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Ten days... | 0:00:02 | 0:00:03 | |
From King of England to death and ruin. | 0:00:03 | 0:00:06 | |
This is the last journey of King John, | 0:00:06 | 0:00:09 | |
the Magna Carta King. | 0:00:09 | 0:00:11 | |
Through the treacherous flatlands of East Anglia... | 0:00:14 | 0:00:17 | |
..to the great cathedral at Worcester... | 0:00:18 | 0:00:22 | |
Here we are, looking at his face and it.. | 0:00:22 | 0:00:25 | |
I mean, it's almost overwhelming. | 0:00:25 | 0:00:27 | |
It is, it is. | 0:00:27 | 0:00:28 | |
'..rediscovering the landscape of Magna Carta...' | 0:00:28 | 0:00:31 | |
I can show you what it looked like in John's time. | 0:00:31 | 0:00:34 | |
These are the old fossil creeks, | 0:00:34 | 0:00:36 | |
this salt marsh that extended far inland. | 0:00:36 | 0:00:39 | |
And that's the marsh that King John would have been confronted with. | 0:00:39 | 0:00:42 | |
Nine great necklaces with many precious stones. | 0:00:42 | 0:00:45 | |
'..searching for the King's lost treasure.' | 0:00:45 | 0:00:48 | |
This is buried in the area where I'm standing. | 0:00:48 | 0:00:50 | |
'Is it really still hidden somewhere in the Fens?' | 0:00:50 | 0:00:53 | |
CLANKING | 0:00:53 | 0:00:54 | |
About two, two-and-a-half foot to my right. | 0:00:54 | 0:00:58 | |
'A legend still alive after 800 years.' | 0:00:58 | 0:01:01 | |
What do they say around here? | 0:01:01 | 0:01:03 | |
At the abbey, he's... | 0:01:03 | 0:01:06 | |
poisoned by the monks, by poisonous toad. | 0:01:06 | 0:01:09 | |
'A story told in the King's own words.' | 0:01:09 | 0:01:13 | |
'We can actually show where the King was every single day of his reign.' | 0:01:13 | 0:01:18 | |
'A lasting legacy.' | 0:01:19 | 0:01:21 | |
It's the first, original will of an English king to survive | 0:01:21 | 0:01:26 | |
-through to modern times. -An extraordinary thing. | 0:01:26 | 0:01:29 | |
This is the last journey of the Magna Carta King. | 0:01:29 | 0:01:33 | |
People have come to Bury St Edmunds, in Suffolk, to mark something | 0:01:43 | 0:01:47 | |
that happened 800 years ago. | 0:01:47 | 0:01:49 | |
A group of rebellious barons, fed up with the tyrannical | 0:01:56 | 0:02:00 | |
behaviour of their king, met here, in 1214, | 0:02:00 | 0:02:04 | |
to plan their demands. | 0:02:04 | 0:02:06 | |
It was the opening scene in a drama that led to the | 0:02:10 | 0:02:14 | |
making of Magna Carta, one of our most important medieval documents. | 0:02:14 | 0:02:18 | |
Magna Carta inspired our modern democracy, | 0:02:18 | 0:02:22 | |
but it would lead to the invasion of England, | 0:02:22 | 0:02:24 | |
the country ripped apart by Civil War, | 0:02:24 | 0:02:27 | |
and the King dead. | 0:02:27 | 0:02:28 | |
We're setting out from Bury St Edmunds, | 0:02:31 | 0:02:32 | |
where the rebellious barons met. | 0:02:32 | 0:02:35 | |
Before we start this final journey, | 0:02:35 | 0:02:37 | |
we're going to get to know the King. | 0:02:37 | 0:02:39 | |
Travelling with me is Professor Stephen Church, | 0:02:41 | 0:02:43 | |
a leading expert on John. | 0:02:43 | 0:02:46 | |
Since becoming King, John had earned a reputation as a ruthless tyrant, | 0:02:46 | 0:02:50 | |
a king who constantly travelled the land, | 0:02:50 | 0:02:53 | |
asserting his control. | 0:02:53 | 0:02:54 | |
Whoever you were, | 0:02:54 | 0:02:56 | |
you'd know about it when the King arrived in town. | 0:02:56 | 0:02:59 | |
He takes everything with him because government is done on the hoof, | 0:02:59 | 0:03:02 | |
and that means the King's writing office, | 0:03:02 | 0:03:05 | |
it means a part of the... | 0:03:05 | 0:03:08 | |
the way in which the King collects money, | 0:03:08 | 0:03:10 | |
it means his knights, it means his sergeants, it means... | 0:03:10 | 0:03:15 | |
Actually, it means things like the royal hunt, | 0:03:15 | 0:03:18 | |
which can include 300, 400 dogs, | 0:03:18 | 0:03:21 | |
plus the huntsmen and all the accoutrements | 0:03:21 | 0:03:23 | |
that go with that, and you have to have | 0:03:23 | 0:03:26 | |
the material to maintain this household, | 0:03:26 | 0:03:30 | |
so you have to have the bakers and the cooks | 0:03:30 | 0:03:33 | |
and the stewards, and wine has to be collected. | 0:03:33 | 0:03:36 | |
So, in other words, | 0:03:36 | 0:03:38 | |
we're talking about something that is actually extremely complicated. | 0:03:38 | 0:03:41 | |
The King has his own man who is responsible for carrying | 0:03:41 | 0:03:43 | |
his own bed around the country. | 0:03:43 | 0:03:45 | |
-That's just like taking a small town around. -Yes, it is. | 0:03:45 | 0:03:49 | |
-Actually, quite a large town. -Quite a large town, yes, indeed. | 0:03:49 | 0:03:52 | |
'It must have been an astonishing sight. | 0:03:52 | 0:03:55 | |
'Hundreds of people travelling with the King, | 0:03:55 | 0:03:57 | |
'from bakers to prostitutes. | 0:03:57 | 0:03:59 | |
'Imagine this whole marketplace on the move. | 0:03:59 | 0:04:02 | |
'The procession would have been over a mile long.' | 0:04:02 | 0:04:05 | |
What a sight this must have been. | 0:04:05 | 0:04:07 | |
For people who weren't used to seeing people in such great numbers. | 0:04:07 | 0:04:11 | |
To see this great population moving through an area. | 0:04:11 | 0:04:14 | |
And it is quite clear, we get some contemporary accounts which | 0:04:14 | 0:04:17 | |
suggest it is a terrifying sight. | 0:04:17 | 0:04:20 | |
We know so much about the King's journey from hundreds of letters, | 0:04:20 | 0:04:24 | |
and Stephen has realised that they are actually the King's own words. | 0:04:24 | 0:04:28 | |
For the very first time in English history, | 0:04:29 | 0:04:31 | |
we can actually show where the king was | 0:04:31 | 0:04:34 | |
every single day of his reign. | 0:04:34 | 0:04:37 | |
Each of these letters is dated, | 0:04:37 | 0:04:39 | |
it's dated with the place that it's issued from | 0:04:39 | 0:04:42 | |
and the date that it's issued from, and so you can tell - | 0:04:42 | 0:04:46 | |
that's where the King was at that particular moment in time. | 0:04:46 | 0:04:49 | |
And when it says "witness myself", it really means the King has | 0:04:49 | 0:04:53 | |
written these words - or spoken these words | 0:04:53 | 0:04:56 | |
and they've been written for him. | 0:04:56 | 0:04:57 | |
And it's in John's reign that for the first time, the chancery, | 0:04:57 | 0:05:02 | |
the King's writing office, records his outgoing correspondence. | 0:05:02 | 0:05:06 | |
So we don't have it for Richard I, | 0:05:06 | 0:05:08 | |
we don't have it for Henry II, but we do have it for John. | 0:05:08 | 0:05:11 | |
So this is actually the voice of the King, | 0:05:11 | 0:05:14 | |
this is as close as we get to a medieval tape-recording. | 0:05:14 | 0:05:18 | |
Absolutely, it is. That's precisely what it is. | 0:05:18 | 0:05:20 | |
We have some wonderful examples. | 0:05:20 | 0:05:22 | |
This particular letter from 1214, | 0:05:22 | 0:05:25 | |
when the King is writing to the seneschal, | 0:05:25 | 0:05:27 | |
who is his officer of Angouleme, | 0:05:27 | 0:05:30 | |
ordering him to find for his huntsmen and dogs | 0:05:30 | 0:05:33 | |
their reasonable expenses, and then he goes on to say... | 0:05:33 | 0:05:36 | |
HE LAUGHS | 0:05:48 | 0:05:50 | |
-Pretty specific stuff, isn't it? -Very specific. | 0:05:50 | 0:05:52 | |
But what about these great matters of state, | 0:05:52 | 0:05:54 | |
all these momentous events that were going on around him? | 0:05:54 | 0:05:57 | |
Well, they are there too. So, letters to the Pope, | 0:05:57 | 0:06:00 | |
letters to his officials, | 0:06:00 | 0:06:03 | |
directing their activities. They are there too. | 0:06:03 | 0:06:07 | |
So, this particular letter, for example, | 0:06:07 | 0:06:09 | |
which comes from early on in the reign, but it gives you a flavour. | 0:06:09 | 0:06:13 | |
"The King to all the citizens of Canterbury and the men | 0:06:13 | 0:06:16 | |
"of Middleton and all the knights and free tenants of the whole of Kent." | 0:06:16 | 0:06:19 | |
So it is a big letter. "Greetings, hello..." | 0:06:19 | 0:06:22 | |
So it was a really quite threatening letter addressed to all | 0:06:41 | 0:06:44 | |
the men of Kent, and the focus is on the big picture there. | 0:06:44 | 0:06:49 | |
It's menacing behaviour. And not only that, John upset the wealthy, | 0:06:49 | 0:06:53 | |
demanding money with a new 13th century style mansion tax. | 0:06:53 | 0:06:58 | |
The rebels hoped to curb that with Magna Carta, in June 1215. | 0:06:58 | 0:07:03 | |
Extraordinarily, an English king agreed to limit some of his | 0:07:03 | 0:07:07 | |
God-given powers, but it wasn't long before he broke its terms. | 0:07:07 | 0:07:12 | |
Civil war followed, the rebels declared the King deposed | 0:07:12 | 0:07:15 | |
and invited Prince Louis of France to take the throne. | 0:07:15 | 0:07:19 | |
The King fought back, travelling the land, crushing his enemies. | 0:07:19 | 0:07:22 | |
By spring 1216, he'd reached East Anglia. | 0:07:22 | 0:07:26 | |
It was the run-up to his final journey. | 0:07:26 | 0:07:28 | |
We follow the King to Framlingham, in Suffolk, | 0:07:29 | 0:07:32 | |
stronghold of Sir Roger Bigod, one of the leading rebels. | 0:07:32 | 0:07:36 | |
So this is what King John would have been confronted with, | 0:07:58 | 0:08:02 | |
this incredible castle. It was built about 1190 | 0:08:02 | 0:08:06 | |
and it uses this naturally defensible location | 0:08:06 | 0:08:10 | |
on a valley side. It accentuates it, | 0:08:10 | 0:08:12 | |
this great mound here, onto which this huge curtain wall | 0:08:12 | 0:08:16 | |
has been constructed and a deep ditch gouged out. | 0:08:16 | 0:08:21 | |
These are incredible defences. | 0:08:21 | 0:08:23 | |
There's a serious purpose here, but also it is a sort of visual signal. | 0:08:23 | 0:08:27 | |
"Don't mess with us, we are big, we are powerful." | 0:08:27 | 0:08:30 | |
You can just imagine the troops scurrying around there, | 0:08:30 | 0:08:33 | |
poking their heads from around the battlements | 0:08:33 | 0:08:36 | |
and loosing off the arrows at an attacking army. | 0:08:36 | 0:08:39 | |
The prospect of taking this place must have been really intimidating. | 0:08:39 | 0:08:44 | |
But King John wasn't intimidated. | 0:08:53 | 0:08:55 | |
His campaign was going well, he's on a roll. | 0:08:55 | 0:08:58 | |
From October onwards, he's just redistributing the lands | 0:09:00 | 0:09:04 | |
of those who have rebelled against him, | 0:09:04 | 0:09:06 | |
redistributing them to his supporters. | 0:09:06 | 0:09:08 | |
He's very much trying to break them on that wheel of poverty. | 0:09:08 | 0:09:12 | |
And he's here at Roger Bigod's castle of Framlingham, | 0:09:12 | 0:09:16 | |
because Roger Bigod is one of the guarantors of Magna Carta, | 0:09:16 | 0:09:19 | |
one of the enforcers of Magna Carta, | 0:09:19 | 0:09:21 | |
and he wants to break Roger Bigod on that wheel of poverty, too. | 0:09:21 | 0:09:25 | |
And yet there was no great battle. | 0:09:27 | 0:09:30 | |
The constable of the castle decides to hand over | 0:09:31 | 0:09:35 | |
the keys of the castle to the King. | 0:09:35 | 0:09:38 | |
But that seems absurd, because this castle is almost brand-new | 0:09:38 | 0:09:42 | |
and it's packed full with these state of the art defensive features, | 0:09:42 | 0:09:45 | |
and they just open the gates and let him in! | 0:09:45 | 0:09:48 | |
They sort of stared out at this, the assembled King's army, | 0:09:48 | 0:09:52 | |
with his siege engines, his hundreds of knights. | 0:09:52 | 0:09:55 | |
I mean, we know he has got miners and ditchers, | 0:09:55 | 0:09:57 | |
whose job it is to undermine the walls. | 0:09:57 | 0:09:59 | |
Would you want that to happen to your nice, | 0:09:59 | 0:10:01 | |
brand-spanking-new castle, here at Framlingham? | 0:10:01 | 0:10:04 | |
Maybe, then, it was just a simple, pragmatic decision. | 0:10:04 | 0:10:08 | |
If the castle isn't stormed, it's not destroyed, | 0:10:08 | 0:10:10 | |
we get to hang on to it, maybe for when the wind changes. | 0:10:10 | 0:10:14 | |
For fairer times. We get to keep this great possession. | 0:10:14 | 0:10:17 | |
And perhaps also to keep your own life as well. | 0:10:17 | 0:10:20 | |
Because if you stand up to the King, then perhaps the King would | 0:10:20 | 0:10:22 | |
have a reason for having you hung outside the walls of your castle. | 0:10:22 | 0:10:26 | |
The King gave most of the rebels' land to his supporters | 0:10:28 | 0:10:31 | |
to keep them on side, | 0:10:31 | 0:10:32 | |
but his letters tell us he wanted Framlingham for himself. | 0:10:32 | 0:10:36 | |
He tells the knights and free tenants of the fees | 0:10:36 | 0:10:39 | |
of Earl Roger Bigod... | 0:10:39 | 0:10:40 | |
He's taking the castle, the home of the Lord, | 0:10:58 | 0:11:00 | |
he's taking all his lands. | 0:11:00 | 0:11:02 | |
And he's putting his own guys in charge. | 0:11:02 | 0:11:05 | |
Very much so, very much so. And this is such a swanky, nice castle | 0:11:05 | 0:11:09 | |
and such a rich holding, | 0:11:09 | 0:11:11 | |
that he wants to hold it in his own hands. | 0:11:11 | 0:11:13 | |
Every day for a year, | 0:11:15 | 0:11:16 | |
John the tyrant was taking land from the rebels. | 0:11:16 | 0:11:19 | |
He was 49, fearless and at the top of his game. | 0:11:19 | 0:11:23 | |
No-one could have predicted what was going to happen next. | 0:11:23 | 0:11:26 | |
He'd brought the north of England under control, | 0:11:26 | 0:11:28 | |
and now the east was being brought to heel. | 0:11:28 | 0:11:31 | |
Only London was holding out against him. | 0:11:31 | 0:11:34 | |
A commentator looking at the scene then would think this was | 0:11:34 | 0:11:37 | |
a king who was about to crush the rebels. | 0:11:37 | 0:11:40 | |
But that was about to change. | 0:11:40 | 0:11:42 | |
From Framlingham, in Suffolk, we travel north-east | 0:12:18 | 0:12:21 | |
to the coastal port of King's Lynn, in Norfolk, | 0:12:21 | 0:12:24 | |
to see how fortune begins to turn against John. | 0:12:24 | 0:12:27 | |
The critical point came in the spring of 1216, | 0:12:28 | 0:12:31 | |
when Prince Louis of France actually arrived in the country | 0:12:31 | 0:12:35 | |
to claim the throne. | 0:12:35 | 0:12:36 | |
On October 9th, John comes to King's Lynn, | 0:12:36 | 0:12:39 | |
where he still has support. | 0:12:39 | 0:12:41 | |
Little does he know it, but his final journey has begun. | 0:12:41 | 0:12:45 | |
He's about to fall sick and has just ten days to live. | 0:12:45 | 0:12:49 | |
Ten days to save his dynasty from oblivion. | 0:12:49 | 0:12:52 | |
By now, the country was a mess. | 0:13:02 | 0:13:05 | |
King John and his entourage came to King's Lynn, | 0:13:05 | 0:13:08 | |
where the people welcomed him with open arms, | 0:13:08 | 0:13:10 | |
and this is because, a few years before, | 0:13:10 | 0:13:13 | |
he'd given the town a great gift, a charter. | 0:13:13 | 0:13:17 | |
It gave the townspeople economic, commercial and legal freedoms. | 0:13:17 | 0:13:22 | |
It allowed trade to thrive. | 0:13:22 | 0:13:24 | |
John left his mark on the town. | 0:13:27 | 0:13:29 | |
You can see its wealthy past. | 0:13:29 | 0:13:31 | |
Just look at these great buildings. | 0:13:31 | 0:13:33 | |
Like the guildhall, | 0:13:33 | 0:13:35 | |
built by the men who owed their power to King John - | 0:13:35 | 0:13:38 | |
the merchant guild. | 0:13:38 | 0:13:40 | |
800 years later, the town hasn't forgotten King John's gift. | 0:13:40 | 0:13:44 | |
Gary, you've got a fantastic collection here in King's Lynn. | 0:13:45 | 0:13:49 | |
The borough regalia is just fantastic. | 0:13:49 | 0:13:52 | |
-Superb, isn't it? -And you've got items here that are associated | 0:13:52 | 0:13:55 | |
with King John, or people thought were associated with King John. | 0:13:55 | 0:13:59 | |
I think the King John associations are really important. | 0:13:59 | 0:14:02 | |
The one thing which we know is definitely King John | 0:14:02 | 0:14:05 | |
-is the 1204 charter. -Yes. | 0:14:05 | 0:14:07 | |
Which is the charter which gave | 0:14:07 | 0:14:10 | |
Lynn its rights, basically. | 0:14:10 | 0:14:12 | |
You can see it is a grant in perpetuity. | 0:14:12 | 0:14:15 | |
so it is granting those rights forever. | 0:14:15 | 0:14:17 | |
It also grants them a... | 0:14:17 | 0:14:19 | |
..merchant guild as well. That's up here. | 0:14:20 | 0:14:23 | |
Oh, yes. Yes. | 0:14:23 | 0:14:25 | |
This is really the beginning of the borough council, isn't it? | 0:14:25 | 0:14:29 | |
-This is townspeople governing themselves. -Yeah. | 0:14:29 | 0:14:32 | |
From the 12th century, Lynn was a thriving town. | 0:14:34 | 0:14:37 | |
After London and Southampton, | 0:14:37 | 0:14:38 | |
King's Lynn and Boston were the two main ports. | 0:14:38 | 0:14:41 | |
So this area was extremely wealthy, and this was what was needed to give | 0:14:41 | 0:14:46 | |
them those rights. It's what set off the town upon another 100 years of | 0:14:46 | 0:14:51 | |
thriving, commercial success. | 0:14:51 | 0:14:54 | |
And it was still being referred to in the 19th century, | 0:14:54 | 0:14:56 | |
when people were given freedom of the borough. | 0:14:56 | 0:14:58 | |
They're still referring to the charter of King John. | 0:14:58 | 0:15:01 | |
Intriguingly to me, you've also got items here which are said to be | 0:15:01 | 0:15:05 | |
associated with King John, | 0:15:05 | 0:15:07 | |
but are actually later, they belong to later centuries. | 0:15:07 | 0:15:10 | |
There's a very strong tradition of the association with King John, | 0:15:10 | 0:15:13 | |
which shows the importance of King John to the borough. | 0:15:13 | 0:15:15 | |
This here is the King John cup. | 0:15:15 | 0:15:18 | |
Dates from about 1325. | 0:15:18 | 0:15:21 | |
It's a... Well, it is pretty unique standing cup. | 0:15:21 | 0:15:25 | |
What's so special about it is it's a secular item. | 0:15:25 | 0:15:27 | |
You associate chalices with church, | 0:15:27 | 0:15:29 | |
but this clearly isn't a church item, because if you look at it, | 0:15:29 | 0:15:32 | |
every scene on it relates to hunting. At the top here, we can see | 0:15:32 | 0:15:37 | |
a lady with a bow and arrow and hunting dogs. | 0:15:37 | 0:15:40 | |
On the bottom, we can see hounds chasing hares. | 0:15:40 | 0:15:44 | |
I mean, one theory is it was used by the merchant guilds, | 0:15:44 | 0:15:47 | |
here in this building, as part of an annual celebration for King John, | 0:15:47 | 0:15:51 | |
because he is so significant to the town, because of the charter. | 0:15:51 | 0:15:54 | |
This cup would have been used and passed around, perhaps, | 0:15:54 | 0:15:56 | |
for people to drink out of, | 0:15:56 | 0:15:57 | |
as part of that ceremony of a big feast. | 0:15:57 | 0:16:00 | |
And here we have King John's sword, so-called. | 0:16:00 | 0:16:04 | |
There is a very strong tradition that King John | 0:16:04 | 0:16:06 | |
took the sword from his side | 0:16:06 | 0:16:08 | |
and presented it to the town of Lynn. | 0:16:08 | 0:16:10 | |
In fact, there is an inscription on the blade, in Latin, | 0:16:10 | 0:16:12 | |
which says just that. But... | 0:16:12 | 0:16:15 | |
there is a lot of doubt as to the date | 0:16:15 | 0:16:19 | |
and how much of the original sword may have survived. | 0:16:19 | 0:16:23 | |
Clearly, most of it has been added at a later date. | 0:16:23 | 0:16:25 | |
In fact, there is an inscription referring to Henry VIII. | 0:16:25 | 0:16:28 | |
But again, there's a very strong tradition | 0:16:28 | 0:16:30 | |
of this sword being associated with King John. | 0:16:30 | 0:16:32 | |
It shows the importance of King John to Lynn. | 0:16:32 | 0:16:34 | |
In fact, it is still used today in ceremonial functions. 12 times a year | 0:16:34 | 0:16:38 | |
it is taken out and used in procession, | 0:16:38 | 0:16:40 | |
so again that keeps that tradition still very strong within Lynn. | 0:16:40 | 0:16:44 | |
And so, in October 1216, no doubt King John was lobbying, | 0:16:44 | 0:16:49 | |
cashing in on those good relationships with the folk of Lynn. | 0:16:49 | 0:16:52 | |
But the good times were coming to an end. | 0:16:52 | 0:16:55 | |
We think it was here that he began to feel unwell. | 0:16:55 | 0:16:59 | |
October 11th, 1216, | 0:17:06 | 0:17:08 | |
day two of his final journey. | 0:17:08 | 0:17:11 | |
The King leaves the town and heads north through the Fens. | 0:17:11 | 0:17:14 | |
Travelling that way today takes us along the A17 | 0:17:14 | 0:17:17 | |
and across the River Nene at Sutton Bridge. | 0:17:17 | 0:17:20 | |
We can have a pretty good guess he was heading back to Lincoln. | 0:17:20 | 0:17:24 | |
Which was his. | 0:17:24 | 0:17:26 | |
The King has already spent a long period of time around Lincoln, | 0:17:26 | 0:17:29 | |
shoring up its defences, | 0:17:29 | 0:17:31 | |
because it is clearly an extremely important castle | 0:17:31 | 0:17:34 | |
for the defence of his lands | 0:17:34 | 0:17:36 | |
during this extraordinary time. | 0:17:36 | 0:17:38 | |
That's his ultimate destination. | 0:17:38 | 0:17:40 | |
Of course, he never gets there, but that's where he's heading. | 0:17:40 | 0:17:43 | |
In 1216, this is a very different and treacherous landscape. | 0:17:43 | 0:17:47 | |
There are no bridges and only rough roads. | 0:17:47 | 0:17:50 | |
The King, his party of hundreds of men with all his baggage, | 0:17:50 | 0:17:53 | |
are making a very dangerous journey. | 0:17:53 | 0:17:56 | |
And disaster is just around the corner. | 0:17:56 | 0:18:00 | |
'Thanks to technology, we can see why. | 0:18:06 | 0:18:09 | |
'We can see back in time to the very landscape King John is crossing.' | 0:18:09 | 0:18:13 | |
-I can show you what it looked like in John's time. -Fantastic. | 0:18:13 | 0:18:17 | |
There's a bit of kit here. It's wonderful stuff. | 0:18:17 | 0:18:20 | |
-This is a lidar image. -OK. | 0:18:20 | 0:18:22 | |
And it basically creates a very detailed terrain map, | 0:18:22 | 0:18:26 | |
so a map of the undulations in the surface of the earth. | 0:18:26 | 0:18:29 | |
And we're not looking below the soil here, | 0:18:29 | 0:18:31 | |
but it is giving you a sense of this landscape going way back in history. | 0:18:31 | 0:18:36 | |
And you can see here, this is the modern coast. | 0:18:36 | 0:18:39 | |
-This is the edge of the Wash right here. -Yep. | 0:18:39 | 0:18:42 | |
Here's the River Nene, coming right out there. | 0:18:42 | 0:18:46 | |
But what you can immediately see... | 0:18:46 | 0:18:48 | |
See all these little, winding... | 0:18:48 | 0:18:51 | |
tree-like, root-like paths coming through? | 0:18:51 | 0:18:54 | |
It is difficult to make these out on the surface of the land now. | 0:18:54 | 0:18:57 | |
They are there, but these are the old fossil creeks, | 0:18:57 | 0:19:00 | |
this salt marsh that extended far inland. | 0:19:00 | 0:19:04 | |
-You can see this is all reclaimed land. -Yes. -This area of green. | 0:19:04 | 0:19:07 | |
But you're still seeing a pattern of the underlying, ancient salt marsh, | 0:19:07 | 0:19:12 | |
and that's the marsh that John would have had to confront. | 0:19:12 | 0:19:16 | |
So this is the stuff that they're crossing. | 0:19:16 | 0:19:18 | |
'Today, a high bank protects the reclaimed farmland from flooding, | 0:19:19 | 0:19:24 | |
'but on the other side, we can see why King John's baggage train | 0:19:24 | 0:19:28 | |
'got into trouble.' | 0:19:28 | 0:19:30 | |
Look at this, Stephen. | 0:19:32 | 0:19:34 | |
I think this is precisely the sort of path, causeway, | 0:19:34 | 0:19:37 | |
that King John's baggage train would have been confronted with. | 0:19:37 | 0:19:41 | |
It's fine for you or I to traverse, or somebody with a horse, | 0:19:41 | 0:19:45 | |
but we are not talking about two or three people, | 0:19:45 | 0:19:47 | |
we are talking about hundreds of people who were involved | 0:19:47 | 0:19:50 | |
in the King's baggage train, | 0:19:50 | 0:19:52 | |
that there are these large four-wheeled carts, | 0:19:52 | 0:19:55 | |
which are carrying a huge amount of weight. | 0:19:55 | 0:19:58 | |
It changes from minute to minute, hour to hour. | 0:19:58 | 0:20:00 | |
It's not just a seasonal thing. | 0:20:00 | 0:20:02 | |
This... You have to know it, you have to be able to read it. | 0:20:02 | 0:20:06 | |
I mean, look at that! | 0:20:06 | 0:20:07 | |
Even as we are talking, the tide is sweeping in, and what was | 0:20:07 | 0:20:11 | |
once salt marsh and visible to us is now becoming like a lake. | 0:20:11 | 0:20:15 | |
It's extraordinary, the speed with which that's come in. | 0:20:15 | 0:20:18 | |
Absolutely extraordinary. If we'd been out there... | 0:20:18 | 0:20:21 | |
Well, we'd have been in trouble. | 0:20:21 | 0:20:23 | |
'It appears that the baggage train makes the crossing | 0:20:26 | 0:20:29 | |
'before the tide is fully out and gets stuck. | 0:20:29 | 0:20:32 | |
'That's puzzling because we'd expect travellers to have a local guide | 0:20:32 | 0:20:35 | |
'who knows the dangers.' | 0:20:35 | 0:20:37 | |
It makes you wonder about John's situation, | 0:20:39 | 0:20:42 | |
whether his baggage train actually had a guide or not. | 0:20:42 | 0:20:46 | |
Because the baggage train does get into difficulty, | 0:20:46 | 0:20:49 | |
but it gets into difficulty | 0:20:49 | 0:20:51 | |
because it appears to start to cross | 0:20:51 | 0:20:55 | |
at a point which is too early, before the tide is fully receded. | 0:20:55 | 0:21:00 | |
Low tide is around about midday on the day of | 0:21:00 | 0:21:04 | |
the 12th of October. | 0:21:04 | 0:21:06 | |
And the baggage train clearly sets out too early. | 0:21:06 | 0:21:09 | |
Well, would a fenman have allowed that to happen? | 0:21:09 | 0:21:14 | |
Did a local guide deliberately lead them to danger | 0:21:14 | 0:21:16 | |
so that the locals could pinch the treasure? | 0:21:16 | 0:21:19 | |
Or is there another reason the King's men take such a wild chance? | 0:21:19 | 0:21:23 | |
John is travelling separately. | 0:21:23 | 0:21:25 | |
He's gone ahead to nearby Wisbech. | 0:21:25 | 0:21:28 | |
And he isn't hanging about. He could cover 30 miles a day. | 0:21:28 | 0:21:33 | |
The baggage train would have moved much more slowly, | 0:21:33 | 0:21:35 | |
but it has to make it to the next meeting point with the King. | 0:21:35 | 0:21:39 | |
The pressure is really on. | 0:21:39 | 0:21:41 | |
Whatever the reason, legend has it that gold, silver, | 0:21:42 | 0:21:45 | |
crown jewels and money all go down in the mud. | 0:21:45 | 0:21:49 | |
It's still some of the most sought-after treasure | 0:21:49 | 0:21:51 | |
in the country. | 0:21:51 | 0:21:53 | |
The problem is we don't know for sure where it sank, | 0:21:53 | 0:21:56 | |
so how on earth do you find out where to look? | 0:21:56 | 0:21:58 | |
London barrister Walton Hornsby and his brother-in-law, | 0:22:03 | 0:22:06 | |
Philip Hayden Slayter, began trying to find out in 2003. | 0:22:06 | 0:22:11 | |
As well as looking at ancient documents, | 0:22:12 | 0:22:14 | |
they're using an unusual method to pinpoint the exact spot. | 0:22:14 | 0:22:19 | |
So this is the exact route that.. | 0:22:19 | 0:22:22 | |
the baggage train would have taken... | 0:22:22 | 0:22:25 | |
in...1216. | 0:22:25 | 0:22:27 | |
-INTERVIEWER: -And how are you going to find the exact spot? | 0:22:27 | 0:22:30 | |
Right, that's where Jim Longton comes in. | 0:22:30 | 0:22:32 | |
This is our diviner, our dowser. | 0:22:33 | 0:22:36 | |
And what we need him to do today... | 0:22:36 | 0:22:38 | |
I mean, he's already done it, he's already shown us | 0:22:38 | 0:22:40 | |
exactly where he thinks | 0:22:40 | 0:22:44 | |
the remains of the baggage train is, | 0:22:44 | 0:22:48 | |
but we want him to go right on the spot today, | 0:22:48 | 0:22:52 | |
so that we can get a very precise reading from exactly where | 0:22:52 | 0:22:56 | |
he tells us the... | 0:22:56 | 0:22:59 | |
the treasure is. | 0:22:59 | 0:23:01 | |
We need, really, to know and understand | 0:23:01 | 0:23:04 | |
what the sediments are like, | 0:23:04 | 0:23:06 | |
where the clay level is, | 0:23:06 | 0:23:08 | |
how much water is down there. | 0:23:08 | 0:23:11 | |
And really to be able to understand the conditions | 0:23:11 | 0:23:14 | |
so that we can plan the excavation properly. | 0:23:14 | 0:23:17 | |
It's possible that within these samples... | 0:23:17 | 0:23:21 | |
will be found some of the debris, | 0:23:21 | 0:23:24 | |
or even possibly some of the artefacts that actually went down. | 0:23:24 | 0:23:28 | |
Now if that happens, obviously that would be highly encouraging. | 0:23:28 | 0:23:32 | |
Not to say hugely exciting. | 0:23:34 | 0:23:36 | |
One, two, three. It's either three or four | 0:23:36 | 0:23:40 | |
of those... | 0:23:40 | 0:23:41 | |
-Stand behind the rod. -..trees. | 0:23:43 | 0:23:45 | |
Stand behind the rod. | 0:23:45 | 0:23:47 | |
Point me to where King John's treasure lies buried. | 0:23:48 | 0:23:51 | |
That would be smack bang dab on where we were last time. | 0:23:55 | 0:23:58 | |
Smack bang dab on where it came up before. | 0:23:58 | 0:24:00 | |
Right, Walton has got the list. | 0:24:00 | 0:24:02 | |
Jim Longton has found other treasure. | 0:24:02 | 0:24:04 | |
The two amateur historians think he's the best hope | 0:24:04 | 0:24:07 | |
of recovering some of our most precious heritage. | 0:24:07 | 0:24:10 | |
I am absolutely convinced that he is a genuine guy, and that | 0:24:12 | 0:24:16 | |
when he says that this is where the baggage train passed, | 0:24:16 | 0:24:20 | |
and this is where whatever went down with the baggage train | 0:24:20 | 0:24:24 | |
still now is, I'm quite convinced that he is genuine about that. | 0:24:24 | 0:24:28 | |
Now, whether it is down there... | 0:24:28 | 0:24:31 | |
is another matter. | 0:24:31 | 0:24:32 | |
The place where the English royal regalia... | 0:24:36 | 0:24:40 | |
..lies buried. | 0:24:41 | 0:24:43 | |
Point to the place in King John's baggage where the English royal... | 0:24:43 | 0:24:46 | |
Once the most likely spot has been identified, | 0:24:46 | 0:24:49 | |
the next step will to be drill down and collect soil samples. | 0:24:49 | 0:24:53 | |
'We are continuing our journey north through the Fens. | 0:25:11 | 0:25:14 | |
'Even though it's eight centuries since the King | 0:25:15 | 0:25:18 | |
'and his men passed this way, his last great journey is alive | 0:25:18 | 0:25:22 | |
'in local folklore and marked in the landscape. | 0:25:22 | 0:25:25 | |
'It's said that he stayed here at King John's Farm. | 0:25:25 | 0:25:28 | |
'He certainly travels from Wisbech across the Fens. | 0:25:30 | 0:25:33 | |
'By October 12th, he reaches Swineshead, in Lincolnshire, | 0:25:33 | 0:25:37 | |
'where he stays with the monks at the local abbey. | 0:25:37 | 0:25:40 | |
'Now the village is surrounded by farmland, | 0:25:42 | 0:25:45 | |
'but here, too, lidar images reveal how this was a tiny island | 0:25:45 | 0:25:48 | |
'in the middle of a huge marsh in John's time. | 0:25:48 | 0:25:51 | |
'The yellow areas are the higher ground, | 0:25:51 | 0:25:54 | |
'and you can just see the site of the abbey and a medieval castle. | 0:25:54 | 0:25:57 | |
'On the ground, traces of those ancient buildings | 0:26:00 | 0:26:03 | |
'and sites have almost disappeared.' | 0:26:03 | 0:26:05 | |
You can see it's actually... Circular bank runs here. | 0:26:06 | 0:26:09 | |
And there where it's clear of weeds and nettles. | 0:26:09 | 0:26:12 | |
So it's a little motte and bailey castle, the central mound, | 0:26:12 | 0:26:14 | |
and it would have buildings in it. Little memorial castle. | 0:26:14 | 0:26:17 | |
This would have been in King John's landscape. | 0:26:17 | 0:26:19 | |
This would have been a feature that he | 0:26:19 | 0:26:21 | |
and his entourage would have seen. | 0:26:21 | 0:26:22 | |
And very close to the abbey grounds over there. | 0:26:22 | 0:26:25 | |
Yes, Swineshead's over there. | 0:26:25 | 0:26:26 | |
Day three of King John's final journey. | 0:26:28 | 0:26:31 | |
Things are not going well. | 0:26:31 | 0:26:32 | |
It's here at Swineshead that the King gets the news | 0:26:32 | 0:26:35 | |
that his baggage train has been lost, | 0:26:35 | 0:26:37 | |
and by now he is very sick. | 0:26:37 | 0:26:39 | |
It's said that travellers came to this very spot in King John's day | 0:26:42 | 0:26:46 | |
to have a drink and pick up a local guide to take them | 0:26:46 | 0:26:48 | |
across the treacherous marsh. | 0:26:48 | 0:26:50 | |
And like us, no doubt, to hear the local gossip. | 0:26:50 | 0:26:53 | |
Has John contracted dysentery? | 0:26:54 | 0:26:56 | |
Or is there something more sinister going on? | 0:26:56 | 0:26:59 | |
We have an account by a man called Roger of Wendover, | 0:27:00 | 0:27:04 | |
writing in the 1220s, a man who was very much a hostile witness | 0:27:04 | 0:27:08 | |
when it comes to King John. He didn't like King John at all. | 0:27:08 | 0:27:11 | |
He actually describes for us the sort of... | 0:27:11 | 0:27:14 | |
Something about his stay here at Swineshead, | 0:27:14 | 0:27:18 | |
and says that | 0:27:18 | 0:27:19 | |
"his sickness was increased by his pernicious gluttony..." | 0:27:19 | 0:27:23 | |
-Well, that's not the story that's told around here. -There we go. | 0:27:31 | 0:27:34 | |
Excellent. | 0:27:34 | 0:27:35 | |
-Well, let's hear it. -What do they say around here? | 0:27:35 | 0:27:37 | |
That he stayed at the abbey that night. | 0:27:37 | 0:27:41 | |
Obviously they were monks. | 0:27:41 | 0:27:44 | |
The monks didn't particularly like him. He's, um... | 0:27:44 | 0:27:48 | |
poisoned by the monks. | 0:27:48 | 0:27:51 | |
His food taster was killed in the abbey. | 0:27:51 | 0:27:55 | |
He died there from food poisoning, by poisonous toad. | 0:27:55 | 0:28:00 | |
And, apparently, King John passed through the village on his way | 0:28:00 | 0:28:04 | |
to Newark, and that's where he died there. Um... | 0:28:04 | 0:28:08 | |
Oh, poisonous toad. | 0:28:08 | 0:28:10 | |
-Poisonous toad. -Why use a toad to poison the King? -Marshland. | 0:28:10 | 0:28:14 | |
There will be frogs, toads around. You know, um... | 0:28:14 | 0:28:17 | |
Obviously not now, it's a big farming community. | 0:28:17 | 0:28:20 | |
-In them days, it was just marshland. -Yes. -You know? | 0:28:20 | 0:28:23 | |
So...it's all hearsay, there's nothing ever been... | 0:28:23 | 0:28:27 | |
..written down, that I know of. It's just stories that have been... | 0:28:28 | 0:28:31 | |
It's a story that finds its way into Shakespeare's King John, | 0:28:31 | 0:28:35 | |
although there is no toad in Shakespeare's King John. | 0:28:35 | 0:28:38 | |
Apparently, John is poisoned by one of the monks | 0:28:38 | 0:28:41 | |
of Swineshead, here, | 0:28:41 | 0:28:44 | |
and...then, as your story says, | 0:28:44 | 0:28:48 | |
makes his way to... | 0:28:48 | 0:28:49 | |
makes his way to Newark, where eventually he's going to die. | 0:28:49 | 0:28:52 | |
So, because it was all marshland, hence the story of his | 0:28:52 | 0:28:57 | |
treasure being lost in the Wash. | 0:28:57 | 0:29:00 | |
Because this was all Wash then. | 0:29:00 | 0:29:02 | |
You dig a hole locally and anybody that is from the area will | 0:29:02 | 0:29:07 | |
ask you if you've found King John's treasure yet. | 0:29:07 | 0:29:10 | |
There were rumours that people had found bits and pieces. | 0:29:10 | 0:29:13 | |
-Nobody has ever said that to me. -You wouldn't tell me that... | 0:29:13 | 0:29:17 | |
THEY LAUGH | 0:29:17 | 0:29:18 | |
-..if you had. -I shouldn't think he lost it. | 0:29:18 | 0:29:20 | |
I should think he, or somebody had it away. | 0:29:20 | 0:29:22 | |
If he's out of his mind on poison toad, he's probably given it away. | 0:29:22 | 0:29:26 | |
And nobody is going to say anything, are they? | 0:29:26 | 0:29:29 | |
Now matter how long ago it was, they will have flogged it on. | 0:29:29 | 0:29:32 | |
I don't... As far as I know, nothing has ever turned up. | 0:29:32 | 0:29:35 | |
So you've never had someone come in here, saying, | 0:29:35 | 0:29:37 | |
-"How much for this gold coin"? -No. | 0:29:37 | 0:29:39 | |
THEY LAUGH | 0:29:39 | 0:29:40 | |
Unfortunately not, no. | 0:29:40 | 0:29:42 | |
But the power of local storytelling turns out to be extraordinary. | 0:29:43 | 0:29:47 | |
After we left the pub, digging deep in the archives, | 0:29:47 | 0:29:50 | |
we find that, in fact, the story of poisoning by toad | 0:29:50 | 0:29:53 | |
goes back to a medieval chronicler... | 0:29:53 | 0:29:56 | |
'The monk found a great toad and put him in a cup and pricked | 0:29:56 | 0:30:00 | |
'the toad thorough with a brooch many times, | 0:30:00 | 0:30:03 | |
'till that the venom come out. | 0:30:03 | 0:30:05 | |
'Then, he took the cup and filled it with good ale, | 0:30:05 | 0:30:08 | |
'and brought it before the King.' | 0:30:08 | 0:30:11 | |
So although the source had been all but forgotten, | 0:30:11 | 0:30:13 | |
local sharing of this legend | 0:30:13 | 0:30:15 | |
has kept it alive in Swineshead for 800 years. | 0:30:15 | 0:30:18 | |
Whether it's true is another matter. | 0:30:18 | 0:30:21 | |
Today is an important day for Walton and Philip's treasure hunt. | 0:30:24 | 0:30:28 | |
Diviner Jim Longton has, they believe, | 0:30:28 | 0:30:30 | |
identified the place where King John's baggage train went down. | 0:30:30 | 0:30:34 | |
The field here was once part of a huge marsh, | 0:30:34 | 0:30:37 | |
but now machinery is needed to explore further. | 0:30:37 | 0:30:40 | |
What we think we're dealing with | 0:30:43 | 0:30:45 | |
is large oak caskets bound with metal. | 0:30:45 | 0:30:52 | |
And these caskets would have sunk down into the quicksands | 0:30:52 | 0:30:56 | |
until they would have hit either bedrock or silt. | 0:30:56 | 0:31:02 | |
And we estimate that that will be at about a depth | 0:31:02 | 0:31:05 | |
of between 15 and 20 feet. | 0:31:05 | 0:31:07 | |
I'm...anxious, expectant and hopeful. | 0:31:08 | 0:31:13 | |
I've got, Jim, a more specific list. | 0:31:13 | 0:31:16 | |
So the first item is a crown with precious stones, | 0:31:16 | 0:31:21 | |
a cross and seven flowers. | 0:31:21 | 0:31:24 | |
This is gold with precious stones. | 0:31:24 | 0:31:27 | |
One last check from Jim that they are digging in the right place. | 0:31:27 | 0:31:31 | |
It needs to be, as the pair are spending | 0:31:31 | 0:31:33 | |
thousands of pounds of their own money. | 0:31:33 | 0:31:36 | |
Philip's knowledge of soil | 0:31:36 | 0:31:37 | |
gained from his background in mining is useful. | 0:31:37 | 0:31:40 | |
With this logging of each section, | 0:31:49 | 0:31:51 | |
we'll be able to find out exactly how each layer behaves | 0:31:51 | 0:31:56 | |
in terms of the water contact, | 0:31:56 | 0:31:59 | |
in terms of the silt, the sand, the sludge... | 0:31:59 | 0:32:03 | |
And hopefully, you never know, | 0:32:03 | 0:32:06 | |
a little bit of treasure might come up. | 0:32:06 | 0:32:08 | |
But even taking the samples is proving difficult. | 0:32:10 | 0:32:15 | |
-You understand the problem? -No. | 0:32:15 | 0:32:17 | |
OK, the problem is that we are getting these blown sands, | 0:32:17 | 0:32:23 | |
because the pressure down in that hole is so intense. | 0:32:23 | 0:32:25 | |
It's forcing 1.4, 1.3 metres, into a metre, | 0:32:25 | 0:32:30 | |
and so the sleeve that's inside is getting compacted inside the collar. | 0:32:30 | 0:32:35 | |
So it's buckling the plastic collar and forcing it out | 0:32:35 | 0:32:40 | |
and they can't get it out. | 0:32:40 | 0:32:42 | |
I don't think they're going to get that out. | 0:32:42 | 0:32:44 | |
So what I think we'll do is empty it out, | 0:32:44 | 0:32:46 | |
which is what we want to do anyway. | 0:32:46 | 0:32:48 | |
-Nothing at all. -No. -Leather and a little bit of wood... | 0:32:51 | 0:32:55 | |
Some bit of bone... | 0:32:55 | 0:32:57 | |
You know... | 0:32:59 | 0:33:00 | |
-Yeah. -Some little... | 0:33:01 | 0:33:04 | |
-relic might have given us a little bit more encouragement. -Yeah. | 0:33:04 | 0:33:09 | |
Things are not going well for King John either. | 0:33:10 | 0:33:14 | |
He leaves Swineshead knowing that Prince Louis of France | 0:33:14 | 0:33:16 | |
is stalking the land. | 0:33:16 | 0:33:18 | |
There's a real danger of Louis taking the throne. | 0:33:18 | 0:33:21 | |
John travels on to Sleaford and from there, | 0:33:24 | 0:33:26 | |
he arrives in Newark, Nottinghamshire, | 0:33:26 | 0:33:28 | |
on October 16th, day eight of his last journey. | 0:33:28 | 0:33:32 | |
This is a great way to travel, isn't it, and to come to Newark? | 0:33:48 | 0:33:52 | |
Waterways were really important in the medieval world | 0:33:52 | 0:33:55 | |
for getting people around and goods, | 0:33:55 | 0:33:57 | |
but King John is not coming to Newark via the river. | 0:33:57 | 0:34:00 | |
No, he's not. He's being carried to Newark by his men, | 0:34:00 | 0:34:04 | |
bouncing along, presumably, on those horrible rutted October roads. | 0:34:04 | 0:34:08 | |
We know that he's really unwell, because on the 15th of October, | 0:34:08 | 0:34:13 | |
from his abbey, or from Sleaford, | 0:34:13 | 0:34:18 | |
he writes to the Pope, | 0:34:18 | 0:34:20 | |
and he writes to the Pope in this vein. | 0:34:20 | 0:34:22 | |
"Since we are detained by a serious and incurable illness - | 0:34:22 | 0:34:26 | |
"so much so that there was no hope at all for us..." | 0:34:26 | 0:34:28 | |
"We gathered together our magnates in our presence | 0:34:42 | 0:34:44 | |
"and made provision at that time for our kingdom." | 0:34:44 | 0:34:47 | |
So he's preparing for death even on the 15th of October. | 0:34:47 | 0:34:51 | |
-And his objective is this, the castle. -It is the castle. | 0:34:51 | 0:34:55 | |
Which is in friendly hands, somewhere he knows he can go. | 0:34:55 | 0:34:57 | |
It belongs to the Bishop of Lincoln | 0:34:57 | 0:34:59 | |
but it's in John's own hands at this particular stage. | 0:34:59 | 0:35:02 | |
The constable is John's man, | 0:35:02 | 0:35:04 | |
so he knows it's going to be a safe location. | 0:35:04 | 0:35:06 | |
So this is the object of his... | 0:35:08 | 0:35:11 | |
This is where he is destined to go. | 0:35:11 | 0:35:13 | |
Here too, in the town where he died, | 0:35:18 | 0:35:20 | |
King John is still remembered by the locals, but it's not a fond memory. | 0:35:20 | 0:35:25 | |
What do Newark people know about the story of King John? | 0:35:27 | 0:35:30 | |
Well, the main history is that we know that the actual castle | 0:35:32 | 0:35:35 | |
was owned by one of the chief clergymen, | 0:35:35 | 0:35:39 | |
or the Bishop of Lincoln, | 0:35:39 | 0:35:41 | |
and Prince John used to come here as a drop-off spot | 0:35:41 | 0:35:47 | |
wherever he travelled. | 0:35:47 | 0:35:48 | |
Do you think he was a bad king | 0:35:48 | 0:35:52 | |
or just someone who's been misinterpreted | 0:35:52 | 0:35:55 | |
and bit unlucky in history? | 0:35:55 | 0:35:56 | |
Well, I'd say he would be rather unlucky in his history. | 0:35:56 | 0:36:01 | |
We all believe in this town that the man died through poisoning | 0:36:01 | 0:36:05 | |
and no other source, but that is open to conjecture. | 0:36:05 | 0:36:10 | |
Do you think he got what was coming to him? | 0:36:12 | 0:36:15 | |
Well... | 0:36:15 | 0:36:17 | |
everybody would say what goes around comes around | 0:36:17 | 0:36:19 | |
and I believe that that man may have got what he deserved. | 0:36:19 | 0:36:23 | |
Incredible that after 800 years, | 0:36:25 | 0:36:28 | |
people have such strong opinions about John. | 0:36:28 | 0:36:31 | |
I guess that's what happens to rulers who overtax | 0:36:31 | 0:36:34 | |
and terrorise their citizens. | 0:36:34 | 0:36:37 | |
The king and his men stay here at Newark Castle. | 0:36:37 | 0:36:40 | |
John is very weak. The kingdom is in crisis. | 0:36:44 | 0:36:48 | |
For his followers, it's panic stations. | 0:36:48 | 0:36:50 | |
A few days earlier, the King had been in good health. | 0:36:50 | 0:36:53 | |
There's been no time to make a plan. | 0:36:53 | 0:36:55 | |
The north of England is held by the rebels. | 0:36:55 | 0:36:57 | |
So are London and Westminster. | 0:36:57 | 0:36:59 | |
Prince Louis of France has laid siege to Dover Castle, | 0:36:59 | 0:37:02 | |
gateway to the kingdom. | 0:37:02 | 0:37:05 | |
On the night of October 18th, John lays in his bed dying. | 0:37:05 | 0:37:09 | |
It must have looked, certainly to those who gave it any thought at all, | 0:37:11 | 0:37:16 | |
as though the regime was going to come to an end. | 0:37:16 | 0:37:19 | |
As though the dynasty was going to come to an end. | 0:37:19 | 0:37:22 | |
And on the 18th of October, there is a great flurry of official letters | 0:37:22 | 0:37:26 | |
that are being sent out, | 0:37:26 | 0:37:27 | |
all of which are related to the needs of the King's royal advisers. | 0:37:27 | 0:37:31 | |
So one of the letters concerns the movement of troops. | 0:37:31 | 0:37:34 | |
Yes, indeed, and this is the very last letter, personal letter, | 0:37:34 | 0:37:39 | |
if you like, that John sends. | 0:37:39 | 0:37:43 | |
And he sends it to a man called Savaric de Mauleon, | 0:37:43 | 0:37:45 | |
who is one of his Poitevin generals, | 0:37:45 | 0:37:49 | |
one of his closest supporters, one of his closest adherents. | 0:37:49 | 0:37:52 | |
And what this letter does is it sends troops to him. So here we go. | 0:37:52 | 0:37:57 | |
So it's as though he's giving up the ghost at this particular moment. | 0:38:11 | 0:38:16 | |
He realises that he has no more need for these 300 soldiers | 0:38:16 | 0:38:20 | |
and he's sent them to his chief supporter, | 0:38:20 | 0:38:24 | |
the one he thinks is going to be able to use them most wisely. | 0:38:24 | 0:38:28 | |
It must have been very distressing. | 0:38:28 | 0:38:30 | |
And you use an interesting word - "incapacitated". | 0:38:30 | 0:38:33 | |
We know he was carried to Newark on a litter. | 0:38:33 | 0:38:36 | |
He is not capable of riding. And yet, issuing letters. | 0:38:36 | 0:38:40 | |
Is there a suspicion that actually someone else is doing this | 0:38:40 | 0:38:43 | |
-on his behalf? -Well, yes, absolutely. | 0:38:43 | 0:38:46 | |
I think there's a very good suggestion. | 0:38:46 | 0:38:48 | |
There are these eight or so public letters that are issued | 0:38:48 | 0:38:52 | |
on the very last day of his life, supposedly the very last of his life. | 0:38:52 | 0:38:57 | |
And they seem to show a very coherent, | 0:38:57 | 0:38:59 | |
thinking plan as to what is going to happen in the next stage | 0:38:59 | 0:39:04 | |
of the war against the rebel barons | 0:39:04 | 0:39:08 | |
and the war against Louis. | 0:39:08 | 0:39:11 | |
And it's hard to believe that John was actually compos mentis enough | 0:39:11 | 0:39:16 | |
to be able to think through those particular issues, | 0:39:16 | 0:39:20 | |
and it does make one think of those dictators | 0:39:20 | 0:39:24 | |
whose death we hear of only a few days after they die. | 0:39:24 | 0:39:28 | |
So they create a bit of breathing space. | 0:39:28 | 0:39:30 | |
A bit of time to think. | 0:39:30 | 0:39:31 | |
I think they create a bit of breathing space. | 0:39:31 | 0:39:33 | |
I'm sure that's right. | 0:39:33 | 0:39:35 | |
So it's possible John's men hush up his death | 0:39:35 | 0:39:38 | |
while they get themselves sorted out. | 0:39:38 | 0:39:40 | |
When the news does come out, just like politicians today, | 0:39:40 | 0:39:44 | |
they make sure the story is suitably spun in the King's favour. | 0:39:44 | 0:39:48 | |
We have this, I suppose you might call it a semi-official version, | 0:39:50 | 0:39:54 | |
of what happened at the point that John died, | 0:39:54 | 0:39:57 | |
and we are told that John died in the night of the 18th or 19th of October, | 0:39:57 | 0:40:02 | |
presumably in the early hours. | 0:40:02 | 0:40:05 | |
Here the account says at about the middle of the night. | 0:40:05 | 0:40:10 | |
So this dramatic event, the death of a king, | 0:40:28 | 0:40:31 | |
is matched by this strange and dramatic weather and these visions. | 0:40:31 | 0:40:36 | |
It's a moment of real crisis for the English polity. | 0:40:36 | 0:40:41 | |
They don't know who the next king is going to be. | 0:40:41 | 0:40:45 | |
John's son Henry is just nine, too young to rule. | 0:40:45 | 0:40:49 | |
But the other option is a foreign prince. Civil war still rages. | 0:40:49 | 0:40:53 | |
Can the dynasty be saved? | 0:40:53 | 0:40:56 | |
As we'll see, John's last acts before his death prove critical. | 0:40:56 | 0:41:01 | |
Meanwhile, in the field in Lincolnshire, Walton and Philip | 0:41:06 | 0:41:09 | |
are hoping that the soil samples | 0:41:09 | 0:41:11 | |
will hold some clues to their puzzle. | 0:41:11 | 0:41:13 | |
Some sign that they are indeed digging | 0:41:13 | 0:41:15 | |
where King's John treasure was lost. | 0:41:15 | 0:41:17 | |
They trusted a diviner and now it's time to see if that's paid off. | 0:41:17 | 0:41:21 | |
Four foot, five foot, six foot. Within six foot of where I'm stood. | 0:41:21 | 0:41:25 | |
You can do all the research you want. | 0:41:25 | 0:41:26 | |
At the end of the day, you really need a bit of kind of other world | 0:41:26 | 0:41:32 | |
or other dimension sort of capability | 0:41:32 | 0:41:36 | |
in pinpointing where it is that we need to dig. | 0:41:36 | 0:41:39 | |
-You never know. -You never know. -There might be something. -Exactly. | 0:41:39 | 0:41:42 | |
Up the tube, so to speak. | 0:41:42 | 0:41:44 | |
All I want is just a little bit of wood, a bit of leather, | 0:41:44 | 0:41:49 | |
a bit of fabric, a bit of gold and silver, a few jewels would be nice. | 0:41:49 | 0:41:53 | |
But just a little something for the effort. Just... | 0:41:53 | 0:41:58 | |
Just to show willing and give some encouragement. | 0:41:59 | 0:42:02 | |
It looks pretty much like estuary mud, doesn't it? HE LAUGHS | 0:42:07 | 0:42:10 | |
Which is...what it is! | 0:42:10 | 0:42:13 | |
Walton, I'll tell you what, we can have... | 0:42:16 | 0:42:19 | |
We can be the people in London with 13th century sandcastles. | 0:42:19 | 0:42:23 | |
Estuarine sandcastles. | 0:42:23 | 0:42:25 | |
Jim examines the soil samples for traces of anything | 0:42:28 | 0:42:32 | |
that could be significant. | 0:42:32 | 0:42:33 | |
Is there any metal? Give me yes or no. No. | 0:42:34 | 0:42:38 | |
Any bronze, copper, silver, gold, any metal? None at all. | 0:42:38 | 0:42:42 | |
Is there any fabric, any traces of fabric? Any traces of fabric? | 0:42:43 | 0:42:48 | |
Is there any wood in this sleeve? | 0:42:48 | 0:42:49 | |
A good reading. There's definitely wood in this sleeve. | 0:42:49 | 0:42:53 | |
There's 17 to 18 particles of wood in this...in this sleeve. | 0:42:54 | 0:43:00 | |
The samples are sent to the lab. | 0:43:04 | 0:43:06 | |
Just as Jim has said, they contain no metal, | 0:43:07 | 0:43:09 | |
but there's three-quarters of an ounce of wood. | 0:43:09 | 0:43:12 | |
Could it have come from an oak casket? | 0:43:12 | 0:43:15 | |
They never found out. | 0:43:15 | 0:43:16 | |
-Whereabouts on the map are we? -I can show you exactly... | 0:43:18 | 0:43:23 | |
'In the end, the pair decided Jim's divining alone wasn't enough | 0:43:24 | 0:43:27 | |
'to justify further exploration.' | 0:43:27 | 0:43:30 | |
So this is the old A17. Here is the old causeway. | 0:43:30 | 0:43:33 | |
This is this house here... | 0:43:33 | 0:43:35 | |
'But 12 years later, there's new technology | 0:43:35 | 0:43:38 | |
'that could help. The hunt could be on again.' | 0:43:38 | 0:43:41 | |
We couldn't be sufficiently sure, | 0:43:41 | 0:43:44 | |
based on Jim's dowsing, | 0:43:44 | 0:43:47 | |
that it was exactly here. | 0:43:47 | 0:43:48 | |
We needed a further confirmation. | 0:43:48 | 0:43:51 | |
We had the historical documentary confirmation, we had Jim, | 0:43:51 | 0:43:54 | |
but what we needed is something technical. | 0:43:54 | 0:43:57 | |
You need very sophisticated ground-penetrating radar | 0:43:58 | 0:44:03 | |
or something of that sort. | 0:44:03 | 0:44:05 | |
The time we were there with Jim, in 2003, | 0:44:05 | 0:44:08 | |
there wasn't anything that we could give you a sufficient hit | 0:44:08 | 0:44:12 | |
to be certain, right, this is where we want to dig a hole 30 feet deep. | 0:44:12 | 0:44:16 | |
How frustrating for you, though. | 0:44:16 | 0:44:18 | |
You think you're within touching distance of it but there's no way | 0:44:18 | 0:44:21 | |
of getting the precise location and getting down that depth. | 0:44:21 | 0:44:26 | |
What about now, though? | 0:44:26 | 0:44:27 | |
-Here we are standing approximately on the spot... -Yes. | 0:44:27 | 0:44:31 | |
Not the exact spot, but somewhere near. | 0:44:31 | 0:44:33 | |
You must be thinking we could actually be standing on top of it. | 0:44:33 | 0:44:36 | |
Yes, absolutely. Absolutely. | 0:44:36 | 0:44:38 | |
-Are you still in the hunt? -Absolutely. | 0:44:38 | 0:44:40 | |
Are you still after trying to find it? | 0:44:40 | 0:44:43 | |
If the technology is there, um, why not? | 0:44:43 | 0:44:46 | |
But to this day, archaeologists and treasure seekers | 0:44:51 | 0:44:54 | |
can't be certain where to look. | 0:44:54 | 0:44:57 | |
The chances of finding King John's treasure are very slim indeed. | 0:44:57 | 0:45:01 | |
A lot of people really believe that there is a treasure out there | 0:45:04 | 0:45:08 | |
and I have to say, personally, I think something did happen | 0:45:08 | 0:45:11 | |
and something was lost. | 0:45:11 | 0:45:13 | |
I think the evidence is clear that there must be something there, | 0:45:13 | 0:45:16 | |
there must have been something lost. | 0:45:16 | 0:45:18 | |
The question is, what was lost? | 0:45:18 | 0:45:20 | |
Erm, we know that | 0:45:20 | 0:45:22 | |
John was hiring ships in order to take his baggage to Grimsby, | 0:45:22 | 0:45:28 | |
so clearly a big part of the, of the King's material, | 0:45:28 | 0:45:33 | |
is not in that baggage train. | 0:45:33 | 0:45:35 | |
-So, only part of it is coming across the Wash on foot. -Only part of it. | 0:45:35 | 0:45:39 | |
That's the first thing and when we're talking about treasure, | 0:45:39 | 0:45:42 | |
we're not, we're not really just talking about gold and silver | 0:45:42 | 0:45:46 | |
-and glittery stuff, are we? -No, we're not, we're not. | 0:45:46 | 0:45:49 | |
Um, we know certainly from one source, one reliable source, | 0:45:49 | 0:45:52 | |
that we're talking about relics. | 0:45:52 | 0:45:54 | |
Relics of the saints. | 0:45:54 | 0:45:56 | |
Large amounts of cloth. | 0:45:56 | 0:45:58 | |
The King's tapestries, which he carried around with him, | 0:45:58 | 0:46:01 | |
that would make his place of stay comfortable. | 0:46:01 | 0:46:04 | |
So, in fact, | 0:46:04 | 0:46:06 | |
treasure means all sorts of things. It doesn't just mean gold. | 0:46:06 | 0:46:09 | |
It also means, you know, the luxuries that make a life that much | 0:46:09 | 0:46:12 | |
more pleasant for the truly wealthy in this society. | 0:46:12 | 0:46:16 | |
So, it's a mixture of stuff, some of which gets lost. | 0:46:16 | 0:46:19 | |
Some of which gets lost. | 0:46:19 | 0:46:21 | |
-Some of which might get recovered soon after. -Yeah, absolutely. | 0:46:21 | 0:46:24 | |
And some of the stuff that's lost is, is...is perishable. | 0:46:24 | 0:46:27 | |
It's going to disappear very, very quickly. | 0:46:27 | 0:46:31 | |
And then, one wonders, OK, there's material that's lost | 0:46:31 | 0:46:36 | |
but what are those Fen people doing? | 0:46:36 | 0:46:39 | |
Are they watching it go down and thinking, | 0:46:39 | 0:46:41 | |
"Oh, OK, we'll say goodbye to that."? | 0:46:41 | 0:46:42 | |
or are they saying, "Actually, we want our share of that."? | 0:46:42 | 0:46:46 | |
And they...there must have been some scavenging that went on. | 0:46:46 | 0:46:49 | |
John's 17-year reign had been a disaster. | 0:46:49 | 0:46:53 | |
Since the meeting of the rebels and the making of the Magna Carta, along | 0:46:53 | 0:46:56 | |
with his treasure, the tyrant had lost a large part of the kingdom. | 0:46:56 | 0:47:01 | |
Now, with John dead, Prince Louis of France controlled London | 0:47:01 | 0:47:05 | |
and Westminster and was ready to claim the throne. | 0:47:05 | 0:47:08 | |
And so, we travel from Newark and arrive at Worcester, | 0:47:10 | 0:47:14 | |
the end of King John's last journey. | 0:47:14 | 0:47:16 | |
In his final hours, did he save his dynasty from total destruction? | 0:47:25 | 0:47:29 | |
The answer to that lies at Worcester Cathedral, | 0:47:30 | 0:47:32 | |
the King's final resting place. | 0:47:32 | 0:47:35 | |
King John artefacts kept here attract visitors | 0:47:41 | 0:47:44 | |
from all over the world. | 0:47:44 | 0:47:46 | |
This may or may not be his finger bone but I can't wait to see | 0:47:46 | 0:47:50 | |
a document that we know is the real thing - his last will. | 0:47:50 | 0:47:54 | |
-And here it is. -Oh, that's fantastic. | 0:48:00 | 0:48:02 | |
Thank you so much for bringing this out. | 0:48:02 | 0:48:05 | |
This is just an extraordinary thing to survive all this time. | 0:48:05 | 0:48:09 | |
-And to be here, to be read by us today. -It's remarkable, actually. | 0:48:09 | 0:48:14 | |
The survival of it is remarkable. | 0:48:14 | 0:48:15 | |
It's the first original will of a... | 0:48:15 | 0:48:19 | |
of an English king to survive through to modern times. | 0:48:19 | 0:48:23 | |
The surprising thing to me is that it's so compact, | 0:48:23 | 0:48:28 | |
not just in size, but it seems quite concise. | 0:48:28 | 0:48:31 | |
I would expect it to say more about the King's possession | 0:48:31 | 0:48:34 | |
and so-and-so gets this and so-and-so gets that, | 0:48:34 | 0:48:37 | |
but it doesn't seem to say that at all. | 0:48:37 | 0:48:39 | |
No, it doesn't. And you would, wouldn't you? | 0:48:39 | 0:48:41 | |
I think when I first came to this document, | 0:48:41 | 0:48:43 | |
I had exactly the same reaction. | 0:48:43 | 0:48:46 | |
This is a tiny document and it says so little about what it is | 0:48:46 | 0:48:50 | |
the King wants to happen to all his possessions. | 0:48:50 | 0:48:52 | |
But then, when you look at, at other wills that survive from the period, | 0:48:52 | 0:48:56 | |
you realise that, actually, they're not about | 0:48:56 | 0:48:58 | |
getting rid of people's goods. | 0:48:58 | 0:49:00 | |
They are very much thinking about their souls, | 0:49:00 | 0:49:02 | |
what's going to happen to their immortal...? | 0:49:02 | 0:49:04 | |
So the important things? | 0:49:04 | 0:49:06 | |
Back to what really matters. When you're about to meet your maker, | 0:49:06 | 0:49:09 | |
in a sense, the physical bits don't matter. | 0:49:09 | 0:49:11 | |
It's what's going to happen to your soul. | 0:49:11 | 0:49:13 | |
And you can see, there are the slits here. | 0:49:13 | 0:49:16 | |
And these slits are designed for the seals of those people | 0:49:16 | 0:49:19 | |
who are witnessing, so this central one would have been | 0:49:19 | 0:49:22 | |
for the King's seal and then the side ones are for the eight people | 0:49:22 | 0:49:26 | |
who are actually there witnessing the King's final moments. | 0:49:26 | 0:49:30 | |
I'm really keen to hear the King's own words here | 0:49:30 | 0:49:33 | |
and you've transcribed, translated this document, | 0:49:33 | 0:49:36 | |
Give me an idea, a flavour of some of the key passages. | 0:49:36 | 0:49:40 | |
Yes, indeed - in fact, John starts off by saying how unwell he is. | 0:49:40 | 0:49:44 | |
He says he's "hindered by grave infirmity". | 0:49:44 | 0:49:47 | |
And then he goes on to say something about what | 0:50:01 | 0:50:04 | |
he wants to happen to his soul. | 0:50:04 | 0:50:07 | |
But then this is the really important thing, | 0:50:07 | 0:50:09 | |
as far as he's concerned at this particular moment, | 0:50:09 | 0:50:11 | |
and what he does is he asks these executors of his will | 0:50:11 | 0:50:15 | |
to, "Provide support to my sons..." | 0:50:15 | 0:50:17 | |
So it's very much a document that's about the immediate future | 0:50:33 | 0:50:36 | |
of the kingdom, as well as about the immediate future of the King's soul. | 0:50:36 | 0:50:41 | |
The Latin is faltering, | 0:50:41 | 0:50:42 | |
so Stephen believes John spoke these words as he lay dying | 0:50:42 | 0:50:46 | |
and they're being hastily translated by his scribe. | 0:50:46 | 0:50:51 | |
The survival of this precious document is miraculous. | 0:50:51 | 0:50:54 | |
You can see all these fold marks, can't you? | 0:50:55 | 0:50:58 | |
Originally, this was folded up into something really quite small | 0:50:58 | 0:51:02 | |
and, actually, I've got a representation of it here. | 0:51:02 | 0:51:05 | |
That's the size that it would have been | 0:51:05 | 0:51:08 | |
as it sat in the archive from 1216. | 0:51:08 | 0:51:10 | |
So, I mean, how many people would lose a piece of paper like that? | 0:51:10 | 0:51:14 | |
In fact, I've made a representation of that | 0:51:14 | 0:51:17 | |
over a number of occasions, cos I keep losing it. | 0:51:17 | 0:51:19 | |
So, you know, it's so easy to lose and yet it does survive. | 0:51:19 | 0:51:23 | |
That's incred... | 0:51:23 | 0:51:24 | |
To modern eyes, that being a king's will just seems incredible. | 0:51:24 | 0:51:29 | |
-It is. -Amazing. | 0:51:29 | 0:51:31 | |
But what a miraculous survival. | 0:51:31 | 0:51:33 | |
I mean, how wonderful to have it here in the collection. | 0:51:33 | 0:51:36 | |
But what a responsibility, as well. | 0:51:36 | 0:51:38 | |
It is. It's very nice to have it here in Worcester Cathedral, | 0:51:38 | 0:51:40 | |
and it's something that many of the visitors | 0:51:40 | 0:51:43 | |
particularly come to see in this collection. | 0:51:43 | 0:51:46 | |
So there's still a fascination with it | 0:51:46 | 0:51:48 | |
and people still want to look at the actual document. | 0:51:48 | 0:51:51 | |
That's right. That's right. | 0:51:51 | 0:51:53 | |
And rightly so. I mean, it is splendid. | 0:51:53 | 0:51:55 | |
A CAPPELLA SINGING IN LATIN | 0:51:55 | 0:51:59 | |
And so we approach the final resting place | 0:52:03 | 0:52:06 | |
of a man who must have been terrified. | 0:52:06 | 0:52:09 | |
He squandered the gifts that God gave to him as a king, | 0:52:09 | 0:52:12 | |
and now he's about to meet his maker. | 0:52:12 | 0:52:15 | |
Is this a man who was sorry, | 0:52:15 | 0:52:17 | |
at least for the sake of saving his soul? | 0:52:17 | 0:52:19 | |
-King John asked to be buried at Worcester. -Yes, he did. | 0:52:25 | 0:52:28 | |
But why Worcester in particular? | 0:52:28 | 0:52:30 | |
Well, I think there are two very clear reasons. | 0:52:30 | 0:52:32 | |
There's the sound practical reason that the kingdom is in chaos - | 0:52:32 | 0:52:36 | |
there's a civil war, there's a foreign prince stalking the land, | 0:52:36 | 0:52:40 | |
much of the kingdom is just not accessible to the King, | 0:52:40 | 0:52:43 | |
so, from a practical point of view, where is he going to be buried? | 0:52:43 | 0:52:48 | |
And then there's a good spiritual reason why he's being buried here. | 0:52:48 | 0:52:52 | |
The most recent saint for this community is St Wulfstan, | 0:52:52 | 0:52:57 | |
who was made a saint by the Pope in 1204, | 0:52:57 | 0:53:00 | |
and it's very clear that John played a really important role | 0:53:00 | 0:53:03 | |
in getting Wulfstan recognised by the papacy as a saint. | 0:53:03 | 0:53:08 | |
In return for that, presumably, one of the things that he hopes | 0:53:08 | 0:53:11 | |
is that the saint is going to look after John's immortal soul. | 0:53:11 | 0:53:15 | |
-So, Worcester was able to look after his body and his soul? -Very much so. | 0:53:15 | 0:53:19 | |
And, in particular, look after his soul. | 0:53:19 | 0:53:22 | |
They promised to sing masses on a daily basis, which they then | 0:53:22 | 0:53:25 | |
continued to do throughout the rest of the Middle Ages | 0:53:25 | 0:53:28 | |
down to the Reformation. | 0:53:28 | 0:53:29 | |
They promised to sing the coronation song over his body | 0:53:29 | 0:53:33 | |
which, again, they continued to do for the rest of the Middle Ages, | 0:53:33 | 0:53:37 | |
and what they are attempting to do is to massage his soul | 0:53:37 | 0:53:40 | |
through Purgatory on into the everlasting joys | 0:53:40 | 0:53:42 | |
of the kingdom of heaven. | 0:53:42 | 0:53:44 | |
Finally, the moment has come to meet the King himself. | 0:53:47 | 0:53:52 | |
Fittingly for this most controversial of English rulers, | 0:53:52 | 0:53:55 | |
even his choice of resting place caused a squabble. | 0:53:55 | 0:53:58 | |
And here we are at the end of our journey | 0:54:00 | 0:54:02 | |
and here's the burial place, and it is actually almost overwhelming. | 0:54:02 | 0:54:06 | |
It is, completely overwhelming. | 0:54:06 | 0:54:08 | |
I mean, it's a fabulous, fabulous image of our king, | 0:54:08 | 0:54:12 | |
the king we have been following. | 0:54:12 | 0:54:13 | |
I'm looking right into King John's face here, | 0:54:13 | 0:54:17 | |
and we think, actually, it's a pretty good likeness. | 0:54:17 | 0:54:19 | |
Yeah, there's every reason to suppose | 0:54:19 | 0:54:21 | |
that it is a good likeness of this particular individual. | 0:54:21 | 0:54:24 | |
What we know about the way that effigies are created | 0:54:24 | 0:54:27 | |
is that they are created according to the likenesses | 0:54:27 | 0:54:30 | |
of the person who's buried within them. | 0:54:30 | 0:54:32 | |
And this is a place of great honour. | 0:54:32 | 0:54:34 | |
I mean, he's right in front of the high altar here. | 0:54:34 | 0:54:37 | |
This is the position that everyone aspires to. | 0:54:37 | 0:54:40 | |
Very much so, very much so, yes. | 0:54:40 | 0:54:42 | |
And, interestingly, it's not the place that John himself chose. | 0:54:42 | 0:54:46 | |
John asked to be buried at Worcester - that's all he asked. | 0:54:46 | 0:54:50 | |
But this particular location is the location that is chosen for him, | 0:54:50 | 0:54:55 | |
so it's the monks who are deciding to bury him here, | 0:54:55 | 0:54:58 | |
it's the monks who want him in this particular location. | 0:54:58 | 0:55:02 | |
And they want him here because what they're trying to do is | 0:55:02 | 0:55:05 | |
they're trying to persuade John's son, Henry III, | 0:55:05 | 0:55:09 | |
that this is the place that John needs to stay, | 0:55:09 | 0:55:12 | |
because there's a battle going on for John's body. | 0:55:12 | 0:55:15 | |
The Abbot of Beaulieu wants John's body reinterred in Beaulieu Abbey, | 0:55:15 | 0:55:20 | |
because Beaulieu is John's foundation and what he says | 0:55:20 | 0:55:24 | |
is that John promised his body to Beaulieu, in Hampshire. | 0:55:24 | 0:55:28 | |
But the monks of Worcester have got hold of this | 0:55:28 | 0:55:30 | |
and what they want to do is to hang onto it, | 0:55:30 | 0:55:32 | |
so they're going to show Henry III that they are the right people to be | 0:55:32 | 0:55:36 | |
looking after the body and the right people to be looking after the soul. | 0:55:36 | 0:55:41 | |
And the imagery is very, very clear on this. | 0:55:41 | 0:55:42 | |
I can see these things are laden with symbolism, | 0:55:42 | 0:55:46 | |
and I can see he's got two saints flanking him here. | 0:55:46 | 0:55:49 | |
He does, he does, the saints Oswald and Wulfstan. | 0:55:49 | 0:55:53 | |
And Oswald is the 10th century saint of this particular community | 0:55:53 | 0:55:57 | |
and Wulfstan is the saint that John, of course, has promoted. | 0:55:57 | 0:56:01 | |
And here we have them, looking after the King, | 0:56:01 | 0:56:04 | |
looking after the King's soul, and his head is clearly in heaven. | 0:56:04 | 0:56:07 | |
And the lion is supposed to symbolise for us the world. | 0:56:15 | 0:56:19 | |
So here's the King, doing as he's supposed to be doing, | 0:56:19 | 0:56:22 | |
standing on the world, dominating the world. | 0:56:22 | 0:56:25 | |
This is a very, very interesting image, a very unusual image | 0:56:25 | 0:56:30 | |
because, I hope you can see here, his sword is unsheathed. | 0:56:30 | 0:56:34 | |
Kings don't normally go around with their swords unsheathed, | 0:56:34 | 0:56:38 | |
particularly on their effigies, | 0:56:38 | 0:56:41 | |
And this particular sword is, as you can see, | 0:56:41 | 0:56:43 | |
in the mouth of our lion. It's a male lion. | 0:56:43 | 0:56:45 | |
-He's nibbling on the end of it. -Yeah, absolutely. | 0:56:45 | 0:56:48 | |
It's not just nibbling, it's worse than nibbling. | 0:56:48 | 0:56:50 | |
If you can see, the stonemason has deliberately shown | 0:56:50 | 0:56:53 | |
the sword being bent. | 0:56:53 | 0:56:55 | |
The sword is the symbol of the King's power, the King's office. | 0:56:55 | 0:56:59 | |
This is the thing that's really important because what it's showing | 0:56:59 | 0:57:03 | |
is the King dealing with a world that's in rebellion. | 0:57:03 | 0:57:07 | |
This wasn't just a moment in time straight after his burial. | 0:57:07 | 0:57:12 | |
This is a lasting legacy that descends through generations. | 0:57:12 | 0:57:16 | |
John's association with this place brought such riches | 0:57:19 | 0:57:22 | |
that the monks were able to undertake | 0:57:22 | 0:57:24 | |
a 50-year rebuilding programme. | 0:57:24 | 0:57:27 | |
It turned Worcester into | 0:57:27 | 0:57:28 | |
the magnificent Gothic cathedral we have now. | 0:57:28 | 0:57:31 | |
I've been struck by how King John's story | 0:57:34 | 0:57:38 | |
is still talked about today. | 0:57:38 | 0:57:40 | |
He'll be forever remembered as a true tyrant, | 0:57:40 | 0:57:43 | |
our most disastrous king, | 0:57:43 | 0:57:44 | |
who taxed his people heavily and lost the royal treasure. | 0:57:44 | 0:57:48 | |
But we've got something to thank him for. | 0:57:49 | 0:57:52 | |
Even though it would have been the last thing he intended, | 0:57:52 | 0:57:56 | |
Magna Carta went on to inspire the democracy we enjoy today. | 0:57:56 | 0:58:00 | |
At Worcester, we see a king respected | 0:58:00 | 0:58:03 | |
and revered in his own time because, despite the rebellion | 0:58:03 | 0:58:07 | |
and his sudden death, John's efforts to secure the throne | 0:58:07 | 0:58:10 | |
for his son were successful - | 0:58:10 | 0:58:12 | |
the dynasty was saved. | 0:58:12 | 0:58:14 | |
800 years on, he still holds pride of place in the cathedral, | 0:58:17 | 0:58:22 | |
where visitors flock to see the final resting place of John, | 0:58:22 | 0:58:26 | |
the Magna Carta King. | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media | 0:58:49 | 0:58:52 |