
Browse content similar to Fighting for King and Empire: Britain's Caribbean Heroes. Check below for episodes and series from the same categories and more!
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My name is Sam Martinez. | 0:00:04 | 0:00:06 | |
I was born in Belize, formerly British Honduras | 0:00:08 | 0:00:15 | |
and my age is 104 year old and a half. | 0:00:15 | 0:00:20 | |
The Second World War sparked a mass migration | 0:00:22 | 0:00:25 | |
of black people to Britain. | 0:00:25 | 0:00:26 | |
My name is Victor Emanuel Brown. | 0:00:31 | 0:00:34 | |
People ask me, "Where do you come from?" | 0:00:34 | 0:00:37 | |
And the only thing I can think of is, | 0:00:37 | 0:00:40 | |
"My mother says I came from heaven." | 0:00:40 | 0:00:43 | |
Up to 10,000 men and women from the Caribbean colonies | 0:00:46 | 0:00:51 | |
volunteered to come to Britain and defend the Empire. | 0:00:51 | 0:00:54 | |
My mother said, "The mother country's at war - go, son, | 0:00:56 | 0:01:00 | |
"and if you live, it will be a good thing." | 0:01:00 | 0:01:03 | |
She was right. | 0:01:03 | 0:01:04 | |
The fear was if Hitler got what he wanted | 0:01:06 | 0:01:09 | |
that we'd be back in the square one which is slavery. | 0:01:09 | 0:01:13 | |
Fellas would come and stroke my head | 0:01:20 | 0:01:22 | |
before they got in to the aircraft to go on flights for luck. | 0:01:22 | 0:01:26 | |
This brave sacrifice confronted these men and women | 0:01:28 | 0:01:32 | |
from the Caribbean with a lifelong challenge... | 0:01:32 | 0:01:35 | |
..to be accepted as equal British subjects by the government... | 0:01:37 | 0:01:42 | |
It's like we've dropped out the sky, nobody knew anything about us. | 0:01:42 | 0:01:45 | |
They didn't know we exist. | 0:01:45 | 0:01:47 | |
..and the British people. | 0:01:47 | 0:01:50 | |
He also touch my neck to find out if I'm really black | 0:01:50 | 0:01:55 | |
and I thought that was most unusual. | 0:01:55 | 0:01:58 | |
They had a mind that anybody who was dark came from Africa. | 0:01:58 | 0:02:01 | |
The rumour went around that all these guys, | 0:02:01 | 0:02:05 | |
where they come from, they had tails originally. | 0:02:05 | 0:02:08 | |
In the post-war years, nearly half a million West Indians | 0:02:08 | 0:02:12 | |
discovered that making a home in Britain wasn't going to be easy. | 0:02:12 | 0:02:16 | |
When we came out they just, "Ooh." | 0:02:16 | 0:02:19 | |
"Oh, I've never seen this before." They just stared... | 0:02:19 | 0:02:23 | |
I said, "Don't worry about jobs! | 0:02:27 | 0:02:30 | |
"Worry about somewhere to live." | 0:02:30 | 0:02:32 | |
These pioneers from the Caribbean have transformed Britain. | 0:02:35 | 0:02:39 | |
It's good to be harmonious, live together peacefully | 0:02:43 | 0:02:48 | |
and you can't go wrong. | 0:02:48 | 0:02:50 | |
Come on, I've got the weight... | 0:03:04 | 0:03:06 | |
Every year on 11th November, | 0:03:07 | 0:03:10 | |
Britain remembers the men and women who lost their lives | 0:03:10 | 0:03:13 | |
fighting in two world wars. | 0:03:13 | 0:03:15 | |
At monuments across the country, | 0:03:17 | 0:03:19 | |
we pay our respects to the fallen heroes. | 0:03:19 | 0:03:22 | |
In November 2014 at the Black Cultural Archives in Brixton, | 0:03:24 | 0:03:29 | |
a unique memorial is about to be unveiled. | 0:03:29 | 0:03:32 | |
Today, we unveil | 0:03:35 | 0:03:38 | |
the first FULLY African and Caribbean war memorial. | 0:03:38 | 0:03:43 | |
Ladies and gentlemen, Sam King. | 0:03:43 | 0:03:47 | |
'My name is Sam King.' | 0:03:52 | 0:03:54 | |
I was born on 20th February 1926 | 0:03:54 | 0:03:57 | |
'in the former colony of Jamaica.' | 0:03:57 | 0:04:00 | |
Your Worshipful, the Mayor of London, distinguished guests, | 0:04:01 | 0:04:07 | |
ladies and gentlemen, thank you for inviting me here. | 0:04:07 | 0:04:12 | |
May God bless this memorial. | 0:04:12 | 0:04:16 | |
CHEERING AND APPLAUSE | 0:04:16 | 0:04:19 | |
In 1944, Sam King volunteered to join the Royal Air Force | 0:04:19 | 0:04:23 | |
and served as a ground crew engineer. | 0:04:23 | 0:04:26 | |
He now lives with his family in South London. | 0:04:26 | 0:04:29 | |
# Remember our heroes who left homes and wives | 0:04:29 | 0:04:36 | |
# Remember... # | 0:04:36 | 0:04:38 | |
The only national newspaper to report the memorial's unveiling | 0:04:38 | 0:04:41 | |
was The Voice, a black newspaper. | 0:04:41 | 0:04:44 | |
The design and construction | 0:04:44 | 0:04:46 | |
was organised by a black community group. | 0:04:46 | 0:04:49 | |
Awaiting a final resting place, the monument has now been taken down. | 0:04:49 | 0:04:54 | |
# Because of them, freedom survives. # | 0:04:54 | 0:04:59 | |
I don't think we are being recognised for our contribution | 0:04:59 | 0:05:02 | |
and many young people don't realise that West Indians | 0:05:02 | 0:05:05 | |
volunteered during the war, fought and died... | 0:05:05 | 0:05:10 | |
but we just carry on. | 0:05:10 | 0:05:12 | |
Throughout their lives, these men and women from the Caribbean | 0:05:15 | 0:05:18 | |
haven't wavered in their desire to serve Britain... | 0:05:18 | 0:05:22 | |
since the outbreak of the Second World War. | 0:05:22 | 0:05:26 | |
BRASS FANFARE | 0:05:26 | 0:05:28 | |
'The fateful hour of 11 has struck | 0:05:28 | 0:05:30 | |
'and, Britain's final warning to Hitler having been ignored, | 0:05:30 | 0:05:33 | |
'a state of war once more exists between Great Britain and Germany.' | 0:05:33 | 0:05:38 | |
SIREN SOUNDS | 0:05:38 | 0:05:40 | |
When Britain declared war on Germany, | 0:05:42 | 0:05:44 | |
black people found it extremely difficult to sign up | 0:05:44 | 0:05:47 | |
to defend the Empire. | 0:05:47 | 0:05:50 | |
A colour bar restricted men and women from joining the Armed Forces | 0:05:50 | 0:05:54 | |
unless they were of... | 0:05:54 | 0:05:57 | |
As the British government prepared the nation for war, | 0:05:59 | 0:06:02 | |
this colour bar remained in place. | 0:06:02 | 0:06:05 | |
When the war started, | 0:06:07 | 0:06:10 | |
I was in school and the headmaster | 0:06:10 | 0:06:13 | |
used to read the war headline to the school very loud and said, | 0:06:13 | 0:06:19 | |
"Britain is at war and we indirectly is at war..." | 0:06:19 | 0:06:21 | |
..and we were worried because the Germans had war machines | 0:06:23 | 0:06:29 | |
and Britain were not prepared for a war. | 0:06:29 | 0:06:32 | |
The Germans were killing people and we were well aware of that. | 0:06:34 | 0:06:37 | |
It was frightening. | 0:06:37 | 0:06:38 | |
In schools throughout Britain's Caribbean colonies, | 0:06:40 | 0:06:43 | |
West Indian children were raised | 0:06:43 | 0:06:45 | |
with a sense of loyalty to king and Empire. | 0:06:45 | 0:06:49 | |
At school, the British influence was superb | 0:06:49 | 0:06:56 | |
and everything was British. | 0:06:56 | 0:06:58 | |
The average schoolboy would know where London is, | 0:06:58 | 0:07:00 | |
they would know what happens in London, | 0:07:00 | 0:07:02 | |
they'll know where Liverpool is. | 0:07:02 | 0:07:04 | |
Birmingham, Manchester, Leeds, London | 0:07:04 | 0:07:06 | |
and all the different big cities, | 0:07:06 | 0:07:08 | |
they knew what each province supplied, where the jobs were. | 0:07:08 | 0:07:11 | |
We were British subjects | 0:07:13 | 0:07:15 | |
and that was something to be proud of. | 0:07:15 | 0:07:18 | |
They told you Britain was the mother country and we accept that - | 0:07:19 | 0:07:23 | |
we were a colony, we were at the bottom | 0:07:23 | 0:07:26 | |
and England is at the top, the mother. | 0:07:26 | 0:07:28 | |
My name is Allan Wilmot. | 0:07:31 | 0:07:33 | |
I was born in Kingston, Jamaica, on August 1925. | 0:07:33 | 0:07:38 | |
Every picture here tells a story of my life | 0:07:40 | 0:07:43 | |
and you can see that I have met some famous people - | 0:07:43 | 0:07:47 | |
I have met the Queen four times. | 0:07:47 | 0:07:48 | |
This is when we were invited to St James' Palace | 0:07:51 | 0:07:55 | |
by Prince Charles. | 0:07:55 | 0:07:57 | |
MARCHING MUSIC | 0:07:58 | 0:08:01 | |
Allan Wilmot's first brush with military life came at an early age. | 0:08:01 | 0:08:07 | |
I was five years of age when the HMS Hood came to Jamaica. | 0:08:07 | 0:08:10 | |
I can remember it was such a big battleship | 0:08:10 | 0:08:14 | |
that it couldn't enter Kingston Harbour. | 0:08:14 | 0:08:17 | |
Allan's father, Captain Charles Wilmot, | 0:08:18 | 0:08:21 | |
was one of the first black skippers on the interisland cargo boats. | 0:08:21 | 0:08:25 | |
As one of Jamaica's most famous seamen, | 0:08:25 | 0:08:28 | |
Charles was invited to take his family on board HMS Hood. | 0:08:28 | 0:08:33 | |
I had a sailor suit all made for the occasion. | 0:08:33 | 0:08:36 | |
I wanted an officer's uniform | 0:08:38 | 0:08:40 | |
and they ran out of costumes and I decided, | 0:08:40 | 0:08:43 | |
"Well, I will accept a rating uniform | 0:08:43 | 0:08:47 | |
"but I must have an officer's cap." | 0:08:47 | 0:08:49 | |
I was very, very proud of my father, you know, the adulation, | 0:08:53 | 0:08:57 | |
everybody, "Hello, Captain, hello, Captain," | 0:08:57 | 0:08:59 | |
and I said to myself, "Well, yes, that will be me." | 0:08:59 | 0:09:03 | |
Four years before Britain entered the war, all eyes turned to Africa. | 0:09:06 | 0:09:11 | |
In October 1935, Benito Mussolini, the leader of fascist Italy, | 0:09:11 | 0:09:16 | |
invaded Abyssinia, known today as Ethiopia. | 0:09:16 | 0:09:19 | |
It was one of only two nations in Africa | 0:09:23 | 0:09:26 | |
that wasn't ruled by one of Europe's imperial powers. | 0:09:26 | 0:09:30 | |
'Across the barren hills and fever-laden valleys | 0:09:33 | 0:09:35 | |
'of northern Abyssinia, the invader is sweeping forward, | 0:09:35 | 0:09:39 | |
'crushing the Abyssinian resistance | 0:09:39 | 0:09:40 | |
'under the steel tread of his mechanised army.' | 0:09:40 | 0:09:43 | |
The Abyssinian people stood little chance. | 0:09:49 | 0:09:52 | |
I remember my grandmother, I would be about 11 then, | 0:09:53 | 0:09:59 | |
cried when she learn that Ethiopia was invaded by the Italian. | 0:09:59 | 0:10:05 | |
We thought from African background that the Italians were wicked. | 0:10:05 | 0:10:10 | |
The racial battle lines of World War II were being drawn. | 0:10:11 | 0:10:16 | |
At the time nothing could be done about it, you could only sympathise. | 0:10:17 | 0:10:22 | |
You felt that Ethiopians were your brothers. | 0:10:22 | 0:10:25 | |
MARCHING MUSIC | 0:10:25 | 0:10:27 | |
Black people across the world were confronted by the threat of fascism. | 0:10:29 | 0:10:34 | |
They were also finding out about the German leader. | 0:10:35 | 0:10:40 | |
Well, when you talk about him, you're talking about the devil. | 0:10:40 | 0:10:43 | |
BRASS FANFARE | 0:10:43 | 0:10:45 | |
In the summer of 1936, | 0:10:45 | 0:10:48 | |
just months after Abyssinia fell to the Italians, | 0:10:48 | 0:10:51 | |
the Olympic Games were held in Berlin. | 0:10:51 | 0:10:54 | |
CROWD ROARS | 0:10:54 | 0:10:56 | |
The Olympic is for the honour and glory of sports - | 0:10:58 | 0:11:01 | |
that's the oath you take, | 0:11:01 | 0:11:04 | |
the honour and glory of sports but this, this did not happen. | 0:11:04 | 0:11:08 | |
# ..uber alles... # | 0:11:08 | 0:11:11 | |
Hitler assumed that they were master race | 0:11:11 | 0:11:14 | |
and they would win everything.... | 0:11:14 | 0:11:16 | |
CROWD ROARS | 0:11:18 | 0:11:20 | |
'Owens is ahead!' | 0:11:20 | 0:11:22 | |
..and then Jesse Owens just run through them | 0:11:22 | 0:11:25 | |
so they might be good... | 0:11:25 | 0:11:27 | |
'..and Owens wins in 10.3...' | 0:11:27 | 0:11:29 | |
..but they're not that good. | 0:11:29 | 0:11:32 | |
By the end of the Games, | 0:11:32 | 0:11:34 | |
the American athlete Jesse Owens had won four gold medals. | 0:11:34 | 0:11:37 | |
MUSIC: The Star-Spangled Banner | 0:11:37 | 0:11:39 | |
JAKE JACOBS: From what I heard at the time as a boy | 0:11:39 | 0:11:42 | |
because he was a black man, Hitler refused to shake his hand. | 0:11:42 | 0:11:46 | |
The rumour spread across the globe. | 0:11:47 | 0:11:51 | |
What a silly man, what a silly man to refuse to shake his hand | 0:11:51 | 0:11:55 | |
to congratulate him on something that he'd done. | 0:11:55 | 0:11:57 | |
The truth about the Hitler-Owens handshake is disputed to this day | 0:11:59 | 0:12:04 | |
but back then, people in the West Indies | 0:12:04 | 0:12:07 | |
believed the incident was a signal of Hitler's intentions. | 0:12:07 | 0:12:11 | |
The fear was if Hitler got what he wanted | 0:12:13 | 0:12:16 | |
that we'll be back in the square one which is slavery. | 0:12:16 | 0:12:19 | |
That was our, our attitude. | 0:12:22 | 0:12:25 | |
Hitler was immediately an enemy. | 0:12:25 | 0:12:30 | |
Some islanders used music to poke fun at the Fuhrer. | 0:12:30 | 0:12:35 | |
MUSIC: Nazi Spy Ring by The Growler | 0:12:35 | 0:12:37 | |
Calypso has African roots | 0:12:39 | 0:12:41 | |
and became popular in Trinidad in the 19th century. | 0:12:41 | 0:12:44 | |
CALYPSO MUSIC CONTINUES | 0:12:44 | 0:12:46 | |
We sang beautiful song against Hitler, | 0:12:46 | 0:12:49 | |
saying that he can do what he done but leave the British Empire alone. | 0:12:49 | 0:12:54 | |
I... It's important to us. | 0:12:54 | 0:12:57 | |
In Trinidad, we must have our calypso. | 0:12:57 | 0:13:00 | |
MUSIC CONTINUES | 0:13:00 | 0:13:01 | |
# Hitler, boy, change your mind | 0:13:01 | 0:13:03 | |
# Is you that cause the Czechs and Polands to grind? | 0:13:03 | 0:13:06 | |
# Britain has given Poland a guarantee | 0:13:06 | 0:13:09 | |
# Hitler's aggression must be stopped entirely... # | 0:13:09 | 0:13:13 | |
I think the calypso might be similar to the town crier | 0:13:13 | 0:13:16 | |
in an English village. | 0:13:16 | 0:13:18 | |
Sports, politics - anything that happen in the island. | 0:13:18 | 0:13:25 | |
Local gossips, they want to take the mickey out of some personality. | 0:13:25 | 0:13:31 | |
# Hitler's diplomacy got to cease | 0:13:31 | 0:13:33 | |
# Blaming people and doing nothing for peace | 0:13:33 | 0:13:35 | |
# He's a cold-blooded murderer, a worthless barbarian | 0:13:35 | 0:13:38 | |
# But this is the last of that madman Austrian. # | 0:13:38 | 0:13:42 | |
MUSIC FADES | 0:13:42 | 0:13:44 | |
As Hitler's Blitzkrieg smashed across Europe, | 0:13:52 | 0:13:55 | |
the Germans also had a devastating weapon lurking beneath the sea - | 0:13:55 | 0:14:01 | |
Nazi U-boats brought a new danger to the West Indies. | 0:14:01 | 0:14:05 | |
'Nazi submarines strike their first blows in the Caribbean. | 0:14:08 | 0:14:11 | |
'Oil tankers are hit by torpedoes fired at point-blank range.' | 0:14:11 | 0:14:14 | |
To fuel her war effort, Britain relied on oil | 0:14:17 | 0:14:22 | |
and one of the largest oil refineries | 0:14:22 | 0:14:25 | |
in the British Empire was in Trinidad. | 0:14:25 | 0:14:27 | |
When the war started, U-boats, they were well placed, | 0:14:29 | 0:14:34 | |
they were all over the place just waiting for the call | 0:14:34 | 0:14:38 | |
and once war was declared, | 0:14:38 | 0:14:39 | |
they went into operation. | 0:14:39 | 0:14:41 | |
The Caribbean became a perilous war zone. | 0:14:44 | 0:14:47 | |
The British ships are being sunk right, left and centre. | 0:14:48 | 0:14:52 | |
To defend the vital supply routes through the Caribbean Sea, | 0:15:00 | 0:15:04 | |
Britain needed more manpower. | 0:15:04 | 0:15:06 | |
In October 1939, the Colonial Office had announced | 0:15:09 | 0:15:13 | |
that anybody born in the colonies COULD sign up to fight. | 0:15:13 | 0:15:19 | |
In practice, | 0:15:19 | 0:15:20 | |
the Armed Forces were reluctant to change their selection criteria | 0:15:20 | 0:15:26 | |
but some West Indian sailors did slip through the net | 0:15:26 | 0:15:29 | |
and found themselves on the front lines of the U-boat war | 0:15:29 | 0:15:33 | |
in the Caribbean. | 0:15:33 | 0:15:34 | |
In 1941, Allan Wilmot volunteered to join the Royal Navy. | 0:15:40 | 0:15:45 | |
You were a part of the British Empire, | 0:15:45 | 0:15:47 | |
the British Empire was in trouble, | 0:15:47 | 0:15:50 | |
they asked for volunteers and you felt, | 0:15:50 | 0:15:53 | |
well, this was a double thing - | 0:15:53 | 0:15:56 | |
you're helping them and at the same time, you're helping yourself | 0:15:56 | 0:16:00 | |
because if you survived the war, at least you would have a trade | 0:16:00 | 0:16:04 | |
or a start in life. | 0:16:04 | 0:16:06 | |
Allan was 15 years old. | 0:16:06 | 0:16:08 | |
Being young, you didn't realise the danger | 0:16:10 | 0:16:14 | |
until you were actually there. You hear the guns fire | 0:16:14 | 0:16:17 | |
and then you realise that this ain't no joke. | 0:16:17 | 0:16:20 | |
Allan served as ship steward on board the Royal Navy minesweeper, | 0:16:26 | 0:16:30 | |
HMS Hawkins. | 0:16:30 | 0:16:31 | |
In the ocean, you have the sea lanes | 0:16:34 | 0:16:37 | |
and the submarines used to lay the mines there | 0:16:37 | 0:16:41 | |
so we had to go and clear the passages as much as we can | 0:16:41 | 0:16:44 | |
and escort the convoys. | 0:16:44 | 0:16:46 | |
On the ocean in the nights, it's very, very dark | 0:16:49 | 0:16:53 | |
and you can see nothing | 0:16:53 | 0:16:56 | |
and the U-boats, they were there enjoying themselves. | 0:16:56 | 0:17:01 | |
LOUD EXPLOSION | 0:17:01 | 0:17:04 | |
You lived from day to day, you wake up in the morning, | 0:17:04 | 0:17:07 | |
you say, "Well, thank God I'm still alive..." | 0:17:07 | 0:17:11 | |
-ALARM BELL SOUNDS -..until you hear the alarm goes now | 0:17:11 | 0:17:14 | |
and there nobody tell you what is happening, | 0:17:14 | 0:17:17 | |
you only hear the alarm goes and you take up your position. | 0:17:17 | 0:17:20 | |
Hitler's U-boats were a constant menace to British ships, | 0:17:25 | 0:17:29 | |
not just in the Caribbean Sea but across the Atlantic Ocean. | 0:17:29 | 0:17:33 | |
In January 1942, | 0:17:37 | 0:17:39 | |
two young Jamaicans were sailing through the North Atlantic | 0:17:39 | 0:17:42 | |
on the Merchant Navy oil tanker, Refast. | 0:17:42 | 0:17:46 | |
We did everything together - | 0:17:47 | 0:17:49 | |
we'd go swimming together, we played football together. | 0:17:49 | 0:17:52 | |
We became very close after 16. | 0:17:52 | 0:17:58 | |
We were definitely best friends. | 0:17:58 | 0:17:59 | |
Victor Brown and Winston Murphy | 0:18:02 | 0:18:04 | |
were the only black men in the Refast's 42-strong crew. | 0:18:04 | 0:18:08 | |
As far as the Ministry of Shipping was concerned, | 0:18:11 | 0:18:13 | |
it was "not desirable to mix coloured and white races" | 0:18:13 | 0:18:18 | |
in the same department on board ship... | 0:18:18 | 0:18:21 | |
..but by early 1942, | 0:18:23 | 0:18:25 | |
the Ministry had begun to recruit African and West Indian seamen | 0:18:25 | 0:18:29 | |
like Winston and Victor in to the Merchant Navy. | 0:18:29 | 0:18:34 | |
It was freezing, freezing, freezing cold in the middle of January | 0:18:34 | 0:18:38 | |
off Nova Scotia, you can imagine what it's like. | 0:18:38 | 0:18:42 | |
Victor and I were sitting in the saloon | 0:18:42 | 0:18:45 | |
and we heard this big bang... | 0:18:45 | 0:18:50 | |
LOUD EXPLOSION | 0:18:50 | 0:18:53 | |
You can feel it, you see, the whole ship shakes. | 0:18:53 | 0:18:55 | |
We rushed out on deck and we looked | 0:18:58 | 0:18:59 | |
and we could see the periscope sticking out of the water | 0:18:59 | 0:19:04 | |
and we realised then that we'd been torpedoed. | 0:19:04 | 0:19:07 | |
So I grabbed the ship's dinner bell | 0:19:09 | 0:19:11 | |
and rang it all the way to the bridge. | 0:19:11 | 0:19:13 | |
Everybody started running to the midship | 0:19:13 | 0:19:16 | |
because that's where the two big lifeboats were. | 0:19:16 | 0:19:20 | |
Its submarine command sent the torpedo into the port side. | 0:19:22 | 0:19:27 | |
The lifeboat on the port side had no chance, | 0:19:30 | 0:19:36 | |
the ship listed and as far as we know, | 0:19:36 | 0:19:39 | |
all the crew in that side perished. | 0:19:39 | 0:19:42 | |
On our side which was the starboard, | 0:19:44 | 0:19:47 | |
ice had frozen up all the ropes. | 0:19:47 | 0:19:50 | |
Nobody had any means of cutting the lifeboat | 0:19:50 | 0:19:57 | |
away from the ship and if we had left it, | 0:19:57 | 0:20:00 | |
the ship would eventually have dragged the lifeboat down with it | 0:20:00 | 0:20:04 | |
and we'd all be... | 0:20:04 | 0:20:05 | |
Victor was a carefree chap, | 0:20:08 | 0:20:11 | |
he was strong and tough | 0:20:11 | 0:20:15 | |
and he found an axe on the deck... | 0:20:15 | 0:20:17 | |
And I picked it up, wham, | 0:20:19 | 0:20:22 | |
and the boat fell in the water and drifted away from the ship. | 0:20:22 | 0:20:25 | |
Hadn't he chopped that rope, | 0:20:25 | 0:20:27 | |
we would never have got clear of the boat. | 0:20:27 | 0:20:30 | |
The ship doesn't sink straight away, | 0:20:38 | 0:20:41 | |
it goes slowly and eventually turned like that, | 0:20:41 | 0:20:45 | |
this whole ship turned like that | 0:20:45 | 0:20:48 | |
and just gradually go down smooth, you know, it's quite a picture. | 0:20:48 | 0:20:52 | |
Winston, Victor and the rest of the survivors were now stranded | 0:20:58 | 0:21:02 | |
in a lifeboat in the freezing waters of the North Atlantic. | 0:21:02 | 0:21:06 | |
It was rough. | 0:21:07 | 0:21:10 | |
The waves were mountains high. | 0:21:10 | 0:21:12 | |
When the ship pulled up to rescue us, | 0:21:18 | 0:21:21 | |
my hands were so cold, | 0:21:21 | 0:21:23 | |
I thought that I'd never be able to hold on to the net to climb aboard. | 0:21:23 | 0:21:29 | |
One fellow, his hands freeze so he just dropped in the water, | 0:21:29 | 0:21:35 | |
couldn't do anything for him, just... | 0:21:35 | 0:21:37 | |
You couldn't pick him up, you couldn't do anything, that was it. | 0:21:37 | 0:21:42 | |
The death toll for black merchant seamen was high. | 0:21:42 | 0:21:46 | |
Of the 15,000 who signed up, 5,000 perished. | 0:21:46 | 0:21:50 | |
70 years on, | 0:21:53 | 0:21:54 | |
Winston has never forgotten his rescue by the HMS Maliarcos. | 0:21:54 | 0:21:59 | |
When we got aboard, immediately they provide us with tea and coffee | 0:21:59 | 0:22:06 | |
and every morning since I've retired, | 0:22:06 | 0:22:08 | |
every morning I remember the Maliarcos | 0:22:08 | 0:22:12 | |
and those cups of coffee that we had when we were rescued. | 0:22:12 | 0:22:16 | |
Victor Brown and Winston Murphy are now 94 years old. | 0:22:22 | 0:22:27 | |
These childhood friends haven't seen each other for more than a decade. | 0:22:27 | 0:22:32 | |
Victor has travelled from his home in Morecambe Bay | 0:22:34 | 0:22:37 | |
to Nottingham for a reunion with Winston. | 0:22:37 | 0:22:40 | |
Oh! | 0:22:43 | 0:22:45 | |
Fantastic. | 0:22:45 | 0:22:46 | |
-I cannot believe it. -Good gracious. | 0:22:46 | 0:22:49 | |
-Good Lord. -I cannot, I cannot believe it. | 0:22:49 | 0:22:54 | |
Oh! | 0:22:54 | 0:22:57 | |
Oh, it's good to see you. | 0:22:57 | 0:22:59 | |
Oh, Winston. | 0:22:59 | 0:23:00 | |
You've changed so much, I wouldn't have recognised you on the road. | 0:23:00 | 0:23:04 | |
Oh, I've forgotten my stick. | 0:23:04 | 0:23:07 | |
You don't walk with a stick as well, do you? | 0:23:07 | 0:23:09 | |
Oh, yeah. Yeah, you have changed. | 0:23:09 | 0:23:12 | |
Chasing women is what does it! | 0:23:12 | 0:23:14 | |
Oh, I know. | 0:23:14 | 0:23:15 | |
THEY LAUGH | 0:23:15 | 0:23:17 | |
I've still got the ship's bell that I rung | 0:23:17 | 0:23:22 | |
and ran all the way to the lifeboat | 0:23:22 | 0:23:25 | |
where you rescued our lives by the chopping of the rope | 0:23:25 | 0:23:29 | |
and in the lifeboat I can recall you were tough. | 0:23:29 | 0:23:35 | |
Funnily enough, when I look back over the years | 0:23:35 | 0:23:38 | |
I didn't have any fear at all. | 0:23:38 | 0:23:40 | |
I'm delighted that you're still around | 0:23:40 | 0:23:45 | |
because most of the people of our age have disappeared. | 0:23:45 | 0:23:49 | |
Well, it has... I never probably mentioned to you | 0:23:49 | 0:23:52 | |
but it had always been my ambition to live at least to 105 | 0:23:52 | 0:23:58 | |
at which age, I was hoping to be shot by a jealous husband. | 0:23:58 | 0:24:01 | |
Oh, well, you were always famous for the ladies, I can remember that. | 0:24:03 | 0:24:08 | |
It's almost like a miracle because I never, ever thought | 0:24:09 | 0:24:14 | |
that we'd live long enough to meet again | 0:24:14 | 0:24:16 | |
after all the years we've been separated. | 0:24:16 | 0:24:18 | |
MUSIC: What'll I Do by Irving Berlin | 0:24:18 | 0:24:20 | |
# When I'm alone with only dreams of you | 0:24:20 | 0:24:26 | |
-# That won't come true -True | 0:24:26 | 0:24:31 | |
# What will I do? # | 0:24:31 | 0:24:34 | |
Fantastic. | 0:24:34 | 0:24:38 | |
-Fantastic. -Oh, it's good to see you, so good to see you. | 0:24:38 | 0:24:42 | |
At the start of the war, the Royal Air Force | 0:24:50 | 0:24:52 | |
only recruited people who were of pure European descent. | 0:24:52 | 0:24:57 | |
I think they were concerned about how people who were not Caucasian | 0:25:00 | 0:25:06 | |
would mix with Caucasian people | 0:25:06 | 0:25:09 | |
but I think as the toll of the early years of the war manifested itself, | 0:25:09 | 0:25:15 | |
they changed their attitude. | 0:25:15 | 0:25:18 | |
By November 1940, hundreds of British airmen had been killed | 0:25:20 | 0:25:24 | |
in the Battle of Britain and the defeat of the Luftwaffe | 0:25:24 | 0:25:28 | |
had created an opportunity to attack the German home front. | 0:25:28 | 0:25:32 | |
Now, the RAF cast its recruitment net wide, | 0:25:35 | 0:25:39 | |
the Air Ministry told the Colonial Office | 0:25:39 | 0:25:41 | |
it would accept aircrew volunteers from the colonies | 0:25:41 | 0:25:44 | |
on condition that the... | 0:25:44 | 0:25:46 | |
In January of 1941, | 0:25:55 | 0:25:59 | |
the Daily Gleaner, a Jamaican leading newspaper, | 0:25:59 | 0:26:03 | |
carry an advertisement asking for young men to volunteer | 0:26:03 | 0:26:08 | |
for aircrew in the Royal Air Force. | 0:26:08 | 0:26:11 | |
I just fancied the intrigue of getting up there | 0:26:12 | 0:26:18 | |
and flying and doing everything that I could do in an aircraft. | 0:26:18 | 0:26:22 | |
5,000 West Indian volunteers were put through | 0:26:25 | 0:26:28 | |
a rigorous selection process. | 0:26:28 | 0:26:30 | |
500 were selected as the Caribbean's brightest and best. | 0:26:30 | 0:26:36 | |
I hated the Germans, I hated Hitler | 0:26:36 | 0:26:41 | |
and there was a strong feeling | 0:26:41 | 0:26:45 | |
that I would like to take part in bringing them down. | 0:26:45 | 0:26:48 | |
In 1942, the Commander-in-Chief of the RAF's Fighter Command | 0:26:50 | 0:26:55 | |
visited the Caribbean. | 0:26:55 | 0:26:57 | |
Wing Commander Sholto Douglas wanted to inspire the West Indian pilots. | 0:26:57 | 0:27:02 | |
My father made a speech to the people of the West Indies, | 0:27:03 | 0:27:08 | |
really to encourage them | 0:27:08 | 0:27:11 | |
in their role in World War II. | 0:27:11 | 0:27:14 | |
Ricky Richardson and Roy Augier answered the Empire's call | 0:27:34 | 0:27:38 | |
and joined the RAF's Bomber Command. | 0:27:38 | 0:27:41 | |
People wanted to fly with me | 0:27:42 | 0:27:46 | |
because in Scotland, if a dark person crosses your door | 0:27:46 | 0:27:51 | |
on New Year's Day, that's luck | 0:27:51 | 0:27:55 | |
and fellows would come and stroke my head | 0:27:55 | 0:27:57 | |
before they got in to the aircraft to go on flights for luck. | 0:27:57 | 0:28:02 | |
You know beforehand that you are at risk | 0:28:06 | 0:28:10 | |
so you concentrate on doing everything you can | 0:28:10 | 0:28:15 | |
to save your life. | 0:28:15 | 0:28:18 | |
Ricky and Roy's Commander-in-Chief was Arthur Harris, | 0:28:18 | 0:28:22 | |
also known as Bomber Harris. | 0:28:22 | 0:28:25 | |
He developed a devastating military tactic, | 0:28:25 | 0:28:28 | |
known as the Thousand Bomber raid. | 0:28:28 | 0:28:31 | |
In order to get the bombers over the target in time, | 0:28:33 | 0:28:40 | |
the squadrons had to line up in very precise positions | 0:28:40 | 0:28:45 | |
before we set out over the Channel to go over Germany. | 0:28:45 | 0:28:49 | |
We went out - | 0:28:49 | 0:28:50 | |
840 aircraft from different squadrons. | 0:28:50 | 0:28:56 | |
We had Lancasters, we had Halifaxes and so on | 0:28:56 | 0:29:01 | |
and before we hit the enemy coast, they started shooting us down | 0:29:01 | 0:29:08 | |
and by the time we got to the enemy coast, | 0:29:08 | 0:29:11 | |
I had logged 30 aircraft shot down. | 0:29:11 | 0:29:14 | |
We carried through and finished the exercise, got back | 0:29:16 | 0:29:22 | |
and in the Air Ministry reports the next day, | 0:29:22 | 0:29:25 | |
we had lost 96 aircraft. | 0:29:25 | 0:29:28 | |
The average loss was... | 0:29:30 | 0:29:32 | |
We have about 20-25 aircraft on a squadron, | 0:29:32 | 0:29:38 | |
you go on an operation, you lose maybe four or five aircraft. | 0:29:38 | 0:29:43 | |
Of the 500 West Indians who joined the RAF as aircrew, | 0:29:45 | 0:29:50 | |
219 lost their lives in combat | 0:29:50 | 0:29:55 | |
and 103 were awarded medals for bravery. | 0:29:55 | 0:29:58 | |
I didn't think about the possibility of being shot down. | 0:30:00 | 0:30:05 | |
I was concerned with saving my life | 0:30:05 | 0:30:10 | |
and the life of the crew | 0:30:10 | 0:30:12 | |
and that's it. | 0:30:12 | 0:30:14 | |
Like the RAF, the Royal Navy and the Merchant Navy, | 0:30:16 | 0:30:20 | |
the British Army had begun the war reluctant to relax the colour bar | 0:30:20 | 0:30:25 | |
but in 1944, a Caribbean regiment was finally raised. | 0:30:25 | 0:30:30 | |
Over 1,000 men received training but they never saw action. | 0:30:30 | 0:30:35 | |
'The need for more helpers is very great today | 0:30:35 | 0:30:41 | |
'and I should like to think that many hundreds | 0:30:41 | 0:30:45 | |
'were able to offer their services to the country | 0:30:45 | 0:30:50 | |
'and to follow the example of those who I see before me today.' | 0:30:50 | 0:30:56 | |
The Army also made it clear | 0:30:56 | 0:30:59 | |
that any women recruited from the Caribbean... | 0:30:59 | 0:31:01 | |
The Colonial Office was concerned | 0:31:04 | 0:31:05 | |
that this policy was sapping morale in the West Indies. | 0:31:05 | 0:31:09 | |
In 1943, it asked the War Office to recruit black Caribbean women | 0:31:09 | 0:31:14 | |
in to the female branch of the Army, the Auxiliary Territorial Service. | 0:31:14 | 0:31:19 | |
It said... | 0:31:19 | 0:31:20 | |
The Secretary of State for War, James Grigg, relented | 0:31:27 | 0:31:30 | |
and 30 black women were recruited but he warned... | 0:31:30 | 0:31:34 | |
The Air Ministry was more easily persuaded - | 0:31:43 | 0:31:47 | |
it believed, "it is clear that there is a strong desire | 0:31:47 | 0:31:51 | |
"on the part of the women in a West Indian colony to serve overseas," | 0:31:51 | 0:31:56 | |
and 80 West Indian women came to Britain | 0:31:56 | 0:31:59 | |
to join the Women's Auxiliary Air Force. | 0:31:59 | 0:32:02 | |
Thousands of West Indians also came to Britain | 0:32:05 | 0:32:08 | |
to support the civilian war effort. | 0:32:08 | 0:32:10 | |
My name is Sam Martinez. | 0:32:13 | 0:32:15 | |
I was born in Belize, formerly British Honduras, | 0:32:17 | 0:32:23 | |
1910, 18th February | 0:32:23 | 0:32:27 | |
and my age is 104 year old and a half. | 0:32:27 | 0:32:32 | |
We arrive in to Scotland on 26th November 1942. | 0:32:35 | 0:32:42 | |
800 men were divided all over Scotland, different camps. | 0:32:42 | 0:32:48 | |
We were working in the forestry immediately | 0:32:50 | 0:32:53 | |
because there was no hanging up during the war - | 0:32:53 | 0:32:58 | |
get going, get out, get working, | 0:32:58 | 0:33:01 | |
no time for skylarking. | 0:33:01 | 0:33:04 | |
The forestry workers were necessary for the war effort. | 0:33:07 | 0:33:12 | |
We are Britishers, | 0:33:12 | 0:33:15 | |
our country is British crown colony | 0:33:15 | 0:33:18 | |
and we come to help our mother country. | 0:33:18 | 0:33:21 | |
In those days, that's what we think | 0:33:21 | 0:33:24 | |
and we still think so today. | 0:33:24 | 0:33:26 | |
JAZZ MUSIC | 0:33:28 | 0:33:30 | |
Despite the reluctance to relax the colour bar, | 0:33:31 | 0:33:34 | |
in public the British Government presented an image of racial harmony | 0:33:34 | 0:33:37 | |
in wartime Britain. | 0:33:37 | 0:33:39 | |
'During the war years, we in this country have seen many new faces. | 0:33:49 | 0:33:54 | |
'What about these people for example | 0:33:54 | 0:33:55 | |
'who are making their way to Broadcasting House in London? | 0:33:55 | 0:33:58 | |
'Do you know what part of the world they come from? | 0:33:58 | 0:34:01 | |
'Are they from West Africa?' | 0:34:01 | 0:34:02 | |
In 1944, | 0:34:02 | 0:34:03 | |
this Ministry of Information film was screened across the country. | 0:34:03 | 0:34:06 | |
If I could navigate you on a magic carpet, | 0:34:07 | 0:34:10 | |
we'd find West Indians at their stations all over the country. | 0:34:10 | 0:34:14 | |
Friendships are being made between people who before the war | 0:34:14 | 0:34:17 | |
knew little or nothing about each other | 0:34:17 | 0:34:19 | |
and we find it impossible to believe that these friendships | 0:34:19 | 0:34:22 | |
will just fade out when the war is won. | 0:34:22 | 0:34:25 | |
The experimental integration of 500 West Indians | 0:34:25 | 0:34:29 | |
into the RAF was a success and so in 1944, | 0:34:29 | 0:34:33 | |
the Air Ministry - still desperate for manpower - | 0:34:33 | 0:34:36 | |
launched another recruitment drive. | 0:34:36 | 0:34:39 | |
By the end of the war, 5,500 West Indian men had come to Britain | 0:34:39 | 0:34:44 | |
to serve as RAF ground crew. | 0:34:44 | 0:34:46 | |
Britain have always dared to stretch your hands out to help. | 0:34:47 | 0:34:52 | |
They have done in the West Indies, | 0:34:52 | 0:34:56 | |
they have done all over the world | 0:34:56 | 0:34:59 | |
and it's time we start doing a bit of paying back. | 0:34:59 | 0:35:06 | |
This was a mass migration of black people to Britain. | 0:35:08 | 0:35:12 | |
We went to a beach in Scarborough | 0:35:14 | 0:35:16 | |
and I have never seen so many people in my life... | 0:35:16 | 0:35:24 | |
so we went out, big-headed as ever, | 0:35:24 | 0:35:28 | |
I took one dive in that water | 0:35:28 | 0:35:31 | |
and since then, I've never been back in. | 0:35:31 | 0:35:34 | |
It was ruddy cold, | 0:35:34 | 0:35:38 | |
I'll tell you that! | 0:35:38 | 0:35:39 | |
When I landed on 9th November 1944 | 0:35:41 | 0:35:45 | |
in Greenock, Scotland, to four inches of snow - | 0:35:45 | 0:35:48 | |
it was shocking | 0:35:48 | 0:35:51 | |
and it stayed on the ground for two weeks. | 0:35:51 | 0:35:53 | |
I thought I was going to die. | 0:35:53 | 0:35:56 | |
We didn't know there were poor people, as far as you were concerned | 0:35:58 | 0:36:01 | |
all Britain was a rich place, everybody here was rich. | 0:36:01 | 0:36:04 | |
The average man in England was living in rented place. | 0:36:06 | 0:36:11 | |
Most of the houses didn't have their bathroom inside and toilet inside. | 0:36:11 | 0:36:18 | |
Materially, England was worse-off than what we thought. | 0:36:18 | 0:36:22 | |
All the buildings were a dark colour and all that | 0:36:23 | 0:36:27 | |
and the clothes, even the clothes, the people here have on - | 0:36:27 | 0:36:30 | |
a dark suit and all that - | 0:36:30 | 0:36:32 | |
and coming from a place where everything is colour, | 0:36:32 | 0:36:34 | |
you know, it looked very, very dim to us. | 0:36:34 | 0:36:38 | |
It was drab. | 0:36:39 | 0:36:40 | |
They haven't painted the place for a long time - | 0:36:40 | 0:36:42 | |
of course! Because there was a war on. | 0:36:42 | 0:36:44 | |
About 20% of Britain were destroyed, | 0:36:46 | 0:36:48 | |
even Buckingham Palace were bombed, | 0:36:48 | 0:36:51 | |
there were bomb site all over the place. | 0:36:51 | 0:36:54 | |
Being British, you feel that, well, yes, you're coming home | 0:36:55 | 0:36:59 | |
but when we came here, it's like we've dropped out the sky, | 0:36:59 | 0:37:02 | |
nobody knew anything about us. They didn't know we exist. | 0:37:02 | 0:37:05 | |
-NEIL FLANIGAN: -In those days, | 0:37:11 | 0:37:12 | |
English people had never seen black people. | 0:37:12 | 0:37:16 | |
JAKE JACOBS: I can remember getting on a bus, sitting down | 0:37:16 | 0:37:21 | |
and after travelling for about a few mile, | 0:37:21 | 0:37:24 | |
I felt someone put their hands on my head | 0:37:24 | 0:37:30 | |
feeling my hair. When I look around, | 0:37:30 | 0:37:33 | |
I had a smile of a gentleman | 0:37:33 | 0:37:36 | |
and he was trying to see if my hair was real. | 0:37:36 | 0:37:40 | |
I mean... And then not only that, | 0:37:40 | 0:37:45 | |
he also touched my neck! | 0:37:45 | 0:37:48 | |
The side of my...to find out if I'm really black | 0:37:48 | 0:37:51 | |
and I thought that was most unusual. | 0:37:51 | 0:37:54 | |
Up to today, I cannot understand why. | 0:37:54 | 0:37:56 | |
They had a mind that anybody who's dark came from Africa. | 0:37:59 | 0:38:03 | |
The rumour went around that all these guys, | 0:38:03 | 0:38:06 | |
where they come from they had tails originally | 0:38:06 | 0:38:09 | |
but coming to Europe, they got the tails cut off | 0:38:09 | 0:38:12 | |
but the stump was still there. So if we go to a dance hall, | 0:38:12 | 0:38:16 | |
you're dancing with a girl, a local girl, | 0:38:16 | 0:38:18 | |
you could feel her hand going down | 0:38:18 | 0:38:21 | |
see, because her friends, you know, they discuss about them | 0:38:21 | 0:38:25 | |
and she say "Oh, take that opportunity | 0:38:25 | 0:38:28 | |
"and see if you can feel for the stump." | 0:38:28 | 0:38:30 | |
Whatever the colour was, we were one nation, we were British - | 0:38:30 | 0:38:35 | |
the same as the Englishman was. | 0:38:35 | 0:38:37 | |
I think they accepted us because we're in the Royal Air Force uniform | 0:38:38 | 0:38:43 | |
but there was a war, man! People haven't got time for prejudice | 0:38:43 | 0:38:46 | |
when bombs dropping all over the place and you helping. | 0:38:46 | 0:38:49 | |
MUSIC: Over There by George M Cohan | 0:38:49 | 0:38:51 | |
But the white Americans, they came here with the racist business | 0:38:51 | 0:38:56 | |
and the whole scene changed. | 0:38:56 | 0:38:58 | |
MUSIC CONTINUES | 0:38:58 | 0:39:00 | |
In early 1944, 1.5 million American soldiers | 0:39:00 | 0:39:04 | |
were based in Britain, preparing for D-Day. | 0:39:04 | 0:39:07 | |
Hup! | 0:39:07 | 0:39:08 | |
The British Government's Ministry of Information made this film | 0:39:08 | 0:39:12 | |
to introduce them to the country. | 0:39:12 | 0:39:15 | |
Now, let's be frank about it, | 0:39:15 | 0:39:17 | |
there are coloured soldiers as well as white here | 0:39:17 | 0:39:20 | |
and there are less social restrictions in this country. | 0:39:20 | 0:39:23 | |
Look, that might not happen at home | 0:39:23 | 0:39:25 | |
but the, the point is we're not at home. | 0:39:25 | 0:39:29 | |
JAZZY MUSIC | 0:39:29 | 0:39:31 | |
To some Americans, if you were black | 0:39:32 | 0:39:35 | |
you shouldn't be dancing with an English girl, | 0:39:35 | 0:39:38 | |
especially Americans from the South. | 0:39:38 | 0:39:40 | |
JAKE JACOBS: Oh, they, they'll walk up to you and say, | 0:39:40 | 0:39:43 | |
"What you doing here? Get out of here," | 0:39:43 | 0:39:46 | |
and you say, "I pay my money to come in here." | 0:39:46 | 0:39:49 | |
We West Indians, we don't mess about, | 0:39:49 | 0:39:52 | |
we don't mess about. There's something in us, | 0:39:52 | 0:39:55 | |
we have a resistance from slavery days, we have a resistance. | 0:39:55 | 0:40:03 | |
There'd be some fisticuffs - fights in simple words. | 0:40:03 | 0:40:07 | |
Just punches and, you know, sticks and bricks and all that. | 0:40:07 | 0:40:12 | |
You'd get on a table, you know, or a trailer or anything like that. | 0:40:12 | 0:40:18 | |
The British women always react on our side | 0:40:18 | 0:40:22 | |
because most of them didn't like the Americans at all, their attitude. | 0:40:22 | 0:40:28 | |
If they know there's trouble, | 0:40:28 | 0:40:29 | |
they will walk up to you and tell you, | 0:40:29 | 0:40:32 | |
"Listen, there's some trouble over there." | 0:40:32 | 0:40:35 | |
The British man, he'll do the same - | 0:40:35 | 0:40:37 | |
he would try and stop it, nip it in the bud. | 0:40:37 | 0:40:40 | |
Attention! | 0:40:40 | 0:40:42 | |
Black GIs were segregated from white American soldiers. | 0:40:42 | 0:40:47 | |
They were used to discrimination and less likely to defend themselves. | 0:40:47 | 0:40:52 | |
We got friendly with the black Americans | 0:40:52 | 0:40:54 | |
and we might be in a pub | 0:40:54 | 0:40:56 | |
having a drink with some local girls and all that | 0:40:56 | 0:40:59 | |
and you have three or four white Americans come through the door | 0:40:59 | 0:41:03 | |
and they come through the door, "Hey, nigger, get outta here," | 0:41:03 | 0:41:06 | |
right? Well, when you tell a West Indian or Jamaican about nigger, | 0:41:06 | 0:41:10 | |
it's like you're putting a red cloth before a bull | 0:41:10 | 0:41:13 | |
and we used to go haywire. | 0:41:13 | 0:41:16 | |
Then after a while, the white Americans, they realised that | 0:41:17 | 0:41:21 | |
"Keep away from these British black fellows. | 0:41:21 | 0:41:25 | |
"They are different, they don't know about discrimination, | 0:41:25 | 0:41:28 | |
"they'll fight like that," | 0:41:28 | 0:41:29 | |
because a black American couldn't think of even hitting | 0:41:29 | 0:41:33 | |
a white American in defence. That wasn't done | 0:41:33 | 0:41:37 | |
and when they see these West Indians like myself rushing them, | 0:41:37 | 0:41:41 | |
they got such a shock. | 0:41:41 | 0:41:44 | |
Were you involved in some of those fights yourself? | 0:41:44 | 0:41:47 | |
I think I would say I had a small altercation in those days, | 0:41:51 | 0:41:57 | |
to be polite to you. | 0:41:57 | 0:41:58 | |
On 8th May 1945, | 0:42:00 | 0:42:03 | |
Britain celebrated Nazi Germany's unconditional surrender. | 0:42:03 | 0:42:07 | |
The British Government was now forced to tackle a thorny issue - | 0:42:07 | 0:42:11 | |
what to do with the thousands of Caribbean people | 0:42:11 | 0:42:14 | |
who'd come to help the war effort. | 0:42:14 | 0:42:17 | |
The Secretary of State for Air had some good news | 0:42:17 | 0:42:20 | |
for the lumberjacks from Belize. | 0:42:20 | 0:42:22 | |
SAM MARTINEZ: Harold Macmillan came to our hostel and he says, | 0:42:22 | 0:42:28 | |
"You boys will be repatriated such a time | 0:42:28 | 0:42:32 | |
"but those that want | 0:42:32 | 0:42:34 | |
"to go home can go | 0:42:34 | 0:42:38 | |
"and the others who want to stay can stay | 0:42:38 | 0:42:42 | |
"and no-one can send them home | 0:42:42 | 0:42:46 | |
"because this is your country as well as mine." | 0:42:46 | 0:42:50 | |
Those were Macmillan's words. | 0:42:50 | 0:42:51 | |
But despite their contributions to the war effort, | 0:42:51 | 0:42:55 | |
the British Government encouraged thousands of Caribbean servicemen | 0:42:55 | 0:42:58 | |
and women to return home. | 0:42:58 | 0:43:00 | |
-SAM KING: -I wanted to stay in the Royal Air Force | 0:43:01 | 0:43:04 | |
but they said "No. | 0:43:04 | 0:43:06 | |
"You are from the colony of Jamaica, you are to go back to the colony." | 0:43:06 | 0:43:09 | |
And for Jake Jacobs, this meant leaving his wartime sweetheart. | 0:43:09 | 0:43:14 | |
And I was waving | 0:43:14 | 0:43:16 | |
and he was leaning out of the window, I could see him. | 0:43:16 | 0:43:19 | |
Yes, I went back home to Trinidad, I'd keep writing, | 0:43:19 | 0:43:25 | |
whether I'll come back, I don't know. | 0:43:25 | 0:43:26 | |
That's the end. | 0:43:26 | 0:43:28 | |
Returning to the West Indies after serving as RAF air crew | 0:43:30 | 0:43:34 | |
was the chance to make a new start. | 0:43:34 | 0:43:37 | |
Many, like Ricky Richardson, embarked upon professional careers. | 0:43:37 | 0:43:42 | |
Roy Augier became a distinguished academic and was knighted in 1996... | 0:43:42 | 0:43:49 | |
..and RAF navigator Errol Barrow carved out a new life in Britain. | 0:43:52 | 0:43:58 | |
After the war, he enrolled on a law course | 0:43:58 | 0:44:01 | |
at the London School of Economics. | 0:44:01 | 0:44:04 | |
Katherine Campbell's father was a lecturer there. | 0:44:04 | 0:44:07 | |
The London School of Economics was at that time | 0:44:09 | 0:44:11 | |
known for its left-wing politics. | 0:44:11 | 0:44:14 | |
Errol studied there and went on to study law and become a barrister | 0:44:14 | 0:44:20 | |
but all of this was laying the groundwork | 0:44:20 | 0:44:22 | |
for his return to Barbados. | 0:44:22 | 0:44:24 | |
In 1961, Errol Barrow became the Premier of Barbados | 0:44:26 | 0:44:30 | |
and when the country secured independence in 1966, | 0:44:30 | 0:44:34 | |
he became Prime Minister of the new nation. | 0:44:34 | 0:44:37 | |
Errol and I - | 0:44:41 | 0:44:43 | |
to celebrate the friendship between our two countries - | 0:44:43 | 0:44:46 | |
we decided to jump into the pool together | 0:44:46 | 0:44:49 | |
holding the flags of our respective nations. | 0:44:49 | 0:44:53 | |
12 of Britain's former crown colonies in the Caribbean | 0:44:55 | 0:44:58 | |
have now won their independence. | 0:44:58 | 0:45:01 | |
Today, Errol is remembered as the father of Barbados, | 0:45:01 | 0:45:05 | |
a shining example of the RAF's West Indian officer class. | 0:45:05 | 0:45:10 | |
People would actually come out of their homes | 0:45:11 | 0:45:15 | |
and stand on their doorsteps or stand out in the street | 0:45:15 | 0:45:19 | |
and say, "Morning, Prime Minister. | 0:45:19 | 0:45:21 | |
"How are you doing today, Prime Minister?" | 0:45:21 | 0:45:25 | |
He was obviously greatly loved by the people who'd voted for him. | 0:45:25 | 0:45:29 | |
But for thousands of sailors and RAF ground crew, | 0:45:34 | 0:45:37 | |
the return to the Caribbean wasn't successful. | 0:45:37 | 0:45:40 | |
Well, | 0:45:42 | 0:45:43 | |
I thought I was a bigger man than I was | 0:45:43 | 0:45:47 | |
and the island was too small for me. | 0:45:47 | 0:45:50 | |
I went back to my job hoping I'll get promotion | 0:45:50 | 0:45:55 | |
but didn't get it... | 0:45:55 | 0:45:57 | |
..and I decided, "Well, enough is enough, | 0:46:00 | 0:46:04 | |
"I think I'll return back to England." | 0:46:04 | 0:46:06 | |
Nearly all of us that wanted to get back to England, you know, | 0:46:06 | 0:46:10 | |
with the idea that it would be a better life | 0:46:10 | 0:46:13 | |
than staying in Jamaica. | 0:46:13 | 0:46:14 | |
There were few jobs in the Caribbean | 0:46:14 | 0:46:17 | |
but war-torn Britain needed workers to help rebuild its cities. | 0:46:17 | 0:46:21 | |
'Arrivals at Tilbury - | 0:46:21 | 0:46:23 | |
'the Empire Windrush brings to Britain 500 Jamaicans. | 0:46:23 | 0:46:26 | |
'Many are ex-servicemen who know England. | 0:46:26 | 0:46:28 | |
'They served this country well.' | 0:46:28 | 0:46:30 | |
MUSIC: London Is The Place For Me by Lord Kitchener | 0:46:30 | 0:46:33 | |
# London is the place for me | 0:46:37 | 0:46:41 | |
# London, this lovely city | 0:46:41 | 0:46:45 | |
# You can go to France or America | 0:46:45 | 0:46:48 | |
# India, Asia or Australia | 0:46:48 | 0:46:50 | |
# But you must come back to London City... # | 0:46:50 | 0:46:55 | |
Well, about two weeks before the Empire Windrush came to Jamaica, | 0:46:55 | 0:47:01 | |
there was a notice in the local newspaper, The Gleaner, | 0:47:01 | 0:47:04 | |
to say tickets for England, £28.10, | 0:47:04 | 0:47:08 | |
sailing on 24th May 1948. | 0:47:08 | 0:47:13 | |
In those days, £28.10 - the average man didn't have that. | 0:47:13 | 0:47:16 | |
That's the equivalent to about three cows | 0:47:16 | 0:47:19 | |
but my father disposed of some cows | 0:47:19 | 0:47:22 | |
and I had the money and I book the ticket. | 0:47:22 | 0:47:25 | |
I arrived in England on 22nd June | 0:47:25 | 0:47:28 | |
and it changed my life. | 0:47:28 | 0:47:30 | |
Now, why have you come to England? | 0:47:30 | 0:47:32 | |
-To seek a job. -And what sort of job do you want? | 0:47:32 | 0:47:35 | |
Any type, so long as I get a good pay. | 0:47:35 | 0:47:38 | |
-SAM KING: -492 of us, eight women. | 0:47:38 | 0:47:42 | |
In the West Indies, you didn't have a job - to get jobs was not easy. | 0:47:42 | 0:47:47 | |
People were coming up, "Will I have a job in England?" | 0:47:47 | 0:47:50 | |
I said, "Don't worry about jobs! | 0:47:50 | 0:47:52 | |
"Worry about somewhere to live," | 0:47:52 | 0:47:55 | |
and 232 of them had nowhere to go when they came out off the boat | 0:47:55 | 0:48:02 | |
so they took them to Clapham deep shelter | 0:48:02 | 0:48:04 | |
and the nearest labour exchange was Coldharbour Lane, Brixton. | 0:48:04 | 0:48:08 | |
That's how my people came to be in Brixton | 0:48:08 | 0:48:11 | |
and they all had jobs - | 0:48:11 | 0:48:12 | |
within a month, everybody had jobs and left that shelter. | 0:48:12 | 0:48:16 | |
# Well, believe me, I am speaking broad-mindedly | 0:48:16 | 0:48:21 | |
# I am glad to know my mother country | 0:48:21 | 0:48:25 | |
# I've been travelling to countries years ago | 0:48:25 | 0:48:27 | |
# But this the place I wanted to know | 0:48:27 | 0:48:30 | |
# London, just the place for me... # | 0:48:30 | 0:48:34 | |
Anyone that had done service, they would find a job for them. | 0:48:34 | 0:48:38 | |
I went to the Post Office. | 0:48:38 | 0:48:39 | |
I went to the Post Office. | 0:48:39 | 0:48:41 | |
I found little jobs in little nightclubs. | 0:48:41 | 0:48:45 | |
I went back into the Royal Air Force. | 0:48:45 | 0:48:47 | |
I helped build prefabs, that was my first job. | 0:48:47 | 0:48:52 | |
# ..London, that's the place for me... # | 0:48:52 | 0:48:56 | |
Over the next 30 years, | 0:48:56 | 0:48:58 | |
nearly half a million West Indians settled in Britain | 0:48:58 | 0:49:03 | |
but finding a job wasn't the only thing on their minds. | 0:49:03 | 0:49:07 | |
For Jake, this was his chance to get married to Mary. | 0:49:07 | 0:49:12 | |
We got married in the little registry office, | 0:49:12 | 0:49:15 | |
close to the lady where I was staying. | 0:49:15 | 0:49:19 | |
To a lot of the girls' surprise that Mary used to work with, | 0:49:19 | 0:49:23 | |
whether they were disappointed, I don't know, | 0:49:23 | 0:49:26 | |
but when we came out, they just, "Ooh." | 0:49:26 | 0:49:28 | |
Mouths open, | 0:49:31 | 0:49:34 | |
people looking, | 0:49:34 | 0:49:36 | |
"Oh, I've never seen this before." | 0:49:36 | 0:49:39 | |
-They just went dumb, they just... -Unusual, it was unusual. | 0:49:41 | 0:49:44 | |
..they just stared. | 0:49:44 | 0:49:45 | |
Like thousands of mixed-race couples who married in post-war Britain, | 0:49:47 | 0:49:51 | |
Jake and Mary discovered that finding a home was a struggle. | 0:49:51 | 0:49:56 | |
I'd learned that as soon as Jake appeared, doors closed. | 0:49:56 | 0:50:00 | |
They'd come to the door, "Yes, can I help you? | 0:50:02 | 0:50:05 | |
"I'm sorry, we've got no room." | 0:50:05 | 0:50:07 | |
I can walk away, a minute after, Mary knocked that very door, | 0:50:09 | 0:50:15 | |
"Yes, you can come in." | 0:50:15 | 0:50:17 | |
That was the difference. | 0:50:18 | 0:50:21 | |
If we go together, on no uncertain manner, the answer is no. | 0:50:21 | 0:50:27 | |
You haven't got a chance in hell, no. | 0:50:29 | 0:50:32 | |
And it wasn't funny, it was awful. | 0:50:32 | 0:50:34 | |
-It was awful. -It was awful. I spent days and days crying. | 0:50:34 | 0:50:39 | |
ALLAN WILMOT: In those days, there were signs all over the place, | 0:50:43 | 0:50:46 | |
"No blacks, no Irish, no dogs." | 0:50:46 | 0:50:50 | |
"No Irish, no coloured, no dogs," | 0:50:52 | 0:50:55 | |
very hurtful but it help us realise we had to club together | 0:50:55 | 0:51:00 | |
and buy a property. | 0:51:00 | 0:51:02 | |
By 1951, we were the first black people to buy a house in Camberwell | 0:51:02 | 0:51:07 | |
and from there, we spread out over the place. | 0:51:07 | 0:51:11 | |
We had to | 0:51:11 | 0:51:13 | |
because our people were coming in hundreds | 0:51:13 | 0:51:16 | |
and the host nation were not letting them have a room | 0:51:16 | 0:51:20 | |
so we had to buy, so it develop automatically. | 0:51:20 | 0:51:23 | |
It turned out to be a good thing. | 0:51:23 | 0:51:26 | |
By the way, a property in those days, | 0:51:26 | 0:51:28 | |
that'd be 2,500. | 0:51:28 | 0:51:30 | |
Today, it's a lot of money, man. | 0:51:30 | 0:51:33 | |
MUSIC: I Am A Mole And I Live In A Hole by The Southlanders | 0:51:33 | 0:51:36 | |
# Ba-ba, ba-ba-ba, baa | 0:51:36 | 0:51:37 | |
# Ba-ba, ba-ba-ba, ba-ba, baa | 0:51:37 | 0:51:40 | |
# I'm not a bat or a rat or a cat... # | 0:51:40 | 0:51:44 | |
As the West Indians settled down with families, homes and jobs, | 0:51:44 | 0:51:48 | |
Caribbean culture became woven into the fabric of British life. | 0:51:48 | 0:51:53 | |
# ..I am a mole and I live in a hole... # | 0:51:53 | 0:51:56 | |
In 1950, Allan Wilmot joined a black vocal quartet | 0:51:56 | 0:52:01 | |
called The Southlanders. | 0:52:01 | 0:52:03 | |
Before we came on the scene, | 0:52:03 | 0:52:05 | |
anything in black entertainment in this country was American. | 0:52:05 | 0:52:09 | |
# ..I am a mole and I live in a hole... # | 0:52:09 | 0:52:14 | |
I am a mole and I live in a hole. | 0:52:14 | 0:52:17 | |
We were the first non-American group in this country | 0:52:17 | 0:52:22 | |
and of course others followed since. | 0:52:22 | 0:52:26 | |
Victor Brown became a stage star | 0:52:28 | 0:52:30 | |
when he doubled up with Chester Harriot in the variety act, | 0:52:30 | 0:52:34 | |
Harriot & Evans. | 0:52:34 | 0:52:35 | |
I met up with Ches | 0:52:35 | 0:52:36 | |
and we worked together for about 20 years after that | 0:52:36 | 0:52:41 | |
and everything was all right. | 0:52:41 | 0:52:44 | |
We never quite made the top | 0:52:44 | 0:52:48 | |
but we did... | 0:52:48 | 0:52:50 | |
We did quite well, we did quite well. | 0:52:50 | 0:52:53 | |
STEEL DRUM MUSIC | 0:52:53 | 0:52:56 | |
'In a famous London ballroom, a West Indian get together, | 0:52:56 | 0:53:00 | |
'a Caribbean carnival they call it, I believe.' | 0:53:00 | 0:53:03 | |
Britain's West Indian communities | 0:53:03 | 0:53:05 | |
began to celebrate their Caribbean heritage. | 0:53:05 | 0:53:08 | |
-SAM KING: -Well, in the West Indies, | 0:53:09 | 0:53:11 | |
if your community have a carnival, it get everybody working together. | 0:53:11 | 0:53:16 | |
The Notting Hill Carnival began in 1964 | 0:53:18 | 0:53:21 | |
with the aim of unifying London's increasingly diverse population. | 0:53:21 | 0:53:25 | |
It soon became the largest street festival in Europe. | 0:53:25 | 0:53:29 | |
As a West Indian, we must contribute something | 0:53:29 | 0:53:33 | |
that people can see that we are here. | 0:53:33 | 0:53:35 | |
We must have our carnival, my God. | 0:53:35 | 0:53:38 | |
You get rid of carnival, you get rid of Trinidadians. | 0:53:38 | 0:53:41 | |
After many difficult years of struggle, conflict and riots, | 0:53:41 | 0:53:46 | |
the Carnival has become a symbol of racial integration. | 0:53:46 | 0:53:51 | |
It's a vivid celebration of Caribbean culture in Britain | 0:53:51 | 0:53:55 | |
but the pioneers' wartime experience has largely been forgotten. | 0:53:55 | 0:54:00 | |
MARCHING MUSIC | 0:54:00 | 0:54:02 | |
Caribbean veterans are now making a public statement | 0:54:06 | 0:54:09 | |
about their contribution to Britain's war effort. | 0:54:09 | 0:54:12 | |
MUSIC CONTINUES | 0:54:12 | 0:54:14 | |
For the last three years, | 0:54:17 | 0:54:19 | |
local cadets have been joining the West Indian veterans | 0:54:19 | 0:54:22 | |
to march through Brixton to Windrush Square. | 0:54:22 | 0:54:25 | |
The parade usually takes place a month before Remembrance Day. | 0:54:25 | 0:54:30 | |
-NEIL FLANIGAN: -The march past in Brixton, | 0:54:30 | 0:54:33 | |
great realisation that there was a body of dignified men | 0:54:33 | 0:54:37 | |
who served in the British forces. | 0:54:37 | 0:54:39 | |
They march through the streets of Brixton | 0:54:39 | 0:54:42 | |
celebrating the lives of people who serve in the British forces. | 0:54:42 | 0:54:46 | |
MUSIC CONTINUES | 0:54:46 | 0:54:49 | |
Halt! | 0:54:49 | 0:54:50 | |
Fall out, the veterans and the flag-bearers. | 0:54:50 | 0:54:53 | |
Stand at ease! | 0:54:53 | 0:54:57 | |
Stand easy. | 0:54:57 | 0:54:59 | |
Ladies and gentlemen, | 0:54:59 | 0:55:02 | |
welcome to the annual march past | 0:55:02 | 0:55:04 | |
of the West Indian Association of Service Personnel. | 0:55:04 | 0:55:08 | |
It is indeed a pleasure that so many of you woke up | 0:55:08 | 0:55:11 | |
so early in the morning to come and participate in this parade. | 0:55:11 | 0:55:15 | |
The West Indian Ex-Servicemen's Association, now known as WASP, | 0:55:17 | 0:55:21 | |
protect the rights of men of colour who joined the British forces, | 0:55:21 | 0:55:25 | |
they give them pride and they give them dignity. | 0:55:25 | 0:55:29 | |
-ALLAN WILMOT: -Well, it was a thing for collective recognition. | 0:55:29 | 0:55:33 | |
If we didn't form that association, | 0:55:33 | 0:55:35 | |
the public wouldn't know the participation of black West Indians | 0:55:35 | 0:55:42 | |
who served the British Empire in their hour of need. | 0:55:42 | 0:55:46 | |
GUITAR MUSIC | 0:55:46 | 0:55:48 | |
# Of our heroes, we should be proud | 0:55:48 | 0:55:52 | |
# Calling the names out loud | 0:55:52 | 0:55:56 | |
# When the whole world had gone to war | 0:55:56 | 0:55:59 | |
# Africans and Caribbeans helped even the score | 0:55:59 | 0:56:04 | |
# The British Government came and asked us to help the mother country | 0:56:04 | 0:56:12 | |
# And many volunteered right away to rid this world of tyranny... # | 0:56:12 | 0:56:19 | |
I did not want my children to grow up in a colony. | 0:56:22 | 0:56:25 | |
I thought they would have a better chance growing up in England | 0:56:25 | 0:56:29 | |
and so far, it work. | 0:56:29 | 0:56:32 | |
I didn't dream that I would remain in England that long | 0:56:32 | 0:56:36 | |
but you come here for ten years | 0:56:36 | 0:56:38 | |
and you're gone 50 or 70 years | 0:56:38 | 0:56:42 | |
because you get so much absorb in the country | 0:56:42 | 0:56:46 | |
that when you go back to your own country, you are a foreigner | 0:56:46 | 0:56:51 | |
and here, you more or less know your way around | 0:56:51 | 0:56:54 | |
so you remain here for a while. | 0:56:54 | 0:56:58 | |
MUSIC CONTINUES | 0:56:58 | 0:57:00 | |
The Caribbean pioneers from the Second World War | 0:57:00 | 0:57:03 | |
have created an enduring, multicultural legacy. | 0:57:03 | 0:57:08 | |
VICTOR BROWN: It is a long way ahead but we're getting to the stage where | 0:57:12 | 0:57:18 | |
people are not so class and colour conscious as they were 50 years ago. | 0:57:18 | 0:57:25 | |
It's going to be all right, it's going to be all right. | 0:57:25 | 0:57:29 | |
-NEIL FLANIGAN: -All people aspire for the best things for themselves | 0:57:29 | 0:57:32 | |
and their families and as a family, | 0:57:32 | 0:57:36 | |
we have done well, | 0:57:36 | 0:57:38 | |
thanks to the country. | 0:57:38 | 0:57:40 | |
I love my country and I love Scotland. | 0:57:43 | 0:57:48 | |
It's in my children, grandchildren, great-grandchildren - | 0:57:48 | 0:57:53 | |
I think there are about 21 of us. | 0:57:53 | 0:57:56 | |
It's good to be harmonious, live together peacefully | 0:57:56 | 0:58:02 | |
and you can't go wrong. | 0:58:02 | 0:58:04 | |
# So remember our heroes who left homes and wives | 0:58:15 | 0:58:23 | |
# And journeyed to Europe just to fight for all our lives | 0:58:23 | 0:58:31 | |
# Because of them, freedom survives. # | 0:58:31 | 0:58:39 |