
Browse content similar to 1916: The Irish Rebellion. Check below for episodes and series from the same categories and more!
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"Look up, look up, | 0:00:09 | 0:00:11 | |
"arise from the death dust where you have long been lying. | 0:00:11 | 0:00:15 | |
"And let the light of liberty visit your eyes and touch your souls. | 0:00:15 | 0:00:20 | |
"Let your ears drink in the blessed words, | 0:00:20 | 0:00:24 | |
"liberty, fraternity and equality, | 0:00:24 | 0:00:27 | |
"which are soon to ring from pole to pole." | 0:00:27 | 0:00:31 | |
Easter Monday, April 1916. | 0:00:45 | 0:00:48 | |
A small band of rebels, including poets and teachers, | 0:00:48 | 0:00:52 | |
actors and workers, gathers in Dublin intent on liberating | 0:00:52 | 0:00:56 | |
Ireland from 700 years of British rule. | 0:00:56 | 0:01:00 | |
EXPLOSIONS | 0:01:03 | 0:01:05 | |
Against the might of the British Empire, | 0:01:06 | 0:01:09 | |
the poorly armed rebels stand little chance. | 0:01:09 | 0:01:12 | |
Yet the decision is made to proceed, | 0:01:12 | 0:01:15 | |
even if it brings failure or death. | 0:01:15 | 0:01:18 | |
Outside Dublin's General Post Office, | 0:01:31 | 0:01:33 | |
rebel leader Padraig Pearse reads | 0:01:33 | 0:01:35 | |
a proclamation, declaring the birth of an independent Irish Republic. | 0:01:35 | 0:01:40 | |
"Irishmen and Irishwomen... | 0:01:41 | 0:01:44 | |
"Ireland strikes for her freedom." | 0:01:44 | 0:01:47 | |
In that document in 1916, | 0:01:49 | 0:01:52 | |
we have a very radical, a very liberal | 0:01:52 | 0:01:54 | |
and very far-reaching affirmation | 0:01:54 | 0:01:56 | |
of the equality of men and women. | 0:01:56 | 0:01:59 | |
"We declare the right of the people of Ireland | 0:02:00 | 0:02:03 | |
"to the ownership of Ireland." | 0:02:03 | 0:02:05 | |
This is a document that just exudes radicalism. | 0:02:07 | 0:02:10 | |
"The Irish Republic guarantees religious and civil liberty, | 0:02:11 | 0:02:16 | |
"equal rights and equal opportunities to all." | 0:02:16 | 0:02:20 | |
I think everything about the Rising | 0:02:20 | 0:02:22 | |
and the writing around it is futuristic, it's future driven. | 0:02:22 | 0:02:26 | |
"To pursue the happiness and prosperity of the whole nation, | 0:02:26 | 0:02:29 | |
"cherishing all of the children of the nation equally." | 0:02:29 | 0:02:33 | |
In reality, the proclamation was read to a disinterested small | 0:02:34 | 0:02:38 | |
group of people, but symbolically it takes on enormous power | 0:02:38 | 0:02:41 | |
and ensures that this rebellion | 0:02:41 | 0:02:43 | |
will become a defining event in Irish history. | 0:02:43 | 0:02:47 | |
The Irish Rebellion of 1916 would fundamentally change | 0:02:51 | 0:02:54 | |
the course of Irish history. | 0:02:54 | 0:02:57 | |
While its vision, enshrined in the proclamation | 0:02:57 | 0:02:59 | |
of the Irish Republic, will inspire freedom movements | 0:02:59 | 0:03:03 | |
throughout the world to rise against their colonial masters. | 0:03:03 | 0:03:07 | |
The ideals of the proclamation of 1916 arise from a turbulent history. | 0:03:31 | 0:03:37 | |
For over 800 years, | 0:03:37 | 0:03:39 | |
the relationship between Ireland and her closest neighbour, Britain, | 0:03:39 | 0:03:44 | |
is contested and troubled. | 0:03:44 | 0:03:46 | |
Centuries of British conquest leave the native Irish dispossessed. | 0:03:48 | 0:03:52 | |
A strategy of plantation established a new dominant class | 0:03:57 | 0:04:01 | |
of Protestant settlers loyal to the English crown - | 0:04:01 | 0:04:04 | |
most significantly in Ulster, in Ireland's North. | 0:04:04 | 0:04:07 | |
The mostly Catholic Irish rise sporadically in rebellion. | 0:04:11 | 0:04:15 | |
Each time, their rebellions are suppressed. | 0:04:24 | 0:04:27 | |
In Ireland, you have a very unequal society | 0:04:33 | 0:04:36 | |
where the feeling of injustice about the inequality is exacerbated | 0:04:36 | 0:04:40 | |
by the idea it's been founded on conquest and expropriation. | 0:04:40 | 0:04:44 | |
But in Europe, a revolution of science and philosophy has begun | 0:04:53 | 0:04:57 | |
that will create a yearning for liberty and equality | 0:04:57 | 0:05:01 | |
that will in time reverberate throughout the world. | 0:05:01 | 0:05:04 | |
If you look at the proclamation of 1916, | 0:05:07 | 0:05:10 | |
some of the core ideas in it | 0:05:10 | 0:05:12 | |
represent the authors of the proclamation | 0:05:12 | 0:05:16 | |
looking back to a series of different moments in the past. | 0:05:16 | 0:05:21 | |
They've got a set of ideas about universal principles | 0:05:21 | 0:05:27 | |
that comes out of a kind of political activation | 0:05:27 | 0:05:31 | |
of some philosophical ideas | 0:05:31 | 0:05:33 | |
that were being developed in the 17th century. | 0:05:33 | 0:05:36 | |
Part of what we call the Enlightenment. | 0:05:36 | 0:05:39 | |
The idea that there are certain things | 0:05:39 | 0:05:41 | |
which everyone should share in. | 0:05:41 | 0:05:43 | |
Equal rights, equal liberties, equal opportunities. | 0:05:44 | 0:05:50 | |
The emphasis they place on happiness | 0:05:52 | 0:05:55 | |
certainly seems to echo the words | 0:05:55 | 0:05:57 | |
of the American Declaration of Independence. | 0:05:57 | 0:06:00 | |
Among the clearest voices of the Enlightenment | 0:06:06 | 0:06:09 | |
is that of Thomas Jefferson. | 0:06:09 | 0:06:11 | |
Seven years before the American Revolution | 0:06:11 | 0:06:14 | |
puts an end to British rule in America, | 0:06:14 | 0:06:16 | |
he writes the Declaration of Independence. | 0:06:16 | 0:06:18 | |
"All men are created equal, | 0:06:20 | 0:06:23 | |
"endowed with certain unalienable rights. | 0:06:23 | 0:06:26 | |
"Among these are life, liberty and the pursuit of happiness." | 0:06:26 | 0:06:31 | |
Ten years later, the French Revolution | 0:06:35 | 0:06:38 | |
shakes the foundation of the Ancien Regime in Europe. | 0:06:38 | 0:06:42 | |
The age of revolution has begun. | 0:06:42 | 0:06:44 | |
The spirit of the Enlightenment | 0:06:51 | 0:06:54 | |
ignites two subsequent Irish rebellions, | 0:06:54 | 0:06:56 | |
both led by Protestant radicals - | 0:06:56 | 0:06:59 | |
Theobald Wolfe Tone in 1798... | 0:06:59 | 0:07:02 | |
..and Robert Emmet in 1803. | 0:07:04 | 0:07:07 | |
Both uprisings fail, | 0:07:12 | 0:07:14 | |
and yet the ideals of equality and self-determination | 0:07:14 | 0:07:18 | |
proclaimed by Tone and Emmet are now deeply rooted in Ireland. | 0:07:18 | 0:07:22 | |
In 1845, a potato blight crosses the continent of Europe. | 0:07:43 | 0:07:48 | |
Its effects hit Ireland hardest, where over 30% of the people | 0:07:48 | 0:07:51 | |
are dependent on potatoes for their survival. | 0:07:51 | 0:07:54 | |
The failure of the crop is devastating. | 0:07:57 | 0:08:01 | |
And the great famine that follows | 0:08:01 | 0:08:03 | |
casts a long and lasting shadow on Irish history. | 0:08:03 | 0:08:07 | |
The famine of 1845 to 1851 | 0:08:27 | 0:08:31 | |
is regarded by majority Irish opinion | 0:08:31 | 0:08:35 | |
as demonstrating that the British government | 0:08:35 | 0:08:38 | |
is not prepared to look after | 0:08:38 | 0:08:40 | |
the Catholic population of Ireland | 0:08:40 | 0:08:43 | |
in the same way it would have done its own English people, | 0:08:43 | 0:08:46 | |
or, indeed, Scots people, as well. | 0:08:46 | 0:08:50 | |
About a million perish from the famine, | 0:08:58 | 0:09:00 | |
and a million are going to leave - | 0:09:00 | 0:09:02 | |
but that's only in the years of the famine. | 0:09:02 | 0:09:04 | |
The migration, the exodus, is going to continue from that point forward. | 0:09:04 | 0:09:08 | |
It's coming into Manhattan, it's coming into Boston, | 0:09:13 | 0:09:15 | |
it coming into Chicago. | 0:09:15 | 0:09:17 | |
The example I like to cite in Manhattan, | 0:09:19 | 0:09:21 | |
which, in the 1855 census, | 0:09:21 | 0:09:24 | |
one quarter of all Manhattan was Irish born. | 0:09:24 | 0:09:28 | |
Really, what they brought with them was very little materially, | 0:09:34 | 0:09:39 | |
but they brought this hunger for independence, | 0:09:39 | 0:09:42 | |
this hunger for freedom. | 0:09:42 | 0:09:44 | |
They saw it here in the United States. | 0:09:44 | 0:09:47 | |
Here in America, you had the opportunity, | 0:09:49 | 0:09:53 | |
the freedom to nurture the animosity, | 0:09:53 | 0:09:57 | |
and, indeed, hatred for the British. | 0:09:57 | 0:10:01 | |
And to see them forming groups | 0:10:01 | 0:10:04 | |
that were devoted to Irish independence, | 0:10:04 | 0:10:08 | |
and those groups became important prior to the Easter Rising. | 0:10:08 | 0:10:13 | |
In 1858, those people coalesced in New York and Dublin | 0:10:15 | 0:10:18 | |
as two organisations - | 0:10:18 | 0:10:20 | |
the Fenian Brotherhood in New York, | 0:10:20 | 0:10:22 | |
and the Irish Republican Brotherhood based in Dublin. | 0:10:22 | 0:10:25 | |
From the outset, they were regarded as two linked organisations | 0:10:25 | 0:10:28 | |
working towards the same objective, | 0:10:28 | 0:10:30 | |
the creation of an independent Irish Republic. | 0:10:30 | 0:10:33 | |
This is the seedbed, in many ways, of 1916. | 0:10:33 | 0:10:37 | |
The number of Fenians who actually had spent time in America | 0:10:37 | 0:10:42 | |
is very striking, | 0:10:42 | 0:10:43 | |
and they are looking at Ireland from an American perspective, | 0:10:43 | 0:10:46 | |
and they've imbibed something of this can-do mentality | 0:10:46 | 0:10:49 | |
that was already part of the American psyche. | 0:10:49 | 0:10:52 | |
Having served six years for treason in a British prison, | 0:10:57 | 0:11:01 | |
Kildare man John Devoy is exiled to America. | 0:11:01 | 0:11:06 | |
There he becomes a key figure in the Irish struggle for independence. | 0:11:06 | 0:11:09 | |
Driven by Devoy, the Irish Republican Brotherhood, or IRB, | 0:11:12 | 0:11:17 | |
develops its vision. | 0:11:17 | 0:11:19 | |
Only by becoming free from the British Empire | 0:11:19 | 0:11:22 | |
can Ireland achieve full self-determination for her people. | 0:11:22 | 0:11:26 | |
John Devoy is absolutely fundamental | 0:11:30 | 0:11:33 | |
to the whole exercise - | 0:11:33 | 0:11:34 | |
he's one of those people who seemed to live for ever. | 0:11:34 | 0:11:37 | |
He's a committed revolutionary, | 0:11:39 | 0:11:41 | |
and he never seems to have let a day pass | 0:11:41 | 0:11:43 | |
without contriving to bring about | 0:11:43 | 0:11:45 | |
the destruction of the British Empire. | 0:11:45 | 0:11:47 | |
The 1800s are the golden age of the British Empire. | 0:11:59 | 0:12:03 | |
Straddling the globe from Canada to India. | 0:12:03 | 0:12:06 | |
Many Irish people play a part in the Empire, making up the armies | 0:12:09 | 0:12:13 | |
and legions of professionals required to administer it. | 0:12:13 | 0:12:16 | |
Ireland is in a peculiar way in the 19th century - | 0:12:19 | 0:12:23 | |
part of the imperial project, | 0:12:23 | 0:12:25 | |
and, at the same time, within the British state, | 0:12:25 | 0:12:27 | |
a part of it is refusing to conform. | 0:12:27 | 0:12:30 | |
One of the Irish working for the Empire is Roger Casement. | 0:12:33 | 0:12:37 | |
Stationed in Africa's Congo as a British diplomat, | 0:12:37 | 0:12:40 | |
Casement becomes horrified by the brutality | 0:12:40 | 0:12:43 | |
of Belgium's colonial regime. | 0:12:43 | 0:12:44 | |
He exposes Belgium's atrocities to the world | 0:12:47 | 0:12:50 | |
and becomes a renowned crusader against the excesses of imperialism. | 0:12:50 | 0:12:54 | |
Turning his attention home, | 0:12:59 | 0:13:00 | |
Casement becomes increasingly attracted | 0:13:00 | 0:13:02 | |
to the cause of Irish nationalism, and an outspoken | 0:13:02 | 0:13:06 | |
critic of the deep-rooted origins of the injustices he witnesses. | 0:13:06 | 0:13:10 | |
In post-famine Ireland, many of the poor peasantry | 0:13:13 | 0:13:16 | |
still live on a knife edge, | 0:13:16 | 0:13:19 | |
with evictions a constant threat. | 0:13:19 | 0:13:22 | |
Casement is not alone - a new generation is emerging. | 0:13:24 | 0:13:29 | |
Men and women with strong nationalist convictions, | 0:13:29 | 0:13:33 | |
determined to advocate for equality and freedom for the Irish people. | 0:13:33 | 0:13:38 | |
Evictions I saw in 1885 | 0:13:38 | 0:13:41 | |
changed the whole course of my life. | 0:13:41 | 0:13:44 | |
Transforming me from a carefree society girl | 0:13:44 | 0:13:47 | |
into a woman of set purpose. | 0:13:47 | 0:13:51 | |
I was determined to do my share | 0:13:51 | 0:13:53 | |
to free Ireland from the British Empire. | 0:13:53 | 0:13:56 | |
Revolution is a tool for remaking states and societies. | 0:14:07 | 0:14:13 | |
It's not just a kind of protest against injustice, | 0:14:13 | 0:14:17 | |
it's a creative process in its own right. | 0:14:17 | 0:14:21 | |
The most striking feature of the Irish Revolution in world terms | 0:14:24 | 0:14:28 | |
is that the cultural revolution precedes the political revolution. | 0:14:28 | 0:14:32 | |
The famine had created this enormous vacuum in Irish culture. | 0:14:33 | 0:14:37 | |
Ireland had shifted from being essentially a bilingual country | 0:14:37 | 0:14:40 | |
to being increasingly a monolingual one. | 0:14:40 | 0:14:42 | |
Ireland had become much more anglicised, | 0:14:42 | 0:14:44 | |
much more drawn into the mainstream of British culture. | 0:14:44 | 0:14:48 | |
Nationalist leaders come to believe | 0:14:58 | 0:15:00 | |
that if the Irish people are to be set free, | 0:15:00 | 0:15:03 | |
they need an ideal to inspire them. | 0:15:03 | 0:15:06 | |
Ireland's ancient and traditional culture | 0:15:06 | 0:15:08 | |
becomes a central pillar of the cause. | 0:15:08 | 0:15:11 | |
In many ways, | 0:15:13 | 0:15:15 | |
there was a cultural revival - particularly in the 1890s. | 0:15:15 | 0:15:20 | |
It was in a context in which wider politics had failed, | 0:15:21 | 0:15:25 | |
and what happens is that culture fills the political vacuum. | 0:15:25 | 0:15:29 | |
The group who staged the Rising tended to be the younger people, | 0:15:29 | 0:15:33 | |
tended to be the politicised people, | 0:15:33 | 0:15:35 | |
perhaps also the more socially and culturally aware people. | 0:15:35 | 0:15:38 | |
They were the people who were at the cutting edge | 0:15:38 | 0:15:40 | |
of the causes of the time, including women's rights, | 0:15:40 | 0:15:43 | |
the language movement, the literary movement. | 0:15:43 | 0:15:46 | |
There's this cohort of people | 0:15:46 | 0:15:48 | |
who begin to kind of say, "We need to take responsibility for this, | 0:15:48 | 0:15:52 | |
"we need to imagine a new kind of Ireland," | 0:15:52 | 0:15:54 | |
and, in some respects, the 1916 Rising | 0:15:54 | 0:15:57 | |
is about the Irish saying, | 0:15:57 | 0:15:59 | |
"We belong to an old, ancient, proud culture, | 0:15:59 | 0:16:02 | |
"and we are not willing any more | 0:16:02 | 0:16:04 | |
"to be treated as second-class subjects." | 0:16:04 | 0:16:07 | |
In 1904, poet William Butler Yeats and writer Lady Gregory | 0:16:17 | 0:16:21 | |
forge their part of this new Irish world. | 0:16:21 | 0:16:24 | |
They found an institution | 0:16:26 | 0:16:28 | |
that will become the high church of the Gaelic revival - | 0:16:28 | 0:16:31 | |
the Abbey Theatre. | 0:16:31 | 0:16:33 | |
Yeats liked to quote Victor Hugo. | 0:16:34 | 0:16:36 | |
"In the theatre, a mob becomes a people." | 0:16:36 | 0:16:39 | |
You know, a mob is usually what starts a revolution. | 0:16:39 | 0:16:43 | |
Those attending or acting on stage at the Abbey Theatre | 0:16:43 | 0:16:47 | |
include Maud Gonne | 0:16:47 | 0:16:49 | |
and future leaders of the Rising Roger Casement, | 0:16:49 | 0:16:53 | |
Thomas MacDonagh and Countess Markievicz. | 0:16:53 | 0:16:56 | |
Playwrights include Eoin MacNeill, | 0:16:58 | 0:17:00 | |
the future leader of the Irish Volunteers... | 0:17:00 | 0:17:02 | |
..and one of the writers of the proclamation, Padraig Pearse. | 0:17:05 | 0:17:09 | |
In 1908, Pearse founds St Enda's School in Dublin... | 0:17:13 | 0:17:18 | |
..dedicated to the cultural and moral formation | 0:17:19 | 0:17:22 | |
of the ideal young Gael. | 0:17:22 | 0:17:23 | |
"It will be attempted to inculcate in the pupils | 0:17:27 | 0:17:29 | |
"the desire to spend their lives working hard and zealously | 0:17:29 | 0:17:32 | |
"for their fatherland... | 0:17:32 | 0:17:34 | |
"..and, if it should be necessary, to die for it." | 0:17:36 | 0:17:39 | |
St Enda's becomes a seedbed for the rebellion. | 0:17:42 | 0:17:46 | |
Many pupils will join their teachers in the Rising of 1916, | 0:17:46 | 0:17:49 | |
including Pearse's brother Willie, Thomas MacDonagh and Con Colbert. | 0:17:49 | 0:17:54 | |
It was about 1910, we were in an English class, | 0:17:57 | 0:18:02 | |
just a small group of us. | 0:18:02 | 0:18:04 | |
To our surprise, suddenly Pearse opened up his mind and said, | 0:18:04 | 0:18:09 | |
"It'll all end in an insurrection, the Irish struggle." | 0:18:09 | 0:18:13 | |
He said, "There's no way out. | 0:18:13 | 0:18:14 | |
"It's the teaching of history." | 0:18:14 | 0:18:16 | |
In America, the IRB leader, John Devoy, | 0:18:26 | 0:18:29 | |
is constantly alert to the revolutionary potential | 0:18:29 | 0:18:32 | |
of various nationalist movements in Ireland. | 0:18:32 | 0:18:35 | |
By his side is the staunch Fenian Tom Clarke. | 0:18:40 | 0:18:44 | |
Like Devoy, Clarke has also spent years in British prisons. | 0:18:45 | 0:18:49 | |
At Devoy's prompting, in 1907 | 0:18:54 | 0:18:57 | |
Clarke returns to Ireland. | 0:18:57 | 0:19:00 | |
His mission - | 0:19:00 | 0:19:02 | |
to mobilise and exploit growing nationalist sentiment | 0:19:02 | 0:19:05 | |
to instigate a rebellion. | 0:19:05 | 0:19:06 | |
At that time, those of us who were trying to gee up the IRB | 0:19:14 | 0:19:19 | |
weren't making much headway, | 0:19:19 | 0:19:20 | |
because we weren't, ourselves, of any importance. | 0:19:20 | 0:19:23 | |
Tom Clarke added weight and power and dignity to the movement. | 0:19:25 | 0:19:29 | |
And with Tom Clarke's advent | 0:19:29 | 0:19:31 | |
came a kind of a positive, forward movement. | 0:19:31 | 0:19:35 | |
But in Ireland, Tom Clarke finds that nationalist sentiment | 0:19:39 | 0:19:43 | |
is going in a different direction. | 0:19:43 | 0:19:45 | |
The Irish Parliamentary Party, | 0:19:49 | 0:19:51 | |
under its hugely popular leader John Redmond | 0:19:51 | 0:19:53 | |
has been agitating in the British house of Parliament | 0:19:53 | 0:19:57 | |
for a limited form of Irish self-governance, | 0:19:57 | 0:19:59 | |
to be known as Home Rule. | 0:19:59 | 0:20:01 | |
By 1910, the Home Rule movement | 0:20:05 | 0:20:07 | |
has achieved widespread popular support in Ireland. | 0:20:07 | 0:20:11 | |
There was the feeling among the nationalist population | 0:20:15 | 0:20:18 | |
that Ireland required separate recognition constitutionally... | 0:20:18 | 0:20:21 | |
for devolved government - | 0:20:21 | 0:20:24 | |
however limited may have been the authority of a Dublin parliament, | 0:20:24 | 0:20:28 | |
and even those who want more, like the IRB, | 0:20:28 | 0:20:31 | |
even they are prepared to acknowledge that, essentially, | 0:20:31 | 0:20:35 | |
majority sentiment is going to go for Home Rule. | 0:20:35 | 0:20:38 | |
Though they would like something more robust and more extreme. | 0:20:38 | 0:20:42 | |
A British general election in 1910 results in a hung parliament. | 0:20:44 | 0:20:48 | |
Immediately, John Redmond seizes the opportunity. | 0:20:50 | 0:20:55 | |
He offers Henry Asquith, the leader of the British Liberal Party, | 0:20:55 | 0:20:59 | |
his political support | 0:20:59 | 0:21:00 | |
on condition that a Home Rule Bill for Ireland is enacted. | 0:21:00 | 0:21:04 | |
With great reluctance, Asquith agrees. | 0:21:04 | 0:21:08 | |
But in Ulster, in Ireland's North, | 0:21:14 | 0:21:18 | |
the majority Protestant community believes Home Rule | 0:21:18 | 0:21:21 | |
to be a betrayal of their steadfast loyalty to the United Kingdom. | 0:21:21 | 0:21:25 | |
In 1912, 500,000 unionists sign the Ulster Covenant, | 0:21:28 | 0:21:33 | |
a solemn oath to defend Ulster | 0:21:33 | 0:21:35 | |
against the implementation of Home Rule. | 0:21:35 | 0:21:38 | |
Ulster Unionists saw Home Rule as a conspiracy, | 0:21:39 | 0:21:43 | |
a conspiracy to undo the Ulster plantation - | 0:21:43 | 0:21:47 | |
and that was something which could not be allowed. | 0:21:47 | 0:21:50 | |
As early as 1909, 1910, the Ulster Unionist leadership | 0:21:54 | 0:21:58 | |
is beginning to import small-scale caches of weapons | 0:21:58 | 0:22:03 | |
into the North. | 0:22:03 | 0:22:04 | |
The creation of the Ulster Volunteer Force is part of a drift | 0:22:07 | 0:22:10 | |
towards militancy. | 0:22:10 | 0:22:12 | |
The Ulster Volunteer Force is founded in 1913 | 0:22:13 | 0:22:17 | |
to oppose Home Rule by any means necessary. | 0:22:17 | 0:22:20 | |
Nationalists respond quickly. | 0:22:22 | 0:22:25 | |
They will set up their own armed militia. | 0:22:25 | 0:22:28 | |
On November 25, 1913, thousands gather in Dublin | 0:22:30 | 0:22:34 | |
to join the Irish Volunteers under Eoin MacNeill's leadership. | 0:22:34 | 0:22:39 | |
Among the 4,000 members to enrol the first evening | 0:22:45 | 0:22:48 | |
are Padraig Pearse, | 0:22:48 | 0:22:50 | |
Thomas MacDonagh | 0:22:50 | 0:22:51 | |
and Roger Casement. | 0:22:51 | 0:22:53 | |
At the back of the room, standing in the shadows, is Tom Clarke. | 0:22:53 | 0:22:57 | |
Clarke and the IRB need an army for the rebellion, | 0:22:57 | 0:23:01 | |
but the purpose of the Volunteers is to ensure Home Rule, | 0:23:01 | 0:23:05 | |
not to rise against the British state. | 0:23:05 | 0:23:08 | |
Clarke infiltrates the Volunteers with IRB members, | 0:23:08 | 0:23:12 | |
and enlists Padraig Pearse to rally the Volunteers | 0:23:12 | 0:23:14 | |
to support their cause. | 0:23:14 | 0:23:16 | |
Pearse brought a degree of originality | 0:23:16 | 0:23:19 | |
to the way he used culture, | 0:23:19 | 0:23:21 | |
in terms of instilling a sense of identity and idealism. | 0:23:21 | 0:23:26 | |
He was fashioning with words a weapon which would, | 0:23:26 | 0:23:30 | |
in many respects, rouse more people than all their attachment to guns. | 0:23:30 | 0:23:35 | |
But in the end, of course, | 0:23:35 | 0:23:37 | |
he decided a culture without guns wasn't enough. | 0:23:37 | 0:23:40 | |
"We must accustom ourselves to the thought of arms, to the use of arms. | 0:23:40 | 0:23:45 | |
"Bloodshed is a cleansing and sanctifying thing." | 0:23:45 | 0:23:49 | |
By the early 1900s, | 0:24:02 | 0:24:04 | |
Dublin, a city once known to be among the greatest | 0:24:04 | 0:24:08 | |
of the British Empire, has stagnated. | 0:24:08 | 0:24:11 | |
Many live in abject poverty. | 0:24:11 | 0:24:14 | |
Social justice was necessary. | 0:24:17 | 0:24:21 | |
Everybody with any position or money or anything | 0:24:21 | 0:24:25 | |
thought that God had given it to them | 0:24:25 | 0:24:27 | |
and that he had refused it to the others. | 0:24:27 | 0:24:30 | |
By the time we get to 1900, Dublin is the biggest slum in Europe. | 0:24:32 | 0:24:37 | |
26,000 families living in tenement housing. | 0:24:37 | 0:24:40 | |
So you will often have three generations of people | 0:24:40 | 0:24:43 | |
living in a single room. | 0:24:43 | 0:24:45 | |
Dublin city is fertile ground for the socialist thinking | 0:24:48 | 0:24:50 | |
advancing across Europe and America. | 0:24:50 | 0:24:53 | |
In 1913, a major strike breaks out, led by radical socialists | 0:24:57 | 0:25:03 | |
Jim Larkin and the James Connolly. | 0:25:03 | 0:25:06 | |
20,000 workers are locked out of their places of employment | 0:25:08 | 0:25:12 | |
because they refused to renounce membership | 0:25:12 | 0:25:14 | |
of the Irish Transport and General Workers' Union. | 0:25:14 | 0:25:16 | |
The strike fails, but it makes a hero out of James Connolly, | 0:25:17 | 0:25:21 | |
who sets up the Irish Citizen Army | 0:25:21 | 0:25:23 | |
to protect workers against future police attacks. | 0:25:23 | 0:25:26 | |
Connolly was born in Edinburgh, reared in poverty. | 0:25:29 | 0:25:32 | |
He represented the intermeshing of Republican separatism | 0:25:32 | 0:25:36 | |
with a more internationalist, socialist view. | 0:25:36 | 0:25:39 | |
Namely that the revolution of self-determination | 0:25:39 | 0:25:42 | |
needs to be a total revolution. | 0:25:42 | 0:25:44 | |
That Ireland, in order to be really free, | 0:25:44 | 0:25:47 | |
would have to be an egalitarian place, | 0:25:47 | 0:25:49 | |
that it needed a social revolution | 0:25:49 | 0:25:51 | |
as an integral part of the major revolution that was coming. | 0:25:51 | 0:25:54 | |
When the Ulster Volunteers lands 20,000 rifles in Larne, | 0:26:05 | 0:26:08 | |
in County Antrim, | 0:26:08 | 0:26:10 | |
the British authorities fail to intervene. | 0:26:10 | 0:26:13 | |
The Irish Volunteers also begin acquiring arms | 0:26:15 | 0:26:18 | |
with help from networks abroad. | 0:26:18 | 0:26:22 | |
Guns sourced in Germany are sailed on a yacht | 0:26:22 | 0:26:25 | |
called the Asgard to Howth, near Dublin. | 0:26:25 | 0:26:29 | |
Ireland is now militarised on all sides. | 0:26:30 | 0:26:34 | |
The description, "The brink of civil war" has frequently, | 0:26:37 | 0:26:41 | |
and with much justification, been applied to Ireland | 0:26:41 | 0:26:44 | |
in the summer of 1914, when you consider the gunrunning, | 0:26:44 | 0:26:48 | |
when you consider the determination on the part of Ulster Unionists | 0:26:48 | 0:26:51 | |
to resist, by whatever means necessary, | 0:26:51 | 0:26:54 | |
the imposition of Home Rule, | 0:26:54 | 0:26:56 | |
when you consider the determination of the Irish Volunteers | 0:26:56 | 0:26:59 | |
to defend Home Rule by whatever means necessary, | 0:26:59 | 0:27:02 | |
this is the language of the era - that is a language of civil war. | 0:27:02 | 0:27:06 | |
EXPLOSION | 0:27:13 | 0:27:15 | |
EXPLOSION | 0:27:16 | 0:27:17 | |
Then war breaks out. | 0:27:24 | 0:27:25 | |
War breaks out, in which the whole context | 0:27:30 | 0:27:32 | |
in which Britain is dealing with Ireland is changed. | 0:27:32 | 0:27:35 | |
In which the calculations of Ulster Unionists and of Home Rulers, | 0:27:35 | 0:27:40 | |
and, indeed, the Fenian conspirators are all changed. | 0:27:40 | 0:27:43 | |
With the outbreak of World War I, | 0:27:45 | 0:27:47 | |
Britain immediately postpones implementation of Home Rule. | 0:27:47 | 0:27:51 | |
The Unionist response to the war is swift. | 0:27:53 | 0:27:57 | |
The Ulster Volunteer Force will fight for King and Empire. | 0:27:57 | 0:28:00 | |
Anxious to demonstrate Ireland's loyalty | 0:28:02 | 0:28:05 | |
and ensure Home Rule is enacted when the war ends, | 0:28:05 | 0:28:09 | |
John Redmond calls in the Irish Volunteers to enlist also. | 0:28:09 | 0:28:13 | |
90% of the Volunteers, upwards of 170,000 men, | 0:28:17 | 0:28:22 | |
answer Redmond's call. | 0:28:22 | 0:28:24 | |
Meanwhile, a core group of Irish Volunteers | 0:28:35 | 0:28:38 | |
led by Chief of Staff Eoin MacNeill | 0:28:38 | 0:28:40 | |
believes that to fight for the British Empire | 0:28:40 | 0:28:43 | |
is a betrayal of the nationalist cause. | 0:28:43 | 0:28:46 | |
The split that follows presents the Irish Republican Brotherhood | 0:28:49 | 0:28:53 | |
with an opportunity. | 0:28:53 | 0:28:54 | |
Now, in the thousands of Irish Volunteers who stay in Ireland, | 0:28:56 | 0:29:00 | |
the IRB may have the army for their rebellion - | 0:29:00 | 0:29:04 | |
but if they are to have any chance against Britain, | 0:29:04 | 0:29:07 | |
they will need a major supply of weapons. | 0:29:07 | 0:29:09 | |
We've all heard the statement | 0:29:18 | 0:29:20 | |
"The enemy of my enemy is my friend." | 0:29:20 | 0:29:24 | |
John Devoy saw the possibility | 0:29:24 | 0:29:27 | |
of an alliance between the Germans and the Irish. | 0:29:27 | 0:29:32 | |
And then Roger Casement goes to Germany | 0:29:34 | 0:29:39 | |
and begins to have meetings with the Germans | 0:29:39 | 0:29:43 | |
over the assistance that they might render for the Rising. | 0:29:43 | 0:29:48 | |
Which is a pretty straightforward form of treating this activity, | 0:29:50 | 0:29:54 | |
if you see things from a British imperial point of view. | 0:29:54 | 0:29:58 | |
While Casement is conspiring with the Germans to supply arms | 0:30:07 | 0:30:11 | |
for the rebels, tens of thousands of his fellow countrymen | 0:30:11 | 0:30:14 | |
are bogged down in an increasingly horrific war on the Western Front. | 0:30:14 | 0:30:18 | |
People begin questioning, | 0:30:43 | 0:30:45 | |
in private, and also in public, what is this war for? | 0:30:45 | 0:30:49 | |
It's not going to be a short war any more, | 0:30:49 | 0:30:51 | |
and it is also going to be a war of very, very high death rates | 0:30:51 | 0:30:54 | |
and injury rates. | 0:30:54 | 0:30:55 | |
And that had a real impact on the climate within Ireland | 0:30:55 | 0:30:59 | |
and the kind of people who will coalesce around the Rising, | 0:30:59 | 0:31:02 | |
because now what they can paint is an imperial British war | 0:31:02 | 0:31:05 | |
which is just killing and bleeding Irish men. | 0:31:05 | 0:31:08 | |
"All these mountains of Irish dead, | 0:31:09 | 0:31:12 | |
"all these corpses mangled beyond recognition. | 0:31:12 | 0:31:16 | |
"All these shivering, putrefying bodies of Irishmen and youth | 0:31:16 | 0:31:20 | |
"are all the price Ireland pays for being part of the British Empire. | 0:31:20 | 0:31:25 | |
"A piratical enterprise in which the valour of slaves | 0:31:25 | 0:31:28 | |
"fights for the glory and profit of their masters.' | 0:31:28 | 0:31:31 | |
Watching the working classes of Europe and Ireland | 0:31:35 | 0:31:37 | |
slaughter one another in the war, | 0:31:37 | 0:31:39 | |
James Connolly is close to despair, and feels compelled to act. | 0:31:39 | 0:31:43 | |
He starts planning a rebellion with the Irish Citizen Army. | 0:31:45 | 0:31:50 | |
But counting only hundreds in their ranks, | 0:31:50 | 0:31:53 | |
such a rising would be quickly and easily defeated. | 0:31:53 | 0:31:57 | |
News of Connolly's plan reaches the IRB's Military Council. | 0:31:57 | 0:32:01 | |
Fearing that a unilateral action by Connolly | 0:32:01 | 0:32:04 | |
will alert the British authorities to their own plans for an uprising, | 0:32:04 | 0:32:08 | |
Clarke and Pearse approach Connolly. | 0:32:08 | 0:32:11 | |
In secret negotiations, agreement is reached. | 0:32:11 | 0:32:14 | |
The Irish Citizen Army and the Irish Volunteers | 0:32:14 | 0:32:17 | |
will join forces in rebellion. | 0:32:17 | 0:32:20 | |
A date is set. | 0:32:20 | 0:32:22 | |
Easter 1916. | 0:32:22 | 0:32:24 | |
The strategy for the rebellion is drawn up by the mystic poet | 0:32:33 | 0:32:36 | |
and journalist Joseph Plunkett. | 0:32:36 | 0:32:38 | |
The rebels will seize key public buildings in Dublin's city centre | 0:32:40 | 0:32:44 | |
and also major towns across the country... | 0:32:44 | 0:32:47 | |
..but several influential Irish Volunteer leaders | 0:32:48 | 0:32:51 | |
are opposed to this approach, | 0:32:51 | 0:32:54 | |
including Chief of Staff Eoin MacNeill... | 0:32:54 | 0:32:56 | |
..and two of the Volunteers' original founders - The O'Rahilly, | 0:32:57 | 0:33:02 | |
and Bulmer Hobson. | 0:33:02 | 0:33:04 | |
Well, my feeling was that if there was going to be a fight, | 0:33:04 | 0:33:08 | |
that a guerrilla fight gave you the opportunity... | 0:33:08 | 0:33:11 | |
..of never coming to a decisive engagement - | 0:33:13 | 0:33:16 | |
of keeping the thing going, | 0:33:16 | 0:33:18 | |
if necessary, for years. | 0:33:18 | 0:33:19 | |
Whereas, seizing the public buildings in Dublin... | 0:33:22 | 0:33:26 | |
..you could do nothing but sit there till you were shot out of them. | 0:33:27 | 0:33:30 | |
Hobson and MacNeill's protests fall on deaf ears. | 0:33:40 | 0:33:43 | |
In manoeuvres on Saint Patrick's Day, 1916, | 0:33:45 | 0:33:48 | |
5,000 members of the Irish Volunteers and Irish Citizen Army | 0:33:48 | 0:33:53 | |
marched through Dublin. | 0:33:53 | 0:33:54 | |
The rebel conspirators are overjoyed. | 0:33:56 | 0:33:58 | |
With numbers like these, a rebellion might succeed. | 0:33:59 | 0:34:02 | |
Immediately, Pearse announces further manoeuvres | 0:34:06 | 0:34:09 | |
for the coming Easter weekend. | 0:34:09 | 0:34:11 | |
It is a perennial mystery that the British authorities, | 0:34:16 | 0:34:19 | |
at various levels, have information coming in | 0:34:19 | 0:34:21 | |
right, left and centre. | 0:34:21 | 0:34:23 | |
Quite apart from the obviously rebellious behaviour | 0:34:23 | 0:34:26 | |
of the Volunteers and the Citizen Army, | 0:34:26 | 0:34:28 | |
who are more or less practising having a rebellion in March, | 0:34:28 | 0:34:32 | |
on Patrick's Day, when they occupy the city. | 0:34:32 | 0:34:35 | |
It's a racist view, I guess, of the Irish. | 0:34:37 | 0:34:40 | |
"There may be some scuffles in the street, but it'll all be over." | 0:34:40 | 0:34:44 | |
This is part of the British official mind in Dublin, | 0:34:44 | 0:34:47 | |
that not only can the Irish not run a government, | 0:34:47 | 0:34:51 | |
which was part of the whole | 0:34:51 | 0:34:53 | |
argument against Home Rule, | 0:34:53 | 0:34:54 | |
but they can't organise anything. | 0:34:54 | 0:34:56 | |
By and large, most of the Volunteer leaders outside Dublin | 0:35:04 | 0:35:06 | |
didn't know what was being planned - | 0:35:06 | 0:35:08 | |
and, of course, some of them didn't feel that the idea | 0:35:08 | 0:35:11 | |
of an unprovoked insurrection was a good idea. | 0:35:11 | 0:35:14 | |
But by the time you get to Good Friday, | 0:35:14 | 0:35:16 | |
increasingly the word is out, | 0:35:16 | 0:35:17 | |
and people have realised that it's not just a mobilisation, | 0:35:17 | 0:35:20 | |
and rumours are spreading. | 0:35:20 | 0:35:22 | |
And as soon as this happens, figures like Eoin MacNeill and Bulmer Hobson | 0:35:22 | 0:35:25 | |
begin to organise themselves | 0:35:25 | 0:35:27 | |
to stop the rebellion taking place. | 0:35:27 | 0:35:29 | |
Realising that the mobilisation is, in fact, a cover | 0:35:30 | 0:35:33 | |
for full-scale rebellion, | 0:35:33 | 0:35:35 | |
MacNeill tells Pearse that he will do everything | 0:35:35 | 0:35:38 | |
to prevent the Rising - | 0:35:38 | 0:35:40 | |
short of informing the British authorities in Dublin Castle. | 0:35:40 | 0:35:43 | |
But Pearse, Clarke and Connolly are convinced the time has come. | 0:35:43 | 0:35:48 | |
All they need now are the guns. | 0:35:50 | 0:35:53 | |
With only two days to go before the Rising, | 0:35:59 | 0:36:02 | |
Casement is finally on his way from Germany on a U-boat. | 0:36:02 | 0:36:05 | |
Following close behind is the Aud, a cargo ship | 0:36:06 | 0:36:10 | |
carrying 20,000 rifles | 0:36:10 | 0:36:11 | |
and a million rounds of ammunition for the rebellion. | 0:36:11 | 0:36:14 | |
Bad, utterly cock-up communications. | 0:36:16 | 0:36:20 | |
They were not met, and arrived off the coast. | 0:36:20 | 0:36:23 | |
Casement, coming in his submarine, | 0:36:23 | 0:36:25 | |
likewise arrived unannounced. | 0:36:25 | 0:36:28 | |
He was arrested, and the captain of the Aud, on being discovered, | 0:36:28 | 0:36:33 | |
scuttled the ship. | 0:36:33 | 0:36:34 | |
So the ship and the arms were lost, | 0:36:36 | 0:36:38 | |
and the British were alerted that something was going to happen. | 0:36:38 | 0:36:41 | |
Hearing the weapons had been lost, | 0:36:45 | 0:36:48 | |
MacNeill is now convinced that the Rising has no chance of succeeding. | 0:36:48 | 0:36:52 | |
On MacNeill's orders, The O'Rahilly drives to Cork, | 0:36:54 | 0:36:57 | |
Kerry and Limerick to spread the news that the Rising is off. | 0:36:57 | 0:37:00 | |
The next day, Easter Sunday, April 23rd - | 0:37:02 | 0:37:06 | |
the very day the Rising is set to begin - | 0:37:06 | 0:37:09 | |
MacNeill publishes a countermanding order | 0:37:09 | 0:37:11 | |
in the Sunday Independent newspaper. | 0:37:11 | 0:37:13 | |
More than half of the Irish Volunteers | 0:37:14 | 0:37:16 | |
who had been expected to mobilise stay home. | 0:37:16 | 0:37:19 | |
Gathered in Liberty Hall, | 0:37:23 | 0:37:25 | |
the rebel leaders are dismayed by MacNeill's order. | 0:37:25 | 0:37:29 | |
The mood, it seems, was extraordinarily low | 0:37:31 | 0:37:34 | |
in terms of morale, despair, | 0:37:34 | 0:37:37 | |
utter devastation, silence... | 0:37:37 | 0:37:40 | |
There was mobilisation, of course, because large numbers | 0:37:40 | 0:37:43 | |
of the Volunteers didn't see the counter-order. | 0:37:43 | 0:37:45 | |
You had large numbers in different parts of the country | 0:37:45 | 0:37:48 | |
turning up, not knowing what they were to do next. | 0:37:48 | 0:37:50 | |
But as Sunday wore on, the despair of the morning gave way | 0:37:52 | 0:37:55 | |
to an urgency - and, some said, a certain eerie exhilaration. | 0:37:55 | 0:38:00 | |
I walked over to Liberty Hall... | 0:38:05 | 0:38:08 | |
..when I went in, there was my father. | 0:38:09 | 0:38:11 | |
He looked at me... | 0:38:13 | 0:38:16 | |
and I said to him, "Daddy, are you not going to fight?" | 0:38:16 | 0:38:19 | |
And he turned to me and two big tears roll down his cheeks. | 0:38:19 | 0:38:24 | |
He says, "If we don't fight, Nora... | 0:38:24 | 0:38:26 | |
"..we can only pray for an earthquake to come | 0:38:27 | 0:38:30 | |
"and swallow us and our shame." | 0:38:30 | 0:38:31 | |
It wasn't planned to be a gesture. | 0:38:37 | 0:38:40 | |
It was planned to be as effective, militarily, as it was possible | 0:38:40 | 0:38:43 | |
to conceive in the circumstances. | 0:38:43 | 0:38:46 | |
But if it had to be a gesture, then so be it. | 0:38:46 | 0:38:49 | |
Striking a losing blow is better than striking no blow at all. | 0:38:49 | 0:38:54 | |
In Liberty Hall, the Proclamation, | 0:38:59 | 0:39:02 | |
which has been drafted by Pearse, | 0:39:02 | 0:39:04 | |
with contributions from Connolly, Clarke, MacDonagh, | 0:39:04 | 0:39:07 | |
and others on the Military Council, is being printed. | 0:39:07 | 0:39:10 | |
The Rising... | 0:39:12 | 0:39:14 | |
will go ahead. | 0:39:14 | 0:39:16 | |
Easter Monday, April 1916. | 0:39:30 | 0:39:32 | |
Early morning. The streets of Dublin are quiet. | 0:39:34 | 0:39:38 | |
Most people are at home enjoying the public holiday. | 0:39:40 | 0:39:43 | |
Others, among them government officials and British Army officers, | 0:39:43 | 0:39:47 | |
have already left the city for the races at Fairyhouse in County Meath. | 0:39:47 | 0:39:51 | |
Around the city, dispatch riders cycle furiously | 0:39:56 | 0:39:59 | |
from house to house, spreading the word. | 0:39:59 | 0:40:01 | |
The long-awaited rebellion is about to begin. | 0:40:01 | 0:40:05 | |
We knew something was going to happen | 0:40:06 | 0:40:08 | |
because there was... that feeling in the air. | 0:40:08 | 0:40:10 | |
From all over Dublin, small groups comprising the Irish Volunteers, | 0:40:12 | 0:40:16 | |
the Irish Citizen Army, and the women's organization Cumann na mBan | 0:40:16 | 0:40:21 | |
are moving toward the city. | 0:40:21 | 0:40:23 | |
Due to the countermanding order, | 0:40:26 | 0:40:28 | |
only 2,000 men and women have answered the call. | 0:40:28 | 0:40:31 | |
At least 4,000 had been expected. | 0:40:33 | 0:40:35 | |
The countermanding order has caused so much confusion | 0:40:36 | 0:40:39 | |
around the country that the Rising will be confined mostly to Dublin. | 0:40:39 | 0:40:43 | |
The poet Patrick Pearse | 0:40:46 | 0:40:48 | |
and the socialist leader James Connolly | 0:40:48 | 0:40:51 | |
lead 200 men and women out of Liberty Hall, | 0:40:51 | 0:40:54 | |
headed for the GPO - | 0:40:54 | 0:40:56 | |
Dublin's General Post Office - on O'Connell Street. | 0:40:56 | 0:40:59 | |
The company of Volunteers came up the street, | 0:41:00 | 0:41:02 | |
and as soon as they came opposite the Post Office, | 0:41:02 | 0:41:05 | |
they got the order, and wheeled left into the Post Office. | 0:41:05 | 0:41:09 | |
Round about midday, the door was banged open and a number of men - | 0:41:11 | 0:41:16 | |
round about 20 - came into the room | 0:41:16 | 0:41:18 | |
dressed in green uniforms, | 0:41:18 | 0:41:20 | |
with rifles in their hand. | 0:41:20 | 0:41:22 | |
They ordered everybody to get out immediately. | 0:41:22 | 0:41:25 | |
Now cleared of staff and customers, | 0:41:26 | 0:41:28 | |
the GPO becomes the headquarters of the rebellion, | 0:41:28 | 0:41:32 | |
with Pearse as acting president, | 0:41:32 | 0:41:34 | |
and Connolly as commander in chief of military operations. | 0:41:34 | 0:41:37 | |
On hearing that the Rising is going ahead | 0:41:40 | 0:41:43 | |
regardless of his efforts to stop it, | 0:41:43 | 0:41:45 | |
The O'Rahilly drives to the GPO to join the fight. | 0:41:45 | 0:41:48 | |
Having helped to wind the clock, he is now determined to hear it strike, | 0:41:48 | 0:41:53 | |
and reaches the GPO to witness Patrick Pearse emerge | 0:41:53 | 0:41:56 | |
to read the Proclamation reclaiming the foundation of an Irish Republic. | 0:41:56 | 0:42:00 | |
"Irishmen and Irishwomen. | 0:42:01 | 0:42:04 | |
"In the name of God and of the dead generations | 0:42:05 | 0:42:08 | |
"from which she receives her old tradition of nationhood, | 0:42:08 | 0:42:12 | |
"Ireland, through us, summons her children to her flag | 0:42:12 | 0:42:16 | |
"and strikes for her freedom. | 0:42:16 | 0:42:17 | |
"In every generation the Irish people | 0:42:19 | 0:42:21 | |
"have asserted their right to national freedom and sovereignty," | 0:42:21 | 0:42:25 | |
"and we declare the right of the people of Ireland | 0:42:25 | 0:42:28 | |
"to the ownership of Ireland." | 0:42:28 | 0:42:30 | |
"The Republic guarantees religious and civil liberty, | 0:42:32 | 0:42:35 | |
"equal rights, and equal opportunities to all its citizens." | 0:42:35 | 0:42:39 | |
There's no question that Connolly and Pearse, | 0:42:43 | 0:42:45 | |
after the shenanigans of the previous few days, | 0:42:45 | 0:42:48 | |
that they were damn glad to reach the day | 0:42:48 | 0:42:50 | |
that they were actually there. | 0:42:50 | 0:42:52 | |
At long last, the curtain is opening - we're on stage. | 0:42:54 | 0:42:57 | |
Beidh cuimhneamh ar an la seo - | 0:42:58 | 0:43:01 | |
this day will be remembered. | 0:43:01 | 0:43:02 | |
The rebels spread out and take control | 0:43:20 | 0:43:22 | |
of several strategic buildings across the city centre, | 0:43:22 | 0:43:25 | |
including the Four Courts on the banks of the River Liffey, | 0:43:25 | 0:43:28 | |
and Boland's Mills to the south. | 0:43:28 | 0:43:31 | |
The plan is to lock-in, wait for the British to attack, | 0:43:36 | 0:43:39 | |
and resist for as long as possible. | 0:43:39 | 0:43:41 | |
They know the longer they can hold out, | 0:43:41 | 0:43:43 | |
the greater their chance of galvanising Irish and world opinion | 0:43:43 | 0:43:47 | |
to the cause of independence. | 0:43:47 | 0:43:48 | |
As they move towards their positions, | 0:43:53 | 0:43:55 | |
a small detachment of the Irish Citizen Army, | 0:43:55 | 0:43:58 | |
led by well-known actor Sean Connolly, | 0:43:58 | 0:44:01 | |
and radical feminist Helena Molony, approaches the centre | 0:44:01 | 0:44:04 | |
of the British administration in Ireland - Dublin Castle. | 0:44:04 | 0:44:08 | |
We went right up to the castle gate... | 0:44:09 | 0:44:11 | |
..and then a police sergeant came out. | 0:44:13 | 0:44:16 | |
When Connolly went to go past him, the officer put out his hand. | 0:44:17 | 0:44:20 | |
Connolly shot him. | 0:44:20 | 0:44:23 | |
GUNSHOT RINGS OUT | 0:44:23 | 0:44:24 | |
The man Connolly shoots is sergeant James O'Brien. | 0:44:27 | 0:44:31 | |
He is the first fatality of the Rising. | 0:44:31 | 0:44:33 | |
O'Brien is an Irishman from County Limerick. | 0:44:34 | 0:44:37 | |
Inside Dublin Castle, the most senior British official in Ireland - | 0:44:44 | 0:44:48 | |
Matthew Nathan - is reviewing security | 0:44:48 | 0:44:51 | |
with his head of intelligence, Major Ivor Price. | 0:44:51 | 0:44:54 | |
He is completely unaware that the rebellion has started. | 0:44:54 | 0:44:57 | |
I ran to see a policeman lying in a pool of blood, | 0:44:59 | 0:45:03 | |
and half a dozen Volunteers in green coats dashing about. | 0:45:03 | 0:45:06 | |
I fired a few shots from my revolver. | 0:45:07 | 0:45:10 | |
GUNFIRE | 0:45:10 | 0:45:12 | |
Soldiers fire, | 0:45:12 | 0:45:14 | |
and Connolly takes the Irish citizen army out of Dublin Castle | 0:45:14 | 0:45:18 | |
and the castle stays intact. | 0:45:18 | 0:45:20 | |
Dublin Castle in 1916 was defended by six soldiers. | 0:45:21 | 0:45:25 | |
It would have been a shout | 0:45:26 | 0:45:28 | |
that goes round the world, "Dublin Castle has been seized." | 0:45:28 | 0:45:31 | |
Maybe they felt there was too many people there, | 0:45:31 | 0:45:33 | |
but that raises the question, was there any reconnaissance done? | 0:45:33 | 0:45:36 | |
Did anyone go out and spy out the lie of the land? | 0:45:36 | 0:45:38 | |
Led by British Army veteran Michael Mallin, | 0:45:57 | 0:46:00 | |
the Irish Citizen Army begins to fortify St Stephen's Green, | 0:46:00 | 0:46:04 | |
commandeering vehicles, | 0:46:04 | 0:46:06 | |
barricading entry points. | 0:46:06 | 0:46:08 | |
Once Stephen's Green has been taken by the Irish Citizen Army | 0:46:11 | 0:46:14 | |
they do two main things - they start building barricades, | 0:46:14 | 0:46:18 | |
secondly they start digging trenches, | 0:46:18 | 0:46:22 | |
which speaks to this military innocence in a way. | 0:46:22 | 0:46:26 | |
If you want to hold the green | 0:46:26 | 0:46:27 | |
you would take the rooftops of those buildings, | 0:46:27 | 0:46:30 | |
you would not build trenches in the green. | 0:46:30 | 0:46:32 | |
Later in the day they're joined by Constance Markievicz, | 0:46:36 | 0:46:40 | |
wealthy socialist and prominent radical nationalist. | 0:46:40 | 0:46:44 | |
When they march off to begin their revolution, | 0:46:45 | 0:46:48 | |
somebody asks Countess Markievicz | 0:46:48 | 0:46:50 | |
if she's taking part in a rehearsal for something. | 0:46:50 | 0:46:53 | |
And when the first copies of the proclamation are stuck up | 0:46:54 | 0:46:57 | |
by Sean T O'Kelly on lampposts with flour paste, | 0:46:57 | 0:47:00 | |
somebody passing by says, "Is that a playbill?" | 0:47:00 | 0:47:03 | |
Which I always think is rather emblematic | 0:47:03 | 0:47:05 | |
of what is a very theatrical production. | 0:47:05 | 0:47:08 | |
An old man tries to retrieve his cart from a barricade | 0:47:09 | 0:47:13 | |
in Stephen's Green. | 0:47:13 | 0:47:15 | |
After repeated warnings, he is shot dead by one of the rebels. | 0:47:15 | 0:47:18 | |
GUNSHOT | 0:47:18 | 0:47:20 | |
After some odd adventures, I got as far as Jacob's | 0:47:35 | 0:47:38 | |
and, by God, there was a hostile crowd there, | 0:47:38 | 0:47:41 | |
calling on the lads inside, "Come out you lot of effing slackers, | 0:47:41 | 0:47:45 | |
"if you want to fight, go out and fight in France," and all this. | 0:47:45 | 0:47:48 | |
They were waving Union Jacks and God knows what. | 0:47:48 | 0:47:51 | |
There are 25,000 Dubliners serving in the British Army | 0:47:52 | 0:47:55 | |
during the First World War. | 0:47:55 | 0:47:57 | |
One in five of them are killed. | 0:47:57 | 0:47:59 | |
There are, of course, going to be those hugely angry for that reason. | 0:47:59 | 0:48:04 | |
You also had the Separation Women, | 0:48:04 | 0:48:06 | |
who were in receipt of allowances through the post offices | 0:48:06 | 0:48:10 | |
from their husbands who were fighting in World War I, | 0:48:10 | 0:48:13 | |
and they were enraged by the fact that they couldn't get their money | 0:48:13 | 0:48:16 | |
because somebody wanted to die for Ireland - | 0:48:16 | 0:48:18 | |
they had no interest in dying for Ireland, | 0:48:18 | 0:48:20 | |
they wanted their money to rear their children. | 0:48:20 | 0:48:22 | |
On O'Connell Street, reports of a disturbance | 0:48:32 | 0:48:35 | |
brings a company of British Army Lancers onto the street. | 0:48:35 | 0:48:39 | |
It was obvious they were going to | 0:48:39 | 0:48:41 | |
have the cavalry charge down the street. | 0:48:41 | 0:48:43 | |
And suddenly there's this volley of gunfire, | 0:48:46 | 0:48:48 | |
horses are taken down, men are killed - | 0:48:48 | 0:48:50 | |
the Rising has moved into a real stage where | 0:48:50 | 0:48:53 | |
there's no turning back now. | 0:48:53 | 0:48:55 | |
Isolated at the Viceregal Lodge in Phoenix Park, | 0:49:00 | 0:49:04 | |
the Viceroy, Lord Wimborne, is in a state of panic. | 0:49:04 | 0:49:07 | |
Convinced by intelligence reports | 0:49:07 | 0:49:10 | |
that the Germans are behind the rebellion | 0:49:10 | 0:49:12 | |
and that worse is to come, | 0:49:12 | 0:49:14 | |
he declares martial law in Dublin for the first time in 100 years. | 0:49:14 | 0:49:19 | |
He appeals to Prime Minister Herbert Asquith in London | 0:49:20 | 0:49:23 | |
for immediate military support. | 0:49:23 | 0:49:24 | |
The initial response is surprisingly muted. | 0:49:25 | 0:49:28 | |
Earlier in the day, the Germans launched Zeppelin raids | 0:49:32 | 0:49:35 | |
on English cities in Kent and Essex, | 0:49:35 | 0:49:38 | |
while their battleships bombard towns on England's coast. | 0:49:38 | 0:49:42 | |
It takes time for events in Dublin to capture Asquith's attention, | 0:49:44 | 0:49:48 | |
but when Britain's response finally comes, | 0:49:48 | 0:49:51 | |
it is massive and resolute. | 0:49:51 | 0:49:53 | |
Late on Tuesday night, thousands of soldiers arrive at Liverpool docks | 0:49:56 | 0:50:01 | |
and board ship, bound for Ireland. | 0:50:01 | 0:50:04 | |
Early Wednesday morning, thousands of British soldiers | 0:50:12 | 0:50:16 | |
land at South Dublin's Kingstown Harbour. | 0:50:16 | 0:50:18 | |
Among them are two battalions of Sherwood Foresters, | 0:50:18 | 0:50:22 | |
young infantrymen so raw they have to be shown | 0:50:22 | 0:50:25 | |
how to load and fire their guns on the pier. | 0:50:25 | 0:50:28 | |
Some even think they've arrived at the Western Front in France. | 0:50:28 | 0:50:31 | |
The Sherwoods are split into two groups, | 0:50:33 | 0:50:35 | |
one marches towards Dublin through the leafy suburb of Ballsbridge. | 0:50:35 | 0:50:39 | |
The rebel commander at Boland's Mill's garrison, | 0:50:43 | 0:50:46 | |
Eamon de Valera, a mathematics teacher, has set up outposts | 0:50:46 | 0:50:50 | |
covering Mount Street Bridge and Northumberland Road. | 0:50:50 | 0:50:54 | |
We knew that number 25 was being held by only two men, | 0:50:54 | 0:50:58 | |
Michael Malone and Jim Grace. | 0:50:58 | 0:51:01 | |
Around about one o'clock in the day we heard the noise of marching men | 0:51:07 | 0:51:10 | |
and looked out and here we saw, as we thought, the whole British Army | 0:51:10 | 0:51:15 | |
coming in, and they were marching along, quite unconcerned... | 0:51:15 | 0:51:19 | |
..and the men in number 25 waited until they got | 0:51:20 | 0:51:24 | |
to the junction of Haddington Road and Northumberland Road. | 0:51:24 | 0:51:27 | |
SHOTS FIRE | 0:51:30 | 0:51:32 | |
When they came under fire it was complete chaos. | 0:51:36 | 0:51:39 | |
Clearly nobody knew what to do. | 0:51:39 | 0:51:41 | |
A lot of soldiers are killed on the spot | 0:51:41 | 0:51:43 | |
and they had no idea where the firing was coming from. | 0:51:43 | 0:51:46 | |
The sound echoes across all the surrounding buildings, | 0:51:46 | 0:51:50 | |
you just can't tell where it's coming from. | 0:51:50 | 0:51:52 | |
Well, we thought there were probably 200 or 300. | 0:51:53 | 0:51:56 | |
Their fire was so good and so accurate | 0:51:56 | 0:51:59 | |
that they misled the troops as to the numbers. | 0:51:59 | 0:52:02 | |
From their outpost at Clanwilliam House on the far side of the canal, | 0:52:02 | 0:52:07 | |
the rebels will have any soldiers | 0:52:07 | 0:52:09 | |
who reach Mount Street Bridge in range. | 0:52:09 | 0:52:11 | |
When they came in our view then we opened fire. | 0:52:13 | 0:52:16 | |
They charged about seven or eight at a time | 0:52:17 | 0:52:20 | |
across the bridge, but they never crossed the bridge. | 0:52:20 | 0:52:24 | |
Eventually the British traced the sniper fire | 0:52:32 | 0:52:35 | |
in Northumberland Road to the upper floor window of number 25. | 0:52:35 | 0:52:39 | |
It would have been between half past six and seven - | 0:52:40 | 0:52:43 | |
it was still bright - when they made an almighty rush | 0:52:43 | 0:52:47 | |
and they got up the steps | 0:52:47 | 0:52:48 | |
and they threw a bomb at the door and we heard an explosion | 0:52:48 | 0:52:51 | |
and we saw a bright light and we knew it was the end of those two. | 0:52:51 | 0:52:55 | |
In the end 230 British soldiers are dead or wounded. | 0:52:57 | 0:53:02 | |
The rebels lose just four men. | 0:53:02 | 0:53:05 | |
By now, four 18 pound field guns stationed by the British | 0:53:12 | 0:53:16 | |
at Trinity College have begun shelling the city. | 0:53:16 | 0:53:19 | |
After a couple of very bruising encounters, | 0:53:26 | 0:53:28 | |
it's clear that the British forces will not attempt a frontal charge | 0:53:28 | 0:53:33 | |
on any of the fixed positions of the Volunteers. | 0:53:33 | 0:53:36 | |
Instead what they will do | 0:53:36 | 0:53:38 | |
is they will draw a ring of steel around them | 0:53:38 | 0:53:40 | |
and basically tighten that ring... | 0:53:40 | 0:53:42 | |
..so that the rebels will eventually see that they have no option | 0:53:43 | 0:53:47 | |
but to surrender or die. | 0:53:47 | 0:53:49 | |
The British sail a gunboat, the Helga, up the River Liffey, | 0:53:57 | 0:54:01 | |
and begin shelling O'Connell Street and the GPO. | 0:54:01 | 0:54:05 | |
EXPLOSIONS | 0:54:16 | 0:54:18 | |
EXPLOSIONS | 0:54:22 | 0:54:24 | |
The assault intensifies | 0:54:35 | 0:54:36 | |
as the British systematically close down the city. | 0:54:36 | 0:54:39 | |
Outside the GPO, as Connolly tries to link with an outpost, | 0:54:39 | 0:54:44 | |
a sniper's bullet rips into his ankle. | 0:54:44 | 0:54:46 | |
With some difficulty he manages to drag himself back inside the GPO. | 0:54:51 | 0:54:55 | |
Fire spreads rapidly from building to building | 0:55:03 | 0:55:06 | |
on the densely-packed commercial street. | 0:55:06 | 0:55:08 | |
As far as we could see, the sky was just one enormous mass of flame. | 0:55:13 | 0:55:19 | |
Tremendous, enormous mass of flame. | 0:55:20 | 0:55:23 | |
And we felt that the whole centre of the city | 0:55:24 | 0:55:26 | |
was being destroyed by fire. | 0:55:26 | 0:55:28 | |
With parts of the GPO already on fire, | 0:55:36 | 0:55:39 | |
Volunteer Eamon Dore has a meal with some fellow rebels. | 0:55:39 | 0:55:43 | |
The post office was, of course, completely on fire at the time, | 0:55:43 | 0:55:46 | |
it hadn't come quite down to our room | 0:55:46 | 0:55:48 | |
but it was all around us, though. | 0:55:48 | 0:55:50 | |
I asked Tom Clarke, I said, "What would you do if we won?" | 0:55:50 | 0:55:54 | |
Well, he said, "We won't win this time." | 0:55:54 | 0:55:57 | |
I said, "IF we won, what would you do?" | 0:55:57 | 0:56:00 | |
He said, "I'd get a small cottage with a big wall round it | 0:56:00 | 0:56:03 | |
"and I'd grow flowers." | 0:56:03 | 0:56:05 | |
At 2am on Friday morning, | 0:56:13 | 0:56:15 | |
the newly appointed military governor of Ireland, | 0:56:15 | 0:56:18 | |
General Sir John Maxwell, | 0:56:18 | 0:56:20 | |
sails up the Liffey into Dublin. | 0:56:20 | 0:56:22 | |
"It looked as if the entire centre of Dublin was in flames. | 0:56:24 | 0:56:27 | |
"When we got to North Wall, bullets were flying about - | 0:56:27 | 0:56:30 | |
"the crackle of musketry and machinegun fire | 0:56:30 | 0:56:33 | |
"breaking out every other minute. | 0:56:33 | 0:56:34 | |
"I think the signs are that the rebels have had enough. | 0:56:36 | 0:56:39 | |
"I will know for certain tonight." | 0:56:42 | 0:56:44 | |
The garrison in the Four Courts under the command | 0:56:53 | 0:56:56 | |
of 25-year-old Edward Daly has been surrounded. | 0:56:56 | 0:56:59 | |
Daly and the Volunteers are involved in fierce fighting | 0:57:02 | 0:57:05 | |
with the British along North King Street. | 0:57:05 | 0:57:07 | |
Days of fighting have cost the British dearly, | 0:57:12 | 0:57:15 | |
with the loss of 11 men and 32 wounded. | 0:57:15 | 0:57:18 | |
When they finally gain control of the street, | 0:57:19 | 0:57:22 | |
their retaliation on some local residents is merciless. | 0:57:22 | 0:57:25 | |
"The men were brought into the back. | 0:57:27 | 0:57:29 | |
"We heard poor Christie pleading for his father's life. | 0:57:29 | 0:57:33 | |
" 'Oh, don't kill Father.' | 0:57:34 | 0:57:36 | |
"Shots rang out." | 0:57:39 | 0:57:41 | |
That night, in houses along North King Street, | 0:57:45 | 0:57:49 | |
British soldiers execute 15 innocent civilians. | 0:57:49 | 0:57:53 | |
Pearse ordered the garrison be assembled in the main hall | 0:58:23 | 0:58:26 | |
of the GPO on Friday afternoon. | 0:58:26 | 0:58:29 | |
We knew that the end was near and he said, then, that... | 0:58:29 | 0:58:35 | |
"Win it we will, although we may win it in death." | 0:58:35 | 0:58:39 | |
By Friday evening it is clear that the GPO must be evacuated. | 0:58:41 | 0:58:46 | |
The O'Rahilly volunteers to lead in advance party down Moore Street, | 0:58:46 | 0:58:51 | |
to set up a position to provide cover for the next wave of rebels | 0:58:51 | 0:58:54 | |
abandoning the GPO. | 0:58:54 | 0:58:56 | |
But the British are waiting. | 0:58:57 | 0:58:59 | |
They waited until the last of us came around the corner | 0:59:01 | 0:59:04 | |
from Henry Street, and then they let it all loose on us. | 0:59:04 | 0:59:08 | |
Incessant heavy fire. | 0:59:09 | 0:59:12 | |
An awful lot fell near me - three or four of my friends. | 0:59:12 | 0:59:17 | |
Lieutenant Paddy Shortis - | 0:59:17 | 0:59:18 | |
I had chummed up with him only the previous day - | 0:59:18 | 0:59:22 | |
we were friends for a very brief duration, | 0:59:22 | 0:59:25 | |
he was shot dead beside me, and two or three others. | 0:59:25 | 0:59:29 | |
Myself and about six others veered to the left-hand side of the street | 0:59:29 | 0:59:33 | |
and The O'Rahilly was well in front and was shot there. | 0:59:33 | 0:59:38 | |
I saw him fall on his face | 0:59:39 | 0:59:41 | |
and the sword fall out of his hand. | 0:59:41 | 0:59:44 | |
And I saw him then turn on his left side, | 0:59:44 | 0:59:47 | |
he was in great pain and he made the sign of the cross. | 0:59:47 | 0:59:50 | |
When Pearse and the remaining rebels evacuate the GPO, | 0:59:55 | 0:59:58 | |
they, too, come under heavy fire | 0:59:58 | 1:00:00 | |
and are forced to take cover in houses in Moore Street. | 1:00:00 | 1:00:04 | |
By daybreak on Saturday, | 1:00:24 | 1:00:26 | |
the commander of the British forces in Ireland, Brigadier-General Lowe, | 1:00:26 | 1:00:31 | |
has effectively cordoned off the city centre. | 1:00:31 | 1:00:34 | |
The noose has closed. | 1:00:34 | 1:00:36 | |
In a building on Moore Street, Padraig Pearse sees something | 1:00:38 | 1:00:42 | |
that finally convinces him to end the fight. | 1:00:42 | 1:00:45 | |
On the street outside three old men lie dead... | 1:00:46 | 1:00:50 | |
..holding white flags in their hands. | 1:00:51 | 1:00:54 | |
This, according to Sean Mac Diarmada is the moment that Pearse decides | 1:00:56 | 1:01:00 | |
to save the lives of further civilians | 1:01:00 | 1:01:02 | |
by calling an end to the Rising. | 1:01:02 | 1:01:05 | |
At 2:30pm, Pearse meets Lowe at the top of Moore Street, | 1:01:07 | 1:01:12 | |
presenting his sword, and with it the formal, unconditional surrender | 1:01:12 | 1:01:16 | |
of the Provisional Irish Government and the Irish Republican Army. | 1:01:16 | 1:01:20 | |
The Irish Republic has lasted for just six days. | 1:01:23 | 1:01:27 | |
Though sporadic resistance continues, | 1:01:55 | 1:01:58 | |
by Sunday, all the main rebel garrisons have surrendered. | 1:01:58 | 1:02:01 | |
Gravely injured, Connolly is moved to a hospital ward in Dublin Castle. | 1:02:03 | 1:02:07 | |
The other leaders, along with many of the rebels, | 1:02:10 | 1:02:13 | |
are taken to Richmond Barracks. | 1:02:13 | 1:02:15 | |
Hundreds of us, very dishevelled men, I remember. | 1:02:16 | 1:02:20 | |
Unshaven, soiled, tired-looking | 1:02:20 | 1:02:23 | |
but a marvellous spirit of defiance. | 1:02:23 | 1:02:26 | |
It seems very eerie going down such a silent O'Connell Street. | 1:02:27 | 1:02:32 | |
There was hardly a sound, and at the GPO, smoke still rising from it. | 1:02:32 | 1:02:38 | |
I thought to myself, that's like our dreams, in ruins now. | 1:02:39 | 1:02:43 | |
As the smoke rises from the devastated city centre | 1:03:09 | 1:03:13 | |
the immediate cost is clear. | 1:03:13 | 1:03:15 | |
65 rebels and 140 British troops are dead... | 1:03:15 | 1:03:20 | |
but by far the largest group of casualties are Dublin civilians. | 1:03:20 | 1:03:25 | |
At least 300 men, women and children have lost their lives. | 1:03:25 | 1:03:30 | |
The word chivalry has often been used | 1:03:33 | 1:03:35 | |
in relation to the conduct of the fight. | 1:03:35 | 1:03:37 | |
I don't think you can make a sweeping assertion | 1:03:37 | 1:03:40 | |
about the conduct of the fight - | 1:03:40 | 1:03:42 | |
particularly when you consider that there were in the region | 1:03:42 | 1:03:45 | |
of 40 children killed over the course of Easter week 1916. | 1:03:45 | 1:03:49 | |
Those children did not ask to die for Ireland. | 1:03:51 | 1:03:54 | |
There was a whole series of demonstrations | 1:04:05 | 1:04:08 | |
while we were marched down. | 1:04:08 | 1:04:10 | |
Some of the women there shouted all sorts of expletives at us, | 1:04:10 | 1:04:14 | |
told the soldiers to "shoot the bastards". | 1:04:14 | 1:04:19 | |
So I can say this much, definitely, that the Rising in Dublin | 1:04:20 | 1:04:24 | |
was not popular in 1916. | 1:04:24 | 1:04:26 | |
Mainstream nationalist Ireland deeply disapproved. | 1:04:32 | 1:04:35 | |
Not only was the action condemned as a stab in the back, | 1:04:35 | 1:04:39 | |
a treachery, irresponsible and worse, | 1:04:39 | 1:04:41 | |
but there were further calls | 1:04:41 | 1:04:43 | |
for the most severe penalties to be meted out to the ringleaders. | 1:04:43 | 1:04:47 | |
By now Ireland is being governed under martial law | 1:04:55 | 1:04:58 | |
by British General Sir John Maxwell. | 1:04:58 | 1:05:01 | |
Maxwell is in no mood for mercy. | 1:05:02 | 1:05:04 | |
He rounds up the rank and file of the Irish Volunteers | 1:05:06 | 1:05:09 | |
and the Irish Citizen Army and sends them to prison camps in Britain. | 1:05:09 | 1:05:13 | |
The leaders would be court-martialled. | 1:05:16 | 1:05:19 | |
Asquith's eldest son, his most brilliant son, Raymond, | 1:05:31 | 1:05:36 | |
he was killed in the Great War. | 1:05:36 | 1:05:39 | |
Many of his cabinet ministers had lost sons by 1916, | 1:05:39 | 1:05:43 | |
and, therefore, | 1:05:43 | 1:05:45 | |
what's the execution of the Irish leaders in 1916, | 1:05:45 | 1:05:50 | |
when people are being killed | 1:05:50 | 1:05:52 | |
in their hundreds, their thousands, every day? | 1:05:52 | 1:05:54 | |
And that, I think... | 1:05:55 | 1:05:59 | |
it coarsens the British reaction to 1916, | 1:05:59 | 1:06:04 | |
it blunts their political antennae. | 1:06:04 | 1:06:07 | |
The first to face Britain's justice | 1:06:13 | 1:06:16 | |
are Padraig Pearse, Tom Clarke and Thomas MacDonagh. | 1:06:16 | 1:06:21 | |
All three are found guilty of rebellion against the Crown | 1:06:22 | 1:06:25 | |
and sentenced to death by firing squad. | 1:06:25 | 1:06:28 | |
Transferred to Dublin's Kilmainham Gaol, | 1:06:30 | 1:06:33 | |
they were informed that they will be shot at dawn. | 1:06:33 | 1:06:36 | |
Their families are to be allowed one last visit. | 1:06:38 | 1:06:42 | |
But neither the Pearse family nor Muriel MacDonagh | 1:06:42 | 1:06:46 | |
receive the news in time. | 1:06:46 | 1:06:47 | |
A Capuchin priest, Father Aloysius, is allowed to visit. | 1:06:49 | 1:06:54 | |
"The bare cell was lighted from a candle | 1:06:56 | 1:06:59 | |
"at a small opening in the cell wall. | 1:06:59 | 1:07:02 | |
"I had barely light to read the ritual, | 1:07:02 | 1:07:05 | |
"but the man, Pearse, as he lifted up to receive his God, | 1:07:05 | 1:07:09 | |
"seemed to beam with light. | 1:07:09 | 1:07:11 | |
"The same description would apply to Thomas MacDonagh. | 1:07:12 | 1:07:15 | |
"Both assured me they were happy. | 1:07:15 | 1:07:17 | |
"I left Pearse and MacDonagh in the most edifying disposition. | 1:07:18 | 1:07:22 | |
"Pearse was anxious that his mother should get a letter | 1:07:23 | 1:07:26 | |
"he had just written." | 1:07:26 | 1:07:28 | |
"My dearest mother, | 1:07:30 | 1:07:32 | |
"I had been hoping that it would be possible to see you again, | 1:07:32 | 1:07:35 | |
"but it does not seem possible. | 1:07:35 | 1:07:38 | |
"I have just received Holy Communion. | 1:07:39 | 1:07:41 | |
"I am happy, except for the great grief of parting from you. | 1:07:41 | 1:07:45 | |
"This is the death I should have asked for | 1:07:46 | 1:07:48 | |
"if God had given me the choice of all deaths - | 1:07:48 | 1:07:51 | |
"to die a soldier's death for freedom. | 1:07:51 | 1:07:53 | |
"Goodbye, dear, dear mother." | 1:07:54 | 1:07:58 | |
That same night in a nearby cell | 1:08:05 | 1:08:07 | |
Thomas MacDonagh writes a note to his son. | 1:08:07 | 1:08:10 | |
"Don, darling little boy, remember me kindly. | 1:08:12 | 1:08:16 | |
"Take my hope. | 1:08:18 | 1:08:19 | |
"You will recognise, I think, I have done a great thing for Ireland... | 1:08:20 | 1:08:24 | |
"..won the first step for her freedom. | 1:08:26 | 1:08:28 | |
"God bless you, my son." | 1:08:31 | 1:08:33 | |
Only Tom Clarke's wife, Kathleen, | 1:08:38 | 1:08:40 | |
herself a prisoner in Dublin Castle, gets there in time. | 1:08:40 | 1:08:44 | |
We got about an hour. | 1:08:46 | 1:08:47 | |
Well, even then we didn't talk about anything about ourselves, | 1:08:47 | 1:08:53 | |
we talked about the future. | 1:08:53 | 1:08:55 | |
And the future of the country. | 1:08:57 | 1:08:59 | |
And he said... | 1:08:59 | 1:09:02 | |
"We, all of us that are going out tonight," he said, | 1:09:02 | 1:09:05 | |
"believe that we have saved the soul of Ireland... | 1:09:05 | 1:09:08 | |
"..that we have struck the first successful blow to freedom, | 1:09:10 | 1:09:14 | |
"but between this and freedom," he said, | 1:09:14 | 1:09:16 | |
"Ireland would go through hell." | 1:09:16 | 1:09:18 | |
"But," he said, "Ireland would never lie down again." | 1:09:20 | 1:09:23 | |
Three days after the Rising, the British authorities announced | 1:09:28 | 1:09:31 | |
that three leaders, Clarke, MacDonagh and Pearse | 1:09:31 | 1:09:35 | |
had been executed. | 1:09:35 | 1:09:36 | |
The population of Dublin were not aware of what was going on, | 1:09:46 | 1:09:49 | |
because the court martials were held in secret... | 1:09:49 | 1:09:51 | |
..and hearing volleys of shots from Kilmainham prison | 1:09:53 | 1:09:56 | |
was not calculated to appease the concerns | 1:09:56 | 1:09:58 | |
of those who knew that hundreds of people had been rounded-up | 1:09:58 | 1:10:01 | |
and, for all they knew, hundreds of people were going to be executed. | 1:10:01 | 1:10:05 | |
In the following days, the executions continue. | 1:10:05 | 1:10:09 | |
On Wednesday 4th, Edward Daly, Michael O'Hanrahan, | 1:10:09 | 1:10:14 | |
Joseph Mary Plunkett | 1:10:14 | 1:10:16 | |
and Pearse's younger brother, Willie, face the firing squad. | 1:10:16 | 1:10:20 | |
May 5th, Major John MacBride is executed. | 1:10:22 | 1:10:26 | |
May 8th, four more executions - | 1:10:28 | 1:10:31 | |
Conn Colbert, Eamonn Ceannt, | 1:10:31 | 1:10:34 | |
Sean Heuston and Michael Mallin. | 1:10:34 | 1:10:36 | |
"My darling wife, pulse of my heart... | 1:10:38 | 1:10:40 | |
"..this is the end of all things earthly. | 1:10:43 | 1:10:46 | |
"I enclose the buttons off my sleeve. | 1:10:46 | 1:10:49 | |
"Keep them in memory of me." | 1:10:49 | 1:10:51 | |
Machiavelli used to always say if you had bad news | 1:11:01 | 1:11:04 | |
you should get it all over in one go. | 1:11:04 | 1:11:06 | |
If they were going to execute, they would have been much better off | 1:11:06 | 1:11:09 | |
carrying out the executions one day, bang - that. | 1:11:09 | 1:11:12 | |
Instead of which, nobody knows what's happening, | 1:11:12 | 1:11:15 | |
there's very strict censorship - | 1:11:15 | 1:11:17 | |
and the impact upon Irish public opinion | 1:11:17 | 1:11:19 | |
has been well likened to watching | 1:11:19 | 1:11:23 | |
blood slowly seeping from under a locked prison door. | 1:11:23 | 1:11:27 | |
Irish politician John Dillon, | 1:11:33 | 1:11:36 | |
a senior figure in the Home Rule Party, | 1:11:36 | 1:11:38 | |
delivers an angry speech in the House of Commons | 1:11:38 | 1:11:41 | |
that provokes shock and outrage. | 1:11:41 | 1:11:43 | |
His target - the British government and its policy of retribution. | 1:11:43 | 1:11:48 | |
"You are letting loose a river of blood. | 1:11:48 | 1:11:51 | |
"It is the first rebellion that ever took place in Ireland | 1:11:51 | 1:11:54 | |
"where you had the majority on your side. | 1:11:54 | 1:11:56 | |
"It is not murderers who are being executed, it is insurgents | 1:11:57 | 1:12:01 | |
"who have fought a clean fight - a brave fight, however misguided." | 1:12:01 | 1:12:05 | |
In America, people are beginning to pay attention. | 1:12:13 | 1:12:16 | |
What's interesting about the coverage of the Easter Rising | 1:12:18 | 1:12:23 | |
in American newspapers is the extensive nature of it. | 1:12:23 | 1:12:28 | |
The New York Times devoted 14 days | 1:12:28 | 1:12:32 | |
to coverage of the Easter Rising on its front page. | 1:12:32 | 1:12:36 | |
Then you see American public opinion swung in favour of the Irish | 1:12:38 | 1:12:44 | |
and against the British. | 1:12:44 | 1:12:47 | |
So that you would have monster meetings, | 1:12:48 | 1:12:51 | |
gatherings of Irish-Americans | 1:12:51 | 1:12:54 | |
and those who were supporting Irish independence, | 1:12:54 | 1:12:57 | |
and the then ambassador from Great Britain to the United States | 1:12:57 | 1:13:03 | |
is watching very closely, | 1:13:03 | 1:13:06 | |
and right after the executions | 1:13:06 | 1:13:09 | |
he says that, "When they look our way," | 1:13:09 | 1:13:13 | |
meaning the Irish in America, "they have blood in their eyes." | 1:13:13 | 1:13:18 | |
With Irish and international pressure mounting, | 1:13:23 | 1:13:27 | |
many rebels, including three prominent leaders, | 1:13:27 | 1:13:30 | |
Eamon de Valera, Countess Markievicz | 1:13:30 | 1:13:33 | |
and WT Cosgrave are taken off the execution list. | 1:13:33 | 1:13:37 | |
For the two remaining signatories of the proclamation, however, | 1:13:41 | 1:13:45 | |
there will be no mercy. | 1:13:45 | 1:13:47 | |
On 11th May, James Connolly and Sean Mac Diarmada | 1:13:49 | 1:13:53 | |
are court-martialled and sentenced to death by firing squad. | 1:13:53 | 1:13:56 | |
James Connolly is still in the Red Cross Hospital in Dublin Castle, | 1:13:59 | 1:14:03 | |
being treated for his wounds. | 1:14:03 | 1:14:05 | |
About midnight Connolly's wife, Lily, | 1:14:07 | 1:14:10 | |
and daughter, Nora, are brought to see him. | 1:14:10 | 1:14:12 | |
Well, we got ready, and we went down and we were taken in a... | 1:14:13 | 1:14:16 | |
an army lorry, coming down through O'Connell Street and all the... | 1:14:16 | 1:14:21 | |
You still smell burning and all... | 1:14:22 | 1:14:25 | |
they still had that | 1:14:25 | 1:14:27 | |
horrible smell of burning. | 1:14:27 | 1:14:28 | |
So when we got in to my father, he said, | 1:14:30 | 1:14:34 | |
"Well, Lily," he said, "I suppose you know what this means? | 1:14:34 | 1:14:38 | |
And she said, "Oh, no. Oh, no, not that." | 1:14:38 | 1:14:41 | |
He said, "Yes, Lily." | 1:14:41 | 1:14:43 | |
She broke down, then, and she said, | 1:14:43 | 1:14:46 | |
"But your beautiful life, James," she says, "your beautiful life." | 1:14:46 | 1:14:51 | |
He said, "Wasn't it a full life Lillian, isn't this a good end?" | 1:14:52 | 1:14:58 | |
And she broke, but she still cried, so he says, "Look, Lily, | 1:14:59 | 1:15:02 | |
"please don't cry," he says, "you'll unman me." | 1:15:02 | 1:15:05 | |
So she tried to control herself. | 1:15:06 | 1:15:08 | |
I was trying to control myself, too. | 1:15:08 | 1:15:11 | |
And he was trying to plan our life for after he was gone, and... | 1:15:12 | 1:15:16 | |
Then they told us... | 1:15:19 | 1:15:22 | |
time is up, and we'd have to go, | 1:15:22 | 1:15:24 | |
he was to be shot at dawn, you see. | 1:15:24 | 1:15:26 | |
On May 12th, James Connolly and Sean Mac Diarmada | 1:15:32 | 1:15:35 | |
are the last of the leaders to be shot by firing squad. | 1:15:35 | 1:15:38 | |
Having been found guilty of treason on the 3rd of August, | 1:15:44 | 1:15:48 | |
Roger Casement is hanged in Pentonville Prison in London. | 1:15:48 | 1:15:52 | |
Casement's death brings the executions to an end... | 1:15:55 | 1:15:58 | |
..but it also marks a beginning. | 1:15:59 | 1:16:01 | |
I think that Pearse imagined execution as, in fact, | 1:16:13 | 1:16:17 | |
a great weapon, a great rebel weapon. | 1:16:17 | 1:16:21 | |
"Yes, they'll kill us, | 1:16:21 | 1:16:23 | |
"but our fame will live on." | 1:16:23 | 1:16:24 | |
Execution means drama. | 1:16:24 | 1:16:27 | |
You might almost say, it is great theatre - | 1:16:27 | 1:16:30 | |
except it's great theatre where the losers die. | 1:16:30 | 1:16:33 | |
But the way they die, | 1:16:35 | 1:16:36 | |
and what they leave after them, then resonates with those to come. | 1:16:36 | 1:16:40 | |
Violence polarises situations, and when ordinary Irish nationalists, | 1:16:44 | 1:16:48 | |
people who had been hostile to the rebellion, | 1:16:48 | 1:16:50 | |
have to choose which side their sympathies are with, | 1:16:50 | 1:16:53 | |
it's not for the execution squads of the British Army | 1:16:53 | 1:16:56 | |
but for people who are, after all, their own blood. | 1:16:56 | 1:16:59 | |
People began to see the rebels differently, | 1:17:02 | 1:17:05 | |
they began to understand and get ideas of self-sacrifice | 1:17:05 | 1:17:08 | |
and heroism and courage and they began, as a result of that, | 1:17:08 | 1:17:13 | |
to try and understand what it was that drove them | 1:17:13 | 1:17:16 | |
to this extremity when it was clear that they couldn't possibly win. | 1:17:16 | 1:17:20 | |
-INTERVIEWER: -What effect did the executions have on you? | 1:17:22 | 1:17:24 | |
The same as it had on everybody else, | 1:17:24 | 1:17:27 | |
made me completely and absolutely pro them, | 1:17:27 | 1:17:29 | |
and I became a political Irishman from that day. | 1:17:29 | 1:17:33 | |
The executions of the leaders did a lot of political damage, | 1:17:35 | 1:17:39 | |
but the arrests of a lot of ordinary people | 1:17:39 | 1:17:42 | |
did at least as much damage and spread it wider. | 1:17:42 | 1:17:45 | |
The British forces went into areas which hadn't seen an insurrection | 1:17:45 | 1:17:49 | |
and arrested large numbers of people in the weeks after the Rising. | 1:17:49 | 1:17:53 | |
They brought together people who'd never met each other, | 1:17:55 | 1:17:57 | |
and had no public influence before, nothing in common. | 1:17:57 | 1:18:00 | |
By doing so they greatly broadened the new revolutionary elite. | 1:18:01 | 1:18:06 | |
Late in 1916, most of the internal prisoners are set free. | 1:18:17 | 1:18:22 | |
The rest are released the following year. | 1:18:24 | 1:18:26 | |
In the months that follow, in a remarkable change of heart, | 1:18:28 | 1:18:31 | |
the majority sentiment comes to support the cause | 1:18:31 | 1:18:34 | |
for which the rebels of 1916 had fought and died. | 1:18:34 | 1:18:38 | |
When the Great War ends tens of thousands of Irish soldiers | 1:18:47 | 1:18:51 | |
return to a transformed Ireland. | 1:18:51 | 1:18:53 | |
Having fought under a British flag, some find themselves ostracised. | 1:18:53 | 1:18:58 | |
Their sacrifice at the front line no longer valued. | 1:19:00 | 1:19:03 | |
Others joined the republican cause | 1:19:03 | 1:19:06 | |
and devote themselves fully to achieving Irish independence. | 1:19:06 | 1:19:10 | |
In the general election of 1918, Sinn Fein, | 1:19:16 | 1:19:20 | |
the political party that rejects Home Rule | 1:19:20 | 1:19:22 | |
in favour of separatist republicanism, | 1:19:22 | 1:19:25 | |
wins a landslide victory, | 1:19:25 | 1:19:27 | |
gaining almost three quarters of the seats. | 1:19:27 | 1:19:29 | |
One third of the newly elected Sinn Fein representatives | 1:19:31 | 1:19:35 | |
had fought in 1916. | 1:19:35 | 1:19:37 | |
Significantly, this is the first time in Irish history | 1:19:39 | 1:19:43 | |
that women are given the right to vote in parliamentary elections. | 1:19:43 | 1:19:47 | |
In the north of Ireland, | 1:19:48 | 1:19:50 | |
Ulster Unionists are by far the most successful party, | 1:19:50 | 1:19:53 | |
setting the scene for the future partition of the island. | 1:19:53 | 1:19:57 | |
Refusing to take their seats in the parliament in London, | 1:20:27 | 1:20:31 | |
on the 21st of January, 1919, | 1:20:31 | 1:20:33 | |
the elected Sinn Fein representatives not imprisoned | 1:20:33 | 1:20:37 | |
gather at Dublin's Mansion house, | 1:20:37 | 1:20:39 | |
where they declare an Irish Republic, | 1:20:39 | 1:20:42 | |
establishing the first independent Irish parliament, | 1:20:42 | 1:20:45 | |
which they name Dail Eireann. | 1:20:45 | 1:20:47 | |
The Irish people have asserted their democratic right | 1:20:51 | 1:20:55 | |
to govern themselves. | 1:20:55 | 1:20:57 | |
Ireland's future, | 1:21:12 | 1:21:14 | |
as she takes her place among the free nations of the world, | 1:21:14 | 1:21:18 | |
will involve a protracted and, at times, disillusioning process. | 1:21:18 | 1:21:22 | |
It will bring a guerrilla war... | 1:21:26 | 1:21:28 | |
..negotiations, | 1:21:30 | 1:21:32 | |
compromises... | 1:21:32 | 1:21:34 | |
..a bitter civil war... | 1:21:36 | 1:21:38 | |
..and the partitioning of Ireland, | 1:21:42 | 1:21:44 | |
with six counties of Ulster to be called Northern Ireland, | 1:21:44 | 1:21:47 | |
remaining within the United Kingdom. | 1:21:47 | 1:21:50 | |
The rebellion leaves behind | 1:21:57 | 1:21:59 | |
a complex and, at times, contested legacy. | 1:21:59 | 1:22:02 | |
And yet, with 1916, the decisive step had been taken. | 1:22:11 | 1:22:17 | |
Its historical significance would reverberate around the world, | 1:22:21 | 1:22:26 | |
providing a catalyst for the irreversible dismantling | 1:22:26 | 1:22:29 | |
of old colonial powers throughout the rest of the century. | 1:22:29 | 1:22:34 | |
You can almost feel, in 1916, | 1:22:37 | 1:22:40 | |
the clock of civilisation is beginning to turn. | 1:22:40 | 1:22:43 | |
The old British Empire is beginning to come apart at the seams... | 1:22:43 | 1:22:48 | |
..and part of that is the 1916 Rising. Why? | 1:22:49 | 1:22:52 | |
It's the first time since America in 1776 | 1:22:52 | 1:22:56 | |
that, almost at the heart of their Empire, there's a resistance. | 1:22:56 | 1:23:00 | |
And the rest of the 20th century the sound of the globe | 1:23:04 | 1:23:08 | |
is of bits of the Empire falling off and the huge British dominance | 1:23:08 | 1:23:13 | |
across the globe beginning to shrink back to its old island basis. | 1:23:13 | 1:23:17 | |
100 years on, the ideals that animated the men and women of 1916, | 1:23:42 | 1:23:48 | |
ideas of freedom, equality and civil and religious liberty | 1:23:48 | 1:23:53 | |
continue to exercise, challenge and inspire us today... | 1:23:53 | 1:23:57 | |
..and may well resonate among the generations of the future. | 1:23:59 | 1:24:03 | |
"The Proclamation, it lives. | 1:24:06 | 1:24:10 | |
"From minds alive with Ireland's visit intellect it sprang. | 1:24:11 | 1:24:15 | |
"Such documents do not die." | 1:24:15 | 1:24:18 | |
"We have done right. | 1:24:26 | 1:24:28 | |
"People will say hard things of us now | 1:24:28 | 1:24:32 | |
"but later on they will praise us. | 1:24:32 | 1:24:34 | |
"Do not grieve for all this. | 1:24:34 | 1:24:37 | |
"Think of it as a sacrifice which God asked of me... | 1:24:38 | 1:24:43 | |
"and of you." | 1:24:43 | 1:24:45 |