
Browse content similar to Generation '66. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
CHEERING AND APPLAUSE | 0:00:03 | 0:00:05 | |
As Bobby Moore lifted the World Cup at Wembley... | 0:00:05 | 0:00:07 | |
CHEERING | 0:00:07 | 0:00:09 | |
..the summer of 1966 became the stuff of legend. | 0:00:09 | 0:00:13 | |
We were on top of the world. | 0:00:17 | 0:00:19 | |
The euphoria still hasn't worn off 50 years later. | 0:00:19 | 0:00:22 | |
In that moment, Britain went from grainy black and white | 0:00:25 | 0:00:28 | |
to glorious Technicolor, | 0:00:28 | 0:00:31 | |
and across the country, people's lives were doing the same. | 0:00:31 | 0:00:34 | |
We love talking about many, many subjects, but here's something. | 0:00:36 | 0:00:39 | |
1966, it was such an exciting time. | 0:00:39 | 0:00:44 | |
What were you doing? | 0:00:44 | 0:00:46 | |
Revolutionary times, without a doubt. | 0:00:46 | 0:00:52 | |
If I wanted to have sex with someone, | 0:00:52 | 0:00:53 | |
I just had sex with someone. | 0:00:53 | 0:00:55 | |
I didn't really bother to get clearance from anyone. | 0:00:55 | 0:00:58 | |
Erm... | 0:00:58 | 0:01:00 | |
Did you take drugs? | 0:01:02 | 0:01:04 | |
Did you do blueys? | 0:01:04 | 0:01:06 | |
Would you call keep-awake pills drugs today? | 0:01:06 | 0:01:10 | |
Do you remember the World Cup? | 0:01:11 | 0:01:13 | |
Men in short shorts. | 0:01:13 | 0:01:14 | |
Oh, happy days! | 0:01:14 | 0:01:15 | |
That's me there. I used to score with a lot of girls! | 0:01:16 | 0:01:19 | |
It was a golden moment for Britain - the peak of the '60s wave - | 0:01:21 | 0:01:28 | |
but what was life really like at the time? | 0:01:28 | 0:01:32 | |
The big problem in those days for me was my sexuality, | 0:01:32 | 0:01:35 | |
because it was illegal. | 0:01:35 | 0:01:36 | |
So, you live a lie. | 0:01:36 | 0:01:38 | |
'66, I was living a lie. | 0:01:38 | 0:01:41 | |
We were caught between the old world and the new. | 0:01:41 | 0:01:45 | |
I honestly never felt, at any time during 1966, secure, | 0:01:45 | 0:01:50 | |
and one was just sort of hoping, | 0:01:50 | 0:01:52 | |
digging in until something good came along. | 0:01:52 | 0:01:55 | |
It's interesting, isn't it? 1966. | 0:01:55 | 0:01:58 | |
Give us a ring. | 0:01:58 | 0:02:00 | |
CHEERING | 0:02:12 | 0:02:15 | |
We all remember the World Cup final, | 0:02:15 | 0:02:17 | |
but what about the other 364 days of the year? | 0:02:17 | 0:02:21 | |
The real revolution of '66 was happening | 0:02:21 | 0:02:24 | |
far away from the football pitch, | 0:02:24 | 0:02:26 | |
in the lives of a new generation who would shape modern Britain. | 0:02:26 | 0:02:31 | |
As the bells struck 12 and 1966 began, | 0:02:31 | 0:02:35 | |
23-year-old Chris and 18-year-old Linda were seeing in the New Year | 0:02:35 | 0:02:40 | |
in Central London. | 0:02:40 | 0:02:42 | |
They had no idea what was just around the corner. | 0:02:42 | 0:02:45 | |
To celebrate New Year's Eve, | 0:02:45 | 0:02:47 | |
I went with some friends to the Blind Beggar pub. | 0:02:47 | 0:02:51 | |
A few of the lads that we'd met took us back to the train. | 0:02:51 | 0:02:56 | |
We happened to be talking about where we were going and I said, | 0:02:56 | 0:02:58 | |
"Oh, I'm going to Barking." | 0:02:58 | 0:03:00 | |
And they both said, "No, you're not. The train's going the wrong way." | 0:03:00 | 0:03:04 | |
And I went, "Oh, no." | 0:03:04 | 0:03:06 | |
Chris said to me, "I'll take you home, if you like." | 0:03:06 | 0:03:10 | |
I was shy, to be honest - very shy. | 0:03:10 | 0:03:12 | |
It was meeting Linda that brought me out of myself. | 0:03:12 | 0:03:15 | |
So, for me to have picked up Linda the way I did | 0:03:15 | 0:03:18 | |
was totally out of character, | 0:03:18 | 0:03:19 | |
so something must have happened, mustn't it? | 0:03:19 | 0:03:22 | |
MUSIC: Land Of 1,000 Dances by Wilson Pickett | 0:03:22 | 0:03:25 | |
Chris wasn't the only one who was feeling more confident. | 0:03:25 | 0:03:29 | |
The grey post-war days of the 1950s were being swept away by | 0:03:29 | 0:03:34 | |
a new generation determined to live a very different kind of life. | 0:03:34 | 0:03:37 | |
21 years on from the end of the war, modern Britain was coming of age. | 0:03:40 | 0:03:45 | |
I was aware that things were changing, usually through music. | 0:03:46 | 0:03:51 | |
Everything was different from the way Ma and Pa | 0:03:51 | 0:03:55 | |
and Uncle John and Uncle Bill had done it. | 0:03:55 | 0:03:58 | |
It was a freedom in the '60s, because we had nobody to follow. | 0:03:58 | 0:04:02 | |
There was no... "the generation before". | 0:04:02 | 0:04:05 | |
The older ones, well, stayed at home, I should imagine, | 0:04:05 | 0:04:08 | |
but the youngsters thought it belonged to them. | 0:04:08 | 0:04:10 | |
You know, if you wanted to do it, you did it. | 0:04:10 | 0:04:12 | |
If you wanted to wear whatever you wore, you wore it, so... | 0:04:12 | 0:04:15 | |
You were there to enjoy, you know, so I did. | 0:04:15 | 0:04:18 | |
-We did. -Yeah, we did. Yeah. | 0:04:18 | 0:04:20 | |
In 1966, over 40% of the population were under 25 - | 0:04:20 | 0:04:26 | |
including every member of the Beatles and the Stones. | 0:04:26 | 0:04:29 | |
In just a few short years, | 0:04:31 | 0:04:33 | |
British pop music had conquered the globe | 0:04:33 | 0:04:36 | |
and inspired a huge shift in attitudes at home. | 0:04:36 | 0:04:40 | |
Time Magazine declared the capital to be "swinging", | 0:04:40 | 0:04:44 | |
and it certainly seemed to be true. | 0:04:44 | 0:04:46 | |
London in 1966 is the equivalent of Florence during the Renaissance, | 0:04:46 | 0:04:50 | |
or something. It's like the peak, the place to be, and I was there. | 0:04:50 | 0:04:54 | |
Much of London was still bomb-damaged and swathed in smog, | 0:04:56 | 0:05:00 | |
but in the very centre was a splash of colour - Soho. | 0:05:00 | 0:05:05 | |
Fashionable Carnaby Street was the destination by day, but after dark, | 0:05:06 | 0:05:11 | |
there was only one place to be seen for the true music fan - | 0:05:11 | 0:05:15 | |
a rough and ready basement club called the Flamingo. | 0:05:15 | 0:05:20 | |
Well, the thing about the Flamingo was it was really packed and sweaty. | 0:05:20 | 0:05:23 | |
It was a really hot atmosphere. | 0:05:23 | 0:05:25 | |
There was a bit of an edge to the Flamingo. | 0:05:25 | 0:05:28 | |
There was a bit of a dodgy... gangster vibe about it. | 0:05:28 | 0:05:32 | |
It was fabulous. | 0:05:32 | 0:05:34 | |
Run by Johnny Gunnell and his brother Rik, | 0:05:34 | 0:05:36 | |
the Flamingo often stayed open until dawn. | 0:05:36 | 0:05:39 | |
In '66, Eddie Tan-Tan was playing trumpet | 0:05:41 | 0:05:44 | |
for Georgie Fame's house band, the Blue Flames, | 0:05:44 | 0:05:48 | |
though sometimes, it was more than just music | 0:05:48 | 0:05:50 | |
keeping the party jumping. | 0:05:50 | 0:05:53 | |
-The raids. The raids. -Oh, the raids! -The red... | 0:05:53 | 0:05:56 | |
The red light would come on and everybody throwing it on the floor. | 0:05:56 | 0:06:00 | |
I got jailed at one of those nights. | 0:06:00 | 0:06:03 | |
-He arrested me, and took me to West End Central. -Yeah. | 0:06:03 | 0:06:06 | |
They searched me - I had £600 on me. | 0:06:06 | 0:06:10 | |
-Yeah, yeah. -£600. -Yeah. | 0:06:10 | 0:06:11 | |
"Ha! Purple heart dealer, are ya?" | 0:06:11 | 0:06:14 | |
Ah, yeah! | 0:06:14 | 0:06:16 | |
In the whole of London, | 0:06:16 | 0:06:19 | |
-where else could you find a club like the Flamingo? -No, no... | 0:06:19 | 0:06:23 | |
Nowhere. There wasn't even one that was close. | 0:06:23 | 0:06:27 | |
For the 23-year-old GI Geno Washington, | 0:06:30 | 0:06:33 | |
the Flamingo was like a second home. | 0:06:33 | 0:06:35 | |
It's got a great vibration in there. | 0:06:36 | 0:06:38 | |
What you need, an American away from home... | 0:06:38 | 0:06:41 | |
it's just so right, this music. | 0:06:41 | 0:06:44 | |
The Flamingo was soon to give Geno his big break. | 0:06:47 | 0:06:51 | |
I went and asked Georgie, "Could I sing a song with your band and you?" | 0:06:53 | 0:07:00 | |
He said, "Can you sing?" | 0:07:00 | 0:07:02 | |
I said, "Sing? | 0:07:02 | 0:07:03 | |
"Well, my sister is in Martha and the Vandellas | 0:07:03 | 0:07:07 | |
"and my auntie is Dinah Washington." | 0:07:07 | 0:07:10 | |
Of course, I'm lying, you know. | 0:07:10 | 0:07:12 | |
I'm lying my tail off. | 0:07:12 | 0:07:14 | |
They started up and I hit that singing, man, | 0:07:14 | 0:07:17 | |
and the house was rocking. You know? | 0:07:17 | 0:07:21 | |
I was very popular with the ladies, you know? | 0:07:21 | 0:07:24 | |
Yes, yes, yes. I didn't have to beg no more. | 0:07:24 | 0:07:28 | |
On the edge of Soho, | 0:07:34 | 0:07:35 | |
19-year-old Janet was in her first year of architectural school, | 0:07:35 | 0:07:39 | |
one of only a handful of girls in her year. | 0:07:39 | 0:07:42 | |
When I go see Georgie Fame, that's... | 0:07:44 | 0:07:46 | |
In my diary, that's rated as just about as important | 0:07:46 | 0:07:48 | |
as everything else. | 0:07:48 | 0:07:50 | |
"Go to see Georgie Flame at the Flamingo," 9th of July. | 0:07:50 | 0:07:53 | |
11th of July, "Start work, Wembley, four weeks. Yuck." | 0:07:53 | 0:07:57 | |
By the summer of 1966, | 0:07:59 | 0:08:01 | |
the college had said we have to have work experience. | 0:08:01 | 0:08:05 | |
We had to work in a real architect's office. | 0:08:05 | 0:08:07 | |
I thought, "Oh, my God, it's real people." | 0:08:07 | 0:08:11 | |
Anyway, my father, | 0:08:11 | 0:08:12 | |
he pulled a load of strings to get me a job | 0:08:12 | 0:08:15 | |
as a temporary architectural assistant, and he said, | 0:08:15 | 0:08:19 | |
"For Christ's sake, whatever you do, don't embarrass me." | 0:08:19 | 0:08:22 | |
And yet I turned up at their offices on Wembley High Road | 0:08:22 | 0:08:26 | |
in a very, very short miniskirt with the silver hair | 0:08:26 | 0:08:31 | |
and they asked me if I was the new secretary. | 0:08:31 | 0:08:33 | |
I went, "No, I'm the new architect!" | 0:08:33 | 0:08:36 | |
And they just looked ill. | 0:08:36 | 0:08:39 | |
To add to everything, it was the World Cup. | 0:08:40 | 0:08:43 | |
England were at Wembley. | 0:08:43 | 0:08:45 | |
You couldn't get in or out or anywhere near the building. | 0:08:45 | 0:08:48 | |
It was like World Cup fever, | 0:08:48 | 0:08:51 | |
including with my dad, | 0:08:51 | 0:08:52 | |
and all I was doing was sitting in an office | 0:08:52 | 0:08:54 | |
trying to draw a bloody sports centre. | 0:08:54 | 0:08:56 | |
I've actually found two of my payslips. | 0:08:58 | 0:09:01 | |
"JV Bull, 23rd of July." | 0:09:01 | 0:09:03 | |
This is 1966, | 0:09:03 | 0:09:05 | |
so I'm a temporary architectural assistant, | 0:09:05 | 0:09:08 | |
blah, blah, blah, blah, blah, tax. | 0:09:08 | 0:09:11 | |
"Net, £10.16." | 0:09:11 | 0:09:16 | |
No wonder I made all my own clothes! | 0:09:16 | 0:09:18 | |
The average weekly wage for a woman in 1966 was £12, | 0:09:26 | 0:09:31 | |
while men were earning £23. | 0:09:31 | 0:09:33 | |
Despite this inequality, | 0:09:33 | 0:09:35 | |
wages had been on the rise and much of the '60s optimism came from | 0:09:35 | 0:09:39 | |
having a bit more money in our pockets. | 0:09:39 | 0:09:43 | |
'66 was the peak of British industry. | 0:09:43 | 0:09:46 | |
Our factories were producing more than they ever had before | 0:09:46 | 0:09:50 | |
and they ever would again. | 0:09:50 | 0:09:51 | |
In the Midlands, Sandi was 21 years old | 0:09:54 | 0:09:57 | |
and working at the Botterill boot factory. | 0:09:57 | 0:10:00 | |
We were making all sports footwear, really, | 0:10:00 | 0:10:03 | |
and I can remember working on running shoes, mainly, | 0:10:03 | 0:10:05 | |
and football boots. | 0:10:05 | 0:10:07 | |
Ordinarily, making football boots wasn't anything to shout about, | 0:10:08 | 0:10:12 | |
but the impending World Cup had the factory buzzing with excitement. | 0:10:12 | 0:10:17 | |
I think we lived in hope, because you do, don't you? | 0:10:17 | 0:10:21 | |
"Oh, wouldn't it be lovely if they did win?" | 0:10:21 | 0:10:23 | |
Especially, you know, being in England, as well. | 0:10:23 | 0:10:26 | |
But Sandi was about to play a bigger role in the World Cup | 0:10:28 | 0:10:32 | |
than anyone could have imagined. | 0:10:32 | 0:10:35 | |
Somebody along the line said, | 0:10:35 | 0:10:37 | |
"Oh, we're going to do the World Cup football boots. | 0:10:37 | 0:10:40 | |
"Better not mess them up." | 0:10:40 | 0:10:41 | |
I went home and told my dad, and he was over the moon | 0:10:42 | 0:10:47 | |
because he was a sports fanatic. | 0:10:47 | 0:10:49 | |
He said, "That's really, really good." | 0:10:49 | 0:10:51 | |
"Oh, is it?" He said, "Yes. It's really good." You know? | 0:10:51 | 0:10:53 | |
And I think he made some kind of remark. | 0:10:53 | 0:10:55 | |
"Well, if you're helping make them, girl, they're bound to win." | 0:10:55 | 0:10:59 | |
The boots were being made for the German brand Puma, | 0:11:01 | 0:11:03 | |
and once finished, | 0:11:03 | 0:11:05 | |
they were shipped off ready for the England team's first match. | 0:11:05 | 0:11:08 | |
It was magical, I think. | 0:11:09 | 0:11:11 | |
I was young and it was just really nice to be part of something | 0:11:11 | 0:11:16 | |
that was so important at that time to our country. | 0:11:16 | 0:11:19 | |
You know, because we'd had the really dark days when I was a child, | 0:11:19 | 0:11:23 | |
of just after the war, | 0:11:23 | 0:11:24 | |
and then you've got this really nice golden era. | 0:11:24 | 0:11:27 | |
You were a lot more free than you had been in the past, I think, | 0:11:27 | 0:11:30 | |
and it was just nice to be able to be part of something | 0:11:30 | 0:11:35 | |
that was national. | 0:11:35 | 0:11:37 | |
Young women were feeling these new freedoms most keenly. | 0:11:39 | 0:11:43 | |
Though many still married young, | 0:11:43 | 0:11:45 | |
new opportunities were starting to open up. | 0:11:45 | 0:11:49 | |
Even outside of the big cities, things were changing. | 0:11:49 | 0:11:54 | |
In Cornwall, 20-year-old secretary Gwyn Haslock had taken up | 0:11:54 | 0:11:58 | |
the new sport of surfing. | 0:11:58 | 0:12:00 | |
MUSIC: Good Vibrations by The Beach Boys | 0:12:00 | 0:12:03 | |
# Good, good, good Good vibrations... # | 0:12:05 | 0:12:07 | |
This is the first beach that I surfed in a competition in 1966. | 0:12:07 | 0:12:14 | |
I had to enter with the men because there was | 0:12:14 | 0:12:17 | |
no lady competitor, so as far as I was concerned, | 0:12:17 | 0:12:20 | |
we were just surfers. | 0:12:20 | 0:12:22 | |
Well, in '66, it was really the start of a whole way of life. | 0:12:22 | 0:12:28 | |
Gwyn caught that revolutionary wave and never looked back. | 0:12:29 | 0:12:33 | |
She went on to become our first female surf champion. | 0:12:33 | 0:12:37 | |
Having an older brother who was four years older than me, | 0:12:38 | 0:12:41 | |
he was a very good surfer, so whatever my brother did, | 0:12:41 | 0:12:44 | |
I wanted to do as well. | 0:12:44 | 0:12:47 | |
# Ah... # | 0:12:47 | 0:12:49 | |
50 years on, Gwyn still surfs most days. | 0:12:49 | 0:12:53 | |
# I don't know where but she sends me there... # | 0:12:53 | 0:12:55 | |
I just liked to get out on the water as much as I could, | 0:12:55 | 0:12:58 | |
and I'm one of these people that if the surf looks good, get in there, | 0:12:58 | 0:13:02 | |
and it's just freedom, really, from everywhere else. | 0:13:02 | 0:13:05 | |
MUSIC: Groovy Kind Of Love by Wayne Fontana and the Mindbenders | 0:13:11 | 0:13:15 | |
# When I'm feeling blue All I have to do... # | 0:13:18 | 0:13:22 | |
Just outside London, | 0:13:22 | 0:13:24 | |
Chris and Linda had been dating almost every night | 0:13:24 | 0:13:27 | |
for six whole weeks. | 0:13:27 | 0:13:29 | |
We usually went to the cinema locally, didn't we? | 0:13:29 | 0:13:32 | |
-Yes. -But on Valentine's Day we went into London to see | 0:13:32 | 0:13:36 | |
-The Sound Of Music, didn't we? -We did. | 0:13:36 | 0:13:38 | |
We had a lovely evening and we came home on the train | 0:13:38 | 0:13:41 | |
and we went back to your house, didn't we? | 0:13:41 | 0:13:44 | |
-And... -I think you said... | 0:13:44 | 0:13:46 | |
I was certainly getting ready to propose, but... | 0:13:46 | 0:13:51 | |
You said to me, "Will you..." | 0:13:51 | 0:13:54 | |
And I said, "Marry you? Yes!" | 0:13:54 | 0:13:57 | |
Linda got it out first. | 0:13:57 | 0:13:59 | |
It was the 14th of February, after all. | 0:13:59 | 0:14:01 | |
That's right, and it was 1966. | 0:14:01 | 0:14:03 | |
# When I taste your lips... # | 0:14:03 | 0:14:05 | |
For all the talk of '66 swinging, | 0:14:05 | 0:14:08 | |
most of Britain was still pretty uptight about sex. | 0:14:08 | 0:14:12 | |
If you didn't have a ring on your finger, | 0:14:12 | 0:14:14 | |
then you shouldn't be sharing a bed. | 0:14:14 | 0:14:16 | |
# Baby, you and me Got a groovy kind of love... # | 0:14:16 | 0:14:19 | |
Michael Palin was 22 and heading to London to find work. | 0:14:19 | 0:14:23 | |
# A groovy kind of love... # | 0:14:23 | 0:14:25 | |
At the start of 1966, my girlfriend, who I'd met in 1959, | 0:14:25 | 0:14:30 | |
she and I decided we wanted to get married. | 0:14:30 | 0:14:33 | |
It was just the only way we could really live together at that time. | 0:14:33 | 0:14:36 | |
Slight disapproval if you were, you know, sort of | 0:14:36 | 0:14:39 | |
unmarried and living together. | 0:14:39 | 0:14:41 | |
So, the big thing at the beginning of '66 was to get married | 0:14:41 | 0:14:46 | |
and to find enough work to pay for our life together. | 0:14:46 | 0:14:49 | |
# Got a groovy kind of love... # | 0:14:49 | 0:14:51 | |
Michael wasn't alone. | 0:14:51 | 0:14:53 | |
96% of couples who got married in 1966 hadn't lived together | 0:14:53 | 0:14:58 | |
before their wedding. | 0:14:58 | 0:15:00 | |
But attitudes were changing fast. | 0:15:00 | 0:15:03 | |
The BBC even produced this documentary | 0:15:03 | 0:15:05 | |
about the thorny issue of cohabitation. | 0:15:05 | 0:15:08 | |
I think a lot of young people who live together do it for kicks, | 0:15:09 | 0:15:14 | |
do it to be smart and because it's a kind of "in" thing to do. | 0:15:14 | 0:15:19 | |
There'll probably be a great big swing of the pendulum | 0:15:19 | 0:15:22 | |
when the children of this generation | 0:15:22 | 0:15:26 | |
will go back to being frightfully Victorian. | 0:15:26 | 0:15:29 | |
MUSIC: It's Not Unusual by Tom Jones | 0:15:29 | 0:15:31 | |
Well, that didn't turn out to be true. | 0:15:31 | 0:15:33 | |
Sex was here to stay. | 0:15:33 | 0:15:35 | |
Everything was talked about | 0:15:36 | 0:15:38 | |
in a way it hadn't been about five or six years before. | 0:15:38 | 0:15:40 | |
I remember buying my first condom in London. | 0:15:40 | 0:15:43 | |
You know, I was terrified, and I went into the shop | 0:15:43 | 0:15:45 | |
which just said "Durex" in enormous letters. | 0:15:45 | 0:15:47 | |
So I thought, well, that must be OK, then. | 0:15:47 | 0:15:49 | |
I didn't just want to go into a chemist and... | 0:15:49 | 0:15:51 | |
-HE MUMBLES -"Condom, please." | 0:15:51 | 0:15:54 | |
"Excuse me, this is a book shop." | 0:15:54 | 0:15:57 | |
I mean, I managed to lose my virginity at about... | 0:15:57 | 0:15:59 | |
I think I was about 15. It took a lot of doing. | 0:15:59 | 0:16:02 | |
I had asked someone before and they weren't very keen | 0:16:02 | 0:16:04 | |
because I was so young, and I was really curious. | 0:16:04 | 0:16:08 | |
And that was it - it was like, job done. | 0:16:08 | 0:16:10 | |
Not everyone was so keen to dispatch their virginity. | 0:16:15 | 0:16:19 | |
In Skegness, Terri Channon was 21 and starting the holiday season | 0:16:19 | 0:16:23 | |
as a Redcoat at Butlins. | 0:16:23 | 0:16:25 | |
It was still a popular family destination, but by 1966, | 0:16:26 | 0:16:31 | |
the camps had acquired a bit of a reputation. | 0:16:31 | 0:16:34 | |
I'd got the contract to go to Butlins, | 0:16:35 | 0:16:39 | |
and Mum and Dad were... not really happy about it. | 0:16:39 | 0:16:43 | |
And one of my really good friends, her mum said to my mum, | 0:16:43 | 0:16:47 | |
"You shouldn't let her go to Butlins. | 0:16:47 | 0:16:49 | |
"It's only tarts and slappers who go to Butlins | 0:16:49 | 0:16:52 | |
"and she'll come back pregnant." | 0:16:52 | 0:16:54 | |
My mum was mortified and it really, really hurt her and upset her. | 0:16:55 | 0:17:00 | |
So I think with that, that was probably in my mind | 0:17:00 | 0:17:04 | |
that I wasn't ever going to let that happen. | 0:17:04 | 0:17:07 | |
I was never going to let my mum and dad down. | 0:17:07 | 0:17:09 | |
My cousin had a baby out of wedlock and that was absolutely frowned on. | 0:17:12 | 0:17:19 | |
I always remember her walking down the aisle with a rather large | 0:17:19 | 0:17:22 | |
bouquet of flowers in front of an off-white dress covering the bump. | 0:17:22 | 0:17:27 | |
Dave Manvell was 17 and living at home in Sheffield. | 0:17:29 | 0:17:33 | |
I know people that did get their girlfriends pregnant. | 0:17:35 | 0:17:38 | |
Some of them either kept the child, or they were adopted. | 0:17:38 | 0:17:42 | |
Having been in that position myself, | 0:17:42 | 0:17:44 | |
I remember going home and saying to my mum and dad, | 0:17:44 | 0:17:47 | |
"I've got a girlfriend pregnant." | 0:17:47 | 0:17:50 | |
My dad said to me, "What are you going to do?" | 0:17:51 | 0:17:53 | |
So I just said, "Oh, I'm going to marry her." | 0:17:53 | 0:17:55 | |
And we just carried on, that was it. | 0:17:55 | 0:17:57 | |
The pill had become available in 1961, | 0:18:01 | 0:18:04 | |
so you might think that everyone was over it by 1966, | 0:18:04 | 0:18:08 | |
that the fear of pregnancy had faded into the past, | 0:18:08 | 0:18:11 | |
but the truth is rather different. | 0:18:11 | 0:18:14 | |
By 1966, there were still fewer than 500,000 women actually on the pill. | 0:18:14 | 0:18:20 | |
It was expensive, hard to get hold of, | 0:18:20 | 0:18:23 | |
and, for some, morally questionable. | 0:18:23 | 0:18:26 | |
The doctor would turn round and ask you, had you not got any morals? | 0:18:26 | 0:18:31 | |
They would try to convince you that you were morally wrong | 0:18:31 | 0:18:33 | |
in wanting contraceptives. | 0:18:33 | 0:18:35 | |
You couldn't go to a doctor for advice. | 0:18:35 | 0:18:36 | |
Yeah, I'm quite convinced you wouldn't get it. | 0:18:36 | 0:18:39 | |
GPs were instructed to only prescribe the pill | 0:18:40 | 0:18:43 | |
to married women - | 0:18:43 | 0:18:45 | |
with the written permission of their husbands, of course. | 0:18:45 | 0:18:48 | |
Why couldn't I have sex with whoever I wanted? | 0:18:48 | 0:18:51 | |
Why should someone else decide? | 0:18:51 | 0:18:53 | |
I still get angry about it. | 0:18:53 | 0:18:55 | |
With no access to the pill and still doing her A-levels, | 0:18:57 | 0:19:01 | |
Janet discovered she was pregnant. | 0:19:01 | 0:19:03 | |
Abortion was illegal, but backstreet practitioners were commonplace. | 0:19:05 | 0:19:09 | |
I realised I was pregnant and there was no pill or anything, then, | 0:19:11 | 0:19:17 | |
and someone told me about somewhere I could go in Camden Town, | 0:19:17 | 0:19:20 | |
or Kentish Town, and the woman would do it for 25 quid. | 0:19:20 | 0:19:25 | |
I waited until a weekend when my parents had gone away | 0:19:25 | 0:19:29 | |
and I phoned this woman up and I went up there. | 0:19:29 | 0:19:31 | |
I don't really want to go into details, | 0:19:31 | 0:19:33 | |
but it wasn't very pleasant. | 0:19:33 | 0:19:35 | |
And...I came back to Perivale and I lost a lot of blood, but I was fine, | 0:19:35 | 0:19:41 | |
and then just went back to school on Monday. | 0:19:41 | 0:19:45 | |
Actually, I can't tell you it affected me mentally. | 0:19:45 | 0:19:47 | |
I just felt a huge sense of relief. | 0:19:47 | 0:19:50 | |
I mean, obviously now you'd think, | 0:19:50 | 0:19:52 | |
"Oh, God, you let a woman do stuff to you with washing-up liquid, | 0:19:52 | 0:19:55 | |
"or whatever it was." | 0:19:55 | 0:19:57 | |
God knows what it was. | 0:19:57 | 0:19:58 | |
But I had tried before to take pills. | 0:19:58 | 0:20:01 | |
You used to go to these chemists around Leicester Square | 0:20:01 | 0:20:03 | |
and ask for this, that and the other, but they didn't work. | 0:20:03 | 0:20:07 | |
An estimated 100,000 illegal abortions were carried out | 0:20:07 | 0:20:11 | |
every year during the '60s. | 0:20:11 | 0:20:13 | |
A bill to legalise failed in 1966, | 0:20:13 | 0:20:17 | |
but was finally passed the following year. | 0:20:17 | 0:20:19 | |
It didn't change the country overnight, but gradually women | 0:20:19 | 0:20:22 | |
began to have more control over their bodies and their lives. | 0:20:22 | 0:20:26 | |
Back in Barking, anticipation was building for the big event. | 0:20:30 | 0:20:34 | |
No, not that one. | 0:20:36 | 0:20:37 | |
Chris and Linda's wedding! | 0:20:37 | 0:20:39 | |
We got married on June the 16th. | 0:20:41 | 0:20:43 | |
On the 11th. | 0:20:43 | 0:20:44 | |
June the 11th, yes. June the 11th. | 0:20:44 | 0:20:47 | |
And then we went to Stratford-upon-Avon | 0:20:47 | 0:20:49 | |
-for our honeymoon. -Yes. | 0:20:49 | 0:20:51 | |
We stayed in a hotel. | 0:20:51 | 0:20:54 | |
But somebody had brought a book with him. | 0:20:54 | 0:20:57 | |
-Had I? -Yes. | 0:20:57 | 0:20:59 | |
He always did things right, and he still does, | 0:20:59 | 0:21:02 | |
and he always did things by the book, | 0:21:02 | 0:21:05 | |
and we sat in bed with a book | 0:21:05 | 0:21:08 | |
telling us exactly how to do it. | 0:21:08 | 0:21:11 | |
-I do not remember this! -Oh, yes, you did. | 0:21:11 | 0:21:15 | |
You used to be able to go into the chemist | 0:21:15 | 0:21:17 | |
and there'd be a stand of books on haemorrhoids and diabetes | 0:21:17 | 0:21:22 | |
and having a baby, | 0:21:22 | 0:21:23 | |
and one of them was on sex. | 0:21:23 | 0:21:25 | |
# Yeah, yeah, yeah Well, here it comes... # | 0:21:25 | 0:21:28 | |
Sex manuals were a thriving market in 1966, and a happy marriage | 0:21:31 | 0:21:36 | |
promoted as the cornerstone of respectable adult life. | 0:21:36 | 0:21:39 | |
Over on the Wirral, | 0:21:45 | 0:21:47 | |
19-year-old Pete Price realised that his own feelings about sex | 0:21:47 | 0:21:50 | |
were not being explained in a pamphlet. | 0:21:50 | 0:21:54 | |
When I started to feel the way I felt, | 0:21:54 | 0:21:56 | |
I didn't know what I was feeling. | 0:21:56 | 0:21:58 | |
You know, it wasn't talked about. It was still a criminal activity. | 0:21:58 | 0:22:02 | |
It was illegal to be gay. | 0:22:02 | 0:22:04 | |
In 1966, being gay could feel like a life sentence, | 0:22:06 | 0:22:10 | |
and that wasn't far off the truth. | 0:22:10 | 0:22:13 | |
If caught or even suspected of homosexuality, | 0:22:15 | 0:22:19 | |
you faced a prison term. | 0:22:19 | 0:22:21 | |
I lived a lie. I lived a lie. | 0:22:24 | 0:22:26 | |
I went out with girls, | 0:22:26 | 0:22:28 | |
I dabbled with a couple of pals who were experimenting with sex, | 0:22:28 | 0:22:32 | |
but it was a lie. | 0:22:32 | 0:22:34 | |
The whole thing was a lie because I was frightened. | 0:22:34 | 0:22:38 | |
When you got married, | 0:22:38 | 0:22:39 | |
were you consciously aware of the fact that you were | 0:22:39 | 0:22:42 | |
-marrying somebody with homosexual tendencies? -No. | 0:22:42 | 0:22:45 | |
I was marrying somebody I loved, and that was it. | 0:22:45 | 0:22:47 | |
'This woman married a homosexual. | 0:22:47 | 0:22:50 | |
'Twice during their marriage, he was arrested for importuning. | 0:22:50 | 0:22:52 | |
'The second time he killed himself rather than face | 0:22:52 | 0:22:55 | |
'the punishment of a court and the disgust of his friends.' | 0:22:55 | 0:22:59 | |
Still living at home with his mum, | 0:23:00 | 0:23:02 | |
Pete had to be careful to hide his secret. | 0:23:02 | 0:23:05 | |
I came home one Thursday night, 2am in the morning, | 0:23:07 | 0:23:10 | |
and my mother was lying in bed, and normally she wasn't awake, | 0:23:10 | 0:23:14 | |
and she had a letter in her hand, which had fallen out of my bureau, | 0:23:14 | 0:23:18 | |
which was referring to other guys. | 0:23:18 | 0:23:21 | |
And my mother said, "What's this?" | 0:23:21 | 0:23:24 | |
And she was white as a sheet, and I was white as a sheet, | 0:23:24 | 0:23:27 | |
and I thought, "It's got to be done," | 0:23:27 | 0:23:29 | |
and I said, "I'm homosexual." | 0:23:29 | 0:23:31 | |
To which she was physically sick - absolutely distraught. | 0:23:31 | 0:23:35 | |
She cried herself to sleep for three years. | 0:23:35 | 0:23:38 | |
There wasn't so much a gay scene in Liverpool as a gay pub. | 0:23:43 | 0:23:47 | |
The Magic Clock offered Pete a rare opportunity to let his guard down - | 0:23:49 | 0:23:53 | |
once he made it inside, that is. | 0:23:53 | 0:23:56 | |
So, this was the area where it was all happening, | 0:23:56 | 0:23:58 | |
and the Magic Clock was about here. | 0:23:58 | 0:24:01 | |
It was a small pub, but we had to be careful when we went there, | 0:24:01 | 0:24:06 | |
because of the theatre. | 0:24:06 | 0:24:07 | |
Because all the people coming out of the theatre, | 0:24:07 | 0:24:09 | |
if they saw you, what were you doing? | 0:24:09 | 0:24:11 | |
Going into a gay bar. | 0:24:11 | 0:24:12 | |
You couldn't go to a gay bar, and it was really weird. | 0:24:12 | 0:24:15 | |
So we would wait outside and then somebody would say, | 0:24:15 | 0:24:18 | |
"Now! Come on in." | 0:24:18 | 0:24:20 | |
Gay life was so well hidden in '66, most people didn't know it existed. | 0:24:20 | 0:24:24 | |
What was gay? No idea, because it didn't become part of the game. | 0:24:25 | 0:24:29 | |
You know, the biggest stars in the world may have been gay | 0:24:29 | 0:24:32 | |
but we didn't know, and we didn't really care. | 0:24:32 | 0:24:34 | |
Not the era I'm talking about - not '66. | 0:24:34 | 0:24:37 | |
Maybe in sophisticated London, | 0:24:37 | 0:24:40 | |
maybe, but not in Sheffield. | 0:24:40 | 0:24:42 | |
Like Liverpool, Sheffield was a city of macho men and heavy industry. | 0:24:44 | 0:24:50 | |
Sheffield was a tough city. | 0:24:50 | 0:24:51 | |
Steel and tough, tough people. | 0:24:51 | 0:24:54 | |
A peculiar mix of everything, | 0:24:54 | 0:24:55 | |
because it was still the old Sheffield - | 0:24:55 | 0:24:58 | |
the steelworks were still there. | 0:24:58 | 0:25:00 | |
Yeah, you were factory fodder. | 0:25:00 | 0:25:02 | |
When you failed your 11-plus, that was it. | 0:25:02 | 0:25:04 | |
Nobody wanted to know. | 0:25:04 | 0:25:05 | |
The Beatles may have made working-class accents cool, | 0:25:08 | 0:25:11 | |
but the majority of work available in Sheffield | 0:25:11 | 0:25:14 | |
was still hard manual labour. | 0:25:14 | 0:25:17 | |
Peter Stringfellow had found his strengths lay elsewhere | 0:25:18 | 0:25:22 | |
and got a job as a door-to-door salesman | 0:25:22 | 0:25:24 | |
touting carpets to housewives. | 0:25:24 | 0:25:28 | |
I could talk. You know, too much. | 0:25:28 | 0:25:30 | |
I could talk, which transferred into being a salesman. | 0:25:30 | 0:25:33 | |
I didn't know what a salesman was. | 0:25:33 | 0:25:34 | |
I just would talk to people about what I was trying to sell them | 0:25:34 | 0:25:37 | |
and somehow it worked. | 0:25:37 | 0:25:39 | |
But that also got me into trouble, and I actually... | 0:25:39 | 0:25:45 | |
transferred some stock from the company I was working for | 0:25:45 | 0:25:49 | |
into my car, which became mine, and I mixed it up, | 0:25:49 | 0:25:52 | |
their stock with my property. | 0:25:52 | 0:25:53 | |
In other words, I was stealing their carpets. | 0:25:53 | 0:25:55 | |
And I starting selling those for cash, | 0:25:55 | 0:25:58 | |
knocking on doors and selling them. | 0:25:58 | 0:25:59 | |
And I went, "Wahey, this is a lot of money." | 0:25:59 | 0:26:01 | |
Then someone reported these carpets going missing | 0:26:01 | 0:26:04 | |
and I went to court, and the magistrate decided | 0:26:04 | 0:26:08 | |
that I needed teaching a lesson. | 0:26:08 | 0:26:10 | |
I was 20 years old, just married. | 0:26:10 | 0:26:13 | |
My wife was about...was pregnant, and he really sussed me, | 0:26:13 | 0:26:17 | |
so he sent me to prison for three months. | 0:26:17 | 0:26:19 | |
I thought that was the end of my life. That was me finished. | 0:26:19 | 0:26:22 | |
You couldn't come out of prison in those days and get a job. | 0:26:22 | 0:26:25 | |
You were finished. There was no, like, "Give this boy a chance." | 0:26:25 | 0:26:28 | |
You know? No. They liked me. | 0:26:28 | 0:26:30 | |
I had about three or four interviews... | 0:26:30 | 0:26:32 | |
They liked me, but no way were they going to give me a job. | 0:26:32 | 0:26:35 | |
Michael had left Sheffield for Cambridge University | 0:26:37 | 0:26:40 | |
a few years earlier, | 0:26:40 | 0:26:42 | |
but was still very involved with the fortunes of | 0:26:42 | 0:26:44 | |
the local football teams. | 0:26:44 | 0:26:46 | |
Sheffield Wednesday were in the cup final. | 0:26:47 | 0:26:50 | |
This meant more to me than the World Cup in any shape or form. | 0:26:50 | 0:26:54 | |
We were coasting home and suddenly, Everton we were playing, | 0:26:54 | 0:26:59 | |
scored two late goals. | 0:26:59 | 0:27:01 | |
It was an absolute disaster. I felt absolutely mortified. | 0:27:01 | 0:27:04 | |
I'm a Sheffield United supporter and this was Sheffield Wednesday, | 0:27:04 | 0:27:07 | |
but it was because I was from Sheffield. | 0:27:07 | 0:27:08 | |
I wanted - so much wanted - them to win in the World Cup year. | 0:27:08 | 0:27:13 | |
The FA Cup had whet our appetites. | 0:27:16 | 0:27:19 | |
Television sets were flying off the shelves | 0:27:20 | 0:27:23 | |
as we got ready for the World Cup. | 0:27:23 | 0:27:27 | |
For the first time, the matches would be broadcast live, | 0:27:27 | 0:27:30 | |
and by the summer, nine in every ten homes owned a TV. | 0:27:30 | 0:27:35 | |
The growing popularity of television provided Michael | 0:27:37 | 0:27:40 | |
with his very first job, | 0:27:40 | 0:27:42 | |
presenting a new youth show, appropriately called "Now!". | 0:27:42 | 0:27:47 | |
The ordinary pop show, Ready Steady Go! and Top Of The Pops | 0:27:47 | 0:27:51 | |
had sort of led the way but there was something more now. | 0:27:51 | 0:27:55 | |
So I was there, really, to do little comedy links | 0:27:55 | 0:27:58 | |
and I happened to be able to do a Harold Wilson accent. | 0:27:58 | 0:28:01 | |
-AS HAROLD WILSON: -"Hello, good evening. This is your Prime Minister here." | 0:28:01 | 0:28:04 | |
And the rest of it was doing all sorts of strange things. | 0:28:04 | 0:28:07 | |
I remember acting with a wonderful actor called Arthur Mullard | 0:28:07 | 0:28:10 | |
who did a piece where I'm playing "dum-dum-dum-dum" | 0:28:10 | 0:28:13 | |
and ended up smashing the piano in the middle of a field. | 0:28:13 | 0:28:16 | |
So whatever the guys wrote, | 0:28:16 | 0:28:19 | |
I would have to do these little sort of links. | 0:28:19 | 0:28:22 | |
Anarchic television was proving popular, | 0:28:25 | 0:28:28 | |
and it wasn't long before a new opportunity came along for Michael. | 0:28:28 | 0:28:32 | |
Quite out of the blue, the BBC rang up and said, | 0:28:33 | 0:28:35 | |
"We've got this new series called The Frost Report. | 0:28:35 | 0:28:37 | |
"It's going to have a theme to it each week. | 0:28:37 | 0:28:40 | |
"David Frost is going to present it. | 0:28:40 | 0:28:41 | |
"There are going to be sketches. | 0:28:41 | 0:28:43 | |
"We've got a cast of ten new performers - | 0:28:43 | 0:28:45 | |
"Ronnie Barker, Ronnie Corbett, | 0:28:45 | 0:28:46 | |
"and a man called John Cleese you might have heard of." | 0:28:46 | 0:28:49 | |
I said, "Oh, yes, I've heard of him from Cambridge." | 0:28:49 | 0:28:51 | |
-LAUGHTER -Does it hurt you if I do this? | 0:28:51 | 0:28:53 | |
LAUGHTER | 0:28:53 | 0:28:55 | |
Of course it does! | 0:28:55 | 0:28:56 | |
Oh, you see, it hurts. | 0:28:56 | 0:28:57 | |
"And we would like you to submit material." | 0:28:57 | 0:29:01 | |
A new kind of comedy was being born. | 0:29:05 | 0:29:08 | |
The Frost Report brought together all of the British Monty Pythons | 0:29:08 | 0:29:12 | |
for the very first time. | 0:29:12 | 0:29:13 | |
The first thing we sold to them - the Two Ronnies did it - | 0:29:15 | 0:29:18 | |
was just a police man coming in and saying... | 0:29:18 | 0:29:20 | |
Good morning, Super. | 0:29:20 | 0:29:22 | |
-Morning, Wonderful. -LAUGHTER | 0:29:22 | 0:29:24 | |
'It was a very silly thing.' | 0:29:24 | 0:29:27 | |
The embers were burning. | 0:29:27 | 0:29:29 | |
Television was changing as quickly as we were. | 0:29:30 | 0:29:33 | |
In 1966, the BBC even announced the move to colour broadcasting, | 0:29:34 | 0:29:40 | |
but this radical innovation | 0:29:40 | 0:29:41 | |
didn't apply to the colour of the people appearing on it. | 0:29:41 | 0:29:45 | |
It was completely dominated by white people, | 0:29:46 | 0:29:49 | |
and when they saw a black face on the television | 0:29:49 | 0:29:51 | |
they used to call everybody and say, | 0:29:51 | 0:29:53 | |
"Come, come! There's a black person on the television!" | 0:29:53 | 0:29:56 | |
Well, "a coloured person on the television". | 0:29:56 | 0:29:59 | |
Nina Baden-Semper became a huge star in the '70s, | 0:29:59 | 0:30:03 | |
appearing in the frankly quite racist sitcom Love Thy Neighbour. | 0:30:03 | 0:30:07 | |
Perhaps we ought to go next door | 0:30:07 | 0:30:09 | |
and introduce ourselves to our new neighbours. | 0:30:09 | 0:30:11 | |
Come on. Let's get settled in first. | 0:30:11 | 0:30:12 | |
I can't help feeling that we are going to come as | 0:30:12 | 0:30:14 | |
-a surprise to them. -If you ask me, | 0:30:14 | 0:30:16 | |
-I'd say it'll be more of a shock. -LAUGHTER | 0:30:16 | 0:30:19 | |
But back in 1966, | 0:30:19 | 0:30:21 | |
she had arrived from Trinidad and was struggling to find work. | 0:30:21 | 0:30:24 | |
There weren't many parts written for women, for a start - | 0:30:26 | 0:30:30 | |
therefore, they weren't many parts written for black women, | 0:30:30 | 0:30:33 | |
so it was... | 0:30:33 | 0:30:34 | |
You had to take whatever there was in those days, you know? | 0:30:34 | 0:30:38 | |
You didn't have a choice, really. | 0:30:38 | 0:30:41 | |
There weren't very many black people around so it was difficult for them | 0:30:41 | 0:30:45 | |
to identify with us, you know? | 0:30:45 | 0:30:48 | |
Because they treated us with suspicion because of the colour. | 0:30:48 | 0:30:53 | |
They didn't know - it was ignorance. | 0:30:53 | 0:30:55 | |
In 1966, a new sitcom appeared on our screens that captured | 0:30:57 | 0:31:01 | |
that ignorance perfectly - Till Death Us Do Part. | 0:31:01 | 0:31:06 | |
I mean, the ones I'm talking about, they're your proper blacks, | 0:31:08 | 0:31:11 | |
ain't they? The ones that was born in the jungle, your natives. | 0:31:11 | 0:31:15 | |
I mean, don't tell me they're educated. | 0:31:15 | 0:31:17 | |
Half of them are still eating each other. | 0:31:17 | 0:31:21 | |
-Poor devils. -You talk such ruddy nonsense, the pair of you. | 0:31:21 | 0:31:24 | |
-Oi, oi, oi! That's enough of that! -What? | 0:31:24 | 0:31:27 | |
-All that swearing. I won't have it. -LAUGHTER | 0:31:27 | 0:31:29 | |
What's the matter with these nails, then? | 0:31:29 | 0:31:32 | |
The programme quickly became the most-watched show on television. | 0:31:32 | 0:31:36 | |
The irascible Alf Garnett and his bigoted, racist tirades | 0:31:36 | 0:31:40 | |
drew an incredible 16 million viewers an episode. | 0:31:40 | 0:31:45 | |
Though Till Death Us Do Part was intended as satire, | 0:31:45 | 0:31:49 | |
it certainly reflected some very real attitudes of 1966. | 0:31:49 | 0:31:53 | |
I've got a lovely story from my sister, actually, | 0:31:55 | 0:31:57 | |
who is a nurse and the surgeon said to her, "Oh, Miss Baden-Semper, | 0:31:57 | 0:32:02 | |
"how come you speak such good English?" | 0:32:02 | 0:32:05 | |
And she said, "Well, an Englishman lived in the tree next to mine." | 0:32:05 | 0:32:09 | |
How did you find that, Geno? The black-white thing in those days? | 0:32:10 | 0:32:14 | |
How did you hack it? | 0:32:14 | 0:32:15 | |
Well, I just... | 0:32:15 | 0:32:16 | |
-Went with the flow. -..like most GIs, stayed away from the whites. | 0:32:16 | 0:32:20 | |
-Yeah. -Cos, you know, it's just trouble. | 0:32:20 | 0:32:23 | |
It's going to cause trouble and all of that, | 0:32:23 | 0:32:25 | |
-and you go somewhere where blacks hang out. -Hmm. | 0:32:25 | 0:32:28 | |
As a matter of fact, in England, you have a country, a variety, | 0:32:29 | 0:32:34 | |
the changes of the seasons, | 0:32:34 | 0:32:35 | |
and it has entered into the people themselves, | 0:32:35 | 0:32:38 | |
yet the Englishman - or the white man, for that matter - | 0:32:38 | 0:32:43 | |
doesn't want the variety of the human species. | 0:32:43 | 0:32:47 | |
He likes to see white only. | 0:32:47 | 0:32:49 | |
The impending World Cup only added to the international feel | 0:32:52 | 0:32:56 | |
of Britain in 1966. | 0:32:56 | 0:32:58 | |
Alongside the footballers, | 0:32:58 | 0:33:00 | |
thousands of migrants were arriving to make a new life here. | 0:33:00 | 0:33:03 | |
The Asian population of the UK had quadrupled in the five years | 0:33:06 | 0:33:10 | |
leading up to '66. | 0:33:10 | 0:33:11 | |
Yasmin Sheikh was 21 and had arrived in Leicester from East Africa | 0:33:13 | 0:33:17 | |
to live with her sister and brother. | 0:33:17 | 0:33:20 | |
The city now has an abundance of Asian shops, | 0:33:20 | 0:33:23 | |
but back then you were lucky to find a bulb of garlic. | 0:33:23 | 0:33:27 | |
This is tamarind. | 0:33:27 | 0:33:29 | |
Bittersweet - you make chutney out of this. | 0:33:29 | 0:33:32 | |
Lovely stuff. | 0:33:32 | 0:33:34 | |
Ladies' fingers - okra. | 0:33:34 | 0:33:37 | |
Not gentlemen's fingers, not men's fingers. | 0:33:37 | 0:33:40 | |
Thank God somewhere the women got the preference! | 0:33:40 | 0:33:43 | |
Yasmin and Parveen had been teachers in East Africa and found work at | 0:33:44 | 0:33:48 | |
a local school, changing quickly with the influx of new faces. | 0:33:48 | 0:33:52 | |
I used to volunteer to sit with the kids, | 0:33:54 | 0:33:58 | |
only to eat the dessert, | 0:33:58 | 0:34:00 | |
because I loved the English, you know, puddings and all those things. | 0:34:00 | 0:34:04 | |
Spotted Dick? Spotted Dick with custard. | 0:34:04 | 0:34:08 | |
Everyone was talking against school meals but we loved them, didn't we? | 0:34:08 | 0:34:12 | |
-Yes, yes. -Because it was a change for us. | 0:34:12 | 0:34:15 | |
The first school I taught was Medway Junior School | 0:34:18 | 0:34:22 | |
and that is myself on this side here. | 0:34:22 | 0:34:25 | |
And you can see the diversity at that time | 0:34:25 | 0:34:28 | |
because of the influx of the immigrants. | 0:34:28 | 0:34:31 | |
Many of the new arrivals didn't speak any English at all, | 0:34:35 | 0:34:38 | |
so for a while, daily life was mystifying. | 0:34:38 | 0:34:41 | |
One of our friends was a doctor, | 0:34:44 | 0:34:46 | |
and he was having problems because the health visitors were not allowed | 0:34:46 | 0:34:51 | |
in the homes of the women who had just delivered a baby | 0:34:51 | 0:34:56 | |
because they were suspicious, "Why this woman is coming?" | 0:34:56 | 0:34:59 | |
They had no idea that that's part of the system here. | 0:34:59 | 0:35:01 | |
So he then remembered that these two sisters can speak the language, | 0:35:01 | 0:35:07 | |
and we suggested that because we can't expect these women, | 0:35:07 | 0:35:10 | |
who had never been to school in their life, | 0:35:10 | 0:35:12 | |
to learn English straight away, | 0:35:12 | 0:35:14 | |
but we thought if the health visitors can pick up | 0:35:14 | 0:35:17 | |
a few greeting words and build a bridge, | 0:35:17 | 0:35:20 | |
so I had to teach Urdu in 1966 to the health visitors. | 0:35:20 | 0:35:25 | |
Like... | 0:35:25 | 0:35:26 | |
SHE SPEAKS URDU | 0:35:26 | 0:35:29 | |
You know, very friendly words. | 0:35:29 | 0:35:31 | |
And they went to these homes and they would come and greet them | 0:35:31 | 0:35:35 | |
and the women were, "Oh, Urdu! | 0:35:35 | 0:35:38 | |
"That you can speak Urdu. Oh, come, come, come." | 0:35:38 | 0:35:41 | |
And they would let them come in. | 0:35:41 | 0:35:42 | |
And then the problem was they wouldn't let them go, | 0:35:42 | 0:35:45 | |
because that's the Asian culture, you know, | 0:35:45 | 0:35:47 | |
until they've fed them so much. | 0:35:47 | 0:35:49 | |
It wasn't only new arrivals who had stigma to overcome. | 0:35:54 | 0:35:58 | |
In Sheffield, Peter had served his time and needed to earn money. | 0:35:58 | 0:36:03 | |
The booming youth scene provided the perfect opportunity. | 0:36:03 | 0:36:07 | |
Alongside his brother Geoff, he decided to open a music venue. | 0:36:07 | 0:36:11 | |
That was another club, | 0:36:13 | 0:36:14 | |
I had great times and he helped me when he could - | 0:36:14 | 0:36:18 | |
Pete Stringfellow, | 0:36:18 | 0:36:20 | |
the Mojo Club. | 0:36:20 | 0:36:22 | |
'65 and '66, I was having an absolute ball. | 0:36:24 | 0:36:27 | |
I was having a great time in my King Mojo Club. | 0:36:27 | 0:36:31 | |
I'd got an ear for music. | 0:36:31 | 0:36:32 | |
I heard something, I liked it, I booked them. | 0:36:32 | 0:36:35 | |
In '66, Dave and Paul were working for the electricity board | 0:36:36 | 0:36:40 | |
and the department store C&A, | 0:36:40 | 0:36:42 | |
but they were at the club every night it was open. | 0:36:42 | 0:36:46 | |
Paul even got a job painting psychedelic murals on the wall. | 0:36:46 | 0:36:50 | |
'66, it was a whole world for me. | 0:36:50 | 0:36:53 | |
Tuesdays, Thursdays was records. | 0:36:53 | 0:36:55 | |
Friday, Saturday, Sunday could be live music, a live band. | 0:36:55 | 0:36:59 | |
We got all the top London heights | 0:36:59 | 0:37:01 | |
that we would never have seen in Sheffield. | 0:37:01 | 0:37:03 | |
So we got everybody - Rod Stewart, Elton John... | 0:37:03 | 0:37:06 | |
The Kinks, Pink Floyd, and on and on it goes. | 0:37:06 | 0:37:10 | |
The Who were so loud, | 0:37:10 | 0:37:12 | |
I think you could have heard them in Peterborough. | 0:37:12 | 0:37:14 | |
What do you reckon was one of your favourite nights in the Mojo? | 0:37:16 | 0:37:20 | |
The one that I remember is the Small Faces. | 0:37:20 | 0:37:23 | |
And I'll tell you another one, Ben E King. You know why? | 0:37:23 | 0:37:26 | |
-Because he invited me to sing. -You sang. You sang. | 0:37:26 | 0:37:29 | |
I sang with him, yeah. | 0:37:29 | 0:37:31 | |
I sang with Ben E King, and I can't sing. | 0:37:31 | 0:37:34 | |
It gives you a little idea how big that stage was. Remember? | 0:37:34 | 0:37:37 | |
Well, I couldn't figure out how Little Stevie Wonder | 0:37:37 | 0:37:41 | |
-and his orchestra... -And his orchestra. | 0:37:41 | 0:37:43 | |
..and Ike and Tina Turner and their big band. | 0:37:43 | 0:37:46 | |
-And the Ikettes. -Yeah, how they all fit on. | 0:37:46 | 0:37:49 | |
MUSIC: My Generation by The Who | 0:37:49 | 0:37:51 | |
When the groups weren't playing, you had to fill in time. | 0:37:51 | 0:37:54 | |
I had a piccalilli sandwich eating competition. | 0:37:54 | 0:37:57 | |
I'd have dancing competitions. | 0:37:57 | 0:37:59 | |
Anything to keep them focused, because if you didn't, | 0:37:59 | 0:38:02 | |
a fight would start. | 0:38:02 | 0:38:03 | |
A fight would start, bang, wallop, crash, | 0:38:03 | 0:38:05 | |
and it would only stop when the group came on. | 0:38:05 | 0:38:08 | |
The King Mojo didn't look like any club you'd see today - | 0:38:13 | 0:38:17 | |
a suburban house on a residential street - | 0:38:17 | 0:38:19 | |
but it became the beating heart of the music scene in Sheffield, | 0:38:19 | 0:38:23 | |
and Peter was the king. | 0:38:23 | 0:38:26 | |
We'd invented all-nighters, which came from London - | 0:38:26 | 0:38:29 | |
a club called the Flamingo which had all-nighters | 0:38:29 | 0:38:32 | |
with all the blues boys. | 0:38:32 | 0:38:33 | |
And we were booking some of the biggest soul names in the world | 0:38:33 | 0:38:36 | |
for 4am in the morning, cos there was nowhere else would book them. | 0:38:36 | 0:38:39 | |
Of course, for the few years it was there, | 0:38:39 | 0:38:41 | |
the neighbours were going mad. | 0:38:41 | 0:38:43 | |
They thought they was the almighties. | 0:38:44 | 0:38:47 | |
That's how the Stringfellows worked. | 0:38:47 | 0:38:49 | |
They just wanted to push everyone around. | 0:38:49 | 0:38:52 | |
They didn't think about the children or the old people or anyone else, | 0:38:52 | 0:38:56 | |
or the residents. | 0:38:56 | 0:38:59 | |
The police soon had Peter in their sights, again. | 0:38:59 | 0:39:03 | |
He was back in court, this time to try and save his club. | 0:39:03 | 0:39:07 | |
Everyone outside gets an idea that it's nothing but a dirty cellar, | 0:39:08 | 0:39:11 | |
when, in fact, it's just a wonderland for young people. | 0:39:11 | 0:39:14 | |
They've got to come inside to assess this. | 0:39:14 | 0:39:16 | |
Even the magistrates never came in. | 0:39:16 | 0:39:18 | |
Nobody is interested, that's what it really was. | 0:39:18 | 0:39:20 | |
They just want to get rid of the Mojo, and that's it. | 0:39:20 | 0:39:23 | |
The story goes that the guy was breeding budgies | 0:39:23 | 0:39:26 | |
next door to the yard as you come into the Mojo Club, | 0:39:26 | 0:39:29 | |
and when we went to court and I was asking for | 0:39:29 | 0:39:31 | |
a licence and they were opposing, | 0:39:31 | 0:39:33 | |
and he went up in front of the magistrates | 0:39:33 | 0:39:35 | |
and he actually said, this guy, | 0:39:35 | 0:39:37 | |
"Look, I've been breeding budgies all my life. | 0:39:37 | 0:39:39 | |
"Since that Mojo has had the all-nighters, | 0:39:39 | 0:39:42 | |
"all those eggs have cracked and we've never had a new budgie." | 0:39:42 | 0:39:45 | |
And the magistrate went, "Oh, that's terrible. That's awful." | 0:39:45 | 0:39:49 | |
And they turned the licence down. | 0:39:49 | 0:39:52 | |
I blame the budgies. | 0:39:52 | 0:39:54 | |
The authorities may have been clamping down, | 0:39:56 | 0:39:59 | |
but the genie was out of the bottle. | 0:39:59 | 0:40:01 | |
The morals and attitudes of the older generation | 0:40:01 | 0:40:04 | |
were fast becoming a thing of the past. | 0:40:04 | 0:40:07 | |
After six months of marriage, my husband became allergic to... | 0:40:10 | 0:40:15 | |
-To latex... -Which is... -..so I could no longer use condoms. | 0:40:15 | 0:40:19 | |
We had to start using the pill, and my mum said, | 0:40:19 | 0:40:23 | |
"It's no good going to see your doctor here, | 0:40:23 | 0:40:26 | |
"because she's Catholic and she won't prescribe the pill." | 0:40:26 | 0:40:29 | |
So you went to your doctor, didn't you? | 0:40:29 | 0:40:31 | |
And he said, "Tell Linda to come to me and I'll prescribe it to her," | 0:40:31 | 0:40:35 | |
because I wasn't on his list, and so I didn't get pregnant. | 0:40:35 | 0:40:39 | |
Chris and Linda weren't the only ones looking for medical advice. | 0:40:47 | 0:40:51 | |
In Liverpool, Pete and his mum had booked an appointment with her GP. | 0:40:51 | 0:40:55 | |
We went to the doctor because it was seen as a medical problem. | 0:40:57 | 0:41:00 | |
The doctor informed my mother that I could be cured of | 0:41:00 | 0:41:03 | |
being a homosexual. | 0:41:03 | 0:41:06 | |
There was a treatment, if I went to a mental institute in Chester. | 0:41:06 | 0:41:11 | |
They put me into this place with a false name, | 0:41:11 | 0:41:15 | |
which I had to have, a false name, because I was a criminal. | 0:41:15 | 0:41:19 | |
And then the big day came when I had to have my treatment | 0:41:19 | 0:41:24 | |
and what they did was they recorded me talking about sex for an hour | 0:41:24 | 0:41:30 | |
on a Grundy TK20, | 0:41:30 | 0:41:32 | |
the old tape recorders, I'll always remember that. | 0:41:32 | 0:41:35 | |
And they would ask me everything about sex, | 0:41:35 | 0:41:38 | |
but using the graphic description. | 0:41:38 | 0:41:41 | |
They then put me in a room with no windows with a male nurse | 0:41:41 | 0:41:45 | |
and I was in a bed and I had magazines, dirty magazines. | 0:41:45 | 0:41:49 | |
And then they asked me what I drank, | 0:41:49 | 0:41:51 | |
and I drank Guinness in those days, so there was cases of Guinness. | 0:41:51 | 0:41:55 | |
So, I listen to the tape, drink the Guinness and look at the books, | 0:41:55 | 0:42:00 | |
and halfway through the hour, they injected me, | 0:42:00 | 0:42:03 | |
which made me vomit and also made me go to the toilet. | 0:42:03 | 0:42:08 | |
I sat in my own excrement and my own vomit, and that lasted an hour, | 0:42:08 | 0:42:15 | |
and then they did it again and again and again and for 72 hours. | 0:42:15 | 0:42:22 | |
There wasn't much left of me at the end of it. | 0:42:22 | 0:42:24 | |
I wasn't being cured of being gay. | 0:42:24 | 0:42:27 | |
All I was was lying there thinking, | 0:42:27 | 0:42:30 | |
"I am never going to be seen again alive | 0:42:30 | 0:42:32 | |
"because nobody knows I'm in here cos I'm under a false name. | 0:42:32 | 0:42:35 | |
"I'll never, ever get out of here." | 0:42:35 | 0:42:38 | |
And I was really, really frightened. | 0:42:38 | 0:42:40 | |
That's all I was thinking of, so I said, "I want out." | 0:42:40 | 0:42:43 | |
And from that day onwards, I said, "Enough is enough. | 0:42:43 | 0:42:46 | |
"I've got to try and accept who and what I am." | 0:42:46 | 0:42:48 | |
MUSIC: I Feel Good by James Brown | 0:42:48 | 0:42:50 | |
# Whoa I feel good... # | 0:42:50 | 0:42:54 | |
Mod, rocker, moon maiden or dandy, | 0:42:54 | 0:42:57 | |
your clothes told the world who you were in 1966. | 0:42:57 | 0:43:01 | |
Fashion had exploded into a sea of colour and combustible nylon. | 0:43:01 | 0:43:06 | |
I can't believe I walked down the street in Liverpool | 0:43:07 | 0:43:11 | |
in a pair of blue leather hot pants with Mickey Mouse braces | 0:43:11 | 0:43:16 | |
and a leather cloak, | 0:43:16 | 0:43:17 | |
and I didn't think I was gay. | 0:43:17 | 0:43:19 | |
I thought I was getting away with it. | 0:43:19 | 0:43:21 | |
I really shake my head in disbelief at what I got away with. | 0:43:21 | 0:43:25 | |
# So nice, so nice I got you... # | 0:43:25 | 0:43:27 | |
Pete wasn't the only one stretching his sartorial wings. | 0:43:27 | 0:43:31 | |
Let's be honest, we were all dressing like lunatics. | 0:43:31 | 0:43:34 | |
Well, apart from Chris, maybe. | 0:43:34 | 0:43:37 | |
You had a knitted tie. | 0:43:37 | 0:43:38 | |
I had a knitted tie, yes. | 0:43:38 | 0:43:40 | |
I can still see the knitted tie. | 0:43:40 | 0:43:42 | |
-It was the same width all the way down with a square end. -Bottom. | 0:43:42 | 0:43:47 | |
Well, I was probably just on the transition from corduroy... | 0:43:47 | 0:43:52 | |
to jeans, you know? | 0:43:52 | 0:43:53 | |
I looked fantastic in 1966. | 0:43:53 | 0:43:55 | |
I used to wear all the modern clothes | 0:43:55 | 0:43:57 | |
and my favourite shop was Biba. | 0:43:57 | 0:44:00 | |
Well, here's a little Biba dress, very nice, very simple. | 0:44:00 | 0:44:05 | |
It so revolutionised the whole thing - a very clever lady. | 0:44:05 | 0:44:08 | |
I loved Biba. | 0:44:08 | 0:44:11 | |
They always produced nice swimsuits, I think, in the '60s. | 0:44:11 | 0:44:14 | |
They were quite fashionable, weren't they? | 0:44:14 | 0:44:17 | |
And the bathing hats, they were very flowery. | 0:44:17 | 0:44:20 | |
Lots of hair, lots of eyelashes - | 0:44:20 | 0:44:23 | |
the traditional, iconic Twiggy look. | 0:44:23 | 0:44:26 | |
Very short skirts, but my legs were better then. | 0:44:28 | 0:44:31 | |
They had bikinis, but not me because I've always been quite buxom, | 0:44:33 | 0:44:38 | |
as I would say, and if I dived under a wave, | 0:44:38 | 0:44:41 | |
the bikini wouldn't be there at the top any more, | 0:44:41 | 0:44:44 | |
so I never liked bikinis. | 0:44:44 | 0:44:47 | |
It would be off! | 0:44:47 | 0:44:49 | |
Here's another one, with a short skirt. | 0:44:50 | 0:44:54 | |
and we always had to wear boots with it | 0:44:54 | 0:44:57 | |
because it was the fashion in those days. | 0:44:57 | 0:44:59 | |
We just thought we could do anything. | 0:44:59 | 0:45:01 | |
We were so cocky, it was unbelievable, | 0:45:01 | 0:45:04 | |
and I just thought, | 0:45:04 | 0:45:05 | |
"Well, I might have funny teeth and glasses, | 0:45:05 | 0:45:07 | |
"but, you know, I look great." | 0:45:07 | 0:45:09 | |
But we did look and dress outlandish. | 0:45:09 | 0:45:13 | |
And if you really wanted to look unique, well, | 0:45:14 | 0:45:17 | |
you had to break out the needle and thread. | 0:45:17 | 0:45:18 | |
From the age of 14, | 0:45:21 | 0:45:22 | |
I'd always made loads of my own clothes, | 0:45:22 | 0:45:25 | |
and I didn't want to look like anybody else. | 0:45:25 | 0:45:29 | |
I made myself a silver leather coat, | 0:45:29 | 0:45:31 | |
and it just looked fabulous. | 0:45:31 | 0:45:33 | |
Janet's silver jacket was soon to land her a part | 0:45:36 | 0:45:38 | |
in a legendary film of '66. | 0:45:38 | 0:45:41 | |
Set in swinging London, | 0:45:42 | 0:45:44 | |
Blow-Up follows a young mod photographer in a world of fashion, | 0:45:44 | 0:45:47 | |
pop music and easy sex. | 0:45:47 | 0:45:49 | |
The Italian film director Antonioni was looking for extras | 0:45:51 | 0:45:54 | |
at Janet's university. | 0:45:54 | 0:45:57 | |
He needed to shoot in a nightclub, | 0:45:57 | 0:46:00 | |
and he was using Jeff Beck and the Yardbirds to play in the nightclub, | 0:46:00 | 0:46:05 | |
so he needed a lot of London trendies. | 0:46:05 | 0:46:07 | |
Antonioni picked me out, | 0:46:08 | 0:46:10 | |
and I got to dance with this black guy, | 0:46:10 | 0:46:13 | |
and we got extra money, and I remember the others got the hump | 0:46:13 | 0:46:16 | |
cos I got action. | 0:46:16 | 0:46:18 | |
The others had to stand around, and I was, like, dancing. | 0:46:18 | 0:46:23 | |
'66 may have been swinging for London singles, but in Leicester, | 0:46:25 | 0:46:29 | |
Yasmin realised that her sister's arranged marriage was in trouble. | 0:46:29 | 0:46:33 | |
'When I came here, it was like a grey cloud everywhere, | 0:46:34 | 0:46:38 | |
'and I thought,' | 0:46:38 | 0:46:39 | |
"What's happened to her?", you know? I mean... | 0:46:39 | 0:46:42 | |
this is not normal. | 0:46:42 | 0:46:43 | |
It was great to have her. | 0:46:43 | 0:46:45 | |
If she wasn't there... | 0:46:45 | 0:46:46 | |
..we wouldn't be here today. | 0:46:50 | 0:46:51 | |
SHE CHUCKLES | 0:46:51 | 0:46:53 | |
Yasmin arrived to discover that her Indian brother-in-law | 0:46:53 | 0:46:57 | |
was living with another woman, and had been for years. | 0:46:57 | 0:47:00 | |
My husband wasn't with me, he was with an English woman. | 0:47:01 | 0:47:05 | |
I didn't know. When I came, I found out. | 0:47:05 | 0:47:07 | |
He never stayed with me. | 0:47:07 | 0:47:08 | |
And in fact, I went to see him. | 0:47:08 | 0:47:11 | |
She saw him, she said, | 0:47:11 | 0:47:13 | |
"He's not good for you. | 0:47:13 | 0:47:15 | |
"Just forget him and leave him." | 0:47:15 | 0:47:17 | |
In 1966, Parveen did something unheard of in the Asian community - | 0:47:18 | 0:47:23 | |
she filed for a divorce. | 0:47:23 | 0:47:25 | |
Muslim women, it was unheard. | 0:47:25 | 0:47:28 | |
But what my ex-husband thought - | 0:47:28 | 0:47:31 | |
"She will not do anything, so I'll have English and Asian." | 0:47:31 | 0:47:34 | |
That's what he had in mind, but I said, "No way." | 0:47:34 | 0:47:37 | |
I'd rather be alone than as a second wife. | 0:47:37 | 0:47:40 | |
And I took the... | 0:47:40 | 0:47:43 | |
very difficult decision, but I did. | 0:47:43 | 0:47:46 | |
I think we set the precedent after that, didn't we? | 0:47:47 | 0:47:49 | |
SHE LAUGHS | 0:47:49 | 0:47:51 | |
A lot of Muslim girls started coming out of the deadlock, you know. | 0:47:51 | 0:47:54 | |
They realised that you can do it, you know? | 0:47:54 | 0:47:58 | |
You can't just suffer, while the man is having another woman on the side. | 0:47:58 | 0:48:02 | |
It wasn't just women who were asserting their rights. | 0:48:06 | 0:48:08 | |
In Belfast, sectarian prejudice meant that Catholics | 0:48:09 | 0:48:12 | |
were being treated as second-class citizens. | 0:48:12 | 0:48:14 | |
Jobs were being advertised "Protestant only," | 0:48:15 | 0:48:19 | |
and many Catholic families were living in slum conditions. | 0:48:19 | 0:48:22 | |
But young Catholics in Northern Ireland | 0:48:26 | 0:48:28 | |
were growing in confidence, too. | 0:48:28 | 0:48:30 | |
Queens University student Eamonn McCann picked up a loud-hailer | 0:48:32 | 0:48:36 | |
and started campaigning for change. | 0:48:36 | 0:48:39 | |
'I was perhaps naive and romantic' | 0:48:40 | 0:48:42 | |
to believe that we were about to transcend, | 0:48:42 | 0:48:46 | |
to sweep over the old sectarian divides | 0:48:46 | 0:48:49 | |
because we were young, cool, international people. | 0:48:49 | 0:48:53 | |
Sadly, it wasn't to be, but it was a very attractive idea at the time. | 0:48:53 | 0:48:56 | |
For me, anyway. | 0:48:56 | 0:48:58 | |
Inspired by the civil rights demonstrations in America, | 0:48:59 | 0:49:02 | |
the students saw that peaceful protests could have a huge impact. | 0:49:02 | 0:49:06 | |
There was a tendency always within the Catholic community | 0:49:10 | 0:49:14 | |
to see ourselves as the equivalent of black people | 0:49:14 | 0:49:17 | |
in the United States. | 0:49:17 | 0:49:18 | |
Martin Luther King's speech would have been listened to and read | 0:49:20 | 0:49:23 | |
and celebrated as much, I think, | 0:49:23 | 0:49:26 | |
by young people in Northern Ireland | 0:49:26 | 0:49:27 | |
as by anybody outside the Afro-American people themselves. | 0:49:27 | 0:49:31 | |
The emerging civil rights movement offered many people hope | 0:49:35 | 0:49:39 | |
that change was on the way. | 0:49:39 | 0:49:40 | |
A huge housing estate was even being built on the Falls Road, | 0:49:42 | 0:49:46 | |
to provide better housing for the Catholics there. | 0:49:46 | 0:49:49 | |
Tommy Fisher was eight years old and living nearby | 0:49:50 | 0:49:53 | |
when he saw the Divis flats going up. | 0:49:53 | 0:49:55 | |
People were sold on the idea. It was going to be wonderful. | 0:49:57 | 0:50:00 | |
They were going to have central heating, | 0:50:00 | 0:50:02 | |
they were going to have baths. | 0:50:02 | 0:50:03 | |
A bath! | 0:50:03 | 0:50:04 | |
You know, I don't remember anyone having a bathroom. | 0:50:04 | 0:50:07 | |
You had a tin bath that was put in front of the fire. | 0:50:07 | 0:50:10 | |
Tough luck if you were the last one! | 0:50:10 | 0:50:12 | |
HE CHUCKLES | 0:50:12 | 0:50:13 | |
In 1966, the threat of violence in Northern Ireland felt very far away. | 0:50:15 | 0:50:20 | |
In fact, the province had the lowest crime rates in the whole of the UK. | 0:50:20 | 0:50:25 | |
The peace didn't last long. | 0:50:27 | 0:50:29 | |
In the May of '66, | 0:50:31 | 0:50:33 | |
a loyalist paramilitary group called the UVF re-formed | 0:50:33 | 0:50:36 | |
amid rumours of a resurgence of IRA activity. | 0:50:36 | 0:50:40 | |
By June, they had killed two Catholic civilians - | 0:50:42 | 0:50:45 | |
John Scullion and Peter Ward. | 0:50:45 | 0:50:48 | |
For Eamonn McCann, | 0:50:50 | 0:50:51 | |
the killings seemed like the last gasp of the old sectarian ways. | 0:50:51 | 0:50:56 | |
But others saw what was to come. | 0:50:58 | 0:51:00 | |
My aunt Cissie said to me when we were marching for civil rights - | 0:51:01 | 0:51:04 | |
very, very early days - she said, | 0:51:04 | 0:51:06 | |
"Son, if you keep this up, we'll be burned out of our house." | 0:51:06 | 0:51:10 | |
HE GASPS | 0:51:10 | 0:51:11 | |
"Eh?" She says, "We'll be burned out of our house | 0:51:11 | 0:51:14 | |
"if you people keep up this marching in the streets and causing trouble." | 0:51:14 | 0:51:17 | |
"Yeah, right." | 0:51:17 | 0:51:19 | |
She was right. | 0:51:19 | 0:51:20 | |
She WAS burned out of her house just a couple of years later. | 0:51:20 | 0:51:23 | |
The Divis flats became an iconic image, not of progress, | 0:51:27 | 0:51:31 | |
but of the Troubles in Northern Ireland. | 0:51:31 | 0:51:33 | |
Those shots fired in '66 would echo for another 30 years. | 0:51:36 | 0:51:41 | |
America was influencing Britain in other ways, too. | 0:51:46 | 0:51:49 | |
In London, Geno was finding that his new career as a soul singer | 0:51:51 | 0:51:55 | |
was perfectly timed. | 0:51:55 | 0:51:56 | |
Black American artists were now leading a charge on the charts. | 0:51:58 | 0:52:02 | |
Geno Washington and the Ram Jam Band. | 0:52:03 | 0:52:05 | |
Geno and his Ram Jam Band had become the hottest live act in town. | 0:52:08 | 0:52:13 | |
# You don't know like I know | 0:52:13 | 0:52:15 | |
# What that woman has done for me | 0:52:15 | 0:52:19 | |
# Cos in the morning... # | 0:52:19 | 0:52:20 | |
Geno became the biggest act ever to draw a crowd at the Mojo Club. | 0:52:20 | 0:52:25 | |
We could play him once a month, no problem. | 0:52:25 | 0:52:28 | |
It cannot be denied - we was the best house-rocker. | 0:52:28 | 0:52:32 | |
-Geno! -HE CLAPS RHYTHMICALLY | 0:52:32 | 0:52:34 | |
-Geno! -HE CLAPS RHYTHMICALLY | 0:52:34 | 0:52:35 | |
-Geno! -HE CLAPS RHYTHMICALLY | 0:52:35 | 0:52:38 | |
Geno's reputation as an electrifying live performer | 0:52:38 | 0:52:41 | |
meant that the Ram Jam Band were playing high up | 0:52:41 | 0:52:44 | |
on the festival bills that summer. | 0:52:44 | 0:52:46 | |
I just got me some new clothes out of Carnaby Cavern. | 0:52:46 | 0:52:49 | |
Off Carnaby Street, here. | 0:52:49 | 0:52:51 | |
I'm going to the festival. I'm looking sharp, I'm feeling sharp. | 0:52:51 | 0:52:56 | |
And we get there - the crowd dragged me out of the van | 0:52:56 | 0:53:00 | |
and put me on their shoulders, right? | 0:53:00 | 0:53:02 | |
Now, my trousers are all split, my butt is hanging out and everything. | 0:53:02 | 0:53:08 | |
You know what I mean? | 0:53:08 | 0:53:09 | |
They're carrying me through the audience, about 100 yards there, | 0:53:09 | 0:53:13 | |
and you got the Small Faces, they are playing, right? | 0:53:13 | 0:53:19 | |
Steve Marriott's doing his thing and everything, | 0:53:19 | 0:53:22 | |
and so when they put me up on the stage, he says, | 0:53:22 | 0:53:25 | |
"All right, you want the nigger, you can have him!" | 0:53:25 | 0:53:28 | |
HE LAUGHS | 0:53:28 | 0:53:31 | |
It didn't bother me, you know what I mean? | 0:53:31 | 0:53:34 | |
I was worried more about my trousers! | 0:53:34 | 0:53:37 | |
HE LAUGHS | 0:53:37 | 0:53:38 | |
# Come on, baby | 0:53:38 | 0:53:39 | |
# Come on, baby. # | 0:53:39 | 0:53:41 | |
CHEERING | 0:53:45 | 0:53:46 | |
Yeah! | 0:53:46 | 0:53:47 | |
Geno Washington. | 0:53:47 | 0:53:48 | |
-Do you know why the flags are flying in Birmingham here today? -Yes. | 0:53:53 | 0:53:56 | |
Why is it? | 0:53:56 | 0:53:57 | |
Oh, the World Cup. | 0:53:57 | 0:53:59 | |
You remember the excitement building, cos, | 0:53:59 | 0:54:01 | |
"Oh, we've got through that, we've got through that." | 0:54:01 | 0:54:03 | |
And sort of all of a sudden, we're in the final, aren't we? | 0:54:03 | 0:54:07 | |
And you think, "Oh, wow. | 0:54:07 | 0:54:10 | |
"Oh, we've got to stand a chance." | 0:54:10 | 0:54:12 | |
-Who do you think's going to win? -England, I hope. | 0:54:12 | 0:54:15 | |
Wer den Cup gewinnt? | 0:54:15 | 0:54:18 | |
The German! | 0:54:18 | 0:54:19 | |
World Cup fever had broken into a sweat. | 0:54:19 | 0:54:23 | |
England had got into the final, and the whole world was waiting to see | 0:54:23 | 0:54:27 | |
whether Alf's boys could beat their arch-enemy, West Germany. | 0:54:27 | 0:54:32 | |
I got out of going out to a wedding to watch the World Cup final. | 0:54:32 | 0:54:36 | |
Everybody was sort of full of World Cup football fever. | 0:54:36 | 0:54:40 | |
I wasn't even remotely interested in the World Cup. | 0:54:40 | 0:54:42 | |
In the Midlands, Sandi counted down the days, | 0:54:45 | 0:54:48 | |
waiting for the team to walk onto the pitch | 0:54:48 | 0:54:50 | |
wearing the Puma boots she had helped to make. | 0:54:50 | 0:54:54 | |
But the beautiful game was about to turn ugly. | 0:54:54 | 0:54:58 | |
Rival brand Adidas had offered the England players £1,000 | 0:54:58 | 0:55:02 | |
to wear their boots instead. | 0:55:02 | 0:55:05 | |
Jack Charlton was so annoyed at the dealings | 0:55:05 | 0:55:08 | |
that he threatened to wear one Puma boot and one Adidas. | 0:55:08 | 0:55:10 | |
The day of the World Cup final arrived. | 0:55:12 | 0:55:15 | |
32 million Brits gathered around television sets to watch the game. | 0:55:15 | 0:55:20 | |
For the eagle-eyed, it looked like a clean sweep for Adidas, | 0:55:20 | 0:55:25 | |
but not quite. | 0:55:25 | 0:55:26 | |
One key player was wearing Puma boots. | 0:55:26 | 0:55:30 | |
I think the only person that actually wore those boots | 0:55:30 | 0:55:34 | |
was Gordon Banks, which was the goalkeeper. | 0:55:34 | 0:55:37 | |
I know he definitely had Puma boots, | 0:55:37 | 0:55:39 | |
cos I was quite a fan of Gordon Banks. | 0:55:39 | 0:55:41 | |
SHE CHUCKLES | 0:55:41 | 0:55:42 | |
I thought he was quite cute, the goalkeeper. | 0:55:42 | 0:55:45 | |
Even if you weren't rooting for England, for those 120 minutes, | 0:55:49 | 0:55:53 | |
the eyes of the world were on Britain, | 0:55:53 | 0:55:56 | |
in a year when more than just a football match hung in the balance. | 0:55:56 | 0:56:01 | |
It's the equaliser! | 0:56:01 | 0:56:02 | |
The first time I went to London, I got to Euston Station, | 0:56:02 | 0:56:06 | |
I took my coat off, put it on my shoulders, | 0:56:06 | 0:56:09 | |
got my cigarette holder out, and I minced down the platform, | 0:56:09 | 0:56:14 | |
and I was home. | 0:56:14 | 0:56:15 | |
We were taking control of our destiny. | 0:56:15 | 0:56:19 | |
It's in! | 0:56:19 | 0:56:20 | |
I went home, and my mother was shoving washing in the machine, | 0:56:22 | 0:56:26 | |
and I just looked at her and went, "Well, that's it, I'm off." | 0:56:26 | 0:56:29 | |
I just got a bag of stuff and walked out, | 0:56:29 | 0:56:32 | |
and I never went back home after that. | 0:56:32 | 0:56:34 | |
'66 put us on the path to the lives we live today. | 0:56:34 | 0:56:38 | |
A live album. | 0:56:45 | 0:56:46 | |
Cool. It sold. | 0:56:46 | 0:56:48 | |
"It sold?! Did it? | 0:56:48 | 0:56:49 | |
-"What, it sold?!" -HE LAUGHS | 0:56:49 | 0:56:52 | |
It kept bouncing from number two to five for 42 weeks. | 0:56:52 | 0:56:59 | |
We were making choices that would shape our entire lives. | 0:56:59 | 0:57:04 | |
Geoff Hurst saw an opening in the defence and achieved the hat-trick! | 0:57:04 | 0:57:07 | |
For Terri and her boyfriend Dave, | 0:57:10 | 0:57:12 | |
that day would stay with them forever. | 0:57:12 | 0:57:15 | |
'Dave walked me back to my little tiny poky chalet,' | 0:57:15 | 0:57:19 | |
and he proposed to me that night, | 0:57:19 | 0:57:22 | |
and I think it was because we were just on a bit of a high, really. | 0:57:22 | 0:57:25 | |
That was my sort of recollection of the World Cup, | 0:57:25 | 0:57:28 | |
was me getting engaged, really. | 0:57:28 | 0:57:30 | |
That was far more important to me than the World Cup. | 0:57:30 | 0:57:33 | |
It was lovely. | 0:57:33 | 0:57:34 | |
You know what? | 0:57:41 | 0:57:42 | |
SHE LAUGHS | 0:57:42 | 0:57:44 | |
They may have thought it was all over... | 0:57:44 | 0:57:46 | |
THEY LAUGH | 0:57:46 | 0:57:48 | |
But actually... | 0:57:48 | 0:57:49 | |
Oh, yeah... | 0:57:49 | 0:57:50 | |
..it had only just begun. | 0:57:50 | 0:57:52 | |
1966 changed our lives completely. | 0:57:53 | 0:57:56 | |
We're where we are today because of 1966, aren't we? | 0:57:56 | 0:57:59 | |
And you won the World Cup. | 0:58:00 | 0:58:02 | |
And West Ham won the World Cup. | 0:58:02 | 0:58:04 | |
# ..thunder | 0:58:04 | 0:58:06 | |
# Lightning | 0:58:06 | 0:58:08 | |
# The way you love me is frightening | 0:58:08 | 0:58:12 | |
# I'd better knock | 0:58:12 | 0:58:14 | |
# On wood | 0:58:14 | 0:58:17 | |
# Baby | 0:58:17 | 0:58:19 | |
# I'm not superstitious | 0:58:23 | 0:58:25 | |
# About you | 0:58:25 | 0:58:28 | |
# But I can't take no chance... # | 0:58:28 | 0:58:31 |