37 | 0:31:39 | |
Gabriel, that was incredible. | 0:31:44 | 0:31:45 | |
And to see the individual fingers of a body like that - | 0:31:45 | 0:31:48 | |
the preservation is amazing. | 0:31:48 | 0:31:50 | |
Yeah. I suppose I was very struck by that. | 0:31:50 | 0:31:53 | |
And this sense that we have as archaeologists, | 0:31:53 | 0:31:55 | |
that we have this extraordinary opportunity, | 0:31:55 | 0:31:58 | |
but also responsibility when we see these people from the past. | 0:31:58 | 0:32:01 | |
It's so unusual to have a body so well preserved as well, | 0:32:01 | 0:32:04 | |
you've actually got soft tissue. | 0:32:04 | 0:32:06 | |
It's very odd, isn't it, what the bog does to a body, | 0:32:06 | 0:32:09 | |
in that the bones become very pliable. | 0:32:09 | 0:32:12 | |
The acid environment means that the bones become quite bendy, | 0:32:12 | 0:32:15 | |
but all the soft tissues are tanned, they're preserved. | 0:32:15 | 0:32:19 | |
Yeah. And then, of course, it's from that detail | 0:32:19 | 0:32:21 | |
that we can say so much about these people, | 0:32:21 | 0:32:24 | |
the fact, for example, that they seem to be treated | 0:32:24 | 0:32:26 | |
in a way that we would find extraordinary, | 0:32:26 | 0:32:28 | |
in terms of the kind of acts of violence | 0:32:28 | 0:32:30 | |
that, in some cases, are meted out to them. | 0:32:30 | 0:32:33 | |
So, what kinds of violence are we seeing on these bodies? | 0:32:33 | 0:32:36 | |
Well, these are photographs, National Museum photographs, | 0:32:36 | 0:32:38 | |
of another of the bog bodies from Old Croghan. | 0:32:38 | 0:32:41 | |
He seems to have been decapitated, disembowelled. | 0:32:44 | 0:32:46 | |
His nipples were cut off. | 0:32:47 | 0:32:49 | |
That sounds like torture, really, isn't it? | 0:32:53 | 0:32:56 | |
So there really is extraordinary violence | 0:32:57 | 0:33:00 | |
associated with these people's death. | 0:33:00 | 0:33:03 | |
I mean, they've been killed in a very violent, traumatic way. | 0:33:03 | 0:33:06 | |
Yeah. I think it would be valid to use the term "overkill" for this. | 0:33:06 | 0:33:10 | |
This is way over and above what was needed to kill these people. | 0:33:10 | 0:33:14 | |
Do you think that in itself is evidence of ritual, then? | 0:33:14 | 0:33:17 | |
Yes. And it poses very interesting questions about who saw this, | 0:33:17 | 0:33:20 | |
and whether this was a kind of public ceremony. | 0:33:20 | 0:33:23 | |
What about the bodies themselves, though? Are there any other clues | 0:33:23 | 0:33:26 | |
about the nature of their last days, perhaps? | 0:33:26 | 0:33:29 | |
Well, there are the fantastic investigations | 0:33:29 | 0:33:34 | |
that have been done by the museum, | 0:33:34 | 0:33:35 | |
looking at the contents of the stomachs, for example, | 0:33:35 | 0:33:38 | |
that these people had, | 0:33:38 | 0:33:40 | |
and telling us something about clues about the last meals that they had. | 0:33:40 | 0:33:43 | |
This is an X-ray of the Moydrum bog body | 0:33:46 | 0:33:51 | |
and, in fact, you can get a good sense of the body from the X-ray. | 0:33:51 | 0:33:56 | |
Again, the right arm, | 0:33:56 | 0:33:59 | |
the left arm, and so on. | 0:33:59 | 0:34:01 | |
We were rather puzzled by these small, spherical objects. | 0:34:06 | 0:34:11 | |
There's a mass of them there. | 0:34:11 | 0:34:13 | |
So we got the state pathologist to have a look and to investigate, | 0:34:15 | 0:34:18 | |
and we found that these small, spherical objects are sloes, | 0:34:18 | 0:34:23 | |
they're the stone at the centre of a sloe. | 0:34:23 | 0:34:27 | |
The sloe is the fruit of the blackthorn. | 0:34:27 | 0:34:30 | |
The sloe ripens at the end of October, or early November, | 0:34:31 | 0:34:35 | |
and this is precisely the period of the festival of Samhain, | 0:34:35 | 0:34:39 | |
which is modern Halloween. | 0:34:39 | 0:34:41 | |
And Samhain is the period when, | 0:34:42 | 0:34:44 | |
according to all the early Irish mythological stories, | 0:34:44 | 0:34:47 | |
kings were ritually sacrificed. | 0:34:47 | 0:34:50 | |
One of these stories describes how the king was | 0:34:54 | 0:34:57 | |
"burned on the night of Samhain after being drowned in wine". | 0:34:57 | 0:35:00 | |
But, for Ned, the final clue to unlocking the story of this body | 0:35:02 | 0:35:06 | |
is where it was found | 0:35:06 | 0:35:08 | |
on the border of two ancient counties. | 0:35:08 | 0:35:12 | |
He's plotted other discoveries | 0:35:13 | 0:35:15 | |
and found that they also lie on ancient boundaries. | 0:35:15 | 0:35:18 | |
This, and what Ned believes is a ceremonial last meal in the stomach, | 0:35:19 | 0:35:24 | |
leads him to conclude | 0:35:24 | 0:35:25 | |
that the Moydrum bog body is a sacrificed king. | 0:35:25 | 0:35:29 | |
The presence of what I think can only be interpreted | 0:35:32 | 0:35:37 | |
as a ritual meal, within this man, | 0:35:37 | 0:35:40 | |
and the sort of mythological connections we can make | 0:35:40 | 0:35:44 | |
with the contents of that meal, | 0:35:44 | 0:35:47 | |
I think it makes it absolutely clear | 0:35:47 | 0:35:49 | |
that he is an ancient king who has been sacrificed | 0:35:49 | 0:35:53 | |
because his kingship has failed, | 0:35:53 | 0:35:56 | |
and the people needed to replace him with a new king. | 0:35:56 | 0:35:59 | |
I think these are part of a social elite. | 0:36:02 | 0:36:05 | |
We know how other elite people are buried, | 0:36:05 | 0:36:08 | |
and how much of a contrast it is | 0:36:08 | 0:36:09 | |
with this placement of bodies in bogs. | 0:36:09 | 0:36:12 | |
Most other people that we know of were cremated. | 0:36:12 | 0:36:15 | |
So their bones or their bodies were placed on pyres, burnt, | 0:36:15 | 0:36:19 | |
and then the bones collected and placed in cemeteries. | 0:36:19 | 0:36:23 | |
Is there any other evidence of ritual | 0:36:23 | 0:36:26 | |
associated with these bodies, then? | 0:36:26 | 0:36:28 | |
Well, I think where they're placed is important. | 0:36:28 | 0:36:30 | |
If we think about, in many societies, many religions, | 0:36:30 | 0:36:34 | |
the notion of there being portals to the other world, | 0:36:34 | 0:36:36 | |
and they're very often associated with sources of water. | 0:36:36 | 0:36:40 | |
And here we have bogs, | 0:36:40 | 0:36:42 | |
they're actually open pools where these people are placed. | 0:36:42 | 0:36:44 | |
And I think, in that sense, these are... | 0:36:44 | 0:36:46 | |
They're being put into the other world. | 0:36:46 | 0:36:48 | |
And either to make their journey, if you like, secure - | 0:36:48 | 0:36:51 | |
their bodies going into the other world - | 0:36:51 | 0:36:53 | |
or perhaps deliberately to kind of hold them in limbo | 0:36:53 | 0:36:56 | |
so that they won't come back and transgress further | 0:36:56 | 0:36:59 | |
in living society. | 0:36:59 | 0:37:01 | |
I really love this about prehistory, though, | 0:37:01 | 0:37:03 | |
the fact that there are all these questions. | 0:37:03 | 0:37:05 | |
I think we'll probably never get all the answers, | 0:37:05 | 0:37:08 | |
but we can use the latest scientific techniques | 0:37:08 | 0:37:11 | |
to really understand what was happening to these people | 0:37:11 | 0:37:13 | |
in the days before they died and the point of death. | 0:37:13 | 0:37:17 | |
But there will still be | 0:37:17 | 0:37:18 | |
some element of mystery about it. | 0:37:18 | 0:37:21 | |
Only archaeology can shed light on these rituals | 0:37:25 | 0:37:28 | |
and hint at the beliefs and customs | 0:37:28 | 0:37:31 | |
of the ancient inhabitants of this island | 0:37:31 | 0:37:34 | |
from millennia before written records began. | 0:37:34 | 0:37:36 | |
It's clear that ceremony and ritual | 0:37:38 | 0:37:41 | |
were incredibly important | 0:37:41 | 0:37:42 | |
to the lives prehistoric people in Ireland. | 0:37:42 | 0:37:45 | |
And this year has seen the first-ever dig | 0:37:45 | 0:37:48 | |
at a very important site | 0:37:48 | 0:37:50 | |
that's strongly associated with the Celtic festival of Samhain, | 0:37:50 | 0:37:55 | |
otherwise known as Halloween. | 0:37:55 | 0:37:57 | |
At the Hill of Ward in County Meath, | 0:38:00 | 0:38:03 | |
archaeologists are digging an important ritual site | 0:38:03 | 0:38:06 | |
known in Irish as Tlachtga. | 0:38:06 | 0:38:08 | |
The team are keeping a dig diary. | 0:38:08 | 0:38:11 | |
I've been interested in this site for as long as I can remember. | 0:38:11 | 0:38:14 | |
Wrote a book about it in 1999. | 0:38:14 | 0:38:17 | |
I'm interested in the mythology of the site, | 0:38:17 | 0:38:19 | |
hoping that we will be able to find | 0:38:19 | 0:38:23 | |
something that might confirm | 0:38:23 | 0:38:25 | |
the different strands of mythology here. | 0:38:25 | 0:38:28 | |
Samhain is one of the four major Celtic festivals, | 0:38:28 | 0:38:32 | |
and its association with this site | 0:38:32 | 0:38:34 | |
makes the dig extremely important. | 0:38:34 | 0:38:36 | |
The team are hoping that discoveries here | 0:38:36 | 0:38:39 | |
could shed light on ancient rituals. | 0:38:39 | 0:38:41 | |
Folklore suggests that this hill fort takes its name from Tlachtga, | 0:38:43 | 0:38:47 | |
a druid's daughter who died here giving birth to triplets. | 0:38:47 | 0:38:51 | |
With its connections to Samhain, | 0:38:51 | 0:38:53 | |
the dig generates a wealth of public attention, | 0:38:53 | 0:38:56 | |
with the locals checking up on progress. | 0:38:56 | 0:38:58 | |
So, we're now eight days in to the excavation here, | 0:38:59 | 0:39:02 | |
we've got three main trenches that are open, | 0:39:02 | 0:39:06 | |
which we're imaginatively calling Trench One, Two and Three. | 0:39:06 | 0:39:09 | |
Geophysical surveys of the site | 0:39:09 | 0:39:11 | |
show earth features stretching over one square kilometre, | 0:39:11 | 0:39:15 | |
with circular ditches over 100 metres in circumference. | 0:39:15 | 0:39:19 | |
The team has situated their trenches | 0:39:21 | 0:39:23 | |
in three distinct areas on this massive site. | 0:39:23 | 0:39:27 | |
Now over halfway through the dig, | 0:39:30 | 0:39:33 | |
the team is finding potential evidence of ritual ceremony. | 0:39:33 | 0:39:36 | |
As you can see behind us, | 0:39:37 | 0:39:39 | |
we've got the remains of quite a big ditch. | 0:39:39 | 0:39:42 | |
It's a rock-cut ditch, | 0:39:42 | 0:39:44 | |
so on either side you can see the bedrock coming up. | 0:39:44 | 0:39:47 | |
We're doing it very carefully now, | 0:39:47 | 0:39:49 | |
because we're finding lots of animal bone | 0:39:49 | 0:39:51 | |
and we also found a large piece of antler. | 0:39:51 | 0:39:55 | |
The archaeologists believe that these clues are important. | 0:39:56 | 0:39:59 | |
The animal bones could be evidence of ancient ritual feasting, | 0:39:59 | 0:40:03 | |
possibly a direct connection to the festival of Samhain. | 0:40:03 | 0:40:07 | |
In the last days of the dig, | 0:40:09 | 0:40:12 | |
the team makes an unexpected discovery. | 0:40:12 | 0:40:15 | |
At the bottom of trench number three, | 0:40:15 | 0:40:17 | |
they find more bones. | 0:40:17 | 0:40:20 | |
But this time, these aren't animal bones, | 0:40:20 | 0:40:23 | |
this is the skeleton of an infant. | 0:40:23 | 0:40:26 | |
It's a big responsibility to have to excavate a human burial, | 0:40:27 | 0:40:32 | |
but especially an infant burial on a site like this. | 0:40:32 | 0:40:35 | |
As archaeologists, it's important to find discoveries like this | 0:40:35 | 0:40:38 | |
because it tells us a bit more | 0:40:38 | 0:40:40 | |
about what would have been a hugely important and significant moment | 0:40:40 | 0:40:43 | |
in the lives of the people, the parents, | 0:40:43 | 0:40:45 | |
the wider family and community. | 0:40:45 | 0:40:47 | |
In response to the find, | 0:40:49 | 0:40:50 | |
the team decides to take a quiet moment | 0:40:50 | 0:40:53 | |
to pay their respects to this ancient child. | 0:40:53 | 0:40:56 | |
It was nice to have a group of people around, | 0:40:58 | 0:41:00 | |
sort of remembering this child as it was being lifted. | 0:41:00 | 0:41:04 | |
Just a few moments out of our day, | 0:41:04 | 0:41:07 | |
but it was a nice thing to do. | 0:41:07 | 0:41:09 | |
The human remains are taken to the University College Dublin | 0:41:11 | 0:41:14 | |
to osteoarchaeologist, Abigail Ash. | 0:41:14 | 0:41:17 | |
To anyone who's dealt with human remains, even vaguely, | 0:41:19 | 0:41:23 | |
you can see that this is a very small individual. | 0:41:23 | 0:41:26 | |
The posture was very juvenile. | 0:41:26 | 0:41:28 | |
If you've ever laid down a baby, | 0:41:28 | 0:41:31 | |
immediately, the legs bow | 0:41:31 | 0:41:33 | |
in a very characteristic way, like this. | 0:41:33 | 0:41:35 | |
And that is exactly | 0:41:35 | 0:41:37 | |
how it was in the ground, | 0:41:37 | 0:41:39 | |
so it's just as if | 0:41:39 | 0:41:40 | |
somebody had laid the baby down | 0:41:40 | 0:41:42 | |
and it was just perfectly preserved like that. | 0:41:42 | 0:41:44 | |
Abigail sets out to examine the remains, | 0:41:45 | 0:41:48 | |
and to work out how old the baby was when it died. | 0:41:48 | 0:41:51 | |
It's juvenile. Even though it's very, very young, | 0:41:53 | 0:41:56 | |
it does have some teeth forming. | 0:41:56 | 0:41:57 | |
The majority of these are actually still in the jaw | 0:41:57 | 0:42:00 | |
as they haven't erupted through the gums yet. | 0:42:00 | 0:42:04 | |
The estimate that I want to put on it | 0:42:04 | 0:42:06 | |
is quite conservative. | 0:42:06 | 0:42:08 | |
I want to say about three to five months of age. | 0:42:08 | 0:42:10 | |
Infant burials have been found at ritual sites before, | 0:42:13 | 0:42:16 | |
but they are extremely rare. | 0:42:16 | 0:42:18 | |
Dating the burial reveals that it is from the late Iron Age, | 0:42:19 | 0:42:24 | |
over 1,500 years ago. | 0:42:24 | 0:42:26 | |
Knowing the importance of this site | 0:42:29 | 0:42:30 | |
and how little has actually been excavated, | 0:42:30 | 0:42:33 | |
the broader significance of this find | 0:42:33 | 0:42:36 | |
will depend on further digging in the years ahead. | 0:42:36 | 0:42:38 | |
All I can say is that, at the end, | 0:42:47 | 0:42:49 | |
somebody took the time to bury it, | 0:42:49 | 0:42:51 | |
to put it somewhere maybe they thought it would be safe, | 0:42:51 | 0:42:54 | |
and to cover it up and to leave it there. | 0:42:54 | 0:42:58 | |
Sometimes, archaeology offers more questions than answers, | 0:43:02 | 0:43:06 | |
and nowhere is this truer than Iron Age Ireland. | 0:43:06 | 0:43:10 | |
It's the era of warrior chieftains, | 0:43:10 | 0:43:13 | |
heroes like Cu Chulainn, | 0:43:13 | 0:43:15 | |
and when Celtic art arrives here. | 0:43:15 | 0:43:18 | |
But what can archaeology really tell us | 0:43:18 | 0:43:20 | |
about the people of the Iron Age? | 0:43:20 | 0:43:22 | |
Were the Celts another wave of invaders? | 0:43:22 | 0:43:25 | |
The situation in Ireland | 0:43:27 | 0:43:28 | |
regarding the association between the Iron Age and the Celts | 0:43:28 | 0:43:31 | |
is a complex one, | 0:43:31 | 0:43:33 | |
and it's one that's much debated, even still today. | 0:43:33 | 0:43:36 | |
The debate essentially revolves around whether, | 0:43:36 | 0:43:38 | |
between 600 and 300 BC, | 0:43:38 | 0:43:40 | |
there was a major influx from the Continent | 0:43:40 | 0:43:43 | |
of Celtic-speaking people, bringing objects with them, | 0:43:43 | 0:43:46 | |
or whether we can account | 0:43:46 | 0:43:48 | |
for Iron Age objects of that date in Ireland | 0:43:48 | 0:43:51 | |
by some other means. | 0:43:51 | 0:43:52 | |
I think this looks to me like a classic example | 0:43:52 | 0:43:54 | |
of what we would call Celtic art. | 0:43:54 | 0:43:57 | |
So tell me about this disk. | 0:43:57 | 0:43:59 | |
It's made of bronze, | 0:43:59 | 0:44:00 | |
and some of the finest and prestigious objects of the Iron Age | 0:44:00 | 0:44:04 | |
weren't actually made of iron, but made of bronze. | 0:44:04 | 0:44:07 | |
And it exhibits elements of a Celtic art style | 0:44:07 | 0:44:11 | |
that's identifiable on the Continent, | 0:44:11 | 0:44:14 | |
known as La Tene art, | 0:44:14 | 0:44:15 | |
named after a site in Switzerland. | 0:44:15 | 0:44:17 | |
We have these beautiful curving lines linking together. | 0:44:17 | 0:44:21 | |
It's quite organic-looking, isn't it? | 0:44:21 | 0:44:23 | |
And if you contrast, I suppose, | 0:44:23 | 0:44:26 | |
a little bit with the decoration on this, | 0:44:26 | 0:44:28 | |
and these two objects, | 0:44:28 | 0:44:30 | |
the decoration is a bit more complex. | 0:44:30 | 0:44:33 | |
-And what are they? -They are part of a scabbard. | 0:44:33 | 0:44:35 | |
So if you imagine you're carrying around a sword, | 0:44:35 | 0:44:37 | |
you don't want to carry it around all day, | 0:44:37 | 0:44:39 | |
you would wear it inside a scabbard, | 0:44:39 | 0:44:41 | |
which would have been worn around the waist. | 0:44:41 | 0:44:43 | |
So the scabbard wouldn't have just been a dull, leather object, | 0:44:43 | 0:44:46 | |
it would have had these, which are... Are they made of bronze? | 0:44:46 | 0:44:49 | |
As I say, both of these objects were made of bronze, | 0:44:49 | 0:44:52 | |
and bronze was used for the more prestige items. | 0:44:52 | 0:44:54 | |
These just don't belong to anybody - | 0:44:54 | 0:44:56 | |
probably the average warrior would maybe have had his wooden scabbard, | 0:44:56 | 0:44:59 | |
but these were beautifully decorated plates. | 0:44:59 | 0:45:01 | |
But this brings us back again | 0:45:01 | 0:45:03 | |
to the debate as to how do we account for them. | 0:45:03 | 0:45:06 | |
Because the rest of the archaeological record in Ireland | 0:45:06 | 0:45:08 | |
doesn't suggest that there was a major invasion | 0:45:08 | 0:45:12 | |
of Celtic-speaking people. | 0:45:12 | 0:45:14 | |
So perhaps these could be accounted for | 0:45:14 | 0:45:16 | |
by an incursion of a warrior elite. | 0:45:16 | 0:45:18 | |
Some people think they're the products | 0:45:18 | 0:45:20 | |
of itinerant or travelling smiths, or even trade. | 0:45:20 | 0:45:23 | |
But it does... This does mark | 0:45:23 | 0:45:25 | |
the end of the great Bronze Age civilisations, | 0:45:25 | 0:45:28 | |
and the end of all the big hill forts | 0:45:28 | 0:45:30 | |
and the gradual decline of bronze as it is replaced by iron. | 0:45:30 | 0:45:34 | |
And it marks this change that comes across Europe | 0:45:34 | 0:45:37 | |
that most people associate with the Celts. | 0:45:37 | 0:45:40 | |
Ireland's coast and waterways | 0:45:41 | 0:45:43 | |
have always provided invading warriors with easy access, | 0:45:43 | 0:45:47 | |
and now one site is offering an amazing treasure trove of boats | 0:45:47 | 0:45:52 | |
spanning from the Bronze Age through to the Viking era. | 0:45:52 | 0:45:56 | |
Next, we're going underwater, | 0:45:56 | 0:45:58 | |
with an incredible discovery | 0:45:58 | 0:45:59 | |
that started off as a blip on a sonar scan | 0:45:59 | 0:46:02 | |
of the bottom of Lough Corrib in County Galway. | 0:46:02 | 0:46:05 | |
And joining us is marine archaeologist, Karl Brady. | 0:46:05 | 0:46:08 | |
Now, Karl, you've brought in some amazing footage to show us | 0:46:08 | 0:46:12 | |
of this discovery. | 0:46:12 | 0:46:13 | |
Yeah, well, this first discovery we made over three years ago, | 0:46:13 | 0:46:16 | |
and from there, we've made a whole load of new discoveries, | 0:46:16 | 0:46:18 | |
so I'll show you some footage now. | 0:46:18 | 0:46:20 | |
Could you see what you were doing? | 0:46:29 | 0:46:30 | |
Yeah, we could see all right. | 0:46:30 | 0:46:32 | |
It tends to clear up quite quickly, | 0:46:32 | 0:46:34 | |
but that was actually the log boat there, | 0:46:34 | 0:46:36 | |
you can see it here just coming up now. | 0:46:36 | 0:46:38 | |
We're looking at the bow and we're just travelling along the log boat. | 0:46:40 | 0:46:43 | |
It was actually found by a local surveyor, Trevor Northage, | 0:46:45 | 0:46:48 | |
who's been mapping the lake for a number of years. | 0:46:48 | 0:46:51 | |
And one day he was out | 0:46:51 | 0:46:52 | |
and all of a sudden a blip came up on the sonar, | 0:46:52 | 0:46:55 | |
and it took the shape of a boat. | 0:46:55 | 0:46:57 | |
And perfectly preserved, as well. | 0:46:57 | 0:46:59 | |
Really well preserved, yes. | 0:46:59 | 0:47:01 | |
Preservation on it was excellent. | 0:47:01 | 0:47:03 | |
The muds and silts in it are really fine, in the lake, | 0:47:03 | 0:47:06 | |
and they tend to cover over the boat very quickly and preserve it, | 0:47:06 | 0:47:09 | |
almost like as if it was vacuum-packed. | 0:47:09 | 0:47:11 | |
So what do we know about this boat? Do you know what it was used for? | 0:47:13 | 0:47:16 | |
We know it dates to the early Bronze Age, | 0:47:16 | 0:47:18 | |
it was made about 4,500 years ago. | 0:47:18 | 0:47:22 | |
So it's probably one of the earliest Bronze Age boats | 0:47:22 | 0:47:25 | |
we have in Ireland. | 0:47:25 | 0:47:26 | |
There seems to be very little wear and tear on the boat, | 0:47:26 | 0:47:29 | |
so we think it was only used on special occasions. | 0:47:29 | 0:47:31 | |
I think this is the sort of thing you imagine | 0:47:31 | 0:47:33 | |
is going to be a once-in-a-lifetime find, and incredibly rare - | 0:47:33 | 0:47:36 | |
but it's not that rare. | 0:47:36 | 0:47:38 | |
No. Well, shortly afterwards, Trevor was out mapping the lake again | 0:47:38 | 0:47:41 | |
and came across another boat | 0:47:41 | 0:47:43 | |
near Lees Island in the middle of the lake. | 0:47:43 | 0:47:45 | |
What's that thing lying inside it there? | 0:47:56 | 0:47:59 | |
-Is it a sword or an oar? -No, that's a steering oar. | 0:47:59 | 0:48:01 | |
-So it's quite long, over two metres in length. -Wow! | 0:48:01 | 0:48:03 | |
And it's really well preserved. | 0:48:03 | 0:48:04 | |
And beside that there was also an iron spearhead, | 0:48:04 | 0:48:07 | |
so it was a really exciting find. | 0:48:07 | 0:48:09 | |
And are those seats going across, or something like that? | 0:48:09 | 0:48:11 | |
Yeah, that's a seat. And just below the seat there, | 0:48:11 | 0:48:14 | |
you can see the remains of an iron axe. | 0:48:14 | 0:48:16 | |
What's unusual about this axe | 0:48:16 | 0:48:18 | |
is that it was inserted purposely in the boat. | 0:48:18 | 0:48:20 | |
They carved out a little notch on the handle | 0:48:20 | 0:48:23 | |
so it fit snugly underneath the seat and the floor. | 0:48:23 | 0:48:26 | |
An iron axe. | 0:48:26 | 0:48:27 | |
So this is a little bit younger than the last boat, then? | 0:48:27 | 0:48:31 | |
Yeah, a little bit younger. | 0:48:31 | 0:48:32 | |
We just got back some radiocarbon dates | 0:48:32 | 0:48:35 | |
from Queen's University here in Belfast, | 0:48:35 | 0:48:37 | |
and we just found out last week | 0:48:37 | 0:48:39 | |
that it dates to between the 8th century BC and the 5th century BC. | 0:48:39 | 0:48:42 | |
And that date's actually on the boat itself, is it? | 0:48:42 | 0:48:45 | |
That's the date of the boat itself. | 0:48:45 | 0:48:46 | |
We probably will go and date the axe as well, just to confirm it, | 0:48:46 | 0:48:49 | |
but the boat is early Iron Age. | 0:48:49 | 0:48:52 | |
The next boat you found was even more recent. | 0:48:52 | 0:48:55 | |
Yeah, the next boat actually dates to around the 11th century, | 0:48:55 | 0:48:58 | |
a kind of turbulent time in Irish history | 0:48:58 | 0:49:01 | |
when the provincial rulers were vying with the Vikings | 0:49:01 | 0:49:03 | |
for political control over the island. | 0:49:03 | 0:49:06 | |
Our first impression was that this was quite a late boat, | 0:49:13 | 0:49:16 | |
maybe 18th, 19th-century. | 0:49:16 | 0:49:18 | |
But as we began to excavate, we came across some interesting artefacts | 0:49:18 | 0:49:22 | |
that obviously changed our minds very quickly | 0:49:22 | 0:49:25 | |
and kind of made us think | 0:49:25 | 0:49:26 | |
this probably dates around the 11th or 12th century. | 0:49:26 | 0:49:29 | |
So this is not actually a Viking boat, | 0:49:29 | 0:49:31 | |
it's a native boat from the Viking era? | 0:49:31 | 0:49:34 | |
That's right. It's an Irish boat built in Irish style, | 0:49:34 | 0:49:38 | |
but what was interesting with the boat | 0:49:38 | 0:49:40 | |
was that we found three Viking-style axes on board, three battle-axes. | 0:49:40 | 0:49:43 | |
So the Irish had adopted kind of the Viking weapons | 0:49:43 | 0:49:47 | |
because they were so effective. | 0:49:47 | 0:49:48 | |
We also found a work axe and two iron spears, | 0:49:49 | 0:49:52 | |
so we reckon that this was possibly a boat carrying a group of warriors | 0:49:52 | 0:49:57 | |
who were ferrying around maybe a local dignitary or chieftain | 0:49:57 | 0:50:01 | |
or one of the ruling elite. | 0:50:01 | 0:50:02 | |
Again, why do you think that boat ended up on the bottom of the lough? | 0:50:02 | 0:50:05 | |
Well, we think this boat actually sank as the result of an accident. | 0:50:05 | 0:50:09 | |
It was carrying a large stone, | 0:50:09 | 0:50:11 | |
maybe for use in a monastery or as a grave slab. | 0:50:11 | 0:50:14 | |
And we felt that maybe they were bringing the stone | 0:50:14 | 0:50:17 | |
to one of the monasteries on one of the islands on the lake | 0:50:17 | 0:50:20 | |
and, unfortunately, it developed a crack | 0:50:20 | 0:50:23 | |
and got swamped with water and sank. | 0:50:23 | 0:50:25 | |
The people who were on board, maybe it took them a while to get out, | 0:50:25 | 0:50:28 | |
and they had to leave their personal belongings behind | 0:50:28 | 0:50:30 | |
and kind of try and swim for shore. | 0:50:30 | 0:50:32 | |
We'll never know if the warriors manning this boat | 0:50:37 | 0:50:39 | |
ever made it to shore, | 0:50:39 | 0:50:41 | |
but the Viking raiders they fought | 0:50:41 | 0:50:44 | |
left their own traces, | 0:50:44 | 0:50:46 | |
including one of the museum's greatest treasures. | 0:50:46 | 0:50:50 | |
So, sitting in front of us here is an extraordinary group of artefacts | 0:50:50 | 0:50:54 | |
that can really tell us about the exploits and plunders | 0:50:54 | 0:50:57 | |
of those most notorious invaders - the Vikings. | 0:50:57 | 0:51:01 | |
So, Greer, these all came from the same site, did they? | 0:51:01 | 0:51:03 | |
Remarkably, these lay in the bed of the River Blackwater | 0:51:03 | 0:51:06 | |
for hundreds and hundreds of years until around the 1990s, | 0:51:06 | 0:51:09 | |
when they were dredged from the river bottom. | 0:51:09 | 0:51:12 | |
You think they all came from the same hoard, then? | 0:51:12 | 0:51:14 | |
They almost certainly came from the same hoard. | 0:51:14 | 0:51:16 | |
But one of the really challenges was | 0:51:16 | 0:51:17 | |
that some of the objects were chopped up into tiny bits. | 0:51:17 | 0:51:21 | |
So it's a bit like a jigsaw puzzle - what exactly is it we have here? | 0:51:21 | 0:51:24 | |
And there are a few classic telltale signs, | 0:51:24 | 0:51:27 | |
and one of the telltale signs of a Viking presence | 0:51:27 | 0:51:30 | |
came from this little gold ring. | 0:51:30 | 0:51:32 | |
You can see that it's tied with a tiny, tiny knot, | 0:51:32 | 0:51:34 | |
and this is a characteristic Viking gold ring, | 0:51:34 | 0:51:37 | |
so we are quite sure there was a Viking presence. | 0:51:37 | 0:51:40 | |
What we also had as well | 0:51:40 | 0:51:41 | |
was material coming from a local church site. | 0:51:41 | 0:51:44 | |
So we know that we had shrines, | 0:51:44 | 0:51:47 | |
we had covers for books, | 0:51:47 | 0:51:49 | |
we have remains of crosses, we have bells, | 0:51:49 | 0:51:52 | |
we have material comparable to some of the finest pieces | 0:51:52 | 0:51:55 | |
produced in the early Christian period, | 0:51:55 | 0:51:57 | |
the only problem being that they've been chopped into tiny bits. | 0:51:57 | 0:51:59 | |
So these are real pieces of Viking plunder? | 0:51:59 | 0:52:02 | |
These are real pieces of Viking plunder. | 0:52:02 | 0:52:04 | |
And I suppose the question maybe to ask then is, | 0:52:04 | 0:52:06 | |
where on earth were the Vikings getting this material from? | 0:52:06 | 0:52:10 | |
And the most likely answer is that it came from Armagh, | 0:52:10 | 0:52:14 | |
which is a city nearby. | 0:52:14 | 0:52:15 | |
We know that from around the 800s, | 0:52:15 | 0:52:18 | |
Armagh was the most important church site in the whole of Ireland. | 0:52:18 | 0:52:21 | |
And written accounts record the first Viking raids in Armagh | 0:52:21 | 0:52:24 | |
in the year 832, | 0:52:24 | 0:52:26 | |
and it was raided three times in one month. | 0:52:26 | 0:52:28 | |
So all this could have been dropped | 0:52:28 | 0:52:30 | |
on the way back from one of those raids? | 0:52:30 | 0:52:32 | |
Was somebody crossing the river when they fell in? | 0:52:32 | 0:52:34 | |
Was it buried in a big treasure chest by the edge of the river | 0:52:34 | 0:52:37 | |
and got washed in? | 0:52:37 | 0:52:38 | |
And the answer is that we don't know. | 0:52:38 | 0:52:41 | |
Our next story takes us to Cork, | 0:52:46 | 0:52:48 | |
to a Victorian prison where Irish convicts were worked to the bone, | 0:52:48 | 0:52:53 | |
carrying out manual labour. | 0:52:53 | 0:52:54 | |
It is a story of ruthless treatment | 0:52:54 | 0:52:57 | |
and a harsh existence, | 0:52:57 | 0:52:59 | |
but it also shows us how the inmates were able | 0:52:59 | 0:53:02 | |
to eke out a degree of respect towards each other - in death. | 0:53:02 | 0:53:07 | |
Spike Island is known as Ireland's Alcatraz. | 0:53:09 | 0:53:13 | |
Opened in 1847, | 0:53:16 | 0:53:18 | |
it once served as a holding centre | 0:53:18 | 0:53:21 | |
for prisoners being transferred to Australia or Bermuda. | 0:53:21 | 0:53:24 | |
This year, researchers from University College Cork | 0:53:25 | 0:53:29 | |
have been digging up the grounds of the former prison. | 0:53:29 | 0:53:31 | |
We know historically | 0:53:32 | 0:53:34 | |
that just under 1,200 convicts | 0:53:34 | 0:53:36 | |
who were held here at Spike Island | 0:53:36 | 0:53:39 | |
died between the years of 1847 and 1883. | 0:53:39 | 0:53:43 | |
Between 1850 and 1855, | 0:53:43 | 0:53:46 | |
Spike Island was the largest convict depot | 0:53:46 | 0:53:49 | |
in what was then the United Kingdom of Britain and Ireland. | 0:53:49 | 0:53:52 | |
And we have these catastrophically high death rates, | 0:53:52 | 0:53:55 | |
where they were losing one tenth of the prisoners in any one year. | 0:53:55 | 0:54:00 | |
These high numbers mean that Barra and his team have been very busy | 0:54:01 | 0:54:06 | |
excavating graves of nameless convicts | 0:54:06 | 0:54:09 | |
who died while imprisoned here. | 0:54:09 | 0:54:11 | |
This is how the graves initially appear. | 0:54:11 | 0:54:15 | |
So we mattock off the first, say, 25 centimetres of soil, | 0:54:15 | 0:54:19 | |
once we've removed the sod, | 0:54:19 | 0:54:21 | |
and then we begin to get these voids appearing, | 0:54:21 | 0:54:24 | |
where the soil just falls away | 0:54:24 | 0:54:26 | |
from the much denser surrounding subsoil. | 0:54:26 | 0:54:29 | |
And these graves are uniform size | 0:54:29 | 0:54:32 | |
and they're also roughly in line with one another. | 0:54:32 | 0:54:35 | |
Examining the skeletons, | 0:54:37 | 0:54:39 | |
Barra is already able to deduce important details | 0:54:39 | 0:54:43 | |
of what life was like for the people here. | 0:54:43 | 0:54:45 | |
And he's found that it was far from easy. | 0:54:46 | 0:54:49 | |
With this particular burial, | 0:54:50 | 0:54:52 | |
we can see, while it's still in the ground, | 0:54:52 | 0:54:55 | |
that it is the skeleton of a male. | 0:54:55 | 0:54:58 | |
We can see the beginnings of... | 0:54:58 | 0:55:01 | |
well, actually, fairly advanced degenerative changes | 0:55:01 | 0:55:04 | |
in his vertebrae, | 0:55:04 | 0:55:05 | |
which are a reflection of two things - age and lifestyle. | 0:55:05 | 0:55:09 | |
So it's probably an older individual, | 0:55:09 | 0:55:11 | |
and then one who has spent his life | 0:55:11 | 0:55:14 | |
engaging in physical labour. | 0:55:14 | 0:55:17 | |
The kind of labour that these guys were engaged in | 0:55:17 | 0:55:22 | |
was lifting and carrying heavy loads. | 0:55:22 | 0:55:25 | |
The convicts on Spike Island | 0:55:25 | 0:55:27 | |
were worked to exhaustion, | 0:55:27 | 0:55:30 | |
a common practice in Victorian prisons. | 0:55:30 | 0:55:32 | |
But as Irishmen, the inmates also experienced extra prejudice. | 0:55:32 | 0:55:37 | |
One of the interesting things that occurs | 0:55:39 | 0:55:41 | |
in the annual reports | 0:55:41 | 0:55:43 | |
is the unsuitability of the typical Irish convict | 0:55:43 | 0:55:46 | |
to learning trades and crafts and so on. | 0:55:46 | 0:55:50 | |
And there's this kind of racialised understanding | 0:55:50 | 0:55:52 | |
of the convict prisoners, | 0:55:52 | 0:55:54 | |
which is typical of the Victorian era. | 0:55:54 | 0:55:58 | |
The Irish are characterised | 0:55:58 | 0:56:00 | |
as being more suited to general labouring | 0:56:00 | 0:56:03 | |
rather than to learning particular trades and crafts. | 0:56:03 | 0:56:07 | |
For many of those men, | 0:56:07 | 0:56:08 | |
English would have been a second language, | 0:56:08 | 0:56:11 | |
and that might have made it more difficult for them | 0:56:11 | 0:56:13 | |
to be taught certain trades and crafts and so on. | 0:56:13 | 0:56:17 | |
During their lives, then, | 0:56:22 | 0:56:23 | |
these men would have been viewed as inferior. | 0:56:23 | 0:56:27 | |
But they were treated with respect in death, | 0:56:29 | 0:56:32 | |
as the archaeologists are discovering | 0:56:32 | 0:56:34 | |
as they carefully excavate the graves. | 0:56:34 | 0:56:37 | |
So here we can see | 0:56:43 | 0:56:44 | |
this really well-preserved coffin. | 0:56:44 | 0:56:47 | |
We've removed the human remains from this coffin | 0:56:47 | 0:56:51 | |
and, at the moment, we're just excavating out | 0:56:51 | 0:56:54 | |
where the floor of the coffin will be. | 0:56:54 | 0:56:57 | |
And in a few moments, we'll remove the coffin timbers. | 0:56:57 | 0:57:01 | |
These coffins would have been made by fellow inmates, | 0:57:01 | 0:57:04 | |
so obviously by somebody who had been trained as a carpenter. | 0:57:04 | 0:57:09 | |
The prisoners had been through hell during their often-short lives. | 0:57:11 | 0:57:15 | |
But in death, their fellow inmates gave them a proper burial. | 0:57:17 | 0:57:21 | |
Archaeology is a complex jigsaw puzzle, | 0:57:23 | 0:57:26 | |
drawing together everything from the skeletons of dead convicts | 0:57:26 | 0:57:30 | |
to Spanish gold off the north coast. | 0:57:30 | 0:57:33 | |
Amazing stories which are helping to rewrite our history. | 0:57:33 | 0:57:38 | |
Matt, it seems to have been a fantastic year | 0:57:40 | 0:57:42 | |
for archaeology in Ireland. | 0:57:42 | 0:57:44 | |
We've seen some amazing discoveries, | 0:57:44 | 0:57:46 | |
and there have been some real insights | 0:57:46 | 0:57:48 | |
and real revelations as well. | 0:57:48 | 0:57:49 | |
I think my favourites have been all the underwater ones. | 0:57:49 | 0:57:52 | |
The log boats from Lough Corrib - | 0:57:52 | 0:57:54 | |
they're absolutely amazing, amazing preservation. | 0:57:54 | 0:57:56 | |
And also the Armada wreck as well. | 0:57:56 | 0:57:58 | |
I mean, it's gold and it's treasure, but it's absolutely stunning. | 0:57:58 | 0:58:01 | |
Amazing to look at and see right in front of us, | 0:58:01 | 0:58:03 | |
and it fitted in absolutely perfectly with our historic knowledge as well. | 0:58:03 | 0:58:06 | |
-What about you? -Well, it might be a bit predictable, | 0:58:06 | 0:58:09 | |
but it has to be the bog bodies. | 0:58:09 | 0:58:10 | |
I mean, they're just extraordinary, the preservation of those bodies, | 0:58:10 | 0:58:14 | |
and what we're learning as well about those prehistoric rituals, | 0:58:14 | 0:58:17 | |
I think they're extraordinary finds. | 0:58:17 | 0:58:19 | |
Well, it has been a fantastic year, | 0:58:19 | 0:58:21 | |
and we hope that next year will be equally great. | 0:58:21 | 0:58:24 | |
We wish all our archaeologists good luck | 0:58:24 | 0:58:27 | |
as they continue digging for Ireland. | 0:58:27 | 0:58:29 |